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SIR DAVID ATTENBOROUGH:
The natural world is full of colours.
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Colours that attract attention.
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Colours that blend beautifully
with their background.
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00:00:42,839 --> 00:00:46,559
And colours that create
extraordinary displays.
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MACAWS SCREECH
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There are few animals
more brilliantly colored
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than these scarlet macaws.
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00:00:58,559 --> 00:01:02,079
Animals can use color
for all kinds of different reasons,
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00:01:02,719 --> 00:01:06,559
and some have colours
that we ourselves can't even see.
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00:01:09,199 --> 00:01:10,839
But with new cameras -
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00:01:10,959 --> 00:01:13,559
some developed
especially for this series -
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00:01:13,599 --> 00:01:17,959
we can reveal a world that has
long been hidden from our eyes.
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A world of colours
that only some animals can see.
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00:01:24,999 --> 00:01:29,319
Secret communication channels
for the most private of messages,
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00:01:30,559 --> 00:01:34,919
and colours so bold and brilliant,
they dazzle our senses.
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Whether to win a mate...
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...or beat a rival...
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...to warn off an enemy...
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...or to hide from one.
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We will reveal extraordinary stories
about life in color.
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MACAWS SCREECH
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The rocky hills of southern India.
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00:02:27,839 --> 00:02:30,599
PEAFOWL SQUAWK
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00:02:35,919 --> 00:02:38,719
The stage is set for a performance
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00:02:38,799 --> 00:02:42,919
of one of the most spectacular
dances in the natural world.
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00:02:42,999 --> 00:02:45,279
PEAFOWL SQUAWK
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00:02:47,839 --> 00:02:49,879
Peacocks are gathering.
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00:03:04,039 --> 00:03:09,479
This surely is one of the most
glamorous of all sights in nature.
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00:03:17,279 --> 00:03:20,759
150 shimmering eye spots,
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00:03:20,879 --> 00:03:24,679
carried on tail feathers
that are two metres long.
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00:03:34,999 --> 00:03:38,159
So, how did such glories evolve?
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00:03:42,199 --> 00:03:45,159
It seems it's all down
to the female.
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The brighter a male's colours
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00:03:55,639 --> 00:03:58,639
and the greater the number
of his feathery eye spots,
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00:03:58,959 --> 00:04:01,559
the more attractive
she will find him.
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00:04:14,279 --> 00:04:18,079
But colours and plumes like these
come at a cost.
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00:04:25,959 --> 00:04:28,919
The immense tall
makes flying difficult.
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00:04:29,159 --> 00:04:32,719
The males are literally weighed down
by their feathers.
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00:04:36,999 --> 00:04:40,839
Yet the colours they carry
are clearly very important to them.
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00:04:43,239 --> 00:04:47,119
So, why and how has color
taken on such value?
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00:04:54,599 --> 00:04:59,599
To understand that, we have to think
back to when it all began.
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700 million years ago,
our planet was far less colorful.
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But the first animals, it seems,
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had eyes that were unable
to distinguish colours anyway.
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Gradually, however, this changed.
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I am in Costa Rica.
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A good place to see
how valuable color can be.
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This toucan likes fruit,
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00:05:42,719 --> 00:05:48,239
and its ability to choose ripe fruit
from unripe depends on color,
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00:05:48,799 --> 00:05:50,719
because the ripe ones are black.
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00:05:52,519 --> 00:05:56,199
And this capacity -
choosing between different colours -
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00:05:56,519 --> 00:06:01,319
was a very important stage
in the evolution of color vision.
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00:06:07,239 --> 00:06:12,519
Birds, close relatives of dinosaurs,
appeared before mammals.
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00:06:17,079 --> 00:06:19,479
The first mammals,
as far as we can tell,
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were mostly nocturnal.
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00:06:22,559 --> 00:06:25,319
Colours are not easily
distinguishable at night,
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00:06:25,519 --> 00:06:28,279
so why evolve the ability
to detect them?
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00:06:31,559 --> 00:06:36,959
So it seems that the first mammals
themselves were not very colorful.
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00:06:37,679 --> 00:06:40,359
And this is still
largely true today.
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00:06:44,479 --> 00:06:47,159
Most are shades
of black and white...
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00:06:48,719 --> 00:06:50,159
...or brown.
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00:06:53,759 --> 00:06:55,639
But there are exceptions.
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00:06:56,599 --> 00:07:00,199
And one of the most dramatic
lives in the forests of Gabon,
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in West Africa.
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00:07:16,959 --> 00:07:20,719
These monkeys are mandrills,
a Kind of baboon.
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They live in large troops.
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Most are females and youngsters,
both of which are brown.
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00:07:33,119 --> 00:07:35,359
But the males are different.
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00:07:38,719 --> 00:07:43,759
They, when they're young, have
very plain faces with naked muzzles.
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00:07:43,999 --> 00:07:45,599
FLIES BUZZ
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00:07:48,359 --> 00:07:51,679
As they grow,
their faces begin to change.
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Testosterone begins to flow
through their veins.
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THEY GRUNT
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00:08:03,559 --> 00:08:05,519
When they're about six years old,
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00:08:05,679 --> 00:08:09,239
they leave the troop
and start to fend for themselves.
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00:08:10,319 --> 00:08:15,319
As they become sexually mature,
color appears in their faces.
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And what color!
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00:08:28,079 --> 00:08:31,679
Mandrill males are the biggest
of all monkeys...
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...weighing over 30 kilos,
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enormously, frighteningly powerful.
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And their colours say so.
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SCREECHING
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It is not only his face
which is colored.
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So is his rump.
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00:08:57,279 --> 00:09:01,999
Both are fearless declarations
of his health and strength.
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00:09:05,599 --> 00:09:09,759
And this male is more than happy
to prove just how strong he is
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should any male
dare to challenge him.
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Not surprisingly, mandrill eyes are
particularly sensitive to color.
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00:09:25,839 --> 00:09:29,799
And it's the brightness of their
colours which signals their status.
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00:09:34,519 --> 00:09:36,679
SCREECHING
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00:09:39,999 --> 00:09:42,039
There are four males in this troop,
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and they're constantly flexing their
muscles and displaying their colours
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to establish who is the strongest.
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And not all disputes
are settled peacefully.
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They emphasis their ferocity
by gestures,
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00:10:04,799 --> 00:10:06,599
such as grinding their teeth.
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00:10:06,679 --> 00:10:08,919
TEETH CLICK TOGETHER LOUDLY
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00:10:14,279 --> 00:10:18,199
If that doesn't work,
the highest—ranking male will fight.
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00:10:18,279 --> 00:10:20,559
THEY GRUNT
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And the others know it.
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00:10:26,639 --> 00:10:29,399
It's better to let color
do the talking.
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00:10:31,879 --> 00:10:33,559
HE GRUNTS
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Mandrills see the world
much as we do
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00:10:40,959 --> 00:10:43,999
and have three kinds
of color-sensitive cells.
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00:10:47,239 --> 00:10:50,279
But another group of animals
has color vision
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that's far superior
to that of any mammal -
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00:10:54,199 --> 00:10:55,439
birds.
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00:10:55,999 --> 00:10:58,799
BIRDS SQUAWK
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00:11:01,919 --> 00:11:05,039
Their ability varies
from group to group,
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00:11:05,399 --> 00:11:07,359
but you can judge how good they are
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from the colours they use
to signal to one another.
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00:11:12,359 --> 00:11:16,119
Hummingbirds have excellent
color vision,
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because that enables them
to spot brightly colored flowers,
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00:11:22,319 --> 00:11:25,039
which contains the nectar
on which they feed.
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WINGS HUM
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00:11:33,599 --> 00:11:37,399
So, this artificial feeder
is a big success.
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Brightly colored down here
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00:11:39,879 --> 00:11:43,879
and containing sugar solution -
artificial nectar - up there.
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00:11:49,799 --> 00:11:53,439
But hummingbirds also use
their ability to see color
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in a different way -
to attract a mate.
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00:11:59,359 --> 00:12:01,919
Most species live in South America,
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00:12:02,079 --> 00:12:05,679
where there are flowers of some sort
all year round.
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00:12:09,319 --> 00:12:11,519
A few, however,
have spread northwards
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00:12:11,639 --> 00:12:14,559
into the deserts
of the American Southwest.
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00:12:18,519 --> 00:12:22,359
In this vastness,
it's hard to get noticed.
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00:12:24,999 --> 00:12:29,439
Especially if you are a small
hummingbird looking for a mate.
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00:12:41,919 --> 00:12:46,119
But this male Cost’s hummingbird
uses his colours
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to send a secret message.
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00:12:51,599 --> 00:12:55,719
Out in the open, flashy colours
can attract unwanted attention,
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so he keeps them hidden
most of the time.
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00:13:01,239 --> 00:13:05,279
A slight turn of the head, however,
provides a tantalizing glimpse
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of what he has to offer.
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He's spotted a female.
She's feeding.
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00:13:21,959 --> 00:13:25,839
Hummingbirds live fast lives
and need plenty of fuel.
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00:13:26,359 --> 00:13:28,999
So if he is to attract
her attention,
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he needs something eye-catching.
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Time to reveal his colours.
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00:13:41,799 --> 00:13:43,599
WINGS HUM
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00:13:43,759 --> 00:13:46,399
Erecting the iridescent feathers
on his neck,
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00:13:46,519 --> 00:13:49,679
he positions himself
to catch the sunlight.
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00:13:56,759 --> 00:14:00,559
Seen at just the right angle,
his colours are dazzling.
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Aerobatics like these
take a lot of energy,
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00:14:23,279 --> 00:14:27,679
so his performance can give her
clues about his health and fitness.
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00:14:32,359 --> 00:14:37,759
Every second she takes to decide
burns up his energy reserves.
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00:14:43,119 --> 00:14:45,359
So he can only hover for so long.
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00:15:03,719 --> 00:15:07,639
At last, his colours
have persuaded her.
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00:15:17,279 --> 00:15:20,279
Displaying your colours is easy
out in the open.
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00:15:25,159 --> 00:15:27,559
Birds which live
in dark forests, however,
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00:15:27,879 --> 00:15:30,359
have to work harder to get noticed.
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00:15:36,079 --> 00:15:38,359
The rainforests of New Guinea.
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00:15:38,919 --> 00:15:41,759
Here, the trees stand 30 metres tall,
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00:15:42,079 --> 00:15:45,199
with their crowns forming
a near continuous canopy.
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But here and there,
there's a small gap
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through which a shaft of light
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illuminates a patch
on the forest floor.
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A stage for one of
the most versatile dancers
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00:16:01,079 --> 00:16:02,479
in the natural world.
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A bird of paradise.
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There are over 30 different species.
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This one - understandably -
is called
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the magnificent bird of paradise.
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A male.
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Before starting his show,
he clears his stage.
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The bare brown earth will make
his colours stand out better.
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He takes particular care
to remove anything green.
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That color will be the main feature
of his display
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and he doesn't want any competition.
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Satisfied at last.
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A sapling in the center will serve
as his dancing pole.
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His costume must be immaculate.
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Plumes like these
need careful attention.
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Time to summon the audience.
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HE CHIRPS
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00:17:44,839 --> 00:17:46,959
CHIRPING CONTINUES
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The first to appear
are all young males.
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They won't develop their colours
until they're seven years old.
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00:18:06,439 --> 00:18:09,279
They have come
to watch and to learn.
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00:18:09,919 --> 00:18:13,799
HE CHIRPS
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At last, a female.
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00:18:17,799 --> 00:18:20,879
She looks much like a young male
to our eyes...
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00:18:22,639 --> 00:18:25,199
...but he can clearly
tell the difference.
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00:18:29,519 --> 00:18:31,799
She will judge him
by his performance
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00:18:31,879 --> 00:18:34,359
and the brightness of his feathers.
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00:18:36,639 --> 00:18:39,719
She does that
from directly above him.
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00:18:53,799 --> 00:18:56,799
He puffs up his feathers
and swings round
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00:18:56,879 --> 00:18:58,879
to show her his colours.
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For years, naturalists only watched
his performance from ground level.
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00:19:15,279 --> 00:19:18,039
But the female does so from above.
189
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And from there, his brilliant
green colours stand out vividly
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00:19:27,199 --> 00:19:29,119
against the brown of the ground.
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00:19:32,879 --> 00:19:37,759
A pair of bare, quivering quills
sprouting from his tail
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add to the excitement.
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This is one of the most complex
of all courtship dances,
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and we're still unaware
of the details
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00:19:50,879 --> 00:19:53,159
that she may regard as critical.
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00:20:04,159 --> 00:20:07,399
The prize-giving, however,
is unmistakable.
197
00:20:20,519 --> 00:20:23,119
The color vision of birds
is mostly excellent.
198
00:20:25,679 --> 00:20:28,599
But that of many insects
is almost as good.
199
00:20:28,719 --> 00:20:31,039
BIRDS CHIRP AND CHATTER
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00:20:35,639 --> 00:20:36,959
Butterflies.
201
00:20:43,319 --> 00:20:48,479
They too have evolved an astonishing
variety of colours and patterns.
202
00:21:01,119 --> 00:21:05,439
The wings are covered by tiny
scales, like tiles on a roof,
203
00:21:05,919 --> 00:21:08,719
and it's they that produce
some of the colours.
204
00:21:13,079 --> 00:21:14,719
Some have pigments.
205
00:21:16,119 --> 00:21:20,679
Others reflect light to produce
a shimmering iridescence,
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00:21:21,279 --> 00:21:22,759
with colours that change
207
00:21:22,839 --> 00:21:25,399
according to the angle
from which they're viewed.
208
00:21:38,199 --> 00:21:43,279
But some butterflies use colours
that are invisible to our eyes.
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00:21:49,519 --> 00:21:52,079
BUMBLEBEES BUZZ
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00:21:52,239 --> 00:21:56,359
The glorious colours
of an English meadow in bloom
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00:21:56,799 --> 00:21:59,439
is a delight
to the eyes of many of us.
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00:22:00,359 --> 00:22:03,359
But their purpose is not
to appeal to US,
213
00:22:04,159 --> 00:22:09,119
it's to attract insects
such as butterflies and bees.
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00:22:10,959 --> 00:22:15,719
Most of these plants depend
on insects to pollinate them,
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00:22:16,719 --> 00:22:20,559
and they use their bright colours
in order to attract insects.
216
00:22:21,399 --> 00:22:24,879
But to understand
what an insect sees,
217
00:22:25,519 --> 00:22:28,239
we have to be able to see it
through their eyes
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00:22:28,519 --> 00:22:29,879
and from their perspective.
219
00:22:30,439 --> 00:22:34,759
And, happily, we've got a camera
that enables us to do just that.
220
00:22:39,239 --> 00:22:43,839
This camera set-up lets us look at
that flower in two different ways.
221
00:22:44,799 --> 00:22:47,519
This camera is
an ultraviolet camera,
222
00:22:47,759 --> 00:22:49,999
because it has a filter there
223
00:22:50,239 --> 00:22:52,399
that only lets through
ultraviolet light.
224
00:22:53,119 --> 00:22:57,519
But at the same time, this filter
also reflects normal light,
225
00:22:57,719 --> 00:23:01,239
and that comes into this camera,
and that shows what we can see.
226
00:23:01,959 --> 00:23:04,879
So I can compare the two
very easily.
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00:23:05,319 --> 00:23:07,079
That's what we can see...
228
00:23:10,559 --> 00:23:12,199
...and that's what the insect sees.
229
00:23:15,079 --> 00:23:18,079
Flowers have evolved
these ultraviolet markings
230
00:23:18,239 --> 00:23:21,799
for the benefit of insects
such as butterflies.
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00:23:30,999 --> 00:23:35,199
This particular one lives in the
rainforests of eastern Australia.
232
00:23:36,079 --> 00:23:39,759
It's a blue moon butterfly - a male.
233
00:23:44,919 --> 00:23:48,239
You might not think that it's
the most colorful you've ever seen,
234
00:23:49,159 --> 00:23:54,679
but with our ultraviolet camera,
his wings take on a magical look.
235
00:24:00,559 --> 00:24:04,839
The brighter his patches, the more
attractive he is to females.
236
00:24:09,919 --> 00:24:12,919
But ultraviolet markings like these
can also be seen
237
00:24:12,999 --> 00:24:15,439
by the blue moon's main predators.
238
00:24:18,479 --> 00:24:20,919
Birds can see them just as clearly.
239
00:24:25,279 --> 00:24:28,919
So flying around with a bright
signal like that on your wings
240
00:24:29,159 --> 00:24:30,639
could be dangerous.
241
00:24:36,919 --> 00:24:40,319
For a male, however,
it's worth living dangerously.
242
00:24:40,919 --> 00:24:44,679
If he can mate with one or two
females in his short lifetime,
243
00:24:44,919 --> 00:24:47,239
his colours will have been
a success.
244
00:24:55,159 --> 00:24:57,199
But he has competition.
245
00:24:58,879 --> 00:25:02,919
He will have to defend his territory
if he is to secure a mate.
246
00:25:06,439 --> 00:25:10,519
Butterfly wings are fragile,
so physical combat is to be avoided.
247
00:25:13,479 --> 00:25:17,759
Disputes instead are settled
with aerial displays.
248
00:25:27,719 --> 00:25:30,439
A female has been watching
from the sidelines.
249
00:25:35,079 --> 00:25:37,559
Time to show her his colours.
250
00:25:56,039 --> 00:25:59,319
In her eyes, he's simply dazzling.
251
00:26:10,559 --> 00:26:12,599
MOORHENS PIPE
252
00:26:14,879 --> 00:26:17,799
Ultraviolet colours are
part of the spectrum
253
00:26:17,919 --> 00:26:21,639
that insects can see and we cannot.
254
00:26:23,999 --> 00:26:25,879
Recent discoveries have revealed
255
00:26:25,999 --> 00:26:29,679
that some animals can also see
a characteristic of light
256
00:26:29,959 --> 00:26:31,639
that we cannot detect.
257
00:26:33,679 --> 00:26:38,919
Sunlight contains rays that vibrate
in many different planes.
258
00:26:39,959 --> 00:26:43,519
In polarized light,
they vibrate in only one.
259
00:26:45,439 --> 00:26:47,759
Light may become polarized
260
00:26:47,959 --> 00:26:51,199
when reflected off a shiny surface
such as water.
261
00:26:52,759 --> 00:26:57,159
Unlike us, some animals
can see polarized light,
262
00:26:57,679 --> 00:27:00,599
and they can exploit it
in many ways.
263
00:27:05,199 --> 00:27:06,959
One creature that does so
264
00:27:07,199 --> 00:27:11,319
lives on these vast mudflats
in northern Australia.
265
00:27:16,599 --> 00:27:21,559
These eyes, on stalks,
belong to a male fiddler crab.
266
00:27:24,239 --> 00:27:27,119
And they can see
in a way that we cannot.
267
00:27:35,319 --> 00:27:39,199
As the tide goes out,
the crabs emerge from their burrows.
268
00:27:47,639 --> 00:27:51,959
His giant claw is too large
to be used in feeding.
269
00:27:54,719 --> 00:27:58,559
Instead, he uses it to attract
the attention of females
270
00:27:58,719 --> 00:28:01,359
by waving it with vigor.
271
00:28:04,159 --> 00:28:08,239
The crabs can see objects that are
close to them reasonably well.
272
00:28:10,719 --> 00:28:14,679
But their long-distance eyesight
is not so good.
273
00:28:19,599 --> 00:28:22,759
Polaris ed light can help
solve the problem.
274
00:28:27,359 --> 00:28:29,799
Viewed with a new specialist camera,
275
00:28:29,879 --> 00:28:34,199
the mudflats, which reflect
polarized light, are bright...
276
00:28:37,159 --> 00:28:42,039
...while the unpolished crabs appear
darker against their background.
277
00:28:43,599 --> 00:28:48,159
This striking contrast also makes
the large claw more obvious.
278
00:28:50,919 --> 00:28:55,519
The big claw is also used
by the male to defend his burrow.
279
00:28:59,959 --> 00:29:02,399
Not everyone heeds the warning.
280
00:29:17,079 --> 00:29:18,319
Battle over.
281
00:29:21,199 --> 00:29:24,039
But there are more dangerous enemies
to face -
282
00:29:24,439 --> 00:29:25,959
aerial predators.
283
00:29:27,359 --> 00:29:29,679
The quicker they can spot them,
the better.
284
00:29:30,719 --> 00:29:34,639
And once again,
polarized light helps them to do so.
285
00:29:34,719 --> 00:29:37,119
TERNS CHATTER
286
00:29:48,239 --> 00:29:52,759
With the coast clear,
a male re-emerges from his burrow.
287
00:29:56,319 --> 00:29:58,439
At last, a female.
288
00:30:05,039 --> 00:30:09,399
With the tide on the turn,
he must work fast to win her over.
289
00:30:16,119 --> 00:30:19,239
And close up,
his colours come into play.
290
00:30:20,479 --> 00:30:24,679
The brightness of his blue back
could be the deciding factor.
291
00:30:33,879 --> 00:30:35,639
She may not look willing,
292
00:30:35,759 --> 00:30:39,799
but the pushing and shoving
are all part of the mating ritual.
293
00:30:44,639 --> 00:30:47,719
One last shove and she's in.
294
00:30:50,839 --> 00:30:52,279
Just in time.
295
00:31:06,319 --> 00:31:11,039
On land, color is used
in a multitude of different ways.
296
00:31:11,719 --> 00:31:13,599
The same is true in the sea,
297
00:31:14,319 --> 00:31:17,759
but there, color works
in a very different way.
298
00:31:27,839 --> 00:31:30,399
This is Australia's
Great Barrier Reef,
299
00:31:30,879 --> 00:31:34,559
and its shallow waters
are full of vivid color.
300
00:31:40,759 --> 00:31:44,239
The inhabitants of the reef
exploit it to the full,
301
00:31:44,639 --> 00:31:47,439
with unparalleled
and dazzling effect.
302
00:32:03,919 --> 00:32:07,679
The orange-red stripes
of the harlequin tusk fish
303
00:32:07,879 --> 00:32:09,719
make it very conspicuous.
304
00:32:13,359 --> 00:32:15,639
But as light filters down
through the water,
305
00:32:15,759 --> 00:32:19,199
more and more of its wavelengths
are absorbed,
306
00:32:20,399 --> 00:32:22,879
and red is the first to disappear.
307
00:32:25,119 --> 00:32:28,039
So, as the harlequin
swims downwards,
308
00:32:28,359 --> 00:32:32,439
his brilliantly colored red body
looks duller and duller.
309
00:32:43,559 --> 00:32:47,679
Different colours are absorbed
at different rates in the sea,
310
00:32:48,479 --> 00:32:51,719
but some can still be seen
at greater depths.
311
00:32:55,199 --> 00:32:57,439
Yellow and blue travel farthest,
312
00:32:57,679 --> 00:33:00,559
so it's these
that many fish down here use
313
00:33:00,719 --> 00:33:02,439
to signal their identity.
314
00:33:08,439 --> 00:33:11,439
Most fish near the surface
have good color vision,
315
00:33:12,079 --> 00:33:16,679
but some of the smaller species
can also see ultraviolet colours.
316
00:33:20,439 --> 00:33:24,319
To us, these yellow dam selfish
all look very similar.
317
00:33:29,199 --> 00:33:33,759
But using our ultraviolet camera,
here in controlled conditions,
318
00:33:34,119 --> 00:33:37,399
we can see that many fish
have different patterns
319
00:33:37,479 --> 00:33:40,639
that are normally invisible
to our eyes.
320
00:33:43,639 --> 00:33:45,559
And suddenly, it becomes clear
321
00:33:45,639 --> 00:33:50,079
that these two individuals
are in fact different species.
322
00:33:53,879 --> 00:33:55,719
This lemon dam selfish
323
00:33:55,799 --> 00:33:58,959
has distinctive spots
on its gill covers.
324
00:34:01,639 --> 00:34:04,519
And this, an Zamboni damsel,
325
00:34:04,679 --> 00:34:09,639
has bright reflecting ultraviolet
patches all across the body.
326
00:34:12,319 --> 00:34:14,559
It's a code invisible to us
327
00:34:14,679 --> 00:34:17,559
that allows these fish
to recognise each other...
328
00:34:19,879 --> 00:34:22,919
...without attracting the attention
of large predators,
329
00:34:23,039 --> 00:34:25,919
which can't see
in the ultraviolet range.
330
00:34:33,999 --> 00:34:36,679
And it's on the seabed
that you can find
331
00:34:36,799 --> 00:34:39,719
one of the most colorful
sea creatures of all.
332
00:34:46,039 --> 00:34:48,639
The peacock mantis shrimp.
333
00:34:54,559 --> 00:34:57,159
This strange-looking creature's
ancestry
334
00:34:57,359 --> 00:35:00,479
can be traced back
400 million years.
335
00:35:02,679 --> 00:35:05,599
And it has one of the most
versatile kinds of eyes
336
00:35:05,679 --> 00:35:07,879
in the whole of the animal kingdom.
337
00:35:13,079 --> 00:35:18,039
It can rotate its two huge eyes
independently of each other
338
00:35:18,239 --> 00:35:20,039
and in almost any direction.
339
00:35:22,479 --> 00:35:25,239
We have three kinds
of color receptors,
340
00:35:25,479 --> 00:35:30,159
but the mantis shrimp has 12, each
with a direct link to the brain,
341
00:35:30,399 --> 00:35:34,519
SO it can perceive color
faster than any other animal.
342
00:35:36,279 --> 00:35:38,359
And it can also detect
the difference
343
00:35:38,479 --> 00:35:41,359
between polarized
and unpolished light.
344
00:35:45,679 --> 00:35:47,519
But, unlike fiddler crabs,
345
00:35:47,759 --> 00:35:50,999
part of its body,
like these paddle-shaped scales,
346
00:35:51,199 --> 00:35:53,759
reflect polarized light
347
00:35:54,319 --> 00:35:57,959
and may be used
to signal to potential mates.
348
00:36:04,639 --> 00:36:08,959
The tail is also highly polarized
and used to plug its burrow
349
00:36:09,159 --> 00:36:12,679
and send a message
to warn off potential rivals.
350
00:36:18,559 --> 00:36:21,679
And by combining
all its visual abilities,
351
00:36:21,839 --> 00:36:26,999
the mantis shrimp has become one of
the most skilful of all predators.
352
00:36:38,999 --> 00:36:43,599
It also packs a powerful punch
from club-like mouth parts...
353
00:36:47,319 --> 00:36:50,039
...which it uses with great accuracy.
354
00:36:52,479 --> 00:36:56,599
These clubs deliver the fastest
punch in the animal kingdom,
355
00:36:56,919 --> 00:37:00,959
which we recorded slowed down
and under controlled conditions.
356
00:37:13,999 --> 00:37:19,759
Whether underwater or on land,
color can be extremely useful.
357
00:37:24,359 --> 00:37:28,519
And the colours an animal develops
can sometimes be influenced
358
00:37:28,719 --> 00:37:31,839
by where it lives and what it eats.
359
00:37:40,679 --> 00:37:43,639
The Atacama Desert in South America.
360
00:37:55,279 --> 00:37:58,799
There are six different species
of flamingos in the world,
361
00:37:59,399 --> 00:38:01,279
and they all prefer to breed
362
00:38:01,679 --> 00:38:04,279
in those most hostile
of environments -
363
00:38:04,639 --> 00:38:07,239
salt flats and soda lakes.
364
00:38:12,439 --> 00:38:16,319
We think of flamingos as being
characteristically pink,
365
00:38:16,839 --> 00:38:20,479
but their feathers when they
first appear are in fact white.
366
00:38:22,119 --> 00:38:24,639
FLAMINGOS WARBLE
367
00:38:24,799 --> 00:38:27,479
Their color comes from their food.
368
00:38:30,879 --> 00:38:35,279
The salty waters in which they feed
are rich in algae and shrimps,
369
00:38:35,439 --> 00:38:39,719
both of which contain red pigments
called carotids.
370
00:38:42,519 --> 00:38:45,239
These, over time,
accumulate in their feathers
371
00:38:45,399 --> 00:38:47,079
and give them their bright color.
372
00:38:48,439 --> 00:38:50,399
FLAMINGOS WARBLE
373
00:39:04,159 --> 00:39:06,239
These youngsters were born
last year.
374
00:39:07,319 --> 00:39:10,479
They still have their first
greyish-white plumage.
375
00:39:16,999 --> 00:39:19,999
It takes time before
the pigments become visible.
376
00:39:26,039 --> 00:39:31,159
Five years will pass before they
become as pink as their parents.
377
00:39:39,519 --> 00:39:42,399
But it's not only the juveniles
which are white.
378
00:39:48,319 --> 00:39:51,839
This adult female raised a chick
last year,
379
00:39:52,279 --> 00:39:55,959
and the effort of doing so
has drained her of color.
380
00:39:58,719 --> 00:40:01,239
She put all her surplus
food and energy
381
00:40:01,359 --> 00:40:04,799
into producing an egg
and then feeding her chick.
382
00:40:06,959 --> 00:40:10,519
So she will need time to build up
the body reserves needed
383
00:40:10,679 --> 00:40:13,799
to regrow pink feathers and breed.
384
00:40:21,919 --> 00:40:24,519
For those that are old enough
and physically fit,
385
00:40:24,879 --> 00:40:26,879
it's time to find a mate.
386
00:40:30,919 --> 00:40:34,479
Only the pink birds take part
in these courtship dances.
387
00:40:38,599 --> 00:40:42,759
Their color is an indication
that they're fit and strong.
388
00:41:02,519 --> 00:41:04,199
As they march through the water,
389
00:41:04,279 --> 00:41:07,159
each bird tries to stand out
from the crowd,
390
00:41:08,439 --> 00:41:12,199
and the brightest will be the first
to secure a partner.
391
00:41:19,359 --> 00:41:23,759
The white female can play no part
in this year's display.
392
00:41:30,559 --> 00:41:32,879
She will need to eat
as much as she can
393
00:41:33,279 --> 00:41:35,359
if she is to restore her color.
394
00:41:38,599 --> 00:41:43,319
Maybe next year she will be able
to rejoin the dance.
395
00:41:54,959 --> 00:41:57,399
Flamingos depend on
their pink color
396
00:41:57,479 --> 00:41:59,999
to attract a partner and breed.
397
00:42:03,079 --> 00:42:06,879
But there is one tiny animal
in the Central American rainforests
398
00:42:07,199 --> 00:42:10,199
that uses color not only to attract
399
00:42:10,679 --> 00:42:11,879
but to repel.
400
00:42:22,119 --> 00:42:24,599
This little frog uses color
401
00:42:24,719 --> 00:42:25,919
as a warning.
402
00:42:26,519 --> 00:42:29,079
Its skin is full of glands
403
00:42:29,159 --> 00:42:30,999
which produce a deadly poison.
404
00:42:31,559 --> 00:42:33,799
So its color is
a very clear message -
405
00:42:34,439 --> 00:42:36,719
"Eat me and you'll regret it!"
406
00:42:40,479 --> 00:42:43,039
You need a vivid message like this
407
00:42:43,279 --> 00:42:47,839
if you are a small, soft-skinned,
bite-sized mouthful
408
00:42:48,079 --> 00:42:50,519
living in a dark, dense forest.
409
00:42:51,799 --> 00:42:54,359
BIRDS SQUAWK
410
00:42:54,479 --> 00:42:57,319
OMINOUS MUSIC
411
00:43:03,479 --> 00:43:06,639
The rainforest can be a scary place.
412
00:43:11,079 --> 00:43:13,799
There are hungry animals everywhere.
413
00:43:28,599 --> 00:43:32,359
For many, it's best
to keep a low profile.
414
00:43:37,079 --> 00:43:39,159
But this little frog doesn't.
415
00:43:40,919 --> 00:43:43,919
It's a strawberry poison-dart frog,
416
00:43:44,079 --> 00:43:46,879
and it's not much bigger
than your fingernail.
417
00:43:47,679 --> 00:43:50,719
And yet he is one of
the deadliest creatures here.
418
00:43:53,839 --> 00:43:56,719
His bright skin secretes a toxin.
419
00:43:58,599 --> 00:44:00,279
In the mouth of a predator,
420
00:44:00,559 --> 00:44:05,119
it can cause respiratory failure,
convulsions and death.
421
00:44:08,759 --> 00:44:13,639
Predators recognise his color
as a sign of danger and avoid him.
422
00:44:20,119 --> 00:44:24,399
Such frogs also live on a group
of islands just off Panama
423
00:44:24,639 --> 00:44:26,679
called Boas led Toto.
424
00:44:28,879 --> 00:44:30,519
Living in isolation,
425
00:44:30,679 --> 00:44:34,799
frogs on each island evolved
their own distinctive colours.
426
00:44:37,719 --> 00:44:40,399
There is a different one
on each island...
427
00:44:43,999 --> 00:44:46,599
...and yet they're all
the same species.
428
00:44:52,519 --> 00:44:55,879
They're different because
the diet on some islands
429
00:44:55,959 --> 00:44:58,759
makes some more poisonous
than others,
430
00:44:59,079 --> 00:45:03,799
and the more poison a frog has,
the more brightly colored it is.
431
00:45:12,479 --> 00:45:16,879
On Solar Island,
a red male is busy calling.
432
00:45:16,999 --> 00:45:19,919
HE CLICKS
433
00:45:26,319 --> 00:45:30,439
This is his patch
and he's looking for a female.
434
00:45:33,719 --> 00:45:34,959
He should be popular -
435
00:45:35,159 --> 00:45:39,919
females prefer bright, shiny skin,
which is a sign of fitness.
436
00:45:44,279 --> 00:45:48,719
His color is also an indication
to other males of his strength.
437
00:45:57,799 --> 00:45:59,439
He spots an intruder.
438
00:46:00,279 --> 00:46:04,239
He's about the same size,
but he's a paler color.
439
00:46:13,799 --> 00:46:16,919
And he doesn't challenge
the brighter frog.
440
00:46:23,199 --> 00:46:25,839
But this one is a different matter.
441
00:46:27,239 --> 00:46:28,799
MEXICAN STANDOFF-STYLE MUSIC
442
00:46:28,879 --> 00:46:30,719
He IS a contender.
443
00:46:41,959 --> 00:46:44,639
Nothing for it but to fight it out.
444
00:47:26,399 --> 00:47:27,399
That did it.
445
00:47:28,559 --> 00:47:30,399
He won't be back for a while.
446
00:47:38,199 --> 00:47:41,479
And the reward - a new mate.
447
00:47:47,919 --> 00:47:49,639
For these tiny frogs,
448
00:47:49,799 --> 00:47:53,479
color is central
to all aspects of their lives -
449
00:47:54,039 --> 00:47:58,999
for protection, to dominate rivals,
and to find a partner.
450
00:48:00,039 --> 00:48:03,239
For them, life is color.
451
00:48:13,199 --> 00:48:16,439
When I started working in television
in the 1950s,
452
00:48:16,679 --> 00:48:19,159
all broadcasts were
in black and white,
453
00:48:19,679 --> 00:48:23,159
and conveying animal color
took a leap of the imagination
454
00:48:23,239 --> 00:48:24,599
on the viewer's part.
455
00:48:25,239 --> 00:48:28,199
Well, those are only some of the
birds of paradise we brought back,
456
00:48:28,479 --> 00:48:30,599
but there's one more
I'd like to show you -
457
00:48:31,079 --> 00:48:32,839
the king bird of paradise.
458
00:48:33,479 --> 00:48:37,359
Its feathers are brilliant red
except for its white underparts.
459
00:48:39,519 --> 00:48:42,679
When color TV arrived
almost 20 years later,
460
00:48:42,919 --> 00:48:46,079
we were suddenly able to show
some of the wonderful colours
461
00:48:46,159 --> 00:48:47,359
of the natural world.
462
00:48:53,479 --> 00:48:54,439
Since then,
463
00:48:54,559 --> 00:48:58,399
electronic cameras have made
extraordinary technical advances
464
00:48:58,519 --> 00:49:02,239
into high definition
and even ultra high definition.
465
00:49:04,239 --> 00:49:07,519
But we've always known that
there's another world of color,
466
00:49:07,919 --> 00:49:10,759
one that only some animals can see.
467
00:49:15,159 --> 00:49:18,119
In these programs,
new camera technology
468
00:49:18,199 --> 00:49:22,479
has provided a window into
these hitherto invisible worlds.
469
00:49:25,999 --> 00:49:29,959
And one of these is
that revealed by polarized light.
470
00:49:32,359 --> 00:49:35,719
It plays a crucial role
in the lives of many animals,
471
00:49:35,959 --> 00:49:39,959
including these small fiddler crabs
in Darwin, Australia.
472
00:49:45,399 --> 00:49:47,719
We worked with a team of scientists
473
00:49:47,959 --> 00:49:51,239
to develop a unique and pioneering
camera system
474
00:49:51,439 --> 00:49:53,719
to reveal this hidden world.
475
00:49:54,279 --> 00:49:56,399
100% here. Alright...
476
00:49:56,679 --> 00:49:59,759
SIR DAVID: The camera detects
areas of polarization,
477
00:49:59,919 --> 00:50:03,479
such as the light that passes
through polarizing sunglasses.
478
00:50:03,599 --> 00:50:05,959
Put it to 100% here...
479
00:50:06,039 --> 00:50:09,679
SIR DAVID: It then combines vertical
and horizontal polarization
480
00:50:09,839 --> 00:50:14,519
to show the contrast between
polarized and unpolished light.
481
00:50:16,159 --> 00:50:19,039
With this new camera,
the team hoped to find out
482
00:50:19,319 --> 00:50:23,319
how fiddler crabs use polarized
light to signal to each other.
483
00:50:25,719 --> 00:50:29,919
But this camera had been developed
in sterile, controlled conditions,
484
00:50:30,279 --> 00:50:31,959
and these fiddler crabs live
485
00:50:32,039 --> 00:50:34,599
in one of the least sterile
environments on earth -
486
00:50:35,079 --> 00:50:37,439
Australia's tropical mudflats.
487
00:50:39,919 --> 00:50:43,159
Quite a challenge
for the cameraman, Mark Amble.
488
00:50:43,519 --> 00:50:47,479
That mudflat, it's just a really
extreme environment to work -
489
00:50:47,879 --> 00:50:51,279
blazing sun overhead,
really high humidity
490
00:50:51,799 --> 00:50:53,239
and almost no airflow.
491
00:50:56,679 --> 00:50:59,319
SIR DAVID: The camera needed
to be half buried in mud
492
00:50:59,519 --> 00:51:02,039
to get a fiddler crab's eye view.
493
00:51:03,839 --> 00:51:07,159
Whether the camera would work here,
no-one could be sure.
494
00:51:08,399 --> 00:51:09,879
I'm slightly worried.
495
00:51:10,119 --> 00:51:12,799
Hopefully we're not going to miss
that special moment
496
00:51:13,079 --> 00:51:14,559
as the camera is not going to work.
497
00:51:14,639 --> 00:51:16,119
But I think we will be OK.
498
00:51:16,559 --> 00:51:18,119
Good luck.
— Thank you.
499
00:51:21,159 --> 00:51:24,799
SIR DAVID: Once in position,
Mark settled down for an uncomfortable wait.
500
00:51:28,599 --> 00:51:31,079
If the crabs detect
the slightest movement,
501
00:51:32,039 --> 00:51:34,439
they disappear into their burrows.
502
00:51:36,759 --> 00:51:37,719
Again...
503
00:51:39,479 --> 00:51:40,799
...and again.
504
00:51:43,359 --> 00:51:47,119
I have to be really still,
or they will not come out at all.
505
00:51:47,799 --> 00:51:49,679
I'd love to be able to have
an umbrella over me.
506
00:51:49,879 --> 00:51:54,159
So, anything higher than me is just
not tolerated by the fiddler crabs.
507
00:51:54,239 --> 00:51:55,479
They just won't come up.
508
00:51:56,799 --> 00:51:58,159
SIR DAVID:
But amazingly,
509
00:51:58,399 --> 00:52:03,199
the camera survived the heat,
the humidity and the caustic brine,
510
00:52:03,759 --> 00:52:07,159
and eventually Mark was able
to capture for the first time
511
00:52:07,439 --> 00:52:10,559
a fiddler crab's world
in polarized light.
512
00:52:13,639 --> 00:52:17,639
Light reflected from
the crabs' bodies is unpolished,
513
00:52:17,719 --> 00:52:19,199
so they look dark.
514
00:52:20,199 --> 00:52:22,839
This makes them stand out
against the mudflats,
515
00:52:23,039 --> 00:52:25,759
from which the reflected light
is polarized.
516
00:52:28,199 --> 00:52:30,639
They can see things
that we can only imagine.
517
00:52:31,359 --> 00:52:33,479
When you look up
and you see a bird fly over,
518
00:52:33,559 --> 00:52:35,959
it's a white bird
against a white sky,
519
00:52:36,039 --> 00:52:37,399
whereas when they look up,
520
00:52:37,599 --> 00:52:40,359
it's just this total silhouette
with the polarization
521
00:52:40,439 --> 00:52:43,919
and they can see birds coming
from miles away.
522
00:52:44,039 --> 00:52:47,239
And often I'm filming and they'll
all bolt down their holes,
523
00:52:47,319 --> 00:52:48,839
and I'll wonder why they've done it,
524
00:52:49,479 --> 00:52:51,119
and it's just because
they've spotted a bird
525
00:52:51,399 --> 00:52:53,439
way earlier than I would have
been able to see it.
526
00:52:56,239 --> 00:52:58,479
SIR DAVID:
So, polarized light helps the crabs
527
00:52:58,559 --> 00:53:03,119
pick out distant potential mates,
rivals and predators more quickly
528
00:53:03,199 --> 00:53:05,959
against their bright
polarized background.
529
00:53:06,559 --> 00:53:08,999
And for Viktor,
it was the first time
530
00:53:09,079 --> 00:53:11,719
he had seen the camera
he had developed in the lab
531
00:53:11,839 --> 00:53:15,599
revealing the world in the way
these tiny creatures see it.
532
00:53:16,719 --> 00:53:20,519
It's an amazing footage
you've captured, Mark. It's really amazing.
533
00:53:21,719 --> 00:53:24,799
You really put the system
to its limits today.
534
00:53:28,559 --> 00:53:31,799
SIR DAVID: But there was one even bigger
challenge for the camera -
535
00:53:32,479 --> 00:53:35,159
one that lay farther out to sea.
536
00:53:38,039 --> 00:53:42,959
Underwater, only crustaceans,
hydrocephalus and a few fish
537
00:53:43,079 --> 00:53:47,159
are known to be able to see
and react to polarized light.
538
00:53:47,919 --> 00:53:51,079
But there is one animal here
that exploits this ability
539
00:53:51,159 --> 00:53:53,039
in a really complex way.
540
00:53:54,359 --> 00:53:56,319
The peacock mantis shrimp.
541
00:53:56,759 --> 00:53:59,559
It's not only able
to detect polarization,
542
00:53:59,919 --> 00:54:04,479
but has patches on its body that
reflect light in a polarized form,
543
00:54:05,079 --> 00:54:08,639
and it uses them to signal
to others of their own kind
544
00:54:08,759 --> 00:54:10,999
in ways that we cannot normally see.
545
00:54:13,359 --> 00:54:16,359
Professor Justin Marshall
of Queensland University
546
00:54:16,439 --> 00:54:20,199
has adapted the polarizing camera
to work underwater.
547
00:54:20,759 --> 00:54:21,719
So, here we go, Rory.
548
00:54:21,799 --> 00:54:24,799
This is the camera that's
going to show us polarization.
549
00:54:26,719 --> 00:54:29,519
SIR DAVID: Rory Guinness,
the team's underwater cameraman,
550
00:54:29,599 --> 00:54:32,599
arrives to see the latest version
of the camera.
551
00:54:34,079 --> 00:54:36,279
So, you've obviously done
a lot of work to get this
552
00:54:36,639 --> 00:54:39,119
into an underwater housing.
- Yep, that's right.
553
00:54:39,199 --> 00:54:42,159
So, you can see in here there's
a computer that runs the camera.
554
00:54:43,399 --> 00:54:45,879
There's quite a lot of engineering
going on in there.
555
00:54:51,759 --> 00:54:56,279
SIR DAVID: Taking the camera for its first
test underwater was a tense moment.
556
00:54:56,559 --> 00:55:00,399
Computers and salt water
don't usually mix well.
557
00:55:08,799 --> 00:55:10,519
Having found a suitable spot,
558
00:55:10,839 --> 00:55:13,879
it was time for the camera's
first critical test.
559
00:55:18,879 --> 00:55:20,959
A leak could be disastrous.
560
00:55:25,239 --> 00:55:26,559
But all is well.
561
00:55:26,959 --> 00:55:28,719
Now they need a mantis shrimp.
562
00:55:29,079 --> 00:55:31,759
OVER RADIO: Looks like
a promising area, Justin.
563
00:55:32,039 --> 00:55:33,999
OVER RADIO:
It looks perfect, Rory.
564
00:55:34,079 --> 00:55:38,759
So, we're looking for a hole
with coral around it.
565
00:55:41,239 --> 00:55:42,359
Hey, look!
566
00:55:43,359 --> 00:55:45,439
Is that a mantis shrimp hole?
567
00:55:45,799 --> 00:55:47,799
SIR DAVID:
The hole's resident soon appeared.
568
00:55:48,199 --> 00:55:51,039
It was time for the camera
to show what it could do.
569
00:55:52,639 --> 00:55:53,999
As the shrimp turns,
570
00:55:54,079 --> 00:55:58,519
the polarized camera shows that
its tail has a shimmering fringe,
571
00:55:58,679 --> 00:56:00,559
invisible in normal light.
572
00:56:01,119 --> 00:56:03,599
JUSTIN:
Look at that. That's extraordinary!
573
00:56:04,399 --> 00:56:06,399
Life in polarized light.
574
00:56:07,879 --> 00:56:09,719
And this is the first time...
575
00:56:11,999 --> 00:56:16,039
...we've been able to do this
with this very special camera.
576
00:56:17,879 --> 00:56:21,399
SIR DAVID: The light on the ocean floor
is unpolished.
577
00:56:21,599 --> 00:56:24,279
So, in complete reverse
to the fiddler crabs,
578
00:56:24,399 --> 00:56:27,079
the mantis shrimps use polarization
579
00:56:27,199 --> 00:56:30,839
to stand out against
the unpolished background.
580
00:56:34,719 --> 00:56:39,439
Special pigments polarize the light
reflected from parts of their body,
581
00:56:40,239 --> 00:56:45,039
allowing them to signal to deter
intruders and attract mates.
582
00:56:50,159 --> 00:56:54,719
This camera has revealed to us a
first glimpse into a world of light
583
00:56:54,839 --> 00:56:58,879
that we're only beginning to be
aware of, let alone understand.
584
00:57:07,319 --> 00:57:11,639
In the next episode, the story
of Life In Co lour continues
585
00:57:11,919 --> 00:57:16,959
where the stakes are even higher
and color is the key to survival.
586
00:57:18,599 --> 00:57:22,919
We discover how animals use color
to hide from predators
587
00:57:23,559 --> 00:57:25,199
and from their prey.
588
00:57:25,279 --> 00:57:26,719
MONKEY BELLOWS
48512
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