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[Music]
[Music]
[Music]
56 coming
[Music]
[Applause]
[Music]
Go. Central 279.
[Music]
Call me in the
correspondence.
Our records show your name is
Herbert. My name is Hugo. Hugo
Torres. I had to become
Herbert. They said Hugo Torres couldn't
exist anymore.
Why were you running in the
desert? I was just running.
From
what? From
you. From everyone who's kept me trapped
here for the last four years.
They weren't going to let me go ever.
Why did Project Blue Book want you?
They needed someone who could operate
film
equipment, but mostly because I'd seen
too
much. Tell me about your interest in
film
making. I got an 8 mm camera for
Christmas. I filmed everything at first.
Our house, my
street, my little sister playing.
When did you start venturing into the
desert?
I don't know. Maybe a year or so
later. Something compelled me to go
there. Something compelled you. It was
just the
feeling. Is that when you saw it?
What did you do with this footage?
I showed it at the Nevada Film
Club. Never thought showing my films
there would lead to all
this. Explain what you
shot. It was different than anything I'd
ever seen.
[Applause]
that moved
like it was
alive. My hands were shaking, but I kept
filming.
[Applause]
How did people react? I don't
know. I left with my film before anyone
bothered me. I don't like crowds, but
you kept shooting.
Yes. The very next
night. So, you were still compelled. I
was worried.
Worried? Yes. Worried that something bad
was going to happen to them. Like what?
A crash. I felt a crash. I had to go
again. I had to see if they were okay.
This crash, is this what you showed at
the next
meeting?
Yes. The room was more crowded than
usual. Now I know why. Who was there?
Two men in the
back. They didn't say anything during
the screening.
[Applause]
[Music]
[Applause]
[Music]
And the reaction this
time, let me guess, you left early
again,
except I wasn't alone this
time. What
happened? I was walking home. Had my
films in my messenger
bag. Their car started following me.
They grabbed me, forced me into the
[Music]
car, put something over my eyes. I had
no idea where they were taking
me. Just knew it was a long
drive. They brought me to this this
place.
[Music]
Huh? Mr. Torres,
we have something to show you.
Pay close attention.
God damn. Just look at all that. Look at
this. Jeez. I'm going to have some fun
now. Okay. Uh, hand me that bottle over
there, man. Get that right. Just one or
you want two or three of them? Just give
me one right now. Just one. You going to
be careful. Hey. Hey. Hey. Be easy
pouring that stuff. Okay. Okay.
We brought the TV news into this. We get
some little coverage. Oh, you I heard
you.
[Applause]
Do you recognize that entity?
It was the one in the forest.
Did you see it before?
Who is
this? Mr.
Torres,
comply. And if I don't,
Mom.
Maria,
we are aware of your family. Hugo, your
mother, your sister, how they fled Cuba
in
1959. What are you going to do to them?
If you comply,
nothing. If you do not, we will deport
them. Do you
comply? Do you
comply?
Yes. Very
well. Stand clear.
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