Original subtitles

[eerie music]

[clink of keys]

[opening the lock]

[eerie music intensifies]

[eerie music continues]

[opening buzz]

- [eerie music fades away] - [indistinct background conversations]

- It must be frustrating. - [security door lock]

For families, I mean.

Talking to them through a window and seeing them crammed together there.

Or a relief.

They say he doesn't usually grant visits, So we're in luck.

Are you nervous?

[emotional music]

- [clapping of keys] - [opening the lock]

[bolt closure]

[Teenage Sara] Dad?

Dad, I'm here.

Dad!

[security door lock]

[music fades out]

Mr. Garay, thank you very much. for granting our request.

I am Professor Herranz, project coordinator,

and she, my research assistant, Sara Gonzalez.

Delighted.

A place.

[Herranz] Before we begin these interviews,

I need you to sign some permits.

- [Herranz's voice fades] - [dramatic music]

[opening and closing of metal gate]

[Sara exhales]

[clink of keys]

[music fades out]

[with mouth full] Hello.

There's no need to hide it.

Damelo.

Damelo.

Sit down.

I need your help, Sebas. Because I swear I don't understand it.

We have always given you freedom, We have trusted you…

- What's wrong? I don't understand anything. - Don't play dumb, don't you dare.

I can understand your curiosity, because of… because of the things that have come out,

From what you've read…

But that you put yourself in danger in such an absurd way…

We were only there for a little while. What do you want me to say, what are we talking about?

No.

It's curious. that you don't ask anything about him,

But he doesn't ask anything about you either.

I want you to tell me What on earth were you thinking?

- He's my grandfather. - That?

That person has never belonged to your life.

- Because you haven't let him. - No, honey.

Because he has spent 25 years in prison, convicted of killing three people.

He recorded this tape for me.

I didn't know that then.

But he gave it to me right after. of burning his second victim alive.

That's what psychopaths are like. Their sense of impunity is total.

They have no empathy. They don't give a shit about people.

Damn, I told you so.

I told you that you could count on me,

that you asked me Whatever you need, whatever you want…

- So that? - …about him, about us…

- [shouts] What do you mean, what for? - You never tell the truth.

I'm not going to see him again.

No, of course not. From now on, you will be supervised.

What? What do you mean, supervised?

You don't see it, do you? You don't understand anything.

You don't understand fear. that you've put me through.

You don't understand fear. that you've put me through.

Very sorry, But I can no longer trust you.

[mocks] As if you had ever trusted.

- [Sara sighs] - [clapping of keys]

Do you know he's dying?

[footsteps fade away]

Hello.

How are you?

Where do you come from?

That girl, Lorena, gave me her address.

[puts down the glass]

Want?

[fill the glass]

- [closes the bottle] - [bottle on countertop]

Aren't you going to ask me anything?

[clicks tongue]

Was it worth it? Whatever it was that… that you wanted to prove?

[Sara] ¿Mm?

He has pictures of you in the fridge.

Yours. [sips]

And her gaze is exactly the same as yours.

But he is old and very ill.

He looks like a normal man. He doesn't look like a killer.

Nobody seems like it.

Aitor, please.

Now more than ever, We have to do this together.

Sebas is not well.

- He needs both of us. - [sip]

- Please. - Yes.

Know?

Even their slippers They're the same as mine.

[melancholic music]

[footsteps fade away]

[sip]

[timbre]

[melancholic music makes it unsettling]

[eerie music intensifies]

- [roar of fire] - [whisper of flames]

[music fades out]

[Valls] So, what the hell happened yesterday?

[Jota] Mario Elizalde and his wife They are safe, that's what's important.

And all thanks to the boss.

No. We've screwed up.

The killer did not want to kill Mario.

Or he wanted to kill him and the device It made him change his mind.

[Jota] Do you think he detected our presence?

That…

or a new leak.

Yes, I know. I have no proof.

A fire trap?

No. Félix Garay didn't kill like that. And neither is the imitator.

He is not respecting the timeframes.

He is not respecting the cooling periods.

The murders They happen in just a few days.

And if yesterday he wanted to kill And Mario was just a distraction…

You're scaring me.

We need to resume the surveillance protocol.

- [man 1] Commissioner? - [man 2] Just a moment.

What's happening?

- [music of intrigue] - [phone in the background]

They left this at my house.

- Did you touch something? - No.

It's not my birthday yet.

[Intriguing music fades out]

What happened the other day was inexcusable, Sara.

Unjustifiable, okay? You know I'm not like that.

Well,

Personally, it's forgotten.

Please sit down.

But you're not going to register me at the law firm.

- ¿No? - No, but I'm not going to advise against it either.

¿Mm?

- I'm going to refer you to another specialist. - Because?

Well, I've made mistakes as a therapist. My conclusions are not objective.

No, this is because of what happened the other day.

- No. - [sighs]

Do you know what a transfer is, uh…?

Ought?

That's when emotions or desires appear.

that interfere in the dynamics of therapy.

Have you spoken to Andrea?

That was a mistake.

To sleep with her, Talking to him about you was a mistake.

It's something of mine.

I should have made this decision a very long time ago.

And why didn't you take it?

Because the transfer is mutual.

[mischievous music]

But I have my own family

And you still need psychological help.

So what now?

We can't see each other outside.

If I need a lawyer, maybe.

Thank you so much.

I'm very good.

You have to be.

Your boss calls every other day. He's looking forward to your return.

[clicks lips]

[Jaime sighs]

You were right.

With what?

The day of the attack at the law firm

It was Alejandra's birthday.

From my sister.

Well, try exploring that. with your therapist.

With your replacement.

[both] Thank you.

[door closing]

[transition to suspenseful music]

[Herranz] You used to take victims' belongings.

Would you say it was a kind of ritual? a way to leave a message?

A message?

And, well, some…

Some criminals collect souvenirs, a kind of trophy.

The expression is "fetishes".

- A sexual perversion. - [Herranz] Sara.

[clink of keys nearby]

[Herranz] If you prefer Let's move on to another topic…

It was easy.

Forgetting what he did was easy.

I just had to take off my suit,

I would go back home and continue with my life,

as if nothing had ever happened.

Killing shouldn't be so easy.

That's why it was important

bring back a souvenir,

something that would help me remember it.

The fact that?

That he had

a good life,

but it wasn't my responsibility.

I was just passing through.

- [clapping of keys] - [opening the lock]

- [intriguing music fades out] - [phone in the background]

[Arias] "X Etxebarri".

[Jota] The prosecutor, the second victim.

[Arias] We knew that Felix He took belongings from his victims.

And we suspected the imitator He could have been doing the same thing.

But…

What is seen can be processed, not what is unseen.

Commissioner Castillo's ring.

[Arias sighs]

[music of intrigue]

[Arias] Shit.

No.

[Intriguing music makes it sad]

Osorio's glasses.

We need to locate his mobile phone. and take it all to a scientific level.

- [Jota] To the scientist. - [man] Yes, I know.

[clicks tongue]

[sighs]

[sad music fades out]

[squawks of seagulls nearby]

[unintelligible conversation]

Ey.

Be careful, you'll fly away.

- Lots of fuel around here, huh? - [footsteps approach]

- [Sebas] Mm. - [Quique sighs]

- How much will they pay for that on Wallapop? - [laughs] If your grandfather signs it?

[Quique laughs]

- Take. - Ey.

- Thanks, man. - [Sebas sighs]

Hey, what…

about the other day with Nerea…

- No… - Leave it.

Don't stress about it.

Those were some pretty shitty days.

- She came across to me in a friendly way… - Listen to me.

It's the same.

Everything's fine. Seriously.

- Are you safe? - Sure. Really.

There's a get-together tomorrow.

Last beers before dying while training.

With the kids?

[Quique sighs] Yes.

[exhales] I don't know.

It doesn't matter. Why don't you come by?

- You need to reconnect a little. - Yes.

Hopefully.

I've got a bit of a mess going on at home these days…

[laughs] Damn. And then you talk about my parents.

- [laughs] - [squawks of seagulls]

I'm leaving, they're waiting for me.

OK.

Ey.

You always know how to escape, don't you?

Well, you know.

Come on.

[Quique] Come on.

- [indistinct conversations] - [phone in the background]

- Damn, don't we have another camera? - No. Not from this part of the polygon.

[soft tension music]

Osorio.

- There it is. - [music intensifies]

Shit.

Call the patrols.

The search perimeter It is 5 kilometers around the parking lot.

[Tension music fades out]

- Where are you going? - The police work ends here.

I need someone that he thinks differently.

Okay, I'll go with you.

No.

You coordinate everything.

Y encárgate de Valls.

I'm in extra time.

- [keyboard keystrokes] - [mobile notification]

[mobile phone buzzing]

[tension music]

- [clapping of keys] - [opening the lock]

[Herranz] A different location for each murder.

We understand that it is part of it of their code of conduct.

[Felix] Excuse me. What about me?

- [Herranz] His personal stamp. - [Felix] Personal stamp? Uh…

Is this language new?

[Herranz] What? Excuse me, no…

[clicks lips] Someone writes to me.

Here, to jail.

And he tells me the same things,

who has studied my signature,

which is my modus operandi.

I think it's a…

a fanatic.

This is not fanaticism.

It's science. We try to understand how it works.

The fact that?

The mind of a psychopath.

Don't worry about it, Mr. Garay.

It's a university study. He's just one more of the subjects.

Am I just another one of the subjects?

- Yeah. - [Herranz] Sara.

What if I didn't want to continue with this?

Sara, can I ask what you're doing?

If you do not wish to participate, We can't do anything.

Symmetry.

[Sara] Felix was looking a kind of order, of harmony.

Obsessive minds work like this.

There are three distinct zones on the map, with proportional distances.

[Arias] Why didn't we take it into account?

Because it's not following the same pattern.

Are you safe?

Look.

There is an almost parallel distance. among the crimes.

As if the Felix impersonator try to respect the scheme.

But without stepping on it.

And there's something about the locations, isn't there?

Because Felix's first death It wasn't fair at a sawmill. It was…

It was in the forest.

Felix's second one was in an apartment. And the one about the imitator, at the prosecutor's house.

[soft music of intrigue]

And Felix's third death It was by the swamp.

[tracing on the map]

[tracing on the map]

Symmetry.

Thank you, Sara.

Based on K-7, I need 2 patrols covering the marsh, Eibar area.

These are sparsely populated areas. It cannot go unnoticed.

[Arias walks away]

[Suspenseful music intensifies]

[small birds chirping in the background]

[Arias breathes heavily]

[car door closing]

[Suspenseful music continues]

[masculine] Shit.

[transition to dramatic music]

[dramatic music continues]

[sobs]

[dramatic music fades]

- [music stops] - [Felix coughs]

[keyboard keystrokes]

[mobile notification]

[Aitor] Those vultures are there again.

[Sara] Yes, and they're going to stay there all day.

But it doesn't matter, we're inside the house. They can't use the photos, leave them alone.

- [pulses on the mobile] - [Sara] Don't worry.

[Aitor] The further they advance, Did you call the police.

[Sara] Call, call.

[heels approach]

[Sara sighs]

Really, It's better if he stays home.

- You have to go to high school. - [notification]

Yes? Why? So that his colleagues can tease him?

No. We don't know if that's the case.

- They've given him a nickname. - What nickname?

[Sebas] Carboncito. Mm.

Has there been another death?

Aunt Mercedes is on her way. You're staying here with her today.

No.

- Don't pay any attention to it… - Yeah.

Listen to me.

Don't pay any attention to what's outside, okay?

- [Sebas] And who was the dead man? - [Aitor] We neither know nor care.

[unintelligible background conversation]

[radio] Police Sources They confirm that the victim,

whose identity has not been revealed,

It is related to the crimes perpetrated in recent weeks.

The police don't say… - [notification]

…what went wrong with the protocols for the protection of these objectives,

which now totals three victims from the police and judiciary environment.

Cristina Morales, spokesperson for the National Police…

…has confirmed the arrest of a fugitive…

[timbre]

…who was involved in a terrorist attack in Belgium.

The events took place in a town…

- You're back on fire, huh? - Come on in. Or do you want to be on TV?

[Lorena sighs] You're not answering my phone.

What's happening?

You work with Mercedes.

- I suppose your son-in-law told you. - Yeah.

I'm leaving the dear one.

I can see your face clearly.

Because he's lazy.

[Lorena laughs through her nose]

I'm sorry.

Letting your grandson in wasn't a good idea. without telling me anything, secretly.

That's none of your business.

- Yeah. - No.

Yes, it is my business. I promised to help you.

That's true.

And I keep my word.

Your daughter already knows you have cancer.

You don't say. [distressed] I'm sure he burst into tears.

There is hope, Felix.

Listen to me.

That means you don't know her.

- [Valls] Something scientific? - [Jota] As always, not a trace.

- Don't we have anything from the journey? - Same modus operandi as the first time.

The killer used the victim's vehicle and then he disappeared, supposedly on foot.

[Arias] Well, we're still looking for witnesses, cameras, anyone who could have…

It doesn't seem so. We know nothing. We haven't achieved anything.

Whether he burns them alive or dead, how to reduce them.

Three dead, three, and we don't have a fucking thing.

Lifting the surveillance was a mistake.

Osorio was right.

Excuse me, commissioner. That initiative was not Arias's doing.

- Really… - It's the same.

It's the same.

Thanks, Jota.

You're right.

May the transition be as quickly as possible.

For me, that's seven dead.

Seven.

[footsteps fade away]

- [phone in the background] - [indistinct conversations]

Are you just going to quit like that?

He knows he's being unfair. This makes no operational sense.

It is not a police measure.

It's politics.

The last thing I did was laugh at him.

Because they wanted more surveillance.

Valls is right. It was my fault.

[Sara] You saved a life, Mario's.

Sara, at someone else's expense.

Have you set three people on fire? with your hands?

Because, if that's the case, then it's a closed case.

- Are you like this with all your patients? - No, I charge them.

What would happen If this had ended, if…

if the killer, delivering those packages, he was…

- I don't know, closing this cycle? - No no.

We can't take any risks.

You and I know There was a fourth murder, Sara.

For some reason, The imitator knows everything.

- We're not going to relax. "Shall we go?"

Copies of everything.

Confidential.

We can begin by reviewing the processed evidence.

I'm going to send you all the statements.

Well, I have to go.

Let's talk later.

[Felix] And what is that?

[Herranz] A PCL-R.

It is an evaluation of…

Well, about psychopathy.

Can I see her?

- [Herranz] They're just items… - I want to see her.

Colon.

Two out of two.

It means it scores high in each of the variables.

"Of a reckless nature"?

He chose to be a firefighter, didn't he?

"Lack of empathy"?

"Incapacity for affection"?

Mr. Garay, would you say that you are capable?

to feel sincere affection by other people?

I have a daughter.

Yes, but we've been told who has denied him visits.

That's what they say.

He refused to have any contact with her.

It was the best.

I don't think she thinks like you.

Technical fire.

It's called technical fire.

You start a small fire, But you prevent the fire.

And, in this way, you save the forest.

Is that what you think?

That saved her.

Time has proven me right.

Is…

She is hardworking.

She has a lot of character.

More list

than hunger.

[Herranz] Sara, You may only be entitled to one point.

I don't know, to raise a girl alone, without having…

It is believed that psychopaths lack empathy,

But it's false.

They don't feel other people's emotions,

But they do perceive them.

This is how they use their victims.

And to their families.

I never used my daughter.

[Sara] Of course.

Like a disguise.

The good neighbor, the good worker, the good father…

Colon.

Sara, are you okay?

Very good.

- Hello. - [Mercedes] Hello.

I'm leaving you some containers of croquettes.

And some potato salad too. The mayonnaise, on the other hand, just in case.

And this tribute? Hmm?

What do you think?

I've done very badly.

Fatal.

Well, I'm not here. to give many lessons.

And Sebas?

Well, she's taken a shower and got into bed.

- And have you eaten anything? - [chista] A couple of muffins.

Sara.

Give him space.

He hasn't earned it.

Did you earn it?

[clicks lips]

Okay, where are those croquettes?

Come on, here they are.

Cod…

- And ham? - And ham, of course.

- [Sara exclaims with joy] - A ver, míralas.

- [Sara] I'll eat one now. - But wait.

- [Sara] Which ones are ham? - The dark ones.

- [Sara] Are you there? - Yeah.

[indistinct conversations]

[Xabi] Quique, cheer up, What a mushroom face… [laughs]

- What? What the hell is wrong with you? - [Quique] Did you bring ice?

- That? - Come on, kid, wake up.

[chico 1] Eh, eh, eh.

- It's here. - [tension music]

[Sebas] Guys.

Are there no beers left or what?

[Tension music intensifies]

What? Are you kidding me?

Dude, what's up?

Sorry, bro. You brought it on yourself.

[Sebas groans in pain]

Come on, tell me again. What you were telling me the other day, okay.

- [Sebas spits] - [Sabi] Huh?

[Sebas breathes heavily]

You were going to call your grandpa. Okay.

- [groans and coughs] - [laughs]

[breathes]

- You don't know what you're doing. - Oh, no?

[moans]

[those]

Quique has already told us everything. You're bluffing, you don't even know him.

Quique doesn't have a fucking clue.

[Sebas breathes heavily]

He's lying.

Hey!

- [sobs] - [laughs]

- What now, Carboncito? What now? - OK!

Look at me!

- [breathing heavily] Vale. - [boy 2] What, Charcoal?

- OK! - [boy 2] Are you scared or what?

Damn, that's it, I get it. I've got it now!

- [Xabi] What are you going to get? - [laughs]

You'll see, you're going to love it.

- Dale. - [Sebas] Get out of here!

- [snap] - [roar of fire]

He! He!

No! No, no, no! Stop! Stop!

[Sebas screams with anguish]

- [roar of the fire] - [growls in fear]

[Tension music intensifies]

- [Sebas cries] - What happened to Nerea? Let's see.

Was it a joke?

- Or was it a blowjob? - [Sebas cries]

It's not funny at all.

[laughs] Yes, she does.

Do you know why?

- Because we're going to burn your balls. - [laughs]

- [Sebas cries] Okay! Okay. - [click of lighter]

- [roar of the fire] - [Sebas] No! [he screams with anguish]

[boy 2] He's crying, poor thing. [laughs]

Stop! - [skin crackling]

Stop! Stop!

[Sebas screams and cries]

- [Sebas gasps] - [laughs]

- [Xabi] Apologize to me. - Sorry.

- Higher. - Sorry!

- [Xabi] Are you going to give up the championship? - Yeah.

- Very good. - [Sebas sorbe]

[Sebas cries and gasps]

And one more thing.

- Say you want to fuck the one with the tongue. - [laughs]

What the hell are you saying?

[Sebas breathes heavily]

What are you saying? No, no!

- OK! - [snap]

- Okay! I want to fuck the girl with the tongue! - [Xabi] Higher!

- I want to fuck the one with the tongue! - [laughs]

- Okay. [pants] - [Xabi] Do you have it?

- Do you have it? - I've got it, I've got it.

He said he wanted to see it.

Who?

Who wants to see it? Who wants to see it?

Tell me!

Pathetic, kid.

[Sebas groans]

[boy] Look at him, look at him.

- Let's go, guys. Let's go.

[laughs]

[Sebas tose]

It was Natxo, wasn't it?

[Sebas cries and groans]

[Tension music fades out]

[Sara] Sebas, really Are you ready to come back? Huh?

You haven't said a word. since you woke up this morning.

[Sebas] I'm fine.

- [Sara] Anything, just call me, okay? - Mm.

[Sara] Is that worth it?

Hey. What do you have there? Sebas.

It's a burn.

- Can you show it to me? - Stop! I'm fine.

Sebas, please, I'm trying to give you confidence.

- Can you show me what you have there? - Trust? You're a hypocrite!

Sorry?

I already knew about the grandfather.

A year ago, my laptop broke down.

I took him to training, he fell… Do you remember?

I took yours, I needed it to do a History project.

And when I went to look for the file there, Everything was in one of your folders.

Everything.

Your university work,

CT scans,

Psychopathy questionnaires…

I was completely freaked out.

Because?

Why did you know so much about that guy?

So I started to notice

in how you reacted when the topic came up.

In how you lied.

It's amazing how you do it, love.

It's just... it comes naturally to you.

How to breathe.

You haven't told me anything.

in one year.

Because?

You already know that.

No, I don't know.

Because I'm a psychopath, just like you.

[tension music]

[slap]

- Darling, forgive me! - [door]

Sebas!

Sebas!

Sebas!

[Tension music fades out]

- [indistinct conversations] - [eerie music]

Sebas!

[police siren approaches]

[squeaking of wheels]

[siren stopped]

[police siren approaches]

[siren stopped]

- [murmur] - [car door closing]

[eerie music continues]

[car door closure]

[Herranz] Sara, I have to step out for a second. Some paperwork. Do you mind?

[eerie music fades away]

Can I ask you a question?

[Sara] I didn't come here for you.

How far along are you?

[girl] They say the fire One of the boys caused it.

- [boy] What boys? The rowing ones? - It took them an hour to put him out.

- But who was inside? - Well, I think the coach and a woman.

- A teacher, the Language teacher. - [boy] No. Nagore?

[roar of the fire]

[crawling of the flames]

[eerie music]

- [Nacho] Come on! - [knocks shaking]

[eerie music continues]

[Sara] He has nothing of you.

[Felix] But he's your son.

So he's my grandson.

You're not going to do anything.

- You're not going near my family. - What if he wants to see me?

- Why would I do that? - Because we're family.

You're never going to get near my family.

[police] Sebastian Aguirre?

- Yeah. - Come with us.

My son is there. Please.

Please!

Sebas!

[eerie music intensifies]

- [Nagore] Natxo, what do we do? - [Nacho] Hey!

- [Nagore cries] - [Natxo] Open up! Help!

- The door! - [Sighs] Help!

[eerie music fades away]

[peaceful piano music]

[music tempo increases]

[music rhythm decreases]

[transition to mystical music]

[music fades out]