Original subtitles

(female singer) * YOU DON'T HAVE TO PROVE YOUR MANHOOD TO ME CONSTANTLY *

* I'M ALREADY YOURS, NOW, CAN'T YOU SEE *

* I LOVE YOUR RIGHTEOUSLY *

* ARMS AROUND MY WAIST YOU GET A TASTE *

* OF HOW GOOD THIS CAN BE *

* YOU'RE THE MAN YOU OUGHT TO TENDERLY... * *

YOU KNOW, I WAS THINKIN'...

WE PUT IN BUNK BEDS, WE COULD ACTUALLY LIVE HERE.

NOT ENOUGH CLOSET SPACE.

[pager beeping]

OH, BUSINESS OR PLEASURE?

THE DISTRICT ATTORNEY.

BUSINESS OR PLEASURE?

[pager beeping]

SHE'S PAGING BOTH OF US. IS THAT GOOD OR BAD?

[cell phone dialing]

YOU HAVE WALCOTT ON SPEED DIAL?

DON'T YOU?

[siren pulsing]

(Macy) WHERE'S THE D.A.?

[siren wailing]

(Macy) HOW MANY BODIES?

(Walcott) NONE.

(Jordan) WE DON'T USUALLY GET CALLED OUT ON SPEC.

(Walcott) THIS WAS A METH LAB.

THEY DON'T USUALLY EXPLODE UNLESS SOMEONE WAS IN THEM.

IF THERE ARE BODIES, THEY'LL FIND 'EM.

WHY ARE YOU HERE?

I CAN TIE THIS METH OPERATION

TO FREDDY PAXTON, THE WORST DRUG DEALER IN BOSTON.

IF SOMEONE DIED HERE,

I CAN NAIL THE BASTARD FOR HOMICIDE AS WELL.

WELL, HERE'S TO HOPIN' WE FIND

A COUPLE OF FRESH CORPSES FOR YOU.

I DIDN'T MEAN THAT--

(Man) I GOT SOMETHING!

(Walcott) GRACE WHITFORD.

SHE WAS 16.

GARRET, SHE'S ALIVE!

[suspenseful rock music]

* *

[voices on walkie-talkie]

[Grace coughing]

I KNOW IT HURTS,

BUT YOU JUST HANG ON.

YOU'RE GONNA BE FINE, OKAY?

[crying]

GARRET, SHE'S SLIPPIN'.

ALL RIGHT, LET'S GET HER TRANSPORTED RIGHT NOW, C'MON!

YOU OKAY?

YEAH, GREAT.

YOU NEED TO SIT DOWN?

WHAT I NEED IS TO GET FREDDY PAXTON.

I ASSUME IT'S LIFE THREATENING.

YEAH.

SO, GOOD NEWS FOR YOU.

(Macy) C'MON, JORDAN.

I'LL BE AT THE HOSPITAL.

IS MY DAUGHTER GONNA BE OKAY?

I'M NOT REALLY CONNECTED WITH THE HOSPITAL.

I'M A MEDICAL EXAMINER.

LOOK, GRACE IS ALIVE.

GRACE IS ALIVE.

UH, THE DOCTORS ARE DOING EVERYTHING THEY CAN RIGHT NOW.

HOW BAD IS IT?

I-I DON'T KNOW WHAT HER CHANCES ARE, MRS. WHITFORD.

WHAT ABOUT THAT LITTLE SON OF A BITCH?

HER BOYFRIEND, CONNOR MARSHALL?

WELL, UH, GRACE IS THE ONLY VICTIM THAT WE FOUND.

MM.

BUT IF SHE WAS WITH HER BOYFRIEND,

THEN THE POLICE DO NEED TO KNOW THAT.

[sobbing]

MRS. WHITFORD?

YES?

YOUR DAUGHTER IS STABLE...

AND RESPONDING FAIRLY WELL.

BUT WITH BURNS...

THE PROGNOSIS IS MINUTE TO MINUTE FOR DAYS.

MAYBE EVEN WEEKS.

HEY, LILY.

WHAT DO YOU MAKE OF THIS?

HEY, YOU OKAY?

I JUST SPENT AN HOUR TRYING TO CONVINCE A WIFE

THAT HER HUSBAND WAS ACTUALLY DEAD.

SHE WOULDN'T EVEN LOOK AT HIS POLAROID TO I.D. HIS BODY.

SO NO I.D. MEANS NO PROCESSING.

NO PROCESSING MEANS A BACKED UP VIEWING ROOM,

WHICH MEANS FIVE MORE PEOPLE ANGRY AT ME.

YOU CAN'T PLEASE EVERYONE, LILY.

I CAN'T PLEASE ANYONE.

I COULDN'T CONSOLE HER, BUG.

I'M STARTING TO THINK THAT I...

WANTED TO SHOW ME SOMETHING?

UH, YEAH, YEAH.

IT'S UM, IT'S THESE.

"TO WHOM IT MAY CONCERN,

"I WOULD APPRECIATE IT MOST KINDLY

"IF YOU WOULD PLEASE CREMATE MY BODY WITHIN 48 HOURS

"AND SCATTER MY ASHES OVER MY BELOVED FENWAY PARK."

WHAT ARE THESE LANGUAGES?

I HAVE NO IDEA.

BUT I THINK IT'S THE SAME MESSAGE

WRITTEN IN THREE DIFFERENT LANGUAGES.

WE FOUND IT ON THE BODY OF A GUY

WHO DIED IN A FLOPHOUSE OVER ON CENTER STREET.

A SUICIDE NOTE IN TRIPLICATE?

WELL, THAT'S JUST IT, YOU SEE.

I DON'T THINK IT IS SUICIDE.

THERE'S NO SIGN OF SELF-INFLICTED ANYTHING.

IT APPEARS HE'S IN PERFECT HEALTH.

EXCEPT FOR THE BEING DEAD PART.

WE I.D.'d HIM AS JOHN SMITH,

WHICH IS A LITTLE STRANGE.

WHOA.

(Bug) I'M GUESSING HE'S CHINESE, MAYBE TIBETAN.

BUT WHATEVER HE IS,

I SUSPECT THAT SMITH ISN'T HIS REAL NAME.

MAYBE...MAYBE HE WAS ON THE RUN FROM SOMETHING.

OR MAYBE HIS MOTHER MARRIED A GUY NAMED SMITH.

HERE ENDETH THE MYSTERY.

A-AN ASIAN GUY NAMED SMITH...

DROPS DEAD IN A FLOPHOUSE,

LEAVING INSTRUCTIONS IN THREE LANGUAGES

FOR HIS REMAINS TO BE DESTROYED WITHIN 48 HOURS?

I MEAN, THAT SCREAMS MYSTERY.

SHE WAS, SHE WAS STILL ALIVE WHEN I LEFT THE HOSPITAL.

THE DOCTOR... GAVE HER PRETTY GOOD ODDS.

BURNS THIS BAD, IT CAN TURN ON A DIME.

YOU KNOW THAT.

I TOLD HER SHE'D BE OKAY, GARRET.

HELLO.

I'M LOOKING FOR A DR. WINSLOW.

I'M DR. WINSLOW.

HA. WELL, LUCKY YOU.

I'M A FAN OF THE COINCIDENCE.

DR. STILES, STATE HEAD SHRINKER.

I'M HERE TO-- SHRINK MY HEAD, I KNOW.

I CALLED YOU.

I KNOW.

HIGHLY UNUSUAL.

WHY--WHAT?

OH, MOST PEOPLE AVOID ME LIKE THE PLAGUE.

BUT NOT WITH YOU, OH, NO.

YOU CALLED ME YOURSELF.

I WANT A PSYCH EVALUATION.

I MEAN, FOR MOST PEOPLE,

THAT'S RIGHT UP THERE WITH ROOT CANAL.

I JUST FIGURED, YOU KNOW, IT'S MANDATORY, RIGHT?

WHY NOT JUST GET IT OVER WITH?

RIGHT?

BUT, UH, YOU'RE A LITTLE BIT EARLY.

I'VE GOT A COUPLE OF THINGS I HAVE TO TAKE CARE OF, SO...

OKAY, I'LL WAIT AROUND FOR YOU.

I'M MADE OF TIME.

[chuckles]

[laughs nervously]

IF YOU'RE LOOKING FOR TOOTHPASTE,

YOU'RE IN THE WRONG ROOM.

HEY.

THESE BELONG TO YOUR MYSTERY MAN.

AH, AGENT SMITH.

(Bug) JUST ABOUT TO START THE AUTOPSY.

NIGEL'S STILL CHECKING TO SEE IF THAT'S HIS REAL NAME.

(Bug) WHAT LANGUAGE DO YOU SUPPOSE THIS IS?

TIBETAN.

JOHN SMITH EMIGRATED FROM TIBET IN 1954 AT THE AGE OF 17,

LANDED IN NEW YORK CITY,

AND CHANGED HIS NAME, ALMOST IMMEDIATELY, TO SMITH.

OH--WAS HE RUNNING FROM SOMETHING?

YOU THINK?

I DON'T KNOW, DETAILS ARE SKETCHY

PRIOR TO HIS ARRIVAL.

EARNED A GRADUATE DEGREE FROM PRINCETON

IN MOLECULAR BIOLOGY.

YEAH.

WORKED AS A SCIENTIST ON GRANT PROGRAMS THERE,

AND THEN ONE DAY... HE JUST LEFT.

AND IT ALL GETS VERY BIZARRE AFTER THAT.

MEANING WHAT?

WELL, I TRACKED THIS GUY THROUGH THE IRS DATABASE.

HE BOUNCED AROUND FROM ONE WEIRD JOB TO ANOTHER.

HE WAS A TICKET TAKER ON A COMMUTER TRAIN,

A HOUSE PAINTER,

A HIGH SCHOOL MATH TEACHER,

AND, MOST RECENTLY, A PEANUT VENDOR...

AT FENWAY PARK.

SOUNDS LIKE HE HAD A SHORT ATTENTION SPAN.

MAYBE HE WAS JUST TRYING TO FIGURE OUT WHO TO BE.

HI. MAY I HELP YOU?

YES, I'M HERE FOR JOHN SMITH.

ARE YOU A RELATIVE?

YES, HE'S MY BROTHER,

THOUGH I HAVE NOT SEEN HIM IN OVER 40 YEARS.

MAY I SEE HIM NOW, PLEASE?

OH, OF COURSE.

UH, HAVE A SEAT, PLEASE.

FORGIVE ME,

BUT I'M AFRAID THERE'S VERY LITTLE TIME.

WE MUST BEGIN THE RIGHTS OF THE FIRST BARDO

OVER GESHE RABTEN'S BODY AS SOON AS POSSIBLE,

BEFORE WE BRING HIM BACK HOME TO INDIA.

I'M SORRY, YOU LOST ME, MISTER...

YASHI RABTEN.

MY BROTHER'S TRUE NAME IS GESHE SONAM RABTEN.

YOUR BROTHER LEFT, UH, SPECIFIC INSTRUCTIONS

FOR HIS REMAINS AFTER HE DIED.

FORGIVE ME, BUT AT THE MOMENT THAT IS IRRELEVANT.

AND WHY IS THAT?

BECAUSE HE DOESN'T KNOW HE'S DEAD YET.

HELLO, HOWARD.

HEY.

WHAT BRINGS YOU HERE?

OH, BUSINESS, PLEASURE.

LITTLE OF BOTH.

HOW ARE YOU?

I'M FINE. WHAT CAN I DO FOR YA?

BOY, YOU'VE GOT A LOT

OF NO TRESPASSING SIGNS IN THERE, DON'T YA?

ICY MOTHER, DEPRESSED FATHER.

CONNECT THE DOTS HOWEVER YOU LIKE,

JUST DO IT ON YOUR OWN TIME.

PETER WINSLOW'S PSYCH EVALUATION.

IT'S NOT DUE FOR ANOTHER THREE MONTHS.

HE CALLED ME, WANTS TO DO IT NOW.

WHY?

MY GUESS IS HE THINKS YOU DON'T LIKE HIM.

I DON'T NEED TO LIKE HIM.

I NEED TO TRUST HIM.

HE DID HAVE A PROBLEM WITH, UH, DRUGS, YOU KNOW.

YES, I'M AWARE OF THAT.

UNLESS HE'S STUPID, HE KNOWS THE BURDEN'S ON HIM

TO PROVE TO YOU HE'S DONE WITH THEM.

W-WHATEVER HIS MOTIVATION IS,

I NEED TO KNOW IF HE'S A RISK TO THIS OFFICE.

(Walcott) DR. STILES.

(Stiles) MS. WALCOTT.

WELL, I'LL JUST POLISH UP THAT CRYSTAL BALL.

SO, YOU HEARD THE GIRL DIED?

YEAH.

IF I CAN TAKE DOWN FREDDY PAXTON,

I CAN CUT STREET DRUGS BY AT LEAST 50%.

I'M JUST ABOUT READY TO MOVE IN ON HIM.

YOU WANT A NICE, NEAT PACKAGE FOR THE JURY

ABOUT THE GIRL'S DEATH, I KNOW.

YES.

AND WE'VE REACHED THAT AWKWARD POINT, HAVEN'T WE?

I'M NOT SORRY ABOUT WHAT HAPPENED BETWEEN US.

YOU MAKE IT SOUND LIKE IT WAS AN ACCIDENT.

IT WASN'T.

WE KNEW THE RULES WOULD CHANGE ONCE WE WERE BACK IN BOSTON.

DO WE KNOW WHAT THE NEW RULES ARE?

NOT YET.

BUT, ANYWAY, JORDAN'S WITH THE BODY.

RENEE.

LISTEN, SHE...

SHE FEELS RESPONSIBLE, SO JUST...

JUST TAKE IT EASY.

I'M NOT AN OGRE, GARRET.

SHE TOOK THE BRUNT OF IT HEAD-ON.

WELL, SHE COULDN'T HAVE BEEN INSIDE THE GARAGE.

SHE WOULD HAVE BEEN BLOWN UP.

NIGEL'S TRYING TO CALCULATE RIGHT NOW

HOW CLOSE SHE WAS TO THE EXPLOSION.

HAVE YOU TALKED TO HER MOTHER?

WELL, I'M SURE THE DETECTIVES HAVE.

(Walcott) WHY?

HEY, APRIL, SEAN, WOULD YOU GIVE ME A HAND?

LOOK OUT.

JUST WONDERING HOW SHE'S DOIN'.

SHE DIDN'T SEEM TO HAVE MUCH OF A SUPPORT SYSTEM.

SHE MENTIONED THAT GRACE

WAS OUT WITH A BOYFRIEND LAST NIGHT.

A, UH, CONNOR SOMETHING?

MARSHALL.

MEAN ANYTHING TO YOU?

EVERYTHING MEANS SOMETHING.

WELL, IF HE WAS WITH HER, WHAT HAPPENED TO HIM?

WHAT THE HELL?

WHAT?

IT'S A BULLET HOLE.

SHE WAS SHOT.

YEAH, I'VE BEEN IN NARCOTICS ANONYMOUS FOR SIX MONTHS NOW.

WELL, IT'S SIX MONTHS THIS SUNDAY.

MM. SO, HOW'S THAT WORKING FOR YOU?

IT'S GREAT.

THEY REALLY KNOW THEIR STUFF.

SO, WHY DID YOU START USING DRUGS?

YOU KNOW HOW ALL THE PRESSURES ARE IN MED SCHOOL.

OH, IT'S TERRIBLE,

ALL THAT CRAP THEY EXPECT YOU TO LEARN.

[chuckles]

TOUCHE, OKAY.

BUT WHEN YOU'RE YOUNG AND YOU'RE STUPID,

YOU THINK DRUGS ARE THE ANSWER.

WELL, IT'S NOT SO MUCH THE ANSWER I'M INTERESTED IN.

IT'S THE QUESTION.

I'M SORRY, I'M NOT FOLLOWING YOU.

DO YOU LIKE IT HERE?

IT'S A GOOD OPPORTUNITY.

YEAH, I WANNA MAKE IT WORK.

IS THAT YES OR A NO?

DR. MACY GAVE ME A CHANCE, WHEN NO ONE ELSE WOULD.

SO, I LOVE IT HERE.

DO YOU LIKE DR. MACY?

YOU KNOW, HE'S ALWAYS LOOKING AT ME.

HE'S ALWAYS, UH, HE'S LOOKING AT ME

LIKE HE THINKS I'M GONNA IMPLODE OR SOMETHING AT ANY MOMENT

AND, UH...THAT'S A LITTLE UNNERVING, THAT'S ALL.

HM.

SO, IF I, UH, GIVE HIM A GOOD REPORT ABOUT YOU,

THEN WHAT HAPPENS?

LIKE, WHAT IS THIS?

I THOUGHT WE WERE GONNA TALK ABOUT MY FAMILY,

YOU KNOW, TOILET TRAINING.

OH, YOU HAVE NO IDEA HOW BORING THAT CAN GET.

WHY DIDN'T THE HOSPITAL FIND THIS?

IT'S A JUDGMENT CALL.

TOO RISKY TO TURN HER OVER IF THEY DIDN'T HAVE TO,

AND SHE WAS ONLY BURNED ON THE FRONT.

C'MERE.

[exhales deeply]

THE BULLET WAS DEFLECTED BY THE SPINE.

NICKED THE RIGHT KIDNEY, AS YOU SEE,

AND ENDED UP RIGHT THERE.

CAUSE OF DEATH?

INTERNAL BLEEDING.

(Walcott) WHAT'S THE CALIBER?

.38.

(Nigel) I'LL RUN IT THROUGH THE LOCAL DATABASE.

THE NAME CONNOR MARSHALL MEANT SOMETHING TO YOU, DIDN'T IT?

YES, I'M SORRY TO SAY.

HOW SOON CAN I HAVE THE FULL REPORT?

AS SOON AS THE TOX SCREEN COMES IN.

YOU'RE NOT GONNA TELL ME ANY MORE THAN THAT?

NOPE.

DOESN'T KNOW HE'S DEAD?

PRETTY HARD TO MISS.

MY JOB IS TO HELP PEOPLE ACCEPT DEATH.

NOBODY SEEMS TO BE BUYING THAT TODAY.

I CAN ASSURE YOU HE IS DEAD.

FROM A HEART ATTACK.

MYSTERY SOLVED.

I CAN RELEASE HIS BODY, AND YOU CAN--

WHY, WHAT DID YOU TELL THE BROTHER?

I STALLED.

I TOLD HIM THAT THE AUTOPSY WASN'T FINISHED.

BUT NOW IT IS.

YOU KNOW...

IT SEEMS LIKE YOU KNOW A LOT ABOUT THE LIFE

THAT JOHN SMITH RAN TO,

BUT NOTHIN' ABOUT WHAT HE WAS RUNNING FROM.

I TOLD HER CONNOR WAS TROUBLE.

(Jordan) THERE'S NO INDICATION THAT HE'S THE ONE WHO SHOT HER.

WHO ELSE?

WHY WOULD HE?

HE HOOKED HER ON METH,

HE USED HER AS A PUNCHING BAG.

I BEGGED HER TO STOP SEEING HIM.

I'M SURE THAT YOU DID EVERYTHING YOU COULD.

NO.

I WAS A COWARD.

I'M HER MOTHER.

I SHOULD'VE FORCED HER INTO DETOX.

I SHOULD'VE CALLED THE POLICE

AND HAD THEM ARREST THAT LITTLE BASTARD. I--

UH, GOIN' SOMEPLACE?

I KNOW WHERE HE LIVES.

IF HE IS THE ONE WHO KILLED GRACE,

HE COULD KILL YOU TOO.

YEAH, NOT IF I GET HIM FIRST.

OKAY, BAD IDEA. CALM DOWN.

WOULDN'T YOU DO IT?

IF YOU KNEW WHO KILLED SOMEONE YOU LOVED,

WOULDN'T YOU DO IT?

I TOLD THE D.A. ABOUT CONNOR.

SHE CALLED THE COPS.

SO, YOU KNOW, HE'S ALREADY BEEN PICKED UP

FOR QUESTIONING BY NOW.

I'LL FIND OUT WHAT'S GOING ON,

I'LL LET YOU KNOW, OKAY?

OKAY?

(Man) SHE WAS SHOT WITH A .38.

WE FOUND ONE IN YOUR APARTMENT.

EVERY PLAYER ON THE STREET'S GOT A .38.

I DIDN'T SHOOT HER.

YEAH? THEN WHO DID?

I DON'T KNOW. I WASN'T THERE.

IRONING ACCIDENT?

I'M CONNOR MARSHALL. YOU CAN'T TOUCH ME.

WHAT IS THAT SUPPOSED TO MEAN?

[door opening]

(Connor) IT'S ABOUT TIME YOU SHOW UP.

WHERE'S HIS LAWYER?

HE DIDN'T ASK FOR ONE.

I WANT TO TALK TO HIM.

WHAT HAVE YOU DONE?

NOTHIN'.

(Connor) YOU GOTTA GET ME OUT OF THIS.

(Walcott) YOU KNOW WHAT YOU HAVE TO DO.

(Connor) I'M NOT GONNA DO JACK TILL YOU GET ME OUT OF THIS.

DON'T EVEN TRY IT, KID.

THIS THING HANGS OVER YOU

UNTIL FREDDY PAXTON IS ON HIS WAY TO PRISON.

HE'S AN INFORMANT?

(Walcott) AFTER THAT--

(Connor) AFTER THAT I'M GONNA WALK.

RIGHT NOW I WANT TO GET THE HELL OUT OF HERE.

WE CAN TAKE CARE OF YOUR PROBLEMS.

BUT YOU'RE NOT GOING ANYWHERE TILL I SAY SO.

[jazz music playing]

SHE WAS ON THE OTHER SIDE OF THE GLASS,

WATCHING THE INTERROGATION.

I MEAN, IS THAT REALLY PART OF HER FUNCTION?

NOBODY'S EVER FIGURED OUT

HOW TO KEEP JORDAN ON HER SIDE OF THE FENCE.

THIS IS A PROBLEM, GARRET.

SHE'S A PROBLEM.

YOU DON'T EVEN TRY TO CONTROL HER.

I'M NOT GONNA DEFEND MY STAFF OR MY MANAGEMENT STYLE TO YOU--

[phone ringing]

WALCOTT.

WHERE'S DR. CAVANAUGH?

I HAVE NO IDEA.

FIND HER, PICK HER UP, AND BRING HER TO THE A-12.

(Max) UNLESS YOU WERE PLANNING TO OPEN IT WITH YOUR TEETH.

HEY, DAD, LEMME ASK YOU SOMETHING.

YEAH?

THAT NIGHT THAT YOU WENT AFTER JAMES--

I TOLD YA, I DON'T WANT US TO TALK ABOUT THAT.

I-I MEAN, WHAT IF JAMES IS THE ONE WHO KILLED MOM?

LEMME ASK YOU SOMETHING.

HAVE YOU EVER WONDERED WHAT YOUR LIFE WOULD BE LIKE

IF YOU DIDN'T SPEND HALF YOUR TIME

OBSESSING ABOUT YOUR MOTHER?

THIS HAS NOTHING TO DO WITH MOM. IT'S ABOUT YOU.

NO, IT'S ABOUT YOU.

WHAT'S GOIN' ON?

I-IT'S ABOUT A CASE.

NOTHING TO DO WITH ME.

JUST FORGET I ASKED.

I'VE RETHOUGHT MY NEED FOR REVENGE, JORDAN.

I DON'T WANT IT ANYMORE.

SO YOU WOULDN'T DO ANYTHING TO HIM.

DIDN'T SAY THAT.

I'D ASK HIM WHY.

THAT'S ALL THAT MATTERS NOW.

IS IT?

DR. CAVANAUGH.

WHAT HAVE YOU DONE NOW?

(Walcott) MY OFFICE HAS SPENT TWO YEARS

BUILDING A CASE AGAINST FREDDY PAXTON.

GREAT.

HE'S A MENACE.

I HOPE YOU BURY HIM.

THE LINCHPIN OF THE CASE IS CONNOR MARSHALL.

WHY AM I HERE?

WHERE IS HE?

WHERE IS CONNOR?

H-HOW SHOULD I KNOW?

YOU INKED HIM OUT.

YOU'LL TELL ME WHERE HE IS,

OR I'LL INDICT YOU.

WELL, I CAN SEE WHY YOU'RE UPSET,

BUT THAT IS NOT MY HANDWRITING.

THE DESK SERGEANT DESCRIBED YOU.

YOUR HEIGHT, YOUR COLORING.

THE GIRL'S MOTHER.

HOW WOULD SHE KNOW WHERE CONNOR WAS?

I TOLD HER.

SHE'S GOT A RIGHT TO KNOW WHAT'S GOING ON.

HAVE YOU GOT A MATCH ON THE BALLISTICS YET?

WHY WOULD THE GIRL'S MOTHER WANT HIM OUT?

SHE ISN'T THINKING STRAIGHT RIGHT NOW, SHE NEEDS--

SHE WANTS TO KILL HIM, DOESN'T SHE?

[knocking on door]

MADDY?

[knocking]

(Man) MISS WHITFORD? POLICE.

I...DON'T THINK SHE'S HERE.

ARE YOU INSANE?

THE VOTE'S STILL SPLIT ON THAT.

YOU ARE INCHES AWAY FROM BEING ARRESTED.

SOME CASES JUST GET TO YOU MORE THAN OTHERS.

I UNDERSTAND THAT, BUT THIS IS NOW OUT OF YOUR HANDS.

LOOKS TO ME LIKE SHE SKIPPED.

YOU KNOW WHERE SHE IS?

I HAVE NO IDEA.

IF I DID, I WOULD TELL YOU. AM I FREE TO GO?

SEE IF SHE'S TAKEN ANYTHING.

J--HEY.

YOU HAVE SERIOUS TRUST ISSUES,

AND IS IT DEPARTMENT POLICY

FOR A MALE OFFICER TO FRISK A WOMAN?

(Man) TRUST ME, YOU'RE NOT MY TYPE.

OKAY, OKAY.

WHERE ARE THE MISSING PAGES?

I DON'T KNOW.

NO, REALLY, REALLY. SCOUT'S HONOR.

SHE MUST'VE PULLED THEM OUT HERSELF.

LOOK, YOU CAN TAKE THIS OUT ON ME,

OR WE CAN SEE WHAT THIS BOOK CAN TELL US.

(Nigel) THIS IS THE PAGE IMMEDIATELY AFTER

THE RIPPED OUT SECTION.

NOW, SOME OF THE WRITING FROM THE PREVIOUS PAGE

BLED THROUGH,

AND, LUCKILY FOR US, IT'S I BLUE INK.

SO, WITH ULTRAVIOLET LIGHT,

WE CAN MAKE THE BLACK INK DISAPPEAR,

LEAVING US WITH THE BLUE.

AND WHAT DOES THAT DO FOR US EXACTLY?

[rapid typing on keyboard]

AH, "$200,000.

"FP DOESN'T NEED IT.

"STEALING IS SO FUN."

IDIOTS.

THEY RIPPED OFF FREDDY PAXTON.

(Jordan) "C TOOK CASH TO PHILLY,

"FLEW IN, FLEW BACK.

"HARDLY KNEW HE WAS GONE.

"2413.

2413, LOCKED UP SAFE. LOCKED UP."

JEFF.

GET ON TO PHILLY PD...

"GRAB THE CASH AND HEAD WEST

TILL NOBODY KNOWS OUR NAME."

CONNOR MARSHALL'S GONE TO GET THE CASH.

AND MRS. WHITFORD'S GONE AFTER HIM.

THANK YOU FOR YOUR HELP.

YOU ARE NOW OFF IT.

DO YOU UNDERSTAND?

ABSOLUTELY.

ONE E-TICKET TO PHILLY?

ABSOLUTELY.

BONING UP ON WHAT HAPPENS TO DROWNING VICTIMS?

YEAH, I...WHO WOULD'VE THOUGHT THERE WERE SO MANY INDICATIONS?

OH, YEAH.

SO--UH, DR. MACY?

YEAH?

UH, HOW'D MY PSYCH EVALUATION TURN OUT?

IS IT FINISHED?

OH, YEAH.

YEAH, WE TALKED FOR LIKE THREE HOURS STRAIGHT.

ONE SESSION?

YUP.

BELIEVE ME, DR. STILES ISN'T THROUGH WITH YOU YET.

HEY, GARMA.

(Garma) HEY, LILY, WHAT'S UP?

TIBETAN BOOK OF THE DEAD?

OOH, LITTLE LIGHT READING, I SEE.

[laughs]

UH...YOU'RE A BUDDHIST, RIGHT?

YEAH.

I KNOW THIS IS A LONG SHOT, BUT MAYBE YOU CAN HELP ME.

YEAH.

WE'VE GOT A BODY IN THE MORGUE, A TIBETAN.

AND I WAS VISITED TODAY BY A MONK

WHO WANTED TO CLAIM HIS BODY.

THAT'S ODD.

THE BODY'S NOT A REAL VALUED PART OF THE PACKAGE IN BUDDHISM.

WHAT WAS THIS MAN'S NAME?

UH, HIS NAME WAS SONAM RABTEN.

GESHE RABTEN IS DEAD?

YES, DID YOU KNOW HIM?

I HEARD STORIES AS A KID ABOUT HIM.

WHAT STORIES?

SEE, HE WAS FOUND BY THE MONKS,

WHO BELIEVED THAT HE WAS THE 17th INCARNATION

OF A GREAT SPIRITUAL LEADER.

THE STORY GOES

THAT SOME FRENCH GUY GAVE HIM A SHORTWAVE RADIO AS A GIFT.

THEY SAY IT WAS LISTENING TO THE 1954 WORLD SERIES THAT DID IT.

THAT'S WHEN HE CAME TO THE UNITED STATES.

AND DISAPPEARED.

SO, HE TRIED TO CHANGE HIS DESTINY.

THAT'S NOT THE WAY IT WORKS.

YOU ARE WHAT YOU ARE.

[mumbling]

ROOT CANAL-- THIS CAN'T BE RIGHT.

GOT A MESSAGE YOU WANTED TO SEE ME.

YEAH, DR. MACY SEEMS TO THINK THAT WE'RE NOT FINISHED.

WHAT MADE YOU THINK WE WERE?

IS THIS A GAME?

YOU TELL ME.

NO, I DON'T KNOW WHAT THE ANSWER IS.

[laughing] EITHER YES OR NO.

EITHER YES, YOU'RE TRYING TO PLAY ME,

OR NO, YOU'RE NOT.

WHY DID YOU WANT AN EARLY EVALUATION?

I TOLD YOU ALREADY.

OH, I JUST LOVE RESISTANCE.

CALL ME WHEN YOU'RE REALLY READY.

I...RAN OUT OF QUARTERS.

SIDDOWN AND SHUT UP.

THERE--STOP.

CONNOR MARSHALL, THAT'S HIM.

(Man) THAT WAS...THREE HOURS AGO.

TRACK HIM.

DID YOU GET THE NUMBER ON THE CAB?

(Man) NO, BUT I'LL ENHANCE THE PLATE AND CALL THE CAB COMPANY.

DAMN.

WE HAVE COME TO ASK YOU ONCE AGAIN

TO RELEASE GESHE RABTEN'S BODY.

I'VE BEEN STALLING...

BECAUSE I REALLY FEEL YOUR BROTHER

WANTED A DIFFERENT LIFE FOR HIMSELF,

AND HE WANTED A DIFFERENT DEATH.

WHEN GESHE RABTEN DIED,

HE ENTERED INTO A STATE

CALLED THE FIRST BARDO.

THE GAP BETWEEN THIS LIFE AND THE NEXT.

HE HAS A VERY LONG JOURNEY BEFORE HIM,

AND WE WISH TO EASE THE TRANSITION.

A RITUAL MUST BE PERFORMED.

CHANTING, PRAYER.

WE ARE ASKING FOR YOUR ASSISTANCE

IN THIS MATTER.

PLEASE.

WITHOUT THE BODY,

WE CANNOT SEND HIM ON HIS JOURNEY.

DR. WINSLOW.

YOU WERE RIGHT, DR. STILES.

I RAN IT THROUGH MY HEAD. YOU WERE RIGHT.

I--YEAH, I THOUGHT IF I COULD GET

A GOOD EVALUATION FROM YOU,

THEN MAYBE DR. MACY WOULD STOP TREATING ME LIKE A LEPER.

SEE HOW EASY THAT WAS?

UM...

SO, THANK YOU.

I REALLY APPRECIATE IT.

THANK YOU VERY MUCH.

GOOD.

SO, UM, HAVE A SEAT.

TELL ME SOMETHING,

WHAT DO YOU THINK MY JOB IS HERE?

TO MAKE SURE THAT I'M LIKELY TO BE A GOOD MEDICAL EXAMINER.

AND MY MAJOR CONCERN?

PAST DRUG USE.

YOU'RE GOOD AT THIS.

DR. STILES, THERE IS NOW WAY THAT I CAN CONVINCE YOU

THAT I'M NOT GONNA USE AGAIN.

SO, THE DECK IS JUST STACKED AGAINST YOU, RIGHT?

YEAH, A LITTLE BIT.

I MEAN, I KNOW THAT I'M DONE. I KNOW IT.

YOU CAN'T KNOW THAT...

UNTIL YOU ACKNOWLEDGE WHY YOU WERE USING IN THE FIRST PLACE.

I KNOW BECAUSE THE IMPETUS IS GONE.

IF YOU KNOW IT'S GONE,

THEN YOU KNOW WHAT IT WAS.

WHY NOT JUST TELL ME?

BECAUSE I DON'T WANT TO INVOLVE ANYONE ELSE.

THAT'S OVER. THAT'S DONE.

SOUNDS LIKE YOU'RE TALKING ABOUT A RELATIONSHIP.

THAT...

YOU WERE MARRIED, WEREN'T YOU?

YOU KNOW, THERE ARE SOME THINGS

THAT ARE JUST NOBODY ELSE'S BUSINESS,

AND IF DR. MACY CAN'T HANDLE THAT, I'M SORRY.

WELL--AH--

(Bug) THEY'RE HIS NEXT OF KIN, LILY.

AND THOSE PAPERS AREN'T A VALID WILL,

AND I'M AFRAID YOU DON'T HAVE A LEGAL LEG TO STAND ON HERE.

A MAN SHOULD BE ABLE TO LIVE THE LIFE THAT HE CHOOSES,

AND HAVE HIS VERY LAST WISH RESPECTED.

I-I KNOW THAT THE MAN IN THE CRYPT IS JOHN SMITH NOW,

NOT GESHE RABTEN.

BUT HOW DO YOU BREAK A CHAIN OF TRADITION

THAT'S BEEN AROUND FOR THOUSANDS OF YEARS?

NOT TO MENTION THE LAWS OF THE COMMONWEALTH OF MASSACHUSETTS.

IT'S ABOUT DESTINY, BUG.

SO, YOU'RE SAYING

YOU WANNA GIVE THEM THE BODY?

OH, I DIDN'T SAY THAT.

SO THEN YOU WANT TO FIGHT THESE PEOPLE

AND HONOR THE MAN'S DYING WISH?

WELL, I'M NOT SAYING THAT EITHER.

SO, EXACTLY WHAT ARE YOU SAYING?

I HAVE AN IDEA.

[chanting]

THERE YOU GO.

THANK YOU.

ARE YOU SURE YOU DROPPED HER OFF HERE?

YEAH.

DID YOU HAPPEN TO SEE WHERE SHE WENT?

I'M NOT THEIR NURSEMAID, LADY.

(Nigel) Nigel Townsend.

HEY, NIGE, IT'S JORDAN.

YOU GOT SOMETHIN' FOR ME?

UM, CONNOR MARSHALL

GREW UP IN PHILADELPHIA,

and he moved here after high school.

HE HAVE FAMILY HERE?

A BROTHER, SCOTT.

HE'S A MECHANIC.

YOU KNOW WHERE HIS BROTHER WORKS?

Kirby's Brake Shop.

THANKS, NIGE.

WHERE IS HE, IS HE--

THANKS.

HI.

I'M WITH THE M.E.'S OFFICE.

HAVE YOU SEEN YOUR BROTHER?

A LOT OF WOMEN LOOKING FOR CONNOR TODAY.

WHO ELSE?

DIDN'T TELL ME HER NAME.

DID YOU TELL HER WHERE HE IS?

I DON'T KNOW WHERE HE IS.

LOOK, IF SHE FINDS HIM, HE'S GONNA END UP IN THE MORGUE.

SAID HIS GIRLFRIEND DIED.

HE NEEDED TO LEAVE BOSTON TO GET OVER IT.

YEAH, THAT'S ONE WAY TO PUT IT. WHERE IS HE?

THIS IS LIFE OR DEATH, SCOTT.

HE'S IN MY APARTMENT.

WHAT, I MEAN, IS THAT WOMAN GONNA KILL HIM?

I-I DIDN'T TELL HER ANYTHING.

YOUR APARTMENT LISTED IN THE PHONE BOOK?

YEAH.

OH--AH, IT'S, UH, 1422 WEST OLIVE.

UM, #2C.

OKAY.

[gunshot]

(Maddy) WHY DID YOU DO IT? WHY DID YOU TAKE HER FROM ME?

MAKE HER STOP.

GET OUT OF MY WAY!

MADDY, MADDY.

MOVE!

STOP IT, MADDY.

HE KILLED MY BABY!

YOU LOST HER, MADDY.

NOW, YOU HAD YOUR CHANCE,

AND YOU BLEW IT.

NO, WHAT YOU TOLD ME.

YOU, YOU WERE A COWARD.

YOU DIDN'T EVEN HAVE THE GUTS TO STEP IN AND SAVE HER.

WHAT GIVES YOU THE RIGHT TO DO ANYTHING NOW?

[crying]

OH!

DOING THAT DID NOT FEEL GOOD.

NO, I DON'T SUPPOSE IT DID.

WHAT'LL THEY DO TO HER?

WOULDN'T SURPRISE ME IF THEY CONCLUDE

SHE ACTED IN SELF DEFENSE.

ON WHAT GROUNDS?

PROFESSIONAL COURTESY.

NEED A RIDE?

STILL GONNA LET HIM WALK ON THE MURDER?

THAT WAS NEVER AN OPTION.

WHAT THEN?

WHATEVER I CAN WORK OUT,

PROBABLY VOLUNTARY MANSLAUGHTER.

I DON'T KNOW HOW YOU LOOK AT YOURSELF IN THE MIRROR.

CONNOR MARSHALL CAN GIVE ME FREDDY PAXTON.

HOW MANY MORE GRACE WHITFORDS DO YOU WANT?

I THINK I'LL TAKE A CAB.

(Dr. Winslow) HELLO, ALLISON?

IT'S PETER.

HOW ARE YOU--NO, NO, THAT IS--NOTHING.

THAT'S NOT IT AT ALL, I'M JUST CALLING TO SEE HOW YOU ARE.

WHY DON'T YOU JUST LISTEN TO ME FOR A SECOND, GOD!

ALLISON, DOESN'T IT BOTHER YOU THAT WE ENDED THIS WAY?

I MEAN, WE WERE MAR--

[phone hangs up]

[dial tone]

SORRY, I-I SHOULD PROBABLY LOOK BEFORE I HAVE A TANTRUM.

MIGHT BE A GOOD IDEA.

THANKS FOR NOT THROWING THE COFFEE MACHINE.

YOU WANT SOME?

YEAH, SURE.

LOOK, YOU'RE NOT GONNA TRY

TO DREDGE UP MY INSIDES TOO, ARE YOU?

DR. STILES WAS JUST DOING HIS JOB.

SO...WHO WERE YOU TALKING TO, PETER?

COULDN'T WE JUST TALK ABOUT SOMETHING ELSE?

ABSOLUTELY, NO PROBLEM.

WHY'D YOU RIP THE PHONE OUT OF THE WALL?

[laughs]

YOU PEOPLE ARE VERY PERSISTENT.

CAN I COME IN?

WHAT FOR? YOU DIDN'T FINISH?

GOT MORE TO SAY ABOUT WHAT A LOSER I AM?

I JUST WANTED TO SEE HOW YOU'RE DOIN'.

COULDN'T BE BETTER.

THANKS FOR ASKING.

LOOK, I-I WOULD HAVE SAID ANYTHING

TO GET YOU TO DROP THAT GUN.

YOU KNOW I TALKED TO THE POLICE?

YOU KNOW WHY THAT BOY KILLED MY GRACE?

BECAUSE HE DIDN'T WANT TO SHARE THE MONEY.

I'M SORRY.

ME TOO.

SORRY I DIDN'T KILL HIM WHEN I HAD THE CHANCE.

AND THEN WHAT?

LOSE A DAUGHTER AND GET LOCKED UP FOR 20 TO LIFE?

WHAT MAKES ANY OF THIS YOUR BUSINESS?

WHAT, YOU JUST CARE DEEPLY ABOUT STRANGERS,

OR YOU JUST WANNA FIX EVERYTHING FOR EVERYBODY?

I JUST WANTED TO HELP.

OH.

POOR YOU.

(Lily) HE'S SUPPOSED TO MEET US HERE AT 10:00.

THIS HAS GOTTA BE AGAINST THE LAW, RIGHT?

I IMAGINE.

YOU KNOW, I WAS THINKING...

ABOUT THE OTHER DAY WHEN YOU WERE SO UPSET IN YOUR OFFICE.

YEAH.

I GET THAT WAY SOMETIMES.

IT'S JUST...YOU TAKE THINGS SO PERSONALLY.

I KNOW.

IT'S ONE OF THE THINGS I ADMIRE MOST ABOUT YOU.

IT HAS ITS PRICE.

I DON'T KNOW HOW I GOT HERE.

IS THIS WHAT I'M MEANT TO DO FOR THE REST OF MY LIFE?

MAYBE IT'S BEST NOT TO ASK.

I KNOW.

THAT'S JUST IT, I KNOW IT IS.

YOU'RE NOT WHAT YOU DO, LILY.

YOU'RE WHO YOU ARE, AND YOU--

YOU'RE WONDERFUL.

(Man) I CAN ONLY HIT THE LIGHTS FOR A COUPLE OF MINUTES.

IT'S OKAY.

THAT'S ALL WE NEED.

(Ray Davies) * THANK YOU FOR THE DAYS *

* THOSE ENDLESS DAYS THOSE SACRED DAYS *

* YOU GIVE ME *

* I'M THINKING OF THE DAYS...*

YOU WENT TO PHILLY AND DIDN'T EAT ANY CHEESE STEAK?

WASN'T REALLY ANY TIME.

LEMME ASK YOU SOMETHING.

YOU HAVE TO?

IT'S PROBABLY SOMETHING I DON'T WANNA TALK ABOUT.

IT USUALLY IS.

THEN WE BOTH GET FRUSTRATED,

AND THEN THE COPS COME AND TAKE YOU AWAY.

I WAS JUST GONNA ASK YOU IF YOU HAVE TIME FOR A GAME OF POOL.

NO, YOU WEREN'T.

WELL, YOU'LL NEVER REALLY KNOW.

* DAYS I'LL REMEMBER ALL MY LIFE *

* DAYS WHEN YOU CAN'T SEE WRONG FROM RIGHT *

* YOU TOOK MY LIFE *

* BUT THEN I KNEW THAT VERY SOON *

* YOU'D LEAVE ME *

* BUT IT'S ALL RIGHT * *