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These are the user uploaded subtitles that are being translated: 1 00:00:18,719 --> 00:00:21,679 SIR DAVID ATTENBOROUGH: The natural world is full of colours. 2 00:00:28,119 --> 00:00:30,639 Colours that attract attention. 3 00:00:36,199 --> 00:00:39,079 Colours that blend beautifully with their background. 4 00:00:42,839 --> 00:00:46,559 And colours that create extraordinary displays. 5 00:00:50,079 --> 00:00:51,799 MACAWS SCREECH 6 00:00:52,199 --> 00:00:54,839 There are few animals more brilliantly colored 7 00:00:55,199 --> 00:00:57,559 than these scarlet macaws. 8 00:00:58,559 --> 00:01:02,079 Animals can use color for all kinds of different reasons, 9 00:01:02,719 --> 00:01:06,559 and some have colours that we ourselves can't even see. 10 00:01:09,199 --> 00:01:10,839 But with new cameras - 11 00:01:10,959 --> 00:01:13,559 some developed especially for this series - 12 00:01:13,599 --> 00:01:17,959 we can reveal a world that has long been hidden from our eyes. 13 00:01:19,919 --> 00:01:23,319 A world of colours that only some animals can see. 14 00:01:24,999 --> 00:01:29,319 Secret communication channels for the most private of messages, 15 00:01:30,559 --> 00:01:34,919 and colours so bold and brilliant, they dazzle our senses. 16 00:01:37,279 --> 00:01:38,959 Whether to win a mate... 17 00:01:40,919 --> 00:01:42,319 ...or beat a rival... 18 00:01:44,079 --> 00:01:45,759 ...to warn off an enemy... 19 00:01:47,399 --> 00:01:48,639 ...or to hide from one. 20 00:01:53,999 --> 00:01:58,879 We will reveal extraordinary stories about life in color. 21 00:02:04,559 --> 00:02:07,079 MACAWS SCREECH 22 00:02:24,879 --> 00:02:27,799 The rocky hills of southern India. 23 00:02:27,839 --> 00:02:30,599 PEAFOWL SQUAWK 24 00:02:35,919 --> 00:02:38,719 The stage is set for a performance 25 00:02:38,799 --> 00:02:42,919 of one of the most spectacular dances in the natural world. 26 00:02:42,999 --> 00:02:45,279 PEAFOWL SQUAWK 27 00:02:47,839 --> 00:02:49,879 Peacocks are gathering. 28 00:03:04,039 --> 00:03:09,479 This surely is one of the most glamorous of all sights in nature. 29 00:03:17,279 --> 00:03:20,759 150 shimmering eye spots, 30 00:03:20,879 --> 00:03:24,679 carried on tail feathers that are two metres long. 31 00:03:34,999 --> 00:03:38,159 So, how did such glories evolve? 32 00:03:42,199 --> 00:03:45,159 It seems it's all down to the female. 33 00:03:53,359 --> 00:03:55,439 The brighter a male's colours 34 00:03:55,639 --> 00:03:58,639 and the greater the number of his feathery eye spots, 35 00:03:58,959 --> 00:04:01,559 the more attractive she will find him. 36 00:04:14,279 --> 00:04:18,079 But colours and plumes like these come at a cost. 37 00:04:25,959 --> 00:04:28,919 The immense tall makes flying difficult. 38 00:04:29,159 --> 00:04:32,719 The males are literally weighed down by their feathers. 39 00:04:36,999 --> 00:04:40,839 Yet the colours they carry are clearly very important to them. 40 00:04:43,239 --> 00:04:47,119 So, why and how has color taken on such value? 41 00:04:54,599 --> 00:04:59,599 To understand that, we have to think back to when it all began. 42 00:05:03,719 --> 00:05:08,719 700 million years ago, our planet was far less colorful. 43 00:05:10,199 --> 00:05:12,399 But the first animals, it seems, 44 00:05:12,559 --> 00:05:16,679 had eyes that were unable to distinguish colours anyway. 45 00:05:18,879 --> 00:05:21,559 Gradually, however, this changed. 46 00:05:28,039 --> 00:05:29,799 I am in Costa Rica. 47 00:05:32,399 --> 00:05:35,839 A good place to see how valuable color can be. 48 00:05:39,799 --> 00:05:42,079 This toucan likes fruit, 49 00:05:42,719 --> 00:05:48,239 and its ability to choose ripe fruit from unripe depends on color, 50 00:05:48,799 --> 00:05:50,719 because the ripe ones are black. 51 00:05:52,519 --> 00:05:56,199 And this capacity - choosing between different colours - 52 00:05:56,519 --> 00:06:01,319 was a very important stage in the evolution of color vision. 53 00:06:07,239 --> 00:06:12,519 Birds, close relatives of dinosaurs, appeared before mammals. 54 00:06:17,079 --> 00:06:19,479 The first mammals, as far as we can tell, 55 00:06:19,679 --> 00:06:21,279 were mostly nocturnal. 56 00:06:22,559 --> 00:06:25,319 Colours are not easily distinguishable at night, 57 00:06:25,519 --> 00:06:28,279 so why evolve the ability to detect them? 58 00:06:31,559 --> 00:06:36,959 So it seems that the first mammals themselves were not very colorful. 59 00:06:37,679 --> 00:06:40,359 And this is still largely true today. 60 00:06:44,479 --> 00:06:47,159 Most are shades of black and white... 61 00:06:48,719 --> 00:06:50,159 ...or brown. 62 00:06:53,759 --> 00:06:55,639 But there are exceptions. 63 00:06:56,599 --> 00:07:00,199 And one of the most dramatic lives in the forests of Gabon, 64 00:07:00,319 --> 00:07:01,679 in West Africa. 65 00:07:16,959 --> 00:07:20,719 These monkeys are mandrills, a Kind of baboon. 66 00:07:21,399 --> 00:07:23,559 They live in large troops. 67 00:07:24,599 --> 00:07:29,319 Most are females and youngsters, both of which are brown. 68 00:07:33,119 --> 00:07:35,359 But the males are different. 69 00:07:38,719 --> 00:07:43,759 They, when they're young, have very plain faces with naked muzzles. 70 00:07:43,999 --> 00:07:45,599 FLIES BUZZ 71 00:07:48,359 --> 00:07:51,679 As they grow, their faces begin to change. 72 00:07:54,319 --> 00:07:57,759 Testosterone begins to flow through their veins. 73 00:07:59,119 --> 00:08:00,759 THEY GRUNT 74 00:08:03,559 --> 00:08:05,519 When they're about six years old, 75 00:08:05,679 --> 00:08:09,239 they leave the troop and start to fend for themselves. 76 00:08:10,319 --> 00:08:15,319 As they become sexually mature, color appears in their faces. 77 00:08:16,799 --> 00:08:18,519 And what color! 78 00:08:28,079 --> 00:08:31,679 Mandrill males are the biggest of all monkeys... 79 00:08:33,359 --> 00:08:35,239 ...weighing over 30 kilos, 80 00:08:35,799 --> 00:08:38,439 enormously, frighteningly powerful. 81 00:08:38,959 --> 00:08:40,639 And their colours say so. 82 00:08:43,399 --> 00:08:45,479 SCREECHING 83 00:08:49,239 --> 00:08:52,079 It is not only his face which is colored. 84 00:08:54,359 --> 00:08:56,159 So is his rump. 85 00:08:57,279 --> 00:09:01,999 Both are fearless declarations of his health and strength. 86 00:09:05,599 --> 00:09:09,759 And this male is more than happy to prove just how strong he is 87 00:09:10,159 --> 00:09:13,039 should any male dare to challenge him. 88 00:09:17,439 --> 00:09:21,759 Not surprisingly, mandrill eyes are particularly sensitive to color. 89 00:09:25,839 --> 00:09:29,799 And it's the brightness of their colours which signals their status. 90 00:09:34,519 --> 00:09:36,679 SCREECHING 91 00:09:39,999 --> 00:09:42,039 There are four males in this troop, 92 00:09:42,319 --> 00:09:46,119 and they're constantly flexing their muscles and displaying their colours 93 00:09:46,239 --> 00:09:48,879 to establish who is the strongest. 94 00:09:52,279 --> 00:09:55,679 And not all disputes are settled peacefully. 95 00:10:01,799 --> 00:10:04,639 They emphasis their ferocity by gestures, 96 00:10:04,799 --> 00:10:06,599 such as grinding their teeth. 97 00:10:06,679 --> 00:10:08,919 TEETH CLICK TOGETHER LOUDLY 98 00:10:14,279 --> 00:10:18,199 If that doesn't work, the highest—ranking male will fight. 99 00:10:18,279 --> 00:10:20,559 THEY GRUNT 100 00:10:21,079 --> 00:10:22,439 And the others know it. 101 00:10:26,639 --> 00:10:29,399 It's better to let color do the talking. 102 00:10:31,879 --> 00:10:33,559 HE GRUNTS 103 00:10:37,599 --> 00:10:40,639 Mandrills see the world much as we do 104 00:10:40,959 --> 00:10:43,999 and have three kinds of color-sensitive cells. 105 00:10:47,239 --> 00:10:50,279 But another group of animals has color vision 106 00:10:50,359 --> 00:10:53,239 that's far superior to that of any mammal - 107 00:10:54,199 --> 00:10:55,439 birds. 108 00:10:55,999 --> 00:10:58,799 BIRDS SQUAWK 109 00:11:01,919 --> 00:11:05,039 Their ability varies from group to group, 110 00:11:05,399 --> 00:11:07,359 but you can judge how good they are 111 00:11:07,479 --> 00:11:10,599 from the colours they use to signal to one another. 112 00:11:12,359 --> 00:11:16,119 Hummingbirds have excellent color vision, 113 00:11:17,079 --> 00:11:21,599 because that enables them to spot brightly colored flowers, 114 00:11:22,319 --> 00:11:25,039 which contains the nectar on which they feed. 115 00:11:25,639 --> 00:11:28,119 WINGS HUM 116 00:11:33,599 --> 00:11:37,399 So, this artificial feeder is a big success. 117 00:11:37,799 --> 00:11:39,319 Brightly colored down here 118 00:11:39,879 --> 00:11:43,879 and containing sugar solution - artificial nectar - up there. 119 00:11:49,799 --> 00:11:53,439 But hummingbirds also use their ability to see color 120 00:11:53,679 --> 00:11:57,279 in a different way - to attract a mate. 121 00:11:59,359 --> 00:12:01,919 Most species live in South America, 122 00:12:02,079 --> 00:12:05,679 where there are flowers of some sort all year round. 123 00:12:09,319 --> 00:12:11,519 A few, however, have spread northwards 124 00:12:11,639 --> 00:12:14,559 into the deserts of the American Southwest. 125 00:12:18,519 --> 00:12:22,359 In this vastness, it's hard to get noticed. 126 00:12:24,999 --> 00:12:29,439 Especially if you are a small hummingbird looking for a mate. 127 00:12:41,919 --> 00:12:46,119 But this male Cost’s hummingbird uses his colours 128 00:12:46,399 --> 00:12:48,599 to send a secret message. 129 00:12:51,599 --> 00:12:55,719 Out in the open, flashy colours can attract unwanted attention, 130 00:12:56,359 --> 00:12:59,359 so he keeps them hidden most of the time. 131 00:13:01,239 --> 00:13:05,279 A slight turn of the head, however, provides a tantalizing glimpse 132 00:13:05,399 --> 00:13:06,879 of what he has to offer. 133 00:13:11,199 --> 00:13:15,079 He's spotted a female. She's feeding. 134 00:13:21,959 --> 00:13:25,839 Hummingbirds live fast lives and need plenty of fuel. 135 00:13:26,359 --> 00:13:28,999 So if he is to attract her attention, 136 00:13:29,199 --> 00:13:31,119 he needs something eye-catching. 137 00:13:37,199 --> 00:13:40,199 Time to reveal his colours. 138 00:13:41,799 --> 00:13:43,599 WINGS HUM 139 00:13:43,759 --> 00:13:46,399 Erecting the iridescent feathers on his neck, 140 00:13:46,519 --> 00:13:49,679 he positions himself to catch the sunlight. 141 00:13:56,759 --> 00:14:00,559 Seen at just the right angle, his colours are dazzling. 142 00:14:20,159 --> 00:14:22,639 Aerobatics like these take a lot of energy, 143 00:14:23,279 --> 00:14:27,679 so his performance can give her clues about his health and fitness. 144 00:14:32,359 --> 00:14:37,759 Every second she takes to decide burns up his energy reserves. 145 00:14:43,119 --> 00:14:45,359 So he can only hover for so long. 146 00:15:03,719 --> 00:15:07,639 At last, his colours have persuaded her. 147 00:15:17,279 --> 00:15:20,279 Displaying your colours is easy out in the open. 148 00:15:25,159 --> 00:15:27,559 Birds which live in dark forests, however, 149 00:15:27,879 --> 00:15:30,359 have to work harder to get noticed. 150 00:15:36,079 --> 00:15:38,359 The rainforests of New Guinea. 151 00:15:38,919 --> 00:15:41,759 Here, the trees stand 30 metres tall, 152 00:15:42,079 --> 00:15:45,199 with their crowns forming a near continuous canopy. 153 00:15:48,039 --> 00:15:50,559 But here and there, there's a small gap 154 00:15:50,799 --> 00:15:52,319 through which a shaft of light 155 00:15:52,399 --> 00:15:54,879 illuminates a patch on the forest floor. 156 00:15:57,959 --> 00:16:00,999 A stage for one of the most versatile dancers 157 00:16:01,079 --> 00:16:02,479 in the natural world. 158 00:16:06,159 --> 00:16:08,039 A bird of paradise. 159 00:16:09,679 --> 00:16:11,719 There are over 30 different species. 160 00:16:11,879 --> 00:16:14,159 This one - understandably - is called 161 00:16:14,599 --> 00:16:17,719 the magnificent bird of paradise. 162 00:16:18,639 --> 00:16:19,839 A male. 163 00:16:23,159 --> 00:16:26,959 Before starting his show, he clears his stage. 164 00:16:28,879 --> 00:16:32,319 The bare brown earth will make his colours stand out better. 165 00:16:47,639 --> 00:16:51,599 He takes particular care to remove anything green. 166 00:16:52,159 --> 00:16:55,639 That color will be the main feature of his display 167 00:16:55,719 --> 00:16:57,679 and he doesn't want any competition. 168 00:17:01,719 --> 00:17:03,319 Satisfied at last. 169 00:17:05,159 --> 00:17:09,279 A sapling in the center will serve as his dancing pole. 170 00:17:14,519 --> 00:17:16,759 His costume must be immaculate. 171 00:17:18,439 --> 00:17:20,879 Plumes like these need careful attention. 172 00:17:33,719 --> 00:17:35,919 Time to summon the audience. 173 00:17:37,639 --> 00:17:40,799 HE CHIRPS 174 00:17:44,839 --> 00:17:46,959 CHIRPING CONTINUES 175 00:17:56,999 --> 00:18:00,399 The first to appear are all young males. 176 00:18:02,479 --> 00:18:05,839 They won't develop their colours until they're seven years old. 177 00:18:06,439 --> 00:18:09,279 They have come to watch and to learn. 178 00:18:09,919 --> 00:18:13,799 HE CHIRPS 179 00:18:15,159 --> 00:18:16,999 At last, a female. 180 00:18:17,799 --> 00:18:20,879 She looks much like a young male to our eyes... 181 00:18:22,639 --> 00:18:25,199 ...but he can clearly tell the difference. 182 00:18:29,519 --> 00:18:31,799 She will judge him by his performance 183 00:18:31,879 --> 00:18:34,359 and the brightness of his feathers. 184 00:18:36,639 --> 00:18:39,719 She does that from directly above him. 185 00:18:53,799 --> 00:18:56,799 He puffs up his feathers and swings round 186 00:18:56,879 --> 00:18:58,879 to show her his colours. 187 00:19:04,879 --> 00:19:09,119 For years, naturalists only watched his performance from ground level. 188 00:19:15,279 --> 00:19:18,039 But the female does so from above. 189 00:19:22,879 --> 00:19:27,039 And from there, his brilliant green colours stand out vividly 190 00:19:27,199 --> 00:19:29,119 against the brown of the ground. 191 00:19:32,879 --> 00:19:37,759 A pair of bare, quivering quills sprouting from his tail 192 00:19:37,879 --> 00:19:40,239 add to the excitement. 193 00:19:44,439 --> 00:19:48,479 This is one of the most complex of all courtship dances, 194 00:19:48,599 --> 00:19:50,759 and we're still unaware of the details 195 00:19:50,879 --> 00:19:53,159 that she may regard as critical. 196 00:20:04,159 --> 00:20:07,399 The prize-giving, however, is unmistakable. 197 00:20:20,519 --> 00:20:23,119 The color vision of birds is mostly excellent. 198 00:20:25,679 --> 00:20:28,599 But that of many insects is almost as good. 199 00:20:28,719 --> 00:20:31,039 BIRDS CHIRP AND CHATTER 200 00:20:35,639 --> 00:20:36,959 Butterflies. 201 00:20:43,319 --> 00:20:48,479 They too have evolved an astonishing variety of colours and patterns. 202 00:21:01,119 --> 00:21:05,439 The wings are covered by tiny scales, like tiles on a roof, 203 00:21:05,919 --> 00:21:08,719 and it's they that produce some of the colours. 204 00:21:13,079 --> 00:21:14,719 Some have pigments. 205 00:21:16,119 --> 00:21:20,679 Others reflect light to produce a shimmering iridescence, 206 00:21:21,279 --> 00:21:22,759 with colours that change 207 00:21:22,839 --> 00:21:25,399 according to the angle from which they're viewed. 208 00:21:38,199 --> 00:21:43,279 But some butterflies use colours that are invisible to our eyes. 209 00:21:49,519 --> 00:21:52,079 BUMBLEBEES BUZZ 210 00:21:52,239 --> 00:21:56,359 The glorious colours of an English meadow in bloom 211 00:21:56,799 --> 00:21:59,439 is a delight to the eyes of many of us. 212 00:22:00,359 --> 00:22:03,359 But their purpose is not to appeal to US, 213 00:22:04,159 --> 00:22:09,119 it's to attract insects such as butterflies and bees. 214 00:22:10,959 --> 00:22:15,719 Most of these plants depend on insects to pollinate them, 215 00:22:16,719 --> 00:22:20,559 and they use their bright colours in order to attract insects. 216 00:22:21,399 --> 00:22:24,879 But to understand what an insect sees, 217 00:22:25,519 --> 00:22:28,239 we have to be able to see it through their eyes 218 00:22:28,519 --> 00:22:29,879 and from their perspective. 219 00:22:30,439 --> 00:22:34,759 And, happily, we've got a camera that enables us to do just that. 220 00:22:39,239 --> 00:22:43,839 This camera set-up lets us look at that flower in two different ways. 221 00:22:44,799 --> 00:22:47,519 This camera is an ultraviolet camera, 222 00:22:47,759 --> 00:22:49,999 because it has a filter there 223 00:22:50,239 --> 00:22:52,399 that only lets through ultraviolet light. 224 00:22:53,119 --> 00:22:57,519 But at the same time, this filter also reflects normal light, 225 00:22:57,719 --> 00:23:01,239 and that comes into this camera, and that shows what we can see. 226 00:23:01,959 --> 00:23:04,879 So I can compare the two very easily. 227 00:23:05,319 --> 00:23:07,079 That's what we can see... 228 00:23:10,559 --> 00:23:12,199 ...and that's what the insect sees. 229 00:23:15,079 --> 00:23:18,079 Flowers have evolved these ultraviolet markings 230 00:23:18,239 --> 00:23:21,799 for the benefit of insects such as butterflies. 231 00:23:30,999 --> 00:23:35,199 This particular one lives in the rainforests of eastern Australia. 232 00:23:36,079 --> 00:23:39,759 It's a blue moon butterfly - a male. 233 00:23:44,919 --> 00:23:48,239 You might not think that it's the most colorful you've ever seen, 234 00:23:49,159 --> 00:23:54,679 but with our ultraviolet camera, his wings take on a magical look. 235 00:24:00,559 --> 00:24:04,839 The brighter his patches, the more attractive he is to females. 236 00:24:09,919 --> 00:24:12,919 But ultraviolet markings like these can also be seen 237 00:24:12,999 --> 00:24:15,439 by the blue moon's main predators. 238 00:24:18,479 --> 00:24:20,919 Birds can see them just as clearly. 239 00:24:25,279 --> 00:24:28,919 So flying around with a bright signal like that on your wings 240 00:24:29,159 --> 00:24:30,639 could be dangerous. 241 00:24:36,919 --> 00:24:40,319 For a male, however, it's worth living dangerously. 242 00:24:40,919 --> 00:24:44,679 If he can mate with one or two females in his short lifetime, 243 00:24:44,919 --> 00:24:47,239 his colours will have been a success. 244 00:24:55,159 --> 00:24:57,199 But he has competition. 245 00:24:58,879 --> 00:25:02,919 He will have to defend his territory if he is to secure a mate. 246 00:25:06,439 --> 00:25:10,519 Butterfly wings are fragile, so physical combat is to be avoided. 247 00:25:13,479 --> 00:25:17,759 Disputes instead are settled with aerial displays. 248 00:25:27,719 --> 00:25:30,439 A female has been watching from the sidelines. 249 00:25:35,079 --> 00:25:37,559 Time to show her his colours. 250 00:25:56,039 --> 00:25:59,319 In her eyes, he's simply dazzling. 251 00:26:10,559 --> 00:26:12,599 MOORHENS PIPE 252 00:26:14,879 --> 00:26:17,799 Ultraviolet colours are part of the spectrum 253 00:26:17,919 --> 00:26:21,639 that insects can see and we cannot. 254 00:26:23,999 --> 00:26:25,879 Recent discoveries have revealed 255 00:26:25,999 --> 00:26:29,679 that some animals can also see a characteristic of light 256 00:26:29,959 --> 00:26:31,639 that we cannot detect. 257 00:26:33,679 --> 00:26:38,919 Sunlight contains rays that vibrate in many different planes. 258 00:26:39,959 --> 00:26:43,519 In polarized light, they vibrate in only one. 259 00:26:45,439 --> 00:26:47,759 Light may become polarized 260 00:26:47,959 --> 00:26:51,199 when reflected off a shiny surface such as water. 261 00:26:52,759 --> 00:26:57,159 Unlike us, some animals can see polarized light, 262 00:26:57,679 --> 00:27:00,599 and they can exploit it in many ways. 263 00:27:05,199 --> 00:27:06,959 One creature that does so 264 00:27:07,199 --> 00:27:11,319 lives on these vast mudflats in northern Australia. 265 00:27:16,599 --> 00:27:21,559 These eyes, on stalks, belong to a male fiddler crab. 266 00:27:24,239 --> 00:27:27,119 And they can see in a way that we cannot. 267 00:27:35,319 --> 00:27:39,199 As the tide goes out, the crabs emerge from their burrows. 268 00:27:47,639 --> 00:27:51,959 His giant claw is too large to be used in feeding. 269 00:27:54,719 --> 00:27:58,559 Instead, he uses it to attract the attention of females 270 00:27:58,719 --> 00:28:01,359 by waving it with vigor. 271 00:28:04,159 --> 00:28:08,239 The crabs can see objects that are close to them reasonably well. 272 00:28:10,719 --> 00:28:14,679 But their long-distance eyesight is not so good. 273 00:28:19,599 --> 00:28:22,759 Polaris ed light can help solve the problem. 274 00:28:27,359 --> 00:28:29,799 Viewed with a new specialist camera, 275 00:28:29,879 --> 00:28:34,199 the mudflats, which reflect polarized light, are bright... 276 00:28:37,159 --> 00:28:42,039 ...while the unpolished crabs appear darker against their background. 277 00:28:43,599 --> 00:28:48,159 This striking contrast also makes the large claw more obvious. 278 00:28:50,919 --> 00:28:55,519 The big claw is also used by the male to defend his burrow. 279 00:28:59,959 --> 00:29:02,399 Not everyone heeds the warning. 280 00:29:17,079 --> 00:29:18,319 Battle over. 281 00:29:21,199 --> 00:29:24,039 But there are more dangerous enemies to face - 282 00:29:24,439 --> 00:29:25,959 aerial predators. 283 00:29:27,359 --> 00:29:29,679 The quicker they can spot them, the better. 284 00:29:30,719 --> 00:29:34,639 And once again, polarized light helps them to do so. 285 00:29:34,719 --> 00:29:37,119 TERNS CHATTER 286 00:29:48,239 --> 00:29:52,759 With the coast clear, a male re-emerges from his burrow. 287 00:29:56,319 --> 00:29:58,439 At last, a female. 288 00:30:05,039 --> 00:30:09,399 With the tide on the turn, he must work fast to win her over. 289 00:30:16,119 --> 00:30:19,239 And close up, his colours come into play. 290 00:30:20,479 --> 00:30:24,679 The brightness of his blue back could be the deciding factor. 291 00:30:33,879 --> 00:30:35,639 She may not look willing, 292 00:30:35,759 --> 00:30:39,799 but the pushing and shoving are all part of the mating ritual. 293 00:30:44,639 --> 00:30:47,719 One last shove and she's in. 294 00:30:50,839 --> 00:30:52,279 Just in time. 295 00:31:06,319 --> 00:31:11,039 On land, color is used in a multitude of different ways. 296 00:31:11,719 --> 00:31:13,599 The same is true in the sea, 297 00:31:14,319 --> 00:31:17,759 but there, color works in a very different way. 298 00:31:27,839 --> 00:31:30,399 This is Australia's Great Barrier Reef, 299 00:31:30,879 --> 00:31:34,559 and its shallow waters are full of vivid color. 300 00:31:40,759 --> 00:31:44,239 The inhabitants of the reef exploit it to the full, 301 00:31:44,639 --> 00:31:47,439 with unparalleled and dazzling effect. 302 00:32:03,919 --> 00:32:07,679 The orange-red stripes of the harlequin tusk fish 303 00:32:07,879 --> 00:32:09,719 make it very conspicuous. 304 00:32:13,359 --> 00:32:15,639 But as light filters down through the water, 305 00:32:15,759 --> 00:32:19,199 more and more of its wavelengths are absorbed, 306 00:32:20,399 --> 00:32:22,879 and red is the first to disappear. 307 00:32:25,119 --> 00:32:28,039 So, as the harlequin swims downwards, 308 00:32:28,359 --> 00:32:32,439 his brilliantly colored red body looks duller and duller. 309 00:32:43,559 --> 00:32:47,679 Different colours are absorbed at different rates in the sea, 310 00:32:48,479 --> 00:32:51,719 but some can still be seen at greater depths. 311 00:32:55,199 --> 00:32:57,439 Yellow and blue travel farthest, 312 00:32:57,679 --> 00:33:00,559 so it's these that many fish down here use 313 00:33:00,719 --> 00:33:02,439 to signal their identity. 314 00:33:08,439 --> 00:33:11,439 Most fish near the surface have good color vision, 315 00:33:12,079 --> 00:33:16,679 but some of the smaller species can also see ultraviolet colours. 316 00:33:20,439 --> 00:33:24,319 To us, these yellow dam selfish all look very similar. 317 00:33:29,199 --> 00:33:33,759 But using our ultraviolet camera, here in controlled conditions, 318 00:33:34,119 --> 00:33:37,399 we can see that many fish have different patterns 319 00:33:37,479 --> 00:33:40,639 that are normally invisible to our eyes. 320 00:33:43,639 --> 00:33:45,559 And suddenly, it becomes clear 321 00:33:45,639 --> 00:33:50,079 that these two individuals are in fact different species. 322 00:33:53,879 --> 00:33:55,719 This lemon dam selfish 323 00:33:55,799 --> 00:33:58,959 has distinctive spots on its gill covers. 324 00:34:01,639 --> 00:34:04,519 And this, an Zamboni damsel, 325 00:34:04,679 --> 00:34:09,639 has bright reflecting ultraviolet patches all across the body. 326 00:34:12,319 --> 00:34:14,559 It's a code invisible to us 327 00:34:14,679 --> 00:34:17,559 that allows these fish to recognise each other... 328 00:34:19,879 --> 00:34:22,919 ...without attracting the attention of large predators, 329 00:34:23,039 --> 00:34:25,919 which can't see in the ultraviolet range. 330 00:34:33,999 --> 00:34:36,679 And it's on the seabed that you can find 331 00:34:36,799 --> 00:34:39,719 one of the most colorful sea creatures of all. 332 00:34:46,039 --> 00:34:48,639 The peacock mantis shrimp. 333 00:34:54,559 --> 00:34:57,159 This strange-looking creature's ancestry 334 00:34:57,359 --> 00:35:00,479 can be traced back 400 million years. 335 00:35:02,679 --> 00:35:05,599 And it has one of the most versatile kinds of eyes 336 00:35:05,679 --> 00:35:07,879 in the whole of the animal kingdom. 337 00:35:13,079 --> 00:35:18,039 It can rotate its two huge eyes independently of each other 338 00:35:18,239 --> 00:35:20,039 and in almost any direction. 339 00:35:22,479 --> 00:35:25,239 We have three kinds of color receptors, 340 00:35:25,479 --> 00:35:30,159 but the mantis shrimp has 12, each with a direct link to the brain, 341 00:35:30,399 --> 00:35:34,519 SO it can perceive color faster than any other animal. 342 00:35:36,279 --> 00:35:38,359 And it can also detect the difference 343 00:35:38,479 --> 00:35:41,359 between polarized and unpolished light. 344 00:35:45,679 --> 00:35:47,519 But, unlike fiddler crabs, 345 00:35:47,759 --> 00:35:50,999 part of its body, like these paddle-shaped scales, 346 00:35:51,199 --> 00:35:53,759 reflect polarized light 347 00:35:54,319 --> 00:35:57,959 and may be used to signal to potential mates. 348 00:36:04,639 --> 00:36:08,959 The tail is also highly polarized and used to plug its burrow 349 00:36:09,159 --> 00:36:12,679 and send a message to warn off potential rivals. 350 00:36:18,559 --> 00:36:21,679 And by combining all its visual abilities, 351 00:36:21,839 --> 00:36:26,999 the mantis shrimp has become one of the most skilful of all predators. 352 00:36:38,999 --> 00:36:43,599 It also packs a powerful punch from club-like mouth parts... 353 00:36:47,319 --> 00:36:50,039 ...which it uses with great accuracy. 354 00:36:52,479 --> 00:36:56,599 These clubs deliver the fastest punch in the animal kingdom, 355 00:36:56,919 --> 00:37:00,959 which we recorded slowed down and under controlled conditions. 356 00:37:13,999 --> 00:37:19,759 Whether underwater or on land, color can be extremely useful. 357 00:37:24,359 --> 00:37:28,519 And the colours an animal develops can sometimes be influenced 358 00:37:28,719 --> 00:37:31,839 by where it lives and what it eats. 359 00:37:40,679 --> 00:37:43,639 The Atacama Desert in South America. 360 00:37:55,279 --> 00:37:58,799 There are six different species of flamingos in the world, 361 00:37:59,399 --> 00:38:01,279 and they all prefer to breed 362 00:38:01,679 --> 00:38:04,279 in those most hostile of environments - 363 00:38:04,639 --> 00:38:07,239 salt flats and soda lakes. 364 00:38:12,439 --> 00:38:16,319 We think of flamingos as being characteristically pink, 365 00:38:16,839 --> 00:38:20,479 but their feathers when they first appear are in fact white. 366 00:38:22,119 --> 00:38:24,639 FLAMINGOS WARBLE 367 00:38:24,799 --> 00:38:27,479 Their color comes from their food. 368 00:38:30,879 --> 00:38:35,279 The salty waters in which they feed are rich in algae and shrimps, 369 00:38:35,439 --> 00:38:39,719 both of which contain red pigments called carotids. 370 00:38:42,519 --> 00:38:45,239 These, over time, accumulate in their feathers 371 00:38:45,399 --> 00:38:47,079 and give them their bright color. 372 00:38:48,439 --> 00:38:50,399 FLAMINGOS WARBLE 373 00:39:04,159 --> 00:39:06,239 These youngsters were born last year. 374 00:39:07,319 --> 00:39:10,479 They still have their first greyish-white plumage. 375 00:39:16,999 --> 00:39:19,999 It takes time before the pigments become visible. 376 00:39:26,039 --> 00:39:31,159 Five years will pass before they become as pink as their parents. 377 00:39:39,519 --> 00:39:42,399 But it's not only the juveniles which are white. 378 00:39:48,319 --> 00:39:51,839 This adult female raised a chick last year, 379 00:39:52,279 --> 00:39:55,959 and the effort of doing so has drained her of color. 380 00:39:58,719 --> 00:40:01,239 She put all her surplus food and energy 381 00:40:01,359 --> 00:40:04,799 into producing an egg and then feeding her chick. 382 00:40:06,959 --> 00:40:10,519 So she will need time to build up the body reserves needed 383 00:40:10,679 --> 00:40:13,799 to regrow pink feathers and breed. 384 00:40:21,919 --> 00:40:24,519 For those that are old enough and physically fit, 385 00:40:24,879 --> 00:40:26,879 it's time to find a mate. 386 00:40:30,919 --> 00:40:34,479 Only the pink birds take part in these courtship dances. 387 00:40:38,599 --> 00:40:42,759 Their color is an indication that they're fit and strong. 388 00:41:02,519 --> 00:41:04,199 As they march through the water, 389 00:41:04,279 --> 00:41:07,159 each bird tries to stand out from the crowd, 390 00:41:08,439 --> 00:41:12,199 and the brightest will be the first to secure a partner. 391 00:41:19,359 --> 00:41:23,759 The white female can play no part in this year's display. 392 00:41:30,559 --> 00:41:32,879 She will need to eat as much as she can 393 00:41:33,279 --> 00:41:35,359 if she is to restore her color. 394 00:41:38,599 --> 00:41:43,319 Maybe next year she will be able to rejoin the dance. 395 00:41:54,959 --> 00:41:57,399 Flamingos depend on their pink color 396 00:41:57,479 --> 00:41:59,999 to attract a partner and breed. 397 00:42:03,079 --> 00:42:06,879 But there is one tiny animal in the Central American rainforests 398 00:42:07,199 --> 00:42:10,199 that uses color not only to attract 399 00:42:10,679 --> 00:42:11,879 but to repel. 400 00:42:22,119 --> 00:42:24,599 This little frog uses color 401 00:42:24,719 --> 00:42:25,919 as a warning. 402 00:42:26,519 --> 00:42:29,079 Its skin is full of glands 403 00:42:29,159 --> 00:42:30,999 which produce a deadly poison. 404 00:42:31,559 --> 00:42:33,799 So its color is a very clear message - 405 00:42:34,439 --> 00:42:36,719 "Eat me and you'll regret it!" 406 00:42:40,479 --> 00:42:43,039 You need a vivid message like this 407 00:42:43,279 --> 00:42:47,839 if you are a small, soft-skinned, bite-sized mouthful 408 00:42:48,079 --> 00:42:50,519 living in a dark, dense forest. 409 00:42:51,799 --> 00:42:54,359 BIRDS SQUAWK 410 00:42:54,479 --> 00:42:57,319 OMINOUS MUSIC 411 00:43:03,479 --> 00:43:06,639 The rainforest can be a scary place. 412 00:43:11,079 --> 00:43:13,799 There are hungry animals everywhere. 413 00:43:28,599 --> 00:43:32,359 For many, it's best to keep a low profile. 414 00:43:37,079 --> 00:43:39,159 But this little frog doesn't. 415 00:43:40,919 --> 00:43:43,919 It's a strawberry poison-dart frog, 416 00:43:44,079 --> 00:43:46,879 and it's not much bigger than your fingernail. 417 00:43:47,679 --> 00:43:50,719 And yet he is one of the deadliest creatures here. 418 00:43:53,839 --> 00:43:56,719 His bright skin secretes a toxin. 419 00:43:58,599 --> 00:44:00,279 In the mouth of a predator, 420 00:44:00,559 --> 00:44:05,119 it can cause respiratory failure, convulsions and death. 421 00:44:08,759 --> 00:44:13,639 Predators recognise his color as a sign of danger and avoid him. 422 00:44:20,119 --> 00:44:24,399 Such frogs also live on a group of islands just off Panama 423 00:44:24,639 --> 00:44:26,679 called Boas led Toto. 424 00:44:28,879 --> 00:44:30,519 Living in isolation, 425 00:44:30,679 --> 00:44:34,799 frogs on each island evolved their own distinctive colours. 426 00:44:37,719 --> 00:44:40,399 There is a different one on each island... 427 00:44:43,999 --> 00:44:46,599 ...and yet they're all the same species. 428 00:44:52,519 --> 00:44:55,879 They're different because the diet on some islands 429 00:44:55,959 --> 00:44:58,759 makes some more poisonous than others, 430 00:44:59,079 --> 00:45:03,799 and the more poison a frog has, the more brightly colored it is. 431 00:45:12,479 --> 00:45:16,879 On Solar Island, a red male is busy calling. 432 00:45:16,999 --> 00:45:19,919 HE CLICKS 433 00:45:26,319 --> 00:45:30,439 This is his patch and he's looking for a female. 434 00:45:33,719 --> 00:45:34,959 He should be popular - 435 00:45:35,159 --> 00:45:39,919 females prefer bright, shiny skin, which is a sign of fitness. 436 00:45:44,279 --> 00:45:48,719 His color is also an indication to other males of his strength. 437 00:45:57,799 --> 00:45:59,439 He spots an intruder. 438 00:46:00,279 --> 00:46:04,239 He's about the same size, but he's a paler color. 439 00:46:13,799 --> 00:46:16,919 And he doesn't challenge the brighter frog. 440 00:46:23,199 --> 00:46:25,839 But this one is a different matter. 441 00:46:27,239 --> 00:46:28,799 MEXICAN STANDOFF-STYLE MUSIC 442 00:46:28,879 --> 00:46:30,719 He IS a contender. 443 00:46:41,959 --> 00:46:44,639 Nothing for it but to fight it out. 444 00:47:26,399 --> 00:47:27,399 That did it. 445 00:47:28,559 --> 00:47:30,399 He won't be back for a while. 446 00:47:38,199 --> 00:47:41,479 And the reward - a new mate. 447 00:47:47,919 --> 00:47:49,639 For these tiny frogs, 448 00:47:49,799 --> 00:47:53,479 color is central to all aspects of their lives - 449 00:47:54,039 --> 00:47:58,999 for protection, to dominate rivals, and to find a partner. 450 00:48:00,039 --> 00:48:03,239 For them, life is color. 451 00:48:13,199 --> 00:48:16,439 When I started working in television in the 1950s, 452 00:48:16,679 --> 00:48:19,159 all broadcasts were in black and white, 453 00:48:19,679 --> 00:48:23,159 and conveying animal color took a leap of the imagination 454 00:48:23,239 --> 00:48:24,599 on the viewer's part. 455 00:48:25,239 --> 00:48:28,199 Well, those are only some of the birds of paradise we brought back, 456 00:48:28,479 --> 00:48:30,599 but there's one more I'd like to show you - 457 00:48:31,079 --> 00:48:32,839 the king bird of paradise. 458 00:48:33,479 --> 00:48:37,359 Its feathers are brilliant red except for its white underparts. 459 00:48:39,519 --> 00:48:42,679 When color TV arrived almost 20 years later, 460 00:48:42,919 --> 00:48:46,079 we were suddenly able to show some of the wonderful colours 461 00:48:46,159 --> 00:48:47,359 of the natural world. 462 00:48:53,479 --> 00:48:54,439 Since then, 463 00:48:54,559 --> 00:48:58,399 electronic cameras have made extraordinary technical advances 464 00:48:58,519 --> 00:49:02,239 into high definition and even ultra high definition. 465 00:49:04,239 --> 00:49:07,519 But we've always known that there's another world of color, 466 00:49:07,919 --> 00:49:10,759 one that only some animals can see. 467 00:49:15,159 --> 00:49:18,119 In these programs, new camera technology 468 00:49:18,199 --> 00:49:22,479 has provided a window into these hitherto invisible worlds. 469 00:49:25,999 --> 00:49:29,959 And one of these is that revealed by polarized light. 470 00:49:32,359 --> 00:49:35,719 It plays a crucial role in the lives of many animals, 471 00:49:35,959 --> 00:49:39,959 including these small fiddler crabs in Darwin, Australia. 472 00:49:45,399 --> 00:49:47,719 We worked with a team of scientists 473 00:49:47,959 --> 00:49:51,239 to develop a unique and pioneering camera system 474 00:49:51,439 --> 00:49:53,719 to reveal this hidden world. 475 00:49:54,279 --> 00:49:56,399 100% here. Alright... 476 00:49:56,679 --> 00:49:59,759 SIR DAVID: The camera detects areas of polarization, 477 00:49:59,919 --> 00:50:03,479 such as the light that passes through polarizing sunglasses. 478 00:50:03,599 --> 00:50:05,959 Put it to 100% here... 479 00:50:06,039 --> 00:50:09,679 SIR DAVID: It then combines vertical and horizontal polarization 480 00:50:09,839 --> 00:50:14,519 to show the contrast between polarized and unpolished light. 481 00:50:16,159 --> 00:50:19,039 With this new camera, the team hoped to find out 482 00:50:19,319 --> 00:50:23,319 how fiddler crabs use polarized light to signal to each other. 483 00:50:25,719 --> 00:50:29,919 But this camera had been developed in sterile, controlled conditions, 484 00:50:30,279 --> 00:50:31,959 and these fiddler crabs live 485 00:50:32,039 --> 00:50:34,599 in one of the least sterile environments on earth - 486 00:50:35,079 --> 00:50:37,439 Australia's tropical mudflats. 487 00:50:39,919 --> 00:50:43,159 Quite a challenge for the cameraman, Mark Amble. 488 00:50:43,519 --> 00:50:47,479 That mudflat, it's just a really extreme environment to work - 489 00:50:47,879 --> 00:50:51,279 blazing sun overhead, really high humidity 490 00:50:51,799 --> 00:50:53,239 and almost no airflow. 491 00:50:56,679 --> 00:50:59,319 SIR DAVID: The camera needed to be half buried in mud 492 00:50:59,519 --> 00:51:02,039 to get a fiddler crab's eye view. 493 00:51:03,839 --> 00:51:07,159 Whether the camera would work here, no-one could be sure. 494 00:51:08,399 --> 00:51:09,879 I'm slightly worried. 495 00:51:10,119 --> 00:51:12,799 Hopefully we're not going to miss that special moment 496 00:51:13,079 --> 00:51:14,559 as the camera is not going to work. 497 00:51:14,639 --> 00:51:16,119 But I think we will be OK. 498 00:51:16,559 --> 00:51:18,119 Good luck. — Thank you. 499 00:51:21,159 --> 00:51:24,799 SIR DAVID: Once in position, Mark settled down for an uncomfortable wait. 500 00:51:28,599 --> 00:51:31,079 If the crabs detect the slightest movement, 501 00:51:32,039 --> 00:51:34,439 they disappear into their burrows. 502 00:51:36,759 --> 00:51:37,719 Again... 503 00:51:39,479 --> 00:51:40,799 ...and again. 504 00:51:43,359 --> 00:51:47,119 I have to be really still, or they will not come out at all. 505 00:51:47,799 --> 00:51:49,679 I'd love to be able to have an umbrella over me. 506 00:51:49,879 --> 00:51:54,159 So, anything higher than me is just not tolerated by the fiddler crabs. 507 00:51:54,239 --> 00:51:55,479 They just won't come up. 508 00:51:56,799 --> 00:51:58,159 SIR DAVID: But amazingly, 509 00:51:58,399 --> 00:52:03,199 the camera survived the heat, the humidity and the caustic brine, 510 00:52:03,759 --> 00:52:07,159 and eventually Mark was able to capture for the first time 511 00:52:07,439 --> 00:52:10,559 a fiddler crab's world in polarized light. 512 00:52:13,639 --> 00:52:17,639 Light reflected from the crabs' bodies is unpolished, 513 00:52:17,719 --> 00:52:19,199 so they look dark. 514 00:52:20,199 --> 00:52:22,839 This makes them stand out against the mudflats, 515 00:52:23,039 --> 00:52:25,759 from which the reflected light is polarized. 516 00:52:28,199 --> 00:52:30,639 They can see things that we can only imagine. 517 00:52:31,359 --> 00:52:33,479 When you look up and you see a bird fly over, 518 00:52:33,559 --> 00:52:35,959 it's a white bird against a white sky, 519 00:52:36,039 --> 00:52:37,399 whereas when they look up, 520 00:52:37,599 --> 00:52:40,359 it's just this total silhouette with the polarization 521 00:52:40,439 --> 00:52:43,919 and they can see birds coming from miles away. 522 00:52:44,039 --> 00:52:47,239 And often I'm filming and they'll all bolt down their holes, 523 00:52:47,319 --> 00:52:48,839 and I'll wonder why they've done it, 524 00:52:49,479 --> 00:52:51,119 and it's just because they've spotted a bird 525 00:52:51,399 --> 00:52:53,439 way earlier than I would have been able to see it. 526 00:52:56,239 --> 00:52:58,479 SIR DAVID: So, polarized light helps the crabs 527 00:52:58,559 --> 00:53:03,119 pick out distant potential mates, rivals and predators more quickly 528 00:53:03,199 --> 00:53:05,959 against their bright polarized background. 529 00:53:06,559 --> 00:53:08,999 And for Viktor, it was the first time 530 00:53:09,079 --> 00:53:11,719 he had seen the camera he had developed in the lab 531 00:53:11,839 --> 00:53:15,599 revealing the world in the way these tiny creatures see it. 532 00:53:16,719 --> 00:53:20,519 It's an amazing footage you've captured, Mark. It's really amazing. 533 00:53:21,719 --> 00:53:24,799 You really put the system to its limits today. 534 00:53:28,559 --> 00:53:31,799 SIR DAVID: But there was one even bigger challenge for the camera - 535 00:53:32,479 --> 00:53:35,159 one that lay farther out to sea. 536 00:53:38,039 --> 00:53:42,959 Underwater, only crustaceans, hydrocephalus and a few fish 537 00:53:43,079 --> 00:53:47,159 are known to be able to see and react to polarized light. 538 00:53:47,919 --> 00:53:51,079 But there is one animal here that exploits this ability 539 00:53:51,159 --> 00:53:53,039 in a really complex way. 540 00:53:54,359 --> 00:53:56,319 The peacock mantis shrimp. 541 00:53:56,759 --> 00:53:59,559 It's not only able to detect polarization, 542 00:53:59,919 --> 00:54:04,479 but has patches on its body that reflect light in a polarized form, 543 00:54:05,079 --> 00:54:08,639 and it uses them to signal to others of their own kind 544 00:54:08,759 --> 00:54:10,999 in ways that we cannot normally see. 545 00:54:13,359 --> 00:54:16,359 Professor Justin Marshall of Queensland University 546 00:54:16,439 --> 00:54:20,199 has adapted the polarizing camera to work underwater. 547 00:54:20,759 --> 00:54:21,719 So, here we go, Rory. 548 00:54:21,799 --> 00:54:24,799 This is the camera that's going to show us polarization. 549 00:54:26,719 --> 00:54:29,519 SIR DAVID: Rory Guinness, the team's underwater cameraman, 550 00:54:29,599 --> 00:54:32,599 arrives to see the latest version of the camera. 551 00:54:34,079 --> 00:54:36,279 So, you've obviously done a lot of work to get this 552 00:54:36,639 --> 00:54:39,119 into an underwater housing. - Yep, that's right. 553 00:54:39,199 --> 00:54:42,159 So, you can see in here there's a computer that runs the camera. 554 00:54:43,399 --> 00:54:45,879 There's quite a lot of engineering going on in there. 555 00:54:51,759 --> 00:54:56,279 SIR DAVID: Taking the camera for its first test underwater was a tense moment. 556 00:54:56,559 --> 00:55:00,399 Computers and salt water don't usually mix well. 557 00:55:08,799 --> 00:55:10,519 Having found a suitable spot, 558 00:55:10,839 --> 00:55:13,879 it was time for the camera's first critical test. 559 00:55:18,879 --> 00:55:20,959 A leak could be disastrous. 560 00:55:25,239 --> 00:55:26,559 But all is well. 561 00:55:26,959 --> 00:55:28,719 Now they need a mantis shrimp. 562 00:55:29,079 --> 00:55:31,759 OVER RADIO: Looks like a promising area, Justin. 563 00:55:32,039 --> 00:55:33,999 OVER RADIO: It looks perfect, Rory. 564 00:55:34,079 --> 00:55:38,759 So, we're looking for a hole with coral around it. 565 00:55:41,239 --> 00:55:42,359 Hey, look! 566 00:55:43,359 --> 00:55:45,439 Is that a mantis shrimp hole? 567 00:55:45,799 --> 00:55:47,799 SIR DAVID: The hole's resident soon appeared. 568 00:55:48,199 --> 00:55:51,039 It was time for the camera to show what it could do. 569 00:55:52,639 --> 00:55:53,999 As the shrimp turns, 570 00:55:54,079 --> 00:55:58,519 the polarized camera shows that its tail has a shimmering fringe, 571 00:55:58,679 --> 00:56:00,559 invisible in normal light. 572 00:56:01,119 --> 00:56:03,599 JUSTIN: Look at that. That's extraordinary! 573 00:56:04,399 --> 00:56:06,399 Life in polarized light. 574 00:56:07,879 --> 00:56:09,719 And this is the first time... 575 00:56:11,999 --> 00:56:16,039 ...we've been able to do this with this very special camera. 576 00:56:17,879 --> 00:56:21,399 SIR DAVID: The light on the ocean floor is unpolished. 577 00:56:21,599 --> 00:56:24,279 So, in complete reverse to the fiddler crabs, 578 00:56:24,399 --> 00:56:27,079 the mantis shrimps use polarization 579 00:56:27,199 --> 00:56:30,839 to stand out against the unpolished background. 580 00:56:34,719 --> 00:56:39,439 Special pigments polarize the light reflected from parts of their body, 581 00:56:40,239 --> 00:56:45,039 allowing them to signal to deter intruders and attract mates. 582 00:56:50,159 --> 00:56:54,719 This camera has revealed to us a first glimpse into a world of light 583 00:56:54,839 --> 00:56:58,879 that we're only beginning to be aware of, let alone understand. 584 00:57:07,319 --> 00:57:11,639 In the next episode, the story of Life In Co lour continues 585 00:57:11,919 --> 00:57:16,959 where the stakes are even higher and color is the key to survival. 586 00:57:18,599 --> 00:57:22,919 We discover how animals use color to hide from predators 587 00:57:23,559 --> 00:57:25,199 and from their prey. 588 00:57:25,279 --> 00:57:26,719 MONKEY BELLOWS 48512

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