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1
00:00:03,837 --> 00:00:06,172
(Nigel)ONCE UPON A TIME,
2
00:00:06,206 --> 00:00:07,407
THERE WERE FOUR VESTAL VIRGINS,
3
00:00:07,440 --> 00:00:10,543
AND THE EVIL KING
HAD GOTTEN WIND OF THEIR PLOT
4
00:00:10,610 --> 00:00:13,980
AND MOVED THEM AROUND
TO DIFFERENT FLOORS,
5
00:00:14,014 --> 00:00:16,649
AND THEN SHUFFLED HIS MEN
ALL AROUND.
6
00:00:16,683 --> 00:00:18,451
AND ALL SEEMED DOOMED,
7
00:00:18,518 --> 00:00:22,622
UNTIL THE KNIGHT OF HEARTS
DID THE UNTHINKABLE.
8
00:00:22,689 --> 00:00:23,757
DIED OF BOREDOM?
9
00:00:23,790 --> 00:00:25,091
COME ON, MAN.
10
00:00:25,191 --> 00:00:26,493
WE'VE BEEN STANDING HERE
FOR FIVE MINUTES.
11
00:00:26,526 --> 00:00:30,730
HE TOLD HIS MEN
TO FOLLOW THEIR HEARTS.
12
00:00:30,797 --> 00:00:33,833
NOW, WILL YOU EACH PLEASETAKE OUT TWO CARDS EACH.
13
00:00:33,867 --> 00:00:36,169
AND PUT THEM IN THE PILE
RIGHT THERE.
14
00:00:36,236 --> 00:00:39,172
THE EIGHT STRANGERS GATHEREDOUTSIDE THE CASTLE WALLS.
15
00:00:39,239 --> 00:00:42,509
AND THEY THREW OFFTHEIR CLOAKS TO REVEAL
16
00:00:42,542 --> 00:00:48,782
EACH KNIGHT HAD FOUND
HIS SOUL MATE.
17
00:00:48,848 --> 00:00:50,116
PLEASE, NIGE, COME ON.
18
00:00:50,150 --> 00:00:51,918
YOU STACKED THE QUEENS
UNDER THE ACE,
19
00:00:51,985 --> 00:00:53,353
WHEN YOU WERE SHUFFLING
THE DECK.
20
00:00:53,420 --> 00:00:55,722
A DOUBTING THOMASINA
IS AMONG US.
21
00:00:55,755 --> 00:00:57,057
(Bug)NOW, THAT YOU MENTION IT,
22
00:00:57,123 --> 00:00:58,258
THE DECK COULD'VE BEEN MARKED.
23
00:00:58,324 --> 00:00:59,693
(man)THIS IS HOW YOU GUYS
24
00:00:59,759 --> 00:01:00,794
COPE WITH IT, HUH?
25
00:01:00,827 --> 00:01:02,962
COPE WITH WHAT?
26
00:01:02,996 --> 00:01:05,598
SHE'S BEEN DEAD FOR TWO WEEKS.
27
00:01:05,665 --> 00:01:07,667
NOT ONE OF YOU HASSET FOOT IN HER OFFICE.
28
00:01:07,734 --> 00:01:09,736
WHAT DO YOU DO?
29
00:01:09,803 --> 00:01:11,871
CARD GAME.
30
00:01:11,905 --> 00:01:15,742
IT'S IRONIC,
CONSIDERING YOUR PROFESSION.
31
00:01:17,310 --> 00:01:21,114
I GUESS THERE'S DEAD PEOPLE,
AND THERE'S DEAD PEOPLE.
32
00:01:28,154 --> 00:01:31,658
[police radio]
33
00:01:33,793 --> 00:01:35,495
DO WHAT YOU GOTTA DO,
ALL RIGHT?
34
00:01:35,528 --> 00:01:37,697
THAT'S BECAUSE NARCOTICS
HAS GOT ITS HEAD UP ITS ASS
35
00:01:37,764 --> 00:01:38,698
SINCE DAY ONE.
36
00:01:38,765 --> 00:01:39,699
CHILL OUT, MAN.
37
00:01:39,766 --> 00:01:40,834
ME AND CHILL OUT
38
00:01:40,900 --> 00:01:41,601
PARTED COMPANY 20 MINUTES AGO.
39
00:01:41,634 --> 00:01:43,136
(Brazil)
WHERE ARE THE TRUCKS,
DAMN IT?
40
00:01:43,169 --> 00:01:44,137
WE GOTTA GET HIM
OUTTA THERE.
41
00:01:44,204 --> 00:01:46,473
GOTTA WAIT FOR THE M.E.,
PARTNER.
42
00:01:46,539 --> 00:01:47,807
M.E. JUST ARRIVED.
43
00:01:47,874 --> 00:01:49,376
CAVANAUGH,MEDICAL EXAMINER'S OFFICE.
44
00:01:49,442 --> 00:01:50,543
HEY.
45
00:01:50,610 --> 00:01:51,678
JACK HANNAH.
46
00:01:51,711 --> 00:01:52,445
D.E.A.?
47
00:01:52,512 --> 00:01:54,280
NO, BOSTON P.D.
VIOLENT GANG DIVISION.
48
00:01:54,347 --> 00:01:55,448
THAT GUY OVER THERE,
49
00:01:55,515 --> 00:01:56,616
D.E.A.
50
00:01:56,683 --> 00:01:58,985
MAYOR'S OFFICE,DISTRICT OF ATTORNEY'S OFFICE.
51
00:01:59,052 --> 00:02:01,488
THAT'S A LOT OF HEAVY WEIGHT
FOR SUCH THIN ICE.
52
00:02:01,554 --> 00:02:04,057
AND THIS IS MY PARTNER
ERIC BRAZIL.
53
00:02:04,090 --> 00:02:05,291
YOU THROUGH INTRODUCING
HER AROUND?
54
00:02:05,325 --> 00:02:06,726
DID SHE MEET YOUR MOTHER YET?
55
00:02:06,793 --> 00:02:08,361
SHE'S ALL YOURS.
56
00:02:08,428 --> 00:02:09,996
GOOD. 'CAUSE WE GOT
ONE MORE INTRODUCTION
57
00:02:10,063 --> 00:02:11,231
RIGHT OVER HERE.
58
00:02:12,866 --> 00:02:14,601
SORRY ABOUT THAT.
59
00:02:14,668 --> 00:02:16,436
OH, DON'T APOLOGIZE
FOR SOMETHING YOU DIDN'T DO.
60
00:02:16,469 --> 00:02:19,072
VICTIM'S NAME IS CAMERON O'DAY.
61
00:02:19,139 --> 00:02:21,207
STAR WITNESS
FOR THE PROSECUTION
62
00:02:21,241 --> 00:02:23,043
AGAINST BOSTON'S
BIGGEST HEROIN DEALER.
63
00:02:23,109 --> 00:02:24,010
STRUTHER MATTHEWS?
64
00:02:24,077 --> 00:02:26,479
THAT'S RIGHT.
65
00:02:26,546 --> 00:02:29,816
WITNESSFOR THE PROSECUTION,
66
00:02:29,849 --> 00:02:31,785
I GUESS THAT'S A PRETTY
DANGEROUS JOB THESE DAYS.
67
00:02:31,851 --> 00:02:33,853
ESPECIALLY
FOR A 14-YEAR-OLD KID.
68
00:02:42,362 --> 00:02:45,465
[suspenseful rock music]
69
00:02:45,498 --> 00:02:53,306
* *
70
00:03:22,969 --> 00:03:24,437
BUY A WATCH, TOOTS.
71
00:03:24,471 --> 00:03:26,706
WE'VE BEEN WAITING
ON YOUR ASS FOR 20 MINUTES.
72
00:03:26,773 --> 00:03:27,974
THAT HIS QUAINT WAY
OF SAYING HELLO?
73
00:03:28,008 --> 00:03:28,942
IT'S MY QUAINT WAY OF ASKING
74
00:03:29,009 --> 00:03:30,310
WHY YOU HAVEN'T
AUTOPSIED O'DAY?
75
00:03:30,343 --> 00:03:31,878
YOUR INFORMANT WAS MOONLIGHTING
AS AN ICE RINK
76
00:03:31,945 --> 00:03:33,146
FOR THE LAST THREE WEEKS.
77
00:03:33,179 --> 00:03:34,948
IT TAKES TIME
TO THAW HIM OUT PROPERLY
78
00:03:35,015 --> 00:03:35,982
WITHOUT LOSING EVIDENCE.
79
00:03:36,049 --> 00:03:38,018
I WAS IN THERE
ABOUT FIVE MINUTES AGO,
80
00:03:38,051 --> 00:03:39,986
AND SOME SORT
OF TIMER THING WENT OFF.
81
00:03:40,020 --> 00:03:41,254
SOUNDS LIKE
THE TURKEY'S DONE.
82
00:03:41,287 --> 00:03:43,390
TIME TO GET IT
OUT OF THE OVEN.
83
00:03:44,924 --> 00:03:46,059
SORRY ABOUT THAT.
84
00:03:46,126 --> 00:03:48,161
OH, STOP APOLOGIZING
FOR HIM.
85
00:03:48,194 --> 00:03:49,562
HE'S BEEN CHASING
STRUTHER MATTHEWS
86
00:03:49,629 --> 00:03:50,330
FOR THREE YEARS.
87
00:03:50,397 --> 00:03:52,966
MATTHEWS TURNS BOSTON
INTO A WAR ZONE,
88
00:03:52,999 --> 00:03:53,633
AND SOMEHOW HIS HANDS
89
00:03:53,667 --> 00:03:56,670
REMAIN MIRACULOUSLY
DEVOID OF DIRT.
90
00:03:56,703 --> 00:03:59,005
MAYBE NOT THIS TIME.
91
00:03:59,039 --> 00:04:01,041
(Lily)ELAINE'S OFFICE.
92
00:04:01,107 --> 00:04:02,442
WHAT ABOUT IT?
93
00:04:02,509 --> 00:04:04,210
IT'S JUST THATIT'S BEEN TWO WEEKS,
94
00:04:04,277 --> 00:04:06,046
AND IT STILL
HASN'T BEEN CLEARED OUT.
95
00:04:06,079 --> 00:04:07,514
I JUST THINK THAT
SOMEBODY SHOULD--
96
00:04:07,580 --> 00:04:09,983
FINE. DO WHAT NEEDS
TO BE DONE.
97
00:04:10,050 --> 00:04:11,284
FINE.
98
00:04:13,553 --> 00:04:14,387
GARRET.
99
00:04:14,421 --> 00:04:16,456
I JUST HAVE TO SAY
100
00:04:16,489 --> 00:04:19,092
I THINK YOU'RE BEING
VERY STANDOFFISH ABOUT THIS.
101
00:04:19,159 --> 00:04:20,894
SHE WAS YOUR COLLEAGUE,
YOUR FRIEND.
102
00:04:20,927 --> 00:04:23,029
SHE WAS A COLLEAGUE, YES.
A FRIEND, NO.
103
00:04:24,164 --> 00:04:25,532
SO I FOUND--
104
00:04:25,598 --> 00:04:27,867
OH, SORRY.
105
00:04:27,934 --> 00:04:29,069
I GOTTA LEARN TO KNOCK.
106
00:04:29,135 --> 00:04:30,837
I'M SORRY.
WHAT IS IT, PETER?
107
00:04:30,904 --> 00:04:32,639
THAT CASE THAT YOU HANDED ME,
THE STINKY, DEAD HOMELESS GUY--
108
00:04:32,672 --> 00:04:34,007
IT'S THE FIFTH ONE
HE GAVE ME THIS WEEK--
109
00:04:34,040 --> 00:04:35,475
BY THE WAY, THANKS.
110
00:04:35,508 --> 00:04:37,110
YOU'RE THE LOW MAN
ON THE TOTEM POLE.
111
00:04:37,177 --> 00:04:38,111
IF YOU'RE HERE TO GRIPE
ABOUT THAT--
112
00:04:38,178 --> 00:04:40,447
NO, NO, NO, I JUST WANNA KNOW
IF YOU NEED TO BE INFORMED
113
00:04:40,480 --> 00:04:41,581
BEFORE I CALL THE POLICE.
114
00:04:41,614 --> 00:04:43,249
WHAT FOR?
115
00:04:43,316 --> 00:04:45,018
I THINK I MAY HAVE
A PATTERN KILLER ON MY HANDS.
116
00:04:45,085 --> 00:04:46,553
SHOW ME.
117
00:04:47,454 --> 00:04:49,322
UH, DR. MACY.
118
00:04:51,558 --> 00:04:52,892
LILY, I KNOW YOU'RE LOOKING
FOR A REACTION FROM ME
119
00:04:52,926 --> 00:04:54,260
ABOUT ELAINE'S DEATH,
120
00:04:54,327 --> 00:04:55,729
BUT THE TRUTH IS,
I DON'T HAVE ONE.
121
00:04:55,795 --> 00:04:57,931
I DIDN'T KNOW A DAMN THING
ABOUT THE WOMAN,
122
00:04:58,031 --> 00:05:00,033
AND IT'S TOO LATE
TO FIND OUT NOW.
123
00:05:00,100 --> 00:05:00,967
ALL RIGHT?
124
00:05:04,804 --> 00:05:09,609
(Jordan)OUR BOY HERE ON THE STEAM TABLEWAS STABBED SIX TIMES.
125
00:05:09,642 --> 00:05:11,177
THREE TO THE UPPER CHEST,
126
00:05:11,244 --> 00:05:12,212
TWO TO THE ABDOMEN,
127
00:05:12,278 --> 00:05:13,847
ONE TO THE HEART.
128
00:05:13,913 --> 00:05:16,149
THERE'S TWO YEARS OF WORK
YOU GOT LAYING HERE.
129
00:05:16,249 --> 00:05:18,651
COLD AND DEAD.
130
00:05:18,718 --> 00:05:19,519
WHAT DID YOU DO,
131
00:05:19,586 --> 00:05:21,121
RECRUIT HIM
WHEN HE WAS 12?
132
00:05:24,157 --> 00:05:25,291
(Brazil)SEE THAT TAT HERE?
133
00:05:25,325 --> 00:05:26,926
HE GOT IT TWO DAYS
AFTER HE WAS JUMPED
134
00:05:26,993 --> 00:05:28,094
INTO HIS GANG AT AGE 11.
135
00:05:28,161 --> 00:05:29,162
THIS MARK HERE,
136
00:05:29,195 --> 00:05:32,098
HE GOT WHEN HE MADEHIS FIRST SCORE.
137
00:05:32,132 --> 00:05:34,100
HE'S GOT TRACK MARKSON THE RIGHT ARM.
138
00:05:34,134 --> 00:05:35,435
OLDER ONES HERE ON HIS LEFT.
139
00:05:35,502 --> 00:05:39,239
THIS KID STOPPED BEING A KID
SOMETIME IN THE CRADLE.
140
00:05:39,305 --> 00:05:40,907
HE WAS A VETERAN BY THE TIMEI GOT TO HIM.
141
00:05:40,974 --> 00:05:41,941
OH.
142
00:05:42,008 --> 00:05:43,009
SO HE WAS A VETERAN.
143
00:05:43,076 --> 00:05:44,044
THAT'S ALL RIGHT BY YOU?
144
00:05:44,110 --> 00:05:47,213
RECRUITING 14-YEAR-OLD VETERANS
TO HELP YOU DO YOUR JOB?
145
00:05:47,247 --> 00:05:49,215
RIGHT AS RAIN.
146
00:05:49,282 --> 00:05:51,184
IS THAT WHAT YOU THINK?
147
00:05:51,284 --> 00:05:52,686
HE'S MY PARTNER.
148
00:05:52,719 --> 00:05:55,522
HE GETS PAID TO THINK
WHAT I THINK.
149
00:05:56,990 --> 00:05:57,924
OH, WHAT'S THIS?
150
00:06:06,332 --> 00:06:07,534
HE WAS JUST A KID.
151
00:06:07,600 --> 00:06:09,069
WHEN YOU FINISH LAMENTING
152
00:06:09,135 --> 00:06:10,136
ABOUT THE STATE
OF TODAY'S YOUTH,
153
00:06:10,170 --> 00:06:11,571
I NEED A CAUSE OF DEATH.
154
00:06:11,638 --> 00:06:13,707
I TOLD YOU HE WAS STABBED.
155
00:06:13,740 --> 00:06:15,275
(woman)I WANNA SEE MY SON.
156
00:06:15,342 --> 00:06:17,010
I WANNA SEE MY SON NOW!
157
00:06:17,077 --> 00:06:18,044
(Lily)
COME THIS WAY, PLEASE.
158
00:06:18,111 --> 00:06:19,312
NO!
159
00:06:19,346 --> 00:06:21,014
WHY ARE YOU KEEPING MEFROM HIM?
160
00:06:21,047 --> 00:06:24,684
I WANNA SEE MY SON!I WANNA SEE MY SON NOW!
161
00:06:24,751 --> 00:06:25,618
YOU!
162
00:06:25,652 --> 00:06:30,123
YOU TOLD ME CAMERON
WAS GOING TO BE OKAY.
163
00:06:30,190 --> 00:06:32,792
I'M REAL SORRY ABOUT CAMERON.
164
00:06:32,859 --> 00:06:33,860
ANYTHING YOU NEED.
165
00:06:33,893 --> 00:06:35,395
WHAT I NEED IS MY SON!
166
00:06:35,462 --> 00:06:37,564
[sobbing]
167
00:06:39,099 --> 00:06:40,700
HANNAH.
168
00:06:46,272 --> 00:06:47,874
THAT WAS HIS MOTHER?
169
00:06:47,907 --> 00:06:49,275
SO HE HAD A MOTHER.
WHO DIDN'T?
170
00:06:49,342 --> 00:06:51,177
APPARENTLY YOU.
171
00:06:51,244 --> 00:06:52,579
BOY, YOU REALLY
DIDN'T GIVE A RAT'S ASS
172
00:06:52,612 --> 00:06:53,913
ABOUT THIS KID, DID YOU?
173
00:06:54,014 --> 00:06:56,683
MY JOB DESCRIPTION
DOESN'T READ LOVE THY NEIGHBOR.
174
00:06:56,750 --> 00:06:59,319
I CATCH BAD GUYS.
THAT'S IT.
175
00:06:59,352 --> 00:07:01,721
THE BACKDOOR'S
THAT WAY, HERO.
176
00:07:01,821 --> 00:07:03,223
YOU'RE A BITCH.
177
00:07:03,289 --> 00:07:05,658
YEAH, SO ARE YOU.
178
00:07:09,596 --> 00:07:12,499
MEET "THE MOST RIGHTEOUS PROPHET
EZEKIEL OF THE WORD."
179
00:07:12,565 --> 00:07:14,367
ACCORDING TO
HIS HOMELESS SHELTER I.D.,
180
00:07:14,401 --> 00:07:17,203
HE WAS FOUND DEAD THIS MORNING
BY THE WHARF.
181
00:07:17,270 --> 00:07:18,071
CRACKED RIB CAGE.
182
00:07:18,104 --> 00:07:19,873
YEAH, AND HE'S GOT
A STRANGE BLUE SUBSTANCE
183
00:07:19,973 --> 00:07:21,107
AROUND THE NECK.
184
00:07:21,174 --> 00:07:23,009
SEE THAT THERE?IT'S INK.
185
00:07:23,076 --> 00:07:24,144
SO HE WAS STABBED WITH A PEN.
WHY AM I HERE?
186
00:07:24,210 --> 00:07:25,245
I TOLD YOU.
187
00:07:25,278 --> 00:07:27,981
IT'S THE THIRD TIME
I'VE SEEN THIS WOUND IN A WEEK.
188
00:07:28,048 --> 00:07:29,516
THEY ALL HAVE SIMILAR
NECK AND CHEST WOUNDS?
189
00:07:29,549 --> 00:07:31,484
WELL, NO,
BUT TWO OR THREE OF THEM
190
00:07:31,518 --> 00:07:33,086
HAD SIMILAR CHEST TRAUMA.
191
00:07:33,153 --> 00:07:34,654
IS IT THREE OR TWO?
192
00:07:34,688 --> 00:07:37,524
UH, I JUST FIGURED
I'M ON TO SOMETHING.
193
00:07:37,590 --> 00:07:39,159
SO I WANTED TO LET YOU KNOW.
194
00:07:39,192 --> 00:07:39,926
AND I APPRECIATE YOU
195
00:07:39,959 --> 00:07:41,995
STARTING TO TAKE
AN INTEREST IN YOUR JOB.
196
00:07:42,062 --> 00:07:43,697
BUT LET'S MAKE SURE
WE'VE GOT OUR DUCKS IN A ROW,
197
00:07:43,730 --> 00:07:45,498
BEFORE WE START WAGINGCONSPIRACY THEORIES.
198
00:07:45,532 --> 00:07:47,067
I'M JUST FOLLOWING A LEAD.
199
00:07:47,100 --> 00:07:49,302
IT'S A COMMON MISTAKE
WHEN YOU START THIS JOB.
200
00:07:49,369 --> 00:07:50,603
THE DEAD CAN'T SPEAK
FOR THEMSELVES,
201
00:07:50,670 --> 00:07:53,173
SO IT'S NATURAL
TO WANT TO DO IT FOR THEM.
202
00:07:55,141 --> 00:07:57,277
OKAY, NEXT TIME JUST HANG
A "DO NOT DISTURB" SIGN
203
00:07:57,344 --> 00:07:58,278
BY YOUR DOOR.
204
00:08:00,947 --> 00:08:01,681
WHAT DID YOU SAY?
205
00:08:01,748 --> 00:08:04,351
IF I HAD KNOWN
I WAS GONNA BE INTERRUPTING
206
00:08:04,417 --> 00:08:05,518
THAT LITTLE SPAT
BETWEEN YOU AND MISS LEBOWSKI,
207
00:08:05,585 --> 00:08:06,786
I WOULD'VE WAITED.
208
00:08:06,853 --> 00:08:08,455
THEN MAYBE I WOULD'VE GOTTEN YOU
IN A MORE RECEPTIVE MOOD.
209
00:08:08,521 --> 00:08:10,156
YOU ARE ABOUT TO CROSS A LINE.
DON'T DO IT.
210
00:08:10,223 --> 00:08:11,791
I'M JUST TRYING TO FIGURE OUT
THE DYNAMIC AROUND HERE.
211
00:08:11,858 --> 00:08:13,126
YOU KNOW, GET TO KNOW
MY FELLOW WORKER.
212
00:08:13,159 --> 00:08:15,328
I'M NOT YOUR FELLOW WORKER.
I'M YOUR BOSS.
213
00:08:15,395 --> 00:08:17,597
SO LOSE THE ATTITUDE.
214
00:08:17,630 --> 00:08:20,233
I KNOW THIS IS THE LAST PLACE
YOU WANT TO BE.
215
00:08:20,266 --> 00:08:21,868
THAT'S NOT TRUE.
216
00:08:21,901 --> 00:08:25,205
BUT IT'S ALSO THE ONLY PLACE
THAT WILL HAVE YOU.
217
00:08:26,539 --> 00:08:27,440
I WAS TOLD THAT
218
00:08:27,507 --> 00:08:29,342
THAT INFORMATION
WAS GONNA BE KEPT SEALED.
219
00:08:29,376 --> 00:08:31,611
IT IS.
220
00:08:31,678 --> 00:08:34,647
FROM EVERYBODY
WHO DOESN'T NEED TO KNOW.
221
00:08:40,286 --> 00:08:41,187
OH, WHERE'S THE FIRE?
222
00:08:41,254 --> 00:08:43,056
STRUTHER MATTHEWS SLIPPED
HIS POLICE SURVEILLANCE
223
00:08:43,123 --> 00:08:45,325
SIX HOURS AGO,
AND HASN'T BEEN SEEN SINCE.
224
00:08:45,392 --> 00:08:47,027
SO YOU'RE GONNA GO
FIND HIM.
225
00:08:47,093 --> 00:08:48,428
DESPITE WHAT YOU THINK,
226
00:08:48,495 --> 00:08:50,997
I DO WANT TO CATCH
CAMERON'S KILLER...
227
00:08:51,031 --> 00:08:52,465
FOR CAMERON'S SAKE.
228
00:08:52,499 --> 00:08:53,633
GOOD. THEN YOU'LL
BE NEEDING THIS.
229
00:08:53,700 --> 00:08:57,037
IT'S GOT NICKSHERE, HERE, AND HERE.
230
00:08:57,070 --> 00:08:58,304
WHERE'D THAT COME FROM?
231
00:08:58,338 --> 00:08:59,706
WELL, THE ICE PRESERVED
THE DIMENSIONS
232
00:08:59,773 --> 00:09:00,707
OF THE STAB WOUNDS,
233
00:09:00,740 --> 00:09:02,308
SO I MADE A CAST
OF THE WEAPON.
234
00:09:02,342 --> 00:09:03,343
ALSO THE BLADE'S PRETTY UNIQUE,
235
00:09:03,410 --> 00:09:04,744
SO I JUST TRACED
THE MANUFACTURER.
236
00:09:04,778 --> 00:09:06,646
WOW, LOOK AT
THE BRAIN ON YOU.
237
00:09:06,680 --> 00:09:08,248
[cell phone ringing]
238
00:09:10,250 --> 00:09:11,051
MATTHEWS SURFACED.
239
00:09:11,084 --> 00:09:13,253
HE WAS SPOTTED HEADING EAST
ON THE I-90.
240
00:09:17,057 --> 00:09:18,124
WELL, WHAT'RE YOU
WAITING FOR, DOLL?
241
00:09:18,158 --> 00:09:19,192
LET'S GO.
242
00:09:23,229 --> 00:09:24,197
[horn blowing]
243
00:09:25,899 --> 00:09:29,302
(police radio)SUSPECT IS HEADING NORTHON FRANKLIN.
244
00:09:29,369 --> 00:09:30,236
HEY, NORTH IS THAT WAY.
245
00:09:30,303 --> 00:09:32,405
YEAH, BUT HE'LL BE HEADING
WEST IN A MINUTE.
246
00:09:32,472 --> 00:09:34,040
WHAT, YOUR HIGHER POWER
TELL YOU THAT?
247
00:09:34,074 --> 00:09:34,808
I KNOW THIS GUY.
248
00:09:34,874 --> 00:09:36,409
I KNOW WHERE HE'S GOING.
249
00:09:36,476 --> 00:09:38,278
LUCKY FOR US,
I KNOW A SHORTCUT.
250
00:10:03,937 --> 00:10:04,804
LET'S GO.
251
00:10:04,871 --> 00:10:07,173
COME ON.
LET'S GO, MATTHEWS.
252
00:10:07,207 --> 00:10:08,875
COME ON.
253
00:10:11,845 --> 00:10:13,179
(Hannah)YOU HAVE THE RIGHTTO REMAIN SILENT.
254
00:10:13,246 --> 00:10:16,049
ANYTHING YOU SAY CANAND WILL BE USED AGAINST YOU...
255
00:10:23,757 --> 00:10:27,727
YOU SAID A NICK
HERE AND HERE, RIGHT?
256
00:10:27,794 --> 00:10:29,329
THAT'S THE SAME KNIFE.
257
00:10:35,301 --> 00:10:36,770
GOT YA.
258
00:10:36,836 --> 00:10:39,506
GLAD I COULD MAKE IT SO EASY
FOR YOU, DETECTIVE BRAZIL.
259
00:10:39,572 --> 00:10:41,241
GET IN.
260
00:10:41,307 --> 00:10:43,677
BEFORE I FOLD YOU IN.
261
00:10:52,719 --> 00:10:54,421
WELL, THAT WAS EASY, HUH?
262
00:11:07,901 --> 00:11:09,569
FOUND SOME BLOOD
AT THE CRIME SCENE
263
00:11:09,602 --> 00:11:10,570
THAT DIDN'T BELONG TO CAMERON.
264
00:11:10,603 --> 00:11:11,671
WANNA TELL ME WHOSE IT IS?
265
00:11:11,705 --> 00:11:13,673
I WOULDN'T KNOW.
266
00:11:13,773 --> 00:11:16,476
(Brazil on intercom)I THINK IT'S YOURS.
267
00:11:16,543 --> 00:11:17,677
I GOT A GIRL
FROM THE M.E.'S OFFICE
268
00:11:17,711 --> 00:11:18,745
WHO'S GONNA HELP ME PROVE IT,
269
00:11:18,778 --> 00:11:19,679
AS SOON AS WE GET
A BLOOD SAMPLE FROM YOU.
270
00:11:19,746 --> 00:11:22,148
YOU'RE KIDDING, RIGHT?
271
00:11:22,182 --> 00:11:25,585
SHOULD I HAVE MY LAWYER
EXPLAIN TO YOU THE LEGAL SYSTEM?
272
00:11:25,652 --> 00:11:28,621
WOULD YOU LIKE
TO OFFER A SAMPLE?
273
00:11:28,655 --> 00:11:32,659
OR SHALL I GET IT
FROM YOU MYSELF?
274
00:11:32,692 --> 00:11:33,793
ARE YOU GOING
TO GO IN THERE OR WHAT?
275
00:11:33,827 --> 00:11:36,730
HE'S ABOUT TWO SECONDS AWAY
FROM RUBBER HOSING THAT GUY.
276
00:11:36,763 --> 00:11:38,431
HE KNOWS WHAT HE'S DOING.
277
00:11:38,465 --> 00:11:39,899
WE GOT A KNIFE...
278
00:11:39,933 --> 00:11:41,434
WITH CAMERON'S BLOOD
ALL OVER IT.
279
00:11:41,468 --> 00:11:44,070
TOO BAD FOR CAMERON.
280
00:11:44,104 --> 00:11:46,840
GUESS I WON'T BE SEEING HIM
AT MY TRIAL, HUH?
281
00:11:51,011 --> 00:11:53,146
[laughing]
282
00:11:57,017 --> 00:11:59,853
WELCOME
TO POLICE BRUTALITY.
283
00:11:59,886 --> 00:12:00,920
YOU SAW THAT.
284
00:12:00,954 --> 00:12:02,288
(Hannah)NOTHING HAPPENED TO YOU.
285
00:12:02,322 --> 00:12:04,591
LET'S GO.
286
00:12:04,624 --> 00:12:06,760
WHAT WAS THAT?
287
00:12:06,793 --> 00:12:08,895
YOU SAID YOU WANTED
A BLOOD SAMPLE, DIDN'T YA?
288
00:12:08,928 --> 00:12:11,264
THIS ROUTINE OF YOURS IS--
289
00:12:11,297 --> 00:12:12,966
WHAT, YOU GONNA WHIP OUT
YOUR DOG-EARED COPY
290
00:12:12,999 --> 00:12:15,001
OF THE CODE OF ETHICS
AND QUOTE TO ME FROM IT?
291
00:12:15,035 --> 00:12:16,903
I'M SURE THERE'S A CHAPTER
IN THERE ON BEATING UP SUSPECTS
292
00:12:16,936 --> 00:12:18,805
AND PLANTING EVIDENCE.
293
00:12:18,838 --> 00:12:20,640
ARE YOU ACCUSING ME
OF SOMETHING?
294
00:12:20,674 --> 00:12:21,908
NOT YET.
295
00:12:21,941 --> 00:12:24,010
JUST GIVE ME SOME TIME.
296
00:12:29,983 --> 00:12:31,818
ALL RIGHT,
DESPITE THE 92% CHANCE
297
00:12:31,851 --> 00:12:33,386
THAT YOU'RE GONNA WANT
TO RIP MY HEAD OFF
298
00:12:33,420 --> 00:12:34,487
FOR PURSUING THIS THING,
299
00:12:34,521 --> 00:12:35,922
I'M PURSUING IT ANYWAY.
300
00:12:35,989 --> 00:12:37,157
SORRY.
301
00:12:37,190 --> 00:12:40,760
I'VE GOT THIS SINKING FEELING
THIS IS GONNA BE YOUR M.O.
302
00:12:40,794 --> 00:12:41,728
IF ONLY TO PROVE
303
00:12:41,761 --> 00:12:43,363
YOUR FIRST ASSUMPTIONS
ABOUT ME ARE WRONG.
304
00:12:43,396 --> 00:12:45,331
WHAT DO YOU GOT?
305
00:12:45,432 --> 00:12:47,834
TOX SCREEN ON EZEKIEL SHOWS
THAT HE DIED OF HEROIN OVERDOSE,
306
00:12:47,867 --> 00:12:48,935
NOT THE STAB WOUND
TO THE THROAT.
307
00:12:49,002 --> 00:12:50,203
LET ME ALERT THE MEDIA.
308
00:12:50,236 --> 00:12:51,838
JUNKIE DIES
OF A HEROIN OVERDOSE.
309
00:12:51,871 --> 00:12:53,373
I HAD TWO GUYS TEST POSITIVE
FOR HEROIN JUST LAST WEEK.
310
00:12:53,406 --> 00:12:54,874
THREE OF MINE TOO.
311
00:12:54,908 --> 00:12:56,643
YOU DON'T FIND THAT
A LITTLE ODD?
312
00:12:56,676 --> 00:12:57,944
WHY SHOULD I?
313
00:12:57,977 --> 00:12:59,946
I PULLED THE FILES
ON ALL FIVE OF THEM,
314
00:12:59,979 --> 00:13:01,748
AND GET A LOAD OF THIS.
315
00:13:01,781 --> 00:13:03,850
ALL FIVE OF THE BODIES
WERE REPORTED FOUND DEAD
316
00:13:03,950 --> 00:13:05,352
BY A GUY NAMED BULL WILLIAMSON.
317
00:13:05,385 --> 00:13:07,887
ALL FIVE?
318
00:13:07,921 --> 00:13:09,189
YEAH, SO I WAS GONNA GO DOWN
319
00:13:09,222 --> 00:13:10,790
AND HAVE A LITTLE CHAT
WITH THE BULL.
320
00:13:10,824 --> 00:13:13,059
NO, YOU'RE NOT.
321
00:13:13,093 --> 00:13:15,261
REMEMBER I TOLD YOU ABOUT
A LITTLE THING CALLED PROCEDURE?
322
00:13:15,295 --> 00:13:15,962
WE CALL THE POLICE.
323
00:13:15,995 --> 00:13:18,064
OR WE COULD GO DOWN
TO BARRET STREET,
324
00:13:18,098 --> 00:13:20,033
WHERE HE OWNS A TATTOO PARLOR.
325
00:13:20,133 --> 00:13:22,035
WE'LL SEE IF WE'RE EVEN
ON TO ANYTHING,
326
00:13:22,135 --> 00:13:24,404
BEFORE WE BOTHER
THE BUSY BOYS IN BLUE.
327
00:13:24,471 --> 00:13:25,438
GET YOUR COAT.
328
00:13:33,680 --> 00:13:35,682
EXCUSE ME.
329
00:13:35,715 --> 00:13:36,549
ARE YOU BULL WILLIAMSON?
330
00:13:36,649 --> 00:13:37,817
SORRY, GENTLEMEN.
331
00:13:37,851 --> 00:13:39,052
WE ARE CLOSED.
332
00:13:39,085 --> 00:13:41,421
WHAT'RE YOU TALKING ABOUT?
IT'S 11:00 A.M.
333
00:13:41,454 --> 00:13:43,690
IT'S MY SHOP.
IT'S MY HOURS.
334
00:13:43,723 --> 00:13:45,025
OH, YOU HAVE VAMPIRE HOURS.
335
00:13:45,058 --> 00:13:46,526
SLEEP ALL DAY.
PARTY ALL NIGHT.
336
00:13:46,559 --> 00:13:48,094
THAT'S COOL.
337
00:13:48,128 --> 00:13:50,030
WHY DON'T YOU BOYS
MAKE IT REAL CLEAR
338
00:13:50,096 --> 00:13:51,965
AND REAL FAST
WHAT IT IS YOU WANT.
339
00:13:52,032 --> 00:13:54,034
WE'D LIKE SOME ANSWERS.
340
00:13:54,134 --> 00:13:55,869
YOU FOUND FIVE DEAD BODIES
341
00:13:55,969 --> 00:13:57,203
IN THE SPAN OF TWO MONTHS.
342
00:13:57,303 --> 00:13:58,204
HOW DID YOU DO THAT?
343
00:13:59,806 --> 00:14:02,042
I GO DOWN
TO THE WAREHOUSE DISTRICT
344
00:14:02,075 --> 00:14:04,077
A COUPLE TIMES A WEEK
TO PICK UP SUPPLIES.
345
00:14:04,110 --> 00:14:06,746
THERE'S A LARGEHOMELESS COMMUNITY DOWN THERE.
346
00:14:06,780 --> 00:14:07,981
THAT'S WHERE THEY LIVE.
347
00:14:08,014 --> 00:14:10,050
THAT'S WHERE THEY DIE.
348
00:14:10,083 --> 00:14:13,019
OH, SO YOU WERE JUST
BEING A GOOD CITIZEN
349
00:14:13,053 --> 00:14:14,320
BY REPORTING THE DEATHS.
350
00:14:14,354 --> 00:14:15,889
[shakes door]
351
00:14:18,591 --> 00:14:20,960
SOMETHIN' LIKE THAT.
352
00:14:20,994 --> 00:14:22,162
[laughs]
FORGET IT.
353
00:14:22,195 --> 00:14:24,631
WHAT, YOU'RE JUST GONNA
LET HIM GO JUST LIKE THAT?
354
00:14:24,664 --> 00:14:25,965
HE KILLED HALF A DOZEN MEN.
355
00:14:25,999 --> 00:14:28,301
YOU WANNA FOLLOW HIM
UNARMED DOWN A BACK ALLEY?
356
00:14:29,602 --> 00:14:31,338
I SEE YOUR POINT.
357
00:14:31,404 --> 00:14:32,772
SO WHAT'S OUR NEXT MOVE?
358
00:14:32,839 --> 00:14:34,307
WE DON'T HAVE A NEXT MOVE.
359
00:14:34,341 --> 00:14:35,275
IT'S THE COPS' TURN.
360
00:14:38,845 --> 00:14:42,615
YEAH, DETECTIVE
LOIS CARVER, PLEASE.
361
00:14:42,649 --> 00:14:43,650
LOIS, IT'S GARRET.
LISTEN...
362
00:14:48,822 --> 00:14:50,957
HEY, POPS.
HOW YOU DOIN'?
363
00:14:51,024 --> 00:14:52,992
I HAVE A LITTLE
QUESTION FOR YOU.
364
00:14:53,026 --> 00:14:54,894
YOU KNOW THE MOST
RIGHTEOUS PROPHET EZEKIEL?
365
00:14:54,928 --> 00:14:56,463
DON'T KNOW HIM.
366
00:15:00,100 --> 00:15:01,267
YOU DON'T KNOW HIM, HUH?
367
00:15:01,368 --> 00:15:03,503
WHAT'S THIS HERE?
368
00:15:03,536 --> 00:15:04,938
WHAT'S THIS?
369
00:15:04,971 --> 00:15:07,173
HEY, HEY.
I'M A DIABETIC.
370
00:15:07,207 --> 00:15:09,075
REALLY, THEN MAYBE YOU
SHOULDN'T BE SHOOTING HEROIN.
371
00:15:09,109 --> 00:15:11,011
WHAT'RE YOU DOING, PETER?
372
00:15:11,044 --> 00:15:12,779
YOU EVER SEE EZEKIEL
HANGING OUT WITH THE GUY
373
00:15:12,812 --> 00:15:13,747
THAT OWNS THIS TATTOO PARLOR?
374
00:15:13,780 --> 00:15:15,015
YEAH, MAYBE.
375
00:15:16,049 --> 00:15:18,251
DOWN AT THE WHARF.
376
00:15:18,284 --> 00:15:19,619
WHERE HE PICKS UP
HIS SHIPMENTS?
377
00:15:19,652 --> 00:15:20,854
NO, MAN.
378
00:15:20,887 --> 00:15:22,956
BULL'S GOT A PLACE
DOWN THERE.
379
00:15:22,989 --> 00:15:24,691
UH, LIKE A WAREHOUSE.
380
00:15:24,724 --> 00:15:27,227
REALLY.
381
00:15:27,260 --> 00:15:29,629
THANK YOU.THANK YOU VERY MUCH.
382
00:15:33,400 --> 00:15:36,036
[laughter]
383
00:15:36,069 --> 00:15:37,971
OH, I THOUGHT YOU WERE
THE ONE BLUFFING.
384
00:15:38,004 --> 00:15:39,472
WELL, THAT WAS
YOUR FIRST MISTAKE,
385
00:15:39,506 --> 00:15:42,075
ASSUMING TOM COULD OUT-THINK
A TUBE OF TOOTHPASTE.
386
00:15:42,108 --> 00:15:44,044
HEY, I'M DUMB,
NOT DEAF.
387
00:15:44,077 --> 00:15:46,513
ALL I GOTTA SAY ABOUT THAT
IS CLARK STREET BANK HEIST.
388
00:15:46,579 --> 00:15:47,647
HO.
389
00:15:47,681 --> 00:15:50,550
[laughter]
390
00:15:50,583 --> 00:15:51,484
BELOW THE BELT.
391
00:15:54,254 --> 00:15:55,822
MAXIMILLIAN, DO YOU THINK
MY CONVERTIBLE'S GOING
392
00:15:55,889 --> 00:15:56,990
TO BE SAFE OUT THERE?
393
00:15:57,023 --> 00:15:58,458
IT'S NOT LIKE YOU PICKED
394
00:15:58,558 --> 00:16:00,193
THE BEST NEIGHBORHOOD
TO BUY A BAR.
395
00:16:00,226 --> 00:16:03,496
I'LL KEEP THAT IN MIND
WHEN I BUY A NEW ONE.
396
00:16:03,530 --> 00:16:05,165
NICK WHEELS, DICK.
397
00:16:05,198 --> 00:16:07,667
HEY, THERE'S TROUBLE.
HOW YOU DOIN', FINGERS?
398
00:16:07,701 --> 00:16:09,102
GOOD. HOW YOU GUYS DOING?
399
00:16:09,135 --> 00:16:11,071
NICE SURPRISE.
400
00:16:11,137 --> 00:16:14,107
WELL, JORDAN, YOU REMEMBER
MY IDIOT EX-PARTNER TOM,
401
00:16:14,140 --> 00:16:16,076
NOT TO BE CONFUSED
WITH MY IDIOT EX-PARTNER OTIS.
402
00:16:16,176 --> 00:16:18,144
PLEASE, THEY HAD
TO BURN DOWN THE SCHOOL
403
00:16:18,178 --> 00:16:21,848
TO GET YOU OUT
OF THIRD GRADE.
404
00:16:21,915 --> 00:16:23,416
DAD, YOU GOT A SECOND?
405
00:16:23,450 --> 00:16:24,317
EXCUSE US.
406
00:16:24,384 --> 00:16:26,653
YEAH, HURRY BACK,
MONEY BAGS.
407
00:16:26,686 --> 00:16:30,090
AREN'T THESE THE SAME GUYS
WHO TURNED THEIR BACKS ON YOU
408
00:16:30,190 --> 00:16:32,225
WHEN YOU WERE
KICKED OFF THE FORCE?
409
00:16:32,258 --> 00:16:34,694
THAT WAS THEN,
AND THIS IS SIX YEARS LATER.
410
00:16:34,728 --> 00:16:36,196
THEY MADE AN OVERTURE TO ME
411
00:16:36,229 --> 00:16:38,898
BY INVITING ME BACK
INTO THE CARD GAME.
412
00:16:38,998 --> 00:16:40,233
HOW COULD I RESIST?
413
00:16:40,266 --> 00:16:42,569
72 HOURS STRAIGHT
OF NO LIMIT TEXAS HOLD 'EM.
414
00:16:42,602 --> 00:16:44,070
I PLAN TO TAKE THESE JOKERS
415
00:16:44,104 --> 00:16:46,373
FOR EVERY DIME
OF THEIR PENSION,
416
00:16:46,473 --> 00:16:47,707
ONE HAND AT A TIME.
417
00:16:48,808 --> 00:16:51,478
SO HOW COME YOU'RE LOSING?
418
00:16:51,511 --> 00:16:54,147
IS THERE SOMETHING
I CAN DO FOR YOU?
419
00:16:54,247 --> 00:16:57,450
DID YOU HAPPEN TO KNOW A COP
NAMED ERIC BRAZIL?
420
00:16:57,484 --> 00:16:59,753
HE WOULD'VE BEEN COMING UP WHENYOU WERE STILL ON THE FORCE.
421
00:16:59,786 --> 00:17:01,121
BRAZIL, BRAZIL.
422
00:17:01,221 --> 00:17:03,123
NO BELLS RINGING.
I'LL ASK THE GUYS.
423
00:17:03,156 --> 00:17:06,659
GUYS, JORDIE NEEDS SOME HELP
ON HER CASE.
424
00:17:06,693 --> 00:17:08,228
WHAT DO YOU NEED, HON?
425
00:17:08,261 --> 00:17:09,929
DO ANY OF YOU GUYS
KNOW ANYTHING
426
00:17:09,963 --> 00:17:11,498
ABOUT A DETECTIVE
ERIC BRAZIL?
427
00:17:11,531 --> 00:17:13,500
I'VE NEVER HEARD OF HIM.
I HAVE.
428
00:17:13,533 --> 00:17:15,201
WORKED WITH HIM
WHEN I DID A STINT IN NARCOTICS.
429
00:17:15,235 --> 00:17:17,003
REAL WILD CARD, THAT GUY.
430
00:17:17,037 --> 00:17:20,140
IF HE HAS IT OUT FOR A GUY,YOU BETTER NOT BE IN HIS WAY.
431
00:17:20,240 --> 00:17:22,275
REMINDS ME OF SOMEBODY
WE USED TO KNOW.
432
00:17:24,310 --> 00:17:26,046
YOU GONNA BET TODAY?
433
00:17:26,079 --> 00:17:29,015
LOOK AT MR. BLUFF OVER HERE.
434
00:17:29,082 --> 00:17:31,351
YOU'RE LIKE AN OPEN BOOK.
A CHILD COULD READ YOU.
435
00:17:31,384 --> 00:17:33,219
MY DAD DOESN'T HAVE
TO BLUFF YOU.
436
00:17:33,253 --> 00:17:34,721
HE DOESN'T HAVE TO BLUFF, HUH?
437
00:17:34,788 --> 00:17:36,723
NO. ALL HE'S GOTTA DO
IS SIT BACK
438
00:17:36,790 --> 00:17:39,659
AND WAIT FOR YOU
TO MAKE A MISTAKE.
439
00:17:39,693 --> 00:17:42,095
AND YOU WILL.
440
00:17:42,195 --> 00:17:44,097
[players taunting]
441
00:17:44,130 --> 00:17:45,699
DAD, DON'T LOSE THE HOUSE.
442
00:17:45,732 --> 00:17:48,368
MY APARTMENT ISN'T BIG ENOUGH
FOR THE BOTH OF US.
443
00:17:50,970 --> 00:17:53,840
SEE YA.
RAISE YA.
444
00:17:53,873 --> 00:17:56,009
IF YOU LOOK AT
THESE THREE STAB WOUNDS,
445
00:17:56,109 --> 00:17:58,078
THEY'RE PERFECT
AS WOUNDS GO.
446
00:17:58,111 --> 00:17:59,913
IN, OUT.
NO FUSS.
447
00:17:59,946 --> 00:18:01,314
VERY CLEAN.
448
00:18:01,348 --> 00:18:02,515
THEN...
449
00:18:02,549 --> 00:18:03,983
THEN HE GOT ANGRY.
450
00:18:04,017 --> 00:18:05,018
THESE THREE ARE JAGGED.
451
00:18:05,051 --> 00:18:07,387
LOOKS LIKE
HE TWISTED THE KNIFE
452
00:18:07,420 --> 00:18:09,122
IN, RIGHT, UP, AND OUT.
453
00:18:10,156 --> 00:18:11,024
WHAT'S THIS?
454
00:18:11,057 --> 00:18:13,026
THAT'S WHATI CALLED YOU IN ABOUT.
455
00:18:13,059 --> 00:18:14,060
LOOKS LIKE A FRAGMENT
OF SOMETHING.
456
00:18:14,094 --> 00:18:15,595
METAL.
457
00:18:15,628 --> 00:18:18,064
MAYBE A PIECE
OF THE KNIFE BROKE OFF?
458
00:18:18,098 --> 00:18:20,200
I THOUGHT YOU'D WANT
TO DO THE HONORS.
459
00:18:24,070 --> 00:18:26,039
SO WHAT PETER
WAS SAYING EARLIER
460
00:18:26,072 --> 00:18:30,243
ABOUT US NOT DEALING
WITH ELAINE'S DEATH.
461
00:18:30,276 --> 00:18:32,012
WHAT ABOUT IT?
462
00:18:32,045 --> 00:18:33,546
YOU BELIEVE IT?
463
00:18:33,580 --> 00:18:36,016
WHAT, THAT WE'D
ACTUALLY SEEK OUT
464
00:18:36,049 --> 00:18:37,484
YOUR IDIOTIC CARD TRICKS
465
00:18:37,517 --> 00:18:40,153
IN ORDER TO AVOID
ANY SEMBLANCE OF PAIN
466
00:18:40,186 --> 00:18:41,287
THAT WE MIGHT BE FEELING?
467
00:18:41,388 --> 00:18:42,956
WHY WOULD YOU THINK THAT?
468
00:18:42,989 --> 00:18:45,759
WELL, I MEAN, I, FOR ONE,
AM NOT INCAPABLE
469
00:18:45,792 --> 00:18:47,093
OF DEALING WITH MY FEELINGS.
470
00:18:47,127 --> 00:18:52,799
I JUST CHOOSE TO DEALWITH IT IN MY OWN WAY.
471
00:18:56,236 --> 00:18:58,138
WAIT A MINUTE.THIS ISN'T FROM THE KNIFE.
472
00:18:58,171 --> 00:19:00,306
IT'S FROM A GUN.
473
00:19:01,574 --> 00:19:04,077
A BULLET FRAGMENT.
474
00:19:04,110 --> 00:19:06,446
SO YOUR BOY WAS SHOT,
NOT STABBED?
475
00:19:06,479 --> 00:19:08,715
NO.
476
00:19:08,748 --> 00:19:09,916
BOTH.
477
00:19:09,949 --> 00:19:11,384
SOMEONE SHOT THIS KID
478
00:19:11,418 --> 00:19:12,318
AND THEN METHODICALLY
DUG OUT EACH BULLET
479
00:19:12,352 --> 00:19:14,320
WITH A HUNTING KNIFE.
480
00:19:14,421 --> 00:19:17,390
AND THEN STABBED HIM A COUPLE
OF TIMES FOR GOOD MEASURE?
481
00:19:18,625 --> 00:19:20,393
WOW, THAT'S GOTTA HURT,
DOESN'T IT?
482
00:19:25,265 --> 00:19:27,267
(Peter)
IS THIS THE RIGHT PLACE?
483
00:19:27,300 --> 00:19:29,669
IF WE'RE TO BELIEVE
THE WORD OF A JUNKIE.
484
00:19:29,703 --> 00:19:30,737
YEAH.
485
00:19:44,784 --> 00:19:47,087
[screaming]
486
00:19:47,120 --> 00:19:48,788
WHAT THE HELL IS THIS PLACE?
487
00:19:48,822 --> 00:19:50,957
[screaming]
488
00:19:50,990 --> 00:19:52,892
(man)HERE WE GO.
489
00:19:52,926 --> 00:19:54,794
PUSH, PUSH, PUSH.
490
00:19:54,828 --> 00:19:55,895
IF YOU'RE GONNA STAND THERE,
491
00:19:55,995 --> 00:19:57,931
WHY DON'T YOU PUT ON
A PAIR OF GLOVES
492
00:19:57,964 --> 00:19:59,299
AND GIVE ME A HAND.
493
00:19:59,332 --> 00:20:00,400
WHAT THE HELL ARE YOU DOING,
WILLIAMSON?
494
00:20:00,433 --> 00:20:01,801
THIS GIRL BELONGSIN A HOSPITAL.
495
00:20:01,835 --> 00:20:02,769
[screaming]
496
00:20:05,705 --> 00:20:06,773
[baby crying]
497
00:20:06,806 --> 00:20:07,807
THIS IS A HOSPITAL.
498
00:20:07,841 --> 00:20:10,577
[baby crying]
499
00:20:12,545 --> 00:20:13,513
[gunshot]
500
00:20:13,546 --> 00:20:14,514
[gunshot]
501
00:20:14,547 --> 00:20:15,882
[gunshot]
502
00:20:15,915 --> 00:20:18,151
(man on intercom)ALL SHOOTERS CEASE FIRING.
503
00:20:18,184 --> 00:20:20,487
PUT YOUR WEAPONS DOWN,RETRIEVE TARGETS.
504
00:20:23,990 --> 00:20:24,991
COME HERE OFTEN?
505
00:20:25,091 --> 00:20:27,360
IT RELIEVES STRESS.
506
00:20:27,394 --> 00:20:30,897
YEAH, LIKE YOGA...
BUT WITH BULLETS.
507
00:20:30,930 --> 00:20:33,466
IS THERE A POINT
TO THIS VISIT?
508
00:20:33,500 --> 00:20:37,070
GOT SOME BAD NEWS
ABOUT THE MURDER WEAPON.
509
00:20:37,103 --> 00:20:38,138
IT'S NOT THE KNIFE.
510
00:20:38,171 --> 00:20:39,339
WE'RE LOOKING
FOR A GUN.
511
00:20:39,372 --> 00:20:40,874
DON'T WANT TO HEAR IT, BABY.
512
00:20:40,907 --> 00:20:42,475
WE GOT MATTHEWS WITH A KNIFE.
513
00:20:42,575 --> 00:20:44,577
THE ONE YOU TOLD US
WAS THE MURDER WEAPON.
514
00:20:44,611 --> 00:20:47,414
YOU MEAN THE ONE
THAT YOU PLANTED.
515
00:20:52,419 --> 00:20:56,189
THIS IS AS CLOSE TO MATTHEWS
AS WE'VE GOTTEN IN YEARS.
516
00:20:56,222 --> 00:20:59,426
THIS SCUM HAS PUT MORE PEOPLE
IN THE HOSPITAL,
517
00:20:59,459 --> 00:21:01,261
IN THE MORGUE AND IN PRISON,
518
00:21:01,361 --> 00:21:03,163
THAN ANY MAN WALKING
THE STREETS OF THIS CITY.
519
00:21:03,196 --> 00:21:04,464
SO YOU KNOW WHAT THAT MEANS?
520
00:21:04,497 --> 00:21:06,499
THAT I DON'T GIVE
A FLYING CRAP
521
00:21:06,599 --> 00:21:08,902
IF LITTLE CAMERON
WAS SHOT, STABBED,
522
00:21:08,935 --> 00:21:12,238
OR KILLED BY A TROOP
OF ROGUE GIRL SCOUTS.
523
00:21:12,272 --> 00:21:14,574
STRUTHER MATTHEWS
IS GOING DOWN FOR IT.
524
00:21:17,010 --> 00:21:20,080
[cell phone ringing]
525
00:21:20,113 --> 00:21:21,081
EXCUSE ME.
526
00:21:23,283 --> 00:21:25,518
HEY, NIGE, WHAT DO YOU GOT?
527
00:21:25,552 --> 00:21:27,487
I've broken downthe metal components
528
00:21:27,520 --> 00:21:28,321
in the bullet fragment.
529
00:21:28,355 --> 00:21:29,289
It's nine millimeter.
530
00:21:29,322 --> 00:21:30,790
GREAT. AND?
531
00:21:30,824 --> 00:21:33,193
I traced it to a particularbatch of ammo
532
00:21:33,226 --> 00:21:34,661
made by Ammotronic.
533
00:21:34,694 --> 00:21:36,529
Because of its velocityand stopping power,
534
00:21:36,563 --> 00:21:38,898
it seems to bethe favorite bullet
535
00:21:38,932 --> 00:21:39,766
of none other than--
536
00:21:39,833 --> 00:21:40,967
LET ME GUESS.
537
00:21:41,067 --> 00:21:42,902
OUR LOCAL POLICE DEPARTMENT?
538
00:21:42,969 --> 00:21:44,537
That's right, Love.
539
00:21:44,571 --> 00:21:46,940
Your kid could have beenshot by a cop.
540
00:22:03,556 --> 00:22:05,658
ALL RIGHT,
ALL RIGHT, ALL RIGHT!
541
00:22:05,725 --> 00:22:08,928
CALL THE PRESS CORP,MAXIMILIAN FINALLY WON A HAND.
542
00:22:08,995 --> 00:22:09,929
THANK YOU. THANK YOU.
543
00:22:09,963 --> 00:22:11,097
HEY, LOOK WHO'S BACK.
544
00:22:11,131 --> 00:22:12,832
WHAT, DID YOU GET FIRED AGAIN?
545
00:22:12,899 --> 00:22:13,566
WHAT'S UP, GIRLIE?
546
00:22:13,633 --> 00:22:16,970
WELL, I GOT MY BACK UP
AGAINST A WALL.
547
00:22:17,003 --> 00:22:18,471
CAME TO PICK YOUR BRAINS.
548
00:22:18,538 --> 00:22:19,873
WELL, LET'S TAKE
A FIVE-MINUTE BREAK.
549
00:22:19,906 --> 00:22:23,009
(Jordan)
BASICALLY, I JUST
WANT TO SORT OF GO OVER
550
00:22:23,076 --> 00:22:25,445
WHAT MIGHT HAVE HAPPENED
AT THE CRIME SCENE THAT NIGHT.
551
00:22:25,512 --> 00:22:28,014
JUST TO TRY AND FIGURE OUT IT
EXACTLY WHAT--
552
00:22:28,081 --> 00:22:31,084
CAMERON WAS AN INFORMANT,
AND A DAMN GOOD ONE.
553
00:22:31,117 --> 00:22:32,986
MAYBE HE WANTED OUT.
554
00:22:33,019 --> 00:22:35,622
MAYBE HE JUST REALIZED
HE WANTED TO LIVE
555
00:22:35,689 --> 00:22:37,223
TO GRADUATE FROM GRADE SCHOOL.
556
00:22:37,257 --> 00:22:38,992
WHATEVER, WHATEVER.
557
00:22:39,025 --> 00:22:40,593
BRAZIL KNOWS
IF CAMERON GOES,
558
00:22:40,627 --> 00:22:42,262
SO GOES THE CASE AGAINST
STRUTHER MATTHEWS.
559
00:22:42,328 --> 00:22:43,863
I'M NOT GETTING BACK
IN THAT CAR.
560
00:22:43,930 --> 00:22:46,066
CAMERON, YOU'LL BE ALL RIGHT.
JUST COME ON.
561
00:22:46,132 --> 00:22:47,967
NO, I'M NOT GETTING BACK
IN THAT CAR.
562
00:22:48,001 --> 00:22:48,902
YOU GOTTA GET BACK...
563
00:22:48,968 --> 00:22:51,438
SO BRAZIL AND CAMERON ARGUE.
IT GETS ROUGH.
564
00:22:51,504 --> 00:22:54,207
BRAZIL PULLS OUT HIS GUN,
AND BANG, SHOOTS HIM.
565
00:22:54,240 --> 00:22:57,143
[gunshot]
566
00:22:57,210 --> 00:23:00,613
OR MAYBE CAMERON GOES
FOR BRAZIL'S GUN
567
00:23:00,680 --> 00:23:02,182
AND BANG, IT GOES OFFACCIDENTALLY.
568
00:23:02,248 --> 00:23:05,652
[gunshot]
569
00:23:05,719 --> 00:23:07,987
ACCIDENTALLY?
DAD, CAMERON WAS SHOT TWICE.
570
00:23:08,021 --> 00:23:09,689
SO BRAZIL GOT JUMPY.
571
00:23:09,756 --> 00:23:11,391
MAYBE HE'S GOT
A HAIR TRIGGER FINGER--
572
00:23:11,424 --> 00:23:12,325
ACCIDENT, NO ACCIDENT.
573
00:23:12,392 --> 00:23:14,928
WHATEVER, WHATEVER.
CAMERON'S DEAD, Y'ALL.
574
00:23:14,994 --> 00:23:19,566
BRAZIL PANICS, THINKS TO DUMP
THE BODY SOMEWHERE.
575
00:23:22,902 --> 00:23:24,838
[Tom continues]BUT HE REALIZESIF IT'S FOUND,
576
00:23:24,904 --> 00:23:27,674
THEY CAN TRACE THE BULLETSBACK TO HIS GUN.
577
00:23:32,579 --> 00:23:35,548
(Jordan)SO HE DIGS OUT EACH BULLET,ONE BY ONE.
578
00:23:35,582 --> 00:23:38,184
(Otis)MAYBE STABS HIMA COUPLE EXTRA TIMES
579
00:23:38,251 --> 00:23:40,220
TO MAKE IT LOOK GOOD.
580
00:23:40,253 --> 00:23:45,692
(Jordan)AND THEN HE TOSSES THE BODYIN THE LAKE.
581
00:23:45,725 --> 00:23:48,028
A COUPLE WEEKS GOES BY,
NOBODY HEARS FROM CAMERON.
582
00:23:48,061 --> 00:23:50,463
HE'S JUST ANOTHER SNITCHWHO SKIPPED TOWN.
583
00:23:50,497 --> 00:23:53,066
BUT THEN THE LAKE FREEZES OVER.
584
00:23:53,099 --> 00:23:55,035
HIS BODY DOESN'T SINKINTO OBLIVION
585
00:23:55,135 --> 00:23:56,236
LIKE BRAZIL HAD PLANNED.
586
00:23:59,072 --> 00:24:02,075
(Max)
OR HE DIDN'T HAVE A PLAN
IN THE FIRST PLACE.
587
00:24:02,108 --> 00:24:03,143
DAD, THE MAN HAD A PLAN.
588
00:24:03,209 --> 00:24:05,211
(Otis) PLAN, NO PLAN.
589
00:24:05,245 --> 00:24:06,646
THE MAN NOW NEEDS A NEW PLAN.
590
00:24:06,680 --> 00:24:08,448
YEAH, YEAH.THE KID'S BEEN FOUND.
591
00:24:08,515 --> 00:24:11,017
BRAZIL'S WHOLE CASE
GOES INTO THE CRAPPER
592
00:24:11,084 --> 00:24:12,519
BECAUSE OF HIS QUICK TEMPER.
593
00:24:12,585 --> 00:24:14,354
SO WHAT'S A KILLER TO DO?
594
00:24:14,387 --> 00:24:15,422
LET THE DEAD TO THE TALKING.
595
00:24:15,522 --> 00:24:18,291
KID CAN STILL SING LIKE
A CANARY, EVEN FROM THE GRAVE.
596
00:24:18,324 --> 00:24:19,959
BOOM.
597
00:24:20,026 --> 00:24:22,128
HE PLANTS THE KNIFE
ON PUBLIC ENEMY NUMBER ONE,
598
00:24:22,195 --> 00:24:23,296
STRUTHER MATTHEWS.
599
00:24:23,329 --> 00:24:24,731
GAME OVER.
600
00:24:24,798 --> 00:24:28,568
UNTIL JORDAN HERE GRABS HIM
BY THE GONADS.
601
00:24:28,635 --> 00:24:31,671
(Tom)WE STILL GOT THE MAGIC,HEY, GUYS?
602
00:24:31,771 --> 00:24:33,840
NICE FANTASY.
NOW HOW YOU GONNA GET HIM?
603
00:24:33,873 --> 00:24:37,010
THE SAME WAY THEY GOT YOU.
THROUGH HIS PARTNER.
604
00:24:41,281 --> 00:24:43,216
THE FIVE HOMELESS GUYS
YOU REPORTED
605
00:24:43,283 --> 00:24:44,217
ALL HAD HOLES
IN THEIR THROATS.
606
00:24:44,284 --> 00:24:46,820
EMERGENCY TRACHEOTOMY.
THERE WAS A BAD BUNCH OF HEROIN
607
00:24:46,853 --> 00:24:48,888
OUT ON THE STREET
A COUPLE MONTHS AGO.
608
00:24:48,922 --> 00:24:51,591
LACED WITH STRYCHNINE, RIGHT?
IT CAUSES RESPIRATORY FAILURE.
609
00:24:51,624 --> 00:24:53,660
RHESUS SARDONICUS.
610
00:24:53,727 --> 00:24:56,062
SOME OF 'EM I COULD
GET TO IN TIME.
611
00:24:56,129 --> 00:24:57,630
OTHER, LIKE ZEKE...WELL.
612
00:24:57,664 --> 00:24:58,798
"WELL?" WELL WHAT?
613
00:24:58,865 --> 00:25:01,735
WHAT, THE INK PEN TRACH DIDN'T
WORK QUITE LIKE IT DOES
614
00:25:01,801 --> 00:25:04,437
IN THE MOVIES, SO YOU JUST
DUMP 'EM IN THE STREETS?
615
00:25:04,471 --> 00:25:06,072
LISTEN, KID,
I AM A TRAINED PROFESSIONAL.
616
00:25:06,172 --> 00:25:07,674
TRAINED AS WHAT?
617
00:25:07,707 --> 00:25:10,643
MEDIC, UNITED STATES ARMY.
618
00:25:10,710 --> 00:25:12,545
GULF, BOSNIA, SOMALIA.
619
00:25:12,579 --> 00:25:13,747
IT'S A PRETTY UGLY WORLD,
620
00:25:13,813 --> 00:25:15,849
NO MATTER WHICH WAY
YOU LOOK AT IT.
621
00:25:15,915 --> 00:25:17,951
HOW LONG YOU BEEN
OUT HERE DOING THIS?
622
00:25:18,018 --> 00:25:19,052
EIGHT MONTHS.
623
00:25:19,085 --> 00:25:22,155
USED TO BE A FREE CLINIC
DOWN HERE, BUT IT CLOSED.
624
00:25:22,188 --> 00:25:24,858
AND THESE PEOPLE WERE JUST
LEFT TO DIE IN THE STREETS.
625
00:25:24,924 --> 00:25:26,926
WHY WOULD THEY COME
TO THIS CHOP SHOP
626
00:25:26,993 --> 00:25:28,528
WHEN COUNTY GENERAL'SJUST A MILE AWAY?
627
00:25:28,595 --> 00:25:30,130
LOOK AROUND YOU, KID.
628
00:25:30,163 --> 00:25:32,165
THERE'S NOT A PERSON HERE
WHO'S NOT RUNNING
629
00:25:32,198 --> 00:25:34,167
FROM SOMEONE OR SOMETHING.
630
00:25:34,200 --> 00:25:36,102
SOMEBODY HAS TO HELP THEM.
631
00:25:36,169 --> 00:25:39,239
MR. WILLIAMSON, WE KNOW
YOUR HEART'S IN THE RIGHT PLACE.
632
00:25:39,305 --> 00:25:40,540
YEAH, YOU'RE A SWEETHEART.
REALLY--
633
00:25:40,573 --> 00:25:42,108
QUIET, PETER.
634
00:25:42,142 --> 00:25:44,210
WHAT YOU'RE DOING IS ILLEGAL
FOR A REASON.
635
00:25:44,277 --> 00:25:47,047
I'M SORRY.
JUST BE QUIET.
636
00:25:47,080 --> 00:25:49,149
LISTEN, THESE PEOPLE NEED
MORE THAN YOU CAN GIVE.
637
00:25:49,215 --> 00:25:51,384
MAYBE.
638
00:25:51,451 --> 00:25:55,522
YOU SEE A TRAIN HEADED TOWARDS
A CLIFF AT 100 MILES AN HOUR.
639
00:25:55,588 --> 00:25:58,858
NOW, MAYBE YOU'RE THE MAN
WHO GRABS 100 BODY BAGS,
640
00:25:58,925 --> 00:26:01,828
READIES THE TOE TAGS AND WAITSAT THE BOTTOM OF THE HILL.
641
00:26:01,895 --> 00:26:04,597
OR MAYBE YOU'RE THE MAN
WHO JUMPS ON THE TRAIN
642
00:26:04,631 --> 00:26:07,400
AND TRIES TO STOP IT.
643
00:26:07,467 --> 00:26:11,271
I KNOW WHICH MAN I AM.
644
00:26:11,304 --> 00:26:12,706
WHICH ONE ARE YOU?
645
00:26:22,515 --> 00:26:24,351
WELL, I'M THE MAN
WHO'S CALLING THE COPS.
646
00:26:24,417 --> 00:26:25,985
NO, YOU'RE NOT.
WHAT?
647
00:26:29,756 --> 00:26:31,891
(Lily) THIS IS THE LAST OF IT.
648
00:26:31,958 --> 00:26:34,627
LOOK AT THIS PICTURE.
SHE LOOKS LIKE THE MONA LISA.
649
00:26:34,694 --> 00:26:39,265
HAPPY, SAD? WHO CAN TELL?
650
00:26:39,332 --> 00:26:41,801
I WAS HOPING THESE THINGSCOULD TELL ME,
651
00:26:41,868 --> 00:26:43,670
BUT NONE OF THE PIECES FIT.
652
00:26:43,737 --> 00:26:47,807
HER AUTOPSY REPORT.
WHAT?
653
00:26:47,874 --> 00:26:50,110
WHEN I LOOK AT A PHOTOGRAPH
LIKE THAT ONE,
654
00:26:50,176 --> 00:26:52,078
I CAN'T MAKE HEADS
OR TAILS OF IT.
655
00:26:52,112 --> 00:26:56,416
BUT THIS. NOW, THIS,
I DO UNDERSTAND.
656
00:26:56,449 --> 00:26:58,218
I COULD READ IT
LIKE A DIARY.
657
00:26:58,284 --> 00:26:59,586
READ IT TO ME.
658
00:26:59,652 --> 00:27:01,621
DID YOU KNOW THATSHE DYED HER HAIR?
659
00:27:01,688 --> 00:27:04,190
AND NOT FROM GREY TO BLACK,
BUT FROM BLACK TO RED.
660
00:27:04,257 --> 00:27:06,126
OH, LIKE ME.
661
00:27:06,226 --> 00:27:08,962
SHE HAD A HAND STAMPTHAT DIDN'T QUITE WASH OFF
662
00:27:08,995 --> 00:27:14,200
FOR A V.I.P. BOX
AT THE FLEET CENTER.
663
00:27:14,234 --> 00:27:16,970
BRUINS FAN...ME TOO.
664
00:27:17,037 --> 00:27:18,138
HOCKEY.
665
00:27:18,204 --> 00:27:20,573
SHE HAD CALLUSES
ON THE TIPS OF HER FINGERS
666
00:27:20,640 --> 00:27:22,509
BUT ONLY ON THE LEFT HAND?
667
00:27:22,575 --> 00:27:23,510
SHE WAS PLAYING GUITAR.
668
00:27:23,576 --> 00:27:24,577
WHAT?
669
00:27:24,611 --> 00:27:27,313
CALLUSES. THEY'RE FROM
PLAYING GUITAR.
670
00:27:27,347 --> 00:27:29,716
(Macy)ABOUT A MONTH AGO, SHE STARTED ASKING ME
671
00:27:29,749 --> 00:27:33,319
IF SHE COULD LEAVE EARLY
ON WEDNESDAY.
672
00:27:33,386 --> 00:27:34,320
WHEN I ASKED WHY,
673
00:27:34,387 --> 00:27:37,691
SHE TOLD ME SHE WAS PURSUING
AN ARTISTIC ENDEAVOR.
674
00:27:37,757 --> 00:27:40,593
SO ELAINE WAS
A HOCKEY LOVIN' GUITAR PLAYER
675
00:27:40,660 --> 00:27:42,262
WITH A GREAT DYE JOB, HUH?
676
00:27:42,295 --> 00:27:44,197
SHE WAS ALSO A MOTHER.
677
00:27:44,264 --> 00:27:47,400
YEAH. YEAH, THAT I KNEW.
678
00:27:47,467 --> 00:27:49,402
SHE LOST HER BOY
ABOUT SIX YEARS AGO.
679
00:27:49,436 --> 00:27:51,871
I JUST LOOKED IT UP.
680
00:27:51,938 --> 00:27:54,474
JONATHAN MADDOX DUCHAMPS.
681
00:27:54,507 --> 00:27:57,310
THE ODD THING IS,TODAY IS HIS BIRTHDAY.
682
00:27:57,344 --> 00:28:00,180
THE 23rd.HE WOULD'VE BEEN 14.
683
00:28:00,246 --> 00:28:01,648
(Macy)WE HAD HALF A DOZEN DOCTORSIN THE BUILDING
684
00:28:01,681 --> 00:28:03,883
THE NIGHT SHE DIED,
NONE OF US COULD SAVE HER.
685
00:28:03,950 --> 00:28:05,418
THERE WAS NOTHING WE COULD DO.
686
00:28:05,485 --> 00:28:08,388
YEAH. THERE WAS NOTHING
WE COULD DO.
687
00:28:13,593 --> 00:28:15,962
GOOD NIGHT, YOU TWO.
688
00:28:21,468 --> 00:28:25,338
SO HE'S NOT THE NICEST GUY
IN THE WHOLE WORLD, SO WHAT?
689
00:28:25,372 --> 00:28:27,207
YOU'RE NO PEACH YOURSELF, DOC.
690
00:28:27,240 --> 00:28:31,911
WELL, MAYBE NOT,
BUT I'M NO MURDERER EITHER.
691
00:28:31,945 --> 00:28:35,982
YOU THINK HE MURDERED
CAMERON O'DAY?
692
00:28:36,049 --> 00:28:39,519
I THINK WE ALL KNOW
HOW GOOD COPS CAN GO BAD.
693
00:28:39,586 --> 00:28:42,756
IT'S THE OLDEST STORY
IN THE BOOK.
694
00:28:42,822 --> 00:28:44,257
MY DAD WAS A COP.
695
00:28:44,324 --> 00:28:45,959
HERE WE GO.
696
00:28:45,992 --> 00:28:51,297
WORKING TOO LONG, TOO HARD
ON A JOB TOO DIFFICULT.
697
00:28:51,331 --> 00:28:52,665
HE CRACKED.
698
00:28:52,699 --> 00:28:55,368
HE STARTED DOING
THE WRONG THING.
699
00:28:55,402 --> 00:28:56,870
FOR ALL THE RIGHT REASONS,
700
00:28:56,936 --> 00:29:00,940
BUT IT WAS STILL
THE WRONG THING.
701
00:29:00,974 --> 00:29:04,444
HE JUST HAD TO
NOT BE A COP ANYMORE.
702
00:29:04,477 --> 00:29:06,613
OKAY.
703
00:29:06,680 --> 00:29:07,914
WHAT HAPPENED TO HIM?
704
00:29:07,947 --> 00:29:10,784
HIS PARTNER TURNED HIM IN.
705
00:29:10,850 --> 00:29:13,920
YEAH. YOUNG GUY,
JUST LIKE YOU.
706
00:29:13,987 --> 00:29:17,524
TOOK ME A WHILE TO REALIZE IT,
BUT IT WAS THE BEST THING
707
00:29:17,590 --> 00:29:18,892
THAT COULD HAPPEN TO HIM.
708
00:29:18,958 --> 00:29:21,961
SO WHY AM I GETTING
THE HISTORY LESSON HERE?
709
00:29:22,028 --> 00:29:24,497
MY PARTNER'S NOT
THE BAD GUY.
710
00:29:24,531 --> 00:29:26,466
HE GOT THE BAD GUY.
711
00:29:26,533 --> 00:29:29,269
NO, HE GOT
A 14-YEAR-OLD BOY KILLED.
712
00:29:29,336 --> 00:29:31,304
YEAH, STRUTHERS MATTHEWS
IS A BAD GUY,
713
00:29:31,371 --> 00:29:33,740
BUT I THINK WE BOTH KNOW
HE DIDN'T KILL CAMERON.
714
00:29:33,807 --> 00:29:36,810
I'VE BEEN WITH HIM
FOR FOUR MONTHS.
715
00:29:36,843 --> 00:29:38,411
HE SAVED MY LIFE
THREE TIMES.
716
00:29:38,445 --> 00:29:40,880
WELL, NEXT TIME,
YOU MIGHT NOT BE SO LUCKY.
717
00:29:40,947 --> 00:29:45,385
NEXT TIME, YOU MIGHT BE THE ONE
SACRIFICED FOR THE CAUSE.
718
00:29:45,418 --> 00:29:46,820
HE'S MY PARTNER.
719
00:29:46,886 --> 00:29:49,422
SO YOU KNOW WHAT
THAT MAKES YOU?
720
00:29:49,456 --> 00:29:52,325
THE ONLY ONE
WHO CAN SAVE HIM.
721
00:30:04,537 --> 00:30:05,772
WHY YOU SO JUMPY?
722
00:30:05,839 --> 00:30:08,341
YOU SAID HE NEVER COMES HOME
BEFORE 1 A.M.
723
00:30:08,408 --> 00:30:13,980
HEY, I'M NOT EVEN CONVINCED
WE SHOULD BE HERE.
724
00:30:18,551 --> 00:30:21,154
[Brazil on tape recorder]COME ON. ONE MORE WEEK, KID.
725
00:30:21,221 --> 00:30:23,823
THEN, IT'S JUST LIKEI TOLD YOU. WE GET YOU OUT...
726
00:30:23,857 --> 00:30:26,026
WIRETAP TAPES.
727
00:30:26,092 --> 00:30:28,194
WHAT THE HELL
DOES HE NEED THESE FOR?
728
00:30:28,261 --> 00:30:29,229
YEAH, WHY NOT?
729
00:30:29,262 --> 00:30:31,898
YOU KNOW, YOU LEARN HOWTO PUT THOSE KOOKY DRAGONS
730
00:30:31,998 --> 00:30:33,967
YOU DRAW IN A VIDEO GAMEOR SOMETHING.
731
00:30:34,034 --> 00:30:35,902
(Cameron)HELL WITH THAT, MAN.
732
00:30:36,002 --> 00:30:38,371
I'M ALL ABOUT PENAND INK AND PAPER.
733
00:30:38,438 --> 00:30:41,608
(Brazil)THAT'S WHATI LIKE ABOUT YOU, KID...
734
00:30:41,641 --> 00:30:44,310
HEY, HANNAH, CHECK THIS OUT.
735
00:30:44,377 --> 00:30:46,312
SAME CALIBER AS THE ONE
THAT SHOT CAMERON.
736
00:30:46,346 --> 00:30:48,948
LEAVE IT.
HE'D HAVE WIPED IT CLEAN.
737
00:30:49,015 --> 00:30:50,350
(Brazil)WHOA, TRIPLE NEGATIVE!
738
00:30:50,417 --> 00:30:53,086
A BONA FIDE PESSIMIST.KNOW WHAT THAT MEANS?
739
00:30:53,153 --> 00:30:54,988
(Cameron)IF I DID, I WOULDN'T BE--
740
00:30:57,590 --> 00:30:59,159
[muffled gunshot]
741
00:31:00,627 --> 00:31:02,929
WHAT THE HELL ARE YOU DOING?
742
00:31:02,996 --> 00:31:04,497
AH, GOD, THAT'S HOT.
743
00:31:04,531 --> 00:31:06,900
LOOK, WE NEED A BULLET
TO COMPARE WITH THE FRAGMENT
744
00:31:06,933 --> 00:31:09,769
WE FOUND IN CAMERON'S BODY.
745
00:31:09,803 --> 00:31:12,472
BALLISTICS CAN TELL US
IF THEY WERE BOTH FIRED
746
00:31:12,505 --> 00:31:13,807
FROM THE SAME GUN.
747
00:31:13,873 --> 00:31:16,009
YOU'RE AS PSYCHO AS HE IS.
748
00:31:16,042 --> 00:31:18,445
AT LEAST MY PSYCHOSIS
DOESN'T COME WITH A BODY COUNT.
749
00:31:25,552 --> 00:31:26,619
HOW'S IT GOIN'?
750
00:31:26,686 --> 00:31:31,658
WELL, YOU BRING THE CAVALRY
OR DO I GET A HEAD START?
751
00:31:31,725 --> 00:31:33,626
I'M HERE TO HELP.
752
00:31:33,693 --> 00:31:37,297
WELCOME ABOARD.
753
00:31:41,634 --> 00:31:45,438
HEY.
754
00:31:45,505 --> 00:31:46,539
HEY.
755
00:31:55,615 --> 00:31:56,516
WHAT DO YOU THINK?
756
00:31:56,583 --> 00:31:58,318
FOR HIM?
757
00:32:01,454 --> 00:32:02,956
IT'S FOR YOU.
758
00:32:07,293 --> 00:32:10,463
CAN I TAKE A LOOK
AT HOW HE'S DOING?
759
00:32:10,530 --> 00:32:11,564
LET'S SEE.
760
00:32:14,734 --> 00:32:16,302
HE'S A HANDSOME FELLA.
761
00:32:36,756 --> 00:32:38,258
[glass shatters]
762
00:33:07,253 --> 00:33:09,789
(Brazil)LOOKIN' FOR THIS?
763
00:33:13,426 --> 00:33:16,896
WOULDN'T WANT EITHER ONE OF US
TO GET HURT WITH THIS THING.
764
00:33:16,930 --> 00:33:19,466
HOW DID YOU GET IN HERE?
765
00:33:19,499 --> 00:33:21,634
YOU'RE WELL VERSED
IN BREAKING AND ENTERING,
766
00:33:21,668 --> 00:33:22,836
WHY DON'T YOU TELL ME?
767
00:33:22,869 --> 00:33:24,437
WHAT DO YOU WANT?
768
00:33:24,537 --> 00:33:26,072
YOU TO BACK OFF.
769
00:33:26,139 --> 00:33:28,174
SORRY. IT'S NOT MY NATURE.
770
00:33:28,241 --> 00:33:31,111
BUT IT IS IN YOUR NATURE TO PLAY
WITH MY PARTNER'S HEAD?
771
00:33:31,177 --> 00:33:35,382
TO MAKE HIM THINK I OFFED
MY OWN SNITCH.
772
00:33:35,448 --> 00:33:38,018
SORRY, DOLL, THAT PUTS
MY LIFE IN DANGER.
773
00:33:38,084 --> 00:33:42,489
SO THIS ISN'T ABOUT
YOUR PARTNER OR CAMERON.
774
00:33:42,522 --> 00:33:43,490
IT'S ABOUT YOU.
775
00:33:43,556 --> 00:33:47,327
WRONG.
776
00:33:47,360 --> 00:33:49,696
IT'S ABOUT STRUTHER MATTHEWS.
777
00:33:49,729 --> 00:33:52,532
I AM THIS CLOSE
TO GETTING HIM.
778
00:33:52,599 --> 00:33:56,603
NOTHING, NOBODY GETS
TO DERAIL THAT.
779
00:33:58,438 --> 00:33:59,673
GET OUT.
780
00:34:03,076 --> 00:34:06,312
ALREADY GONE, BABY.
781
00:34:31,037 --> 00:34:32,038
SORRY.
782
00:34:32,072 --> 00:34:33,073
ARE YOU ALL RIGHT?
783
00:34:33,106 --> 00:34:34,774
YEAH, I'M FINE.
784
00:34:34,808 --> 00:34:37,210
I GOT HERE AS FAST
AS I COULD.
785
00:34:37,277 --> 00:34:39,579
I'M JUST WAITING FOR NIGEL TO
FINISH THE BALLISTICS ANALYSIS.
786
00:34:39,612 --> 00:34:42,382
APPARENTLY, BOTH THE BULLET
FRAGMENT AND THE BULLET
787
00:34:42,449 --> 00:34:43,283
MATCH THE GUN.
788
00:34:43,350 --> 00:34:47,787
MEANING BRAZIL SHOT CAMERON.
789
00:34:47,854 --> 00:34:50,323
MEANING BRAZIL'S GUN
SHOT CAMERON.
790
00:34:50,357 --> 00:34:51,658
THAT'S JUST
NOT ENOUGH PROOF.
791
00:34:51,691 --> 00:34:54,861
WELL, THAT'S IT, THEN.
792
00:34:54,894 --> 00:34:56,329
BRAZIL'S TOO GOOD
TO GET CAUGHT.
793
00:34:56,396 --> 00:34:58,865
NO, DON'T WORRY, HE'LL TRIP UP.
THEY ALWAYS DO.
794
00:34:58,932 --> 00:35:00,567
WHAT IF YOU TRIP UP FIRST?
795
00:35:00,633 --> 00:35:01,468
THAT'S NOT AN OPTION.
796
00:35:01,501 --> 00:35:03,503
I'M ON THIS THING UNTIL
CAMERON O'DAY'S MOTHER
797
00:35:03,536 --> 00:35:05,972
KNOWS EXACTLY WHY HER SON
IS IN A MORGUE
798
00:35:06,006 --> 00:35:07,207
AND NOT IN ART SCHOOL
799
00:35:07,240 --> 00:35:08,742
AND EXACTLY
WHO PUT HIM THERE.
800
00:35:08,775 --> 00:35:14,948
DETERMINATION...THAT'S GOOD.
801
00:35:15,015 --> 00:35:17,684
WHERE YOU GOING?
802
00:35:17,717 --> 00:35:20,420
MAKE SURE MY PARTNER
DOESN'T BOTHER YOU AGAIN.
803
00:35:26,059 --> 00:35:27,961
I GOT A FINGERPRINT
ON YOUR SHELL CASING.
804
00:35:27,994 --> 00:35:29,529
ON THE SHELL CASING?
805
00:35:29,562 --> 00:35:31,931
MM-HM, CRIMINALS ALWAYS FORGET
TO WIPE OFF THE BULLET
806
00:35:31,998 --> 00:35:33,767
WHEN THEY WIPE OFF THE GUN.
807
00:35:33,833 --> 00:35:35,969
BRAZIL'S A GOVERNMENT EMPLOYEE,
808
00:35:36,036 --> 00:35:37,537
HIS FINGERPRINTS
SHOULD BE ON FILE.
809
00:35:40,440 --> 00:35:43,777
HEY! YOU FIGURE OUT
MY CARD TRICK YET, LOVE?
810
00:35:43,810 --> 00:35:44,878
OH, YEAH. HOURS AGO.
811
00:35:44,944 --> 00:35:46,413
YOU'RE BLUFFING.
812
00:35:46,446 --> 00:35:48,782
WELL, YOU'LL NEVER KNOW,
WILL YOU?
813
00:35:51,151 --> 00:35:58,525
(female vocalist)
* IF YOU'RE ON YOUR OWN
IN THIS LIFE *
814
00:35:58,558 --> 00:36:00,894
* AND THE DAYS
AND NIGHTS... *
815
00:36:00,927 --> 00:36:01,861
WHAT HAPPENED?
816
00:36:01,928 --> 00:36:03,229
WELL, YOU SHOULD KNOW.
817
00:36:03,263 --> 00:36:04,931
YOU'RE THE ONE
THAT CALLED THE COPS.
818
00:36:04,998 --> 00:36:06,199
I DID NO SUCH THING.
819
00:36:06,266 --> 00:36:07,100
WHO ARE YOU, SIR?
820
00:36:07,133 --> 00:36:08,501
GARRET MACY.
CHIEF MEDICAL EXAMINER.
821
00:36:08,568 --> 00:36:09,669
WHERE YOU TAKING THESE PEOPLE?
822
00:36:09,703 --> 00:36:13,306
THEY'RE GOING TO BOSTON GENERAL.
HE'S GOING DOWNTOWN.
823
00:36:13,340 --> 00:36:15,308
M.E.'S OFFICE, HUH?
YEAH.
824
00:36:15,342 --> 00:36:16,609
THANKS FOR THE HEADS UP.
825
00:36:16,676 --> 00:36:19,713
YOUR OFFICE'S CALL PUT US
ON THIS GUY'S TRAIL.
826
00:36:19,746 --> 00:36:26,453
* AND EVERYBODY CRIES *
827
00:36:26,519 --> 00:36:32,659
* AND EVERYBODY HURTS *
828
00:36:32,726 --> 00:36:36,863
* SOME TIME... * *
829
00:36:36,930 --> 00:36:40,633
[cell phone rings]
830
00:36:40,700 --> 00:36:42,135
DR. CAVANAUGH.
831
00:36:42,202 --> 00:36:44,371
(Hannah)It's Jack. I'm at Brazil's.
832
00:36:44,404 --> 00:36:46,106
I think you betterget over here.
833
00:36:46,139 --> 00:36:47,640
WHAT IS IT? WHAT'S WRONG?
834
00:36:47,707 --> 00:36:49,309
He's dead.
835
00:36:49,342 --> 00:36:52,579
My partner's dead.
836
00:36:57,684 --> 00:36:59,919
HANNAH?
837
00:36:59,986 --> 00:37:01,421
WHERE IS HE?
838
00:37:01,454 --> 00:37:03,356
THIS IS THE GUN THAT
KILLED CAMERON, RIGHT?
839
00:37:03,390 --> 00:37:05,358
BRAZIL'S GUN?
THAT MEANS HE DID IT.
840
00:37:05,392 --> 00:37:06,760
SLOW DOWN.
TELL ME WHAT HAPPENED.
841
00:37:06,826 --> 00:37:10,730
HE KILLED CAMERON.
842
00:37:10,797 --> 00:37:12,365
I CONFRONTED HIM.
843
00:37:12,432 --> 00:37:14,134
HE KNEW YOU'D FIGURED IT OUT.
844
00:37:14,167 --> 00:37:16,836
HE SAID HE WAS GONNA FIND YOU,AND SHUT YOU UP
845
00:37:16,870 --> 00:37:18,405
ONCE AND FOR ALL.
846
00:37:18,438 --> 00:37:22,175
SO I RUSHED DOWN HERE
TO STOP HIM--
847
00:37:22,208 --> 00:37:25,145
AND I FOUND YOU,
DEAD ON THE FLOOR.
848
00:37:25,178 --> 00:37:26,613
WHAT?
849
00:37:26,646 --> 00:37:29,816
YEAH. HE SHOT YOU,
THEN HE SHOT HIMSELF.
850
00:37:29,849 --> 00:37:31,651
WHAT ARE YOU DOING?
851
00:37:31,718 --> 00:37:33,553
YOU KNOW THAT THING
YOU SAID ABOUT
852
00:37:33,586 --> 00:37:36,122
EVERYBODY MAKES MISTAKES
BUT YOU?
853
00:37:36,156 --> 00:37:37,023
THAT WAS YOUR MISTAKE.
854
00:37:37,057 --> 00:37:39,559
IT WAS?
855
00:37:39,592 --> 00:37:42,862
'CAUSE I THOUGHT,
YOU KNOW, SHE'S RIGHT.
856
00:37:42,929 --> 00:37:45,632
SHE'S SMARTER THAN ME.
857
00:37:45,665 --> 00:37:47,567
SO WAS BRAZIL.
858
00:37:47,600 --> 00:37:49,336
SOONER OR LATER
THEY'RE GONNA FIGURE OUT
859
00:37:49,369 --> 00:37:51,271
THAT I KILLED CAMERON,
AND THAT CAN'T HAPPEN.
860
00:37:51,304 --> 00:37:55,175
THAT PRINT ON THE SHELL CASING.
861
00:37:55,208 --> 00:37:56,609
IT WASN'T BRAZIL'S.
IT WAS YOURS.
862
00:37:56,676 --> 00:37:59,245
YOU WERE ONSTRUTHER MATTHEWS' PAYROLL.
863
00:37:59,279 --> 00:38:03,249
CAMERON FOUND OUT.
864
00:38:03,316 --> 00:38:05,352
SMART THINKING
UNDER PRESSURE, DOC.
865
00:38:05,385 --> 00:38:07,554
SO HE WASN'T JUST GOING
TO SNITCH ON MATTHEWS,
866
00:38:07,587 --> 00:38:09,556
HE WAS GOING TO
SNITCH ON YOU TOO.
867
00:38:09,589 --> 00:38:12,292
IT'S MORE COMPLICATED
THAN THAT.
868
00:38:12,359 --> 00:38:15,261
BUT I DON'T HAVE THE ENERGY
TO EXPLAIN IT TO YOU.
869
00:38:15,295 --> 00:38:17,764
(Brazil)HOW 'BOUT EXPLAINING ITTO ME, THEN?
870
00:38:17,831 --> 00:38:19,399
I TAKE IT, I'M SUPPOSED
871
00:38:19,466 --> 00:38:21,668
TO END UP DEAD, TOO,
SOMEWHERE IN ALL THIS, HUH?
872
00:38:21,735 --> 00:38:26,539
YOU KNOW WHAT?SKIP THE EXPLANATION.
873
00:38:26,573 --> 00:38:28,174
YOU KILLED A CHILD, JACK.
874
00:38:28,208 --> 00:38:30,443
I MIGHT'VE PULLED THE TRIGGER,
875
00:38:30,477 --> 00:38:32,312
BUT YOU'RE THE ONE
WHO KILLED HIM.
876
00:38:32,345 --> 00:38:36,049
HE COULD'VE BEEN IN SOMEART SCHOOL IN KANSAS BY NOW.
877
00:38:36,082 --> 00:38:37,050
BUT YOU TOLD HIM,
878
00:38:37,083 --> 00:38:41,221
JUST ONE MORE DAY.
879
00:38:41,287 --> 00:38:43,690
JUST ONE MORE DEAL.
880
00:38:51,264 --> 00:38:53,667
SOME IRISHMAN.
881
00:38:53,700 --> 00:38:55,769
BRINGING A GUN
TO A FIST FIGHT.
882
00:39:07,647 --> 00:39:08,748
SEE YOU AROUND, BRAZIL.
883
00:39:16,923 --> 00:39:19,426
DISTRICT ATTORNEY
RENEE WALCOTT, PLEASE.
884
00:39:19,459 --> 00:39:22,996
YEAH. YEAH, I'LL HOLD.
885
00:39:23,029 --> 00:39:23,963
HEY, DOC.
HOW'S IT GOIN'?
886
00:39:23,997 --> 00:39:26,599
YOU CALLED THE POLICE AFTER
I SPECIFICALLY TOLD YOU
887
00:39:26,633 --> 00:39:28,668
TO LEAVE IT ALONE.
WAIT A MINUTE.
888
00:39:28,702 --> 00:39:30,437
WHAT THE HELL
WERE YOU THINKING ABOUT?
889
00:39:30,470 --> 00:39:32,605
I DIDN'T CALL ANYBODY.
WHAT'RE YOU TALKING ABOUT?
890
00:39:32,639 --> 00:39:33,707
DETECTIVE CARVER CALLED ME.
891
00:39:33,773 --> 00:39:36,576
SAID SHE HAD SOME FREE TIME
TO LOOK INTO THE CASE,
892
00:39:36,643 --> 00:39:38,345
THE ONE THAT YOU
CALLED HER ABOUT.
893
00:39:38,378 --> 00:39:39,279
SHE ALREADY KNEW EVERYTHING.
894
00:39:39,312 --> 00:39:41,681
I WAS JUST COMING DOWN HERE--
WHATEVER.
895
00:39:47,654 --> 00:39:49,522
HEY, WHAT'RE YOU DOING HERE?
896
00:39:49,589 --> 00:39:51,958
TRYING TO STOP A TRAIN
FROM GOING OVER A CLIFF.
897
00:39:51,991 --> 00:39:53,526
I'M ON HOLD.
HOW 'BOUT YOU?
898
00:39:53,593 --> 00:39:56,429
SAME. BUT WHY BOTHER?
899
00:39:56,463 --> 00:40:00,867
LISTEN, UH, YOUR OFFICE
IS CLEARED OUT.
900
00:40:00,900 --> 00:40:02,635
I MISS HER.
901
00:40:02,669 --> 00:40:04,637
HOW STRANGE IS THAT?
MISSING SOMEONE YOU BARELY KNEW.
902
00:40:04,671 --> 00:40:07,574
SHE SURE SEEMED TO KNOW YOU.
903
00:40:07,607 --> 00:40:10,110
SAID YOU WERE OBNOXIOUS
AND HEADSTRONG
904
00:40:10,143 --> 00:40:12,879
AND DRESSED INAPPROPRIATELY,
905
00:40:12,912 --> 00:40:14,814
BUT SOMEONE ALWAYS MANAGED
TO TAKE THE HIGH ROAD.
906
00:40:14,881 --> 00:40:16,683
IMAGINE SHE--RENEE, YEAH.
IT'S GARRET.
907
00:40:16,750 --> 00:40:18,485
I NEED TO CALL IN A FAVOR.
908
00:40:18,551 --> 00:40:21,388
SEE YOU BACK AT THE OFFICE.
YEAH. OKAY.
909
00:40:21,421 --> 00:40:24,190
THE GUY'S NAMEIS BULL WILLIAMSON.
910
00:40:24,224 --> 00:40:27,861
THE HIGH ROAD.
YEAH, THAT'S ME.
911
00:40:37,737 --> 00:40:39,239
HEY.
912
00:40:39,272 --> 00:40:41,541
HEY BACK.
913
00:40:41,608 --> 00:40:42,942
I LISTENEDTO YOUR SURVEILLANCE TAPES,
914
00:40:43,009 --> 00:40:45,045
AND I KNOW THATYOU CARED FOR CAMERON.
915
00:40:45,111 --> 00:40:46,846
SO IF YOU WANNA TALK.
916
00:40:52,252 --> 00:40:56,690
LITTLE CAMERON.
917
00:40:56,723 --> 00:41:00,727
HE WAS A QUIET KID,
YOU KNOW?
918
00:41:00,760 --> 00:41:04,964
BARELY SPOKE TWO WORDS A DAY.
919
00:41:04,998 --> 00:41:11,237
BUT YOU COULD JUST FEEL HIM
HUMMING WITH THIS ENERGY.
920
00:41:11,271 --> 00:41:15,842
THINGS HE DIDN'T HAVE
THE VOCABULARY TO EXPRESS.
921
00:41:15,875 --> 00:41:18,778
YOU KNOW WHY?
922
00:41:18,812 --> 00:41:24,918
BECAUSE HE WAS JUST A KID.
923
00:41:27,954 --> 00:41:31,925
OH, I'VE BEEN DOING SOME
HARD THINKING ON THE MATTER,
924
00:41:31,991 --> 00:41:36,062
AND I'VE COME TO
THE CONCLUSION THAT...
925
00:41:36,096 --> 00:41:37,964
YOU ARE NOT A BITCH.
926
00:41:38,031 --> 00:41:40,533
THAT MAKES ONE OF US.
927
00:41:47,640 --> 00:41:49,009
'NIGHT, DETECTIVE.
928
00:41:56,249 --> 00:41:57,317
IT'S FREEZING OUT.
929
00:41:57,350 --> 00:41:59,019
GOT ANYTHING TO WARM UP
A GIRL?
930
00:41:59,052 --> 00:41:59,819
FOR YOU?
931
00:41:59,853 --> 00:42:01,855
THE BEST THREE-DAY-OLD
COFFEE IN TOWN.
932
00:42:01,888 --> 00:42:04,257
ADD A SHOT OF WHISKEY TO THAT,
AND YOU'RE ON.
933
00:42:04,290 --> 00:42:06,159
ROUGH NIGHT, HUH?
934
00:42:06,192 --> 00:42:07,560
YEAH.
935
00:42:07,627 --> 00:42:09,796
BRAZIL REALLY WANTED
TO HELP THAT KID.
936
00:42:09,829 --> 00:42:13,667
BUT HIS HELP GOT A CHILD KILLED.
937
00:42:13,700 --> 00:42:16,836
SO I GUESS WE WERE
BOTH RIGHT...OR WRONG.
938
00:42:16,903 --> 00:42:17,771
RIGHT, WRONG.
939
00:42:17,804 --> 00:42:20,807
HE'S GONNA HAVE A TOUGH TIME
DEALING WITH IT.
940
00:42:20,840 --> 00:42:23,410
IT'S GONNA BE
AN OLD AND UGLY SCAR.
941
00:42:23,476 --> 00:42:27,714
IT'LL HEAL IN TIME, BUT...
942
00:42:27,781 --> 00:42:30,684
HERE'S TO HOPING.
943
00:42:30,717 --> 00:42:34,621
OH, HEY, SPEAKING
OF OLD AND UGLY,
944
00:42:34,654 --> 00:42:36,523
HOW'D YOU FINALLY
MAKE OUT WITH YOUR CRONIES?
945
00:42:36,556 --> 00:42:39,025
OH, DO YOU THINK
MY NEW CONVERTIBLE
946
00:42:39,092 --> 00:42:40,493
WOULD BE SAFE OUT THERE?
947
00:42:40,560 --> 00:42:42,128
IT'S NOT THE BEST
NEIGHBORHOOD, YOU KNOW.
948
00:42:42,162 --> 00:42:46,499
WHY MAX CAVANAUGH,
YOU LOWDOWN, DIRTY DOG.
949
00:42:46,533 --> 00:42:49,469
OH, HEY, OH. DON'T PUT
THAT DECK AWAY YET.
950
00:42:49,536 --> 00:42:51,104
I WANNA SHOW YOU
A CARD TRICK.
951
00:42:51,171 --> 00:42:53,740
OKAY, IF YOU CAN FIGURE OUT
HOW I DO THIS,
952
00:42:53,807 --> 00:42:56,176
THEN YOU GET A FREE BAR WENCH
FOR THE WEEKEND.
953
00:42:56,242 --> 00:42:57,577
BUT IF I CAN'T?
954
00:42:57,610 --> 00:43:00,780
WELL, THEN, BABY'S GOT
A NEW SET OF WHEELS.
955
00:43:00,814 --> 00:43:03,783
OKAY, YOU'RE ON, FINGERS.
956
00:43:03,817 --> 00:43:08,488
OKAY, SO, THERE ONCE WAS
THIS KINGDOM BY THE SEA,
957
00:43:08,521 --> 00:43:10,557
WHERE AN EVIL KING
IMPRISONED THESE--
958
00:43:10,590 --> 00:43:12,459
FOUR YOUNG MAIDENS.
959
00:43:12,492 --> 00:43:14,994
I KNOW THAT TRICK.
960
00:43:15,061 --> 00:43:16,529
YOU START SATURDAY.
961
00:43:16,596 --> 00:43:17,897
THERE'S A VARIATION ON IT,
THOUGH.
962
00:43:17,931 --> 00:43:20,967
YOU KNOW, IT BRINGS IN
A JACK OF ALL TRADES...
69662
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