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1
00:00:03,003 --> 00:00:07,040
(male singer)
* THE HOUR IS EARLY *
2
00:00:07,073 --> 00:00:09,709
* THE WHOLE WORLD IS QUIET *
3
00:00:11,411 --> 00:00:16,049
* A BEAUTIFUL MORNING'S
ABOUT TO IGNITE *
4
00:00:19,252 --> 00:00:22,122
* I'M READY FOR DANGER... * *
5
00:00:22,188 --> 00:00:23,990
LOOKS LIKE HE JACKKNIFED
BACK THERE
6
00:00:24,057 --> 00:00:25,525
WHERE THOSE SKID MARKS ARE.
7
00:00:27,694 --> 00:00:28,795
OH, JEEZ.
8
00:00:28,828 --> 00:00:30,697
GUYS, JUST GET HIM
OUT OF HERE.
9
00:00:30,764 --> 00:00:31,698
RIGHT AWAY.
10
00:00:33,099 --> 00:00:35,068
WHAT DID THEY DO,
DEMOTE YOU?
11
00:00:35,135 --> 00:00:36,670
GOT YOU WORKINGTRAFFIC FATALITIES NOW?
12
00:00:36,703 --> 00:00:38,104
THAT'S IT, RUB IT IN.
13
00:00:38,138 --> 00:00:40,407
WE GOT A TIP THIS GUY'S CARRYING
STOLEN STEREO EQUIPMENT.
14
00:00:40,473 --> 00:00:42,142
SOME JERK IN BUNCO
CALLS IN SICK,
15
00:00:42,208 --> 00:00:43,376
AND YOURS TRULY
GETS VOLUNTEERED.
16
00:00:43,410 --> 00:00:45,111
THEY THINK JUST 'CAUSE
I'M GOOD-NATURED
17
00:00:45,145 --> 00:00:46,913
THEY CAN TAKE
ADVANTAGE OF ME.
18
00:00:47,013 --> 00:00:48,048
THAT'S YOUR FIRST MISTAKE.
19
00:00:48,114 --> 00:00:50,083
YOU'VE GOT TO CULTIVATE
THE MORE SURLY ASPECTS
20
00:00:50,150 --> 00:00:51,051
OF YOUR PERSONALITY.
21
00:00:51,084 --> 00:00:52,552
SPEND THE AFTERNOON
22
00:00:52,585 --> 00:00:54,754
DIGGIN' AROUND THE BACK
OF SOME SMELLY TRUCK.
23
00:00:54,821 --> 00:00:57,057
FILLIN' OUT THREE HOURS
OF PAPERWORK--THIS JUST SUCKS.
24
00:00:57,123 --> 00:00:58,258
THAT'S WHAT
I'M TALKIN' ABOUT.
25
00:00:58,291 --> 00:01:00,093
NOW YOU'RE GETTIN'
THE HANG OF IT.
26
00:01:00,160 --> 00:01:01,561
ALL RIGHT, LOOK OUT.
27
00:01:02,929 --> 00:01:04,230
I'M SERIOUS.
28
00:01:04,297 --> 00:01:05,432
IT'S HUMILIATING.
29
00:01:05,498 --> 00:01:06,933
I'M A HOMICIDE DETECTIVE,
DAMN IT.
30
00:01:07,000 --> 00:01:08,935
IS IT TOO MUCH TO ASK
31
00:01:09,002 --> 00:01:12,072
FOR A NICE, LITTLE,
NOT-TOO-HARD-TO-SOLVE
32
00:01:12,138 --> 00:01:14,841
INTERESTING--[grunts]
33
00:01:14,908 --> 00:01:16,209
HOMICIDE?
34
00:01:16,276 --> 00:01:18,411
I THINK I'M REALLY
STARTING TO LIKE THIS NEW YOU.
35
00:01:18,445 --> 00:01:21,081
DON'T YOU HAVE
A DEAD GUY TO TEND TO?
36
00:01:21,147 --> 00:01:23,750
AND PASS UP A CHANCE
TO SCORE A FREE CD PLAYER?
37
00:01:23,817 --> 00:01:24,884
WHAT ARE YOU, CRAZY?
38
00:01:24,951 --> 00:01:27,153
[sniffing]
WHAT IS THAT SMELL?
39
00:01:27,220 --> 00:01:29,222
UNFORTUNATELY, THERE'S
ONLY ONE THING IN THE WORLD
40
00:01:29,255 --> 00:01:30,657
THAT SMELLS LIKE THAT.
41
00:01:44,971 --> 00:01:48,141
ONE NICE LITTLE HOMICIDE,
COMIN' RIGHT UP.
42
00:01:49,175 --> 00:01:51,978
[suspenseful rock music]
43
00:01:52,045 --> 00:02:00,253
* *
44
00:02:25,745 --> 00:02:26,946
(Nigel)PRETTY GIRL.
45
00:02:26,980 --> 00:02:28,114
IT'S A SHAME.
46
00:02:28,148 --> 00:02:30,483
YEAH, SHE SEEMS SO INNOCENT.
47
00:02:30,517 --> 00:02:32,719
THE TRUCK LEFT LAS VEGAS
FOUR DAYS AGO,
48
00:02:32,752 --> 00:02:34,554
PICKED UP A LOAD IN L.A.,
49
00:02:34,621 --> 00:02:36,489
DROPPED OFF A PIANO
IN BOULDER, COLORADO,
50
00:02:36,523 --> 00:02:38,692
AND WAS ON ITS WAY
TO PORTLAND, MAINE.
51
00:02:38,725 --> 00:02:41,594
I'M PLACING TIME OF DEATH
BETWEEN 72 AND 96 HOURS AGO.
52
00:02:41,628 --> 00:02:44,064
THAT PUTS HER SOMEWHERE
BETWEEN CALIFORNIA
53
00:02:44,097 --> 00:02:46,166
AND NEVADA, UTAH MAYBE.
54
00:02:46,199 --> 00:02:47,534
THE BOX DID NOT HAVE
55
00:02:47,567 --> 00:02:49,269
THE COMPANY'SINVENTORY NUMBER ON IT,
56
00:02:49,302 --> 00:02:50,937
SO THEY HAVE NO IDEAHOW IT GOT IN THE TRUCK.
57
00:02:50,970 --> 00:02:52,972
THEY THINK SOMEBODY GOT
ON THE TRUCK AT A TRUCK STOP.
58
00:02:53,006 --> 00:02:55,008
COULD HAVE BEEN ANYWHERE--
DO WE HAVE A CAUSE OF DEATH YET?
59
00:02:55,041 --> 00:02:58,311
BLUNT FORCE TRAUMA
TO THE BACK OF THE HEAD.
60
00:02:58,345 --> 00:03:01,181
IT DOESN'T APPEAR TO BE ANYTHING
MORE COMPLICATED THAN THAT.
61
00:03:01,214 --> 00:03:02,982
NO OTHER CLUES ON THE BODY?
62
00:03:03,016 --> 00:03:04,951
(Nigel)
COME NOW, WOODY.
63
00:03:04,984 --> 00:03:05,985
NEED YOU ASK?
64
00:03:06,019 --> 00:03:08,221
NIGEL'S ALL EXCITED ABOUT
THIS WHITE, PASTY SUBSTANCE
65
00:03:08,254 --> 00:03:09,689
HE FOUND UNDER HER NAILS.
66
00:03:09,723 --> 00:03:14,094
WELL, IT TAKES SO LITTLE
TO MAKE ME HAPPY.
67
00:03:14,127 --> 00:03:15,295
MY GUESS IS, IT'S DRUGS,
68
00:03:15,328 --> 00:03:17,197
WHICH IS WHY I'M RUNNING
A COMPUTER-GENERATED
69
00:03:17,230 --> 00:03:18,365
ENZYME AMINO ACID TEST.
70
00:03:18,398 --> 00:03:20,667
YEAH, SURE,
WHO WOULDN'T DO THAT?
71
00:03:20,700 --> 00:03:23,169
WE'RE SCREENING FOR COCAINE,HEROIN, PCP--
72
00:03:23,203 --> 00:03:24,971
[beeping]
73
00:03:25,005 --> 00:03:27,674
beep beep beep
74
00:03:27,707 --> 00:03:29,209
THEY'RE ALL NEGATIVE.
75
00:03:29,242 --> 00:03:33,246
GUYS, COME TAKE A LOOK
AT THE COLOR OF HER EYES.
76
00:03:33,279 --> 00:03:34,247
THEY'RE BLUE.
77
00:03:34,280 --> 00:03:35,515
ACTUALLY...
78
00:03:35,548 --> 00:03:37,317
NO.
79
00:03:37,384 --> 00:03:39,252
COLOR CONTACTS.
STILL DOESN'T GIVE US ANYTHING.
80
00:03:39,285 --> 00:03:41,654
AU CONTRAIRE, MON FRERE.
81
00:03:41,688 --> 00:03:43,957
ALL CONTACT LENSES HAVE
A MANUFACTURER'S BIN NUMBER
82
00:03:43,990 --> 00:03:45,291
ENCODED ON THE RIM.
83
00:03:45,325 --> 00:03:47,460
WE FIND OUT WHERE
THEY WERE PURCHASED,
84
00:03:47,494 --> 00:03:49,195
WE MIGHT GET AN IDENTITY.
85
00:03:49,262 --> 00:03:51,031
HOW DOES HE
KNOW ALL THESE THINGS?
86
00:03:51,064 --> 00:03:53,533
OURS IS NOT TO WONDER WHY.
87
00:03:58,972 --> 00:03:59,706
EXCUSE ME.
88
00:03:59,739 --> 00:04:02,075
SIR, YOU'RE NOT SUPPOSED
TO BE BACK HERE.
89
00:04:02,108 --> 00:04:03,109
IT'S EMPLOYEES ONLY.
90
00:04:03,143 --> 00:04:04,210
I NEED TO GET IN THERE.
91
00:04:04,244 --> 00:04:07,313
YOU HAVE TO SPEAK TO SOMEONE
AT THE FRONT DESK.
92
00:04:07,380 --> 00:04:09,082
LOOK, I KNOW MY RIGHTS, MAN--
93
00:04:09,115 --> 00:04:11,084
G-G-GARRET?
94
00:04:11,117 --> 00:04:12,252
GARRET, IS THAT YOU?
95
00:04:12,285 --> 00:04:14,154
DO I KNOW YOU?
96
00:04:14,187 --> 00:04:15,822
UH, IT'S PETER.
97
00:04:15,855 --> 00:04:16,856
PETER NASH.
98
00:04:16,890 --> 00:04:20,427
WE WERE IN THE HEMINGWAY CLUB
TOGETHER AT NORTHEASTERN?
99
00:04:21,995 --> 00:04:23,129
OF COURSE.
100
00:04:23,163 --> 00:04:25,065
IT'S ALL RIGHT, NIGEL.
I GOT IT.
101
00:04:25,098 --> 00:04:27,667
GOD, IT'S--IT'S GREAT
TO SEE YA, GARRET.
102
00:04:27,701 --> 00:04:28,635
HOW YA BEEN?
103
00:04:28,702 --> 00:04:31,104
I'VE BEEN FINE.
104
00:04:31,137 --> 00:04:32,439
SO, UH...
105
00:04:32,505 --> 00:04:33,606
WHAT BRINGS YA HERE?
106
00:04:33,640 --> 00:04:35,975
UM, NOTHIN',
I'M JUST, YOU KNOW,
107
00:04:36,009 --> 00:04:37,043
LOOKIN' FOR MY WIFE.
108
00:04:37,077 --> 00:04:38,244
IN THE CRYPT?
109
00:04:38,278 --> 00:04:42,315
WELL, THAT'S WHERE YOU PUT
THE DEAD PEOPLE, RIGHT?
110
00:04:44,551 --> 00:04:45,552
[sighs]
111
00:04:45,585 --> 00:04:48,455
YOU COULD DO WITH A LITTLE MORE
LIPSTICK, DEAR.
112
00:04:48,488 --> 00:04:49,322
MOM!
113
00:04:49,356 --> 00:04:52,592
MAYBE A HINT OF PINK
TO GO WITH THAT BLOUSE.
114
00:04:52,625 --> 00:04:54,761
OH!
115
00:04:54,828 --> 00:04:56,429
HELLO!
116
00:05:00,667 --> 00:05:02,268
UM, WH-WHAT ARE
YOU DOING HERE?
117
00:05:02,302 --> 00:05:04,037
OH, WELL,
I'VE COME TO VISIT.
118
00:05:04,070 --> 00:05:06,072
THAT'S GREAT.
119
00:05:10,243 --> 00:05:13,079
SO...
120
00:05:13,113 --> 00:05:14,347
UM...
121
00:05:14,381 --> 00:05:16,850
HOW LONG ARE YOU STAYING?
122
00:05:16,916 --> 00:05:18,485
AS LONG AS YOU'LL HAVE ME.
123
00:05:18,518 --> 00:05:19,953
HAH!
124
00:05:19,986 --> 00:05:21,821
I'M MOVING IN WITH YOU.
125
00:05:23,556 --> 00:05:25,225
THE CONTACTS WERE PURCHASED
FROM AN OPTOMETRIST
126
00:05:25,258 --> 00:05:26,292
ON HOLLYWOOD BOULEVARD.
127
00:05:26,326 --> 00:05:29,129
LOOKS LIKE WE'RE TAKIN'
A LITTLE TRIP TO L.A.
128
00:05:29,162 --> 00:05:30,730
SHOULDN'T WE LET THE FBI
HANDLE IT?
129
00:05:30,764 --> 00:05:32,565
I'LL CALL, BUT THE BODY
WAS FOUND HERE IN BOSTON,
130
00:05:32,599 --> 00:05:33,700
SO JURISDICTION STAYS LOCAL.
131
00:05:33,767 --> 00:05:35,735
IN OTHER WORDS,
IT IS STILL MY CASE.
132
00:05:35,769 --> 00:05:38,405
GIVE ME A COUPLE HOURS
TO GET A FEW THINGS TOGETHER.
133
00:05:38,471 --> 00:05:39,839
WHY? WHERE ARE YOU GOING?
134
00:05:39,906 --> 00:05:40,907
TO L.A. WITH YOU.
135
00:05:40,940 --> 00:05:41,875
NO, YOU ARE NOT.
YES, I AM.
136
00:05:41,908 --> 00:05:42,909
ARE NOT.
AM TOO.
137
00:05:42,942 --> 00:05:44,277
YOU ARE NOT GOING, JORDAN.
138
00:05:44,310 --> 00:05:46,112
LAST TIME WE WERE
IN L.A. TOGETHER,
139
00:05:46,179 --> 00:05:47,914
I HAD TO KILL A MAN,
REMEMBER?
140
00:05:47,947 --> 00:05:49,215
I'LL SEND YOU A POSTCARD.
141
00:05:49,249 --> 00:05:50,750
YEAH--BUT--
142
00:05:52,552 --> 00:05:54,287
DID YOU WANT SOMETHING,
LILY?
143
00:05:54,320 --> 00:05:57,290
UH, THAT WOMAN STANDING
THERE IN MY OFFICE...
144
00:05:57,323 --> 00:05:58,291
IT'S MY MOTHER.
145
00:05:58,358 --> 00:06:00,760
SHE'S COME TO BOSTON
TO MOVE IN WITH ME.
146
00:06:00,794 --> 00:06:02,962
OH, AND YOU DON'T
WANT THAT, RIGHT?
147
00:06:02,996 --> 00:06:04,464
NO! OF COURSE NOT!
148
00:06:04,497 --> 00:06:07,267
I MEAN, I LOVE THIS WOMAN,
BUT SHE IS A VAMPIRE.
149
00:06:07,300 --> 00:06:09,302
SHE'S GONNA SUCK
THE LIFE OUT OF ME!
150
00:06:09,336 --> 00:06:11,304
SO I TOLD HER THAT
SHE COULDN'T STAY.
151
00:06:11,338 --> 00:06:13,440
YEAH, WELL, GOOD FOR YOU!
GOOD FOR YOU.
152
00:06:13,473 --> 00:06:15,375
PARENTS NEED
THEIR BOUNDARIES TOO.
153
00:06:15,408 --> 00:06:17,644
I KIND OF TOLD HER
I HAVE A FIANCE,
154
00:06:17,677 --> 00:06:20,146
AND HE'S MOVING IN WITH ME.
155
00:06:20,180 --> 00:06:21,781
FORGET IT, LILY.
I CAN'T DO IT.
156
00:06:21,815 --> 00:06:24,217
OH, COME ON,
IT'S NOT A TOTAL LIE.
157
00:06:24,284 --> 00:06:26,353
WE ALMOST GOT MARRIED ONCE,
SORT OF.
158
00:06:26,386 --> 00:06:28,021
YEAH, AND THAT WAS
A NEAR-DISASTER.
159
00:06:28,054 --> 00:06:30,156
(Bug)I'LL DO IT.
160
00:06:30,190 --> 00:06:31,257
OH, BUG.
161
00:06:31,291 --> 00:06:32,325
I COULDN'T ASK YOU TO.
162
00:06:32,359 --> 00:06:34,527
WHY NOT?
163
00:06:35,995 --> 00:06:37,330
YOU KNOW...
164
00:06:37,397 --> 00:06:39,899
OH! I'M OVER THAT, LILY.
165
00:06:41,501 --> 00:06:44,971
NO, IF YOU'RE IN TROUBLE,
I'LL HELP YOU OUT.
166
00:06:45,005 --> 00:06:47,507
IT'S WHAT FRIENDS ARE FOR.
167
00:06:50,410 --> 00:06:52,412
NO, THAT'S NOT MY GLADYS.
168
00:06:52,445 --> 00:06:54,381
WHY DON'T YOU TELL ME
WHAT HAPPENED, PETER?
169
00:06:54,414 --> 00:06:55,849
WELL, I DON'T KNOW, REALLY.
170
00:06:55,882 --> 00:06:58,351
I-I WORK AT HOME.
I'M A WRITER.
171
00:06:58,385 --> 00:06:59,386
REALLY?
172
00:06:59,419 --> 00:07:02,122
SURE, I SOMETIMES DON'T
COME OUT OF MY ROOM
173
00:07:02,155 --> 00:07:04,090
FOR 10, 12 HOURS AT A TIME.
174
00:07:04,124 --> 00:07:05,458
WHEN GLADYS COMES HOME
FROM WORK,
175
00:07:05,492 --> 00:07:06,626
WE EAT DINNER TOGETHER,
176
00:07:06,659 --> 00:07:08,461
THEN SHE WATCHES
THE ANIMAL CHANNEL
177
00:07:08,495 --> 00:07:10,130
WHILE I GO BACK TO WORK.
178
00:07:10,163 --> 00:07:12,065
I GOT UP YESTERDAY,
SHE WAS GONE.
179
00:07:12,098 --> 00:07:13,366
WHAT DID THE POLICE SAY?
180
00:07:13,433 --> 00:07:14,901
I FILED A MISSING PERSONS
REPORT,
181
00:07:14,934 --> 00:07:17,337
BUT THEY THINK THAT
MAYBE SHE'LL TURN UP.
182
00:07:17,370 --> 00:07:19,139
THEY'RE PROBABLY RIGHT.
183
00:07:19,172 --> 00:07:21,207
YEAH, MAYBE.
184
00:07:21,241 --> 00:07:22,409
DR. MACY.
YOU KNOW--
185
00:07:22,475 --> 00:07:25,845
I ALWAYS THOUGHT,
OUT OF ALL OF US,
186
00:07:25,879 --> 00:07:27,313
YOU'D BE THE ONE.
187
00:07:27,380 --> 00:07:29,482
WHICH ONE WOULD THAT BE?
188
00:07:29,516 --> 00:07:31,317
YOU WERE THE TALENTED ONE.
189
00:07:31,351 --> 00:07:32,218
THE COOL ONE.
190
00:07:32,252 --> 00:07:33,953
I ALWAYS THOUGHT
THAT YOU'D BE THE ONE
191
00:07:34,020 --> 00:07:35,655
TO RIDE A MOTORCYCLE
AROUND THE WORLD.
192
00:07:35,689 --> 00:07:37,490
WRITE THE GREAT
AMERICAN NOVEL.
193
00:07:37,524 --> 00:07:38,658
WELL, YOU NEVER KNOW,
194
00:07:38,692 --> 00:07:40,727
I STILL MIGHT
HAVE IT IN ME.
195
00:07:40,760 --> 00:07:45,165
I JUST NEVER THOUGHT
I'D SEE YA IN A PLACE LIKE THIS.
196
00:07:45,198 --> 00:07:47,133
WHAT HAPPENED TO YA?
197
00:07:50,970 --> 00:07:52,138
NIGEL, DO ME A FAVOR.
198
00:07:52,205 --> 00:07:55,375
CALL BOSTON PD AND SEE
IF A PETER NASH HAS FILED
199
00:07:55,408 --> 00:07:57,711
A MISSING PERSONS REPORT
IN THE LAST FEW DAYS.
200
00:07:57,744 --> 00:07:59,646
PETER NASH--OH, RIGHT,
IT'S THE WEIRD GUY
201
00:07:59,679 --> 00:08:00,613
WITH THE BOWLING BAG,
RIGHT?
202
00:08:00,647 --> 00:08:01,648
THAT'S THE GUY, YEAH.
203
00:08:01,681 --> 00:08:04,417
GOT A FEELING I'M NOT
GETTING THE WHOLE STORY.
204
00:08:04,484 --> 00:08:05,785
SO YOU GUYS WERE FRIENDS?
205
00:08:05,819 --> 00:08:06,753
NOT REALLY.
206
00:08:06,786 --> 00:08:08,688
WE TOOK A COUPLE OF CREATIVE
WRITING CLASSES TOGETHER
207
00:08:08,722 --> 00:08:10,457
IN COLLEGE, BUT ALL
I REALLY REMEMBER ABOUT HIM
208
00:08:10,490 --> 00:08:12,092
IS HE WASN'T VERY TALENTED.
209
00:08:12,125 --> 00:08:14,361
BUT FOR SOME REASON,
HE HERO-WORSHIPPED ME.
210
00:08:14,394 --> 00:08:16,262
WELL, DON'T WE ALL.
211
00:08:16,296 --> 00:08:17,397
I'LL GET ON IT.
212
00:08:17,430 --> 00:08:19,299
THANKS.
213
00:08:34,547 --> 00:08:36,016
I HATE YOU, JORDAN.
214
00:08:36,049 --> 00:08:37,350
YOU ONLY THINK YOU DO.
215
00:08:37,384 --> 00:08:38,651
AND YOU HATE ME TOO.
216
00:08:38,685 --> 00:08:41,588
YOU'RE HERE TO WREAK SOME KIND
OF TERRIBLE HAVOC ON MY LIFE.
217
00:08:41,621 --> 00:08:42,889
AND YOU WANT TO KNOW
WHAT THE MOST
218
00:08:42,922 --> 00:08:44,591
SICK AND TWISTED
PART OF THE WHOLE THING IS,
219
00:08:44,624 --> 00:08:46,292
IS THAT I'M ACTUALLY
GONNA LET YOU DO IT.
220
00:08:46,326 --> 00:08:47,594
IT'S LIKE WATCHING
MY OWN TRAIN WRECK.
221
00:08:47,627 --> 00:08:49,029
GET A GRIP, WOODY.
I'M HERE.
222
00:08:49,095 --> 00:08:50,063
GET USED TO IT.
223
00:08:50,096 --> 00:08:53,767
I SWEAR, JORDAN, I WILL
HANDCUFF YOU TO A FIRE HYDRANT
224
00:08:53,800 --> 00:08:55,969
AND LET YOU LIE IN THE SUN
AND DIE LIKE A DOG
225
00:08:56,002 --> 00:08:56,770
IF YOU SO MUCH AS--
226
00:08:56,803 --> 00:08:58,605
SO WHAT DID YOU FIND OUT?
227
00:08:58,638 --> 00:09:01,174
HOW DID YOU PULL THIS OFF?
228
00:09:01,207 --> 00:09:03,877
I HAD ABOUT FIVE YEARS
OF VACATION DAYS SAVED UP.
229
00:09:03,910 --> 00:09:07,113
YOU COULD BE STUCK WITH ME
FOR A MONTH.
230
00:09:07,147 --> 00:09:08,148
I'M IN HELL.
231
00:09:08,181 --> 00:09:09,683
THIS IS OFFICIALLY HELL.
232
00:09:09,716 --> 00:09:12,352
DID YOU I.D.
THE GIRL OR NOT?
233
00:09:12,419 --> 00:09:14,788
HER NAME IS SHIRLEY McGINTY.
234
00:09:14,821 --> 00:09:16,623
SHE PURCHASED THE CONTACTS
TWO MONTHS AGO.
235
00:09:16,656 --> 00:09:19,492
THE ADDRESS ON THE CHECK
IS AN APARTMENT ON IVAR.
236
00:09:19,526 --> 00:09:22,162
ALL RIGHT, GOOD!
I'LL FOLLOW YOU, THEN.
237
00:09:22,195 --> 00:09:24,097
UM...I DON'T HAVE A CAR.
238
00:09:25,832 --> 00:09:27,233
HOP IN.
239
00:09:27,267 --> 00:09:28,335
ALL RIGHT.
240
00:09:28,368 --> 00:09:29,769
WELL, IT'S TAKING
A LOT LONGER
241
00:09:29,803 --> 00:09:32,505
TO GET AROUND IN THIS TOWN
ON A BUS THAN I EXPECTED.
242
00:09:32,539 --> 00:09:33,873
DAMN, WHERE DID YOU
GET THIS THING?
243
00:09:33,907 --> 00:09:34,741
SWEET, HUH?
244
00:09:34,774 --> 00:09:36,743
1959, THE CADILLAC
OF CADILLACS.
245
00:09:36,776 --> 00:09:39,679
GOT A GREAT DEAL ON IT
AT THE RENT-A-CAR PLACE.
246
00:09:39,713 --> 00:09:40,814
I'M SURE YOU DID.
247
00:09:40,880 --> 00:09:42,782
WHERE'D YOU GO,
RENT-A-PIMPMOBILE?
248
00:09:42,816 --> 00:09:44,684
IT PROBABLY LEAKS OIL
LIKE A SIEVE.
249
00:09:44,718 --> 00:09:46,820
[engine growling]
250
00:10:02,235 --> 00:10:06,339
SOMEONE NAMED KRYSTIN WATKINS
LIVES HERE NOW.
251
00:10:06,373 --> 00:10:08,708
GUESS SHIRLEY McGINTY
MOVED OUT.
252
00:10:08,742 --> 00:10:12,779
THEN WHY IS THERE A PHOTO OF
SHIRLEY ON THE TABLE IN THERE?
253
00:10:45,045 --> 00:10:47,113
(man on TV)SCREEN TESTFOR KRYSTIN WATKINS.
254
00:10:47,180 --> 00:10:48,682
TAKE THREE.
255
00:10:48,715 --> 00:10:51,284
[Russian accent]
WILLIAM, PLEASE,
I WAS JUST AFRAID
256
00:10:51,317 --> 00:10:52,886
THAT IF YOU FOUND OUT
WHO I REALLY WAS,
257
00:10:52,952 --> 00:10:54,854
THAT YOU NEVER WOULD
HAVE WANTED ME.
258
00:10:54,888 --> 00:10:56,523
IT'S ALL BEEN A LIE,EVERYTHING.
259
00:10:56,556 --> 00:11:00,493
MY NAME, MY BACKGROUND,
MY ACCENT.
260
00:11:00,527 --> 00:11:04,064
[normal voice]
I JUST WANTED YOU TO THINK
THAT I WAS SOMEONE DIFFERENT.
261
00:11:04,097 --> 00:11:05,532
SOMEONE BETTER.
262
00:11:05,565 --> 00:11:06,733
BUT THE FACT IS,
263
00:11:06,766 --> 00:11:10,804
I CAN'T RUN AWAY
FROM WHO I AM ANYMORE.
264
00:11:10,837 --> 00:11:12,372
(man)ON YOUR KNEES.
265
00:11:12,405 --> 00:11:13,807
BOTH OF YOU, NOW.
266
00:11:15,342 --> 00:11:17,577
I SAID, ON YOUR KNEES.
267
00:11:17,610 --> 00:11:19,279
HOLD ON.
WE WERE JUST LOOKING AROUND.
268
00:11:19,312 --> 00:11:20,413
YOU SLEEPING WITH HER?
269
00:11:20,447 --> 00:11:22,749
WHAT? NO!
I'M A COP. BOSTON PD.
270
00:11:22,782 --> 00:11:25,752
YOU BETTER TELL ME WHAT
THE HELL'S GOING ON RIGHT NOW.
271
00:11:25,785 --> 00:11:27,821
I'M JUST GOING
FOR MY BADGE.
272
00:11:30,724 --> 00:11:34,427
WE'RE INVESTIGATING
A HOMICIDE.
273
00:11:34,461 --> 00:11:35,395
SHE'S DEAD?
274
00:11:35,428 --> 00:11:37,230
YES.
275
00:11:40,033 --> 00:11:41,301
WHO ARE YOU?
276
00:11:41,334 --> 00:11:43,269
I'M HER HUSBAND.
277
00:11:47,607 --> 00:11:50,143
SHE DIDN'T RETURN MY CALLS.
278
00:11:50,176 --> 00:11:51,544
SHE ALWAYS
RETURNED MY CALLS.
279
00:11:51,611 --> 00:11:53,113
YOU TWO DIDN'T LIVE TOGETHER?
280
00:11:54,748 --> 00:11:56,883
DO I LOOK LIKE I LIVE HERE?
281
00:11:56,916 --> 00:11:58,551
STUCK BACK IN SAN QUIVERA.
282
00:11:58,585 --> 00:12:00,220
WHERE'S THAT?
283
00:12:00,253 --> 00:12:02,589
OUT IN THE MOJAVE DESERT,
WHERE SHIRLEY AND ME GREW UP.
284
00:12:02,622 --> 00:12:03,890
KRYSTIN WATKINS
IS A FAKE NAME?
285
00:12:03,957 --> 00:12:05,859
THEY SPENT $30 MILLION
ON THAT MOVIE,
286
00:12:05,925 --> 00:12:08,128
BUT THEY COULDN'T CHANGE
WHO SHE REALLY WAS.
287
00:12:08,161 --> 00:12:09,129
$30 MILLION?
288
00:12:09,162 --> 00:12:10,630
WHAT MOVIE?
289
00:12:10,663 --> 00:12:12,799
DO I GOTTA TELL YOU GUYS
EVERYTHING?
290
00:12:12,866 --> 00:12:14,768
HERMOVIE.
291
00:12:21,741 --> 00:12:23,510
tap-tap tap
292
00:12:23,576 --> 00:12:25,245
THERE'S NO RECORD
OF A PETER NASH
293
00:12:25,311 --> 00:12:28,314
EVER FILING
A MISSING PERSONS REPORT.
294
00:12:28,348 --> 00:12:29,149
I GUESS I'M NOT SURPRISED.
295
00:12:29,215 --> 00:12:31,651
THE WHOLE THING SEEMED
PRETTY FUNKY TO ME.
296
00:12:31,718 --> 00:12:33,053
YEAH, IT JUST BEGS
THE QUESTION,
297
00:12:33,119 --> 00:12:35,355
WHAT REALLY HAPPENED
TO HIS WIFE?
298
00:12:35,388 --> 00:12:36,990
YOU DIDN'T HAPPEN TO ASK
299
00:12:37,057 --> 00:12:39,225
WHAT WAS IN THE BOWLING BAG,
DID YA?
300
00:12:39,259 --> 00:12:40,260
NO.
301
00:12:40,293 --> 00:12:41,961
I'M JUST SAYING,
302
00:12:41,995 --> 00:12:44,931
IT HAD A DISTINCTLY
DISMEMBERED-HEAD SHAPE TO IT.
303
00:12:47,067 --> 00:12:49,536
WELL, I'LL LEAVE
YOU TWO ALONE.
304
00:12:51,538 --> 00:12:53,340
CAME TO SEE
IF SHE SHOWED UP.
305
00:12:53,373 --> 00:12:55,809
NOTHING YET.
306
00:12:59,312 --> 00:13:00,980
WHY DID YOU LIE TO ME
307
00:13:01,014 --> 00:13:02,515
ABOUT FILING A MISSING
PERSONS REPORT?
308
00:13:02,582 --> 00:13:05,018
I-I KNOW HOW
THESE THINGS WORK, GARRET.
309
00:13:05,085 --> 00:13:07,053
I READ A LOT
OF CRIME NOVELS.
310
00:13:07,120 --> 00:13:10,023
THE FIRST PERSON THEY SUSPECT
IS THE HUSBAND.
311
00:13:10,056 --> 00:13:13,326
WHAT'S IN THE BAG, PETER?
312
00:13:13,393 --> 00:13:15,228
IN HERE?
YEAH, IN THERE.
313
00:13:17,497 --> 00:13:19,632
EVERYTHING.
314
00:13:19,666 --> 00:13:21,568
MY ONE TRUE ACCOMPLISHMENT.
315
00:13:21,601 --> 00:13:24,070
CAN YOU BE
A BIT MORE SPECIFIC?
316
00:13:25,372 --> 00:13:26,206
GO AHEAD.
317
00:13:28,074 --> 00:13:28,975
OPEN IT.
318
00:13:30,243 --> 00:13:31,845
SEE FOR YOURSELF.
319
00:13:49,396 --> 00:13:51,097
MY NOVEL.
320
00:13:51,164 --> 00:13:52,565
I WROTE IT.
321
00:13:52,599 --> 00:13:54,134
I SUFFERED FOR MY ART,GARRET,
322
00:13:54,167 --> 00:13:56,403
JUST LIKE WE USED
TO TALK ABOUT.
323
00:13:56,436 --> 00:13:58,438
IT TOOK ME 20 YEARS.
324
00:13:58,505 --> 00:14:01,074
I SACRIFICED
EVERYTHING FOR IT.
325
00:14:01,141 --> 00:14:05,345
I'D BE HONORED IF YOU'D BE
THE FIRST ONE TO READ IT.
326
00:14:05,378 --> 00:14:07,347
WE WERE ALL SHOCKED
WHEN WE GOT THE CALL.
327
00:14:07,414 --> 00:14:10,283
DO YOU HAVE ANY IDEA
WHO COULD HAVE DONE THIS TO HER?
328
00:14:10,316 --> 00:14:12,118
WE WERE HOPING MAYBE
YOU COULD HELP US.
329
00:14:12,152 --> 00:14:14,220
KRYSTIN HAD ONLY
EIGHT SCENES IN THIS FILM.
330
00:14:14,254 --> 00:14:15,288
BUT SHE POPPED.
331
00:14:15,321 --> 00:14:17,424
STOLE THE PICTURE.
332
00:14:17,457 --> 00:14:19,659
SHE COULD HAVE BEEN
AMERICA'S SWEETHEART.
333
00:14:19,693 --> 00:14:21,928
A HUGE STAR.
334
00:14:21,961 --> 00:14:23,897
GIVE US A MINUTE,
WILL YOU, GUYS?
335
00:14:26,966 --> 00:14:28,968
FOUR DAYS AGO, I RECEIVED
AN ANONYMOUS PACKAGE
336
00:14:29,035 --> 00:14:30,537
WITH THIS IN IT.
337
00:14:30,570 --> 00:14:33,373
YOU HAVE TO UNDERSTAND...
THIS IS A FAMILY PICTURE.
338
00:14:33,440 --> 00:14:34,841
WE OPEN IN TEN DAYS,
339
00:14:34,908 --> 00:14:36,509
AND WE'RE EXPECTING 30 MILLION
THE FIRST WEEKEND.
340
00:14:36,576 --> 00:14:40,347
THAT'S WHY THIS NEVER COULD
SEE THE LIGHT OF DAY.
341
00:14:40,413 --> 00:14:43,683
[man laughing, moaning]
342
00:14:49,389 --> 00:14:50,290
WOW.
343
00:14:50,323 --> 00:14:53,326
LOOK AT AMERICA'S SWEETHEART GO.
344
00:14:55,061 --> 00:14:57,297
AN HOUR LATER,
I GET A PHONE CALL.
345
00:14:57,330 --> 00:14:58,431
SOME CREEP DEMANDS 500 GRAND,
346
00:14:58,465 --> 00:15:01,234
OR HE'S GONNA PLASTER THIS
ALL OVER THE INTERNET.
347
00:15:01,267 --> 00:15:04,304
DID I SUSPECT SHE WASN'T
WHO SHE SAID SHE WAS?
348
00:15:04,337 --> 00:15:05,438
OF COURSE.
349
00:15:05,472 --> 00:15:08,174
THIS IS AN INDUSTRY WHEREREINVENTION IS NOT ONLY COMMON,
350
00:15:08,208 --> 00:15:10,210
IT'S OFTEN NECESSARY.
351
00:15:10,243 --> 00:15:12,579
WHAT DID YOU DO
AFTER YOU GOT THE CALL?
352
00:15:12,612 --> 00:15:14,280
I CONFRONTED KRYSTIN.
353
00:15:14,314 --> 00:15:16,249
SHE WOULDN'T TELL ME
ANYTHING ABOUT IT.
354
00:15:16,282 --> 00:15:18,184
SHE SAID SHE WOULDTAKE CARE OF IT HERSELF.
355
00:15:18,218 --> 00:15:19,285
I SAID ABSOLUTELY NOT.
356
00:15:19,352 --> 00:15:22,188
SHE STORMED OUT OF HERE
IN TEARS.
357
00:15:22,222 --> 00:15:23,790
AND THEN YOU
CALLED THE POLICE.
358
00:15:23,823 --> 00:15:25,225
OH, I COULDN'T RISK THAT.
359
00:15:25,258 --> 00:15:26,393
I CALLED
A PRIVATE INVESTIGATOR
360
00:15:26,426 --> 00:15:29,195
WHO DEALS
WITH CELEBRITY SECURITY.
361
00:15:29,262 --> 00:15:31,931
THE LAST I HEARD FROM HIM
WAS TWO DAYS AGO,
362
00:15:31,965 --> 00:15:34,501
SOMEWHERE IN THE MOJAVE DESERT.
363
00:15:38,772 --> 00:15:41,141
(Jordan)WE SHOULD'VE GOTTENTO THE SHORTCUT BY NOW.
364
00:15:41,174 --> 00:15:42,976
IT'S SUPPOSED TO BE
RIGHT HERE SOMEWHERE,
365
00:15:43,043 --> 00:15:44,277
BUT IT DOESN'T LOOK RIGHT.
366
00:15:44,344 --> 00:15:46,646
DOES THAT LOOK LIKE
A DOTTED LINE TO YOU?
367
00:15:46,713 --> 00:15:48,148
COME ON, JORDAN.
YOU GOTTA SLOW DOWN!
368
00:15:48,181 --> 00:15:49,683
I AM SO NOT SPEEDING.
369
00:15:49,749 --> 00:15:51,551
OH, THERE IT IS.
370
00:15:51,618 --> 00:15:52,886
JORDAN, I AM TELLING YOU.
371
00:15:52,952 --> 00:15:55,155
YOU CANNOT BE GOING
THIS FAST IN THIS CAR
372
00:15:55,188 --> 00:15:56,956
WHEN IT'S 100 DEGREES OUT.
373
00:15:57,023 --> 00:15:58,525
[tires skidding]
374
00:16:00,260 --> 00:16:02,395
I GOT A BAD FEELINGABOUT THIS.
375
00:16:10,837 --> 00:16:12,405
THE CADILLAC OF CADILLACS.
376
00:16:12,439 --> 00:16:13,273
GREAT.
377
00:16:13,340 --> 00:16:15,308
WELL, AT LEASTWE'LL DIE IN STYLE.
378
00:16:15,342 --> 00:16:17,744
beep
379
00:16:17,811 --> 00:16:19,212
IT'S ONLY
ABOUT TEN MILES BACK
380
00:16:19,245 --> 00:16:20,347
TO THE HIGHWAY FROM HERE.
381
00:16:20,413 --> 00:16:22,449
YOU WANNA WALK TEN MILES
IN THIS HEAT?
382
00:16:22,515 --> 00:16:23,817
YOU GOT A BETTER IDEA?
383
00:16:23,883 --> 00:16:26,019
YEAH, WE SIT TIGHT
AND WAIT FOR HELP.
384
00:16:26,086 --> 00:16:27,420
THAT DOESN'T LOOK
TOO PROMISING.
385
00:16:27,454 --> 00:16:29,723
YEAH, BECAUSE
THIS IS NOT A ROAD.
386
00:16:29,789 --> 00:16:31,157
THIS IS A DOTTED LINE.
387
00:16:31,224 --> 00:16:32,625
FINE!
388
00:16:32,659 --> 00:16:34,427
FINE.
389
00:16:39,132 --> 00:16:41,368
I JUST WANT TO STATE
FOR THE RECORD THAT
390
00:16:41,434 --> 00:16:44,104
IF I GET DESPERATE ENOUGH
I HAVE NO ETHICAL ISSUES
391
00:16:44,137 --> 00:16:45,305
EATING HUMAN FLESH.
392
00:16:45,338 --> 00:16:47,407
I JUST THOUGHT
YOU SHOULD KNOW THAT.
393
00:16:49,642 --> 00:16:52,212
(Lily)MY MOTHER COULD BARELYTAKE CARE OF HERSELF,
394
00:16:52,278 --> 00:16:53,847
LET ALONE MY BROTHER AND ME.
395
00:16:53,880 --> 00:16:55,582
THE ONLY THING
SHE WAS GOOD AT
396
00:16:55,648 --> 00:16:57,250
WAS ATTRACTING MEN.
397
00:16:57,317 --> 00:16:59,919
SO I HAD A LOT OF UNCLES
GROWING UP.
398
00:16:59,953 --> 00:17:02,922
THEY NEVER STUCK AROUND
TOO LONG.
399
00:17:02,956 --> 00:17:04,157
YOU KNOW, IN SOME COUNTRIES,
400
00:17:04,224 --> 00:17:05,658
PARENTS OFTEN LIVE
WITH THEIR CHILDREN
401
00:17:05,725 --> 00:17:06,493
THEIR WHOLE LIVES.
402
00:17:06,526 --> 00:17:09,362
IS THAT SUPPOSED
TO MAKE ME FEEL BETTER?
403
00:17:09,396 --> 00:17:10,663
SORRY.
404
00:17:10,730 --> 00:17:12,565
SHE'S GONNA DO
WHATEVER SHE CAN
405
00:17:12,632 --> 00:17:13,833
DRIVE A WEDGE BETWEEN US.
406
00:17:13,900 --> 00:17:15,368
SHE'D TELL THE BOYS I DATED
407
00:17:15,435 --> 00:17:17,170
I SLEPT WITH THE ENTIRE
FOOTBALL TEAM.
408
00:17:17,237 --> 00:17:19,305
CAN YOU BELIEVE IT?
JUST TO SCARE THEM OFF.
409
00:17:19,339 --> 00:17:21,041
THIS IS WHAT
I'M DEALING WITH HERE.
410
00:17:21,074 --> 00:17:22,942
SO WE GOTTA STICK
TO OUR STORY.
411
00:17:22,976 --> 00:17:25,478
OKAY, BUT-BUT WHAT EXACTLY
IS OUR STORY?
412
00:17:25,545 --> 00:17:27,480
HI, DEAR.
413
00:17:27,514 --> 00:17:28,415
MOM.
414
00:17:28,448 --> 00:17:30,316
YOU'RE EARLY.
415
00:17:30,350 --> 00:17:33,286
WELL, THIS MUST BE HIM.
416
00:17:33,353 --> 00:17:35,455
UH, MOM, I'D LIKE YOU
TO MEET MY FIANCE.
417
00:17:35,488 --> 00:17:36,289
CALL ME BUG.
418
00:17:36,322 --> 00:17:39,292
WELL, YOU ARE SHORT.
419
00:17:40,994 --> 00:17:42,429
OH, THANK YOU.
420
00:17:48,101 --> 00:17:52,038
SO, LILY TELLS ME
YOU MAKE A LIVING
421
00:17:52,105 --> 00:17:53,373
PLAYING WITH INSECTS.
422
00:17:54,474 --> 00:17:57,310
NOT MUCH MONEY IN THAT,
I IMAGINE.
423
00:17:57,344 --> 00:17:59,379
NO, NO,
NOT AS MUCH AS I LIKE.
424
00:17:59,412 --> 00:18:01,214
BUT, YOU KNOW,
WITH LILY'S NEW RAISE,
425
00:18:01,247 --> 00:18:04,217
WE'LL HAVE ENOUGHFOR A DOWN PAYMENT ON A CONDO
426
00:18:04,250 --> 00:18:05,652
IN A YEAR AND A HALF.
427
00:18:05,719 --> 00:18:07,420
WORD OF ADVICE.
428
00:18:07,454 --> 00:18:09,489
DON'T LET LILY HANDLE
THE FINANCES.
429
00:18:09,522 --> 00:18:11,691
DID SHE EVER TELL YOUABOUT THE TIME
430
00:18:11,725 --> 00:18:13,193
THAT SHE GAVE AWAY
431
00:18:13,226 --> 00:18:15,895
HER ENTIRE SUMMER'S PAYCHECK
TO A HOMELESS SHELTER.
432
00:18:15,962 --> 00:18:18,998
YOU KNOW, HER SENSE OF CHARITY
WAS ONE OF THE FIRST THINGS
433
00:18:19,032 --> 00:18:20,333
THAT ATTRACTED ME TO HER.
434
00:18:20,367 --> 00:18:21,167
SHE'S CHARITABLE ALL RIGHT.
435
00:18:21,234 --> 00:18:23,403
SHE USED TO GIVE IT UP
PRETTY GOOD
436
00:18:23,436 --> 00:18:26,106
AFTER THE FRIDAY NIGHT
FOOTBALL GAMES,
437
00:18:26,139 --> 00:18:27,474
DIDN'T YOU, SWEETHEART.
438
00:18:28,575 --> 00:18:30,377
HUH.
439
00:18:30,443 --> 00:18:32,545
WELL, WE'VE ALL HAD
OUR WILD DAYS.
440
00:18:32,579 --> 00:18:35,749
ACTUALLY, SHE DIDN'T HAVE
MUCH CHOICE...
441
00:18:35,815 --> 00:18:39,352
WITH THE WEIGHT PROBLEM
AND ALL.
442
00:18:39,386 --> 00:18:40,720
[laughs]
443
00:18:40,754 --> 00:18:43,123
THEN, YOU KNOW,I GUESS THERE WILL JUST BE
444
00:18:43,156 --> 00:18:45,425
THAT MUCH MORE OF HER TO LOVE.
445
00:18:48,128 --> 00:18:49,629
LET'S DRINK TO THAT.
446
00:18:52,298 --> 00:18:58,538
(female singer)
* TOMORROW NIGHT *
447
00:18:58,605 --> 00:19:05,578
* WILL YOU REMEMBER
WHAT YOU SAID TONIGHT *
448
00:19:05,645 --> 00:19:11,685
* TOMORROW NIGHT *
449
00:19:11,718 --> 00:19:17,457
* WHEN ALL THE THRILLS
ARE GONE... * *
450
00:19:17,490 --> 00:19:22,028
YOU GOTTA ADMIRE HER,
YOU KNOW.
451
00:19:22,062 --> 00:19:26,733
TOTALLY REINVENTING
HERSELF.
452
00:19:26,766 --> 00:19:28,268
I COULD NEVER DO THAT.
453
00:19:28,301 --> 00:19:31,604
PEOPLE DO IT ALL THE TIME.
454
00:19:31,638 --> 00:19:33,139
YEAH, WELL, NOT ME.
455
00:19:33,173 --> 00:19:35,542
I AM WHO I AM.
456
00:19:37,344 --> 00:19:41,281
I'M TALKING ABOUT CHANGING
YOUR BASIC SITUATION.
457
00:19:41,314 --> 00:19:42,849
YOU KNOW, LEAVING SOME PLACE
458
00:19:42,882 --> 00:19:46,586
WHERE PEOPLE ONLY THINK OF YOU
IN A CERTAIN WAY.
459
00:19:48,521 --> 00:19:51,458
I'VE RUN AWAY
PLENTY OF TIMES.
460
00:19:51,491 --> 00:19:53,193
I CAN'T GET AWAY
FROM MY PAST.
461
00:19:53,226 --> 00:19:57,464
WHEN I FIRST GOT TO BOSTON,
462
00:19:57,497 --> 00:19:59,599
I ONLY HAD $1,200
IN MY POCKET.
463
00:19:59,666 --> 00:20:02,702
NOW, I COULD'VE GOTTEN
A ONE-BEDROOM APARTMENT.
464
00:20:02,736 --> 00:20:05,638
I GOT A STUDIO, 'CAUSE I WANTED
TO SAVE A LITTLE MONEY
465
00:20:05,672 --> 00:20:06,439
TO GET A NEW SUIT.
466
00:20:06,506 --> 00:20:08,475
SEE, IT WAS IMPORTANT TO ME
467
00:20:08,508 --> 00:20:13,580
THAT I LOOK A CERTAIN WAY,
THAT I PORTRAY A CERTAIN IMAGE,
468
00:20:13,613 --> 00:20:15,849
'CAUSE I CERTAINLY
DID NOT WANT PEOPLE IN BOSTON
469
00:20:15,882 --> 00:20:21,554
THINKING OF ME AS THAT
CHUBBY LITTLE KID FROM QUWANNEE
470
00:20:21,588 --> 00:20:23,957
WHO STAMMERS AND WHOSE
PROM DATES STOOD HIM UP.
471
00:20:23,990 --> 00:20:26,659
I'M SORRY, WOODY.
472
00:20:26,693 --> 00:20:29,396
FOR WHAT?
473
00:20:29,429 --> 00:20:32,365
FOR NOT KNOWING YOU BETTER.
474
00:20:32,399 --> 00:20:34,601
WELL, IT'S A LITTLE DIFFICULT
475
00:20:34,634 --> 00:20:38,471
WHEN YOUR LIFE PHILOSOPHY
IS "DON'T ASK, DON'T TELL."
476
00:20:38,505 --> 00:20:41,074
I COULD TRY A LITTLE HARDER.
477
00:20:41,107 --> 00:20:46,179
ASK MORE QUESTIONS.
478
00:20:46,212 --> 00:20:47,947
OR JUST...
479
00:20:52,385 --> 00:20:56,690
* YOUR LIPS ARE SO TENDER... * *
480
00:20:56,723 --> 00:20:57,691
[car horn beeping]
481
00:21:08,134 --> 00:21:09,569
'59 CADILLAC, HUH?
482
00:21:09,602 --> 00:21:11,871
NOT EXACTLYAN EFFICIENT VEHICLE
483
00:21:11,905 --> 00:21:12,539
FOR DESERT MANEUVERS.
484
00:21:12,605 --> 00:21:14,574
I TRIED TO TELL HER THAT.
485
00:21:14,607 --> 00:21:16,276
WE'RE TRYING TO GET
TO SAN QUIVERA.
486
00:21:16,309 --> 00:21:17,911
INTERESTING
YOU TAKE THIS ROAD.
487
00:21:17,944 --> 00:21:19,679
NOBODY TAKES THIS ROAD.
488
00:21:19,713 --> 00:21:21,047
WHAT'D I TELL YOU?
489
00:21:21,081 --> 00:21:23,750
IS A SERVICE STATION AROUND HERE
THAT YOU COULD TAKE US TO?
490
00:21:23,817 --> 00:21:24,684
SIX MILES UP.
491
00:21:24,751 --> 00:21:27,153
BUT I ONLY GOT ROOM
FOR ONE OF YOU.
492
00:21:27,187 --> 00:21:28,621
HOW 'BOUT I, UH...
493
00:21:28,688 --> 00:21:30,590
GIVE THE LITTLE LADY A LIFT.
494
00:21:30,657 --> 00:21:32,759
HOW 'BOUT NOT.
I SAW THAT MOVIE.
495
00:21:32,792 --> 00:21:35,795
THE LADY GETS IN THE TRUCK.
I NEVER SEE HER AGAIN.
496
00:21:35,862 --> 00:21:36,730
I'LL GO WITH YOU.
497
00:21:36,796 --> 00:21:38,765
FAIR ENOUGH.
498
00:21:38,832 --> 00:21:39,799
HOP IN.
499
00:21:39,833 --> 00:21:42,702
[engine starts]
500
00:21:47,640 --> 00:21:49,876
I REALLY APPRECIATE THIS.
501
00:21:49,909 --> 00:21:51,911
YOU COME 43,000 LIGHT YEARS.
502
00:21:51,945 --> 00:21:53,146
IT'S THE LEAST I CAN DO.
503
00:21:53,179 --> 00:21:55,248
YEAH.
504
00:21:55,281 --> 00:21:56,683
L.A.'S PRETTY FAR.
505
00:21:56,716 --> 00:21:58,118
SO WHAT IS IT?
506
00:21:58,151 --> 00:22:00,220
RECONNAISSANCE MISSION,
507
00:22:00,286 --> 00:22:01,454
SPECIMEN COLLECTION,
508
00:22:01,521 --> 00:22:03,423
GEOLOGICAL SURVEY, WHAT?
509
00:22:03,490 --> 00:22:05,825
WE'RE ACTUALLY JUST HERE
ON BUSINESS.
510
00:22:08,228 --> 00:22:10,397
DON'T THINK I DON'T KNOW
WHO YOU ARE.
511
00:22:10,430 --> 00:22:13,667
THE CADILLAC.THAT'S WHAT GAVE IT AWAY.
512
00:22:13,700 --> 00:22:16,202
SEE, YOU THOUGHT YOU
COULD JUST BLEND RIGHT IN,
513
00:22:16,236 --> 00:22:17,470
BUT, SEE, THE TV SIGNALS
514
00:22:17,504 --> 00:22:20,407
YOU GUYS ARE PICKING UP
ARE FROM THE '50s.
515
00:22:20,473 --> 00:22:23,643
WE GOT FUEL INJECTION NOW.
516
00:22:23,710 --> 00:22:25,612
TEN-DISC CD CHANGERSIN THE BACK.
517
00:22:25,645 --> 00:22:29,049
2.4% APR LEASE PROGRAMS.
518
00:22:29,115 --> 00:22:31,151
YOU DIDN'T COUNT ON THAT,
DID YA?
519
00:22:31,184 --> 00:22:32,052
I'M SORRY.
520
00:22:32,118 --> 00:22:33,787
WHAT THE HELL ARE YOU
TALKING ABOUT?
521
00:22:33,820 --> 00:22:36,556
YOU THINK YOU CAN COME
TO OUR PLANET
522
00:22:36,589 --> 00:22:38,525
AND SUCK THE BILE
OUT OF MY LIVER?
523
00:22:38,591 --> 00:22:40,293
DID YOU JUST SAY
"SUCK THE BILE"--
524
00:22:40,360 --> 00:22:42,896
YOU ARE IN
MY FORCE FIELD NOW, SUCKER.
525
00:22:42,929 --> 00:22:43,897
TIN FOIL.
526
00:22:43,930 --> 00:22:45,031
SAY WHAT?
527
00:22:45,065 --> 00:22:46,966
TIN FOIL.
528
00:22:47,000 --> 00:22:48,535
GOOD OLD AMERICAN KNOW-HOW.
529
00:22:48,568 --> 00:22:50,804
I GOT THE BUG SPRAY TOO.
530
00:22:50,870 --> 00:22:53,807
YOU CAN JUST TAKE THAT
AND STICK IT UP YOUR ALIEN ASS.
531
00:22:53,840 --> 00:22:55,742
WHY DON'T YOU
JUST PULL THE TRUCK OVER.
532
00:22:55,809 --> 00:22:57,877
PULL THE TRUCK OVER.
I AM GETTING OUT.
533
00:22:57,944 --> 00:22:58,912
I SAID PULL THE--
534
00:22:58,945 --> 00:23:00,513
[spraying]
535
00:23:02,282 --> 00:23:04,751
DAMN ALIEN COCKROACH.
536
00:23:11,891 --> 00:23:13,360
AAH!
537
00:23:13,426 --> 00:23:15,028
HOW DO YOU LIKE THAT,R2D2?
538
00:23:15,095 --> 00:23:15,895
HURTS, DOESN'T IT?
539
00:23:15,929 --> 00:23:18,331
NO, DOESN'T HURT.
BUT IT'S PISSING ME OFF!
540
00:23:18,365 --> 00:23:19,933
WHEN DOES
THE INVASION FORCE LAND?
541
00:23:20,000 --> 00:23:22,535
OW! WHAT ARE YOU TALKING ABOUT?
WHERE AM I?
542
00:23:22,569 --> 00:23:24,704
YOU'RE IN HELL, BOY.
543
00:23:24,738 --> 00:23:26,206
AND THAT FEMALE WITH YOU.
544
00:23:26,239 --> 00:23:28,641
IS SHE A DRONE
OR AN EGG LAYER?
WHAT?
545
00:23:28,675 --> 00:23:31,044
AAH! STOP DOING THAT!
I'M A COP, ALL RIGHT?
546
00:23:31,111 --> 00:23:32,245
GO LOOK AT MY BADGE.
547
00:23:32,312 --> 00:23:33,546
YEAH, RIGHT.
548
00:23:37,217 --> 00:23:38,418
OH, NICE TRY.
549
00:23:38,451 --> 00:23:39,819
BOSTON, RIGHT?
550
00:23:39,886 --> 00:23:42,222
B-O-S-T-O-N?
551
00:23:42,255 --> 00:23:45,325
THEY DON'T HAVE SPELLCHECKERSON YOUR PISSANT PLANET?
552
00:23:45,358 --> 00:23:47,594
AAH, OKAY.
OKAY, OKAY.
553
00:23:47,627 --> 00:23:49,262
YOU GOT ME.
I'M AN ALIEN.
554
00:23:49,295 --> 00:23:50,997
YOU ARE?
555
00:23:51,031 --> 00:23:52,032
YES.
556
00:23:52,065 --> 00:23:54,434
I'M A KLINGON.
557
00:23:54,501 --> 00:23:57,037
WHAT DO YOU THINK?
THIS IS SOME KIND OF JOKE?
558
00:23:57,070 --> 00:23:58,304
I'M SORRY.
DID I SAY KLINGON?
559
00:23:58,371 --> 00:23:59,606
I MEANT TO SAY--
560
00:23:59,639 --> 00:24:02,008
YOU JUST KEEP TALKING, SPOCK.
561
00:24:02,042 --> 00:24:04,411
[laughs]
562
00:24:04,477 --> 00:24:05,712
LOOKS LIKE
YOUR LITTLE LIFESAVER
563
00:24:05,779 --> 00:24:07,747
IS BROKEN THERE, YODA.
GIMME OUTTA THIS THING!
564
00:24:07,781 --> 00:24:09,182
[buzzing]
565
00:24:09,249 --> 00:24:10,150
YODA.
566
00:24:11,317 --> 00:24:13,353
YODA THIS.
567
00:24:13,386 --> 00:24:15,388
[buzzing]AAH!
568
00:24:15,455 --> 00:24:18,525
WE TAKE THOSE "LAST CHANCE"
GAS SIGNS
569
00:24:18,591 --> 00:24:20,226
PRETTY SERIOUSLY AROUND HERE.
570
00:24:20,293 --> 00:24:21,561
ACTUALLY, I THINK
IT'S THE RADIATOR.
571
00:24:21,594 --> 00:24:24,097
YOU LOOK LIKE
YOU'RE A LONG WAY FROM HOME.
572
00:24:24,130 --> 00:24:25,498
I'M A MEDICAL EXAMINER.
573
00:24:25,565 --> 00:24:26,766
I'M HERE TO INVESTIGATE
A HOMICIDE.
574
00:24:26,866 --> 00:24:27,701
SHIRLEY McGINTY.
575
00:24:27,767 --> 00:24:29,502
YEAH, HOW'D YOU KNOW?
576
00:24:29,536 --> 00:24:30,870
I KNOW EVERYTHING
AROUND HERE.
577
00:24:30,937 --> 00:24:33,506
I SPOKE TO HER HUSBAND
ON THE PHONE LAST NIGHT.
578
00:24:33,540 --> 00:24:34,474
YOU THE ONES FROM BOSTON?
579
00:24:34,507 --> 00:24:35,508
YEAH, THAT'S RIGHT.
580
00:24:35,575 --> 00:24:37,477
THEY SAID THERE WAS
TWO OF YOU.
581
00:24:37,544 --> 00:24:38,545
WELL, DETECTIVE HOYT
582
00:24:38,611 --> 00:24:40,180
WENT OUT LOOKIN' FOR HELP.
583
00:24:40,246 --> 00:24:42,615
HE WAS PICKED UP LAST NIGHT
BY SOME GUY IN A PICK-UP.
584
00:24:42,682 --> 00:24:43,917
HE SHOULD'VE BEEN BACK BY NOW.
585
00:24:43,983 --> 00:24:46,252
KIND OF BEAT-UP?
FULL OF CRAP IN THE BACK?
586
00:24:46,286 --> 00:24:47,487
YEAH, THAT'S THE ONE.
587
00:24:47,554 --> 00:24:49,622
YOU BETTER COME
WITH ME, MISS.
588
00:24:49,689 --> 00:24:52,659
I THINK YOUR FRIEND MAY BE
IN A LITTLE BIT OF TROUBLE.
589
00:24:57,330 --> 00:24:59,399
[knocking on door]
590
00:24:59,466 --> 00:25:01,301
YOU OKAY, DR. M.?
591
00:25:04,004 --> 00:25:05,572
I KEEP AN OLD
ROYAL MANUAL TYPEWRITER
592
00:25:05,638 --> 00:25:06,840
RIGHT HERE IN THIS DRAWER.
593
00:25:06,873 --> 00:25:09,409
IT'S THE SAME KINDHEMINGWAY USED.
594
00:25:09,442 --> 00:25:11,711
I'VE HAD AN IDEA FOR A NOVEL
FOR 20 YEARS.
595
00:25:11,745 --> 00:25:13,546
I'VE NEVER WRITTEN
A WORD OF IT.
596
00:25:13,613 --> 00:25:16,549
PETER NASH,
HE WENT AHEAD AND DID IT.
597
00:25:17,851 --> 00:25:20,086
HE SACRIFICED
EVERYTHING FOR IT.
598
00:25:20,153 --> 00:25:22,489
AH, YOU READ THE BOOK.
599
00:25:22,522 --> 00:25:24,290
YEAH.
600
00:25:24,357 --> 00:25:25,392
IT WAS GOOD, WASN'T IT?
601
00:25:25,425 --> 00:25:26,659
IT WAS TERRIBLE.
602
00:25:26,726 --> 00:25:28,528
SO WHAT'S THE PROBLEM?
603
00:25:28,595 --> 00:25:30,530
THE BOOK'S ABOUT A MAN
WHO KILLS HIS WIFE.
604
00:25:30,597 --> 00:25:32,766
CHOPS HER UP AND STICKS HER
IN HIS FREEZER
605
00:25:32,832 --> 00:25:34,334
NEXT TO THE TV DINNERS.
606
00:25:34,401 --> 00:25:35,301
THE HE BECOMES DELUSIONAL.
607
00:25:35,368 --> 00:25:37,070
RACKED WITH GUILT
608
00:25:37,103 --> 00:25:39,606
AND COMES TO THE MORGUE
LOOKING FOR HER, ALL RIGHT?
609
00:25:39,673 --> 00:25:40,840
IF THAT'S NOT WEIRD ENOUGH,
610
00:25:40,907 --> 00:25:43,810
THE MAN IN THE BOOK HAS WRITTEN
ALL OF THIS INTO A NOVEL.
611
00:25:43,877 --> 00:25:47,847
GIVES IT TO THE M.E.,
HIS OLD COLLEGE FRIEND TO READ.
612
00:25:47,914 --> 00:25:50,383
OKAY, NOW YOU'RE
FREAKIN' ME OUT.
613
00:25:50,450 --> 00:25:52,152
EXPECTING ME TO LIVE OUT
EVERY SCENE,
614
00:25:52,185 --> 00:25:54,020
INCLUDING THIS ONE RIGHT NOW.
615
00:25:54,087 --> 00:25:55,555
SO WHAT HAPPENS NEXT?
616
00:25:55,588 --> 00:25:57,223
I DON'T KNOW.
617
00:25:57,290 --> 00:25:59,359
FINAL CHAPTER WAS MISSING.
618
00:25:59,392 --> 00:26:01,461
IT ENDS WITH THE M.E.
READING THE BOOK
619
00:26:01,494 --> 00:26:02,829
MINUS THE FINAL CHAPTER.
620
00:26:02,896 --> 00:26:04,631
HE'S JUST TELLING
HIS COLLEAGUE ABOUT IT,
621
00:26:04,698 --> 00:26:06,299
JUST LIKE I AM RIGHT NOW,
622
00:26:06,366 --> 00:26:07,367
WHEN THE PHONE RINGS,
623
00:26:07,400 --> 00:26:10,003
INVITING HIM TO THE MAN'S HOUSE
TO DISCUSS THE BOOK.
624
00:26:10,103 --> 00:26:12,005
[phone ringing]
625
00:26:12,038 --> 00:26:13,006
NO.
626
00:26:23,483 --> 00:26:24,317
HEY, PSS, COME HERE.
627
00:26:24,384 --> 00:26:25,318
UNDO ME.
628
00:26:25,385 --> 00:26:26,386
WOODY.
629
00:26:28,588 --> 00:26:29,556
AH-HA.
630
00:26:29,589 --> 00:26:31,124
(Woody)HEY.
631
00:26:31,191 --> 00:26:32,192
FEMALE.
HEY, HEY.
632
00:26:32,225 --> 00:26:33,927
BOB, THAT'S ENOUGH.
633
00:26:33,993 --> 00:26:35,962
YOU ALL RIGHT?
I'M NOT ALL RIGHT.
634
00:26:35,995 --> 00:26:37,630
THIS LUNATIC KIDNAPPED ME
AND TORTURED ME.
635
00:26:37,697 --> 00:26:40,500
THIS ONE'S A SNEAKY ONE,
SHERIFF.
636
00:26:40,533 --> 00:26:42,302
HE TRIED TO FOOL METHIS TIME.
637
00:26:42,369 --> 00:26:45,572
THEN IT'S PROBABLY A GOOD THING
FOR YOU WE SHOWED UP.
638
00:26:45,638 --> 00:26:47,574
GO AHEAD, BOB.
TELL THE MAN YOU'RE SORRY.
639
00:26:47,640 --> 00:26:49,576
SORRY? I WANT
THIS GUY ARRESTED.
640
00:26:49,642 --> 00:26:51,745
I COULD DO THAT.
HE'D BE OUT IN TWO HOURS.
641
00:26:51,778 --> 00:26:53,680
HIS UNCLE'S THE JUDGE.
642
00:26:53,747 --> 00:26:57,517
I'M REAL SORRY
THAT I TORTURED YOU.
643
00:26:57,584 --> 00:26:59,119
NO HARD FEELINGS?
644
00:26:59,152 --> 00:27:02,055
(Sheriff)SHIRLEY, YEAH,SHE'S A REAL NICE GIRL.
645
00:27:02,088 --> 00:27:04,824
THERE WAS A PRIVATE
INVESTIGATOR OUT HERE
646
00:27:04,858 --> 00:27:07,260
ASKING AROUND ABOUT HER
IN THE LAST COUPLE DAYS.
647
00:27:07,327 --> 00:27:09,662
DID HE TALK TO YOU?
648
00:27:09,729 --> 00:27:10,697
I HAVEN'T SEEN ANYBODY.
649
00:27:10,764 --> 00:27:12,198
FUNNY, I WOULD HAVE THOUGHT
650
00:27:12,265 --> 00:27:13,800
HE WOULD'VE CONTACTED
THE LOCAL AUTHORITIES.
651
00:27:13,833 --> 00:27:15,301
THIS IS A SMALL PLACE.
652
00:27:15,335 --> 00:27:16,536
ANYBODY OUT HERE
SNOOPING AROUND,
653
00:27:16,569 --> 00:27:18,571
I'D A-HEARD ABOUT IT.
654
00:27:18,605 --> 00:27:20,473
YOUR BEST BET'STO TALK TO LOUANNE.
655
00:27:20,540 --> 00:27:21,541
THAT'S SHIRLEY'S SISTER.
656
00:27:21,608 --> 00:27:23,910
SHE STILL LIVES WITH HER DADDY
OUTSIDE OF TOWN.
657
00:27:23,977 --> 00:27:26,913
I THINK THEY PROBABLY
HEARD THE NEWS BY NOW.
658
00:27:34,087 --> 00:27:36,589
(Woody)HI.
659
00:27:36,656 --> 00:27:37,924
[chickens clucking]
660
00:27:40,560 --> 00:27:41,695
HOW ARE YOU?
661
00:27:43,596 --> 00:27:44,597
LOUANNE McGINTY?
662
00:27:44,664 --> 00:27:45,565
WHO WANTS TO KNOW?
663
00:27:45,632 --> 00:27:46,499
DETECTIVE HOYT.
664
00:27:46,533 --> 00:27:48,068
BOSTON PD.
665
00:27:48,134 --> 00:27:49,736
JORDAN CAVANAUGH,
I'M WITH THE MASSACHUSETTS
666
00:27:49,803 --> 00:27:50,637
MEDICAL EXAMINERS OFFICE.
667
00:27:50,704 --> 00:27:52,205
WE'D LIKE TO ASK YOU
SOME QUESTIONS
668
00:27:52,272 --> 00:27:53,106
ABOUT YOUR SISTER SHIRLEY.
669
00:27:53,139 --> 00:27:54,941
SHE'S DEAD.
670
00:27:55,008 --> 00:27:58,511
YES, WE WERE HOPING THAT
YOU COULD HELP US WITH THAT.
671
00:27:58,578 --> 00:27:59,779
I DON'T KNOW NOTHIN'.
672
00:27:59,846 --> 00:28:01,614
WAS SHE HERE THIS WEEK?
673
00:28:01,648 --> 00:28:03,516
SHE DOESN'T LIKE
TO COME AROUND HERE.
674
00:28:03,583 --> 00:28:04,317
(Jordan)HAS ANYBODY BEEN AROUND
675
00:28:04,351 --> 00:28:08,755
ASKING ABOUT HER...
PRIVATE INVESTIGATOR?
676
00:28:08,788 --> 00:28:11,424
DID SHE EVER TALK TO YOU
ABOUT A FILM SHE MADE?
677
00:28:11,458 --> 00:28:14,527
A PORNOGRAPHIC FILM?
678
00:28:14,561 --> 00:28:15,595
NO.
679
00:28:15,662 --> 00:28:17,397
(Louanne)WOULDN'T SURPRISE ME.
680
00:28:17,464 --> 00:28:20,600
PEOPLE ALWAYS TALK ABOUT
GETTING OUT,
681
00:28:20,667 --> 00:28:22,102
GOING TO THE CITY.
682
00:28:22,168 --> 00:28:24,437
AS FAR AS I'M CONCERNED,
THAT'S WHAT KILLED HER.
683
00:28:24,504 --> 00:28:26,606
SHE WOULDA STAYED HERE,
684
00:28:26,639 --> 00:28:28,508
SHE'D STILL BE ALIVE.
685
00:28:29,709 --> 00:28:30,710
IF YOU'D EXCUSE US,
686
00:28:30,777 --> 00:28:32,879
WE'RE GRIEVING.
687
00:28:47,761 --> 00:28:49,929
I'M NOT GOING
TO BEAT AROUND THE BUSH.
688
00:28:49,996 --> 00:28:50,864
MA'AM?
689
00:28:50,930 --> 00:28:53,333
I DON'T THINK
YOU'RE MAN ENOUGH
690
00:28:53,366 --> 00:28:54,634
TO MARRY MY DAUGHTER.
691
00:28:54,701 --> 00:28:58,104
OH, AND WHY IS THAT?
692
00:28:58,171 --> 00:28:59,739
BECAUSE YOU'RE
MORE IN LOVE WITH HER
693
00:28:59,773 --> 00:29:01,141
THAN SHE IS WITH YOU?
694
00:29:01,207 --> 00:29:04,344
LET ME JUST TELL YOU
ABOUT THE LEBOWSKI WOMEN.
695
00:29:04,377 --> 00:29:06,579
WE'RE MAN-EATERS.
696
00:29:06,646 --> 00:29:07,647
LILY WILL CHEW YOU UP
697
00:29:07,714 --> 00:29:09,649
AND SPIT YOU OUT.
698
00:29:09,716 --> 00:29:11,418
SO IF I WERE YOU,
699
00:29:11,451 --> 00:29:14,187
I WOULD JUST WALK AWAY
RIGHT NOW.
700
00:29:14,287 --> 00:29:15,655
ARE YOU DONE?
701
00:29:15,722 --> 00:29:17,624
PRETTY MUCH, YEAH.
702
00:29:17,691 --> 00:29:20,093
OKAY.
703
00:29:20,160 --> 00:29:21,695
THEN LET ME TELL YOU
WHAT I KNOW
704
00:29:21,761 --> 00:29:23,029
ABOUT THE LEBOWSKI WOMEN.
705
00:29:23,096 --> 00:29:25,098
ONE OF THEM IS ONE
OF THE KINDEST,
706
00:29:25,131 --> 00:29:26,733
MOST COMPASSIONATE WOMAN
I'VE EVER KNOWN.
707
00:29:26,800 --> 00:29:29,636
AND THE OTHER IS
A PATHETIC CIPHER,
708
00:29:29,703 --> 00:29:31,338
A BLACK WIDOW WHO WANTS
NOTHING MORE
709
00:29:31,371 --> 00:29:34,007
THAN TO KEEP HER DAUGHTER FROM
FINDING HAPPINESS ON HER OWN.
710
00:29:34,074 --> 00:29:35,875
AND SINCE WE'RE TELLING
THE TRUTH HERE,
711
00:29:35,942 --> 00:29:38,111
I'M NOT EVEN HER FIANCE,
I'M JUST A FRIEND.
712
00:29:38,178 --> 00:29:39,746
SHE MADE THE WHOLE THING UP
713
00:29:39,813 --> 00:29:41,848
TO KEEP YOU FROM WEASELING
YOU WAY INTO HER LIFE.
714
00:29:41,915 --> 00:29:46,753
SO IF YOU HAVE ANY LOVE
AT ALL FOR LILY,
715
00:29:46,820 --> 00:29:50,924
YOU'LL BE THE ONE
THAT WALKS AWAY, NOT ME.
716
00:29:56,563 --> 00:29:59,866
(Woody)
I DON'T KNOW ABOUT YOU, BUT I'M
HAVIN' THE TIME OF MY LIFE.
717
00:29:59,933 --> 00:30:01,735
I HAVEN'T SLEPT IN TWO DAYS,
718
00:30:01,768 --> 00:30:03,837
NOT INCLUDING THAT
BUG-SPRAY NAP THAT I TOOK,
719
00:30:03,870 --> 00:30:04,904
STRANDED IN THE DESERT,
720
00:30:04,971 --> 00:30:06,006
KIDNAPPED BY A FREAK,
721
00:30:06,072 --> 00:30:07,273
ELECTROCUTED BY THAT FREAK--
722
00:30:07,307 --> 00:30:08,708
C'MON, C'MON.
723
00:30:08,775 --> 00:30:10,610
IT HASN'T BEEN ALL BAD,
HAS IT?
724
00:30:10,643 --> 00:30:12,712
ALL RIGHT,
JUST FOR THE RECORD,
725
00:30:12,779 --> 00:30:14,748
I DID NOT
MAKE THE FIRST MOVE.
726
00:30:14,781 --> 00:30:16,383
HEY, NOBODY'S
ACCUSING YOU OF ANYTHING.
727
00:30:16,416 --> 00:30:18,985
GOOD, 'CAUSE I JUST WANNA GET
ALL OF OUR CARDS ON THE TABLE.
728
00:30:19,052 --> 00:30:21,187
WHY?
IT WAS JUST A KISS.
729
00:30:21,254 --> 00:30:22,422
IT'S NO BIG DEAL.
730
00:30:22,455 --> 00:30:23,790
FINE, THEN.
731
00:30:23,823 --> 00:30:26,659
WE'LL JUST PRETEND
LIKE IT NEVER HAPPENED.
732
00:30:26,693 --> 00:30:28,561
BUT IT DID.
733
00:30:28,628 --> 00:30:30,864
YOU BETTER MAKE UP
YOUR MIND.
734
00:30:34,434 --> 00:30:35,935
HI, COLE.
735
00:30:36,002 --> 00:30:37,570
WE GOT A PROBLEM HERE?
736
00:30:37,637 --> 00:30:38,872
WY WIFE'S DEAD.
737
00:30:38,938 --> 00:30:40,874
AND YOU COME HERE DRAGGIN' HER
NAME THROUGH THE MUD,
738
00:30:40,940 --> 00:30:42,409
YEAH, WE GOT A PROBLEM.
739
00:30:42,475 --> 00:30:44,544
I THINK IT'S TIME
YOU TWO GO BACK TO BOSTON.
740
00:30:44,611 --> 00:30:45,345
WE'RE INVESTIGATING
A HOMICIDE,
741
00:30:45,412 --> 00:30:48,148
SO WE'LL GO BACK
WHEN WE'RE READY TO GO BACK.
742
00:30:50,116 --> 00:30:52,986
I THINK WE'LL HAVE TO DO THIS
THE OLD-FASHIONED WAY, HUH?
743
00:30:53,053 --> 00:30:55,255
COLE, WE'RE NOT
LOOKIN' FOR A FIGHT.
744
00:30:56,856 --> 00:30:58,224
GET HIM!
745
00:31:02,862 --> 00:31:03,730
[gunshot]
746
00:31:03,797 --> 00:31:04,864
GO ON!
747
00:31:04,898 --> 00:31:07,133
GET OUTTA HERE.
748
00:31:15,075 --> 00:31:17,811
I CHECKED OUT YOUR STORY
749
00:31:17,877 --> 00:31:19,612
WITH MY SUPERIORS
AT HQ.
750
00:31:19,646 --> 00:31:20,747
YOU'RE ON THE LEVEL.
751
00:31:20,814 --> 00:31:22,382
MOST OF YOUR FOLKSAROUND HERE
752
00:31:22,415 --> 00:31:25,085
HAVE NO IDEA WE CAN COEXIST
WITH YOUR SPECIES.
753
00:31:25,118 --> 00:31:26,853
THEY THINK YOU'RE ALLLIKE THAT MUTANT,
754
00:31:26,920 --> 00:31:28,788
WAS IN HERE EARLIER LAST WEEK.
755
00:31:28,822 --> 00:31:30,256
(Jordan) THIS MUTANT,
756
00:31:30,323 --> 00:31:32,826
WAS HE PRETENDING
TO BE A PRIVATE EYE?
757
00:31:32,859 --> 00:31:35,195
HAD THE FAKE I.D.
AND EVERYTHING.
758
00:31:35,228 --> 00:31:36,830
YOU SAW HIM?
759
00:31:36,863 --> 00:31:39,466
DROVE BY MY PLACE
DAY BEFORE YESTERDAY.
760
00:31:39,499 --> 00:31:40,834
PROBLEM IS,
761
00:31:40,867 --> 00:31:43,069
THAT ROAD ENDSABOUT SIX MILES DOWN.
762
00:31:43,136 --> 00:31:45,939
HE NEVER CAME BACK.
763
00:31:59,953 --> 00:32:02,622
(Woody)
WELL, I GUESS WE FOUND HIM.
764
00:32:12,132 --> 00:32:14,401
LOOKS LIKE
HE HAD COMPANY.
765
00:32:14,467 --> 00:32:16,836
THIS MAN DIDN'T DIE IN THE FIRE,
HE'S BEEN SHOT.
766
00:32:16,870 --> 00:32:19,239
BACK OF THE HEAD,
NEVER SAW IT COMIN'.
767
00:32:19,272 --> 00:32:21,241
YOU DIDN'T HAPPEN TO SEE ANYONE
ELSE COME DOWN HERE WITH HIM,
768
00:32:21,274 --> 00:32:22,175
DID YOU?
769
00:32:22,242 --> 00:32:23,977
YOU MEAN BESIDES
THE SHERIFF?
770
00:32:33,920 --> 00:32:35,221
[doorbell chimes]
771
00:32:41,127 --> 00:32:44,731
GARRET,
GLAD YOU COULD MAKE IT.
772
00:32:54,708 --> 00:32:56,710
NO.
773
00:32:56,776 --> 00:32:58,211
NOT YET.
774
00:32:58,278 --> 00:33:02,082
WELL, HOW MYSTERIOUS.
775
00:33:02,148 --> 00:33:03,950
CAN I GET YOU
SOMETHING TO DRINK?
776
00:33:04,017 --> 00:33:05,518
(Macy)GLASS OF WATER.
777
00:33:05,585 --> 00:33:08,955
SO, UH, I HAVE TO ADMIT
I-I'M A LITTLE NERVOUS.
778
00:33:09,022 --> 00:33:11,091
WHY IS THAT?
779
00:33:11,124 --> 00:33:13,226
YOU COME OVER HERE
TO DISCUSS WHAT I'VE DONE.
780
00:33:13,293 --> 00:33:15,895
YOU'RE THE FIRST ONETO KNOW ABOUT IT.
781
00:33:15,929 --> 00:33:17,964
YOU SPEND AS MUCH TIME
AS I DID
782
00:33:17,997 --> 00:33:20,967
TRYIN' TO PULL OFF SOMETHING BIG
LIKE THIS, WELL...
783
00:33:21,034 --> 00:33:24,938
YOU KNOW HOW THAT IS.
784
00:33:24,971 --> 00:33:29,509
THERE'S ICE IN THE FREEZER
IF YOU WANT.
785
00:33:55,301 --> 00:33:57,404
YOU CAN OPEN
THE ENVELOPE NOW.
786
00:34:03,543 --> 00:34:05,045
WHAT IS IT?
787
00:34:05,111 --> 00:34:09,182
IT'S THE ENDING
OF YOUR BOOK.
788
00:34:09,249 --> 00:34:12,452
"AS THE MAN STOOD THERE READING
THE FINAL PARAGRAPH,
789
00:34:12,485 --> 00:34:15,221
"HE COULDN'T HELP BUT FEEL
RELIEF THAT THE GAME WAS OVER.
790
00:34:15,288 --> 00:34:18,391
"WHILE HE ASSUMED THATHE COULD FOOL HIS OLD HERO,
791
00:34:18,458 --> 00:34:21,428
"HE WAS, IN FACT,NO MATCH FOR THE CHIEF M.E.
792
00:34:21,461 --> 00:34:23,563
"AND IN THE END IT REQUIRED
A MERE PHONE CALL
793
00:34:23,630 --> 00:34:26,199
"TO DISMANTLE
THE ENTIRE CHARADE.
794
00:34:26,266 --> 00:34:29,235
"THE MAN'S WIFE WAS,AS IT TURNED OUT,
795
00:34:29,302 --> 00:34:31,471
"ALIVE AND WELL,
LIVING WITH HER NEW HUSBAND--
796
00:34:31,504 --> 00:34:34,274
"AND FOUR-YEAR-OLD SON
IN A SUBURB OF DES MOINES.
797
00:34:34,341 --> 00:34:37,143
"SHE HAD NEVER LOOKED BACKAFTER WALKING AWAY
798
00:34:37,210 --> 00:34:39,646
"FROM HER FAILED MARRIAGE.
799
00:34:39,713 --> 00:34:42,148
"HAVING BEEN SO NEGLECTED
BY HIS OBSESSION,
800
00:34:42,182 --> 00:34:45,352
"HIS PASSION,HIS ONLY TRUE LOVE,
801
00:34:45,418 --> 00:34:49,289
"A NOVEL, WHICH,
IN THE END,
802
00:34:49,322 --> 00:34:53,493
WOULD NEVER BE MORE
THAN MEDIOCRE."
803
00:34:55,862 --> 00:34:57,397
TURN IT OVER.
804
00:34:57,464 --> 00:35:02,102
THERE'S MORE.
805
00:35:02,135 --> 00:35:04,971
"THE CHIEF M.E. TURNED AND
WALKED TOWARDS THE DOOR,
806
00:35:05,005 --> 00:35:07,173
"STOPPED AND LOOKED BACK,
807
00:35:07,240 --> 00:35:09,809
"PERHAPS FEELINGA TINGE OF JEALOUSY.
808
00:35:09,876 --> 00:35:12,445
"FOR THE MAN HAD, IN THE END,FOLLOWED HIS BLISS.
809
00:35:12,512 --> 00:35:16,082
"SOMETHING THAT HE HIMSELF
WAS NOT BRAVE ENOUGH TO DO.
810
00:35:16,116 --> 00:35:19,419
FOR THIS HE WAS,IN NO SMALL PART, GRATEFUL."
811
00:35:31,131 --> 00:35:33,867
DON'T ASK ME
TO APOLOGIZE.
812
00:35:33,900 --> 00:35:36,436
IT'S NOT
IN MY REPERTOIRE.
813
00:35:36,469 --> 00:35:39,739
I CAN'T LET YOU
HURT ME ANYMORE, MOM.
814
00:35:39,773 --> 00:35:44,678
I'M TOO OLD FOR THIS.
815
00:35:49,349 --> 00:35:52,452
YOU USED TO HAVE NIGHTMARES
WHEN YOU WERE LITTLE.
816
00:35:52,519 --> 00:35:57,323
I COULD ALWAYS TELL BECAUSE
YOU TALKED IN YOUR SLEEP.
817
00:35:57,390 --> 00:36:05,165
CLOSE AS I COULD TELL YOU WERE
ALWAYS RUNNING FROM SOMETHING.
818
00:36:05,198 --> 00:36:07,600
OR SOMEONE.
819
00:36:07,667 --> 00:36:11,471
BUT YOU'D ALWAYS WAKE UP IN
THE MORNING HAPPY AS A CLAM.
820
00:36:11,504 --> 00:36:18,678
YOU DIDN'T
NEED ME AT ALL.
821
00:36:18,712 --> 00:36:20,947
COME TO THINK OF IT...
822
00:36:21,014 --> 00:36:28,988
YOU NEVER HAVE.
823
00:36:29,055 --> 00:36:31,424
I'M--I'M GONNA GO
TO FLORIDA.
824
00:36:31,491 --> 00:36:33,993
I'M GONNA STAY WITH
YOUR AUNT EDNA FOR A WHILE.
825
00:36:34,060 --> 00:36:35,261
OH.
826
00:36:35,295 --> 00:36:39,866
LISTEN,
ABOUT YOU AND BUG--
827
00:36:39,933 --> 00:36:41,101
OH, I SHOULD EXPLAIN ABOUT--
828
00:36:41,167 --> 00:36:42,569
NO--
829
00:36:42,602 --> 00:36:45,171
THERE ARE TWO THINGS I KNOW
A LOT ABOUT IN LIFE.
830
00:36:45,271 --> 00:36:46,439
ONE IS MEN...
831
00:36:46,506 --> 00:36:50,543
(together)
AND THE OTHER IS MEN.
832
00:36:50,577 --> 00:36:55,048
YOU HAVE YOURSELF
A GOOD ONE, LILY.
833
00:36:55,148 --> 00:36:57,517
HE LOVES YOU.
834
00:36:57,550 --> 00:37:02,022
AND THAT'S
NO SMALL THING.
835
00:37:02,088 --> 00:37:03,656
BYE.
836
00:37:03,723 --> 00:37:05,492
BYE.
837
00:37:12,332 --> 00:37:15,101
DON'T YOU THINK WE OUGHT TO CALL
FOR SOME KIND OF BACKUP?
838
00:37:15,168 --> 00:37:16,836
WE'RE IN PODUNK, JORDAN.
839
00:37:16,903 --> 00:37:21,541
I AM THE BACKUP.
840
00:37:21,574 --> 00:37:23,009
STAY HERE.
841
00:37:23,043 --> 00:37:24,544
AND EXACTLY WHAT
IN OUR PASTS
842
00:37:24,611 --> 00:37:26,780
WOULD GIVE YOU ANY INDICATION
THAT I WOULD DO THAT?
843
00:37:38,124 --> 00:37:39,492
[knocking on door]
844
00:37:39,526 --> 00:37:42,062
SHERIFF.
845
00:37:48,802 --> 00:37:51,705
SHERIFF?
846
00:37:55,342 --> 00:37:59,779
ANYBODY HOME?
847
00:38:19,666 --> 00:38:23,269
WHADDA YOU SAY
YOU JUST DROP THAT WEAPON.
848
00:38:23,336 --> 00:38:25,438
I SEE YOU GOT YOURSELF
A NICE LITTLE HOBBY.
849
00:38:25,505 --> 00:38:28,241
A LITTLE
SIDE BUSINESS.
850
00:38:28,308 --> 00:38:29,743
DAY JOB DOESN'T PAY
ALL THAT WELL.
851
00:38:29,809 --> 00:38:32,078
YEAH, I GUESS A HALF-MILLION
EXTRA WOULD COME IN HANDY.
852
00:38:32,112 --> 00:38:34,381
NEVER WOULDA MISSED IT.
853
00:38:34,414 --> 00:38:36,149
THAT'S THE PART
I DON'T UNDERSTAND.
854
00:38:36,216 --> 00:38:37,617
THE STUDIO HADN'T PAID
THE BLACKMAIL YET,
855
00:38:37,650 --> 00:38:38,852
WHY'D YOU KILL SHIRLEY?
856
00:38:38,918 --> 00:38:39,819
SHE WAS YOUR MEAL TICKET.
857
00:38:39,886 --> 00:38:41,287
I DIDN'T.
858
00:38:41,321 --> 00:38:42,655
YOU LOST ME.
859
00:38:42,722 --> 00:38:43,757
clang!
860
00:38:46,192 --> 00:38:48,228
I TOLD YOU
TO WAIT IN THE CAR.
861
00:38:48,294 --> 00:38:50,296
HE WAS JUST ABOUT
TO TELL ME WHAT HAPPENED.
862
00:38:50,397 --> 00:38:51,431
YOU'RE WELCOME.
863
00:38:51,464 --> 00:38:53,566
THIS GUY'S GONNA BE OUT COLD
FOR A WEEK.
864
00:38:53,600 --> 00:38:55,068
NOW WE'RE NEVER GONNA KNOW
WHO KILLED SHIRLEY.
865
00:38:55,101 --> 00:38:56,036
[cell phone ringing]
866
00:38:56,069 --> 00:38:57,070
CAVANAUGH.
867
00:38:57,103 --> 00:38:58,438
(Nigel)Jordan,
868
00:38:58,471 --> 00:38:59,839
I RAN A GAS CHROMATOGRAPH
SCREEN ON IT.
869
00:38:59,873 --> 00:39:01,975
NIGEL, WHAT THE HELL ARE YOU
TALKING ABOUT?
870
00:39:02,042 --> 00:39:03,576
THE CRAP
UNDER HER FINGERNAILS.
871
00:39:03,610 --> 00:39:06,780
IT TURNS OUT THAT'S EXACTLY
WHAT IT IS--CRAP.
872
00:39:06,880 --> 00:39:07,947
CHICKEN CRAP,
873
00:39:07,981 --> 00:39:09,249
to be precise.
874
00:39:09,315 --> 00:39:13,019
Does any of thishelp you?
875
00:39:31,171 --> 00:39:33,773
WASN'T FAIR,
WAS IT?
876
00:39:33,840 --> 00:39:36,076
YOU COULDA BEEN THE ONE
WHO GOT OUT,
877
00:39:36,142 --> 00:39:37,744
DID SOMETHINGWITH YOUR LIFE.
878
00:39:37,811 --> 00:39:39,412
BUT IT WAS HER.
879
00:39:39,479 --> 00:39:42,582
IT WAS ALWAYS HER.
880
00:39:42,615 --> 00:39:46,086
YOU KILLED HER
OUT OF JEALOUSY.
881
00:39:58,131 --> 00:40:01,001
SHE LEFT.
882
00:40:01,067 --> 00:40:02,302
MY MOM.
883
00:40:02,335 --> 00:40:05,572
WELL,
THAT'S GOOD NEWS, RIGHT?
884
00:40:05,638 --> 00:40:08,008
I MEAN,
THAT'S WHAT YOU WANTED.
885
00:40:08,074 --> 00:40:10,910
I GUESS.
886
00:40:10,977 --> 00:40:12,779
THANK YOU FOR--
887
00:40:12,812 --> 00:40:15,615
LETTING ME
DRAG YOU THROUGH THIS MESS.
888
00:40:15,682 --> 00:40:20,320
THOSE THINGS THAT YOU SAID
LAST NIGHT WERE, UM...
889
00:40:20,353 --> 00:40:23,623
YOU WERE
THE PERFECT FIANCE.
890
00:40:23,690 --> 00:40:26,926
THAT WAS THE IDEA,
WASN'T IT?
891
00:40:32,665 --> 00:40:34,901
I KIND OF FEEL
LIKE DANCING.
892
00:40:34,968 --> 00:40:37,470
YOU FEEL LIKE DANCING?
893
00:40:49,749 --> 00:40:57,490
[Paul McCartney]
* GOIN' DOWN
TO LONESOME TOWN *
894
00:40:57,557 --> 00:41:03,730
* WHERE THE BROKEN HEARTS STAY *
895
00:41:03,797 --> 00:41:10,704
* HEY, I'M GOIN' DOWN
TO LONESOME TOWN *
896
00:41:10,737 --> 00:41:17,677
* TO CRY MY TROUBLES,
CRY MY TROUBLES AWAY *
897
00:41:17,711 --> 00:41:23,516
* IN THE TOWN
OF BROKEN DREAMS... *
898
00:41:27,287 --> 00:41:28,955
WHAT ARE YOU
THINKIN' ABOUT?
899
00:41:28,988 --> 00:41:30,824
ME? NOTHIN'.
900
00:41:30,890 --> 00:41:31,991
NOTHING?
901
00:41:32,058 --> 00:41:33,960
YOU'RE NOT THINKING ABOUT
SHIRLEY McGINTY?
902
00:41:34,027 --> 00:41:36,996
OF COURSE.
903
00:41:37,030 --> 00:41:42,402
ALL RIGHT, WHAT ARE YOU REALLY
THINKING ABOUT?
904
00:41:42,435 --> 00:41:45,538
IT WASN'T
JUST A KISS, JORDAN.
905
00:41:45,572 --> 00:41:47,574
OH, WOULD YOU
GIVE IT UP?
906
00:41:47,607 --> 00:41:49,609
OKAY, I SWEAR
ON A STACK OF BIBLES
907
00:41:49,676 --> 00:41:51,711
THAT I WILL NEVER
COME ON TO YOU AGAIN.
908
00:41:51,745 --> 00:41:55,081
TH-THAT'S NOT
WHERE I'M GOIN' WITH THIS.
909
00:41:55,148 --> 00:41:56,683
I'VE BEEN
THINKIN' ABOUT IT.
910
00:41:56,750 --> 00:41:58,451
OH, HAVE YOU NOW?
911
00:41:58,518 --> 00:41:59,886
YES, AND...
912
00:41:59,953 --> 00:42:02,355
I CAN'T THINK
OF A SINGLE GOOD REASON
913
00:42:02,422 --> 00:42:04,858
WHY WE SHOULD
COMPLETELY RULE IT OUT.
914
00:42:04,924 --> 00:42:06,159
REALLY?
915
00:42:06,192 --> 00:42:08,795
'CAUSE, YOU KNOW,
I CAN THINK OF PLENTY.
916
00:42:08,828 --> 00:42:12,732
LIKE WHAT?
917
00:42:12,766 --> 00:42:14,968
LOOK,
I GUESS MY POINT IS--
918
00:42:15,035 --> 00:42:18,705
MAYBE WE SHOULD JUST
PUT UP THE WALL RIGHT NOW,
919
00:42:18,805 --> 00:42:22,709
BEFORE EITHER OF US
GETS HURT.
920
00:42:22,776 --> 00:42:24,678
OKAY.
921
00:42:24,744 --> 00:42:27,247
ALL RIGHT,
FAIR ENOUGH.
922
00:42:27,313 --> 00:42:29,616
THAT'S A GOOD REASON.
923
00:42:29,683 --> 00:42:33,553
THAT'S A RATIONAL DECISION.
924
00:42:33,586 --> 00:42:34,854
I CAN GET BEHIND THAT.
925
00:42:34,888 --> 00:42:35,855
GOOD.
926
00:42:35,889 --> 00:42:39,426
GOOD.
927
00:42:39,459 --> 00:42:42,328
BUT LET'S JUST SAY...
928
00:42:42,362 --> 00:42:46,066
THAT WERE OUR
FINAL DECISION.
929
00:42:46,099 --> 00:42:50,470
MAYBE IT'D BE A GOOD IDEA
TO GET ONE FOR THE ROAD.
930
00:42:50,503 --> 00:42:54,507
JUST SATIATE THE CURIOSITY.
931
00:42:54,541 --> 00:42:57,010
PROBABLY SMART.
932
00:42:59,012 --> 00:43:05,452
* GOIN' DOWN
TO LONESOME TOWN *
933
00:43:05,518 --> 00:43:12,726
* WHERE THE BROKEN HEARTS STAY *
934
00:43:12,792 --> 00:43:19,265
* GOIN' DOWN
TO LONESOME TOWN *
935
00:43:19,332 --> 00:43:22,168
* TO CRY MY TROUBLES AWAY... * *
65744
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