All language subtitles for C.J.2001.S02E13.1080p.PCOK.WEB-DL.AAC2.0.H264-Vialle_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,947 --> 00:00:15,348 WOODY... 2 00:00:15,415 --> 00:00:17,183 LISTEN... 3 00:00:17,250 --> 00:00:20,153 I KNOW THIS IS SHORT NOTICE, BUT WHAT ARE YOU DOING LATER? 4 00:00:20,186 --> 00:00:22,422 NOTHING. ORDER IN, WATCH MY BELOVED BADGERS ON SATELLITE TV. 5 00:00:22,489 --> 00:00:23,823 WHY? 6 00:00:23,890 --> 00:00:25,258 WANNA HAVE SOME FUN? 7 00:00:25,325 --> 00:00:28,294 UH, JORDAN, IS THIS GOING WHERE I THINK IT'S GOING, 8 00:00:28,361 --> 00:00:30,497 BECAUSE EVER SINCE OUR KISS BACK IN CALIFORNIA, 9 00:00:30,530 --> 00:00:32,799 YOU'VE SORTA BEEN ON MY MIND, TOO. 10 00:00:32,832 --> 00:00:35,702 IT'S DINNER AT MY DAD'S BAR. 11 00:00:35,769 --> 00:00:37,103 OH. 12 00:00:37,137 --> 00:00:39,105 IT'S KIND OF A ONCE-A-YEAR TRADITION. 13 00:00:39,139 --> 00:00:42,208 WE EAT, WE HAVE A LOT OF FUN. I MEAN, YOU SHOULD COME. 14 00:00:42,275 --> 00:00:44,077 PLEASE DON'T TELL ME IT'S JUST GONNA BE THE THREE OF US. 15 00:00:44,144 --> 00:00:46,112 IT'S NOT JUST GONNA BE THE THREE OF US. 16 00:00:46,146 --> 00:00:48,114 YOU'LL KNOW EVERYBODY THERE. EVERYBODY? 17 00:00:48,181 --> 00:00:49,382 I'M NOT GONNA HAVE TO SING, AM I? 18 00:00:49,449 --> 00:00:51,751 COME ON. 19 00:00:53,586 --> 00:00:56,690 FOR THOSE OF YOU ATTENDING FOR THE FIRST TIME, 20 00:00:56,723 --> 00:00:59,392 JORDAN AND I STARTED THIS DURING AN ICE STORM 21 00:00:59,459 --> 00:01:00,694 A WHILE BACK. 22 00:01:00,727 --> 00:01:01,695 MOSTLY OUT OF BOREDOM, 23 00:01:01,728 --> 00:01:03,296 BUT ONCE WE GOT INTO IT... 24 00:01:03,363 --> 00:01:04,764 TRYING TO SOLVE COLD CASES 25 00:01:04,831 --> 00:01:06,533 BECAME KIND OF A KICK. 26 00:01:06,599 --> 00:01:10,236 YEAH, I DID ENJOY OUR ATTEMPT TO JACK THE RIPPER. 27 00:01:11,571 --> 00:01:13,306 WE DIDN'T REALLY SOLVE THE DAMN THING. 28 00:01:13,340 --> 00:01:15,075 NO, BUT WE HAD FUN TRYING. 29 00:01:15,141 --> 00:01:17,610 AND ALL OF THIS STARTED AS JUST THE TWO OF US. 30 00:01:17,677 --> 00:01:20,013 YOU HOOKED ME IN ABOUT SEVEN YEARS AGO, RIGHT? 31 00:01:20,080 --> 00:01:21,514 THIS IS MY FOURTH. 32 00:01:21,581 --> 00:01:23,783 PUTTING OUR COLLECTIVE MINDS TOGETHER. 33 00:01:23,883 --> 00:01:26,186 ROLE-PLAYING. 34 00:01:26,252 --> 00:01:27,587 ATTEMPTING TO SOLVE THE UNSOLVABLE. 35 00:01:27,620 --> 00:01:30,123 COOL, SO IT'S LIKE CLUE, EXCEPT IT'S FOR REAL. 36 00:01:32,926 --> 00:01:34,794 UH...SO HOW DO YOU PICK A CASE? 37 00:01:34,861 --> 00:01:35,995 WELL, SOME ARE HIGH-PROFILE. 38 00:01:36,062 --> 00:01:40,066 AND OTHERS ARE HOMICIDES THAT KINDA FELL THROUGH THE CRACKS. 39 00:01:40,133 --> 00:01:42,102 BUT THIS YEAR, IT IS DAD'S TURN TO PICK. 40 00:01:42,135 --> 00:01:45,205 WHAT ARE YOU THINKING, MAX? 41 00:01:45,271 --> 00:01:47,540 40 YEARS AGO, I WAS A ROOKIE DETECTIVE. 42 00:01:47,607 --> 00:01:49,376 COULDN'T SOLVE THIS ONE AT THE TIME, 43 00:01:49,409 --> 00:01:52,579 SO I FIGURE IT MIGHT BE WORTH TAKING ANOTHER LOOK. 44 00:01:52,612 --> 00:01:56,449 SAME RULES AS ALWAYS. HERE ARE THE PROFILES. 45 00:01:56,483 --> 00:01:57,984 COPS, DOCTORS, 46 00:01:58,018 --> 00:01:59,586 A FEW NUT JOBS. 47 00:01:59,619 --> 00:02:02,122 NOW, IN SOME CASES, 48 00:02:02,188 --> 00:02:04,657 WHO YOU PLAY WILL BE BASED ON YOUR PERSONALITY. 49 00:02:06,259 --> 00:02:08,128 STUDY YOUR ROLES. THINK LIKE THEY DO. 50 00:02:08,161 --> 00:02:11,297 JOYCE QUINN. M.E. 51 00:02:11,364 --> 00:02:13,566 FIRST LADY CORONER I EVER HAD THE PLEASURE OF WORKING WITH. 52 00:02:13,633 --> 00:02:16,102 I'M PLAYING ROGER VALLONE, JOYCE'S BOSS. 53 00:02:16,169 --> 00:02:18,805 WOW, THERE'S A STRETCH. 54 00:02:18,872 --> 00:02:20,240 WHO'S JIMMY MORAN? 55 00:02:20,306 --> 00:02:22,308 (Max) DETECTIVE I STARTED WITH AT THE 7th. 56 00:02:22,375 --> 00:02:25,945 THE REST OF YOU WILL SEE HOW YOU FIT IN AS WE GO ALONG. 57 00:02:26,012 --> 00:02:27,280 GARRET, HOW ABOUT GETTING US STARTED? 58 00:02:30,216 --> 00:02:34,087 39 YEARS AGO TODAY, FEBRUARY 3, 1964. 59 00:02:34,120 --> 00:02:36,256 THE OLYMPUS DINER. 60 00:02:36,322 --> 00:02:41,461 [Gene Pitney's "Town Without Pity"] 61 00:02:41,528 --> 00:02:45,465 * WHEN YOU'RE YOUNG AND SO IN LOVE * 62 00:02:45,532 --> 00:02:47,634 * AS WE * 63 00:02:47,701 --> 00:02:53,073 * AND BEWILDERED BY THE WORLD WE SEE * 64 00:02:53,139 --> 00:02:56,509 * WHY DO PEOPLE HURT US SO? * 65 00:02:56,543 --> 00:02:59,546 * ONLY THOSE IN LOVE WOULD KNOW * 66 00:02:59,612 --> 00:03:06,453 * WHAT A TOWN WITHOUT PITY CAN DO... * 67 00:03:06,519 --> 00:03:08,421 HI, I'M WITH THE MEDICAL EXAMINER'S OFFICE. 68 00:03:11,691 --> 00:03:17,197 * PEOPLE TALK ABOUT HOW BAD WE ARE * 69 00:03:17,230 --> 00:03:18,164 * OURS IS NOT... * 70 00:03:18,231 --> 00:03:19,132 HI, FELLAS. 71 00:03:19,165 --> 00:03:21,368 HI, WHO'S THE DETECTIVE IN CHARGE? 72 00:03:23,303 --> 00:03:24,237 THAT WOULD BE ME. 73 00:03:24,270 --> 00:03:26,239 AT LEAST, FOR THE TIME BEING. 74 00:03:26,306 --> 00:03:28,041 WHO WANTS TO KNOW? 75 00:03:28,074 --> 00:03:29,175 JOYCE QUINN. 76 00:03:29,209 --> 00:03:31,277 I'M THE MEDICAL EXAMINER ASSIGNED TO THE CASE. 77 00:03:31,311 --> 00:03:33,146 MAX CAVANAUGH FROM THE 7th. 78 00:03:33,246 --> 00:03:35,515 HECK OF A BUSINESS FOR A LADY TO GO INTO. 79 00:03:35,548 --> 00:03:38,251 WHO SAID ANYTHING ABOUT BEING A LADY? 80 00:03:38,284 --> 00:03:41,087 SO... WHAT HAVE WE GOT? 81 00:03:41,121 --> 00:03:43,256 NAME'S RUTH CARTER. LOCAL GIRL. 82 00:03:43,289 --> 00:03:46,559 SINGLE, 24 YEARS OLD. 83 00:03:46,626 --> 00:03:48,294 WORKED HERE AT THE DINER. 84 00:03:48,328 --> 00:03:51,197 FINISHED HER SHIFT AROUND 2:00 AM. 85 00:03:51,264 --> 00:03:54,034 CUSTOMER FOUND HER IN THE CAR ABOUT AN HOUR AGO. 86 00:03:54,067 --> 00:03:56,002 BASED ON RIGOR, I'D PLACE TIME OF DEATH 87 00:03:56,036 --> 00:03:57,337 SOMEWHERE AROUND 3:00. 88 00:03:57,404 --> 00:03:59,172 NO PRINTS, EXCEPT FOR HER OWN. 89 00:03:59,205 --> 00:04:01,274 GOT ONE LONG GRAY HAIR ON HER SWEATER. 90 00:04:01,307 --> 00:04:03,376 SOMEBODY REALLY WIPED THINGS CLEAN. 91 00:04:03,410 --> 00:04:07,113 LICENSE, REGISTRATION IN HER PARENTS' NAME. 92 00:04:07,180 --> 00:04:08,982 WAS SHE RAPED? 93 00:04:09,049 --> 00:04:11,418 LOOKS LIKE IT. 94 00:04:11,484 --> 00:04:14,888 THERE'S ALSO A PRETTY NASTY BUMP ON THE BACK OF HER HEAD. 95 00:04:16,489 --> 00:04:17,757 TEN TO ONE SAYS IT DIDN'T KILL HER. 96 00:04:17,791 --> 00:04:20,760 RECOGNIZE THE WAY SHE WAS STRANGLED? 97 00:04:20,827 --> 00:04:22,295 NYLONS TIED IN A BOW AROUND HER NECK, 98 00:04:22,362 --> 00:04:24,030 SAME AS THE OTHERS. 99 00:04:24,097 --> 00:04:25,432 YOU THINK SHE'S NUMBER 14? 100 00:04:28,501 --> 00:04:30,837 SAY HELLO TO THE LATEST VICTIM OF THE BOSTON STRANGLER. 101 00:04:36,476 --> 00:04:39,612 [suspenseful rock music] 102 00:04:39,679 --> 00:04:47,587 * * 103 00:05:14,447 --> 00:05:15,782 (Jordan) BETWEEN JUNE OF '62 104 00:05:15,815 --> 00:05:18,051 AND JANUARY OF '64, 105 00:05:18,118 --> 00:05:20,987 13 WOMEN WERE MURDERED. 106 00:05:21,021 --> 00:05:24,157 ALL SINGLE, RAPED AND STRANGLED WITH THEIR OWN NYLONS. 107 00:05:24,190 --> 00:05:25,959 THE COPS NEVER FIGURED OUT WHO DID IT. 108 00:05:25,992 --> 00:05:28,094 I THOUGHT SOME GUY NAMED DeSALVO DID IT. 109 00:05:28,128 --> 00:05:29,396 (Max) DeSALVO CONFESSED TO IT, 110 00:05:29,429 --> 00:05:30,764 BUT HE WAS NEVER FORMALLY CHARGED. 111 00:05:30,830 --> 00:05:32,766 COPPING TO IT WAS HIS LAWYER'S PLOY 112 00:05:32,832 --> 00:05:35,869 TO SEND HIM TO A HOSPITAL INSTEAD OF THE ELECTRIC CHAIR. 113 00:05:35,935 --> 00:05:39,406 SO YOU'RE SAYING RUTH CARTER WAS THE STRANGLER'S 14th VICTIM? 114 00:05:39,439 --> 00:05:40,807 WORD OF ANOTHER MURDER SPREAD LIKE WILDFIRE. 115 00:05:40,840 --> 00:05:42,442 FIRST, WE HAD TO DEAL WITH THE PRESS. 116 00:05:42,475 --> 00:05:44,144 VALLONE WAS THE CHIEF CORONER AT THE TIME. 117 00:05:44,244 --> 00:05:47,113 THERE WERE QUESTIONS, HE HAD ANSWERS. 118 00:05:47,147 --> 00:05:47,981 GENTLEMEN, PLEASE UNDERSTAND 119 00:05:48,014 --> 00:05:50,183 WE'VE JUST TRANSPORTED THE BODY TO THE MORGUE. 120 00:05:50,250 --> 00:05:51,451 I'LL HAVE A STATEMENT 121 00:05:51,518 --> 00:05:53,119 ONCE WE'VE PROPERLY EXAMINED THE DECEDENT. 122 00:05:53,186 --> 00:05:55,822 SINCE NOBODY ELSE WILL ASK, I'LL ASK THE QUESTION, DOC. 123 00:05:55,855 --> 00:05:56,790 WHAT CAN I DO FOR YOU, DETECTIVE? 124 00:05:56,823 --> 00:05:59,426 IS THIS THE STRANGLER'S 14th VICTIM OR NOT? 125 00:05:59,492 --> 00:06:00,927 THAT'S YET TO BE DETERMINED. 126 00:06:00,994 --> 00:06:03,029 LET'S JUST ALL BE PATIENT. THAT'S IT FOR NOW, FELLAS. 127 00:06:04,998 --> 00:06:06,266 TRYING TO KILL ME BACK THERE OR WHAT? 128 00:06:06,332 --> 00:06:07,934 I JUST LIKE WATCHING YOU SQUIRM. 129 00:06:08,001 --> 00:06:10,337 HOW LONG WE BEEN WORKING THIS CASE, A YEAR AND A HALF? 130 00:06:10,403 --> 00:06:12,972 ANY NERVES I HAD WERE SHOT A LONG TIME AGO. 131 00:06:13,006 --> 00:06:13,840 FEDS ARE ON THEIR WAY. 132 00:06:13,873 --> 00:06:15,475 IF THEY FIND OUT THIS IS NUMBER 14, 133 00:06:15,542 --> 00:06:16,576 THEY'RE GONNA HANDLE IT FROM HERE. 134 00:06:16,643 --> 00:06:18,144 IT'S MY CITY, IT'S MY CASE. 135 00:06:18,178 --> 00:06:19,612 WHEN JOYCE QUINN FINISHES HER AUTOPSY, 136 00:06:19,646 --> 00:06:21,081 THEY'LL HAVE THEIR ANSWERS. 137 00:06:21,147 --> 00:06:24,117 ARTICLE IN THE PAPER SAID THOSE THINGS'LL KILL YOU. 138 00:06:24,184 --> 00:06:27,253 YEAH, I KNOW. 139 00:06:27,287 --> 00:06:28,488 I WROTE IT. 140 00:06:28,555 --> 00:06:30,490 LET ME ASK YOU SOMETHING, ROGER. 141 00:06:30,557 --> 00:06:32,926 UNDER THE CIRCUMSTANCES, BIG MEDIA CASE LIKE THIS, 142 00:06:32,959 --> 00:06:34,561 YOU SURE SOMEONE LIKE JOYCE SHOULD BE CALLING THE PLAY? 143 00:06:34,627 --> 00:06:38,064 DROP THE SPORTS ANALOGY, JIMMY. I HATE FOOTBALL. 144 00:06:38,131 --> 00:06:39,499 LET ME TELL YOU SOMETHING. 145 00:06:39,566 --> 00:06:42,068 QUINN DID HER SCHOOLING AT JOHNS HOPKINS AND B.U. 146 00:06:42,135 --> 00:06:43,003 SHE'S A FINE MEDICAL EXAMINER. 147 00:06:43,069 --> 00:06:44,304 I STAND BY MY DECISION. 148 00:06:44,371 --> 00:06:45,338 I'M JUST POINTING OUT-- 149 00:06:45,405 --> 00:06:46,773 WHAT, THAT SHE'S A FEMALE? 150 00:06:48,641 --> 00:06:50,276 WOW. 151 00:06:50,310 --> 00:06:51,945 YOU ARE A DETECTIVE. 152 00:06:57,817 --> 00:06:59,886 WHAT DO YOU SEE? 153 00:06:59,953 --> 00:07:01,087 SIGNS OF INTERCOURSE. 154 00:07:01,154 --> 00:07:03,923 THERE'S DRIED SEMEN AROUND THE PELVIC AREA. 155 00:07:03,990 --> 00:07:06,659 HE'S NOT A SECRETOR, SO I CAN'T GET HER BLOOD TYPE. 156 00:07:06,726 --> 00:07:08,228 BETTER GET USED TO IT, DETECTIVE. 157 00:07:08,261 --> 00:07:10,663 I LEAVE MY LACE GLOVES AT HOME. 158 00:07:10,730 --> 00:07:13,266 THERE'S ALSO SPORADIC BRUISING ALONG THE WRISTS AND THE TORSO. 159 00:07:13,333 --> 00:07:15,101 WHAT ABOUT THAT BLOW TO THE HEAD? 160 00:07:15,168 --> 00:07:16,903 SIGNIFICANT SUBDURAL HEMATOMA. 161 00:07:16,970 --> 00:07:19,906 IT'S STILL HARD TO TELL WHAT HIT HER. 162 00:07:19,939 --> 00:07:21,241 TALK TO ME. 163 00:07:21,274 --> 00:07:22,776 BETTER TAKE A LOOK AT THIS. WHO'S HE? 164 00:07:22,809 --> 00:07:25,645 NEW GUY. CAVANAUGH. HOMICIDE. 165 00:07:25,712 --> 00:07:28,615 WATCH AND LEARN, DETECTIVE. 166 00:07:28,648 --> 00:07:31,251 STRANGULATION BRUISES? 167 00:07:31,284 --> 00:07:32,752 THERE'S NO HEMORRHAGING UNDER THE SKIN. 168 00:07:32,786 --> 00:07:34,921 HE STRANGLED HER AFTER SHE WAS ALREADY DEAD. 169 00:07:34,954 --> 00:07:37,123 YOU THINK THIS WAS MADE TO LOOK LIKE THE OTHERS? 170 00:07:37,190 --> 00:07:39,159 WANT TO STEER THE POLICE IN THE WRONG DIRECTION. 171 00:07:39,225 --> 00:07:41,795 WELL, ALL THE OTHER WOMEN WERE KILLED IN THEIR HOMES, RIGHT? 172 00:07:41,828 --> 00:07:43,863 AND NONE OF THEM WERE NUMBERED LIKE THIS. 173 00:07:43,930 --> 00:07:46,166 GLOVE WAS USED TO WRITE ON THE WINDOW, 174 00:07:46,232 --> 00:07:47,133 SO WE COULDN'T LIFT A PRINT. 175 00:07:47,167 --> 00:07:50,503 WHOEVER DID THIS KNEW HOW TO COVER THEIR TRACKS. 176 00:07:50,570 --> 00:07:53,473 AS FAR AS I'M CONCERNED, MISS CARTER IS NOT NUMBER 14. 177 00:07:53,540 --> 00:07:55,375 LET'S PUT THE DECEDENT ON THE BACK BURNER. 178 00:07:55,408 --> 00:07:56,943 THE STRANGLER GETS PRIORITY. 179 00:07:56,976 --> 00:07:59,179 BUT SHE WAS MURDERED-- IT'S NOT MY DECISION, JOYCE. 180 00:07:59,245 --> 00:08:01,815 I'M NOT SAYING FORGET ABOUT IT, BUT I'VE GOT THE FBI, 181 00:08:01,915 --> 00:08:03,917 THE BOSTON POLICE, AND ABOUT 20 REPORTERS 182 00:08:03,983 --> 00:08:06,152 WAITING FOR ME TO STOP THE BIGGEST KILLING SPREE 183 00:08:06,186 --> 00:08:07,854 IN THE CITY'S HISTORY. PLEASE. 184 00:08:07,921 --> 00:08:09,923 I COULD USE A LITTLE SUPPORT HERE. 185 00:08:14,194 --> 00:08:15,862 SO THIS WASN'T A STRANGLER CASE? 186 00:08:15,929 --> 00:08:16,830 IT WAS A COPYCAT. 187 00:08:16,896 --> 00:08:18,765 WELL, YOU COULD HAVE TOLD US THAT FROM THE BEGINNING. 188 00:08:18,832 --> 00:08:21,534 NO, IT'S IMPORTANT YOU HEAR THE DETAILS UNFOLD 189 00:08:21,601 --> 00:08:23,737 THE SAME WAY I DID. REMEMBER, GANG, I WAS THERE. 190 00:08:23,803 --> 00:08:26,339 ALL THE RUMORS, WHISPERS. I HEARD THEM ALL. 191 00:08:26,406 --> 00:08:28,241 WELL, START TALKING, MR. GOSSIP. 192 00:08:28,274 --> 00:08:30,276 ALL IN DUE TIME. 193 00:08:30,343 --> 00:08:32,012 YOU KNOW, VALLONE'S DECISION TO FOCUS ON THE BIGGER PICTURE 194 00:08:32,112 --> 00:08:34,114 WAS THE RIGHT CALL. I WOULDA DONE THE SAME THING. 195 00:08:34,147 --> 00:08:36,549 WHAT ABOUT THE GIRL'S FAMILY? 196 00:08:36,616 --> 00:08:37,517 HOW DO YOU EXPLAIN THEIR DAUGHTER'S DEATH 197 00:08:37,550 --> 00:08:39,052 WASN'T A PRIORITY? 198 00:08:39,085 --> 00:08:41,021 SOMETIMES WE MAKE DECISIONS BECAUSE WE HAVE TO. 199 00:08:41,087 --> 00:08:43,523 IT ISN'T ALWAYS RIGHT, BUT IT COMES WITH THE JOB. 200 00:08:43,590 --> 00:08:46,126 I HOPE THAT'S VALLONE TALKING. 201 00:08:46,192 --> 00:08:47,994 NOT NECESSARILY. 202 00:08:48,061 --> 00:08:50,864 SO IF YOU WERE TOLD TO PUT RUTH CARTER ON HOLD, 203 00:08:50,897 --> 00:08:52,499 WHY'D YOU CONTINUE TO WORK THE CASE? 204 00:08:52,565 --> 00:08:55,235 GOOD QUESTION. 205 00:08:55,301 --> 00:08:57,070 TRUTH IS, IT WASN'T MY IDEA. 206 00:09:11,051 --> 00:09:12,852 DETECTIVE, WAIT. 207 00:09:12,919 --> 00:09:13,653 FORGIVE ME. 208 00:09:13,720 --> 00:09:16,256 DIDN'T MEAN TO EAVESDROP BACK THERE. 209 00:09:16,322 --> 00:09:19,893 LOOK, UH, I KNOW YOU FEEL THE SAME WAY ABOUT THIS AS I DO. 210 00:09:19,959 --> 00:09:21,661 SO, PLEASE, JUST HEAR ME OUT. 211 00:09:28,735 --> 00:09:29,703 RUTH MAY NOT BE A STRANGLER VICTIM, 212 00:09:29,769 --> 00:09:31,171 BUT THERE ARE TWO PEOPLE IN THAT ROOM RIGHT NOW 213 00:09:31,204 --> 00:09:31,905 GRIEVING LOSS FOR A DAUGHTER, 214 00:09:31,938 --> 00:09:33,173 AND I'LL BE DAMNED IF I'M GONNA TELL THEM 215 00:09:33,239 --> 00:09:34,774 THAT SHE DOESN'T MATTER. 216 00:09:34,808 --> 00:09:37,677 YOU HEARD VALLONE. HE SAID HE HAS PRIORITIES. 217 00:09:37,711 --> 00:09:40,814 200 MEN IN BOSTON ALONE WORKING THAT CASE, 218 00:09:40,880 --> 00:09:42,215 NOT TO MENTION THE FEDS. 219 00:09:42,315 --> 00:09:44,684 THINK THEY REALLY CARE WHAT WE DO? 220 00:09:44,784 --> 00:09:48,755 I JUST GOT PROMOTED TO DETECTIVE FIVE MONTHS AGO. 221 00:09:48,788 --> 00:09:49,956 LET ME TALK TO MY LIEUTENANT. 222 00:09:50,023 --> 00:09:51,658 NO, BY THEN THE TRAIL WILL BE COLD. 223 00:09:51,691 --> 00:09:55,328 MAX, 13 WOMEN ARE DEAD BY THE HANDS OF A MADMAN, 224 00:09:55,395 --> 00:09:57,964 AND THE WHOLE CITY'S AFTER HIM. 225 00:09:58,031 --> 00:10:00,100 ONE GIRL'S GONE, AND NO ONE SEEMS TO CARE. 226 00:10:00,166 --> 00:10:02,268 WHAT MAKES HER LIFE ANY LESS IMPORTANT? 227 00:10:05,572 --> 00:10:07,340 WHERE ARE YOU FROM, PROFESSOR? 228 00:10:07,407 --> 00:10:09,175 SHUT UP. 229 00:10:09,209 --> 00:10:11,111 EXCUSE ME? 230 00:10:11,177 --> 00:10:11,811 I'M TRYING TO WORK. 231 00:10:11,845 --> 00:10:14,814 DR. MOREHOUSE LIVES IN NEW ZEALAND. 232 00:10:14,881 --> 00:10:17,217 HE'S HERE ON A RESEARCH GRANT. 233 00:10:17,250 --> 00:10:18,785 RESEARCHING WHAT, MANNERS? 234 00:10:18,852 --> 00:10:21,821 FORENSIC SCIENCE. 235 00:10:21,888 --> 00:10:23,790 I.E., HOW TO HELP YOU POLICE BUFFOONS 236 00:10:23,857 --> 00:10:26,626 CATCH YOUR BAD GUYS. 237 00:10:26,693 --> 00:10:28,862 THIS GRAY HAIR YOU FOUND ON THE GIRL'S SWEATER? 238 00:10:28,928 --> 00:10:30,663 IT ISN'T GRAY AT ALL. IT'S WHITE. 239 00:10:30,697 --> 00:10:33,500 SEE? HE'S IRRITABLE, BUT HE'S GOOD. 240 00:10:33,566 --> 00:10:34,901 YOU KNOW, TWO YEARS AGO, 241 00:10:34,968 --> 00:10:37,303 SCIENTISTS BEGAN PLAYING WITH A GENETIC TRAIL 242 00:10:37,370 --> 00:10:39,873 OF BREADCRUMBS CALLED DNA. 243 00:10:39,906 --> 00:10:42,108 SOMEDAY WE'LL BE ABLE TO TELL ALL THERE IS TO KNOW 244 00:10:42,142 --> 00:10:43,677 ABOUT A PERSON FROM A HAIR LIKE THIS. 245 00:10:43,710 --> 00:10:44,944 WHAT CAN YOU TELL US NOW? 246 00:10:47,013 --> 00:10:48,314 THAT THE KILLER HAS SPLIT ENDS. 247 00:10:48,381 --> 00:10:50,984 CUT HIM SOME SLACK, HE'S NEW. 248 00:10:51,051 --> 00:10:55,455 YEAH, ARE WE, UH, STILL ON FOR COFFEE? 249 00:10:55,522 --> 00:10:58,258 YOU KNOW, GINSBERG HIMSELF IS READING AT THE STUDENT UNION 250 00:10:58,291 --> 00:10:58,992 NEXT TUESDAY. 251 00:10:59,025 --> 00:11:02,128 I GOT A PHONE. YOU REMEMBER THE NUMBER? 252 00:11:02,162 --> 00:11:03,096 HOW COULD I FORGET? 253 00:11:04,864 --> 00:11:06,332 LOOK, ABOUT THE HAIR... 254 00:11:06,366 --> 00:11:10,403 YEAH, DON'T NECESSARILY LOOK FOR AN OLDER ASSAILANT. 255 00:11:10,470 --> 00:11:12,072 BASED ON THE FOLLICLE, 256 00:11:12,105 --> 00:11:14,774 THERE'S A LACK OF INTRINSIC FACTOR PROTEIN PRESENT, 257 00:11:14,841 --> 00:11:18,144 PROBABLY CAUSED BY A SEVERE CASE OF PERNICIOUS ANEMIA 258 00:11:18,211 --> 00:11:19,112 IN CHILDHOOD. 259 00:11:19,145 --> 00:11:21,748 PREMATURE WHITE HAIR AND PALE SKIN 260 00:11:21,781 --> 00:11:24,117 ARE CLASSIC INDICATORS OF THE DISEASE. 261 00:11:24,150 --> 00:11:26,252 THANKS. 262 00:11:27,687 --> 00:11:30,090 NO, DOLL. 263 00:11:30,156 --> 00:11:32,325 THANK YOU. 264 00:11:35,362 --> 00:11:37,897 (Max) MOREHOUSE CLEARLY HAD A WAY WITH THE LADIES. 265 00:11:37,931 --> 00:11:40,266 WELL, MEN OF INTELLIGENCE OFTEN DO. 266 00:11:42,202 --> 00:11:44,838 YOU KNOW, EVERYTHING HE SAID WAS ACCURATE IN '62. 267 00:11:44,904 --> 00:11:47,907 CRICK, WATSON AND WILKINS WERE AWARDED THE NOBEL PRIZE 268 00:11:47,941 --> 00:11:49,242 FOR DISCOVERING MOLECULAR STRANDS. 269 00:11:49,309 --> 00:11:51,444 AND DNA PROFILING WAS DEVELOPED IN NEW ZEALAND 270 00:11:51,511 --> 00:11:53,446 IN THE EIGHTIES, 271 00:11:53,480 --> 00:11:56,349 PROBABLY UNDER THE NORDIC PROFESSORS-- (Nigel) BLOODY RIVETING. 272 00:11:56,416 --> 00:11:59,486 UM, LISTEN, HOW ABOUT SOME FUN FOR YOURS TRULY, EH? 273 00:11:59,552 --> 00:12:00,854 I'M NOT EATING THESE COCKTAIL WIENERS 274 00:12:00,920 --> 00:12:02,389 FOR MY HEALTH, YOU KNOW. 275 00:12:02,455 --> 00:12:04,290 PATIENCE. YOU'RE UP SOON. 276 00:12:04,357 --> 00:12:07,293 YOU KNOW, IT'S INTERESTING TO ME THAT JOYCE WASN'T AFRAID 277 00:12:07,360 --> 00:12:09,662 TO USE HER ASSETS TO GET WHAT SHE WANTED. 278 00:12:09,729 --> 00:12:11,031 SO WHAT'S WRONG WITH THAT? 279 00:12:11,097 --> 00:12:13,199 DO YOU KNOW HOW MANY BARRIERS SHE HAD TO BREAK 280 00:12:13,266 --> 00:12:14,234 JUST TO GET THIS JOB? 281 00:12:14,300 --> 00:12:15,802 NOT TO MENTION EARNING THE RESPECT 282 00:12:15,835 --> 00:12:17,537 OF AN ALL-MALE POLICE FORCE. 283 00:12:17,570 --> 00:12:20,173 I WAS MERELY MAKING AN OBSERVATION. 284 00:12:20,206 --> 00:12:23,877 SO WHAT WAS NEXT? BACK TO THE CRIME SCENE. 285 00:12:23,943 --> 00:12:26,846 YEAH, RUTHIE WAS A GOOD GIRL, BUT SHE WAS A BIG FLIRT. 286 00:12:26,913 --> 00:12:28,748 MEN DON'T TAKE WELL TO THAT, YOU KNOW? 287 00:12:28,815 --> 00:12:30,517 FLIRT HOW, MR. SAVATAS? 288 00:12:30,550 --> 00:12:32,118 AH! SHAKIN' THAT CABOOSE. 289 00:12:32,185 --> 00:12:33,553 WINKIN' AND SMILING ALL THE TIME. 290 00:12:33,586 --> 00:12:36,122 SHE KNEW WHERE HER BREAD WAS BUTTERED. 291 00:12:36,189 --> 00:12:37,524 IT SHOWED IN THE TIPS SHE GOT. 292 00:12:37,590 --> 00:12:38,958 DID IT EVER GO FURTHER? 293 00:12:38,992 --> 00:12:40,527 DID SHE EVER HAVE SEX WITH THEM? 294 00:12:40,560 --> 00:12:42,595 NAH, NO WAY. SHE WASN'T LIKE THAT. 295 00:12:42,629 --> 00:12:46,099 SHE SPENT A LOT OF TIME WITH ONE OF MY DISHWASHERS, THOUGH. 296 00:12:46,166 --> 00:12:48,335 THIS WEIRD KID I HIRED ABOUT TEN MONTHS AGO. 297 00:12:48,435 --> 00:12:49,402 WHAT'S HIS NAME? 298 00:12:49,469 --> 00:12:50,303 SIMON. 299 00:12:50,370 --> 00:12:53,106 HE'S HERE TODAY IF YOU WANT TO TALK TO HIM. 300 00:12:53,139 --> 00:12:57,210 HEY, SIMON, SOME PEOPLE WANT TO SEE YOU. 301 00:12:58,244 --> 00:12:59,245 HEY! HEY! 302 00:12:59,312 --> 00:13:00,814 DAMN IT! 303 00:13:02,182 --> 00:13:03,883 (The Zombies) * WELL, LET ME TELL YA * 304 00:13:03,950 --> 00:13:06,119 * 'BOUT THE WAY SHE LOOKED, THE WAY SHE ACTED * 305 00:13:06,152 --> 00:13:08,822 * AND THE COLOR OF HER HAIR... * 306 00:13:08,888 --> 00:13:10,256 WELL, WHAT DO YOU KNOW? 307 00:13:10,323 --> 00:13:11,958 LOOK WHO WE GOT HERE. 308 00:13:11,991 --> 00:13:15,095 * BUT SHE'S NOT THERE * * 309 00:13:18,798 --> 00:13:20,166 FORGET IT! 310 00:13:20,200 --> 00:13:22,135 EVERY YEAR IT'S THE SAME. I'VE HAD ENOUGH! 311 00:13:22,168 --> 00:13:23,636 OH, COME ON, NIGEL. WAIT, WAIT. 312 00:13:23,703 --> 00:13:25,472 (Bug) STOP COMPLAININ'. IT'S JUST A GAME. 313 00:13:25,505 --> 00:13:28,608 PERHAPS, BUT I'M TIRED OF ALWAYS BEING THE KILLER PERVERT. 314 00:13:28,675 --> 00:13:29,709 IS IT TRUE? 315 00:13:29,776 --> 00:13:32,345 LAST YEAR HE WAS THE MILWAUKEE BONDAGE KILLER. 316 00:13:32,379 --> 00:13:35,582 (Garret) THE YEAR BEFORE THAT, THE ICE CREAM RAPIST OF '77. 317 00:13:35,648 --> 00:13:37,851 KILLER PERV. KILLER PERV. 318 00:13:37,917 --> 00:13:40,787 FOR ONCE, WHY CAN'T I BE, LIKE, THE DISTRICT ATTORNEY? 319 00:13:40,854 --> 00:13:41,988 OR A GUN-TOTING COP? 320 00:13:42,055 --> 00:13:44,491 WHEN HAVE YOU EVER SEEN A COP WHO WEARS LEATHER PANTS 321 00:13:44,557 --> 00:13:45,558 AND SNAKESKIN BOOTS? 322 00:13:45,592 --> 00:13:47,927 THE VILLAGE PEOPLE. 323 00:13:47,961 --> 00:13:50,196 DON'T BE SO QUICK TO CRITICIZE, MISTER. 324 00:13:50,230 --> 00:13:52,332 YOU'RE A FAR CRY FROM THAT COLLEGE CASANOVA 325 00:13:52,365 --> 00:13:54,167 YOU JUST "PORTRAYED." 326 00:13:54,200 --> 00:13:56,102 I WISH I COULD SAY THE SAME FOR YOU, 327 00:13:56,136 --> 00:13:59,005 BECAUSE, WHITE HAIR ASIDE, YOU'RE EQUALLY DISTURBED. 328 00:13:59,072 --> 00:14:00,674 I DON'T THINK THEY'RE ROLE-PLAYING ANYMORE. 329 00:14:00,740 --> 00:14:03,276 CAN WE GET BACK TO THE CASE, PLEASE? 330 00:14:03,309 --> 00:14:04,310 YOU HEARD THE MAN. 331 00:14:04,344 --> 00:14:05,712 WHERE WERE WE? 332 00:14:05,779 --> 00:14:08,648 UH, THE KILLER PERV WAS ABOUT TO JUMP SHIP. 333 00:14:08,682 --> 00:14:12,619 I'LL STAY, AND I'LL PARTICIPATE. 334 00:14:12,686 --> 00:14:13,620 UNDER ONE CONDITION. 335 00:14:13,687 --> 00:14:15,321 NO, THIS ISN'T NEGOTIABLE. 336 00:14:15,355 --> 00:14:17,791 YOU'RE THE PERVERT, DEAL WITH IT. 337 00:14:17,824 --> 00:14:20,660 NIGEL, SINCE I KNOW WHERE THIS IS GOING, 338 00:14:20,694 --> 00:14:22,629 I CAN BEND THE RULES A LITTLE. 339 00:14:22,696 --> 00:14:25,565 NIGEL, YOU MIGHT WANT TO STICK AROUND. 340 00:14:25,598 --> 00:14:26,633 HMM? 341 00:14:26,666 --> 00:14:28,268 OH, WELL, IF YOU'RE SUGGESTING 342 00:14:28,301 --> 00:14:31,071 THAT THINGS ARE MORE COMPLICATED THAN THEY APPEAR... 343 00:14:31,137 --> 00:14:32,672 [muttering quietly] Pervert... 344 00:14:34,307 --> 00:14:36,009 I WOULDN'T MISS IT FOR THE WORLD. 345 00:14:36,042 --> 00:14:38,645 [instrumental R & B] 346 00:14:38,678 --> 00:14:42,716 RUTH AND I WERE JUST FRIENDS. 347 00:14:42,782 --> 00:14:44,484 SHE USED TO TAKE ME TO WORK. 348 00:14:44,517 --> 00:14:45,719 I DON'T DRIVE. 349 00:14:45,785 --> 00:14:49,723 (Joyce) THAT PLACES HIM IN THE CAR. 350 00:14:49,756 --> 00:14:53,193 NO LICENSE, NO SOCIAL SECURITY NUMBER. 351 00:14:53,226 --> 00:14:55,528 I'M GUESSIN' NO GREEN CARD, EITHER. 352 00:14:55,562 --> 00:14:56,863 PLEASE DON'T SEND ME BACK. 353 00:14:56,896 --> 00:14:59,299 I'M TRYING TO MAKE A LIFE FOR MYSELF HERE. 354 00:15:00,633 --> 00:15:03,670 SOUNDS LIKE YOU HAD AN INTERESTING ONE IN ENGLAND. 355 00:15:03,737 --> 00:15:05,138 SCOTLAND YARD CALLED. 356 00:15:05,171 --> 00:15:07,607 SAID YOU HAD A RECORD OF SEXUAL ASSAULT. 357 00:15:07,640 --> 00:15:11,111 THAT WAS A LONG TIME AGO. 358 00:15:11,144 --> 00:15:13,613 I SWEAR TO YOU... THINGS ARE DIFFERENT NOW. 359 00:15:13,680 --> 00:15:15,615 DIFFERENT IN WHAT WAY? 360 00:15:22,255 --> 00:15:25,091 NO, I-I COULDN'T HURT RUTHIE. 361 00:15:26,593 --> 00:15:27,494 I COULDN'T HURT ANYBODY. 362 00:15:30,797 --> 00:15:34,834 WHAT IF I TOLD YOU THAT SAVATAS, THE BLOKE WHO OWNS THE DINER, 363 00:15:34,868 --> 00:15:37,237 WAS OBSESSED WITH HER? 364 00:15:37,337 --> 00:15:39,072 GOT ANY PROOF? 365 00:15:39,105 --> 00:15:41,107 LADIES ROOM STALL... 366 00:15:41,141 --> 00:15:43,877 SHARES A WALL WITH HIS OFFICE. 367 00:15:43,910 --> 00:15:46,746 THERE'S A CONVENIENT LITTLE, UM... 368 00:15:46,813 --> 00:15:49,683 HOLE...RIGHT BEHIND A PAINTING. 369 00:15:49,749 --> 00:15:51,851 RUTH USED TO... 370 00:15:51,885 --> 00:15:54,454 CHANGE INTO HER UNIFORM THERE. 371 00:15:55,755 --> 00:15:57,590 DO YOU LIKE LOOKIN' AT GIRLS, GEORGE? 372 00:15:57,657 --> 00:15:59,325 WHAT ELSE DO YOU LIKE TO DO? 373 00:15:59,392 --> 00:16:00,093 YOU'RE HURTING ME! 374 00:16:00,193 --> 00:16:01,494 WHAT ABOUT RUTH CARTER? 375 00:16:01,561 --> 00:16:03,730 ALL THAT WINKIN' AND SMILING YOU TOLD US ABOUT? 376 00:16:03,763 --> 00:16:05,665 YOU WANTED SOME OF THAT, DIDN'T YOU? 377 00:16:05,732 --> 00:16:06,466 WHY ARE YOU DOING THIS? 378 00:16:06,499 --> 00:16:09,002 YOU USED TO LOOK AT HER IN THE BATHROOM. 379 00:16:09,035 --> 00:16:10,103 YOU WATCHED HER GET DRESSED. 380 00:16:10,136 --> 00:16:11,504 SHE WAS A DAMN TEASE! 381 00:16:11,571 --> 00:16:13,840 SHE KNEW I WAS BACK THERE! SHE PROBABLY LIKED IT! 382 00:16:13,907 --> 00:16:15,141 DID RUTH TELL YOU THAT? 383 00:16:15,208 --> 00:16:16,476 SHE DIDN'T HAVE TO! 384 00:16:16,509 --> 00:16:19,446 SO LAST NIGHT YOU THOUGHT SHE WANTED MORE. 385 00:16:19,479 --> 00:16:21,581 YOU RAPED HER AND KILLED HER. 386 00:16:21,614 --> 00:16:23,416 I DIDN'T KILL NOBODY! 387 00:16:23,450 --> 00:16:26,019 YOU READ ABOUT THE STRANGLER IN THE PAPER, ABOUT THE NYLONS. 388 00:16:26,086 --> 00:16:28,021 YOU MADE IT LOOK LIKE HE DID IT. 389 00:16:28,088 --> 00:16:28,955 YOU STUPID ASSES. 390 00:16:28,988 --> 00:16:30,490 LOOK AT ME. 391 00:16:30,523 --> 00:16:33,893 I AIN'T MARRIED. I DON'T EVEN HAVE A GIRL. 392 00:16:33,927 --> 00:16:35,895 I'M A LOUSY PEEPING TOM! 393 00:16:35,929 --> 00:16:39,466 I COULDN'T HAVE RAPED HER, EVEN IF I'D WANTED. 394 00:16:39,532 --> 00:16:40,900 PUT IT TOGETHER. 395 00:16:40,967 --> 00:16:44,137 PUT WHAT TOGETHER? 396 00:16:44,170 --> 00:16:47,741 HE'S IMPOTENT. 397 00:16:47,807 --> 00:16:49,175 clack! 398 00:16:49,242 --> 00:16:52,245 SO THE GREAT GREEK WASN'T SO GREAT AFTER ALL. 399 00:16:52,278 --> 00:16:55,081 RECORDS SHOW THEY TESTED HIM, AND JOYCE WAS RIGHT. 400 00:16:55,148 --> 00:16:56,950 I'M NOT RULING OUT THE DISHWASHER YET. 401 00:16:57,017 --> 00:16:58,251 WHAT DO YOU THINK, WOODY? 402 00:16:58,318 --> 00:17:01,354 I THINK THIS MORAN WAS ONE BAD-ASS DUDE. 403 00:17:01,388 --> 00:17:02,655 YEAH? HOW SO? 404 00:17:02,689 --> 00:17:04,791 HE MADE LIEUTENANT BEFORE HE WAS 35 YEARS OLD. 405 00:17:04,858 --> 00:17:07,827 WOUNDED ON THE JOB THREE TIMES, HAD OVER 400 CAREER BUSTS, 406 00:17:07,861 --> 00:17:09,863 AND RETIRED 17 YEARS AGO DIVISION CHIEF. 407 00:17:09,896 --> 00:17:12,565 DOES IT SAY ANYTHING IN THERE ABOUT BROWBEATING HIS COWORKERS? 408 00:17:12,599 --> 00:17:13,500 WHAT DO YOU MEAN? 409 00:17:13,533 --> 00:17:15,335 BEFORE YOU PUT MORAN ON A PEDESTAL, 410 00:17:15,402 --> 00:17:17,904 YOU MIGHT WANT TO GLANCE AT ROGER VALLONE'S FILE AS WELL. 411 00:17:17,971 --> 00:17:20,106 MORAN WAS INSTRUMENTAL 412 00:17:20,140 --> 00:17:22,208 IN GETTING HIM FIRED AS CHIEF CORONER. 413 00:17:22,242 --> 00:17:24,644 [shoots, sinks ball in pocket] 414 00:17:24,711 --> 00:17:27,947 [crowd cheering] 415 00:17:28,014 --> 00:17:29,983 (announcer) BUT NOW THE RAMBLERS COME TO LIFE. 416 00:17:30,016 --> 00:17:31,685 ALL-AMERICAN JERRY HARKNESS SCORES, 417 00:17:31,718 --> 00:17:32,919 AND THE GAP BEGINS TO NARROW. 418 00:17:33,019 --> 00:17:34,821 TRYING TO RELAX, CHIEF? 419 00:17:34,854 --> 00:17:36,756 THE SCORE IS 50 TO 48... 420 00:17:36,823 --> 00:17:38,758 EASIER SAID THAN DONE. 421 00:17:38,825 --> 00:17:41,761 MAN'S GOTTA FIND TIME FOR HIMSELF. 422 00:17:41,828 --> 00:17:44,030 OTHERWISE, HE LOSES PERSPECTIVE. 423 00:17:44,064 --> 00:17:47,067 DID YOU COME ALL THE WAY DOWN HERE TO CHAT, MORAN? 424 00:17:47,100 --> 00:17:49,703 WHAT CAN I DO FOR YA? 425 00:17:49,736 --> 00:17:50,403 WORD AROUND THE PRECINCT 426 00:17:50,503 --> 00:17:52,739 IS THAT THE RUTH CARTER CASE IS STILL ACTIVE. 427 00:17:52,806 --> 00:17:55,141 THAT WAS SUPPOSED TO BE PUT ON THE BACK BURNER. 428 00:17:55,208 --> 00:17:56,409 YOU HEARD ME TALK TO JOYCE. 429 00:17:56,443 --> 00:17:57,577 I'LL HANDLE IT FIRST THING TOMORROW. 430 00:17:57,644 --> 00:17:59,779 IT SHOULD HAVE BEEN HANDLED TODAY. 431 00:17:59,846 --> 00:18:03,216 FOR A BACK-BURNER CASE, YOU SEEM AWFULLY CONCERNED. 432 00:18:03,283 --> 00:18:06,052 JUST LOOKIN' OUT FOR THE CITY'S BEST INTERESTS. 433 00:18:06,086 --> 00:18:09,055 FOR THE LAST 15 MONTHS, I'VE DONE NOTHING 434 00:18:09,089 --> 00:18:10,924 BUT EAT, SLEEP, AND BREATHE THE STRANGLER. 435 00:18:10,957 --> 00:18:13,293 YOU THINK I DON'T KNOW THAT? 436 00:18:13,360 --> 00:18:15,161 THEN WHAT ARE YOU SUGGESTING? 437 00:18:15,228 --> 00:18:16,529 WHAT IF THE MAYOR GOT WIND 438 00:18:16,596 --> 00:18:18,098 THAT YOU WEREN'T FOCUSED ON THE BIGGEST MANHUNT 439 00:18:18,164 --> 00:18:19,432 THIS TOWN HAS EVER SEEN? 440 00:18:19,499 --> 00:18:20,400 THAT'S A LIE. 441 00:18:20,433 --> 00:18:21,434 PEOPLE TALK. 442 00:18:21,501 --> 00:18:23,136 WHO, EXACTLY? 443 00:18:24,971 --> 00:18:26,740 WHEN YOU WORK AROUND THE DEAD TOO LONG, 444 00:18:26,806 --> 00:18:29,609 YOU START TO THINK PEOPLE AREN'T PAYING ATTENTION. 445 00:18:29,642 --> 00:18:32,012 THERE ARE STILL A FEW EYES OPEN AROUND HERE. 446 00:18:32,045 --> 00:18:33,913 WATCH YOURSELF, CHIEF. 447 00:18:43,089 --> 00:18:45,125 [rustling] 448 00:18:45,158 --> 00:18:46,292 WHO'S THERE? 449 00:18:48,862 --> 00:18:49,829 BOO. 450 00:18:49,863 --> 00:18:52,599 JIMMY! 451 00:18:52,632 --> 00:18:54,367 YOU KNOW, JOYCE... 452 00:18:54,401 --> 00:18:56,770 YOU REALLY NEED TO KEEP YOUR WITS ABOUT YOU. 453 00:18:56,803 --> 00:18:58,071 IT'S 2:00 IN THE MORNING. 454 00:18:58,138 --> 00:19:00,573 A GIRL CAN'T BE CAREFUL ENOUGH THESE DAYS. 455 00:19:00,640 --> 00:19:02,976 OF COURSE, I HAPPEN TO HAVE A SPARE KEY. 456 00:19:03,043 --> 00:19:05,011 BUT YOU CAN'T TRUST ANYBODY. 457 00:19:05,078 --> 00:19:06,646 YOU REALLY... 458 00:19:06,713 --> 00:19:09,783 NEED TO KNOW WHO YOU'RE SPENDING TIME WITH. 459 00:19:09,816 --> 00:19:12,952 OH, I KNOW EXACTLY WHO I'M SPENDING TIME WITH. 460 00:19:12,986 --> 00:19:17,924 AN IRISH, EGOTISTICAL, HORSE'S ASS. 461 00:19:17,991 --> 00:19:21,795 [Terry Stafford's "Suspicion" plays] 462 00:19:21,828 --> 00:19:24,798 * DO YOU SAY THE SAME WORDS TO SOMEONE ELSE * 463 00:19:24,831 --> 00:19:28,568 * WHEN I'M NOT THERE? * 464 00:19:28,601 --> 00:19:29,936 * SUSPICION * 465 00:19:29,969 --> 00:19:30,937 * TORMENTS MY HEART... ** 466 00:19:31,004 --> 00:19:31,905 SO HOW ABOUT THAT? 467 00:19:31,971 --> 00:19:32,939 HOW ABOUT WHAT? 468 00:19:33,006 --> 00:19:34,240 ACCORDING TO MAX, 469 00:19:34,307 --> 00:19:36,242 MORAN AND JOYCE HAD A THING GOING ON. 470 00:19:36,276 --> 00:19:38,678 TOO BAD SHE HAD SUCH LOUSY TASTE IN MEN. 471 00:19:38,745 --> 00:19:39,713 MORAN WAS MARRIED. 472 00:19:39,779 --> 00:19:40,680 MAYBE THEIR MARRIAGE SUCKED. 473 00:19:40,747 --> 00:19:41,815 NOW YOU'RE DEFENDING HIM? 474 00:19:41,848 --> 00:19:43,416 HEY, I'M JUST PLAYING DEVIL'S ADVOCATE. 475 00:19:43,483 --> 00:19:44,684 YOU GOTTA ADMIT, THOUGH, 476 00:19:44,718 --> 00:19:46,353 ALL THESE PEOPLE SPENDING TIME TOGETHER, 477 00:19:46,419 --> 00:19:49,222 IT'S, UH, ENTERTAINING. 478 00:19:50,857 --> 00:19:51,891 SORRY YOU INVITED ME? 479 00:19:51,925 --> 00:19:54,994 GUYS-- 480 00:19:55,028 --> 00:19:57,063 UH, WE NEED TO GET BACK TO THE TABLE. 481 00:19:57,097 --> 00:19:58,431 WHY? WHAT'S UP? 482 00:19:58,465 --> 00:20:00,934 UM, MAX WANTS TO OPEN ANOTHER CASE FILE. 483 00:20:01,001 --> 00:20:03,970 I THOUGHT WE WERE ONLY DOIN' ONE MURDER TONIGHT. 484 00:20:04,037 --> 00:20:05,005 SO DID I. 485 00:20:07,807 --> 00:20:09,909 [ringing] 486 00:20:15,615 --> 00:20:17,050 QUINN. 487 00:20:17,117 --> 00:20:19,085 MAX. 488 00:20:19,119 --> 00:20:22,088 WAIT, SLOW DOWN. 489 00:20:22,155 --> 00:20:25,892 WHERE? 490 00:20:25,959 --> 00:20:29,229 ALL RIGHT, I'LL BE RIGHT OVER. 491 00:20:29,262 --> 00:20:30,230 WHAT'S GOIN' ON? 492 00:20:30,263 --> 00:20:31,431 ANOTHER MURDER. 493 00:20:31,464 --> 00:20:32,799 IT LOOKS LIKE THE STRANGLER. 494 00:20:32,832 --> 00:20:35,368 WHERE? 495 00:20:35,402 --> 00:20:36,770 AN APARTMENT NEAR PERSHING SQUARE. 496 00:20:36,836 --> 00:20:38,905 1420 KELLER. 497 00:20:40,874 --> 00:20:42,976 THAT'S MY BUILDING. 498 00:20:43,009 --> 00:20:43,943 [flashbulb crackles] 499 00:20:56,489 --> 00:20:57,524 MAX? 500 00:21:00,460 --> 00:21:02,696 (Max) IT'S MORAN'S WIFE. 501 00:21:03,963 --> 00:21:06,566 JIMMY DROVE ME. 502 00:21:06,599 --> 00:21:07,600 WHERE IS HE? 503 00:21:07,667 --> 00:21:09,269 (Moran) GET OFF ME! LET ME THROUGH! 504 00:21:09,336 --> 00:21:10,270 LET ME SEE HER! 505 00:21:10,337 --> 00:21:12,138 LET ME SEE HER! 506 00:21:12,205 --> 00:21:13,673 OH, PEG. 507 00:21:16,676 --> 00:21:19,446 OH, PEG. 508 00:21:26,052 --> 00:21:26,986 [flashbulb crackles] 509 00:21:36,296 --> 00:21:39,065 I CAN'T BELIEVE SHE'S DEAD. 510 00:21:39,099 --> 00:21:40,700 MORAN MUST'VE BEEN DEVASTATED. 511 00:21:40,767 --> 00:21:43,169 GUY SPENDS A YEAR AND A HALF CHASING A KILLER, 512 00:21:43,203 --> 00:21:45,271 AND HIS WIFE BECOMES THE NEXT VICTIM. 513 00:21:45,305 --> 00:21:47,007 DON'T BE SO SURE. 514 00:21:47,040 --> 00:21:47,841 WHAT DO YOU MEAN? 515 00:21:47,907 --> 00:21:50,010 HISTORICALLY, THAT WOULD HAVE MADE PEGGY MORAN 516 00:21:50,043 --> 00:21:51,344 THE STRANGLER'S 14th MURDER. 517 00:21:51,378 --> 00:21:53,313 YEAH, BUT WE KNOW THAT'S NOT THE CASE. 518 00:21:53,346 --> 00:21:54,814 ANOTHER COPYCAT? 519 00:21:54,848 --> 00:21:57,083 AND IF SO, HOW DID THEY FIGURE IT OUT? 520 00:21:57,117 --> 00:21:58,018 (Jordan) SAME WAY WE WOULD TODAY. 521 00:21:58,051 --> 00:22:00,787 PEGGY WAS DEAD, BUT SHE STILL HAD ALL THE ANSWERS. 522 00:22:00,820 --> 00:22:03,757 WHERE'S THE PEGGY MORAN AUTOPSY FILE? 523 00:22:03,790 --> 00:22:05,492 (Joyce) SWAB THE SCRATCHES ON HER ARM 524 00:22:05,525 --> 00:22:07,427 AND CHECK FOR ANY OUT-OF-PLACE HAIR AND FLUIDS. 525 00:22:07,460 --> 00:22:09,896 WOULD YOU GIVE US A MINUTE? 526 00:22:09,963 --> 00:22:12,399 RUN WHATEVER YOU GET THROUGH THE COMPUTER PUNCH CARDS. 527 00:22:12,432 --> 00:22:14,434 IF ANYTHING MATCHES THE OTHER STRANGLER CASES, 528 00:22:14,467 --> 00:22:16,836 YOU SHOULD GET AN ANSWER IN ABOUT 18 HOURS. 529 00:22:16,903 --> 00:22:18,471 SURE LOOKS LIKE A STRANGLER CASE. 530 00:22:18,505 --> 00:22:19,439 LET'S HOPE NOT. 531 00:22:19,472 --> 00:22:20,940 WIFE OF A COP GETS KILLED, 532 00:22:20,974 --> 00:22:23,343 THE TENSION LEVEL IN THIS CITY GOES FROM BAD TO WORSE. 533 00:22:23,410 --> 00:22:25,245 THOSE PRAYERS OF YOURS MIGHT BE ANSWERED, ROGER. 534 00:22:25,311 --> 00:22:26,279 SHE WASN'T RAPED. 535 00:22:26,312 --> 00:22:27,280 PROVE IT. 536 00:22:27,313 --> 00:22:29,449 THERE'S NO VAGINAL TEARING 537 00:22:29,482 --> 00:22:31,184 CONSISTENT WITH THE OTHER STRANGLER VICTIMS. 538 00:22:31,217 --> 00:22:33,119 YET THE REST OF THE MURDER MATCHES. 539 00:22:33,153 --> 00:22:35,055 NO FORCED ENTRY IN THE APARTMENT. 540 00:22:35,088 --> 00:22:35,922 OBVIOUS SIGNS OF STRUGGLE. 541 00:22:35,955 --> 00:22:38,458 HE CRUSHED HER WINDPIPE WITH HER OWN NYLONS. 542 00:22:38,491 --> 00:22:40,760 OR MAYBE NOT. 543 00:22:40,827 --> 00:22:42,796 FELLAS, WHAT DO YOU KNOW ABOUT LADIES STOCKINGS? 544 00:22:46,266 --> 00:22:47,801 THAT'S WHAT I FIGURED. 545 00:22:47,834 --> 00:22:50,370 YES, PEGGY WAS STRANGLED WITH A PAIR OF NYLONS, 546 00:22:50,403 --> 00:22:52,472 BUT THESE WERE NEVER WORN BEFORE, THEY'RE BRAND-NEW. 547 00:22:52,505 --> 00:22:53,873 HOW CAN YOU TELL? 548 00:22:53,907 --> 00:22:58,111 YOU CAN STILL SEE THE PACKING CREASE ON THE HEEL. 549 00:22:58,144 --> 00:22:59,379 (Max) JOYCE'S HUNCH WAS RIGHT. 550 00:22:59,412 --> 00:23:01,247 GOOD AT HER JOB. 551 00:23:01,281 --> 00:23:02,215 (Jordan) BETTER THAN GOOD. 552 00:23:02,248 --> 00:23:03,717 WE'D KNOW IN A MOMENT TODAY 553 00:23:03,750 --> 00:23:05,452 WHETHER THOSE PANTYHOSE WERE NEW OR NOT. 554 00:23:05,485 --> 00:23:08,722 WE COULD DO SKIN AND SECRETION SAMPLES ON THE FABRIC. 555 00:23:08,755 --> 00:23:11,491 INSTEAD, THEY HAD NOTHING TO GO ON. 556 00:23:11,524 --> 00:23:14,160 AND HOW ABOUT THAT COMPUTER? 18 HOURS. 557 00:23:14,194 --> 00:23:15,995 MIGHT AS WELL HAVE BEEN THE STONE AGE. 558 00:23:16,029 --> 00:23:18,131 (Jordan) SO IF PEGGY MORAN WASN'T NUMBER 14, 559 00:23:18,164 --> 00:23:19,966 SHE WAS KILLED BY A COPYCAT. 560 00:23:20,000 --> 00:23:21,001 THE QUESTION IS-- 561 00:23:21,034 --> 00:23:24,971 WAS SHE MURDERED BY THE SAME GUY WHO KILLED RUTH CARTER? 562 00:23:25,005 --> 00:23:27,707 [crowd murmuring] 563 00:23:32,312 --> 00:23:34,080 [crowd falls silent] 564 00:23:38,051 --> 00:23:40,487 UNTIL LAST NIGHT, WE WERE LOOKING FOR THE STRANGLER 565 00:23:40,520 --> 00:23:44,057 BECAUSE HE WAS KILLING INNOCENT WOMEN. 566 00:23:44,090 --> 00:23:47,360 BUT NOW HE'S BROUGHT IT HOME. 567 00:23:47,394 --> 00:23:49,029 THE CORONER'S TELLING ME IT WASN'T HIM, 568 00:23:49,095 --> 00:23:50,363 BUT I'M NOT BUYING THAT. 569 00:23:50,430 --> 00:23:52,999 IS THE DEVIL THAT CLEVER? 570 00:23:53,033 --> 00:23:54,968 THIS GUY READS THE PAPERS. 571 00:23:55,035 --> 00:23:58,304 HE KNOWS OUR NAMES. HE KNOWS WHERE WE LIVE. 572 00:23:58,338 --> 00:24:02,509 HE WANTED TO GET ONE OF US. 573 00:24:02,542 --> 00:24:06,212 AND HE GOT HER. 574 00:24:06,246 --> 00:24:08,114 [choked up] HE GOT MY PEG. 575 00:24:10,216 --> 00:24:13,319 YOU FIND HIM, YOU CATCH HIM. 576 00:24:13,386 --> 00:24:17,223 AND IF YOU DON'T WANT TO DO IT FOR ME, 577 00:24:17,257 --> 00:24:19,159 THEN YOU DO IT FOR HER. 578 00:24:21,494 --> 00:24:23,830 SORRY, DID I PICK A BAD TIME? 579 00:24:23,863 --> 00:24:26,032 THERE HASN'T BEEN A GOOD TIME IN WEEKS. 580 00:24:26,066 --> 00:24:27,000 WHAT'S UP? 581 00:24:27,033 --> 00:24:30,804 PHOTOS OF THE KNOTS USED ON ALL 13 STRANGLER VICTIMS. 582 00:24:30,837 --> 00:24:33,239 I COMPARED THEM WITH RUTH CARTER AND PEGGY MORAN. 583 00:24:33,273 --> 00:24:34,841 THERE'S AN INCONSISTENCY. 584 00:24:34,874 --> 00:24:36,142 MEANING? 585 00:24:36,176 --> 00:24:37,911 SEE FOR YOURSELF. 586 00:24:37,977 --> 00:24:41,548 THE KNOTS USED ON RUTH AND PEGGY ARE SLIGHTLY DIFFERENT. 587 00:24:41,581 --> 00:24:43,183 THE STRANGLER FINISHES WITH A SQUARE KNOT 588 00:24:43,216 --> 00:24:44,484 AFTER THEY'RE DEAD. 589 00:24:44,517 --> 00:24:47,721 SO OUR COPYCAT FINALLY MESSED UP. 590 00:24:47,754 --> 00:24:50,190 THE TWO WOMEN ARE LINKED. 591 00:24:50,223 --> 00:24:51,157 NOW WHAT? 592 00:24:51,191 --> 00:24:53,760 WE STILL DON'T HAVE ANY HARD EVIDENCE TO WORK WITH. 593 00:24:53,793 --> 00:24:56,162 AT THIS POINT I'LL TAKE ANY HELP I CAN GET. 594 00:25:01,434 --> 00:25:02,736 WHAT? 595 00:25:02,769 --> 00:25:04,838 WE SAID RELAX AND HAVE A DRINK, LOVE. 596 00:25:04,904 --> 00:25:06,673 NOT TEN. 597 00:25:06,706 --> 00:25:08,641 OW. WHAT TIME IS IT? 598 00:25:08,675 --> 00:25:09,976 TIME TO PLAY. 599 00:25:10,010 --> 00:25:14,647 EVER HEAR OF A WOMAN NAMED ANNABEL COSTA? 600 00:25:14,681 --> 00:25:17,817 COSTA WORKED AT A DRYCLEANER IN NEWPORT, RHODE ISLAND. 601 00:25:17,851 --> 00:25:19,886 THE FEDS USED HER IN THE STRANGLER CASE. 602 00:25:19,919 --> 00:25:20,920 USED HER HOW? 603 00:25:20,954 --> 00:25:23,189 WHAT IF I TOLD YOU, IN 11 YEARS, 604 00:25:23,223 --> 00:25:26,559 COSTA FOUND FIVE KIDNAPPED CHILDREN, SOLVED THREE MURDERS, 605 00:25:26,593 --> 00:25:28,728 AND HELPED APPREHEND SEVEN CRIMINALS? 606 00:25:28,762 --> 00:25:32,565 I'D SAY THAT SHE WAS WASTING HER TIME STARCHING COLLARS. 607 00:25:32,632 --> 00:25:34,834 SHE WAS A PSYCHIC. 608 00:25:34,868 --> 00:25:37,570 CUTE, BUT A LITTLE ECCENTRIC. 609 00:25:37,637 --> 00:25:39,105 SO YOU'RE PERFECT. 610 00:25:39,139 --> 00:25:40,774 tsk. 611 00:25:48,314 --> 00:25:50,083 MISS COSTA? 612 00:25:50,116 --> 00:25:53,286 WE'VE BROUGHT YOU HERE BECAUSE WE HIT A BRICK WALL. 613 00:25:53,319 --> 00:25:54,554 DO YOU HAVE ANY JUJUBES? 614 00:25:54,587 --> 00:25:57,157 I REALLY LIKE JUJUBES. 615 00:25:57,190 --> 00:25:58,324 TWO WOMEN ARE DEAD. 616 00:25:58,358 --> 00:26:00,226 WE THINK THEY SHARE THE SAME KILLER, 617 00:26:00,293 --> 00:26:02,996 BUT WE CAN'T PRODUCE ENOUGH HARD EVIDENCE TO TRACK HIM DOWN. 618 00:26:03,029 --> 00:26:06,166 I ALSO LIKE LICORICE, BUT ONLY IF IT'S A ROPE 619 00:26:06,199 --> 00:26:08,335 AND ONLY IF IT'S RED. 620 00:26:08,368 --> 00:26:10,670 IS SHE ALWAYS LIKE THIS? 621 00:26:12,972 --> 00:26:16,076 ACCORDING TO THIS, YOU PREVENTED A TRAIN ACCIDENT 622 00:26:16,109 --> 00:26:18,144 FROM HAPPENING IN '61. 623 00:26:18,178 --> 00:26:22,615 YOU'VE CLAIMED TO HAVE THE GIFT SINCE YOU WERE 12 YEARS OLD. 624 00:26:22,649 --> 00:26:25,151 AND FOR THE PAST NINE MONTHS, 625 00:26:25,185 --> 00:26:29,589 YOU'VE BEEN A CONSULTANT FOR BOTH THE FBI AND THE CIA. 626 00:26:29,622 --> 00:26:31,024 YOUR SKIRT'S TOO LONG. 627 00:26:31,057 --> 00:26:31,858 EXCUSE ME? 628 00:26:31,925 --> 00:26:34,928 YOUR SKIRT'S TOO LONG. I WORK IN A DRY CLEANER. 629 00:26:34,961 --> 00:26:37,697 THE NEW LENGTH IS ABOUT AN INCH HIGHER. 630 00:26:37,731 --> 00:26:40,734 YOU HAVE NICE LEGS, THOUGH. 631 00:26:40,767 --> 00:26:43,003 FOR A CORONER, I MEAN. 632 00:26:46,339 --> 00:26:47,640 DO YOU LIKE JUJUBES? 633 00:26:47,707 --> 00:26:49,976 [nervous laugh] 634 00:26:50,010 --> 00:26:52,345 ARE YOU SURE WE SHOULDN'T CALL SOMEBODY? 635 00:26:52,379 --> 00:26:57,050 CALL WHO? SHE'S THE BEST. 636 00:27:11,364 --> 00:27:13,366 WHAT WAS THE GIRL'S NAME? 637 00:27:13,400 --> 00:27:16,403 RUTH CARTER. 638 00:27:16,436 --> 00:27:19,539 I'VE GOT HER IN A CAR WITH A MAN. 639 00:27:19,572 --> 00:27:23,276 SHE'S IN LOVE WITH HIM. 640 00:27:23,309 --> 00:27:26,146 THERE'S SOMEONE ELSE THERE TOO. 641 00:27:26,212 --> 00:27:27,414 THERE'S AN ARGUMENT. 642 00:27:27,447 --> 00:27:30,250 OH, NO, IT'S GETTING PHYSICAL. 643 00:27:30,316 --> 00:27:31,418 [gasps] 644 00:27:31,451 --> 00:27:34,287 WAIT, WE'RE IN AN ALLEY. 645 00:27:38,291 --> 00:27:39,392 THIS BETTER BE GOOD. 646 00:27:39,426 --> 00:27:41,094 COULD YOU BE QUIET, PLEASE. 647 00:27:43,029 --> 00:27:45,398 RUTH WAS KILLED IN A DINER PARKING LOT, 648 00:27:45,432 --> 00:27:47,133 NOT AN ALLEYWAY. 649 00:27:47,167 --> 00:27:51,171 NO DISRESPECT TO MISS JUJUBE, BUT WHAT CAN WE FIND HERE? 650 00:27:51,204 --> 00:27:55,508 MAYBE SOMETHING THE KILLER WAS TRYING TO HIDE. 651 00:27:55,542 --> 00:27:56,443 OVER THERE. 652 00:28:04,284 --> 00:28:05,385 (Max) WHAT IS IT? 653 00:28:05,418 --> 00:28:08,388 15 1/2, BOXED AND LAUNDERED. 654 00:28:09,789 --> 00:28:13,126 THERE'S SOME, UH... BLOOD ON THE SLEEVE. 655 00:28:16,229 --> 00:28:17,797 LIPSTICK ON THE COLLAR. 656 00:28:17,831 --> 00:28:19,199 IS IT RUTH'S? 657 00:28:21,968 --> 00:28:24,270 LIPSTICK MATCHED WHAT RUTH CARRIED IN HER PURSE. 658 00:28:24,304 --> 00:28:26,139 BUT THE BLOOD WASN'T HERS. 659 00:28:26,172 --> 00:28:27,941 OKAY, LOOK, THERE'S A GOOD CHANCE 660 00:28:28,008 --> 00:28:29,242 THE SHIRT BELONGED TO THE KILLER. 661 00:28:29,275 --> 00:28:32,445 THE TAILOR WAS LOCAL, SO MAYBE WE CAN TRACE WHO BOUGHT IT. 662 00:28:32,479 --> 00:28:34,214 WE KNOW IT WASN'T THE DINER OWNER. 663 00:28:34,247 --> 00:28:36,549 ACCORDING TO MEDICAL RECORDS, THE BLOOD ON THE SHIRT 664 00:28:36,616 --> 00:28:37,283 DOESN'T MATCH THE DISHWASHER'S BLOOD. 665 00:28:37,317 --> 00:28:40,353 YES, VIRGINIA, THERE IS A SANTA CLAUS! 666 00:28:40,387 --> 00:28:43,857 THESE DAYS YOU CAN PULL DNA FROM SWEAT AROUND THE ARMPITS, 667 00:28:43,890 --> 00:28:46,860 RUN IT THROUGH THE CODIS DATABASE AND HOPE FOR A MATCH. 668 00:28:46,893 --> 00:28:48,161 TODAY DOESN'T MATTER. 669 00:28:48,194 --> 00:28:49,095 WE'RE TALKING PREHISTORIC DETECTIVE WORK. 670 00:28:49,129 --> 00:28:50,930 IT WAS PROBABLY ALL CONTAMINATED ANYWAY. 671 00:28:50,964 --> 00:28:53,733 I RESENT THE PREHISTORIC COMMENT. 672 00:28:53,767 --> 00:28:54,868 MEDIEVAL MAYBE. 673 00:28:54,901 --> 00:28:56,903 BACK THEN, YOU COULD HAVE DNA SAMPLES 674 00:28:56,970 --> 00:28:59,639 IN EVERY WAY, SHAPE, AND FORM, AND IT WOULDN'T MEAN BUPKES. 675 00:28:59,673 --> 00:29:01,207 I KNOW I'M NEW AT THIS, 676 00:29:01,241 --> 00:29:04,577 BUT IT SEEMS LIKE WE'RE SORT OF BACK TO SQUARE ONE. 677 00:29:04,644 --> 00:29:07,347 ["Devil or Angel" by Bobby Vee playing] 678 00:29:07,380 --> 00:29:13,286 * DEVIL OR ANGEL PLEASE SAY YOU'LL BE MINE * 679 00:29:13,319 --> 00:29:15,689 * LOVE ME OR LEAVE ME * 680 00:29:15,755 --> 00:29:19,659 * I'LL GO OUT OF MY MIND * 681 00:29:19,693 --> 00:29:25,632 * DEVIL OR ANGEL DEAR, WHICHEVER YOU ARE * 682 00:29:25,665 --> 00:29:31,571 * I NEED YOU, I NEED YOU, I NEED YOU * 683 00:29:31,604 --> 00:29:36,609 * YOU LOOK LIKE AN ANGEL... * 684 00:29:36,643 --> 00:29:38,011 HEY. 685 00:29:40,814 --> 00:29:42,515 YOU SCARED ME. 686 00:29:42,549 --> 00:29:43,917 SORRY. I NEEDED A HUG. 687 00:29:45,318 --> 00:29:49,522 LISTEN, I-- I LEFT SOMETHING AT WORK. 688 00:29:49,556 --> 00:29:52,926 WHY DON'T YOU REST, 689 00:29:52,959 --> 00:29:56,062 AND I'LL BRING US BOTH BACK SOMETHING FOR DINNER. 690 00:29:56,096 --> 00:29:58,198 YOU SURE? 691 00:29:58,231 --> 00:29:59,299 IT'S LATE. 692 00:29:59,366 --> 00:30:02,002 IT'S OKAY, REALLY. 693 00:30:02,035 --> 00:30:04,371 I'M SO LUCKY TO HAVE YOU. 694 00:30:06,272 --> 00:30:07,574 YOU KNOW THAT? 695 00:30:36,069 --> 00:30:38,538 OKAY, COME ON, PROVE ME WRONG. 696 00:30:59,759 --> 00:31:01,861 MAX, IT'S ME. 697 00:31:01,895 --> 00:31:04,564 YOU BETTER SEE THIS. 698 00:31:09,869 --> 00:31:11,905 NO, NO WAY. NO, IT'S IMPOSSIBLE. 699 00:31:11,938 --> 00:31:13,873 THOSE SHIRTS MATCH UP. 700 00:31:13,907 --> 00:31:15,208 CIRCUMSTANTIAL NONSENSE. 701 00:31:15,241 --> 00:31:17,277 AREN'T YOU TAKING THIS A LITTLE PERSONALLY, WOODY? 702 00:31:17,310 --> 00:31:19,813 SOMEBODY'S GOT TO. HE WAS A BIG-TIME DECORATED COP. 703 00:31:19,846 --> 00:31:21,381 SYMBOL OF THE FORCE, RIGHT, WOODROW? 704 00:31:21,414 --> 00:31:22,849 EXACTLY. 705 00:31:22,916 --> 00:31:25,051 GUY'S WIFE DIES AND SUDDENLY HE'S A COPYCAT KILLER? 706 00:31:25,085 --> 00:31:26,653 THE TRUTH IS THERE COULD HAVE BEEN 707 00:31:26,686 --> 00:31:29,155 HUNDREDS OF SHIRTS OUT THERE MADE BY THE SAME TAILOR. 708 00:31:29,189 --> 00:31:32,058 WITH TINY DIFFERENCES, BUT DIFFERENCES NONETHELESS. 709 00:31:32,092 --> 00:31:34,494 IF THE SHIRT DON'T FIT, YOU MUST ACQUIT. 710 00:31:34,527 --> 00:31:35,862 TASTELESS, BUT APPROPRIATE. 711 00:31:35,895 --> 00:31:37,997 WHAT THEY NEEDED WAS A BLOOD SAMPLE FROM MORAN, 712 00:31:38,064 --> 00:31:39,966 RUN IT AGAINST THE STAIN ON THE SHIRT. 713 00:31:40,033 --> 00:31:43,269 THAT PUTS HIM AT THE SCENE. DAD, DID YOU GET A SAMPLE? 714 00:31:43,336 --> 00:31:45,705 I COULD TRY TO PULL HIS MEDICAL FILE FROM PERSONNEL. 715 00:31:45,772 --> 00:31:48,274 OF COURSE, IF ANY OF THE BRASS GETS WIND I'M SNOOPING AROUND... 716 00:31:48,308 --> 00:31:50,610 NO, I THINK WE SHOULD JUST BE STRAIGHT WITH HIM. 717 00:31:50,677 --> 00:31:53,046 ASK FOR A SAMPLE, GIVE HIM THE BENEFIT OF THE DOUBT. 718 00:31:53,113 --> 00:31:54,814 IF ALL THIS IS CIRCUMSTANTIAL, 719 00:31:54,848 --> 00:31:56,983 HE'LL APPRECIATE THAT YOU CAME TO HIM. 720 00:31:57,050 --> 00:31:58,918 YEAH, AND IT'S ME, RIGHT? 721 00:31:58,985 --> 00:32:01,254 I MEAN, OF ALL PEOPLE. 722 00:32:01,287 --> 00:32:03,823 SORRY, I SHOULD HAVE SAID SOMETHING ABOUT IT. 723 00:32:03,890 --> 00:32:05,725 YOU DON'T OWE ME AN EXPLANATION. 724 00:32:05,792 --> 00:32:07,494 I KNOW HE'S MARRIED. 725 00:32:07,527 --> 00:32:11,598 I TRIED TO BREAK IT OFF, BUT THE FACT IS, 726 00:32:11,631 --> 00:32:12,866 IT'S NOT ABOUT A RELATIONSHIP. 727 00:32:12,899 --> 00:32:13,867 IT'S JUST... 728 00:32:13,900 --> 00:32:15,969 CONVENIENT? 729 00:32:16,002 --> 00:32:19,272 I GET IT. WE ALL MAKE DECISIONS. 730 00:32:19,305 --> 00:32:20,340 MY WIFE AND I, 731 00:32:20,373 --> 00:32:22,342 WE'RE HAVING A TOUGH TIME RIGHT NOW. 732 00:32:22,375 --> 00:32:24,678 I KNOW WHAT IT MEANS TO NEED SOMEONE 733 00:32:24,744 --> 00:32:26,980 WHO UNDERSTANDS. 734 00:32:27,013 --> 00:32:29,249 JUST PROMISE ME SOMETHING, OKAY? 735 00:32:29,282 --> 00:32:30,617 WHAT? 736 00:32:30,650 --> 00:32:32,052 BE CAREFUL. 737 00:32:34,921 --> 00:32:36,656 DETECTIVE CAVANAUGH, 738 00:32:36,723 --> 00:32:39,325 TELL ME YOU AREN'T HERE TO DISCUSS THE RUTH CARTER CASE. 739 00:32:39,392 --> 00:32:42,062 I'M HAVING A BAD ENOUGH DAY AS IT IS. 740 00:32:42,095 --> 00:32:44,664 NO, SIR. I WAS JUST ON MY WAY OUT. 741 00:32:52,639 --> 00:32:53,640 THANK YOU, MR. HARRIS. 742 00:32:53,673 --> 00:32:56,943 WE'LL JUST STICK WITH ALL THE ARRANGEMENTS WE DISCUSSED. 743 00:32:57,010 --> 00:32:59,979 AND YOU'LL CALL THE CEMETERY FOR ME? 744 00:33:00,013 --> 00:33:01,781 THANK YOU AGAIN, MR. HARRIS. 745 00:33:03,516 --> 00:33:04,784 [sighs] I'M SORRY. 746 00:33:04,818 --> 00:33:06,720 THAT WAS, UH-- I HEARD. 747 00:33:06,786 --> 00:33:08,722 LISTEN, I WAS IN THE BUILDING. 748 00:33:08,788 --> 00:33:11,291 DO YOU HAVE A MINUTE? 749 00:33:11,324 --> 00:33:12,625 SURE. 750 00:33:12,659 --> 00:33:13,893 SOMETHING WRONG? 751 00:33:13,927 --> 00:33:17,997 I NEED YOU TO TELL ME SOMETHING. 752 00:33:18,064 --> 00:33:21,267 I NEED TO KNOW IF YOU WERE SLEEPING WITH RUTH CARTER. 753 00:33:21,301 --> 00:33:22,969 SHE'S THE GIRL THAT WAS FOUND-- 754 00:33:23,003 --> 00:33:24,371 I KNOW WHO SHE WAS. 755 00:33:27,874 --> 00:33:30,310 JOYCE, I-- 756 00:33:30,343 --> 00:33:33,546 MY WIFE JUST DIED, AND YOU'RE ACCUSING ME? 757 00:33:33,580 --> 00:33:35,715 WE FOUND A SHIRT, JIMMY. 758 00:33:35,782 --> 00:33:38,885 THE EXACT KIND THAT YOU WEAR, 759 00:33:38,918 --> 00:33:40,687 SAME TAILOR, SAME SIZE. 760 00:33:41,888 --> 00:33:43,089 RUTH'S LIPSTICK WAS ON THE COLLAR, 761 00:33:43,156 --> 00:33:45,058 AND THERE WAS BLOOD ON THE SLEEVE. 762 00:33:46,726 --> 00:33:49,896 WE NEED-- 763 00:33:49,929 --> 00:33:52,732 I NEED TO KNOW IF IT'S YOURS. 764 00:33:55,201 --> 00:33:57,804 I JUST WANT A BLOOD SAMPLE SO WE CAN BE SURE. 765 00:34:05,812 --> 00:34:08,114 ABSOLUTELY NOT. 766 00:34:08,148 --> 00:34:10,016 PLEASE, JIMMY, IF YOU DON'T GIVE IT TO ME-- 767 00:34:10,083 --> 00:34:12,352 WHAT ARE YOU GONNA DO, CALL THE POLICE? 768 00:34:14,921 --> 00:34:17,624 YOU WANNA KNOW, JOYCE? 769 00:34:17,657 --> 00:34:19,959 YOU WANT THE TRUTH? 770 00:34:19,993 --> 00:34:21,161 YEAH. 771 00:34:21,227 --> 00:34:22,762 THAT'S WHAT I WANT. 772 00:34:24,998 --> 00:34:27,767 [sighs] 773 00:34:27,801 --> 00:34:29,336 I SPENT TIME WITH HER. 774 00:34:29,369 --> 00:34:34,574 [sighs] SHE WAS A GOOD KID. 775 00:34:34,607 --> 00:34:36,943 SWEET. 776 00:34:36,976 --> 00:34:40,113 GOD KNOWS I'M A SUCKER FOR A GORGEOUS SMILE. 777 00:34:42,148 --> 00:34:45,018 BUT IT WAS ONE NIGHT. IT WAS NOTHING. 778 00:34:45,051 --> 00:34:47,887 IT MEANT NOTHING. 779 00:34:47,921 --> 00:34:51,224 WE HAD SEX, AND I LEFT. 780 00:34:52,192 --> 00:34:53,760 I DIDN'T KILL HER. 781 00:34:55,829 --> 00:34:56,796 I DIDN'T KILL ANYONE. 782 00:35:01,901 --> 00:35:03,737 YOU STILL WANT MY BLOOD? 783 00:35:08,241 --> 00:35:09,609 [whispers] Yeah. 784 00:35:12,979 --> 00:35:15,782 ALL RIGHT. TAKE IT. 785 00:35:22,389 --> 00:35:26,526 BUT, JOYCE, DO ME A FAVOR. 786 00:35:26,559 --> 00:35:27,794 WHAT'S THAT? 787 00:35:29,129 --> 00:35:30,430 GO TO HELL. 788 00:35:35,602 --> 00:35:38,405 THE BLOOD ON THE SHIRT WASN'T DETECTIVE MORAN'S. 789 00:35:41,307 --> 00:35:43,543 NOW YOU KNOW WHY I'VE BEEN BANGING MY HEAD 790 00:35:43,576 --> 00:35:45,912 AGAINST THE WALL ON THIS FOR SO MANY YEARS. 791 00:35:45,945 --> 00:35:47,414 (Woody) CIRCUMSTANTIAL EVIDENCE POINTED TO MORAN, 792 00:35:47,480 --> 00:35:50,250 BUT YOU ALWAYS NEED A SOLID PIECE OF FORENSIC PROOF. 793 00:35:50,283 --> 00:35:51,918 WHO KILLED BOTH WOMEN? 794 00:35:51,985 --> 00:35:54,287 AND DID AN ALMOST PERFECT JOB 795 00:35:54,354 --> 00:35:56,589 OF MIMICKING ONE OF THE GREATEST UNSOLVED CASES 796 00:35:56,623 --> 00:35:58,191 OF THE 20th CENTURY. 797 00:35:59,959 --> 00:36:02,062 WE CAN TRY TO DO THIS. 798 00:36:02,128 --> 00:36:03,697 BUT IT WOULD BE A FIRST. 799 00:36:03,730 --> 00:36:05,598 TRY WHAT? 800 00:36:05,665 --> 00:36:07,567 ANOTHER PATENTED CAVANAUGH REENACTMENT. 801 00:36:07,600 --> 00:36:09,069 YOU BETTER HAVE ANOTHER DRINK. 802 00:36:09,135 --> 00:36:11,304 OKAY, WHAT DO WE KNOW ABOUT RUTH CARTER? 803 00:36:11,338 --> 00:36:12,972 SHE WAS A FLIRT. SHE LIKED MEN. 804 00:36:14,374 --> 00:36:17,043 WHO WAS SHE WITH THAT NIGHT? 805 00:36:17,077 --> 00:36:18,945 WAS IT THE DISHWASHER? 806 00:36:22,449 --> 00:36:24,217 * * 807 00:36:24,250 --> 00:36:26,119 * SHOO-BOP SHOO-BOP, MY BABY * 808 00:36:26,186 --> 00:36:28,088 SIMON WAS A TROUBLED KID, 809 00:36:28,154 --> 00:36:29,289 BUT HE DIDN'T KILL ANYBODY. 810 00:36:29,322 --> 00:36:32,025 HIS ALIBI LINED UP. 811 00:36:32,092 --> 00:36:34,694 THE BLOOD WASN'T A MATCH. WHAT ABOUT THE DINER OWNER? 812 00:36:34,728 --> 00:36:35,495 ABSOLUTELY NOT. 813 00:36:35,528 --> 00:36:37,330 THE REPORTS SHOWED SEMEN ON RUTH'S BODY, 814 00:36:37,364 --> 00:36:39,199 AND SAVATAS COULDN'T PRODUCE. 815 00:36:39,232 --> 00:36:40,767 MOUNT OLYMPUS WAS ANYTHING BUT. 816 00:36:42,202 --> 00:36:43,370 SO WHAT IF IT WAS MORAN? 817 00:36:43,403 --> 00:36:45,238 WORD AROUND THE OFFICE WAS JIMMY HAD WOMEN 818 00:36:45,271 --> 00:36:46,373 ALL OVER TOWN. 819 00:36:46,406 --> 00:36:47,974 THE DINER WAS A FREQUENT STOP 820 00:36:48,008 --> 00:36:50,043 FOR ON-DUTY COPS, SO IT DOESN'T SURPRISE ME 821 00:36:50,076 --> 00:36:52,112 HE HIT ON THE COUNTER GIRL. 822 00:36:52,178 --> 00:36:54,481 BUT WHY KILL HER? 823 00:36:54,514 --> 00:36:56,316 SOMETHIN' MUST HAVE HAPPENED. 824 00:36:56,349 --> 00:36:57,817 SOMEONE CAUGHT HIM. 825 00:36:57,851 --> 00:37:00,387 THE PSYCHIC SAID SHE SAW ANOTHER PERSON THERE. 826 00:37:00,453 --> 00:37:02,522 WHAT IF PEGGY KNEW THAT HE WAS CHEATING? 827 00:37:04,758 --> 00:37:07,027 (Jordan) WHEN SHE SAW JIMMY WITH ANOTHER WOMAN, 828 00:37:07,060 --> 00:37:08,128 HER EMOTIONS TOOK OVER. 829 00:37:08,194 --> 00:37:10,096 (Peggy) OH, MY GOD! LOOK AT YOU! 830 00:37:10,130 --> 00:37:12,098 WHAT ARE YOU DOING HERE? WHAT AM I DOING? 831 00:37:12,165 --> 00:37:14,134 (Garret) MORAN AND RUTH PROBABLY TRIED TO REASON WITH HER, 832 00:37:14,200 --> 00:37:15,168 AND THINGS GOT HEATED. 833 00:37:15,235 --> 00:37:16,803 IF PEGGY LUNGED FOR HER... 834 00:37:16,836 --> 00:37:18,538 [struggling] 835 00:37:20,040 --> 00:37:21,207 smack! 836 00:37:21,241 --> 00:37:22,375 WHAT'S YOUR PROBLEM? 837 00:37:22,409 --> 00:37:23,910 YOU DIRTY LITTLE SLUT! 838 00:37:23,943 --> 00:37:25,011 [screaming] 839 00:37:25,045 --> 00:37:26,246 (Jordan) RUTH COULD HAVE SLIPPED 840 00:37:26,279 --> 00:37:28,682 AND HIT HER HEAD HER HEAD ON THE CONCRETE. 841 00:37:31,051 --> 00:37:32,852 SINCE THERE WAS NO SIGN OF A WEAPON, 842 00:37:32,886 --> 00:37:34,988 THAT EXPLAINS THE BRUISE. IT REALLY WAS AN ACCIDENT. 843 00:37:35,055 --> 00:37:38,258 IF WORD GOT OUT THAT MORAN WAS INVOLVED, HE WAS RUINED. 844 00:37:38,291 --> 00:37:39,659 HE HAD TO DO SOMETHIN'. 845 00:37:44,397 --> 00:37:45,999 LET'S GET HER IN THE CAR. 846 00:37:46,066 --> 00:37:48,001 COME ON, GRAB HER LEGS. 847 00:37:48,068 --> 00:37:50,704 GRAB HER LEGS. COME ON. 848 00:37:50,770 --> 00:37:53,106 THAT NIGHT JIMMY MORAN LEARNED MORE ABOUT THE STRANGLER 849 00:37:53,139 --> 00:37:54,040 THAN HE EVER WANTED. 850 00:37:59,379 --> 00:38:03,149 WOW. BUT HOW DOES THE WIFE'S DEATH CONNECT? 851 00:38:03,216 --> 00:38:04,884 (Lily) WHAT IF PEGGY DIDN'T LOVE HIM ANYMORE? 852 00:38:04,951 --> 00:38:07,153 I MEAN, HE WAS STILL SLEEPING WITH JOYCE. 853 00:38:07,187 --> 00:38:08,521 HOW MANY OTHER WOMEN WERE THERE? 854 00:38:08,555 --> 00:38:10,457 MORAN MADE HER AN ACCESSORY TO A COVER-UP. 855 00:38:10,523 --> 00:38:12,125 SHE COULDN'T HANDLE THE GUILT. 856 00:38:12,192 --> 00:38:13,326 (Max) MORAN KNEW IF PEGGY WENT 857 00:38:13,360 --> 00:38:15,462 TO THE POLICE, HIS CAREER WAS OVER. 858 00:38:15,528 --> 00:38:17,163 HOW IMPORTANT WAS IT TO HIM? 859 00:38:17,230 --> 00:38:18,365 IMPORTANT ENOUGH TO KILL. 860 00:38:18,398 --> 00:38:20,033 (TV announcer) ...TAKES THE BALL 861 00:38:20,066 --> 00:38:21,501 AND STREAKS DOWN THE COURT 862 00:38:21,534 --> 00:38:23,303 IN A DESPERATE EFFORT FOR PRECIOUS POINTS. 863 00:38:23,336 --> 00:38:24,938 THE EFFORT PAYS OFF. 864 00:38:25,005 --> 00:38:28,108 [crowd cheers] 865 00:38:28,174 --> 00:38:29,743 BUT NOW THE RAMBLERS COME TO LIFE. 866 00:38:29,776 --> 00:38:31,678 ALL-AMERICAN JERRY HARKNESS... 867 00:38:31,711 --> 00:38:33,446 (Jordan) JIMMY MORAN STRANGLED HER BEFORE HE WENT 868 00:38:33,480 --> 00:38:34,881 OVER TO JOYCE'S THAT NIGHT. 869 00:38:34,914 --> 00:38:36,716 EXPLAINS WHY PEGGY WASN'T RAPED. 870 00:38:36,750 --> 00:38:38,418 COULDN'T DO IT. 871 00:38:38,451 --> 00:38:40,720 (Garret) MORAN USED THE BRAND-NEW NYLONS. 872 00:38:40,754 --> 00:38:41,888 (Nigel) AND THEN DRESSED THE APARTMENT 873 00:38:41,955 --> 00:38:44,824 LIKE EVERY STRANGLER CRIME SCENE HE'D EVER SEEN. 874 00:38:44,858 --> 00:38:47,827 ALL WELL AND GOOD, BUT I STILL NEED HARD EVIDENCE. 875 00:38:47,861 --> 00:38:49,362 THIS IS HEARSAY. 876 00:38:49,396 --> 00:38:52,665 COME ON, CONNECT THE TWO CRIMES FOR ME. 877 00:38:52,699 --> 00:38:55,568 PUT PEGGY MORAN AT THE DINER THAT NIGHT. 878 00:38:57,037 --> 00:38:57,937 THE BLOOD ON THE SHIRT. 879 00:38:57,971 --> 00:39:00,640 YOU ARE A LITTLE SLUT. LOWER YOUR VOICE. 880 00:39:01,941 --> 00:39:03,877 smack! GET OUT OF MY FACE, OKAY? 881 00:39:03,943 --> 00:39:06,913 (Jordan) WHEN RUTH HIT PEGGY, PEGGY'S LIP STARTED TO BLEED. 882 00:39:06,980 --> 00:39:09,282 MAYBE THE BLOOD WAS PEGGY'S. 883 00:39:09,315 --> 00:39:11,851 MAX, IS THE CASE EVIDENCE STILL IN THE WAREHOUSE DOWNTOWN? 884 00:39:13,186 --> 00:39:14,888 PROBABLY. 885 00:39:14,921 --> 00:39:17,490 THEY GOT BOXES DOWN THERE FROM THE 1800s. 886 00:39:17,524 --> 00:39:18,925 CAN YOU GET IN? 887 00:39:18,958 --> 00:39:21,461 (Bug) BY REHYDRATING THE BLOOD ON THE SHIRT, 888 00:39:21,528 --> 00:39:23,830 WE CAN GET A BETTER SAMPLE FOR DNA ANALYSIS. 889 00:39:23,863 --> 00:39:26,466 YOU GUYS FIND THAT TISSUE SAMPLE FROM PEGGY'S AUTOPSY? 890 00:39:26,533 --> 00:39:28,868 FOUND IT IN THE BASEMENT, JUST LIKE HE SAID. 891 00:39:28,935 --> 00:39:29,936 THERE ARE HUNDREDS 892 00:39:29,969 --> 00:39:31,404 OF SAMPLES IN THERE. 893 00:39:31,438 --> 00:39:33,940 (Garret) UNSOLVED CASES ARE STORED INDEFINITELY. 894 00:39:33,973 --> 00:39:35,542 IT'S STATE POLICY. 895 00:39:37,477 --> 00:39:39,412 ALL RIGHT, PEGGY'S DNA IS IN THE REACTION CHAMBER. 896 00:39:39,446 --> 00:39:41,381 READY WHEN YOU ARE FOR THE MYSTERY BLOOD. 897 00:39:41,414 --> 00:39:43,283 REINTRODUCING MOISTURE TO THE STAIN. 898 00:39:43,316 --> 00:39:45,418 HERE IT COMES. 899 00:39:45,452 --> 00:39:47,420 OKAY, GIVE IT A SHOT, NIGE. 900 00:40:13,813 --> 00:40:16,282 MRS. MORAN WAS TYPE O. BLOOD TYPE MATCHES THE SHIRT. 901 00:40:16,316 --> 00:40:17,450 WHAT ABOUT DNA? 902 00:40:28,261 --> 00:40:29,362 CASE CLOSED. 903 00:40:29,429 --> 00:40:32,499 (Bug) AND WITH RUTH CARTER'S LIPSTICK ON HER COLLAR, 904 00:40:32,532 --> 00:40:35,502 THAT PUTS PEGGY AT THE CRIME SCENE ALSO. 905 00:40:35,535 --> 00:40:37,437 THAT MEANS MORAN DITCHED THE SHIRT THAT NIGHT, 906 00:40:37,504 --> 00:40:39,806 AND HE'S BEEN HIDING THE TRUTH EVER SINCE. 907 00:40:39,873 --> 00:40:41,641 OH, HOW DOES HE LIVE WITH HIMSELF? 908 00:40:41,675 --> 00:40:44,010 I'LL BRING HIM IN FOR QUESTIONING TOMORROW. 909 00:40:44,044 --> 00:40:46,646 DON'T BOTHER, KID. 910 00:40:46,680 --> 00:40:50,150 JIMMY MORAN PASSED AWAY ABOUT THREE MONTHS AGO. 911 00:40:58,491 --> 00:40:59,926 (Nigel) ANYONE UP FOR SOME BREAKFAST? 912 00:40:59,959 --> 00:41:02,595 I KNOW A GREAT LITTLE GREEK DINER AROUND THE CORNER. 913 00:41:02,629 --> 00:41:05,265 THAT'S SO NOT FUNNY. HE HE. 914 00:41:05,331 --> 00:41:07,267 BUT I AM IN THE MOOD FOR SOME WAFFLES. 915 00:41:09,803 --> 00:41:10,937 (Garret) GOOD NIGHT, EVERYBODY. 916 00:41:11,004 --> 00:41:12,372 GOOD NIGHT. 'NIGHT. 917 00:41:12,405 --> 00:41:13,873 GET SOME REST. 918 00:41:13,907 --> 00:41:16,443 YOU HEADIN' HOME, GARRET? 919 00:41:16,476 --> 00:41:17,911 WELL, I'VE KINDA GOT A SECOND WIND. 920 00:41:17,977 --> 00:41:19,813 I FIGURED I'D HEAD OVER TO THE PARK 921 00:41:19,846 --> 00:41:22,248 AND WATCH THE SUN COME UP ON THE NEW SNOW. 922 00:41:22,282 --> 00:41:24,617 GREAT. YOU WANT SOME COMPANY? 923 00:41:27,153 --> 00:41:28,988 COME ON. 924 00:41:33,793 --> 00:41:35,662 THANK YOU, SWEETHEART. 925 00:41:37,097 --> 00:41:39,032 ANOTHER FUN NIGHT FOR THE RECORD BOOKS. 926 00:41:39,065 --> 00:41:40,734 YEAH, NO PROBLEM. 927 00:41:40,767 --> 00:41:44,270 UM, DAD, I THINK I'LL CLOSE UP, IF THAT'S OKAY. 928 00:41:46,539 --> 00:41:47,607 BE CAREFUL GOING HOME. 929 00:41:50,443 --> 00:41:51,778 YOU TOO, HOYT. 930 00:41:51,845 --> 00:41:52,879 YES, SIR. 931 00:42:02,555 --> 00:42:06,359 SO, UH, I GUESS WE SHOULD JUST CALL IT A NIGHT, HUH? 932 00:42:06,426 --> 00:42:08,328 I GUESS SO. 933 00:42:10,230 --> 00:42:12,966 LOOK, WOODY, ABOUT WHAT HAPPENED, I-- LISTEN, JORDAN, I-- 934 00:42:12,999 --> 00:42:14,200 HA. I'LL GO FIRST. 935 00:42:14,234 --> 00:42:15,368 FORGET IT. 936 00:42:15,435 --> 00:42:17,671 YOU KNOW WHAT? JUST WAIT. 937 00:42:20,440 --> 00:42:22,242 WOODY. JORDAN... 938 00:42:22,275 --> 00:42:23,810 DON'T SAY ANYTHING. 939 00:42:23,843 --> 00:42:25,979 [drops coin in jukebox] 940 00:42:28,548 --> 00:42:30,150 AND PLEASE DANCE WITH ME. 941 00:42:30,183 --> 00:42:32,552 [Bobby Vee's "Devil or Angel"] * AH AH AH * 942 00:42:32,585 --> 00:42:34,387 * DOO DOO DOO DOO * 943 00:42:34,454 --> 00:42:36,456 * DEVIL OR ANGEL * 944 00:42:36,489 --> 00:42:40,827 * I CAN'T MAKE UP MY MIND * 945 00:42:40,894 --> 00:42:42,962 * WHICH ONE YOU ARE * 946 00:42:43,029 --> 00:42:47,400 * I'D LIKE TO WAKE UP AND FIND * 947 00:42:47,434 --> 00:42:50,437 * DEVIL OR ANGEL * 948 00:42:50,503 --> 00:42:53,440 * DEAR, WHICHEVER YOU ARE * 949 00:42:53,473 --> 00:42:57,444 * I MISS YOU, I MISS YOU * 950 00:42:57,477 --> 00:42:59,446 * I-I MI-I-ISS YOU * 951 00:42:59,479 --> 00:43:01,281 * DOO DOO DOO DOO * 952 00:43:01,348 --> 00:43:03,450 * DEVIL OR ANGEL * 953 00:43:03,483 --> 00:43:13,293 * PLEASE SAY YOU'LL BE MI-I-INE... ** 70035

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.