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[Music]
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at the age of 35 ludvig van Beethoven
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had pulled himself back from the brink
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of suicide after realizing he was going
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[Music]
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down he came through the trauma with
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characteristic Defiance he was already
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one of the most celebrated composers in
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Europe and now embarked on a period of
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prodigious
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creativity I think the originality and
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diversity of the music he kept creating
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were a direct consequence of his battle
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against the physical odds it's almost as
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if he felt he was running out of time to
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express what it was he knew he had to
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express the biggest and most immediate
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challenge facing him was the writing of
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an opera the summit of ambition for any
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composure at this time
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[Music]
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[Music]
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Europe in the early 1800s was in chaos
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Napoleon's forces were sweeping across
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the continent recently occupying
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Beethoven's home city of Vienna although
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dismayed by this act of aggression the
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revolution's ideals of Freedom truth and
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equality resonated with Boven and within
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them he found inspiration for his Opera
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entitled
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[Music]
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[Applause]
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[Music]
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Leonora this is a work full of fari
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revolutionary fervor and idealism where
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freedom and Justice
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Triumph it's a rescue story and for the
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first time in operatic history it's a
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woman Leonora who becomes the story's
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Hero by rescuing her husband listan Who
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Lies imprisoned in a dungeon awaiting
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[Music]
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execution and while the Opera had been
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inspired by the revolution it also fell
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victim to
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it I yes the occupation had dire
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consequences for the
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Opera most of his friends and supporters
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had already left the city and the
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opening night audience was made up
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almost entirely of French
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officers unfortunately it was only under
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half
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full not good for
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[Music]
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business I wouldn't have missed the
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premiere of a new work by my great
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friend L also as a patron I had to be
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there but even disregarding the small
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audiences there were problems with the
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work itself
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it was too
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sophisticated too
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long and
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frankly it needed more
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drama after the performance to encourage
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ludvig I gathered some cast together to
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sing it
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through and to try to persuade him to
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Make Some
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Cuts Beethoven blamed the difficulties
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of the Opera entirely on the tenner who
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was playing the husband
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floristan personally I thought this a
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little
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unfair but I arranged for another to
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sing the
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[Music]
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part you've missed tea but that may make
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you sing the part of a starving man all
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the
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[Laughter]
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better let's start B Hoven was prone to
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passionate outbursts
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so I knew it would be a difficult
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evening
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flan
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[Music]
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flan
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excellent I shall have to see to it the
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you are starved before every performance
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and we shall be sure of a success H you
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see
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lowski every phrase is there for a
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reason yes I agree but that ARA is not
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the problem making an opera is not like
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choosing which waste coat to wear with a
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certain pair of britches it's more
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complicated than that please try to
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understand people want drama not just
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clever
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music the first two acts are just too
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long they can't be
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shortened ludig
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please for my sake for your friend
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sake please don't let this beautiful
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work be lost to the world simply because
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it needs some refining
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so you all agreed
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then well then I shall have to go back
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to the
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beginning take another look at
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it however however fled the dramatic
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structure of leanora was musically you
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can see in it many Beethoven Hallmarks
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in the are which Leonora herself sings
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he uses orchestral instruments for their
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symbolic effect the horns for instance
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are used in a completely new way
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traditionally they represent and
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accompany a male hero but here they're
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reserved for Leora and on one level they
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give her added power but on another the
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way that they're pushed and tested
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beyond their limits potently mirrors
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leonora's own trials
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[Applause]
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[Music]
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[Applause]
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Detro
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[Music]
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well I suppose the shortened work was a
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reasonable success but it made neither
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beeo nor my theater a huge amount of
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money it so damn
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stubborn idealistic you
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see I don't I think you could possibly
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have given me my right percentage just
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just well we can only pay you your
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agreed percentage ludvic please do count
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it again I don't mean to count it again
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I'm not
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stupid you are only paid this very
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generous amount
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generous you are paid this very generous
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percentage because we all hold you in
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the highest esteem but the fact remains
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ludvic the house was under half full
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now your music plays to a cultural
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audience of course yes it
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does but well take The Magic Flute for
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instance now that really did Rouse the
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multitude I don't compose for the
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multitude if we had paid her Mozart the
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same percentage of the receipts of his
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operas well he would have been a very
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rich man what are you saying nothing I
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I think you should raise your hair
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Mozart from the
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dead because the performances of this
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Opera are finished what do you mean I
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mean what I said I'm I look be pleas
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good
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day good
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God bethoven was true to his word and
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locked away the score of his Opera but
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he didn't forget it
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[Music]
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in Leonora he'd created the woman who
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perfectly embodied Fidelity and
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Womanhood but in real life she was much
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harder to
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find ha Beethoven had a great liking for
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female Society if ever he saw a Charming
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face we would often share a knowing look
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he was always falling in love usually
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with his piano students but generally
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the passion did not last long and of
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course often they were already spoken
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for but that didn't stop him
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hoping finding a wife the perfect
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wife was very important to
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him oh beloved
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Josephina it is no desire for the
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opposite sex that draws me to you
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no it's just you your whole self with
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all your individual qualities this has
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bound all my feelings all my emotional
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power to
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you one of the piano students bethoven
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fell in love with was Countess Josephina
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Dem a widow and mother of
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four my parents arranged my betrayed
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count Dem he died just before I had my
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fourth child B often used to come to our
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house
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and after I saw my own we became very
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close I can't deny it I loved being with
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him his music was so
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powerful it could cheer me up or make me
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cry and he was a kind man and good with
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my
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children but is to anything more
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permanent that was different
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[Music]
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it's beautiful look big
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have you had a chance to think about my
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proposal do you not enjoy my company you
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know I
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do do you not enjoy your lessons yes of
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course and I have the greatest respect
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and admiration for you
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I
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see
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respect
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admiration and not
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love
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yes
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no
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but I have my
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position my my children to think
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of how we'd
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live these things cost money
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I
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understand I
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do
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me a mere
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musician a musician who's going
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[Music]
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deaf cantis stem's refusal to marry
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dealt a crushing blow to Beethoven's
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hopes of Finding Love and Marriage Not
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only was his increasing deafness
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isolating him but his uncertain
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financial status was also becoming an
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impediment to finding
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[Music]
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happiness at the time of his great
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disappointment with yoshina Dem his
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brother Carl seemed to find real
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happiness in love but Beethoven could
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never accept Carl's
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choice and he did like to see himself
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the Arbiter in all questions of
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morality
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bra
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so it's true
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then yes
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we are to be
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married with all your distractions
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I I should need to find someone else to
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look after my
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Affairs no I can still
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work Johanna is expecting our first
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child so I
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need out of
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wedlock a splendid work for brother
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that's
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just Splendid and true to
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form and as for you
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lady I know
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you and so does all
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Vienna oh yes that's
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right nothing is ever good enough for
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the high and mighty
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Beethoven or is it that you can't bear
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to see somebody else being happy
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go
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out why knew him to be an unpredictable
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man it is said men with great gifts have
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little time for pleasantries but what
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had I done to deserve such
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harshness and treating Carl his brother
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like an
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enemy perhaps I was not as fine a lady
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lady as the great composer was used to
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sharing company
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with he made my head spin with his
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insinuations bethoven was intolerant of
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those who didn't live up to his own high
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moral standards unable to reconcile real
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people real desires with his own
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idealized vision of
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women quite a beauty isn't she
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misunderstood and frustrated bethoven
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consistently felt isolated from those
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around him at exactly this time there's
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a typical example of how consciously or
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00:16:52,160 --> 00:16:57,319
subconsciously the tensions in his life
291
00:16:54,720 --> 00:17:00,680
found expression and release in his
292
00:16:57,319 --> 00:17:02,680
music he was writing a new Piano Sonata
293
00:17:00,680 --> 00:17:06,190
which became known as the
294
00:17:02,680 --> 00:17:13,439
apassionata its title tells you
295
00:17:06,190 --> 00:17:16,480
[Music]
296
00:17:13,439 --> 00:17:19,600
everything this is music of violent rage
297
00:17:16,480 --> 00:17:22,439
tragedy and despair this Sonata finds
298
00:17:19,600 --> 00:17:25,439
Beethoven in the depths of human
299
00:17:22,439 --> 00:17:27,959
suffering the passion and turmoil caused
300
00:17:25,439 --> 00:17:29,840
by his failed love affair with yosina
301
00:17:27,959 --> 00:17:32,080
and his ambivalent feelings towards his
302
00:17:29,840 --> 00:17:34,720
brother's happiness are woven into the
303
00:17:32,080 --> 00:17:39,440
very fabric of this music which starts
304
00:17:34,720 --> 00:17:45,960
Darkly at the lower register of the
305
00:17:39,440 --> 00:17:48,840
[Music]
306
00:17:45,960 --> 00:17:51,240
keyboard now like in so much Beethoven
307
00:17:48,840 --> 00:17:53,280
this theme is built around a broken
308
00:17:51,240 --> 00:17:57,799
chord this is a
309
00:17:53,280 --> 00:17:57,799
chord here it is broken
310
00:17:59,280 --> 00:18:03,520
then after this Darkness you get a
311
00:18:01,240 --> 00:18:04,960
moment of poignant respite an
312
00:18:03,520 --> 00:18:08,400
acknowledgement perhaps of his
313
00:18:04,960 --> 00:18:09,530
inexorable Spirit he's bruised but he's
314
00:18:08,400 --> 00:18:12,240
not
315
00:18:09,530 --> 00:18:14,480
[Music]
316
00:18:12,240 --> 00:18:17,830
beaten from there he cranks it up a
317
00:18:14,480 --> 00:18:26,440
notch upper semmit tone raising the
318
00:18:17,830 --> 00:18:29,960
[Music]
319
00:18:26,440 --> 00:18:31,090
tension now he explores that fragment
320
00:18:29,960 --> 00:18:34,310
[Music]
321
00:18:31,090 --> 00:18:34,310
[Applause]
322
00:18:34,640 --> 00:18:40,400
recognize that the Fifth Symphony
323
00:18:37,919 --> 00:18:43,720
Motif which crops up again and again
324
00:18:40,400 --> 00:18:43,720
throughout Beethoven's
325
00:18:44,740 --> 00:18:54,370
[Music]
326
00:18:53,770 --> 00:18:57,460
[Applause]
327
00:18:54,370 --> 00:18:57,460
[Music]
328
00:18:57,720 --> 00:19:03,240
compositions Darkness misery
329
00:19:00,679 --> 00:19:06,039
introspection but
330
00:19:03,240 --> 00:19:08,640
determination B same with this piece I'm
331
00:19:06,039 --> 00:19:11,240
still here this is my inner core and I'm
332
00:19:08,640 --> 00:19:13,320
not ashamed to show it to you the
333
00:19:11,240 --> 00:19:15,880
tension between this Despair and his
334
00:19:13,320 --> 00:19:17,960
innate musical strength light a touch
335
00:19:15,880 --> 00:19:19,240
paper so that the piece suddenly
336
00:19:17,960 --> 00:19:28,869
explodes
337
00:19:19,240 --> 00:19:28,869
[Music]
338
00:19:31,000 --> 00:19:37,000
the mood he creates of sheer desperation
339
00:19:33,720 --> 00:19:40,510
and determination is imprinted on every
340
00:19:37,000 --> 00:19:56,109
bar of this first movement
341
00:19:40,510 --> 00:19:56,109
[Music]
342
00:20:01,960 --> 00:20:08,039
the passionata was created in stormy
343
00:20:04,760 --> 00:20:10,919
political times Austria was still under
344
00:20:08,039 --> 00:20:13,320
French occupation despite the political
345
00:20:10,919 --> 00:20:16,080
uncertainty Beethoven's reputation was
346
00:20:13,320 --> 00:20:18,400
growing and Wealthy patrons gravitated
347
00:20:16,080 --> 00:20:21,400
to him because of his increasing
348
00:20:18,400 --> 00:20:23,760
celebrity in Prince leowski he thought
349
00:20:21,400 --> 00:20:26,919
he'd found someone who understood his
350
00:20:23,760 --> 00:20:29,400
uncompromising artistic Vision the whole
351
00:20:26,919 --> 00:20:31,240
region was in chaos
352
00:20:29,400 --> 00:20:33,280
there were troops everywhere one had to
353
00:20:31,240 --> 00:20:35,640
make one's life as comfortable as
354
00:20:33,280 --> 00:20:38,120
possible and if that meant spending the
355
00:20:35,640 --> 00:20:41,200
odd evening entertaining some French
356
00:20:38,120 --> 00:20:43,880
officers then that's what one
357
00:20:41,200 --> 00:20:47,559
did some of them were actually very
358
00:20:43,880 --> 00:20:49,080
cultured and even loved
359
00:20:47,559 --> 00:20:51,360
music
360
00:20:49,080 --> 00:20:54,120
obviously they were very interested to
361
00:20:51,360 --> 00:20:56,240
hear of my support of my great
362
00:20:54,120 --> 00:21:00,240
friend there are
363
00:20:56,240 --> 00:21:00,240
um l
364
00:21:00,280 --> 00:21:04,880
come in but come and join
365
00:21:05,840 --> 00:21:10,280
us I'd like you to meet my
366
00:21:18,400 --> 00:21:22,880
friends we never stop moving you never
367
00:21:21,320 --> 00:21:26,039
know the next time you'll feel clean
368
00:21:22,880 --> 00:21:29,039
sheets or a comfortable bed and that is
369
00:21:26,039 --> 00:21:34,600
until we stay here gentlemen
370
00:21:29,039 --> 00:21:34,600
I propose a toast to our host
371
00:21:36,679 --> 00:21:42,840
our thank you well I hope I can make
372
00:21:40,559 --> 00:21:46,720
your stay all the better by persuading
373
00:21:42,840 --> 00:21:49,440
our guest of honor here ludvic van Boven
374
00:21:46,720 --> 00:21:52,440
to play for
375
00:21:49,440 --> 00:21:52,440
us
376
00:21:53,520 --> 00:21:59,960
I I'm very
377
00:21:55,760 --> 00:22:00,799
tired I better go to bed
378
00:21:59,960 --> 00:22:03,360
it's
379
00:22:00,799 --> 00:22:06,200
early I have a very busy day
380
00:22:03,360 --> 00:22:10,279
tomorrow lot to
381
00:22:06,200 --> 00:22:11,360
do B Heaven please you would honor us
382
00:22:10,279 --> 00:22:13,960
with your
383
00:22:11,360 --> 00:22:19,400
playing
384
00:22:13,960 --> 00:22:22,120
play play play play play play play play
385
00:22:19,400 --> 00:22:25,679
play play play play play another
386
00:22:22,120 --> 00:22:25,679
performing s
387
00:22:31,039 --> 00:22:36,799
he may not be a performing seal but he's
388
00:22:33,960 --> 00:22:39,640
certainly a rhyland pig perhaps we
389
00:22:36,799 --> 00:22:39,640
should arrest him
390
00:22:42,000 --> 00:22:47,240
gentlemen I doubt if any of you swine
391
00:22:45,559 --> 00:22:48,799
would know what a piano keyboard look
392
00:22:47,240 --> 00:22:51,080
like if it was blown or two from the end
393
00:22:48,799 --> 00:22:51,080
of a
394
00:22:53,120 --> 00:22:59,840
can I will not play for you
395
00:23:02,240 --> 00:23:08,400
now will I play for your
396
00:23:05,400 --> 00:23:08,400
Emperor
397
00:23:16,360 --> 00:23:22,919
Napoleon can't your guest take a
398
00:23:19,360 --> 00:23:28,159
joke such is the nature of the artistic
399
00:23:22,919 --> 00:23:28,159
mind gentlemen if you'll excuse me
400
00:23:28,760 --> 00:23:33,120
what are you doing where are you going
401
00:23:30,760 --> 00:23:37,120
at this time of
402
00:23:33,120 --> 00:23:37,120
night lri
403
00:23:37,600 --> 00:23:42,600
please there are and there always will
404
00:23:40,120 --> 00:23:47,360
be thousands of princes but there's only
405
00:23:42,600 --> 00:23:51,440
one be then what about your new word the
406
00:23:47,360 --> 00:23:51,440
manuscript will be rued
407
00:24:02,760 --> 00:24:07,369
[Music]
408
00:24:14,600 --> 00:24:18,840
to this day the rain streaks from that
409
00:24:17,039 --> 00:24:22,520
night can still be seen on the
410
00:24:18,840 --> 00:24:22,520
apassionata manuscript
411
00:24:26,400 --> 00:24:29,549
[Music]
412
00:24:32,880 --> 00:24:38,720
sir sir this note right for
413
00:24:44,480 --> 00:24:49,000
you dear
414
00:24:46,320 --> 00:24:51,480
ludvig I wanted you to know I have great
415
00:24:49,000 --> 00:24:55,159
news Johanna has given me a beautiful
416
00:24:51,480 --> 00:24:59,559
son Carl the
417
00:24:55,159 --> 00:24:59,559
boy it's a new bethoven
418
00:25:03,600 --> 00:25:08,200
H I hope you will visit and see your
419
00:25:05,880 --> 00:25:08,200
nephew
420
00:25:08,520 --> 00:25:12,679
soon Beethoven refused to see his
421
00:25:11,320 --> 00:25:15,960
newborn
422
00:25:12,679 --> 00:25:18,640
nephew once again his impossibly high
423
00:25:15,960 --> 00:25:20,520
and unrealistic moral standards short
424
00:25:18,640 --> 00:25:23,480
circuited his natural
425
00:25:20,520 --> 00:25:25,360
feelings for him Yanna was simply not a
426
00:25:23,480 --> 00:25:27,799
good enough mother for the Beethoven
427
00:25:25,360 --> 00:25:29,760
family and therefore he couldn't visit
428
00:25:27,799 --> 00:25:31,880
them in fact he didn't see his new
429
00:25:29,760 --> 00:25:34,559
nephew for eight
430
00:25:31,880 --> 00:25:36,360
years in the meantime I think he found
431
00:25:34,559 --> 00:25:38,320
an emotional substitute in his
432
00:25:36,360 --> 00:25:40,960
relationship with the teenage Arch Duke
433
00:25:38,320 --> 00:25:43,910
Rudolph who was himself a talented
434
00:25:40,960 --> 00:25:54,600
musician and who became his new
435
00:25:43,910 --> 00:25:58,880
[Music]
436
00:25:54,600 --> 00:25:58,880
Patron so big
437
00:25:59,200 --> 00:26:02,600
hello
438
00:26:01,000 --> 00:26:07,159
big
439
00:26:02,600 --> 00:26:07,159
yeah I've been wanting to ask for some
440
00:26:08,320 --> 00:26:12,279
time I'm intrigued by your
441
00:26:13,679 --> 00:26:20,679
methods please do not think me rude
442
00:26:17,200 --> 00:26:23,000
but with your hearing difficulties how
443
00:26:20,679 --> 00:26:23,000
do you
444
00:26:26,600 --> 00:26:31,919
compose I'm sorry that was out of
445
00:26:29,600 --> 00:26:35,240
place
446
00:26:31,919 --> 00:26:36,520
that's I know there's much curiosity
447
00:26:35,240 --> 00:26:41,559
about
448
00:26:36,520 --> 00:26:41,559
me much titl tattle
449
00:26:42,919 --> 00:26:47,640
huh it's true many of the high notes are
450
00:26:45,559 --> 00:26:51,279
lost to
451
00:26:47,640 --> 00:26:51,279
me and sometimes
452
00:26:51,480 --> 00:26:56,120
more both good days and bad days and it
453
00:26:54,000 --> 00:26:57,240
did doesn't affect me though as you
454
00:26:56,120 --> 00:27:00,840
might
455
00:26:57,240 --> 00:27:02,799
think you see all of the music that I
456
00:27:00,840 --> 00:27:06,240
write I can
457
00:27:02,799 --> 00:27:06,240
hear in my
458
00:27:09,440 --> 00:27:13,399
mind I know the sounds that every
459
00:27:11,600 --> 00:27:17,039
instrument can
460
00:27:13,399 --> 00:27:18,919
make I can hear them all in a trio
461
00:27:17,039 --> 00:27:21,080
quartet Orchestra
462
00:27:18,919 --> 00:27:24,600
it's it's all
463
00:27:21,080 --> 00:27:29,039
there it's all
464
00:27:24,600 --> 00:27:29,039
there and my head
465
00:27:30,440 --> 00:27:34,240
one of the pieces that beome was working
466
00:27:32,080 --> 00:27:36,559
on during this time was his pastoral
467
00:27:34,240 --> 00:27:39,080
symphony music which does I think
468
00:27:36,559 --> 00:27:41,519
Express his deepest sense of loss for
469
00:27:39,080 --> 00:27:44,880
the sounds of nature that he'd soon not
470
00:27:41,519 --> 00:27:46,880
be able to hear the countryside for so
471
00:27:44,880 --> 00:27:49,440
many 19th century composers a source of
472
00:27:46,880 --> 00:27:52,810
inspiration was for Beethoven a place
473
00:27:49,440 --> 00:28:02,130
where man could encounter God
474
00:27:52,810 --> 00:28:04,640
[Music]
475
00:28:02,130 --> 00:28:06,519
[Applause]
476
00:28:04,640 --> 00:28:08,600
although large public orchestral
477
00:28:06,519 --> 00:28:11,480
concerts were rare in the early 19th
478
00:28:08,600 --> 00:28:14,440
century Beethoven's Fame secured him a
479
00:28:11,480 --> 00:28:16,120
night in Vienna's most popular theater
480
00:28:14,440 --> 00:28:19,200
just before Christmas
481
00:28:16,120 --> 00:28:22,159
1808 even today this concert seems like
482
00:28:19,200 --> 00:28:24,399
an extraordinary event just imagine
483
00:28:22,159 --> 00:28:27,440
being present at the public premiere of
484
00:28:24,399 --> 00:28:29,960
five major Boven Works including the
485
00:28:27,440 --> 00:28:32,240
Fifth Symphony pastoral symphony the
486
00:28:29,960 --> 00:28:35,440
fourth piano conto some of the most
487
00:28:32,240 --> 00:28:37,399
famous music in history for Beethoven
488
00:28:35,440 --> 00:28:40,000
the concert was an important personal
489
00:28:37,399 --> 00:28:42,799
statement he was saying just look at
490
00:28:40,000 --> 00:28:45,519
what I'm capable of the whole of Vienna
491
00:28:42,799 --> 00:28:47,200
wanted to see how he had refine his gift
492
00:28:45,519 --> 00:28:49,279
and of course they wanted to see the
493
00:28:47,200 --> 00:28:51,480
famous Boven
494
00:28:49,279 --> 00:28:54,519
himself well he realized that this
495
00:28:51,480 --> 00:28:56,399
concert was very important for his
496
00:28:54,519 --> 00:28:59,159
reputation and for his financial
497
00:28:56,399 --> 00:29:01,399
situation as well
498
00:28:59,159 --> 00:29:04,039
Boven decided to start the concert with
499
00:29:01,399 --> 00:29:06,440
the pastoral symphony it was his way of
500
00:29:04,039 --> 00:29:08,120
easing the audience into an evening
501
00:29:06,440 --> 00:29:10,559
which would become increasingly
502
00:29:08,120 --> 00:29:12,880
challenging challenging not just for the
503
00:29:10,559 --> 00:29:15,279
concert goer but for the orchestra as
504
00:29:12,880 --> 00:29:17,799
well with just one rehearsal for the
505
00:29:15,279 --> 00:29:21,440
musicians to learn the music the tension
506
00:29:17,799 --> 00:29:21,440
before the concert was
507
00:29:23,120 --> 00:29:29,279
palpable stop
508
00:29:26,080 --> 00:29:31,519
stop is it
509
00:29:29,279 --> 00:29:31,519
what's
510
00:29:31,640 --> 00:29:36,720
wrong what's the matter what marking
511
00:29:33,799 --> 00:29:36,720
have you got here why have you
512
00:29:39,440 --> 00:29:44,010
stopped really SI for
513
00:29:42,640 --> 00:29:45,559
you come
514
00:29:44,010 --> 00:29:49,120
[Music]
515
00:29:45,559 --> 00:29:49,120
on I know it's
516
00:29:49,320 --> 00:29:55,000
early
517
00:29:51,760 --> 00:29:58,640
again well he didn't make it easier for
518
00:29:55,000 --> 00:29:58,640
himself or others
519
00:29:59,010 --> 00:30:03,640
[Music]
520
00:30:00,200 --> 00:30:04,919
why have you stopped what's wrong with
521
00:30:03,640 --> 00:30:08,159
you
522
00:30:04,919 --> 00:30:10,279
people bov's conducting style was so
523
00:30:08,159 --> 00:30:12,120
wild and hard to follow and he was so
524
00:30:10,279 --> 00:30:14,000
demanding that eventually the orchestra
525
00:30:12,120 --> 00:30:16,880
refused to play if he was
526
00:30:14,000 --> 00:30:20,279
present was left the unfortunate Rees to
527
00:30:16,880 --> 00:30:20,279
act as goet
528
00:30:21,700 --> 00:30:30,660
[Music]
529
00:30:33,160 --> 00:30:35,680
[Music]
530
00:30:34,870 --> 00:30:44,440
[Applause]
531
00:30:35,680 --> 00:30:44,440
[Music]
532
00:30:48,390 --> 00:30:51,630
[Music]
533
00:30:57,240 --> 00:31:06,790
h
534
00:30:58,560 --> 00:31:06,790
[Music]
535
00:31:13,200 --> 00:31:16,200
now
536
00:31:19,040 --> 00:31:22,150
[Applause]
537
00:31:29,799 --> 00:31:37,639
sir they say there is too
538
00:31:33,200 --> 00:31:41,200
much there is so much new work and it
539
00:31:37,639 --> 00:31:41,200
is too
540
00:31:41,360 --> 00:31:46,559
difficult bethoven you know we only have
541
00:31:43,760 --> 00:31:49,000
one rehearsal and the orchestra are
542
00:31:46,559 --> 00:31:49,000
merely
543
00:31:49,039 --> 00:31:58,240
human just tell them to play
544
00:31:52,799 --> 00:31:58,240
it exactly as I have written it
545
00:32:04,799 --> 00:32:08,440
the orchestra eventually got through the
546
00:32:06,919 --> 00:32:10,720
enormous repertoire planned for the
547
00:32:08,440 --> 00:32:12,919
concert and on a freezing cold December
548
00:32:10,720 --> 00:32:16,320
evening hundreds of people flocked to an
549
00:32:12,919 --> 00:32:20,600
unheated venes theater to see and hear
550
00:32:16,320 --> 00:32:31,600
the city's most famous resident
551
00:32:20,600 --> 00:32:33,440
[Music]
552
00:32:31,600 --> 00:32:36,080
after the evocative lyricism of the
553
00:32:33,440 --> 00:32:38,000
pastoral symphony Beethoven assaulted
554
00:32:36,080 --> 00:32:40,519
his audience with the violent Fifth
555
00:32:38,000 --> 00:32:41,880
Symphony a kind of electric shock
556
00:32:40,519 --> 00:33:14,729
therapy
557
00:32:41,880 --> 00:33:14,729
[Music]
558
00:33:19,800 --> 00:33:22,900
[Music]
559
00:33:24,240 --> 00:33:29,080
starting with those four powerful notes
560
00:33:29,519 --> 00:33:34,559
The Fifth Symphony is really an exercise
561
00:33:31,480 --> 00:33:36,799
in compression in St contrast to the
562
00:33:34,559 --> 00:33:40,320
sixth Symphony the pastal which takes
563
00:33:36,799 --> 00:33:40,320
the same opening rhythmic
564
00:33:41,880 --> 00:33:47,039
fragment and expands it it's interesting
565
00:33:44,960 --> 00:33:48,799
to look at these two Symphonies side by
566
00:33:47,039 --> 00:33:51,399
side and that's how bethoven saw them
567
00:33:48,799 --> 00:33:55,080
very much as a pair and where the sixth
568
00:33:51,399 --> 00:33:58,679
symphony is lyrical and expansive The
569
00:33:55,080 --> 00:34:01,440
Fifth Symphony is brutal and compact act
570
00:33:58,679 --> 00:34:03,480
and lacking in any obvious Melody and
571
00:34:01,440 --> 00:34:05,799
unlike any Symphony that had gone before
572
00:34:03,480 --> 00:34:09,079
the whole piece is one through line
573
00:34:05,799 --> 00:34:10,720
towards the exultant finale Beethoven
574
00:34:09,079 --> 00:34:12,720
uses a variety of musical devices to
575
00:34:10,720 --> 00:34:15,200
bring about this tremendous sense of
576
00:34:12,720 --> 00:34:17,879
climax but none more so than the use of
577
00:34:15,200 --> 00:34:20,159
that opening rhythmic device it's
578
00:34:17,879 --> 00:34:22,679
everywhere and in fact it pervades his
579
00:34:20,159 --> 00:34:24,919
entire compositional
580
00:34:22,679 --> 00:34:27,320
output near the end of the third
581
00:34:24,919 --> 00:34:29,919
movement of the scat so Beethoven strips
582
00:34:27,320 --> 00:34:32,320
the music music right back the timony
583
00:34:29,919 --> 00:34:35,079
just keeping that rhythmic cell ticking
584
00:34:32,320 --> 00:34:37,639
away and it's out of this sparse sound
585
00:34:35,079 --> 00:34:40,760
world that the Fourth Movement erupts
586
00:34:37,639 --> 00:34:42,879
pushing decibel levels to new heights
587
00:34:40,760 --> 00:34:44,639
you hear Piccolo and trombones for the
588
00:34:42,879 --> 00:34:46,960
first time in a symphony and the whole
589
00:34:44,639 --> 00:34:49,240
Orchestra explodes in this climactic
590
00:34:46,960 --> 00:34:52,919
finale where bethoven is taking us from
591
00:34:49,240 --> 00:34:54,639
minor to Major from Darkness to a blaze
592
00:34:52,919 --> 00:35:02,729
of light
593
00:34:54,639 --> 00:35:02,729
[Music]
594
00:35:26,640 --> 00:35:30,680
a e
595
00:36:04,119 --> 00:36:09,839
of the piano in a conto invariably the
596
00:36:07,720 --> 00:36:12,119
orchestra would lead before creating
597
00:36:09,839 --> 00:36:14,920
space for the piano but Beethoven turns
598
00:36:12,119 --> 00:36:17,280
this on its head starting with a solo
599
00:36:14,920 --> 00:36:19,720
piano and not only that he starts
600
00:36:17,280 --> 00:36:22,160
tentatively almost in the manner of an
601
00:36:19,720 --> 00:36:25,119
improvisation it's a very introverted
602
00:36:22,160 --> 00:36:26,770
beginning the antithesis of the grand
603
00:36:25,119 --> 00:36:43,980
gesture
604
00:36:26,770 --> 00:36:43,980
[Music]
605
00:36:44,040 --> 00:36:49,480
Fifth Symphony fourth piano conchetto
606
00:36:46,319 --> 00:36:49,480
invariably it's somewhere
607
00:36:49,920 --> 00:36:54,839
close with this strange beginning
608
00:36:52,280 --> 00:36:56,800
Beethoven is starting a conversation or
609
00:36:54,839 --> 00:36:59,920
even a set of negotiations where the
610
00:36:56,800 --> 00:37:02,359
piano is attempting to dictate terms to
611
00:36:59,920 --> 00:37:04,240
the orchestra the tension between the
612
00:37:02,359 --> 00:37:06,000
two is there right from the start the
613
00:37:04,240 --> 00:37:08,960
orchestra come in in a key which is
614
00:37:06,000 --> 00:37:11,440
completely foreign to the piano so much
615
00:37:08,960 --> 00:37:13,340
of the time this is conversation through
616
00:37:11,440 --> 00:37:26,890
Discord
617
00:37:13,340 --> 00:37:26,890
[Music]
618
00:37:27,839 --> 00:38:02,719
the
619
00:37:30,000 --> 00:38:02,719
[Music]
620
00:38:06,340 --> 00:38:09,429
[Music]
621
00:38:17,800 --> 00:38:21,839
the tension becomes much more pronounced
622
00:38:20,040 --> 00:38:23,839
in the second movement where the
623
00:38:21,839 --> 00:38:25,800
orchestra and the soloists are
624
00:38:23,839 --> 00:38:28,920
determined not to engage with each other
625
00:38:25,800 --> 00:38:31,660
they're almost in gridlock two utterly
626
00:38:28,920 --> 00:39:10,439
alien musics at work
627
00:38:31,660 --> 00:39:10,439
[Music]
628
00:39:13,520 --> 00:39:18,119
when the piano finally breaks out it
629
00:39:15,680 --> 00:39:20,280
does so in a very unusual way sounding
630
00:39:18,119 --> 00:39:23,000
almost unlike anything which has gone
631
00:39:20,280 --> 00:39:25,960
before and now the gulf between soloist
632
00:39:23,000 --> 00:39:27,440
and Orchestra seems almost unbridgeable
633
00:39:25,960 --> 00:39:30,320
you might expect the orchestra to just
634
00:39:27,440 --> 00:39:34,720
stand up and leave the room
635
00:39:30,320 --> 00:39:46,449
[Music]
636
00:39:34,720 --> 00:39:46,449
[Applause]
637
00:39:49,330 --> 00:40:01,440
[Music]
638
00:39:59,160 --> 00:40:04,280
eventually though Beethoven brings about
639
00:40:01,440 --> 00:40:06,319
resolution and Reconciliation the piano
640
00:40:04,280 --> 00:40:09,839
and the orchestra unite to allow for the
641
00:40:06,319 --> 00:40:11,800
catharus of the last movement the piano
642
00:40:09,839 --> 00:40:14,240
has mollified the orchestra the
643
00:40:11,800 --> 00:40:16,440
individual voice has soothed the masses
644
00:40:14,240 --> 00:40:20,359
and Beethoven's violent instincts have
645
00:40:16,440 --> 00:40:22,640
been tempered by his compassionate will
646
00:40:20,359 --> 00:40:24,290
it's a very accurate self-portrait in
647
00:40:22,640 --> 00:40:35,979
music
648
00:40:24,290 --> 00:40:35,979
[Music]
649
00:40:41,650 --> 00:40:53,019
[Music]
650
00:40:49,730 --> 00:40:53,019
[Applause]
651
00:40:56,079 --> 00:41:01,240
the success of this concert confirmed
652
00:40:58,680 --> 00:41:03,599
beom's position as Vienna's and indeed
653
00:41:01,240 --> 00:41:08,160
Europe's most celebrated
654
00:41:03,599 --> 00:41:10,000
composer but his financial situation was
655
00:41:08,160 --> 00:41:13,000
precarious the concert didn't make
656
00:41:10,000 --> 00:41:15,280
ludvig the money he wanted and even
657
00:41:13,000 --> 00:41:17,760
deserved and an offer had come through
658
00:41:15,280 --> 00:41:20,760
for a job working away from
659
00:41:17,760 --> 00:41:23,880
Vienna so he soon let all his patrons
660
00:41:20,760 --> 00:41:26,920
including me know that he might desert
661
00:41:23,880 --> 00:41:29,000
us of course we had to do something you
662
00:41:26,920 --> 00:41:31,960
must have understand I need total
663
00:41:29,000 --> 00:41:34,720
artistic Freedom yes it's all fine lck I
664
00:41:31,960 --> 00:41:37,319
need to travel whenever I want and have
665
00:41:34,720 --> 00:41:39,760
benefit concerts I need them it's all in
666
00:41:37,319 --> 00:41:42,000
the annuity
667
00:41:39,760 --> 00:41:44,760
contract what we
668
00:41:42,000 --> 00:41:48,079
ask is that you agree to continue to
669
00:41:44,760 --> 00:41:48,079
live in Vienna
670
00:41:59,880 --> 00:42:04,119
this was an extraordinary and unique
671
00:42:01,800 --> 00:42:06,880
agreement the first time an artist had
672
00:42:04,119 --> 00:42:09,839
been recognized in this way Beethoven
673
00:42:06,880 --> 00:42:14,280
was to be paid a lifelong yearly sum to
674
00:42:09,839 --> 00:42:16,839
compose whatever he wanted whenever he
675
00:42:14,280 --> 00:42:19,119
wanted at around this time with his
676
00:42:16,839 --> 00:42:20,760
money worries seemingly at an end
677
00:42:19,119 --> 00:42:22,720
Beethoven entered into a passionate
678
00:42:20,760 --> 00:42:26,119
relationship with a woman he called in
679
00:42:22,720 --> 00:42:28,680
an extraordinary letter his Immortal
680
00:42:26,119 --> 00:42:32,359
Beloved her real identity has been the
681
00:42:28,680 --> 00:42:34,400
subject of debate for the past 150 years
682
00:42:32,359 --> 00:42:36,440
while we may never know for certain the
683
00:42:34,400 --> 00:42:39,559
most recent research seems to indicate
684
00:42:36,440 --> 00:42:41,839
that she was Anton brentano the wife of
685
00:42:39,559 --> 00:42:43,870
a merchant baven had a close
686
00:42:41,839 --> 00:42:48,150
relationship with the
687
00:42:43,870 --> 00:42:48,150
[Music]
688
00:42:48,800 --> 00:42:57,960
couple my angel my all my very self much
689
00:42:54,480 --> 00:43:00,960
as you love me I love you more
690
00:42:57,960 --> 00:43:03,599
I can only live either wholly with you
691
00:43:00,960 --> 00:43:06,960
or not at all no one else can ever
692
00:43:03,599 --> 00:43:10,960
possess my heart never
693
00:43:06,960 --> 00:43:14,760
never your love makes me at once the
694
00:43:10,960 --> 00:43:19,240
happiest and the unhappiest of men
695
00:43:14,760 --> 00:43:22,599
continue to love me never misjudge the
696
00:43:19,240 --> 00:43:28,920
most faithful heart of your beloved
697
00:43:22,599 --> 00:43:32,960
Forever Yours forever mine forever us l
698
00:43:28,920 --> 00:43:34,839
Vic I was Ill because I didn't want to
699
00:43:32,960 --> 00:43:37,160
leave
700
00:43:34,839 --> 00:43:39,880
Vienna my husband's work meant that we
701
00:43:37,160 --> 00:43:43,920
had to go and live in Frankfurt
702
00:43:39,880 --> 00:43:43,920
and I I just couldn't bear
703
00:43:49,680 --> 00:43:54,119
it how wish you
704
00:43:51,760 --> 00:43:58,920
today no better I'm
705
00:43:54,119 --> 00:44:01,520
afraid it's good of you to come
706
00:43:58,920 --> 00:44:05,839
should I play something for her yes
707
00:44:01,520 --> 00:44:09,400
please I'm sure it would help it always
708
00:44:05,839 --> 00:44:11,800
does now if you'll excuse me I I'll go
709
00:44:09,400 --> 00:44:14,079
back to the office there is still a lot
710
00:44:11,800 --> 00:44:18,520
of work to do before we
711
00:44:14,079 --> 00:44:18,520
leave thank you my friend
712
00:44:31,430 --> 00:44:46,849
[Music]
713
00:44:49,440 --> 00:44:56,119
only L comforted
714
00:44:52,760 --> 00:44:58,599
me his music told me everything about
715
00:44:56,119 --> 00:45:01,810
his feelings from
716
00:44:58,599 --> 00:45:07,699
me I would have given up everything for
717
00:45:01,810 --> 00:45:07,699
[Music]
718
00:45:10,960 --> 00:45:16,440
[Music]
719
00:45:12,440 --> 00:45:21,960
him we loved each other deeply
720
00:45:16,440 --> 00:45:21,960
but he loved my husband as well
721
00:45:22,480 --> 00:45:26,680
and I just
722
00:45:27,400 --> 00:45:31,860
I just don't think he felt able to cause
723
00:45:30,240 --> 00:45:36,200
so much pain to a
724
00:45:31,860 --> 00:45:39,880
[Music]
725
00:45:36,200 --> 00:45:43,040
friend I would have gone with
726
00:45:39,880 --> 00:45:43,040
him but
727
00:45:43,880 --> 00:45:50,240
ludig
728
00:45:46,160 --> 00:45:52,319
well perhaps when it came to it the the
729
00:45:50,240 --> 00:45:55,160
idea of a married life was was something
730
00:45:52,319 --> 00:45:58,920
best kept as a dream because his music
731
00:45:55,160 --> 00:45:58,920
would always come first
732
00:45:59,120 --> 00:46:06,630
[Music]
733
00:46:07,240 --> 00:46:13,000
I may no longer be a man not for
734
00:46:10,680 --> 00:46:16,240
myself only for
735
00:46:13,000 --> 00:46:20,359
others for there is no longer
736
00:46:16,240 --> 00:46:20,359
happiness except in my
737
00:46:21,839 --> 00:46:27,359
music bethoven was devastated by the
738
00:46:24,760 --> 00:46:29,520
breakup of the affair it put an end to
739
00:46:27,359 --> 00:46:32,040
the illusion that he could ever find a
740
00:46:29,520 --> 00:46:34,240
normal family life and I don't think
741
00:46:32,040 --> 00:46:37,480
it's a coincidence that at this time his
742
00:46:34,240 --> 00:46:41,160
hearing began to deteriorate more
743
00:46:37,480 --> 00:46:43,800
[Music]
744
00:46:41,160 --> 00:46:45,559
rapidly added to this the money from his
745
00:46:43,800 --> 00:46:48,359
special contract with his aristocratic
746
00:46:45,559 --> 00:46:50,400
patrons had stopped the effect of
747
00:46:48,359 --> 00:46:52,680
crippling inflation under the rule of
748
00:46:50,400 --> 00:46:56,210
France meant his backers couldn't keep
749
00:46:52,680 --> 00:46:59,440
up their annuity payments
750
00:46:56,210 --> 00:47:02,040
[Music]
751
00:46:59,440 --> 00:47:05,280
I went to his lodgings to see how he
752
00:47:02,040 --> 00:47:09,559
was he wasn't at
753
00:47:05,280 --> 00:47:09,559
home but what I found shocked
754
00:47:09,800 --> 00:47:15,400
me everything just seemed to go wrong at
755
00:47:13,599 --> 00:47:16,920
once you
756
00:47:15,400 --> 00:47:21,200
seemed
757
00:47:16,920 --> 00:47:22,559
broken so unhappy and suddenly extremely
758
00:47:21,200 --> 00:47:24,800
hard of
759
00:47:22,559 --> 00:47:28,359
hearing although that may only have
760
00:47:24,800 --> 00:47:30,520
seemed worse do to the Mala that now
761
00:47:28,359 --> 00:47:33,680
engulfed
762
00:47:30,520 --> 00:47:39,160
him he sent me a
763
00:47:33,680 --> 00:47:41,760
letter in which he seemed to be in a bad
764
00:47:39,160 --> 00:47:44,440
way by then we had not seen each other
765
00:47:41,760 --> 00:47:44,440
since our
766
00:47:48,880 --> 00:47:53,760
arguments a number of unfortunate
767
00:47:51,760 --> 00:47:57,319
incidents which have occurred one after
768
00:47:53,760 --> 00:47:59,960
the other have really driven me into a
769
00:47:57,319 --> 00:48:03,640
state bordering
770
00:47:59,960 --> 00:48:03,640
on mental
771
00:48:05,040 --> 00:48:11,079
confusion he complains
772
00:48:08,040 --> 00:48:14,079
of a thoroughly
773
00:48:11,079 --> 00:48:14,079
lacerated
774
00:48:15,800 --> 00:48:20,800
Heart by all
775
00:48:17,920 --> 00:48:21,680
accounts he had become so neglectful of
776
00:48:20,800 --> 00:48:27,160
his
777
00:48:21,680 --> 00:48:27,160
person as to appear positively dirty
778
00:48:53,000 --> 00:49:00,559
oh my brother so good to see you
779
00:48:57,280 --> 00:49:04,839
what is it what's the matter are you
780
00:49:00,559 --> 00:49:12,280
sick what's wrong with your father H
781
00:49:04,839 --> 00:49:15,079
tell me what speak up H I'm your
782
00:49:12,280 --> 00:49:18,720
uncle uncle
783
00:49:15,079 --> 00:49:21,760
lud what is it what is
784
00:49:18,720 --> 00:49:23,960
you come come on is this where you a
785
00:49:21,760 --> 00:49:26,480
chance meeting with his brother Carl now
786
00:49:23,960 --> 00:49:28,280
ill with tuberculosis gave bethoven the
787
00:49:26,480 --> 00:49:33,079
opport opportunity to claw back his
788
00:49:28,280 --> 00:49:33,079
family in the most extreme and desperate
789
00:49:46,040 --> 00:49:51,680
way I must speak
790
00:49:48,960 --> 00:49:54,400
plainly the reason you are in trouble is
791
00:49:51,680 --> 00:49:57,880
that Johanna has none of the qualities
792
00:49:54,400 --> 00:50:00,400
that make a good wife
793
00:49:57,880 --> 00:50:04,359
n don't
794
00:50:00,400 --> 00:50:08,680
worry I will look after little
795
00:50:04,359 --> 00:50:10,880
Carl but you must make me the so
796
00:50:08,680 --> 00:50:14,839
Guardian
797
00:50:10,880 --> 00:50:17,640
H Jesus mother yes yes yes yes yes and
798
00:50:14,839 --> 00:50:17,640
so she shall
799
00:50:19,680 --> 00:50:22,880
remain but
800
00:50:24,480 --> 00:50:30,559
this this document
801
00:50:27,280 --> 00:50:33,400
will give me a certain right
802
00:50:30,559 --> 00:50:34,520
Susie to look after your interests you
803
00:50:33,400 --> 00:50:37,280
the
804
00:50:34,520 --> 00:50:39,720
father van
805
00:50:37,280 --> 00:50:44,440
beethovens
806
00:50:39,720 --> 00:50:44,440
H so here
807
00:50:47,200 --> 00:50:51,200
Carl read
808
00:51:00,000 --> 00:51:07,319
sign car car that's right much as I am
809
00:51:05,040 --> 00:51:09,839
convinced of the openhearted disposition
810
00:51:07,319 --> 00:51:12,400
of my brother ludic van B
811
00:51:09,839 --> 00:51:14,440
Hoven I desire that after my death he
812
00:51:12,400 --> 00:51:19,880
undertake the guardianship of my
813
00:51:14,440 --> 00:51:19,880
surviving minor son Carl Von bethoven
814
00:51:21,200 --> 00:51:28,359
I do not know what drives a man to want
815
00:51:24,119 --> 00:51:30,680
to separate a child from his mother
816
00:51:28,359 --> 00:51:32,280
I can only think that he wanted a family
817
00:51:30,680 --> 00:51:36,200
of his own
818
00:51:32,280 --> 00:51:39,960
so mine was the obvious
819
00:51:36,200 --> 00:51:41,559
choice pushing my weakened husband who
820
00:51:39,960 --> 00:51:44,880
so close to
821
00:51:41,559 --> 00:51:49,200
death could not stop
822
00:51:44,880 --> 00:51:49,200
him was beyond worldly
823
00:51:49,839 --> 00:51:55,200
explanation Beethoven's Behavior seems
824
00:51:52,440 --> 00:51:56,960
incredible to us now but he genuinely
825
00:51:55,200 --> 00:51:59,160
believed he was protecting his family
826
00:51:56,960 --> 00:52:02,359
from a woman who he saw as a completely
827
00:51:59,160 --> 00:52:05,359
unsuitable mother and by bizarre twist
828
00:52:02,359 --> 00:52:06,880
of fate his belief in his own rectitude
829
00:52:05,359 --> 00:52:09,240
and his sense of his standing as an
830
00:52:06,880 --> 00:52:12,760
artist were about to receive the most
831
00:52:09,240 --> 00:52:14,480
colossal boost his freedom Opera loraa
832
00:52:12,760 --> 00:52:17,000
was chosen to be performed before the
833
00:52:14,480 --> 00:52:20,000
crowned heads who were assembled for the
834
00:52:17,000 --> 00:52:24,350
Congress of Vienna which redrew the map
835
00:52:20,000 --> 00:52:31,480
of Europe after Napoleon's downfall
836
00:52:24,350 --> 00:52:33,680
[Music]
837
00:52:31,480 --> 00:52:35,480
retitled Fidelio some of the most
838
00:52:33,680 --> 00:52:37,060
dramatic changes to the work were in
839
00:52:35,480 --> 00:52:43,480
florist
840
00:52:37,060 --> 00:52:46,160
[Music]
841
00:52:43,480 --> 00:52:49,319
tanzara he places extra emphasis on the
842
00:52:46,160 --> 00:52:51,559
word fight or freedom in an incredibly
843
00:52:49,319 --> 00:52:53,920
high-pitched conclusion that's almost
844
00:52:51,559 --> 00:52:56,640
impossible to sing at the very limits of
845
00:52:53,920 --> 00:52:59,000
a tena's range forcing him like Flor
846
00:52:56,640 --> 00:53:02,480
stand into a state of exhaustion and
847
00:52:59,000 --> 00:53:02,480
physical breakdown
848
00:53:04,960 --> 00:53:08,179
[Music]
849
00:53:10,910 --> 00:53:24,139
[Music]
850
00:53:29,540 --> 00:53:34,599
[Music]
851
00:53:31,520 --> 00:53:36,599
this time the Opera was a success its
852
00:53:34,599 --> 00:53:39,160
Universal themes of triumph over
853
00:53:36,599 --> 00:53:42,240
adversity and hope over despair were
854
00:53:39,160 --> 00:53:46,119
embraced by audiences Yearning For Peace
855
00:53:42,240 --> 00:53:49,119
after the turmoil of the Napoleonic
856
00:53:46,119 --> 00:53:52,200
Wars professionally Beethoven could do
857
00:53:49,119 --> 00:53:55,520
no wrong fidelo had made him the most
858
00:53:52,200 --> 00:53:57,640
sought after composer in Europe but
859
00:53:55,520 --> 00:54:00,079
privately his life life was
860
00:53:57,640 --> 00:54:02,480
unraveling his brother's illness and his
861
00:54:00,079 --> 00:54:03,220
worsening hearing were conspiring
862
00:54:02,480 --> 00:54:09,670
against
863
00:54:03,220 --> 00:54:09,670
[Music]
864
00:54:10,480 --> 00:54:14,180
him good
865
00:54:13,079 --> 00:54:16,640
evening
866
00:54:14,180 --> 00:54:21,200
[Applause]
867
00:54:16,640 --> 00:54:32,380
welcome please sir me to
868
00:54:21,200 --> 00:54:32,380
[Music]
869
00:54:37,960 --> 00:54:48,960
[Music]
870
00:54:47,359 --> 00:54:51,680
I remember the performance of the trio
871
00:54:48,960 --> 00:54:55,160
he had written for me I was so looking
872
00:54:51,680 --> 00:54:55,160
forward to it
873
00:55:02,070 --> 00:55:05,199
[Music]
874
00:55:06,079 --> 00:55:09,440
in certain
875
00:55:07,480 --> 00:55:11,920
passages my dear
876
00:55:09,440 --> 00:55:14,400
friend pounded on the keys until the
877
00:55:11,920 --> 00:55:14,400
strings
878
00:55:14,559 --> 00:55:21,480
jangled and in others he played so
879
00:55:16,680 --> 00:55:23,520
softly that her groups of notes were
880
00:55:21,480 --> 00:55:26,520
omitted so the music became
881
00:55:23,520 --> 00:55:26,520
unintelligible
882
00:55:28,470 --> 00:55:33,530
[Laughter]
883
00:55:34,680 --> 00:55:41,210
please sign this call for our
884
00:55:38,000 --> 00:56:00,400
son give me your hand
885
00:55:41,210 --> 00:56:02,160
[Music]
886
00:56:00,400 --> 00:56:03,480
it is a great Misfortune for anyone to
887
00:56:02,160 --> 00:56:06,880
be
888
00:56:03,480 --> 00:56:10,559
deaf but how shall a musician endure it
889
00:56:06,880 --> 00:56:10,559
without giving way to
890
00:56:13,319 --> 00:56:19,079
despair I have found it necessary to add
891
00:56:15,839 --> 00:56:21,400
to my will that I by no means desire
892
00:56:19,079 --> 00:56:24,240
that my son be taken away from his
893
00:56:21,400 --> 00:56:26,440
mother but that he shall always remain
894
00:56:24,240 --> 00:56:28,319
with her
895
00:56:26,440 --> 00:56:32,760
to which end the guardianship of him is
896
00:56:28,319 --> 00:56:35,720
to be exercised by her as well as my
897
00:56:32,760 --> 00:56:37,990
brother God permit them to be harmonious
898
00:56:35,720 --> 00:56:48,280
for the sake of my child's
899
00:56:37,990 --> 00:56:51,400
[Music]
900
00:56:48,280 --> 00:56:54,810
welfare humiliated Beethoven never
901
00:56:51,400 --> 00:56:57,960
performed in public again
902
00:56:54,810 --> 00:57:00,960
[Music]
903
00:56:57,960 --> 00:57:00,960
call
904
00:57:01,000 --> 00:57:04,000
call
905
00:57:04,440 --> 00:57:09,720
call this is the last wish of the dying
906
00:57:07,480 --> 00:57:13,480
husband and
907
00:57:09,720 --> 00:57:13,480
brother Carl Van
908
00:57:16,280 --> 00:57:21,000
Beethoven with his brother's death
909
00:57:18,720 --> 00:57:23,839
Beethoven's incredibly productive and
910
00:57:21,000 --> 00:57:26,880
Innovative heroic period was
911
00:57:23,839 --> 00:57:29,000
over the next decade would be minated by
912
00:57:26,880 --> 00:57:32,599
a bitter custody battle with Yanna for
913
00:57:29,000 --> 00:57:35,240
his nephew Carl and a slow and agonizing
914
00:57:32,599 --> 00:57:38,440
descent into near total
915
00:57:35,240 --> 00:57:41,680
deafness but once again he would find a
916
00:57:38,440 --> 00:57:44,960
triumphantly defiant musical response by
917
00:57:41,680 --> 00:57:48,160
composing works so radical that even to
918
00:57:44,960 --> 00:57:52,839
our sophisticated and knowing ears they
919
00:57:48,160 --> 00:57:52,839
still have the power to amaz
920
00:57:54,950 --> 00:58:03,449
[Music]
921
00:58:04,160 --> 00:58:07,160
for
922
00:58:38,640 --> 00:58:42,200
and you can hear the hole of the piano
923
00:58:40,440 --> 00:58:44,760
conchetto number four as it would have
924
00:58:42,200 --> 00:58:49,680
sounded at its Premiere with Beethoven
925
00:58:44,760 --> 00:58:49,680
uncovered on BBC 4 now
62284
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