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1
00:01:35,596 --> 00:01:36,597
MR. ASBY.
2
00:01:39,057 --> 00:01:39,808
IT'S ME, JESSE.
3
00:01:39,933 --> 00:01:41,893
JUST, UH, GO ABOUT
WHAT YOU'RE DOING.
4
00:03:17,280 --> 00:03:18,323
Asby: Hello?
5
00:03:19,116 --> 00:03:20,200
Hello?
6
00:03:21,326 --> 00:03:22,326
John?
7
00:03:23,078 --> 00:03:24,079
John?
8
00:03:25,163 --> 00:03:26,498
Can you hear me?
9
00:03:27,874 --> 00:03:29,000
John!
10
00:03:29,835 --> 00:03:31,545
What's the matter?
John!
11
00:03:33,171 --> 00:03:34,715
Answer me... John!
12
00:03:35,298 --> 00:03:36,508
Can you hear me?
13
00:03:37,926 --> 00:03:40,345
John, are you there?
14
00:03:40,721 --> 00:03:41,722
YEAH.
15
00:03:42,431 --> 00:03:43,807
I GOTTA SEE YOU.
16
00:03:45,100 --> 00:03:45,934
IS THIS CAL?
17
00:03:46,059 --> 00:03:47,102
It's me.
18
00:03:49,271 --> 00:03:50,397
IT'S YOUR BROTHER.
19
00:03:51,565 --> 00:03:52,733
DOES HE KNOW YOU'RE HERE?
20
00:03:52,858 --> 00:03:54,109
MNH-MNH.
21
00:03:55,819 --> 00:03:58,071
AT 2:00 IN THE MORNING, MAN?
22
00:03:58,488 --> 00:04:00,031
I'M AT THE OFFICE.
23
00:04:00,365 --> 00:04:02,033
That's your problem, baby.
24
00:04:02,200 --> 00:04:03,285
WHERE YOU BEEN ALL DAY?
25
00:04:03,702 --> 00:04:04,786
AROUND.
26
00:04:05,245 --> 00:04:06,997
I've been trying to reach you.
27
00:04:07,622 --> 00:04:11,418
I PUT $5,000 IN YOUR BANK
ACCOUNT THIS AFTERNOON...
28
00:04:11,668 --> 00:04:12,794
PAYMENT IN ADVANCE.
29
00:04:13,044 --> 00:04:14,171
FOR WHAT?
30
00:04:14,838 --> 00:04:17,048
Pick me up... now.
31
00:04:17,257 --> 00:04:19,342
I'm in deep trouble.
32
00:04:20,302 --> 00:04:21,636
WHAT'S UP?
33
00:04:22,304 --> 00:04:23,972
GET HERE... FAST,
34
00:04:24,514 --> 00:04:26,475
AND I'LL TELL YOU
WHEN I SEE YOU.
35
00:04:27,476 --> 00:04:28,602
YEAH, OKAY.
36
00:04:28,894 --> 00:04:31,438
I'VE BEEN TRYING TO REACH
MY SISTER ARNA...
37
00:04:31,646 --> 00:04:32,647
GOT TO WARN HER.
38
00:04:32,898 --> 00:04:34,232
Have you heard from her?
39
00:04:34,900 --> 00:04:36,651
I THINK I CAN PUT
A HAND ON HER.
40
00:04:39,196 --> 00:04:41,615
IF YOU CAN REACH HER,
TELL HER TO GET HOME,
41
00:04:41,865 --> 00:04:43,700
KEEP THE DOORS LOCKED
TILL WE GET THERE.
42
00:04:44,868 --> 00:04:45,952
YEAH, OKAY.
43
00:06:26,052 --> 00:06:27,052
NOW, LOOK HERE.
44
00:06:53,204 --> 00:06:55,874
THAT MAN'S TROUBLE!
HE'S BEEN TO MY HOUSE!
45
00:07:34,037 --> 00:07:36,289
HE'LL PUT A HOLE
IN YOUR SOUL, HONEY!
46
00:09:29,611 --> 00:09:31,946
CHECK TO SEE IF THERE ARE
ANY OTHER BODIES INSIDE.
47
00:09:42,582 --> 00:09:45,335
LOOKS LIKE CAL ASBY TO ME.
WHAT'S HE LOOK LIKE TO YOU?
48
00:09:46,336 --> 00:09:47,837
WHAT'S LEFT OF HIM.
49
00:09:48,880 --> 00:09:51,091
MAYBE YOU TWO HAD
A LITTLE CONVERSATION
50
00:09:51,216 --> 00:09:52,216
BEFORE THIS HAPPENED.
51
00:09:54,552 --> 00:09:56,054
WHAT DID HE TELL YOU, SHAFT?
52
00:09:56,513 --> 00:09:58,139
"STAY AWAY
FROM BLACK HONKIES
53
00:09:58,264 --> 00:10:00,600
WITH BIG, FLAT FEET."
54
00:10:18,326 --> 00:10:20,537
LOOK LIKE THERE'S
ONLY ONE DEAD, CAPTAIN.
55
00:10:55,655 --> 00:10:58,324
I WAS HOPING MAYBE YOU COULD
SHED SOME LIGHT ON THAT.
56
00:11:06,499 --> 00:11:08,376
HE NEVER HURT ANYONE
IN HIS LIFE.
57
00:11:09,335 --> 00:11:11,212
HE LOVED THIS COMMUNITY,
58
00:11:11,379 --> 00:11:13,298
AND EVERYBODY HERE
LOVED HIM.
59
00:11:13,798 --> 00:11:15,592
HE WAS PLANNING
TO BREAK GROUND
60
00:11:15,675 --> 00:11:18,261
FOR THAT CHILDCARE CLINIC
OVER IN HARLEM
61
00:11:18,386 --> 00:11:20,013
SOMETIME NEXT MONTH.
62
00:11:22,015 --> 00:11:23,099
BUT NOW...
63
00:11:24,100 --> 00:11:25,351
AND HOW DID YOU FEEL
ABOUT THAT?
64
00:11:26,060 --> 00:11:29,397
WITH HIM... ALL THE WAY.
65
00:11:29,772 --> 00:11:31,524
DON'T SHIT ME, KELLY.
66
00:11:32,859 --> 00:11:33,979
YOU FOUGHT HIM
TOOTH AND NAIL
67
00:11:34,027 --> 00:11:35,904
ABOUT LAYING BREAD
ON THAT GHETTO CLINIC.
68
00:11:59,177 --> 00:12:01,471
HEY, UM, FELLAS...
69
00:12:02,430 --> 00:12:04,057
HELP ME MOVE THIS NEXT DOOR.
70
00:12:04,307 --> 00:12:06,309
AFTER ALL,
I CAN'T LEAVE IT HERE.
71
00:12:07,727 --> 00:12:08,811
OKAY?
72
00:12:16,653 --> 00:12:18,321
YEAH, RIGHT THERE IS FINE.
73
00:12:19,739 --> 00:12:20,823
THANKS A LOT.
74
00:12:21,157 --> 00:12:22,176
WOULD YOU, UH,
CLOSE THE DOOR
75
00:12:22,200 --> 00:12:23,409
ON YOUR WAY OUT, PLEASE?
76
00:14:24,447 --> 00:14:25,698
AHHH.
77
00:14:28,534 --> 00:14:30,036
WELL, LISTEN,
BEFORE I FORGET...
78
00:14:31,162 --> 00:14:34,040
HAVE JACK CHECK THOSE TWO
FRONT DOORS ON THE CHOPPER.
79
00:14:34,499 --> 00:14:36,459
WHAT THE HELL YOU GOT
THE IDIOT THERE FOR, ANYWAY?
80
00:14:37,335 --> 00:14:38,127
BECAUSE HE'S THE BEST.
81
00:14:38,252 --> 00:14:40,129
WHAT DO YOU THINK
I'VE GOT HIM THERE FOR?
82
00:15:49,532 --> 00:15:51,325
SORRY, GUS.
I'LL GO USE THE PHONE...
83
00:15:51,451 --> 00:15:52,660
IN THE BEDROOM.
84
00:16:54,472 --> 00:16:56,140
KELLY SAYS THE SAFE'S EMPTY.
85
00:16:58,100 --> 00:16:58,768
GUS!
86
00:16:58,935 --> 00:17:00,269
DO YOU HEAR ME?
87
00:17:00,978 --> 00:17:03,022
KELLY SAID THE SAFE'S EMPTY.
88
00:17:19,622 --> 00:17:20,623
POUR.
89
00:17:23,960 --> 00:17:24,794
I DON'T UNDERSTAND
90
00:17:24,919 --> 00:17:27,129
HOW KELLY SAYS
THE SAFE IS EMPTY.
91
00:17:28,548 --> 00:17:33,386
DID YOU ASK MR. KELLY
TO POP... BY?
92
00:17:33,886 --> 00:17:35,012
YES.
93
00:17:35,638 --> 00:17:38,766
I TOLD HIM IF HE DIDN'T HAVE
THE $250,000,
94
00:17:38,891 --> 00:17:40,768
I'D PERSONALLY HAVE HIS ASS.
95
00:17:41,060 --> 00:17:44,397
POSSIBLY MR. KELLY NEEDS
A LITTLE MORE TIME, HMM?
96
00:17:44,897 --> 00:17:46,857
YOU SHOULDN'T CROWD
PEOPLE, ANDY.
97
00:17:46,983 --> 00:17:48,192
IT'S NOT COOL.
98
00:17:48,401 --> 00:17:51,320
YOU, UH, GOT TO GIVE A MAN
A LITTLE ELBOW ROOM.
99
00:17:51,445 --> 00:17:52,863
YEAH, I'LL GIVE HIM
ELBOW ROOM...
100
00:17:53,030 --> 00:17:54,365
BLACK SON OF A BITCH!
101
00:17:54,490 --> 00:17:56,576
UNH-UNH-UNH-UNH-UNH.
102
00:17:56,701 --> 00:17:59,412
YOU HAVE A TENDENCY
TO OVERREACT, ANDREW.
103
00:17:59,829 --> 00:18:02,665
YOU SEE, MR. KELLY MEANS
104
00:18:02,790 --> 00:18:05,167
NOT ONLY THE QUARTER OF
A MILLION DOLLARS HE OWES ME.
105
00:18:05,293 --> 00:18:08,588
BUT REMEMBER...
HE'S GOT THE KEY TO QUEENS.
106
00:18:10,715 --> 00:18:11,924
RELAX.
107
00:18:12,883 --> 00:18:13,968
RELAX.
108
00:20:06,288 --> 00:20:08,332
I DON'T WANT TOO MANY BOYS
HANGING AROUND.
109
00:20:08,708 --> 00:20:09,708
THEY WON'T BE THERE.
110
00:20:09,750 --> 00:20:11,460
ALL RIGHT.
MAKE SURE THEY'RE NOT THERE.
111
00:20:11,585 --> 00:20:12,878
WHAT ARE YOU WUSSES
DOING HERE?
112
00:20:13,170 --> 00:20:14,505
WELL, WELL.
113
00:20:15,131 --> 00:20:17,133
YOU GO TO A LOT
OF FUNERALS, SHAFT.
114
00:20:17,550 --> 00:20:18,592
WILLY AND ME,
115
00:20:19,135 --> 00:20:21,429
ONE DAY
WE'LL DROP IN ON YOURS.
116
00:20:21,637 --> 00:20:23,139
REAL SOON.
117
00:20:24,223 --> 00:20:25,223
YOU'RE NOT INVITED.
118
00:20:25,307 --> 00:20:26,016
IN THAT CASE,
119
00:20:26,142 --> 00:20:28,602
WE'LL SEND YOU A WREATH...
WITH LOVE.
120
00:20:29,145 --> 00:20:30,438
HEH HEH HEH.
121
00:20:34,859 --> 00:20:36,944
WHAT ABOUT ASBY
AND THOSE NUMBERS?
122
00:20:37,069 --> 00:20:39,363
WHAT ARE WE GONNA DO
ABOUT THAT BUSINESS?
123
00:20:39,488 --> 00:20:40,698
AIN'T OUR WAR, WILLY.
124
00:20:42,032 --> 00:20:43,951
KELLY'S IN CHARGE NOW.
125
00:20:44,285 --> 00:20:46,620
WE GOT ENOUGH TROUBLES
OF OUR OWN.
126
00:21:23,365 --> 00:21:24,575
OH, MY GOD.
127
00:21:25,159 --> 00:21:26,911
OH, MY GOD, WHAT HAPPENED?!
128
00:21:45,429 --> 00:21:46,429
KEEP AN EYE ON HER.
129
00:21:46,555 --> 00:21:47,555
YEAH.
130
00:22:08,869 --> 00:22:10,037
AAAH!
131
00:22:21,298 --> 00:22:23,384
RIGHT ON TIME, MR. KELLY.
132
00:22:24,593 --> 00:22:26,136
JUST TRYING TO HELP, MAN.
133
00:22:27,429 --> 00:22:28,472
YEAH, RIGHT.
134
00:22:30,599 --> 00:22:32,017
LOOK, DO ME A FAVOR...
135
00:22:32,768 --> 00:22:33,936
IF YOU GET A MOMENT,
136
00:22:34,103 --> 00:22:36,272
LET ME TAKE A LOOK AT THOSE
PARTNERSHIP PAPERS, OKAY?
137
00:22:36,355 --> 00:22:37,355
OKAY.
138
00:23:02,172 --> 00:23:04,550
I WANNA THANK YOU FOR
BEING SO HELPFUL, MR. KELLY.
139
00:23:05,259 --> 00:23:08,053
AT A TIME LIKE THIS, JOHN,
IT'S THE LEAST I CAN DO.
140
00:23:09,555 --> 00:23:10,824
ARNA TELLS ME
YOU'RE GONNA BE HANDLING
141
00:23:10,848 --> 00:23:11,932
HER END OF THE BUSINESS.
142
00:23:12,433 --> 00:23:14,768
YOU DON'T HAVE ANY OBJECTIONS
TO THAT, DO YOU?
143
00:23:15,644 --> 00:23:16,937
NO, NO.
144
00:23:17,605 --> 00:23:19,833
FACT IS, I FIGURED SINCE YOU'RE
IN SUCH A BEREAVED STATE,
145
00:23:19,857 --> 00:23:22,359
I MIGHT HANG AROUND
AND KINDA HELP YOU OUT.
146
00:23:23,193 --> 00:23:24,462
WHO KNOWS?
BETWEEN THE TWO OF US,
147
00:23:24,486 --> 00:23:27,489
MAYBE WE CAN FIGURE OUT
WHO KNOCKED OFF CAL.
148
00:23:43,213 --> 00:23:44,298
SHAFT.
149
00:23:45,424 --> 00:23:46,424
YEP.
150
00:23:47,593 --> 00:23:48,969
LATELY
WE SEEM TO BE TRAVELING
151
00:23:49,094 --> 00:23:50,304
IN THE SAME CIRCLES...
152
00:23:50,804 --> 00:23:54,308
BOMBINGS, FUNERALS,
AND HOUSES OF THE DECEASED.
153
00:23:56,644 --> 00:23:57,895
SAD CIRCLES.
154
00:23:58,228 --> 00:24:00,108
LET'S GO DOWN TO THE PRECINCT
AND TALK ABOUT IT.
155
00:24:01,857 --> 00:24:02,857
OKAY, BABY.
156
00:24:03,025 --> 00:24:04,068
GET IN THE VEHICLE.
157
00:24:06,153 --> 00:24:07,488
I GOT MY OWN SHORT.
158
00:24:07,947 --> 00:24:09,031
I'LL FOLLOW YOU.
159
00:24:10,658 --> 00:24:11,658
OKAY.
160
00:25:10,134 --> 00:25:12,428
COME ON, COME ON!
161
00:25:14,221 --> 00:25:15,573
Captain: WHAT THE HELL'S
GOING ON HERE?
162
00:25:15,597 --> 00:25:16,890
CHIEF... HEY, CHIEF,
163
00:25:17,016 --> 00:25:18,183
GET THIS BASTARD
OFF MY BACK.
164
00:25:18,267 --> 00:25:19,685
YOU LITTLE SON OF A BITCH!
165
00:25:20,102 --> 00:25:21,186
TELL HIM I GOT RIGHTS!
166
00:25:22,271 --> 00:25:23,271
WHAT DID HE DO?
167
00:25:23,564 --> 00:25:25,324
THE DELI ON NORTHERN BOULEVARD
FOR 300 BUCKS,
168
00:25:25,441 --> 00:25:27,026
A GAS STATION FOR 27,
169
00:25:27,151 --> 00:25:29,403
THEN HE RAN A STOLEN CHEVY
INTO THE SIDE OF A SQUAD CAR!
170
00:25:29,862 --> 00:25:30,862
I GOT RIGHTS!
171
00:25:31,530 --> 00:25:33,198
FUCK YOUR RIGHTS.
172
00:25:33,782 --> 00:25:34,825
GO SUE THE CITY.
173
00:25:35,409 --> 00:25:36,409
COME ON.
174
00:25:38,537 --> 00:25:40,372
COME ON.
COME ON, KID.
175
00:25:41,915 --> 00:25:43,000
RELAX, HUH?
176
00:25:44,918 --> 00:25:47,379
DON'T YOU KNOW THEY'RE TRYING
TO REHABILITATE YOU HERE?
177
00:25:47,504 --> 00:25:48,714
SHIT.
178
00:25:58,766 --> 00:25:59,516
NOW, YOU LOOK...
179
00:25:59,641 --> 00:26:01,268
YOU TRY ANY OF THAT SHIT
ON ME,
180
00:26:01,685 --> 00:26:03,729
AND NONE OF US
WILL WALK OUT OF THIS ROOM!
181
00:26:04,396 --> 00:26:05,564
COME ON, SHAFT.
182
00:26:09,068 --> 00:26:10,068
SIT DOWN, SHAFT.
183
00:26:11,403 --> 00:26:12,237
I'LL SIT WHEN I'M SURE
184
00:26:12,362 --> 00:26:13,864
THAT APE WILL STAY
IN HIS CAGE.
185
00:26:14,573 --> 00:26:16,575
NOW, WHAT THE HELL
DO YOU WANT WITH ME?
186
00:26:17,117 --> 00:26:19,536
WHAT ARE YOU INTO WITH
CAL ASBY AND JOHNNY KELLY?
187
00:26:19,995 --> 00:26:22,164
I WAS INTO A FUNERAL
FOR AN OLD FRIEND.
188
00:26:23,832 --> 00:26:25,918
HOW'S THAT ANY BUSINESS
OF YOURS?
189
00:26:26,043 --> 00:26:29,004
IT'S BEEN THE BUSINESS
OF EVERY MAN IN THIS BUILDING
190
00:26:29,379 --> 00:26:30,881
EVER SINCE
ASBY AND KELLY SET UP
191
00:26:31,006 --> 00:26:32,758
A NUMBERS RACKET IN QUEENS.
192
00:26:34,760 --> 00:26:36,136
WHAT'S YOUR CONNECTION
WITH IT?
193
00:26:36,470 --> 00:26:37,930
WHAT'S WRONG WITH NUMBERS?
194
00:26:38,889 --> 00:26:40,516
A MAN NEEDS A LITTLE ACTION.
195
00:26:41,433 --> 00:26:43,519
LOOK, YOU GOT OFF-TRACK BETTING
HERE IN NEW YORK,
196
00:26:44,019 --> 00:26:45,604
GOT A LOTTERY SYSTEM
ALL OVER THE WORLD.
197
00:26:46,438 --> 00:26:48,357
EVERYBODY NEEDS A LONG SHOT.
198
00:26:48,732 --> 00:26:49,983
NOW, AIN'T THAT RIGHT,
CAPTAIN?
199
00:26:50,359 --> 00:26:51,568
YOU'RE GONNA MAKE ME THROW UP
200
00:26:51,693 --> 00:26:53,612
IF YOU KEEP LECTURING ME
ON THE PSYCHO-DYNAMICS
201
00:26:53,737 --> 00:26:55,864
OF WHAT PEOPLE NEED.
202
00:26:59,118 --> 00:27:01,453
IT'S AGAINST THE LAW.
THAT'S WHAT'S WRONG WITH IT.
203
00:27:03,038 --> 00:27:06,083
WELL, NOW, I'M GLAD
YOU CLUED ME IN, CAPTAIN.
204
00:27:10,379 --> 00:27:12,131
GET US SOME COFFEE, COOPER.
205
00:27:13,632 --> 00:27:14,967
YOU TALKING TO ME, CAPTAIN?
206
00:27:15,092 --> 00:27:16,593
WHAT DO YOU WANT ME
TO DO, SING?
207
00:27:17,302 --> 00:27:18,303
GET THE COFFEE, MAN.
208
00:27:25,519 --> 00:27:26,519
MAKE MINE BLACK.
209
00:27:33,735 --> 00:27:35,696
YOU DIDN'T HAVE TO SAY THAT
TO COOPER.
210
00:27:38,532 --> 00:27:40,450
SOMETHING JUST CAME OVER ME,
CAPTAIN.
211
00:27:42,035 --> 00:27:43,787
I'M REALLY ASHAMED.
212
00:27:48,792 --> 00:27:50,210
TELL YOU WHAT I GOT,
SHAFT...
213
00:27:52,880 --> 00:27:54,590
YOU JIVIN' ASBY'S SISTER,
214
00:27:55,966 --> 00:27:57,676
HE CATCHES A BOMB,
215
00:27:58,552 --> 00:27:59,761
AND KELLY TAKES OVER.
216
00:28:02,347 --> 00:28:05,058
YOU KNOW, MAYBE YOU TWO
GOT IT BRACKETED.
217
00:28:06,602 --> 00:28:09,271
AND NOW YOU FIGURE
TO RUN THE NUMBERS IN QUEENS.
218
00:28:09,938 --> 00:28:10,938
LIKE THAT SO FAR?
219
00:28:13,942 --> 00:28:14,942
RAP ON.
220
00:28:16,111 --> 00:28:19,531
AND AT THE FUNERAL,
WHO DO I SEE YOU WITH?
221
00:28:19,865 --> 00:28:20,865
BUMPY.
222
00:28:23,493 --> 00:28:26,121
AND YOU FIGURE
I'M BRINGING BUMPY IN.
223
00:28:26,580 --> 00:28:27,664
WHY NOT?
224
00:28:29,958 --> 00:28:32,753
YOU FINGER ASBY
AND BRING IN BUMPY?
225
00:28:35,464 --> 00:28:38,175
YOU PRIVATE SHITS
WILL DO ANYTHING FOR A BUCK.
226
00:28:39,051 --> 00:28:40,636
YOU PULL HARLEM AND QUEENS
TOGETHER,
227
00:28:40,761 --> 00:28:42,304
AND HELL, MAN, YOU'RE FAT.
228
00:28:43,055 --> 00:28:45,432
DO YOU JUST SIT AROUND
AND THINK THESE THINGS UP,
229
00:28:45,599 --> 00:28:48,101
OR DO THEY JUST COME TO YOU
IN A FLASH?
230
00:28:51,730 --> 00:28:54,024
HOW COME WE NEVER HASSLED
CAL ASBY?
231
00:28:55,067 --> 00:28:56,068
GO AHEAD... ASK ME.
232
00:28:57,069 --> 00:28:58,504
YOU NEVER HASSLED HIM
'CAUSE HE'S PROBABLY LAYING
233
00:28:58,528 --> 00:29:01,365
SOME HEAVY BREAD ON YOU GUYS
EVERY MONTH AT THE PRECINCT.
234
00:29:05,035 --> 00:29:06,703
HE RAN A WHEEL, OKAY.
235
00:29:07,955 --> 00:29:09,289
POOR MAN'S RACETRACK,
236
00:29:09,414 --> 00:29:11,541
BUT, MAN,
YOU CAN'T CUT THAT OUT.
237
00:29:14,002 --> 00:29:19,508
BUT HE DIDN'T DEAL IN SHIT
OR WHORES OR LOANSHARKING.
238
00:29:19,841 --> 00:29:21,468
EVERYTHING WAS COOL.
239
00:29:24,429 --> 00:29:28,725
AND NOW, WITH ASBY DEAD
AND KELLY RUNNING THINGS,
240
00:29:29,101 --> 00:29:30,310
WHO KNOWS?
241
00:29:31,436 --> 00:29:33,897
ANYBODY CAN MOVE
INTO THE VACUUM...
242
00:29:34,982 --> 00:29:39,695
MAYBE YOUR PAL BUMPY,
OR MASCOLA FROM DOWNTOWN.
243
00:29:40,112 --> 00:29:41,321
OH, YOU'VE HEARD OF MASCOLA?
244
00:29:42,906 --> 00:29:43,906
YEP.
245
00:29:45,117 --> 00:29:46,535
DOES A LOT OF TV WORK...
246
00:29:46,660 --> 00:29:49,204
EVERY TIME A SENATE
CRIME COMMITTEE IS IN TOWN.
247
00:29:55,085 --> 00:29:56,169
THREE SUGARS...
248
00:29:59,172 --> 00:30:00,257
...WITH CREAM.
249
00:30:02,592 --> 00:30:04,177
SO, WHAT DO YOU WANT
FROM ME, CAPTAIN?
250
00:30:04,303 --> 00:30:05,637
PUT THE WORD OUT...
251
00:30:06,013 --> 00:30:07,389
NOBODY BETTER TRY
TO COME IN HERE
252
00:30:07,514 --> 00:30:09,182
AND MESS UP THE STATUS QUO.
253
00:30:10,767 --> 00:30:13,395
AND NOBODY'S COMING IN HERE
TO SELL SHIT TO OUR KIDS
254
00:30:13,478 --> 00:30:15,022
OR PUT WHORES
ON OUR STREETS.
255
00:30:15,897 --> 00:30:17,733
IS THIS PROGRAM
BEING RECORDED,
256
00:30:17,858 --> 00:30:19,401
OR ARE WE GOING OUT LIVE?
257
00:30:20,944 --> 00:30:22,112
LOOK, MAN...
258
00:30:23,071 --> 00:30:25,198
I CAN COOL YOU OFF
THE OLD-FASHIONED WAY.
259
00:30:25,365 --> 00:30:27,159
WE HAVE A NICE STEEL PAD
BACK THERE.
260
00:30:28,702 --> 00:30:30,662
OKAY. LET'S GO.
261
00:30:38,920 --> 00:30:42,841
BUT I CAN'T BE ANY HELP
TO ANYONE IN A STEEL PAD.
262
00:30:50,432 --> 00:30:53,185
OKAY, SHAFT...
ON THE STREET.
263
00:30:54,603 --> 00:30:55,937
BUT IF YOU'RE SMART,
264
00:30:58,148 --> 00:30:59,441
YOU'LL KEEP IN TOUCH.
265
00:31:17,584 --> 00:31:19,169
ASBY-KELLY MAN.
266
00:31:23,382 --> 00:31:24,633
SANTA CLAUS.
267
00:31:24,758 --> 00:31:26,551
YOU HAVE HIT THE NUMBER,
BROTHER.
268
00:31:27,803 --> 00:31:28,803
COUNT IT.
269
00:31:31,223 --> 00:31:33,558
THANK YOU, BROTHER.
SAME THING TOMORROW, RIGHT?
270
00:31:33,642 --> 00:31:35,060
OKAY.
271
00:31:37,938 --> 00:31:39,606
ASBY-KELLY MAN.
272
00:31:44,736 --> 00:31:45,736
ALL RIGHT, BROTHER.
273
00:31:52,702 --> 00:31:55,163
802 IS THE FIGURE
FOR TODAY, BROTHER.
274
00:31:56,623 --> 00:32:00,252
SEE, THAT'S $3 ON
YOUR WIFE'S BURIAL POLICY...
275
00:32:01,586 --> 00:32:05,549
$1.50 ON YOURS, AND, UH...
276
00:32:05,841 --> 00:32:08,093
SHE SAYS SHE WANTS 717.
277
00:32:08,218 --> 00:32:11,471
717 FOR 50 CENTS.
278
00:32:12,264 --> 00:32:13,390
THANK YOU, BROTHER.
279
00:32:23,108 --> 00:32:24,901
OH, SHHH...
280
00:32:35,120 --> 00:32:36,204
UGH!
281
00:32:38,457 --> 00:32:40,500
HEY, MAN, PLEASE, MAN,
D-D-DON'T SHOOT ME.
282
00:32:40,876 --> 00:32:42,836
HEY, LOOK, MAN,
TAKE THE MONEY.
283
00:32:43,003 --> 00:32:46,173
I GOT A WIFE AND SIX KIDS
AND AN OLD BUICK TO SUPPORT.
284
00:32:46,465 --> 00:32:48,300
YOU WON'T GET HURT
LONG AS YOU KEEP TALKING.
285
00:32:48,967 --> 00:32:50,385
NOW, WHERE'S KELLY
OPERATING OUT OF?
286
00:32:50,552 --> 00:32:51,428
HEY, MAN, I CAN'T...
287
00:32:52,596 --> 00:32:54,222
HEY, PLEASE, BROTHER,
TAKE THE MONEY.
288
00:32:54,347 --> 00:32:55,932
LOOK, MAN,
I'M JUST A RUNNER, MAN.
289
00:32:56,057 --> 00:32:57,057
WHERE?!
290
00:32:57,100 --> 00:32:58,935
HEY, BROTHER, I CAN'T.
KELLY'S GONNA KILL ME.
291
00:32:59,102 --> 00:33:00,270
I SAID, "WHERE?!"
292
00:33:00,520 --> 00:33:04,065
Woman:
293
00:33:15,535 --> 00:33:16,578
Kelly: SHUT UP!
294
00:33:28,757 --> 00:33:31,635
YOU USED TO SAY
I HAD AN OPERATIC VOICE.
295
00:33:32,385 --> 00:33:34,179
YOU WERE GONNA GIVE ME
VOICE LESSONS.
296
00:33:34,304 --> 00:33:36,223
JUST KNOCK IT OFF.
297
00:33:38,099 --> 00:33:39,684
NO DAMN FLUID.
298
00:33:40,810 --> 00:33:42,395
MAYBE IT'S THE WICK.
299
00:33:43,188 --> 00:33:45,857
IT'S THE WICKS
THAT ALWAYS GO FIRST.
300
00:33:48,193 --> 00:33:49,236
BITCH.
301
00:33:51,988 --> 00:33:54,574
YOU GONNA HANG AROUND HERE
ALL DAY AND SHAKE?
302
00:33:54,699 --> 00:33:55,699
LISTEN!
303
00:33:57,452 --> 00:33:59,496
HERE, I PAY THE RENT.
304
00:33:59,621 --> 00:34:01,289
IF I WANNA HANG AROUND
ALL DAY,
305
00:34:01,414 --> 00:34:02,499
THAT'S MY BUSINESS.
306
00:34:02,624 --> 00:34:04,709
YOU THINK I NEED YOU.
307
00:34:07,170 --> 00:34:08,713
I DON'T SEE YOU PACKING.
308
00:34:10,382 --> 00:34:11,883
JUST WATCH!
309
00:34:19,808 --> 00:34:21,268
WHAT THE HELL ARE YOU DOING?
310
00:34:21,393 --> 00:34:22,435
YOU BETTER NOT!
311
00:34:24,771 --> 00:34:26,565
THAT'S JUST FOR OPENERS.
312
00:34:36,491 --> 00:34:37,491
BITCH!
313
00:34:37,909 --> 00:34:38,909
YEAH?
314
00:34:39,411 --> 00:34:40,704
SO?
315
00:34:41,246 --> 00:34:42,539
Oh, it's you.
316
00:34:43,290 --> 00:34:44,457
IT'S ANOTHER DAY GONE BY,
317
00:34:44,583 --> 00:34:46,543
AND WE'RE GETTING NOTHING
BUT WEATHER REPORTS.
318
00:34:46,793 --> 00:34:49,004
EASY ON MR. KELLY, NOW.
319
00:34:49,170 --> 00:34:51,298
LOOK, MAN, I NEED MORE TIME.
320
00:34:52,841 --> 00:34:54,384
YOU HAVE A FRIEND IN COURT.
321
00:34:55,176 --> 00:34:57,387
THE MAN SAYS
TO GO EASY ON YOU.
322
00:34:58,138 --> 00:34:59,740
YOU MIGHT SUGGEST
IF HE'S IN THE NEIGHBORHOOD
323
00:34:59,764 --> 00:35:02,601
HE STOP BY, AND WE, UH,
HAVE A LITTLE CHAT.
324
00:35:04,436 --> 00:35:06,313
THE BOSS SAYS
IF YOU WOULDN'T MIND,
325
00:35:06,688 --> 00:35:09,274
I'D GET YOUR ASS OVER HERE
RIGHT NOW.
326
00:35:10,275 --> 00:35:11,651
NO CLASS...
327
00:35:11,985 --> 00:35:13,737
SIMPLY NO CLASS.
328
00:35:20,702 --> 00:35:22,162
I'LL SEE YOU
IN A COUPLE OF HOURS.
329
00:35:22,871 --> 00:35:25,040
RITA! I SAID I'LL SEE YOU
IN A COUPLE OF HOURS.
330
00:35:26,249 --> 00:35:28,793
MAKE IT A COUPLE OF YEARS.
331
00:36:29,771 --> 00:36:30,563
YES?
332
00:36:30,730 --> 00:36:31,856
Shaft: IS KELLY THERE?
333
00:36:33,233 --> 00:36:35,819
WE DON'T GIVE OUT
THAT KIND OF INFORMATION.
334
00:36:35,944 --> 00:36:38,029
TELL KELLY
THAT JOHN SHAFT WANTS HIM.
335
00:36:39,531 --> 00:36:41,571
AND IF HE'S NOT IN MY OFFICE
BY 5:00 THIS AFTERNOON,
336
00:36:41,616 --> 00:36:44,077
I'M COMING BACK HERE AND TAKING
THIS DOOR OFF THE HINGES.
337
00:36:48,707 --> 00:36:50,625
WHY WAIT TILL 5:00?
338
00:36:52,460 --> 00:36:54,713
OBVIOUSLY YOU'RE NOT
A FRIEND OF THE FAMILY.
339
00:36:55,338 --> 00:36:57,215
NOT ANYMORE, I'M NOT...
340
00:36:59,134 --> 00:37:02,595
NOT AFTER THIS NASTY SLAP
IN THE FACE.
341
00:37:03,805 --> 00:37:05,974
BEST THING FOR THAT
IS AN ICE PACK.
342
00:37:07,767 --> 00:37:10,103
WHY, THANK YOU, MR. SHAFT.
343
00:37:10,979 --> 00:37:14,232
WHY DON'T YOU COME IN
AND SHOW ME HOW TO APPLY IT?
344
00:37:21,197 --> 00:37:22,323
ON SECOND THOUGHT...
345
00:37:24,200 --> 00:37:25,368
NO ICE.
346
00:37:27,704 --> 00:37:29,164
YOU MIGHT CATCH COLD.
347
00:37:33,001 --> 00:37:34,502
I SUPPOSE
IT'S IMMODEST OF ME
348
00:37:34,669 --> 00:37:37,255
TO WALK AROUND LIKE THIS
IN FRONT OF A STRANGER.
349
00:37:40,008 --> 00:37:42,469
BUT ANY ENEMY
OF JOHN KELLY'S
350
00:37:42,594 --> 00:37:44,471
IS AN OLD FRIEND OF MINE.
351
00:37:50,977 --> 00:37:51,977
FUNNY...
352
00:37:53,938 --> 00:37:55,398
I USED TO LOVE THE GUY.
353
00:37:56,941 --> 00:37:59,235
UH, WHEN DO YOU
EXPECT HIM BACK?
354
00:37:59,569 --> 00:38:01,237
I HOPE NEVER.
355
00:38:02,947 --> 00:38:05,158
SO, WHAT AM I DOING
IN A PLACE LIKE THIS?
356
00:38:05,658 --> 00:38:07,202
WHY DON'T YOU TELL ME?
357
00:38:11,039 --> 00:38:12,499
WHY DON'T YOU TAKE
YOUR THINGS OFF?
358
00:38:24,469 --> 00:38:25,470
HEY...
359
00:38:26,221 --> 00:38:27,305
WAIT A MINUTE.
360
00:38:29,390 --> 00:38:31,017
I DIDN'T MEAN ALL THAT.
361
00:38:31,601 --> 00:38:33,645
HEY, BABY, LOOK,
IT'S HOT IN HERE.
362
00:38:34,229 --> 00:38:37,315
BESIDES, I DON'T WANT YOU
TO FEEL... OVERDRESSED.
363
00:38:59,045 --> 00:39:00,755
YOU'LL NEVER GUESS
WHERE WE FOUND IT.
364
00:39:00,922 --> 00:39:02,090
HOW MANY TIMES
HAVE I TOLD YOU
365
00:39:02,215 --> 00:39:03,633
NOT TO FRISK OUR GUESTS,
ANDY?
366
00:39:03,758 --> 00:39:05,301
MR. KELLY IS NO HOODLUM.
367
00:39:05,969 --> 00:39:08,304
YOU'RE SITTING ON MY TABLE,
MR. KELLY.
368
00:39:10,431 --> 00:39:11,599
THAT'S BETTER.
369
00:39:13,142 --> 00:39:13,935
TSK, TSK, TSK, TSK.
370
00:39:14,018 --> 00:39:15,645
NOW, I THOUGHT
THIS WAS GOING TO BE
371
00:39:15,728 --> 00:39:18,022
A FRIENDLY CONVERSATION.
372
00:39:18,231 --> 00:39:20,608
BEEN CARRYING THAT PIECE
SINCE I WAS 10 YEARS OLD.
373
00:39:21,818 --> 00:39:24,404
A LOUSY .25 CALIBER.
374
00:39:25,029 --> 00:39:26,948
ALWAYS FIGURED
HE WAS A FAGGOT.
375
00:39:30,660 --> 00:39:31,660
WATCH IT.
376
00:39:32,871 --> 00:39:35,081
NOW, MR. KELLY,
377
00:39:36,082 --> 00:39:37,834
YOU BRING ME
UP TO THE MOMENT
378
00:39:38,001 --> 00:39:39,127
ON OUR SITUATION.
379
00:39:39,627 --> 00:39:42,213
IT'S NOT GOOD, GUS.
IT'S NOT GOOD AT ALL.
380
00:39:42,463 --> 00:39:44,007
HOW SO, MR. KELLY?
381
00:39:44,090 --> 00:39:46,467
PASCAL, GIVE ME
THE PASTA, HMM?
382
00:39:52,223 --> 00:39:53,766
HE HAD THE MONEY
IN THE SAFE.
383
00:39:54,183 --> 00:39:55,393
YOU'RE SURE ABOUT THAT?
384
00:39:55,727 --> 00:39:58,438
HE SIGNED THE PAPERS.
HE WAS BUYING ME OUT...
385
00:39:58,605 --> 00:39:59,689
IN CASH.
386
00:40:01,608 --> 00:40:03,443
I HAD A COUPLE
OF MY BOYS OUTSIDE.
387
00:40:04,736 --> 00:40:06,654
THEY SAW HIM TAKE
A SHOPPING BAG
388
00:40:06,905 --> 00:40:08,031
AND SOMETHING
OUT OF THE SAFE
389
00:40:08,156 --> 00:40:09,699
AND GO
INTO THE FUNERAL HOME.
390
00:40:10,366 --> 00:40:12,076
THE MONEY MUST HAVE BEEN
IN THAT BAG.
391
00:40:12,201 --> 00:40:14,078
HAS IT OCCURRED TO YOU,
MR. KELLY,
392
00:40:14,203 --> 00:40:15,872
THAT WHEN YOU BLEW UP
YOUR PARTNER
393
00:40:16,039 --> 00:40:18,499
THAT YOU MAY HAVE ALSO
BLOWN UP MY MONEY?
394
00:40:19,500 --> 00:40:21,961
YEAH, I HAD NIGHTMARES
ABOUT THAT, TOO.
395
00:40:22,670 --> 00:40:24,297
BUT THEN I GOT
A PHOTOSTATIC COPY
396
00:40:24,464 --> 00:40:26,174
OF THE BOMB SQUAD REPORT.
397
00:40:26,299 --> 00:40:27,926
THERE WAS NO MONEY
IN THE DEBRIS,
398
00:40:28,051 --> 00:40:30,291
SO I FIGURE IT'S GOTTA BE
SOMEWHERE IN THAT FUNERAL HOME.
399
00:40:32,096 --> 00:40:33,556
MM-HMM.
400
00:40:40,855 --> 00:40:41,648
NICE.
401
00:40:41,773 --> 00:40:42,773
THANK YOU.
402
00:40:43,107 --> 00:40:44,418
I'D INVITE YOU TO DINNER,
MR. KELLY,
403
00:40:44,442 --> 00:40:47,445
BUT I SUGGEST YOU HAVE
MORE... PRESSING ENGAGEMENTS.
404
00:40:47,737 --> 00:40:50,865
LIKE GETTING OUT $250,000...
405
00:40:51,824 --> 00:40:53,284
BY TONIGHT.
406
00:40:53,618 --> 00:40:56,371
THERE YOU GO AGAIN
CREATING PRESSURES,
407
00:40:56,871 --> 00:40:58,539
IMPOSING DEADLINES.
408
00:41:00,083 --> 00:41:01,417
NO, MR. KELLY.
409
00:41:02,085 --> 00:41:02,752
WHAT I HAD IN MIND
410
00:41:02,877 --> 00:41:05,505
WAS SOMETHING
ALTOGETHER DIFFERENT.
411
00:41:06,047 --> 00:41:08,108
YOU SEE, NOT ONLY DO I WANT
THE MONEY YOU GAMBLED AWAY
412
00:41:08,132 --> 00:41:09,133
ON MY CRAP TABLES,
413
00:41:09,258 --> 00:41:12,220
BUT I WANT HALF YOUR ACTION
IN QUEENS.
414
00:41:12,345 --> 00:41:13,179
AW, COME ON, MAN.
415
00:41:13,304 --> 00:41:15,098
OH, COME ON, MAN.
416
00:41:15,598 --> 00:41:18,935
WELL, WE SHOULD MAKE
SUPERB PARTNERS, MR. KELLY.
417
00:41:19,060 --> 00:41:21,479
AFTER ALL,
WE'RE BOTH CREATIVE MEN.
418
00:41:21,980 --> 00:41:24,482
WHO ELSE PLAYS THE CLARINET
BETTER THAN I DO?
419
00:41:24,607 --> 00:41:26,609
OR MAKES A BETTER
SHRIMP NEWBURG, HMM?
420
00:41:26,734 --> 00:41:29,070
NO WAY.
IT'S ALL TIED IN
421
00:41:29,195 --> 00:41:32,281
TO THE INSURANCE AND FUNERAL
OPERATION OUT FRONT.
422
00:41:32,407 --> 00:41:35,410
BESIDES, CAL'S SISTER
OWNS HIS SHARE.
423
00:41:35,702 --> 00:41:38,454
WELL, IF YOU WANT YOUR HALF,
YOU GET IT FROM HER.
424
00:41:38,579 --> 00:41:40,623
YOU HARDLY EXPECT ME
TO GIVE UP MY HALF.
425
00:41:42,542 --> 00:41:43,626
LOOK, MAN...
426
00:41:44,419 --> 00:41:45,211
SHE'S GOT A GUY.
427
00:41:45,336 --> 00:41:47,964
HIS NAME IS JOHN SHAFT,
AND HE'S A BAD DUDE.
428
00:41:48,131 --> 00:41:49,757
I CAN'T MESS WITH HER HALF.
429
00:41:50,133 --> 00:41:51,467
EVER HEAR OF JOHN SHAFT?
430
00:41:54,470 --> 00:41:56,723
YOU SEE, MR. KELLY?
NOTHING TO WORRY ABOUT.
431
00:41:56,848 --> 00:41:59,017
PASCAL HASN'T EVER
EVEN HEARD OF HIM.
432
00:42:00,601 --> 00:42:02,270
HE'S ALREADY INTO IT...
433
00:42:02,770 --> 00:42:04,105
SITTING
ON MY SHOULDERS, GUS.
434
00:42:04,188 --> 00:42:05,815
I CAN'T MAKE A MOVE.
435
00:42:11,779 --> 00:42:13,865
COULD WE BE OF ANY ASSISTANCE
WITH THE PROBLEM...
436
00:42:14,032 --> 00:42:15,676
ASSUMING, OF COURSE,
THAT WE'RE PARTNERS...
437
00:42:15,700 --> 00:42:17,577
50/50... IN YOUR WHEEL?
438
00:42:22,915 --> 00:42:24,834
TRY TO THINK FAST,
MR. KELLY.
439
00:42:31,632 --> 00:42:32,632
HMM?
440
00:42:38,598 --> 00:42:40,058
YOU'LL TAKE CARE OF SHAFT?
441
00:42:40,183 --> 00:42:41,601
DEPEND ON IT.
442
00:45:11,584 --> 00:45:12,293
WHERE THE HELL YOU BEEN
443
00:45:12,418 --> 00:45:14,253
WITH
THE GODDAMNED ELEVATOR?
444
00:45:16,088 --> 00:45:19,300
YOU OUGHTN'T TALK
TO A LADY THAT WAY.
445
00:45:19,800 --> 00:45:22,845
WHERE'S YOUR FUCKING MANNERS,
ANYWAY?
446
00:45:40,571 --> 00:45:42,031
DO YOU HAVE TO GO?
447
00:45:42,657 --> 00:45:43,991
GOTTA SPLIT, BABY.
448
00:46:03,469 --> 00:46:04,262
RITA?
449
00:46:05,972 --> 00:46:07,265
STILL WANNA SEE HIM?
450
00:46:08,641 --> 00:46:10,101
DRIVE THAT CAT CRAZY?
451
00:46:10,434 --> 00:46:12,770
RITA! OPEN THE DOOR.
452
00:46:15,731 --> 00:46:17,024
RITA!
453
00:46:19,068 --> 00:46:21,737
RITA, OPEN THE DAMN DOOR!
454
00:46:21,904 --> 00:46:22,655
GOT A BACK ENTRANCE?
455
00:46:22,780 --> 00:46:23,906
MM-HMM.
456
00:46:24,240 --> 00:46:26,117
RITA, OPEN THE DOOR.
457
00:46:27,785 --> 00:46:29,912
GOD DAMN IT, WOMAN,
OPEN THE FUCKING DOOR!
458
00:46:30,037 --> 00:46:31,580
WHAT'S THE MATTER WITH YOU?
459
00:46:32,707 --> 00:46:34,583
RITA, OPEN
THE GODDAMN DOOR, WOMAN,
460
00:46:34,750 --> 00:46:36,585
BEFORE I KICK
THE SON OF A BITCH IN!
461
00:46:37,295 --> 00:46:39,005
I SAID OPEN THE DOOR!
462
00:46:39,880 --> 00:46:41,924
RITA, OPEN THE DAMN DOOR!
463
00:46:42,049 --> 00:46:43,801
WHAT'S THE MATTER WITH YOU?
464
00:46:43,968 --> 00:46:44,969
RITA?
465
00:46:46,470 --> 00:46:48,264
YOU MEAN THIS DOOR?
466
00:46:52,184 --> 00:46:53,686
CIAO, BABY.
467
00:46:57,815 --> 00:46:59,984
OPEN THE DAMN DOOR!
RITA!
468
00:47:01,193 --> 00:47:03,487
WHAT'S WRONG WITH YOU, WOMAN?
OPEN THE DAMN DOOR!
469
00:47:05,239 --> 00:47:06,699
OPEN THE GODDAMN DOOR!
470
00:47:08,826 --> 00:47:10,178
WHAT THE HELL'S THE MATTER
WITH YOU, WOMAN?
471
00:47:10,202 --> 00:47:11,537
OPEN THIS GODDAMN DOOR!
472
00:47:13,998 --> 00:47:15,750
I'LL KICK
THE SON OF A BITCH IN!
473
00:47:19,003 --> 00:47:20,003
I CAN'T BELIEVE IT,
474
00:47:20,755 --> 00:47:22,173
BUT THERE IT IS IN WRITING.
475
00:47:23,466 --> 00:47:24,592
SORRY, BABY.
476
00:47:25,634 --> 00:47:26,994
I WANTED TO OPEN YOUR EYES
EARLIER.
477
00:47:27,219 --> 00:47:29,099
I WANTED TO LET YOU KNOW
WHAT KELLY'S SCENE WAS.
478
00:47:29,472 --> 00:47:30,890
BUT TO DO THAT,
479
00:47:31,015 --> 00:47:33,100
I HAD TO LET YOU KNOW
WHAT YOUR BROTHER WAS INTO.
480
00:47:34,560 --> 00:47:35,895
IT'S UNBELIEVABLE,
481
00:47:36,020 --> 00:47:38,060
ESPECIALLY WHEN YOU THINK
ABOUT THE CHILDCARE CENTER
482
00:47:38,105 --> 00:47:39,648
HE WAS PLANNING TO BUILD
UP IN HARLEM.
483
00:47:39,857 --> 00:47:41,734
YEAH, YOUR BROTHER
WAS A GOOD MAN.
484
00:47:41,859 --> 00:47:43,819
AT LEAST HE PUT THE MONEY
BACK WHERE IT CAME FROM.
485
00:47:45,738 --> 00:47:47,365
THAT'S MORE THAN I CAN SAY
FOR KELLY.
486
00:47:49,408 --> 00:47:50,534
JOHN...
487
00:47:52,995 --> 00:47:55,081
EXACTLY WHAT
DO THESE PAPERS MEAN?
488
00:47:55,456 --> 00:47:56,582
THAT'S SIMPLE...
489
00:47:56,707 --> 00:47:58,769
KELLY WAS BORROWING MONEY
FROM YOUR BROTHER FOR YEARS
490
00:47:58,793 --> 00:48:00,002
TO PAY OFF
HIS GAMBLING DEBTS.
491
00:48:02,088 --> 00:48:04,048
YOUR BROTHER
FINALLY DREW THE LINE...
492
00:48:04,173 --> 00:48:05,800
THE PAPER'S AN AGREEMENT
FROM KELLY
493
00:48:06,050 --> 00:48:07,635
FOR HIS INTEREST
IN THE BUSINESS...
494
00:48:11,097 --> 00:48:13,766
...IN RETURN FOR $250,000.
495
00:48:14,934 --> 00:48:15,952
IF YOUR BROTHER WERE ALIVE,
496
00:48:15,976 --> 00:48:18,437
KELLY WOULD BE BROKEN...
OUT ON HIS ASS.
497
00:48:20,272 --> 00:48:21,565
THE REST OF IT IS OBVIOUS.
498
00:48:21,732 --> 00:48:23,025
COME ON.
COME ON.
499
00:48:23,984 --> 00:48:24,985
- WHAT IS IT?
- UPSTAIRS.
500
00:48:25,111 --> 00:48:26,237
WHAT IS IT?!
501
00:48:34,036 --> 00:48:35,036
YEAH?
502
00:48:35,121 --> 00:48:36,121
FLOWERS.
503
00:48:36,205 --> 00:48:37,623
JUST LEAVE THEM AT THE DOOR.
504
00:48:37,748 --> 00:48:38,999
SORRY, YOU GOTTA SIGN.
505
00:48:40,334 --> 00:48:41,669
JUST A MINUTE.
506
00:48:52,471 --> 00:48:53,471
HUH!
507
00:49:01,355 --> 00:49:02,565
UGH!
508
00:49:07,903 --> 00:49:09,655
WHO PUT A CONTRACT OUT
ON ME?
509
00:49:23,627 --> 00:49:25,671
ARNA!
GET SOME THINGS TOGETHER,
510
00:49:25,796 --> 00:49:27,339
AND LET'S GET
THE HELL OUT OF HERE.
511
00:49:41,979 --> 00:49:43,189
I WANNA SEE YOUR BOSS.
512
00:49:43,314 --> 00:49:44,440
WHAT ABOUT?
513
00:49:45,065 --> 00:49:46,525
INSURANCE.
514
00:49:46,650 --> 00:49:48,986
THE ONLY INSURANCE HE NEEDS
IS ME, SWEET PEA.
515
00:49:49,111 --> 00:49:50,831
LOOK, I'M NOT HERE
SELLING INSURANCE, CLOWN,
516
00:49:50,905 --> 00:49:52,281
AND YOU KNOW IT.
WHERE IS BUMPY?
517
00:49:52,406 --> 00:49:55,534
AIN'T BUYIN' NO COFFINS,
UNLESS HE'S BUYING YOURS.
518
00:49:55,659 --> 00:49:57,036
Bumpy: BRING HIM IN, WILLY.
519
00:50:00,748 --> 00:50:02,666
HE'S CLEAN, BOSS...
520
00:50:02,958 --> 00:50:05,211
CLEAN AS MR. CLEAN HIMSELF.
521
00:50:05,419 --> 00:50:08,380
"CLEAN" KELLY...
PRISTINE AND CLEAN.
522
00:50:08,547 --> 00:50:09,673
HAVE A DRINK.
523
00:50:10,007 --> 00:50:11,425
THANKS, BUMPY.
524
00:50:11,926 --> 00:50:12,635
TAKE A SEAT.
525
00:50:12,885 --> 00:50:14,678
NO, NO, MAN.
I'M ON THE MOVE.
526
00:50:14,803 --> 00:50:17,306
AIN'T A DAMN THING WRONG
WITH STANDING.
527
00:50:18,474 --> 00:50:20,559
I'VE BEEN EXPECTING YOU,
KELLY.
528
00:50:22,269 --> 00:50:23,349
WHAT KIND OF HELP YOU NEED?
529
00:50:23,604 --> 00:50:25,523
WHAT MAKES YOU THINK
I NEED HELP?
530
00:50:25,773 --> 00:50:28,234
A MAN DON'T COME CALLING
ON HIS COMPETITORS
531
00:50:28,400 --> 00:50:29,443
UNLESS HE NEEDS HELP.
532
00:50:29,568 --> 00:50:31,862
WE'RE NOT COMPETITORS,
BUMPY.
533
00:50:32,112 --> 00:50:34,365
ANYBODY IN MY BUSINESS
IS A COMPETITOR.
534
00:50:34,532 --> 00:50:36,659
A MAN WHO KNOWS MY GAME
CAN ALWAYS COME
535
00:50:36,784 --> 00:50:39,203
INTO MY NEIGHBORHOOD
AND TRY TO PLAY IT.
536
00:50:39,370 --> 00:50:40,955
SO, WHAT DO YOU WANT?
537
00:50:41,080 --> 00:50:43,707
I'M SHOPPING
FOR A NEW PARTNER.
538
00:50:43,832 --> 00:50:45,668
KINDA DANGEROUS
BEING YOUR PARTNER.
539
00:50:47,253 --> 00:50:48,587
HOW MUCH IT GONNA COST ME?
540
00:50:49,547 --> 00:50:50,547
QUARTER OF A MILLION...
541
00:50:50,631 --> 00:50:51,799
UP FRONT.
542
00:50:52,466 --> 00:50:53,801
WHAT DOES THAT BUY ME?
543
00:50:54,468 --> 00:50:56,345
25% OF THE ACTION.
544
00:50:56,720 --> 00:50:57,888
GUS MASCOLA WOULD ASK YOU
545
00:50:58,013 --> 00:51:00,057
FOR A HELL OF A LOT MORE
THAN THAT, BABY.
546
00:51:01,392 --> 00:51:02,476
HOW ABOUT 50%?
547
00:51:04,728 --> 00:51:05,728
NO...
548
00:51:07,439 --> 00:51:10,067
WHY DON'T WE MAKE IT
60% OF THE ACTION?
549
00:51:10,359 --> 00:51:12,069
WHAT'S THAT EXTRA 10%?
550
00:51:12,778 --> 00:51:15,698
JUST IN CASE WE NEED
A CONTRACT ON MASCOLA.
551
00:51:17,241 --> 00:51:19,285
MAN, YOU'RE REALLY PUTTING
THE SCREWS TO ME.
552
00:51:19,410 --> 00:51:21,036
MASCOLA...
HE MIGHT NOT LIKE THE IDEA
553
00:51:21,203 --> 00:51:24,123
OF THIS NEW ARRANGEMENT
BETWEEN BROTHERS.
554
00:51:24,665 --> 00:51:26,625
HE MIGHT WANNA TAKE
A LITTLE COUNTERACTION.
555
00:51:26,750 --> 00:51:28,043
I CAN HANDLE THAT.
556
00:51:28,919 --> 00:51:29,962
BUT, UM...
557
00:51:31,797 --> 00:51:34,758
THERE IS ONE MORE...
LITTLE PROBLEM.
558
00:51:35,217 --> 00:51:37,344
NOTHING WE CAN'T HANDLE
TOGETHER, BROTHER.
559
00:51:38,053 --> 00:51:41,390
NOW, IF, UM, CAL'S LITTLE
SISTER OWNS HALF THE BUSINESS,
560
00:51:41,473 --> 00:51:43,183
AND YOU OWN 60%,
561
00:51:44,143 --> 00:51:46,270
THAT DON'T LEAVE NOTHING
FOR ME.
562
00:51:46,478 --> 00:51:48,647
NOW, LOOK, BABY BOO,
563
00:51:48,939 --> 00:51:51,066
THERE'S TROUBLES
AND TROUBLES,
564
00:51:51,191 --> 00:51:52,776
AND THIS ONE IS YOURS.
565
00:51:53,861 --> 00:51:54,861
WILLY!
566
00:51:55,112 --> 00:51:56,155
Willy: YEAH, BOSS?
567
00:51:56,822 --> 00:51:58,198
WILLY WILL SHOW YOU OUT.
568
00:52:00,534 --> 00:52:02,815
SEE THAT HE GETS THE MONEY
THE FIRST THING IN THE MORNING.
569
00:52:03,203 --> 00:52:04,204
YEAH.
570
00:52:06,665 --> 00:52:07,833
YEAH, OKAY.
571
00:52:19,386 --> 00:52:22,806
BOSS, YOU TRUST
THIS NEGRO HERE?
572
00:52:24,600 --> 00:52:25,809
Bumpy: HOLD IT, WILLY!
573
00:52:31,565 --> 00:52:35,319
YOU DON'T HAVE TO WORRY
ABOUT TRUSTING A DEAD MAN.
574
00:53:54,732 --> 00:53:55,858
CIGARETTE?
575
00:53:56,233 --> 00:53:57,568
NO, THANK YOU, BABY.
576
00:53:57,860 --> 00:53:59,236
WHAT ELSE CAN YOU OFFER ME?
577
00:53:59,903 --> 00:54:02,114
WELL, I'M OFF AT 4:00.
578
00:54:59,546 --> 00:55:01,924
HEY, BABY,
WHERE'S YOUR WOMAN?
579
00:55:02,800 --> 00:55:04,301
I'M TRAVELING
KIND OF LIGHT TONIGHT.
580
00:55:04,802 --> 00:55:06,053
OH?
581
00:55:08,722 --> 00:55:10,390
100 BUCKS SAYS
THAT BACK DOOR DOESN'T LEAD
582
00:55:10,516 --> 00:55:11,600
TO THE PARKING LOT.
583
00:55:18,816 --> 00:55:20,192
I'M NOT A GAMBLING WOMAN.
584
00:55:21,151 --> 00:55:22,236
I'M A GAMBLING MAN.
585
00:55:23,403 --> 00:55:25,447
I THOUGHT IT WAS MY ACTION
YOU WERE DIGGING HERE.
586
00:55:26,240 --> 00:55:28,158
I NEVER TOOK YOU
FOR A GAMBLER.
587
00:55:29,535 --> 00:55:30,536
BUT...
588
00:55:30,702 --> 00:55:32,871
IF THAT'S YOUR MEAT,
THAT'S THE DOOR.
589
00:55:33,455 --> 00:55:35,123
YOU'RE PUSHING
MIGHTY HARD, MY MAN.
590
00:55:38,460 --> 00:55:39,979
MAYBE I OUGHTA PUSH
THE BOYS IN THE BACK
591
00:55:40,003 --> 00:55:41,883
THAT HAVE BEEN TAKING
ALL YOUR MONEY, MR. KELLY.
592
00:55:51,640 --> 00:55:52,724
OKAY.
593
00:55:53,058 --> 00:55:54,369
YOU EXTEND HIM
FOR ANOTHER FIVE GRAND
594
00:55:54,393 --> 00:55:56,770
AND NOT ONE CENT MORE.
DO YOU UNDERSTAND?
595
00:56:00,607 --> 00:56:01,400
OKAY.
596
00:56:01,567 --> 00:56:02,693
Kelly: LISTEN, GUS...
597
00:56:07,030 --> 00:56:08,030
YOU, UM...
598
00:56:08,949 --> 00:56:10,993
YOU TOLD ME YOU WERE GONNA
TAKE CARE OF SHAFT.
599
00:56:11,118 --> 00:56:12,118
THAT'S WHAT I TOLD YOU.
600
00:56:12,369 --> 00:56:13,569
WELL, MAN,
HE'S RIGHT OUT THERE
601
00:56:13,704 --> 00:56:15,038
AT A RINGSIDE TABLE.
602
00:56:15,831 --> 00:56:17,541
AND HE'S NOT HERE
TO SEE THE FLOOR SHOW.
603
00:56:18,000 --> 00:56:19,167
THERE'S GONNA BE TROUBLE.
604
00:56:19,918 --> 00:56:21,587
THAT'S FINE WITH ME.
605
00:56:21,712 --> 00:56:22,754
WE MADE A DEAL.
606
00:56:22,880 --> 00:56:24,214
AND I JUST CALLED IT OFF.
607
00:56:25,257 --> 00:56:26,609
YOU SEE, MR. KELLY,
I MADE A TEST RUN...
608
00:56:26,633 --> 00:56:29,094
A SORT OF A HOUSE CALL...
ON MR. SHAFT.
609
00:56:29,219 --> 00:56:30,387
DIDN'T WORK OUT SO WELL.
610
00:56:31,138 --> 00:56:32,890
IT COST ME
A DEAD SECOND COUSIN
611
00:56:33,265 --> 00:56:36,059
AND A FRIEND'S KID BROTHER
WITH TWO HITS IN THE CHEST.
612
00:56:41,064 --> 00:56:42,733
AREN'T YOU GONNA SETTLE
THE SCORE?
613
00:56:43,066 --> 00:56:44,401
THE QUESTION IS,
614
00:56:44,735 --> 00:56:46,236
WHO IS HE HERE
TO SETTLE WITH...
615
00:56:46,361 --> 00:56:48,113
ME OR YOU?
616
00:56:49,740 --> 00:56:50,860
YOU'RE A GAMBLER, MR. KELLY.
617
00:56:50,908 --> 00:56:51,908
SO AM I.
618
00:56:53,201 --> 00:56:54,745
NOW, I'M BETTING THAT, UH...
619
00:56:55,913 --> 00:56:57,706
YOU'RE SHAFT'S TARGET
FOR TONIGHT.
620
00:56:58,624 --> 00:56:59,976
SUPPOSE I JUST LET HIM
DO HIS THING...
621
00:57:00,000 --> 00:57:01,752
SAY, UH, KNOCK YOU OFF?
622
00:57:02,753 --> 00:57:04,230
AFTER ALL,
YOU'RE THE ONE THAT TOTALED
623
00:57:04,254 --> 00:57:05,589
HIS GIRLFRIEND'S BIG BROTHER.
624
00:57:07,090 --> 00:57:08,508
AND WHEN YOU COME TO THINK
ABOUT IT,
625
00:57:08,675 --> 00:57:10,636
WHY SHOULD I DO ANYTHING
TO KEEP YOU ALIVE?
626
00:57:10,761 --> 00:57:12,864
YOU HAVEN'T EVEN COME UP WITH
THE MONEY YOU OWE ME YET.
627
00:57:12,888 --> 00:57:15,891
TOMORROW, I TOLD YOU!
GOT IT?
628
00:57:16,475 --> 00:57:17,935
HAVE YOU CONSIDERED RENEWING
629
00:57:18,101 --> 00:57:20,312
YOUR PARTNERSHIP
WITH CAL ASBY?
630
00:57:20,479 --> 00:57:21,855
COME ON, MAN.
HE'S DEAD.
631
00:57:23,690 --> 00:57:25,150
PRECISELY.
632
00:57:27,402 --> 00:57:29,279
YOU DON'T KNOW
WHAT THAT DUDE IS INTO.
633
00:57:29,404 --> 00:57:30,614
HE'S BUMPY'S BOY.
634
00:57:31,740 --> 00:57:33,033
UNDERSTAND THAT?
635
00:57:33,158 --> 00:57:35,535
AND THEY'RE LOOKING TO TAKE
OVER MY WHEEL IN QUEENS.
636
00:57:36,536 --> 00:57:37,955
SHAFT IS WORKING FOR BUMPY?
637
00:57:40,999 --> 00:57:42,542
NOW YOU'RE GETTING SMART.
638
00:58:10,570 --> 00:58:11,822
WELL...
639
00:58:13,365 --> 00:58:15,951
WE'LL SEND MR. SHAFT
BACK TO BUMPY
640
00:58:17,327 --> 00:58:19,788
WITH A MESSAGE
THEY UNDERSTAND UPTOWN.
641
00:58:20,539 --> 00:58:21,748
PASCAL...
642
00:58:43,103 --> 00:58:44,438
IT'S IN THERE.
643
00:58:45,188 --> 00:58:46,314
LET HIM IN.
644
00:58:58,994 --> 00:59:00,078
YOU LOOKING FOR ME?
645
00:59:01,997 --> 00:59:03,999
I'VE BEEN HEARING QUITE A BIT
ABOUT YOU, MR. SHAFT.
646
00:59:04,124 --> 00:59:06,001
YOU'RE, UH, QUITE A BOY.
647
00:59:07,335 --> 00:59:09,171
I PREFER MAN.
648
00:59:09,337 --> 00:59:12,424
ALL RIGHT... MAN.
649
00:59:14,718 --> 00:59:16,428
WHAT BRINGS YOU AROUND HERE?
650
00:59:18,680 --> 00:59:21,475
FORGOT TO TIP YOUR BOYS WHEN
THEY DELIVERED THE FLOWERS.
651
00:59:25,020 --> 00:59:26,700
THE ONLY REASON
I DON'T SPILL YOUR GUTS OUT
652
00:59:26,730 --> 00:59:28,398
RIGHT HERE AND NOW, MAN,
653
00:59:28,565 --> 00:59:31,151
IS THAT IT'S EASIER FOR ME
TO SEND YOU BACK TO BUMPY
654
00:59:31,276 --> 00:59:34,029
WITH MY MESSAGE
THAN TO CALL WESTERN UNION.
655
00:59:34,154 --> 00:59:35,739
AND THE MESSAGE IS
656
00:59:35,864 --> 00:59:38,366
YOU KEEP THE HELL
OUT OF QUEENS.
657
01:03:06,199 --> 01:03:08,743
HA HA HA HA HA HA HA HA!
658
01:03:09,035 --> 01:03:11,162
WHAT ROUND
DID YOU GO OUT IN, MAN?
659
01:03:11,621 --> 01:03:13,331
YOU AIN'T AS PRETTY
AS YOU USED TO BE.
660
01:03:14,332 --> 01:03:16,602
Shaft: YOU BETTER SEE A PLASTIC
SURGEON ABOUT YOUR CONDITION.
661
01:03:16,626 --> 01:03:17,836
WHAT CONDITION?
662
01:03:18,003 --> 01:03:19,629
YOUR MOUTH IS TOO CLOSE
TO YOUR ASSHOLE.
663
01:03:19,754 --> 01:03:23,133
SIT DOWN, SHAFT.
SAVE YOUR ENERGY.
664
01:03:23,508 --> 01:03:25,760
THAT'S REAL
PROFESSIONAL WORK.
665
01:03:26,344 --> 01:03:27,178
WHO DID THE JOB?
666
01:03:27,345 --> 01:03:29,931
HE WAS TALKING WHEN HE
SHOULD HAVE BEEN LISTENING.
667
01:03:30,098 --> 01:03:31,099
DUDE NAMED MASCOLA.
668
01:03:31,891 --> 01:03:33,091
FIGURED I WAS WORKING
WITH YOU.
669
01:03:33,226 --> 01:03:35,270
I'M YOUR LIVING MESSAGE.
"STAY OUT OF QUEENS."
670
01:03:35,395 --> 01:03:36,730
THAT'S WHAT THE MAN SAID.
671
01:03:36,855 --> 01:03:38,565
WHAT BUSINESS I GOT
IN QUEENS, WILLY?
672
01:03:39,607 --> 01:03:41,127
KELLY BEEN AROUND HERE
TO SEE YOU LATELY?
673
01:03:41,151 --> 01:03:43,236
LOTS OF CATS
COME AND GO AROUND HERE.
674
01:03:43,361 --> 01:03:44,446
FIGURED YOU OUGHT TO KNOW
675
01:03:44,571 --> 01:03:46,823
KELLY'S BEEN HANGING AROUND
WITH MASCOLA A LOT LATELY.
676
01:03:47,157 --> 01:03:48,825
YEAH, THAT KELLY...
677
01:03:49,409 --> 01:03:50,702
HE'S A BUSY BOY.
678
01:03:51,202 --> 01:03:53,413
DEAL HERE, DEAL THERE, HUH?
679
01:03:56,416 --> 01:03:58,668
UNDESIRABLE CHARACTER.
680
01:03:58,960 --> 01:04:00,503
WAIT OUTSIDE, WILLY.
681
01:04:07,427 --> 01:04:08,845
WHAT DO YOU WANT
FROM ME, SHAFT?
682
01:04:10,555 --> 01:04:11,806
I DIDN'T ASK YOU
FOR ANYTHING.
683
01:04:11,931 --> 01:04:13,558
JUST DELIVERED
MASCOLA'S MESSAGE.
684
01:04:15,226 --> 01:04:16,266
AND I'LL SEE HIM TOMORROW.
685
01:04:37,999 --> 01:04:40,335
THAT DAMN ITALIAN IS SERIOUS.
686
01:04:43,671 --> 01:04:46,257
WILLY, GET YOUR ASS IN HERE!
687
01:04:46,383 --> 01:04:47,884
I'M COMING, BUMPY!
688
01:04:50,303 --> 01:04:53,473
USED TO BE COWBOYS AND INDIANS.
NOW IT'S US AND THEM.
689
01:05:00,063 --> 01:05:01,731
YOU CALL KELLY.
690
01:05:02,732 --> 01:05:04,984
YOU TELL HIM
HIS LOAN'S BEEN CANCELED.
691
01:05:05,402 --> 01:05:07,153
THEN TOMORROW
YOU'LL GO ALONG WITH SHAFT
692
01:05:07,237 --> 01:05:08,822
TO GET THAT MASCOLA,
693
01:05:08,905 --> 01:05:11,908
'CAUSE I WANT HIM BAD...
REAL BAD.
694
01:05:12,200 --> 01:05:13,827
NOW, GET TO IT, BABY.
695
01:05:25,088 --> 01:05:27,632
OH, HONEY,
YOU SURE WERE RIGHT
696
01:05:27,799 --> 01:05:29,259
ABOUT THAT WATER BED.
697
01:05:29,426 --> 01:05:30,552
WOW.
698
01:05:30,885 --> 01:05:33,596
Woman: I THOUGHT
YOU'D DIG THAT, BABY.
699
01:05:33,721 --> 01:05:36,433
$10,000 FOR THIS THING.
YOU'VE GOT TO BE KIDDING.
700
01:05:36,558 --> 01:05:37,392
HO, HO.
701
01:05:37,517 --> 01:05:39,185
HO, HO.
HO, HO, HO.
702
01:05:39,644 --> 01:05:41,688
YOU WANT ME TO LOOK NICE,
DON'T YOU?
703
01:05:42,522 --> 01:05:44,041
WHAT THE HELL DO I CARE
WHAT YOU LOOK LIKE
704
01:05:44,065 --> 01:05:45,692
WITH YOUR CLOTHES ON, HUH?
705
01:05:48,069 --> 01:05:48,903
SERVICE.
706
01:05:52,282 --> 01:05:53,867
HAVEN'T YOU HAD
ENOUGH SERVICE?
707
01:05:54,742 --> 01:05:57,078
ZIP MY DRESS, PLEASE.
708
01:05:59,289 --> 01:06:00,290
YOU KNOW...
709
01:06:01,958 --> 01:06:04,586
I HAVE A TENDENCY
TO SPOIL YOU, BABY.
710
01:06:07,255 --> 01:06:09,674
MMM. DO IT, DO IT, DO IT.
711
01:06:19,559 --> 01:06:22,061
IS THIS TRIP
ABSOLUTELY NECESSARY?
712
01:06:23,938 --> 01:06:25,815
JUST WASH THE WINDOW, MAN.
713
01:06:28,693 --> 01:06:29,861
AHH.
714
01:06:37,577 --> 01:06:39,704
OH. AGAIN?
715
01:06:40,747 --> 01:06:42,165
YOU LOVE IT.
716
01:06:44,334 --> 01:06:45,418
I LOVE IT.
717
01:06:54,010 --> 01:06:55,762
WHAT ARE THEY DOING?
718
01:06:56,971 --> 01:06:58,431
THEY'VE ALREADY DONE IT.
719
01:06:59,599 --> 01:07:00,683
NOW IT'S OUR TURN.
720
01:07:07,941 --> 01:07:09,901
MMM. GOTTA GO.
721
01:07:13,279 --> 01:07:15,240
YOU'RE LOOKIN' GOOD, BABY.
722
01:07:18,159 --> 01:07:19,285
DO YOUR NUMBER.
723
01:07:54,988 --> 01:07:55,863
YOU READY?
724
01:07:55,989 --> 01:07:57,031
YEAH, I'M READY.
725
01:08:18,553 --> 01:08:21,306
I'LL TAKE THE WHITE BOY
AND GIVE ANYBODY $65
726
01:08:21,472 --> 01:08:23,349
THEY DON'T GO
ANOTHER TWO ROUNDS.
727
01:08:25,518 --> 01:08:26,518
OHH!
728
01:08:29,022 --> 01:08:30,273
RUMBLE WITH HIM, JUNIOR.
729
01:08:44,203 --> 01:08:45,705
COME ON, MAN.
730
01:08:46,914 --> 01:08:48,041
COME ON!!
731
01:08:52,462 --> 01:08:54,839
WHAT THE HELL DID YOU COME
ALONG FOR, THE RIDE, MAN?!
732
01:08:54,964 --> 01:08:56,257
I HEARD YOU WAS GOOD,
SHAFT.
733
01:08:56,382 --> 01:08:59,177
I WANNA SEE HOW GOOD
YOU CAN DO YOUR THING.
734
01:09:02,013 --> 01:09:03,306
COME ON!!
735
01:09:12,148 --> 01:09:13,148
AAH!
736
01:09:19,072 --> 01:09:20,072
GOOD, JUNIOR.
737
01:09:34,712 --> 01:09:36,255
THAT'S HOW IT'S DONE,
JUNIOR.
738
01:09:39,467 --> 01:09:41,803
I'D STEP
ON YOUR GODDAMN THROAT,
739
01:09:42,178 --> 01:09:45,181
BUT I'D RATHER SEE YOU AND KELLY
FRY FOR KILLING CAL ASBY.
740
01:09:45,973 --> 01:09:47,600
AND HE'S MY NEXT VISIT.
741
01:09:48,184 --> 01:09:49,185
I OWE IT TO HIM.
742
01:09:50,019 --> 01:09:53,773
YEAH. AND HE OWES ME.
743
01:09:54,107 --> 01:09:56,025
LIKE WHAT, $250 GRAND?
744
01:09:58,236 --> 01:10:00,321
I SEE YOU'VE BEEN DOING
YOUR HOMEWORK, BOY.
745
01:10:06,828 --> 01:10:08,079
LET'S GET THE HELL
OUTTA HERE.
746
01:10:08,329 --> 01:10:10,123
YOU'RE GONNA LEAVE HIM
LIKE THAT?
747
01:10:10,248 --> 01:10:12,709
A MAN CAN FALL
OUT THE WINDOW, YOU KNOW?
748
01:10:14,502 --> 01:10:15,712
AND HIM, TOO.
749
01:10:16,003 --> 01:10:18,464
WE ALREADY GOT ENOUGH SHIT
ON THE SIDEWALK.
750
01:11:14,812 --> 01:11:15,938
I'M SORRY, GUS.
751
01:11:17,523 --> 01:11:19,358
WHERE THE HELL WERE YOU?
752
01:11:20,818 --> 01:11:23,070
YOU SENT ME OUT
TO GET THE PEPPERS.
753
01:11:25,072 --> 01:11:26,574
YOU GET THE REAL HOT ONES?
754
01:11:27,867 --> 01:11:31,204
YEAH, I GOT THE REAL...
GOT THE REAL HOT ONES.
755
01:11:31,370 --> 01:11:32,455
GOOD.
756
01:11:33,706 --> 01:11:35,124
I'LL TELL YOU WHAT YOU DO.
757
01:11:37,794 --> 01:11:39,462
YOU TAKE THEM ONE AT A TIME
758
01:11:41,297 --> 01:11:43,341
AND YOU SHOVE THEM
UP YOUR ASS.
759
01:12:40,273 --> 01:12:41,899
BEEN KEEPING THIS ROOM
CLEAN BACK HERE?
760
01:12:42,024 --> 01:12:43,024
YEAH.
761
01:12:44,652 --> 01:12:46,612
UH, TELL ME, JESSE,
762
01:12:47,280 --> 01:12:50,116
DID YOU SEE MR. ASBY
THE NIGHT THAT HE WAS KILLED?
763
01:12:50,616 --> 01:12:52,618
YEAH. I WAS STRAIGHTENING UP
IN THE CHAPEL,
764
01:12:52,702 --> 01:12:55,955
HEARD SOMEBODY IN HERE,
CAME IN TO SEE.
765
01:12:56,038 --> 01:12:57,456
IT WAS MR. ASBY, ALL RIGHT.
766
01:12:57,582 --> 01:12:58,708
WHAT WAS HE DOING?
767
01:12:59,125 --> 01:13:00,626
JUST STANDING.
768
01:13:00,751 --> 01:13:04,797
MM-HMM. AND DID HE HAVE
ANYTHING WITH HIM?
769
01:13:05,256 --> 01:13:06,591
I DON'T...
770
01:13:07,800 --> 01:13:08,885
YEAH.
771
01:13:10,011 --> 01:13:11,679
I THINK HE DID HAVE
SOMETHING WITH HIM.
772
01:13:12,680 --> 01:13:15,641
YEAH, I REMEMBER...
A SHOPPING BAG...
773
01:13:17,143 --> 01:13:20,146
LIKE HE HAD GONE TO THE STORE
AND WAS TAKING GROCERIES.
774
01:13:20,521 --> 01:13:21,772
GROCERIES?
775
01:13:22,440 --> 01:13:24,233
- THAT COULDN'T BE, THOUGH.
- WELL, WHY NOT?
776
01:13:24,400 --> 01:13:25,902
HE DIDN'T HAVE IT
WHEN HE LEFT.
777
01:13:25,985 --> 01:13:27,278
I CAME OUT TO SAY GOODNIGHT,
778
01:13:27,445 --> 01:13:29,488
BUT HE HAD ALREADY GONE
NEXT DOOR
779
01:13:30,239 --> 01:13:31,741
TO THE INSURANCE OFFICE,
780
01:13:31,866 --> 01:13:33,492
AND HE DIDN'T HAVE IT
WITH HIM THEN.
781
01:13:33,618 --> 01:13:35,953
HMM. THAT'S FUNNY.
782
01:13:39,498 --> 01:13:41,584
NOTHING IN THERE, MR. KELLY.
783
01:13:41,834 --> 01:13:45,004
I DUST AND VACUUM THESE BOXES
TWICE EVERY WEEK.
784
01:13:45,463 --> 01:13:46,839
MM-HMM.
785
01:13:47,256 --> 01:13:49,175
AND THEY'RE ALL
STILL HERE...
786
01:13:50,509 --> 01:13:51,510
EXCEPT THE ONE OVER THERE
787
01:13:51,677 --> 01:13:53,721
THAT POOR MR. ASBY
WAS BURIED IN.
788
01:13:58,601 --> 01:13:59,727
THANK YOU, JESSE.
789
01:14:01,646 --> 01:14:02,897
THANK YOU VERY MUCH.
790
01:15:11,757 --> 01:15:13,134
Bollin: STAY ON THAT TAIL.
791
01:15:59,638 --> 01:16:00,681
Bollin: HEY, SHAFT...
792
01:16:02,099 --> 01:16:03,559
WHAT THE HELL DO YOU WANT?
793
01:16:06,062 --> 01:16:08,189
I THOUGHT WE WAS GONNA
KEEP IN TOUCH.
794
01:16:08,481 --> 01:16:09,732
DIDN'T YOU GET MY MESSAGE?
795
01:16:11,150 --> 01:16:12,943
I LEFT IT
ON CAL'S DOORSTEP.
796
01:16:13,235 --> 01:16:14,235
YEAH.
797
01:16:15,571 --> 01:16:16,571
WHERE'S ARNA ASBY?
798
01:16:18,365 --> 01:16:20,659
YOU SHOULD HAVE ASKED
THAT QUESTION YESTERDAY,
799
01:16:20,785 --> 01:16:22,828
BEFORE MASCOLA
SENT HER FLOWERS.
800
01:16:23,037 --> 01:16:24,830
I'M ASKING YOU NOW.
801
01:16:25,998 --> 01:16:28,167
ARE YOU GONNA PROTECT HER,
OR ARE YOU GONNA HASSLE HER?
802
01:16:28,876 --> 01:16:30,377
YOU LEAVE THAT TO ME.
803
01:16:31,212 --> 01:16:34,757
I KNOW SHE'S HERE IN YOUR PAD,
AND I'M GONNA SEE HER.
804
01:16:34,882 --> 01:16:36,092
OPEN IT UP.
805
01:16:37,301 --> 01:16:38,427
BE MY GUEST.
806
01:17:03,869 --> 01:17:04,703
SON OF A BITCH!
807
01:17:04,870 --> 01:17:06,080
SHE'LL GO TO JAIL FOR THAT.
808
01:17:06,205 --> 01:17:07,706
TOLD YOU
SHE DIDN'T WANNA TALK.
809
01:17:08,457 --> 01:17:09,792
WAIT A MINUTE,
WAIT A MINUTE.
810
01:17:09,917 --> 01:17:12,378
THAT'S A VERY IMPORTANT
BLACK LADY IN THERE,
811
01:17:13,003 --> 01:17:15,131
AND YOU WOULDN'T WANT
HER DEATH ON YOUR RECORD...
812
01:17:15,256 --> 01:17:17,716
ESPECIALLY
AFTER PROTECTING HER SO.
813
01:17:20,344 --> 01:17:21,762
OPEN THIS DOOR, MISS ASBY!
814
01:17:22,346 --> 01:17:23,389
THIS IS CAPTAIN BOLLIN.
815
01:17:23,514 --> 01:17:26,225
YOU GET AWAY FROM THERE!
I DON'T KNOW WHO YOU ARE!
816
01:17:27,893 --> 01:17:30,146
I'LL BE BACK WITH A WARRANT
AND WITNESSES.
817
01:17:31,313 --> 01:17:32,857
YOU TWO BETTER BE HERE.
818
01:17:38,904 --> 01:17:39,904
IT'S ME, BABY.
819
01:17:48,164 --> 01:17:49,790
YOU ALMOST SHOT A CAPTAIN.
820
01:17:53,961 --> 01:17:56,338
MAN'S GONNA BE BACK HERE
WITH A WARRANT
821
01:17:56,630 --> 01:17:58,757
AS SOON AS HE CAN FIND
A JUDGE TO SIGN IT.
822
01:18:01,051 --> 01:18:02,178
FOR ME?
823
01:18:02,678 --> 01:18:05,472
NO SWEAT.
THE GUN'S REGISTERED.
824
01:18:06,599 --> 01:18:08,642
LOOK, YOU THOUGHT
SOMEONE WAS BREAKING IN,
825
01:18:08,767 --> 01:18:09,911
YOU WANTED TO
PROTECT YOURSELF,
826
01:18:09,935 --> 01:18:12,021
YOU PICKED UP A GUN,
FIRED OFF A COUPLE OF SHOTS.
827
01:18:12,146 --> 01:18:13,898
BUT WHY ARE THEY AFTER ME?
828
01:18:14,481 --> 01:18:15,900
NOTHING PERSONAL.
829
01:18:16,400 --> 01:18:20,613
THEY'RE AFTER CAL'S MONEY
AND HIS OPERATION IN QUEENS,
830
01:18:20,946 --> 01:18:22,740
AND ANYBODY
WHO GETS IN HIS WAY...
831
01:18:22,865 --> 01:18:25,034
INCLUDING HIS KID SISTER
AND ME...
832
01:18:28,954 --> 01:18:31,123
BUT CAN'T WE JUST LET THEM
HAVE IT?
833
01:18:33,542 --> 01:18:35,270
YOU'RE FORGETTING THE CLINIC
THAT CAL WANTED TO BUILD
834
01:18:35,294 --> 01:18:36,545
FOR THE KIDS UP IN HARLEM.
835
01:18:38,547 --> 01:18:40,799
THE FUNERAL BUSINESS,
THE INSURANCE COMPANY...
836
01:18:40,925 --> 01:18:42,343
IT'S ALL GOOD BUSINESS.
837
01:18:43,093 --> 01:18:44,637
YOU DON'T WANT TO JUST
GIVE IT AWAY.
838
01:18:47,723 --> 01:18:50,601
LOOK, WHEN BOLLIN GETS HERE...
THAT'S THE CAPTAIN'S NAME...
839
01:18:51,352 --> 01:18:53,938
LET HIM IN, TALK TO HIM,
TELL HIM ANYTHING YOU WANT,
840
01:18:54,063 --> 01:18:55,522
BUT JUST KEEP HIM HERE.
841
01:19:02,196 --> 01:19:06,075
AS LONG AS HE'S HERE,
NO ONE CAN GET TO YOU.
842
01:19:12,122 --> 01:19:13,122
JOHN...
843
01:19:13,207 --> 01:19:14,875
NOT NOW, BABY, NOT NOW.
844
01:19:34,645 --> 01:19:36,397
BOLLIN'S LEFT HIS BABYSITTERS.
845
01:19:55,374 --> 01:19:57,334
WHAT THE HELL
IS SHE DOING HERE?
846
01:19:59,128 --> 01:20:01,588
YOU SURE ARE
A HARD MAN TO FIND.
847
01:20:02,673 --> 01:20:04,466
TOO MANY PEOPLE
LOOKING FOR ME, BABY.
848
01:20:05,592 --> 01:20:06,592
CAN YOU DRIVE THAT THING?
849
01:20:08,929 --> 01:20:11,598
ANYTHING WITH A STICK SHIFT
IS MY MEAT.
850
01:20:12,141 --> 01:20:13,559
IS THAT RIGHT?
851
01:20:14,018 --> 01:20:16,020
HOW ABOUT DRIVING IT UP
A ONE-WAY STREET FOR ME?
852
01:20:16,145 --> 01:20:17,021
ALL RIGHT.
853
01:20:17,146 --> 01:20:18,146
HERE'S THE KEYS.
854
01:20:18,230 --> 01:20:19,732
JUST JUMP IN
AND START IT UP, OKAY?
855
01:20:46,258 --> 01:20:48,135
HEY, YOU LEFT HIM
AT THE POST.
856
01:20:50,137 --> 01:20:51,513
YOU DO THAT GOOD.
857
01:20:51,764 --> 01:20:54,224
BEEN RACING
SINCE I WAS 14.
858
01:20:54,892 --> 01:20:56,602
MEN OR CARS?
859
01:20:58,270 --> 01:21:00,773
HEY, BABY, KEEP BOTH HANDS
ON THE WHEEL, HUH?
860
01:21:01,940 --> 01:21:03,859
HEY, IS THAT SNOW?
861
01:21:03,984 --> 01:21:05,652
IT SURE AIN'T COTTON.
862
01:21:47,444 --> 01:21:48,695
HELLO?
863
01:21:50,155 --> 01:21:51,240
YEAH.
864
01:21:52,199 --> 01:21:53,325
UH-HUH.
865
01:21:54,326 --> 01:21:55,326
WHAT'S HE DOING?
866
01:21:55,411 --> 01:21:57,329
THEY'RE DIGGING
A GRAVE, GUS.
867
01:21:59,123 --> 01:22:00,934
THAT'S A HELL OF A TIME.
NOW, WHERE HAVE YOU BEEN?
868
01:22:00,958 --> 01:22:01,750
MOTHER IKE'S.
869
01:22:01,875 --> 01:22:03,419
MOTHER IKE'S, MY ASS.
870
01:22:05,003 --> 01:22:06,003
MOTHER IKE'S, MY ASS.
871
01:22:06,046 --> 01:22:08,507
COME ON.
COME ON, I SAID, HUH?!
872
01:22:10,426 --> 01:22:11,677
SHITHEAD!
873
01:22:11,760 --> 01:22:13,554
I'LL GIVE YOU SHITHEAD.
874
01:22:16,473 --> 01:22:17,599
I'M SORRY.
GO AHEAD.
875
01:22:18,976 --> 01:22:20,018
YEAH.
876
01:22:20,102 --> 01:22:21,913
ALL RIGHT, NOW, YOU STICK
WITH THEM, YOU UNDERSTAND?
877
01:22:21,937 --> 01:22:23,355
WE'RE GONNA BE RIGHT THERE.
878
01:22:24,648 --> 01:22:25,648
OKAY.
879
01:22:28,277 --> 01:22:29,445
PASCAL...
880
01:22:31,530 --> 01:22:32,739
PASCAL!!
881
01:22:33,449 --> 01:22:34,158
YEAH?
882
01:22:34,283 --> 01:22:35,868
- PASCAL!
- YEAH?!
883
01:22:36,869 --> 01:22:38,203
GET JACK AND AL RIGHT AWAY.
884
01:22:40,706 --> 01:22:42,624
JACK! JACK, GET UP!
885
01:22:42,749 --> 01:22:45,419
AL! COME ON!
GET YOUR ASS UP!
886
01:23:52,110 --> 01:23:53,695
GOOD MORNING, MR. KELLY.
887
01:23:53,862 --> 01:23:54,947
WHAT HAVE YOU GOT THERE?
888
01:23:55,072 --> 01:23:56,073
MONEY.
889
01:23:56,865 --> 01:23:58,033
THE MONEY'S IN THE BOX,
890
01:23:58,158 --> 01:23:59,478
AND ALL I GOT TO DO
IS GET IT OUT.
891
01:24:00,744 --> 01:24:02,287
THEN WHAT, MR. KELLY?
892
01:24:02,704 --> 01:24:04,081
YOU'LL GET WHAT I OWE YOU.
893
01:24:04,623 --> 01:24:06,041
HEY, THEN IT'S
ME AND YOU, GUS,
894
01:24:06,208 --> 01:24:08,460
RUNNING THE WHEEL TOGETHER
AND EVERYTHING ELSE, MAN.
895
01:24:08,544 --> 01:24:10,045
GO AHEAD. GET IT.
896
01:24:11,380 --> 01:24:12,673
GO AHEAD.
897
01:24:16,760 --> 01:24:18,470
FIND IT, MR. KELLY?
898
01:24:19,179 --> 01:24:21,098
MAYBE IT'S IN HIS WALLET.
899
01:24:25,143 --> 01:24:26,353
I CAN'T.
900
01:24:27,145 --> 01:24:28,564
GIVE HIM A HAND.
901
01:24:36,822 --> 01:24:37,864
ROLL IT IN.
902
01:24:37,990 --> 01:24:39,491
- HEY, COME ON, GUS...
- ROLL IT IN!
903
01:24:53,589 --> 01:24:56,383
LOOKS LIKE IT'S PAYDAY,
MR. KELLY.
904
01:24:56,842 --> 01:24:59,303
TOSS IT INTO THE BAG.
I'LL COUNT IT LATER.
905
01:25:29,416 --> 01:25:30,709
THAT'S ALL OF IT.
906
01:25:34,046 --> 01:25:35,922
OKAY, KELLY.
907
01:25:41,219 --> 01:25:43,930
HEY, COME ON, GUS.
NOW, WAIT A MINUTE...
908
01:25:55,108 --> 01:25:56,276
DROP THE GUNS AND FREEZE.
909
01:25:56,985 --> 01:25:58,004
WHEN THIS BABY STARTS KICKIN',
910
01:25:58,028 --> 01:25:59,446
IT WON'T STOP,
SO NOBODY GET CUTE.
911
01:26:02,574 --> 01:26:03,617
WHO'S NEXT?
912
01:26:04,660 --> 01:26:05,827
MOVE!
913
01:26:05,952 --> 01:26:07,079
MOVE OVER THERE!
914
01:26:09,498 --> 01:26:10,499
COME ON, GET DOWN THERE!
915
01:26:19,049 --> 01:26:21,009
ALL RIGHT, MASCOLA,
LET'S GO.
916
01:28:55,038 --> 01:28:56,373
GET DOWN.
917
01:28:59,167 --> 01:29:00,752
2-4 WHISKEY,
WHERE THE HELL ARE YOU?
918
01:29:00,919 --> 01:29:02,546
COME IN.
2-4 WHISKEY, COME IN.
919
01:29:33,493 --> 01:29:35,161
CAREFUL, AL!
THE BOSS IS IN THERE!
920
01:29:35,579 --> 01:29:37,080
HARASS HIM,
BUT DON'T HIT HIM!
921
01:30:01,146 --> 01:30:03,940
Jack: GOTTA PULL OUT!
TOO DAMN MANY WIRES AHEAD!
922
01:31:18,473 --> 01:31:19,473
RITA, GET OUT!
923
01:31:19,724 --> 01:31:20,724
GET OUT!
924
01:31:22,936 --> 01:31:23,936
GET OUT!
925
01:31:24,187 --> 01:31:26,064
MOVE IT! MOVE IT!
926
01:31:28,775 --> 01:31:29,859
MOVE!
927
01:31:49,045 --> 01:31:50,045
COME ON!
928
01:31:58,680 --> 01:32:00,056
WE'VE LOST HIM
IN THE BOATYARD.
929
01:32:17,323 --> 01:32:19,284
MOVE! MOVE IT!
930
01:32:22,579 --> 01:32:24,748
GET OUTTA THERE!
GET OUT!
931
01:32:26,249 --> 01:32:27,249
GET IN!
932
01:32:28,877 --> 01:32:31,087
GET UP THERE!
GET UP THERE!
933
01:33:09,751 --> 01:33:10,919
WHAT HAPPENED?
934
01:33:11,086 --> 01:33:13,379
THE BASTARD GOT A BOAT.
LET'S GO.
935
01:33:15,381 --> 01:33:17,884
COME ON! COME ON!
936
01:35:35,188 --> 01:35:36,188
WE HIT HIM!
937
01:40:29,982 --> 01:40:32,652
AAAAAAH!
938
01:41:46,684 --> 01:41:47,684
AAAH!
939
01:43:19,860 --> 01:43:21,487
WHAT HAPPENED HERE, SHAFT?
940
01:43:22,238 --> 01:43:23,698
MASCOLA'S OVER THERE.
941
01:43:24,407 --> 01:43:26,742
KELLY'S ALREADY
AT OAKLAND CEMETERY,
942
01:43:26,867 --> 01:43:29,161
RIGHT NEXT TO CAL ASBY.
943
01:43:30,204 --> 01:43:32,123
AND YOU'VE STILL GOT
A LOT OF BURYING TO DO.
944
01:43:32,832 --> 01:43:34,583
THAT'S ALL WELL AND GOOD,
945
01:43:35,251 --> 01:43:37,420
BUT WHERE'S
THE DAMN MONEY, MAN?
946
01:43:38,003 --> 01:43:40,840
I DON'T KNOW,
BUT I GOT A FEELING
947
01:43:40,965 --> 01:43:42,317
IT'S ON ITS WAY BACK UP
TO WHERE IT CAME FROM,
948
01:43:42,341 --> 01:43:43,718
BACK UP IN HARLEM.
949
01:43:46,178 --> 01:43:47,388
OKAY.
950
01:43:48,639 --> 01:43:49,639
ADIOS.
951
01:43:52,476 --> 01:43:54,061
YEAH, ADIOS, MOTHERF...
952
01:43:56,647 --> 01:43:58,691
CAPTAIN BOLLIN.
60953
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