Original subtitles

.:: CONTempt ::.

Film based on the novel Alberto Moravia.

Starring: Brigitte Bardot and Michel Piccoli,

and Jack Palance and Giorgia Moll

and Fritz Lang.

Photos by Raoul Coutard.

Music by Georges Delerue.

Sound William Sivel.

Editing by Agnes Guillemot.

Executive producers Philippe Dussart and Carlo Lastricati.

Directed by Jean-Luc Godard.

They produced the film Georges de Beauregard and Carlo Ponti.

Cinema, as Andre Bazin used to say, shows us the world

more in line with our desires.

Contempt is the story of this world.

I don't know.

Maybe I'll visit my mother. I don't know what I will do later.

Pick me up at Cinecitta around four.

I need to talk to this American.

Maybe I'll come.

Do you see my feet in the mirror?

Yes.

Do you think they're pretty?

Very nice.

Do you like my ankles?

My knees too?

I really like them a lot.

And my thighs?

Also.

Can you see my back in the mirror?

I see.

Do you think I have a nice butt?

Very.

Do you like my hair?

Yes.

And my breasts? Do you like them?

Extremely.

Gently, Paul.

Sorry.

What do you like more?

My breasts

or just nipples?

I like them equally.

And my arms?

I don't think they're too curvy.

My hands?

My face?

Too.

All?

Mouth, eyes, nose, ears?

Whole.

So you love me completely.

I love you completely tenderly, tragically.

I love you too, Paul.

- Hello, how's it going? - All right.

What's going on here? There's no one there.

Jerry almost fired everyone.

Things are going badly in Italian cinema.

- Where is he? - There.

Where?

Jerry!

Jerry!

Kings were here yesterday.

Kings and queens. Husbands and lovers!

All human beings!

And all the emotions.

I sold this land yesterday.

They will build a supermarket here.

I miss my lost kingdom!

"This is the end of cinema."

I think cinema will always exist.

You wrote a great script to "Toto vs. Hercules".

- Yes. - I really like it in New York.

- Relatively. - Don't be so modest.

I don't believe in modesty, but in pride ...from good movies.

Do you know the Odyssey?

Are you doing it with Fritz Lang?

I'm going to lose my last shirt because of him!

So why did you engage him?

"The Odyssey" requires a German director. Troy was discovered by a German.

What do you expect from me?

I want you to add a few scenes to "The Odyssey." Not only erotic, but more...

More...

He needs new scenes. Not erotic, just...

I can see he doesn't know what he wants.

"Understand your ignorance, "It's the privilege of great minds."

"Not knowing, but thinking, that you know - it's a mistake."

"To know that it is a mistake is to avoid it."

- I have this knowledge. - I doubt Lang would agree.

It's my money!

In '33 Goebbels he suggested he make a film

and Lang fled abroad.

But now it's '63 and Lang will direct everything.

And you will add these scenes.

- Mr. Prokosch says you will agree. - Why?

I'll tell you in the screening room.

So why?

- Because you need money. - How does he know that?

I heard you have a beautiful wife...

- What will we see today, Fritz? - Every film has to convey something.

What matters here is the struggle of the individual with the circumstances.

The eternal problem of the ancient Greeks.

I don't know if it's clear but I hope so.

It's a fight against the Gods. Prometheus and Odysseus fight.

It's Athena, right?

Odysseus' guardian.

And this is Poseidon, his mortal enemy.

Second roll.

Gods!

I like gods. Very.

I know exactly what they feel.

Excellent.

Remember that gods did not create humans,

but people - gods.

And this is Homer.

Gods didn't create people, but men of the gods.

- Francesca, what is this? - Siren.

It's great for us, but do you think that the audience will understand it?

It's art but will the audience understand it?

Who is it?

Penelope.

I have a theory about "The Odyssey."

I think Penelope was unfaithful.

"Brothers! I spoke amid so many gambles

they reached the end of the afternoon...

If you have just one moment left

"remains in the senses in vigil before death."

Consider the qualities of your tribe.

You were not destined to live like animals,

but to seek both knowledge and virtue."

Do you know this?

Of course. It's Dante.

"All the stars south side were visible to us."

"The short joy quickly resulted in tears.

"The depths are eternally closed over us."

I'm Paul Javal. Mr. Prokosch said...

Yes, I know.

This is great. I really like cinema.

On such a screen there are only snakes and coffins they look good.

I don't like it.

Something wrong with the script?

You deceived me. This was not in the text.

Was.

Bring the script.

What's going on? Are they arguing about the text?

What's in the script is not on the screen.

The script consists of words, and film - from images.

Film is moving images.

He says that screen and paper are not the same.

You will understand the culture of the Greeks.

I'll check if my wife has arrived yet.

Stay.

When I hear the word "culture", I grab my checkbook.

A few years ago, the Nazis they grabbed a "revolver" instead of a "book".

Will you go through this scenario? "Yes" or "no".

I left something.

"But a man, when necessary, may feel no fear of God.

His shield is his sincerity.

I don't need weapons or tricks,

as long as he comes to his aid the absence of God."

- Great. - It's Holderlin, right?

Yes, "The Poet's Calling".

The last verse is unclear. Holderlin first wrote...

"If there is no God..."

And then...

"As long as God is with us..."

The version that was finally saved, is in contradiction with the other.

It no longer speaks of God's presence.

This is the absence of God helps a person.

Strange but true.

How do you say "weird" in Italian?

Mrs. Francesca Vanini!

I'll be back soon.

This is Mr. Prokosch. My wife, Camille.

- My wife Camille. - Fritz Lang.

He made the western with Marlene Dietrich.

Great movie!

- I prefer "M". - "M for murderer"?

We recently saw him on TV. I liked it very much.

Thank you. That's nice of you.

I was amazed by Mel Ferrer in "The Ranch..."

Thank you.

Shall we go for a drink at my place? "Yes or no?

I don't know.

You know perfectly well.

I?

- Paul? - I'd like to have something to drink.

Don't count me out, as Goldwyn said, a true Hollywood producer.

I'll call.

- Let's go if you want. - Please get in.

You'll be uncomfortable. Please take a taxi.

Sure, I'll join you.

I'll take a taxi.

Let them ride together, and we will take a taxi.

- Let's go now. - Make up your mind.

Go ahead and go.

Paul!

Camille!

What's the address?!

Hi, Paul!

I'll make you a drink.

We thought you wouldn't make it.

What happened to you?

What did he say?

I don't know English either.

We waited half an hour. What stopped you?

Nothing. I had an accident...

I was sitting in a taxi and suddenly on the corner...

on the street corner...

Two cars, you know...

The entire fender is bent, torn off bumper...

The drivers started calling each other so I had to catch another taxi.

That's why...

So what?

Like what? That's why I was late.

I walked a long way to catch a taxi.

I don't care. I'm not interested in your story.

I hiked for 20 minutes.

- You don't believe me. - We'll talk about it later.

I'm going for a walk.

Have Paul come tomorrow to the office to sign the contract.

All right.

Why aren't you saying anything?

Jerry, call from London!

We're shooting in Capri on Friday. Will you come with us?

Answer the question. Why aren't you saying anything?

What did you do while I was gone?

Nothing special.

Was he hitting on you?

- Why do you ask that? - Not great.

I'll wash my hands.

- Where's the bathroom? - Up and right.

Did something happen? You look depressed.

Nothing.

- Were you crying? - NO.

Your boss is strict.

Yes.

How long have you known him?

What did he do before he started filming?

I don't want to talk about it.

I was just asking.

You are so pretty and so sad.

You can't get any happier than that to say?

Merry...

Joke.

But what kind?

I will tell you about Rama Krishna and his disciple.

Rama Krishna is a Hindu sage.

He had a disciple who did not believe in his teachings,

and he preferred to seek the truth himself.

The student left.

After 15 years he came back and says: "I already know!"

What did he know?

He says to the wise man, "Come, I will show you."

She leads him to the river bank.

He crosses to the other side and back, walking on water.

He says, "See? I can cross a river without getting wet."

"Now I know."

Rama Krishna replied:

"Idiot! I've been doing this for years renting a boat for rupees!

Did I cheer you up?

That's good.

- Paul... - What?

Still looking for a bathroom?

You saw me.

I told her a joke...

I believe.

You're being foolish.

Where do you pee?

There.

I found an album with Roman paintings. He'll help with "The Odyssey."

"The Odyssey" is in Greek.

I know.

I was right.

What to what?

As for money and his wife.

Will you stay for dinner?

I'm tired, I'd rather go back.

Tell them we're going.

So let's go.

Let me know if you will be in Capri. We need to prepare the villa.

Paul will call.

And you?

It's my husband who decides.

What interests you about "The Odyssey"?

I don't know yet.

I hate modern movies. Maybe this one will be different.

We will return to the cinema of Griffith and Chaplin.

Until United Artists.

"The wise man does not overwhelm others your superiority."

"He's not trying to humiliate them."

He's crazy.

Have you seen it? He kicked me!

You change your mind quickly. You liked it on Monday.

And now I think he's an ass.

I have the right to change my mind.

What's wrong with you?

Nothing.

I'm happy for you.

They play "Rio Bravo" in the city.

And they repeat "Bigger Than Life" Nicholas Ray.

So what?

- I wrote a script! - I know.

I called your mom no one answered.

Where did you eat dinner?

Here. I didn't feel like going out.

I enjoy living here.

Better than a hotel.

I was right.

How much will they pay you for the script?

10 thousand dollars. 6 million lire.

We will pay off the apartment. Isn't it wonderful?

Yes.

When you call yours friend, about curtains?

I've had enough!

As soon as he returns from Spain.

Roberto said Friday.

Red velvet. It's all or nothing.

All right.

Will you set the table? And I'll take a bath.

I want to take a bath too!

Okay, go first. I'll work some more.

No, I'll make dinner first.

Faggiolini again?

You don't like them?

I can set the table.

I've already started.

I bought something today.

Tell me what you think about it.

What is this?

What?

Don't look yet!

Do you want to go to Capri?

Camille...

What?

Do you want to go to Capri?

Maybe yes, maybe no.

It would be a vacation.

I'm not invited.

What?

He invited you.

Not me.

Where is the mirror?

Not at all. We are both invited.

Look.

Am I nice?

I prefer you as a blonde.

And I prefer it when you are here without hat and cigar.

I look like Dean Martin in "Some Came Running".

- How funny! - What?

You wanna look like Dean Martin,

but you look like Martin's donkey.

Whom?

- Don't you know the adventures of Martin the donkey? - NO.

He once went to Baghdad to the flying carpet.

He saw a nice one at the merchant's,

he sits on it and the carpet doesn't want to come off.

The merchant says, "No wonder."

Are you listening to me?

"No wonder."

"It's not allowed for the carpet to fly think about the donkey."

So Martin says: "Okay, I won't think about the donkey."

But he automatically thinks so the carpet doesn't fly away.

What does this have to do with me?

That's exactly what I mean.

I don't understand.

Never mind. Are you done?

Use the same water. I wasn't wrong.

You're acting strange today. What is it about?

About nothing.

I knew you would say that.

Is it about that girl?

NO. I just called you an ass.

It makes different sounds.

Why don't you want to go to Capri?

Because you're an ass.

You scare me.

And it's not the first time.

The question had to be answered!

Why did I marry a 28-year-old secretary?

It's true...

I'm sorry.

And I you.

Go to Capri if you want. I don't feel like it.

Besides, I don't like Prokosch. I told you.

Why? Did he do something to you?

NO.

So where does this thoughtful expression come from?

I'm just thinking about something.

Are you so surprised?

What?

Such a possibility.

Come with me. I don't want to go alone.

You've changed since you met him.

Not true.

Why do you say that?

It was fine in the morning.

And now we are arguing for no reason.

What happened?

I want to have fun. Nothing is happening.

I'm afraid I'll be bored there.

I won't go.

I won't go.

You've seen this house across the street?

Nightmare.

If you love me, don't say anything.

husband has the right to know why is the wife offended?

It's definitely about that girl.

You're pissing me off!

Camille is gone.

I thought you were together for dinner and shopping.

She just came back! Your mom.

I'll call tomorrow.

You're crazy!

Why did you say I was gone?

I don't know.

And I know.

To check if it's true I had lunch with her.

Yes.

You do that again and I'll file for a divorce!

Move!

What are you doing?

I'll sleep on the couch.

When, today?

From now on, always.

Don't get angry.

I can't sleep with the window open.

We can close the window.

You always say you're stuffy. We will spend the nights apart.

Like hundreds of other marriages.

What did I do wrong? Tell me.

I'm sorry I said you were gone.

Let me through.

Is that why you're in a bad mood?

Yes, but I'm over it.

I will be very comfortable here.

What have I done?

Suddenly you became mean!

I?

I'm the same as always.

You're the one who changed.

Since you met these filmmakers.

You used to write crime stories.

We didn't have much money

but we got along well.

- What is this? - Give it to me.

"Italian Communist Party".

You never said you joined her.

Two months ago, in Paris.

- Give it to me. - Let go, or you'll bruise me!

- Don't talk to me like that! - You too!

After all, I work for you! Who did I buy the apartment for?

Paul, I don't want to argue.

I don't feel like it either go to Capri.

Why? Don't be stupid! Go!

Come here, Paul.

I'm not interested in this job.

Come here, Paul.

Why don't you want to improve this scenario?

I only wanted to do it out of love for you.

But if you don't love me, this doesn't make sense.

What are you saying!

I was the only judge in a beauty contest.

Three naked beauties stood before me.

The first one was pure and soft as snow.

The second one was revealed to me your velvet flower.

The third stood motionless like an ancient statue

emanating the delicate energy of your skin."

When the money runs out we will take out a mortgage loan.

You think I don't love you?

Yes.

What do you conclude this from?

From everything.

But for example?

First tell me, is it true?

You tell me why you think so.

Why do I think that you stopped loving me?

You're acting strange.

You weren't like that in the morning.

Neither did yesterday.

You're looking at me strangely.

"The problem is our way understanding the world.

Positive or negative.

Ancient tragedy was negative.

It made man a victim of fate, personified by the gods.

She was taking away his hope influence on one's own fate."

Don't say it's about the window. There is another reason.

I think so.

"A person can rebel against what is evil and what is false.

You have to rebel when you get caught trapped by circumstances and conventions.

But murder is not the solution.

A crime of love serves no purpose.

I love a woman, she cheats on me, I'm killing her.

What am I left with? I lost love because she is dead.

If I kill her lover, she will hate me.

And I will lose her love too.

Murder is never the answer."

Camille, listen...

I can't sleep with the window open.

I need peace silence and darkness.

I swear it's true.

And besides, you're fidgeting a lot. You keep waking me up.

From now on I will sleep alone.

Don't you want to make love to me?

You're such a fool.

Is it a mocking or tender smile?

Sensitive.

So answer me!

I would have told you.

It's easy for a woman to avoid sex.

You're such a jerk sometimes.

Foul language doesn't suit you.

Is it?

Then listen!

Asshole.

Whore.

Shit.

For God's sake.

Jerk.

Fucker.

Brothel.

So what?

Still doesn't fit?

Why don't you want to make love to me?

All right.

Let's do it quickly.

I've had a feeling for some time that Camille will dump me.

I expected a disaster.

Now I'm surviving.

It covered us before cloud of unconsciousness,

mutual admiration.

Everything happened spontaneously, wildly, enchanted.

I woke up in Paul's arms not knowing what happened.

This spontaneity is gone from Camille's behavior, and therefore from mine.

Now I can observe her with a cool eye.

I shared my observations with a secret sense of revenge.

I guess she sensed that at that moment one lie would be enough

at least for a while We would keep up appearances.

I knew she wanted to lie

but after a while she changed her mind.

Paul hurt me so much.

So I tormented him by doing this allusions to what I saw

but without saying anything specific.

I was wrong.

She didn't cheat on me her infidelity was apparent,

and your behavior she wanted to explain something to me.

I noticed that the bigger they are we have doubts

the more we believe in the insight of mind.

We hope to explain this rationally which confuse and obscure the feelings.

I've had a feeling for some time that Camille will dump me.

I expected a disaster.

Now I'm surviving.

It covered us before cloud of unconsciousness,

mutual admiration.

Don't be like that.

What?

You know well.

It's your fault!

You look at me like you're calculating

how to behave further towards me.

"A private plane was waiting in the blue sky.

Rex noticed in Paula something special that he had already seen.

Paula's features, harmonious and regular, in moments of hesitation they seemed to fall apart.

Rex knew that expression well,

...because he always appeared...

...when Paula had to make a decision...

...contrary to its nature."

What's going on, Paul?

I love you just as much as before.

What would you do if I stopped loving you?

I already told you.

I forgot what you said.

I wouldn't write a script and we would sell the apartment.

But I love you.

Don't be an idiot.

When Prokosch calls, agree to go to Capri.

And you?

I love you. Don't make me repeat it.

I care about the apartment.

But if you don't want to write script - then don't write it.

But don't be guided by suspicion, that I don't love you anymore.

Kiss me.

We were just talking about you.

About your film.

Yes, about "The Odyssey".

About this guy who travels.

Is it possible to swim in Capri?

I don't know.

There's Paul. I'll ask him to call.

We don't eat at home?

I don't feel like going shopping.

All right.

We will meet with Prokosch and Lang in the cinema.

They want to question the singer.

Then we'll go eat something.

After the movie? It will be very late.

The video will give me ideas.

Look for ideas in your head, instead of stealing other people's.

Why do you say that?

Let's hurry!

-I knew it. - What?

I said yes to Prokosch and no more tenderness!

That's right, no more petting.

What were you talking about?

- He asked if we would go to Capri. - What did you answer?

That it's up to you.

Are you crazy?

It's up to you to decide!

So come with me.

Is there something between you and Prokosch?

You're a pathetic buffoon.

We need to talk.

About movies?

Let's talk!

Here you go. I'm listening.

I have to...

...to talk to you.

Before the phone rang.

I explained to you that I don't want to write a script,

If I can't be sure of your love.

You said you love me

and that I should accept the assignment.

But I think you lied.

Why? I don't know.

Out of pity, for selfish reasons...

For what reasons?

Maybe this is why so as not to lose your apartment?

How can you know what I think?

I don't actually care about that.

Sell ​​the apartment, I don't care.

You said earlier that you prefer it to a hotel.

Not at all.

I said yes to please you.

It doesn't matter anymore.

I want to know why you lied.

Who said I lied! Stop!

You said it yourself.

You don't love me anymore.

What good will the truth do you?

You see? You admit that I'm right.

Give me a break!

That's true. I don't love you anymore.

There is nothing to explain. I just don't love you.

Why?

You still loved me yesterday.

Yes, very much.

But now it's over.

There must be a reason.

Of course.

What?

I don't know.

I only know that I don't love you anymore.

Since visiting Prokosch?

Because you saw me with Francesco?

Let's just say that's why.

I don't love you. And let's stop talking about it.

Something happened today.

Something that changed your attitude towards me your love for me.

Crazy, but smart.

So it's true.

I didn't say that.

I just noticed that you are smart.

I did or said something today what did you read wrong?

Possible.

I forbid you to talk to me like that!

Camille!

I despise you!

This is how I feel about you!

That's why I don't love you anymore. I despise you!

And I feel disgusted when you touch me.

You're definitely exaggerating!

Forget what I said. Pretend nothing happened.

Will you go to Capri?

Maybe.

Everything's all right?

Yesterday I re-read "The Odyssey."

I found something I was looking for for a long time.

Something essential in cinema and in life.

Poetry.

Remember what I said on the phone?

Everyone emphasizes that Odysseus returns to Penelope,

but maybe he ran away from her?

That's why he fought at Troy

and not wanting to come back,

extended the journey so much, as possible.

Is this his idea or...?

- Why do you despise me? - Let me go!

What do you think?

About the girl or about him?

About a girl.

Would be nice in Australia. Kangaroos.

Will you come to Capri with us, Mr. Lang?

"Every morning to earn bread,

I go to the market where I trade lies.

And I stand by with hope other sellers."

- What is this? -Hollywood.

A fragment of poor B.B.'s ballad

- Bertolt Brecht? - Yes.

She agreed to undress. Tuesday morning, on the beach.

What do you think about him?

Homer's world is real.

The poet belonged to culture, which was developing

according to nature and not in opposition to it.

The beauty of "The Odyssey" is precisely this on this faith in reality.

In objective reality.

Exactly

and into a form that does not fall apart and remains what it is.

You can accept it or reject it.

Why aren't you saying anything?

Because I have nothing to say.

I don't know if I will go to Capri. Where will we live?

In my villa.

With your husband.

And with Mr. Lang?

If he wants to.

I get by easily without the company of producers.

Good night.

Don't go if you don't want to. I'm not forcing you to do anything.

You're not the one forcing me.

Only life.

- What are you shooting now? - The scene with the cyclops.

What are you doing?

What are you doing?

I'm looking.

Join us.

- What are you talking about? - About "The Odyssey".

I agree with Prokosch's theory.

What?

That Odysseus loves his wife, but without reciprocity.

Do you really think so?

Certainly not.

Silence on set!

Please step out of the frame.

Everyone take their seats!

Will they get naked?

Of course.

Isn't cinema wonderful!

Show the woman the camera and he will immediately bare his ass.

Joe Levine is calling from New York.

Come with me to the villa. Let them talk.

I'll be back with my husband soon.

You're with him all day.

Can your wife sail with me?

Of course. Swim, Camille.

Go ahead.

I don't mind it.

I'll come back with Mr. Lang. We'll talk about "The Odyssey."

The girls are already in the water.

The first scene in which we see the meeting gods discussing the fate of man.

The producer may be friend of the director,

but Prokosch is not producer, just a dictator.

It's stupid to change Odysseus' character.

Odysseus is no modern neurotic,

just simple, bold and a cunning man.

But his theory is interesting!

It takes time to get home Odysseus as many as 10 years,

because I don't really want to go back. That's logical.

Logical, but also illogical.

Corneille wrote this in the preface to Surena.

Odysseus is in no hurry to get to Ithaca,

because he was unhappy with Penelope.

The difficulties began before he left for Troy.

If he was happy, he wouldn't have left.

He took advantage of the Trojan War, to escape from his wife.

But he killed the suitors.

This can be explained...

Odysseus leaving he told Penelope,

to allow herself to be adored and accepted gifts.

He treated no suitors as a serious concern.

He didn't want to drive them away, to avoid a scandal.

He was sure of Penelope's fidelity,

so he told her to be nice to them.

At this moment Penelope, who is a simple woman

she begins to despise him.

She stops loving Odysseus because of his behavior

and tells him about it.

Odysseus realizes too late that he lost his wife's love.

Because of his excessive caution.

To get her back, he must kill the suitors.

But death is not the solution.

- Nice lady in yellow. - Thank you.

I found this on the boat.

Children should not play with weapons.

What would you like to drink?

Nothing.

Come on, let me show you something.

How beautiful here! Sea, trees, rocks!

I won't write this script.

Why?

Honestly?

You can always be honest with me.

I'm a playwright, not a screenwriter.

Even if I wrote a good script,

I would have written it just for the money!

That's why I'm irritated.

I dream of writing plays. I don't know why it doesn't work for me.

In today's world we have to accept what others want.

Why money plays such a big role in our actions?

In who we are, who are we becoming?

Even in relationships with those we love.

Lang is right!

Either we film Homer's "Odyssey" or nothing!

Mr. Prokosch has already said this: You are wrong, looking for a world similar to Homeric.

You wish there was one, but unfortunately he is not there.

Exists!

Maybe you're right

but when it comes to making movies, a dream is not enough.

When will we eat?

Per hour.

I'll take a walk.

Mr. Prokosch wants to to talk to you.

Bring me some shoes.

- Is he ordering me or asking me? - Asks.

You have to suffer.

It's necessary to.

Camille!

It's me, Paul.

I look at you and I get the impression as if I saw you for the first time.

Can I stay?

If you want.

Why didn't you say anything?

I don't understand. You said you liked this script.

Now you tell the producer that you're only doing it for the money,

and your passion is theater.

He's not a fool. Next time he won't ask you again.

How can you not understand something so simple?

You will definitely write this script.

You'll see.

I know you.

I know you.

If I write it, then only for you and to pay off the apartment.

You decide whether I should write or not.

If you say no, we will leave.

Very clever!

No, why?

If anything happens, you can blame me!

Not at all! I'm asking you to make a decision.

Should I really decide?

Yes.

So write a script!

You signed the contract. And besides, you're boring me.

I saw you kissing him.

I know.

Why don't you love me anymore?

This is life.

Why do you despise me?

I'll never tell you.

- Speak or I'll hurt you. - Do you want to hurt me?

I need to know why you despise me!

This is idiotic! Why do you want me to write the script?

We need money for an apartment.

I have no intention of being a secretary again!

I won't write a script after what happened.

Now that you despise me!

Even though you saw me kiss him, you were willing to change your mind.

I changed them for you. So that you can change your mind about me.

Don't touch me! I don't love you anymore.

And I will never love again.

Even if I don't write the script?

- Yes. - Why?

There must be a reason.

You are the reason.

What do you mean?

I don't know. You're just not a man.

Anyway - it's too late anyway.

I changed my mind about you.

I know why you despise me.

When I took a taxi that day,

you thought it was on purpose I'm leaving you with Prokosch.

Same on a boat! Don't be stupid.

I have many flaws, but not this one.

I will never forgive you.

I loved you very much.

Now I can't do it anymore.

I hate you because you can't move me anymore.

You're close to tears.

Let's leave. Let's pack up and go.

I'm staying. You go if you want.

Camille, please!

So I'll stay too.

But Prokosch will throw us out anyway.

Don't start!

Dear Paul,

I found your gun and took out the bullets.

If you don't want to leave, I will.

As Prokosch returns to Rome,

I'm going with him.

Later I will probably stay in a hotel. Alone.

I kiss you and say goodbye.

Camilla.

To the full.

What will you be doing in Rome?

I will be the secretary.

You're crazy. You're crazy!

I?

No...

Secretary.

What do you think...

...about me?

Get in your Alfa, Romeo! Then we'll see!

I kiss you,

"Goodbye."

There was a call from Rome. They are both dead. Goodbye, lady.

I came to say goodbye.

Goodbye. What are you going to do?

I will return to Rome, I will finish my play.

And you?

I'll finish the movie. You have to finish what you started.

Which scene are you shooting?

Odysseus' reaction years later sees his homeland for the first time.

Ithaca.

Goodbye, Mr. Lang.

I hope we will meet soon.

We're ready, Mr. Lang.

Silence on set! Here we go.

Camera.

"Odyssey", scene 1472, first shot.

Share!

Silence.

End.