All language subtitles for Terror.At.London.Bridge.1985.720p.WEBRip.x264.AAC-[YTS.LT]

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HE'S HEADING FOR THE BRIDGE.
DON'T LET HIM GET AWAY!

COME ALONG, LADS.
LET'S NOT LOSE HIM NOW.

I STILL DON'T KNOW
WHY WE'RE STOPPING HERE.

WE'RE JUST GONNA BE THAT MUCH
LATER GETTING TO VEGAS.

THERE'S SOMETHING
I WANT YOU TO SEE.

IT'S A VERY SPECIAL
TOURIST ATTRACTION.

I HATE TOURIST ATTRACTIONS.

TRUST ME, YOU'LL BE
GLAD YOU SAW THIS ONE.

KEEP YOUR EYES CLOSED.

THIS IS SILLY.

I WANT YOU TO GET
THE FULL IMPACT.

OKAY, OKAY. ALL RIGHT...

YOU CAN OPEN YOUR EYES.

THERE IT IS.
IT'S THE REAL LONDON BRIDGE.

THEY BROUGHT IT HERE
ALL THE WAY FROM ENGLAND,

STONE BY STONE.

OH, I CAN'T WAIT TO WALK ACROSS.

OH, HEY, I'M STARVING.
WE CAN WALK ACROSS AFTER WE EAT.

COME ON, THERE MUST BE A RESTAURANT
AROUND HERE THAT'S STILL OPEN.

THANK YOU.

I'VE BEEN MEANING TO ASK YOU...

DOES EVERYBODY AROUND HERE
DRESS LIKE THAT?

THIS IS THE MIDDLE
OF THE ARIZONA DESERT.

OH, SURE. HALF THE VILLAGE DOES.

LOCAL COLOR.

YOU FOLKS COMING TO THE BIG
DEDICATION TOMORROW MORNING?

DEDICATION?

MARKS THE FINAL
COMPLETION OF THE BRIDGE.

BUT I THOUGHT THEY
COMPLETED IT BACK IN 1971.

EXCEPT FOR ONE MISSING STONE.

A FEW MONTHS AGO, THEY FOUND THE
STONE AT THE BOTTOM OF THE THAMES RIVER.

BEEN DOWN THERE
FOR ALMOST A HUNDRED YEARS.

SO THEY SHIPPED IT OVER,
FITTED IT BACK IN THE BRIDGE,

AND TOMORROW
IS THE BIG DEDICATION.

I'M AFRAID WE'RE GONNA
HAVE TO MISS THAT.

WE'RE LEAVING FOR LAS VEGAS
IN THE MORNING, RIGHT, HON?

HE'S RIGHT. I GUESS
WE'LL JUST HAVE TO MISS IT.

THANK YOU.

GOOD NIGHT.

WE'D BETTER GET TO THE HOTEL.

YOU SAID WE COULD CROSS
LONDON BRIDGE.

YOU READ THE GATE SIGN.
THE PLACE SHUTS DOWN AT 10:00.

EVERYBODY'S SUPPOSED TO BE
GONE BY 10:30. THE BRIDGE IS CLOSED.

BESIDES, I'M WORRIED WE WON'T
GET A HOTEL ROOM THIS LATE.

WE CAN WALK ACROSS THE BRIDGE
IN THE MORNING BEFORE WE LEAVE.

I WANNA CROSS IT TONIGHT

WHEN IT'S ALL DARK AND EMPTY
AND MYSTERIOUS-LOOKING.

TELL YOU WHAT...

YOU GO CHECK IN FOR US
AT THE HOTEL,

I'll BE RIGHT OVER, I PROMISE.

PROMISE? PROMISE.

MMM, YOU BETTER HURRY,
OR WE'RE NOT GONNA GET A ROOM.

OH...

OW.

HELP!

SOMEBODY HELP ME!

HELP!

HELP!

HELP.

HELP.

AAH!

AND NOW, AS LORD MAYOR
OF THE CITY OF LONDON,

I TAKE GREAT PRIDE
IN OFFICIALLY UNVEILING

THIS FINAL STONE,

DRAWN UP FROM THE RIVER THAMES
AND DEDICATED HERE TODAY

TO MARK THE TRUE
AND FINAL COMPLETION

OF LONDON BRIDGE.

THANK YOU, MY LORD MAYOR.

WE ARE INDEED HONORED
BY YOUR PRESENCE HERE TODAY.

THIS STONE,
NOW OFFICIALLY PLACED,

FORMS YET ANOTHER LINK IN
THE MIGHTY CHAIN OF FRIENDSHIP

FORGED BETWEEN
OUR TWO COUNTRIES...

GREAT BRITAIN AND
THE UNITED STATES OF AMERICA.

AS LONDON BRIDGE ITSELF
SYMBOLIZES THIS ENDURING BOND,

A BOND THAT EXTENDS FOR US...

ARE YOU PETER DAWSON,
CHIEF OF POLICE? YES.

I WAS TOLD TO TALK TO YOU
ABOUT MY WIFE.

I'M VERY WORRIED. SHE DIDN'T
COME BACK TO THE HOTEL.

I'M ON DUTY HERE NOW.

COULD IT BE POSSIBLE FOR YOU TO DOWN
TO THE STATION AFTER THE CEREMONY?

WE CAN TALK THEN.WE'LL TALK NOW, DAMN IT.

MY WIFE IS MISSING.

I DEMAND THAT YOU
DO SOMETHING ABOUT IT.

GET RIDOF HIM.

THIS IS DETECTIVE GREGORY.

RIGHT THIS WAY.
WE'LL TALK OVER HERE.

IT'S GONNA BE FINE.

BY EVERY MAN,
WOMAN, AND CHILD...

SO WHAT DO YOU THINK OF HIM?

OF WHO?

THE NEW COP... DON GREGORY.

HE'S ONLY BEEN HERE
A MONTH FROM CHICAGO,

AND HE'S SINGLE.

JUST HAVE A SEAT
IN THE SHADE IN THERE.

LOOK, I'M DAVID WILLIAMSON.
ALICE... SHE'S MY WIFE...

WE WERE PASSING THROUGH
ON THE WAY TO VEGAS.

I LEFT ALICE HERE A LITTLE
AFTER 10:00 LAST NIGHT.

WHY'D YOU DO THAT?

SHE WANTED TO WALK ACROSS,
BUT I WAS EXHAUSTED

AND WORRIED WE WOULDN'T
BE ABLE TO BOOK A ROOM,

SO I TOOK OFF TO THE HOTEL.

SHE WAS GONNA MEET ME THERE.

WHAT'D YOU DO AFTER THAT?

I WENT STRAIGHT TO THE HOTEL.

I'D BEEN DRIVING ALL DAY,
I WAS REALLY BEAT.

I FELL ASLEEP WAITING FOR ALICE.

WHEN I WOKE UP, IT WAS
DAYLIGHT, AND SHE WASN'T BACK.

I WENT TO THE POLICE STATION,
THEY TOLD ME TO COME HERE.

SOMETHING'S HAPPENED
TO HER. I KNOW IT.

MR. WILLIAMSON, HOW MUCH MONEY
DID YOUR WIFE HAVE IN HER PURSE?

THAT'S WHAT WORRIES ME.

WE WERE PLANNING ON
GAMBLING IN VEGAS,

AND ALLIE HAD A LOT
OF CASH IN HER PURSE.

HOW MUCH IS A LOT?

OVER $1,000.

$1,000. WE'LL BE IN TOUCH, OKAY?

DON'T WORRY ABOUT YOUR WIFE.

PEOPLE JUST DON'T DISAPPEAR
IN HAVASU. COME ON.

MY GOD.

YOU SAY YOU'VE NEVER SEEN
THE WOMAN BEFORE.

NO.

NO, NOT...

YOU OKAY? TAKE IT EASY.

YEAH. IT'S JUST I'VE NEVER
SEEN ANYBODY WHO'S BEEN...

I CAN UNDERSTAND THAT.

YOU OWN THE LUCKY LADY?

YEAH. I RUN RIVER TOURS
ON THE WEEKENDS,

AND I HIRE OUT FOR FISHING
DURING THE WEEK.

WHO WAS SHE?

SHE WAS A TOURIST.
NAME WAS ALICE WILLIAMSON.

WHY WOULD ANYBODY
WANT TO KILL HER?

WE DON'T KNOW THAT YET.

UM, IS IT OKAY IF I GO?

I CAN'T THINK OF ANYTHING ELSE
I MIGHT BE ABLE TO TELL YOU.

YEAH, SURE. I'll HAVE
ONE OF MY MEN DRIVE YOU HOME.

THAT'S ALL RIGHT.
MY CAR IS HERE AT THE MARINA.

I CAN DRIVE MYSELF.

YOU SURE YOU'RE OKAY?
YOU SEEM PRETTY SHAKEN.

I'll BE OKAY, REALLY.

ALL RIGHT. I'll BE IN TOUCH.

YEAH.

THANK YOU.

Woman over P.A.: OFFICER KENNEDY,

PLEASE REPORT
TO STAIRWAY LOCATION.

Man: THIS AREA IS NOW
UNDER POLICE CONTROL.

AND IS RESTRICTED
TO AUTHORIZED PERSONNEL ONLY.

HEY, DON.YEAH.

WE GOT THE PRELIM REPORT BACK
FROM THE LAB ON THE DECEASED.

THEY FOUND A FRAGMENT
OF CLOTHING

UNDERNEATH ONE OF HER
FINGERNAILS.

DAWSON THINKS YOU BETTER
TAKE A LOOK AT IT.

I'll STOP BY
ONCE I'M FINISHED HERE.

DID YOU FIND ANYTHING?

BLOODSTAINS UP THERE PROVE
SHE WAS KILLED AT THE BRIDGE.

BODY WAS PITCHED INTO THE WATER,

AND IT LOOKS LIKE THE CURRENT
TRAVELED IT TO THOMPSON BAY.

YEAH, WELL, YOU GOT PROBLEMS.

AH, DETECTIVE... I JUST TALKED
TO THE CITY COUNCIL.

THEY'RE VERY UPSET.

ABOUT WHAT?

CLOSING THE VILLAGE.

IT'S A FINE TIME
YOU PICKED TO DO IT, TOO.

YESTERDAY WE HAD EVERYBODY HERE.
MAJOR MEDIA COVERAGE.

SOME OF 'EM ARE STILL HERE,
AND YOU'RE DRIVING 'EM AWAY.

WE'RE CONDUCTING A SEARCH IN
THE INVESTIGATION OF A HOMICIDE.

WE CAN'T HAVE A HERD OF PEOPLE
STAMPEDING THROUGH HERE

WHILE WE'RE DOING IT.

WHAT DO YOU EXPECT TO FIND?
THERE'S NO MYSTERY ABOUT IT.

OH, REALLY?

THE WOMAN HAD CASH IN HER PURSE,
HER PURSE IS MISSING.

OBVIOUSLY SOME PASSING TRANSIENT
KILLED HER FOR THE MONEY.

PROBABLY HALFWAY
TO PHOENIX BY NOW.

YOU SHOULD'VE BEEN A DETECTIVE.

LOOK, DETECTIVE GREGORY, I
DON'T INTEND TO ARGUE WITH YOU.

AS HEAD OF THE CITY COUNCIL,

I DEMAND YOU REOPEN
THE VILLAGE IMMEDIATELY.

THE VILLAGE WILL BE REOPENED ONCE WE
COMPLETE THE SEARCH AND NOT A MINUTE BEFORE.

I'M GOING TO THE CHIEF
OF POLICE WITH THIS.

YOU DO THAT. I'M ACTING
ON HIS AUTHORITY.

NOW, THAT IS A MEAN MAN
TO HAVE AGAINST YOU.

HE PACKS A LOT OF POWER
IN THIS TOWN.

I WASN'T HIRED TO PROMOTE
LOCAL BUSINESS, ALL RIGHT?

COME ON, WE GOT
A KILLER TO CATCH.

JUST WALK SOFT AROUND THE MAN,
THAT'S ALL I'M SAYING.

I GOT IT.

Man: OFFICER BARLOW, CHECK
OUT THE CHAMBER OF HORRORS.

ANMAR, EDWARDS, CAHILL,

COVER THE OTHER SHOPS
ALONG THAT SIDE.

THIS CAME FROM UNDER THE NAIL

OF THE DECEASED'S
RIGHT FOREFINGER.

WHAT ABOUT THE CLOTHING
IT CAME FROM?

YOU GOT ANYTHING ON THAT?

NOT YET. WE'RE SENDING A
FIBER SAMPLE DOWN TO PHOENIX.

THEY SHOULD BE ABLE TO HELP US,
BUT LET ME SHOW YOU SOMETHING.

TAKE A LOOK AT THIS.

THAT'S BLOOD
FROM ALICE WILLIAMSON.

SO?

SO CHECK THIS...

THAT'S BLOOD, TOO, BUT NOT HERS.

YET IT CAME FROM THE SAME BLADE.

A FRAGMENT MUST HAVE
ADHERED TO HER THROAT.

SO IT'S POSSIBLE THIS GUY'S KILLED
BEFORE USING THE SAME WEAPON...

COULD BE. KILLER COULD HAVE
CUT HIMSELF. BLOOD COULD BE HIS.

BUT I DON'T MAKE GUESSES.
THAT'S YOUR DEPARTMENT.

HA. THANKS A LOT.
I'll SEE YOU AROUND.

YOU'LL LET US KNOW
WHEN YOU HEAR FROM PHOENIX?

YOU GOT IT.

DETECTIVE GREGORY...

I'M ELAINE GARDENER FROM
THE SAN FRANCISCO DISPATCH.

I'VE BEEN WAITING HERE
TO TALK WITH YOU.

HOW'D YOU GET MY ADDRESS?

FROM DETECTIVE NEZ.

I TOLD HIM I NEEDED TO SPEAK TO
YOU AFTER YOU GOT OFF FROM WORK.

WHAT ABOUT?

THE WILLIAMSON MURDER.

I'M LOOKING FOR PERSONAL ANGLES.

AND SINCE YOU'RE THE OFFICER
IN CHARGE OF THE INVESTIGATION...

WEREN'T YOU AT THE BRIDGE
DEDICATION YESTERDAY?

THAT'S WHAT ORIGINALLY BROUGHT
ME DOWN HERE, THE BRIDGE STORY,

BUT FOR THIS TRIP, I'M ENDING
UP WITH A MUCH BETTER ONE.

CAN WE TALK INSIDE?

I'D APPRECIATE GETTING
YOUR VIEWS ON THIS CASE.

AS LONG AS WHAT I SAY
IS OFF THE RECORD.

I DON'T WANNA BE QUOTED. AGREED?

AGREED.

NOW CAN WE GO INSIDE?

YEAH, SURE. COME ON.
I'M DOWN HERE AT THE END.

ALL RIGHT.

OH, THERE YOU ARE.
BOY, DID WE SCREW UP.

WHAT DO YOU MEAN?

I SHOULD'VE NEVER GIVEN
THAT REPORTER YOUR ADDRESS,

AND YOU SHOULD'VE
NEVER TALKED TO HER.

IT'S OKAY, PAL,
IT WAS OFF THE RECORD.

THAT'S WHAT SHE SAID.

DAMN IT.

THE CHIEF IS VERY UPSET.

I CAN'T UNDERSTAND WHY.

HE WANTS TO SEE YOU.MM-HMM.

NOW.NOW?

NOW.

WHAT THE HELL IS THIS ALL ABOUT?

I ANSWERED SOME QUESTIONS
OFF THE RECORD,

AND THE LADY PROMISED
NOT TO QUOTE ME.

SIT DOWN. WHITFIELD
AND HIS CITY-COUNCIL PEOPLE

ARE CONVINCED
THIS WAS A RANDOM KILLING.

YOU COME OUT WITH THIS PIECE
REJECTING THEIR THEORY.

I TOLD HER THE WAY I SEE IT.

AND JUST HOW'S THAT?

THERE'S SOMETHING WEIRD
ABOUT THIS MURDER.

I DON'T THINK
ALICE WILLIAMSON WAS KILLED

FOR THE MONEY IN HER PURSE.

WHAT MAKES YOU SAY THAT?

TRUE CRIME HAPPENS TO BE
A HOBBY OF MINE.

I'VE BEEN A STUDENT
OF CRIMINAL BEHAVIOR

ALL MY LIFE.

I'M TELLING YOU,
THE M.O. IS ALL WRONG HERE.

IF THIS WAS SOME ROAD BUM
OUT TO SCORE A PURSE,

HE'D CLUB HIS VICTIM
OR FLASH A KNIFE TO SCARE HER.

HE WOULDN'T CUT HER THROAT.

THAT'S A THEORY, GREGORY!

THAT'S ALL IT IS, A THEORY,
AND IT'S YOUR THEORY.

I DON'T WANNA SEE YOUR THEORIES
IN THE NEWSPAPER, ALL RIGHT?!

THIS IS LAKE HAVASU,
NOT CHICAGO.

AROUND HERE,
WE DO THINGS MY WAY.

IT'S NO BIG DEAL.
WE JUST DO 'EM MY WAY.

HEY, YOU READ ME, DON'T YOU?

LOUD AND CLEAR.

GOOD. OUT.

YEAH.

WE GOT THE LAB REPORT
IN FROM PHOENIX. AND...

A LITTLE SPOOKY.

I DOUBLE-CHECKED,
AND WHAT THEY FOUND...

IS WHAT THEY FOUND.

YOU'D BETTER GET OVER HERE.

OKAY, I'M HOOKED.
BE RIGHT THERE.

HI.

HI.

HERE'S THE REPORT.

THIS IS THE SPOOKY PART.

YEAH, I SEE WHAT YOU MEAN.

THEY'RE CERTAIN THIS FABRIC
COMES FROM THE LAST CENTURY?

ABSOLUTELY. WE DON'T HAVE THE LAB
EQUIPMENT FOR DATING FABRIC HERE,

BUT PHOENIX DOES,
AND I DID DOUBLE-CHECK.

IT'S JUST THAT
YOUR EVERYDAY KILLER

DOESN'T RUN AROUND WEARING
HUNDRED-YEAR-OLD CLOTHES.

THAT'S NOT ALL.
THERE'S THE BLOOD.

YOU MEAN FROM ALICE WILLIAMSON.

NO. THE OTHER FRAGMENT
WE FOUND ON HER THROAT.

WHAT ABOUT IT?

JUDGING FROM THE TEXTURE
AND THE COLORATION

AND THE GENERAL COMPOSITION
OF THE FRAGMENT,

IT'S OLD BLOOD.

HOW OLD?

THERE'S NO WAY
TO TELL FOR CERTAIN.

YOU CAN'T DATE BLOOD
THE WAY YOU CAN CLOTH,

BUT IF YOU WANT
A BALLPARK ESTIMATE,

IT'S POSSIBLE IT'S ALSO
FROM THE LAST CENTURY.

HUNDRED-YEAR-OLD BLOOD?

DON'T QUOTE ME.
THAT'S STRICTLY UNOFFICIAL.

LIKE YOU SAID, SPOOKY.

I'll SEE YOU. THANKS A LOT.

I THOUGHT MAYBE
YOU WANTED A RIDE HOME.

YES, THANK YOU.

SORRY.

COME ON.

SO, YOU'RE CHECKING OUT AGAIN.

THAT'S RIGHT. HOW MUCH
DO I OWE YOU THIS TIME?

YOU KNOW, YOU'RE GETTING
TO BE OUR BEST CUSTOMER,

COMING AND GOING THE WAY YOU DO.

I KNOW. THREE TRIPS DOWN HERE
IN THE SAME MONTH.

I THINK I'VE TALKED
TO EVERYONE I NEED TO.

ARE YOU DOING ANOTHER STORY
ABOUT THE MURDER

FOR THAT NEWSPAPER OF YOURS?

NO. THIS ONE'S A FEATURE
FOR A MAJOR NEW YORK MAGAZINE.

AN EXCLUSIVE.

WOULD YOU LIKE ME
TO CALL YOU A CAB?

NO, THANKS. I'M NOT GOING
TO THE AIRPORT QUITE YET.

I WANNA PROWL AROUND SOME MORE,
KIND OF GET ONE LAST IMPRESSION.

SUIT YOURSELF. BYE-BYE.

BYE.

LISTEN, YOU BE CAREFUL,
YOU HEAR?

HERE IN THE SHADOW
OF THIS ANCIENT BRIDGE

AT THIS PLACE OF VIOLENT MURDER,

IT'S EASY TO IMAGINE HOW
ALICE WILLIAMSON MUST'VE FELT...

WITH THE KILLER STALKING HER
IN THE DARKNESS.

I CAN FEEL THE...

I CAN FEEL
THE VIBRATIONS OF DEATH HERE.

WALKING THESE DARK STREETS
ALONE HERE IN THE VILLAGE

IS LIKE BEING PART
OF ANOTHER ERA,

ANOTHER CENTURY...

A VIOLENT TIME OF DISEASE,
STARVATION, AND MURDER...

AAH!

YOU ALL RIGHT?

I'M SORRY. I GOT CARRIED AWAY.

YOU? I ALMOST GOT CARRIED AWAY.

WHERE THE HELL DID YOU
LEARN HOW TO BOX LIKE THAT?

SOUTH SIDE OF CHICAGO.
YOU LEARN REAL FAST.

YEAH?

WAIT, WAIT.
YOU SURE YOU'RE OKAY?

YEAH!

THE LOCKER ROOM'S THIS WAY.

I KNOW.

YOU WERE PRETTY INTENSE
OUT THERE.

SOMETHING BUGGING YOU?

THAT REPORTER WHO GOT ME
IN TROUBLE WITH DAWSON.

WHAT ABOUT HER?

SHE CAME BACK IN TOWN AGAIN.
LEFT A MESSAGE ON MY MACHINE

THAT SHE WANTED TO APOLOGIZE
FOR THE NEWS STORY.

ASKED ME TO PHONE HER
AT THE MOTEL.

SO DID YOU?

YEAH, I DID. COULDN'T REACH HER.

I CHECKED BACK THIS MORNING.
SHE LEFT AGAIN LAST NIGHT.

GONE BACK TO 'FRISCO.

THAT'S WHAT I FIGURED,
SO I PHONED UP THERE.

THEY HAVEN'T HEARD FROM HER.
THEY DON'T KNOW WHERE SHE IS.

SHE TOOK OFF ON ANOTHER STORY.
REPORTERS DO THAT, YOU KNOW.

MAYBE, BUT SHE DIDN'T
USE A RENTAL CAR.

NONE OF THE LOCAL CABBIES
REMEMBER DRIVING HER TO AIRPORT.

THINK SHE'S STILL IN TOWN?

I DON'T KNOW. I HOPE SHE DIDN'T
RUN INTO THE SAME WEIRDO

ALICE WILLIAMSON DID.

HEY, WILL YOU
LISTEN TO YOURSELF?

YOU'RE LETTING THE
WILLIAMSON CASE GET TO YOU.

YOU COME OUT HERE FROM CHICAGO
TO EASE UP ON YOUR LIFE,

SO TAKE ADVANTAGE
OF WHAT WE GOT AROUND HERE...

WE GOT THE MOUNTAINS,
THE LAKE, THE DESERT.

THE ONLY THING YOU'VE SEEN
IS THE BACK OF YOUR DESK.

WHAT DO YOU SAY?

HONESTLY, I THINK YOU'RE
ABSOLUTELY RIGHT.

I COULD USE SOME R & R.

ALL RIGHT. OKAY, THANKS.

I THINK I KNOW JUST WHO TO CALL.

HELLO.

HI. IT'S DON GREGORY.

DETECTIVE GREGORY, YEAH.
IS THIS ANOTHER OFFICIAL CALL?

NOPE. IT'S A PERSONAL ONE.

WANNA MAKE A RESERVATION
ON YOUR BOAT FOR WEDNESDAY.

YOU WANNA FISH?

I SURE DO.

HAVE YOU DONE MUCH FISHING?

ARE YOU KIDDING?
I'M AN OLD LAKE MICHIGAN BOY.

JUST BE AT THE MARINA ABOUT 8:00.

WE LEAVE AT 8:15 SHARP. GOT IT?

YOU GOT IT. I'll BE THERE.

OH, CAN I HELP YOU?

I'M IN NEED OF LODGING.
YOU HAVE ROOMS?

SURE DO. HOW LONG
DO YOU PLAN ON STAYING?

A WHILE.

OH... WOULD YOU MIND
REGISTERING, SIR?

JUST YOUR NAME
AND ADDRESS, PLEASE.

NO HOME ADDRESS?

I'M FROM OVERSEAS.
I'M JUST VISITING YOUR COUNTRY.

OH, FIRST TIME OVER HERE?

YES... MY FIRST.

WELL, HERE'S YOUR KEY.

NUMBER TEN...
JUST DOWN A FEW DOORS.

GOOD DAY.

HELLO.

MY NAME IS ROGER EDDINGTON,
AND YOU ARE...?

LYN CHANDLER.

A PLEASURE.

AND YOU ARE THE LIBRARIAN HERE?

YES, THAT'S RIGHT.

I HAPPEN TO BE FASCINATED
WITH THE PAST.

WOULD YOU HAVE ANYTHING
ON MODERN AMERICAN HISTORY?

OF COURSE. OUR HISTORY SECTION
IS RIGHT THERE IN SECTION "D."

TO THE LEFT.

WOULD YOU LIKE ME TO SHOW YOU?

HOW VERY KIND OF YOU.

I HOPE YOU DON'T MIND
MY SAYING SO,

BUT I LOVE YOUR ENGLISH ACCENT.

I TAKE IT YOU WORK
IN THE VILLAGE?

MY CLOTHES. AH, YES,
I AM ONE OF THE BRITISHERS

RECENTLY IMPORTED
TO YOUR FAIR CITY

TO, SHALL WE SAY, HELP
AUTHENTICATE THE ATMOSPHERE.

AT LEAST THE WAGE IS ATTRACTIVE.

OH, YOU DON'T LIKE IT HERE?

I MISS LONDON TERRIBLY.

AND I MAY AS WELL CONFESS IT...

I'M QUITE LONELY HERE
IN YOUR SUNNY ARIZONA.

DINING ALONE, FOR INSTANCE.
IT'S MOST DISAGREEABLE.

PERHAPS AT SOME FUTURE TIME,
WE MIGHT DINE TOGETHER.

OR AM I BEING TOO FORWARD?

NO.

UH, NO, NO. I THINK
THAT WOULD BE VERY NICE.

SPLENDID.

I REALLY MUST BE GOING.

I DIDN'T REALIZE IT WAS SO LATE.

NO TIME FOR HISTORY TODAY,
I FEAR.

OH, WELL, THE BOOKS ARE HERE.

THEY'LL BE WAITING FOR YOU
WHEN YOU WANT THEM.

THANK YOU.

I VERY MUCH ENJOYED
OUR CONVERSATION.

SO DID I.

HEY. HI.

THOSE THE BOOKS
I ORDERED FROM PHOENIX?

YEAH. THEY JUST CAME IN
THIS MORNING.

I WAS JUST GONNA CALL YOU.

HERE'S MY CARD.

I KNOW WHO YOU ARE.

SO, YOU'RE GOING OUT
WITH ANGIE ON THE BOAT, HUH?

HOW'D YOU KNOW THAT?

OH, WE'RE OLD PALS.
SHE MENTIONED YOUR CALL.

I'M GOING ON WEDNESDAY.
GIVE IT A TRY.

GOOD LUCK.

THANK YOU.

HOWDY.

HI. WHERE'S YOUR GEAR?

BACK IN CHICAGO. YOU DO
RENT EQUIPMENT, DON'T YOU?

SURE WE DO. NO PROBLEM.
EVEN GOT THE BAIT.

TERRIFIC.

GET THE STERN LINE,
WILL YOU? YOU GOT IT.

EXCUSE ME.

THAT'S THE STERN LINE.

AH... I KNEW THAT.

UH-HUH.

OKAY, WE'RE OFF.

TOM HALE. THIS IS MY WIFE LUCY.

DON GREGORY. HOW YOU DOING?

LOOKS LIKE A GOOD DAY FOR
FISHING. YOU'RE AN OLD HAND, HUH?

YEAH, I'M AN OLD HAND.

YOU GOT ONE OF THOSE...

HA. ONE OF THOSE.

UH-HUH.

AI, AI, AI, AI.

AN OLD LAKE MICHIGAN BOY, HUH?

I LIED. I'VE NEVER BEEN
FISHING BEFORE IN MY LIFE.

THEN WHY ARE YOU OUT HERE?

SIMPLE. I WANTED TO SEE
YOU AGAIN, GET TO KNOW YOU.

YOU'RE NOT MARRIED, ARE YOU?

NO, I'M NOT. BEEN CLOSE
A COUPLE TIMES.

I JUST HAD A RELATIONSHIP
BREAK UP BEFORE I CAME OUT HERE.

YOU LEAVE HER,
OR DID SHE LEAVE YOU?

LITTLE BIT OF BOTH, I GUESS.

SOMETHING HAPPENED
ON THE JOB IN CHICAGO,

AND SHE COULDN'T HANDLE IT.

HOW ABOUT YOU?

MY HUSBAND DIED
ABOUT THREE YEARS AGO.

I'M SORRY.

ROUGH, HUH?

YEAH, IT WAS
FOR A WHILE, ANYWAY.

AFTER HIS DEATH, I WENT AND
LIVED WITH MY SISTER IN PHOENIX.

AND THEN I CAME OUT HERE.

I GOT USED TO BEING ALONE.
NOW I LIKE IT.

HEY, I GOT ONE.

WHO'S THERE?

IT'S ME.

OH. COME ON IN.
I'M ALMOST FINISHED.

HI.

SO, HOW DID IT GO?

HOW'D WHAT GO?

YOUR DATE WITH DON GREGORY.

MY DATE. HE PAYS ME
TO TAKE HIM FISHING,

AND HE CAN'T EVEN FISH.

PROVES IT WAS A DATE.
HE WAS FISHING FOR YOU.

MM-HMM. YOU ADMIT IT.

HE IS REALLY A NICE GUY.

I GET THE FEELING THINGS MOVE
A LITTLE FASTER IN CHICAGO.

OH, ANGIE, WHAT'S
HOLDING YOU BACK?

I DON'T KNOW.

I DON'T THINK I'M READY FOR ANOTHER
HEAVY RELATIONSHIP RIGHT NOW,

ESPECIALLY WITH A CHICAGO COP.

LAKE HAVASU COP.

HE ASKED ME TO GO
RIDING WITH HIM.

YOU GOING?

MAYBE.

MAYBE NOT.

SO HOW'S YOUR LOVE LIFE?

PLEASE.

BUT IT COULD BE
ABOUT TO IMPROVE.

I JUST MET THIS VERY BRITISH GUY,

ACCENT AND EVERYTHING.

TALKED ABOUT
INVITING ME OUT FOR DINNER.

TALKED ABOUT IT?
WHAT DOES THAT MEAN?

YOU KNOW HOW RESERVED
THE BRITISH ARE.

I THINK THE NEXT TIME HE COMES IN
FOR SOME BOOKS, HE'LL ASK ME OUT.

SAID HE WAS REAL LONELY
HERE IN ARIZONA.

DOES HE WORK HERE
IN THE VILLAGE?

YEAH. AND MY MOTHER'S
BIRTHDAY IS COMING UP,

SO I'll PROBABLY END UP THERE.

OH, THAT'LL BE CONVENIENT.

YES. I MAY JUST BUMP INTO HIM.

WHO KNOWS? MAYBE
WE'LL BOTH GET LUCKY.

YOU MEAN YOU'RE GOING RIDING?

WELL, I'M CONSIDERING IT.

I'M DONE CONSIDERING
IT. I'M GOING.

Woman: HAVASU SUN.

SORRY, HE'S NOT AVAILABLE.
HE'S IN A MEETING NOW.

Man: HARRY, YOU GOT THAT
SLUG FOR THE LEAD SHEET?

SO WHY DON'T YOU
TELL THE FOLKS, ED,

THAT THERE'S NO FURTHER REASON
TO FEAR ANY VIOLENCE HERE?

THEN YOU'VE SOLVED
THE AUGUST 7th MURDER?

WE ARE ABSOLUTELY SATISFIED
MRS. WILLIAMSON

FELL VICTIM
TO A RANDOM ACT, RANDOM.

THAT MEANS THAT
IT WON'T HAPPEN AGAIN.

BUT YOU DON'T HAVE THE KILLER?

ED, IF HE WERE STILL IN THE
AREA, WE WOULD HAVE HIM BY NOW.

THE GUY WAS A TRANSIENT.

THAT MEANS THIS TYPE OF CRIMINAL...
HE STRIKES, AND THEN HE SPLITS.

I INTERVIEWED DETECTIVE GREGORY
RIGHT AFTER THE CRIME.

HE REJECTED THE THEORY
OF A TRANSIENT KILLER.

WELL, I THINK DON JUST ABOUT
CHANGED HIS MIND ON THAT SCORE.

WHAT DO YOU SAY, BUDDY BOY?

IT'S POSSIBLE A TRANSIENT
KILLED ALICE WILLIAMSON.

IT'S THE ONLY
LOGICAL ASSUMPTION, DON.

WELL, THEN,
THAT'S WHAT I'll WRITE.

GOOD. THAT ABOUT
WRAPS IT UP, THEN, ED.

MUCH OBLIGED. WE'LL SEE
YOU DOWN AT THE CLUB.

COME ON.

I WAS HOPING YOU'D BACK ME UP
WITH A LITTLE MORE ENTHUSIASM.

I'M NOT MUCH OF A POLITICIAN.

I'M NOT ASKING FOR
POLITICAL POSTURING.

I'M ASKING FOR
DEPARTMENTAL LOYALTY.

THERE IS A DIFFERENCE, HOTSHOT.

DAWSON HAS A RIGHT TO BE MAD.

LOOK, THERE'S ABSOLUTELY
NO REASON TO BELIEVE

THAT THIS IS ANYTHING
OTHER THAN A RANDOM KILLING.

I GOT A REASON.

YOUR VANISHING REPORTER?

YEP. CALLED
THE SAN FRANCISCO NEWSPAPER.

SHE HASN'T SHOWED UP YET.
STILL DON'T KNOW WHERE SHE IS.

ARE THEY WORRIED?

NO. SHE'S A FREELANCER.
REALLY DOESN'T WORK THERE.

SHE ZIPS AROUND CHASING STORIES.

THERE YOU GO. NOW, IF THEY'RE
NOT WORRIED, WHY ARE YOU?

I'D JUST LIKE TO KNOW
WHERE SHE IS.

WHOA. WHOA.

YOU WANNA STOP?

I THOUGHT YOU'D NEVER ASK.

FUN, HUH?

I NEVER KNEW RIDING
WAS SO MUCH WORK.

YOU LIKE TO SHOOT?

WHAT?

TARGET SHOOT.
KIND OF A HOBBY OF MINE.

NOT TOO BAD AT IT, EITHER.

COME ON.

WHOA, WHOA, WHOA.

WHAT DO YOU THINK, I GET ALL
THREE FOR THREE, HUH?

GO FOR IT.

ONE...

I DON'T BELIEVE I MISSED THAT.

I DON'T BELIEVE
I MISSED THE LAST ONE.

THAT'S PRETTY GOOD.

I'M NOT TOO BAD.

WANNA GIVE IT A TRY?

NO, THANKS, I'll PASS.

PASS? I THOUGHT COPS AND GUNS
WENT TOGETHER LIKE HAM AND EGGS.

NO... THANKS.

IF YOU REALLY DON'T WANT TO,
THAT'S OKAY.

SIT DOWN FOR A SECOND.

REMEMBER I TOLD YOU

SOMETHING HAPPENED
ON THE JOB IN CHICAGO...

AND EVERYTHING WENT
KIND OF HAYWIRE AFTERWARDS?

YEAH, BUT YOU DIDN'T
SAY WHAT IT WAS.

I SHOT A KID.

I KILLED HIM.

WANNA TALK ABOUT IT?

WELL, I HAVEN'T WITH ANYBODY,
NOT SINCE IT HAPPENED.

MAYBE YOU NEED TO TALK ABOUT IT.

THE...

THIS KID WAS ROBBING
A LIQUOR STORE, A NIGHT JOB.

WE GOT THE CALL FIRST,
MY PARTNER TOOK THE STREET DOOR,

AND I WENT AROUND BACK.

THAT'S WHEN THE KID
CAME OUT RIGHT AT ME.

HE HAD A SACK OF MONEY
IN ONE HAND...

AND WHAT I THOUGHT
WAS A GUN IN THE OTHER.

YOU COULDN'T BE SURE?

NO. IT WAS DARK.

RAINING REALLY HARD.

ONE OF THOSE DAMN BLINDING
CHICAGO THUNDERSTORMS.

ANYWAY, WHEN THE KID CAME AT ME,

I SAW SOMETHING FLASH
IN HIS RIGHT HAND...

SO I FIRED...

AND I HIT HIM IN THE CHEST...

AND HE DIED THAT NIGHT
IN THE HOSPITAL.

AND HE DIDN'T HAVE A GUN?

IT WAS A CAN OPENER.

KID HAD SHARPENED THE END OF IT.

NATURALLY, THERE WAS A HASSLE.

I WAS SUSPENDED
FOR ABOUT A MONTH.

THAT'S WHEN JAN AND I SPLIT UP.

WHEN I WENT BACK ON THE FORCE,
I WASN'T MUCH GOOD.

I JUST WASN'T FUNCTIONING.

I WANTED TO GET THE HELL
OUT OF CHICAGO

AND OUT OF POLICE WORK
ALTOGETHER.

THEN THIS JOB CAME ALONG...

WELL, LOOK, EVERYBODY
MAKES MISTAKES.

COPS MAKE MISTAKES.
EVERYBODY DOES.

I DON'T WANNA EVER
HAVE TO FIRE A GUN AGAIN.

ANGIE, THAT KID,
HE... HE WAS ONLY 14.

♪ JUST A... JUST A MODERN MAN

♪ JUST A... JUST A MODERN MAN

♪ JUST A... JUST A MODERN MAN

♪ JUST A MODERN MAN

♪ JUST A MODERN MAN

♪ JUST A MODERN MAN

♪ JUST A MODERN MAN

♪ JUST A MODERN MAN

♪ JUST A MODERN MAN

♪ JUST A MODERN MAN

♪ JUST A MODERN MAN

HEY, THANK YOU.

FOR WHAT?

WELL, FOR CHEERING ME UP.

I FEEL A WHOLE LOT BETTER
SPENDING TIME WITH YOU NOW.

GOOD. I'M GLAD.

I LOVE DESERT NIGHTS.

ALL THE STARS OUT, THE CLEAN AIR.

A LOT DIFFERENT IN CHICAGO, HUH?

YEAH, DIFFERENT.
THAT'S THE WORD FOR IT.

LOOK HOW BEAUTIFUL
THE BRIDGE IS.

YOU KNOW, I WANTED
TO ASK YOU A QUESTION.

UH-OH, MORE QUESTIONS.

YEP. WHATEVER MADE YOU
WANNA BECOME A COP?

WELL, MY DAD WAS A COP,
HIS DAD WAS A COP.

GUESS IT JUST RUNS IN THE FAMILY.

SEEMED LIKE THE THING TO DO.

DIDN'T YOU EVER WANNA
BE ANYTHING ELSE,

AS A LITTLE BOY?

SURE I DID, BUT I WASN'T
EQUIPPED TO BE ONE.

BE WHAT?

A PRIMA BALLERINA.

WHAT DID YOU WANNA BE
WHEN YOU WERE A LITTLE GIRL?

STRAIGHT ANSWER?

STRAIGHT ANSWER.

I WANTED TO BE A PSYCHIATRIST.

YEAH. I WANTED TO HELP PEOPLE
WITH THEIR EMOTIONAL PROBLEMS.

BUT I NEVER WENT TO COLLEGE,
DAD HAD THIS BOAT SERVICE.

I JUST ENDED UP TAKING IT OVER.

WELL, YOU SURE HELPED ME.

I BEEN PRETTY SCREWED UP
FOR QUITE A WHILE NOW.

I'M GLAD I FOUND YOU.

YOU MEAN THAT?

WHAT DO YOU THINK?

♪ SPY VERSUS SPY

♪ SPY VERSUS SPY

♪ SPY VERSUS...

AH, AH. YOU'RE NOT
SUPPOSED TO TOUCH THEM.

THE HEAT FROM HUMAN FLESH
CAN MELT THE WAX.

I'M SORRY. IT'S JUST
THAT I'M NEW HERE...

WE'RE VERY STRICT,

AND IF YOU BREAK OUR RULES,
YOU MUST BE PUNISHED.

PUNISHED?

YES. FOLLOW ME. I'll SHOW YOU.

THIS IS NEWGATE PRISON.

AND WHY ARE YOU TAKING ME HERE?

TO SHOW YOU THE PUNISHMENT
THAT COULD BEFALL YOU

IF YOU TOUCH THE CANDLES.

SEE?

WHILE WE'RE ON
THE SUBJECT OF PUNISHMENT,

MAY I ASK, HAVE YOU EVER
SERIOUSLY CONSIDERED

THE CONCEPT OF GOOD AND EVIL?

WELL, YES, OF COURSE. WHY?

COULD WE TALK? GO SOMEWHERE
AWAY FROM ALL THESE PEOPLE?

UM, SURE. WE COULD WALK
ALONG THE RIVER. IT'S QUIET THERE.

YES. THAT WOULD BE CHARMING.

OBVIOUSLY YOU'RE
FROM ENGLAND, RIGHT?

YES, FROM THE LONDON AREA.

I LEFT RATHER ABRUPTLY.

THINGS ARE QUITE NEW TO ME HERE.

AND WHAT ABOUT YOU?

DO YOU LIVE HERE IN LAKE HAVASU?

MM-HMM. I'M THE HEAD LIBRARIAN.

I SUPPOSE YOU COULD SAY

I'VE LIVED MOST OF MY LIFE
INSIDE OF BOOKS.

ARE YOU BY CHANCE
A STUDENT OF SCRIPTURE?

OH, NO, NOT REALLY.
I'M NOT VERY RELIGIOUS.

BUT YOU BELIEVE IN PUNISHMENT
FOR BREAKING THE LAW?

OH, YES, BUT...

I WAS ONLY JOKING BACK THERE

ABOUT NEWGATE PRISON.

YOU DIDN'T THINK
I WAS SERIOUS, DID YOU?

PUNISHMENT IS ALWAYS
A SERIOUS MATTER.

AND THOSE WHO TRANSGRESS
MUST BE DEALT WITH.

UH, I'VE REALLY ENJOYED
TALKING TO YOU,

BUT I SHOULD PROBABLY GET BACK.

I HAVE TO BUY MY MOTHER
A BIRTHDAY PRESENT...

YOU MUST LISTEN
TO WHAT I'M TELLING YOU.

NO. I MUST GET BACK.

YOU CAN'T GO. I WON'T ALLOW IT.

I'M AFRAID YOU'LL HAVE TO.

YOU HEARD WHAT THE LADY SAID.

I'M SO GLAD TO SEE YOU.

I LEAVE YOU NOW, DEAR LADY.

BUT I TRUST WE SHALL MEET AGAIN.

SIR.

I FEEL LIKE A PRINCESS

THAT'S BEEN RESCUED
FROM A DRAGON.

I'M GLAD I HAPPENED ALONG
WHEN I DID.

HE SEEMED TO BE UPSETTING YOU.

YOU'RE JUST WHAT I TOLD
MY FRIEND ANGIE YOU ARE...

A REAL BRITISH GENTLEMAN.

AH. SO YOU SPOKE OF ME
TO YOUR FRIEND.

I HOPE YOU DON'T MIND.

NOT AT ALL.

THAT MAN REALLY FRIGHTENED ME.

IT IS TRUE, MY DEAR LYN,

THAT MANY PEOPLE IN LIFE
CAN BE FRIGHTENING.

YOU GUYS ARE REALLY LUCKY

BECAUSE THIS ENTIRE AREA
IS RICH IN BIRD LIFE.

NOW, THE BEST-KNOWN RIVER DUCK
IS THE MALLARD.

THE MALE MALLARD'S
IDENTIFIED BY HIS GREEN NECK,

WHILE THE FEMALE HAS A LIGHT...

LOOK, MR. DALY,
THERE'S A FLOATING LADY.

GET BACK, CHILDREN.
GET BACK, ALL OF YOU.

GO ON, GET WAY BACK RIGHT NOW.

COME IN.

FIGURED YOU'D WANNA SEE THESE.

YOU THINK THIS BOOT PRINT'S
SIGNIFICANT, DON'T YOU?

WE FOUND THAT AT THE RIVERBANK

IN A SPOT NOT FAR FROM
THE ENGLISH VILLAGE.

THIS IS WHERE THE KILLER
DUMPED THE BODY.

HOW DO YOU KNOW THAT?

WHEN HE PUT HER IN THE WATER,

HER SCARF SNAGGED
ON THIS BRANCH,

WHICH TIES THE BOOT PRINT
DIRECTLY TO THE KILLER.

THE DEPTH OF
THE IMPRESSION OF THE BOOT

SHOWS HE WAS CARRYING THE BODY
AT THE TIME.

YOU THINK THE SAME GUY DID BOTH?

YEP, SAME M.O. THE LAB REPORT
VERIFIES THE FACT

THAT THE MURDER WEAPONS
ARE PROBABLY IDENTICAL.

I'M ASKING YOU FOR AUTHORIZATION
TO CLOSE DOWN THE VILLAGE.

BOTH MURDERS
ARE TIED INTO THAT AREA.

IF I SHUT DOWN THE VILLAGE,
I'll CATCH HELL FROM WHITFIELD.

IF YOU DON'T, MORE PEOPLE ARE
GONNA BE KILLED BY THIS MANIAC.

PETE, I'M TELLING YOU,
HE'S OUT THERE.

I'M STILL CONCERNED WE HAVEN'T
LOCATED THAT FEMALE REPORTER.

I CLOSE DOWN THE VILLAGE, I
MAY AS WELL CLOSE DOWN THE CITY

BECAUSE TOURISM IS WHAT THIS CITY'S
ALL ABOUT, OR HAVEN'T YOU NOTICED?

I REALIZE YOU'RE GONNA GET HEAT
FROM WHITFIELD AND HIS PEOPLE,

BUT WE CAN'T RISK
ANY MORE LIVES HERE.

YOU BELIEVE THIS CREEP'S
GONNA STOP KILLING

IF I SHUT DOWN A VILLAGE?

AIN'T GONNA HAPPEN, MAN.

WE WON'T KNOW UNTIL WE TRY.

AT LEAST NO MORE WOMEN WILL GET
THEIR THROATS CUT ON LONDON BRIDGE.

HOW LONG DO YOU WANT IT CLOSED?

TILL THE KILLER'S FOUND.

IT'S NO GOOD.

WE DON'T KNOW WHEN OR EVEN
IF WE'RE GONNA CATCH THE GUY.

BEST I CAN DO IS POST
SEVERAL PLAINCLOTHES OFFICERS.

I CANNOT AUTHORIZE ITS SHUTDOWN.

YOU MEAN YOU WON'T, NOT CAN'T.

HEY, DON'T PUSH IT, HOTSHOT.

I DO WHAT I CAN.

YEAH, SURE YOU DO. SURE YOU DO.

I JUST CAN'T BELIEVE LYN'S DEAD.

WE KNEW EACH OTHER
EVER SINCE HIGH SCHOOL.

WE CAME HERE TO HAVASU
TOGETHER, AND SHE...

DON, WHY'D IT HAVE TO BE LYN?

DID SHE SAY ANYTHING MORE
ABOUT THIS BRITISH GUY?

UH-UH.

SHE DIDN'T SAY ANYTHING ELSE.

JUST THAT HE WORKED
IN THE VILLAGE

AND HE WAS A GENTLEMAN.

CAN'T YOU ASK THIS GUARD
WHO SAW THIS GUY WITH LYN?

CAN'T HE GIVE YOU SOME KIND
OF PHYSICAL DESCRIPTION?

THE GUARD REALLY DIDN'T
SEE THE GUY.

ONLY SAW THE BACK OF HIM
AS HE WAS LEAVING.

HE SAID HE WAS SURE THE GUY
DIDN'T WORK THERE, THOUGH.

ALL WE GOT'S
A HEIGHT AND A BUILD.

I'M WORRIED ABOUT YOU.

ARE YOU GONNA BE OKAY?

I COULD REALLY USE
SOME COMPANY TONIGHT.

YOU GOT IT.

HERE. WHY DON'T YOU
MAKE YOURSELF USEFUL?

YEAH. OH, THAT'S GOOD.

HOPE YOU LIKE TROUT. LOVE IT.

GOOD.

OKAY?

YEAH, DIG IN.
LET ME KNOW WHAT YOU THINK.

WELL?

OH, IT'S FINE.
YOU'RE A TERRIFIC COOK.

JUST ONE OF MY MANY
REMARKABLE TALENTS.

REMEMBER I TOLD YOU I HAD A
THEORY ABOUT THE KILLINGS?

WELL, I WORKED IT OUT.

YOU WANNA HEAR IT?

RIGHT AFTER THE FUNERAL?

YEAH, I KNOW, BUT
IT'S REALLY IMPORTANT,

AND I WOULD REALLY LIKE
TO GET YOUR REACTION.

OKAY.

OK, GREAT. LET'S START WITH
THE FRAGMENT OF CLOTH

FOUND UNDER ALICE
WILLIAMSON'S FINGERNAIL.

IT PROVED TO BE
OVER A CENTURY OLD.

I THINK OUR KILLER BOUGHT AN
OLD COAT FROM AN ANTIQUE SHOP

TO MATCH HIS IDENTITY.

WHAT IDENTITY?

I'll GET TO THAT. NEXT...

TAKE THE WAY HE KILLED HIS
VICTIMS... BY CUTTING THEIR THROATS.

MY GUESS IS HE USED A SCALPEL.

A SURGEON'S SCALPEL.

UH, I DON'T THINK I'M INTO THIS.

BEAR WITH ME FOR A LITTLE WHILE.

CONSIDER THE TWO DATES
OF THE TWO KNOWN KILLINGS...

AUGUST 7th AND SEPTEMBER 8th.

ARE THEY SIGNIFICANT?

ONCE YOU ADD A THIRD DATE,
THEY ARE... AUGUST 31st.

SO WHAT'S SO SPECIAL
ABOUT AUGUST 31st?

AUGUST 31st WAS THE LAST NIGHT
THE REPORTER ELAINE GARDENER.

WAS SEEN WHEN SHE
CHECKED OUT OF THE MOTEL.

I THINK SHE DIED AT THE HANDS
OF OUR KILLER THAT NIGHT.

IT'S JUST WE HAVEN'T
FOUND THE BODY.

THE DATES IN ORDER
ARE AUGUST 7th,

AUGUST 31st, SEPTEMBER 8th.

OKAY, SO...

THEY MATCH THE DATES

OF THE FIRST THREE MURDERS
ATTRIBUTED TO JACK THE RIPPER

IN LONDON'S WHITECHAPEL
DISTRICT IN 1888.

BETWEEN AUGUST 7th
AND NOVEMBER 9th,

SIX WOMEN WERE MURDERED
IN THAT AREA.

THE KILLER
DISAPPEARED THAT YEAR.

THEORY HAS IT THAT THERE
WAS A MAN SHOT BY POLICE

ON LONDON BRIDGE WHO DIED IN
THE THAMES RIVER IN NOVEMBER, 1888.

THEORY HAS IT
THAT MAN WAS THE RIPPER.

BUT WHAT DOES ALL OF THAT
HAVE TO DO...

DON'T YOU SEE? OUR KILLER
WEARS PERIOD CLOTHING,

HE USES A SURGEON'S SCALPEL,
HE CUTS HIS VICTIM'S THROATS,

AND HE STRIKES IN THE AREA
OF THE LONDON BRIDGE.

ANGIE, THE GUY WE'RE LOOKING FOR

ACTUALLY THINKS
HE'S JACK THE RIPPER.

THAT'S SOME THEORY.

IT MAKES SENSE. EVERYTHING FITS.

WHAT DO YOU THINK CHIEF DAWSON'S
GONNA SAY WHEN YOU TELL HIM?

I ALREADY HAVE.

HE THINKS CHICAGO COPS
HAVE BIZARRE IMAGINATIONS.

HE DIDN'T BUY IT.

NO, HE DIDN'T, NOT YET...

BUT HE WILL.

WHAT ARE YOU GONNA DO?

I DON'T KNOW.
I DO KNOW ONE THING...

IF OUR KILLER
FOLLOWS HIS MURDER PATTERN,

HE'LL STRIKE AGAIN
ON SEPTEMBER 30th.

I WOULDN'T BET IT'S OVER.

OH, I FORGOT THE WINE.
I'll BE RIGHT BACK.

EXCUSE ME, MR. WHITFIELD.
WE GOTTA TALK.

NOT NOW. I'M LATE FOR A MEETING.

I'M REALLY SORRY,
BUT THIS IS URGENT.

WHAT DO YOU WANT?

I WANT YOU TO CLOSE DOWN
THE VILLAGE.

FOR ANOTHER SEARCH?

FOR THE SAFETY OF THE PUBLIC.

THERE'S BEEN TWO MURDERS.
THERE MAY HAVE BEEN A THIRD.

DID CHIEF DAWSON
ORDER THE VILLAGE CLOSED?

NO. I'M ASKING YOU
TO DO THIS VOLUNTARILY

AS A GESTURE OF PUBLIC SAFETY.

PUBLIC SAFETY IS YOUR
RESPONSIBILITY, IT IS NOT MINE.

THAT'S WHAT THE CITY
PAYS YOU FOR.

UNLESS CHIEF DAWSON PERSONALLY
ORDERS ME TO CLOSE THAT VILLAGE,

IT STAYS OPEN.

YOUR ATTITUDE STINKS, MAN.

I'M GONNA TELL YOU WHAT STINKS...
IT'S YOUR RECORD.

YOU DIDN'T FIT IN IN CHICAGO,
AND YOU DON'T FIT IN HERE.

YOU'RE UNSTABLE. YOU'RE A MISFIT.

I KNOW ALL ABOUT YOU.
I'VE CHECKED YOUR RECORD.

I KNOW ABOUT THE 14-YEAR-OLD KID
YOU BLEW AWAY IN CHICAGO.

WHOA, WHOA.

YOU'RE FINISHED IN THIS TOWN.
I CAN PROMISE YOU THAT.

ALL RIGHT, HE'LL BE ALL RIGHT.

WHAT'S THE MATTER WITH YOU?

HEY, WHAT WAS THAT ALL ABOUT?

I ALMOST DECKED WHITFIELD.

HOW COULD YOU THINK ABOUT
DECKING THE HEAD OF THE CITY COUNCIL?

THE GUY'S AN A-NUMBER-ONE JERK.

ALL RIGHT, WE'LL TALK
ABOUT THAT LATER.

RIGHT NOW, I WANT YOU WITH ME.

ED NEBEL SAYS HE GOT A
CRANK LETTER WE OUGHT TO SEE.

JOE, TAKE THE CAR BACK.
YOU COME WITH ME.

WHAT HAVE YOU GOT FOR US, ED?

OUR FIRST CRACKPOT POEM.
I OUGHT TO FRAME IT.

WHITFIELD'S PRESSURING ME TO NOT PUT
ANY STUFF ABOUT THE KILLINGS IN THE PAPER,

BUT I GOTTA PRINT THIS.

WHOEVER THIS JOKER IS,
HE CAN'T ADD VERY WELL.

THERE'S BEEN TWO MURDERS,
NOT THREE.

HE'S RIGHT.
THERE HAVE BEEN THREE.

HOW DO YOU FIGURE? THERE'S
ALICE WILLIAMSON, LYN CHANDLER.

AND THE REPORTER...
ELAINE GARDENER.

SAYS IT ALL, GUYS.
THIS LINE RIGHT HERE.

"THE STONE HAS TOLD ME...
THERE'LL BE MORE."

AND AFTER WHAT YOU ALMOST DID
TO WHITFIELD, THIS LETTER...

THE ONLY REASON I'M NOT
KICKING YOUR BUTT OFF THE CASE.

HOWEVER, WE DO KNOW THERE'S
A COPYCAT RIPPER OUT THERE.

YEAH, AND THAT HE KILLED
ELAINE GARDENER.

YEAH, COULD BE. COULD BE.

DID YOU KNOW
SAN FRANCISCO CALLED?

MM-MMM.

COME HERE.

THEY DEFINITELY VERIFIED
THE GARDENER WOMAN'S MISSING.

THEY GOT A TRACE OUT ON HER,
SO THAT MEANS... IF SHE'S DEAD,

WE GOT THREE.

YOU THINK IT'S A GOOD IDEA
FOR NEBEL TO RUN THIS?

SURE. WHY NOT? LET'S GIVE OUR
RESIDENT WEIRDO SOME EXPOSURE.

IF THAT'S WHAT HE WANTS,
MIGHT DRAW HIM OUT.

PUBLIC NEEDS TO KNOW.

GREGORY, YOU WANNA
DO ME A FAVOR?

WHAT DOES THAT MEAN?

"THE STONE HAS TOLD ME
THERE WILL BE MORE."

I DON'T KNOW WHAT THE STONE
PART MEANS, BUT I KNOW ONE THING.

WE GOTTA MOVE FAST, BECAUSE IF
THIS GUY FOLLOWS THE RIPPER'S PATTERN,

HE'LL STRIKE AGAIN
ON SEPTEMBER 30th.

HI. ARE YOU MISS EMMA BELLOK?

THAT'S RIGHT.

MY NAME'S DETECTIVE GREGORY.
YOU PLACED A CALL INTO US?

YOU'RE IN CHARGE OF THE MURDERS?

YES. I'M THE CHIEF INVESTIGATOR.
THIS IS DETECTIVE NEZ.

I THINK I KNOW WHO HE IS...

THE KILLER, THE ONE
YOU'RE ALL LOOKING FOR.

TELL US WHAT YOU KNOW.

IT'S THE GUY IN NUMBER TEN,
MR. LATTING.

HE KEEPS REAL ODD HOURS
AND MOSTLY GOES OUT AT NIGHT.

HE TALKED TO ME FUNNY ONCE

ABOUT HOW HE THINKS
THERE'S A CURSE ON LONDON BRIDGE

AND HOW IT'S "AN EVIL PLACE
THAT REEKS WITH MURDER."

THAT'S THE WAY HE SAID IT,
JUST LIKE THAT.

HE THINKS IT SHOULD
BE TORN DOWN.

DO YOU KNOW WHERE
MR. LATTING IS NOW?

NO, I DON'T, BUT I SAW HIM
LEAVING WITH A SUITCASE

JUST A LITTLE
BEFORE I CALLED YOU.

WHY DIDN'T YOU CALL US BEFORE?

I JUST NEVER THOUGHT TO.

I NEVER CONNECTED HIM IN MY MIND
WITH THE MURDERS

UNTIL I SAW THE STORY
IN THE PAPER

ABOUT ANOTHER JACK THE RIPPER.

THAT'S WHEN I THOUGHT ABOUT HIM.

COULD YOU GIVE US
THE KEY TO THE ROOM?

IT'S REAL CLOSE.
COME ON, I'll SHOW YOU.

FOLLOW ME. IT'S REAL CLOSE.

LIKE I TOLD YOU, HE'S GONE.

GONE? HOW COULD HE BE GONE?

ANSON, HE CAN'T GET FAR.
I GOT THE WHOLE AREA BOTTLED UP.

THE AIRPORT, BOTH ENDS
OF 95, THE RIVER.

MY COPTER'S PATROLLING
THE WHOLE DESERT OUT THERE.

BUT HE WAS THERE
ALL THESE WEEKS...

RIGHT UNDER YOUR NOSE,
MIDDLE OF TOWN.

PSYCHO KILLER, OBVIOUS MADMAN.

THERE'S NOTHING
OBVIOUS ABOUT THIS MAN.

HE MAY BE A WEIRDO, BUT I'M NOT
CONVINCED HE'S THE MAN WE'RE AFTER, EITHER.

OH, YOU'RE NOT?

YOU JUST DON'T WANNA ADMIT
YOU LET HIM SLIP PAST YOU.

YOU BEEN RUNNING THIS CASE
LIKE A BLIND FOOL.

I'M NOT GONNA TAKE MUCH MORE...

WHAT THE HELL'S HE DOING HERE?
THIS IS POLICE BUSINESS.

YOU WANNA KNOW
WHAT I'M DOING HERE?

I'll BE HAPPY TO TELL YOU.

I CAME HERE
TO DELIVER A PETITION

SIGNED AND APPROVED BY THE
CITY COUNCIL TO HAVE YOU FIRED.

AND THIS LATEST BLUNDER OF YOURS
PUTS A SEAL ON IT.

NOW, I TRUST CHIEF DAWSON
WILL TAKE IMMEDIATE ACTION.

ALL RIGHT, PETE, WHAT'S
THE ACTION... DO I STAY OR GO?

AHEM. YOU STAY.
FOR NOW, YOU STAY.

I'M REJECTING THEIR PETITION,
BUT YOU'RE WALKING A TIGHT ROPE.

I'VE NEVER SEEN THE PEOPLE
IN THIS TOWN SO STIRRED UP.

YOU MAKE ONE MORE WRONG STEP,
JUST ONE, YOU GOTTA GO.

I UNDERSTAND THAT.

HOW'D IT GO?

DON'T ASK.

I SAW YOUR PAL WHITFIELD
STORMING OUT OF HERE

LIKE HE HAD A BUR
UNDER HIS SADDLE.

YEAH, HE'S OUT
TO NAIL ME, ALL RIGHT...

BUT I'M NOT WORRIED ABOUT HIM.

WELL, YOU'RE WORRIED
ABOUT SOMETHING.

A WHOLE 'NOTHER ASPECT
TO THIS THING.

WHAT ASPECT?

I DON'T KNOW.

I'M GOING TO THE RESEARCH LIBRARY IN
PHOENIX AND CHECK OUT A FEW THINGS.

PHOENIX?

ANGIE?

ANGIE!

DON, IS THAT YOU?

YEAH.

HI. HI.

WHAT ARE YOU DOING?
IT'S ALMOST MORNING.

I'VE BEEN UP ALL NIGHT.
I JUST DROVE BACK FROM PHOENIX.

YOU GOT SOME COFFEE? COME IN.

THANKS.

IT'S NOT REAL HOT,
BUT IT'S ALL I HAVE.

IT'S FINE. THANKS, I NEEDED THAT.

WHY DON'T YOU COME OVER HERE
AND SIT DOWN? WE GOTTA TALK.

OR AT LEAST I DO.

WHAT HAPPENED? ANOTHER MURDER?

NO, NO. NO MORE MURDERS.
NOT YET.

ANGIE, IT'S WHAT
I'VE COME TO BELIEVE

THAT'S MAKING ME CRAZY.

I CAN'T TELL ANYONE ELSE
ABOUT THIS, ONLY YOU,

AND WHEN I TELL YOU, YOU'RE
GONNA THINK I'VE FLIPPED.

I'M LISTENING.

OKAY. FIRST, THERE WERE
TRACES OF BLOOD

FOUND ON THE SKIN
OF BOTH VICTIMS,

BLOOD OTHER THAN THEIR OWN...

OLD BLOOD, VERY OLD BLOOD,

WHICH PROBABLY MEANS THE KILLER

USED THE SAME WEAPON
A LONG TIME AGO, OKAY?

OKAY.

OKAY, NOW... TAKE A LOOK AT THIS.

TAKE A LOOK AT THIS.

TWO PHOTOGRAPHS OF A BLUEPRINT.

WHAT DO YOU SEE?

WELL, THEY'RE OBVIOUSLY
FROM THE SAME BOOT.

IT HAS THE SAME SORT OF ODD
HEEL-SOLE PATTERN IN BOTH.

THE GLOSSY IS BRAND-NEW.

IT'S A PHOTOGRAPH
OF OUR KILLER'S BOOT PRINT.

PHOTO IN THIS MAGAZINE
WAS TAKEN IN 1888

AT THE SCENE OF ONE
OF THE RIPPER MURDERS.

THEY'RE IDENTICAL.

LIKE YOU SAID, SAME BOOT, RIGHT?

BUT I DON'T SEE HOW...

LOOK AT THIS.

THIS IS THE COPY OF THE NOTE
SENT TO OUR LOCAL NEWSPAPER

BY THE KILLER.

THIS IS A LETTER
WRITTEN BY JACK THE RIPPER,

SENT TO A LONDON
NEWSPAPER IN 1888

AFTER ONE OF HIS MURDERS.

THIS IS EXACTLY
THE SAME HANDWRITING.

THIS IS EXACTLY THE SAME
WRITING IN BOTH OF THESE.

IT'S BECAUSE THE SAME MAN
WROTE BOTH OF THEM.

WHAT ARE YOU SAYING?

WHAT I'M SAYING IS, GOD HELP ME,

THERE NEVER WAS
A COPYCAT KILLER.

THE MAN WHO BUTCHERED ALICE
WILLIAMSON AND LYN CHANDLER...

WAS THE REAL JACK THE RIPPER.

DON, THAT'S TOTALLY IMPOSSIBLE.

THAT'S EXACTLY WHAT
I'VE BEEN TELLING MYSELF.

TAKE A LOOK AT THIS LINE...

"THE STONE HAS TOLD ME
THERE'LL BE MORE."

OKAY, SO WHAT...

I'M NOW CONVINCED
HE'S REFERRING TO THE STONE

BROUGHT BACK
FROM THE THAMES RIVER.

DON'T YOU SEE? THE FIRST
MURDER WAS COMMITTED

DURING THE 24-HOUR PERIOD

IN WHICH THE STONE
WAS BEING DEDICATED.

IT'S THE KEY TO EVERYTHING.

I'M SORRY, I DON'T FOLLOW YOU.

ANGIE, SOMEHOW,
AS WEIRD AS IT SOUNDS,

THE STONE IS TIED
INTO EVERYTHING.

AND WHEN THEY BROUGHT
THAT THING BACK

FROM THE BOTTOM
OF THE THAMES RIVER,

THEY BROUGHT HIM WITH IT.

AND HE'S HERE IN OUR CENTURY,

REPEATING THE SAME
MURDER PATTERN

ALL OVER AGAIN.

LISTEN... WHOEVER
THIS PSYCHO IS...

HE'S NOT JACK THE RIPPER.

HE CAN'T BE, NOT
THE JACK THE RIPPER.

DON, STONES DON'T BRING
PEOPLE BACK TO LIFE.

OKAY, WHETHER YOU BELIEVE ME
OR NOT, THAT'S NOT IMPORTANT.

WHAT IS IMPORTANT
IS THAT I NEED YOUR HELP.

WELL, YES, OF COURSE, BUT...

I GOT A PLAN,

BUT I'M GONNA NEED
YOU TO HELP ME,

AND I'M GONNA NEED JOE,

BECAUSE I'M TELLING YOU,
HE'S OUT THERE,

AND WE GOTTA STOP HIM.

AND HE'S READY TO KILL AGAIN.

THE EVIL HERE MUST BE DESTROYED.

TONIGHT, IT SHALL BE SCOURGED
BY FIRE AND BRIMSTONE.

HEY, YOU! FREEZE!

GET BACK!

SATAN RULES
THIS PLACE OF DARKNESS.

HIS ABODE OF EVIL
MUST BE DESTROYED.

NO!

BACK OFF. GET AWAY.

DON'T SHOOT ME. DON'T SHOOT.

THIS IS AN UNCLEAN PLACE,
A PLACE OF EVIL,

A PLACE OF MURDER
BY THOSE WHO SERVE SATAN.

THERE IS EVIL HERE.
IT MUST BE CLEANSED.

I WORK FOR THE HIGHER POWER.

WELL, YOU ARE OUT OF WORK NOW.

SO THERE'S YOUR RIPPER, HOTSHOT.

HE DOESN'T LOOK SO SCARY
TO ME. WHAT ABOUT YOU?

THAT'S NOT HIM.

YOU SERIOUS?

HE'S NOT OUR KILLER, PETE.

THE HELL HE'S NOT.

THE BELLOK WOMAN POSITIVELY
IDENTIFIED HIM AS LATTING.

THE VILLAGE GUARD
WAS 100% CERTAIN

THAT'S THE SAME GUY THAT DID
THE DEATH WALK WITH CHANDLER.

WHAT ABOUT THE CLIPPINGS
IN HIS STUFF?

I RAN A 29 ON HIM. TWO
ASSAULTS. CONVICTED BOTH TIMES.

HE SPENT THREE YEARS
IN A MENTAL HOSPITAL.

HE TRIED TO BURN DOWN A CHURCH.

HE'S A CERTIFIED PSYCHO,
GREGORY.

HE MAY BE A PSYCHO,
BUT HE'S NOT OUR KILLER.

WELL, THEN WHO IS?

YOU WON'T BELIEVE ME
WHEN I TELL YOU.

WHY DON'T YOU TRY ME?
JUST TELL ME.

ALL RIGHT.

THERE NEVER WAS
A COPYCAT KILLER, PETE.

ONLY THE REAL ONE.

WHAT ARE YOU SAYING?
WHAT ARE YOU TALKING ABOUT?

JACK THE RIPPER IS ALIVE,

AND HE'S RIGHT HERE IN HAVASU.

UH, YOU TALKING ABOUT
THE GUY FROM 1888?

YEAH.

WELL, HE'S AN ACTIVE DUDE.

HE'S GOTTA BE PUSHING,
WHAT, 140?

TAKES A LOT OF VITAMINS.

I TOLD YOU YOU WOULDN'T
BELIEVE ME. I DIDN'T EXPECT YOU TO.

WAIT, WAIT, WAIT.
WHAT'S THE MATTER?

I'M ALL RIGHT. JUST A LITTLE DIZZY.

LISTEN TO ME.

THREE NIGHTS FROM NOW,
HE'S GONNA STRIKE AGAIN.

YOU GOTTA GO HOME.
YOU GOTTA GET SOME REST.

JOE! JOE, GET IN HERE!

AAH!

Angie: HI.

HOW DO YOU FEEL?

I FEEL LIKE RIP VAN WINKLE.

HOW LONG HAVE I BEEN OUT?

EVER SINCE THEY BROUGHT YOU IN.

IT'S BEEN THREE DAYS NOW.
YOU HAD A SEVERE CONCUSSION.

THAT'S WHY YOU BLACKED OUT
IN THE JAIL.

HI, JOE.

HEY, PARTNER.

HOW LONG YOU GUYS
BEEN HERE, ANYWAY?

I DON'T KNOW.
COUPLE HOURS, I GUESS.

THE DOCTOR CALLED. HE SAID
YOU WERE SAYING OUR NAMES.

HE FIGURED IF YOU WOKE UP AND
SAW US, IT'D BE EASIER FOR YOU.

FAMILIAR FACES AND ALL.

I WAS HAVING THIS DREAM
ABOUT YOU GUYS.

ALL THREE OF US WERE TOGETHER.

AND WE WERE TRAPPED,

AND WE WERE GONNA DIE.

WHOA. COME ON, TAKE IT EASY.
I'M GONNA GO GET A NURSE.

NO, I'M ALL RIGHT.
I DON'T NEED A NURSE.

WAIT A MINUTE.
I'VE BEEN OUT FOR THREE DAYS.

WHAT'S TODAY'S DATE? IT'S MONDAY.
IT'S THE 30th.

THE 30th. HE'S GONNA
KILL AGAIN, TONIGHT!

NOBODY'S GONNA KILL ANYBODY.
WE CAUGHT HIM, REMEMBER?

WE DIDN'T CATCH HIM!
WE DIDN'T CATCH THE RIPPER!

DON, I WAS TALKING TO JOE
ABOUT YOUR THEORY, AND...

WE THINK YOU'VE BEEN UNDER
A LOT OF STRAIN.

HE'S OUT THERE, DAMN IT, ANGIE!

JOE...

OKAY, SO YOU DON'T BELIEVE ME
ANYMORE THAN DAWSON DOES.

BUT YOU PROMISED TO HELP ME.

WELL, YES...

I HAD A PLAN TO CATCH THE KILLER,
REMEMBER. YOU PROMISED TO HELP ME.

THERE AIN'T NOBODY TO CATCH.I CAN PROVE IT!

YOU GUYS ARE THE ONLY PEOPLE
I CAN TRUST HERE.

LOOK, WE ARE
RUNNING OUT OF TIME.

WE HAVE GOTTA DO THIS TONIGHT.

JOE?

WILL YOU HELP ME, BUDDY?

ANGIE... WILL YOU HELP ME?

ALL RIGHT, LOOKS LIKE
THE GUARD'S NOT HERE.

I'll FIND HIM
AND KEEP HIM OUT OF THIS.

REMEMBER, YOU STAY WELL-HIDDEN
IN THAT BOAT, MAN.

WE GOTTA MAKE HIM BELIEVE
THAT ANGIE'S ALONE.

ALL RIGHT, TAKE OFF.

DON WANTS ME TO MEET HIM
ON THE STEPS.

SUPPOSED TO BE THE DECOY.

I CAN'T BELIEVE WE'RE DOING THIS.

ANGIE. ANGIE.

OKAY, THERE HE IS.
BE BACK IN A SECOND.

ALL RIGHT.

JOE!

HEY!

OPERATOR.

OPERATOR!

AAH! GOOD EVENING.

I'VE NEVER HAD
THE OPPORTUNITY BEFORE

TO... INTRODUCE

ONE OF MY LADIES TO ANOTHER.

THEREFORE, DEAR ANGIE,

MAY I PRESENT ELAINE.

NO, NO, NO!

NO! NO!

NO!

THE STONE WILL RECEIVE
YOUR BLOOD, ANGIE.

ITS POWERS WILL BE RENEWED
THROUGH YOU.

YOUR BLOOD WILL
ALLOW ME TO RETURN,

TO GO BACK TO MY CENTURY.

IT'S TIME NOW, ANGIE.

COME, ANGIE.

SAY GOOD-BYE TO DEAR ANGIE.

DON... SHOOT HIM!

COME ON, IT'S OVER. IT'S OKAY.

IT'S OKAY.

IT'S OKAY.

IT'S OVER.

IT'S OVER.