Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,016 --> 00:00:02,816
LUCY: Do you think
I could be a bawd?
2
00:00:02,816 --> 00:00:03,929
‐ You'd make a fine bawd.
3
00:00:03,929 --> 00:00:05,500
‐ As good as Charlotte?
4
00:00:05,500 --> 00:00:06,840
CHARLES:
I've lost Golden Square.
5
00:00:06,840 --> 00:00:08,040
LUCY:
It's up for auction.
6
00:00:08,040 --> 00:00:09,591
Will you bid?
‐ Will you?
7
00:00:09,591 --> 00:00:10,840
LUCY:
I want this place.
8
00:00:10,840 --> 00:00:13,224
‐ So do I, but these puckfists
have more money.
9
00:00:13,224 --> 00:00:15,213
‐ To the ladies.
10
00:00:15,213 --> 00:00:16,800
You've brought me
into a molly house.
11
00:00:16,800 --> 00:00:19,240
‐ Lucy Wells!
12
00:00:19,240 --> 00:00:21,040
‐ She's easily played,
I'm sure.
13
00:00:21,040 --> 00:00:23,440
‐ I run all these girls
for Hal Pincher,
14
00:00:23,440 --> 00:00:25,640
and I'm riding him
for England and St. George.
15
00:00:25,640 --> 00:00:26,720
ISAAC: I don't think
I've given you my name.
16
00:00:26,720 --> 00:00:28,120
Isaac Pincher.
17
00:00:28,120 --> 00:00:30,200
There's a place for you
in our empire.
18
00:00:30,200 --> 00:00:32,440
‐ These men are not what they say!
They are filthy, pimping scum!
19
00:00:32,440 --> 00:00:33,880
[all screaming]
20
00:00:33,880 --> 00:00:36,520
‐ I have a daughter
born out of wedlock.
21
00:00:36,520 --> 00:00:37,880
‐ What else can I believe
22
00:00:37,880 --> 00:00:40,080
when you won't tell me
who my father is?
23
00:00:40,080 --> 00:00:42,480
I wouldn't judge you
for loving a servant.
24
00:00:42,480 --> 00:00:45,600
TURNER:
Would you be daring too?
25
00:00:45,600 --> 00:00:46,920
‐ Charles!
26
00:00:46,920 --> 00:00:48,400
What was your crime?
27
00:00:48,400 --> 00:00:50,840
KATE: I found a heaven
in the hay.
28
00:00:50,840 --> 00:00:52,200
I am fallen.
29
00:00:52,200 --> 00:00:54,400
‐ This is a bawdy
and disorderly house!
30
00:00:54,400 --> 00:00:55,760
Who's the tavern keeper here?
31
00:00:55,760 --> 00:00:57,160
‐ Do you bring the law
down upon me?
32
00:00:57,160 --> 00:00:59,040
‐ Stay away from our house,
maggot.
33
00:00:59,040 --> 00:01:01,363
‐ You stirred this strife,
so do what you like.
34
00:01:01,363 --> 00:01:03,227
[glass shattering]
But end it.
35
00:01:03,227 --> 00:01:06,720
[tense music]
36
00:01:06,720 --> 00:01:08,480
‐ [coughing]
37
00:01:08,480 --> 00:01:11,047
‐ These houses,
let them all burn.
38
00:01:11,047 --> 00:01:14,520
[jaunty classical music]
39
00:01:14,520 --> 00:01:21,520
♪ ♪
40
00:01:45,400 --> 00:01:48,400
[dramatic music]
41
00:01:48,400 --> 00:01:55,400
♪ ♪
42
00:02:06,800 --> 00:02:09,080
‐ [chuckling]
43
00:02:09,080 --> 00:02:16,080
♪ ♪
44
00:02:18,440 --> 00:02:20,800
[distant footsteps]
45
00:02:20,800 --> 00:02:27,800
♪ ♪
46
00:02:42,280 --> 00:02:44,084
NORTH: Not far now.
47
00:02:45,600 --> 00:02:46,880
Your bed awaits.
48
00:02:46,880 --> 00:02:48,680
JACK: And a meal
fit for King George.
49
00:02:48,680 --> 00:02:50,240
Roast mutton and oysters.
50
00:02:50,240 --> 00:02:54,680
♪ ♪
51
00:02:54,680 --> 00:02:56,240
‐ Pa?
52
00:02:56,240 --> 00:03:02,480
♪ ♪
53
00:03:02,480 --> 00:03:03,640
‐ Lucy.
54
00:03:03,640 --> 00:03:10,560
♪ ♪
55
00:03:17,400 --> 00:03:20,120
‐ You can blink, you know.
She won't disappear.
56
00:03:20,120 --> 00:03:21,720
‐ How bad do you think
the damage is?
57
00:03:21,720 --> 00:03:23,840
‐ Well, you can all stay here.
Work here.
58
00:03:23,840 --> 00:03:25,960
We'll, um‐‐ we'll make room.
59
00:03:25,960 --> 00:03:27,560
‐ Thank you.
60
00:03:27,560 --> 00:03:29,200
‐ Harriet!
‐ Oh!
61
00:03:29,200 --> 00:03:30,480
[laughing]
62
00:03:30,480 --> 00:03:33,440
‐ Mrs. Lennox.
Jack Lively.
63
00:03:33,440 --> 00:03:35,040
We were to stay at Mr. North's.
64
00:03:35,040 --> 00:03:36,392
HARRIET: Oh, are you
one of his boxers?
65
00:03:36,392 --> 00:03:37,920
Where did he find you?
66
00:03:37,920 --> 00:03:40,640
‐ He found me brawling in a tavern
on the Great North Road.
67
00:03:40,640 --> 00:03:42,920
‐ Well, you can earn your keep.
68
00:03:42,920 --> 00:03:44,240
We need a bully.
69
00:03:44,240 --> 00:03:46,257
‐ I know where
he can lay his head.
70
00:03:50,840 --> 00:03:52,789
‐ How can my own mother
leave me here?
71
00:03:54,120 --> 00:03:55,920
‐ She's a woman
married to a man.
72
00:03:55,920 --> 00:03:57,400
Her power is not her own.
73
00:03:57,400 --> 00:03:59,561
A lesson all young girls
should learn.
74
00:04:03,200 --> 00:04:04,920
‐ When did you learn it?
75
00:04:04,920 --> 00:04:07,040
‐ My father taught me young.
76
00:04:08,880 --> 00:04:10,200
‐ And your mother?
77
00:04:10,200 --> 00:04:12,360
‐ I killed her
the day I was born.
78
00:04:15,120 --> 00:04:16,800
‐ She died bearing you?
79
00:04:20,000 --> 00:04:22,200
‐ Mrs. Quigley.
80
00:04:22,200 --> 00:04:25,720
How fortunate you are to have
such a gracious benefactor.
81
00:04:25,720 --> 00:04:30,120
‐ Yes, in Lady Isabella,
I am a thousand times blessed.
82
00:04:30,120 --> 00:04:33,760
‐ Miss Bottomley, we must,
uh, quell that uterine fury.
83
00:04:35,320 --> 00:04:38,800
The cure I have in mind
is revolutionary.
84
00:04:45,840 --> 00:04:48,080
‐ [grunting and laughing]
85
00:04:48,080 --> 00:04:49,320
‐ [shouts]
86
00:04:49,320 --> 00:04:51,240
Cool your cockles.
What's the rush?
87
00:04:51,240 --> 00:04:52,960
‐ I'm refereeing a duel
at 9:00.
88
00:04:52,960 --> 00:04:54,480
My pistol needs firing first.
89
00:04:54,480 --> 00:04:55,800
‐ Oh, what's it over?
Money or cunny?
90
00:04:55,800 --> 00:04:57,200
‐ Both.
91
00:04:57,200 --> 00:04:58,400
‐ Oh, that's a dark way
to settle a beef.
92
00:04:58,400 --> 00:05:00,880
‐ Oh, these are
turbulent times.
93
00:05:00,880 --> 00:05:02,200
[both grunting]
94
00:05:02,200 --> 00:05:03,920
Where there's a clash,
I can make cash.
95
00:05:03,920 --> 00:05:08,880
‐ Just tell me
how you make real money.
96
00:05:08,880 --> 00:05:11,120
‐ Oh, the‐‐ the big stuff?
97
00:05:11,120 --> 00:05:12,440
‐ Yeah.
CHADWICK: Oh, well,
you don't make it.
98
00:05:12,440 --> 00:05:13,840
Y‐you grow it.
99
00:05:13,840 --> 00:05:15,640
Think of the coin like a seed.
100
00:05:15,640 --> 00:05:18,200
Now, if you just let it sit,
what would it do?
101
00:05:18,200 --> 00:05:21,000
‐ Shrivel like
a spinster's spinney.
102
00:05:21,000 --> 00:05:22,440
‐ Yes, indeed.
103
00:05:22,440 --> 00:05:26,920
Uh, but tend it well,
plant it in moist
104
00:05:26,920 --> 00:05:31,000
and fertile ground,
and let it grow,
105
00:05:31,000 --> 00:05:32,920
and let it spring into life.
106
00:05:32,920 --> 00:05:36,120
[laughing]
107
00:05:36,120 --> 00:05:39,400
‐ Her note says she's gone
with the footman, Turner.
108
00:05:40,720 --> 00:05:43,360
Who knew about this?
109
00:05:43,360 --> 00:05:44,909
Who saw her leave?
110
00:05:46,840 --> 00:05:48,560
Who helped her pack?
111
00:05:50,240 --> 00:05:52,120
Search the town.
112
00:05:52,120 --> 00:05:55,600
Every street and coaching inn.
113
00:05:55,600 --> 00:05:57,280
She's just a young girl.
114
00:06:00,960 --> 00:06:02,440
[breathing heavily]
115
00:06:10,080 --> 00:06:11,920
‐ You look like an altar
covered in tar.
116
00:06:11,920 --> 00:06:13,360
Here.
117
00:06:13,360 --> 00:06:15,923
FANNY: Found him loitering
in the street.
118
00:06:15,923 --> 00:06:18,440
‐ I'd have come before
if I'd heard.
119
00:06:18,440 --> 00:06:20,720
Helped put the fire out.
120
00:06:20,720 --> 00:06:23,240
‐ You can help by putting
Isaac Pincher behind bars.
121
00:06:24,600 --> 00:06:26,000
He's the one that set this.
122
00:06:26,000 --> 00:06:27,560
You'll find him
at the Saracen's Head.
123
00:06:27,560 --> 00:06:28,640
‐ Come on, let's go.
124
00:06:28,640 --> 00:06:30,921
‐ Arson's a heavy accusation.
125
00:06:30,921 --> 00:06:32,880
Did anyone see him?
126
00:06:32,880 --> 00:06:35,200
‐ I did.
ARMITAGE: At this house?
127
00:06:35,200 --> 00:06:37,080
‐ Just a street away.
128
00:06:37,080 --> 00:06:38,800
‐ But not here?
129
00:06:38,800 --> 00:06:40,800
‐ Did that break itself?
130
00:06:40,800 --> 00:06:42,600
He was here.
131
00:06:42,600 --> 00:06:44,440
‐ Kitty nearly died.
132
00:06:44,440 --> 00:06:46,080
Here little chest
is still wheezing.
133
00:06:46,080 --> 00:06:49,320
‐ All for the pride
of a sap‐filled cub.
134
00:06:49,320 --> 00:06:51,080
‐ He needs to be stopped.
135
00:06:51,080 --> 00:06:54,120
‐ There are many ways
fires can start.
136
00:06:54,120 --> 00:06:55,200
‐ Come on, Pa.
137
00:07:01,600 --> 00:07:03,360
‐ Cluck, cluck, my chickens.
138
00:07:03,360 --> 00:07:05,520
Your squawking will set out
our stall.
139
00:07:07,600 --> 00:07:09,640
Where is Lucy Wells?
140
00:07:09,640 --> 00:07:11,880
Mrs. May warned us
she was a back‐biter.
141
00:07:11,880 --> 00:07:13,840
‐ Sayeth
the Duchess of Duplicity.
142
00:07:15,320 --> 00:07:17,560
‐ Vexatious girl.
143
00:07:17,560 --> 00:07:19,120
We can't wait forever.
144
00:07:19,120 --> 00:07:21,400
We've got a house to stock
with skin and skein.
145
00:07:21,400 --> 00:07:23,760
‐ And a purse empty
as Jacob's kettle.
146
00:07:23,760 --> 00:07:26,760
[percussive music]
147
00:07:26,760 --> 00:07:30,320
♪ ♪
148
00:07:30,320 --> 00:07:33,280
‐ Emily.
149
00:07:33,280 --> 00:07:34,880
Charles is gone.
150
00:07:34,880 --> 00:07:37,000
‐ To the sponging house?
151
00:07:37,000 --> 00:07:38,480
Oh, I warned the dolt.
152
00:07:38,480 --> 00:07:40,840
‐ He fled before they got him.
153
00:07:40,840 --> 00:07:42,360
He said he'd never leave me.
154
00:07:43,880 --> 00:07:45,120
But he did.
155
00:07:45,120 --> 00:07:47,840
‐ Oh, Charlie.
156
00:07:47,840 --> 00:07:49,160
[sighs]
157
00:07:57,720 --> 00:07:59,640
You can sell your skins
in here.
158
00:08:12,720 --> 00:08:16,560
Gold flows into this place
like rainfall.
159
00:08:16,560 --> 00:08:18,360
But you don't own the floor
you stand on.
160
00:08:18,360 --> 00:08:20,040
Shaky ground, Hal.
161
00:08:20,040 --> 00:08:22,840
You let your money puddle
in barrels in that cellar.
162
00:08:22,840 --> 00:08:25,560
‐ You got plans for my coin?
163
00:08:25,560 --> 00:08:27,080
I'll buy you a new gown.
164
00:08:29,520 --> 00:08:31,160
Who's that?
165
00:08:31,160 --> 00:08:32,297
EMILY:
It's Cherry Dorrington.
166
00:08:32,297 --> 00:08:35,360
She's selling here now.
Leave her be.
167
00:08:35,360 --> 00:08:39,360
Do you know how quickly
this can all turn to dust?
168
00:08:39,360 --> 00:08:42,240
If you want to keep it,
you need to invest.
169
00:08:42,240 --> 00:08:44,400
‐ What does a buttock know
of investment?
170
00:08:46,320 --> 00:08:48,160
‐ Fly away home?
171
00:08:48,160 --> 00:08:50,440
That's what you say when you
set someone's house on fire?
172
00:08:50,440 --> 00:08:54,480
‐ [grunting]
173
00:08:54,480 --> 00:08:56,560
[choking]
174
00:08:56,560 --> 00:08:58,720
‐ You're the rancid turd
who set my daughter's
house on fire?
175
00:08:58,720 --> 00:09:01,640
‐ I started no fire.
Who are you?
176
00:09:01,640 --> 00:09:03,280
‐ He's my pa.
‐ Put him down!
177
00:09:03,280 --> 00:09:04,840
‐ You gonna make me?
178
00:09:04,840 --> 00:09:06,160
‐ Stop.
179
00:09:06,160 --> 00:09:07,200
I don't wanna
have to arrest you.
180
00:09:07,200 --> 00:09:10,200
‐ [choking]
181
00:09:11,960 --> 00:09:13,600
‐ Drop the pup, Pa.
182
00:09:13,600 --> 00:09:17,080
‐ [grunting and gasping]
183
00:09:17,080 --> 00:09:20,320
‐ Don't fret.
I fight men me own size.
184
00:09:21,880 --> 00:09:24,080
‐ Tell him where
you were last night.
185
00:09:24,080 --> 00:09:26,720
‐ I was here.
Wasn't I, brother?
186
00:09:28,920 --> 00:09:31,120
‐ Just as every night.
‐ Liars!
187
00:09:31,120 --> 00:09:33,640
‐ You have witnesses?
‐ Oh, a roomful.
188
00:09:33,640 --> 00:09:35,080
‐ [laughs]
189
00:09:35,080 --> 00:09:39,120
‐ This, uh, fine gentleman
I served ale.
190
00:09:40,640 --> 00:09:44,160
And this delightful
young woman, well,
191
00:09:44,160 --> 00:09:47,320
it wouldn't be polite to say
how she knows where I was.
192
00:09:47,320 --> 00:09:49,320
‐ All of them, liars!
193
00:09:49,320 --> 00:09:50,920
‐ A hanged man speaks
more truth.
194
00:09:50,920 --> 00:09:52,833
ARMITAGE:
Nothing will be won by warring.
195
00:09:52,833 --> 00:09:55,640
Bring me proof
or let this lie.
196
00:10:09,040 --> 00:10:10,640
CHARLOTTE:
He'll never back down.
197
00:10:10,640 --> 00:10:13,240
Why must I?
198
00:10:13,240 --> 00:10:16,120
‐ You must because he won't.
I can't lose you too.
199
00:10:16,120 --> 00:10:19,840
‐ But I can't leave those girls
without a house to work in.
200
00:10:19,840 --> 00:10:22,640
‐ We'll bide our time
and rebuild.
201
00:10:24,720 --> 00:10:26,080
How much do you have?
202
00:10:27,520 --> 00:10:30,040
‐ Only what wouldn't melt.
203
00:10:30,040 --> 00:10:33,240
I'd stitched the money into
the curtains for safekeeping.
204
00:10:37,640 --> 00:10:39,480
‐ Jack might've lost
his last couple of fights,
205
00:10:39,480 --> 00:10:41,680
but he won the rest.
206
00:10:41,680 --> 00:10:43,520
I'll show our town
a piece of his action,
207
00:10:43,520 --> 00:10:45,320
and I'll make it back.
208
00:10:45,320 --> 00:10:47,000
‐ What am I supposed to do
while you dance around a ring?
209
00:10:47,000 --> 00:10:48,800
Sit and knit?
210
00:10:48,800 --> 00:10:50,160
‐ Clean up the damage.
211
00:10:50,160 --> 00:10:51,720
Look after your brother
and sister.
212
00:10:51,720 --> 00:10:54,160
Behave yourself.
213
00:10:54,160 --> 00:10:58,320
Trust that I will not
see you struggle.
214
00:10:59,560 --> 00:11:02,440
[dramatic music]
215
00:11:02,440 --> 00:11:03,760
‐ All right.
216
00:11:03,760 --> 00:11:09,480
♪ ♪
217
00:11:09,480 --> 00:11:10,760
Thank you.
218
00:11:10,760 --> 00:11:17,760
♪ ♪
219
00:11:19,920 --> 00:11:21,880
ISAAC: Why could
Charlotte Wells not roll over
220
00:11:21,880 --> 00:11:23,080
like any other jade?
221
00:11:23,080 --> 00:11:25,360
‐ Every time, you go too far.
222
00:11:25,360 --> 00:11:27,840
‐ You burn a woman's house down
and it's her fault?
223
00:11:27,840 --> 00:11:30,600
‐ You again, screeching like
a cart's broken wheel.
224
00:11:30,600 --> 00:11:31,880
EMILY:
[sighs]
225
00:11:34,520 --> 00:11:36,960
And you told me to end it.
226
00:11:36,960 --> 00:11:39,720
‐ You thought I meant to roast
women and children in their beds?
227
00:11:39,720 --> 00:11:41,760
I meant end the fight.
228
00:11:44,320 --> 00:11:45,680
‐ I can't take it back.
229
00:11:49,400 --> 00:11:51,480
‐ You lied for him.
230
00:11:51,480 --> 00:11:53,760
‐ He's my brother.
‐ [scoffs]
231
00:11:55,880 --> 00:11:57,560
HAL: [whispering] I didn't know
what he was gonna do.
232
00:12:01,760 --> 00:12:03,080
I promise.
233
00:12:04,440 --> 00:12:05,560
‐ [sighs]
234
00:12:05,560 --> 00:12:08,560
[dramatic music]
235
00:12:08,560 --> 00:12:14,800
♪ ♪
236
00:12:14,800 --> 00:12:18,080
‐ The house!
Where is Charlotte?
237
00:12:18,080 --> 00:12:20,680
‐ Pulling a Pincher's prick
through his nose, I hope.
238
00:12:20,680 --> 00:12:23,054
‐ When will she return?
239
00:12:23,054 --> 00:12:25,480
NANCY: [grunts]
When the task's done.
240
00:12:25,480 --> 00:12:28,680
You can, uh,
wait for Charlotte in here.
241
00:12:31,920 --> 00:12:34,480
Smoke mess isn't so bad
in this room.
242
00:12:39,000 --> 00:12:40,720
Something's wrong.
243
00:12:43,080 --> 00:12:44,680
What is it?
244
00:12:45,960 --> 00:12:49,440
‐ You don't need my problems
in the wake of this disaster.
245
00:12:50,960 --> 00:12:54,080
‐ There isn't a secret you could
spill I haven't heard before.
246
00:12:56,560 --> 00:12:58,640
Tell me.
247
00:12:58,640 --> 00:13:01,720
‐ My daughter has eloped
with a servant.
248
00:13:01,720 --> 00:13:04,160
She learned of my scandal
and has made her own.
249
00:13:04,160 --> 00:13:07,040
She'll be ruined,
and it's my fault.
250
00:13:07,040 --> 00:13:09,440
‐ She won't be ruined.
251
00:13:09,440 --> 00:13:12,840
Her standing, maybe,
but not her own self.
252
00:13:14,200 --> 00:13:16,320
We are more
than what people see.
253
00:13:18,560 --> 00:13:21,560
[percussive music]
254
00:13:21,560 --> 00:13:26,040
♪ ♪
255
00:13:26,040 --> 00:13:28,080
‐ Salabat?
256
00:13:28,080 --> 00:13:30,640
‐ There's no tear that can't
be fixed with the right stitch.
257
00:13:30,640 --> 00:13:33,160
Go and populate the house.
258
00:13:41,400 --> 00:13:43,280
SALABAT:
Can I help you, Madam?
259
00:13:43,280 --> 00:13:46,480
‐ Salabat, darling,
don't tell me you're still angry.
260
00:13:46,480 --> 00:13:48,800
‐ You sound like
Elizabeth Harvey.
261
00:13:48,800 --> 00:13:50,400
But you can't be.
262
00:13:50,400 --> 00:13:53,360
She was supposed to
accompany me on a voyage,
263
00:13:53,360 --> 00:13:56,280
but she left me waiting
in the harbor,
264
00:13:56,280 --> 00:13:59,240
so I know some terrible fate
must have befallen her.
265
00:13:59,240 --> 00:14:01,600
‐ You are still angry.
266
00:14:01,600 --> 00:14:03,440
I was taken suddenly ill.
267
00:14:03,440 --> 00:14:04,920
‐ [scoffs]
268
00:14:04,920 --> 00:14:06,840
‐ Wh‐‐
269
00:14:06,840 --> 00:14:09,040
My carriage got lost.
270
00:14:09,040 --> 00:14:11,320
We were beset by thieves.
271
00:14:11,320 --> 00:14:14,640
I bought the Quigley house
in Golden Square.
272
00:14:14,640 --> 00:14:17,640
[dramatic music]
273
00:14:17,640 --> 00:14:23,160
♪ ♪
274
00:14:23,160 --> 00:14:25,360
‐ Lucy.
275
00:14:25,360 --> 00:14:26,560
I need you.
276
00:14:28,200 --> 00:14:29,600
‐ I was always here.
277
00:14:37,400 --> 00:14:38,840
‐ Told Pa I'd sit tight.
278
00:14:38,840 --> 00:14:40,520
Doesn't want me in harm's way.
279
00:14:42,720 --> 00:14:46,760
Promised him I wouldn't go after
Isaac Pincher or my money, so...
280
00:14:51,840 --> 00:14:53,960
Who's with me?
281
00:14:53,960 --> 00:14:58,440
[all chuckling]
282
00:14:58,440 --> 00:15:02,400
[percussive music]
283
00:15:02,400 --> 00:15:04,160
JACK:
I do my own laundry.
284
00:15:04,160 --> 00:15:05,880
‐ Only man that does.
285
00:15:05,880 --> 00:15:08,080
[both chuckling]
286
00:15:08,080 --> 00:15:10,760
‐ Well, if you're staying,
he should know.
287
00:15:12,320 --> 00:15:14,760
We lost a girl.
My friend, Nell.
288
00:15:14,760 --> 00:15:16,440
‐ What, to the pox?
289
00:15:16,440 --> 00:15:18,200
‐ Taken by men, not malady.
290
00:15:18,200 --> 00:15:20,120
‐ People snatchers?
291
00:15:20,120 --> 00:15:21,520
‐ They haunt the streets
at night
292
00:15:21,520 --> 00:15:24,840
and the girls disappear
into the fog.
293
00:15:24,840 --> 00:15:27,040
‐ How can a just society
allow it?
294
00:15:27,040 --> 00:15:29,071
NORTH: This is
not a just town.
295
00:15:30,760 --> 00:15:33,560
Use that fire in your belly.
296
00:15:34,800 --> 00:15:37,280
I have a fight in mind.
297
00:15:37,280 --> 00:15:38,720
Will you take it?
298
00:15:38,720 --> 00:15:40,360
‐ We were run out of town
last time.
299
00:15:40,360 --> 00:15:43,520
‐ Yeah, but before that,
you were magnificent.
300
00:15:43,520 --> 00:15:46,280
Crowds cheering you
to the rafters.
301
00:15:46,280 --> 00:15:48,560
‐ Mmm.
NORTH: Fists flew.
302
00:15:48,560 --> 00:15:50,400
Men were felled.
303
00:15:50,400 --> 00:15:52,120
‐ Well, I wish I'd seen it.
304
00:15:53,800 --> 00:15:55,080
‐ One more.
305
00:15:59,200 --> 00:16:02,200
[percussive music]
306
00:16:02,200 --> 00:16:09,200
♪ ♪
307
00:16:15,560 --> 00:16:17,400
‐ You're looking for trade.
308
00:16:17,400 --> 00:16:18,880
FREDO:
Not for myself.
309
00:16:18,880 --> 00:16:21,120
‐ Oh, men say that often.
310
00:16:21,120 --> 00:16:24,800
Then they plunge their piece
down my gullet.
311
00:16:24,800 --> 00:16:27,160
‐ Can you keep
that gullet shut?
312
00:16:27,160 --> 00:16:30,200
Our house requires
absolute secrecy.
313
00:16:30,200 --> 00:16:33,720
[percussive music]
314
00:16:33,720 --> 00:16:37,320
‐ I shall treat your condition
as one would a fever.
315
00:16:37,320 --> 00:16:39,200
‐ By drawing blood?
316
00:16:39,200 --> 00:16:42,360
‐ The fury lies not in your blood
but in your uterus.
317
00:16:42,360 --> 00:16:44,800
That drives
your unnatural desires.
318
00:16:44,800 --> 00:16:46,880
[clears throat]
‐ [shuddering]
319
00:16:46,880 --> 00:16:48,880
What are you doing?
320
00:16:48,880 --> 00:16:52,040
‐ I shall stimulate the location
where the uterine nerves end
321
00:16:52,040 --> 00:16:54,120
thus releasing
that troublesome tension.
322
00:16:54,120 --> 00:16:57,120
‐ No, no, no, no!
323
00:16:57,120 --> 00:17:01,640
No! No! No!
324
00:17:05,760 --> 00:17:08,880
‐ A fitting showplace,
you'd agree?
325
00:17:08,880 --> 00:17:11,080
What have you got in stock?
326
00:17:11,080 --> 00:17:13,000
We have no time to wait
for weavers.
327
00:17:14,520 --> 00:17:18,880
‐ Just yesterday I heard
of a ship gone astray.
328
00:17:18,880 --> 00:17:23,400
They say the call of sirens
could be heard
329
00:17:23,400 --> 00:17:27,040
just before
the ocean swallowed it up.
330
00:17:27,040 --> 00:17:31,160
The ship and its cargo
of finer silks,
331
00:17:31,160 --> 00:17:32,600
all lost.
332
00:17:32,600 --> 00:17:34,120
‐ How tragic.
333
00:17:36,520 --> 00:17:38,000
‐ If the law makes it upstairs,
334
00:17:38,000 --> 00:17:39,240
don't try and get
to the front door.
335
00:17:39,240 --> 00:17:41,520
Get to the servant stairs.
336
00:17:41,520 --> 00:17:45,840
Ma, meet our new boys.
337
00:17:45,840 --> 00:17:49,160
‐ Boys, welcome.
338
00:17:49,160 --> 00:17:51,680
Fredo, you remember Salabat.
339
00:17:51,680 --> 00:17:54,080
‐ Of course.
340
00:17:54,080 --> 00:17:55,840
The kitchen.
341
00:17:55,840 --> 00:17:58,400
There is a cellar
that leads to the street.
342
00:18:02,720 --> 00:18:05,000
So you've hooked him.
Don't let him hook you.
343
00:18:05,000 --> 00:18:07,560
‐ See how he admires the house?
344
00:18:07,560 --> 00:18:10,000
‐ I see your eyes blinking
as wide as your‐‐
345
00:18:10,000 --> 00:18:11,520
ELIZABETH:
Ah!
346
00:18:11,520 --> 00:18:13,920
Salabat is rich.
347
00:18:13,920 --> 00:18:17,480
We can have everything
that we never dared to dream of.
348
00:18:17,480 --> 00:18:19,480
Remember where we came from.
349
00:18:19,480 --> 00:18:21,440
[dramatic music]
350
00:18:21,440 --> 00:18:24,600
‐ He said he was going
to cure me.
351
00:18:24,600 --> 00:18:28,160
There's no cure.
Just his pleasure.
352
00:18:28,160 --> 00:18:30,200
‐ I should have known it.
353
00:18:30,200 --> 00:18:31,400
Are you hurt?
354
00:18:32,640 --> 00:18:34,760
‐ No.
355
00:18:34,760 --> 00:18:36,480
He took care to leave no marks.
356
00:18:36,480 --> 00:18:38,480
He stuck his fat fingers
inside me
357
00:18:38,480 --> 00:18:41,520
and named it
his most modern physic.
358
00:18:41,520 --> 00:18:44,200
[gagging]
359
00:18:44,200 --> 00:18:46,680
Can't we resist?
360
00:18:46,680 --> 00:18:47,960
This is wrong.
361
00:18:47,960 --> 00:18:50,440
‐ Resist
and they will punish you.
362
00:18:50,440 --> 00:18:52,400
‐ What can we do?
363
00:18:52,400 --> 00:18:54,680
‐ We must use his weakness.
364
00:18:56,320 --> 00:18:59,800
His rod will be his ruin.
365
00:18:59,800 --> 00:19:01,440
Always is in the end.
366
00:19:01,440 --> 00:19:04,440
[dramatic music]
367
00:19:04,440 --> 00:19:06,920
♪ ♪
368
00:19:08,840 --> 00:19:10,092
ELIZABETH:
Clothesman.
369
00:19:11,920 --> 00:19:14,320
Lucy.
At last.
370
00:19:14,320 --> 00:19:16,320
‐ My sister's house burnt down.
371
00:19:16,320 --> 00:19:17,680
‐ How inconvenient.
372
00:19:17,680 --> 00:19:19,760
SALABAT:
The famous Lucy Wells.
373
00:19:19,760 --> 00:19:22,000
ELIZABETH:
Lucy, meet Salabat Ali Khan,
374
00:19:22,000 --> 00:19:24,840
supplier of silks
softer than angel's breath.
375
00:19:24,840 --> 00:19:26,280
LUCY:
Mmm.
376
00:19:26,280 --> 00:19:27,680
Well, haven't you been busy?
377
00:19:27,680 --> 00:19:29,200
FREDO:
We have.
378
00:19:29,200 --> 00:19:31,560
‐ And I've not been sitting
in my cradle.
379
00:19:31,560 --> 00:19:34,080
You've got boys and bolts,
and I've got an idea
380
00:19:34,080 --> 00:19:36,110
to bring buyers in for both.
381
00:19:37,400 --> 00:19:38,443
ELIZABETH:
Mmm.
382
00:19:40,280 --> 00:19:41,880
‐ No, no!
Don't come in! Don't!
383
00:19:41,880 --> 00:19:43,320
‐ Fucking hell!
384
00:19:45,120 --> 00:19:46,120
‐ No!
385
00:19:48,320 --> 00:19:51,200
The‐‐ the duel went bad.
386
00:19:51,200 --> 00:19:53,480
The seconders,
they saw the mess and ran off.
387
00:19:53,480 --> 00:19:55,240
‐ So you brought him home?
388
00:19:55,240 --> 00:19:58,040
‐ Well, I thought the feeble
fellow would pull through!
389
00:19:58,040 --> 00:19:59,320
EMILY: What are you
gonna do with him?
390
00:19:59,320 --> 00:20:00,560
‐ I need him out of here.
391
00:20:02,120 --> 00:20:04,320
‐ You need help.
‐ No, no, no!
392
00:20:04,320 --> 00:20:06,080
No one must know.
393
00:20:06,080 --> 00:20:07,712
‐ Trust me.
394
00:20:09,040 --> 00:20:10,320
Oh.
395
00:20:11,200 --> 00:20:13,760
[tense music]
396
00:20:13,760 --> 00:20:15,320
‐ Oh, Christ.
397
00:20:15,320 --> 00:20:18,320
[percussive music]
398
00:20:18,320 --> 00:20:25,320
♪ ♪
399
00:20:33,880 --> 00:20:36,920
‐ Another eel netted,
400
00:20:36,920 --> 00:20:38,400
another penny in your pouch.
401
00:20:41,480 --> 00:20:44,800
‐ This one tells a tale of woe.
402
00:20:44,800 --> 00:20:48,520
This, his Lord's a fancy foe.
403
00:20:48,520 --> 00:20:51,840
This little boy
was took from a sinner.
404
00:20:51,840 --> 00:20:54,600
Now he and his brother
will pay for my dinner.
405
00:20:56,200 --> 00:21:00,680
I didn't dare believe you
were safe till I'd seen it.
406
00:21:00,680 --> 00:21:02,600
Is the Wells house fallen too?
407
00:21:05,360 --> 00:21:08,840
Our world is not as we knew it.
408
00:21:08,840 --> 00:21:10,680
‐ Charlotte won't give in
that quick.
409
00:21:13,160 --> 00:21:16,680
We need to know where
the Pinchers keep their gold.
410
00:21:16,680 --> 00:21:17,890
CHERRY:
I need to make some.
411
00:21:18,751 --> 00:21:21,440
[Nancy chuckles]
412
00:21:25,280 --> 00:21:27,480
CHERRY:
Give up your secrets.
413
00:21:27,480 --> 00:21:31,680
Oh, we hide in barrels
in a cellar.
414
00:21:31,680 --> 00:21:36,200
It's dark in there
and cold as the grave.
415
00:21:48,320 --> 00:21:51,320
[dark string music]
416
00:21:51,320 --> 00:21:53,480
♪ ♪
417
00:21:53,480 --> 00:21:56,560
HAL: The law's
already watching us.
418
00:21:56,560 --> 00:21:59,160
‐ Chadwick knows
how to make money.
419
00:21:59,160 --> 00:22:01,920
He's got contacts.
He can help us.
420
00:22:01,920 --> 00:22:04,240
‐ Who's the dead man?
421
00:22:04,240 --> 00:22:06,420
‐ Lord Drummond, an Admiral.
422
00:22:06,420 --> 00:22:08,456
HAL: [sighs]
It's risky.
423
00:22:08,456 --> 00:22:10,160
EMILY:
[sighs]
424
00:22:10,160 --> 00:22:14,360
What's life without risk?
425
00:22:14,360 --> 00:22:15,640
‐ [chuckles]
426
00:22:23,160 --> 00:22:26,160
[tense music]
427
00:22:26,160 --> 00:22:33,160
♪ ♪
428
00:22:38,760 --> 00:22:40,560
‐ Where are they going?
429
00:22:40,560 --> 00:22:42,480
Quick, don't let them
out of your sight.
430
00:22:42,480 --> 00:22:49,480
♪ ♪
431
00:23:03,080 --> 00:23:05,520
‐ Whose house was this before?
432
00:23:05,520 --> 00:23:07,400
‐ A white‐wigged witch.
433
00:23:07,400 --> 00:23:11,040
[tense music]
434
00:23:11,040 --> 00:23:12,920
We need to go.
Now.
435
00:23:12,920 --> 00:23:16,960
♪ ♪
436
00:23:16,960 --> 00:23:19,880
‐ These men can find him
on their doorstep.
437
00:23:19,880 --> 00:23:21,160
Or he can disappear.
438
00:23:21,160 --> 00:23:23,040
‐ I want him gone.
439
00:23:23,040 --> 00:23:25,080
I‐‐ I want this over.
440
00:23:25,080 --> 00:23:32,080
♪ ♪
441
00:23:33,960 --> 00:23:35,400
‐ Ready?
442
00:23:35,400 --> 00:23:40,320
♪ ♪
443
00:23:40,320 --> 00:23:42,680
[Elizabeth giggles]
444
00:23:42,680 --> 00:23:44,920
‐ [laughs]
445
00:23:44,920 --> 00:23:47,800
‐ Looks better in breeches
than I do.
446
00:23:47,800 --> 00:23:49,800
‐ I'm off.
447
00:23:49,800 --> 00:23:51,920
Give me some sign
when it's done.
448
00:23:51,920 --> 00:23:53,120
‐ We'll all be looking out
for you.
449
00:23:53,120 --> 00:23:54,680
CHARLOTTE:
Hmm.
450
00:23:54,680 --> 00:23:59,240
♪ ♪
451
00:23:59,240 --> 00:24:03,520
‐ My name is Elizabeth Harvey.
452
00:24:03,520 --> 00:24:06,880
You know my friend, Lucy Wells,
and my son, Fredo.
453
00:24:09,360 --> 00:24:11,560
‐ You're bold to walk in here.
454
00:24:11,560 --> 00:24:13,685
‐ And what can you do to me?
ISAAC: Watch your step.
455
00:24:13,685 --> 00:24:16,320
I like whores who lie with me,
not about me.
456
00:24:16,320 --> 00:24:19,000
‐ You burnt my house down.
I don't care what you like.
457
00:24:19,000 --> 00:24:21,226
ISAAC:
Why are you really here?
458
00:24:21,226 --> 00:24:23,520
You trying to
make me feel bad?
459
00:24:23,520 --> 00:24:26,040
‐ I don't think
you feel anything.
460
00:24:26,040 --> 00:24:27,320
♪ ♪
461
00:24:27,320 --> 00:24:30,440
‐ Do you?
462
00:24:30,440 --> 00:24:34,560
‐ I feel...
everything.
463
00:24:34,560 --> 00:24:36,760
[tense music]
464
00:24:36,760 --> 00:24:41,080
‐ Together we are
the Harvey Wells
Tailoring House,
465
00:24:41,080 --> 00:24:45,040
where you will find
the finest silks and brocades.
466
00:24:45,040 --> 00:24:49,160
Where my son has the measure
of every man.
467
00:24:49,160 --> 00:24:51,000
[all shouting]
468
00:24:51,000 --> 00:24:52,800
‐ James Croft.
469
00:24:52,800 --> 00:24:54,200
Get him into our cloth.
470
00:24:54,200 --> 00:24:56,000
The town will flock to us.
471
00:24:56,000 --> 00:24:59,240
LUCY: The silk I'm wearing
is smooth to the touch and ex‐‐
472
00:24:59,240 --> 00:25:02,240
[both breathing heavily]
473
00:25:02,240 --> 00:25:05,240
[tense music]
474
00:25:05,240 --> 00:25:06,720
♪ ♪
475
00:25:06,720 --> 00:25:08,240
[Charlotte laughing]
476
00:25:08,240 --> 00:25:11,640
‐ The house known as Quigleys
is no more.
477
00:25:11,640 --> 00:25:17,440
We are a reputable establishment
tailoring to all tastes.
478
00:25:17,440 --> 00:25:20,200
To show the quality
of our goods,
479
00:25:20,200 --> 00:25:22,160
you can buy the clothes
off my back.
480
00:25:22,160 --> 00:25:24,670
[all shouting]
481
00:25:24,670 --> 00:25:26,348
HARRIET: What does a girl
have to tup around here
482
00:25:26,348 --> 00:25:27,920
to get on
the Pinchers' list?
483
00:25:27,920 --> 00:25:30,920
[distant voices]
484
00:25:30,920 --> 00:25:34,240
♪ ♪
485
00:25:34,240 --> 00:25:36,720
‐ I bid five guineas
for the lot.
486
00:25:36,720 --> 00:25:39,760
‐ Oh, a good open offer.
487
00:25:39,760 --> 00:25:41,520
LUCY: You can have
the jacket for five.
488
00:25:41,520 --> 00:25:43,200
[all shouting]
489
00:25:43,200 --> 00:25:45,640
‐ Another five for your linens?
490
00:25:45,640 --> 00:25:48,720
♪ ♪
491
00:25:48,720 --> 00:25:51,120
[clattering]
492
00:25:51,120 --> 00:25:52,840
♪ ♪
493
00:25:52,840 --> 00:25:55,840
[both groaning]
494
00:25:55,840 --> 00:26:02,840
♪ ♪
495
00:26:02,840 --> 00:26:05,040
‐ Emily Lacey,
496
00:26:05,040 --> 00:26:07,400
you are more powerful
than I knew.
497
00:26:07,400 --> 00:26:11,880
♪ ♪
498
00:26:11,880 --> 00:26:13,360
I can trust your confidence?
499
00:26:13,360 --> 00:26:15,520
‐ Mmm.
You can.
500
00:26:15,520 --> 00:26:22,520
♪ ♪
501
00:26:24,960 --> 00:26:27,520
[Nancy grunts]
502
00:26:27,520 --> 00:26:29,880
♪ ♪
503
00:26:29,880 --> 00:26:31,800
[chickens clucking]
504
00:26:31,800 --> 00:26:33,880
♪ ♪
505
00:26:33,880 --> 00:26:35,920
‐ You've done things
like that before.
506
00:26:35,920 --> 00:26:38,680
‐ You've seen things
like that before.
507
00:26:38,680 --> 00:26:41,680
[both grunting]
508
00:26:41,680 --> 00:26:44,600
♪ ♪
509
00:26:44,600 --> 00:26:47,600
[all shouting]
510
00:26:47,600 --> 00:26:50,160
♪ ♪
511
00:26:50,160 --> 00:26:53,000
ELIZABETH: If you want
the secrets of our craft revealed,
512
00:26:53,000 --> 00:26:55,360
you must pay up.
513
00:26:55,360 --> 00:26:57,160
What do I hear
for these fine wares?
514
00:26:57,160 --> 00:26:58,240
MAN:
Seven guineas!
515
00:26:58,240 --> 00:26:59,560
MAN:
Eight, eight!
516
00:26:59,560 --> 00:27:00,880
‐ Ten guineas!
517
00:27:00,880 --> 00:27:03,520
[all shouting]
518
00:27:03,520 --> 00:27:06,560
‐ [grunting]
519
00:27:06,560 --> 00:27:09,400
‐ Let's see Lucy Wells
play Lady Godiva.
520
00:27:09,400 --> 00:27:10,440
MAN:
Well said, young man!
521
00:27:10,440 --> 00:27:12,440
‐ 20 for the lot!
522
00:27:12,440 --> 00:27:15,080
LUCY: I will if you will.
Show me what you've got.
523
00:27:15,080 --> 00:27:16,600
[laughing]
524
00:27:16,600 --> 00:27:18,080
MAN:
Well said!
525
00:27:18,080 --> 00:27:25,080
♪ ♪
526
00:27:26,120 --> 00:27:28,480
LUCY: What about you,
Hal Pincher?
527
00:27:28,480 --> 00:27:30,160
How much to see what's...
528
00:27:30,160 --> 00:27:32,560
‐ [grunting]
529
00:27:32,560 --> 00:27:33,880
[groans]
530
00:27:33,880 --> 00:27:36,440
♪ ♪
531
00:27:36,440 --> 00:27:38,360
LUCY: No man
is too big for me.
532
00:27:38,360 --> 00:27:40,160
[all shouting]
533
00:27:40,160 --> 00:27:47,160
♪ ♪
534
00:27:47,160 --> 00:27:49,240
[both grunting]
535
00:27:49,240 --> 00:27:50,920
‐ [whistles]
536
00:27:50,920 --> 00:27:53,520
♪ ♪
537
00:27:53,520 --> 00:27:56,520
‐ [groans]
538
00:27:56,520 --> 00:27:58,720
LUCY: Emily,
he may be cock of them all,
539
00:27:58,720 --> 00:28:01,240
but he'd look a lot better
in a new silk coat.
540
00:28:01,240 --> 00:28:03,760
[all shouting]
541
00:28:03,760 --> 00:28:06,920
ELIZABETH:
We fit men of all shapes,
542
00:28:06,920 --> 00:28:10,120
whatever your height
or build.
543
00:28:10,120 --> 00:28:13,920
[all laughing]
544
00:28:13,920 --> 00:28:15,560
[both groaning]
545
00:28:15,560 --> 00:28:19,360
[both laughing]
546
00:28:19,360 --> 00:28:21,120
‐ I'm sorry.
547
00:28:21,120 --> 00:28:22,840
♪ ♪
548
00:28:22,840 --> 00:28:24,680
‐ Me too.
549
00:28:24,680 --> 00:28:27,720
♪ ♪
550
00:28:27,720 --> 00:28:30,240
ELIZABETH: That's your lot,
ladies and gentlemen.
551
00:28:30,240 --> 00:28:33,520
All our wares are on view
in Golden Square.
552
00:28:33,520 --> 00:28:35,200
FANNY:
Here she comes.
553
00:28:35,200 --> 00:28:36,880
CHARLOTTE:
Did you get it?
554
00:28:36,880 --> 00:28:38,400
Job done.
555
00:28:38,400 --> 00:28:44,320
♪ ♪
556
00:28:44,320 --> 00:28:46,200
[all shouting]
557
00:28:46,200 --> 00:28:48,480
♪ ♪
558
00:28:48,480 --> 00:28:49,880
‐ [groans]
559
00:28:49,880 --> 00:28:51,640
HAL:
Fuck!
560
00:28:51,640 --> 00:28:55,640
♪ ♪
561
00:28:55,640 --> 00:28:57,280
[shouting]
562
00:29:03,560 --> 00:29:06,560
[dramatic music]
563
00:29:06,560 --> 00:29:11,880
♪ ♪
564
00:29:11,880 --> 00:29:14,640
‐ What a spark.
565
00:29:14,640 --> 00:29:16,880
‐ His prosperity can be yours.
566
00:29:16,880 --> 00:29:18,800
[classical music playing]
567
00:29:18,800 --> 00:29:21,880
John Kelly.
568
00:29:21,880 --> 00:29:24,720
Ready for your next big fight?
569
00:29:24,720 --> 00:29:27,280
‐ I've none booked.
NORTH: You have now.
570
00:29:27,280 --> 00:29:30,000
That's if you're bold enough
571
00:29:30,000 --> 00:29:33,160
to fight my lad, Jack Lively.
572
00:29:33,160 --> 00:29:35,360
‐ Is that the same Lively
that lost at York?
573
00:29:35,360 --> 00:29:37,840
‐ The same Lively that had
to be dragged from the ring.
574
00:29:37,840 --> 00:29:41,760
He fought before a partisan
crowd and never gave up.
575
00:29:41,760 --> 00:29:44,480
‐ Where do you see this
happening?
576
00:29:44,480 --> 00:29:47,000
In some tavern
under the full eyes of the law?
577
00:29:47,000 --> 00:29:48,440
‐ I know how to set up a fight.
578
00:29:48,440 --> 00:29:50,760
♪ ♪
579
00:29:50,760 --> 00:29:52,440
I'll find the place.
580
00:29:52,440 --> 00:29:53,800
♪ ♪
581
00:29:53,800 --> 00:29:55,320
‐ Well, if you can,
I'll be there.
582
00:29:55,320 --> 00:30:02,320
♪ ♪
583
00:30:04,400 --> 00:30:06,160
[baby cooing]
584
00:30:06,160 --> 00:30:08,640
‐ She did it.
She got the money.
585
00:30:08,640 --> 00:30:10,560
‐ We did it, Fanny.
586
00:30:10,560 --> 00:30:13,000
‐ Pinchers will learn they
can't fuck with fuckstresses.
587
00:30:13,000 --> 00:30:14,160
[laughs]
588
00:30:14,160 --> 00:30:15,880
Has Kitty eaten?
Did she sleep?
589
00:30:15,880 --> 00:30:18,240
‐ I've minded babes before.
590
00:30:18,240 --> 00:30:19,680
[knocking]
591
00:30:28,760 --> 00:30:29,880
[door opening]
592
00:30:29,880 --> 00:30:31,440
NORTH: Rani.
RANI: Mr. North.
593
00:30:46,040 --> 00:30:48,723
‐ How dare you look me
in the face and lie to me?
594
00:30:48,723 --> 00:30:50,032
‐ You would have tried
to stop me.
595
00:30:50,032 --> 00:30:51,480
‐ I'd have been sure
to stop you.
596
00:30:51,480 --> 00:30:54,000
‐ We bit them good and proper.
Mags would have loved it.
597
00:30:57,960 --> 00:30:58,960
‐ Right.
598
00:31:00,720 --> 00:31:03,240
So you did it your way,
as always.
599
00:31:03,240 --> 00:31:07,120
Now you got your money
and the Pinchers on your trail.
600
00:31:07,120 --> 00:31:08,640
And where does it lead?
601
00:31:11,360 --> 00:31:12,520
So what are you gonna do?
602
00:31:18,040 --> 00:31:20,720
‐ [grunts]
603
00:31:20,720 --> 00:31:23,760
I could tear Charlotte Wells's
heart from her chest.
604
00:31:23,760 --> 00:31:25,760
‐ So you fucked her?
605
00:31:25,760 --> 00:31:27,880
‐ Seems more like
she fucked you.
606
00:31:27,880 --> 00:31:30,280
‐ Why must you always be here?
607
00:31:31,800 --> 00:31:34,640
[dramatic music]
608
00:31:34,640 --> 00:31:36,200
♪ ♪
609
00:31:36,200 --> 00:31:38,200
LYDIA: He's preparing
the chair for me again.
610
00:31:38,200 --> 00:31:40,760
‐ How can they come to
this place of their own volition?
611
00:31:40,760 --> 00:31:42,280
♪ ♪
612
00:31:42,280 --> 00:31:44,360
‐ Because they know
they can leave.
613
00:31:44,360 --> 00:31:46,360
♪ ♪
614
00:31:46,360 --> 00:31:48,640
‐ As will we.
615
00:31:48,640 --> 00:31:51,240
We must believe it.
616
00:31:51,240 --> 00:31:57,160
♪ ♪
617
00:31:58,680 --> 00:32:00,775
HAL:
Oh.
618
00:32:00,775 --> 00:32:02,160
‐ You're afoul.
619
00:32:02,160 --> 00:32:03,600
‐ You aren't welcome here.
620
00:32:03,600 --> 00:32:05,520
Drink somewhere else.
621
00:32:05,520 --> 00:32:06,720
NORTH:
I haven't come to drink.
622
00:32:06,720 --> 00:32:08,480
ISAAC:
To gloat?
623
00:32:08,480 --> 00:32:11,440
‐ Charlotte wants to see you.
624
00:32:11,440 --> 00:32:14,080
ISAAC: That trollop
doesn't summon us.
625
00:32:14,080 --> 00:32:15,800
‐ She has your money.
626
00:32:17,120 --> 00:32:20,400
If you want to see it again,
you do as she bids.
627
00:32:23,240 --> 00:32:26,240
[tense music]
628
00:32:26,240 --> 00:32:28,040
♪ ♪
629
00:32:28,040 --> 00:32:30,640
‐ We're stuffed if she says no.
630
00:32:30,640 --> 00:32:33,200
♪ ♪
631
00:32:33,200 --> 00:32:34,680
[door closing]
632
00:32:34,680 --> 00:32:39,040
♪ ♪
633
00:32:39,040 --> 00:32:42,200
‐ Isabella, I'm so sorry.
634
00:32:42,200 --> 00:32:43,920
Is there word of Sophia?
635
00:32:43,920 --> 00:32:46,221
‐ I have men trying
to find them.
636
00:32:48,040 --> 00:32:50,282
What do you want?
637
00:32:50,282 --> 00:32:53,160
[keys rattling]
638
00:32:54,440 --> 00:32:56,027
‐ This will end me.
639
00:32:56,027 --> 00:32:58,960
‐ Resist from within
and they cannot hurt you.
640
00:33:00,760 --> 00:33:03,400
‐ Mrs. Quigley,
your throne awaits.
641
00:33:05,800 --> 00:33:10,560
‐ Dr. Swinton,
I‐‐ I feel the heat building.
642
00:33:10,560 --> 00:33:13,880
It‐‐ it's the fury.
Oh, it quickens.
643
00:33:13,880 --> 00:33:15,760
‐ Miss Bottomley,
you need treatment urgently.
644
00:33:15,760 --> 00:33:18,640
But Dr. Furrow awaits.
There are visitors. Um‐‐
645
00:33:18,640 --> 00:33:22,840
‐ Uh, perhaps I might help.
646
00:33:22,840 --> 00:33:27,240
I could alert Dr. Furrow that he
should take the visitors elsewhere
647
00:33:27,240 --> 00:33:31,120
until you are...
finished.
648
00:33:31,120 --> 00:33:32,840
‐ An excellent notion.
649
00:33:32,840 --> 00:33:34,600
Um, go now.
650
00:33:34,600 --> 00:33:36,160
Bid him await my call.
651
00:33:41,520 --> 00:33:44,520
[lively percussive music]
652
00:33:44,520 --> 00:33:50,440
♪ ♪
653
00:33:58,400 --> 00:34:01,400
[classical music playing]
654
00:34:01,400 --> 00:34:05,480
♪ ♪
655
00:34:05,480 --> 00:34:08,080
‐ You know Latin?
656
00:34:08,080 --> 00:34:10,240
‐ I grew up in a white house.
657
00:34:10,240 --> 00:34:11,840
They picked me
because when I smiled,
658
00:34:11,840 --> 00:34:13,880
my teeth shone bright
in my face.
659
00:34:13,880 --> 00:34:16,840
They dressed me in a turban
and stood me in their salons.
660
00:34:16,840 --> 00:34:19,560
‐ Hmm.
A dolly.
661
00:34:19,560 --> 00:34:21,520
‐ I had a home.
662
00:34:21,520 --> 00:34:23,200
I ate well, learned much.
663
00:34:23,200 --> 00:34:25,200
‐ What did you say
to Lord Leadsom?
664
00:34:25,200 --> 00:34:26,680
‐ [scoffs]
665
00:34:26,680 --> 00:34:28,800
It's just a friendly reminder
that the walls‐‐
666
00:34:28,800 --> 00:34:31,880
and black men‐‐
have ears.
667
00:34:31,880 --> 00:34:38,880
♪ ♪
668
00:34:40,280 --> 00:34:41,920
‐ Dr. Furrow.
669
00:34:41,920 --> 00:34:44,640
Uh, I bear a missive.
670
00:34:44,640 --> 00:34:48,280
Uh, Dr. Swinton asks if you
would bring these good people
671
00:34:48,280 --> 00:34:49,560
to the treatment room.
672
00:34:49,560 --> 00:34:52,080
Miss Bottomley
is acutely unwell.
673
00:34:52,080 --> 00:34:54,040
‐ She is in
the ice bath.
674
00:34:54,040 --> 00:34:56,280
‐ The doctor
has a new method.
675
00:34:56,280 --> 00:34:59,240
One that he's very eager
to demonstrate.
676
00:34:59,240 --> 00:35:01,320
‐ Follow me.
677
00:35:01,320 --> 00:35:04,320
[Swinton grunting]
678
00:35:09,040 --> 00:35:12,040
‐ The strap contains me.
679
00:35:12,040 --> 00:35:14,880
I can feel no release
whilst I'm restrained.
680
00:35:14,880 --> 00:35:16,720
‐ A wonderful response.
681
00:35:16,720 --> 00:35:18,160
[chuckles]
682
00:35:18,160 --> 00:35:21,160
[tense music]
683
00:35:21,160 --> 00:35:24,240
♪ ♪
684
00:35:24,240 --> 00:35:27,240
[grunting]
685
00:35:27,240 --> 00:35:31,560
♪ ♪
686
00:35:31,560 --> 00:35:34,560
[gate opening]
687
00:35:34,560 --> 00:35:38,080
‐ And, uh, here we have
the treatment room
688
00:35:38,080 --> 00:35:40,520
where Dr. Swinton is
at this very moment‐‐
689
00:35:40,520 --> 00:35:41,760
[Swinton grunting]
690
00:35:41,760 --> 00:35:42,760
[all gasping]
691
00:35:42,760 --> 00:35:44,520
‐ Dr. Swinton!
692
00:35:44,520 --> 00:35:46,680
‐ It's acute uterine fury!
Her system is full of madness!
693
00:35:46,680 --> 00:35:48,640
[woman gasps]
694
00:35:48,640 --> 00:35:50,360
‐ This is your treatment?
695
00:35:50,360 --> 00:35:53,360
[women screaming]
696
00:35:53,360 --> 00:35:55,600
[tense music]
697
00:35:55,600 --> 00:35:56,720
MAN:
What is she doing?
698
00:35:56,720 --> 00:35:58,760
[all shouting]
699
00:35:58,760 --> 00:36:00,320
MAN:
Stop her!
700
00:36:00,320 --> 00:36:01,800
MAN: Escaped!
MAN: They've escaped!
701
00:36:01,800 --> 00:36:03,200
CATHERINE: Let's give them
a taste of freedom.
702
00:36:03,200 --> 00:36:05,280
[keys rattling]
703
00:36:05,280 --> 00:36:07,240
♪ ♪
704
00:36:07,240 --> 00:36:09,600
LYDIA:
Unleash chaos!
705
00:36:09,600 --> 00:36:11,280
♪ ♪
706
00:36:11,280 --> 00:36:17,760
‐ ♪ I gave my love a cherry
that has no stone ♪
707
00:36:17,760 --> 00:36:23,200
♪ I gave my love a chicken
that has no bone ♪
708
00:36:23,200 --> 00:36:25,360
‐ Guards!
709
00:36:25,360 --> 00:36:32,000
HANNAH: ♪ I gave my love
a story that has no end ♪
710
00:36:32,000 --> 00:36:38,480
♪ I gave my love a baby
with no crying ♪
711
00:36:38,480 --> 00:36:39,480
[women screaming]
712
00:36:39,480 --> 00:36:40,760
‐ Guards!
713
00:36:40,760 --> 00:36:42,240
Stop their attack!
714
00:36:42,240 --> 00:36:45,640
They have unleashed delirium
and frenzy!
715
00:36:45,640 --> 00:36:52,280
♪ ♪
716
00:36:52,280 --> 00:36:56,320
[both laughing]
717
00:36:56,320 --> 00:36:58,720
♪ ♪
718
00:36:58,720 --> 00:36:59,960
‐ Come here!
Come on!
719
00:37:08,920 --> 00:37:11,160
[approaching footsteps]
720
00:37:11,160 --> 00:37:14,160
[tense music]
721
00:37:14,160 --> 00:37:17,120
♪ ♪
722
00:37:17,120 --> 00:37:18,440
‐ What's this charade?
723
00:37:18,440 --> 00:37:20,120
Where's our money?
724
00:37:20,120 --> 00:37:22,600
‐ What makes you think
we have it?
725
00:37:22,600 --> 00:37:24,440
‐ Give it back.
‐ Hey.
726
00:37:24,440 --> 00:37:25,820
‐ I'm warning you.
727
00:37:25,820 --> 00:37:27,819
CHARLOTTE: [laughs]
You're warning me
and accusing me.
728
00:37:27,819 --> 00:37:30,240
I do hope you have proof.
729
00:37:30,240 --> 00:37:32,320
‐ Don't play this game with me.
730
00:37:32,320 --> 00:37:35,280
♪ ♪
731
00:37:35,280 --> 00:37:37,360
‐ Where was I this afternoon?
732
00:37:37,360 --> 00:37:40,240
‐ Here taking tea.
733
00:37:40,240 --> 00:37:42,960
‐ Miss Wells,
do you have any witnesses?
734
00:37:42,960 --> 00:37:44,440
CHARLOTTE:
A whole room.
735
00:37:44,440 --> 00:37:48,280
This fine lady,
I played hazard with.
736
00:37:48,280 --> 00:37:50,960
And this upright gentleman,
well,
737
00:37:50,960 --> 00:37:52,040
it wouldn't be polite to say.
738
00:37:52,040 --> 00:37:55,360
‐ Enough.
‐ Not yet.
739
00:37:55,360 --> 00:37:57,920
Who opened the doors
of my house to you?
740
00:37:57,920 --> 00:37:59,600
♪ ♪
741
00:37:59,600 --> 00:38:03,200
None of my men
recall doing so.
742
00:38:03,200 --> 00:38:04,960
How did you get in?
743
00:38:04,960 --> 00:38:06,845
CHARLOTTE:
You mean they broke in?
744
00:38:06,845 --> 00:38:08,800
Oh, dear.
745
00:38:08,800 --> 00:38:10,600
There's another crime
to add to the list.
746
00:38:10,600 --> 00:38:11,640
‐ [clicks tongue]
747
00:38:11,640 --> 00:38:13,160
‐ Seems your luck's run out.
748
00:38:13,160 --> 00:38:15,320
♪ ♪
749
00:38:15,320 --> 00:38:17,280
‐ Here are my terms.
750
00:38:17,280 --> 00:38:20,480
You can have your dirty money,
less what you owe me.
751
00:38:20,480 --> 00:38:24,080
I rebuild my house.
You leave this room.
752
00:38:24,080 --> 00:38:26,440
And you never come near me,
my girls,
753
00:38:26,440 --> 00:38:28,800
or my family ever again.
754
00:38:28,800 --> 00:38:33,840
Or I will watch and smile
as you swing for your crimes.
755
00:38:33,840 --> 00:38:35,760
♪ ♪
756
00:38:35,760 --> 00:38:37,720
Now fly away home.
757
00:38:37,720 --> 00:38:41,280
♪ ♪
758
00:38:41,280 --> 00:38:44,280
[distant shouting]
759
00:38:44,280 --> 00:38:47,000
♪ ♪
760
00:38:47,000 --> 00:38:50,760
[both moaning]
761
00:38:50,760 --> 00:38:53,040
‐ Oh, London is
a fearful place.
762
00:38:53,040 --> 00:38:56,320
‐ [vomiting]
763
00:38:56,320 --> 00:38:57,600
[distant laughter]
764
00:38:57,600 --> 00:39:00,080
‐ Not the London
we will reside in.
765
00:39:00,080 --> 00:39:02,160
♪ ♪
766
00:39:04,560 --> 00:39:07,160
‐ A memento of your triumph.
767
00:39:07,160 --> 00:39:08,920
You lit up that room.
768
00:39:18,160 --> 00:39:20,040
CHARLOTTE:
Is it good news?
769
00:39:20,040 --> 00:39:23,160
‐ It is... news.
770
00:39:23,160 --> 00:39:25,080
Sophia is married.
771
00:39:26,840 --> 00:39:29,240
To the footman.
772
00:39:29,240 --> 00:39:32,000
‐ Rich man, poor man,
beggar man, thief.
773
00:39:33,640 --> 00:39:35,920
‐ She says she's happy.
774
00:39:35,920 --> 00:39:38,120
‐ She's in love.
775
00:39:38,120 --> 00:39:40,520
She's rich beyond
all our dreams.
776
00:39:53,560 --> 00:39:55,000
‐ I still haven't had
my lesson.
777
00:39:57,040 --> 00:39:58,040
[Chadwick clears throat]
778
00:39:59,960 --> 00:40:02,240
CHADWICK:
Your payment.
779
00:40:02,240 --> 00:40:04,320
‐ I said I want my lesson.
780
00:40:05,720 --> 00:40:09,080
So tell me,
how would you grow this?
781
00:40:09,080 --> 00:40:11,000
‐ [grunts]
782
00:40:15,160 --> 00:40:16,680
Have a look at this.
783
00:40:25,880 --> 00:40:29,320
‐ Your silks will be worn by
London's most celestial bodies.
784
00:40:31,080 --> 00:40:33,440
‐ Your body is the only one
I care for.
785
00:40:33,440 --> 00:40:34,680
‐ Mmm.
786
00:40:37,000 --> 00:40:38,040
‐ Marry me.
787
00:40:39,720 --> 00:40:41,400
‐ I'm not the marrying kind.
788
00:40:44,600 --> 00:40:48,120
‐ I'll return from Dover
bearing treasures
789
00:40:48,120 --> 00:40:50,280
beyond your dreams.
790
00:40:50,280 --> 00:40:52,280
‐ You bring me silks
from a fallen ship
791
00:40:52,280 --> 00:40:54,520
and maybe I'll say yes.
792
00:41:08,480 --> 00:41:11,240
‐ Is the master
of the house here?
793
00:41:11,240 --> 00:41:12,800
‐ It's the mistress
in this household.
794
00:41:12,800 --> 00:41:14,840
How can I help you?
795
00:41:14,840 --> 00:41:17,880
You're beggars.
Poor wretches.
796
00:41:17,880 --> 00:41:22,920
‐ N‐no, b‐but Charles Quigley.
797
00:41:22,920 --> 00:41:25,400
I was told
this was his residence.
798
00:41:25,400 --> 00:41:27,160
‐ Oh, the debtor?
799
00:41:27,160 --> 00:41:29,200
He was heading
to the sponging house.
800
00:41:29,200 --> 00:41:31,800
The bailiffs are high
on his heels, I hear.
801
00:41:31,800 --> 00:41:34,800
[tense music]
802
00:41:34,800 --> 00:41:38,320
♪ ♪
803
00:41:38,320 --> 00:41:43,720
‐ Who plays the Queen
of my kingdom?
804
00:41:43,720 --> 00:41:46,840
A Wells in my house?
805
00:41:46,840 --> 00:41:49,200
Charles!
806
00:41:50,880 --> 00:41:54,360
What monstrous torture is this?
807
00:41:54,360 --> 00:41:56,480
‐ That's not your house?
808
00:41:56,480 --> 00:41:59,080
‐ It was.
809
00:41:59,080 --> 00:42:02,200
CATHERINE: We aren't safe.
Where can we go?
810
00:42:02,200 --> 00:42:04,280
♪ ♪
811
00:42:04,280 --> 00:42:06,640
‐ Oh.
812
00:42:06,640 --> 00:42:08,080
♪ ♪
813
00:42:08,080 --> 00:42:09,480
There's only one place left.
814
00:42:09,480 --> 00:42:14,640
♪ ♪
815
00:42:16,120 --> 00:42:19,391
EMILY: You don't look as happy
as a man with a pile before him should.
816
00:42:19,391 --> 00:42:21,723
Where's your brother?
817
00:42:21,723 --> 00:42:23,290
‐ I sent him
to walk his rage off.
818
00:42:27,240 --> 00:42:31,040
‐ When we met, you told me
how you and Isaac got this place.
819
00:42:32,800 --> 00:42:37,080
A soldier who buys
a barrel of beer at the docks
820
00:42:37,080 --> 00:42:41,640
and sells it to thirsty sailors
is a smart man, I thought.
821
00:42:41,640 --> 00:42:44,360
A man I want to be with.
822
00:42:44,360 --> 00:42:45,920
‐ Look where it got us.
823
00:42:48,320 --> 00:42:49,920
‐ It got you this.
824
00:42:52,320 --> 00:42:56,000
And... got you these.
825
00:42:57,840 --> 00:43:00,200
‐ [chuckling]
826
00:43:00,200 --> 00:43:01,680
Where'd those come from?
827
00:43:01,680 --> 00:43:04,400
‐ I told you Chadwick
was worth the risk.
828
00:43:04,400 --> 00:43:06,800
You made a friend today.
829
00:43:06,800 --> 00:43:09,880
You can be more than this.
830
00:43:09,880 --> 00:43:12,720
You turned a barrel into 20.
831
00:43:12,720 --> 00:43:13,960
And we're gonna do it again.
832
00:43:13,960 --> 00:43:15,560
[both laughing]
833
00:43:15,560 --> 00:43:18,920
Bigger and better
than you ever dreamed.
834
00:43:18,920 --> 00:43:20,560
‐ How do you reckon to do that?
835
00:43:24,960 --> 00:43:27,160
‐ America.
836
00:43:27,160 --> 00:43:28,560
There's land for sale.
837
00:43:30,240 --> 00:43:31,840
‐ [chuckles]
838
00:43:35,200 --> 00:43:36,800
‐ May we come in?
839
00:43:38,600 --> 00:43:40,960
‐ You have been freed?
840
00:43:43,360 --> 00:43:45,480
‐ Will you give us shelter?
841
00:43:45,480 --> 00:43:47,000
[dramatic music]
842
00:43:47,000 --> 00:43:49,400
Charles is gone.
843
00:43:49,400 --> 00:43:52,680
A woman in his place
and a Wells in my house.
844
00:43:52,680 --> 00:43:56,320
‐ Ooh, a woman in your house,
you say?
845
00:43:56,320 --> 00:43:58,760
‐ Arrogant, full of grandeur,
846
00:43:58,760 --> 00:44:02,000
and a most self‐satisfied
expression.
847
00:44:02,000 --> 00:44:05,480
‐ I've no idea who it could be.
848
00:44:05,480 --> 00:44:07,960
‐ Please.
849
00:44:07,960 --> 00:44:09,200
Can we come in?
850
00:44:09,200 --> 00:44:11,560
[distant shouting]
851
00:44:11,560 --> 00:44:15,400
‐ As you are in
such dire straits...
852
00:44:15,400 --> 00:44:22,400
♪ ♪
853
00:44:24,200 --> 00:44:26,360
[laughing]
854
00:44:26,360 --> 00:44:28,560
‐ [laughing]
‐ You make a beautiful boy.
855
00:44:28,560 --> 00:44:30,120
Shame you don't have
the equipment.
856
00:44:30,120 --> 00:44:31,800
[both laughing]
857
00:44:31,800 --> 00:44:34,080
‐ I like jewels around my neck,
not between my legs.
858
00:44:34,080 --> 00:44:35,640
[both laughing]
859
00:44:35,640 --> 00:44:37,560
‐ Little peacock spreading
your tail feathers.
860
00:44:37,560 --> 00:44:38,840
You weren't just
showing off our wares.
861
00:44:38,840 --> 00:44:41,640
What were you really up to?
862
00:44:41,640 --> 00:44:44,200
‐ My sister had a score
to settle in the tavern.
863
00:44:44,200 --> 00:44:46,120
‐ And we made the diversion.
864
00:44:46,120 --> 00:44:48,240
What had the tavern
done to her?
865
00:44:48,240 --> 00:44:49,800
‐ Burnt her house down.
866
00:44:51,040 --> 00:44:53,480
‐ Mmm.
Oh.
867
00:44:53,480 --> 00:44:54,880
I've been asked to be married.
868
00:44:54,880 --> 00:44:57,000
‐ Mama, what surprising news.
869
00:44:57,000 --> 00:45:00,520
‐ Let's celebrate.
I propose a game.
870
00:45:00,520 --> 00:45:01,640
You make three statements.
871
00:45:01,640 --> 00:45:03,400
I must decide which is a lie.
872
00:45:03,400 --> 00:45:04,560
‐ Huh.
873
00:45:07,200 --> 00:45:11,960
My ma sold my maidenhead
for 50 pounds, twice.
874
00:45:11,960 --> 00:45:13,480
[both laughing]
875
00:45:13,480 --> 00:45:16,240
My ma was hanged for murder.
876
00:45:18,120 --> 00:45:20,440
And my pa is a black man.
877
00:45:21,760 --> 00:45:23,000
Now you.
878
00:45:23,000 --> 00:45:24,160
[both laughing]
879
00:45:25,560 --> 00:45:28,120
‐ I am a spinster.
880
00:45:28,120 --> 00:45:29,480
My son is a changeling.
881
00:45:29,480 --> 00:45:30,600
‐ [laughing]
882
00:45:30,600 --> 00:45:31,680
‐ I am a widow.
883
00:45:31,680 --> 00:45:34,240
[both laughing]
884
00:45:34,240 --> 00:45:35,360
[man clears throat]
885
00:45:35,960 --> 00:45:37,040
ELIZABETH:
Oh.
886
00:45:38,520 --> 00:45:40,640
‐ Didn't you get your fill
outside?
887
00:45:44,760 --> 00:45:46,360
[tense music]
888
00:45:46,360 --> 00:45:48,040
[Lucy chuckles]
889
00:45:48,040 --> 00:45:55,040
♪ ♪
890
00:46:37,600 --> 00:46:39,520
‐ You win.
891
00:46:39,520 --> 00:46:46,520
♪ ♪
892
00:47:15,480 --> 00:47:17,400
‐ [chuckles]
893
00:47:17,400 --> 00:47:18,920
♪ ♪
894
00:47:18,920 --> 00:47:22,320
‐ ♪ I gave my love a cherry ♪
895
00:47:22,320 --> 00:47:26,080
♪ That has no stone ♪
896
00:47:26,080 --> 00:47:29,800
♪ I gave my love a chicken ♪
897
00:47:29,800 --> 00:47:33,280
♪ That has no bone ♪
898
00:47:33,280 --> 00:47:37,200
♪ I gave my love a story ♪
899
00:47:37,200 --> 00:47:40,520
♪ That has no end ♪
900
00:47:40,520 --> 00:47:44,640
♪ I gave my love a baby ♪
901
00:47:44,640 --> 00:47:49,200
♪ With no crying ♪♪
61255
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
