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[mechanical whirring]
[voices humming softly]
[metal clanking]
[voices humming, droning]
[voices humming, droning]
[voices humming, droning]
[humming intensifies]
[humming stops abruptly]
You're very quiet, Joseph.
How was your flight?
[Laura] Great.
Thanks for picking me up, by the way.
I'm sorry you had to wait so long.
No, no. Vito was the one who had to wait in the car.
[speaking other language], Vito.
-[speaking other language] -Uh-oh, Vito,
don't let, uh, Laura's politeness fool you.
[Laura] How are you?
[Isabel] I'm okay.
You sure?
How long were you home before you had to come here?
[Isabel] A week.
Not too long. I just slept most of it.
[Laura] Was it tough, this time?
No.
No more than usual.
[Laura] It smells so different here.
It's like... like musk.
No, it's, uh, Vito's beauty wax.
Bum-bum cream.
He's been telling us all about it.
It, uh, it comes from Brazil.
It has five times the amount of caffeine that coffee does.
Interesting.
My bum-bum could use some coffee.
-Me too, constantly. -[Laura chuckles]
-How does it work? -Uh, you rub it on.
The oil squeezes the molecules of your skin, and tightens it.
Like a-- Like a drum-drum.
[Vito] Yes.
[Isabel] We're getting close.
[insects buzz]
You must be tired.
You can just relax by the pool this afternoon.
The forest is full of bears.
When it gets dry like this,
they come down from the mountains,
and they drink from the swimming pools.
I didn't know you had bears.
[Joe] The Ottomans brought them here from the Urals.
They lived in the mountains until the road was built.
Last week,
a dog had its ear bitten off.
[Isabel imitating growling]
[insects buzzing]
[Isabel] Oh, here we are.
[Laura] Hmm. I think...
[Isabel] Joe thinks it's terracotta, but you know.
[car rumbles]
[foreboding, discordant music]
-Hi. -Hey!
[laughs]
Hey.
[Laura laughs]
I've missed you.
There's a woman in the pool.
♪
[Laura] What the hell is this?
Is it a bear, Joe?
[water laps softly]
[water splashing]
[woman gasping]
[Isabel] Hi.
Hi.
I'm waiting for Vito. And the gate was open.
Vito, there's someone here for you.
[Joe] Which gate?
I hope you don't mind me using the pool.
I was waiting and I was hot.
We don't mind.
We thought you might be a bear.
[woman chuckles]
[woman] Hi.
What's your name?
Nina.
I like your hair.
Do you think I look like a bear, Nina?
No.
[Isabel] Where are you from?
[Nina] Here, sometimes.
Sometimes?
[Laura] What the hell does that mean?
I'm gonna wait at the gate.
What are those?
My plants.
I'm a botanist.
You've got some good peculiar words in botany.
Vito, your friend's here.
Hi. Sorry, I thought we'd be back.
No, it's our fault he's late.
Laura's flight was delayed.
Uh, this is my friend, uh, Kitti.
I'm Isabel.
-Hi. -Hi.
[Vito] I'm, uh, finding her an apartment.
-[Isabel] Where? -[Vito] Near the beach.
Why don't you stay here?
We have a little house in the garden.
There's a gate to the beach.
You can come and go as you please.
-You're sure? -[Isabel] Yes.
-I don't want to be any trouble. -No, it's no trouble at all.
Joseph loves to talk about plants,
and, I mean, Nina's bored of us already.
Well, thanks.
Nina.
Do you want to show her down to the little house?
Thanks, Nina.
What are you up to?
Vito knows her.
You could have said no, Joseph.
Hey, Laura, let me show you where you are.
[unsettling discordant music]
The room looks sweet.
[Nina] That's cool.
These?
Have it.
It'll suit you.
Really?
[Nina] Your mom is nice.
Not always.
She's a war journalist, right?
[Nina] How do you know that?
[Kitti] Your parents are famous.
[Nina] People always think what she does is really special.
But really, she just goes to other countries
to watch people kill each other.
[Kitti] Does it upset you?
It used to.
She's always pissed off when she comes back.
Sounds like you do care.
I don't.
Where was she last?
[Nina] Sudan.
And your dad?
Dad never goes anywhere.
He just locks himself in his study all day.
[Kitti] Writing?
[Nina] He says he doesn't write anymore.
Why?
He won't really talk about it.
Trying to write words?
[Nina] Yeah.
[Kitti] Who looks after you at home?
[Nina] We used to have a lodger called Marta.
And she was really nice,
but she got in a big argument, and left.
They're both really weird, Mom and Dad.
Neither of them can cook or drive.
Dad used to drive, but now when we go on holiday,
we always get a driver.
It's pretty weird.
It's not strange if you don't drive.
It's embarrassing.
[Kitti] How old are you?
15.
Do you like boys or girls?
[Nina laughs]
Boys, I guess.
[Kitti] Do you want one?
[Nina chuckles]
They smell like parsnips.
What are they?
[Kitti] They're roots.
I collect roots.
They can think, and solve problems.
Sh. Sh. Sh.
Can you show me your parents' room?
Sure.
[gentle music]
[pills rattling]
They're my dad's books.
He's supposed to be making a collection of his old stuff,
but I don't think he's read them yet.
"Take Him."
♪
He was very handsome.
From Bosnia.
Was he very young when he left?
He won't talk about it.
[Kitti] Do you think he'll mind if I take it?
[Nina] He definitely will.
[Kitti chuckles softly]
[Kitti] Do you go to the beach?
Not yet.
Let's go tomorrow.
I'll show you the rocks where the boys are.
-Boys on the rocks! -[Nina laughs]
[waves crashing]
[insects buzzing]
[Kitti] I borrowed one of your books.
I read the back cover.
Nina said it was okay.
To read the back cover or to take the book?
[Kitti] To read your poems.
You want them to be read, right?
Good luck with finding anything useful inside.
[clattering]
Where's Mum?
Isabel likes to do her own thing in the evening.
[Nina] Which means she's never fucking here, even with guests.
Sweetheart, your mum...
Goes to some weird sex club every night.
Your mom needs time on her own.
And she's been back only a few weeks.
Without people like her in the world,
we wouldn't know half of the things that we know.
And you know she's not going to a sex club.
Laura is right.
She's very brave, your mum.
Where were you born, Kitti?
[Kitti] I can't remember being born, can you?
Well, I know at least where I was born.
My mother was a river, so we were always on the move.
That's interesting.
You're from Bosnia.
You must have had a difficult childhood.
And you're from Paris?
[Laura] This is where I live, yeah.
[Nina] Laura's the head of department at the Sorbonne.
[Laura] Only acting head.
It's not that exciting.
[Laura speaking French]
[Laura and Kitti speaking French]
Wow.
You've known each other for a long time.
Laura was our first professor, Isabel and I.
A long time ago, back when Joe was this young,
hot thing in literature.
Not that long ago.
[Kitti] Take him with flight.
Take him and think of him.
He, and think of him.
With him, think of him.
With him and we'll think,
we'll think, we'll think of him.
Kitti said roots can think.
[Laura] I'm not sure potatoes have thoughts.
[Kitti] Roots can solve problems without brains.
That's why they're interesting.
This whole place was used by monks to grow medicine.
You could go there tomorrow, if you want.
It's not that far.
You know roots?
It's etymology.
Do you like poetry, Kitti?
[Kitti] I don't know much about it.
Thank you for letting me stay.
You don't need to thank me, you have to thank Isabel.
She's the one who invited you.
She's very kind-hearted.
[Nina] Mom?
Yes, mom.
More salad, anyone?
I'm your fucking guest, Joe, you know?.
Okay.
[high-pitched, haunting music]
[percussive tapping]
[low-pitched, tense music]
♪
[eerie whooshing]
[low-pitched, tense music]
[clatters, echoes]
[water lapping softly]
[Isabel] Are you okay?
You're shivering.
Come here.
Here, come on.
[Isabel sighs]
Sit down.
Oh!
Hello.
You haven't slept, have you?
Did you hear the birds?
I've never heard them so early.
You okay?
-Morning. -Morning.
[Isabel] Did you sleep okay?
[Laura] Yeah, I'm just wondering if she's okay.
I think she is.
I don't know, I-- I woke up at night
and wanted to drink some water,
and-- and I saw her wandering around,
and she didn't look okay to me.
Have you figured out why she has all these plants?
[Isabel] I think she's a vegetarian.
[laughs]
I know you're upset I asked her to stay.
I'm not upset, I'm just worried.
What are you worried about?
You.
What you're doing to yourself.
What you're trying to do to your marriage.
You know, she's-- she's beautiful, and odd.
And you invite her to stay in your garden.
To walk around naked.
You know what Joe's like.
Just got rid of this Argentinian.
-[Isabel] Marta. -[Laura] Yeah, Marta.
Yeah, Joe got rid of her.
[Laura] I just...
[sighs] I've seen the pain it causes you.
You remember when you came back from Jerusalem
and you found this woman?
-I don't know what her name was. -[Isabel] Laura.
Shall I make a list of all the women Joe's slept with?
I just don't understand why
you have to put something in front of him.
[Isabel] Well, Joe can make his own choices.
His responsibility is to himself.
We've always agreed that.
Yeah.
Are you okay?
I just...
[Laura sighs]
Just really haven't spoken since you came back.
I-- I knew I was gonna see you, so I just...
Sod it.
I'm finding it...
Much more difficult.
Yeah, I know.
I've read your article about the women that were...
Oh, no.
No, no, it's not that.
Um...
That's the same. The-- the suffering doesn't change.
The brutality doesn't change.
It's...
I'm finding it more difficult coming home.
I'm...
Much lonelier when I come home.
You know?
When I'm there...
I mean, yes, it's dangerous or
it can be scary, but I feel safe.
[dish clattering]
And when I'm here, or, or...
When I stand outside of Nina's school
and look at the other parents...
I mean, there's just nothing.
There's no empathy.
[knife chopping]
Everyone's just looking out for themselves, and...
I can't stand it. I can't stand the selfishness.
It's fine. I just, something...
Changed.
And I don't know how to be here.
And it's not you.
I'm sorry. I'll stop being so...
self-absorbed soon.
He reminds me of chewing gum.
I've missed you.
I just hope you know what you're doing.
[Isabel] Morning.
[Joe] Hello.
-Hello. -Hello. Good morning.
What did Vito want?
Uh, he wanted to know how Kitti was.
And what did you tell him?
I-- I told him...
That I liked his shorts very much.
[women laughing]
[Laura] How long has he known her?
[Joe] I didn't ask.
[Laura] I just don't trust her.
You're not an awkward stick.
A stick?
Hey.
Will you chop that?
Have you seen my pen anywhere?
[Laura] Apparently there's a rat under the sink somewhere,
and Vito's gonna get a trap.
So maybe the rat's using your pen.
Rats can't write shit, you know that.
[Isabel] Are you gonna start writing shit again?
I don't know. Probably.
Can you chop that?
[insects chirping]
Are we going anywhere in particular?
I thought you liked getting lost.
[Kitti] Why did you stop writing?
She's standing on my eyelids.
And her hair is in mine.
She has the shape of my hands and the color of my eyes.
She's engulfed in my shadow like a stone against the sky.
Is it about Isabel?
Or another woman?
[rocks clicking]
Is she lost?
No. She always knows where she's going.
Are you sure?
No.
I'm never sure of anything about Isabel.
That's why I fell in love with her.
[birds chirping]
Vito comes here sometimes with girls.
Is that why you know about this place?
I get dragged everywhere.
Dragged?
Wanna see my scars?
Conium maculatum.
[Joe] Hemlock.
I know what it is, Socrates.
Vincamine.
Senna alexandrina.
-Atropa belladonna-- -Belladonna.
They're all poisonous.
Hydra Lerna.
You should cut the head off to grow back.
[imitates choking]
Boom.
[pensive music]
Socrates was scared of snakes.
Socrates was an asshole.
[Kitti] Why did you come here with me?
I like your wife.
Isabel's a trickster.
What are you?
[Kitti] Do you remember anything about your parents?
They left you in the forest.
Were you scared?
Do you remember?
Why should I want to remember?
I read the poems.
The poems want to remember.
Hmm.
Why were you in our pool?
I was hot.
No.
No. Well, what have you come for?
I came here for you.
I don't want you.
It's not true.
You can't lie to me, Joseph.
Why are you eating poisonous plants?
For you.
Hi.
Hi, Nina.
Are we going to the beach?
[Kitti] Yeah.
How did you get here?
Vito gave me a ride.
He's sweet.
[Joe] He's not sweet, my love.
You be careful, Socrates, there are snakes in the grass.
[sighing]
Fuck off, snakes.
[grunting]
[unsettling music]
You can't lie to me, Joseph.
♪
[faint speaker announcements]
[speaking other language]
[announcements continue]
Isabel.
[insect buzzing]
Mm-hmm?
Did you choose the house or Vito?
What?
Have you found out yet how he knows Kitti?
What are you doing?
The owners asked me to make a hole.
Why?
I don't know. They want me to put steps in it.
Are you sure you're okay with Kitti staying here?
I can find her another place to stay.
No, no, she's fine.
We like her.
If you go out tonight, do you want me to drive you?
I like to walk.
You know, it's not that safe, uh, near the beach at night.
I know.
I'm okay.
[drill revving]
[motor revving]
She has the shape of my hands and the color of my eyes.
I'm not real.
[faint buzzing]
[unsettling music]
It's like crossing a road with your eyes closed.
Sometimes you just have to go.
♪
♪
[water sloshing]
[insects chirping]
I didn't hear you come back.
Where have you been?
What is it?
I don't know.
You don't know?
I don't really remember.
I feel a bit sick.
You remember going to the orchard?
-Yeah. -With Kitti?
It's not really an orchard.
She's been reading my poems.
Lots of people read your poems, my love.
It's not that.
She asked about my parents.
What did you tell her?
Said I don't remember.
Do you remember?
[Joe coughing]
[Joe moaning]
Here. Drink some water.
Maybe you got some heat stroke.
How long were you out there?
Where's Nina?
She wanted to spend the day at the beach.
I'm gonna get Vito to find Kitti somewhere else to stay.
[sawing sound]
Knowing and remembering are not the same thing, my love.
[sharp percussive music]
♪
[water running]
[recording speaking other language]
[Laura speaking other language]
[recording] She has gone home.
[recording speaking other language]
Would you like some soup?
She has gone home.
[recording continues]
[Laura repeating recording]
Would you like a bite of my sandwich?
[recording speaking other language]
[Laura repeating recording]
Where is he?
[recording saying phrase]
[Laura repeating recording]
What did you eat?
[recording saying phrase]
[Laura repeating recording]
The bush is on fire.
[recording saying phrase]
[Laura repeating phrase]
He has gone home.
[recording saying phrase]
[Laura repeating phrase]
He wrote a letter to his parents.
[insects chirping]
[scraping sound]
[birds chirping]
[crackling]
[menacing rock music]
♪
♪
[crickets chirping]
[Kitti] I've been watching you, Josef.
You scared me.
Don't you ever sleep?
I was waiting for you.
Are you feeling better?
-Don't worry about Nina. -Where is she?
She'll be back.
What do you want from me?
[Kitti] You sent for me, Josef.
That's not my name.
[Kitti] Being left by your parents.
Was it so frightening?
[Joe] I can't move my hand.
[water splashing]
Isabel.
Have you seen Nina?
Not this morning.
She's not in her room. I can't find her.
[Isabel] I heard her come back last night.
I can't find her.
Found you.
She got her period last night.
And came in with me.
[Isabel] You okay, my love?
[Isabel sighing]
I'm gonna go into town.
I'll get you something from the chemist.
[Joe] I don't want Kitti here. I want her to leave. Right now.
Why do you want her to leave?
[Joe] Because I don't like her.
Why don't you like her?
I don't want to play this game, Isabel.
I'm not playing games.
If you want to get rid of her,
you have to be able to explain why.
I didn't have sex with her.
Would you like to?
No.
I don't.
That's normally why you want to get rid of people.
Okay.
[Isabel] Oh, I'm quite serious, my love.
I need you to tell me why you want her to leave.
She scares me.
[Isabel chuckling]
Nina doesn't seem scared of her.
Nina's a child.
I wonder who the damn child is, Josef.
You know, at least in the past when you've done this,
you might embarrass me,
but you've never been afraid of the others.
-This isn't about the others. -No!
It's about you.
You need to figure out what you're frightened of.
I don't know.
Maybe if you wrote something again, then you'd know.
[Joe] I don't feel anything.
[Isabel sighing]
If you don't feel anything,
then all those books mean fucking nothing.
Yes.
You do feel something.
Then, I don't want to.
You have to move forward, Josef.
You can't go back.
There's nothing there.
If Kitti leaves, so do I.
[door shutting]
[cicadas chirping]
[Joe] He's always doing something.
Are you okay?
Would you rather I left?
You know, just because a window's open
doesn't mean you have to climb through it.
Spare me the fucking metaphors, Laura.
[dreary music]
♪
What's your name?
[Marcos] Marcos.
Will you take me with you, Marcos?
[Marcos] What?
Will you take me where you're going?
[Marcos] I'm not going anywhere.
What's your name?
Isabel.
[Marcos] Hi, Isabel.
Hi, Marcos.
[male chanting]
[males chanting]
[chanting continues]
[concrete drill whirring]
[chanting continues]
♪
♪
[music and chanting stops]
I don't know what got into him.
I don't think it's broken.
Can you-- can you just hold it like this?
Yeah.
Yeah, there.
Yeah, right there.
[Nina] What are we doing?
[Joe] I thought you wanted to go fishing.
[Nina] Why are you being so weird?
You know, you can't just grab me anymore.
I'm not a little child.
[Joe] Okay.
[Nina] It's not okay.
[Joe] Careful, there's some big holes here.
[both] A-holes.
Why'd you hit Peter?
You know, you can't just punch people.
He's always doing something.
It's his job.
No, it's not. Not while we're here.
You know, I never saw you hit someone before.
Really scared me.
[Joe] I just...
I wanted it to stop.
Stop what?
I'm sorry, okay?
[soft tense music]
[Nina] It's still not okay, Dad.
[Joe] You sit.
Do you feel all right when you're alone?
Being fucking weird again, Dad.
You know, you and Mom think I don't know anything.
We all heard you arguing this morning.
When she comes back, it's always fucking arguing, so no.
I don't feel scared when I'm alone.
You know how much I love you, right?
You can't just say nice things
to make me stop being angry, Dad.
That's...
That's not how it works.
[Joe] I know.
But I love you. Very much. It's important for you to know that.
I love you in every way possible.
Fucking weirdo.
Stay here.
[eerie gentle electronic music]
[Nina] Look what we found.
It's our fish.
Caught it by the rocks.
It's a handsome thing.
[Nina] Dad always finds really ugly things.
We're gonna call it Thing-Pet.
Can I see it?
It's a sea slug.
It's a male.
You can tell because it has two dents either side of its mouth.
They're coming to the rocks for spawning
before going back to the sea.
Most likely, it won't survive.
♪
[speaking other language]
[Isabel] Nina!
I'm gonna take you riding in a little bit, my love.
-Hi, Isabel. -Hello.
Hello, Josef.
-What is that? -[Nina] It's our Thing-Pet.
[Isabel] Uh-huh.
-What are you gonna do with it? -[Nina] Keep it.
-Why? -No, I'll take it back.
I thought we were gonna keep it.
[Joe] No, Kitti's right.
It should go home.
[Nina] Are you gonna come riding, too?
Sure.
[water splashing]
[Isabel moaning]
[birds chirping]
[horse neighing]
Hello, Odie. Odie.
My pony's called Oedipus.
Because he could never leave his mother alone.
Poor little Oedipus.
Mom, you can't smoke here.
This is Oedipus.
[Isabel] Shorter than I imagined.
You're with your mama now.
Where's your mama?
[trainer] Move your left leg.
And one, two, three.
Oop-lah. Very nice. Just going to move you forward.
You'll need to keep the reins quite tight.
Otherwise, he'll stop and try to eat.
I don't want him eating some poisonous plants.
-[horse whinnying] -Ready? Odie.
Thank you.
[discomforting electronic music]
Sorry I punched you.
You could have hit me back.
That's not my job.
In here.
-Here? -Yeah, over there.
♪
♪
Okay.
[Kitti] And look.
Mandrake. Belladonna.
Why is there so much here?
The monks used them as medicine.
And when they left, it grew everywhere.
Killed off the wildlife until they became immune and--
and then it killed off the people who ate the wildlife.
-Are you immune? -Mm-hmm.
I started eating tiny amounts when I was young.
You shake.
Yeah. Sometimes when I've had a lot.
-But you're-- -Poisonous, yeah.
If I get eaten by a bear...
Are there really bears around here?
A lot of them.
Josef knew about them all along.
When Nina was born, I thought she was dead.
I asked the midwives why they handed me a dead baby.
It's quite common, apparently.
Didn't want a baby.
We always joked that Nina was his.
It's not really a joke.
You still love him?
Very much.
[Kitti] But...
I can't do anything more to help him.
And he knows that.
You held him for a long time.
And I hurt him, too.
I left him many times.
I thought...
Doesn't matter now, does it?
It's time for you to go.
Goodbye.
[Kitti] Goodbye, Isabel.
Thank you.
+[tense, discordant music]
[Joe sighs]
[grunts]
Damn it.
[inhales sharply]
Can you let me out here?
-We're almost there. -Just stop here.
-We're almost there. -Just let me off here, Vito.
Just stop the car. Here.
Stop the car. Just stop the car, Vito.
[grunts] Ah, fuck.
Go, I'm fine.
Just leave! Leave!
-[car departing] -Fuck. [groans]
[grunting, panting]
Ah, fuck.
♪
[screams]
[exhales]
♪
[breathing heavily]
♪
[Nina] Mom, what the fuck are you doing?
[Isabel] Head down, now.
Come on, Nina, right down.
[overlapping chatter]
Hello.
Thought we'd find you here.
What are you doing?
I don't want you to leave.
Where's Kitti?
It's not about Kitti.
-She's dangerous. -[chuckles]
It's all dangerous.
I'm going to call the police.
You're not gonna call the police.
You cannot bring the horse in the restaurant!
If you call the police, your restaurant's gonna be
-shut down for weeks. -The horse stay outside.
Do you want your restaurant to be shut down?
The restaurant is for the people!
-The horse is inside. -No, inside is for the people!
No, inside is for the people and the horse.
Okay. I'll come back.
We did it.
You look nice, Vito.
Can you grab the pony so it doesn't eat that child?
Will you and Nina make sure it gets back to the stables?
[Vito] Yes.
What are you doing?
Could I get a Scotch and soda, please?
[owner] You have to pay for the damage.
-There is no damage. -Yes, it is.
No, no. But I'll pay for the food that the pony ate.
And could I have a Scotch and soda, please?
You know, you frighten me sometimes.
Joe's known for a long time.
Known what?
Everything.
[unsettling music]
Hello, Josef.
I've been waiting for you to come.
Do you remember now?
Yes.
[Kitti] Your parents left you in the forest.
I remember going into the forest behind where we lived.
We...
walked for ages and ages.
My legs hurt,
but my father said that we needed to keep going.
Then we got to a place that I didn't recognize,
and I sat down underneath a tree.
And my father said to wait there.
And I...
watched them walk away.
I thought that they would come back.
They didn't.
I waited a very long time.
It got dark.
And I remember...
feeling... warm,
after freezing the whole day.
And I thought that the Earth had turned upside-down.
♪
I was very scared.
[Kitti] Not anymore.
They shouldn't have left me.
I should have gone with them.
Doesn't matter what happened.
It would've been better.
They died without me.
♪
[Kitti] Are you still afraid?
No.
Nothing left to fear now.
Why?
Will you take care of me?
[Kitti] I will.
I love you, Isabel.
I love you too.
I'm glad you came back for me.
[gentle music]
♪
[music stops]
[eerie music]
Do you know who I am?
[Joe] Yes.
I expected you to come,
but I thought that you would look different.
[chuckles]
Everybody does.
[Joe] Have you been with me a long time?
Since the beginning.
Why haven't I seen you before?
[Kitti] You didn't recognize me.
Mmm.
And why now?
[Kitti] Now?
There never is a reason.
Will you fight me?
No.
♪
I don't wanna fight anymore.
♪
[dissonant music]
♪
♪
♪
♪
[rhythmic chattering]
♪
♪
♪
[poignant music]
♪
♪
♪
♪
[insects chirping]
What are you doing?
What time is it?
What's going on, Mum?
Did Kitti come back?
Don't know.
[shouting] Kitti!
[hurried footsteps]
[water splashing]
[Isabel gasps]
No!
No, no!
-[water splashing] -No!
-[Isabel] Joe! -[Nina screams]
-[Nina sobbing, gasping] -[Isabel] Joe!
[Nina crying]
[sobs] Get him up!
[Nina groans, sobs]
Dad!
-Wake up! -[Isabel] My love...
-[Nina] No! -[Laura] Vito!
[Nina] Wake up.
No!
Wake up.
[Nina panting heavily]
No!
Wake up!
-Oh, my love. -[Nina] No!
[Isabel cries out]
[panting, groaning]
[groans]
[hyperventilating, sobbing]
[groans]
[sobbing]
[panting]
[dark, intense music]
[yelps weakly]
♪
♪
♪
["Theros" by Coti K playing]
♪
♪
[woman] I want to sleep with you,
side by side,
our hair intertwined,
our sexes joined.
With your mouth for a pillow,
stretched out on your shadow,
hammered by your tongue.
To die in a rabbit's rotting teeth...
happy.
♪
[woman speaking other language]
[man & woman speaking other language]
[woman] I want to sleep with you,
side by side,
our hair entwined.
♪
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