All language subtitles for Taylor Swift The End of an Era - 1x05 - Marjorie.WEB.GRACE.en

Yeah.

That is wonderful.

- She likes those higher notes.
- Ooh, yes.

You know what this means?

You're gonna have to get a piano.

- What's that, Mom?
- You're gonna have to get a piano.

- Are you sure?
- Yes, I'm sure.

Yes. It's wonderful!

That's wonderful!

One, two. C stage, C. One...

That doesn't sound good at all.

Once I get a cold,
I just have it for a while.

They just kind of linger.

Would you like a coffee from
the world's most depressing coffee shop?

Oh, absolutely.

- What do you want? Just cold brew?
- I mean, when you sell it that way, yeah.

Have you ever heard of
spatchcocking a turkey?

I think I might be tryin' that
this Thanksgiving.

I don't know if we should get jazzy
with the turkey.

Remember when we tried to fry one?

That was a disaster, but yeah.

I think we had an oil patch in our yard
for about six months.

But besides that, it was... inedible.

And can you make
those big ribs for Travis?

I am making
those big ribs for Travis.

The ones he affectionately refers to
as dinosaur bones.

Big, Texas-size ribs for a Texas-size man.

Oh, my God.

Touring is something that really brings
my family together in a lot of ways.

For me, part of The Eras Tour
is a celebration of my family.

Ultimately, I just don't see
any of this happening

if all of my family hadn't been involved.

There's my stage crew

that's my brother.

I mean, we work together.

We're kind of a family business
for 20 years.

This next song is by the Dixie Chicks.
Oh, water. Yay.

Her mom gets mad
when she doesn't drink water.

My parents didn't know anything
about the music industry,

but they were like,
"Yeah, it's hard, yeah.

We know nothing about it right now.
We'll get some books and read."

Like, it's pretty insane.

My mom does this every night.

Draws a thirteen on,
so now, it's gonna be shiny and new.

In an industry as cutthroat
as the music industry,

learning hard lessons
and experiencing ups and downs,

and triumphs and failures.

It was a huge challenge
for my whole family,

but everybody was so locked in
for my whole life.

They all banded together to be like,

"No, she wants this.
We want this for her."

This tour,
it's an honor to work on it.

It's a real privilege, and we know that

'cause none of us would be doing anything
that we're really good at doing

if it wasn't for what she does,
that she's incredibly good at doing.

It's incredible fun, but mostly it's a way
for us to be together as a family

and to sort of honor this thing
we've committed our entire lives to.

I think me and Gracie are gonna change up
the thing that we're gonna do.

But we think we wanna do
the song Us. instead of...

'Cause we got, just got nominated
for the Grammy for Us.

So, a few days before we played Toronto,
uh, the Grammy nominations came out.

We were very lucky,
we got six nominations.

And one of those
was for a song that I did with Gracie

while we were still on The Eras Tour,
a year ago.

Yeah.

This time, last year, she and I
went out to celebrate in between shows.

We ended up having a lot of drinks.

Wait, what do I do about this?

Okay, you're gonna
fire extinguish it.

Okay, great.
I think we're gonna die.

- Just press it.
- I don't know.

Yeah-Yeah. Oh, my God!

What about... I'm good.

You never read up on it
Shame, could've learned somethin'

And then we ended up writing
a song that we're really proud of.

How ironic

- How I want it. How I...
- How...

Gifts from you, how I...

And it just got nominated
for a Grammy,

so I just thought, wouldn't it be cool
to do that song in Toronto?

Kind of create
a little, kind of, special moment,

mash it up with one of the other songs
that the fans really love.

She had this idea to do Us.
and Out of the Woods,

which, like...

Out of the Woods is in my, like,
top three favorite songs of all time.

Hey, dude, I have a cold, so I'm just
gonna, like, briefly go through...

So we do double chorus, like, mashup of

Out of the Woods and Us.,
and I think it works in this key.

Are we out of the woods yet?
Are we out of the woods yet?

Are we out of the woods yet?
Are we out of the woods?

Are we in the clear yet?
Are we in the...

So, right?
So, like, um, do that whole chorus

and then we can do back-to-back bridges,
right? Like...

Ironic

A curse or a miracle
Hearse or an oracle

You're incomparable
Fuck, it was chemical

You plus me was
Us

Wait for it.

But remember when you
hit the brakes too soon?

Twenty stitches in the hospital room

You started crying, baby, I did too

Sun came up, I was looking at you

Anyway, so we do
double ve... double bridges,

and then we go into, like,
a double chorus, like, mashup

of Out of the Woods and Us.,
and it'll be so, so cool.

Uh... Then what does she do,
though? The first chorus...

Are we i...

Are we out of the woods yet?

It's just insane. She just, like,
can do that in her sleep.

Where it's, like, I'm gonna chop up

two to five songs and make them all...

How did she mastermind that?

I don't know,
'cause she's just a mastermind.

I need to, like, write in Sharpie
on my arm, like...

Don't pass out.

"Don't pass out,
the structure of the song..."

Be, like, "Me verse, me chorus,
Taylor verse, Taylor chorus.

"Me bridge, Taylor bridge,
Taylor verse..."

Oh, my God. Wake up.

Catch me
projectile vomiting on the Eras stage.

Catchin' my breath

Starin' out an open window
Catchin' my death

And I couldn't be sure

I had a feeling so peculiar

So that this pain would be for
Evermore

Forgive me, Peter
My lost fearless leader

Evermore and Peter? Jesus.

I don't, for the life of me,
understand how she does it.

I have no idea, because I couldn't do it
if my life depended on it.

I couldn't do it.

There wasn't a creative bone in my body.

It's like the background music
for, like, a horror flick.

I agree.

- You want me to sign that now?
- Yeah.

I was completely the opposite.
I went into business in school.

I don't have a musical background
or play instruments,

but I do have
this sort of intimate knowledge

of the psyche of someone
who really has to do this.

Then it goes back
to my mother... Marjorie.

She was an opera singer.

She was a music major out of college
and went straight to work.

Live radio, performing out of New York.

But she married my dad, and they
started moving around the world.

So wherever they were living,
she would star in local operas.

Everywhere we went,
she was absolutely beloved.

My sister and I were often brought along
and put in the front row, listening.

And on the way home,
I remember she would say to me,

"So, Andrea,
during that part of the delivery,

did it make you wanna cry?"

And I would say, "Well, Mom, um...

a little bit, little bi..."

You know, she was always
looking for feedback,

- but from an eight-year-old.
- Like the... Opera.

So I would give her what I could.

But I knew that I had a job to do

because I was gonna be quizzed
on the way home.

It was a beautiful relationship
I had with my mom,

but it was all with a full awareness
that my mom was this person

who loved singing, who loved to perform,
and that people love.

Dual pianos, we're going on the stage.

Thank you.

Alright. Let's go, Taylor.

So it began with my mother.

Blow kissies.

And I think that that prepared me,
probably better

than anything that could have,
for having a child like Taylor...

who pretty much wanted to follow
in my mother's footsteps.

Taylor always knew
she wanted to perform...

...and she was already writing
her own music without any co-writers.

This is a song I wrote yesterday.

I wrote this song yesterday.

This is a song I wrote, like, a week ago.

It's called One-Sided Goodbye.

This song is called Beautiful Days.

And the title's kind of self-explanatory.
So, here it goes.

And then at 11, is when Taylor
looked at me and said,

"We gotta go to Nashville.
Please, please take me to Nashville.

That is where Faith Hill went."

Very quickly, I realized
this is where my past with my mother

was gonna really, really come into play.

I think Taylor wanted to experience
something that she thought was...

I hate to say the word, but destiny.

I do think that at a very young age,
we tend to know where we're going in life.

Thank you all so much.

And it's, it's good to listen to them

and where their dreams are
even at that age.

So we're in Toronto, in my hometown.

Everything that I own...

I don't realize
'cause it's just always here.

It's a part of the fabric
of my life,

but truly,
everything is dance-related.

Everything is dance... This is a,
I believe, a Christmas tree ornament.

I'm such a dance geek.

I think more than just loving dance,
I'm a true dance nerd.

Yes, too much.

I think you have to have
a certain personality to tour.

Truly, it's like one thing
to be a dancer or a musician,

but it's another thing to be able
to handle what a tour entails.

And it's not for everybody.

It was always for me. I did great.
I loved being on the road.

My whole life,
it was my dream to tour like this.

And I loved performing in the show.

But after this tour,
my dance career is coming to an end.

It's like that beautiful bittersweet...
I think is how, how it'll end for me.

Everything that I saw had dance on it.

So I knew from a young age
that this is what you wanted to do.

Before you could even write,
you drew yourself dancing.

And the teacher wrote,
"Amanda wants to be a dancer."

Aw. "I like dancing because it is fun.
I dance good."

"My mom takes me to dancing
and sometimes my dad does."

Thanks for sometimes taking me, Dad.
Thanks for always taking me, Mom.

You're welcome.

- Are you guys excited to come on Saturday?
- Oh, my gosh. Of course.

I'm gonna try to, to wave to you guys
a little bit.

Yeah, yeah.

But watch your step, though.
Don't fall.

Okay. Thanks, Dad.

So as we go
into these last few shows here,

I can't help but think that
this is potentially the last time

that I will ever do this

in front of my family and friends,
you know?

But I think we all know

how rare and special
opportunities like this are.

And, Tay... you are... Oh, God.

You are
all things kindness and all things grace.

And absolutely, my life is different
from now moving forward

because of you.

So, have an incredible show.

- You, too. We love you.
- I love you guys. Let's enjoy.

Amanda, thank you for unretiring for us.

TAYLOR: My favorite popstar.

AMANDA: YOU are my favorite popstar!

Really very tired!

Hey, let's go out there--

Fuck shit up! Fuck it up!

Up! Up! Up! Up!

- Up! Up! Up!
- So...

If you love like that, blood runs cold

'Cause, baby, now we got bad blood

- You know it used to be mad love
- Mad love

So take a look what you've done

Cause, baby, now we got

- Bad blood, hey
- Bad blood

- Now we got problems
- Now we got problems

- And I don't think we can solve 'em
- And I don't think we can solve 'em

- You made a really deep cut
- You made a really deep cut

And, baby, now we got bad blood, hey

For Taylor, it's always
been about the audience.

Making sure that she felt
an intimate connection with them.

Meeting people,
talking to them, hugging them.

But with The Eras Tour...

that could no longer be possible
because of COVID

and the risk that it brought
to everybody backstage.

That, you know,
you've got this massive production...

Having it shut down would be a disaster.

I decided that if I couldn't meet fans
in the crowd, in the show...

then I, I have to come up
with different ways...

to still give people
an intimate experience.

Ethan Tobman
is a brilliant production designer.

I've been working with him...
Mainly, I started on music videos.

This was the biggest undertaking
that we had.

I like to build worlds
around a storyteller.

Their relationship with their fans,
our relationship with the songs.

If every idea that you have
creates an emotional response,

you are able to make people
in the last row

feel like they're in the first row.

I wanted to make sure
that our production

was accessible
from every part of the stadium.

Well, these people
are all the way up here,

so we make the floor video.

And a video screen on the floor,

so now, as they look down,
they get this incredible view...

But now, the people on the floor
can't see.

And so we're gonna get a camera
that's overhead.

We'll be able to shoot the floor
and put up on the screen.

I mean, we have
a cinematographer for this tour,

which we've never had before.

So many people are gonna be
watching those screens,

so we know which shots
are cooler than other shots.

And then also, I was, like,
"Do some wild card stuff, Ethan.

I want there to be a moment where
the fans are, like, 'What just happened?'"

And that's when he comes up with things
like me diving into the stage.

At which point I'm, like, "Ethan, that...
this... this is not gonna work.

How? How does that even work?"

You got red lights

until you get the green lights.

Green lights tell you
that you're not gonna run into anything

Oh my god.

And then you're into a bag.

I wonder
what that looks like from the top.

We have video of me doing it,
Ethan has it.

From the top?

Yes, yeah.

- And it looks cool?
- It looks even better.

Like, as if I'm coming back
from the piano.

I'm walking here, and I just...

Perfect.

- Did it look good?
- Yeah.

I love it so much. Do it again?

Yeah, if you're comfortable with it.

People scream...

It's happening
right in front of your eyes.

That creates joy.

And that's, I think, what great shows do.

Make adults feel like children.

What we were trying to do
with this tour...

was make it the biggest thing
we've ever done.

But truthfully, none of it happens
without a song...

and a person up there willing to sing it.

- I love songs.
- Great.

I love songs.

I love songs.

Okay.

Storytelling for me
is one of the key aspects

that makes me feel like
life is worth living.

'Cause our song
is a slammin' screen door

Sneakin' out late,
tappin' on his window

Okay.

When we're on the phone
and he talks real slow

It's just, it's that important to me.

'Cause it gets better than this

You take my hand
and drag me headfirst, fearless

And crafting a song is just,
the happiest I ever am.

Hi. Okay, so let's go.

I liked it better
when you were on my side

Sorry, hold on.

I just wrote this 15 minutes ago.

If you're in a writing session with me,
like, I'll go into my lyric space...

And it's just sort of, like,

just rocking back and forth
in a corner muttering...

- Let's take...
- Take

Take my time

Max Martin: What if you start over
with the same melody so it's...

In the middle of the ni...

Yeah, so it starts over

Yeah, yeah, yeah, yeah, yeah, yeah.

It's very... I've never lost
that sense of just, like...

I don't know, I...
It's, for me, it's...

It's endlessly fascinating.
I never get bored of it.

In the middle of the night,
in my dreams

Songwriting happens
whether I'm on tour or not.

Because my life has just always...
been a kind of free-flowing state

of "You live it, you feel it,
you wonder about it, you write about it."

I started going to Sweden
in between my shows,

and it just felt like the most exciting
way to make a secret album.

It's understood,
I ain't got to knock on wood

It would just be the three of us,
and we would write and we would record.

- Do you wanna hear the vocals? All right.
- Yes, please.

You don't have
to hold back on the violence.

Oh, so go, go more violent.

I mean, it was
almost like you were a little...

I think I was trying to be in tune.

- I didn't have the click track.
- Yeah.

I can be more violent.

- Trust me.
- All right.

Making the album
while I was on The Eras Tour,

I was in a place in my life
where life felt so full of possibility,

and it felt like
I was figuring things out,

and it felt, like, so romantic
and magical, and passionate,

and I wanted to encapsulate
that feeling on this album.

All that time
I sat alone in my tower

You were just honing your powers
Now I can see it all

I can see it all

Late one night
You dug me out of my grave and

Saved my heart
from the fate of Ophelia

Ophеlia
Keep it one hundred...

We hadn't made any music together
since reputation,

which came out in 2017.

So, going back and working
with Max and Shellback...

Our relationship is very much the...

I feel like they've always been mentors,

and I've always felt like
their apprentice,

and they are so brilliant.

- This is a tough one.
- What on Earth?

Good job, everyone.

Mostly dog.

It's really a very respectful relationship
that you would have with people

that you, you know, they're your peers,
but you also look up to them.

Okay, so this is
a Swedish Christmas dinner.

- No...
- What is this?

This is a...

I don't know about dinner, but...

I mean...

...is included. This is the...
This is the first station.

The first station
of Swedish Christmas dinner.

So, we put nuts

and raisins in the cup.

And then we put
the spiced wine in there.

And it's hot, and we drink it.

- Yes.
- I'm excited.

That's absolutely delicious.

This is incredible.

Merry Christmas.

I was really ready
for that sort of challenge

to go back in with these two people

and really try to stretch
and challenge myself

as much as possible to make, hopefully,
the best album that I could possibly make.

Okay. And then let's go into chorus.

I think it should be "high."

Yeah?

- Good thing...
- Yeah. It fits, yeah.

You know what I mean? Like, so that it's,

it's got something weird and creepy
about the "high."

Yeah. Absolutely.

Oh, I'm obsessed with this!

Jesus!

I usually hear about new music
within five minutes of it being written.

If anyone called me "Honey"
It was standin' in the bathroom...

That is the best thing I can possibly
think of, and also, the scariest.

Because now I know something
that nobody else knows,

other than the people
who are in that room,

and that's a massive responsibility.

It's like, I don't... "No, don't send.

No, don't send it to me.
I don't want it on my phone. No, no, no."

Or like, "I'm immortal now, baby dolls."

Like, you're still
talking to all those girls.

Right. Yeah.

But I'm immortal now, baby dolls

I couldn't if I tried

That. I liked that other one

- that you went to.
- Yeah.

I couldn't

- if I tried...
- If I tried

You know.

"Thank you for the lovely bouquet!"

I think you... I think you put...
Uh, bring the beat back on "bouquet!"

- Yeah, yeah.
- Damn it.

I just love it.

I love being hyper-detailed
and having an...

having several overarching themes
that are woven throughout.

And I think the fans have really gotten

into that obsessive nature
of my storytelling, too.

I think for a lot of people,

they feel
such a personal connection to her,

her deeply personal writing,
the, the drama that she's been through,

the heartbreak and regret
that she shared with people.

And I think it must be meaningful to her
for that to resonate.

- Whoo!
- Yeah.

All right. This is gonna be
my last song for today.

Taylor Swift is one of my favorite singers
and inspired me to sing one of her songs.

I think a lot of people
can relate to this.

I wanted to give a compilation of lyrics
that I still have yet to recover from.

When you are young,
they assume you know nothing

One of the things that sets her apart from
a lot of other people is how she writes.

Bleedin'

'Cause I knew you
Steppin' on the last train

Marked me like a bloodstain, I...

I knew you
Hand under my sweater

Baby, kiss it better, I...

Her writing is personal and it's
vulnerable, and it's very specific.

But in that specificity,
people see themselves.

'Cause there we are again
when I loved you so

Back before you lost the one real thing
you've ever known

I don't remember a time
existing without her music.

Every chapter of my life
was marked by an album of hers

that came out around the same time.

I started writing music when I was eight.

I remember my friends saying,

"Would you rather have
ten trillion dollars,

or, like, write a song with Taylor Swift?"

I'm like,
"Write a song with Taylor Swift."

Us

Us.

Oh, this is gonna be a fun one.

- Hello.
- Hi, hi, hi, hi.

Hi! Like your dress.

Thanks, man.

How're you feeling?

- I'm, you know, I'll get there.
- Oh, good.

This is gonna pull me through my cold.
This is a medical thing for me.

So what I would do is,

I'd start out by, like,
talking to them about...

how we're so excited 'cause we just got
nominated for a Grammy together.

So, we thought, "What better than
to play a little song for you now."

And then I'll be like,
"Gracie, come out."

What?

The way they fit together!?
I was like, ahh!

Oh, it's crazy. No, the double bridge

- is gonna send me off a cliff.
- I know!

I know you know
It felt just like a joke

I show, you don't,
and now we're talkin'

It still feels surreal
to be here, you know.

She's just the easiest person
to be around. She's such a dear friend.

I fucking love her.

And then, sometimes, I'm like,
" How is it that we're singing this song?"

For me, this is like a dream.

Us, u...

I'm always kinda like so smiley.

It's gonna be great.

I felt it, you held it

Do you miss us, us?

Wonder if you regret the secret

Of us, us

Us, us, us

Looking at it now
It all seems so simple...

Taylor! Taylor! Taylor!

I think you'll remember
the genius, brilliant young lady

you saw earlier tonight, Gracie Abrams.

So will you please welcome to the stage
once again Gracie Abrams!

I know you know
It felt just like a joke

I show, you don't,
and now we're talkin'

There's something that happens
between friends who make music.

It's this kind of, like, undeniable bond
that you have.

What seemed like fate becomes

- "What the hell was I doin'?"
- "The hell was I doin'?"

With Gracie,
we've had so many special moments.

Us, us, us, us

Looking at it now
It all seems so simple

We were lying on your couch

I love you, Gracie.

You know, my opening acts on this tour

are kids that were, like,
ten years old at my show.

And now that we're singing together, like,

you just can't believe the way
that everything's falling into place

in the way you never could have dreamed
it would.

In the clear yet? Good

Are we out of the woods yet?
Are we out of the woods yet?

Are we out of the woods yet?
Are we out of the woods?

Are we in the clear yet?
Are we in the clear yet?

- In the clear yet?
- In the clear yet? Good

Toronto, give it up again
for Gracie Abrams!

You know, I look forward
to seeing the different ways

that the fans react from night to night.

And you see the tears, and you see
the hugging each other,

and it just... I love it.

For me, personally, watching the show,

that moment that Taylor appears,
and there she is,

that to me is absolutely worth everything.

It makes me feel like
this was my calling in life.

Whether it was Taylor or my mom,

it was to be around someone
who loves entertaining

and is extraordinarily talented.

It was just... just ditto.
It just happened all over again.

You know, Taylor sings Marjorie,
which is dedicated to my mother.

And, you know, we...

I knew I was gonna do it at some point.

"A kitten's fur is soft.
Touch and feel." Touch it.

The experience
writing Marjorie was...

I was kind of a wreck
at times writing it.

I would sort of break down, sometimes.

If I didn't know better
I'd think you were talking to me now

She died when I was 13,

when I was on a trip to Nashville
to try and make it.

So, I've always just sort of
felt like she was

just seeing... seeing this, you know.

One of the things that still
rips me apart when I listen to it

is that she's singing with me
on this song.

I wrote these lyrics...

And if I didn't know better
I'd think you were singing to me now

Then you hear her actually sing.

It's things like that,
that just make you feel like

your whole heart is in this whole thing.

During the tour...
she does Marjorie.

And I said to her, "God, Taylor,

I don't know
if I can make it through the tour

crying every night when you sing
that song." It just gets me.

It started off as something very simple.

You know, we didn't even have lights
prepared for that song.

We didn't know that the fans
were going to honor that song

with the reverence that they do.

That they were gonna hold their phones up.

It just became a very loving tribute
to her grandmother.

We do Marjorie every night.
You know, I think about family.

My dad passed away last year.
She's singing about her grandmother,

but those of us that have gone through
something similar in the recent years,

like, that's always kind of an emotional
moment in the night.

My papa was a big part of the family,
my favorite person in the whole world.

And he unfortunately passed.

Every single time I'm on that stage,
I definitely feel his presence,

especially the first night.

Just this big rush fell over me,
and I was like, "That's my grandpa."

Marjorie is about Taylor's grandmother,
but it's personal to me,

and I think that's a testament
to Taylor's writing

because it really feels like
it's your own experience.

The idea that you have a loss,

and yet they are still here with us,

is kind of what I need to cling to in...
every night.

So, we didn't have the light
going, but it was...

I've been performing
with Taylor for 12 years,

and truly, The Eras Tour
was a surprise to all of us.

We had had COVID, we all wanted to be
together to make music again.

I know I very much needed to be here
to make music again.

We're back together!

I lost my mother
September of 21.

So, when rehearsals started,

not only did I need music and need to be
with my band family...

I needed to heal.

Guys...

Music is the thing
that is the most healing to me.

I'm like, "Don't fall."

I, for the past few years,
have been really learning to accept

and lean into that two different things
can be true at one time.

And, last year, that really, uh,
smacked me in the face

because we started this tour

and we were all making memories
and falling in love with each other,

and I was the happiest I had been
in some time.

And at the same time,
I was heartbroken every moment

because my mother
wasn't here to experience this joy

and to, uh, see The Eras Tour.

Yeah. Like, if you saw me
sobbing somewhere,

you'd never know that I was the happiest
I had been in a while.

And, um, if you saw my joy,

it was often that I was pretty devastated

And so, knowing that,
I just want to, I don't know,

give permission to feel both.

To be here, feel what we feel,
be as present as you can

in these next four shows.

Thank you to all of you.
Let's go fuck this shit up.

- Let's go makeup.
- Yep.

Ooh.

All right. All right, guys, you heard her.
Let's go out there and...

Fuck shit up! Fuck it up, up, up,
up, up, up, up, up!

Never be so kind,
you forget to be clever

Never be so clever,
you forget to be kind

And if I didn't know better

I'd think you were talking to me now

If I didn't know better

I'd think you were still around

What died didn't stay dead
What died didn't stay dead

You're alive, you're alive in my head

What died didn't stay dead
What died didn't stay dead

You're alive, so alive

The autumn chill that wakes me up
You loved the amber skies so much

Long limbs and frozen swims

You'd always go past
where our feet could touch

And I complained the whole way there

The car ride back and up the stairs

I should've asked you questions
I should've asked you how to be

Asked you to write it down for me

Should've kept
every grocery store receipt

'Cause every scrap of you
would be taken from me

Watched as you
signed your name Marjorie

All your closets of backlogged dreams

And how you left them all to me

What died didn't stay dead
What died didn't stay dead

You're alive, you're alive in my head

What died didn't stay dead
What died didn't stay dead

You're alive, so alive

And if I didn't know better

I'd think you were singing to me now

If I didn't know better

I'd think you were still around

I know better

My mom's voice is in that song.

And she would have loved
to have seen all of this,

and she'd be so proud and...

I think she'd also
be really, really stoked

that she's now singing
in the stadium every night.

Toronto, we're, we're, uh,
we're at the very end of this tour,

so you doing that, um, you have no idea

how much it means to me
and to, um...

And to my band and to my crew
and everybody who's put so much of this,

into this tour, into their... their...
I don't even know what I'm saying anymore.

That is... Uh, I'm just having
a bit of a moment, sorry.

- It's not even the last show.
- Um, you know...

I love you guys.
Thank you so much for that.

...when we go to Vancouver.

That was insane.

That was fun. Oh, the... It got...
I got emotional. I felt like a dumbass.

That was the best part.

I couldn't put words together, Austin.
That was kind of embarrassing.

That's nice of you to say, though.
You're a very supportive person.

That was the best part of the whole thing.

That's nice of you to say that.

It was incredible.

You know what got me was like,

Kamilah made this speech
before the show

where she was talking about
how her mom died.

Like, her mom died recently.

And she was just saying, like,
how heartbroken she is

that her mom
never got to see The Eras Tour

and never got to see her do this.

And I was just thinking about it
all night.

I was th... And I kn...
You know, and I knew that.

We always used to, like,
make eye contact on Marjorie,

me and Kamilah, because of her mom.

But it put it in perspective,
like, I don't know,

like the fact that,
that Mom did get to see it.

And, like, Travis got to see it,
and Dad got to see it.

And, like, I just felt so lucky,
and that's what, is like, cracked me.

- Yeah.
- It cracked me wide open.

Oh, my god,
it was unreal, It was incredible.

It really was.
And I think you have

every right to feel emotional because...

It has to be hitting you honey that

Yeah.

this has been the dream tour of your life.

Yeah, it has. I just never thought,

I never thought we'd ever do
something this good.

I mean, it's gonna be
an emotional time

- from here on out, through the end.
- Mm-hmm.

It's so crazy that, like,
all this has happened

and we all got to experience it together.
We love you.

- Love you!
- Love you, too.