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1
00:00:27,569 --> 00:00:29,028
THIS PRODUCT REALLY WORKS.
2
00:00:29,195 --> 00:00:31,530
NOT ONLY DOES IT CLEAN
AND CONDITION THE HAIR,
3
00:00:31,698 --> 00:00:35,701
BUT IT SETS THE HAIR AS WELL BY GETTING
DEEP DOWN INTO THE ROOT SYSTEM.
4
00:00:35,869 --> 00:00:37,202
EACH BLADE HAS BEEN AUTHENTICATED
5
00:00:37,370 --> 00:00:41,331
BY AN ACTUAL 1 3th-CENTURY JAPANESE
WARLORD'S DIRECT DESCENDENT.
6
00:00:41,499 --> 00:00:44,668
WE ARE TALKING A 42-INCH RAZOR BLADE,
FOLKS.
7
00:00:44,836 --> 00:00:47,629
I PERSONALLY HAVE CUT MYSELF
NUMEROUS TIMES.
8
00:00:47,797 --> 00:00:48,797
[Yells]
9
00:00:48,965 --> 00:00:52,009
MONEY IS A LIVING,
BREATHING THING, GERI.
10
00:00:52,177 --> 00:00:54,887
IF YOU DISRESPECT MONEY,
ITS FEELINGS GET HURT,
11
00:00:55,055 --> 00:00:58,098
AND IT WILL LEAVE YOU JUST LIKE
YOUR TWO HUSBANDS DID.
12
00:00:58,266 --> 00:01:01,268
WHEN YOU ARE DOWN,
YOUR MONEY IS SAD.
13
00:01:01,436 --> 00:01:06,148
AND WHEN YOU ARE STRONG,
YOUR MONEY IS VERY, VERY HAPPY.
14
00:01:07,734 --> 00:01:17,993
...
15
00:01:18,161 --> 00:01:21,955
NO FEAR.
NO PANIC.
16
00:01:22,123 --> 00:01:25,918
JUST BE MYSELF.
JUST BE MYSELF.
17
00:01:26,086 --> 00:01:30,672
I'M READY.
I'M PREPARED.
18
00:01:30,840 --> 00:01:32,299
THE NEW GUY'S GONNA LIKE ME
19
00:01:32,467 --> 00:01:36,053
'CAUSE I'M A SKILLED
AND CONFIDENT PROFESSION--
20
00:01:36,221 --> 00:01:37,846
[Knock At Door]
MR. RICK, YOU--
21
00:01:38,014 --> 00:01:40,891
THANK YOU. APPRECIATE IT.
THANK YOU, HONEY.
22
00:01:43,394 --> 00:01:44,645
GOOD, BETTER, BEST.
23
00:01:44,813 --> 00:01:48,982
NEVER LET IT REST UNTIL YOUR GOOD
IS BETTER AND YOUR BETTER IS BEST.
24
00:01:49,651 --> 00:02:15,092
...
25
00:02:16,553 --> 00:02:19,263
AND THEN, YOU KNOW, WHEN CRUCIAL
DECISIONS ARE MADE,
26
00:02:19,430 --> 00:02:21,348
PEOPLE GET LEFT BEHIND.
WE'RE THE FUTURE.
27
00:02:21,516 --> 00:02:24,268
LISTEN. IT REMINDS ME OF A STORY
IN MY PERSONAL LIFE.
28
00:02:24,435 --> 00:02:26,520
IN THE EARLY '60s, MY FATHER WAS
IN THE EYEGLASS BUSINESS.
29
00:02:26,688 --> 00:02:30,983
AND ONE DAY, MY UNCLE, UH,
COMES TO HIM AND HE SAYS,
30
00:02:31,151 --> 00:02:35,821
"LEO, WE GOTTA MAKE A CHANGE.
THE FUTURE IS IN PLEXIGLAS."
31
00:02:35,989 --> 00:02:39,324
MY FATHER SAID, "PLEXIGLAS IS CRAP,
AND I'M NOT GONNA SELL IT."
32
00:02:39,492 --> 00:02:43,287
AND HE DIDN'T, AND YOU KNOW WHAT
HAPPENED? THE PUBLIC WANTED IT.
33
00:02:43,454 --> 00:02:45,789
MY UNCLE GOT INTO PLEXI,
MADE A FORTUNE.
34
00:02:45,957 --> 00:02:49,668
MY DAD, HE HURLED HIMSELF OUT
THE 1 7th-FLOOR WINDOW OF HIS OFFICE.
35
00:02:49,836 --> 00:02:53,005
IF IT'D BEEN PLEXIGLAS,
HE'D STILL BE-- I'LL HOLD.
36
00:02:53,173 --> 00:02:55,340
HI, OF COURSE, I'M KIDDING.
I'M PRETTY SURE MY DAD'S STILL ALIVE.
37
00:02:55,508 --> 00:02:57,885
THE POINT IS: DON'T BE LIKE HIM.
DON'T MISS THE BOAT.
38
00:02:58,052 --> 00:02:59,511
COME ON, SELL YOUR PRODUCT
ON OUR CHANNEL.
39
00:02:59,679 --> 00:03:02,681
IN 6 MONTHS, IF YOU STILL DON'T LIKE US,
WE CALL IT QUITS AND NO HARD FEEL--
40
00:03:02,849 --> 00:03:05,934
OF COURSE IT MAKES SENSE.
I KNOW IT IS.
41
00:03:06,102 --> 00:03:09,438
GREAT, AND YOUR STOCKHOLDERS
WON'T REGRET IT, IT'S BULLETPROOF.
42
00:03:11,024 --> 00:03:12,566
FIRE!
43
00:03:12,734 --> 00:03:14,985
[Screams]
44
00:03:15,904 --> 00:03:17,863
RICKY, THESE EYE MASSAGERS,
WHAT DO YA THINK, HUH?
45
00:03:18,031 --> 00:03:21,366
WHAT IS THAT, THE WHITE MASK OF ZORRO?
YOU'RE SPOOKIN' ME OUT.
46
00:03:21,534 --> 00:03:23,785
RICKY. RICKY.
GREAT. HEY, AL!
47
00:03:23,953 --> 00:03:25,329
- HOW'VE YOU BEEN?
- GOOD, GOOD, GOOD.
48
00:03:25,496 --> 00:03:26,663
LOOK, I WANTED TO SHOW YOU THESE MATS.
49
00:03:26,831 --> 00:03:28,040
I'VE SEEN THOSE.
NO, THANK YOU.
50
00:03:28,208 --> 00:03:29,541
THESE ARE DIFFERENT. THEY'RE DOORMATS.
I'VE SEEN THEM.
51
00:03:29,709 --> 00:03:30,959
THEY'RE MADE TO LOOK LIKE GRASS.
52
00:03:31,127 --> 00:03:32,628
GOT IT. DON'T WANT IT.
THANK YOU.
53
00:03:32,795 --> 00:03:35,839
OKAY. TIM GEORGE HAS OFFERED ME
A GOOD PRICE OVER AT QVC.
54
00:03:36,424 --> 00:03:38,884
OKAY, LEMME SEE, LEMME SEE.
WHAT'S THE GIMMICK? GIVE ME THE THING.
55
00:03:39,052 --> 00:03:41,011
IT WORKS FOR ALL FOUR SEASONS. YEAH?
56
00:03:41,179 --> 00:03:45,015
THIS ONE IS SUMMER. AUTUMN. SPRING.
57
00:03:45,183 --> 00:03:46,642
LOOK LIKE KIDS DID THIS.
58
00:03:46,809 --> 00:03:48,435
WINTER. HUH? OH, LOOK AT THAT.
59
00:03:48,603 --> 00:03:50,771
WE CALL IT THE FOUR SEASONS PAD.
IT'S EDUCATIONAL.
60
00:03:50,939 --> 00:03:53,232
EDUCATIONAL?
THAT'S NOT GONNA GET ME TO BUY THEM.
61
00:03:53,399 --> 00:03:56,735
- TIM GEORGE WANTS 1 00,000.
- THAT GETS ME TO BUY 'EM.
62
00:03:56,903 --> 00:03:58,820
OKAY, COME UP WITH A NAME OTHER
THAN THE FOUR SEASONS PAD.
63
00:03:58,988 --> 00:04:00,405
THAT SOUNDS LIKE A SANITARY NAPKIN,
OR I DON'T KNOW WHAT.
64
00:04:00,573 --> 00:04:02,032
AND CALL ME LATER AND WE'LL
WORK OUT THE DETAILS.
65
00:04:02,200 --> 00:04:05,702
CAN WE WORK OUT THE DEAL NOW,
IN CASE LATER YOU'RE IN, UM--
66
00:04:05,870 --> 00:04:06,745
[Man]
HEY, RICKY.
67
00:04:06,913 --> 00:04:08,247
I KNOW McBAINBRIDGE STARTS TODAY.
WHAT, IT'S LIKE I'M GETTING FIRED?
68
00:04:08,414 --> 00:04:10,332
NO, NO! I DID NOT--I'LL GIVE YOU
A CHOP. OKAY. HEY!
69
00:04:10,500 --> 00:04:12,125
LEAVE SOME HERE, AND WE'LL GET
WHAT'S-HIS-NAME--
70
00:04:12,293 --> 00:04:13,835
THE DOG FROM FRASIER--
EDDIE, GREAT.
71
00:04:14,003 --> 00:04:15,254
EDDIE TO SELL SOME ON
HIS SHOW TONIGHT. TONIGHT.
72
00:04:15,421 --> 00:04:16,755
GREAT. THANK YOU. THANK YOU.
CALL ME UP. THANK YOU.
73
00:04:16,923 --> 00:04:18,590
THANK YOU. OKAY.
74
00:04:18,758 --> 00:04:21,927
[Gasps]
LADIES!
HOW MANY LOVELY LADIES CAN THERE BE?
75
00:04:22,095 --> 00:04:25,222
HEY! HEY! FRESCA. MMM!
HOW'S MY FAVORITE FOOT MODEL?
76
00:04:25,390 --> 00:04:27,349
- GREAT.
- YOU LOOK SO BEAUTIFUL.
77
00:04:27,517 --> 00:04:28,684
LET ME SEE THAT FOOT.
78
00:04:28,851 --> 00:04:30,644
- WHAT ARE WE SELLING?
- MOOD TOE RINGS.
79
00:04:30,812 --> 00:04:32,688
[Gasps]
GIMME THE SHOE.
TAKE THE SHOE.
80
00:04:32,855 --> 00:04:34,398
TAKE THAT.
OH, LOOK AT THE--
81
00:04:34,565 --> 00:04:37,109
OH! OH! THIS MAKES ME HAPPY.
82
00:04:37,277 --> 00:04:39,611
LOOK AT THE TOES.
LIKE CANDIES, LIKE RED HOTS.
83
00:04:39,779 --> 00:04:44,366
SO SUCCULENT. EXCUSE ME. HELLO.
WANT TO KNOW YOUR EMOTIONS?
84
00:04:44,534 --> 00:04:48,245
MAYBE SOME OTHER TIME.
I KNOW HOW I'M FEELING TODAY.
85
00:04:48,413 --> 00:04:50,414
[Ladies]
OOH! WAIT A MINUTE.
86
00:04:50,581 --> 00:04:53,292
I DON'T KNOW. HANG ON.
WAIT. WAIT A SECOND.
87
00:04:53,459 --> 00:04:55,419
YOU CAN'T JUMP TO
A CONCLUSION LIKE THAT.
88
00:04:55,586 --> 00:04:57,170
LET ME DO THIS.
LET ME DO THIS.
89
00:04:57,338 --> 00:05:00,215
[Clears Throat]
MM-HMM.
MM-HMM.
90
00:05:00,383 --> 00:05:02,092
YOUR PULSE IS A LITTLE FAST.
LET ME GUESS.
91
00:05:02,260 --> 00:05:04,011
YOU'RE FEELING LOST AND LIKE
YOU COULD USE SOME HELP.
92
00:05:04,178 --> 00:05:05,345
COULD I PITCH IN?
93
00:05:05,513 --> 00:05:06,638
OH, THAT'S FUNNY.
94
00:05:06,806 --> 00:05:08,056
I WAS GOING TO SAY
THE SAME THING ABOUT YOU.
95
00:05:08,224 --> 00:05:10,726
- WHAT, I LOOK LOST?
- NO, THAT YOU NEED SOME HELP.
96
00:05:10,893 --> 00:05:12,477
WELL, LIKE MAYBE A LITTLE
HELP WITH YOUR NAME.
97
00:05:12,645 --> 00:05:14,646
I'VE NEVER SEEN YOU HERE BEFORE.
I'M SURE I'D REMEMBER.
98
00:05:14,814 --> 00:05:17,149
YOU'RE DEFINITELY NOT
ONE OF THE MODELS.
99
00:05:17,317 --> 00:05:19,651
OH, THANK YOU.
THAT'S ALWAYS NICE TO HEAR.
100
00:05:19,819 --> 00:05:21,320
OH, NO, NO, OF COURSE
I MEANT YOU'RE VERY--
101
00:05:21,487 --> 00:05:23,280
LATE.
102
00:05:23,448 --> 00:05:25,657
MY NAME'S RICKY, BY THE WAY.
WHAT'S YOUR WHOLE NAME AGAIN?
103
00:05:25,825 --> 00:05:27,826
I DIDN'T GIVE IT TO YOU.
104
00:05:27,994 --> 00:05:30,287
MMM!
105
00:05:30,455 --> 00:05:32,664
[Chuckling]
LAY IT ON ME.
WHAT HAVE WE GOT?
106
00:05:32,832 --> 00:05:34,791
TELL ME EVERYTHING.
JAMES BROWN IS DOING THE SHOW.
107
00:05:34,959 --> 00:05:36,335
HI, EVERYBODY.
108
00:05:36,502 --> 00:05:39,087
I'M CLARENCE REYNOLDS, HERE WITH
THE GODFATHER OF SOUL, JAMES BROWN.
109
00:05:39,255 --> 00:05:42,507
WELCOME TO GBSN. WELCOME BACK.
OW! I FEEL GOOD THIS MORNING.
110
00:05:42,675 --> 00:05:44,551
GOOD TO HAVE YOU WITH US.
IT'S A GROOVE BEIN' BACK WITH YA.
111
00:05:44,719 --> 00:05:47,095
NOW, YOU BROUGHT
THE SOUL SURVIVAL SYSTEM.
112
00:05:47,263 --> 00:05:48,722
THE ONLY WAY OUT.
113
00:05:48,890 --> 00:05:50,223
IT'S LIKE A PERSONAL SECURITY SYSTEM.
114
00:05:50,391 --> 00:05:52,476
NOW, HOW DOES IT WORK,
JUST IN CASE, GOD FORBID,
115
00:05:52,643 --> 00:05:53,935
THERE IS A MEDICAL EMERGENCY?
116
00:05:54,103 --> 00:05:57,314
OKAY, IF YOU FALL DOWN,
YOU MASH THE PANIC BUTTON.
117
00:05:57,482 --> 00:06:01,109
HELP ME! HELP ME! GOOD GOD!
HELP ME! HELP ME! GOOD GOD!
118
00:06:01,277 --> 00:06:03,528
HELP ME! HELP ME! GOOD GOD!
119
00:06:03,696 --> 00:06:05,113
[Chatter, Laughter]
120
00:06:05,281 --> 00:06:07,282
IS IT JUST ME, BUT EVERYTHING HE SAYS
IS NOT ENTIRELY CLEAR?
121
00:06:07,450 --> 00:06:09,534
THANK YOU VERY MUCH.
PHONE, PLEASE. OKAY.
122
00:06:09,702 --> 00:06:11,203
[Phone Ringing]
123
00:06:11,371 --> 00:06:13,246
- NOW, IS THIS ALL WE'VE SOLD?
- YEP.
124
00:06:13,414 --> 00:06:15,207
RICKY?
RICKY. YEAH?
125
00:06:15,375 --> 00:06:17,417
JACK SPENCER ON THE PHONE FOR YOU.
NO, TELL HIM I'M BUSY.
126
00:06:17,585 --> 00:06:19,920
HE SAYS IT'S IMPORTANT.
127
00:06:20,088 --> 00:06:22,005
[James Brown]
HIT ME! OW!
128
00:06:22,173 --> 00:06:24,049
[Clarence]
OH YEAH, THAT'LL GET YOU
THE HELP YOU NEED.
129
00:06:24,217 --> 00:06:26,218
HERE HE COMES.
THANK YOU.
130
00:06:26,386 --> 00:06:28,887
JACK, HI! WHAT A NICE SURPRI--HUH?
WHAT--WHAT'S THE MATTER?
131
00:06:29,055 --> 00:06:30,555
WELL-- YEAH.
132
00:06:30,723 --> 00:06:36,520
WELL, THAT IS--
THAT'S AN OUTRAGE.
133
00:06:36,687 --> 00:06:38,563
THE BANK SAID EVERYTHING WAS FINE.
134
00:06:38,731 --> 00:06:41,316
THESE BASTARD PEOPLE WITH THEIR
COMPUTER SCREW-UPS.
135
00:06:41,484 --> 00:06:45,028
I'M GONNA CALL 'EM RIGHT UP AND REALLY
STRAIGHTEN THIS OUT. THANK YOU. BYE.
136
00:06:46,697 --> 00:06:50,033
UM, BARRY, YOU NEED TO MOVE SOME MONEY
FROM MY SAVINGS TO CHECKING.
137
00:06:50,201 --> 00:06:51,576
THE CAR PAYMENT BOUNCED.
138
00:06:51,744 --> 00:06:54,329
AND DON'T TELL ME THERE'S
NOTHING LEFT TO TRANSFER.
139
00:06:54,497 --> 00:06:56,540
[Teeth Click]
140
00:06:56,707 --> 00:06:58,417
IS THAT WHAT YOU WERE
GOING TO TELL ME?
141
00:06:58,584 --> 00:07:02,796
IS THAT WHAT THAT MEANS?
142
00:07:04,132 --> 00:07:06,633
SELL SOME STOCK. WOW.
143
00:07:06,801 --> 00:07:08,677
I'M GONNA HAVE TO GET THE NEW GUY
TO LIKE ME SO MUCH,
144
00:07:08,845 --> 00:07:10,220
HE'S GONNA WANT TO GIVE ME
THE RAISE RIGHT AWAY.
145
00:07:10,388 --> 00:07:13,140
YOU THINK THAT'S OVERLY OPTIMISTIC?
146
00:07:13,683 --> 00:07:15,267
THIRTY SECONDS TO AIR!
147
00:07:15,435 --> 00:07:16,643
YOU ARE THE BEST!
YEAH!
148
00:07:16,811 --> 00:07:18,437
YOUR STUFF IS THE BEST!
I CAN DO IT!
149
00:07:18,604 --> 00:07:21,940
NOW GO IN THERE AND RAM IT DOWN
THEIR THROATS! YEAH! YEAH!
150
00:07:22,108 --> 00:07:24,776
I'M 67 YEARS OLD.
151
00:07:24,944 --> 00:07:27,362
I'VE MADE LOVE TWICE TODAY.
152
00:07:27,530 --> 00:07:31,825
WHY? BECAUSE I'M WEARING
NEW CLAM BY VONTE.
153
00:07:31,993 --> 00:07:35,620
CLAM IS THE MYSTERIOUS
NEW FRAGRANCE FROM THE SEA.
154
00:07:35,788 --> 00:07:37,622
CLAM WORKS.
155
00:07:37,790 --> 00:07:41,877
IT CAN BE YOURS FOR JUST 22.72.
156
00:07:42,044 --> 00:07:43,545
[Woman]
FOUR EASY PAYMENTS.
157
00:07:43,713 --> 00:07:45,630
OH!
158
00:07:45,798 --> 00:07:47,966
[Clears Throat]
THREE TIMES!
159
00:07:48,134 --> 00:07:50,677
DANNY'S BEEN FASTENED
TO THE STUDIO CEILING
160
00:07:50,845 --> 00:07:54,097
USING THE PATENTED COOL BOND
NO-HEAT GLUE GUN.
161
00:07:54,265 --> 00:07:57,058
I WOULDN'T TRUST ANY OTHER GLUE GUN
WITH MY GRANDSON'S LIFE.
162
00:07:57,226 --> 00:08:00,312
SHOULD YOU?
UH-UH.
163
00:08:00,480 --> 00:08:01,938
... MONEY ...
164
00:08:02,106 --> 00:08:03,773
BUT, YOU KNOW, BASED ON
EVERYTHING I'VE JUST SAID,
165
00:08:03,941 --> 00:08:06,193
I THINK YOU CAN SEE THAT IT'S PRETTY
OBVIOUS THAT A RAISE IS KIND OF, UH,
166
00:08:06,360 --> 00:08:08,987
UH, KIND OF IN ORDER.
167
00:08:09,155 --> 00:08:10,739
BASED ON WHAT YOU JUST SAID,
168
00:08:10,907 --> 00:08:14,576
I THINK IT'S PRETTY OBVIOUS THAT
A BRAIN SCAN IS IN ORDER.
169
00:08:14,744 --> 00:08:17,120
HAYMAN, THINGS ARE NOT CLICKING
FOR YOU HERE.
170
00:08:17,288 --> 00:08:20,123
YOUR SALES HAVE BEEN FLAT
FOR 27 MONTHS.
171
00:08:20,291 --> 00:08:22,876
NO--WELL, I MEAN, THAT DEPENDS
ON HOW YOU DEFINE "FLAT."
172
00:08:23,044 --> 00:08:25,420
STAGNANT, NO GROWTH, DEAD.
173
00:08:25,588 --> 00:08:27,714
OH, FLAT. FAIR ENOUGH,
174
00:08:27,882 --> 00:08:30,342
BUT I'M SURE YOU AGREE THAT
THE PRODUCT THIS YEAR HAS BEEN--
175
00:08:30,510 --> 00:08:33,345
IT'S NOT WHAT YOU SELL!
IT'S THE SELLING ITSELF.
176
00:08:33,513 --> 00:08:35,889
IT'S ABOUT MAKING PEOPLE FEEL
THEY HAVE TO HAVE IT
177
00:08:36,057 --> 00:08:39,059
WHEN THEY DON'T REALLY WANT IT.
178
00:08:39,227 --> 00:08:46,191
HAYMAN, I'M GIVING YOU TWO WEEKS TO
GET THINGS MOVING, OR YOU'RE HISTORY.
179
00:08:46,859 --> 00:08:48,318
WAIT A SECOND.
180
00:08:48,486 --> 00:08:50,362
FIRST OF ALL, TWO WEEKS--
YOU GOTTA GIVE ME MORE TIME THAN THAT.
181
00:08:50,530 --> 00:08:53,198
HOLD IT! HOLD IT RIGHT THERE!
YEP. YEP.
182
00:08:53,366 --> 00:08:55,867
RIGHT THERE.
183
00:08:56,035 --> 00:08:58,411
EVERY DAY ON MY WAY TO WORK,
184
00:08:58,579 --> 00:09:02,123
I PASS A DOZEN GUYS CARRYING SIGNS.
185
00:09:02,291 --> 00:09:04,084
"HOMELESS FAMILY."
"WILL WORK FOR FOOD."
186
00:09:04,252 --> 00:09:06,211
"PATHETIC VET. GOD BLESS."
187
00:09:06,379 --> 00:09:08,338
[Chuckles]
THERE'S NOTHING I CAN DO ABOUT THEM.
188
00:09:08,506 --> 00:09:10,674
THE ACLU SAYS THEY HAVE
A RIGHT TO STAND THERE.
189
00:09:10,841 --> 00:09:12,676
SO, FINE, LET 'EM STAND THERE.
190
00:09:12,843 --> 00:09:16,638
BUT HERE, IN MY OFFICE,
IN MY OWN GODDAMN OFFICE,
191
00:09:16,806 --> 00:09:19,766
I DON'T HAVE TO LIVE WITH ANYBODY
BEGGING ME FOR ANYTHING!
192
00:09:19,934 --> 00:09:22,769
YOU GOT IT?
193
00:09:24,730 --> 00:09:26,523
THANKS FOR LISTENING.
194
00:09:26,691 --> 00:09:29,859
MY DOOR IS ALWAYS OPEN.
195
00:09:33,281 --> 00:09:35,323
WELL, I TOLD YOU
196
00:09:35,491 --> 00:09:37,951
THERE WAS A MEETING
AT 3:00 ON THE DOT.
197
00:09:38,119 --> 00:09:40,328
AN HOUR LATE, THERE'S A REASON.
1 5 MINUTES LATE SHOWS
198
00:09:40,496 --> 00:09:43,748
CONTEMPT, DISORGANIZATION, LAZINESS.
199
00:09:43,916 --> 00:09:45,917
I HAD TO KILL THE ENTIRE MARKETING
DEPARTMENT.
200
00:09:46,085 --> 00:09:48,503
TOOK A LITTLE LONGER THAN I EXPECTED.
201
00:09:48,671 --> 00:09:52,215
- HI. I'M KATE NEWELL.
- OF COURSE YOU ARE.
202
00:09:52,383 --> 00:09:56,928
- THIS IS RICKY HAYMAN.
- OH! I'VE BEEN READING ALL ABOUT YOU.
203
00:09:57,096 --> 00:09:59,681
- OH, YEAH?
- TWENTY-SEVEN MONTHS OF FLATNESS.
204
00:09:59,849 --> 00:10:03,101
BOY, THAT'S SOME SORT OF RECORD.
205
00:10:03,269 --> 00:10:06,563
KATE IS A MEDIA ANALYST.
SHE WENT TO AN IVY LEAGUE SCHOOL,
206
00:10:06,731 --> 00:10:10,108
LEARNED ALL SORTS OF FANCY WAYS
TO SELL THINGS.
207
00:10:10,276 --> 00:10:13,153
I WANT HER TO WORK CLOSELY WITH YOU
FOR THE NEXT TWO WEEKS
208
00:10:13,321 --> 00:10:15,530
AND SEE IF YOU CAN
GET SALES UP 8%.
209
00:10:15,698 --> 00:10:18,867
EIGHT PERCENT?
YEAH.
210
00:10:19,035 --> 00:10:20,660
WELL, WHY NOT SHOOT FOR 8%--
211
00:10:20,828 --> 00:10:23,496
SIT DOWN. TELL HIM THE PROBLEMS.
212
00:10:23,664 --> 00:10:27,709
OKAY. THERE ARE TWO PROBLEMS.
ONE: THE NETWORK HAS NO IDENTITY.
213
00:10:27,877 --> 00:10:29,961
IF YOU PUT ALL OF
THE SHOPPING CHANNELS TOGETHER,
214
00:10:30,129 --> 00:10:32,130
THERE'S NO WAY YOU CAN TELL THEM APART.
215
00:10:32,298 --> 00:10:35,133
I KNOW THAT IF WE CAN CREATE
A CLEAR, DYNAMIC IDENTITY,
216
00:10:35,301 --> 00:10:36,968
ALONG WITH BETTER SALES TECHNIQUES,
217
00:10:37,136 --> 00:10:38,970
WE WILL QUICKLY PULL AHEAD
OF OUR COMPETITORS
218
00:10:39,138 --> 00:10:40,764
AND EASILY REACH OUR GROWTH TARGET.
219
00:10:40,931 --> 00:10:42,974
IDENTITY AND SALES TECHNIQUES.
220
00:10:43,142 --> 00:10:45,393
WE HAVE A MEETING IN AN HOUR
WITH SCOTT HAWKES FROM NEW VISION
221
00:10:45,561 --> 00:10:47,646
TO COME UP WITH A MORE COMPLETE PLAN.
222
00:10:47,813 --> 00:10:49,356
WELL, GOOD.
WELL, GOOD.
223
00:10:49,523 --> 00:10:51,316
VISION, UH, IS CERTAINLY GOOD.
224
00:10:51,484 --> 00:10:55,236
AND NEW VISION--
WOW. NEWER?
225
00:10:55,404 --> 00:11:10,377
...
226
00:11:11,087 --> 00:11:12,420
[Phone Rings]
227
00:11:12,588 --> 00:11:13,838
[Ricky]
HELLO.
228
00:11:14,006 --> 00:11:15,465
[Barry]
THERESA CALLED TO CONFIRM
DINNER AT HER PLACE,
229
00:11:15,633 --> 00:11:16,883
BUT CHARLENE ALSO CALLED--
230
00:11:17,051 --> 00:11:18,301
BARRY. BARRY, ANY BUSINESS CALLS?
231
00:11:18,469 --> 00:11:19,678
OH, UM, NO.
232
00:11:19,845 --> 00:11:21,680
BUT TIM GEORGE IS SITTING
IN McBAINBRIDGE'S OFFICE--
233
00:11:21,847 --> 00:11:23,014
[Static]
234
00:11:23,182 --> 00:11:24,391
- LATER.
LATER.
235
00:11:24,558 --> 00:11:25,975
[Pops]
[Tire Squeals]
236
00:11:26,143 --> 00:11:27,352
WHAT'S HAPPENING?
237
00:11:27,520 --> 00:11:30,271
HANG ON. BLOWOUT?
238
00:11:35,027 --> 00:11:39,406
THIS IS JUST A GREAT DAY FOR ME, OKAY,
SLOW DOWN.
239
00:11:39,573 --> 00:11:41,366
JUST A GREAT, GREAT DAY FOR ME.
240
00:11:41,534 --> 00:11:43,493
WHEN'S THE GIANT METEOR JUST
GONNA TAKE ME OUT, HUH?
241
00:11:43,661 --> 00:11:45,161
[Touch Tone Dialing]
242
00:11:45,329 --> 00:11:46,705
I CANNOT--
243
00:11:46,872 --> 00:11:48,248
[Busy Signal]
244
00:11:48,416 --> 00:11:50,041
WE'RE IN A DEAD SPOT.
245
00:11:50,209 --> 00:11:53,211
UH, THIS I KNOW.
246
00:12:00,886 --> 00:12:03,847
HEY, LOOK AT THIS.
IDEAL. IDEAL.
247
00:12:04,014 --> 00:12:06,683
HERE, POP THE TRUNK,
AND WE'LL CHANGE IT.
248
00:12:31,751 --> 00:12:34,919
WHOO!
AAH!
249
00:12:35,087 --> 00:12:36,796
[Car Horn Honks]
[Laughter]
250
00:12:36,964 --> 00:12:38,590
LOSER!
251
00:12:38,758 --> 00:12:40,759
[Shouts, Whoops]
[Shouting, Laughing]
252
00:12:40,926 --> 00:12:43,845
THANKS FOR NOT USING A CAN!
253
00:12:44,013 --> 00:12:45,764
I LOVE CHERRY.
254
00:12:45,931 --> 00:12:47,682
[Ricky]
OH, DON'T DO THAT, PLEASE.
WHAT ARE YOU TALKING ABOUT?
255
00:12:47,850 --> 00:12:49,225
I GOT IT RIGHT DOWN TO A--
HEY, I SAID, DON'T DO THAT.
256
00:12:49,393 --> 00:12:50,435
I GOT IT RIGHT DOWN TO--
257
00:12:50,603 --> 00:12:53,104
RICKY, YOU'RE SUPPOSED TO LOWER THE
TIRE SO YOU CAN TIGHTEN THE LUG NUTS.
258
00:12:53,272 --> 00:12:55,106
KATIE, KATIE, KATIE,
I SAID DON'T DO IT.
259
00:12:55,274 --> 00:12:56,858
I'VE GOT IT RIGHT TO THE LEVEL
THAT I WANT IT.
260
00:12:57,026 --> 00:12:58,359
I'M TIGHTENING THE NUT.
261
00:12:58,527 --> 00:13:00,028
OKAY, MR. EXPERT.
262
00:13:00,196 --> 00:13:01,946
OKAY, CAR MECHANIC,
OH, EXTRAORDINAIRE.
263
00:13:02,114 --> 00:13:05,909
I KNOW--
OH, MAN. OH, MAN.
264
00:13:06,076 --> 00:13:08,745
WHAT A GAL.
[Grunts]
265
00:13:14,960 --> 00:13:17,670
RICKY.
266
00:13:18,506 --> 00:13:20,799
- RICKY.
- WHAT?
267
00:13:20,966 --> 00:13:24,177
- SOMEBODY'S COMING.
- WHAT, ROADSIDE ASSISTANCE?
268
00:13:24,345 --> 00:13:26,513
I DON'T THINK SO.
269
00:13:27,932 --> 00:13:30,683
WHAT?
270
00:13:31,393 --> 00:13:32,852
UH-OH. HE'S WAVING.
DON'T WAVE BACK.
271
00:13:33,020 --> 00:13:34,854
HEY, HEY!
I SAID, DON'T WAVE BACK.
272
00:13:35,022 --> 00:13:36,356
WHAT? HOW DO YOU NOT WAVE BACK?
273
00:13:36,524 --> 00:13:37,857
WHEN SOMEBODY WAVES TO YOU,
YOU WAVE BACK.
274
00:13:38,025 --> 00:13:39,484
NOT IF YOU DON'T WANNA
ACKNOWLEDGE THAT PERSON.
275
00:13:39,652 --> 00:13:40,860
WHAT ARE YOU TALKING ABOUT?
276
00:13:41,028 --> 00:13:42,570
WHAT'S HE GONNA DO?
HE'S WEARING HIS PAJAMAS.
277
00:13:42,738 --> 00:13:44,197
- HE COULD BE DANGEROUS.
- HOW DANGEROUS COULD HE BE?
278
00:13:44,365 --> 00:13:46,699
- HE KISSES THE GROUND, FOR GOD'S SAKE.
- I REST MY CASE.
279
00:13:46,867 --> 00:13:49,994
NOTHING'S INTERESTING HERE.
GO ABOUT YOUR BUSINESS.
280
00:13:50,162 --> 00:13:51,704
HELLO, TWO PEOPLE!
281
00:13:51,872 --> 00:13:53,832
HI! WHAT? KATE!
HELLO?
282
00:13:53,999 --> 00:13:55,416
HE'S FRIENDLY?
WHAT ARE YOU DOING?
283
00:13:55,584 --> 00:13:57,168
ARE YOU IN TROUBLE AND IN NEED
OF MY HELP?
284
00:13:57,336 --> 00:13:58,962
OH, NO. THANK YOU. NO, NO.
285
00:13:59,129 --> 00:14:01,005
- OH, YES, YOU ARE.
- NO, WE'RE NOT.
286
00:14:01,173 --> 00:14:02,507
STAY THERE.
I'M COMING OVER THERE.
287
00:14:02,675 --> 00:14:03,675
- NO, THANK YOU.
- STAY RIGHT THERE.
288
00:14:03,843 --> 00:14:05,552
- STAY THERE! STAY THERE!
- YOU NEED MY HELP.
289
00:14:05,719 --> 00:14:07,595
NO, NO, NO, NO, NO. OH, MY GOD,
NO, NO, NO. OH, MY GOODNESS.
290
00:14:07,763 --> 00:14:13,852
GO BACK!
[Both Chattering]
291
00:14:14,019 --> 00:14:16,271
SEE, I WAS RIGHT.
YOU DO NEED MY HELP.
292
00:14:16,438 --> 00:14:18,565
WHAT DO YOU THINK YOU'RE DOING?
WHAT CAN I DO TO HELP YOU TWO?
293
00:14:18,732 --> 00:14:21,025
YOU'RE VERY KIND, SIR, REALLY,
LOOK AT THIS.
294
00:14:21,193 --> 00:14:22,819
BUT EVERYTHING'S UNDER CONTROL,
THANK YOU VERY MUCH. MY NAME'S "G."
295
00:14:22,987 --> 00:14:24,237
- I'M KATE.
- HI.
296
00:14:24,405 --> 00:14:26,197
- AND THIS IS--
- HI. HOW ARE YOU?
297
00:14:26,365 --> 00:14:29,450
ROBERT. DIDN'T I SAY THAT?
RICKY.
298
00:14:29,618 --> 00:14:31,828
- ROBERT RICKY.
- HI, ROBERT RICKY.
299
00:14:31,996 --> 00:14:33,538
- NICE TO MEET YOU.
- IT'S NICE TO MEET YOU.
300
00:14:33,706 --> 00:14:35,957
OH, IT'S SUCH A--SUCH A TREAT.
301
00:14:36,125 --> 00:14:37,458
TAKE CARE.
[Chuckles]
302
00:14:37,626 --> 00:14:39,294
WOULD YOU MIND IF I ASK WHAT
"G" STANDS FOR?
303
00:14:39,461 --> 00:14:42,297
JUST "G" WITH A PERIOD, THAT'S IT.
THAT'S MY NAME, G.
304
00:14:42,464 --> 00:14:43,756
I LIKE THAT.
OKAY. YES.
305
00:14:43,924 --> 00:14:46,384
YOU HAVE TO EXCUSE MY APPEARANCE.
I KNOW I'M A LITTLE STICKY HERE.
306
00:14:46,552 --> 00:14:48,344
WHEN YOU WALK DOWN THE ROAD
LOOKING LIKE THIS,
307
00:14:48,512 --> 00:14:49,929
SOMETIMES PEOPLE
THROW THINGS AT YOU.
308
00:14:50,097 --> 00:14:51,306
YOU WOULDN'T HAPPEN TO HAVE
A WET WIPE, WOULD YOU?
309
00:14:51,473 --> 00:14:53,558
ACTUALLY, I DO.
310
00:14:53,726 --> 00:14:56,185
I LOVE A WOMAN THAT
CARRIES WET WIPES.
311
00:14:58,063 --> 00:15:00,565
MMM, PREMIUM MOIST TOWELETTES,
MY FAVORITE.
312
00:15:00,733 --> 00:15:01,858
I CARRY THEM EVERYWHERE.
313
00:15:02,026 --> 00:15:03,234
YOU DO?
314
00:15:03,402 --> 00:15:04,903
THAT'S YOUR NEED TO BE PREPARED,
PERFECTLY PREPARED.
315
00:15:05,070 --> 00:15:06,696
PROBABLY DROVE YOUR
LAST BOYFRIEND CRAZY.
316
00:15:06,864 --> 00:15:08,448
WHAT HE DIDN'T UNDERSTAND
IS THAT DEEP DOWN INSIDE
317
00:15:08,616 --> 00:15:09,908
YOU NEVER REALLY FEEL PREPARED.
318
00:15:10,075 --> 00:15:13,036
THAT'S WHY YOU'RE
ALWAYS OVER-PREPARED.
319
00:15:13,621 --> 00:15:15,246
MY GOD.
HOW DID YOU KNOW THAT?
320
00:15:15,414 --> 00:15:18,583
BECAUSE HE SEES ALL AND KNOWS ALL?
321
00:15:19,335 --> 00:15:20,835
[Laughs]
THAT WAS A GOOD ONE.
322
00:15:21,003 --> 00:15:23,713
SO, THANK YOU SO MUCH,
AND GOOD LUCK TO YOU.
323
00:15:23,881 --> 00:15:25,465
SORRY I COULDN'T BE
OF MORE HELP TO YOU.
324
00:15:25,633 --> 00:15:27,175
OH, NO. OH, NO.
YOU WERE WONDERFUL.
325
00:15:27,343 --> 00:15:28,676
AND IT WAS SO NICE MEETING YOU.
326
00:15:28,844 --> 00:15:32,805
OH, SAME HERE, KATE, WONDERFUL.
PLEASURE WAS ALL MINE. YEAH.
327
00:15:32,973 --> 00:15:34,599
NICE MEETING YOU, TOO, ROBERT RICKY.
MY PLEASURE.
328
00:15:34,767 --> 00:15:37,769
MAY WE GIVE YOU A LIFT? OH, NO. I HAVE
TO GET BACK TO MY PILGRIMAGE.
329
00:15:37,937 --> 00:15:41,356
YOU SURE?
YOU HEARD THE PILGRIM.
330
00:15:41,523 --> 00:15:43,149
VERY FUNNY.
YEAH, THANKS.
331
00:15:43,317 --> 00:15:45,735
I REALLY LIKE YOU.
YES. I LIKE YOU TOO.
332
00:15:45,903 --> 00:15:47,654
KATE. IT WAS SO NICE MEETING YOU.
333
00:15:47,821 --> 00:15:51,616
IT WAS VERY SPECIAL.
YEAH. THANK YOU. THANKS AGAIN.
334
00:15:51,784 --> 00:15:53,701
- BYE-BYE.
- BYE-BYE.
335
00:15:53,869 --> 00:15:56,371
- NOW, WATCH OUT FOR THE CARS THERE.
- CAREFUL!
336
00:16:00,793 --> 00:16:03,294
[Clears Throat]
337
00:16:05,881 --> 00:16:07,548
- KATE?
- WHAT?
338
00:16:07,716 --> 00:16:09,884
- ARE YOU INSANE?
- WHAT?
339
00:16:10,052 --> 00:16:12,720
IS THAT WHAT YOU DO, OFFER GUYS YOU
MEET ON THE HIGHWAY RIDES?
340
00:16:12,888 --> 00:16:14,305
HE OFFERED US HELP.
341
00:16:14,473 --> 00:16:16,641
OH, YOU'RE NEW TO THIS PLANET,
AREN'T YOU?
342
00:16:16,809 --> 00:16:19,644
[Engine Starts]
[Laughing]
343
00:16:19,812 --> 00:16:21,646
[Squeals]
OH, MY GOD!
344
00:16:21,814 --> 00:16:23,606
[Screams]
345
00:16:29,363 --> 00:16:31,823
[Kate]
OH MY GOD!
346
00:16:32,408 --> 00:16:33,866
AI-YI-YI.
OH, MY GOD.
347
00:16:34,034 --> 00:16:37,328
OH, MY GOD. IS HE ALL RIGHT?
GIVE HIM AIR. GIVE HIM AIR.
348
00:16:37,496 --> 00:16:39,455
HE'S NOT CONSCIOUS.
MAYBE HE'S MEDITATING?
349
00:16:39,623 --> 00:16:43,001
FACE DOWN IN THE GRAVEL? HE WAS--
HE WAS KISSING THE GROUND BEFORE.
350
00:16:43,168 --> 00:16:45,545
RICKY, THIS IS REAL. WAIT A SECOND.
I DIDN'T HIT HIM.
351
00:16:45,713 --> 00:16:49,048
I KNOW IT. I STOPPED.
HE MUST'VE, UM, FAINTED. OH, GOD.
352
00:16:49,216 --> 00:16:51,801
- CALL 9-1 -1 .
- OKAY.
353
00:16:53,470 --> 00:16:55,930
[Busy Signal]
NOTHING.
354
00:16:56,098 --> 00:16:59,392
OKAY, OKAY, OKAY. LET'S NOT PANIC.
LET'S--LET'S, UM--
355
00:16:59,560 --> 00:17:02,270
LET'S GET HIM INTO THE CAR.
OKAY. I'LL TAKE THE--
356
00:17:02,438 --> 00:17:05,523
UNLESS--WAIT A MINUTE.
MAYBE HE SHOULDN'T BE MOVED.
357
00:17:05,691 --> 00:17:07,567
AND WE JUST DRIVE TO A CALL BOX
AND SEND SOMEBODY. OH!
358
00:17:07,735 --> 00:17:09,694
OH, GOD! NO!
WHAT? WHAT?
359
00:17:09,862 --> 00:17:11,195
THAT'S NOT DISGUSTING.
I'M THINKING THINGS OUT.
360
00:17:11,363 --> 00:17:12,613
LET'S GET HIM INTO THE CAR.
361
00:17:12,781 --> 00:17:15,033
THIS IS EXACTLY WHY YOU DON'T WAVE.
THIS IS EXACTLY WHY YOU DON'T WAVE.
362
00:17:15,200 --> 00:17:16,451
OH, IT'S MY FAULT NOW?
363
00:17:16,618 --> 00:17:18,703
LET'S NOT ARGUE ABOUT IT. COME ON.
364
00:17:18,871 --> 00:17:21,873
[Woman On P.A.]
DR. HOFFMAN, 308.
DR. HOFFMAN, CALL 308.
365
00:17:22,041 --> 00:17:24,417
HOW WOULD YOU LIKE
TO TAKE CARE OF PAYMENT?
366
00:17:24,585 --> 00:17:28,796
PAYMENT? WE JUST BROUGHT HIM IN.
I DON'T KNOW HIM.
367
00:17:28,964 --> 00:17:30,798
WELL NEITHER DO I.
368
00:17:30,966 --> 00:17:32,258
HERE. I'LL TAKE CARE OF IT.
369
00:17:32,426 --> 00:17:35,511
WHAT ARE YOU DOING?
WHAT ARE YOU DOING? NO, KATE.
370
00:17:35,679 --> 00:17:38,056
I'M BUCKS UP, I GUESS.
SPONGE BATHS FOR EVERYBODY.
371
00:17:38,223 --> 00:17:39,307
THANK YOU.
372
00:17:39,475 --> 00:17:40,767
- HI. I'M DR. SIMON.
- KATE NEWELL.
373
00:17:40,934 --> 00:17:42,935
OH, THE DOCTOR. GOOD, GOOD.
KATE NEWELL.
374
00:17:43,103 --> 00:17:45,063
G IS SUFFERING FROM HEAT EXHAUSTION,
375
00:17:45,230 --> 00:17:47,565
BUT, MORE SERIOUSLY,
HAS SOME ARRHYTHMIA,
376
00:17:47,733 --> 00:17:51,319
AN IRREGULAR HEARTBEAT WHICH MAY
OR MAY NOT BE CHRONIC.
377
00:17:51,487 --> 00:17:54,405
I THINK WE SHOULD KEEP HIM OVERNIGHT
AND MONITOR HIM.
378
00:17:54,573 --> 00:17:56,616
OVERNIGHT?
WHAT DO YOU THINK BROUGHT THIS ON?
379
00:17:56,784 --> 00:17:58,910
- IT MAY BE CONGENITAL.
- MY THOUGHT, MY THOUGHT.
380
00:17:59,078 --> 00:18:01,496
OR DUE TO SOME TRAUMATIC EVENT,
A SHOCK TO THE SYSTEM.
381
00:18:01,663 --> 00:18:03,998
WE'D LIKE TO RUN A FEW MORE TESTS
TO BE SURE.
382
00:18:04,166 --> 00:18:07,043
THANK YOU SO MUCH. APPRECIATE IT.
APPRECIATE ALL YOUR TIME.
383
00:18:07,211 --> 00:18:09,420
THANK YOU, DOCTOR.
DON'T GO CRAZY ON THOSE TESTS.
384
00:18:09,588 --> 00:18:12,131
KEEP THOSE TO A MINIMUM.
THANK YOU SO MUCH.
385
00:18:12,299 --> 00:18:14,926
WHAT? NO, I HEARD, YEAH.
I MIGHT'VE BEEN RESPONSIBLE.
386
00:18:15,094 --> 00:18:17,345
I FEEL TERRIBLE, BUT I THINK HE'S IN
GOOD HANDS HERE, DON'T YOU?
387
00:18:17,513 --> 00:18:19,597
DON'T YOU FEEL GOOD ABOUT THIS PLACE?
HE SEEMS SO STRONG.
388
00:18:19,765 --> 00:18:21,099
I THINK HE'S GONNA BE FINE.
389
00:18:21,266 --> 00:18:24,185
AND, YOU KNOW, OUT OF EVERY
NEGATIVE COMES SOME GOOD.
390
00:18:24,353 --> 00:18:25,770
LIKE WHAT?
391
00:18:25,938 --> 00:18:29,023
WELL, I THINK THIS TRAGEDY HAS
BROUGHT US CLOSER TOGETHER.
392
00:18:29,191 --> 00:18:30,441
OH, PLEASE.
393
00:18:30,609 --> 00:18:32,151
- WHAT?
- NO.
394
00:18:32,319 --> 00:18:33,986
THIS IS GONNA MAKE A GREAT STORY
FOR OUR KIDS.
395
00:18:34,154 --> 00:18:35,446
IN YOUR DREAMS.
396
00:18:35,614 --> 00:18:38,699
AND, OF COURSE, ONE'S A GIRL.
I THINK WE SHOULD NAME HER Z.
397
00:18:38,867 --> 00:18:42,370
YOU KNOW, ANNIE, I WAS SITTING HOME
ALONE ONE DAY,
398
00:18:42,538 --> 00:18:47,291
AND ALL OF A SUDDEN I WAS JUST
THINKING, "BALLS."
399
00:18:47,459 --> 00:18:49,293
- BALLS?
- YES.
400
00:18:49,461 --> 00:18:52,213
AND THAT IS WHEN I CAME UP
WITH THE CONCEPT
401
00:18:52,381 --> 00:18:55,174
FOR THE LAUNDRY SOLUTION
CLEANING BALL.
402
00:18:55,342 --> 00:18:58,594
THAT'S INGENIOUS--
BALLS THAT CLEAN.
403
00:18:58,762 --> 00:19:03,057
YES. AND YOU KNOW MY CARL.
HE IS A HOMICIDE DETECTIVE.
404
00:19:03,225 --> 00:19:06,561
- MIAMI'S FINEST.
- OH, WELL, WE LIKE TO THINK SO.
405
00:19:06,728 --> 00:19:09,772
AND YOU CAN IMAGINE THE STAINS
THAT HE COMES HOME WITH.
406
00:19:09,940 --> 00:19:12,859
YOU SEE, YOU HAVE YOUR BLOOD;
YOU HAVE YOUR GRASS.
407
00:19:13,026 --> 00:19:14,986
- YOU HAVE YOUR SWEAT.
- VOMIT?
408
00:19:15,154 --> 00:19:17,155
OH, YES, ABSOLUTELY,
THAT'S YOUR VOMIT.
409
00:19:17,322 --> 00:19:20,658
- I DON'T SEE ANY LIPSTICK THERE.
- OH, YOU BAD GIRL!
410
00:19:20,826 --> 00:19:22,702
THESE GALS HAVE SOMETHING,
DON'T THEY?
411
00:19:22,870 --> 00:19:25,288
YOU KNOW, I DON'T SEE A THING WRONG
WITH THESE LADIES.
412
00:19:25,455 --> 00:19:31,669
WHO BETTER THAN THESE BOUNCY,
HOMEGROWN--
413
00:19:31,837 --> 00:19:35,339
HI. I WAS REVIEWING THE SALES
FROM LAST NIGHT'S STUFF.
414
00:19:35,507 --> 00:19:36,966
WHAT THE DILLY--OH, LOOK.
415
00:19:37,134 --> 00:19:39,093
TELL ME. EDDIE THE DOG COULDN'T MOVE
THE GRASS MATS, MAYBE SOLD TEN.
416
00:19:39,261 --> 00:19:41,929
NO. HE'S PHONING IT IN.
I'M GONNA TALK TO HIS TRAINER.
417
00:19:42,097 --> 00:19:44,015
[Phone Rings]
CONTROL.
418
00:19:44,183 --> 00:19:46,058
HEY, WHAT ARE YOU DOING
TOMORROW AT NIGHT?
419
00:19:46,226 --> 00:19:49,187
'CAUSE I'M HAVING A BUNCH
OF POTENTIAL DISTRIBUTORS OVER
420
00:19:49,354 --> 00:19:52,356
FOR COCKTAILS AT MY PLACE,
INCLUDING NINO CERRUTI,
421
00:19:52,524 --> 00:19:54,525
WHO'S STARTING HIS NEW READY-TO-WEAR
LINE WHICH I WOULD LOVE
422
00:19:54,693 --> 00:19:56,194
TO GET HERE ON GOOD BUY.
423
00:19:56,361 --> 00:19:58,112
SO IT'D BE SO GREAT
IF YOU COULD POP OVER.
424
00:19:58,280 --> 00:19:59,405
[Barry]
YEAH. HOLD ON.
425
00:19:59,573 --> 00:20:00,781
I'M SORRY. I HAVE PLANS.
426
00:20:00,949 --> 00:20:04,035
- RICKY. RICKY!
- YOU DO?
427
00:20:04,203 --> 00:20:05,995
THERE'S A CONSONANT HERE TO SEE YOU.
428
00:20:06,163 --> 00:20:07,997
WHAT? SHH-SHH! A VISITOR?
429
00:20:08,165 --> 00:20:11,375
- A BIT.
- HUH! NO KIDDING?
430
00:20:11,543 --> 00:20:13,419
YEAH, HE DOESN'T KNOW
ANYTHING ABOUT IT.
431
00:20:13,587 --> 00:20:18,257
IT'S JUST IF YOU WERE THERE, YOU KNOW,
IT'D SHOW SUPPORT AND TEAM SPIRIT,
432
00:20:18,425 --> 00:20:22,011
AND I THINK THAT IT'D WIN HIM OVER;
I THINK YOU WOULD.
433
00:20:22,512 --> 00:20:25,181
STRICTLY BUSINESS?
434
00:20:25,849 --> 00:20:29,018
KATE, THIS IS ME.
435
00:20:29,603 --> 00:20:30,937
[Cleaning Ball Lady]
IT WORKS SO EASILY.
436
00:20:31,104 --> 00:20:33,356
I'LL TRY.
437
00:20:33,523 --> 00:20:37,610
YOU SIMPLY APPLY LAUNDRY SOLUTION
TO THE STAINS.
438
00:20:37,778 --> 00:20:41,739
YOU TOSS IT IN THE WASHER.
THAT'S ALL.
439
00:20:41,907 --> 00:20:44,158
- THAT SIMPLE?
- THAT SIMPLE.
440
00:20:44,326 --> 00:20:46,452
[Man]
WHAT FANTASTIC BALLS.
441
00:20:46,620 --> 00:20:49,247
OH, JESUS! WHAT--
WHAT IS THIS?
442
00:20:49,414 --> 00:20:54,085
[Crew Chattering]
443
00:20:54,253 --> 00:20:57,755
NO! WAIT A MINUTE.
BARRY, CALL SECURITY.
444
00:20:57,923 --> 00:20:59,382
GET THEM ON THE FLOOR IMMEDIATELY,
PLEASE.
445
00:20:59,549 --> 00:21:02,802
[Woman]
GO TO JAMES BROWN.
HELLO, SECURITY?
446
00:21:02,970 --> 00:21:07,807
UH, THE, UH--
I CAN APPLY THIS WHILE IT'S ON YOU.
447
00:21:07,975 --> 00:21:10,101
[G]
GREAT.
THAT'S EVEN BETTER.
448
00:21:10,269 --> 00:21:11,519
[Woman]
ALL RIGHT.
449
00:21:11,687 --> 00:21:12,937
STAY RIGHT HERE.
450
00:21:13,105 --> 00:21:14,438
WHEN I SAY GO, GET HIM OUT OF THERE.
451
00:21:14,606 --> 00:21:17,233
ALL RIGHT. HERE WE GO.
RIGHT, RIGHT, RIGHT THERE.
452
00:21:17,401 --> 00:21:22,238
WAIT, WAIT, WAIT, WAIT, WAIT!
453
00:21:22,406 --> 00:21:24,448
I SEE A FACE ON THIS.
COME LOOK AT THIS.
454
00:21:24,616 --> 00:21:25,992
DO YOU SEE A FACE HERE?
455
00:21:26,159 --> 00:21:28,244
DO YOU SEE THAT?
I DON'T KNOW.
456
00:21:28,412 --> 00:21:30,371
CAN I HAVE YOUR HEADSET?
THANK YOU.
457
00:21:30,539 --> 00:21:31,998
LOOK.
LOOK.
458
00:21:32,165 --> 00:21:35,418
[Gasps]
IT'S THE BABY JESUS.
459
00:21:36,086 --> 00:21:38,713
NO, THAT'S NOT JESUS.
THAT'S MERV GRIFFIN.
460
00:21:38,880 --> 00:21:40,089
- NO?
- WHAT?
461
00:21:40,257 --> 00:21:41,340
LOOK. UPSIDE-DOWN. YOU SEE?
462
00:21:41,508 --> 00:21:42,508
OH!
463
00:21:42,676 --> 00:21:44,051
OKAY, LISTEN UP.
JIM, CAMERA THREE.
464
00:21:44,219 --> 00:21:46,345
GET A TIGHT SHOT OF THE SIGN.
465
00:21:46,513 --> 00:21:47,930
CUT TO CAMERA THREE ON RICKY'S WORD.
466
00:21:48,098 --> 00:21:50,308
SEE? LOOK.
I'LL MAKE IT LOOK AT YOU.
467
00:21:50,475 --> 00:21:51,434
OH!
468
00:21:51,601 --> 00:21:53,311
SEE? AND HE'S LOOKING AT--
HE'S LOOKING AT YOU.
469
00:21:53,478 --> 00:21:55,062
HE'S LOOKING AT ME!
470
00:21:55,230 --> 00:21:56,689
SAM, WHEN I GIVE THE WORD,
CUT TO CAMERA THREE
471
00:21:56,857 --> 00:21:58,482
AND GO TO THE TEASER FOR PEPPERTOWN.
472
00:21:58,650 --> 00:21:59,984
THREE, GET READY.
READY?
473
00:22:00,152 --> 00:22:01,277
PEPPERTOWN TEASER.
ON HIS WORD.
474
00:22:01,445 --> 00:22:02,486
IT'S AMAZING.
475
00:22:02,654 --> 00:22:04,613
ONE PERSON'S CHERRY STAIN IS
ANOTHER PERSON'S TALK SHOW HOST.
476
00:22:04,781 --> 00:22:06,073
- NOW.
- GO.
477
00:22:06,241 --> 00:22:08,326
IT'S ALL AROUND US, WE JUST HAVE
TO LOOK FOR IT, YOU KNOW?
478
00:22:08,493 --> 00:22:10,494
GOOD. GOOD, GOOD, GOOD.
479
00:22:10,662 --> 00:22:12,496
COME ON.
GET HIM OUT.
480
00:22:12,664 --> 00:22:13,998
[Chattering]
481
00:22:14,166 --> 00:22:15,458
OKAY. WE'RE OFF.
TAKE HIM TO MY OFFICE.
482
00:22:15,625 --> 00:22:16,834
I'M RIGHT BEHIND YOU.
483
00:22:17,002 --> 00:22:18,210
ROBERT RICKY.
LOOK AT THIS.
484
00:22:18,378 --> 00:22:19,837
THIS LOOKS EXACTLY LIKE MERV GRIFFIN.
485
00:22:20,005 --> 00:22:21,213
WE'RE GONNA HAVE A TALK.
LET'S HAVE A TALK.
486
00:22:21,381 --> 00:22:22,506
OH, OKAY.
487
00:22:22,674 --> 00:22:23,924
SORRY, LADIES. WE'RE OFF.
HANG WITH US.
488
00:22:24,092 --> 00:22:26,344
AND, YOU KNOW, DON'T--EVERYBODY'S
SAYING "BALLS" WAY TOO MUCH.
489
00:22:26,511 --> 00:22:27,762
DON'T SAY "BALLS."
DON'T SAY "BLUE BALLS."
490
00:22:27,929 --> 00:22:30,348
WE'RE SELLING LAUNDRY SOLUTION.
THAT'S WHAT TO SAY.
491
00:22:30,515 --> 00:22:32,558
YOU'RE WAY TOO IN LOVE
WITH "BALLS," AREN'T YA?
492
00:22:32,726 --> 00:22:35,353
THAT'S ALL I FEEL LIKE I'M HEARING, IS
"BALLS, BALLS, BALLS, BALLS, BALLS."
493
00:22:35,520 --> 00:22:38,356
ROBERT RICKY!
I'M RIGHT THERE.
494
00:22:38,982 --> 00:22:40,608
[Annie]
WE'LL BE BACK ON SOON.
495
00:22:40,776 --> 00:22:42,735
I THOUGHT IT WAS JESUS.
IT WAS MERV.
496
00:22:42,903 --> 00:22:44,862
I THOUGHT IT LOOKED
LIKE KARL MALDEN.
497
00:22:45,030 --> 00:22:46,530
THANKS, GUYS.
SURE.
498
00:22:46,698 --> 00:22:48,199
THANK YOU, CEDRIC.
THANK YOU, TED.
499
00:22:48,367 --> 00:22:49,533
ON YOU GO.
THANK YOU, CEDRIC AND TED.
500
00:22:49,701 --> 00:22:51,702
THANK YOU FOR BRINGING ME
TO ROBERT RICKY.
501
00:22:51,870 --> 00:22:52,953
OKAY.
502
00:22:53,121 --> 00:22:55,039
WHAT A WONDERFUL PLACE
YOU HAVE HERE. EXHILARATING.
503
00:22:55,207 --> 00:22:56,374
G?
504
00:22:56,541 --> 00:22:58,542
- I CAN FEEL YOUR ENERGY IN THIS ROOM.
- YEAH. SIR.
505
00:22:58,710 --> 00:22:59,752
HEY, HEY, HEY, HEY!
WHAT ARE YOU DOING?
506
00:22:59,920 --> 00:23:01,337
BAD IDEA?
BAD IDEA?
507
00:23:01,505 --> 00:23:03,130
IT'S A BAD IDEA? LOOK AT THIS PLACE.
NO, NO. LISTEN. LISTEN.
508
00:23:03,298 --> 00:23:04,507
HEY! WHAT'S HAPPENING?
509
00:23:04,674 --> 00:23:06,634
[Inhales]
I CAN FEEL THE EXCITEMENT
IN THIS PLACE.
510
00:23:06,802 --> 00:23:09,387
G? WHAT ARE YOU DOING?
WHAT HAPPENED?
511
00:23:09,554 --> 00:23:10,805
YES?
512
00:23:10,972 --> 00:23:12,181
I'D LIKE TO GIVE YOU THE BENEFIT
OF THE DOUBT HERE.
513
00:23:12,349 --> 00:23:13,724
YOU'RE OBVIOUSLY FROM OUT OF TOWN
AND LOOK REAL UNFAMILIAR. G!
514
00:23:13,892 --> 00:23:15,309
OH, KATE! HOW ARE YOU?
LOOK WHO'S UP AND AROUND.
515
00:23:15,477 --> 00:23:17,061
SO GOOD TO SEE YOU.
YOU KNOW SOMETHING?
516
00:23:17,229 --> 00:23:18,437
LET ME TELL YOU.
517
00:23:18,605 --> 00:23:20,147
I DON'T KNOW IF IT'S YOU THAT MAKES
THIS DRESS LOOK INCREDIBLE
518
00:23:20,315 --> 00:23:22,900
OR VICE-VERSA, BUT EITHER WAY
IT'S A WINNING COMBINATION.
519
00:23:23,068 --> 00:23:24,693
OH, THANK YOU.
BUT WHAT WERE YOU DOING?
520
00:23:24,861 --> 00:23:28,072
- YOU CAN'T JUST JUMP ON TV LIKE THAT.
- I'M SORRY. I HAD A STAIN.
521
00:23:28,240 --> 00:23:30,658
- YEAH. DID McB SEE THAT?
- NO, I DON'T THINK SO.
522
00:23:30,826 --> 00:23:32,993
OKAY, WELL, MAYBE HE DOESN'T HAVE TO
HEAR ABOUT IT, BECAUSE--
523
00:23:33,161 --> 00:23:36,372
BECAUSE, AFTER ALL, IF CERTAIN PEOPLE
HADN'T WAVED TO CERTAIN PEOPLE,
524
00:23:36,540 --> 00:23:39,750
AS WELL-INTENTIONED AND KIND OF DOPEY
AS IT WAS,
525
00:23:39,918 --> 00:23:41,627
I THINK WE SEE NOW THAT
IT WAS VERY MISGUIDED.
526
00:23:41,795 --> 00:23:43,045
WE'LL TALK ABOUT THE WHOLE THING.
527
00:23:43,213 --> 00:23:44,422
LISTEN, WE'RE RIGHT IN THE MIDDLE
OF OUR DAY HERE.
528
00:23:44,589 --> 00:23:45,714
DID YOU COME FOR A REASON?
529
00:23:45,882 --> 00:23:47,716
OH, YES, I DID. I CAME BECAUSE
THE HOSPITAL JUST RELEASED ME,
530
00:23:47,884 --> 00:23:50,469
AND THEY INFORMED ME THAT YOU PAID
MY DOCTOR'S BILL, YEAH.
531
00:23:50,637 --> 00:23:53,347
AND I JUST WANTED TO COME DOWN AND
THANK YOU PERSONALLY, ROBERT RICKY.
532
00:23:53,515 --> 00:23:54,807
RICKY. JUST CALL ME RICKY.
533
00:23:54,975 --> 00:23:56,350
YOU'RE SHORTENING YOUR NAME,
JUST LIKE ME.
534
00:23:56,518 --> 00:23:57,810
WAIT 'TIL YOU GET TO JUST "R."
535
00:23:57,978 --> 00:23:59,353
THE TIME YOU'LL SAVE WILL PUT HOURS
ON YOUR LIFE, TRUST ME.
536
00:23:59,521 --> 00:24:00,729
ANYWAY, I JUST WANTED TO TELL YOU
THANK YOU SO MUCH,
537
00:24:00,897 --> 00:24:03,274
AND IF THERE'S ANYTHING THAT I CAN DO
TO REPAY YOU, JUST LET ME KNOW.
538
00:24:03,442 --> 00:24:05,443
AH, I GOTCHA!
I GOTCHA!
539
00:24:05,610 --> 00:24:07,278
YOU KNOW WHAT WOULD
MAKE ME THE HAPPIEST?
540
00:24:07,446 --> 00:24:08,737
WHAT'S THAT?
541
00:24:08,905 --> 00:24:10,448
KNOWING THAT YOU WERE
BACK ON YOUR WAY,
542
00:24:10,615 --> 00:24:14,160
SEARCHING, HEALING, FOLLOWING THAT
GOLDEN, GOLDEN PATH OF YOURS.
543
00:24:14,327 --> 00:24:16,829
AND MAY GOD, OR WHATEVER IT IS YOU
BELIEVE IN, SMILE UPON YOUR JOURNEY.
544
00:24:16,997 --> 00:24:18,622
THERE'S A DOOR RIGHT AT
THE BOTTOM OF THE STAIRS.
545
00:24:18,790 --> 00:24:20,791
WAIT, WHAT DID DR. SIMON SAY?
546
00:24:20,959 --> 00:24:23,377
WELL, THE DOCTOR TOLD ME I SHOULD STAY
OUT OF THE SUN FOR A COUPLE OF WEEKS,
547
00:24:23,545 --> 00:24:25,504
AND THEN I SHOULD COME BACK AND SEE HIM,
HAVE ANOTHER CHECKUP,
548
00:24:25,672 --> 00:24:28,466
AND IF EVERYTHING PANNED OUT,
THEN I CAN RESUME MY PILGRIMAGE.
549
00:24:28,633 --> 00:24:30,134
WHERE WILL YOU STAY?
550
00:24:30,302 --> 00:24:32,303
DURING THE DAY, I CAN STAY IN
A SHOPPING MALL OR SOMETHING.
551
00:24:32,471 --> 00:24:34,555
AND AT NIGHT, IT'S REALLY NOT THAT BAD.
SHOPPING MALLS ARE GREAT HERE.
552
00:24:34,723 --> 00:24:37,099
- THAT'S GOOD.
- NO!
553
00:24:37,267 --> 00:24:38,642
THAT'S NOT RIGHT.
554
00:24:38,810 --> 00:24:41,187
YOU WOULDN'T BE STUCK HERE
IF IT WEREN'T FOR US.
555
00:24:41,855 --> 00:24:43,898
OKAY. OKAY. UM HERE.
556
00:24:44,065 --> 00:24:48,152
HERE'S, UM--HERE'S $1 80.
557
00:24:48,320 --> 00:24:50,905
FIND YOURSELF A MOTEL ROOM, REST UP
AND CONSIDER US EVEN STEVEN.
558
00:24:51,072 --> 00:24:53,073
ABSOLUTELY NOT.
THERE'S NO WAY I CAN ACCEPT MONEY.
559
00:24:53,241 --> 00:24:55,201
I'M SORRY, BUT THANK YOU.
I DON'T WANT TO OFFEND.
560
00:24:55,368 --> 00:24:56,619
YOU'RE VERY GRATEFUL.
561
00:24:56,786 --> 00:24:57,953
WHY DON'T YOU COME STAY
AT MY PLACE?
562
00:24:58,121 --> 00:24:59,455
[Both]
WHAT?
563
00:24:59,623 --> 00:25:00,998
I MEAN IT. I COULDN'T LET YOU
STAY OUT IN THIS HEAT.
564
00:25:01,166 --> 00:25:02,833
WHAT IF SOMETHING HAPPENED TO YOU?
I'D NEVER FORGIVE MYSELF.
565
00:25:03,001 --> 00:25:05,294
I DON'T KNOW.
I DON'T THINK I CAN DO THAT.
566
00:25:05,462 --> 00:25:07,087
HE CAN'T DO THAT.
IT'S A RELIGIOUS THING, KATE.
567
00:25:07,255 --> 00:25:08,547
YOU'LL NEVER UNDERSTAND.
568
00:25:08,715 --> 00:25:11,050
NO, BELIEVE ME. IT WOULD BE MUCH WORSE
FOR ME KNOWING YOU WERE
569
00:25:11,218 --> 00:25:12,635
OUT ON THE STREETS.
570
00:25:12,802 --> 00:25:14,845
IT'S AIR-CONDITIONED.
GREAT POOL.
571
00:25:15,013 --> 00:25:16,138
REALLY?
572
00:25:16,306 --> 00:25:18,349
UH-HUH. I CAN'T COOK,
BUT I ORDER A MEAN TAKEOUT.
573
00:25:18,517 --> 00:25:22,520
OH, MAN. WELL, I KNOW HOW TO EAT SOME
MEAN TAKEOUT TOO.
574
00:25:22,687 --> 00:25:25,814
AND IF YOU SPILL ANYTHING, YOU'LL KNOW
WHO'S GOT THE WET WIPES FOR IT.
575
00:25:25,982 --> 00:25:28,859
OR THE STAIN BALL. THAT'LL BE FUN.
IT'LL BE LIKE A SLUMBER PARTY.
576
00:25:29,027 --> 00:25:32,196
WE COULD DANCE, WEAR OUR JAMMIES.
THIS IS SO GREAT.
577
00:25:32,364 --> 00:25:34,031
I WISH I HAD MY CAMERA.
578
00:25:34,199 --> 00:25:35,533
[Imitates Camera Clicking]
AH, THIS IS SO SWEET.
579
00:25:35,700 --> 00:25:38,077
BUT, KATE, I CANNOT IN GOOD CONSCIENCE
LET G STAY WITH YOU.
580
00:25:38,245 --> 00:25:41,622
THIS IS MY FAULT, NOW THAT I'VE
THOUGHT ABOUT IT.
581
00:25:41,790 --> 00:25:44,875
IT'S MY RESPONSIBILITY.
G, PLEASE STAY WITH ME.
582
00:25:45,043 --> 00:25:48,295
I'D LIKE YOU TO STAY AT MY HOUSE.
583
00:25:52,634 --> 00:25:54,385
DO YOU HAVE A POOL?
584
00:25:54,553 --> 00:25:59,765
...
585
00:26:07,732 --> 00:26:12,027
[People Chattering, Shouting]
586
00:26:15,782 --> 00:26:19,243
HAVING FUN THERE, HUH?
OH, YES. I ALWAYS HAVE FUN.
587
00:26:19,411 --> 00:26:21,245
HOW ABOUT YOU?
588
00:26:21,413 --> 00:26:23,289
YOU'RE AFTER SOMETHING,
AREN'T YOU, BUDDY?
589
00:26:23,456 --> 00:26:25,499
- DEFINITELY.
- YEAH.
590
00:26:25,667 --> 00:26:29,169
THINK I'LL FIND IT?
[Laughs]
591
00:26:37,429 --> 00:26:40,598
HEY, THIS THING WORKS REALLY GOOD.
592
00:26:40,765 --> 00:26:42,600
LOOK AT THAT.
[Laughs]
593
00:26:42,767 --> 00:26:44,059
THANK YOU.
594
00:26:44,227 --> 00:26:45,936
MMM. OKAY.
595
00:26:46,104 --> 00:26:48,022
VERY NICE.
WANT SOME SHEETS FOR THE BED?
596
00:26:48,189 --> 00:26:49,815
OH, NO THANK YOU.
597
00:26:49,983 --> 00:26:52,651
THAT WON'T BE NECESSARY.
I DON'T SLEEP ON MATTRESSES.
598
00:26:52,819 --> 00:26:54,903
YOU KNOW, MATTRESSES ARE INHABITED
BY FLESH-EATING MITES
599
00:26:55,071 --> 00:26:59,116
THAT LIVE OFF THE DEAD SKIN THAT FLAKES
OFF YOUR BODY WHILE YOU'RE SLEEPING.
600
00:26:59,284 --> 00:27:01,118
I DON'T WANT TO GO THROUGH THAT.
I LIKE THE FLOOR.
601
00:27:01,286 --> 00:27:04,788
IT'S NICE AND COMFORTABLE AND FIRM.
YOU MIGHT WANT TO TRY IT SOMETIME.
602
00:27:04,956 --> 00:27:06,957
[Chuckles]
NO. NO, THANK YOU.
603
00:27:07,125 --> 00:27:10,669
I'LL--I'LL STICK WITH THE OLD
SKIN-EATING MITE PAD.
604
00:27:10,837 --> 00:27:13,339
YOU WANT TO BE A BUFFET,
YOU GO RIGHT AHEAD.
605
00:27:13,506 --> 00:27:15,841
I'M SURE THE MITES WILL ENJOY.
606
00:27:16,009 --> 00:27:18,802
THEY'RE HAVING NERVOUS
RICKY FLAKES TONIGHT.
607
00:27:18,970 --> 00:27:20,763
[Laughs]
608
00:27:20,930 --> 00:27:24,058
ABBONDANZA, MITES!
[Chuckles]
609
00:27:46,498 --> 00:27:48,499
A VERY PLEASANT GOOD MORNING
TO YOU, RICKY.
610
00:27:48,667 --> 00:27:50,417
GOOD MORNING.
LOOK.
611
00:27:50,585 --> 00:27:53,045
I DON'T WANT TO HEAR OF ANY
BEAUTY OF LIFE, OKAY?
612
00:27:53,213 --> 00:27:54,505
IT'S TOO EARLY.
613
00:27:54,673 --> 00:27:56,340
HOW CAN YOU BE GRUMPY IN
A BEAUTIFUL SETTING LIKE THIS?
614
00:27:56,508 --> 00:27:58,008
LOOK AT THIS BEAUTIFUL PLACE.
615
00:27:58,176 --> 00:28:00,094
I'LL TELL YOU HOW, MR. G.
616
00:28:00,261 --> 00:28:03,430
'CAUSE IT'S ALL, UH
IT'S ALL HANGING BY A THREAD.
617
00:28:03,598 --> 00:28:06,600
THE WHOLE HAYMAN EMPIRE.
618
00:28:06,768 --> 00:28:10,020
AND I'M THAT CLOSE TO JOINING YOU
ON THE STREET.
619
00:28:10,188 --> 00:28:13,107
I'M SORRY.
I TRAVEL ALONE.
620
00:28:13,274 --> 00:28:17,027
GREAT. EVEN YOU WON'T HIRE ME.
621
00:28:17,195 --> 00:28:19,697
[Groans]
O.J.?
622
00:28:19,864 --> 00:28:22,741
OH, I THREW THE ORANGE JUICE OUT.
IT WAS SMELLY.
623
00:28:22,909 --> 00:28:26,620
IT HAD A LITTLE SMELL TO IT.
WHY DON'T YOU TRY THIS?
624
00:28:26,788 --> 00:28:29,498
I MADE IT FRESH.
IT'S DELICIOUS.
625
00:28:31,376 --> 00:28:36,672
MMM. VERY PLEASANT,
VERY REFRESHING. TRY IT.
626
00:28:40,009 --> 00:28:42,261
NOW, DON'T DRINK IT TOO FAST.
DRINK IT VERY SLOWLY.
627
00:28:42,429 --> 00:28:47,015
TAKE IT IN.
I'LL DRINK. ALL RIGHT.
628
00:28:47,934 --> 00:28:49,309
MMMM!
629
00:28:49,477 --> 00:28:51,061
YES. YOU LIKE THAT?
630
00:28:51,229 --> 00:28:52,730
IT'S NOT BAD.
IT'S GOOD.
631
00:28:52,897 --> 00:28:54,064
NO, IT'S DELICIOUS.
WHAT IS THAT?
632
00:28:54,232 --> 00:28:55,774
- WHAT DO YOU TASTE IN THAT?
- WHAT IS IT, PEACH?
633
00:28:55,942 --> 00:28:57,651
- YES, PEACHES.
- IT'S GOOD.
634
00:28:57,819 --> 00:29:01,071
- YES, AND WHAT ELSE?
- I DON'T KNOW.
635
00:29:01,781 --> 00:29:04,366
- I DON'T KNOW.
- MY URINE IS IN IT.
636
00:29:04,534 --> 00:29:09,455
PSYCH YOUR MIND.
NO, NO, NO, PSYCH YOUR MIND.
637
00:29:09,622 --> 00:29:10,914
[Water Running]
638
00:29:11,082 --> 00:29:12,583
IT'S NOT MY URINE. I KID YOU.
IT'S A JOKE.
639
00:29:12,751 --> 00:29:14,835
IT'S HERBAL TEA.
640
00:29:15,003 --> 00:29:16,253
I KNOW YOU LIKE JOKES.
641
00:29:16,421 --> 00:29:19,882
I WANTED TO START THE DAY OFF
WITH A FUNNY JOKE.
642
00:29:20,049 --> 00:29:23,677
TRUST ME, MY URINE DOESN'T HAVE
THAT TASTY ZING TO IT. I KNOW.
643
00:29:23,845 --> 00:29:26,680
LET'S GO OUT HERE AND LOOK AT
THE SUNLIGHT AND STAND IN THE SUN.
644
00:29:26,848 --> 00:29:29,016
I DON'T WANT TO STAY
IN THIS APARTMENT ALL DAY.
645
00:29:29,184 --> 00:29:32,978
YOU CAN SEE ALL THE WAY DOWN TO
THE BEACH FROM HERE, YOU KNOW.
646
00:29:33,938 --> 00:29:37,107
LET'S SEE WHAT YOU GOT HERE.
HERE YOU GO.
647
00:29:38,193 --> 00:29:39,777
WELL.
648
00:29:39,944 --> 00:29:42,321
YOU WERE CUM LAUDE.
THAT'S GREAT.
649
00:29:42,489 --> 00:29:45,491
[Phone Ringing]
650
00:29:48,411 --> 00:29:50,913
- BARRY. BARRY.
- YEAH?
651
00:29:51,080 --> 00:29:55,584
UH--DON'T TELL ME,
SOMEBODY ELSE FOR MY JOB?
652
00:29:55,752 --> 00:29:57,294
NO, NO, NO!
653
00:29:57,462 --> 00:29:58,921
LARRY KING DOESN'T INTERVIEW
THIS MANY PEOPLE.
654
00:29:59,088 --> 00:30:00,255
REALLY?
655
00:30:00,423 --> 00:30:01,799
DID YOU TAKE HIM THE FAX I SENT YOU,
THE NEW IMAGE SUGGESTIONS?
656
00:30:01,966 --> 00:30:03,050
YEAH. IT'S DONE.
657
00:30:03,218 --> 00:30:06,470
- WHAT YOU THINK?
- I THOUGHT THEY WERE GREAT IDEAS.
658
00:30:06,638 --> 00:30:08,639
[Phone Ringing]
JUST GREAT?
659
00:30:08,807 --> 00:30:11,975
UH, UH, AMAZING?
UH, INSPIRED?
660
00:30:12,143 --> 00:30:14,478
- EROTIC?
- DON'T.
661
00:30:14,646 --> 00:30:16,605
HE'S GOTTA LIKE 'EM.
I WAS UP ALL NIGHT.
662
00:30:16,773 --> 00:30:18,106
I WAS UP ALL NIGHT.
663
00:30:18,274 --> 00:30:19,399
WHAT ELSE?
ANYTHING ELSE?
664
00:30:19,567 --> 00:30:20,901
ALSO, THE BANK CALLED.
665
00:30:21,069 --> 00:30:23,153
UH, CAR GUY OR MORTGAGE GUY?
PLEASE DON'T SAY MORTGAGE GUY.
666
00:30:23,321 --> 00:30:24,613
MORTGAGE GUY.
667
00:30:24,781 --> 00:30:26,365
- HI. HI, BARRY.
- HEY.
668
00:30:26,533 --> 00:30:28,408
MISS NEWELL. LOOK WHO IT IS.
GOOD MORNING.
669
00:30:28,576 --> 00:30:30,202
- HOW'S G?
- OH, HE'S IN THE CAR.
670
00:30:30,370 --> 00:30:33,330
I LEFT HIM THERE.
I CRACKED THE WINDOW.
671
00:30:33,498 --> 00:30:36,834
NO, HE'S AT HOME. HE'S FINE.
DON'T YOU WANT TO KNOW HOW I AM?
672
00:30:37,001 --> 00:30:41,129
JUDGING FROM McB'S REACTION TO YOUR
NEW FAX, YOU'RE IN RARE FORM.
673
00:30:41,297 --> 00:30:43,340
REALLY? WHAT DO YOU MEAN?
HE LIKED IT?
674
00:30:43,508 --> 00:30:44,800
NO.
675
00:30:44,968 --> 00:30:47,344
HE LIKED IT? OF COURSE HE LIKED IT.
YOU KNOW WHY? YOU KNOW WHY?
676
00:30:47,512 --> 00:30:50,180
'CAUSE I'M A BORN GAME-ON-THE-LINE,
FINAL SECONDS, GO-TO GUY.
677
00:30:50,348 --> 00:30:52,349
PRESSURE IS MY MISTRESS.
WHAT'D HE SAY? WHAT'D HE SAY?
678
00:30:52,517 --> 00:30:54,560
- HE SAID THEY WERE HILARIOUS.
- HILARIOUS?
679
00:30:54,727 --> 00:30:57,980
HE WAS WEEPING IN THERE THIS MORNING,
AND IT TAKES A LOT TO MAKE HIM LAUGH.
680
00:30:58,147 --> 00:31:01,650
YEAH, I KNOW, I KNOW.
HE SEEMED A LITTLE DOWN.
681
00:31:01,818 --> 00:31:04,027
HE SAYS HE CAN'T WAIT TO SEE
YOUR REAL ONES.
682
00:31:04,195 --> 00:31:05,529
RIGHT.
683
00:31:05,697 --> 00:31:07,364
YOU KNOW, IT WAS REALLY SMART OF YOU
TO GET HIM IN A GOOD MOOD.
684
00:31:07,532 --> 00:31:09,408
MAY MAKE IT EASIER FOR HIM TO TAKE
LAST NIGHT'S NUMBERS.
685
00:31:09,576 --> 00:31:11,201
DOWN 2%.
686
00:31:11,369 --> 00:31:16,123
GRASS MATS WERE A CATASTROPHE.
WE SOLD ONE.
687
00:31:16,791 --> 00:31:19,751
YOU I WILL SEE LATER.
OKAY.
688
00:31:19,919 --> 00:31:22,296
SEE YOU LATER.
689
00:31:26,050 --> 00:31:30,512
...
690
00:31:30,680 --> 00:31:33,891
OKAY, PLEASE, PLEASE LET
THIS PARTY WORK FOR ME.
691
00:31:34,058 --> 00:31:36,977
YOU KNOW, I DON'T KNOW
WHAT'S THE MATTER.
692
00:31:37,145 --> 00:31:39,396
I SEEM TO BE DOING EVERYTHING WRONG.
693
00:31:39,564 --> 00:31:41,607
OKAY.
GOOD, BETTER, BEST.
694
00:31:41,774 --> 00:31:43,317
[Snapping Fingers]
695
00:31:43,484 --> 00:31:47,654
NEVER LET IT REST UNTIL YOUR GOOD IS
BETTER AND YOUR BETTER IS BEST.
696
00:31:47,822 --> 00:31:51,408
[People Chattering]
697
00:31:54,787 --> 00:31:57,039
OH, HOPE I'M NOT INTERRUPTING.
698
00:31:57,206 --> 00:31:59,499
SAY, COULD WE HAVE A LITTLE
CHAT FOR A SECOND?
699
00:31:59,667 --> 00:32:01,793
OH, YES.
700
00:32:01,961 --> 00:32:04,504
YOU MAY HAVE NOTICED SOME INCREASED
ACTIVITY IN THE APARTMENT.
701
00:32:04,672 --> 00:32:07,215
YES, I DID NOTICE ALL THE FLOWERS.
I THINK IT'S BEAUTIFUL.
702
00:32:07,383 --> 00:32:09,426
RIGHT. THAT'S BECAUSE I'M HAVING
A LITTLE GET-TOGETHER HERE.
703
00:32:09,594 --> 00:32:12,721
- WONDERFUL.
- OH. I KNOW. IT'S A BUSINESS FUNCTION.
704
00:32:12,889 --> 00:32:17,517
NOW, UH, I'M NOT GONNA
LOCK YOU IN HERE,
705
00:32:17,685 --> 00:32:20,520
'CAUSE, WELL, FRANKLY,
I THINK IT'S ILLEGAL.
706
00:32:20,688 --> 00:32:24,107
BUT, UM, AS A FAVOR TO ME,
707
00:32:24,275 --> 00:32:27,778
UH, THE GUY WHO PAID YOUR MEDICAL
EXPENSES AND HAS GIVEN YOU SHELTER,
708
00:32:27,946 --> 00:32:32,658
WOULD YOU PLEASE STAY IN THE ROOM?
709
00:32:32,825 --> 00:32:34,618
I'LL BE RIGHT HERE, RICKY.
710
00:32:34,786 --> 00:32:36,954
GREAT. THANK YOU.
711
00:32:37,121 --> 00:32:39,247
THAT'S QUITE AN OUTFIT
YOU HAVE ON THERE, RICKY.
712
00:32:39,415 --> 00:32:40,582
WHAT?
713
00:32:40,750 --> 00:32:43,460
QUITE AN OUTFIT YOU HAVE ON THERE.
714
00:32:43,628 --> 00:32:47,089
THANK YOU.
GOOD NIGHT.
715
00:32:50,635 --> 00:32:52,177
THINK IT'S TOO MUCH?
716
00:32:52,345 --> 00:32:58,350
PERSONALLY, I WOULD, UM,
I WOULD LOSE THE POCKET THING.
717
00:32:58,518 --> 00:33:00,477
OH, THE HANKY?
718
00:33:00,645 --> 00:33:03,480
- THE HANKY? YES.
- I LIKE THE HANKY.
719
00:33:03,648 --> 00:33:05,941
IT'S JUST A TRADITIONAL, UH--
720
00:33:06,109 --> 00:33:07,818
[Chuckling]
I DON'T LIKE IT.
721
00:33:07,986 --> 00:33:11,029
[Chuckles]
OKAY.
722
00:33:11,197 --> 00:33:14,408
UH, SO BEFORE WE START,
DO YOU WANT ANYTHING?
723
00:33:14,575 --> 00:33:16,910
YOU KNOW, THERE'S FROZEN STUFF--
PIZZA OR WHATEVER.
724
00:33:17,078 --> 00:33:20,247
AND YOU'VE GOT A JAR OF THAT DELICIOUS
"URINADE" IN THE FRIDGE.
725
00:33:20,415 --> 00:33:23,667
OH. I'M FINE.
I HAVE EVERYTHING THAT I NEED.
726
00:33:23,835 --> 00:33:25,836
THANK YOU.
THANK YOU.
727
00:33:26,004 --> 00:33:28,630
- HAVE FUN.
- THANK YOU. YOU TOO.
728
00:33:29,507 --> 00:33:32,926
[Jazz music playing]
[People Chattering, Laughing]
729
00:33:33,094 --> 00:33:37,222
[Woman]
THAT'S WHAT HE SAID.
730
00:33:37,390 --> 00:33:39,725
YOU KNOW, OUR NUMBERS ARE COMPETITIVE
WITH ALL THE OTHER CHANNELS,
731
00:33:39,892 --> 00:33:42,060
BUT OUR DEMOGRAPHICS ARE JUST
THE BEST IN THE BUSINESS.
732
00:33:42,228 --> 00:33:44,479
I SAW ADS ON LAUNDRY BALLS.
733
00:33:44,647 --> 00:33:46,940
I SHOULD PUT MY PROGRAM NEXT TO
A LAUNDRY BALL AD
734
00:33:47,108 --> 00:33:49,735
WHEN I'M ENTIRELY WORKING ON BEAUTY?
735
00:33:49,902 --> 00:33:53,196
HOW CAN I BE CLOSE TO THAT KIND OF--
IT'S TOO VULGAR.
736
00:33:53,364 --> 00:33:54,573
ABSOLUTELY.
737
00:33:54,741 --> 00:33:56,033
CAN I INTRODUCE YOU TO
A BEAUTIFUL PERSON?
738
00:33:56,200 --> 00:33:59,494
I'LL BE RIGHT BACK.
EXCUSE ME ONE SECOND.
739
00:34:00,163 --> 00:34:01,997
- THANK YOU SO MUCH.
- YOU'RE WELCOME.
740
00:34:02,165 --> 00:34:04,875
YOU LOOK JUST GORGEOUS.
AS GOOD AS A FOOT MODEL?
741
00:34:05,043 --> 00:34:07,252
[Laughs]
BETTER. BETTER.
742
00:34:07,420 --> 00:34:09,254
RICKY, THIS IS SCOTT HAWKES.
743
00:34:09,422 --> 00:34:11,882
TRUST ME, THIS WOMAN HAS THE MOST
ELEGANT TOES I'VE EVER SEEN.
744
00:34:12,050 --> 00:34:14,092
THAT'S FINE, SCOTT.
745
00:34:14,260 --> 00:34:18,096
CAN I TAKE YOU RIGHT OVER TO SEE--
NINO! CHE COSA?
746
00:34:18,264 --> 00:34:20,432
OH, SCOTT HAWKES.
HOW NICE.
747
00:34:20,600 --> 00:34:23,143
YES, HE'S A JERK;
NO, WE'RE NOT TOGETHER;
748
00:34:23,311 --> 00:34:26,772
AND TRUST ME, HE'S THE BEST
AT WHAT HE DOES.
749
00:34:27,315 --> 00:34:31,151
- WHEN DID HE SEE YOUR TOES?
- WHY DON'T YOU INTRODUCE ME?
750
00:34:32,737 --> 00:34:36,656
UH, SIGNORE NINO CERRUTI,
KATE NEWELL.
751
00:34:36,824 --> 00:34:38,825
- SO NICE TO MEET YOU.
- ENCHANTED.
752
00:34:38,993 --> 00:34:40,911
- HOW WAS YOUR FLIGHT?
- FINE. GREAT.
753
00:34:41,079 --> 00:34:42,954
GREAT. ARE YOU HAVING
A GOOD TIME HERE?
754
00:34:43,122 --> 00:34:44,706
YES, VERY NICE, THANK YOU.
755
00:34:44,874 --> 00:34:46,666
WONDERFUL, WELL, HOPEFULLY WE'LL BE
ABLE TO SHOW YOU AROUND.
756
00:34:46,834 --> 00:34:48,919
GEE, I SEE A SLIGHT CATERING ISSUE.
757
00:34:49,087 --> 00:34:51,046
I'LL BE BACK IN A FLASH.
758
00:34:51,214 --> 00:34:54,049
NINO, KATE, WHATEVER YOUR NAME IS,
EXCUSE ME ONE SECOND.
759
00:34:54,217 --> 00:34:55,926
KATE, TAKE OVER, PLEASE.
760
00:34:56,094 --> 00:34:59,221
OH, EXCUSE ME. HELLO.
761
00:34:59,388 --> 00:35:01,932
OH, G, G, WHAT ARE YOU DOING?
BACK, BACK.
762
00:35:02,100 --> 00:35:05,519
- OH, I HAD TO GO STINKY.
- OH, GO STINKY?
763
00:35:05,686 --> 00:35:07,979
AREN'T YOU LIKE A GURU,
LIKE AN INDIAN FAKIR?
764
00:35:08,147 --> 00:35:10,774
YOU CONTROL YOUR BODILY FUNCTIONS.
TRY THAT. TRY THAT.
765
00:35:10,942 --> 00:35:13,527
RICKY, EVERYTHING IS SO LOVELY,
BUT IT'S SO SOMBER HERE.
766
00:35:13,694 --> 00:35:15,320
WHY DON'T YOU LET THE PEOPLE ENJOY
SOME OF YOUR THINGS?
767
00:35:15,488 --> 00:35:16,822
WE TALKED ABOUT THIS.
768
00:35:16,989 --> 00:35:18,406
WAIT A MINUTE, G.
769
00:35:18,574 --> 00:35:20,450
I'M SURE A LITTLE MUSIC
WILL LIVEN THIS PLACE UP.
770
00:35:20,618 --> 00:35:22,035
HELLO. HOW ARE YOU?
771
00:35:22,203 --> 00:35:24,746
I'M SURE THE MUSIC WILL LIGHTEN
THIS WHOLE PLACE UP.
772
00:35:24,914 --> 00:35:27,874
WHAT DID YOU PUSH?
G, PLEASE.
773
00:35:28,042 --> 00:35:29,459
AND THE NIGHT IN BARBADOS--
774
00:35:29,627 --> 00:35:30,961
DON'T DO THAT.
775
00:35:31,129 --> 00:35:32,587
[Rock Instrumental music]
776
00:35:32,755 --> 00:35:34,381
- OKAY. OKAY. SORRY.
- OH, RICKY.
777
00:35:34,549 --> 00:35:36,591
LIVEN THE ROOM UP.
KATE! HELLO.
778
00:35:36,759 --> 00:35:38,885
- HI, G. I'M TERRIFIC.
- HOW ARE YOU, KATE?
779
00:35:39,053 --> 00:35:41,221
IT'S SO WONDERFUL TO SEE YOU TOO.
LOOK AT THIS WOMAN.
780
00:35:41,389 --> 00:35:43,932
EVERY TIME I SEE YOU, I FEEL LIKE I'VE
CHOSEN THE WRONG PATH.
781
00:35:44,100 --> 00:35:45,600
AW! THANK YOU.
782
00:35:45,768 --> 00:35:47,644
SHE'S SPECTACULAR.
OKAY, LET'S GO TALK.
783
00:35:47,812 --> 00:35:49,354
- WHO'S YOUR FRIEND, RICH?
- I'M G. HOW ARE YOU?
784
00:35:49,522 --> 00:35:51,064
G, SCOTT HAWKES,
HAWKEWIND PRODUCTIONS.
785
00:35:51,232 --> 00:35:52,732
HELLO.
786
00:35:52,900 --> 00:35:54,484
THIS IS, UH, G, MY YOGA INSTRUCTOR.
787
00:35:54,652 --> 00:35:58,071
YOU KNOW, SOMETIMES I FIND THAT A GOOD
KUNDALINI THING, NINO,
788
00:35:58,239 --> 00:35:59,656
OPENS UP MY WHOLE--
789
00:35:59,824 --> 00:36:01,491
[Whistles] YOU KNOW, I FIND.
790
00:36:01,659 --> 00:36:02,993
I MEDITATE TOO.
791
00:36:03,161 --> 00:36:04,452
DO YOU REALLY?
THAT'S GOOD.
792
00:36:04,620 --> 00:36:06,163
I AM TRYING TO OVERCOME
A FEAR OF FLYING,
793
00:36:06,330 --> 00:36:08,039
BUT FOR THE MOMENT
WITH LITTLE RESULTS.
794
00:36:08,207 --> 00:36:11,501
WELL, NO--DID YOU EVER TRY HALCYON
AND A DOUBLE CUBA LIBRE?
795
00:36:11,669 --> 00:36:14,754
I'M SERIOUS, JUST BOOM,
KNOCKS YOU RIGHT OUT.
796
00:36:14,922 --> 00:36:16,882
YOU KNOW, I COULD CURE
THAT FEAR OF FLYING OF YOURS
797
00:36:17,049 --> 00:36:19,134
WITHOUT ALCOHOL OR DRUGS.
798
00:36:19,302 --> 00:36:20,802
OH, BUT YOU DON'T HAVE TIME, DO YOU?
799
00:36:20,970 --> 00:36:22,637
AREN'T YOU DUE BACK AT THE ASHRAM-ISHA?
800
00:36:22,805 --> 00:36:24,848
WHAT'S THE NAME OF THE--
THE CHAKRA CONVENTION.
801
00:36:25,016 --> 00:36:26,766
COULD YOU DO SOMETHING, REALLY?
I'M INTERESTED.
802
00:36:26,934 --> 00:36:28,768
OH! NO, NO!
803
00:36:28,936 --> 00:36:30,729
WELL, YOU KNOW, THERE ARE
TWO THINGS THAT YOU CAN DO.
804
00:36:30,897 --> 00:36:34,649
THE FIRST THING IS: THE NEXT TIME
YOU'RE IN AN AIRPLANE
805
00:36:34,817 --> 00:36:36,735
AND YOU START TO FEEL FEARFUL,
YOU REACH DOWN
806
00:36:36,903 --> 00:36:38,403
AND YOU GRAB YOUR TESTICLES--
807
00:36:38,571 --> 00:36:40,071
[Guests Laughing]
TESTICLES?
INTERESTING.
808
00:36:40,239 --> 00:36:43,491
AND THEN YOU POP THEM TOGETHER,
AND THE FEAR LEAVES.
809
00:36:43,659 --> 00:36:45,035
WE'RE GONNA GO NOW.
810
00:36:45,203 --> 00:36:47,454
THERE MUST BE ANOTHER METHOD,
AND PROBABLY LESS PAINFUL.
811
00:36:47,622 --> 00:36:50,874
[Laughs]
YES, WELL, THE OTHER METHOD IS,
I CAN HYPNOTIZE YOU RIGHT NOW,
812
00:36:51,042 --> 00:36:53,210
AND YOU'LL NEVER, EVER HAVE
A FEAR OF FLYING AGAIN.
813
00:36:53,377 --> 00:36:55,462
YEAH. MAYBE LATER.
CAN WE DO THAT LATER?
814
00:36:55,630 --> 00:36:57,797
NINO, HAVE YOU TRIED
THE SQUID POMODORO?
815
00:36:57,965 --> 00:36:59,883
[Simultaneous Chatter]
MMM! I THINK YOU'LL LIKE IT.
816
00:37:00,051 --> 00:37:02,052
FOR YOU--AREN'T YOU HUNGRY?
817
00:37:02,220 --> 00:37:06,014
NO, NO. REALLY, I'M INTERESTED.
I'M CURIOUS.
818
00:37:06,182 --> 00:37:09,643
THE MAN'S CURIOUS.
HAVE A SEAT, NINO.
819
00:37:09,810 --> 00:37:12,062
CURIOSITY IS A WONDERFUL THING, CURIOSITY.
820
00:37:12,230 --> 00:37:13,647
IT KILLED SOMEBODY.
821
00:37:13,814 --> 00:37:17,150
PUT YOUR HANDS PALM DOWN ON YOUR KNEES
AND JUST RELAX. SIT STRAIGHT UP.
822
00:37:17,318 --> 00:37:20,111
AND I NEED A LIGHTER.
I GOT A ZIPPO.
823
00:37:20,279 --> 00:37:23,448
YOU DO, SCOTT HAWKES?
OKAY. PERFECT.
824
00:37:23,616 --> 00:37:26,326
EVERYBODY GATHER AROUND.
HI, EVERYBODY! MY NAME IS G.
825
00:37:26,494 --> 00:37:28,536
[Guests Together]
HI, G.
826
00:37:28,704 --> 00:37:30,205
HI. I'M GOING TO BE HYPNOTIZING NINO.
827
00:37:30,373 --> 00:37:32,374
HE'S HAVING A PROBLEM HERE
WITH FEAR OF FLYING.
828
00:37:32,541 --> 00:37:34,292
WE'RE GOING TO TRY TO GET HIM
OVER THAT FEAR.
829
00:37:34,460 --> 00:37:37,254
I'M GONNA HYPNOTIZE NINO AND TRY
TO HELP HIM OUT HERE;
830
00:37:37,421 --> 00:37:39,631
KIND OF LIKE A PARTY TRICK.
831
00:37:39,799 --> 00:37:43,468
I WANT YOU TO JUST RELAX AND JUST
WATCH THIS FLAME, YES?
832
00:37:43,636 --> 00:37:46,680
JUST WATCH THE FLAME.
833
00:37:46,847 --> 00:37:49,849
JUST RELAX, NINO.
834
00:37:50,017 --> 00:37:52,936
YOUR EYES ARE GETTING VERY HEAVY NOW.
835
00:37:53,104 --> 00:37:56,940
YOU'RE GETTING TIRED AND LOST
IN THE FLAME.
836
00:37:57,108 --> 00:37:59,025
YOU'RE GOING TO SLEEP.
837
00:37:59,193 --> 00:38:02,487
YOU'RE COMPLETELY ASLEEP RIGHT NOW,
NINO.
838
00:38:02,655 --> 00:38:04,781
NINO IS ASLEEP.
839
00:38:04,949 --> 00:38:09,744
SHH!
SHH!
840
00:38:11,455 --> 00:38:13,540
HE'S ASLEEP NOW.
841
00:38:13,708 --> 00:38:17,961
NINO, YOUR LEFT HAND FEELS
VERY, VERY LIGHT.
842
00:38:18,129 --> 00:38:22,007
IT'S GOING TO START TO RAISE UP
VERY SLOWLY.
843
00:38:22,174 --> 00:38:24,342
IT'S STARTING TO FLOAT UP.
844
00:38:24,510 --> 00:38:28,388
ON ITS OWN IT'S FLOATING UP.
845
00:38:28,556 --> 00:38:32,726
YOU CAN LET IT HANG THERE,
RIGHT THERE, NINO.
846
00:38:33,561 --> 00:38:36,271
YOU SEE?
THIS IS A PARTY, YOU KNOW.
847
00:38:36,439 --> 00:38:38,481
MAYBE I SHOULD GET HIM TO BARK
LIKE A DOG OR SOMETHING.
848
00:38:38,649 --> 00:38:40,150
OH, G, NO.
849
00:38:40,318 --> 00:38:43,361
GET OVER THERE OR I'LL KILL YA.
850
00:38:44,155 --> 00:38:47,240
OKAY.
NINO, PUT YOUR ARM BACK DOWN NOW.
851
00:38:47,408 --> 00:38:50,410
PUT IT BACK, BACK DOWN.
852
00:38:50,578 --> 00:38:53,163
THE PLANE'S TAKING OFF.
853
00:38:53,331 --> 00:38:57,083
YOU'RE A LITTLE NERVOUS, LIKE YOU
ALWAYS ARE WHEN A PLANE TAKES OFF.
854
00:38:57,251 --> 00:39:00,670
THIS TIME WHEN IT TAKES OFF,
IT'S SMOOTHER THAN IT'S EVER TAKEN OFF.
855
00:39:00,838 --> 00:39:04,007
YOU DIDN'T EVEN FEEL THE PLANE
LEAVE THE GROUND THAT TIME.
856
00:39:04,175 --> 00:39:08,136
YOU'RE UP IN THE SKY,
AND IT'S SMOOTH SAILING, NINO.
857
00:39:08,304 --> 00:39:11,848
WOW! THIS FEELS GREAT.
858
00:39:12,016 --> 00:39:17,228
WHAT'S THAT UP AHEAD?
LOOKS LIKE A STORM CLOUD.
859
00:39:17,396 --> 00:39:18,813
IT IS A STORM CLOUD.
860
00:39:18,981 --> 00:39:23,485
I CAN SEE THE PILOT'S TRYING TO AVOID IT.
HE CAN'T. IT'S TOO LATE.
861
00:39:23,652 --> 00:39:25,779
NINO, WE'RE IN.
862
00:39:25,946 --> 00:39:28,365
WE'RE RIGHT IN THE MIDDLE
OF THE STORM CLOUD.
863
00:39:28,532 --> 00:39:31,493
YOU START TO FEEL TURBULENCE.
THE PLANE IS SHAKING.
864
00:39:31,660 --> 00:39:35,830
YOU START TO FEEL IT DIP AND SWAY.
OH, SO MUCH TURBULENCE.
865
00:39:35,998 --> 00:39:38,750
HOW CAN THIS TINY METAL OBJECT
STAY UP IN THIS SKY
866
00:39:38,918 --> 00:39:41,169
OF VAST DESTRUCTION, NINO?
867
00:39:41,337 --> 00:39:42,879
YOU'RE GETTING SCARED.
868
00:39:43,047 --> 00:39:45,924
THE STEWARDESS JUST PASSED OUT
AT YOUR KNEES, NINO.
869
00:39:46,092 --> 00:39:48,510
YOU FELT THE PLANE DROP
A THOUSAND FEET IN ELEVATION.
870
00:39:48,677 --> 00:39:51,054
YOU FELT YOUR STOMACH SHOOT UP
RIGHT INTO YOUR NECK.
871
00:39:51,222 --> 00:39:53,348
[Breathing Quickens]
872
00:39:53,516 --> 00:39:56,226
THE CAPTAIN'S VOICE COMES
OVER THE INTERCOM.
873
00:39:56,394 --> 00:40:00,772
"ATTENTION. THIS IS YOUR CAPTAIN SPEAKING.
THIS IS YOUR CAPTAIN SPEAKING.
874
00:40:00,940 --> 00:40:04,901
"GOD HELP US!
WE'RE GONNA CRASH!
875
00:40:05,069 --> 00:40:07,320
OH, MY GOD!"
876
00:40:07,488 --> 00:40:11,324
[Rapid Breathing]
877
00:40:14,954 --> 00:40:17,747
YOU'RE RIGHT THERE, NINO.
878
00:40:17,915 --> 00:40:24,879
THE LAST MOMENTS OF YOUR LIFE.
RIGHT NOW, YOU'RE RIGHT THERE.
879
00:40:25,464 --> 00:40:28,675
BUT YOU'RE NOT THINKING ABOUT DYING.
880
00:40:28,843 --> 00:40:30,718
YOU'RE THINKING ABOUT YOUR LOVED ONES.
881
00:40:30,886 --> 00:40:32,512
[Breathing Slows]
882
00:40:32,680 --> 00:40:35,598
YOU'RE THINKING ABOUT YOUR FAMILY
AND YOUR FRIENDS
883
00:40:35,766 --> 00:40:40,478
AND ALL THE SPECIAL MOMENTS THAT YOU
SHARED WITH THOSE PEOPLE.
884
00:40:40,646 --> 00:40:44,357
YOU'RE FEELING BLESSED WITH THE GIFT
OF LIFE THAT YOU RECEIVED.
885
00:40:44,525 --> 00:40:46,109
THAT'S WHAT YOU'RE THINKING ABOUT.
886
00:40:46,277 --> 00:40:48,945
YOU'RE NOT AFRAID RIGHT NOW
AT ALL OF ANYTHING.
887
00:40:49,113 --> 00:40:54,576
YOU'RE AT ONE WITH GOD.
YOU'VE LET GO.
888
00:40:55,744 --> 00:41:00,623
NOW, WHEN I TELL YOU TO,
OPEN YOUR EYES.
889
00:41:00,791 --> 00:41:03,126
WHEN YOU OPEN YOUR EYES, YOU'LL BE
COMPLETELY FEELING REFRESHED,
890
00:41:03,294 --> 00:41:06,713
AND YOU WON'T EVEN REMEMBER ANYTHING
THAT'S HAPPENED.
891
00:41:06,881 --> 00:41:11,176
YOU'LL NEVER BE AFRAID OF FLYING
IN A PLANE AGAIN.
892
00:41:11,343 --> 00:41:15,930
NOW OPEN YOUR EYES, NINO.
893
00:41:16,098 --> 00:41:18,641
- HOW DO YOU FEEL?
- WONDERFUL.
894
00:41:18,809 --> 00:41:22,562
[Guests Laughing, Murmuring, Cheering]
ALL RIGHT!
895
00:41:23,189 --> 00:41:25,356
A HYPNOTIZING SWAMI.
896
00:41:25,524 --> 00:41:27,650
YOU GOT ANY OTHER PARTY TRICKS?
897
00:41:27,818 --> 00:41:29,110
ACTUALLY, YES, I DO.
898
00:41:29,278 --> 00:41:30,904
I HAVE A TRICK CALLED
THE DISAPPEARING ROLEX TRICK
899
00:41:31,071 --> 00:41:32,864
THAT'S QUITE A PARTY STOPPER.
900
00:41:33,032 --> 00:41:35,200
COOL.
DO IT.
901
00:41:35,367 --> 00:41:37,285
CAN I BORROW YOUR ROLEX?
NO, NO, NO, NO.
902
00:41:37,453 --> 00:41:39,579
COME ON, SCOTT.
ARE YOU KIDDING ME?
903
00:41:39,747 --> 00:41:42,415
NO, NO. IT'S A GOOD TRICK.
DO YOU HAVE ANY ID--
904
00:41:42,583 --> 00:41:44,000
SCOTT, SCOTT, SCOTT, SCOTT!
905
00:41:44,168 --> 00:41:46,336
[All]
SCOTT, SCOTT, SCOTT, SCOTT!
906
00:41:46,504 --> 00:41:48,046
ALL RIGHT, ALL RIGHT.
OH, OKAY.
907
00:41:48,214 --> 00:41:50,089
I'M GONNA NEED A HANDKERCHIEF AS WELL.
DOES ANYONE HAVE A HANDKERCHIEF?
908
00:41:50,257 --> 00:41:53,384
OH, NINO, THANK YOU.
AND WE NEED A HAMMER.
909
00:41:53,552 --> 00:41:54,969
WAIT. WHOA. A HAMMER?
910
00:41:55,137 --> 00:41:56,763
DON'T WORRY.
DON'T WORRY.
911
00:41:56,931 --> 00:41:58,056
HERE. TAKE MY SHOE.
912
00:41:58,224 --> 00:41:59,557
OH, THAT'LL WORK PERFECTLY.
913
00:41:59,725 --> 00:42:01,226
NOW FOR THE RICKY SHOE.
WHAT SIZE IS THAT?
914
00:42:01,393 --> 00:42:04,395
- THIS IS A 1 2.
- THAT'LL GET THE JOB DONE.
915
00:42:04,563 --> 00:42:05,855
DEFINITELY.
916
00:42:06,023 --> 00:42:08,316
OKAY, I WANT YOU TO SEE THAT
I'M TAKING THE WATCH,
917
00:42:08,484 --> 00:42:11,736
AND I'M PLACING IT RIGHT IN THE MIDDLE
OF THE HANDKERCHIEF.
918
00:42:11,904 --> 00:42:14,531
EVERYONE, SEE THE WATCH GOING
INTO THE HANDKERCHIEF.
919
00:42:14,698 --> 00:42:16,157
[Watch Rattling]
920
00:42:16,325 --> 00:42:18,368
CLOSING THE WATCH UP
IN THE HANDKERCHIEF, ALL RIGHT?
921
00:42:18,536 --> 00:42:20,328
THAT'S RIGHT. CAN YOU SEE THAT?
YOU WANNA TOUCH THAT?
922
00:42:20,496 --> 00:42:21,538
IT'S IN THERE, RIGHT?
923
00:42:21,705 --> 00:42:23,039
OKAY. HERE WE GO.
YEAH.
924
00:42:23,207 --> 00:42:24,874
WE PLACE THE WATCH ON THE TABLE.
925
00:42:25,042 --> 00:42:28,753
WE TAKE ROBERT RICKY'S TRUSTED
SIZE 1 2 AND--
926
00:42:28,921 --> 00:42:34,008
[Guests Gasping, Murmuring]
927
00:42:40,474 --> 00:42:43,184
WHEW!
RICKY.
928
00:42:46,063 --> 00:42:48,898
[Rattling]
THAT SOUNDS REALLY BROKEN,
DOESN'T IT?
929
00:42:49,066 --> 00:42:52,777
DOESN'T IT?
YEAH?
930
00:42:52,945 --> 00:42:56,614
[Guests Agreeing]
[Gasping]
931
00:42:56,782 --> 00:43:00,368
WONDERFUL!
932
00:43:06,333 --> 00:43:07,625
THAT WAS GREAT.
933
00:43:07,793 --> 00:43:09,002
THAT WAS GOOD.
OKAY, GIVE ME BACK THE WATCH NOW.
934
00:43:09,169 --> 00:43:10,461
I CAN'T. IT'S GONE.
IT'S DISAPPEARED.
935
00:43:10,629 --> 00:43:12,922
NO, BUT SERIOUSLY,
THAT'S A $1 0,000 WATCH.
936
00:43:13,090 --> 00:43:15,091
I AM SERIOUS.
IT'S THE DISAPPEARING ROLEX TRICK.
937
00:43:15,259 --> 00:43:17,594
IT'S NOT THE REAPPEARING ROLEX TRICK.
938
00:43:17,761 --> 00:43:19,220
GOOD NIGHT, EVERYBODY!
939
00:43:19,388 --> 00:43:21,889
YO, GANDHI, GIVE ME BACK
THE GODDAMN W--
940
00:43:26,270 --> 00:43:27,604
[Guests Gasping]
941
00:43:27,771 --> 00:43:31,399
BE CAREFUL WHAT YOU WISH FOR.
942
00:43:33,485 --> 00:43:36,654
THAT'S NOT FUNNY.
THAT WASN'T FUNNY.
943
00:43:37,948 --> 00:43:40,199
[Ricky]
CHAMPAGNE FOR ANYONE?
ANYONE FOR CHAMPAGNE?
944
00:43:41,952 --> 00:43:45,788
[Man Singing Reggae On Boom Box]
... YEAH ...
945
00:43:49,501 --> 00:43:52,128
... YEAH, AH LA LA-LA LA ... ...
946
00:43:52,296 --> 00:43:54,464
MMM.
AH, YOU'RE SURE?
947
00:43:54,632 --> 00:43:56,466
ABSOLUTELY.
948
00:43:56,634 --> 00:43:59,177
HE ASKED US TO WATCH
HIS PJs FOR HIM.
949
00:43:59,345 --> 00:44:01,387
OH YEAH?
950
00:44:01,555 --> 00:44:03,473
I--YOU KNOW, I'M SORRY.
951
00:44:03,641 --> 00:44:05,850
I DON'T, UH--
I DON'T SEE HIM.
952
00:44:06,018 --> 00:44:08,811
AHH! RICKY!
953
00:44:08,979 --> 00:44:11,022
COME IN THE WATER WITH ME!
954
00:44:11,190 --> 00:44:15,151
OH, I'D LOVE TO REALLY, BUT SOMEBODY
HAS TO PAY THE RENT.
955
00:44:15,319 --> 00:44:18,404
COME ON, RICKY, ONE SWIM, THEN GO SELL
THINGS ON TELEVISION.
956
00:44:18,572 --> 00:44:21,282
YEAH, WELL, THAT'S KIND OF WHAT I
WANTED TO TALK TO YOU ABOUT.
957
00:44:21,450 --> 00:44:23,785
CAN I JUST HAVE A WORD
FOR A SECOND, G?
958
00:44:23,952 --> 00:44:25,495
WHAT'S THE MATTER?
IS THERE A PROBLEM?
959
00:44:25,663 --> 00:44:27,455
NO, NO PROBLEM.
960
00:44:27,623 --> 00:44:29,999
I JUST WANTED TO PUT A LITTLE BEE
IN YOUR BONNET FOR A SECOND.
961
00:44:30,167 --> 00:44:32,919
OH, HO, NO, NO, NO!
OKAY, I SEE.
962
00:44:33,087 --> 00:44:36,172
HELLO. NO, NO, NO.
FREE WILLY. I SEE. OH.
963
00:44:36,340 --> 00:44:38,758
NO, NO, NO. JUST--JUST--
VERY FUNNY.
964
00:44:38,926 --> 00:44:42,512
LISTEN. THE NINO CERRUTI, YOU KNOW,
FROM THE PARTY,
965
00:44:42,680 --> 00:44:45,473
HIS LAWYER CALLED THIS MORNING
AND SAID THAT THEY'RE INTERESTED
966
00:44:45,641 --> 00:44:48,685
IN A DEAL WITH US AND THAT HE HAD
A GREAT FLIGHT BACK TO MILAN,
967
00:44:48,852 --> 00:44:50,812
AND IN FACT, HE'S BUYING A JET.
968
00:44:50,979 --> 00:44:53,064
OH, THAT'S WONDERFUL.
DID IT MAKE HIM HAPPY?
969
00:44:53,232 --> 00:44:54,524
YES.
970
00:44:54,692 --> 00:44:57,193
YOU HAVE SUCH A--A SPECIAL QUALITY.
971
00:44:57,361 --> 00:45:00,238
I NOW REALIZE THAT
BETWEEN YOU AND ME,
972
00:45:00,406 --> 00:45:04,242
WE COULD MAKE A DIFFERENCE WITH
THE WORLD IN A VERY UNIQUE WAY.
973
00:45:04,410 --> 00:45:07,328
SO, HERE'S MY IDEA.
LISTEN, G. G?
974
00:45:07,496 --> 00:45:09,455
G, HERE'S THE THING.
975
00:45:09,623 --> 00:45:12,333
WHAT IF YOU WENT ON MY NETWORK
976
00:45:12,501 --> 00:45:16,462
AND TALKED TO PEOPLE
AND MADE 'EM FEEL GOOD?
977
00:45:16,630 --> 00:45:18,715
YOU WANT ME TO SELL THINGS
FOR YOU ON TELEVISION?
978
00:45:18,882 --> 00:45:23,386
YEAH, WELL, UH--YOU'D BE
TELLING PEOPLE ON THE AIR
979
00:45:23,554 --> 00:45:25,888
ABOUT HOW MATERIAL THINGS
CAN REFRESH THE SPIRIT.
980
00:45:26,056 --> 00:45:27,557
ISN'T THAT YOUR IDEA?
981
00:45:27,725 --> 00:45:29,517
UNLESS THEY'RE USED TO REPLACE
MORE IMPORTANT THINGS,
982
00:45:29,685 --> 00:45:31,561
WHICH THEY USUALLY ARE.
983
00:45:31,729 --> 00:45:34,772
WOW, WOW.
I JUST GOT CHILLS.
984
00:45:34,940 --> 00:45:36,733
I JUST GOT CHILLS, AMEN.
985
00:45:36,900 --> 00:45:38,943
YOU HAVE AN IMPORTANT MESSAGE
FOR THE WORLD.
986
00:45:39,111 --> 00:45:41,362
AND LISTEN, WHAT BETTER WAY TO GET IT
ACROSS THAN ON TV?
987
00:45:41,530 --> 00:45:43,740
YOU COULD HELP THOUSANDS,
MILLIONS OF PEOPLE
988
00:45:43,907 --> 00:45:45,825
FEEL BETTER ABOUT THEMSELVES, G.
989
00:45:45,993 --> 00:45:50,037
- WOW!
- WHAT DO YOU THINK?
990
00:45:50,706 --> 00:45:52,790
HOW ABOUT YOU?
WILL IT MAKE YOU FEEL BETTER?
991
00:45:52,958 --> 00:45:55,334
ME? I DON'T KNOW.
992
00:45:55,502 --> 00:45:57,420
THAT'S NOT THE POINT.
ME, I FEEL GREAT.
993
00:45:57,588 --> 00:45:58,838
OH, NO.
994
00:45:59,006 --> 00:46:02,175
NO, YES, THAT'S EXACTLY THE POINT.
WILL IT MAKE YOU FEEL BETTER?
995
00:46:02,342 --> 00:46:07,764
I'M GONNA LOSE MY JOB IF I DON'T DO
SOMETHING SOON, SO YEAH.
996
00:46:07,931 --> 00:46:11,100
YEAH, IT COULD REALLY HELP ME.
THAT'S THE TRUTH, LIKE THAT.
997
00:46:11,268 --> 00:46:13,936
WHAT DO YOU THINK?
998
00:46:14,605 --> 00:46:17,774
OKAY, I'LL DO IT, BUT ONLY
ONE CONDITION.
999
00:46:17,941 --> 00:46:20,359
REALLY?
WHAT?
1000
00:46:20,527 --> 00:46:22,779
- ONE CONDITION.
- OKAY.
1001
00:46:22,946 --> 00:46:26,324
- IT'S NON-NEGOTIABLE.
- WHAT?
1002
00:46:26,950 --> 00:46:29,869
AHH!
OH!
1003
00:46:30,037 --> 00:46:31,996
AHH! AHH!
1004
00:46:32,164 --> 00:46:33,998
AHH!
[Laughing]
1005
00:46:34,166 --> 00:46:35,792
SHARK, SHARK, SHARK, SHARK, SHARK!
1006
00:46:35,959 --> 00:46:38,377
IT'S A JOKE. IT'S A JOKE.
THERE ARE NO SHARKS.
1007
00:46:38,545 --> 00:46:41,672
[G Laughing]
1008
00:46:43,717 --> 00:46:45,510
[Ricky]
YES. THIS IS GOOD.
1009
00:46:45,677 --> 00:46:48,054
[Laughing]
1010
00:46:48,222 --> 00:46:50,681
BARS OUT.
1011
00:46:50,849 --> 00:46:52,809
[People Chattering]
1012
00:46:53,227 --> 00:47:01,651
...
1013
00:47:01,819 --> 00:47:04,487
AND BRING HIM ON CAMERA--
1014
00:47:04,655 --> 00:47:08,407
I'VE MADE YOU UP TO LOOK LIKE YOU
HAVE ON NO MAKEUP AT ALL.
1015
00:47:08,575 --> 00:47:10,785
THAT'S A METAPHYSICS I DIDN'T EVEN
KNOW EXISTED.
1016
00:47:10,953 --> 00:47:13,830
TWENTY SECONDS TO AIR.
STAND BY. CLEAR THE SET.
1017
00:47:13,997 --> 00:47:16,541
LOCK IT UP ON THE STAGE.
NICE AND QUIET ALL AROUND, PLEASE.
1018
00:47:16,708 --> 00:47:18,125
HERE WE GO.
THANK YOU.
1019
00:47:18,293 --> 00:47:21,587
GO TO THE BOOTH AND MAKE SURE THE
PRICE LISTS ARE TYPED IN CONTINUOUSLY.
1020
00:47:21,755 --> 00:47:25,007
GOT IT. HEY! AH, OH, OH!
1021
00:47:25,175 --> 00:47:27,510
G, ONE MORE THING.
1022
00:47:27,678 --> 00:47:29,679
THINK OF THE CAMERA
AS YOUR BEST FRIEND,
1023
00:47:29,847 --> 00:47:33,349
YOUR BEST FRIEND THAT REALLY
NEEDS MIXING BOWLS.
1024
00:47:35,018 --> 00:47:36,644
HERE WE GO. STAND BY, PLEASE.
1025
00:47:36,812 --> 00:47:39,605
IN FIVE, FOUR, THREE--
1026
00:47:39,773 --> 00:47:42,275
FADE UP CAMERA ONE
AND CUE THE CONSONANT.
1027
00:47:42,442 --> 00:47:45,528
[Snaps Fingers]
1028
00:47:51,493 --> 00:47:54,412
[Whispering]
TALK. YOU'RE ON.
YOU'RE ON.
1029
00:47:54,580 --> 00:47:57,999
YOU'RE ON. WE'RE ROLLING.
LIVE TV. GO.
1030
00:48:00,919 --> 00:48:02,879
WHAT'S THE PLAN?
1031
00:48:03,046 --> 00:48:06,716
G, GO, GO. TALK NOW.
1032
00:48:06,884 --> 00:48:09,886
[Whispering]
THE LITTLE RED LIGHT
ON THE TOP IS ON.
1033
00:48:10,053 --> 00:48:11,721
[Sighs]
1034
00:48:11,889 --> 00:48:13,806
NO, NO, NO, IT'S NOT TRAFFIC.
1035
00:48:13,974 --> 00:48:16,434
NO, IT'S TV.
TALK. TALK!
1036
00:48:16,602 --> 00:48:20,563
TALK. NOW. NOW.
1037
00:48:20,731 --> 00:48:24,859
TALKIE, TALKIE, TALK, TALK. GO.
1038
00:48:27,654 --> 00:48:29,530
I...
1039
00:48:29,698 --> 00:48:31,866
OH GOOD, HE BOUGHT A VOWEL.
1040
00:48:32,034 --> 00:48:34,660
"I"?
1041
00:48:34,828 --> 00:48:39,332
- I...
- "I."
1042
00:48:39,833 --> 00:48:46,380
I WEPT WHEN I SAW A MAN
WHO HAD NO SHOES,
1043
00:48:48,342 --> 00:48:51,093
- UNTIL I MET A MAN WHO HAD NO PENIS.
- WHAT?
1044
00:48:51,261 --> 00:48:53,804
- CAN HE SAY THAT?
- HE JUST DID.
1045
00:48:58,602 --> 00:49:03,230
NOW MY ONE SPECIAL FRIEND IS LISTENING.
I THINK I HAVE YOUR ATTENTION NOW.
1046
00:49:03,982 --> 00:49:05,274
[Man]
WHAT DO WE DO, RICKY?
1047
00:49:05,442 --> 00:49:06,817
STAY WITH HIM.
STAY WITH HIM.
1048
00:49:06,985 --> 00:49:10,112
RICKY, HE JUST SAID "PENIS."
WHY DID HE SAY "PENIS"?
1049
00:49:10,280 --> 00:49:11,364
- I DON'T KNOW.
- THERE'S GOTTA BE A REASON.
1050
00:49:11,531 --> 00:49:13,199
HOWARD STERN SAYS "PENIS" ALL THE TIME.
WHAT'S WRONG WITH THAT?
1051
00:49:13,367 --> 00:49:14,533
AND HE'S HUGE.
1052
00:49:14,701 --> 00:49:17,203
IT'S SHOCKING, WHICH IS GOOD.
IT'S GOOD.
1053
00:49:17,371 --> 00:49:21,248
I HAVE A QUESTION FOR YOU: WHY?
1054
00:49:21,875 --> 00:49:26,295
- GOOD QUESTION.
- WHY ARE WE HERE?
1055
00:49:26,463 --> 00:49:29,256
IS IT TO LIE IN BED ALONE AND CALL UP
A TV STATION
1056
00:49:29,424 --> 00:49:32,551
SO YOU CAN BUY MORE THINGS?
1057
00:49:32,719 --> 00:49:34,470
SO YOU CAN COLLECT AS MANY THINGS
AS POSSIBLE
1058
00:49:34,638 --> 00:49:37,306
IN THE LITTLE FINGER-SNAP OF TIME
YOU HAVE ON THIS PLANET?
1059
00:49:37,474 --> 00:49:39,558
THAT'S WHY WE'RE HERE.
THAT'S OUR CREDO, I THINK.
1060
00:49:39,726 --> 00:49:41,477
HE'S TALKING.
HE'S LOOKING AT THE BOWLS.
1061
00:49:41,645 --> 00:49:45,314
HE WEAVES A MAGICAL WEB
OF CHARISMA AND--
1062
00:49:45,482 --> 00:49:47,066
MM-HMM?
1063
00:49:47,234 --> 00:49:50,069
I GUESS THAT'S A GOOD WAY TO GO.
1064
00:49:50,237 --> 00:49:52,363
HOW ABOUT THIS?
1065
00:49:52,531 --> 00:49:54,031
WHOA.
WHERE'S HE GOING?
1066
00:49:54,199 --> 00:49:55,658
HE'S GONE.
WHERE'D HE GO?
1067
00:49:55,826 --> 00:49:58,327
HE'S GOING ON THE MORGAN SET.
SHE'S LIVE!
1068
00:49:58,495 --> 00:50:01,747
HI, I'M HERE TO TELL ALL OF YOU
WONDERFUL HOME VIEWERS
1069
00:50:01,915 --> 00:50:04,041
ABOUT NEW INSTA-TUCK,
1070
00:50:04,209 --> 00:50:07,545
THE NONSURGICAL, DO-IT-YOURSELF
FACIAL TONER.
1071
00:50:07,713 --> 00:50:12,675
OH! YOU HOOK YOUR FACE
UP TO THIS CAR BATTERY?
1072
00:50:12,843 --> 00:50:14,885
WELL, WE DON'T CALL IT A CAR BATTERY.
1073
00:50:15,053 --> 00:50:16,595
IT'S OKAY. IT'S OKAY.
HE'S ON MORGAN'S SET.
1074
00:50:16,763 --> 00:50:18,556
- AND WHY DID--
- IT'S OKAY. SHE'S A PRO.
1075
00:50:18,724 --> 00:50:22,351
THE INSTA-TUCK POWER SOURCE
FITS RIGHT ON YOUR NIGHTSTAND.
1076
00:50:22,519 --> 00:50:23,686
OH!
1077
00:50:23,854 --> 00:50:25,688
THIS LOOKS A LOT LIKE A BATTERY.
WHAT DO THESE THINGS DO?
1078
00:50:25,856 --> 00:50:27,023
WELL, IT DOES, BUT--
1079
00:50:27,190 --> 00:50:29,567
NO, DON'T DO THAT. DON'T DO THAT!
I'M WIRED.
1080
00:50:29,735 --> 00:50:30,943
[Imitates Static]
1081
00:50:31,111 --> 00:50:32,111
- NO--
1082
00:50:32,279 --> 00:50:33,487
YEAH. NOT PRETTY.
1083
00:50:33,655 --> 00:50:34,905
SHE LOVES IMPROV.
YOU KNOW THAT ABOUT HER.
1084
00:50:35,073 --> 00:50:36,198
WASN'T SHE, BEFORE THE SERIES,
1085
00:50:36,366 --> 00:50:37,450
A MEMBER OF THE GROUNDLINGS,
OR LEMMINGS?
1086
00:50:37,617 --> 00:50:40,119
ALL YOU HAVE TO DO IS
ATTACH THE INSTA-CLIPS
1087
00:50:40,287 --> 00:50:43,706
TO THE KEY LIFT POINTS ON YOUR SCALP.
1088
00:50:43,874 --> 00:50:45,916
KEY LIFT POINTS ON YOUR SCALP. YES.
UH-HUH, RIGHT HERE.
1089
00:50:46,084 --> 00:50:47,543
HE'S ENGAGING HER.
LOOK AT HIM.
1090
00:50:47,711 --> 00:50:51,547
HE'S LIKE A CHILD, AND NOT EVEN AWARE
OF THE CAMERA; THAT'S WHAT I LOVE.
1091
00:50:51,715 --> 00:50:54,091
AND YOU JUST LET THE LITTLE ELECTRONIC
ENERGY PULSARS DO
1092
00:50:54,259 --> 00:50:56,427
ALL THE WORK FOR YOU WHILE YOU SLEEP.
1093
00:50:56,595 --> 00:51:00,139
SO YOU GO FROM GRANDMA
TO GRAND MAMA
1094
00:51:00,307 --> 00:51:02,308
IN ONE EASY PUSH OF THE BUTTON.
1095
00:51:02,476 --> 00:51:04,101
[Electronic Hum]
1096
00:51:04,269 --> 00:51:06,520
SHE'S NEVER BEEN SO ALIVE.
SHE'S NEVER BEEN SO ALIVE.
1097
00:51:06,688 --> 00:51:08,898
OH! SEE?
1098
00:51:09,066 --> 00:51:11,317
SO THE LOOK OF SURPRISE IS
THE YOUTHFUL LOOK.
1099
00:51:11,485 --> 00:51:12,985
WELL, HOPEFULLY, YES.
1100
00:51:13,153 --> 00:51:15,738
SO THE YEARS JUST MELT AWAY
WITH INSTA-TUCK.
1101
00:51:15,906 --> 00:51:17,198
OH, THAT'S FASCINATING.
1102
00:51:17,365 --> 00:51:19,909
MAY I SEE THE REMOTE CONTROL
UNIT THERE?
1103
00:51:20,077 --> 00:51:22,787
OOH, DON'T, DON'T HAND
YOUR LIFE OVER TO HIM.
1104
00:51:22,954 --> 00:51:25,748
I THINK THIS WOULD BE FANTASTIC FOR
A SURPRISE BIRTHDAY PARTY.
1105
00:51:25,916 --> 00:51:27,124
SURPRISE PARTIES--
1106
00:51:27,292 --> 00:51:29,293
YOU COULD SAY, "SURPRISE!"
1107
00:51:29,461 --> 00:51:30,878
[Crew Laughing]
1108
00:51:31,046 --> 00:51:33,255
[G]
IT'S YOUR BIRTHDAY!
THAT'S KIND OF FUNNY, GUYS.
1109
00:51:33,423 --> 00:51:35,591
YOU LOOK SO YOUTHFUL AND SURPRISED.
1110
00:51:35,759 --> 00:51:37,259
YOU KNOW WHAT ELSE
THIS'D BE GOOD FOR?
1111
00:51:37,427 --> 00:51:40,471
"MADAM, I THINK YOU'VE JUST WON
THE ONE MILLION DOLLAR LOTTERY!"
1112
00:51:40,639 --> 00:51:43,599
OH, MY GOD.
HE'S ELECTROCUTING MORGAN FAIRCHILD.
1113
00:51:43,767 --> 00:51:45,226
THAT'S NOT FUNNY.
1114
00:51:45,393 --> 00:51:48,437
EVEN BETTER STILL, THE MARTIANS HAVE
LANDED AND THEY'RE TAKING YOU
1115
00:51:48,605 --> 00:51:50,272
BACK TO MARS WITH THEM.
1116
00:51:50,440 --> 00:51:52,066
NO, NO, NO, ST--
1117
00:51:52,234 --> 00:51:53,901
[Whimpering]
WHAT WE HAVE HERE,
LADIES AND GENTLEMEN,
1118
00:51:54,069 --> 00:51:56,112
IS A BEAUTIFUL WOMAN WHO'S TRYING TO
CONVINCE YOU THAT YOU'RE NOT ENOUGH.
1119
00:51:56,279 --> 00:51:57,613
THAT YOU'RE NOT BEAUTIFUL ENOUGH--
1120
00:51:57,781 --> 00:51:59,323
OH MY GOD, HE'S LEAVING IT ON.
1121
00:51:59,491 --> 00:52:01,242
OH, LET HER GO. LET HER GO, MAN.
LET HER GO!
1122
00:52:01,409 --> 00:52:03,953
YOU DON'T NEED INSTA-TUCK
TO BE BEAUTIFUL.
1123
00:52:04,121 --> 00:52:05,538
YOU'RE ALREADY BEAUTIFUL.
1124
00:52:05,705 --> 00:52:09,208
DID HE SAY, "DON'T BUY THIS PRODUCT"?
HE SAID, "DON'T BUY--"
1125
00:52:09,376 --> 00:52:10,876
THAT'S AN INTERESTING WAY TO SELL.
1126
00:52:11,044 --> 00:52:12,461
ALL YOU HAVE TO DO TO BE BEAUTIFUL
IS JUST BE YOURSELF.
1127
00:52:12,629 --> 00:52:14,046
THIS WOMAN'S ALREADY BEAUTIFUL.
1128
00:52:14,214 --> 00:52:15,673
SHE DOESN'T NEED INSTA-TUCK.
1129
00:52:15,841 --> 00:52:17,216
EVEN--
I'M SORRY.
1130
00:52:17,384 --> 00:52:18,843
[Clicks Off]
1131
00:52:19,010 --> 00:52:20,553
THIS BEAUTIFUL WOMAN HERE,
YOU DON'T NEED INSTA-TUCK.
1132
00:52:20,720 --> 00:52:21,887
OH, INTERESTING ANGLE.
UH-HUH.
1133
00:52:22,055 --> 00:52:23,180
YOU KNOW WHAT?
THIS IS PERSONAL.
1134
00:52:23,348 --> 00:52:24,431
I KNOW WHAT'S HAPPENING HERE.
1135
00:52:24,599 --> 00:52:26,475
HE KNOWS I'M TRYING TO SELL STUFF,
AND THIS IS A PERSONAL ATTACK.
1136
00:52:26,643 --> 00:52:28,394
HE'S UNDERMINING ME.
HE'S SABOTAGING ME.
1137
00:52:28,562 --> 00:52:30,312
I MADE A DEAL WITH HIM.
I EXPLAINED IT TO HIM.
1138
00:52:30,480 --> 00:52:31,730
I WENT IN THE WATER WITH HIM.
1139
00:52:31,898 --> 00:52:33,190
I HAVE A QUESTION FOR YOU.
1140
00:52:33,358 --> 00:52:35,067
IF YOU COULD BE THE DALAI LAMA
OR A BEAUTIFUL BAYWATCH BABE,
1141
00:52:35,235 --> 00:52:36,485
WHICH WOULD YOU CHOOSE?
1142
00:52:36,653 --> 00:52:38,028
BAYWATCH BABE.
1143
00:52:38,196 --> 00:52:39,321
NOW, THINK ABOUT IT.
1144
00:52:39,489 --> 00:52:41,240
I KNOW THE BAYWATCH BEAUTY IS SO
DESIRABLE AND SHE HAS THE PERFECT BODY
1145
00:52:41,408 --> 00:52:43,659
AND SHE RUNS UP AND DOWN THE BEACH
WITH A BIKINI ON.
1146
00:52:43,827 --> 00:52:45,828
THAT'S A REALLY HOT GIRL,
THE BAYWATCH BEAUTY, RIGHT?
1147
00:52:45,996 --> 00:52:48,873
BUT THE DALAI LAMA HAS
TOTAL INNER PEACE
1148
00:52:49,040 --> 00:52:51,542
AND SPIRITUAL ENLIGHTENMENT.
1149
00:52:51,710 --> 00:52:55,671
THERE'S NO COMPARISON.
DON'T YOU AGREE?
1150
00:52:55,839 --> 00:53:00,301
SHE AGREES. HERE.
OH!
1151
00:53:01,511 --> 00:53:03,095
[All Chattering]
RICKY, WHAT DO YOU
WANT TO DO?
1152
00:53:03,263 --> 00:53:06,640
I-I-I DON'T KNOW.
I COULD GO BACK TO SCHOOL, I GUESS.
1153
00:53:06,808 --> 00:53:08,309
[Mickey]
THE SIZE ON THIS ONE, FOLKS.
1154
00:53:08,476 --> 00:53:10,686
THIS IS THE SAW YOU WANT, BOYS.
BUCKING, PRUNING, TRIMMING.
1155
00:53:10,854 --> 00:53:13,522
THE HOTEL/RESTAURANT BUSINESS
ALWAYS HELD A REAL LURE FOR ME.
1156
00:53:13,690 --> 00:53:14,982
I'M A PEOPLE PERSON.
WHAT?
1157
00:53:15,150 --> 00:53:16,442
HI. HI.
1158
00:53:16,610 --> 00:53:18,611
HELLO. NO. SO GIVE US A CALL,
AND I'LL CARVE YOU A GREAT DEAL.
1159
00:53:18,778 --> 00:53:20,070
[G]
NICE CHAIN SAW.
1160
00:53:20,238 --> 00:53:21,697
WHO ARE YOU?
1161
00:53:21,865 --> 00:53:23,157
OH, I'M NEW HERE.
I'M A FRIEND OF RICKY HAYMAN'S.
1162
00:53:23,325 --> 00:53:24,742
HI, RICKY.
1163
00:53:24,910 --> 00:53:25,868
JUST CURIOUS ABOUT CHAIN SAWS.
1164
00:53:26,036 --> 00:53:28,078
INCOMING. MAYDAY. MAYDAY.
THIS IS A DISASTER. THIS IS A MASSACRE.
1165
00:53:28,246 --> 00:53:29,622
YOU'VE GOT TO BE KIDDING.
1166
00:53:29,789 --> 00:53:31,207
CAN I HOLD IT?
IT'S A DANDY.
1167
00:53:31,374 --> 00:53:32,958
CAN I HAVE THE WEIGHT IN MY HAND?
1168
00:53:33,126 --> 00:53:35,920
FEEL THE WEIGHT OF
THAT CHAIN SAW. WOW!
1169
00:53:36,087 --> 00:53:37,379
IT'S A HEAVY ONE. BE CAREFUL.
OH, YEAH.
1170
00:53:37,547 --> 00:53:39,965
[Ricky]
HE'S STAYING AT MY HOME
AND THIS IS HIS GRATITUDE?
1171
00:53:40,133 --> 00:53:41,550
HE GAVE HIM THE CHAIN SAW.
1172
00:53:41,718 --> 00:53:42,885
THIS IS GONNA BE GOOD.
THIS IS NOT GOOD.
1173
00:53:43,053 --> 00:53:44,178
I HAVE A QUESTION.
1174
00:53:44,346 --> 00:53:48,057
IF I SAID TO YOU YOU COULD WATCH ME
SCULPT THE VENUS DE MILO WITH MY HANDS,
1175
00:53:48,225 --> 00:53:50,726
OR CHAINSAW THIS ENTIRE STUDIO,
1176
00:53:50,894 --> 00:53:52,770
WHAT DO YOU THINK THEIR
CALL-IN VOTE WOULD BE?
1177
00:53:52,938 --> 00:53:55,064
FOR CREATION OR DESTRUCTION?
YOU GUYS CALL IN NOW. CALL.
1178
00:53:55,232 --> 00:53:58,234
HE'S HITTING EVERY SINGLE SET.
HE'S CUTTING A--IT'S A CLEAN SWEEP!
1179
00:53:58,401 --> 00:54:01,070
HE'S MAKING A CLEAN SWATH FROM ONE
SIDE OF THE STUDIO TO THE "NOTHER"!
1180
00:54:01,238 --> 00:54:03,072
I KNOW JUST WHAT THEY WANT.
1181
00:54:03,240 --> 00:54:04,907
[Saw Running]
1182
00:54:05,075 --> 00:54:06,408
WHOA!
1183
00:54:06,576 --> 00:54:07,993
NOW WOULD BE A GOOD TIME TO TALK
ABOUT THE SAFETY FEATURES.
1184
00:54:08,161 --> 00:54:11,538
THIS IS GOOD.
McBAINBRIDGE'LL LOVE THIS.
1185
00:54:13,625 --> 00:54:17,419
OH NO.
YOU'VE GOTTA BE KIDDING.
1186
00:54:17,587 --> 00:54:22,049
HE'S CHAINSAWING OUR HAPPY-TIME
REDWOOD PICNIC TABLE.
1187
00:54:25,804 --> 00:54:28,597
MORE?
OF COURSE YOU WANT MORE.
1188
00:54:34,437 --> 00:54:37,398
AND BENCH.
HE GOT THE WHOLE SET.
1189
00:54:37,983 --> 00:54:39,608
[Chain Saw Engine Stops]
1190
00:54:40,694 --> 00:54:44,363
NOW, I ADMIT THAT WAS FUN.
BUT I ASK YOU.
1191
00:54:44,531 --> 00:54:48,242
WHY DO WE YAWN AT CREATION
AND THRILL AT DESTRUCTION?
1192
00:54:48,410 --> 00:54:50,661
- WHY?
- OKAY. OKAY.
1193
00:54:50,829 --> 00:54:51,870
ASK YOURSELF WHY.
1194
00:54:52,038 --> 00:54:53,330
HERE IT IS.
HERE'S HIS AGENDA.
1195
00:54:53,498 --> 00:54:54,999
LET ME TELL YOU, I'VE BEEN WATCHING
FOR A LONG, LONG TIME,
1196
00:54:55,166 --> 00:54:56,667
AND I DON'T LIKE WHAT I SEE.
1197
00:54:56,835 --> 00:54:59,795
I REALLY DON'T.
EVERYBODY'S ANXIOUS AND SCARED.
1198
00:54:59,963 --> 00:55:03,007
EVERYBODY'S WORKING ALL THE TIME,
BUT WHAT DO YOU REALLY GAIN?
1199
00:55:03,174 --> 00:55:06,468
AND OUR KIDS--OUR KIDS PLAY WITH
COMPUTER PETS BECAUSE THEY'VE LEARNED
1200
00:55:06,636 --> 00:55:09,346
FROM US TO TRUST MACHINES
MORE THAN THEY DO PEOPLE.
1201
00:55:09,514 --> 00:55:12,141
WE ACQUIRE, WE CONSUME, AND WE WASTE.
1202
00:55:12,309 --> 00:55:16,603
HE'S BARKING MAD.
HE'S A LONE NUT.
1203
00:55:16,771 --> 00:55:19,356
AND THAT'S NOT HOW IT WAS
SUPPOSED TO BE.
1204
00:55:19,524 --> 00:55:23,193
I PROMISE YOU THAT WAS NOT THE PLAN.
1205
00:55:23,361 --> 00:55:27,573
AND I THINK IT'S TIME SOME THINGS
CHANGED AROUND HERE, DON'T YOU?
1206
00:55:27,741 --> 00:55:30,284
WHAT THE HELL IS GOING ON HERE?
TURN YOUR SETS OFF.
1207
00:55:30,452 --> 00:55:32,745
- TV HISTORY?
- OKAY, CUT HIM, CUT HIM.
1208
00:55:32,912 --> 00:55:35,748
HERE'S YOUR CHAIN SAW.
'NIGHT, RICKY.
1209
00:55:35,915 --> 00:55:38,417
HERE YOU GO.
RIGHT THERE.
1210
00:55:39,711 --> 00:55:44,465
...
1211
00:55:44,632 --> 00:55:46,717
WOULD YOU GUYS EXCUSE US, PLEASE?
1212
00:55:46,885 --> 00:55:49,428
I NEED TO TALK TO RICKY ALONE.
1213
00:55:49,596 --> 00:55:50,763
OKAY, GUYS.
1214
00:55:50,930 --> 00:55:53,891
BARRY, JUST FOR A MOMENT, PLEASE?
1215
00:56:04,652 --> 00:56:08,280
[Clears Throat]
YEAH. I'M OUT.
1216
00:56:08,448 --> 00:56:12,910
WHAT WERE YOU THINKING?
1217
00:56:13,078 --> 00:56:15,746
I DON'T KNOW.
1218
00:56:15,914 --> 00:56:19,541
EVER SINCE YOU GUYS SHOWED UP,
ALL I DO IS GO BACKWARDS.
1219
00:56:19,709 --> 00:56:22,044
YOU KNOW, IT SEEMS LIKE NO MATTER WHAT
I'VE DONE YOU GET OFFENDED,
1220
00:56:22,212 --> 00:56:26,632
OR, YOU KNOW, I MAKE HIM MAD AND--
1221
00:56:26,800 --> 00:56:29,259
I MEAN, I DIDN'T--I DON'T WANNA
LOSE THIS JOB.
1222
00:56:29,427 --> 00:56:31,387
I--YOU KNOW,
I LIKE WORKIN' HERE.
1223
00:56:31,554 --> 00:56:35,516
I LIKE SELLING.
I'M GOOD AT IT, I THINK.
1224
00:56:35,683 --> 00:56:40,687
MY DAD WAS A SALESMAN. ON THE ROAD.
YOU KNOW EVINRUDE MOTORS?
1225
00:56:43,024 --> 00:56:44,900
YEAH, OUTBOARD MOTORS.
1226
00:56:45,068 --> 00:56:50,572
HE DID THE WHOLE LAKE ERIE REGION,
BOTH SIDES OF THE BORDER.
1227
00:56:51,574 --> 00:56:52,825
WOW.
1228
00:56:52,992 --> 00:56:56,787
I DROVE WITH HIM FOR A COUPLE OF--
FOR A COUPLE OF SUMMERS.
1229
00:56:56,955 --> 00:57:00,666
MAN, THIS CAPRICE HE HAD
WAS LIKE HIS HOME.
1230
00:57:00,834 --> 00:57:04,169
THE STICK SHIFT HE WOULD MAKE
HIS PLACE FOR RUBBER BANDS.
1231
00:57:04,337 --> 00:57:06,797
HE'D KEEP ALL HIS RUBBER BANDS
ON THE STICK SHIFT.
1232
00:57:06,965 --> 00:57:09,800
AND THEN HE HAD HIS NOTES
ALL ORGANIZED
1233
00:57:09,968 --> 00:57:12,052
WITH PAPER CLIPS IN
A VERY PARTICULAR WAY.
1234
00:57:12,220 --> 00:57:16,765
AND RED LICORICE.
BOXES OF RED LICORICE.
1235
00:57:16,933 --> 00:57:21,562
WE HAD A GOOD TIME FOR A WHILE.
1236
00:57:25,275 --> 00:57:28,735
WHAT HAPPENED?
1237
00:57:29,446 --> 00:57:32,614
OH, BAD LUCK, I GUESS.
1238
00:57:32,782 --> 00:57:35,117
NOBODY WATER SKIS ON A DEAD LAKE.
1239
00:57:35,285 --> 00:57:37,536
SO--
1240
00:57:37,704 --> 00:57:39,746
YOU KNOW, HE TRIED ANYWAY, BUT, UH--
1241
00:57:39,914 --> 00:57:43,167
YOU KNOW, YOU START TO PUSH AND GET
SWEATY, AND THEY CAN SMELL IT.
1242
00:57:45,503 --> 00:57:49,214
- WOW, THIS IS SO WEIRD.
- WHAT?
1243
00:57:49,382 --> 00:57:52,759
I'M STARTING TO THINK OF YOU
AS A REAL PERSON.
1244
00:57:54,262 --> 00:57:56,472
WELL, YEAH. SURE.
1245
00:57:56,639 --> 00:57:59,391
THIS WHOLE BROKEN, PATHETIC HUSK THING
IS JUST--
1246
00:57:59,559 --> 00:58:01,768
YOU KNOW--I KNOW, IT'S VERY APPEALING.
1247
00:58:01,936 --> 00:58:06,106
[Laughs]
WELL, IF YA GOT IT,
FLAUNT IT.
1248
00:58:10,195 --> 00:58:12,779
I'LL SEE YOU TOMORROW.
1249
00:58:13,615 --> 00:58:15,824
YEAH.
1250
00:58:18,912 --> 00:58:19,995
IF I MAY SAY--
1251
00:58:20,163 --> 00:58:22,331
YOU'RE THROUGH, HAYMAN!
GET LOST!
1252
00:58:35,011 --> 00:58:37,054
HEY. HOW'D IT GO WITH McB?
1253
00:58:37,222 --> 00:58:39,431
- FINE, FINE.
- WHAT HAPPENED?
1254
00:58:39,599 --> 00:58:42,142
OH, HE WAS VERY GRACIOUS.
NO LEGAL ACTION.
1255
00:58:42,310 --> 00:58:45,312
AND HE GAVE ME A FULL 1 5 MINUTES
TO LEAVE THE PREMISES.
1256
00:58:45,480 --> 00:58:47,606
COME ON. MOVE.
HE'S FLYING TO D.C.
1257
00:58:47,774 --> 00:58:49,441
WE CAN STILL CATCH HIM
IN THE PARKING LOT.
1258
00:58:49,609 --> 00:58:50,943
- WHO IS?
- THE BOSS!
1259
00:58:51,110 --> 00:58:52,277
NO, KATE, IT'S OVER.
1260
00:58:52,445 --> 00:58:53,862
NOT WHEN HE SEES THESE. COME ON.
1261
00:58:54,030 --> 00:58:56,114
PUT THAT DOWN.
1262
00:58:56,741 --> 00:58:58,283
[Kate]
THESE ARE THE NUMBERS
FROM G's SHOW.
1263
00:58:58,451 --> 00:59:00,327
CALLER VOLUME SPIKED
THE SECOND HE CAME ON.
1264
00:59:00,495 --> 00:59:01,620
SO WHAT?
1265
00:59:01,788 --> 00:59:03,497
THEY WERE PROBABLY CALLING TO GET
THAT NUTCASE OFF THE AIR.
1266
00:59:03,665 --> 00:59:05,207
HE REACHED THEM.
THEY LIKED HIM.
1267
00:59:05,375 --> 00:59:06,542
OH, GEEZ.
1268
00:59:06,709 --> 00:59:08,585
THEY WANTED TO BUY SOMETHING;
THEY JUST DIDN'T KNOW WHAT.
1269
00:59:08,753 --> 00:59:11,380
JOHN, THIS IS A 30% JUMP.
1270
00:59:11,548 --> 00:59:13,549
MAJOR AUDIENCE CONNECTION
WITH A SPOKESPERSON.
1271
00:59:13,716 --> 00:59:15,175
RICKY WAS RIGHT.
1272
00:59:15,343 --> 00:59:18,470
WHAT THE HELL ARE YOU SAYING?
WE GIVE THIS MANIAC ANOTHER CHANCE?
1273
00:59:18,638 --> 00:59:20,681
AH! WHICH MANIAC WOULD THAT BE?
1274
00:59:20,848 --> 00:59:23,559
I THOUGHT ABOUT THIS ALL NIGHT.
G SHOOK THEM UP.
1275
00:59:23,726 --> 00:59:27,896
HE'S DANGEROUS, BUT HE REPRESENTS AN
HONESTY THAT PEOPLE ARE LONGING FOR.
1276
00:59:28,064 --> 00:59:29,147
TOTALLY.
1277
00:59:29,315 --> 00:59:30,607
AND HE REPRESENTS A SPIRITUALITY--
1278
00:59:30,775 --> 00:59:32,234
SPIRITUALITY ON A HOME SHOPPING NETWORK?
1279
00:59:32,402 --> 00:59:35,862
I'M SORRY, DID I SAY SPIRITUALITY?
I THINK I MEAN UNCONVENTIONALITY.
1280
00:59:36,030 --> 00:59:38,240
- UNIQUE, HEARTFELT, WISE.
- PITHY.
1281
00:59:38,408 --> 00:59:40,242
PITHY?
SURVEY AFTER SURVEY SHOWS
1282
00:59:40,410 --> 00:59:42,077
THAT AFTER PEOPLE BUY,
THEY FEEL GUILTY.
1283
00:59:42,245 --> 00:59:43,954
EVEN IF THEY CAN AFFORD IT,
THEY FEEL IT WAS WRONG
1284
00:59:44,122 --> 00:59:45,581
TO BUY SOMETHING FOR THEMSELVES.
1285
00:59:45,748 --> 00:59:47,666
WHY NOT PUT SOMEBODY ON THE AIR
WHO MAKES THEM
1286
00:59:47,834 --> 00:59:49,585
FEEL GOOD ABOUT THEMSELVES
FOR A CHANGE?
1287
00:59:49,752 --> 00:59:50,919
ABSOLUTELY.
1288
00:59:51,087 --> 00:59:54,089
AND, LISTEN, LET ME JUST WORK WITH THE GUY
AND LET ME FOCUS HIS MESSAGE.
1289
00:59:54,257 --> 00:59:58,093
I THINK--WE THINK THAT G COULD
GIVE US THAT UNIQUE IMAGE
1290
00:59:58,261 --> 00:59:59,344
THAT YOU'RE LOOKING FOR.
1291
00:59:59,512 --> 01:00:02,097
GIVE ME THE DEADEST HOUR OF THE DAY.
2:00 A.M.?
1292
01:00:02,265 --> 01:00:06,351
[Chuckling]
ALL RIGHT.
1293
01:00:06,519 --> 01:00:08,520
BUT I KID YOU NOT,
1294
01:00:08,688 --> 01:00:10,981
IF I'M EMBARRASSED IN ANY
WAY, SHAPE OR FORM,
1295
01:00:11,149 --> 01:00:14,192
IT IS GOING TO BE BOTH YOUR ASSES.
1296
01:00:14,360 --> 01:00:17,321
- MY ASS ENTIRELY.
- MY ASS TOO, SIR.
1297
01:00:17,780 --> 01:00:42,387
...
1298
01:00:42,555 --> 01:00:45,724
I MEAN, THAT'S ROUGH, YOU KNOW,
BUT YOU GET THE IDEA.
1299
01:00:45,892 --> 01:00:48,602
YES.
1300
01:00:49,312 --> 01:00:51,772
YOU'RE A HUNGRY ONE,
AREN'T YOU, SCOTT?
1301
01:00:51,939 --> 01:00:53,190
EXCUSE ME?
1302
01:00:53,358 --> 01:00:57,110
NO NEED FOR EXCUSES.
I'M A HUNGRY ONE TOO.
1303
01:00:57,278 --> 01:01:02,658
BUT WHAT IS IT YOU REALLY WANT?
IT ISN'T THIS.
1304
01:01:02,825 --> 01:01:05,911
I WANT ALL OF IT--
THE WHOLE THING.
1305
01:01:06,079 --> 01:01:07,829
GIVE ME THE NETWORK.
LET ME RUN WITH IT.
1306
01:01:07,997 --> 01:01:13,377
I'LL GIVE YOU A REDESIGN THAT'LL
DOUBLE SALES INSIDE OF 1 8 MONTHS.
1307
01:01:13,961 --> 01:01:17,047
WHAT ABOUT KATE AND HAYMAN?
1308
01:01:17,215 --> 01:01:18,757
KATE'S SMART.
1309
01:01:18,925 --> 01:01:21,677
SHE WANTS TO STAY ON
AND WORK FOR ME, FINE.
1310
01:01:21,844 --> 01:01:25,180
HAYMAN CAN CALL IN AND BUY THINGS,
1311
01:01:25,348 --> 01:01:28,642
JUST LIKE EVERYBODY ELSE.
1312
01:01:34,023 --> 01:01:36,066
I CAN'T BELIEVE WE'RE
DOIN' THIS AGAIN.
1313
01:01:36,234 --> 01:01:37,401
[Man]
ONE MINUTE!
1314
01:01:37,568 --> 01:01:39,277
OKAY, A NICE, DEEP BREATH. THAT'S GOOD.
1315
01:01:39,445 --> 01:01:40,696
- ONE MINUTE!
- WHAT DO YOU THINK?
1316
01:01:40,863 --> 01:01:41,905
ONE MINUTE!
1317
01:01:42,073 --> 01:01:43,573
ARE YOU WITH THE PROGRAM?
YOU WITH US?
1318
01:01:43,741 --> 01:01:44,866
YOU'RE A NATURAL.
ARE YOU WITH US?
1319
01:01:45,034 --> 01:01:46,076
OH, YEAH.
1320
01:01:46,244 --> 01:01:47,661
OKAY, OKAY. NOW REMEMBER,
LET'S GO OVER THIS ONE MORE TIME.
1321
01:01:47,829 --> 01:01:49,037
HERE'S THE TELEPROMPTER.
1322
01:01:49,205 --> 01:01:50,372
OKAY.
1323
01:01:50,540 --> 01:01:52,833
AND WHEN THE RED LIGHT GOES ON,
YOU'RE ON, START READING.
1324
01:01:53,000 --> 01:01:53,959
OKAY.
1325
01:01:54,127 --> 01:01:55,293
REMEMBER, HOLD THE PRODUCT UP.
1326
01:01:55,461 --> 01:01:56,378
FIFTY SECONDS!
1327
01:01:56,546 --> 01:01:58,088
OKAY, WE'RE GONNA BE IN THE BOOTH.
1328
01:01:58,256 --> 01:01:59,923
- OKAY.
- YOU'RE A NATURAL.
1329
01:02:00,091 --> 01:02:01,466
THAT'S 'CAUSE I LOVE SHOW BUSINESS.
1330
01:02:01,634 --> 01:02:02,843
AND SHOW BUSINESS LOVES YOU.
1331
01:02:03,010 --> 01:02:04,720
SHOW BUSINESS. IT'S A BUSINESS.
SHOW BUSINESS.
1332
01:02:04,887 --> 01:02:06,972
CAMERA ONE UP.
CAMERA TWO STANDING BY.
1333
01:02:07,140 --> 01:02:08,890
[Men Chattering]
AUDIO UP.
1334
01:02:09,058 --> 01:02:10,642
[Man #2]
AUDIO, AND FIVE--
1335
01:02:10,810 --> 01:02:11,935
AND COUNT IT OFF.
1336
01:02:12,103 --> 01:02:14,479
FOUR, THREE.
1337
01:02:17,775 --> 01:02:19,025
OH, PLEASE SPEAK.
1338
01:02:19,193 --> 01:02:20,861
MR. MUM, MR. HUSH.
I CAN'T BELIEVE IT.
1339
01:02:21,028 --> 01:02:24,656
- HELLO.
- OKAY. HOLD IT UP.
1340
01:02:24,824 --> 01:02:26,700
WONDERFUL NEW PRODUCT
WE HAVE HERE.
1341
01:02:26,868 --> 01:02:29,411
IT'S CALLED THE STARFISH PENDANT.
1342
01:02:29,579 --> 01:02:31,288
HE'S HOLDING IT UP.
HE'S GOOD.
1343
01:02:31,456 --> 01:02:35,250
IT'S MADE OUT OF TWO-KARAT GOLD,
WONDERFUL TWO-KARAT GOLD,
1344
01:02:35,418 --> 01:02:36,835
WHICH MAKES IT VERY CHARMING.
1345
01:02:37,003 --> 01:02:39,379
BECAUSE IT'S SO VERY LIGHT,
IT'S EASY TO WEAR.
1346
01:02:39,547 --> 01:02:42,466
AND KIDS LOVE IT.
IT LOOKS GREAT AT PARTIES.
1347
01:02:42,633 --> 01:02:45,218
AND THE STARFISH PENDANT--
1348
01:02:47,930 --> 01:02:49,765
TALK. KEEP READING. KEEP READING.
1349
01:02:49,932 --> 01:02:51,349
I HAVE SOMETHING BETTER FOR YOU
THAN A NECKLACE.
1350
01:02:51,517 --> 01:02:53,435
OH, NO.
1351
01:02:53,603 --> 01:02:55,479
[Chuckles]
THIS BROUGHT BACK A MEMORY.
1352
01:02:55,646 --> 01:02:57,522
SOMETHING THAT HAPPENED TO ME
WHEN I WAS A LITTLE BOY.
1353
01:02:57,690 --> 01:03:01,234
MEMORIES ARE GOOD.
THERE WAS A STORM.
1354
01:03:01,402 --> 01:03:05,739
AND THOUSANDS AND THOUSANDS OF
STARFISH WERE WASHED UP ON THE SHORE.
1355
01:03:05,907 --> 01:03:07,741
ONLY FOUR DAYS AGO
YOU WAVED HIM OVER.
1356
01:03:07,909 --> 01:03:09,326
LET'S JUST HOLD ON, HOLD ON.
1357
01:03:09,494 --> 01:03:11,286
AND THERE WAS THIS BEAUTIFUL LITTLE GIRL
RUNNING DOWN THE BEACH
1358
01:03:11,454 --> 01:03:12,537
PICKING UP THE STARFISH.
1359
01:03:12,705 --> 01:03:14,206
SHE WAS FRANTICALLY THROWING THEM
BACK INTO THE OCEAN.
1360
01:03:14,373 --> 01:03:16,958
WHEN I SAW HER DOING THIS, I SAID TO HER,
"WHY ARE YOU DOING THAT?
1361
01:03:17,126 --> 01:03:20,837
YOU CAN ONLY SAVE A FEW BEFORE THEY DIE.
WHAT DIFFERENCE DOES IT MAKE?"
1362
01:03:21,005 --> 01:03:27,093
AND SHE LOOKED AT ME AND SHE SAID,
"TO THAT ONE, IT MAKES A DIFFERENCE."
1363
01:03:27,637 --> 01:03:31,848
"TO THAT ONE, IT MAKES A DIFFERENCE,"
THAT LITTLE GIRL SAID.
1364
01:03:32,016 --> 01:03:33,141
AND SHE WAS RIGHT.
1365
01:03:33,309 --> 01:03:35,185
AT THAT VERY MOMENT, SHE WAS MAKING
A DIFFERENCE FOR THAT STARFISH,
1366
01:03:35,353 --> 01:03:37,646
AND SHE WAS MAKING A DIFFERENCE FOR HERSELF,
TOO, BECAUSE SHE WAS
1367
01:03:37,814 --> 01:03:40,398
CONNECTED TO THAT STARFISH.
1368
01:03:40,566 --> 01:03:42,692
AND THAT'S WHAT LIFE IS ALL ABOUT--
CONNECTING.
1369
01:03:42,860 --> 01:03:44,778
IN FACT, THAT'S THE ONLY TIME
YOU'RE EVER ALIVE, REALLY,
1370
01:03:44,946 --> 01:03:47,823
IS WHEN YOU'RE CONNECTING.
1371
01:03:47,990 --> 01:03:50,367
THAT'S KIND OF A NICE STORY.
1372
01:03:50,535 --> 01:03:52,452
THAT'S SWEET, THAT'S SWEET.
1373
01:03:52,620 --> 01:03:54,621
WELL, THANK YOU FOR TUNING IN.
1374
01:03:54,789 --> 01:03:56,540
AND REMEMBER, LET GO,
1375
01:03:56,707 --> 01:03:59,000
GIVE IN AND TAKE THE JOURNEY.
1376
01:03:59,168 --> 01:04:03,046
OH, WAIT! ONE OTHER THING.
1377
01:04:04,131 --> 01:04:06,424
I WORK HERE WITH MY FRIEND
RICKY HAYMAN.
1378
01:04:06,592 --> 01:04:09,344
WHERE'D HE GET THAT?
WHERE'D HE GET THAT PICTURE?
1379
01:04:09,512 --> 01:04:11,012
HE ASKED.
I JUST--
1380
01:04:11,180 --> 01:04:13,098
[Kate]
OH, BARRY, YOU DIDN'T.
1381
01:04:13,266 --> 01:04:14,558
WHAT?
I DIDN'T--
1382
01:04:14,725 --> 01:04:16,184
RICKY DOESN'T LIKE HIMSELF BECAUSE
HE DOESN'T THINK HE'S A GOOD PERSON
1383
01:04:16,352 --> 01:04:17,686
'CAUSE HE CAN'T SEE ALL
OF HIS GOOD QUALITIES.
1384
01:04:17,854 --> 01:04:21,106
- SO--CAN YOU COME IN CLOSER?
- SAM, FRAME OFF THE PICTURE.
1385
01:04:21,274 --> 01:04:22,691
- OH, THIS IS--
- SAM, SAM.
1386
01:04:22,859 --> 01:04:24,150
I DIDN'T--I DIDN'T KNOW HE WAS GONNA--
1387
01:04:24,318 --> 01:04:26,027
- DON'T GO IN CLOSE. DON'T.
- DON'T, DON'T.
1388
01:04:26,195 --> 01:04:27,404
GO IN CLOSE.
1389
01:04:27,572 --> 01:04:28,905
DON'T, DON'T GO IN CLOSE, SAM!
1390
01:04:29,073 --> 01:04:31,616
- TOO LATE.
- OH, THIS IS EVERYBODY'S JOKE?
1391
01:04:31,784 --> 01:04:33,702
YES. I SEE. HA-HA-HA.
1392
01:04:33,870 --> 01:04:36,913
IT'S FUNNY DAY. HEY, CHEESY.
1393
01:04:37,081 --> 01:04:39,207
DON'T. NO. DON'T, DON'T, DON'T.
1394
01:04:39,375 --> 01:04:41,293
THERE'S TWO THINGS YOU CAN DO FOR ME
FOR MY FRIEND RICKY HAYMAN.
1395
01:04:41,460 --> 01:04:44,212
IF YOU RUN INTO THIS MAN ANYWHERE,
IF YOU SEE HIM ANYWHERE,
1396
01:04:44,380 --> 01:04:46,923
ONE THING IS, GO UP TO HIM
AND TELL HIM SOMETHING NICE
1397
01:04:47,091 --> 01:04:49,301
ABOUT HIMSELF TO BUILD UP HIS CONFIDENCE.
1398
01:04:49,468 --> 01:04:51,261
COMPLIMENT HIS DRESS
OR HIS HAIRSTYLE OR SOMETHING.
1399
01:04:51,429 --> 01:04:53,179
"YOU LOOK GREAT TODAY, RICKY."
1400
01:04:53,347 --> 01:04:54,973
SOMETHING, YOU KNOW,
THAT'S REASSURING TO HIM
1401
01:04:55,141 --> 01:04:57,142
BECAUSE HE HAS A VERY,
VERY LOW SELF-IMAGE.
1402
01:04:57,310 --> 01:04:58,935
THIS IS THE LOWEST MOMENT OF MY LIFE.
1403
01:04:59,103 --> 01:05:02,814
AND THE SECOND THING IS YOU--
HUG HIM.
1404
01:05:02,982 --> 01:05:04,733
NO, THIS IS THE LOWEST MOMENT
OF MY LIFE.
1405
01:05:04,901 --> 01:05:06,651
[Kate Laughing]
1406
01:05:06,819 --> 01:05:09,237
IF YOU SEE THIS MAN, GIVE HIM A HUG.
1407
01:05:09,405 --> 01:05:11,740
HE REALLY, REALLY WANTS TO BE HUGGED,
AND HE'S NOT USED TO IT.
1408
01:05:11,908 --> 01:05:13,199
NO!
1409
01:05:13,367 --> 01:05:14,743
HE REALLY NEEDS IT.
1410
01:05:14,911 --> 01:05:16,411
NO, NO. NO.
1411
01:05:16,579 --> 01:05:19,581
[Laughing]
1412
01:05:19,749 --> 01:05:22,626
I JUST WANTED TO TELL YOU I THINK
YOU'RE REALLY--
1413
01:05:22,793 --> 01:05:24,628
REALLY TALL.
1414
01:05:24,795 --> 01:05:27,422
VERY NICE. THANK YOU FOR THE NATIONAL
HUMILIATION. THANK YOU.
1415
01:05:27,590 --> 01:05:29,132
WAIT, WAIT, WAIT. LOOK AT THIS.
1416
01:05:29,300 --> 01:05:30,800
HUMILIATED TODAY,
HERO TOMORROW.
1417
01:05:30,968 --> 01:05:34,429
HEY, TAKE A LOOK AT THIS.
LOOK AT THE NUMBERS.
1418
01:05:34,597 --> 01:05:36,014
UNBELIEVABLE.
1419
01:05:36,182 --> 01:05:38,058
- ARE THOSE THE ACTUAL NUMBERS?
- THOSE ARE THE ACTUAL NUMBERS.
1420
01:05:38,225 --> 01:05:39,559
- THESE ARE THE PENDANTS?
- HE DID IT.
1421
01:05:39,727 --> 01:05:40,769
[Man #1 ]
LOOK AT THAT.
1422
01:05:40,937 --> 01:05:42,395
[Man #2]
I CAN'T BELIEVE IT. IT'S AWESOME.
1423
01:05:42,563 --> 01:05:45,482
MY FRIENDS, DO YOU HAVE FOOD
THAT GOES TO WASTE?
1424
01:05:45,650 --> 01:05:47,275
YOU EVER THOUGHT ABOUT USING
YOUR DRIVE TIME
1425
01:05:47,443 --> 01:05:48,944
TO COOK A MEAL FOR YOUR FAMILY?
1426
01:05:49,111 --> 01:05:52,656
DO YOU FEEL THE NEED TO STORE YOUR
VEGETABLES AND LUNCH MEATS FOREVER?
1427
01:05:52,823 --> 01:05:56,409
WE SAY WET IT AGAIN WITH FOGGY.
1428
01:05:56,577 --> 01:05:58,870
IT'S THE HOOD BUDDY--
THE AIR FILTER THAT USES THE HEAT
1429
01:05:59,038 --> 01:06:02,791
OF YOUR GAS-GUZZLING ENGINE TO COOK
FABULOUS MEALS WHILE YOU DRIVE.
1430
01:06:02,959 --> 01:06:06,711
LIL SQUIRT...IT'S A FESTIVE FOUNTAIN
THAT GIVES YOUR FANNY
1431
01:06:06,879 --> 01:06:09,673
"A KISS OF REFRESHING MIST."
1432
01:06:09,840 --> 01:06:13,093
BUT LOOK WHAT WE DID WITH FOGGY!
1433
01:06:13,260 --> 01:06:15,011
WE MADE BANANA MUSH.
1434
01:06:15,179 --> 01:06:19,808
SOOT GIVES IT A UNIQUE, UNRIVALED,
RICH, HEARTY, ROBUST AROMA.
1435
01:06:19,976 --> 01:06:22,852
WHY WOULD YOU DRY THESE BANANAS OUT
IN THE FIRST PLACE?
1436
01:06:23,020 --> 01:06:26,648
THEN I HAVE TWO WORDS FOR YOU, G:
SUCK IT.
1437
01:06:26,816 --> 01:06:31,277
LIL SQUIRT, THIS IS PROBABLY THE NASTIEST
PRODUCT ON THE ENTIRE NETWORK.
1438
01:06:31,445 --> 01:06:34,823
1 0-4, HOOD BUDDY.
YUMMY.
1439
01:06:37,159 --> 01:06:41,371
[G]
TODAY IS THE FIRST DAY
OF THE REST OF YOUR LIFE.
1440
01:06:41,539 --> 01:06:44,082
BUT LET'S FACE IT, THE SEAT-WARMERS
THAT YOU'RE SITTING ON
1441
01:06:44,250 --> 01:06:45,834
ARE GETTING MORE OUT OF LIFE
THAN YOU ARE.
1442
01:06:46,002 --> 01:06:47,002
YES, THEY ARE.
1443
01:06:47,169 --> 01:06:48,753
AND IF I WERE YOU--
AND I AM YOU--
1444
01:06:48,921 --> 01:06:50,714
IF I WERE YOU, WHAT I WOULD DO IS
1445
01:06:50,881 --> 01:06:55,844
I WOULD EMBRACE EACH AND EVERY
NEW DAY LIKE IT WAS A LONG-LOST LOVER,
1446
01:06:56,012 --> 01:06:59,055
AND SQUEEZE ALL THE LIFE JUICE
I POSSIBLY COULD.
1447
01:06:59,223 --> 01:07:01,224
THE JUICER, THE JUICER.
SAM, GET A SHOT OF THE JUICER.
1448
01:07:01,392 --> 01:07:03,018
JUICERS, JUICERS.
1449
01:07:03,185 --> 01:07:05,228
OKAY, TIGHT SHOT.
KITCHEN-AID, 79.95.
1450
01:07:05,396 --> 01:07:07,147
KITCHEN-AID JUICER, 79.95.
1451
01:07:07,314 --> 01:07:09,899
- FABULOUS.
- GO, GO, GO.
1452
01:07:10,067 --> 01:07:12,318
[Woman]
HOME SHOPPERS HAVE
FOUND A NEW GURU.
1453
01:07:12,486 --> 01:07:16,948
HIS NAME IS G, AND HE'S A MIXTURE OF
HIGHER THINKING AND LOWER PRICES.
1454
01:07:17,116 --> 01:07:20,326
OKAY, GET OFF THE PHONE.
YOU HAVE TO LOOK AT THESE.
1455
01:07:20,494 --> 01:07:26,332
[Ricky]
I'LL CALL YOU LATER.
TV GUIDE, TIME, FORBES.
1456
01:07:29,754 --> 01:07:31,880
CORRECT ME IF I'M WRONG, SIR--
1457
01:07:32,048 --> 01:07:34,549
[Chuckles]
I DON'T WANNA PUT WORDS IN YOUR MOUTH.
1458
01:07:34,717 --> 01:07:37,052
IT FELT TO ME AS IF WE HAD A DEAL.
1459
01:07:37,219 --> 01:07:38,720
WELL, YOU FELT WRONG.
1460
01:07:38,888 --> 01:07:41,890
I SAID IF HAYMAN SCREWED UP,
YOU WERE IN.
1461
01:07:42,058 --> 01:07:43,683
HE DIDN'T.
1462
01:07:43,851 --> 01:07:47,562
THIS G GOOF OF HIS IS THE BIGGEST THING
TO HIT HOME SHOPPING
1463
01:07:47,730 --> 01:07:51,024
SINCE THE CUBIC ZIRCONIA.
1464
01:07:51,609 --> 01:07:54,319
THAT DOESN'T PIQUE YOUR
SHERLOCK HOLMES BRAIN CELLS?
1465
01:07:54,487 --> 01:07:56,571
MY GOD, THE MAN HAS NO HISTORY,
1466
01:07:56,739 --> 01:07:59,032
NO SOCIAL SECURITY NUMBER,
NO DRIVER'S LICENSE,
1467
01:07:59,200 --> 01:08:02,410
VOTER'S REGISTRATION,
BIRTH CERTIFICATE, NOTHING.
1468
01:08:02,578 --> 01:08:04,662
G ISN'T EVEN A NAME,
FOR CRYING OUT LOUD.
1469
01:08:04,830 --> 01:08:06,247
YOU DON'T FIND THAT CURIOUS?
1470
01:08:06,415 --> 01:08:10,251
YES, I DO.
I JUST DON'T FIND IT ILLEGAL.
1471
01:08:10,419 --> 01:08:13,171
THERE IS A DEFINITE TALMUDIC WISDOM
TO G's PHILOSOPHY.
1472
01:08:13,339 --> 01:08:14,756
HE IS CLEARLY A STUDENT OF THE--
1473
01:08:14,924 --> 01:08:17,884
KORAN FIGURES PROMINENTLY
IN G's APHORISMS.
1474
01:08:18,052 --> 01:08:19,552
AND I'M SURE HE WILL TELL YOU HE'S--
1475
01:08:19,720 --> 01:08:21,429
A STUDENT OF THE NEW TESTAMENT.
1476
01:08:21,597 --> 01:08:23,389
G's ESSENTIAL RELIGIOUS FOUNDATION
1477
01:08:23,557 --> 01:08:26,351
SO CLEARLY ECHOES THE TEACHINGS
OF JESUS CHRIST,
1478
01:08:26,519 --> 01:08:28,603
THAT I WONDER IF HE MIGHT
NOT HAVE SPENT SOME TIME
1479
01:08:28,771 --> 01:08:30,438
IN THE SEMINARY HIMSELF.
1480
01:08:30,606 --> 01:08:32,315
NO, DON'T CHANGE ANYTHING.
I WANNA KEEP IT SIMPLE.
1481
01:08:32,483 --> 01:08:34,776
WHAT? WHAT DID I TELL YOU?
EVERY MARKET.
1482
01:08:34,944 --> 01:08:36,653
RIGHT!
EVERY MARKET.
1483
01:08:36,821 --> 01:08:38,404
LET'S RUN IT EVERYWHERE.
FULL PAGE.
1484
01:08:38,572 --> 01:08:40,782
I DON'T CARE HOW MUCH IT COSTS.
SAVE ME THIS STUFF IN THE--RIGHT.
1485
01:08:40,950 --> 01:08:43,159
WHAT? A WEEK. LET'S RUN IT FOR A WEEK,
SEE WHAT HAPPENS.
1486
01:08:43,327 --> 01:08:45,578
NO, MAN. THANK YOU.
1487
01:08:45,746 --> 01:08:47,789
[Beeps]
1488
01:08:52,336 --> 01:08:55,213
HI, NICE TO SEE YOU--
TALK TO YOU. HI, HEY!
1489
01:08:55,381 --> 01:08:56,464
HEY.
HEY.
1490
01:08:56,632 --> 01:08:57,632
[Kate]
HEY!
1491
01:08:57,800 --> 01:08:58,967
THE, UH--WE'RE GLAD TO GET YOU.
1492
01:08:59,135 --> 01:09:02,011
LISTEN, WE'RE JUST SITTIN' AROUND HERE--
I KNOW IT'S SORT OF LAST MINUTE.
1493
01:09:02,179 --> 01:09:03,263
WE WERE--
1494
01:09:03,430 --> 01:09:06,182
WONDERING IF I WANTED TO GO OUT
FOR A DRINK?
1495
01:09:06,350 --> 01:09:07,600
EXACTLY RIGHT.
1496
01:09:07,768 --> 01:09:09,811
THE, UH--I DON'T KNOW WHAT YOU
HAVE A TASTE FOR, BUT--
1497
01:09:09,979 --> 01:09:11,980
- HOW ABOUT THE BREAKWATER?
- I LOVE THE BREAKWATER.
1498
01:09:12,148 --> 01:09:13,398
IT'S, UM--
1499
01:09:13,566 --> 01:09:14,607
WHAT TIME IS IT?
7:00?
1500
01:09:14,775 --> 01:09:15,817
CAN YOU PICK ME UP IN HALF AN HOUR?
1501
01:09:15,985 --> 01:09:18,444
WE WILL SEE YOU IN
ONE HALF HOUR. GREAT.
1502
01:09:21,657 --> 01:10:34,187
...
1503
01:10:37,107 --> 01:10:40,443
[Thunder Rumbling]
1504
01:10:40,611 --> 01:10:44,197
[Car Door Closes]
[Ricky, Kate Laughing]
1505
01:10:44,365 --> 01:10:47,742
OH. OH.
1506
01:10:47,910 --> 01:10:50,870
OH.
1507
01:10:54,333 --> 01:10:57,418
[Chuckling]
- I'M WET.
- YOU'RE SO WET.
1508
01:10:57,586 --> 01:11:00,255
LOOK AT THAT. WELL, SCOTT WAS
CERTAINLY RIGHT ABOUT ONE THING.
1509
01:11:00,422 --> 01:11:02,131
ABOUT WHAT?
1510
01:11:02,299 --> 01:11:04,384
YOU DO HAVE ELEGANT TOES.
1511
01:11:04,551 --> 01:11:07,220
[Laughs]
1512
01:11:08,180 --> 01:11:11,349
SCOTT WAS, UM--
1513
01:11:11,517 --> 01:11:13,935
WHAT? YOU TWO DATED?
1514
01:11:14,103 --> 01:11:16,104
A WHILE AGO.
1515
01:11:16,272 --> 01:11:18,898
FOR ABOUT A MINUTE.
1516
01:11:19,984 --> 01:11:23,736
WELL, YOU KNOW, HE SEEMS LIKE A--
1517
01:11:24,822 --> 01:11:28,700
[Laughing]
LIKE A DETERMINED GUY.
YEAH.
1518
01:11:28,867 --> 01:11:33,538
SCOTT WAS VERY INTERESTED IN ME--
IN OUR RELATIONSHIP--
1519
01:11:33,706 --> 01:11:37,417
UNTIL HE GOT HIS INTRODUCTION
TO McBAINBRIDGE.
1520
01:11:38,711 --> 01:11:42,797
WHAT? FEEL LIKE HE USED YOU?
1521
01:11:42,965 --> 01:11:45,967
HE DID SOME WORK FOR US.
MADE ME LOOK GOOD.
1522
01:11:46,135 --> 01:11:49,345
SO I GUESS WE USED EACH OTHER.
1523
01:11:51,056 --> 01:11:54,100
ALL'S FAIR, RIGHT?
1524
01:11:58,063 --> 01:12:00,857
I HAD A REALLY NICE TIME.
1525
01:12:01,025 --> 01:12:04,444
I HAD A NICE TIME TOO.
1526
01:12:04,987 --> 01:12:08,156
I'LL SEE YOU TOMORROW.
1527
01:12:11,535 --> 01:12:14,537
SEE YOU LATER.
1528
01:12:18,042 --> 01:12:20,209
RICKY!
1529
01:12:21,670 --> 01:12:24,797
I LOVED OUR DANCE.
1530
01:12:36,852 --> 01:12:45,693
...
1531
01:12:45,861 --> 01:12:52,241
DAMN.
1532
01:12:54,536 --> 01:12:58,498
[Car Door Closes,
Footsteps Approaching]
1533
01:12:59,875 --> 01:13:12,553
...
1534
01:13:16,558 --> 01:13:22,146
[Shouting, Chattering]
1535
01:13:22,314 --> 01:13:23,898
IT'S G. WHAT'S HAPPENING?
1536
01:13:24,066 --> 01:13:27,026
SOMEBODY CAME FORWARD, SOME WOMAN.
SHE SAYS G's HER HUSBAND.
1537
01:13:27,194 --> 01:13:29,445
SAYS HE HAS A WHOLE FAMILY--
SIX KIDS--IN CHICAGO.
1538
01:13:29,613 --> 01:13:32,115
- JUST WALKED OUT, ABANDONED THEM.
- OH, I DON'T BELIEVE THAT.
1539
01:13:32,282 --> 01:13:33,741
SHE'S HOLDING A PRESS CONFERENCE
IN AN HOUR.
1540
01:13:33,909 --> 01:13:35,326
WHERE?
1541
01:13:35,494 --> 01:13:37,453
IT WAS TIME FOR THIS CHARADE TO END.
1542
01:13:37,621 --> 01:13:41,416
THIS MAN, G, HAD ALREADY HURT ME
AND MY KIDS.
1543
01:13:41,583 --> 01:13:46,963
AND, WELL, WHEN I SAW THIS,
1544
01:13:47,965 --> 01:13:50,216
I KNEW I COULDN'T LET HIM HURT
ANY OTHER INNOCENT PEOPLE.
1545
01:13:50,384 --> 01:13:52,385
WELL, ISN'T THIS JUST LOVELY.
1546
01:13:52,553 --> 01:13:55,054
SCOTT, GET US OUT OF THIS.
1547
01:13:55,222 --> 01:13:57,932
OKAY, PEOPLE.
HERE'S THE BITTER TRUTH.
1548
01:13:58,100 --> 01:14:00,852
THE ONLY WAY WE'RE GONNA GET OUT OF
THIS IN ONE PIECE IS TO FACE IT.
1549
01:14:01,019 --> 01:14:04,480
SO, I'M SORRY, BUT, RICKY, KATE,
YOU'RE GONNA HAVE TO RESIGN.
1550
01:14:04,648 --> 01:14:06,482
G HASN'T SAID IF SHE'S
TELLING THE TRUTH.
1551
01:14:06,650 --> 01:14:08,234
G, DO YOU KNOW THIS WOMAN?
1552
01:14:08,402 --> 01:14:10,236
YES, THAT'S GRACE FROM CHICAGO.
1553
01:14:10,404 --> 01:14:13,990
SHE'S HOLDING LITTLE IRIS AND THAT'S
MICHAEL AND LLOYD WITH HER.
1554
01:14:14,575 --> 01:14:16,200
EXCUSE ME A SECOND.
1555
01:14:16,368 --> 01:14:19,203
- WHERE ARE YOU GOING?
- GOING TO SAY HELLO.
1556
01:14:20,998 --> 01:14:25,501
[Reporters Clamoring]
1557
01:14:25,669 --> 01:14:27,753
[Woman]
G, DO YOU KNOW THIS WOMAN?
1558
01:14:27,921 --> 01:14:32,300
KIDS, HI!
IT'S SO GOOD TO--EVERYBODY'S GOTTEN SO BIG.
1559
01:14:32,468 --> 01:14:33,968
[Man]
G, HOW LONG
WERE YOU MARRIED
1560
01:14:34,136 --> 01:14:36,512
BEFORE YOU DESERTED GRACE
AND THE KIDS?
1561
01:14:37,473 --> 01:14:38,681
WHAT?
1562
01:14:38,849 --> 01:14:40,475
G, WHY DID YOU MARRY GRACE,
FATHER SIX CHILDREN
1563
01:14:40,642 --> 01:14:43,144
AND JUST RUN OFF IN THE MIDDLE
OF THE NIGHT?
1564
01:14:43,312 --> 01:14:45,480
YOU, YOU KNOW WHAT YOU DID.
YOU LEFT.
1565
01:14:46,231 --> 01:14:48,149
NOW, THAT'S TRUE.
I DID LEAVE.
1566
01:14:48,317 --> 01:14:49,734
WHY DID YOU LIE TO AMERICA?
1567
01:14:49,902 --> 01:14:51,319
WE TRUSTED YOU.
1568
01:14:51,487 --> 01:14:53,196
HOW MANY OTHER FAMILIES
HAVE YOU DESTROYED?
1569
01:14:53,363 --> 01:14:55,490
GIVE US THE REAL STORY.
1570
01:14:55,657 --> 01:14:56,991
[Man]
WHAT IS THE TRUTH HERE?
1571
01:14:57,159 --> 01:14:58,576
[Shouting Questions]
1572
01:14:58,744 --> 01:15:01,954
ARE YOU CONCERNED ABOUT
POSSIBLE JAIL TIME?
1573
01:15:02,581 --> 01:15:05,500
WAIT A MINUTE, WAIT A MINUTE.
PLEASE, WAIT A MINUTE.
1574
01:15:05,667 --> 01:15:08,044
[Shouting Questions]
1575
01:15:08,212 --> 01:15:11,547
STOP, STOP.
I LIED. I LIED!
1576
01:15:12,132 --> 01:15:14,300
[Shouting Stops]
1577
01:15:14,760 --> 01:15:16,844
I LIED FOR THE MONEY.
1578
01:15:17,012 --> 01:15:20,473
G--G's A SAINT.
1579
01:15:21,642 --> 01:15:25,311
HE'S NOT MY HUSBAND
OR THEIR DAD.
1580
01:15:26,396 --> 01:15:28,272
I WISH--
1581
01:15:28,440 --> 01:15:32,527
HE STAYED WITH US A FEW WINTERS AGO
AS A FRIEND.
1582
01:15:32,694 --> 01:15:38,533
HE HELPED US.
I AM SO SORRY.
1583
01:15:39,701 --> 01:15:44,121
I THOUGHT--
YOU KNOW, I JUST--
1584
01:15:47,417 --> 01:15:49,377
IT'S ALL RIGHT.
1585
01:15:49,545 --> 01:15:52,630
OKAY?
YOU ALL RIGHT?
1586
01:15:57,719 --> 01:15:59,428
THAT MAN.
1587
01:15:59,596 --> 01:16:02,765
I CALLED HIM, AND I TOLD HIM
THAT I KNEW G.
1588
01:16:02,933 --> 01:16:04,225
WHO'S SHE TALKING ABOUT?
1589
01:16:04,393 --> 01:16:05,643
HE OFFERED ME MONEY, FIVE GRAND.
1590
01:16:05,811 --> 01:16:09,021
$5,000 TO GET UP HERE AND SAY A FEW
WORDS, TO GET UP HERE AND LIE.
1591
01:16:09,189 --> 01:16:12,275
HE PAID ME TO LIE ABOUT G.
1592
01:16:12,442 --> 01:16:15,653
I'M SORRY. I MAY BE POOR, BUT THERE'S
YOUR BAD MAN RIGHT THERE!
1593
01:16:15,821 --> 01:16:17,321
THERE HE IS.
1594
01:16:17,489 --> 01:16:19,073
WHERE?
SCOTT HAWKES!
1595
01:16:19,241 --> 01:16:21,993
[Crowd Chattering]
1596
01:16:22,160 --> 01:16:25,288
[Shouting Questions]
1597
01:16:27,583 --> 01:16:30,293
[Man]
IS THIS A CONSPIRACY, SCOTT?
OR WERE YOU BY YOURSELF?
1598
01:16:30,460 --> 01:16:32,169
[Keys Jingle On Ground]
1599
01:16:32,337 --> 01:16:34,547
NO, I HAVE NO COMMENT.
1600
01:16:34,715 --> 01:16:40,595
[Ricky]
NO MORE QUESTIONS.
1601
01:16:40,762 --> 01:16:43,347
[Shouting]
PRIVACY.
JUST A LITTLE PRIVACY.
1602
01:16:43,974 --> 01:16:48,311
I ONLY HAVE A COMMENT AT THIS POINT.
TELL US THE TRUTH.
1603
01:16:48,478 --> 01:16:50,229
DON'T, DON'T, DON'T--LET HIM ALONE.
LET HIM HAVE A LITTLE PRIVACY.
1604
01:16:50,397 --> 01:16:51,856
AND, UH--NO, I WANNA
TAKE CARE OF THAT.
1605
01:16:52,024 --> 01:16:53,608
LISTEN, I'VE BEEN EMPOWERED
BY MR. JOHN McBAINBRIDGE
1606
01:16:53,775 --> 01:16:55,109
TO OFFER GRACE $5,000
1607
01:16:55,277 --> 01:16:57,695
ON BEHALF OF G AND
THE GOOD BUY NETWORK,
1608
01:16:57,863 --> 01:17:00,990
UH, AS WELL AS $5,000 WORTH
OF GOOD BUY PRODUCTS,
1609
01:17:01,158 --> 01:17:06,454
INCLUDING THE, UH, NEW GEORGE FOREMAN
LEAN MEAN FAT REDUCER GRILL MACHINE
1610
01:17:06,622 --> 01:17:08,539
THAT'S AVAILABLE ONLY ON
WEDNESDAY NIGHTS ON GEORGE'S SHOW
1611
01:17:08,707 --> 01:17:10,124
HERE ON OUR SHOW.
1612
01:17:10,292 --> 01:17:11,876
- THIS SOUNDS LIKE A PUBLICITY STUNT.
- CERTAINLY IS NOT, TANYA.
1613
01:17:12,044 --> 01:17:14,712
IT WAS WHAT IT WAS, AND LET'S ALL
CONTINUE ON OUR JOURNEY.
1614
01:17:14,880 --> 01:17:16,797
THANKS SO MUCH.
1615
01:17:16,965 --> 01:17:19,925
[Tune: "Beethoven's Fifth Symphony"]
... G, G, G, G ...
1616
01:17:20,093 --> 01:17:23,679
... G, G, G, G ...
1617
01:17:23,847 --> 01:17:25,973
OH, DON'T YOU THINK WE'RE
GOING A LITTLE FAR?
1618
01:17:26,141 --> 01:17:27,767
WITH WHAT?
THE ANNOUNCER?
1619
01:17:27,934 --> 01:17:29,268
IT'S THE TOP OF THE SHOW.
PIZAZZ.
1620
01:17:29,436 --> 01:17:31,395
WE'RE JUST KIDDING AROUND WITH THAT,
BUT I WANT TO MAKE IT AN EVENT.
1621
01:17:31,563 --> 01:17:34,732
[Announcer]
HERE'S G!
1622
01:17:34,900 --> 01:17:37,818
WOULD YOUR LIFE BE BETTER
WITH A BIGGER TV SET?
1623
01:17:37,986 --> 01:17:39,779
YEAH, SURE.
ON SUNDAYS, YEAH.
1624
01:17:39,946 --> 01:17:43,991
- OR A V.C.R.?
- TV SET, V.C.R.
1625
01:17:44,159 --> 01:17:46,827
[Gasps]
OR A LASER DISC, YES?
1626
01:17:46,995 --> 01:17:48,913
HE'S ESPECIALLY EXCITED
ABOUT LASER DISCS.
1627
01:17:49,081 --> 01:17:50,289
GREAT. LOOK UP THE NUMBERS.
GET READY TO TYPE.
1628
01:17:50,457 --> 01:17:51,666
NO.
1629
01:17:51,833 --> 01:17:52,833
[Together]
NO?
1630
01:17:53,001 --> 01:17:54,168
NO.
1631
01:17:54,336 --> 01:17:55,670
[Chuckling]
NO, NO.
CAN'T YOU SEE?
1632
01:17:55,837 --> 01:17:57,380
THIS--THIS DOESN'T MEAN ANYTHING.
1633
01:17:57,547 --> 01:17:58,923
MY CLOTHES DON'T MEAN ANYTHING.
1634
01:17:59,091 --> 01:18:02,218
I JUST WISH HE WEREN'T SO
ANTI-EVERYTHING.
1635
01:18:02,386 --> 01:18:03,886
YOU KNOW WHAT'S REALLY IMPORTANT?
1636
01:18:04,054 --> 01:18:05,638
I'LL SHOW YOU.
COME ON.
1637
01:18:05,806 --> 01:18:07,181
OOP, HERE WE GO.
FASTEN YOUR SEAT BELTS.
1638
01:18:07,349 --> 01:18:08,933
- COME WITH ME?
- COME WITH ME.
1639
01:18:09,101 --> 01:18:11,060
LET ME SHOW YOU.
1640
01:18:19,611 --> 01:18:25,866
THIS IS IMPORTANT.
THIS IS CRUCIAL.
1641
01:18:27,119 --> 01:18:29,995
THIS IS SOMETHING THAT EVERY PERSON
SHOULD HAVE IN THEIR LIFE.
1642
01:18:30,163 --> 01:18:32,206
THIS IS A GIFT YOU WILL NEVER
GET TIRED OF.
1643
01:18:32,374 --> 01:18:35,292
HER NAME IS KATE, AND SHE IS AS
WONDERFUL AS YOU POSSIBLY CAN GET.
1644
01:18:35,460 --> 01:18:36,711
AND YOU KNOW WHY?
1645
01:18:36,878 --> 01:18:40,381
BECAUSE WHEN YOU TALK TO KATE,
SHE LISTENS TO WHAT YOU SAY.
1646
01:18:40,549 --> 01:18:43,551
AND THAT'S MORE IMPORTANT THAN
ANY V.C.R. AND ANY TELEVISION.
1647
01:18:43,719 --> 01:18:45,928
ISN'T THAT RIGHT, KATE?
1648
01:18:46,096 --> 01:18:49,557
I'M SORRY. I WASN'T LISTENING.
WHAT'D YOU SAY?
1649
01:18:49,725 --> 01:18:52,476
HOW COULD YOU NOT LOVE THIS WOMAN?
HOW CHARMING IS SHE?
1650
01:18:52,644 --> 01:18:55,730
HOW WONDERFUL IS SHE?
LET ME TELL YOU.
1651
01:18:55,897 --> 01:18:57,898
LET ME TELL YOU WHAT EVERYBODY OUT THERE
NEEDS TO FIND...
1652
01:18:58,066 --> 01:19:00,234
ULTIMATE AND TRUE HAPPINESS.
1653
01:19:00,402 --> 01:19:03,028
COME BACK, BRUTUS.
1654
01:19:07,951 --> 01:19:09,452
SEVENTY-FIVE YEARS.
1655
01:19:09,619 --> 01:19:11,036
THAT'S HOW MUCH TIME YOU GET
IF YOU'RE LUCKY.
1656
01:19:11,204 --> 01:19:13,122
SEVENTY-FIVE YEARS.
SEVENTY-FIVE WINTERS,
1657
01:19:13,290 --> 01:19:15,750
SEVENTY-FIVE SPRINGTIMES,
SEVENTY-FIVE SUMMERS
1658
01:19:15,917 --> 01:19:17,460
AND SEVENTY-FIVE AUTUMNS.
1659
01:19:17,627 --> 01:19:19,754
WHEN YOU LOOK AT IT LIKE THAT,
IT'S NOT A LOT OF TIME, IS IT?
1660
01:19:19,921 --> 01:19:21,046
DON'T WASTE THEM.
1661
01:19:21,214 --> 01:19:23,632
GET YOUR HEAD OUT OF THE RAT RACE
AND FORGET ABOUT
1662
01:19:23,800 --> 01:19:25,926
THE SUPERFICIAL THINGS THAT
PREOCCUPY YOUR EXISTENCE,
1663
01:19:26,094 --> 01:19:29,889
AND GET BACK TO WHAT'S IMPORTANT NOW.
RIGHT NOW, THIS VERY SECOND.
1664
01:19:30,056 --> 01:19:32,099
AND I'M NOT SAYING DROP EVERYTHING
AND LET THE WORLD COME
1665
01:19:32,267 --> 01:19:33,559
TO A GRINDING HALT.
1666
01:19:33,727 --> 01:19:36,312
I'M SAYING THAT YOU CAN BECOME A SEEKER.
YOU CAN BE LOVING MORE.
1667
01:19:36,480 --> 01:19:38,439
YOU COULD BE TAKING SOME CHANCES.
YOU COULD BE LIVING MORE.
1668
01:19:38,607 --> 01:19:40,191
YOU CAN BE SPENDING MORE TIME
WITH YOUR FAMILY.
1669
01:19:40,358 --> 01:19:41,984
YOU CAN BE GETTING IN TOUCH WITH
THE PART OF YOU THAT LIVES
1670
01:19:42,152 --> 01:19:45,321
INSTEAD OF FEARS, THE PART OF YOU THAT LOVES
INSTEAD OF HATES,
1671
01:19:45,489 --> 01:19:48,532
THE PART OF YOU THAT RECOGNIZES
THE HUMANITY IN ALL OF US.
1672
01:19:48,700 --> 01:19:50,743
AND I TELL YOU, THAT'S WHERE
YOUR FORTUNE--
1673
01:19:50,911 --> 01:19:52,745
OH, THERE IT IS.
IT WAS A MOMENTARY BOBBLE.
1674
01:19:52,913 --> 01:19:54,455
WE'RE BACK, WE'RE BACK.
1675
01:19:54,623 --> 01:19:57,917
CAREFUL, BRUTUS, DON'T FALL DOWN.
I WANT YOU TO SEE SOMETHING.
1676
01:19:59,461 --> 01:20:02,004
SOMETHING VERY, VERY IMPORTANT.
1677
01:20:02,172 --> 01:20:04,173
OKAY, RIGHT HERE.
1678
01:20:04,633 --> 01:20:09,428
CAN YOU FILL THE SCREEN UP WITH
THIS GRASS HERE FOR ME, BRUTUS?
1679
01:20:10,680 --> 01:20:12,765
THAT'S THE ANSWER RIGHT THERE.
1680
01:20:12,933 --> 01:20:15,476
THAT'S WHAT IT'S ALL ABOUT,
RIGHT THERE.
1681
01:20:16,353 --> 01:20:31,325
...
1682
01:20:36,164 --> 01:20:39,667
JUST TAKE A LITTLE BREAK JUST
FOR A SECOND.
1683
01:20:39,835 --> 01:20:43,754
JUST, JUST LOOK AT THIS,
THIS BEAUTIFUL,
1684
01:20:43,922 --> 01:20:48,050
PEACEFUL PARCEL OF EARTH AROUND US.
1685
01:20:48,218 --> 01:20:49,510
GO AHEAD, WHEREVER YOU ARE.
1686
01:20:49,678 --> 01:20:53,305
JUST--JUST GO LOOK AT SOME GRASS.
GO AHEAD.
1687
01:20:53,473 --> 01:20:57,977
JUST GO LOOK AT SOME GRASS.
1688
01:21:10,532 --> 01:21:13,492
SPEEDY, COME ON OVER HERE.
TAKE A LOOK AT THIS GRASS.
1689
01:21:15,245 --> 01:21:16,871
[Ricky]
BARRY. BARRY! BARRY. BARRY.
1690
01:21:17,038 --> 01:21:19,540
GENTLEMEN, BATTLE STATIONS,
BATTLE STATIONS.
1691
01:21:19,708 --> 01:21:22,376
J.P., WE'RE JUST ABOUT TO GET READY
TO SHOOT HERE LIVE.
1692
01:21:22,544 --> 01:21:24,378
OKAY, GO, GO.
BARRY, BARRY!
1693
01:21:24,546 --> 01:21:25,838
WHERE IS HE?
WHERE IS HE?
1694
01:21:26,006 --> 01:21:28,757
COME ON, COME ON, COME ON!
WE'RE JUST ABOUT TO CUT TO YOU.
1695
01:21:28,925 --> 01:21:32,011
HOLD UP THE MAT. YEAH.
I WANT YOU TO TALK ABOUT THE MAT.
1696
01:21:32,178 --> 01:21:33,762
OKAY? I DON'T WANNA.
I'M NOT ON-AIR.
1697
01:21:33,930 --> 01:21:36,348
LET'S CALL IT A PEACEFUL PARCEL.
PEACEFUL PAR--WHAT?
1698
01:21:36,516 --> 01:21:38,058
DO YOU UNDERSTAND?
I'M NOT--I'M NOT ON-AIR--
1699
01:21:38,226 --> 01:21:39,643
GO, GO!
1700
01:21:39,811 --> 01:21:42,396
CAN WE--ARE WE--WE'RE GONNA GO
IN TIGHT, RIGHT?
1701
01:21:42,564 --> 01:21:45,608
'CAUSE I DON'T--
OH. OH, MAN.
1702
01:21:45,775 --> 01:21:47,151
OKAY, SAM, WHAT'S UP?
1703
01:21:47,319 --> 01:21:49,069
BARRY, HE'S ON THE FLOOR
WITH ONE OF HIS MATS.
1704
01:21:49,237 --> 01:21:50,571
THE GRASS MATS.
1705
01:21:50,739 --> 01:21:52,239
GET READY TO GO TO A SHOT OF HIM
OR A CLOSE ONE ON THE MAT.
1706
01:21:52,407 --> 01:21:54,199
RIGHT. ONE, ON BARRY.
TWO, TIGHT ON MAT.
1707
01:21:54,367 --> 01:21:57,077
HERE WE GO.
RICKY, I AM NOT ON-AIR TALENT!
1708
01:21:57,245 --> 01:21:59,663
ALSO, GET READY TO GO
TO THE GRAPHICS. READY!
1709
01:21:59,831 --> 01:22:05,502
- OKAY, GRAPHICS PREPPED AND READY.
- YOU HAVE TO LET GO OF YOUR WORRIES.
1710
01:22:05,670 --> 01:22:08,088
- GO TO GRAPHICS.
- GO TO GRAPHICS.
1711
01:22:08,256 --> 01:22:10,049
- GO TO G.
- G.
1712
01:22:10,216 --> 01:22:12,718
- G UP.
- GIVE IN.
1713
01:22:12,886 --> 01:22:15,262
TO YOUR DESIRES.
1714
01:22:15,430 --> 01:22:17,598
- GO TO GRAPHICS.
- GRAPHICS.
1715
01:22:17,766 --> 01:22:19,600
GO TO G.
ON G.
1716
01:22:19,768 --> 01:22:23,312
- AND TAKE THE JOURNEY.
- TO YOUR TELEPHONE
1717
01:22:23,480 --> 01:22:25,105
AND CALL THE GOOD BUY CHANNEL
1718
01:22:25,273 --> 01:22:27,107
WHERE THE GOOD BUYS ARE AVAILABLE
24-HOURS A DAY.
1719
01:22:27,275 --> 01:22:29,109
- GO TO GRAPHICS.
- GRAPHICS.
1720
01:22:29,277 --> 01:22:31,195
- GO TO BARRY.
- AND TO BARRY.
1721
01:22:31,363 --> 01:22:33,948
CUE BARRY.
1722
01:22:34,115 --> 01:22:38,369
[Stammering]
OKAY.
1723
01:22:38,912 --> 01:22:40,496
THANKS, G.
1724
01:22:40,664 --> 01:22:42,414
[Chuckles] UM--
1725
01:22:42,582 --> 01:22:43,874
[Ricky]
GOOD.
1726
01:22:44,042 --> 01:22:45,876
YOU'RE WATCHING THE, UH,
THE GOOD BUY SHOPPING NETWORK,
1727
01:22:46,044 --> 01:22:51,048
WHERE THE GRASS IS ALWAYS
JUST A LITTLE BIT GREENER.
1728
01:22:52,008 --> 01:22:54,093
[Phone Ringing]
LOOK AT HIM GO.
1729
01:22:54,260 --> 01:22:57,805
THIS IS KATE.
HI, MARY.
1730
01:22:57,973 --> 01:23:00,182
GREAT. I'LL TELL HIM.
1731
01:23:01,142 --> 01:23:03,644
WELL, WE DON'T HAVE TO WORRY ABOUT
WHAT TO DO WITH THE GRASS MATS.
1732
01:23:03,812 --> 01:23:07,564
- THEY'RE SELLING OUT.
- ALREADY?
1733
01:23:08,400 --> 01:23:11,151
NOW, THAT'S WHAT I LIKE TO HEAR.
THE GRASS MATS ARE SELLING OUT.
1734
01:23:11,319 --> 01:23:14,655
ALL RIGHT!
1735
01:23:14,823 --> 01:23:18,033
[Laughing]
THANK YOU SO MUCH.
GOOD JOB.
1736
01:23:18,201 --> 01:23:22,663
[Barry]
IF YOU'RE FEELING BAD, AND YOU
WANT A LITTLE SPRING IN YOUR WINTER--
1737
01:23:27,043 --> 01:23:32,381
[Crowd Shouting]
1738
01:24:23,767 --> 01:24:28,103
WELL, THAT WAS JUST THE BEST MACARONI
AND CHEESE DINNER I THINK I EVER HAD.
1739
01:24:28,271 --> 01:24:30,064
KRAFT IN THE BOX IS, OF COURSE,
THE CLASSIC,
1740
01:24:30,231 --> 01:24:33,150
- BUT YOU HAVE A TOUCH.
- MY PLEASURE.
1741
01:24:35,153 --> 01:24:38,947
- ARE YOU OKAY?
- I'M FINE.
1742
01:24:39,574 --> 01:24:40,949
WAIT A MINUTE.
1743
01:24:41,117 --> 01:24:43,535
THE WAY YOU SAY "I'M FINE--"
1744
01:24:43,703 --> 01:24:46,246
WHAT'S THE MATTER?
1745
01:24:47,123 --> 01:24:51,085
I'M WORRIED ABOUT G.
REMEMBER WHEN WE FIRST MET HIM?
1746
01:24:51,252 --> 01:24:54,254
HE WAS SO HAPPY.
AND THAT SMILE.
1747
01:24:54,422 --> 01:24:57,257
AND NOW HE JUST SEEMS DRAINED.
1748
01:24:57,425 --> 01:24:59,593
WELL, LIKE US.
YOU KNOW, IT'S ALL THE WORK.
1749
01:24:59,761 --> 01:25:01,762
RIGHT, IT IS ALL THE WORK.
1750
01:25:01,930 --> 01:25:04,723
AND NOW THAT HE'S CAUGHT ON,
IT'LL ONLY GET WORSE.
1751
01:25:04,891 --> 01:25:09,061
IT STARTED SO SIMPLY, AND NOW IT'S
BECOME THIS WHOLE, BIG PRODUCTION.
1752
01:25:09,229 --> 01:25:12,397
IT'S THE HAYMAN AND NEWELL CIRCUS
WITH THE G CHANTS
1753
01:25:12,565 --> 01:25:14,775
AND THE ORCHESTRAS
AND THE ANNOUNCERS.
1754
01:25:14,943 --> 01:25:16,110
KINDA FUN, HUH?
1755
01:25:16,277 --> 01:25:17,778
KITSCH. OH. YEAH?
1756
01:25:17,946 --> 01:25:20,948
TODAY, AT THE STATION, THEY WERE
PITCHING ME THINGS THAT GO
1757
01:25:21,116 --> 01:25:23,117
WAY BEYOND THE G T-SHIRTS.
1758
01:25:23,284 --> 01:25:24,701
WHAT DID THEY SHOW YOU?
1759
01:25:24,869 --> 01:25:29,331
THEY HAVE GOT THIS CHEESE SPREAD NAMED
AFTER HIM, CALLED G WHIZ.
1760
01:25:29,499 --> 01:25:31,792
[Chuckling]
WHAT? IS THAT TERRIBLE?
OH.
1761
01:25:31,960 --> 01:25:33,752
- YOU KNEW ABOUT THIS?
- I HELPED COME UP WITH IT.
1762
01:25:33,920 --> 01:25:35,295
- I THOUGHT IT WAS FUNNY.
- OH, RICKY.
1763
01:25:35,463 --> 01:25:36,755
WHAT?
1764
01:25:36,923 --> 01:25:38,590
WHAT ABOUT THAT WRAPPING
RIBBON CALLED THE--
1765
01:25:38,758 --> 01:25:40,342
THE G STRING.
1766
01:25:40,510 --> 01:25:42,344
[Snickering]
1767
01:25:42,512 --> 01:25:44,429
LOOK, I MEAN, WHO ARE
WE HURTING ANYWAY?
1768
01:25:44,597 --> 01:25:48,142
YOU KNOW, THE PEOPLE WHO ARE
GETTING THIS AMAZING MESSAGE?
1769
01:25:48,309 --> 01:25:49,643
I DON'T THINK SO.
YOU KNOW.
1770
01:25:49,811 --> 01:25:51,311
CERTAINLY-- ARE WE HURTING G?
1771
01:25:51,479 --> 01:25:54,314
YOU KNOW, INSTEAD OF GETTING STUFF
TOSSED AT HIM ON SOME LONELY HIGHWAY,
1772
01:25:54,482 --> 01:25:57,568
HE'S REACHING AMERICA,
HE'S REACHING THE COUNTRY.
1773
01:25:57,735 --> 01:25:59,444
WHO'S LOSING OUT?
IT'S ALL GOOD.
1774
01:25:59,612 --> 01:26:01,822
YES, BUT WE ARE MAKING MONEY
OFF OF THAT IMAGE.
1775
01:26:01,990 --> 01:26:04,616
BUT--NO--BUT SO DOES EVERY RELIGION
THAT SELLS A CRUCIFIX
1776
01:26:04,784 --> 01:26:07,578
OR A STAR OF DAVID OR A STICK
OF INCENSE IS MAKING MONEY.
1777
01:26:07,745 --> 01:26:09,538
AND, YOU KNOW, EVERYTHING
THAT WE SELL,
1778
01:26:09,706 --> 01:26:13,083
PEOPLE ARE BUYING, I THINK,
'CAUSE THEY FEEL CLOSER TO G.
1779
01:26:13,251 --> 01:26:16,503
AND IF THEY WEAR A G T-SHIRT,
PEOPLE THINK, OH, YOU KNOW,
1780
01:26:16,671 --> 01:26:19,047
WHAT HE'S ALL ABOUT, WHAT HE'S TALKING
ABOUT, AND THEY BECOME BETTER PEOPLE.
1781
01:26:19,215 --> 01:26:21,466
DON'T YOU THINK SO?
I THINK SO.
1782
01:26:21,634 --> 01:26:24,178
- THE DIFFERENCE IS?
- WHAT?
1783
01:26:24,345 --> 01:26:27,306
G WOULD DO THIS FOR FREE.
1784
01:26:30,518 --> 01:26:33,645
I THINK WE SHOULD LET HIM GO.
1785
01:26:34,272 --> 01:26:35,564
WHAT?
1786
01:26:35,732 --> 01:26:36,940
[Stammering]
1787
01:26:37,108 --> 01:26:38,525
I MEAN, HE'S NOT CHAINED
IN MY BASEMENT, YOU KNOW.
1788
01:26:38,693 --> 01:26:39,818
HE'S A FREE MAN.
1789
01:26:39,986 --> 01:26:43,989
- BUT WHAT ARE YOU TALKING ABOUT?
- IT'S THE RIGHT THING TO DO.
1790
01:26:47,035 --> 01:26:49,536
I'VE DECIDED TO TAKE G PRIME TIME.
1791
01:26:49,704 --> 01:26:52,164
I'M GONNA GIVE HIM
HIS OWN HALF-HOUR SHOW.
1792
01:26:52,332 --> 01:26:53,373
WHAT'S THE MATTER?
1793
01:26:53,541 --> 01:26:55,167
SURELY YOU DON'T THINK
THIS IS A BAD IDEA.
1794
01:26:55,335 --> 01:26:56,585
NO, NO.
1795
01:26:56,753 --> 01:26:58,545
HE HAS THE BROADEST APPEAL OF ANY
ON-AIR PERSONALITY WE'VE EVER HAD.
1796
01:26:58,713 --> 01:27:00,422
YEAH, THAT'S RIGHT,
THAT'S RIGHT, BUT, UH--
1797
01:27:00,590 --> 01:27:03,592
AND I LOVE THE IDEA OF A NEW G SHOW.
I WAS THINKING THE SAME THING.
1798
01:27:03,760 --> 01:27:04,968
THIS IS SO FUNNY.
1799
01:27:05,136 --> 01:27:06,428
THAT'S WHY I WANTED TO TALK TO YOU.
LISTEN TO THIS.
1800
01:27:06,596 --> 01:27:10,265
I THINK IT'S A GREAT IDEA. WHAT IF, UH,
WE START A SHOW--WHATEVER TIME SLOT--
1801
01:27:10,433 --> 01:27:14,603
WITH G AND OTHER HOSTS?
1802
01:27:14,771 --> 01:27:15,979
WAIT A MINUTE.
1803
01:27:16,147 --> 01:27:19,316
AN ENSEMBLE SHOW, WHERE G
DOESN'T HAVE TO, YOU KNOW,
1804
01:27:19,484 --> 01:27:20,692
CARRY THE WHOLE THING.
1805
01:27:20,860 --> 01:27:21,944
WE COULD EVEN PHASE HIM OUT
AT SOME POINT--
1806
01:27:22,111 --> 01:27:23,320
ARE YOU NUTS?
1807
01:27:23,488 --> 01:27:26,740
HE'S THE GUY THEY'RE INTERESTED IN.
I DON'T UNDERSTAND YOUR HESITATION.
1808
01:27:26,908 --> 01:27:29,743
OH, WAIT A SECOND. WAIT.
I KNOW.
1809
01:27:29,911 --> 01:27:31,745
YEAH. I KNOW, AND I UNDERSTAND.
1810
01:27:31,913 --> 01:27:33,330
YEAH!
1811
01:27:33,498 --> 01:27:38,418
YOU'RE UPSET BECAUSE I PROMISED I'D TAKE
CARE OF YOU IF THIS TOOK OFF AND I HAVEN'T.
1812
01:27:38,586 --> 01:27:40,254
- YET.
- OH.
1813
01:27:40,421 --> 01:27:46,760
BUT IF YOU LAUNCH THIS,
AND IF YOU MAKE IT WORK,
1814
01:27:46,928 --> 01:27:50,430
THEN EVERYTHING YOU'VE WANTED,
1815
01:27:50,598 --> 01:27:55,269
EVERYTHING THAT YOU HAVE EVER DREAMED
ABOUT WILL BE YOURS--
1816
01:27:55,436 --> 01:27:58,730
AN OFFICE NEXT TO MINE,
1817
01:27:58,898 --> 01:28:05,862
A VIEW OF THE STUDIO, A CAR,
THE PERKS, THE BONUSES--
1818
01:28:06,114 --> 01:28:10,450
EVERYTHING WILL BE YOURS.
1819
01:28:12,287 --> 01:28:15,664
- AND KATE?
- TO HELL WITH KATE.
1820
01:28:15,832 --> 01:28:19,376
DO YOU WANNA PRODUCE THE SHOW
OR DON'T YOU?
1821
01:28:19,544 --> 01:28:22,296
LOOK, AS FAR AS I'M CONCERNED,
KATE IS INDISPENSABLE.
1822
01:28:22,463 --> 01:28:25,299
WE COULDN'T HAVE GOTTEN HERE
WITHOUT KATE, AND MY DEAL
1823
01:28:25,466 --> 01:28:27,968
WOULD HAVE TO BE IN PLACE,
'CAUSE, THAT'S RIGHT,
1824
01:28:28,136 --> 01:28:30,137
YOU SAID THE LAST SHOW,
IF I MADE THAT WORK--
1825
01:28:30,305 --> 01:28:35,225
I ALSO SAID TO GET G SIGNED UP, AND HAVE
YOU DONE THAT, MR. ON-THE-BALL?
1826
01:28:35,393 --> 01:28:38,520
- YEAH, HE'S BEEN HERE.
- I DON'T SEE ANY PAPER.
1827
01:28:38,688 --> 01:28:40,564
OH, WELL, THAT'S JUST
A MATTER OF SIGNING.
1828
01:28:40,732 --> 01:28:44,192
WHY? HE DOESN'T HAVE A PEN?
YOU GET HIM SIGNED UP.
1829
01:28:45,862 --> 01:28:49,489
AND THEN WE'LL TALK YOUR DEAL.
1830
01:28:54,954 --> 01:28:57,956
WHETHER YOU'RE A LOVER OF JAZZ,
GOSPEL, CLASSIC OR ROCK,
1831
01:28:58,124 --> 01:29:01,335
YOU'LL BE ABLE TO SELECT THE KIND
OF SOUND THAT IS GOING TO FIT
1832
01:29:01,502 --> 01:29:03,253
WHATEVER KIND OF MUSIC YOU ENJOY.
1833
01:29:03,421 --> 01:29:07,257
THIS IS THE STEREO THAT REALLY DOES
GIVE YOU ALL KINDS OF FEATURES,
1834
01:29:07,425 --> 01:29:09,301
BUT IT DOES IT IN A COMPACT SIZE.
1835
01:29:09,469 --> 01:29:12,512
SO IF IT'S GONNA GO ON A BOOKSHELF,
IF IT'S GONNA GO--
1836
01:29:38,706 --> 01:29:41,583
[Clears Throat]
AM I BOTHERING YOU?
1837
01:29:41,751 --> 01:29:44,878
NO. HOW COULD YOU EVER BOTHER ME?
I LOVE TALKING TO YOU.
1838
01:29:45,046 --> 01:29:47,381
THAT'S WHAT I WANTED TO DO--
TALK WITH YOU.
1839
01:29:47,548 --> 01:29:49,049
RICKY AND I WERE THINKING--
1840
01:29:49,217 --> 01:29:53,428
[Phone Ringing]
EXCUSE ME ONE SECOND.
HELLO?
1841
01:29:54,222 --> 01:29:56,848
YES, DR. SIMON.
1842
01:29:57,517 --> 01:30:00,519
[Chuckles]
SO TELL ME, HOW LONG BEFORE
I CAN CONTINUE MY JOURNEY?
1843
01:30:07,902 --> 01:30:09,403
HOW COULD IT BE CHRONIC?
1844
01:30:09,570 --> 01:30:14,449
UH, HOW CAN IT BE CHRONIC?
WELL, IT'S CHRONIC BECAUSE--
1845
01:30:14,617 --> 01:30:18,036
[WHISPERING]
1846
01:30:18,204 --> 01:30:23,041
IT'S CHRONIC BECAUSE OF THE DECREASE
THAT WE REGISTERED IN YOUR--
1847
01:30:29,841 --> 01:30:32,426
[Coughing]
I'M SORRY, I GOT--
1848
01:30:32,593 --> 01:30:35,220
I GOT A LITTLE PHLEGM THERE.
AND--
1849
01:30:35,388 --> 01:30:41,518
[Coughing]
YEAH, THE, UM, THE DECREASE
WE REGISTERED IN YOUR "N--"
1850
01:30:41,686 --> 01:30:43,854
DOLPHINS.
ENDORPHINS!
1851
01:30:44,021 --> 01:30:45,897
I'M SORRY, I COULDN'T READ
MY OWN WRITING.
1852
01:30:46,065 --> 01:30:48,608
YOU KNOW, DOCTOR'S HANDWRITING. YES.
1853
01:30:48,776 --> 01:30:55,740
UH, THAT NUMBER WAS SUFFICIENTLY LOW,
SO ASS TWO--
1854
01:31:01,956 --> 01:31:08,920
AS TO DEMONSTRATE THAT
YOU HAVE A POOR HEART.
1855
01:31:12,258 --> 01:31:19,222
AT THIS TIME, I'M--I'M, UH--
1856
01:31:19,390 --> 01:31:21,808
I'M AFRAID, UH, THAT YOU,
1857
01:31:21,976 --> 01:31:23,935
UH, NEED TO--
1858
01:31:32,987 --> 01:31:34,321
STAY ON THE FLOOR!
1859
01:31:34,489 --> 01:31:35,989
UH, NO, I'M SORRY.
I'M SORRY.
1860
01:31:36,157 --> 01:31:39,326
I WAS, UH, GIVING INSTRUCTIONS
TO MY DOG.
1861
01:31:39,494 --> 01:31:42,829
YEAH, I'M-I'M AFRAID THAT
THIS TIME YOU NEED TO,
1862
01:31:42,997 --> 01:31:49,961
UH, STICK AROUND FOR SEVERAL MONTHS,
OR PERHAPS UNTIL THE END OF TIME.
1863
01:31:53,049 --> 01:31:54,299
[Toy Squeaking]
1864
01:31:54,467 --> 01:31:56,176
UH, JUST A LITTLE
DOCTOR JOKE THERE, G.
1865
01:31:56,344 --> 01:31:57,844
[Squeaks]
1866
01:31:58,012 --> 01:31:59,429
[Chuckling]
YEAH.
1867
01:31:59,597 --> 01:32:01,348
NO, I'M JUST CALLING TO MAKE SURE
THAT YOU'RE OKAY.
1868
01:32:01,516 --> 01:32:05,227
YEAH, I KNOW THAT
YOU'RE DISAPPOINTED.
1869
01:32:05,394 --> 01:32:10,273
NO, AS SOON AS THE HEAT BREAKS, I'LL--
I'LL CALL TO MAKE ANOTHER APPOINTMENT.
1870
01:32:10,942 --> 01:32:14,402
YEAH, I'M SORRY. THANKS.
BYE-BYE.
1871
01:32:14,570 --> 01:32:16,571
[Sighing]
1872
01:32:16,739 --> 01:32:18,406
[Sighing]
DID HE BUY THAT?
1873
01:32:18,574 --> 01:32:20,492
I THINK SO.
1874
01:32:20,660 --> 01:32:24,287
HE SOUNDED AWFULLY SAD, THOUGH.
1875
01:32:24,455 --> 01:32:26,373
HE DID?
1876
01:32:26,541 --> 01:32:29,376
OKAY, NOW I CAN GET HIM
TO SIGN THE CONTRACT.
1877
01:32:30,044 --> 01:32:32,671
OH MY GOD.
KATE! KATE!
1878
01:32:32,838 --> 01:32:34,214
WHAT, WHAT, WHAT, WHAT?
1879
01:32:34,382 --> 01:32:35,715
NO, WHAT?
WHERE ARE YOU GOING?
1880
01:32:35,883 --> 01:32:38,301
RICKY, HOW? G TRUSTED YOU.
I TRUSTED YOU.
1881
01:32:38,469 --> 01:32:39,844
YOU CAN TRUST ME.
OH, PLEASE!
1882
01:32:40,012 --> 01:32:42,847
OKAY, HONEY, THAT WAS WRONG.
THAT WAS WRONG.
1883
01:32:43,015 --> 01:32:44,099
LISTEN, SWEETIE,
DON'T BE UPSET WITH ME.
1884
01:32:44,267 --> 01:32:45,559
I NEED--NEED MORE TIME.
1885
01:32:45,726 --> 01:32:48,103
BUT DON'T BE UPSET, NOT WHEN
EVERYTHING'S GOIN' GOOD FOR US.
1886
01:32:48,271 --> 01:32:49,229
GOING GOOD?
1887
01:32:49,397 --> 01:32:50,689
I JUST WATCHED YOU LIE TO OUR FRIEND.
1888
01:32:50,856 --> 01:32:51,815
NO, BUT THAT WAS ISOLATED.
1889
01:32:51,983 --> 01:32:53,233
I DIDN'T WANNA DO IT.
I'LL TELL YOU ALL ABOUT IT.
1890
01:32:53,401 --> 01:32:54,568
I HAD A MEETING WITH
McBAINBRIDGE THIS MORNING.
1891
01:32:54,735 --> 01:32:57,737
I HAD THIS IDEA, WHICH I ALLUDED TO LAST
NIGHT, ABOUT PHASING HIM OUT EVENTUALLY,
1892
01:32:57,905 --> 01:33:00,031
BUT HE SAID MY JOB DEPENDS ON
GETTING HIM TO SIGN THIS CONTRACT.
1893
01:33:00,199 --> 01:33:02,993
OH, SO ALL'S FAIR, NEVER MIND WHAT'S
GOOD OR RIGHT FOR ANYBODY ELSE.
1894
01:33:03,160 --> 01:33:04,494
NO, NO, I THINK YOU'RE BEING IRRATIONAL.
1895
01:33:04,662 --> 01:33:06,246
TRYING TO PERSUADE ME I'M STUPID IS
NOT A GOOD WAY TO WIN THE ARGUMENT.
1896
01:33:06,414 --> 01:33:07,455
OKAY, OKAY.
1897
01:33:07,623 --> 01:33:09,416
JUST TELL ME WHAT YOU WANT ME TO DO
TO MAKE IT RIGHT. PLEASE.
1898
01:33:09,584 --> 01:33:12,002
OKAY.
OKAY.
1899
01:33:14,422 --> 01:33:15,589
NO, KATE.
1900
01:33:15,756 --> 01:33:18,091
JOHN, I WANTED TO TALK TO YOU
ABOUT RICKY'S CONTRACT.
1901
01:33:18,259 --> 01:33:19,926
SPEAKING OF CONTRACTS,
IS IT SETTLED?
1902
01:33:20,094 --> 01:33:23,221
IS WHAT SETTLED?
I'M PUTTING G ON PRIME TIME.
1903
01:33:23,389 --> 01:33:24,431
HIS OWN SHOW.
1904
01:33:24,599 --> 01:33:27,267
HAYMAN'S GONNA PRODUCE,
IF HE DOESN'T SCREW UP.
1905
01:33:27,435 --> 01:33:28,935
OH, HE WON'T SCREW UP.
1906
01:33:29,103 --> 01:33:31,271
RICKY'S A GO-TO,
GAME-ON-THE-LINE GUY.
1907
01:33:31,439 --> 01:33:33,398
IN FACT, THAT'S WHAT I WANTED
TO TALK TO YOU ABOUT, JOHN.
1908
01:33:33,566 --> 01:33:35,483
I WANTED TO RECOMMEND THAT YOU
RENEW RICKY'S CONTRACT.
1909
01:33:35,651 --> 01:33:37,485
I THINK THE TWO OF YOU MAKE
AN EXCELLENT TEAM.
1910
01:33:37,653 --> 01:33:39,112
WHAT THE HELL IS THAT
SUPPOSED TO MEAN?
1911
01:33:39,280 --> 01:33:41,114
YOU TWO ARE CUT FROM THE SAME CLOTH.
ANYTHING FOR A BUCK.
1912
01:33:41,282 --> 01:33:42,490
DESTROYING G--
1913
01:33:42,658 --> 01:33:43,658
HOLD IT A SECOND!
1914
01:33:43,826 --> 01:33:45,785
IF I RECALL, YOU'RE THE ONE
WHO TALKED ME INTO USING G
1915
01:33:45,953 --> 01:33:47,746
WITH YOUR 30% RISE IN CALLS.
1916
01:33:47,913 --> 01:33:49,789
WELL, I WAS WRONG.
I WISH I NEVER HAD.
1917
01:33:49,957 --> 01:33:53,001
WELL, IF YOU DON'T LIKE IT, FINE!
NOW YOU'VE SAID YOUR PEACE.
1918
01:33:53,169 --> 01:33:55,128
BUT IT'S NOT YOUR NETWORK.
IT'S MY NETWORK.
1919
01:33:55,296 --> 01:33:57,797
AND NOBODY TELLS ME
HOW TO RUN MY NETWORK.
1920
01:33:57,965 --> 01:33:59,257
I CREATED YOU.
1921
01:33:59,425 --> 01:34:01,593
YOU WALK WHEN I TELL YOU TO WALK.
YOU RUN WHEN I TELL YOU TO RUN.
1922
01:34:01,761 --> 01:34:05,472
AND YOU SELL WHAT I TELL YOU TO SELL!
1923
01:34:06,307 --> 01:34:08,767
I WILL NOT SELL MY SOUL.
1924
01:34:12,271 --> 01:34:14,856
KATE, WAIT A MINUTE. WAIT A MINUTE.
1925
01:34:15,024 --> 01:34:16,232
[Phone Ringing]
1926
01:34:16,400 --> 01:34:17,942
KATE, KATE, KATE, KATE, KATE!
1927
01:34:18,110 --> 01:34:19,527
I JUST CAN'T BELIEVE I WAS RIGHT
ABOUT YOU AFTER ALL.
1928
01:34:19,695 --> 01:34:22,197
I NEVER WANTED TO BE WRONG
SO MUCH IN MY LIFE.
1929
01:34:36,087 --> 01:34:39,297
- RICKY HAYMAN?
- YEAH.
1930
01:34:43,928 --> 01:34:48,807
[Phone Beeps, Dialing]
1931
01:34:48,974 --> 01:34:52,519
[Ringing]
1932
01:34:52,687 --> 01:34:54,354
- HELLO?
- KATE, HI, IT'S RICKY.
1933
01:34:54,522 --> 01:34:57,148
[Clicks]
HELLO?
1934
01:35:05,866 --> 01:35:07,158
[G]
A CONTRACT?
1935
01:35:07,326 --> 01:35:11,371
YEAH, IT'S, UH, IT'S FOR SIX MONTHS
WITH PROVISIONS FOR EXTENDING IT
1936
01:35:11,539 --> 01:35:16,793
IF THINGS ARE GOING WELL, AND YOU'RE
GONNA BE PAID VERY WELL, OF COURSE.
1937
01:35:16,961 --> 01:35:18,878
BUT, YOU KNOW, YOU CAN PUT SOME
ASIDE FOR YOUR FUTURE,
1938
01:35:19,046 --> 01:35:22,674
OR--OR, UH, GIVE IT TO A CHARITY.
1939
01:35:25,553 --> 01:35:28,304
IS THIS WHAT YOU WANT?
1940
01:35:28,472 --> 01:35:33,184
BECAUSE IF THIS IS WHAT YOU WANT,
ALL YOU HAVE TO DO IS ASK AND I'LL DO IT.
1941
01:35:47,408 --> 01:35:50,702
[Sighing]
YEAH. WOULD YOU SIGN?
1942
01:36:01,297 --> 01:36:11,264
...
1943
01:36:12,975 --> 01:36:17,103
WELL, MR. HAYMAN, WHAT HAVE WE HERE?
1944
01:36:17,271 --> 01:36:19,063
AH, IS THIS WHAT I THINK IT IS?
1945
01:36:19,231 --> 01:36:22,442
WELL, I'LL BE DIPPED IN SHIT.
YOU HAVE DONE IT, MY BOY.
1946
01:36:22,610 --> 01:36:23,943
I CAN'T BELIEVE IT!
1947
01:36:24,111 --> 01:36:25,278
[Laughing]
1948
01:36:25,446 --> 01:36:28,239
... I LIKE SPAGHETTI I LOVE
MEATBALLS VIVA LA COMPAGNIE ...
1949
01:36:28,407 --> 01:36:30,241
[Laughing]
1950
01:36:30,409 --> 01:36:32,202
PROUD OF YOU, PROUD OF YOU!
COME ON.
1951
01:36:32,369 --> 01:36:34,496
LET ME USHER YOU TO YOUR NEW DIGS.
1952
01:36:34,663 --> 01:36:37,624
FOLLOW ME, FOLLOW ME.
1953
01:36:39,210 --> 01:36:50,470
...
1954
01:36:50,638 --> 01:36:54,641
WELL, HERE YOU ARE, HAYMAN.
THE COMMAND MODULE.
1955
01:36:54,809 --> 01:36:56,643
ALL SYSTEMS GO.
1956
01:36:56,811 --> 01:36:58,645
[Chuckles]
1957
01:36:58,813 --> 01:37:04,692
AND I WANT YOU TO SCREW YOUR COURAGE
TO THE STICKING POST AND BLAST OFF!
1958
01:37:04,860 --> 01:37:07,403
[Chuckles]
PROUD OF YOU, MY BOY.
PROUD OF YOU.
1959
01:37:07,571 --> 01:37:11,699
... I LIKE SPAGHETTI I LOVE
MEATBALLS VIVA LA COMPAGNIE ...
1960
01:37:11,867 --> 01:37:13,326
[Laughing]
1961
01:37:13,494 --> 01:37:16,955
... VIVA LA, VIVA LA VIVA L'AMORE ...
1962
01:37:17,122 --> 01:37:20,208
... VIVA L'AMORE VIVA L'AMORE ... ...
1963
01:37:21,126 --> 01:37:33,888
...
1964
01:37:34,056 --> 01:37:36,349
- HELLO?
- PLEASE DON'T HANG--
1965
01:37:41,438 --> 01:37:43,773
I JUST WANT YOU TO KNOW THAT G's IN
THE STUDIO AND WE'RE ALMOST READY,
1966
01:37:43,941 --> 01:37:45,859
SO YOU SHOULD GET DOWN
TO THE CONTROL BOOTH.
1967
01:37:46,026 --> 01:37:48,653
OKAY, BE THERE IN A SEC.
1968
01:37:49,321 --> 01:37:52,323
- OKAY.
- THANK YOU.
1969
01:38:05,045 --> 01:38:06,713
HERE WE GO.
CAMERA ONE, YOU ARE WIDE SHOT.
1970
01:38:06,881 --> 01:38:08,464
CAMERA TWO, YOU'RE TIGHT ON G.
1971
01:38:08,632 --> 01:38:10,550
CAMERA THREE, YOU ARE
ROAMING ON PRODUCT.
1972
01:38:10,718 --> 01:38:12,218
CAMERA FOUR, YOU'RE READY.
STAND BY.
1973
01:38:12,386 --> 01:38:13,887
CAMERA THREE, ARE YOU READY?
1974
01:38:14,054 --> 01:38:16,848
COME ON. BACK IT UP. G's READY.
HE'S OUT OF MAKEUP.
1975
01:38:17,474 --> 01:38:32,447
...
1976
01:38:38,704 --> 01:38:41,581
- OH, THERE YOU ARE.
- HERE I AM.
1977
01:38:41,749 --> 01:38:43,458
- READY?
- VERY MUCH SO.
1978
01:38:43,626 --> 01:38:44,709
OKAY.
1979
01:38:44,877 --> 01:38:46,085
[Man]
ONE MINUTE!
1980
01:38:46,253 --> 01:38:47,211
SHOW TIME.
1981
01:38:47,379 --> 01:38:48,421
YEAH--
1982
01:38:48,589 --> 01:38:53,426
WAIT, WAIT.
UH, YOU KNOW WHAT?
1983
01:38:53,594 --> 01:38:55,803
DON'T DO IT.
DON'T--DON'T DO THE SHOW.
1984
01:38:55,971 --> 01:39:00,600
DON'T DO THE SHOW.
LEAVE THE STUDIO RIGHT NOW.
1985
01:39:00,768 --> 01:39:03,144
- CONTINUE YOUR JOURNEY.
- WHAT?
1986
01:39:03,312 --> 01:39:05,772
YEAH. YOU KNOW, IT'S NOT YOU.
1987
01:39:05,940 --> 01:39:08,858
THE SHOW'S--IF YOU DO IT,
YOU'RE GONNA BE BIG, BIG.
1988
01:39:09,026 --> 01:39:11,152
EVERYBODY'S GONNA BE
CRAZY ABOUT YOU, BUT, UH--
1989
01:39:11,320 --> 01:39:13,863
JUST GO AND--
1990
01:39:14,448 --> 01:39:15,823
[Sighing]
YOU HAD A CALL TWO DAYS AGO
FROM DR. SIMON...
1991
01:39:15,991 --> 01:39:18,368
THAT WAS BARRY PRETENDING
TO BE DR. SIMON.
1992
01:39:18,535 --> 01:39:22,413
I PUT HIM UP TO IT,
AND YOUR HEART IS FINE.
1993
01:39:23,832 --> 01:39:25,959
- WHAT?
- I KNOW MY HEART'S FINE.
1994
01:39:26,126 --> 01:39:29,170
SO IS YOURS, RICKY.
SO IS YOURS.
1995
01:39:32,091 --> 01:39:33,800
WHAT DO YOU MEAN?
YOU KNEW?
1996
01:39:33,968 --> 01:39:36,552
OH, YES, I'VE KNOWN ALL ALONG.
1997
01:39:37,513 --> 01:39:39,973
WELL, SO WHY'D YOU STAY?
1998
01:39:40,140 --> 01:39:43,267
I STAYED 'CAUSE I WANTED TO HELP YOU,
AND BECAUSE I LIKE YOU.
1999
01:39:43,435 --> 01:39:45,853
BUT MOST OF ALL,
YOU REALLY MAKE ME LAUGH.
2000
01:39:46,021 --> 01:39:48,106
YOU'RE A VERY FUNNY MAN.
2001
01:39:50,442 --> 01:39:53,111
YEAH, WELL, I'VE GOTTEN--
I'VE GOTTEN
2002
01:39:53,278 --> 01:39:56,280
SO THAT I DON'T WANNA STRANGLE YOU
SO MUCH AS I USED TO.
2003
01:39:56,448 --> 01:39:58,825
BUT--BUT, UH--YOU KNOW, REALLY,
2004
01:39:58,993 --> 01:40:02,328
TAKE OFF, 'CAUSE, YOU KNOW,
I'M GONNA, YOU KNOW--
2005
01:40:02,496 --> 01:40:06,040
I DON'T WANNA CHANGE MY MIND,
YOU KNOW--
2006
01:40:08,877 --> 01:40:11,587
BEAUTIFUL MAN, RICKY.
2007
01:40:13,257 --> 01:40:16,009
I'M A DEAD MAN.
2008
01:40:19,179 --> 01:40:22,640
ALL RIGHT.
2009
01:40:31,942 --> 01:40:35,278
[Choir]
... G, G, G, G ...
2010
01:40:35,446 --> 01:40:38,031
... G, G, G, G ... ...
2011
01:40:38,198 --> 01:40:41,409
- AND CUE ANNOUNCER.
- IT'S THE G SPOT!
2012
01:40:41,577 --> 01:40:44,370
PHILOSOPHY, A HIGHER STATE
OF CONSCIOUSNESS
2013
01:40:44,538 --> 01:40:47,248
AND NON-STOP SHOPPING!
2014
01:40:47,416 --> 01:40:51,419
- HERE'S G!
- FADE UP, CAMERA ONE. CUE G.
2015
01:40:51,587 --> 01:40:54,714
[Applause]
2016
01:40:54,882 --> 01:40:59,427
[Chanting]
G! G! G! G!
2017
01:41:03,015 --> 01:41:04,891
HE'S ALWAYS FULL OF SURPRISES.
2018
01:41:05,059 --> 01:41:08,311
SURPRISE, SURPRISE, SURPRISE.
HANG IN THERE, GUYS.
2019
01:41:11,732 --> 01:41:13,649
HI, I'M RICKY HAYMAN.
2020
01:41:13,817 --> 01:41:17,070
[Scattered Applause]
2021
01:41:20,699 --> 01:41:21,991
WHAT IS HE DOING?
2022
01:41:22,159 --> 01:41:27,205
THANK YOU.
AND G, UM, IS MY FRIEND.
2023
01:41:27,372 --> 01:41:30,750
AND HE'S A SPECIAL FELLOW.
2024
01:41:30,918 --> 01:41:32,794
[Applause]
2025
01:41:32,961 --> 01:41:34,462
- I KNOW--
- YEAH, I KNOW YOU GUYS KNOW THAT.
2026
01:41:34,630 --> 01:41:35,797
THAT'S WHY YOU'RE HERE
OR WHY YOU'RE WATCHING.
2027
01:41:35,964 --> 01:41:40,760
BUT THAT'S ALSO THE REASON THAT, UM,
I COULDN'T LET HIM DO THIS TONIGHT.
2028
01:41:40,928 --> 01:41:45,431
SO--YEAH. I'M HERE TO APOLOGIZE
TO YOU AND TO OUR VIEWERS
2029
01:41:45,599 --> 01:41:48,142
'CAUSE G AGREED TO CONTINUE DOIN' THIS
SHOW IF I ASKED HIM TO,
2030
01:41:48,310 --> 01:41:51,771
BUT I HAD TO, UH, LET HIM GO.
2031
01:41:51,939 --> 01:41:53,856
[Together]
LET HIM GO?
2032
01:41:54,024 --> 01:41:55,483
[All Chattering]
2033
01:41:55,651 --> 01:42:02,281
BECAUSE I KNEW THAT HE
WOULD BE HAPPIER IN HIS HEART
2034
01:42:02,449 --> 01:42:06,661
IF HE CONTINUED ON HIS JOURNEY.
2035
01:42:06,829 --> 01:42:09,330
AND IT WOULDN'T HAVE BEEN RIGHT OF ME
TO KEEP HIM HERE.
2036
01:42:09,498 --> 01:42:11,958
I MEAN, YOU DON'T KNOW ME, BUT THIS IS--
FOR ONCE IN MY LIFE,
2037
01:42:12,126 --> 01:42:15,336
I WANTED TO DO THE RIGHT--
THE RIGHT THING.
2038
01:42:15,504 --> 01:42:18,047
I MEAN, HE DOESN'T CARE ABOUT
WORLDWIDE AUDIENCES, CERTAINLY,
2039
01:42:18,215 --> 01:42:21,425
OR FAME OR MONEY, FOR THAT MATTER,
THAT'S ME.
2040
01:42:22,052 --> 01:42:23,594
[Ricky]
I'M, I'M GUILTY--
2041
01:42:23,762 --> 01:42:26,848
GET ME SECURITY!
I WANT HAYMAN OUT OF HERE! NOW!
2042
01:42:27,015 --> 01:42:30,184
ALL G CARES ABOUT IS
FOR US TO SEE LIFE
2043
01:42:30,352 --> 01:42:32,103
[Ringing]
2044
01:42:32,271 --> 01:42:33,688
AS THE GIFT THAT IT IS.
2045
01:42:33,856 --> 01:42:35,815
KILL THIS!
YANK THAT SON OF A BITCH!
2046
01:42:35,983 --> 01:42:37,483
[Applause]
2047
01:42:37,651 --> 01:42:39,193
OKAY. SURE.
WHAT WOULD YOU LIKE ME TO GO TO?
2048
01:42:39,361 --> 01:42:40,486
ANYTHING!
2049
01:42:40,654 --> 01:42:42,488
OKAY, SURE.
LET ME FIND--
2050
01:42:42,656 --> 01:42:46,409
OH, FOR CHRIST'S SAKE.
I'LL DO IT MYSELF, ASS-HOLES!
2051
01:42:47,202 --> 01:42:48,828
REAL, REAL HARD.
2052
01:42:48,996 --> 01:42:50,663
OF COURSE, I'M NOT G.
2053
01:42:50,831 --> 01:42:57,795
I'M JUST A, A REGULAR, A REGULAR TYPE,
BUT, UM, I THINK I'M FINALLY GETTIN' IT.
2054
01:43:00,716 --> 01:43:07,597
THAT YOU NEVER FEEL
MORE WHOLE AND RIGHT
2055
01:43:07,764 --> 01:43:11,851
THAN WHEN YOU LOVE
ANOTHER PERSON
2056
01:43:12,019 --> 01:43:15,438
AND WHEN YOU KNOW THAT THAT
OTHER PERSON LOVES YOU BACK.
2057
01:43:16,231 --> 01:43:19,066
AND I HAD THAT.
2058
01:43:19,234 --> 01:43:23,988
BUT I MIGHT HAVE MESSED IT UP JUST A--
JUST A LITTLE BIT AGO.
2059
01:43:25,324 --> 01:43:31,162
HER NAME'S KATE, AND, UH,
SHE MADE ME WANNA DO BETTER--
2060
01:43:32,789 --> 01:43:36,250
TO DO WHAT WAS RIGHT.
2061
01:43:36,418 --> 01:43:37,960
AND I DIDN'T LISTEN.
2062
01:43:38,128 --> 01:43:44,300
AND I'M REAL, REAL SORRY
THAT I DIDN'T DO THIS BEFORE.
2063
01:43:47,137 --> 01:43:49,013
[Sighing]
NOT THAT DOIN' THE RIGHT
THING HASN'T COST ME.
2064
01:43:49,181 --> 01:43:52,058
YOU KNOW, I'VE LOST MY JOB.
2065
01:43:52,226 --> 01:43:54,060
[Sympathetic Murmurs]
YEAH, THE--
2066
01:43:54,228 --> 01:43:56,437
[TV Clicks Off]
2067
01:44:02,444 --> 01:44:06,405
THE SECOND G WAS OUT,
SO WAS I, BUT, UM--
2068
01:44:06,573 --> 01:44:09,575
YOU KNOW--HEY!
2069
01:44:09,743 --> 01:44:11,410
LOOK, LOOK WHO'S THERE.
YOU KNOW WHO THAT IS?
2070
01:44:11,578 --> 01:44:12,745
THAT'S, UH, MR. McBAINBRIDGE.
2071
01:44:12,913 --> 01:44:14,205
CAN YOU GET A SHOT
OF MR. McBAINBRIDGE?
2072
01:44:14,373 --> 01:44:15,414
TURN AROUND.
2073
01:44:15,582 --> 01:44:16,916
WILL, CAN YOU PLEASE GET
A SHOT OF MR. McBAINBRIDGE?
2074
01:44:17,084 --> 01:44:18,376
THIS IS MY BOSS,
OR MY EX-BOSS.
2075
01:44:18,543 --> 01:44:19,919
[Audience Booing]
2076
01:44:20,087 --> 01:44:23,089
NO, NO, NO. NO, NO,
WAIT A SECOND.
2077
01:44:23,257 --> 01:44:24,423
WAIT A SECOND.
2078
01:44:24,591 --> 01:44:26,759
NO, NO, NO, DON'T BOO.
DON'T BOO. HE'S NOT EVIL.
2079
01:44:26,927 --> 01:44:29,428
HE'S JUST, UH, ALONE, I THINK.
2080
01:44:29,596 --> 01:44:33,140
YOU KNOW WHAT HE NEEDS IS--
[Stammering] A HUG.
2081
01:44:33,308 --> 01:44:35,142
IF YOU SEE THIS GUY ON THE STREET,
GIVE HIM A HUG.
2082
01:44:35,310 --> 01:44:36,644
OR, NO, BETTER YET, GIVE HIM A KISS.
2083
01:44:36,812 --> 01:44:38,771
GIVE HIM A BIG KISS ON THE CHEEK.
2084
01:44:38,939 --> 01:44:40,106
[Applauding, Laughing]
2085
01:44:40,274 --> 01:44:41,607
IT'LL HELP HIM.
2086
01:44:41,775 --> 01:44:42,942
[Laughing]
2087
01:44:43,110 --> 01:44:45,778
DON'T FIGHT HIM, MR. McBAINBRIDGE.
AH, THEY'RE FIGHTING LIKE TWO BEARS.
2088
01:44:45,946 --> 01:44:48,447
MR. McBAINBRIDGE.
MR. McBAINBRIDGE.
2089
01:44:48,615 --> 01:44:50,449
WE LOVE YOU, MR. McBAINBRIDGE. YES.
2090
01:44:50,617 --> 01:44:53,119
OH, I LIKE YOU TOO.
YOU TOO.
2091
01:44:53,287 --> 01:44:57,039
YOU TOO.
WHAT?
2092
01:44:57,207 --> 01:44:59,166
[Ricky]
SAY IT. YOU'RE ON TV. SAY.
2093
01:44:59,334 --> 01:45:00,751
[Phone Ringing]
2094
01:45:00,919 --> 01:45:02,044
BARRY, THERE'S A CALL FOR RICKY.
2095
01:45:02,212 --> 01:45:06,048
[Chuckling]
PUT IT THROUGH TO THE FLOOR.
RICKY, YOU'VE GOT A PHONE CALL.
2096
01:45:06,216 --> 01:45:08,426
I DO?
2097
01:45:08,593 --> 01:45:10,177
SHOULD I TAKE A CALL? I--
2098
01:45:10,345 --> 01:45:12,305
[Audience]
YES!
2099
01:45:12,472 --> 01:45:13,848
OKAY. HELLO.
2100
01:45:14,016 --> 01:45:15,308
[Kate]
THIS ISN'T FAIR.
2101
01:45:15,475 --> 01:45:17,059
I SHOULD HAVE MY OWN SHOW
TO ANSWER YOU ON.
2102
01:45:17,227 --> 01:45:18,978
- KATE?
- IT'S KATE!
2103
01:45:19,146 --> 01:45:20,479
[Cheering]
YEAH!
2104
01:45:20,647 --> 01:45:24,483
IT'S KATE.
THAT'S NICE.
2105
01:45:24,651 --> 01:45:28,404
YOU'VE BEEN SO PUBLIC ABOUT YOUR FEELINGS.
I WISH I COULD DO THE SAME.
2106
01:45:28,572 --> 01:45:30,698
WELL, MAYBE QVC'll GIVE YOU A SHOW.
WHERE ARE YOU?
2107
01:45:30,866 --> 01:45:33,159
I'M IN THE CAR RACING TO GET TO YOU.
I WOULD HAVE CALLED--
2108
01:45:33,327 --> 01:45:35,119
[Static]
2109
01:45:35,287 --> 01:45:36,787
WE LOST HER. HELLO?
HELLO?
2110
01:45:36,955 --> 01:45:38,289
HI, HI, THERE YOU ARE.
WHERE ARE YOU NOW?
2111
01:45:38,457 --> 01:45:40,166
I'M SO CLOSE. I'M AT THE STUDIO.
I'LL SEE YOU AT THE FRONT.
2112
01:45:40,334 --> 01:45:42,460
I'LL SEE YOU AT THE FRONT DOOR.
2113
01:45:42,627 --> 01:45:43,836
[Applause]
2114
01:45:44,004 --> 01:45:45,129
WHAT DO I DO?
2115
01:45:45,297 --> 01:45:46,714
- WHAT DO WE DO? I DON'T KNOW.
- STAY WITH HIM. STAY WITH HIM.
2116
01:45:46,882 --> 01:45:49,091
I'M ON IT.
2117
01:45:51,386 --> 01:45:53,679
BRUTUS, BRUTUS, YOU'RE MISSING
ALL THE GOOD STUFF, BRUTUS.
2118
01:45:53,847 --> 01:45:56,557
MOVE IT, MOVE IT!
2119
01:45:58,018 --> 01:46:00,394
KATE!
2120
01:46:01,980 --> 01:46:04,065
[Cheering]
2121
01:46:06,276 --> 01:46:08,402
[Crying]
2122
01:46:08,570 --> 01:46:11,030
THEY'RE SO SWEET TOGETHER.
YEAH.
2123
01:46:11,198 --> 01:46:13,991
YEAH, OKAY. NOW MOVE AROUND.
2124
01:46:14,701 --> 01:46:17,453
MOVE TO THE LEFT. MOVE TO THE LEFT.
COME AROUND. COME AROUND LEFT.
2125
01:46:17,621 --> 01:46:21,123
YEAH. OH, THAT'S BEAUTIFUL. OH, THAT'S
GREAT. THAT'S GREAT, GUYS.
2126
01:46:21,291 --> 01:46:24,502
OH, THIS IS GREAT STUFF.
THIS IS GREAT STUFF.
2127
01:46:24,669 --> 01:46:26,879
[Chuckling]
COME HERE.
2128
01:46:27,047 --> 01:46:28,255
[Barry]
OH, THEY'RE TAKING OFF.
2129
01:46:28,423 --> 01:46:30,049
GO WITH THEM AGAIN.
FOLLOW THEM AGAIN.
2130
01:46:30,217 --> 01:46:31,842
KEEP GOIN', KEEP GOIN'.
OH, THAT'S BEAUTIFUL.
2131
01:46:32,010 --> 01:46:34,553
STAY WITH THEM.
DON'T DO THAT!
2132
01:46:34,721 --> 01:46:37,515
WAY TO GO, RICKY.
WAY TO GO.
2133
01:46:38,141 --> 01:46:39,475
I'M SORRY.
IT DOESN'T MATTER.
2134
01:46:39,643 --> 01:46:41,268
I'M SO SORRY.
IT DOESN'T MATTER.
2135
01:46:41,436 --> 01:46:44,271
I LOVE YOU.
2136
01:46:44,439 --> 01:46:46,982
[Whispering]
I LOVE YOU, KATE.
2137
01:46:59,746 --> 01:47:02,498
[Kate]
GOOD-BYES ARE SO SAD.
2138
01:47:02,666 --> 01:47:06,043
YES, SOME GOOD-BYES ARE VERY SAD.
2139
01:47:06,211 --> 01:47:08,796
AND OTHER GOOD-BYES ARE LIKE,
"HALLELUJAH, THAT PAJAMA-WEARING,
2140
01:47:08,964 --> 01:47:13,342
URINE-SIPPING, FLOOR-SLEEPING FREAK
HAS LEFT MY HOUSE FOREVER."
2141
01:47:13,510 --> 01:47:15,803
[Laughing]
THAT REALLY WAS HERBAL TEA,
RIGHT?
2142
01:47:15,971 --> 01:47:17,304
I DON'T KNOW, ROBERT.
2143
01:47:17,472 --> 01:47:19,098
[Laughing]
2144
01:47:19,266 --> 01:47:20,766
MAYBE YOU'LL COME BACK.
2145
01:47:20,934 --> 01:47:23,936
YOU KNOW, WINTERS ARE
REALLY GREAT DOWN HERE.
2146
01:47:25,605 --> 01:47:28,983
WE'RE GONNA BE TOGETHER WHENEVER
WE THINK ABOUT EACH OTHER.
2147
01:47:29,151 --> 01:47:32,069
FOR ME, I PROMISE
THAT'LL BE EVERY NIGHT.
2148
01:47:32,904 --> 01:47:34,697
GOOD-BYES ARE SAD.
ESPECIALLY THIS GOOD-BYE.
2149
01:47:34,865 --> 01:47:37,658
I REALLY DON'T WANNA SAY GOOD-BYE.
UH-UH.
2150
01:47:40,454 --> 01:47:43,664
KATE.
2151
01:47:54,092 --> 01:47:57,094
ROBERT RICKY.
2152
01:48:01,641 --> 01:48:05,769
YOUR GOOD IS BETTER.
YOUR BETTER IS BLESSED.
2153
01:48:07,606 --> 01:48:57,029
...
2154
01:48:57,197 --> 01:49:00,449
... EE-EE ...
2155
01:49:01,701 --> 01:49:05,287
... EVERYBODY'S GOT A THING ...
2156
01:49:05,455 --> 01:49:09,583
... BUT SOME DON'T KNOW
HOW TO HANDLE IT ...
2157
01:49:09,751 --> 01:49:13,087
... ALWAYS REACHIN' OUT IN VAIN ...
2158
01:49:13,255 --> 01:49:17,716
... JUST TAKING THE THINGS
NOT WORTH HAVING ...
2159
01:49:17,884 --> 01:49:21,554
... BUT DON'T YOU WORRY 'BOUT A THING ...
2160
01:49:21,721 --> 01:49:26,141
... DON'T YOU WORRY
'BOUT A THING, MAMA ...
2161
01:49:26,309 --> 01:49:29,061
... 'CAUSE I'LL BE STANDING
ON THE SIDE ...
2162
01:49:29,229 --> 01:49:34,316
... WHEN YOU CHECK IT OUT ...
2163
01:49:34,484 --> 01:49:38,112
... YOU SAY YOUR STYLE OF LIFE'S
A DRAG ...
2164
01:49:38,280 --> 01:49:41,907
... AND THAT YOU MUST GO OTHER PLACES ...
2165
01:49:42,075 --> 01:49:45,703
... BUT JUST DON'T YOU FEEL TOO BAD ...
2166
01:49:45,870 --> 01:49:50,249
... WHEN YOU GET FOOLED
BY SMILING FACES ...
2167
01:49:50,417 --> 01:49:53,669
... BUT DON'T YOU WORRY 'BOUT A THING ...
2168
01:49:54,504 --> 01:49:58,340
... DON'T YOU WORRY
'BOUT A THING, MAMA ...
2169
01:49:58,508 --> 01:50:02,595
... 'CAUSE I'LL BE STANDING ON THE SIDE
WHEN YOU CHECK IT ...
2170
01:50:02,762 --> 01:50:09,143
... OUT ...
2171
01:50:10,270 --> 01:50:15,941
... WHEN YOU GET OFF ...
2172
01:50:16,109 --> 01:50:18,027
... YOUR TRIP DON'T YOU WORRY ...
2173
01:50:18,194 --> 01:50:24,742
... 'BOUT A THING ...
2174
01:50:24,909 --> 01:50:31,874
... DON'T YOU WORRY 'BOUT A THING ...
2175
01:50:32,917 --> 01:50:37,296
... YEAH, EVERYBODY NEEDS A CHANGE ...
2176
01:50:37,464 --> 01:50:41,091
... A CHANCE TO CHECK OUT THE NEW ...
2177
01:50:41,259 --> 01:50:44,970
... BUT YOU'RE THE ONLY ONE
WHO'S SEEN ...
2178
01:50:45,138 --> 01:50:49,642
... THE CHANGES YOU TAKE
YOURSELF THROUGH ...
2179
01:50:49,809 --> 01:50:53,479
... BUT DON'T YOU WORRY 'BOUT A THING ...
2180
01:50:53,647 --> 01:50:57,983
... DON'T YOU WORRY 'BOUT A THING,
PRETTY MAMA ...
2181
01:50:58,151 --> 01:51:03,656
... 'CAUSE I'LL BE STANDING IN THE WINGS
WHEN YOU CHECK IT OUT ...
2182
01:51:03,823 --> 01:51:05,407
... OH ...
2183
01:51:05,575 --> 01:51:35,479
... DON'T YOU WORRY 'BOUT A THING ...
2184
01:51:35,689 --> 01:51:37,690
... YEAH ...
2185
01:51:38,942 --> 01:51:45,531
...
2186
01:51:45,699 --> 01:51:47,825
... YEAH, 'BOUT A THING, BABY ...
2187
01:51:47,992 --> 01:51:51,370
... DON'T YOU WORRY 'BOUT A THING ...
2188
01:51:51,538 --> 01:51:55,040
... DON'T YOU WORRY
'BOUT A THING, SUGAR ...
2189
01:51:55,208 --> 01:51:58,961
... DON'T YOU WORRY
'BOUT A THING, MAMA ...
2190
01:51:59,129 --> 01:52:02,965
... DON'T YOU WORRY 'BOUT A THING ... ...
2191
01:52:03,925 --> 01:52:06,885
...
170475
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