All language subtitles for 貝多芬的天才 The Genius of Beethoven _ 4K Remaster _ Part 2_ Love and Loss

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These are the user uploaded subtitles that are being translated: 1 00:00:01,940 --> 00:00:26,840 [Music] 2 00:00:23,720 --> 00:00:28,760 at the age of 35 ludvig van Beethoven 3 00:00:26,840 --> 00:00:32,229 had pulled himself back from the brink 4 00:00:28,760 --> 00:00:37,160 of suicide after realizing he was going 5 00:00:32,229 --> 00:00:40,160 [Music] 6 00:00:37,160 --> 00:00:43,000 down he came through the trauma with 7 00:00:40,160 --> 00:00:45,120 characteristic Defiance he was already 8 00:00:43,000 --> 00:00:47,840 one of the most celebrated composers in 9 00:00:45,120 --> 00:00:50,680 Europe and now embarked on a period of 10 00:00:47,840 --> 00:00:50,680 prodigious 11 00:00:56,199 --> 00:01:01,600 creativity I think the originality and 12 00:00:59,039 --> 00:01:04,239 diversity of the music he kept creating 13 00:01:01,600 --> 00:01:06,920 were a direct consequence of his battle 14 00:01:04,239 --> 00:01:08,640 against the physical odds it's almost as 15 00:01:06,920 --> 00:01:12,320 if he felt he was running out of time to 16 00:01:08,640 --> 00:01:14,680 express what it was he knew he had to 17 00:01:12,320 --> 00:01:16,400 express the biggest and most immediate 18 00:01:14,680 --> 00:01:19,799 challenge facing him was the writing of 19 00:01:16,400 --> 00:01:23,030 an opera the summit of ambition for any 20 00:01:19,799 --> 00:01:30,599 composure at this time 21 00:01:23,030 --> 00:01:30,599 [Music] 22 00:01:32,960 --> 00:01:40,450 [Music] 23 00:01:41,799 --> 00:01:47,600 Europe in the early 1800s was in chaos 24 00:01:45,520 --> 00:01:49,560 Napoleon's forces were sweeping across 25 00:01:47,600 --> 00:01:52,880 the continent recently occupying 26 00:01:49,560 --> 00:01:55,119 Beethoven's home city of Vienna although 27 00:01:52,880 --> 00:01:58,039 dismayed by this act of aggression the 28 00:01:55,119 --> 00:02:00,960 revolution's ideals of Freedom truth and 29 00:01:58,039 --> 00:02:03,520 equality resonated with Boven and within 30 00:02:00,960 --> 00:02:04,610 them he found inspiration for his Opera 31 00:02:03,520 --> 00:02:07,810 entitled 32 00:02:04,610 --> 00:02:10,110 [Music] 33 00:02:07,810 --> 00:02:12,400 [Applause] 34 00:02:10,110 --> 00:02:15,360 [Music] 35 00:02:12,400 --> 00:02:18,200 Leonora this is a work full of fari 36 00:02:15,360 --> 00:02:20,519 revolutionary fervor and idealism where 37 00:02:18,200 --> 00:02:23,239 freedom and Justice 38 00:02:20,519 --> 00:02:25,280 Triumph it's a rescue story and for the 39 00:02:23,239 --> 00:02:27,920 first time in operatic history it's a 40 00:02:25,280 --> 00:02:30,959 woman Leonora who becomes the story's 41 00:02:27,920 --> 00:02:35,480 Hero by rescuing her husband listan Who 42 00:02:30,959 --> 00:02:35,480 Lies imprisoned in a dungeon awaiting 43 00:02:39,500 --> 00:02:47,319 [Music] 44 00:02:44,920 --> 00:02:50,440 execution and while the Opera had been 45 00:02:47,319 --> 00:02:52,680 inspired by the revolution it also fell 46 00:02:50,440 --> 00:02:55,440 victim to 47 00:02:52,680 --> 00:02:56,959 it I yes the occupation had dire 48 00:02:55,440 --> 00:02:59,480 consequences for the 49 00:02:56,959 --> 00:03:02,040 Opera most of his friends and supporters 50 00:02:59,480 --> 00:03:03,680 had already left the city and the 51 00:03:02,040 --> 00:03:05,319 opening night audience was made up 52 00:03:03,680 --> 00:03:08,159 almost entirely of French 53 00:03:05,319 --> 00:03:09,720 officers unfortunately it was only under 54 00:03:08,159 --> 00:03:12,350 half 55 00:03:09,720 --> 00:03:16,319 full not good for 56 00:03:12,350 --> 00:03:18,200 [Music] 57 00:03:16,319 --> 00:03:20,000 business I wouldn't have missed the 58 00:03:18,200 --> 00:03:23,239 premiere of a new work by my great 59 00:03:20,000 --> 00:03:25,840 friend L also as a patron I had to be 60 00:03:23,239 --> 00:03:28,200 there but even disregarding the small 61 00:03:25,840 --> 00:03:30,760 audiences there were problems with the 62 00:03:28,200 --> 00:03:32,799 work itself 63 00:03:30,760 --> 00:03:35,360 it was too 64 00:03:32,799 --> 00:03:37,560 sophisticated too 65 00:03:35,360 --> 00:03:40,840 long and 66 00:03:37,560 --> 00:03:44,280 frankly it needed more 67 00:03:40,840 --> 00:03:47,360 drama after the performance to encourage 68 00:03:44,280 --> 00:03:49,080 ludvig I gathered some cast together to 69 00:03:47,360 --> 00:03:52,159 sing it 70 00:03:49,080 --> 00:03:54,040 through and to try to persuade him to 71 00:03:52,159 --> 00:03:57,840 Make Some 72 00:03:54,040 --> 00:04:00,879 Cuts Beethoven blamed the difficulties 73 00:03:57,840 --> 00:04:03,239 of the Opera entirely on the tenner who 74 00:04:00,879 --> 00:04:05,920 was playing the husband 75 00:04:03,239 --> 00:04:07,239 floristan personally I thought this a 76 00:04:05,920 --> 00:04:10,360 little 77 00:04:07,239 --> 00:04:12,360 unfair but I arranged for another to 78 00:04:10,360 --> 00:04:15,639 sing the 79 00:04:12,360 --> 00:04:19,440 [Music] 80 00:04:15,639 --> 00:04:21,680 part you've missed tea but that may make 81 00:04:19,440 --> 00:04:23,880 you sing the part of a starving man all 82 00:04:21,680 --> 00:04:23,880 the 83 00:04:24,300 --> 00:04:31,759 [Laughter] 84 00:04:27,479 --> 00:04:33,880 better let's start B Hoven was prone to 85 00:04:31,759 --> 00:04:36,960 passionate outbursts 86 00:04:33,880 --> 00:04:38,880 so I knew it would be a difficult 87 00:04:36,960 --> 00:04:40,880 evening 88 00:04:38,880 --> 00:04:53,290 flan 89 00:04:40,880 --> 00:04:53,290 [Music] 90 00:04:54,759 --> 00:04:59,720 flan 91 00:04:57,479 --> 00:05:01,639 excellent I shall have to see to it the 92 00:04:59,720 --> 00:05:05,639 you are starved before every performance 93 00:05:01,639 --> 00:05:06,360 and we shall be sure of a success H you 94 00:05:05,639 --> 00:05:09,800 see 95 00:05:06,360 --> 00:05:13,240 lowski every phrase is there for a 96 00:05:09,800 --> 00:05:16,800 reason yes I agree but that ARA is not 97 00:05:13,240 --> 00:05:18,360 the problem making an opera is not like 98 00:05:16,800 --> 00:05:21,600 choosing which waste coat to wear with a 99 00:05:18,360 --> 00:05:25,560 certain pair of britches it's more 100 00:05:21,600 --> 00:05:29,319 complicated than that please try to 101 00:05:25,560 --> 00:05:31,440 understand people want drama not just 102 00:05:29,319 --> 00:05:35,360 clever 103 00:05:31,440 --> 00:05:38,080 music the first two acts are just too 104 00:05:35,360 --> 00:05:42,319 long they can't be 105 00:05:38,080 --> 00:05:42,319 shortened ludig 106 00:05:43,600 --> 00:05:51,280 please for my sake for your friend 107 00:05:48,520 --> 00:05:54,319 sake please don't let this beautiful 108 00:05:51,280 --> 00:05:58,039 work be lost to the world simply because 109 00:05:54,319 --> 00:05:58,039 it needs some refining 110 00:06:00,039 --> 00:06:03,319 so you all agreed 111 00:06:03,520 --> 00:06:09,240 then well then I shall have to go back 112 00:06:06,919 --> 00:06:09,240 to the 113 00:06:10,120 --> 00:06:16,400 beginning take another look at 114 00:06:13,599 --> 00:06:19,080 it however however fled the dramatic 115 00:06:16,400 --> 00:06:22,440 structure of leanora was musically you 116 00:06:19,080 --> 00:06:25,039 can see in it many Beethoven Hallmarks 117 00:06:22,440 --> 00:06:27,319 in the are which Leonora herself sings 118 00:06:25,039 --> 00:06:29,960 he uses orchestral instruments for their 119 00:06:27,319 --> 00:06:32,680 symbolic effect the horns for instance 120 00:06:29,960 --> 00:06:34,319 are used in a completely new way 121 00:06:32,680 --> 00:06:37,560 traditionally they represent and 122 00:06:34,319 --> 00:06:40,319 accompany a male hero but here they're 123 00:06:37,560 --> 00:06:43,160 reserved for Leora and on one level they 124 00:06:40,319 --> 00:06:44,840 give her added power but on another the 125 00:06:43,160 --> 00:06:47,800 way that they're pushed and tested 126 00:06:44,840 --> 00:06:50,970 beyond their limits potently mirrors 127 00:06:47,800 --> 00:06:54,039 leonora's own trials 128 00:06:50,970 --> 00:06:54,039 [Applause] 129 00:06:54,840 --> 00:07:07,259 [Music] 130 00:07:19,910 --> 00:07:26,379 [Applause] 131 00:07:27,479 --> 00:07:30,479 Detro 132 00:07:33,350 --> 00:07:47,720 [Music] 133 00:07:45,240 --> 00:07:50,080 well I suppose the shortened work was a 134 00:07:47,720 --> 00:07:52,840 reasonable success but it made neither 135 00:07:50,080 --> 00:07:55,840 beeo nor my theater a huge amount of 136 00:07:52,840 --> 00:07:58,120 money it so damn 137 00:07:55,840 --> 00:08:00,280 stubborn idealistic you 138 00:07:58,120 --> 00:08:02,039 see I don't I think you could possibly 139 00:08:00,280 --> 00:08:04,159 have given me my right percentage just 140 00:08:02,039 --> 00:08:06,800 just well we can only pay you your 141 00:08:04,159 --> 00:08:09,960 agreed percentage ludvic please do count 142 00:08:06,800 --> 00:08:11,599 it again I don't mean to count it again 143 00:08:09,960 --> 00:08:14,440 I'm not 144 00:08:11,599 --> 00:08:16,639 stupid you are only paid this very 145 00:08:14,440 --> 00:08:19,720 generous amount 146 00:08:16,639 --> 00:08:21,479 generous you are paid this very generous 147 00:08:19,720 --> 00:08:24,479 percentage because we all hold you in 148 00:08:21,479 --> 00:08:29,720 the highest esteem but the fact remains 149 00:08:24,479 --> 00:08:32,200 ludvic the house was under half full 150 00:08:29,720 --> 00:08:34,000 now your music plays to a cultural 151 00:08:32,200 --> 00:08:38,399 audience of course yes it 152 00:08:34,000 --> 00:08:42,640 does but well take The Magic Flute for 153 00:08:38,399 --> 00:08:46,959 instance now that really did Rouse the 154 00:08:42,640 --> 00:08:49,880 multitude I don't compose for the 155 00:08:46,959 --> 00:08:51,640 multitude if we had paid her Mozart the 156 00:08:49,880 --> 00:08:53,480 same percentage of the receipts of his 157 00:08:51,640 --> 00:08:59,959 operas well he would have been a very 158 00:08:53,480 --> 00:08:59,959 rich man what are you saying nothing I 159 00:09:01,920 --> 00:09:05,240 I think you should raise your hair 160 00:09:03,399 --> 00:09:08,040 Mozart from the 161 00:09:05,240 --> 00:09:11,800 dead because the performances of this 162 00:09:08,040 --> 00:09:14,480 Opera are finished what do you mean I 163 00:09:11,800 --> 00:09:16,640 mean what I said I'm I look be pleas 164 00:09:14,480 --> 00:09:16,640 good 165 00:09:17,000 --> 00:09:23,079 day good 166 00:09:19,920 --> 00:09:25,440 God bethoven was true to his word and 167 00:09:23,079 --> 00:09:28,310 locked away the score of his Opera but 168 00:09:25,440 --> 00:09:31,399 he didn't forget it 169 00:09:28,310 --> 00:09:33,920 [Music] 170 00:09:31,399 --> 00:09:38,440 in Leonora he'd created the woman who 171 00:09:33,920 --> 00:09:38,440 perfectly embodied Fidelity and 172 00:09:40,200 --> 00:09:45,279 Womanhood but in real life she was much 173 00:09:42,760 --> 00:09:45,279 harder to 174 00:09:46,279 --> 00:09:52,040 find ha Beethoven had a great liking for 175 00:09:49,360 --> 00:09:55,760 female Society if ever he saw a Charming 176 00:09:52,040 --> 00:09:57,880 face we would often share a knowing look 177 00:09:55,760 --> 00:09:59,920 he was always falling in love usually 178 00:09:57,880 --> 00:10:02,200 with his piano students but generally 179 00:09:59,920 --> 00:10:06,040 the passion did not last long and of 180 00:10:02,200 --> 00:10:09,120 course often they were already spoken 181 00:10:06,040 --> 00:10:14,120 for but that didn't stop him 182 00:10:09,120 --> 00:10:18,279 hoping finding a wife the perfect 183 00:10:14,120 --> 00:10:18,279 wife was very important to 184 00:10:18,399 --> 00:10:24,240 him oh beloved 185 00:10:21,720 --> 00:10:28,320 Josephina it is no desire for the 186 00:10:24,240 --> 00:10:32,800 opposite sex that draws me to you 187 00:10:28,320 --> 00:10:35,880 no it's just you your whole self with 188 00:10:32,800 --> 00:10:40,600 all your individual qualities this has 189 00:10:35,880 --> 00:10:43,079 bound all my feelings all my emotional 190 00:10:40,600 --> 00:10:45,600 power to 191 00:10:43,079 --> 00:10:48,079 you one of the piano students bethoven 192 00:10:45,600 --> 00:10:51,200 fell in love with was Countess Josephina 193 00:10:48,079 --> 00:10:53,720 Dem a widow and mother of 194 00:10:51,200 --> 00:10:55,720 four my parents arranged my betrayed 195 00:10:53,720 --> 00:10:58,600 count Dem he died just before I had my 196 00:10:55,720 --> 00:11:00,079 fourth child B often used to come to our 197 00:10:58,600 --> 00:11:04,800 house 198 00:11:00,079 --> 00:11:04,800 and after I saw my own we became very 199 00:11:06,760 --> 00:11:14,560 close I can't deny it I loved being with 200 00:11:11,720 --> 00:11:17,920 him his music was so 201 00:11:14,560 --> 00:11:21,560 powerful it could cheer me up or make me 202 00:11:17,920 --> 00:11:23,720 cry and he was a kind man and good with 203 00:11:21,560 --> 00:11:23,720 my 204 00:11:23,800 --> 00:11:31,050 children but is to anything more 205 00:11:27,720 --> 00:11:54,650 permanent that was different 206 00:11:31,050 --> 00:11:54,650 [Music] 207 00:11:55,440 --> 00:11:59,360 it's beautiful look big 208 00:12:04,360 --> 00:12:07,959 have you had a chance to think about my 209 00:12:14,160 --> 00:12:18,720 proposal do you not enjoy my company you 210 00:12:16,839 --> 00:12:23,440 know I 211 00:12:18,720 --> 00:12:25,399 do do you not enjoy your lessons yes of 212 00:12:23,440 --> 00:12:29,399 course and I have the greatest respect 213 00:12:25,399 --> 00:12:29,399 and admiration for you 214 00:12:29,639 --> 00:12:33,320 I 215 00:12:31,240 --> 00:12:36,320 see 216 00:12:33,320 --> 00:12:36,320 respect 217 00:12:37,240 --> 00:12:42,120 admiration and not 218 00:12:40,160 --> 00:12:44,040 love 219 00:12:42,120 --> 00:12:46,880 yes 220 00:12:44,040 --> 00:12:49,160 no 221 00:12:46,880 --> 00:12:52,399 but I have my 222 00:12:49,160 --> 00:12:54,680 position my my children to think 223 00:12:52,399 --> 00:12:59,360 of how we'd 224 00:12:54,680 --> 00:12:59,360 live these things cost money 225 00:12:59,920 --> 00:13:05,399 I 226 00:13:02,199 --> 00:13:05,399 understand I 227 00:13:08,480 --> 00:13:13,880 do 228 00:13:10,360 --> 00:13:13,880 me a mere 229 00:13:15,240 --> 00:13:24,450 musician a musician who's going 230 00:13:18,530 --> 00:13:24,450 [Music] 231 00:13:25,320 --> 00:13:30,519 deaf cantis stem's refusal to marry 232 00:13:28,360 --> 00:13:33,320 dealt a crushing blow to Beethoven's 233 00:13:30,519 --> 00:13:35,240 hopes of Finding Love and Marriage Not 234 00:13:33,320 --> 00:13:37,399 only was his increasing deafness 235 00:13:35,240 --> 00:13:39,920 isolating him but his uncertain 236 00:13:37,399 --> 00:13:43,279 financial status was also becoming an 237 00:13:39,920 --> 00:13:43,279 impediment to finding 238 00:13:43,500 --> 00:13:49,460 [Music] 239 00:13:52,320 --> 00:13:58,120 happiness at the time of his great 240 00:13:55,320 --> 00:13:59,959 disappointment with yoshina Dem his 241 00:13:58,120 --> 00:14:02,839 brother Carl seemed to find real 242 00:13:59,959 --> 00:14:04,560 happiness in love but Beethoven could 243 00:14:02,839 --> 00:14:06,880 never accept Carl's 244 00:14:04,560 --> 00:14:10,600 choice and he did like to see himself 245 00:14:06,880 --> 00:14:10,600 the Arbiter in all questions of 246 00:14:11,759 --> 00:14:14,759 morality 247 00:14:21,560 --> 00:14:26,440 bra 248 00:14:23,560 --> 00:14:29,639 so it's true 249 00:14:26,440 --> 00:14:32,360 then yes 250 00:14:29,639 --> 00:14:32,360 we are to be 251 00:14:36,440 --> 00:14:43,000 married with all your distractions 252 00:14:40,560 --> 00:14:44,399 I I should need to find someone else to 253 00:14:43,000 --> 00:14:48,759 look after my 254 00:14:44,399 --> 00:14:48,759 Affairs no I can still 255 00:14:49,120 --> 00:14:54,800 work Johanna is expecting our first 256 00:14:52,279 --> 00:14:57,040 child so I 257 00:14:54,800 --> 00:14:59,320 need out of 258 00:14:57,040 --> 00:15:00,240 wedlock a splendid work for brother 259 00:14:59,320 --> 00:15:04,360 that's 260 00:15:00,240 --> 00:15:07,720 just Splendid and true to 261 00:15:04,360 --> 00:15:10,920 form and as for you 262 00:15:07,720 --> 00:15:14,399 lady I know 263 00:15:10,920 --> 00:15:16,759 you and so does all 264 00:15:14,399 --> 00:15:18,759 Vienna oh yes that's 265 00:15:16,759 --> 00:15:20,920 right nothing is ever good enough for 266 00:15:18,759 --> 00:15:23,399 the high and mighty 267 00:15:20,920 --> 00:15:28,079 Beethoven or is it that you can't bear 268 00:15:23,399 --> 00:15:28,079 to see somebody else being happy 269 00:15:29,079 --> 00:15:31,360 go 270 00:15:35,399 --> 00:15:43,279 out why knew him to be an unpredictable 271 00:15:40,319 --> 00:15:46,319 man it is said men with great gifts have 272 00:15:43,279 --> 00:15:48,759 little time for pleasantries but what 273 00:15:46,319 --> 00:15:51,279 had I done to deserve such 274 00:15:48,759 --> 00:15:53,639 harshness and treating Carl his brother 275 00:15:51,279 --> 00:15:53,639 like an 276 00:15:54,920 --> 00:16:00,680 enemy perhaps I was not as fine a lady 277 00:15:59,000 --> 00:16:02,639 lady as the great composer was used to 278 00:16:00,680 --> 00:16:07,680 sharing company 279 00:16:02,639 --> 00:16:07,680 with he made my head spin with his 280 00:16:10,319 --> 00:16:15,199 insinuations bethoven was intolerant of 281 00:16:13,120 --> 00:16:18,639 those who didn't live up to his own high 282 00:16:15,199 --> 00:16:21,079 moral standards unable to reconcile real 283 00:16:18,639 --> 00:16:24,360 people real desires with his own 284 00:16:21,079 --> 00:16:24,360 idealized vision of 285 00:16:25,519 --> 00:16:30,440 women quite a beauty isn't she 286 00:16:40,399 --> 00:16:45,639 misunderstood and frustrated bethoven 287 00:16:43,079 --> 00:16:48,880 consistently felt isolated from those 288 00:16:45,639 --> 00:16:52,160 around him at exactly this time there's 289 00:16:48,880 --> 00:16:54,720 a typical example of how consciously or 290 00:16:52,160 --> 00:16:57,319 subconsciously the tensions in his life 291 00:16:54,720 --> 00:17:00,680 found expression and release in his 292 00:16:57,319 --> 00:17:02,680 music he was writing a new Piano Sonata 293 00:17:00,680 --> 00:17:06,190 which became known as the 294 00:17:02,680 --> 00:17:13,439 apassionata its title tells you 295 00:17:06,190 --> 00:17:16,480 [Music] 296 00:17:13,439 --> 00:17:19,600 everything this is music of violent rage 297 00:17:16,480 --> 00:17:22,439 tragedy and despair this Sonata finds 298 00:17:19,600 --> 00:17:25,439 Beethoven in the depths of human 299 00:17:22,439 --> 00:17:27,959 suffering the passion and turmoil caused 300 00:17:25,439 --> 00:17:29,840 by his failed love affair with yosina 301 00:17:27,959 --> 00:17:32,080 and his ambivalent feelings towards his 302 00:17:29,840 --> 00:17:34,720 brother's happiness are woven into the 303 00:17:32,080 --> 00:17:39,440 very fabric of this music which starts 304 00:17:34,720 --> 00:17:45,960 Darkly at the lower register of the 305 00:17:39,440 --> 00:17:48,840 [Music] 306 00:17:45,960 --> 00:17:51,240 keyboard now like in so much Beethoven 307 00:17:48,840 --> 00:17:53,280 this theme is built around a broken 308 00:17:51,240 --> 00:17:57,799 chord this is a 309 00:17:53,280 --> 00:17:57,799 chord here it is broken 310 00:17:59,280 --> 00:18:03,520 then after this Darkness you get a 311 00:18:01,240 --> 00:18:04,960 moment of poignant respite an 312 00:18:03,520 --> 00:18:08,400 acknowledgement perhaps of his 313 00:18:04,960 --> 00:18:09,530 inexorable Spirit he's bruised but he's 314 00:18:08,400 --> 00:18:12,240 not 315 00:18:09,530 --> 00:18:14,480 [Music] 316 00:18:12,240 --> 00:18:17,830 beaten from there he cranks it up a 317 00:18:14,480 --> 00:18:26,440 notch upper semmit tone raising the 318 00:18:17,830 --> 00:18:29,960 [Music] 319 00:18:26,440 --> 00:18:31,090 tension now he explores that fragment 320 00:18:29,960 --> 00:18:34,310 [Music] 321 00:18:31,090 --> 00:18:34,310 [Applause] 322 00:18:34,640 --> 00:18:40,400 recognize that the Fifth Symphony 323 00:18:37,919 --> 00:18:43,720 Motif which crops up again and again 324 00:18:40,400 --> 00:18:43,720 throughout Beethoven's 325 00:18:44,740 --> 00:18:54,370 [Music] 326 00:18:53,770 --> 00:18:57,460 [Applause] 327 00:18:54,370 --> 00:18:57,460 [Music] 328 00:18:57,720 --> 00:19:03,240 compositions Darkness misery 329 00:19:00,679 --> 00:19:06,039 introspection but 330 00:19:03,240 --> 00:19:08,640 determination B same with this piece I'm 331 00:19:06,039 --> 00:19:11,240 still here this is my inner core and I'm 332 00:19:08,640 --> 00:19:13,320 not ashamed to show it to you the 333 00:19:11,240 --> 00:19:15,880 tension between this Despair and his 334 00:19:13,320 --> 00:19:17,960 innate musical strength light a touch 335 00:19:15,880 --> 00:19:19,240 paper so that the piece suddenly 336 00:19:17,960 --> 00:19:28,869 explodes 337 00:19:19,240 --> 00:19:28,869 [Music] 338 00:19:31,000 --> 00:19:37,000 the mood he creates of sheer desperation 339 00:19:33,720 --> 00:19:40,510 and determination is imprinted on every 340 00:19:37,000 --> 00:19:56,109 bar of this first movement 341 00:19:40,510 --> 00:19:56,109 [Music] 342 00:20:01,960 --> 00:20:08,039 the passionata was created in stormy 343 00:20:04,760 --> 00:20:10,919 political times Austria was still under 344 00:20:08,039 --> 00:20:13,320 French occupation despite the political 345 00:20:10,919 --> 00:20:16,080 uncertainty Beethoven's reputation was 346 00:20:13,320 --> 00:20:18,400 growing and Wealthy patrons gravitated 347 00:20:16,080 --> 00:20:21,400 to him because of his increasing 348 00:20:18,400 --> 00:20:23,760 celebrity in Prince leowski he thought 349 00:20:21,400 --> 00:20:26,919 he'd found someone who understood his 350 00:20:23,760 --> 00:20:29,400 uncompromising artistic Vision the whole 351 00:20:26,919 --> 00:20:31,240 region was in chaos 352 00:20:29,400 --> 00:20:33,280 there were troops everywhere one had to 353 00:20:31,240 --> 00:20:35,640 make one's life as comfortable as 354 00:20:33,280 --> 00:20:38,120 possible and if that meant spending the 355 00:20:35,640 --> 00:20:41,200 odd evening entertaining some French 356 00:20:38,120 --> 00:20:43,880 officers then that's what one 357 00:20:41,200 --> 00:20:47,559 did some of them were actually very 358 00:20:43,880 --> 00:20:49,080 cultured and even loved 359 00:20:47,559 --> 00:20:51,360 music 360 00:20:49,080 --> 00:20:54,120 obviously they were very interested to 361 00:20:51,360 --> 00:20:56,240 hear of my support of my great 362 00:20:54,120 --> 00:21:00,240 friend there are 363 00:20:56,240 --> 00:21:00,240 um l 364 00:21:00,280 --> 00:21:04,880 come in but come and join 365 00:21:05,840 --> 00:21:10,280 us I'd like you to meet my 366 00:21:18,400 --> 00:21:22,880 friends we never stop moving you never 367 00:21:21,320 --> 00:21:26,039 know the next time you'll feel clean 368 00:21:22,880 --> 00:21:29,039 sheets or a comfortable bed and that is 369 00:21:26,039 --> 00:21:34,600 until we stay here gentlemen 370 00:21:29,039 --> 00:21:34,600 I propose a toast to our host 371 00:21:36,679 --> 00:21:42,840 our thank you well I hope I can make 372 00:21:40,559 --> 00:21:46,720 your stay all the better by persuading 373 00:21:42,840 --> 00:21:49,440 our guest of honor here ludvic van Boven 374 00:21:46,720 --> 00:21:52,440 to play for 375 00:21:49,440 --> 00:21:52,440 us 376 00:21:53,520 --> 00:21:59,960 I I'm very 377 00:21:55,760 --> 00:22:00,799 tired I better go to bed 378 00:21:59,960 --> 00:22:03,360 it's 379 00:22:00,799 --> 00:22:06,200 early I have a very busy day 380 00:22:03,360 --> 00:22:10,279 tomorrow lot to 381 00:22:06,200 --> 00:22:11,360 do B Heaven please you would honor us 382 00:22:10,279 --> 00:22:13,960 with your 383 00:22:11,360 --> 00:22:19,400 playing 384 00:22:13,960 --> 00:22:22,120 play play play play play play play play 385 00:22:19,400 --> 00:22:25,679 play play play play play another 386 00:22:22,120 --> 00:22:25,679 performing s 387 00:22:31,039 --> 00:22:36,799 he may not be a performing seal but he's 388 00:22:33,960 --> 00:22:39,640 certainly a rhyland pig perhaps we 389 00:22:36,799 --> 00:22:39,640 should arrest him 390 00:22:42,000 --> 00:22:47,240 gentlemen I doubt if any of you swine 391 00:22:45,559 --> 00:22:48,799 would know what a piano keyboard look 392 00:22:47,240 --> 00:22:51,080 like if it was blown or two from the end 393 00:22:48,799 --> 00:22:51,080 of a 394 00:22:53,120 --> 00:22:59,840 can I will not play for you 395 00:23:02,240 --> 00:23:08,400 now will I play for your 396 00:23:05,400 --> 00:23:08,400 Emperor 397 00:23:16,360 --> 00:23:22,919 Napoleon can't your guest take a 398 00:23:19,360 --> 00:23:28,159 joke such is the nature of the artistic 399 00:23:22,919 --> 00:23:28,159 mind gentlemen if you'll excuse me 400 00:23:28,760 --> 00:23:33,120 what are you doing where are you going 401 00:23:30,760 --> 00:23:37,120 at this time of 402 00:23:33,120 --> 00:23:37,120 night lri 403 00:23:37,600 --> 00:23:42,600 please there are and there always will 404 00:23:40,120 --> 00:23:47,360 be thousands of princes but there's only 405 00:23:42,600 --> 00:23:51,440 one be then what about your new word the 406 00:23:47,360 --> 00:23:51,440 manuscript will be rued 407 00:24:02,760 --> 00:24:07,369 [Music] 408 00:24:14,600 --> 00:24:18,840 to this day the rain streaks from that 409 00:24:17,039 --> 00:24:22,520 night can still be seen on the 410 00:24:18,840 --> 00:24:22,520 apassionata manuscript 411 00:24:26,400 --> 00:24:29,549 [Music] 412 00:24:32,880 --> 00:24:38,720 sir sir this note right for 413 00:24:44,480 --> 00:24:49,000 you dear 414 00:24:46,320 --> 00:24:51,480 ludvig I wanted you to know I have great 415 00:24:49,000 --> 00:24:55,159 news Johanna has given me a beautiful 416 00:24:51,480 --> 00:24:59,559 son Carl the 417 00:24:55,159 --> 00:24:59,559 boy it's a new bethoven 418 00:25:03,600 --> 00:25:08,200 H I hope you will visit and see your 419 00:25:05,880 --> 00:25:08,200 nephew 420 00:25:08,520 --> 00:25:12,679 soon Beethoven refused to see his 421 00:25:11,320 --> 00:25:15,960 newborn 422 00:25:12,679 --> 00:25:18,640 nephew once again his impossibly high 423 00:25:15,960 --> 00:25:20,520 and unrealistic moral standards short 424 00:25:18,640 --> 00:25:23,480 circuited his natural 425 00:25:20,520 --> 00:25:25,360 feelings for him Yanna was simply not a 426 00:25:23,480 --> 00:25:27,799 good enough mother for the Beethoven 427 00:25:25,360 --> 00:25:29,760 family and therefore he couldn't visit 428 00:25:27,799 --> 00:25:31,880 them in fact he didn't see his new 429 00:25:29,760 --> 00:25:34,559 nephew for eight 430 00:25:31,880 --> 00:25:36,360 years in the meantime I think he found 431 00:25:34,559 --> 00:25:38,320 an emotional substitute in his 432 00:25:36,360 --> 00:25:40,960 relationship with the teenage Arch Duke 433 00:25:38,320 --> 00:25:43,910 Rudolph who was himself a talented 434 00:25:40,960 --> 00:25:54,600 musician and who became his new 435 00:25:43,910 --> 00:25:58,880 [Music] 436 00:25:54,600 --> 00:25:58,880 Patron so big 437 00:25:59,200 --> 00:26:02,600 hello 438 00:26:01,000 --> 00:26:07,159 big 439 00:26:02,600 --> 00:26:07,159 yeah I've been wanting to ask for some 440 00:26:08,320 --> 00:26:12,279 time I'm intrigued by your 441 00:26:13,679 --> 00:26:20,679 methods please do not think me rude 442 00:26:17,200 --> 00:26:23,000 but with your hearing difficulties how 443 00:26:20,679 --> 00:26:23,000 do you 444 00:26:26,600 --> 00:26:31,919 compose I'm sorry that was out of 445 00:26:29,600 --> 00:26:35,240 place 446 00:26:31,919 --> 00:26:36,520 that's I know there's much curiosity 447 00:26:35,240 --> 00:26:41,559 about 448 00:26:36,520 --> 00:26:41,559 me much titl tattle 449 00:26:42,919 --> 00:26:47,640 huh it's true many of the high notes are 450 00:26:45,559 --> 00:26:51,279 lost to 451 00:26:47,640 --> 00:26:51,279 me and sometimes 452 00:26:51,480 --> 00:26:56,120 more both good days and bad days and it 453 00:26:54,000 --> 00:26:57,240 did doesn't affect me though as you 454 00:26:56,120 --> 00:27:00,840 might 455 00:26:57,240 --> 00:27:02,799 think you see all of the music that I 456 00:27:00,840 --> 00:27:06,240 write I can 457 00:27:02,799 --> 00:27:06,240 hear in my 458 00:27:09,440 --> 00:27:13,399 mind I know the sounds that every 459 00:27:11,600 --> 00:27:17,039 instrument can 460 00:27:13,399 --> 00:27:18,919 make I can hear them all in a trio 461 00:27:17,039 --> 00:27:21,080 quartet Orchestra 462 00:27:18,919 --> 00:27:24,600 it's it's all 463 00:27:21,080 --> 00:27:29,039 there it's all 464 00:27:24,600 --> 00:27:29,039 there and my head 465 00:27:30,440 --> 00:27:34,240 one of the pieces that beome was working 466 00:27:32,080 --> 00:27:36,559 on during this time was his pastoral 467 00:27:34,240 --> 00:27:39,080 symphony music which does I think 468 00:27:36,559 --> 00:27:41,519 Express his deepest sense of loss for 469 00:27:39,080 --> 00:27:44,880 the sounds of nature that he'd soon not 470 00:27:41,519 --> 00:27:46,880 be able to hear the countryside for so 471 00:27:44,880 --> 00:27:49,440 many 19th century composers a source of 472 00:27:46,880 --> 00:27:52,810 inspiration was for Beethoven a place 473 00:27:49,440 --> 00:28:02,130 where man could encounter God 474 00:27:52,810 --> 00:28:04,640 [Music] 475 00:28:02,130 --> 00:28:06,519 [Applause] 476 00:28:04,640 --> 00:28:08,600 although large public orchestral 477 00:28:06,519 --> 00:28:11,480 concerts were rare in the early 19th 478 00:28:08,600 --> 00:28:14,440 century Beethoven's Fame secured him a 479 00:28:11,480 --> 00:28:16,120 night in Vienna's most popular theater 480 00:28:14,440 --> 00:28:19,200 just before Christmas 481 00:28:16,120 --> 00:28:22,159 1808 even today this concert seems like 482 00:28:19,200 --> 00:28:24,399 an extraordinary event just imagine 483 00:28:22,159 --> 00:28:27,440 being present at the public premiere of 484 00:28:24,399 --> 00:28:29,960 five major Boven Works including the 485 00:28:27,440 --> 00:28:32,240 Fifth Symphony pastoral symphony the 486 00:28:29,960 --> 00:28:35,440 fourth piano conto some of the most 487 00:28:32,240 --> 00:28:37,399 famous music in history for Beethoven 488 00:28:35,440 --> 00:28:40,000 the concert was an important personal 489 00:28:37,399 --> 00:28:42,799 statement he was saying just look at 490 00:28:40,000 --> 00:28:45,519 what I'm capable of the whole of Vienna 491 00:28:42,799 --> 00:28:47,200 wanted to see how he had refine his gift 492 00:28:45,519 --> 00:28:49,279 and of course they wanted to see the 493 00:28:47,200 --> 00:28:51,480 famous Boven 494 00:28:49,279 --> 00:28:54,519 himself well he realized that this 495 00:28:51,480 --> 00:28:56,399 concert was very important for his 496 00:28:54,519 --> 00:28:59,159 reputation and for his financial 497 00:28:56,399 --> 00:29:01,399 situation as well 498 00:28:59,159 --> 00:29:04,039 Boven decided to start the concert with 499 00:29:01,399 --> 00:29:06,440 the pastoral symphony it was his way of 500 00:29:04,039 --> 00:29:08,120 easing the audience into an evening 501 00:29:06,440 --> 00:29:10,559 which would become increasingly 502 00:29:08,120 --> 00:29:12,880 challenging challenging not just for the 503 00:29:10,559 --> 00:29:15,279 concert goer but for the orchestra as 504 00:29:12,880 --> 00:29:17,799 well with just one rehearsal for the 505 00:29:15,279 --> 00:29:21,440 musicians to learn the music the tension 506 00:29:17,799 --> 00:29:21,440 before the concert was 507 00:29:23,120 --> 00:29:29,279 palpable stop 508 00:29:26,080 --> 00:29:31,519 stop is it 509 00:29:29,279 --> 00:29:31,519 what's 510 00:29:31,640 --> 00:29:36,720 wrong what's the matter what marking 511 00:29:33,799 --> 00:29:36,720 have you got here why have you 512 00:29:39,440 --> 00:29:44,010 stopped really SI for 513 00:29:42,640 --> 00:29:45,559 you come 514 00:29:44,010 --> 00:29:49,120 [Music] 515 00:29:45,559 --> 00:29:49,120 on I know it's 516 00:29:49,320 --> 00:29:55,000 early 517 00:29:51,760 --> 00:29:58,640 again well he didn't make it easier for 518 00:29:55,000 --> 00:29:58,640 himself or others 519 00:29:59,010 --> 00:30:03,640 [Music] 520 00:30:00,200 --> 00:30:04,919 why have you stopped what's wrong with 521 00:30:03,640 --> 00:30:08,159 you 522 00:30:04,919 --> 00:30:10,279 people bov's conducting style was so 523 00:30:08,159 --> 00:30:12,120 wild and hard to follow and he was so 524 00:30:10,279 --> 00:30:14,000 demanding that eventually the orchestra 525 00:30:12,120 --> 00:30:16,880 refused to play if he was 526 00:30:14,000 --> 00:30:20,279 present was left the unfortunate Rees to 527 00:30:16,880 --> 00:30:20,279 act as goet 528 00:30:21,700 --> 00:30:30,660 [Music] 529 00:30:33,160 --> 00:30:35,680 [Music] 530 00:30:34,870 --> 00:30:44,440 [Applause] 531 00:30:35,680 --> 00:30:44,440 [Music] 532 00:30:48,390 --> 00:30:51,630 [Music] 533 00:30:57,240 --> 00:31:06,790 h 534 00:30:58,560 --> 00:31:06,790 [Music] 535 00:31:13,200 --> 00:31:16,200 now 536 00:31:19,040 --> 00:31:22,150 [Applause] 537 00:31:29,799 --> 00:31:37,639 sir they say there is too 538 00:31:33,200 --> 00:31:41,200 much there is so much new work and it 539 00:31:37,639 --> 00:31:41,200 is too 540 00:31:41,360 --> 00:31:46,559 difficult bethoven you know we only have 541 00:31:43,760 --> 00:31:49,000 one rehearsal and the orchestra are 542 00:31:46,559 --> 00:31:49,000 merely 543 00:31:49,039 --> 00:31:58,240 human just tell them to play 544 00:31:52,799 --> 00:31:58,240 it exactly as I have written it 545 00:32:04,799 --> 00:32:08,440 the orchestra eventually got through the 546 00:32:06,919 --> 00:32:10,720 enormous repertoire planned for the 547 00:32:08,440 --> 00:32:12,919 concert and on a freezing cold December 548 00:32:10,720 --> 00:32:16,320 evening hundreds of people flocked to an 549 00:32:12,919 --> 00:32:20,600 unheated venes theater to see and hear 550 00:32:16,320 --> 00:32:31,600 the city's most famous resident 551 00:32:20,600 --> 00:32:33,440 [Music] 552 00:32:31,600 --> 00:32:36,080 after the evocative lyricism of the 553 00:32:33,440 --> 00:32:38,000 pastoral symphony Beethoven assaulted 554 00:32:36,080 --> 00:32:40,519 his audience with the violent Fifth 555 00:32:38,000 --> 00:32:41,880 Symphony a kind of electric shock 556 00:32:40,519 --> 00:33:14,729 therapy 557 00:32:41,880 --> 00:33:14,729 [Music] 558 00:33:19,800 --> 00:33:22,900 [Music] 559 00:33:24,240 --> 00:33:29,080 starting with those four powerful notes 560 00:33:29,519 --> 00:33:34,559 The Fifth Symphony is really an exercise 561 00:33:31,480 --> 00:33:36,799 in compression in St contrast to the 562 00:33:34,559 --> 00:33:40,320 sixth Symphony the pastal which takes 563 00:33:36,799 --> 00:33:40,320 the same opening rhythmic 564 00:33:41,880 --> 00:33:47,039 fragment and expands it it's interesting 565 00:33:44,960 --> 00:33:48,799 to look at these two Symphonies side by 566 00:33:47,039 --> 00:33:51,399 side and that's how bethoven saw them 567 00:33:48,799 --> 00:33:55,080 very much as a pair and where the sixth 568 00:33:51,399 --> 00:33:58,679 symphony is lyrical and expansive The 569 00:33:55,080 --> 00:34:01,440 Fifth Symphony is brutal and compact act 570 00:33:58,679 --> 00:34:03,480 and lacking in any obvious Melody and 571 00:34:01,440 --> 00:34:05,799 unlike any Symphony that had gone before 572 00:34:03,480 --> 00:34:09,079 the whole piece is one through line 573 00:34:05,799 --> 00:34:10,720 towards the exultant finale Beethoven 574 00:34:09,079 --> 00:34:12,720 uses a variety of musical devices to 575 00:34:10,720 --> 00:34:15,200 bring about this tremendous sense of 576 00:34:12,720 --> 00:34:17,879 climax but none more so than the use of 577 00:34:15,200 --> 00:34:20,159 that opening rhythmic device it's 578 00:34:17,879 --> 00:34:22,679 everywhere and in fact it pervades his 579 00:34:20,159 --> 00:34:24,919 entire compositional 580 00:34:22,679 --> 00:34:27,320 output near the end of the third 581 00:34:24,919 --> 00:34:29,919 movement of the scat so Beethoven strips 582 00:34:27,320 --> 00:34:32,320 the music music right back the timony 583 00:34:29,919 --> 00:34:35,079 just keeping that rhythmic cell ticking 584 00:34:32,320 --> 00:34:37,639 away and it's out of this sparse sound 585 00:34:35,079 --> 00:34:40,760 world that the Fourth Movement erupts 586 00:34:37,639 --> 00:34:42,879 pushing decibel levels to new heights 587 00:34:40,760 --> 00:34:44,639 you hear Piccolo and trombones for the 588 00:34:42,879 --> 00:34:46,960 first time in a symphony and the whole 589 00:34:44,639 --> 00:34:49,240 Orchestra explodes in this climactic 590 00:34:46,960 --> 00:34:52,919 finale where bethoven is taking us from 591 00:34:49,240 --> 00:34:54,639 minor to Major from Darkness to a blaze 592 00:34:52,919 --> 00:35:02,729 of light 593 00:34:54,639 --> 00:35:02,729 [Music] 594 00:35:26,640 --> 00:35:30,680 a e 595 00:36:04,119 --> 00:36:09,839 of the piano in a conto invariably the 596 00:36:07,720 --> 00:36:12,119 orchestra would lead before creating 597 00:36:09,839 --> 00:36:14,920 space for the piano but Beethoven turns 598 00:36:12,119 --> 00:36:17,280 this on its head starting with a solo 599 00:36:14,920 --> 00:36:19,720 piano and not only that he starts 600 00:36:17,280 --> 00:36:22,160 tentatively almost in the manner of an 601 00:36:19,720 --> 00:36:25,119 improvisation it's a very introverted 602 00:36:22,160 --> 00:36:26,770 beginning the antithesis of the grand 603 00:36:25,119 --> 00:36:43,980 gesture 604 00:36:26,770 --> 00:36:43,980 [Music] 605 00:36:44,040 --> 00:36:49,480 Fifth Symphony fourth piano conchetto 606 00:36:46,319 --> 00:36:49,480 invariably it's somewhere 607 00:36:49,920 --> 00:36:54,839 close with this strange beginning 608 00:36:52,280 --> 00:36:56,800 Beethoven is starting a conversation or 609 00:36:54,839 --> 00:36:59,920 even a set of negotiations where the 610 00:36:56,800 --> 00:37:02,359 piano is attempting to dictate terms to 611 00:36:59,920 --> 00:37:04,240 the orchestra the tension between the 612 00:37:02,359 --> 00:37:06,000 two is there right from the start the 613 00:37:04,240 --> 00:37:08,960 orchestra come in in a key which is 614 00:37:06,000 --> 00:37:11,440 completely foreign to the piano so much 615 00:37:08,960 --> 00:37:13,340 of the time this is conversation through 616 00:37:11,440 --> 00:37:26,890 Discord 617 00:37:13,340 --> 00:37:26,890 [Music] 618 00:37:27,839 --> 00:38:02,719 the 619 00:37:30,000 --> 00:38:02,719 [Music] 620 00:38:06,340 --> 00:38:09,429 [Music] 621 00:38:17,800 --> 00:38:21,839 the tension becomes much more pronounced 622 00:38:20,040 --> 00:38:23,839 in the second movement where the 623 00:38:21,839 --> 00:38:25,800 orchestra and the soloists are 624 00:38:23,839 --> 00:38:28,920 determined not to engage with each other 625 00:38:25,800 --> 00:38:31,660 they're almost in gridlock two utterly 626 00:38:28,920 --> 00:39:10,439 alien musics at work 627 00:38:31,660 --> 00:39:10,439 [Music] 628 00:39:13,520 --> 00:39:18,119 when the piano finally breaks out it 629 00:39:15,680 --> 00:39:20,280 does so in a very unusual way sounding 630 00:39:18,119 --> 00:39:23,000 almost unlike anything which has gone 631 00:39:20,280 --> 00:39:25,960 before and now the gulf between soloist 632 00:39:23,000 --> 00:39:27,440 and Orchestra seems almost unbridgeable 633 00:39:25,960 --> 00:39:30,320 you might expect the orchestra to just 634 00:39:27,440 --> 00:39:34,720 stand up and leave the room 635 00:39:30,320 --> 00:39:46,449 [Music] 636 00:39:34,720 --> 00:39:46,449 [Applause] 637 00:39:49,330 --> 00:40:01,440 [Music] 638 00:39:59,160 --> 00:40:04,280 eventually though Beethoven brings about 639 00:40:01,440 --> 00:40:06,319 resolution and Reconciliation the piano 640 00:40:04,280 --> 00:40:09,839 and the orchestra unite to allow for the 641 00:40:06,319 --> 00:40:11,800 catharus of the last movement the piano 642 00:40:09,839 --> 00:40:14,240 has mollified the orchestra the 643 00:40:11,800 --> 00:40:16,440 individual voice has soothed the masses 644 00:40:14,240 --> 00:40:20,359 and Beethoven's violent instincts have 645 00:40:16,440 --> 00:40:22,640 been tempered by his compassionate will 646 00:40:20,359 --> 00:40:24,290 it's a very accurate self-portrait in 647 00:40:22,640 --> 00:40:35,979 music 648 00:40:24,290 --> 00:40:35,979 [Music] 649 00:40:41,650 --> 00:40:53,019 [Music] 650 00:40:49,730 --> 00:40:53,019 [Applause] 651 00:40:56,079 --> 00:41:01,240 the success of this concert confirmed 652 00:40:58,680 --> 00:41:03,599 beom's position as Vienna's and indeed 653 00:41:01,240 --> 00:41:08,160 Europe's most celebrated 654 00:41:03,599 --> 00:41:10,000 composer but his financial situation was 655 00:41:08,160 --> 00:41:13,000 precarious the concert didn't make 656 00:41:10,000 --> 00:41:15,280 ludvig the money he wanted and even 657 00:41:13,000 --> 00:41:17,760 deserved and an offer had come through 658 00:41:15,280 --> 00:41:20,760 for a job working away from 659 00:41:17,760 --> 00:41:23,880 Vienna so he soon let all his patrons 660 00:41:20,760 --> 00:41:26,920 including me know that he might desert 661 00:41:23,880 --> 00:41:29,000 us of course we had to do something you 662 00:41:26,920 --> 00:41:31,960 must have understand I need total 663 00:41:29,000 --> 00:41:34,720 artistic Freedom yes it's all fine lck I 664 00:41:31,960 --> 00:41:37,319 need to travel whenever I want and have 665 00:41:34,720 --> 00:41:39,760 benefit concerts I need them it's all in 666 00:41:37,319 --> 00:41:42,000 the annuity 667 00:41:39,760 --> 00:41:44,760 contract what we 668 00:41:42,000 --> 00:41:48,079 ask is that you agree to continue to 669 00:41:44,760 --> 00:41:48,079 live in Vienna 670 00:41:59,880 --> 00:42:04,119 this was an extraordinary and unique 671 00:42:01,800 --> 00:42:06,880 agreement the first time an artist had 672 00:42:04,119 --> 00:42:09,839 been recognized in this way Beethoven 673 00:42:06,880 --> 00:42:14,280 was to be paid a lifelong yearly sum to 674 00:42:09,839 --> 00:42:16,839 compose whatever he wanted whenever he 675 00:42:14,280 --> 00:42:19,119 wanted at around this time with his 676 00:42:16,839 --> 00:42:20,760 money worries seemingly at an end 677 00:42:19,119 --> 00:42:22,720 Beethoven entered into a passionate 678 00:42:20,760 --> 00:42:26,119 relationship with a woman he called in 679 00:42:22,720 --> 00:42:28,680 an extraordinary letter his Immortal 680 00:42:26,119 --> 00:42:32,359 Beloved her real identity has been the 681 00:42:28,680 --> 00:42:34,400 subject of debate for the past 150 years 682 00:42:32,359 --> 00:42:36,440 while we may never know for certain the 683 00:42:34,400 --> 00:42:39,559 most recent research seems to indicate 684 00:42:36,440 --> 00:42:41,839 that she was Anton brentano the wife of 685 00:42:39,559 --> 00:42:43,870 a merchant baven had a close 686 00:42:41,839 --> 00:42:48,150 relationship with the 687 00:42:43,870 --> 00:42:48,150 [Music] 688 00:42:48,800 --> 00:42:57,960 couple my angel my all my very self much 689 00:42:54,480 --> 00:43:00,960 as you love me I love you more 690 00:42:57,960 --> 00:43:03,599 I can only live either wholly with you 691 00:43:00,960 --> 00:43:06,960 or not at all no one else can ever 692 00:43:03,599 --> 00:43:10,960 possess my heart never 693 00:43:06,960 --> 00:43:14,760 never your love makes me at once the 694 00:43:10,960 --> 00:43:19,240 happiest and the unhappiest of men 695 00:43:14,760 --> 00:43:22,599 continue to love me never misjudge the 696 00:43:19,240 --> 00:43:28,920 most faithful heart of your beloved 697 00:43:22,599 --> 00:43:32,960 Forever Yours forever mine forever us l 698 00:43:28,920 --> 00:43:34,839 Vic I was Ill because I didn't want to 699 00:43:32,960 --> 00:43:37,160 leave 700 00:43:34,839 --> 00:43:39,880 Vienna my husband's work meant that we 701 00:43:37,160 --> 00:43:43,920 had to go and live in Frankfurt 702 00:43:39,880 --> 00:43:43,920 and I I just couldn't bear 703 00:43:49,680 --> 00:43:54,119 it how wish you 704 00:43:51,760 --> 00:43:58,920 today no better I'm 705 00:43:54,119 --> 00:44:01,520 afraid it's good of you to come 706 00:43:58,920 --> 00:44:05,839 should I play something for her yes 707 00:44:01,520 --> 00:44:09,400 please I'm sure it would help it always 708 00:44:05,839 --> 00:44:11,800 does now if you'll excuse me I I'll go 709 00:44:09,400 --> 00:44:14,079 back to the office there is still a lot 710 00:44:11,800 --> 00:44:18,520 of work to do before we 711 00:44:14,079 --> 00:44:18,520 leave thank you my friend 712 00:44:31,430 --> 00:44:46,849 [Music] 713 00:44:49,440 --> 00:44:56,119 only L comforted 714 00:44:52,760 --> 00:44:58,599 me his music told me everything about 715 00:44:56,119 --> 00:45:01,810 his feelings from 716 00:44:58,599 --> 00:45:07,699 me I would have given up everything for 717 00:45:01,810 --> 00:45:07,699 [Music] 718 00:45:10,960 --> 00:45:16,440 [Music] 719 00:45:12,440 --> 00:45:21,960 him we loved each other deeply 720 00:45:16,440 --> 00:45:21,960 but he loved my husband as well 721 00:45:22,480 --> 00:45:26,680 and I just 722 00:45:27,400 --> 00:45:31,860 I just don't think he felt able to cause 723 00:45:30,240 --> 00:45:36,200 so much pain to a 724 00:45:31,860 --> 00:45:39,880 [Music] 725 00:45:36,200 --> 00:45:43,040 friend I would have gone with 726 00:45:39,880 --> 00:45:43,040 him but 727 00:45:43,880 --> 00:45:50,240 ludig 728 00:45:46,160 --> 00:45:52,319 well perhaps when it came to it the the 729 00:45:50,240 --> 00:45:55,160 idea of a married life was was something 730 00:45:52,319 --> 00:45:58,920 best kept as a dream because his music 731 00:45:55,160 --> 00:45:58,920 would always come first 732 00:45:59,120 --> 00:46:06,630 [Music] 733 00:46:07,240 --> 00:46:13,000 I may no longer be a man not for 734 00:46:10,680 --> 00:46:16,240 myself only for 735 00:46:13,000 --> 00:46:20,359 others for there is no longer 736 00:46:16,240 --> 00:46:20,359 happiness except in my 737 00:46:21,839 --> 00:46:27,359 music bethoven was devastated by the 738 00:46:24,760 --> 00:46:29,520 breakup of the affair it put an end to 739 00:46:27,359 --> 00:46:32,040 the illusion that he could ever find a 740 00:46:29,520 --> 00:46:34,240 normal family life and I don't think 741 00:46:32,040 --> 00:46:37,480 it's a coincidence that at this time his 742 00:46:34,240 --> 00:46:41,160 hearing began to deteriorate more 743 00:46:37,480 --> 00:46:43,800 [Music] 744 00:46:41,160 --> 00:46:45,559 rapidly added to this the money from his 745 00:46:43,800 --> 00:46:48,359 special contract with his aristocratic 746 00:46:45,559 --> 00:46:50,400 patrons had stopped the effect of 747 00:46:48,359 --> 00:46:52,680 crippling inflation under the rule of 748 00:46:50,400 --> 00:46:56,210 France meant his backers couldn't keep 749 00:46:52,680 --> 00:46:59,440 up their annuity payments 750 00:46:56,210 --> 00:47:02,040 [Music] 751 00:46:59,440 --> 00:47:05,280 I went to his lodgings to see how he 752 00:47:02,040 --> 00:47:09,559 was he wasn't at 753 00:47:05,280 --> 00:47:09,559 home but what I found shocked 754 00:47:09,800 --> 00:47:15,400 me everything just seemed to go wrong at 755 00:47:13,599 --> 00:47:16,920 once you 756 00:47:15,400 --> 00:47:21,200 seemed 757 00:47:16,920 --> 00:47:22,559 broken so unhappy and suddenly extremely 758 00:47:21,200 --> 00:47:24,800 hard of 759 00:47:22,559 --> 00:47:28,359 hearing although that may only have 760 00:47:24,800 --> 00:47:30,520 seemed worse do to the Mala that now 761 00:47:28,359 --> 00:47:33,680 engulfed 762 00:47:30,520 --> 00:47:39,160 him he sent me a 763 00:47:33,680 --> 00:47:41,760 letter in which he seemed to be in a bad 764 00:47:39,160 --> 00:47:44,440 way by then we had not seen each other 765 00:47:41,760 --> 00:47:44,440 since our 766 00:47:48,880 --> 00:47:53,760 arguments a number of unfortunate 767 00:47:51,760 --> 00:47:57,319 incidents which have occurred one after 768 00:47:53,760 --> 00:47:59,960 the other have really driven me into a 769 00:47:57,319 --> 00:48:03,640 state bordering 770 00:47:59,960 --> 00:48:03,640 on mental 771 00:48:05,040 --> 00:48:11,079 confusion he complains 772 00:48:08,040 --> 00:48:14,079 of a thoroughly 773 00:48:11,079 --> 00:48:14,079 lacerated 774 00:48:15,800 --> 00:48:20,800 Heart by all 775 00:48:17,920 --> 00:48:21,680 accounts he had become so neglectful of 776 00:48:20,800 --> 00:48:27,160 his 777 00:48:21,680 --> 00:48:27,160 person as to appear positively dirty 778 00:48:53,000 --> 00:49:00,559 oh my brother so good to see you 779 00:48:57,280 --> 00:49:04,839 what is it what's the matter are you 780 00:49:00,559 --> 00:49:12,280 sick what's wrong with your father H 781 00:49:04,839 --> 00:49:15,079 tell me what speak up H I'm your 782 00:49:12,280 --> 00:49:18,720 uncle uncle 783 00:49:15,079 --> 00:49:21,760 lud what is it what is 784 00:49:18,720 --> 00:49:23,960 you come come on is this where you a 785 00:49:21,760 --> 00:49:26,480 chance meeting with his brother Carl now 786 00:49:23,960 --> 00:49:28,280 ill with tuberculosis gave bethoven the 787 00:49:26,480 --> 00:49:33,079 opport opportunity to claw back his 788 00:49:28,280 --> 00:49:33,079 family in the most extreme and desperate 789 00:49:46,040 --> 00:49:51,680 way I must speak 790 00:49:48,960 --> 00:49:54,400 plainly the reason you are in trouble is 791 00:49:51,680 --> 00:49:57,880 that Johanna has none of the qualities 792 00:49:54,400 --> 00:50:00,400 that make a good wife 793 00:49:57,880 --> 00:50:04,359 n don't 794 00:50:00,400 --> 00:50:08,680 worry I will look after little 795 00:50:04,359 --> 00:50:10,880 Carl but you must make me the so 796 00:50:08,680 --> 00:50:14,839 Guardian 797 00:50:10,880 --> 00:50:17,640 H Jesus mother yes yes yes yes yes and 798 00:50:14,839 --> 00:50:17,640 so she shall 799 00:50:19,680 --> 00:50:22,880 remain but 800 00:50:24,480 --> 00:50:30,559 this this document 801 00:50:27,280 --> 00:50:33,400 will give me a certain right 802 00:50:30,559 --> 00:50:34,520 Susie to look after your interests you 803 00:50:33,400 --> 00:50:37,280 the 804 00:50:34,520 --> 00:50:39,720 father van 805 00:50:37,280 --> 00:50:44,440 beethovens 806 00:50:39,720 --> 00:50:44,440 H so here 807 00:50:47,200 --> 00:50:51,200 Carl read 808 00:51:00,000 --> 00:51:07,319 sign car car that's right much as I am 809 00:51:05,040 --> 00:51:09,839 convinced of the openhearted disposition 810 00:51:07,319 --> 00:51:12,400 of my brother ludic van B 811 00:51:09,839 --> 00:51:14,440 Hoven I desire that after my death he 812 00:51:12,400 --> 00:51:19,880 undertake the guardianship of my 813 00:51:14,440 --> 00:51:19,880 surviving minor son Carl Von bethoven 814 00:51:21,200 --> 00:51:28,359 I do not know what drives a man to want 815 00:51:24,119 --> 00:51:30,680 to separate a child from his mother 816 00:51:28,359 --> 00:51:32,280 I can only think that he wanted a family 817 00:51:30,680 --> 00:51:36,200 of his own 818 00:51:32,280 --> 00:51:39,960 so mine was the obvious 819 00:51:36,200 --> 00:51:41,559 choice pushing my weakened husband who 820 00:51:39,960 --> 00:51:44,880 so close to 821 00:51:41,559 --> 00:51:49,200 death could not stop 822 00:51:44,880 --> 00:51:49,200 him was beyond worldly 823 00:51:49,839 --> 00:51:55,200 explanation Beethoven's Behavior seems 824 00:51:52,440 --> 00:51:56,960 incredible to us now but he genuinely 825 00:51:55,200 --> 00:51:59,160 believed he was protecting his family 826 00:51:56,960 --> 00:52:02,359 from a woman who he saw as a completely 827 00:51:59,160 --> 00:52:05,359 unsuitable mother and by bizarre twist 828 00:52:02,359 --> 00:52:06,880 of fate his belief in his own rectitude 829 00:52:05,359 --> 00:52:09,240 and his sense of his standing as an 830 00:52:06,880 --> 00:52:12,760 artist were about to receive the most 831 00:52:09,240 --> 00:52:14,480 colossal boost his freedom Opera loraa 832 00:52:12,760 --> 00:52:17,000 was chosen to be performed before the 833 00:52:14,480 --> 00:52:20,000 crowned heads who were assembled for the 834 00:52:17,000 --> 00:52:24,350 Congress of Vienna which redrew the map 835 00:52:20,000 --> 00:52:31,480 of Europe after Napoleon's downfall 836 00:52:24,350 --> 00:52:33,680 [Music] 837 00:52:31,480 --> 00:52:35,480 retitled Fidelio some of the most 838 00:52:33,680 --> 00:52:37,060 dramatic changes to the work were in 839 00:52:35,480 --> 00:52:43,480 florist 840 00:52:37,060 --> 00:52:46,160 [Music] 841 00:52:43,480 --> 00:52:49,319 tanzara he places extra emphasis on the 842 00:52:46,160 --> 00:52:51,559 word fight or freedom in an incredibly 843 00:52:49,319 --> 00:52:53,920 high-pitched conclusion that's almost 844 00:52:51,559 --> 00:52:56,640 impossible to sing at the very limits of 845 00:52:53,920 --> 00:52:59,000 a tena's range forcing him like Flor 846 00:52:56,640 --> 00:53:02,480 stand into a state of exhaustion and 847 00:52:59,000 --> 00:53:02,480 physical breakdown 848 00:53:04,960 --> 00:53:08,179 [Music] 849 00:53:10,910 --> 00:53:24,139 [Music] 850 00:53:29,540 --> 00:53:34,599 [Music] 851 00:53:31,520 --> 00:53:36,599 this time the Opera was a success its 852 00:53:34,599 --> 00:53:39,160 Universal themes of triumph over 853 00:53:36,599 --> 00:53:42,240 adversity and hope over despair were 854 00:53:39,160 --> 00:53:46,119 embraced by audiences Yearning For Peace 855 00:53:42,240 --> 00:53:49,119 after the turmoil of the Napoleonic 856 00:53:46,119 --> 00:53:52,200 Wars professionally Beethoven could do 857 00:53:49,119 --> 00:53:55,520 no wrong fidelo had made him the most 858 00:53:52,200 --> 00:53:57,640 sought after composer in Europe but 859 00:53:55,520 --> 00:54:00,079 privately his life life was 860 00:53:57,640 --> 00:54:02,480 unraveling his brother's illness and his 861 00:54:00,079 --> 00:54:03,220 worsening hearing were conspiring 862 00:54:02,480 --> 00:54:09,670 against 863 00:54:03,220 --> 00:54:09,670 [Music] 864 00:54:10,480 --> 00:54:14,180 him good 865 00:54:13,079 --> 00:54:16,640 evening 866 00:54:14,180 --> 00:54:21,200 [Applause] 867 00:54:16,640 --> 00:54:32,380 welcome please sir me to 868 00:54:21,200 --> 00:54:32,380 [Music] 869 00:54:37,960 --> 00:54:48,960 [Music] 870 00:54:47,359 --> 00:54:51,680 I remember the performance of the trio 871 00:54:48,960 --> 00:54:55,160 he had written for me I was so looking 872 00:54:51,680 --> 00:54:55,160 forward to it 873 00:55:02,070 --> 00:55:05,199 [Music] 874 00:55:06,079 --> 00:55:09,440 in certain 875 00:55:07,480 --> 00:55:11,920 passages my dear 876 00:55:09,440 --> 00:55:14,400 friend pounded on the keys until the 877 00:55:11,920 --> 00:55:14,400 strings 878 00:55:14,559 --> 00:55:21,480 jangled and in others he played so 879 00:55:16,680 --> 00:55:23,520 softly that her groups of notes were 880 00:55:21,480 --> 00:55:26,520 omitted so the music became 881 00:55:23,520 --> 00:55:26,520 unintelligible 882 00:55:28,470 --> 00:55:33,530 [Laughter] 883 00:55:34,680 --> 00:55:41,210 please sign this call for our 884 00:55:38,000 --> 00:56:00,400 son give me your hand 885 00:55:41,210 --> 00:56:02,160 [Music] 886 00:56:00,400 --> 00:56:03,480 it is a great Misfortune for anyone to 887 00:56:02,160 --> 00:56:06,880 be 888 00:56:03,480 --> 00:56:10,559 deaf but how shall a musician endure it 889 00:56:06,880 --> 00:56:10,559 without giving way to 890 00:56:13,319 --> 00:56:19,079 despair I have found it necessary to add 891 00:56:15,839 --> 00:56:21,400 to my will that I by no means desire 892 00:56:19,079 --> 00:56:24,240 that my son be taken away from his 893 00:56:21,400 --> 00:56:26,440 mother but that he shall always remain 894 00:56:24,240 --> 00:56:28,319 with her 895 00:56:26,440 --> 00:56:32,760 to which end the guardianship of him is 896 00:56:28,319 --> 00:56:35,720 to be exercised by her as well as my 897 00:56:32,760 --> 00:56:37,990 brother God permit them to be harmonious 898 00:56:35,720 --> 00:56:48,280 for the sake of my child's 899 00:56:37,990 --> 00:56:51,400 [Music] 900 00:56:48,280 --> 00:56:54,810 welfare humiliated Beethoven never 901 00:56:51,400 --> 00:56:57,960 performed in public again 902 00:56:54,810 --> 00:57:00,960 [Music] 903 00:56:57,960 --> 00:57:00,960 call 904 00:57:01,000 --> 00:57:04,000 call 905 00:57:04,440 --> 00:57:09,720 call this is the last wish of the dying 906 00:57:07,480 --> 00:57:13,480 husband and 907 00:57:09,720 --> 00:57:13,480 brother Carl Van 908 00:57:16,280 --> 00:57:21,000 Beethoven with his brother's death 909 00:57:18,720 --> 00:57:23,839 Beethoven's incredibly productive and 910 00:57:21,000 --> 00:57:26,880 Innovative heroic period was 911 00:57:23,839 --> 00:57:29,000 over the next decade would be minated by 912 00:57:26,880 --> 00:57:32,599 a bitter custody battle with Yanna for 913 00:57:29,000 --> 00:57:35,240 his nephew Carl and a slow and agonizing 914 00:57:32,599 --> 00:57:38,440 descent into near total 915 00:57:35,240 --> 00:57:41,680 deafness but once again he would find a 916 00:57:38,440 --> 00:57:44,960 triumphantly defiant musical response by 917 00:57:41,680 --> 00:57:48,160 composing works so radical that even to 918 00:57:44,960 --> 00:57:52,839 our sophisticated and knowing ears they 919 00:57:48,160 --> 00:57:52,839 still have the power to amaz 920 00:57:54,950 --> 00:58:03,449 [Music] 921 00:58:04,160 --> 00:58:07,160 for 922 00:58:38,640 --> 00:58:42,200 and you can hear the hole of the piano 923 00:58:40,440 --> 00:58:44,760 conchetto number four as it would have 924 00:58:42,200 --> 00:58:49,680 sounded at its Premiere with Beethoven 925 00:58:44,760 --> 00:58:49,680 uncovered on BBC 4 now 62284

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