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NARRATOR:
America, more than
500 years ago.
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100 million people live
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in some of the greatest
civilizations on Earth,
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00:00:12,533 --> 00:00:15,233
connected by social networks
spanning continents.
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(chanting)
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NARRATOR:
They build monumental cities.
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And in some, as a sacred ritual,
they perform human sacrifice.
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♪
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DAVID CARRASCO:
Human beings have to make
blood offerings
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so that the gods then
will release into the world
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the powers to recreate life.
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00:00:36,200 --> 00:00:37,833
♪
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NARRATOR:
One of the biggest cities is in
the middle of the United States.
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Barely mentioned in textbooks,
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its true name
is lost to history.
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Today, it's called Cahokia.
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SARAH BAIRES:
Cahokia would have been
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inhabited with thousands
of people,
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all coming here to live
in this one large city.
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NARRATOR:
Cahokia boasts one of the
biggest pyramids in the world,
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and it's built
with an eye to the sky.
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♪
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TIM PAUKETAT:
These buildings are almost
all celestially aligned.
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And so the question becomes,
why?
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(men chanting)
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NARRATOR:
Across two continents,
people share a belief
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that their lives are intimately
connected to the heavens.
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LES WILLISTON:
You build a mound
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to get closer to the Creator.
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That's what's sacred.
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PUMA QUISPE SINGONA:
We come from the stars.
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We are honorary guests
on this planet,
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and we are guardians of life
on this planet.
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♪
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NARRATOR:
Over thousands of years,
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Native Americans
invent unique systems
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of math, writing, science,
and spirituality,
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and build their beliefs
into their cities.
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CARRASCO:
People believed that they had
achieved a kind of replica
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of what the gods wanted
on Earth.
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(drone whirring)
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NARRATOR:
At the intersection
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of modern scholarship
and Native knowledge
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is a new vision of America
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and the people who built it.
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This is "Native America."
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(bird cawing)
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♪
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NARRATOR:
Just outside St. Louis, on
the banks of the Mississippi,
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is a giant hill.
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It doesn't appear
to be that unusual,
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except that this is one of the
flattest areas in North America.
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So what's this mound doing here?
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♪
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(man chanting in Choctaw)
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NARRATOR:
The Choctaw people
have some answers.
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Their ancestors
are mound builders.
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(chanting continues)
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WILLISTON:
This was built a long time ago
by a whole bunch of people
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whose blood runs
through my veins now.
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And that's a...
that is a powerful thing
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to feel that energy.
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(crickets chirping)
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TERRY BEN:
It is a place
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where people have a sense
of being,
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people have a sense
of belonging,
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where somebody came from.
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It's a portal
to looking to the past.
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♪
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NARRATOR:
A thousand years ago,
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Native Americans
pile earth by the basketload
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to construct one of the largest
mounds in the world.
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It towers over ten stories high.
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Its base covers an area
larger than ten football fields.
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And it's flanked
by over 100 other mounds.
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♪
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They are part
of a bustling city,
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with temples and palaces,
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markets and plazas,
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sports fields,
and thousands of homes.
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♪
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In the year 1100,
30,000 people live here--
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that's more than London
at the time.
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♪
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This is Cahokia.
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(birds chirping)
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Cahokia would have been
an ancient New York City.
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It would have been
fully inhabited
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with thousands of people,
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potentially speaking different
dialects or different languages.
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♪
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(man chanting
in Native language)
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It's as big as most
other early city complexes
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anywhere in the world,
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from China to Egypt
to South America.
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(crowd murmuring
and fire crackling)
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(people chanting
in Native language)
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NARRATOR:
Who built Cahokia is a mystery.
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(chanting continues)
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NARRATOR:
But other mound-building
cultures, like the Choctaw,
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believe mounds have a spiritual
power connected to the sky.
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The mounds were built so that we
could be closer to the Creator.
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It's that connection
with the Creator.
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We strive for the sky.
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(drone whirring)
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...get some data points
over in this region...
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NARRATOR:
New research is revealing
Cahokia's sky connection
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is built right into the city.
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That line there
is the end of it.
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PAUKETAT:
These buildings
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are almost all
celestially aligned.
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♪
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NARRATOR:
And there are even more
connections to the sky:
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a large ring of cedar posts
similar to England's Stonehenge;
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human sacrifices carefully timed
to a celestial event.
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♪
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And sculptures of goddesses
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evoking ancient legends
of the sky.
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♪
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The mystery of Cahokia
is part of something much larger
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going on across the Americas.
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From the very origins
of Native America,
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over 10,000 years ago,
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peoples across both continents
are fixated on the sky.
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♪
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The Maya, the Inca, the Aztec,
all build cities inspired by,
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aligned to, and synchronized
with the cosmos.
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Why go to such lengths
to build cities of the sky?
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00:07:01,666 --> 00:07:08,300
♪
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Some answers can be found
in the ultimate celestial city.
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♪
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00:07:15,866 --> 00:07:20,133
It's located just outside
Mexico City.
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The name of its builders
is lost to history.
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♪
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The Aztec discover it as a ruin,
and name it Teotihuacan--
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the place where the gods
were born.
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♪
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At its height, between
the first and fifth centuries,
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about a thousand years
before Cahokia,
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Teotihuacan has a population
of 125,000 people.
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♪
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It covers eight square miles,
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an area larger
than the walled city of Rome.
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At the heart of the city
is one of the largest structures
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in the ancient world.
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Its base is the size
of ten football fields,
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as large as the Egyptian pyramid
of Giza.
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♪
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The Aztecs called it
the Sun Pyramid.
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♪
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NAWA SUGIYAMA:
The Sun Pyramid is the
largest mound in Teotihuacan.
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The ceremonies
that would have taken place
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associated with the Sun Pyramid
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would have been
quite spectacular.
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NARRATOR:
Archaeologist Nawa Sugiyama
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is excavating
an observation platform.
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(speaking local language)
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NARRATOR:
Thousands of people
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would make pilgrimages here.
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From these platforms,
the most powerful Teotihuacanos
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would oversee ceremonies
associated with the Sun Pyramid.
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SUGIYAMA:
This platform would have been
overlooking a large plaza
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where a lot of people
would have been able to come in
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and conduct rituals.
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NARRATOR:
Nawa estimates,
within a single generation,
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workers moved nearly
a million cubic meters of stone
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to build the Sun Pyramid.
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00:09:19,800 --> 00:09:21,833
The reason that people
would have agreed
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to build such a large monument
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is because they themselves
believed
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in what the building
represented.
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NARRATOR:
What do the pyramids represent?
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Nawa works closely
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with historian of religion
Davíd Carrasco.
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They hike down
the city's central road,
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the Avenue of the Dead,
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to Teotihuacan's
second-largest monument--
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the Pyramid of the Moon.
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SUGIYAMA:
The view at the end is worth it.
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♪
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CARRASCO:
Teotihuacan has two of the
greatest pyramids of the world.
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00:10:02,800 --> 00:10:04,433
Well, if you look at them,
you'll notice that
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they are very similar
to the mountains
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around this ceremonial city.
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In fact,
they are human-made mountains.
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NARRATOR:
The names of these
man-made mountains--
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00:10:16,766 --> 00:10:20,033
the pyramids of the Sun
and Moon--
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00:10:20,133 --> 00:10:22,600
suggest a connection to the sky.
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♪
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Long before Cahokia
or Teotihuacan,
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as early as 11,000 BCE,
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deep in the Amazon,
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00:10:34,933 --> 00:10:39,466
Native Americans are observing
the cycles of the sun.
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00:10:39,566 --> 00:10:42,933
Their earliest art,
painted on a cliff face,
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is one of the oldest calendars
in the world.
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00:10:46,433 --> 00:10:50,133
They record the different
positions of the sunset
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throughout the year.
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00:10:52,666 --> 00:10:56,633
From its furthest north,
the Summer Solstice,
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00:10:56,733 --> 00:10:59,666
to its furthest south,
the Winter Solstice.
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♪
202
00:11:02,966 --> 00:11:04,633
CARRASCO:
People discovered the calendar,
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00:11:04,733 --> 00:11:08,600
they discovered the repetition
of their cycles,
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00:11:08,700 --> 00:11:10,400
and they began throughout
the Americas to measure
205
00:11:10,500 --> 00:11:15,300
some of their own human lives
and their ceremonies
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00:11:15,400 --> 00:11:19,100
on the passage of the sky.
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00:11:19,200 --> 00:11:22,666
NARRATOR:
Just as the earliest
Native Americans transform
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00:11:22,766 --> 00:11:25,100
a cliff face into a calendar,
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00:11:25,200 --> 00:11:28,433
the people of Teotihuacan
build a calendar
210
00:11:28,533 --> 00:11:32,600
into the very design
of their city.
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00:11:32,700 --> 00:11:34,633
Everything from the orientation
of the Sun Pyramid
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00:11:34,733 --> 00:11:37,333
to even the measurement
of the buildings itself,
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00:11:37,433 --> 00:11:41,200
they're referencing specific
astronomical alignments.
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00:11:41,300 --> 00:11:44,433
♪
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00:11:44,533 --> 00:11:48,200
NARRATOR:
52 days after
the Summer Solstice,
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00:11:48,300 --> 00:11:54,733
the sun sets on the
Sun Pyramid's east-west axis.
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00:11:54,833 --> 00:12:00,533
It sets along this axis again
260 days later.
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00:12:00,633 --> 00:12:06,400
The numbers 52 and 260
are sacred in Mesoamerica.
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00:12:06,500 --> 00:12:07,933
♪
220
00:12:08,033 --> 00:12:10,400
Their calendar system is built
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00:12:10,500 --> 00:12:14,666
around the solar year
of 365 days
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00:12:14,766 --> 00:12:19,166
and a ritual year of 260 days--
223
00:12:19,266 --> 00:12:23,266
a number they associate
with human pregnancy.
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00:12:23,366 --> 00:12:28,066
The first day of these calendars
synchronize every 52 years,
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00:12:28,166 --> 00:12:32,133
marking a complete cycle.
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00:12:32,233 --> 00:12:36,033
On this day, the Teotihuacanos
perform a ceremony
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00:12:36,133 --> 00:12:39,533
to reenact the creation
of the world.
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00:12:39,633 --> 00:12:42,266
CARRASCO:
At the beginning of time,
when all was in darkness,
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00:12:42,366 --> 00:12:45,633
the deities themselves
gathered here in this place,
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00:12:45,733 --> 00:12:47,900
and around a great fire,
231
00:12:48,000 --> 00:12:49,800
they made sacrifices
of themselves.
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00:12:51,266 --> 00:12:55,800
And in making these sacrifices
they created a new cosmic era.
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00:12:55,900 --> 00:12:58,433
NARRATOR:
To mark this moment of creation,
234
00:12:58,533 --> 00:13:02,533
Teotihuacanos conduct
the New Fire Ceremony
235
00:13:02,633 --> 00:13:04,966
at the base of the Sun Pyramid.
236
00:13:05,066 --> 00:13:09,333
♪
237
00:13:09,433 --> 00:13:12,600
The Aztec describe their own
version of this ceremony
238
00:13:12,700 --> 00:13:15,600
in one of their few
surviving books.
239
00:13:15,700 --> 00:13:19,700
♪
240
00:13:19,800 --> 00:13:23,266
(fires crackling)
241
00:13:23,366 --> 00:13:25,033
(fires extinguishing)
242
00:13:25,133 --> 00:13:28,733
WOMAN (speaking Nahuatl):
243
00:13:28,833 --> 00:13:33,200
♪
244
00:13:35,533 --> 00:13:40,266
WOMAN (speaking Nahuatl):
245
00:13:41,600 --> 00:13:45,766
WOMAN (speaking Nahuatl):
246
00:13:47,200 --> 00:13:52,500
(fire flares and crackles)
247
00:13:52,600 --> 00:13:55,533
(people talking
in Native language)
248
00:13:55,633 --> 00:13:58,366
(people running)
249
00:13:58,466 --> 00:14:04,233
WOMAN (speaking Nahuatl):
250
00:14:04,333 --> 00:14:06,133
♪
251
00:14:06,233 --> 00:14:09,033
NARRATOR:
All fires in all the land
would be lit
252
00:14:09,133 --> 00:14:12,966
from the single fire
from the Sun Pyramid.
253
00:14:13,066 --> 00:14:15,433
♪
254
00:14:15,533 --> 00:14:20,233
The Fire Ceremony
resets the calendar cycle
255
00:14:20,333 --> 00:14:23,033
and renews the world.
256
00:14:23,133 --> 00:14:25,066
♪
257
00:14:25,166 --> 00:14:26,966
CARRASCO:
These were sky watchers.
258
00:14:27,066 --> 00:14:30,300
These were people
who were very observant.
259
00:14:30,400 --> 00:14:31,700
And what they came to feel
260
00:14:31,800 --> 00:14:34,066
was that they could actually
build buildings,
261
00:14:34,166 --> 00:14:35,100
carry out rituals,
262
00:14:35,200 --> 00:14:37,366
which would be
almost exact replicas
263
00:14:37,466 --> 00:14:39,466
of what they saw
in the surrounding hills,
264
00:14:39,566 --> 00:14:41,966
as well as in the patterns
in the sky above.
265
00:14:42,066 --> 00:14:43,966
♪
266
00:14:44,066 --> 00:14:46,700
NARRATOR:
The rulers of Teotihuacan
design the city
267
00:14:46,800 --> 00:14:50,966
to mirror the world around them
and the heavens above.
268
00:14:51,066 --> 00:14:54,300
♪
269
00:14:54,400 --> 00:14:57,266
On this sacred stage,
they orchestrate rituals
270
00:14:57,366 --> 00:15:01,400
connecting human life
to the cosmos.
271
00:15:01,500 --> 00:15:05,200
These ceremonies attract
thousands of people
272
00:15:05,300 --> 00:15:07,300
from hundreds of miles away.
273
00:15:07,400 --> 00:15:11,566
♪
274
00:15:11,666 --> 00:15:14,400
Could pilgrimage and sky worship
also explain
275
00:15:14,500 --> 00:15:18,366
the giant mounds of Cahokia
a thousand years later?
276
00:15:18,466 --> 00:15:22,100
♪
277
00:15:22,200 --> 00:15:25,900
Across the Eastern United States
and Canada,
278
00:15:26,000 --> 00:15:29,366
there are over 10,000
sacred mounds--
279
00:15:29,466 --> 00:15:33,866
some more ancient
than the Egyptian pyramids.
280
00:15:33,966 --> 00:15:36,600
At one of these--
Nanih Waiya--
281
00:15:36,700 --> 00:15:39,266
descendants of the people
who built it
282
00:15:39,366 --> 00:15:41,800
still gather today.
283
00:15:41,900 --> 00:15:47,766
(man chanting
in Native language)
284
00:15:49,233 --> 00:15:51,766
NARRATOR:
Ian Thompson and Les Williston
285
00:15:51,866 --> 00:15:54,666
are members
of the Choctaw Nation.
286
00:15:54,766 --> 00:15:56,333
(birds chirping)
287
00:15:56,433 --> 00:15:59,200
They're on a pilgrimage
to their ancestral mound
288
00:15:59,300 --> 00:16:02,800
deep in the Mississippi
back country.
289
00:16:02,900 --> 00:16:05,766
The earth mounds come out
of a long cultural continuity
290
00:16:05,866 --> 00:16:08,300
for Choctaw people
and other Southeastern tribes.
291
00:16:08,400 --> 00:16:13,300
Choctaw is the blood
I have running through my veins.
292
00:16:13,400 --> 00:16:16,000
It's a connection
with a tribe of people,
293
00:16:16,100 --> 00:16:18,266
both in Oklahoma
and Mississippi.
294
00:16:18,366 --> 00:16:23,666
(drum beating)
295
00:16:23,766 --> 00:16:27,933
(man chanting)
296
00:16:28,033 --> 00:16:32,433
NARRATOR:
In the 1840s, most of the
Choctaw Nation and other tribes
297
00:16:32,533 --> 00:16:37,133
were forcibly moved
from Mississippi to Oklahoma.
298
00:16:37,233 --> 00:16:39,033
Thousands died.
299
00:16:39,133 --> 00:16:42,833
That journey is known
as the Trail of Tears.
300
00:16:42,933 --> 00:16:46,633
MAN (chanting
in Native language):
301
00:16:50,200 --> 00:16:52,366
NARRATOR:
After more than 150 years
302
00:16:52,466 --> 00:16:55,300
in the hands of the
State of Mississippi,
303
00:16:55,400 --> 00:16:58,466
the Choctaw
recently regained control
304
00:16:58,566 --> 00:17:00,766
of their ancestral mound,
Nanih Waiya.
305
00:17:00,866 --> 00:17:03,700
(chanting)
306
00:17:03,800 --> 00:17:06,400
WILLISTON:
That's where we're connecting
with the Creator,
307
00:17:06,500 --> 00:17:09,033
so that's our church.
308
00:17:09,133 --> 00:17:13,800
(chanting)
309
00:17:13,900 --> 00:17:16,700
WILLISTON:
The spiritual power
of this place
310
00:17:16,800 --> 00:17:21,000
is an energy that we get,
thousands of years of ancestors
311
00:17:21,099 --> 00:17:22,700
being right here in this place.
312
00:17:22,800 --> 00:17:25,700
(chanting)
313
00:17:25,800 --> 00:17:29,400
NARRATOR:
Norma Hickman
is a Choctaw elder.
314
00:17:29,500 --> 00:17:33,566
HICKMAN:
The mounds were used
to revere the sun.
315
00:17:33,666 --> 00:17:38,266
(chanting)
316
00:17:38,366 --> 00:17:41,500
Every morning, this shaman,
or the holy man,
317
00:17:41,600 --> 00:17:45,266
would raise his hand up
and help the sun rise.
318
00:17:45,366 --> 00:17:49,566
(chanting)
319
00:17:49,666 --> 00:17:53,866
HICKMAN:
And then at night, the shaman
or medicine man came
320
00:17:53,966 --> 00:17:57,800
and they helped the sun
lower itself down to the Earth.
321
00:17:57,900 --> 00:18:01,833
♪
322
00:18:01,933 --> 00:18:07,100
NARRATOR:
Choctaw traditions
link the mounds with the sky.
323
00:18:07,200 --> 00:18:11,966
♪
324
00:18:13,733 --> 00:18:18,000
(woman speaking Choctaw)
325
00:18:20,700 --> 00:18:23,433
(breeze blowing)
326
00:18:23,533 --> 00:18:25,933
WOMAN (speaking Choctaw):
327
00:18:27,800 --> 00:18:31,333
WOMAN (speaking Choctaw):
328
00:18:31,433 --> 00:18:34,300
♪
329
00:18:34,400 --> 00:18:37,966
WOMAN (speaking Choctaw):
330
00:18:38,066 --> 00:18:39,833
(wings fluttering)
331
00:18:39,933 --> 00:18:45,300
WOMAN (speaking Choctaw):
332
00:18:45,400 --> 00:18:47,600
(birds chirping)
333
00:18:47,700 --> 00:18:52,700
WOMAN (speaking Choctaw):
334
00:18:54,066 --> 00:18:57,633
WOMAN (speaking Choctaw):
335
00:18:57,733 --> 00:19:01,166
♪
336
00:19:03,366 --> 00:19:06,833
NARRATOR:
Statues of this celestial
goddess have been excavated
337
00:19:06,933 --> 00:19:09,766
at mound sites throughout
the Mississippi region--
338
00:19:09,866 --> 00:19:12,833
including Cahokia.
339
00:19:12,933 --> 00:19:17,266
It's likely many of those mounds
were inspired by the sky.
340
00:19:17,366 --> 00:19:19,800
(birds chirping)
341
00:19:19,900 --> 00:19:21,300
But with 120 mounds,
342
00:19:21,400 --> 00:19:27,066
the entire city of Cahokia
is designed around sky worship.
343
00:19:30,133 --> 00:19:33,766
PAUKETAT:
I remember an early trip
past Cahokia.
344
00:19:35,466 --> 00:19:37,700
My father was a truck driver.
345
00:19:37,800 --> 00:19:39,733
And I occasionally,
as a little kid, six or seven,
346
00:19:39,833 --> 00:19:43,100
I would go with him
and we would drive past it.
347
00:19:45,533 --> 00:19:47,066
I remember feeling, like,
348
00:19:47,166 --> 00:19:49,733
"Wait a minute," like,
"What's this doing here?"
349
00:19:49,833 --> 00:19:52,300
You know, "What is this?"
350
00:19:52,400 --> 00:19:55,733
NARRATOR:
That drive past the mounds
sparked a career
351
00:19:55,833 --> 00:19:58,333
for archaeologist Tim Pauketat.
352
00:19:58,433 --> 00:20:03,500
His research suggests
that Cahokia, like Teotihuacan,
353
00:20:03,600 --> 00:20:07,033
is laid out
on a celestial blueprint.
354
00:20:07,133 --> 00:20:09,400
PAUKETAT:
The mounds are positioned
355
00:20:09,500 --> 00:20:12,200
in various ways
to reference something.
356
00:20:12,300 --> 00:20:14,700
It's not, they're not
arbitrarily, randomly placed.
357
00:20:14,800 --> 00:20:17,600
They never just dump dirt.
358
00:20:17,700 --> 00:20:20,533
NARRATOR:
Tim and his team
are looking for evidence
359
00:20:20,633 --> 00:20:22,533
of that celestial blueprint
360
00:20:22,633 --> 00:20:25,166
just west of Cahokia's
largest mound.
361
00:20:25,266 --> 00:20:26,666
(gradiometer beeping)
362
00:20:26,766 --> 00:20:28,233
They use a gradiometer,
363
00:20:28,333 --> 00:20:32,333
an instrument that detects holes
where posts once stood.
364
00:20:32,433 --> 00:20:34,466
SUSAN ALT:
I'm seeing
very quiet readings,
365
00:20:34,566 --> 00:20:35,633
and then it jumps up again.
366
00:20:35,733 --> 00:20:38,600
So it could be consistent
with post holes.
367
00:20:38,700 --> 00:20:40,633
♪
368
00:20:40,733 --> 00:20:43,000
NARRATOR:
The original posts
have rotted away,
369
00:20:43,100 --> 00:20:48,066
but new ones have been erected
in their place.
370
00:20:48,166 --> 00:20:53,300
They form a ring
with one post in the middle.
371
00:20:53,400 --> 00:20:55,500
It's known as Woodhenge.
372
00:20:55,600 --> 00:20:57,433
(birds squawking)
373
00:20:57,533 --> 00:21:02,700
PAUKETAT:
Woodhenge is a large ring
of sizable cedar posts.
374
00:21:04,000 --> 00:21:05,266
And if you look from
375
00:21:05,366 --> 00:21:07,866
across that post
to the perimeter post,
376
00:21:07,966 --> 00:21:12,000
you could watch the sun
on the horizon rise and set,
377
00:21:12,100 --> 00:21:16,133
and you'd know
when the solstices were.
378
00:21:16,233 --> 00:21:19,800
NARRATOR:
Just like the sun disc paintings
in the Amazon,
379
00:21:19,900 --> 00:21:22,966
Woodhenge is a solar calendar.
380
00:21:23,066 --> 00:21:29,100
It can be used to determine
when to plant and harvest.
381
00:21:29,200 --> 00:21:33,200
And when to gather
for ceremonies.
382
00:21:33,300 --> 00:21:35,466
PAUKETAT:
This is a big ritual ground.
383
00:21:35,566 --> 00:21:37,966
Inside the circle
is some kind of sacred space,
384
00:21:38,066 --> 00:21:40,233
and you'd go there
for certain ceremonial events.
385
00:21:40,333 --> 00:21:42,700
♪
386
00:21:42,800 --> 00:21:45,500
NARRATOR:
Like the Sun Pyramid
in Teotihuacan,
387
00:21:45,600 --> 00:21:49,800
the location of Woodhenge
is precisely aligned.
388
00:21:49,900 --> 00:21:53,033
On the equinox,
the sun rises to the east
389
00:21:53,133 --> 00:21:55,833
directly in front
of Monk's Mound,
390
00:21:55,933 --> 00:21:58,833
Cahokia's largest
earthen pyramid.
391
00:21:58,933 --> 00:22:01,200
(birds chirping)
392
00:22:01,300 --> 00:22:03,000
PAUKETAT:
On a major event,
393
00:22:03,100 --> 00:22:06,033
let's say an autumn feast
tied to the equinox,
394
00:22:06,133 --> 00:22:08,833
there would be thousands
of people on the move,
395
00:22:08,933 --> 00:22:11,333
coming in from all directions.
396
00:22:11,433 --> 00:22:15,933
♪
397
00:22:16,033 --> 00:22:21,800
NARRATOR:
Artifacts from Cahokia show
just how far pilgrims traveled.
398
00:22:21,900 --> 00:22:26,933
This carved stone pipe
was found 500 miles away.
399
00:22:27,033 --> 00:22:30,366
It depicts a player of an
ancient Native American game
400
00:22:30,466 --> 00:22:32,833
called chunkey.
401
00:22:32,933 --> 00:22:35,100
In one hand he holds a spear,
402
00:22:35,200 --> 00:22:38,166
which was thrown
at a rolling stone disc.
403
00:22:38,266 --> 00:22:41,100
♪
404
00:22:41,200 --> 00:22:43,466
Hundreds of chunkey stones
have been excavated
405
00:22:43,566 --> 00:22:46,733
throughout the United States.
406
00:22:46,833 --> 00:22:48,366
PAUKETAT:
Cahokia-style chunkey stones
407
00:22:48,466 --> 00:22:51,966
start showing up
hundreds of miles away.
408
00:22:52,066 --> 00:22:53,966
So the thought may be
409
00:22:54,066 --> 00:22:57,066
that you play against people,
either you make friends
410
00:22:57,166 --> 00:22:58,633
or you resolve disputes--
411
00:22:58,733 --> 00:23:00,933
instead of going to war,
you play chunkey.
412
00:23:01,033 --> 00:23:04,500
NARRATOR:
The chunkey stones
and the rise of Cahokia
413
00:23:04,600 --> 00:23:09,200
date to 1100-1400,
a time of unusual peace
414
00:23:09,300 --> 00:23:11,900
throughout
the Mississippi region.
415
00:23:12,000 --> 00:23:15,800
♪
416
00:23:15,900 --> 00:23:19,466
People in cities like Cahokia
and Teotihuacan
417
00:23:19,566 --> 00:23:22,433
use games, ceremonies,
and sky beliefs
418
00:23:22,533 --> 00:23:26,500
to extend their influence
across vast distances.
419
00:23:26,600 --> 00:23:30,200
♪
420
00:23:30,300 --> 00:23:33,166
In South America,
it's the same strategy
421
00:23:33,266 --> 00:23:36,900
that will build one of the
biggest empires on Earth--
422
00:23:37,000 --> 00:23:38,900
the Inca.
423
00:23:39,000 --> 00:23:45,033
♪
424
00:23:47,033 --> 00:23:49,100
In the 1400s--
425
00:23:49,200 --> 00:23:52,633
about 200 years
after Cahokia's height--
426
00:23:52,733 --> 00:23:56,966
the Inca rule an empire
of 12 million people in an area
427
00:23:57,066 --> 00:24:02,200
that encompasses six modern
South American nations.
428
00:24:02,300 --> 00:24:06,433
Archaeologist Noa Corcoran-Tadd
believes the Inca
429
00:24:06,533 --> 00:24:10,433
create their vast empire
by using a ceremonial network
430
00:24:10,533 --> 00:24:12,000
centered on the sun.
431
00:24:12,100 --> 00:24:18,333
In Peru, he finds evidence
of this network--
432
00:24:18,433 --> 00:24:22,666
sacred markers the Inca called
"huacas."
433
00:24:22,766 --> 00:24:25,466
CORCORAN-TADD:
Huacas may be rock outcrops.
434
00:24:25,566 --> 00:24:27,100
They may be springs.
435
00:24:27,200 --> 00:24:31,033
But they may also be
unusual things in the landscape.
436
00:24:31,133 --> 00:24:36,666
This is very difficult for
Western mindset to get around,
437
00:24:36,766 --> 00:24:39,733
but it's a category
of particularly charged places
438
00:24:39,833 --> 00:24:44,500
that form this wider
sacred world of the Incas.
439
00:24:44,600 --> 00:24:46,733
(insects chirping)
440
00:24:46,833 --> 00:24:49,300
NARRATOR:
Noa is using historic chronicles
and GPS
441
00:24:49,400 --> 00:24:52,866
to map the huacas.
442
00:24:52,966 --> 00:24:55,633
They're leading him
to the political capital
443
00:24:55,733 --> 00:24:56,933
of the Inca Empire:
444
00:24:57,033 --> 00:25:00,033
Cuzco.
445
00:25:00,133 --> 00:25:04,033
Here, he finds
the most sacred huaca:
446
00:25:04,133 --> 00:25:08,600
the Qorikancha,
the Temple of the Sun.
447
00:25:08,700 --> 00:25:10,166
CORCORAN-TADD:
The Qorikancha is one
448
00:25:10,266 --> 00:25:13,866
of the most important buildings
that we still have
449
00:25:13,966 --> 00:25:15,266
in Cuzco today.
450
00:25:15,366 --> 00:25:20,000
It's located at the center
of Inca Cuzco.
451
00:25:20,100 --> 00:25:24,300
It's understood to be
the primary temple of the sun,
452
00:25:24,400 --> 00:25:27,733
Inti,
who is the deified solar being.
453
00:25:27,833 --> 00:25:31,933
♪
454
00:25:32,833 --> 00:25:37,433
♪
455
00:25:39,400 --> 00:25:43,100
MAN (speaking Quechua):
456
00:25:43,200 --> 00:25:46,066
♪
457
00:25:46,166 --> 00:25:50,700
MAN (speaking Quechua):
458
00:25:50,800 --> 00:25:52,800
♪
459
00:25:52,900 --> 00:25:58,233
MAN (speaking Quechua):
460
00:25:58,333 --> 00:26:02,066
(bird squawking)
461
00:26:02,166 --> 00:26:05,500
♪
462
00:26:05,600 --> 00:26:08,966
MAN (speaking Quechua):
463
00:26:09,066 --> 00:26:12,066
♪
464
00:26:12,166 --> 00:26:13,933
(loud electric shock)
465
00:26:14,033 --> 00:26:17,800
MAN (speaking Quechua):
466
00:26:17,900 --> 00:26:21,600
♪
467
00:26:21,700 --> 00:26:26,000
MAN (speaking Quechua):
468
00:26:26,100 --> 00:26:29,866
♪
469
00:26:29,966 --> 00:26:34,333
NARRATOR:
The Inca believed they were
children of the sun god, Inti,
470
00:26:34,433 --> 00:26:38,633
who instructs them to build
Cuzco and the Qorikancha.
471
00:26:38,733 --> 00:26:44,233
♪
472
00:26:45,400 --> 00:26:49,566
The foundation of these
inner chambers still remain,
473
00:26:49,666 --> 00:26:52,333
but most of the temple
was destroyed in the mid-1500s
474
00:26:52,433 --> 00:26:54,766
by the Spanish,
475
00:26:54,866 --> 00:26:57,600
who built a church on top of it.
476
00:26:57,700 --> 00:27:01,166
The Spanish destroy
many other huacas, as well,
477
00:27:01,266 --> 00:27:03,900
but left a record
of where they may have been.
478
00:27:04,000 --> 00:27:06,500
CORCORAN-TADD:
Spanish colonial sources talk
479
00:27:06,600 --> 00:27:10,466
about at least 328 huacas
in the Cuzco landscape.
480
00:27:10,566 --> 00:27:14,533
And they suggest that they
were a single, coherent system,
481
00:27:14,633 --> 00:27:16,533
centered on the Qorikancha,
482
00:27:16,633 --> 00:27:19,200
in a series of up to 42 lines
483
00:27:19,300 --> 00:27:21,033
that radiated
out of the Qorikancha
484
00:27:21,133 --> 00:27:23,233
into the broader valley.
485
00:27:23,333 --> 00:27:25,466
♪
486
00:27:25,566 --> 00:27:27,833
NARRATOR:
To the Inca,
the Temple of the Sun
487
00:27:27,933 --> 00:27:30,733
is the center
of a spiritual universe
488
00:27:30,833 --> 00:27:35,266
that radiates out
across the empire.
489
00:27:35,366 --> 00:27:39,500
The lines connecting the huacas
form a ceremonial network
490
00:27:39,600 --> 00:27:41,700
called ceques.
491
00:27:41,800 --> 00:27:42,866
(exhales)
492
00:27:42,966 --> 00:27:44,633
(speaking Quechua):
493
00:27:44,733 --> 00:27:45,666
(exhales)
494
00:27:54,700 --> 00:27:59,766
SINGONA:
When I come to a huaca,
we activate the energy first
495
00:27:59,866 --> 00:28:02,566
with prayers
and with intentions.
496
00:28:02,666 --> 00:28:08,033
And we send that energy
through these ceques systems.
497
00:28:08,133 --> 00:28:13,166
NARRATOR:
Shamans like Puma continue
an unbroken Inca spirituality
498
00:28:13,266 --> 00:28:15,200
worshipping at these huacas.
499
00:28:15,300 --> 00:28:16,300
(exhales)
500
00:28:16,400 --> 00:28:19,000
NARRATOR:
They offer sacred coca leaves,
501
00:28:19,100 --> 00:28:22,400
candy to signify
the sweetness of life,
502
00:28:22,500 --> 00:28:25,766
and one of their most
holy ancient offerings,
503
00:28:25,866 --> 00:28:29,633
a stillborn llama fetus.
504
00:28:29,733 --> 00:28:31,933
SINGONA:
The most important element
in this offering
505
00:28:32,033 --> 00:28:33,333
is the llama fetus.
506
00:28:33,433 --> 00:28:37,166
It represents that
which is yet to born.
507
00:28:37,266 --> 00:28:39,033
We celebrate in our spirituality
508
00:28:39,133 --> 00:28:41,566
that we are constantly
being reborn.
509
00:28:41,666 --> 00:28:44,866
(blowing)
510
00:28:44,966 --> 00:28:48,800
The Inca pathway,
the Qhapaq Ñan,
511
00:28:48,900 --> 00:28:50,633
was marked by our Inca ancestors
512
00:28:50,733 --> 00:28:56,000
in order to lead people
in the right way to service,
513
00:28:56,100 --> 00:28:59,666
to ceremony, and to communion.
514
00:28:59,766 --> 00:29:01,333
(blowing)
515
00:29:01,433 --> 00:29:05,033
(speaking Quechua):
516
00:29:06,833 --> 00:29:10,233
What we put in these offerings
is elements that connect us
517
00:29:10,333 --> 00:29:13,500
to the sun, to the moon,
and to Mother Earth.
518
00:29:16,733 --> 00:29:19,133
♪
519
00:29:19,233 --> 00:29:24,100
NARRATOR:
The Inca sacred landscape
also has a practical side.
520
00:29:24,200 --> 00:29:26,600
♪
521
00:29:26,700 --> 00:29:30,266
Inca rulers enlist masses
of laborers
522
00:29:30,366 --> 00:29:32,633
to turn portions
of the ceque system
523
00:29:32,733 --> 00:29:37,166
into a 25,000-mile road network.
524
00:29:37,266 --> 00:29:41,533
♪
525
00:29:41,633 --> 00:29:45,200
The Inca Road stretches
across six modern nations,
526
00:29:45,300 --> 00:29:48,700
from 15,000-foot peaks
in the Andes
527
00:29:48,800 --> 00:29:52,133
to the depths
of the Amazon rainforest.
528
00:29:52,233 --> 00:29:55,000
Connected
by stunning engineering,
529
00:29:55,100 --> 00:29:58,300
like the world's earliest
cable bridges,
530
00:29:58,400 --> 00:30:02,433
it is the longest road network
in the Americas
531
00:30:02,533 --> 00:30:05,600
until the U.S. interstate
highway system is built
532
00:30:05,700 --> 00:30:07,766
in the 1950s.
533
00:30:07,866 --> 00:30:10,500
(wind blowing)
534
00:30:10,600 --> 00:30:14,433
CORCORAN-TADD:
We tend to think of roads
as a practical infrastructure.
535
00:30:14,533 --> 00:30:17,033
But they were much more
than that, as well.
536
00:30:17,133 --> 00:30:22,766
In many cases, they also moved
through sacred landscapes.
537
00:30:22,866 --> 00:30:26,533
♪
538
00:30:26,633 --> 00:30:28,800
It's drawing
on this much longer tradition
539
00:30:28,900 --> 00:30:32,100
that understands humans
as belonging
540
00:30:32,200 --> 00:30:35,266
into a much wider, complicated
set of interrelationships
541
00:30:35,366 --> 00:30:36,833
with the natural world.
542
00:30:36,933 --> 00:30:41,433
NARRATOR:
The Inca ceque system creates
an infrastructure
543
00:30:41,533 --> 00:30:44,566
of roads, bridges, and beliefs
544
00:30:44,666 --> 00:30:47,866
that connects a vast empire.
545
00:30:47,966 --> 00:30:50,633
(men talking in local language,
bell ringing)
546
00:30:50,733 --> 00:30:53,500
NARRATOR:
The Inca harness
the spiritual power of the sun
547
00:30:53,600 --> 00:30:58,300
and concentrate it in a city--
Cuzco.
548
00:30:58,400 --> 00:31:03,900
♪
549
00:31:04,000 --> 00:31:06,900
Is Cahokia also laid out
to harness the power
550
00:31:07,000 --> 00:31:10,033
of celestial bodies?
551
00:31:12,766 --> 00:31:18,600
To find out, archaeologists
Melissa Baltus and Sarah Baires
552
00:31:18,700 --> 00:31:19,833
are taking to the sky.
553
00:31:19,933 --> 00:31:21,900
BAIRES:
We're really interested
554
00:31:22,000 --> 00:31:23,366
in a human-made feature
555
00:31:23,466 --> 00:31:26,033
that we think is located
in this area here.
556
00:31:26,133 --> 00:31:28,900
So we're hoping to get
some data points
557
00:31:29,000 --> 00:31:30,033
over in this region,
558
00:31:30,133 --> 00:31:31,900
just south of where
we're standing now.
559
00:31:32,000 --> 00:31:33,900
MAN:
Okay.
560
00:31:34,000 --> 00:31:37,166
NARRATOR:
To uncover Cahokia's
urban plan,
561
00:31:37,266 --> 00:31:39,333
they're using a laser-based
aerial mapping system
562
00:31:39,433 --> 00:31:40,766
called LiDAR.
563
00:31:40,866 --> 00:31:41,866
BAIRES:
There've been a lot
564
00:31:41,966 --> 00:31:43,066
of modern building projects,
565
00:31:43,166 --> 00:31:44,066
the highway goes through here.
566
00:31:44,166 --> 00:31:45,733
So we're hoping that the LiDAR
567
00:31:45,833 --> 00:31:48,566
will actually show us
the archaeological features
568
00:31:48,666 --> 00:31:50,200
and give us a totally new look
569
00:31:50,300 --> 00:31:52,900
at this ancient Native American
city of Cahokia.
570
00:31:53,000 --> 00:31:57,700
(drone whirring)
571
00:31:59,466 --> 00:32:02,466
(drone whirring continues)
572
00:32:05,933 --> 00:32:10,066
NARRATOR:
LiDAR uses quick bursts
of lasers fired from a drone
573
00:32:10,166 --> 00:32:13,466
to create a precise 3D map.
574
00:32:15,666 --> 00:32:20,100
Once processed, the LiDAR data
can be used to peel back trees,
575
00:32:20,200 --> 00:32:23,666
modern development,
and layers of time.
576
00:32:23,766 --> 00:32:25,433
BAIRES:
Let's take a look
at the data.
577
00:32:25,533 --> 00:32:26,733
BALTUS:
Oh, wow.
578
00:32:26,833 --> 00:32:28,200
Look how clear that is.
579
00:32:28,300 --> 00:32:30,433
Okay, so we've got
Monk's Mound to the north.
580
00:32:30,533 --> 00:32:33,200
NARRATOR:
The LiDAR reveals
the city is laid out
581
00:32:33,300 --> 00:32:37,500
with remarkable precision.
582
00:32:37,600 --> 00:32:40,600
Each mound follows along
the exact same alignment
583
00:32:40,700 --> 00:32:43,466
to form a city grid.
584
00:32:43,566 --> 00:32:44,966
The grid is centered
585
00:32:45,066 --> 00:32:49,166
along a feature
rediscovered only today--
586
00:32:49,266 --> 00:32:50,733
a roadway.
587
00:32:50,833 --> 00:32:54,266
BAIRES:
This looks like a causeway
running north, doesn't it?
588
00:32:55,366 --> 00:32:59,200
BALTUS:
Maybe just a little bit
off north.
589
00:32:59,300 --> 00:33:02,000
NARRATOR:
Discovery of this long,
straight road
590
00:33:02,100 --> 00:33:04,433
leading to Cahokia's
largest mound
591
00:33:04,533 --> 00:33:08,700
is bringing the city's
precise alignment into focus.
592
00:33:09,566 --> 00:33:12,333
BAIRES:
Using the LiDAR data,
593
00:33:12,433 --> 00:33:15,400
we are able to determine that
this is definitely a causeway
594
00:33:15,500 --> 00:33:17,033
made by human beings early on
595
00:33:17,133 --> 00:33:18,133
during Cahokia's
formative years,
596
00:33:18,233 --> 00:33:21,966
and it aligns Cahokia
to its city grid,
597
00:33:22,066 --> 00:33:25,800
which is five degrees
offset of north.
598
00:33:25,900 --> 00:33:30,600
NARRATOR:
The LiDAR reveals the road
and the entire city of Cahokia
599
00:33:30,700 --> 00:33:34,933
is aligned to five degrees
off north.
600
00:33:35,033 --> 00:33:40,000
Often, celestial cities are
laid out on a north-south grid
601
00:33:40,100 --> 00:33:42,066
to align to the sun.
602
00:33:42,166 --> 00:33:45,900
Did the Cahokians
make a mistake,
603
00:33:46,000 --> 00:33:49,966
or is their city aligned
to something else in the sky?
604
00:33:50,066 --> 00:33:54,566
♪
605
00:33:54,666 --> 00:33:57,766
Clues may lie with the
most celebrated astronomers
606
00:33:57,866 --> 00:34:00,966
of the ancient world-- the Maya.
607
00:34:01,066 --> 00:34:03,200
♪
608
00:34:03,300 --> 00:34:07,333
Maya cities flourish between
the years 100 and 900--
609
00:34:07,433 --> 00:34:12,733
a period twice as long
as the golden age of Rome.
610
00:34:12,833 --> 00:34:16,600
The Maya track the positions
of many stars and planets
611
00:34:16,699 --> 00:34:21,400
with an accuracy within one day
every 400 years.
612
00:34:21,500 --> 00:34:23,266
♪
613
00:34:23,366 --> 00:34:27,433
Their astronomical knowledge
would not be matched in Europe
614
00:34:27,533 --> 00:34:33,433
until a thousand years later,
the time of Galileo.
615
00:34:33,533 --> 00:34:36,833
(speaking Spanish)
616
00:34:36,933 --> 00:34:39,766
(translated):
The Maya constructed cities
and buildings
617
00:34:39,866 --> 00:34:43,133
that were in some way
aligned to the sun.
618
00:34:43,233 --> 00:34:46,466
NARRATOR:
Pepe Huchim is Maya.
619
00:34:46,566 --> 00:34:50,433
He grew up among these ruins and
is now a leading archaeologist
620
00:34:50,533 --> 00:34:52,733
in Mexico's Yucatan Peninsula
621
00:34:52,833 --> 00:34:56,066
and site director of Uxmal.
622
00:34:56,166 --> 00:34:58,200
(Herrera speaking Spanish)
623
00:34:58,300 --> 00:35:00,400
HERRERA (translated):
The sun was the giver of life.
624
00:35:00,500 --> 00:35:02,433
It was the fundamental
nourishment that regulated
625
00:35:02,533 --> 00:35:04,666
the life of the Maya.
626
00:35:04,766 --> 00:35:06,633
(birds chirping)
627
00:35:06,733 --> 00:35:11,100
NARRATOR:
Here at Uxmal, one magnificent
building stands out.
628
00:35:11,200 --> 00:35:13,300
(Herrera speaking Spanish)
629
00:35:13,400 --> 00:35:15,133
HERRERA (translated):
The Governor's Palace
630
00:35:15,233 --> 00:35:17,766
is one of the most beautiful
structures in this region
631
00:35:17,866 --> 00:35:21,200
because of its exquisite lines
and finishes.
632
00:35:21,300 --> 00:35:22,900
♪
633
00:35:23,000 --> 00:35:25,400
(Herrera speaking Spanish)
634
00:35:25,500 --> 00:35:30,833
This is a primary indicator that
this was a very important place.
635
00:35:30,933 --> 00:35:36,366
NARRATOR:
Uxmal is built on the common
north-south grid.
636
00:35:36,466 --> 00:35:41,066
But Uxmal's greatest king,
Chan Chak K'ak'nal Ajaw,
637
00:35:41,166 --> 00:35:42,533
builds the Governor's Palace
638
00:35:42,633 --> 00:35:46,433
twisted 15 degrees
off this axis.
639
00:35:46,533 --> 00:35:48,433
MARY E. MILLER:
For so many years,
640
00:35:48,533 --> 00:35:51,833
people had noticed that
the Governor's Palace at Uxmal
641
00:35:51,933 --> 00:35:53,800
seemed a little bit
out of whack.
642
00:35:53,900 --> 00:35:56,000
(birds chirping)
643
00:35:56,100 --> 00:35:59,933
NARRATOR:
Art historian Mary Miller
finds the reason why
644
00:36:00,033 --> 00:36:02,433
written on the building's
facade.
645
00:36:02,533 --> 00:36:03,933
(birds chirping)
646
00:36:04,033 --> 00:36:06,600
The House of the Governor
is covered
647
00:36:06,700 --> 00:36:10,433
with thousands of glyphs--
the Maya form of writing.
648
00:36:10,533 --> 00:36:14,833
MILLER:
Maya writing is one
of the few full writing systems
649
00:36:14,933 --> 00:36:19,266
that ever evolved
in the history of humanity.
650
00:36:20,633 --> 00:36:25,133
NARRATOR:
Maya writing contains
more than 800 characters.
651
00:36:25,233 --> 00:36:29,000
Some are like letters,
representing certain sounds.
652
00:36:29,100 --> 00:36:32,800
Others, like those
on the Governor's Palace,
653
00:36:32,900 --> 00:36:37,800
represent entire words, names,
or concepts.
654
00:36:37,900 --> 00:36:41,166
The repetition
of one particular glyph
655
00:36:41,266 --> 00:36:44,433
is a clue to the building's
orientation.
656
00:36:44,533 --> 00:36:49,133
There were dozens and dozens
of these fantastic masks
657
00:36:49,233 --> 00:36:50,800
of Chaac the Rain God
658
00:36:50,900 --> 00:36:55,366
piled up in great stacks across
the House of the Governor.
659
00:36:55,466 --> 00:36:59,533
Under each and every eye
is the sign for Venus.
660
00:36:59,633 --> 00:37:05,166
NARRATOR:
The House of the Governor
contains close to 350 glyphs
661
00:37:05,266 --> 00:37:07,566
representing Venus.
662
00:37:07,666 --> 00:37:11,700
And Maya astronomer priests
write an entire book
663
00:37:11,800 --> 00:37:15,300
to track Venus,
the brightest body in the sky
664
00:37:15,400 --> 00:37:17,333
after the sun and moon.
665
00:37:17,433 --> 00:37:19,966
MILLER:
There are four surviving
Maya books,
666
00:37:20,066 --> 00:37:21,900
and it is really quite striking
667
00:37:22,000 --> 00:37:25,533
that one is entirely devoted
to the sequence of Venus.
668
00:37:25,633 --> 00:37:28,333
♪
669
00:37:28,433 --> 00:37:32,066
NARRATOR:
Mary stands in the doorway
where an astronomer priest
670
00:37:32,166 --> 00:37:35,733
would observe its elaborate
cycle on the horizon.
671
00:37:35,833 --> 00:37:37,666
♪
672
00:37:37,766 --> 00:37:40,066
MILLER:
Venus would line up
once every eight years
673
00:37:40,166 --> 00:37:42,066
with maximum brightness
674
00:37:42,166 --> 00:37:46,300
with the principal doorway
of the House of the Governor.
675
00:37:46,400 --> 00:37:49,533
NARRATOR:
The House of the Governor
is carefully positioned
676
00:37:49,633 --> 00:37:53,566
to align not with the sun,
but with Venus.
677
00:37:53,666 --> 00:37:57,966
♪
678
00:37:58,066 --> 00:38:00,766
MILLER:
This building was aligned
from the very beginning
679
00:38:00,866 --> 00:38:04,166
to Venus.
680
00:38:04,266 --> 00:38:07,066
It's the harvest of perhaps
a thousand years of knowledge
681
00:38:07,166 --> 00:38:08,833
about Venus,
682
00:38:08,933 --> 00:38:11,966
and imbuing Venus
with this much meaning.
683
00:38:12,066 --> 00:38:14,433
♪
684
00:38:14,533 --> 00:38:17,933
NARRATOR:
But why Venus?
685
00:38:18,033 --> 00:38:24,433
Understanding the cycles of the
sun helps guide agriculture.
686
00:38:24,533 --> 00:38:27,833
Why track other
celestial bodies?
687
00:38:27,933 --> 00:38:32,400
♪
688
00:38:32,500 --> 00:38:34,000
To investigate,
689
00:38:34,100 --> 00:38:38,366
Mary travels deep into the
jungles of Chiapas, Mexico,
690
00:38:38,466 --> 00:38:42,200
to the ruins of another
Maya city: Bonampak.
691
00:38:42,300 --> 00:38:45,900
♪
692
00:38:47,600 --> 00:38:53,233
♪
693
00:38:53,333 --> 00:38:56,666
MILLER:
The Bonampak murals
offer an extraordinary window
694
00:38:56,766 --> 00:39:00,300
into life at the end
of the eighth century.
695
00:39:00,400 --> 00:39:04,366
Here we find kings and captives,
696
00:39:04,466 --> 00:39:06,633
victors, the vanquished,
697
00:39:06,733 --> 00:39:11,400
all arrayed across three rooms
of a small painted structure.
698
00:39:11,500 --> 00:39:15,433
NARRATOR:
One mural records a scene
of the ritual torture
699
00:39:15,533 --> 00:39:18,700
and sacrifice
of prisoners of war.
700
00:39:18,800 --> 00:39:22,133
They were captured by the
warriors of Bonampak's king,
701
00:39:22,233 --> 00:39:25,066
Yajaw Chan Muwaan.
702
00:39:25,166 --> 00:39:29,600
Mary photographs the mural
with an infrared camera
703
00:39:29,700 --> 00:39:31,200
to reveal hidden details.
704
00:39:31,300 --> 00:39:33,366
(lens whirring)
705
00:39:33,466 --> 00:39:36,400
♪
706
00:39:36,500 --> 00:39:38,200
(camera clicks)
707
00:39:38,300 --> 00:39:40,133
MILLER:
What we see are captives.
708
00:39:40,233 --> 00:39:43,933
Some are still standing,
kneeling.
709
00:39:44,033 --> 00:39:45,500
♪
710
00:39:45,600 --> 00:39:51,366
Others have had their
fingernails ripped right out.
711
00:39:52,800 --> 00:39:56,966
NARRATOR:
Above the captives is a barely
visible row of glyphs.
712
00:39:58,866 --> 00:40:02,233
The infrared camera enhances
their outlines,
713
00:40:02,333 --> 00:40:06,400
which are then carefully painted
to bring the mural back to life.
714
00:40:06,500 --> 00:40:08,766
♪
715
00:40:08,866 --> 00:40:14,100
It reveals symbols like those
found on the Governor's Palace--
716
00:40:14,200 --> 00:40:16,966
stars.
717
00:40:17,066 --> 00:40:21,666
The glyphs portray
constellations.
718
00:40:21,766 --> 00:40:26,133
MILLER:
Above this scene of sacrifice
preside constellations,
719
00:40:26,233 --> 00:40:29,033
and it may very well be
720
00:40:29,133 --> 00:40:31,633
that this is how
the constellations aligned
721
00:40:31,733 --> 00:40:33,766
on the morning
of the sacrifice.
722
00:40:33,866 --> 00:40:39,233
NARRATOR:
Bonampak's ruler may have timed
the execution of his captives
723
00:40:39,333 --> 00:40:44,833
to the appearance of these stars
in the sky.
724
00:40:44,933 --> 00:40:50,433
(crickets chirping)
725
00:40:50,533 --> 00:40:54,700
MILLER:
One of the things we see
at both Uxmal and at Bonampak
726
00:40:54,800 --> 00:40:58,566
is how the power of the stars
727
00:40:58,666 --> 00:41:04,033
underpinned the very notions
of Maya statecraft.
728
00:41:04,133 --> 00:41:07,600
NARRATOR:
Maya leaders look
to heavenly bodies like Venus
729
00:41:07,700 --> 00:41:12,300
to guide decisions of war,
peace, and ritual sacrifice.
730
00:41:12,400 --> 00:41:14,433
♪
731
00:41:14,533 --> 00:41:18,266
And a new discovery is revealing
that Cahokia's leaders,
732
00:41:18,366 --> 00:41:20,266
hundreds of years later,
733
00:41:20,366 --> 00:41:24,000
are also looking to the sky
to govern their city.
734
00:41:24,100 --> 00:41:25,633
(birds chirping)
735
00:41:25,733 --> 00:41:27,100
KRIS HEDMAN:
I brought the field maps,
736
00:41:27,200 --> 00:41:30,733
and then I brought a couple of
other illustrations here.
737
00:41:30,833 --> 00:41:34,333
NARRATOR:
Tim Pauketat is meeting
Kris Hedman,
738
00:41:34,433 --> 00:41:39,200
a physical anthropologist
investigating Mound 72.
739
00:41:39,300 --> 00:41:41,866
PAUKETAT:
At the center of the mound
is where we start getting
740
00:41:41,966 --> 00:41:43,800
some of the sacrificial pits.
741
00:41:43,900 --> 00:41:46,700
Right.
742
00:41:46,800 --> 00:41:49,533
NARRATOR:
Mound 72 reveals Cahokians
743
00:41:49,633 --> 00:41:52,433
share a key ritual practice
with the Maya:
744
00:41:52,533 --> 00:41:55,300
human sacrifice.
745
00:41:55,400 --> 00:41:58,633
♪
746
00:41:58,733 --> 00:42:02,966
In the very center of mound 72
is a mass burial
747
00:42:03,066 --> 00:42:04,733
containing 53 young women.
748
00:42:04,833 --> 00:42:07,866
All killed at the same time,
all buried in the same place,
749
00:42:07,966 --> 00:42:11,466
all oriented
in the same direction.
750
00:42:11,566 --> 00:42:16,833
NARRATOR:
In Bonampak, the Maya sacrifice
prisoners of war,
751
00:42:16,933 --> 00:42:22,500
but here in Cahokia,
this burial is nearly all women.
752
00:42:22,600 --> 00:42:26,200
HEDMAN:
The fact that they're all young,
they're reproductive-age women,
753
00:42:26,300 --> 00:42:30,233
is reflective of a focus
on fertility.
754
00:42:30,333 --> 00:42:35,666
It seems much more tied
to cosmologic beliefs,
755
00:42:35,766 --> 00:42:38,800
to some sort of religious event.
756
00:42:38,900 --> 00:42:41,000
NARRATOR:
To Kris and Tim, the burial--
757
00:42:41,100 --> 00:42:44,200
women, all facing
the same direction--
758
00:42:44,300 --> 00:42:46,600
suggests a cosmic alignment.
759
00:42:46,700 --> 00:42:49,233
♪
760
00:42:49,333 --> 00:42:52,666
And native oral traditions
connect women to the moon.
761
00:42:52,766 --> 00:42:55,000
♪
762
00:42:55,100 --> 00:42:56,333
PAUKETAT:
The moon is tied mostly to women
763
00:42:56,433 --> 00:43:00,300
in the many native groups
in the eastern woodlands.
764
00:43:00,400 --> 00:43:03,733
It's also tied to fertility,
and the Earth, and agriculture,
765
00:43:03,833 --> 00:43:05,466
so possibly, then,
766
00:43:05,566 --> 00:43:07,800
these women are connected
767
00:43:07,900 --> 00:43:09,233
or offered in some way
768
00:43:09,333 --> 00:43:10,200
to those powers.
769
00:43:10,300 --> 00:43:14,266
♪
770
00:43:14,366 --> 00:43:17,866
NARRATOR:
The moon has a monthly cycle,
771
00:43:17,966 --> 00:43:20,933
but also follows
a longer pattern.
772
00:43:23,833 --> 00:43:25,666
Every 18-and-a-half years,
773
00:43:25,766 --> 00:43:29,200
it rises at its most
northern position,
774
00:43:29,300 --> 00:43:33,166
and then two weeks later,
at its most southern.
775
00:43:33,266 --> 00:43:37,533
This celestial event
last happened in 2006,
776
00:43:37,633 --> 00:43:42,266
and won't happen again
until 2025.
777
00:43:42,366 --> 00:43:45,200
It's called a lunar standstill.
778
00:43:45,300 --> 00:43:47,733
♪
779
00:43:47,833 --> 00:43:50,600
Tim calculates the position
of the lunar standstill
780
00:43:50,700 --> 00:43:54,566
and the direction
the bodies are pointing.
781
00:43:54,666 --> 00:43:55,800
PAUKETAT:
They are aligned
782
00:43:55,900 --> 00:43:57,633
with a major moonrise
that happens
783
00:43:57,733 --> 00:44:00,233
once every 19 years or so.
784
00:44:01,833 --> 00:44:05,333
NARRATOR:
Tim believes the 53 women
are buried in relationship
785
00:44:05,433 --> 00:44:09,566
to this once-in-a-generation
moon event.
786
00:44:09,666 --> 00:44:13,466
The discovery of Mound 72
and its lunar orientation
787
00:44:13,566 --> 00:44:15,333
is forcing Tim to rethink
788
00:44:15,433 --> 00:44:18,866
the entire city's
celestial alignments.
789
00:44:18,966 --> 00:44:22,800
♪
790
00:44:22,900 --> 00:44:26,266
But it also raises
a more fundamental question:
791
00:44:26,366 --> 00:44:29,033
why sacrifice?
792
00:44:29,133 --> 00:44:34,066
It is a ritual once practiced
by nearly every world culture,
793
00:44:34,166 --> 00:44:38,033
from slaying young men and women
on altars in Greece,
794
00:44:38,133 --> 00:44:43,866
to spectacles of executions
at the Colosseum in Rome,
795
00:44:43,966 --> 00:44:46,400
to sacrificing servants
in the tombs
796
00:44:46,500 --> 00:44:50,366
of China's Shang Dynasty rulers.
797
00:44:50,466 --> 00:44:53,600
Even the foundational story
of Christianity
798
00:44:53,700 --> 00:45:00,833
evokes God sacrificing
his own son to save the world.
799
00:45:00,933 --> 00:45:04,333
MILLER:
We find the whole notion
of offering another human being
800
00:45:04,433 --> 00:45:05,733
to the gods
801
00:45:05,833 --> 00:45:10,266
to be an extremely difficult
place to go in our own heads.
802
00:45:10,366 --> 00:45:13,366
♪
803
00:45:13,466 --> 00:45:17,600
But when I understand the
principles that lie behind it
804
00:45:17,700 --> 00:45:19,200
I can understand it.
805
00:45:19,300 --> 00:45:22,566
♪
806
00:45:22,666 --> 00:45:24,300
In Mesoamerican thought,
807
00:45:24,400 --> 00:45:28,533
the gods took their own blood
to shape humans,
808
00:45:28,633 --> 00:45:30,733
and so what the gods said
809
00:45:30,833 --> 00:45:34,033
that humans needed to offer
in return
810
00:45:34,133 --> 00:45:35,433
was human blood.
811
00:45:35,533 --> 00:45:37,766
♪
812
00:45:37,866 --> 00:45:40,733
CARRASCO:
What human beings have to do
is make offerings--
813
00:45:40,833 --> 00:45:43,633
blood offerings,
offerings of animals--
814
00:45:43,733 --> 00:45:46,300
and it's only in the giving
of these gifts
815
00:45:46,400 --> 00:45:49,066
that the gods then will release
into the world
816
00:45:49,166 --> 00:45:52,033
the agricultural productivities,
817
00:45:52,133 --> 00:45:53,733
the powers to recreate life,
818
00:45:53,833 --> 00:45:57,333
in both human form
and in other natural forms.
819
00:45:57,433 --> 00:45:59,066
♪
820
00:45:59,166 --> 00:46:02,266
PAUKETAT:
Aligning the bodies in the Earth
with the moon moving in the sky
821
00:46:02,366 --> 00:46:05,666
is, in a way, linking the sky
and the Earth,
822
00:46:05,766 --> 00:46:08,966
and life, which is above,
and death, which is beneath,
823
00:46:09,066 --> 00:46:11,733
here in mound 72.
824
00:46:11,833 --> 00:46:14,400
♪
825
00:46:14,500 --> 00:46:18,866
NARRATOR:
A new picture is emerging
of Cahokia.
826
00:46:18,966 --> 00:46:20,666
This Mississippi city of mounds
827
00:46:20,766 --> 00:46:23,733
shares the same
cosmological beliefs
828
00:46:23,833 --> 00:46:27,600
as the great cities
of Central and South America.
829
00:46:27,700 --> 00:46:29,600
♪
830
00:46:29,700 --> 00:46:34,200
Its people perform human
sacrifice as a sacred ritual,
831
00:46:34,300 --> 00:46:39,433
have a deep understanding of the
cycles of the sun and moon,
832
00:46:39,533 --> 00:46:43,400
and place great importance
on celestial alignments.
833
00:46:43,500 --> 00:46:46,900
♪
834
00:46:47,000 --> 00:46:51,700
But Cahokia's city grid
is five degrees off north,
835
00:46:51,800 --> 00:46:56,633
and not directly aligned
to the sun or moon.
836
00:46:56,733 --> 00:47:00,733
So what is Cahokia's
celestial alignment?
837
00:47:00,833 --> 00:47:05,866
Tim revisits the city grid.
838
00:47:05,966 --> 00:47:07,800
He maps the location of the sun
839
00:47:07,900 --> 00:47:12,166
at its southern and northern
extremes each year.
840
00:47:12,266 --> 00:47:15,666
Then he maps the moon at its
furthest north and south
841
00:47:15,766 --> 00:47:19,200
every 18.6 years.
842
00:47:19,300 --> 00:47:22,133
These lines form a rectangle,
843
00:47:22,233 --> 00:47:27,900
offset from north
by exactly five degrees.
844
00:47:28,000 --> 00:47:30,600
It's looking like, ultimately,
845
00:47:30,700 --> 00:47:33,833
that the five-degree offset
is referencing
846
00:47:33,933 --> 00:47:36,666
both the summer solstice sunrise
847
00:47:36,766 --> 00:47:40,866
and the southern maximum
lunar moonrise.
848
00:47:40,966 --> 00:47:44,366
♪
849
00:47:44,466 --> 00:47:48,933
NARRATOR:
Cahokia is a city of both
the sun and moon.
850
00:47:49,033 --> 00:47:50,566
♪
851
00:47:50,666 --> 00:47:52,766
PAUKETAT:
Cahokia is pretty clearly
852
00:47:52,866 --> 00:47:56,433
aligned both to the moon
and the sun,
853
00:47:56,533 --> 00:47:59,366
and that five degree
off north-south
854
00:47:59,466 --> 00:48:00,633
seems to be a solution,
855
00:48:00,733 --> 00:48:03,200
a way of unifying
the observations
856
00:48:03,300 --> 00:48:05,333
of both the sun and the moon.
857
00:48:05,433 --> 00:48:08,333
♪
858
00:48:08,433 --> 00:48:11,833
It draws together both the year
and the agricultural cycle
859
00:48:11,933 --> 00:48:13,133
with the sun,
860
00:48:13,233 --> 00:48:15,300
and then this longer cycle
of life and death
861
00:48:15,400 --> 00:48:18,133
with the moon.
862
00:48:18,233 --> 00:48:19,933
It's kind of the ultimate
cosmic city.
863
00:48:20,033 --> 00:48:27,500
♪
864
00:48:27,600 --> 00:48:30,100
NARRATOR:
Cahokia's festivals
of the sun and moon
865
00:48:30,200 --> 00:48:33,166
attract tens of thousands
of pilgrims.
866
00:48:33,266 --> 00:48:36,700
♪
867
00:48:36,800 --> 00:48:39,733
People come from hundreds
of miles away,
868
00:48:39,833 --> 00:48:43,600
racing through markets
and open plazas to participate.
869
00:48:43,700 --> 00:48:46,866
♪
870
00:48:46,966 --> 00:48:50,000
From atop its 120 mounds,
871
00:48:50,100 --> 00:48:53,700
religious leaders use
sacred astronomical knowledge
872
00:48:53,800 --> 00:48:58,933
to conduct ceremonies timed
to major sun and moon rises.
873
00:48:59,033 --> 00:49:00,700
♪
874
00:49:00,800 --> 00:49:06,233
(people singing
in another language)
875
00:49:06,333 --> 00:49:08,233
♪
876
00:49:08,333 --> 00:49:13,166
NARRATOR:
These beliefs are carried
throughout the Americas.
877
00:49:13,266 --> 00:49:17,300
WILLISTON:
It's a blessing every morning
to greet the dawn.
878
00:49:17,400 --> 00:49:19,666
You'll see the rays of the sun
start to hit the ground,
879
00:49:19,766 --> 00:49:20,866
start to hit the trees,
880
00:49:20,966 --> 00:49:22,566
and then it comes down
to the ground.
881
00:49:22,666 --> 00:49:25,433
(birds chirping)
882
00:49:25,533 --> 00:49:27,233
♪
883
00:49:27,333 --> 00:49:30,266
And we know, we know
we can't live without it.
884
00:49:30,366 --> 00:49:32,300
♪
885
00:49:32,400 --> 00:49:35,766
We understand that
as our Creator.
886
00:49:35,866 --> 00:49:37,600
♪
887
00:49:37,700 --> 00:49:40,800
PAUKETAT:
The sky is a fascinating thing.
888
00:49:40,900 --> 00:49:43,500
The sun moves.
889
00:49:43,600 --> 00:49:46,466
The moon moves.
890
00:49:46,566 --> 00:49:50,266
The stars rotate.
891
00:49:50,366 --> 00:49:52,533
And if those things
can be pulled
892
00:49:52,633 --> 00:49:54,433
into some understandable order,
893
00:49:54,533 --> 00:49:58,666
you can use them to help you
move through the world.
894
00:49:58,766 --> 00:50:00,400
♪
895
00:50:00,500 --> 00:50:01,800
And that's what a city does.
896
00:50:01,900 --> 00:50:07,800
A city relates all the
moving parts to a place,
897
00:50:07,900 --> 00:50:11,766
to some kind of axis,
or avenue, or monument,
898
00:50:11,866 --> 00:50:13,666
and then people can go there
and they can say,
899
00:50:13,766 --> 00:50:14,933
"Oh, yeah, I got it now,"
you know.
900
00:50:15,033 --> 00:50:16,533
"I understand
why the sun's up there
901
00:50:16,633 --> 00:50:17,833
and the Earth is down here."
902
00:50:17,933 --> 00:50:20,100
♪
903
00:50:20,200 --> 00:50:24,300
NARRATOR:
Cahokia is much more
than a place to live.
904
00:50:24,400 --> 00:50:27,500
It's a spiritual center
designed to connect people
905
00:50:27,600 --> 00:50:32,900
to fundamental beliefs
of life and death.
906
00:50:33,000 --> 00:50:37,466
CARRASCO:
Whenever you see these
great ceremonial centers
907
00:50:37,566 --> 00:50:40,166
in Peru and Mexico,
908
00:50:40,266 --> 00:50:44,800
and what is now
the United States,
909
00:50:44,900 --> 00:50:49,300
what you see is great confidence
that people came to feel
910
00:50:49,400 --> 00:50:53,866
that they had come to understand
how the cosmos worked.
911
00:50:53,966 --> 00:50:55,300
But they had a responsibility.
912
00:50:55,400 --> 00:50:58,633
And what it was was to build a
model of that in their community
913
00:50:58,733 --> 00:51:01,466
so that the human beings
themselves could participate
914
00:51:01,566 --> 00:51:04,000
in some active way
in this parallelism
915
00:51:04,100 --> 00:51:05,966
between the way the cosmos
was ordered
916
00:51:06,066 --> 00:51:09,300
and the way human life
was ordered.
917
00:51:09,400 --> 00:51:12,233
NARRATOR:
That desire to feel connected
to the cosmos
918
00:51:12,333 --> 00:51:15,266
transcends time and cultures.
919
00:51:15,366 --> 00:51:16,700
♪
920
00:51:16,800 --> 00:51:18,433
SUGIYAMA:
The Sun Pyramid still stands
921
00:51:18,533 --> 00:51:21,166
and massive crowds
still stand around it
922
00:51:21,266 --> 00:51:23,033
because you do feel
the connection
923
00:51:23,133 --> 00:51:25,166
when you're standing on top.
924
00:51:25,266 --> 00:51:26,933
♪
925
00:51:27,033 --> 00:51:30,433
It's the bodily experiences
of the natural landscape
926
00:51:30,533 --> 00:51:33,066
concentrated into one mound.
927
00:51:33,166 --> 00:51:37,300
♪
928
00:51:38,166 --> 00:51:42,600
♪
929
00:51:42,700 --> 00:51:47,033
NARRATOR:
The legacy of mounds lives on.
930
00:51:47,133 --> 00:51:49,200
The Choctaw from Oklahoma
and Mississippi
931
00:51:49,300 --> 00:51:52,333
reunite at their
ancestral mound,
932
00:51:52,433 --> 00:51:57,333
continuing an unbroken bond kept
alive since the Trail of Tears.
933
00:52:00,400 --> 00:52:02,966
Les Williston lights
a sacred fire
934
00:52:03,066 --> 00:52:06,766
to conclude their pilgrimage.
935
00:52:07,800 --> 00:52:10,500
WILLISTON:
This belongs to you,
our people.
936
00:52:10,600 --> 00:52:13,966
We've been here for a long time,
937
00:52:14,066 --> 00:52:16,800
and it's through the sacrifices
of our elders, our ancestors,
938
00:52:16,900 --> 00:52:18,433
that we are still here.
939
00:52:18,533 --> 00:52:20,733
They had to make
940
00:52:20,833 --> 00:52:23,900
a lot of hard decisions
to keep the people alive,
941
00:52:24,000 --> 00:52:25,333
and we must respect that.
942
00:52:25,433 --> 00:52:28,233
And this is our church.
943
00:52:28,333 --> 00:52:31,466
Right here under the trees,
944
00:52:31,566 --> 00:52:33,600
under the stars,
945
00:52:33,700 --> 00:52:35,233
where we belong.
946
00:52:35,333 --> 00:52:37,800
Now we'll light the fire.
947
00:52:43,566 --> 00:52:46,500
(crackling)
948
00:52:52,300 --> 00:52:55,300
(exhaling)
949
00:52:55,400 --> 00:52:59,300
♪
950
00:52:59,400 --> 00:53:01,900
NARRATOR:
Native Americans build cities
951
00:53:02,000 --> 00:53:06,100
aligned to the sun, moon,
and stars.
952
00:53:06,200 --> 00:53:10,500
Thousands of people
come for ceremonies and rituals,
953
00:53:10,600 --> 00:53:13,466
believing their participation
is essential
954
00:53:13,566 --> 00:53:16,033
for the perpetuation of life.
955
00:53:16,133 --> 00:53:18,600
In the process,
956
00:53:18,700 --> 00:53:22,033
over thousands of years
and across two continents,
957
00:53:22,133 --> 00:53:23,500
Native Americans create
958
00:53:23,600 --> 00:53:28,200
some of the greatest
civilizations on Earth.
959
00:53:28,300 --> 00:53:32,300
71932
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