All language subtitles for What Lurks Beneath [100032097].English

(gentle music)

(tense music)

(thunder crackling)

(waves crashing)

(tense music continues)

- [Simkins] Men are at war and it's a man's world,

but it would mean nothing without a woman.

(intense music)

- Talk to me.

- Contact. - Range?

- 1,500 yards, closing off our starboard side.

- [Banks] Okay, take us down, make our depth 6, 5, 0 feet.

- [Watts] Making our depth 6, 5, 0 feet, sir.

- Countermeasures. - Open two doors.

- Right full rudder. - Right full rudder!

- [Banks] All ahead. Zero bubble.

- Zero bubble, all ahead full. - Countermeasures.

- [Her] Shoot them. Shoot all of them.

- [Banks] Sailor now!

- Countermeasures? - Not yet.

(torpedoes blasting)

- Torpedoes in the water bearing 0, 4, 3,

bearing 0, 5, 1, closing.

- Deploy! - Countermeasures away.

- Left full rudder.

- Left full rudder! - Range?

- Closing 300 yards, bearing 0, 7, 0, bearing 0, 7, 2.

- Brace for impact! (klaxons blaring)

(torpedoes explode)

Where is she?

- Radar's offline, Captain.

- Chief of the boat, get us out of here.

- Aye, sir.

- [Comms] Damage report, all stations.

- Lieutenant...

- [Engineer] Engine room, bridge. No damage.

- What the hell happened back there, sailor?

- I don't know sir. - Not good enough.

But you're relieved, but fix it.

- [Marsh] Torpedo room, bridge. No damage.

- Nunnas. - Sir?

- Give the lieutenant a once over.

Make sure she's fit for duty.

- Yes, sir.

- Report the incident to Naval Command

with our position and their last known positions.

- Yes, sir.

- She's outside Russian waters, right?

- We are very close, but yes,

she's a mile outside Russian waters.

Could've been a warning shot there.

- She doesn't have jurisdiction for that!

- Well she fired on us in international waters,

so it's about to be a real big deal in Washington.

Get me rules of engagement. I'll be in my room.

You have the conn. Rig for ultra quiet.

- Aye, sir, I have the conn. Rigging for ultra quiet.

(instrument beeping)

(suspenseful music)

(instrument beeping)

- Captain? - Hmm.

- [Watts] Emergency action orders, sir.

Level four clearance and above.

- Okay, clear the mess hall. - Aye, sir.

- And what about the Russian sub?

- It's been an hour, 27 miles from last contact,

and nothing on the radar.

- Very well. Stand down ultra quiet.

- Yes, sir.

(systems humming)

- Oh, thank God.

- Don't waste your time, kid. He ain't listening.

- Who? - God.

But our god's gonna want a damage report.

- [Comms] Engine room, damage report and full check.

- All you old dudes is cocky.

- Only the legends, buddy. Only the legends.

(tool clanking)

- [Comms] Torpedo room, damage report.

- Yeah, yeah, I can tell you about it or I can just fix it.

- [Comms] Torpedo room, report!

- Bridge, torpedo room, standby, sir.

Prick.

- [Comms] Acknowledged, bridge standing by.

- What is that?

(woman vocalizing) (object tapping)

Bridge, I'm hearing music and tapping from outside the hull.

- [Comms] Torpedo room, repeat your last.

(woman vocalizing continues)

- Did you hear that?

- Sort of. - What was that?

- Interference from the circuits maybe?

- Nah. Sounds like music.

- I don't hear any music.

- With those old ears,

I'm surprised you hear anything at all.

- What?

- I said with those old ears...

- Can you give me something for sleep?

- Not really, unless signing off for a day or two.

- Uh, no, don't do that.

- You sure? - Yeah.

- You sure?

- I'll be fine.

Do we even know what's going on up there?

- I don't get told anything.

- Just sounds like the world's going to hell.

- Maybe the politicians will sort it out,

avoid world war III.

- Yeah, it'll be cheaper for them.

- They're having back-channel talks,

trying to sort out some kind of deal.

- How do you know that?

- I mean, they must be, right? We've gotta hope.

- Do you have someone back home?

- Yeah. No, it's kind of complicated.

Honestly, he's just being a little bit of a dick right now.

- So, a man?

- (chuckles) Yep.

- They're only good for one thing,

and most of 'em aren't even good at it.

- I hate it. Honestly, it drives me crazy.

Like this idea that they need to save us.

- Preaching to the choir, sis.

- And they can't listen for shit!

(woman vocalizing)

- What is it?

- Orca?

- This far out?

- Worse than the Russians. We can relax a little.

We got enough going on.

- Captain's ready.

- We'll be right there.

What are you?

(engines rumbling)

- Captain, Joint Naval Command has received--

- Where is Simkins?

- He'll be along soon, sir. But I can start the briefing.

- No, we'll wait.

- Aye, sir.

- I can run and get him.

- Finally! - Sorry, sir.

- Thought you Brits were known for your punctuality?

- Sorry, sir. Won't happen again.

- Okay, before we begin, who was that?

- We're still efforting an exact identification.

Um, Russian for sure.

- I thought you boys were the best.

- We've sent audio to Joint Naval Command

for identification.

It doesn't match anything we've heard.

- You're not telling me

there's a new class of Russian sub out there

trying to hunt us, are you?

- Audio was scrambled by something else.

- Something else?

- Orca, we think. Hard to pinpoint the exact source.

- Well, she's still out there

and she's still looking for us.

- Agreed.

- Any chance she will think that we were destroyed

by the torpedo?

- No, sir.

- What have we got?

- [Bressers] Gentlemen,

I shall be brief.

Our situation with the Russians has not improved,

and the president has authorized an alert status

of DEFCON 3.

(ominous music)

Now, we all know what that means,

but the plan is not an all-out war with Russia.

The plan is multiple targeted strikes, simultaneously

against Russian military leadership.

We are having, right now, back-channel talks

with some highly-placed Russian military people

who want to defect, stabilize their country

in exchange for an immediate cease fire.

In fact, it's these people who are providing the coordinates

that we will be targeting later on.

Your target data package, will be delivered

with my message.

Now the bad news.

Michael, this cannot be a long-range strike.

You are going to have to get close.

I realize you are due home,

especially with your first child on its way.

But you are the only ship

with the payload and the position

to be able to carry out this mission.

Godspeed.

- This position is five miles from the Russian coast.

- The Excelsior is taking out the sonar relay station

ahead of our position.

- Well, if she's closer, then why doesn't she launch?

- She doesn't have the payload required. We do.

- Well, won't that just flag that we're coming?

- [Bradford] The net covers 350 miles worth of coastline.

They won't know where to look.

- Sir, our latest intel says

that the Russians patrol that area with around five subs.

- No, it's nine. - Nine?

- [Simkins] And five of them are Typhoon class, four Kilo class.

- Sir, there is no intel that says that.

- Wait, how, how do you know that?

- Captain?

- That's, that's not in here.

- Oh, it was part of a MoD brief from London.

- Are we not sharing intel?

- Well, it just came in, sir.

Uh, we also had another brief

that just came in from the Excelsior.

The Russians have got some new radar jamming tech,

works within five miles of their position.

It's a bit of a diversion tactic.

- Yeah, well, that's not in here either.

(ominous music)

I don't like not knowing relevant facts, gentlemen.

- [Bradford] I'll have it written up within the hour, sir.

- See to it. - And the crew, sir?

- That's all. - Right, sir.

- I'll address, but block all personal comms.

Nothing going out while we're in DEFCON 3.

- Aye, sir.

Was there something else?

I don't like being left in the dark, Watts.

- Sir, I can assure you-- - No, not you.

You ever notice that about our British friends?

Do you know anything about them?

- [Watts] I can get you their file.

- (scoffs) It's pointless. It's probably been redacted.

Men like them, they never let anything slip

and they cover for each other.

I don't know anything about them.

I don't know if they have wives, kids,

girlfriends, siblings.

I don't know them at all. And I like knowing my crew.

- [Watts] Goes with the job, I suppose.

- Yeah, and the other part of the job

is getting full intel briefings and leaving nothing out.

- Maybe they didn't see it as relevant?

- Maybe,

but keep an eye on our allies, all the same.

- Keep your friends close and all that?

- Exactly. - Aye, aye, sir.

- [Lawrence] Captain to the bridge.

(woman vocalizing)

(object tapping)

- Jesus!

Bridge, torpedo room.

Hey, you better get down here right now.

- Torpedo room, we're running quiet here.

- Get the fuck down here, man!

(mysterious music)

- Where the hell did she come from?

- [Marsh] Torpedo tube four. - That's impossible.

- [Marsh] She fucking was.

- That's your captain you're addressing, sailor.

- Sorry, sir. But she was.

- [Banks] What's our current depth?

- [Marsh] 645 feet. - [Banks] Then how is she here?

- [Marsh] Stowaway? - [Watts] From two weeks ago?

- [Banks] Who are you?

Get Nunnas. And a blanket

- Sir, maybe we should-- - Now, Watts!

You're on the USS Titan.

I'm Captain Michael Banks. Can you tell me your name?

Do you understand me?

- Nah, she doesn't. She's a Russki.

- [Banks] You're safe.

But I need to know who you are so that I can help.

- She looks Russian. - Yeah. And you look smart.

- What? - Just stop talking.

- I'm Anna. I'm a medic.

Are you hurt?

Are you hurt?

She could be deaf.

- She could be Miss July. - Shut up!

- Sorry, sir

- Nunnas, take her to med bay. Check her out.

- Yes, sir. Come on.

- Check the tubes.

- We hoping to find more naked women in them?

- [Banks] I'm hoping for a full compliment of torpedoes,

because we're gonna need them!

- Aye, sir, aye.

- What do you wanna do about her?

- Well, it's reasonable to believe

that the Brits speaks some Russian

and if not... - If not?

- It's reasonable to assume they have a trick or two

to make someone talk.

They're not here for their accents.

- Sir, I really think that's--

- Yeah, we need to know who she is

and if she came from that sub.

- Sir.

- Just, uh, let them do their thing.

- Aye, sir.

Only five more to go, sailor.

(device beeping)

- Jesus.

Hey!

- Oi, what?

- It's happened.

(mysterious music)

- Jesus. Okay, we got a job to do.

- You sure? - We've got no choice.

Bradford, we knew this was a possibility.

We set it up in the meeting. We're in too deep now, okay?

We've got a job to do for king and country.

- King and country.

- How bad is it?

- Details still coming in. Most of the east coast.

- Jesus Christ.

Okay.

Our comms, all of them.

- Right.

- Shit.

(radio crackling)

This is Commander Brandon Simkins aboard the USS Titan.

We currently have a red light situation

and I'm running with secondary protocol.

Please be advised, I will urgently need American briefings

specifically from Admiral Bressers generated.

I can deal with any order authentications,

but I will need the videos

if I'm to get my colleagues to buy it.

Simkins out.

(ominous music)

- Everything okay, sir? - Fine.

- Did you need something? - No, no. All good.

Carry on.

- Sir, any work done to the system

has to have a work order created for it,

just so we know what's being done.

- Yes, I know the system.

- Apologies, sir.

Just thought you might not know, as, well, you're a Brit.

- (chuckles) Thank you, but I've got it.

- Sir, if you know, then why are you doing it?

- You're absolutely right.

I was just trying to be efficient,

which is just fucking stupid.

Protocols are there for a reason, right?

- Yes, sir. - Take a look.

There's something wrong with the transformer

to the comms relays.

- Sir, these are not the comm--

(neck snaps) (suspenseful music)

(electricity crackling)

- So we have eggs, we have bacon, did...

Did you want some food?

I'm just gonna do a medical exam on you, okay?

Okay, we can do it after.

Did you want some food, water?

Did you want me to get you some more water? Water?

Did you want more? Yeah?

Okay.

I'll be right back.

- Jesus Christ! - I had to.

- Say, brother, it's messy!

It's fucking messy, and we got a lot going on.

- No one saw me.

- [Simkins] Oh really? How'd you get back here?

Did you have to walk through the bridge?

Relax. We can say you were checking the comms.

- What else was I supposed to do?

We're under fucking orders.

- Hey, we got a problem. - Yeah, we know.

- Okay, well she's in the med bay.

- Sorry, who's in the med bay?

- What's wrong with the radio?

- We've lost navigation data stream, sir.

- Do you have any comms? (instrument beeping)

- Negative. - Great.

- Shall I reset sir? - No, it's not the system.

The Brits warned me.

The Russians have some new funky jamming tech,

which means we're five miles outside of position.

- Aye, Captain. Will keep an eye, just don't know how soon.

- Thank, you, Lawrence.

- Excuse me, sir. - What is it?

- Nichols, been electrocuted.

- Is he alive?

- I don't know, sir.

- Get Nunnas on the double.

- What was he doing? - Sir?

- What system was he working on?

- The comm system, sir.

- Good. - Good?

- Get back to your post. Let Nunnas take over.

- [Engineer] Aye, sir.

- [Watts] We, uh, just found a naked woman

in the torpedo tube.

- Sorry, say that again.

- Yeah, a naked woman was just found--

- He heard you.

- So do you speak any Russian? - A little.

- I need you to ask her a few questions.

Find out who she is.

- We're gonna need a fuck-ton more information than that.

- [Watts] Well I know that, but we'd all like a little--

- She's Russian. So what does it matter?

Let's just lock her up

and we'll deal with it if we get home.

- [Watts] When we get home.

- Yeah. When we get home.

- Gentlemen, the captain wants to know

who this person is, now.

- Maybe he doesn't. - What?

- Knowledge is a tricky thing, Watts.

You heard our orders,

plus she's probably fucking loaded.

- [Watts] What is that supposed to mean?

- She could be transmitting our position.

- She doesn't exactly have pockets!

- She could have swallowed it.

- Why would she do that?

- Because they'll know we won't have equipment on board

to check something like that.

- So...

- So she's like a Trojan fucking horse.

And you know what they should have done with that.

- Left it outside. - Exactly.

- So you want me to put her back outside? Is that it?

- Well, that's where she came from.

- Gentlemen, do I need to remind you

of something called the Geneva Convention?

- Fucking hell, I'm not being serious,

but you better hope I'm wrong about her.

- She doesn't exactly look like, like...

- Oh, do you hear that, mate?

I think she's good looking.

- Oh, yeah?

- That's good of the Russians, isn't it?

They dipped her in honey for you.

- What? - They sugarcoated her.

- You're both being paranoid.

- That's the fucking job.

- Well, just find something out from her. All right?

And report back!

- Fucking prick.

- Another problem. - No, it's good.

- How?

- It's distracting them right when we need a distraction.

- But we still have to deal with it.

You think she's Russian spetznaz?

- I don't know. I know it's a real bad time

for something unexpected to enter the field-of-play.

- It could be something else.

You saw the debriefing on historical sightings.

- I didn't get to it yet.

- The background file.

- Something about the historical background?

- Fuck me, don't worry.

- Look, man, we gotta focus.

We got bigger issues right now.

- Yeah. We should tell them.

- It'll add uncertainty. - Or clarity.

- If you're in the historical files, look up the Yanks.

Our job has always been the same with them.

- The same job, but still...

- The Yanks have always needed a nudge to rub--

- I'm just saying, if it was me--

- It's not you!

It's me. It's my fucking call.

You can take it up with London if we get home.

- I was speaking freely and it doesn't leave this room.

It's just a concern.

- It's a weakness.

- Well, we've all got those.

- You wanted me? - Hey. Yeah, I do.

Can you take a blood sample from...

- For what?

- Just for paranoia.

- We can't run any tests down here.

- She may not know that.

- Trying to scare her?

- People are lying, they've got something to hide,

and they think you're about to find out.

They tell you something

just so they can still control the narrative.

- Hmm. Shaking the tree just to see what falls out.

- Exactly.

- And if she has nothing to hide?

- Then she's nothing to worry about.

- She could be a stowaway.

- It's a real bad time to be lost at sea, Anna.

- Is there a good time? - You know what I mean.

- Yeah, I know.

On the same side, remember?

- I know. - Do you?

- Yeah. - Okay. So who am I?

- (chuckles) What?

- I thought you were the intel corps?

- Yeah, I am. But... - Great. So who am I?

- Who are you? - Mm-hmm.

- Who are you? - That's the question.

- You are Ensign Anna Nunnas.

- Hmm? - I said... Wait, wait.

What was that?

- That was me just shaking the tree.

- Anna, I... Fuck's sake.

(ominous music)

- Report. Simkins? (instrument beeping)

- Yes, sir.

Jesus, she's back. She's right on top of us.

- Same sub?

- Yes, sir. She's 1,500 feet off our port side.

I don't think she's seen us.

(ominous music continues)

- [Banks] Firing solution.

- Yes, Captain.

- Simkins? - She's holding course.

- Is she going over the bow? - She will.

- Range at closest?

- [Simkins] 1,100 feet.

- Watts? - Still working, Captain.

- Firing solution, snapshot aft, torpedo tube five.

25 seconds to impact.

- Do you think we can get her?

Because if we miss, we're in a terrible position.

- We could go up behind her. - Why would we wait?

- Because if we miss, she'll find it difficult to return fire

before we can get about two or three more shots.

And our countermeasures

will be much more effective than theirs.

- Captain, we can drop 2,000 feet below this position

and escape in the wake of any detonation.

- [Lawrence] You want my recommendation, sir?

- Sir, please...

- Do we know what she is?

- She's Typhoon class. We can easily outrun her.

- [Banks] We're not running.

- Sir, please, take the shot.

- Chief of the boat, take us up quietly once she passes.

- Sir. - Objection noted, Simkins.

- Aye, sir.

- Yes, Captain rising on your mark.

- Simkins? - She's at 8, 5, 5 feet.

- Okay. Rise to 8, 5, 5 feet, smartly.

- [Watts] Rising to 8, 5, 5 feet smartly.

(ominous music continues)

(woman vocalizing)

- Do you hear it? - Yeah, I hear it now.

- What is that? - It's just a myth.

- The fuck is that?

What the fuck is that?

- It's not us. - What?

- [Watts] Well it must be them!

- [Banks] Why would they do that?

- To confuse us. - Yeah, well it's working!

(torpedo fires)

- Torpedo in the water! - Bearing?

- Bearing 0, 1, 5. - What?

- Bearing 0, 1, 5. - She's firing blind.

- Because she hears it too. - Hears what?

- The music. It's not from them.

(klaxons blaring)

- What the hell does that mean?

- It means there's something else in the water.

- Make your depth. 1, 5, 0, 0 feet. Dive!

- Making our depth 1, 5, 0, 0 feet. Dive, dive, dive!

- Launch countermeasures. - Countermeasures away.

- Where's that torpedo? - Bearing 0, 1, 9.

She's searching, but no lock.

- [Banks] Lawrence, we got a fix on her?

- Too much noise, sir. - Where's that torpedo?

Simkins? Best guess.

- Sir, it's firing in the dark.

- I'm not trying to hit her.

I need that torpedo to lock onto a heat signature

so we can bug out!

- Sir, there's too many variables involved in a--

- [Simkins] Aft torpedo, snapshot bearing 0, 7, 6, sir.

- Sir, please... - Do it!

- Firing aft torpedo, bearing 0, 7, 6.

- Firing aft torpedo, bearing 0, 7, 6.

- [Computer] Initiating launch sequence.

(tense music)

(torpedo launches)

- [Lawrence] Torpedo away.

- Remote detonate. Let's see if we can shake her off.

- [Watts] Mark for detonation, Captain.

- She's live.

- Simkins? - Not yet.

(torpedo whooshing)

- Zero bubble, level us out. All ahead full.

- Aye, Captain, leveling out. Zero bubble, all ahead full.

(tense music continues)

- Distance from us?

- 800 feet, sir. - Do it!

(torpedoes detonate)

(submarine groans)

All stop. Report.

- She's lost in the noise.

- Yeah, hopefully we are too.

(ominous music)

- [Her] You don't need him. You are weak.

What do you need from him?

- To admit that he loves me. - [Bradford] What?

- Uh, sorry. I don't know why I said that.

- [Bradford] What did you say? - Nothing.

- [Bradford] Get out of here. I need a minute.

- Yes, sir.

(ominous music continues)

(Bradford speaking in Russian)

- [Her] That poor little boy. I know you killed him.

- How did you do that?

- Do what? - Not you.

- You okay?

(chuckles) You are giving me strong lesbian vibes.

- That's an hour, sir.

- Okay, let's give her last known position a wide berth,

say, to the east 900 feet.

Slow and steady.

- [Watts] Slow and steady. 900 feet to the east.

- I need to show you something.

- [Simkins] Can it wait? - Simkins?

- [Simkins]Sir?

You got this? - Yeah.

- Sir?

- You ever heard anything like that before?

- It's a bold move. - Move?

- By the Russians.

- You think they blasted the music?

- Oh, we had some intel a few years back, sir. Remember?

The Russians were experimenting with underwater speakers,

trying to confuse the sonars.

- Yeah, yeah, but,

we're just making the sounds of other subs.

I mean it would confuse them too.

- Not if they knew exactly what noise to cancel out.

- Even so...

- I mean, they're just underwater speakers.

They could be used to play anything, even music.

- Then why fire blindly? - I don't know.

- And you couldn't pin the source?

- Well there could be several speakers, sir.

- Several?

- It's a great diversion tactic.

We all needed a minute to get our head around it.

- But why fire?

Can you run this up to HQ?

- The latest damage report indicated

that the exterior antenna is inoperable.

- Of course.

Suggestions?

- We're too deep, sir.

But if you allow us to float the buoy,

we could relay the event and wait for HQ to come back to us.

- Do it.

- Aye, sir.

(tense music)

(buoy beeping)

This is it, mate.

- We have to tell them. - We're under orders.

- They'll find out. - After we launch.

- They'll hang us. - We're getting hung anyway.

You especially, or did you forget that?

Jesus Christ, you may as well be hung for a sheep as a lamb,

otherwise, you killed that poor kid for nothing.

- I had no choice. - No, mate.

No, you had no choice as long as you follow through.

But the minute you start telling people,

you made that poor fucking little kid's death pointless.

- This whole thing is fucking pointless if we're wrong.

- We have a window and a weapon and a target.

We know where it came from

and we know just for the next little while

how to cut the head off that snake.

By the way, we're not doing what they did.

We're not dropping bombs on cities full of innocent people.

We're not leaving a fucking country in ashes like they did.

- They'll help us.

- They won't know what to do

and we haven't got time for them to wait to regroup.

- They're professionals--

- Which is why they'll wait for U.S. orders.

- London is making an issue where they need not be one.

We're fucking allies.

- Bradford, it will take too long.

They'll wait for the chain of command.

- We can at least wait for a little--

- No, we can't, mate, because if we do,

Russia might nuke everything that's left!

- I'd rather go down myself than fuck this all up.

- You got family? Bradford, you got family back home?

- Yeah.

- Mine were in Boston.

I moved my mom over there after I got stationed stateside.

Thought it was best, she was a little sick.

You know, let's keep her close.

You know what happened to Boston, right?

- Yeah.

- Your family is safe. Let's keep 'em that way.

- There's not much left to Boston.

- I don't wanna talk about it.

What I want to do, Bradford, is my job.

- Sorry.

Buoy's at broadcast depth, they said you'd wanna know.

- Yeah, okay.

- Yeah, sure, mate.

- Sorry. - And, Nunnas.

Wait, Anna, hold on for a second.

- Yes, sir. How can I help you?

(Simkins chuckles)

- Why are you talking to me like that?

- Oh, how would you like me to talk to you, sir?

- You should talk to me

like someone you could say the worst thing in the world to

and it would be okay, because you're saying it to me.

- I know.

- Good.

- It's not easy all the time.

Sometimes you feel a million miles away.

- Not when you're here.

When you're here, it feels like home.

- Something's wrong. - Who told you that?

- You did. - No I didn't.

- Something's wrong and you're keeping it inside.

What don't you want me to find out?

- Anna, everything's fine. - No, listen. I know you.

I see you when you fake, when you smile and don't mean it.

Try to make other people happy

or in the dark about what's really going on.

But it doesn't have to be like that.

At least not with me.

(pensive music)

- Yeah, the world's just a little messed up at the minute,

you know?

- I know. You can too.

- I can what?

- Tell me the worst thing in the world

and know it'd be okay.

- I know. There is something I should tell you.

(radio beeps)

I gotta take that.

- Yeah. - Just wait.

Yep, Simkins here.

- I love you.

- Copy that, sir. If you just gimme five minutes, I'll...

Yes, sir.

(buoy beeping)

- Everything okay, sir?

- How long has she been sleeping?

- Three or four hours. - She say anything?

- No, sir.

- Anything that might tell us who she is.

- She has no tattoos.

She hasn't spoken, so I can't detect an accent.

Doesn't seem to be lucid half the time, but could be shock.

- Did she eat anything? - No, sir.

- Did she drink anything? - That's about all she does.

She's a thirsty girl.

- Okay, well, keep an eye. Let me know if anything changes.

- Yes, sir.

(mysterious music)

(machinery humming)

- [Engineer] What's the matter? Too drunk?

- I wish.

- Man, what's up with you?

You've been acting weird all day.

- Trying to keep my wits about me buddy.

- It's not like you to be spooked.

Mm, did you see the stowaway?

- Stowaway?

- Fuck, old man. The girl in med bay!

- What did she look like?

- She's fucking gorgeous.

- We gotta get outta here.

- Whoa, whoa, whoa. Calm down.

- Look, you don't understand.

I've heard this singing before and...

(ominous music)

- Do you remember me?

- Lord help me.

(engineers screaming)

(ominous music)

(submarine creaking)

(instruments beeping)

- Sir, we're losing propulsion. Comms are down.

- Go.

- [Watts] Zero bubble, helm, let's figure this out.

What's our depth?

- At 100 feet, sir.

- Something draining our propulsion power.

Find out what's out there.

(ominous music continues)

(submarine crashes)

- Shit!

(klaxons blaring)

Jesus.

You scared me.

- [Simkins] I got nothing.

- Well, it's not nothing, in knocked out comms too.

- No, that's impossible. It's a separate system.

- Prepare for emergency blow.

- Sir, we can't surface here,

we're too near the Russian coast.

- What we can't do is lose propulsion at 900 feet.

- Ship, ready for emergency blow, sir.

- They're gone! - [Lawrence] What?

- [Banks] Who's gone?

- [Watts] The entire engine crew.

- Gone where? - I don't know, sir.

- Hull integrity?

- We're 100%, no breach.

- Torpedo room? - Yes, sir.

- [Simkins] What are we hoping to find there?

- That's the only hole off the ship

anybody could get off of.

- [Banks] Or into.

- [Lawrence] Sir...

- Bring that girl in here.

You boys know some tricks, don't you?

- Captain? - With making people talk?

- [Bradford] Sir, I don't think--

- [Simkins] We do, we do.

We do.

- [Banks] Whatever it takes, on my authority.

- [Simkins] Yes, sir.

Sir, we have a properly formatted

emergency action message.

Just came in, stepped up the launch,

and new target package data.

- [Banks] The EAM didn't alert

- Could, could, could be something to do

with the power drain, sir.

- [Banks] Show me.

- [Simkins] In a secure room sir.

- [Banks] We are secure. Show it to me.

- Aye, sir.

- Gentlemen, this is it, what we trained for: DEFCON 1.

You are to immediately

rise to launch depth

and fire your entire payload

to target package

Alpha Zulu Niner.

This is on my authority

and directly from the president of the United States,

your commander-in-chief.

The Alaska early warning system has been compromised,

whilst the Russians are on the offensive,

it is critical that this target package

be destroyed immediately.

I want radio silence. We'll watch you from the sky.

Good luck.

- Jesus Christ.

- Sir, we must load the target package data into the system.

- We need the XO.

- Marsh!

- Sir?

- Anyone come through here?

- Through? - Yeah.

- Well, this is the end of the ship sir.

- Right. You've been here the whole time?

- [Marsh] Yes, sir.

- Okay. I need you to check these tubes again.

- For what? - Anything that's not a torpedo.

- Comms are down.

- Copy that. - So just, just stay alert.

- The boat's stopped.

- Yeah, the engine crew's gone.

- Gone where? - We have no idea.

- Sir...

- Look, I have to get back to the bridge.

Just secure this room. All right?

- Yes, sir.

- Hey. - Hey.

- They wanna see her on the bridge.

- Okay. I'll bring her when she wakes up.

- No, now. - Everything good?

- All right, we need to authenticate.

- Go ahead.

- [Lawrence] They're on the way, sir.

(ominous music)

- Sorry. - Jesus.

- Sorry about that.

- Here you are, sir.

Target package data reads:

Alpha Alpha Juliet Juliet Uniform Tango 6, 7.

- Message is authentic. - [Watts] Orders, sir?

- Load the target package data.

- Aye, sir.

- Okay, one last chance.

Who are you?

Okay, do what we have to do to get an answer?

- Sir.

- Wait, what are you doing? - Come with me.

- Hold on. What's going on here?

- [Watts] Stand down, sailor.

- She's not military.

- We have no idea what she is.

- We're at DEFCON 1.

The rules of engagement are clear.

Anything that is a clear and present danger to the ship

is fair game.

- She's not the enemy. - We don't know that!

We don't know how she got on board,

and ever since she has, we've been tailed, shot,

some of my crew is missing,

and she's the only thing that doesn't belong!

- You don't belong here.

(ominous music)

- Finally, she speaks. Who are you?

- Someone who does belong here.

- Right, enough.

Do what you have to do.

- Sir.

- Sir...

- She wasn't speaking and she could speak the whole time.

We don't know who she is or what she wants

or if she's a wolf in sheep's clothing.

- Yes, sir.

- Bradford, you okay?

- Yeah.

- Was there something you wanted to tell me about?

- Nah, I've got this. - All right, play nice.

(mysterious music)

- Some of our crew are missing. I believe you know why.

I believe you mean us harm.

- I believe you mean us harm.

- Who's us?

- Water.

- Who is us?

You need to tell me why you're here.

If you start being honest, I can help you.

Otherwise, this only gets worse.

- Honest? - Yes.

- You should be honest about what you're doing here.

- Is that a threat? - Absolutely.

- Hmm.

Who do you work for?

- The simple minds of men.

- You wanna play games with me?

- You should stop. - (chuckles) Or what?

- This only gets worse.

- What do you want?

- To protect.

(Her vocalizing)

- What are you doing?

(energetic metal music plays)

Hmm, trying to get into my head. I know what you are.

- How do you know?

- We've known about your kind for years.

- Most men don't know.

- If they knew, you'd be extinct by now.

(energetic metal music intensifies)

- Are you not afraid? - Fascinated.

- You won't hear my song.

- Fascinated, not stupid.

Now stay out of my head and tell me why you're here.

- To guide you.

(Her vocalizing)

- Stop.

- If you let me in, then I can show your mind.

- If I let you in, I never get out.

- You know you can't control me, Robert Bradford.

I already saw a glimpse.

That poor boy. You didn't need to do that.

I think you need me to keep your secrets now.

- I know you need water, lots of it. Otherwise you'll die.

- Don't be like all other men.

Thinking that they hold all the power.

- I have music to drown you out.

- You do.

Tell me, did you ever find the source of power

draining your engines?

(electricity crackling)

- Wait, what are you doing?

- Shh. It's okay.

Tell me. Tell me.

Tell me everything, my love.

(Bradford gasping)

(ethereal music)

- What's he doing to her?

- [Simkins] What he has to. - Is he gonna torture her?

- No. But it does no harm if she believes he might.

- What?

- What the captain did was theater for her benefit.

- [Banks] It's true. And above your pay grade.

- Yes, sir. Sorry, sir.

You wanted me?

- Captain says there's some pentothol on board.

- For what?

- It can be used as a truth serum.

- See to it. - Aye, sir

- Is, uh, is this gonna be a problem?

- [Both] No, sir.

- Anna, wait, wait, wait, wait.

Anna, may I ask you something?

- Yes, Brandon. I think we sailed past needing to be formal

after you fucked me on the submarine.

- Okay, easy, Anna.

- Don't worry, I'm not gonna report you.

- But why not? You should. - You know why not?

- I do. - I hate when you do this--

- Family. - What?

- You never told me about your family.

- It's a little late for that, don't you think?

- Anna, pretty please, with a cherry on top,

would you just tell me about your family?

- Okay. Three brothers.

- Okay. - All older.

All willing to kick any guy's ass

who's gonna hurt their little sister.

- Well then I hope they're busy warming a bench somewhere,

'cause Anna Nunnas doesn't need anybody

to fight her battles.

- Yeah. Remember that.

If in a fight, I'm way more likely to save your ass.

- Like you ever let me forget. What about mom and dad?

- Dad left. Mom lives with Jason, my oldest brother.

- And where is that? - Ohio.

- Ohio? That's good.

That is so good.

- Clearly, you've never been to Ohio.

- No.

- Why?

- Why haven't I been to Ohio? There's nothing there.

- No, Brandon, why are you asking?

- I was just curious.

- Did you wanna join us for Sunday church?

- (chuckles) No, it's not really my thing.

I love that it's your thing.

I love religious girls, full of sin and guilt.

- You intel officers, always collecting information.

There's more to life than that, Brandon.

It's not a spectator sport.

- Oh, thank you. Ensign Nunnas is gonna teach me about life.

- Don't talk down to me. - I'm not.

- And stop trying to protect me.

- I'm not.

- I don't need saving and you know that.

I'm a big fucking girl.

- Okay, easy. Hey, stop, stop, stop.

I'm not talking down to you.

There's just things sometimes I wish I didn't know, okay?

- Why?

- Because the truth hurts sometimes.

- Did I do something wrong?

- What? - Do you like, not want me?

- I don't wanna lie to you. - Oh, wow.

- No, I mean-- - Fuck you.

- Anna, why...

- And directly from the president of the United States,

your commander-in-chief.

We'll watch you from the sky. Good luck.

We'll watch you from the sky. Good luck.

- Captain has the conn.

- You okay?

(Watts sighs)

- You know Admiral Bressers personally.

- Yeah, I do.

- It's just that it all our previous EAMs,

he's been very frank, open, using your first name a lot,

things like that.

- Well I think DC is a pretty stressful place right now.

- Of course, you're right.

- What are you getting at?

- I don't know. Nothing, I suppose.

- Where are we on power?

- Marsh's fixing it, manually.

- What?

- All the electrodes are fried.

It may have something to do with the propulsion going down.

- But how? - The system is--

- No, the system can withstand anything like a direct hit.

Plus we have backups.

- I'll look into it, sir. - Quickly. We have orders.

- But, sir, the comms are still completely down.

- So if the order's changed or rescinded...

- We wouldn't know.

- Get me power - Sir.

- [Watts] Simkins. - XO?

- Yeah, just something kind of random.

- Sure.

- That last briefing message from Bressers.

- What about it?

- Anytime he sends one, he signs off with "Godspeed," right?

- Right. - Well he didn't this time.

- Sir?

- Was the message cut short at all?

- No.

- And another thing, he also said "your commander-in-chief,"

like as if it's not his own.

- Well, I don't know. He's stressed out, you know?

He's got every reason to be, DEFCON 1, and all that.

- That's what the captain said, too.

- And we authenticated orders, right?

- Yeah.

- It's good to have doubts, XO,

but I dunno, we've gotta follow orders,

- Right, so that later on,

we can say that we were just following orders.

- What did you need?

- Can you just ask HQ to reconfirm?

I'd rather triple-check with something like this.

- I'd love to, sir, but the comms are down.

- Yeah, I'm, I'm working on getting those back up.

- Well, you get the power up, sir,

and I'll triple check it for you.

- The last thing we need is more surprises.

- [Bradford] Get out of my fucking head!

- Oh, God. (suspenseful music)

- [Bradford] Get out of my fucking head!

Get out of my fucking,

get out of my fucking head!

Get out. (Her whimpering)

Get out of my fucking head!

- Hey, stop! Calm down!

- Stop! Stop! Stop!

(all groaning)

- [Simkins] You've got to stop.

- He's seizing. - Please, we have to leave.

- Anna, Anna!

- We have to leave.

- [Nunnas] What happened? - [Simkins] I don't know.

- [Nunnas] Are you okay? - All right, come on.

Let's get him up. Let's get to med bay.

- [Nunnas] Help me. - [Simkins] Up!

- [Bradford] We have to leave. We have to move.

- [Watts] What happened here? - He attacked me.

- What did you say to him?

Okay, all right, Marsh, get to the engine room.

They need your help. We need to get propulsion going again.

- Sir... - Marsh, now!

- I'm coming.

- In accordance with international maritime law,

I'm detaining you until such time

as we can ascertain your intentions upon our vessel.

(ominous music)

(pensive music)

(handcuffs clatter)

(mysterious music)

(lips smacking)

(Marsh screaming)

(blood splatters)

- [Lawrence] Sir...

- We can emergency blow at any time, right?

- Yes, sir.

Without power, we won't be able to maneuver or resubmerge.

- Once we're at launch depth, how long to fire the payload?

- 65 seconds.

- You know we have a job to do, right?

- I'm with you, sir.

- Whatever it takes.

- A lot of people depending on us.

- Exactly. Thank you, Justine.

- Aye, aye, Captain.

- [Her] Kill him.

(ominous music)

- I dunno.

- Well, when was the last time you saw him?

Was he at your end of the ship?

- He's too dirty to be at our end of the ship.

- He never even leaves the torpedo--

- Stand down, Bradford.

- We have to stop.

- Bradford, you all right?

- [Watts] Whoa, hey, hey.

- [Bradford] We have to stop.

Give that to me.

- Sir, the launch control! - [Simkins] Hey!

(clamoring)

- Hey, Hey! - Get off!

- Stop, stop, stop! Calm down, calm down!

Hey, hey, let's talk.

- Thanks.

- [Banks] What's wrong?

- It's all lies, what we're doing this for,

and I'll take it all back.

I saw, they'll win.

Friend, friend, look at me relax.

Mate, it's me, it's me, buddy. Come on, mate.

- That's right, you. You spin the lie.

You're gonna kill us all.

- Relax, mate, relax.

(Simkins gasping)

- I can't get her out of my head.

- [Simkins] All right.

- We're all gonna lose it! - [Her] Kill him.

- If you die, the truth comes out.

- Let him go, Bradford. - [Banks] Stop, Bradford.

I can't let you hurt him.

- Fire.

(pistol fires)

(Simkins gasping) (Bradford groaning)

What the hell is going on?

- I don't know.

- [Banks] Are you okay?

Get checked out.

- [Simkins] Sir.

- Launch controls are secured, Captain.

- Get me power.

- (sighs) Look, we're trying but...

- But what?

- But we can't find Marsh.

(ominous music continues)

- Any dizziness? - No.

- Nausea? Blurred vision?

- I'm good. - Follow the light.

Can you for once do what I ask?

- I said I'm good.

What's wrong?

- Do you hear it?

- Hear what? - The music.

- Music? No one should be playing music.

We're running ultra quiet.

- Not now. When I close my eyes, it makes me, sometimes...

- It's something to do with her, isn't it?

She's the one thing out a place here.

- You don't know that! - I do. And so do you.

Anna, she was the last person to speak to Bradford,

and you saw what happened to him.

- I'm not good at keeping secrets, you know that.

I can't just shut myself off like you can.

- Yes, you can. - No, I can't.

- Well, you need to, Anna, but you're a petty officer.

This is the easiest it's ever gonna be. Like suck it up!

- Wow. Yes, sir.

- No, I-- - You know for an intel officer,

you're lacking some brain power.

- I was trying to tell you-- - Yeah.

I know.

Just not trying to be some locker room joke.

- You're not.

You sleep on your left-hand side.

You tuck your hands into your chest when you sleep,

you love sour candy and spicy food.

You listen to that stupid rain river music

to fall asleep to,

and you have a Bible, but I know you'd never read it.

- How do you know that?

- Because I put something inside

so that you would know you're not a locker room joke

and you haven't seen it.

Because what I'm trying to say is--

- That you're stupid.

- People don't always tell people how they feel,

'cause they're worried about them not feeling it back, Anna.

- She hasn't slept once.

- What?

- She's been here two days. Hasn't slept.

- Is that possible? - No.

- With adrenaline or she's in shock?

- No, after an adrenaline rush,

she'd fall in a deeper sleep for longer.

And even if she needed to sleep or didn't, she's...

- She's what?

- She's pretending. She's pretending to sleep.

She's trying to be something she's not.

- Okay, stay away from her. She's dangerous.

And you're right,

I am pretty stupid.

- Me too.

(ominous music)

- You know, for some reason, I can't get you outta my head.

- [Her] I like your accent.

- Well, thank you. It's British.

- Your sailors once ruled half the ocean.

- Cheers to that, huh?

(Her gasps)

Thirsty girl.

(Her vocalizing)

(Simkins chuckles)

I'm a really good listener.

But you know what my other skill is?

Lip reading.

(vocalizing stops)

Stay outta my head, 'cause I know what you are.

I wouldn't recommend it, Captain.

We got bigger fish to fry, and all that.

- Okay. We need to quarantine that room.

No one sees her from now on.

- That's a good call, sir.

- I got one last thing to stay to her.

- Sir, maybe...

Shit.

- My ship has no power. My crew is starting to disappear.

One went mad, and right now you're the only thing

that doesn't make any sense.

- You are Captain? - Correct.

- Tell your sailors to go home.

- If you don't tell me how you're doing this,

who you are, or where you came from,

I will put you back where we found you and flush you myself.

- You want the truth? - Yes.

- He's lying to you.

- Who's lying?

- The keeper of secrets.

- What's he lying about?

- Everything.

(hatch slams)

- What do you think?

- She's using manipulation tactics.

It's like she's messing with our minds.

For all we know, she could have drugged Bradford.

- And the crew? Marsh?

- I just don't know.

- You keep this door locked and guarded.

- Sir.

- Keep an eye on Brandon. - Aye, sir.

(suspenseful music)

- Double-check this target package here.

- We've checked it three times, I'm not sure--

Captain!

(keypad beeping) (lock box opens

- Handcuffs.

- Yes, sir.

(Simkins groans)

- [Simkins] What the hell is going on?

- Do it.

Now, Nunnas.

- Wait, Anna... (groans)

- [Banks] How long till that's ready?

- Just a minute, apparently.

- Okay, you want to talk before that takes effect?

- Captain, please...

- Did you cut the comms?

- Captain, you need to--

- Did you cut-- - Yes, I cut the comms!

- Tell him how to switch it back on.

- Sir, please,

you must understand, this is for your safety.

- No, no, no. You're smart, right?

You may have disabled the system but you can restore it.

You might need it later.

Are you trying to delay the launch?

- No.

- Then why the power? - That wasn't me.

- [Watts] Oh, bullshit,

they happened at the exact same time.

- No, they didn't! The power was going down

and I saw an opportunity to cut the comms.

- Because you were trying to stop the launch!

- No, I wasn't. The power wasn't me!

- Why do you want to stop the launch?

- I'm not delaying the launch! I want the launch!

Right fucking now!

- What?

- DC is gone, and so is most of the east coast of America.

But there's a USB key drive in the intel room, in my laptop.

Pull it out and enter the encryption code 9384.

The comms are still there,

we were just jamming them internally.

- What do you mean, DC is gone?

- 72 hours ago,

Russian military forces struck at the east coast of America.

Langley, your government, DC, it's all gone.

- Do what he says, double time.

- Yes, sir.

- This had better not be another lie.

- I wish it was.

(device beeping)

(instrument beeping)

- Son of a bitch.

- Check it. - Check what?

- What he's saying. - On it.

Jesus Christ!

He was telling the truth.

New York, Boston, Washington, they're all gone.

- How bad is it?

- About as bad as it can be.

- You didn't wanna lie. - Not to you.

- That's why you didn't want me around.

- I'm sorry. - You should have told me.

- I wanted to, Anna. I really did.

- You really think that little of me?

- Ohio. - What?

- Ohio wasn't hit.

That's why I had to know where your family was.

Ohio wasn't hit. They are safe.

And I think about you all the time.

- So the relationship's really working?

- I guess it is.

- So I can ask you anything?

- Yes.

- Do you love me?

- Okay. You're not lying, not now.

What the hell is going on? You get one chance.

- The U.S. military, or what's left of it,

is being run from the embassy in London.

Britain is the next target

if we don't surrender immediately.

We are the only boat in position for a short-range attack

that wouldn't be shot down.

We have a clean bullet and one shot.

Please, Captain, take it!

We're the only sub in the position

to make a short-range strike

that will get through to key Russian military targets.

We're not targeting cities or people.

- Then why not tell us?

- Because we're just intel here.

But if you believe that the orders came from above,

from your government, then you can be our weapon.

- The video?

- It's a fake. Admiral Bressers is dead.

So is the president of the United States, so is the VP,

so is the speaker of the House, the Senate,

the Joint Chiefs of Staff.

- Okay, I get it. I got it.

- We have to strike.

The targeting intel is already 72 hours old.

- Even if we wanted to, we have no power.

- That wasn't me.

- Get someone on the line,

find out what our actual orders are.

- There's no one there. There's nobody there.

No one can help us. We're on our own.

It's, it's up to you, Captain.

We are allies, for the love of God.

If we do nothing, London is gonna be hit. Please!

Please, we've got a bullet and a clean shot.

For the love of God, Captain, take it!

- Sir, we could emergency blow.

- Do it, do it, please.

- No.

- Captain, please. Some things are more important.

- Sir, I don't, I don't know what to believe

from this idiot, but we have redundancy no matter what.

There are other subs out there.

If we don't launch, then they will.

- No, we don't.

The Mississippi, the Alabama, the Excelsior,

they're all sunk.

- Hey, you shut the fuck up, okay!

I have friends on those ships!

- Check it. It's on the wire.

Check it!

(computer whirring)

- Get someone on the line, now, Watts,

- We're the only ones.

We're the only ones. We are the only ones.

Nobody back there can help us. It's up to us.

It's up to you.

- No, they can tell us that we're targeting the right sites.

- Our comm chatter will reveal our position.

We'll ruin the element of surprise.

Please, Captain.

- No, no.

I am not firing blind based on the confession

of someone who's lied to my face!

- Not getting anything. Orders, sir?

- Get someone on the line.

Lawrence, prepare for emergency blow.

- Aye, aye, Captain.

(Her screams loudly)

- Oh, not with me.

- [Banks] So what is she?

- Something else.

- Friendly? - No, it's a problem.

And one that's gonna kill us all if we don't solve it.

- Sir, U.S. embassy in London

confirms we're still at DEFCON 1.

It's the president's last order.

- She's making noise.

Noise that the Russians can track.

And if the Russians track us, then we are all dead.

- Let me go. - No, no.

- It's men that keep going crazy or go missing.

She won't do that to me.

- Anna, wait--

- No, no, no. If you know something, now's the time.

- She's not a human. She's something else.

Something from the ocean.

- I'm sorry, is this a joke?

- We've had intel for years

about things that live deep in the ocean,

creatures like her.

Generally speaking, they keep out of our way

and we do the same, but every now and then,

one of 'em surfaces, to check out what men are doing.

- Mermaids. He's, he's talking about mermaids!

- She's dangerous. - This is ridiculous!

- Put her back in that tube and get her off this ship.

- No, no, no. You've lost it.

I mean these are, these are myths, wives tales--

- Based on reality!

It's based on reality because it was easier

for men to pretend that the monsters weren't real.

- All monsters are human.

- You think I'm wrong?

You think I'm wrong? She's thirsty, right?

Anna, tell them, she's thirsty all the time.

Give her salt water. Watch her drink it down.

She won't react at all.

- [Banks] Lawrence. - Sir?

- [Banks] Get a bottle of water and salt from the galley.

- Sir.

- Say it's true. - Captain--

- Just, say it's true. What does she want?

- Nothing good

- To throw us off course.

- Wait, what?

- In the stories, they appeared to sailors

to throw them off course.

Ever since she's been here, we've been stuck.

- She's right. - Let me go.

- No, Anna.

- You and Nunnas go together.

Give her the salt water and report back.

- Yes, sir.

- Lawrence, you have your sidearm?

- Yes, sir. - Good.

She gives you any trouble, you take her down.

- Aye, aye, Captain

- Anna, be careful.

Captain, it's a mistake.

That thing can't be bargained with

and she isn't gonna be a prisoner.

- Why didn't you tell me?

- I didn't know myself.

- Is she the music?

- Because she's not alone.

Could somebody please unhook me?

(suspenseful music continues)

- Are you buying any of this?

- He's not lying.

- It doesn't mean he's right.

- She was in my head in a way I can't explain,

and she's here in a way no one can explain.

- Sir, we've got something. - [Banks] Let's see it.

- Captain Banks, I'm Admiral James.

Admiral Bressers is dead.

We're heading up what's left

of the United States Armed Forces.

The Russians have managed to disable

our entire U.S. Air Force using targeted EMP attacks.

We're at DEFCON 1 and command is gone.

We're running operations out of London,

because, as by now you may know,

the entire east coast of the United States is all but gone.

We understand there's two

British intelligence officers onboard

getting authority from the military

and the government there.

It's a total breach of trust

between the two nations.

But we have bigger fish to fry,

and we're all working for the same goal.

But trust me, we will revisit this when the dust settles.

More importantly,

there's a clear and present danger from the Russians

and we need to act.

Otherwise, Berlin,

Paris, London, they'll all be next.

We've received an updated target package

to include a full nuclear yield.

We've got one shot here, Captain. Take it.

You'll receive an updated target package

within the next five minutes.

Standby. James out.

- [Banks] Jesus Christ. - Sir, can you release me?

- Hello, ladies.

- [Nunnas] How are you feeling? - Thirsty.

- Do you know what happened to Dale?

- Yes. He wanted to fuck me, so I ate him.

- Stay still.

- I mean you no harm. You're my girls.

Plus, aren't you sick and tired of men running the show?

Men are going to burn the world.

- You're here to stop the launch.

- Men are going to burn the world.

- We're under attack.

- Men are attacking each other. It is none of our concern.

But your weapons will block out the sun.

We cannot stand around and do nothing.

- If we don't strike now,

there'll be nothing left to save.

- There is a whole world I can show you ladies,

a world for women in an endless ocean

where time has no meaning,

a world without the anger and violence of men.

- Without violence? You killed our friends.

- If you could see into their minds,

you wouldn't call them friends.

- Stop, you fucking freak!

- Don't talk like them. I can see you, the real you.

You have no love for men.

(Her speaking telepathically) Kill the men.

Kill all the men.

- Justine?

- [Her] Do it, and I'll set you free.

- [Nunnas] Justine?

- [Her] You know what to do.

- Justine?

Stop!

- [Watts] Target package received, sir.

- Authenticate. - Aye, sir.

Target package reads Romeo 4 Tango Hotel Oscar Mike 4, 5, 7.

- Message is authentic. Load the new package.

- Aye, sir.

- Simkins. - Sir.

- Emergency blow. - Yes, sir.

- You know this means we're sitting ducks?

- Well, it gives everybody else a fighting chance, right?

(instrument beeping)

- I agree with him, sir, for what it's worth.

- Commencing emergency blow.

We are rising.

- [James] Captain Banks,

new target package has been delivered.

Satellites are picking up Russians fueling their missiles.

I repeat, launch immediately. James out.

(suspenseful music)

(pistol fires) - No!

- [Her] You can feel it.

You can feel it. You knew it was him.

- You bitch!

- Your love would've never last. He's only a man.

- He was mine.

- Oh, no? Not even Anna's sure of that.

Did you even tell him you loved him?

- (gasps) I did. I don't think he heard.

- We're making a mistake.

- Justine, take it easy now, okay?

We're in the snap count.

- Cancel it.

- We have to protect those who can't protect themselves.

- Funny you should say that.

There's a whole world beneath the surface.

You should see it.

- Tell me. - Don't stall.

- Lawrence, your family, New Jersey, right?

- [Her] Kill them all.

- What? - [Banks] They're all dead.

Everyone's dead, because we were attacked without warning.

- Get out of my head.

- [Banks] This guy's gonna keep firing

until there's nothing left.

There's a lot more families to save. We can't do nothing.

- [Lawrence] Stop.

Stop.

- [Banks] No.

- Turn it off, or I kill him.

- No.

- Kill me, or I'll be the one to kill you.

- So brave. You can't save him.

- I can fight what he was fighting.

- What's that? - Monsters?

(neck cracks)

- [Lawrence] Three,

two...

- Stop.

- Good boy.

- Push the button.

(pistol firing)

(Banks groans)

(suspenseful music continues)

(Banks coughing)

- I'm sorry.

- [Computer] Submarine at launch depth.

- [Her] Let me in. Let me set you free.

(Lawrence sobbing)

(pistol fires)

(ominous music)

- Nunnas, Anna,

fire.

- Okay. Are you sure?

- Give them a fighting chance. - Okay.

- Stop!

- You stop.

- Think. Don't do this for men because he told you to.

- I'm doing it for men and women. Everyone who can't fight.

- I can bring him back.

(instrument beeping)

- What?

- Your lover. I can bring him back.

- You're lying.

- I'm, negotiating.

- So bring him back.

- Only if you don't fire.

- Then what? Hmm?

- I'll leave. You'll be rescued.

I can see things that you can't.

- No! Don't fucking touch him!

- You will never step foot on a ship again,

but you'll live by the ocean, with him.

He teaches, you paint. You have three boys.

- [Nunnas] How could you possibly know that?

- Like I said, time works differently.

In some ways, we've already done all of this.

- Bring him back.

- Don't fire.

- Banks, fire the goddamn payload!

They're about to launch. We need to strike first.

Given the flight time to target,

we only have a 30-second window.

- Just wait. Just 30 seconds, and it's all over.

You can tell him everything you didn't get to say.

Your story is so full of love.

That's why I can't get into that head of yours.

I know things that you can't possibly know.

- He knows I love him. I love everything good in this world.

Some things are worth saving.

- Starting with him.

I'll save him and he will save you.

- Ah.

You don't know everything.

- What?

- He would've known not to say that.

[Nunnas] Men are at war and it's a man's world,

(chuckles) but it'd be nothing without a woman.

(serene music)

(ominous music)