Original subtitles

[somber music]

[crawling of the fire]

[music fades out]

[radio interference]

[announcer] The police are still investigating the death of prosecutor Xavier Etxebarri,

deceased last Tuesday in a fire in his home.

The prosecutor, who gained prominence for his work in the Celaya plot,

participated in 2001

in the judicial process of the Diesel Killer.

His death adds to the to death, in similar circumstances,

by Daniel Castillo,

commissioner also involved in the arrest of Garay 25 years ago.

The police are no longer hiding that both cases are being treated as murders

just one month later from leaving prison

from the same man who, just 25 years ago, He was involved in a wave of crimes.

Felix was a firefighter in the Álava town of Errezubi…

[piano music of intrigue]

[bubbling of coffee]

[inaudible conversation]

[Intriguing music fades]

[whisper of flames]

[Intriguing music fades out]

Elmyr de Hory, Hungarian forger of the 20th century.

He imitated Modigliani, Matisse, and Picasso. other teachers have already achieved such precision

that even they wouldn't notice the difference.

- [Arias] Mm. - Can you guess how he was arrested?

Because he signed with his name.

[Someone who is crazy]

- [pulse] - De Hory used short brushstrokes,

more fluid, and also introduced different pigments.

- Did he make mistakes? - [speaker] No.

He wanted to leave his mark.

Very good.

In our case, both respond to the same profile of organized killer.

The same ritual, methodical selection,

forensic awareness, dehumanization of the victim…

- But there are new developments. - [pulse]

The imitator wants He's proud that his crimes are being seen.

There is a twisted idea of ​​justice.

Félix Garay too.

His victims were high-functioning psychopaths.

Prosecutor Etxebarri was highly regarded, a humanist who worked for years in his profession.

Do you believe he is a high-functioning psychopath?

His only crime was to be the prosecutor of the Diesel Killer.

I know he's been consulting with other people,

but our Department Behavioral Analysis

It does not accept university hypotheses.

Besides, it doesn't add up.

And why not?

Sara Garay's thesis is not published And therefore, no one has been able to read it.

Do you know what imitators do?

Mock.

We agree. So, what are we looking for?

A fanatic? A… a disciple?

It could be something like that, yes.

Okay. So, where would you like to start? Because of the Renaissance?

[speaker sighs] Someone is murdering

to those responsible for the arrest by Félix Garay 25 years ago.

You, more than anyone, Shouldn't I take this more seriously?

Are you still thinking about your boss?

Sure, well, let's see, It's not a birthday as such.

She has recovered from cancer, So, I don't know, I just don't know what…

I'm more lost than Carracuca.

What would you give him/her?

Don't know.

Are you sure that the people at your work don't… Have you thought about doing something together?

Not that I know of.

[eerie music]

So, let's see...

I have invited him and his wife

to have a snack at home.

[eerie music intensifies]

[Aitor] Do you think that's wrong?

- Okay, you don't like it. Come on… - [engine starts]

- No, no. Everything's perfect. - [car drives away]

Yeah?

Sure. - Ah, good.

[music fades out]

What do you think of this as a gift?

Well…

Genial.

[Lorena] I'm going to make you a user, okay?

- [Félix] Mm. - [Lorena] Let's see... Do you have email?

No, my mailbox is broken. But I'm going to fix it.

- [beep] - [Lorena laughs through her nose]

The…? Do you know how the touch screen works?

In other words, it's like the old-fashioned mouse.

Look, practice, right? You'll see. This is the little arrow.

Then, with my finger…

[school bell]

Okay. Guys, the analysis of Bécquer It's for this Thursday.

Please…

A single comma created with AI And it's an automatic zero, got it?

[indistinct conversations]

Bye bye.

Agur, agur.

Goodbye.

I'm sorry.

[conversations fade away]

- Nagore, this isn't a normal novel, is it? - [Nagore] ¿Ya te lo has leído?

[laughs] And what did you think?

[sighs] A mixture.

Like a news report, but with a more... cinematic rhythm.

Yes, yes, he is the precursor of true crime. Those ones you all like so much. [laughs]

I'll see what else I can recommend, okay?

- OK. - OK.

Uh… Hey, we train all week.

The rowing team, the school team.

That… some teachers They are becoming more animated.

- We're qualified. - Oh.

I don't know, I was just saying. in case you wanted to drop by sometime or…

Your coach is Natxo, right?

Uh… Well, I'll think about it.

- OK? - OK.

- Come on. Bye. - Goodbye.

[indistinct background conversations]

- [Quique laughs] - [Sebas] What are you saying?

That's not how it's going to fall, bro. The whole book thing, can't you see it's not working?

- [Sebas] We were talking about rowing, you idiot. - [sarcastically] Yes.

- How silly. - Holy shit! Did they tell you about Xabi?

- The fact that? - He went to see the manager.

It's not clear what he's doing there, but… [laughs]

- [Sebas] Do you think he's going to come back? - [Quique] You tell me.

[heavy breathing]

Shoes?

- Yes, mine are worn out. - Mm.

And… do you like these?

- [Felix nods] - They're psychopath-like, aren't they?

- [Felix clears his throat] - Sorry.

[Felix gasps]

Don't get too attached, that we're going out tomorrow.

What do you mean, going out? Hmm?

Felix, there's something more important. to see your daughter again.

- What she sees in you. - [holds back a cough]

And we still have a little way to go, huh?

- [holds back a cough] - [laughs] Okay, see you tomorrow.

[door opening]

- [holds back a coughing fit] - [door closing]

[spasmodic cough]

[soft, haunting music]

[inaudible conversation]

Come on, now, now, now.

Great job, guys! We're going to kill it at the regatta!

Luismi, you're way off base, man. More sleep and less masturbation, eh?

Wow!

[Sebas] Ah, mister.

Sorry if today We've faltered a bit in the cadence.

What you're saying, if the team is tense, the trainerilla notices it.

Tense, why?

Well…

No, not at all. Well… nerves about the regatta, I suppose.

- But we talked about… - About what?

I don't want to be a snitch either.

Why has Xabi returned?

The clash between Quique and Xabi It's been a bad experience.

For everyone.

And… we were talking so that he would come back right now

That wouldn't be good.

For whom?

For the team's performance. If we were uncoordinated today…

This works for you, right?

- As? - With your parents, I mean.

With your teachers.

This whole playing the lamb thing while you're talking shit.

You think we're idiots, but we're not. If Xabi eventually comes back, you're out.

In case you were wondering. Mm?

Goodbye.

[eerie music intensifies]

- [music stops] - [Arias] 25 years of correspondence.

Where do we begin?

[Jota] Penitentiary will have a list of senders.

Perhaps the ones I rejected at the time… - Felix must have the rest at his house.

- It's time to knock on their door. - I don't think it will work.

We found no letters in the registry.

Damn it, Jota, why weren't we looking for cards?

We need to gather everything we can.

The ones you have at home, those who remained in prison…

And regarding the networks, have you spoken with the ITU?

- [Jota] How much do you put in it? - So, roughly, 10,000 publications.

- Are there communities? - There's a user forum. Look.

A certain RealKiller22 is the one with the most material has shared with more interactions.

- Twelve thousand publications in six years. - [Arias] Phew! Something shady?

Illustrations of crimes, much debate, much serious analysis

about the method of killing of the Diesel Killer.

[speaker] I would focus on that.

The imitator seeks notoriety,

and social media is just bar talk, But forums are a private club.

Beautiful.

Just what we needed, more metaphors.

- Do you have a minute and we can talk about it? - We are working.

[sighs]

Focus on the forum.

- [soft, enigmatic music] - [Arias sighs deeply]

[knocks on the door]

- Yeah. - [music stops]

[door opening]

[exhale]

You didn't say a word at dinner. All good?

Uh… I don't feel like talking.

Genial.

I've had seven sessions in a row today. I don't feel like listening either.

Three rounds, no time limit.

Random scenario.

- [video game music] - [Sebas] Look.

- [Sara] That was… - [Sebas] Wow! [laughs] Yes.

- Special strike, look. - No. Don't even hear about it…

- Yes! - Oh!

[video game music continues]

Hey, do you know it's almost 1:00?

- Yeah. - It can't be, it can't be.

[video game buzzing]

- [video game] It's over! Let's go!

- That? - [video game] …the swordsman Ming!

- You're lucky. I'm out of practice. - Yeah.

- I used to let you win. - That's not true.

Okay, you'll have the rematch tomorrow, go on. that you have to get up early.

Let's go. Come on.

- I plan to practice, just so you know. - Let's see if it's true.

[footsteps fade away]

[door closing]

[dramatic music]

[Felix coughs gently]

[those]

[dramatic music continues]

[clicks tongue]

[dramatic music intensifies]

[those]

- [music abruptly stops] - [panting from exertion]

[music through headphones]

[man] Hello, Sara.

Sara Garay, the daughter of Félix Garay.

I am Tomás Gelado, from La Voz de Euskadi. Can we talk for a minute?

He's getting confused.

It's not common that the daughter of a man convicted of murder

cooperate with the police.

I'd love for you to tell me.

The idea behind my article is to tell the other victims,

those who do not die, but they are also victims.

Who gave you my name?

Sorry, it's confidential.

[distant barking]

- [tension music] - [honking in the distance]

[remote opening]

[door closing]

[engine running]

[vehicle drives away]

[Tension music intensifies]

[increased gasps]

- [running steps] - [panting]

[transition to rock music] via player]

[Mercedes] That photo Sara didn't put it there.

- Don't tell me you can't do anything. - They are public pages.

Anyone can see them.

What should I say to him/her?

[muffled rock music]

Don't know.

Be careful, because…

that he doesn't share photos, that he tries not to expose himself… I don't know.

That he does not live.

[Music volume increasing]

[loud rock music]

It is the third institute Irene is going to the one she's going to in six months.

She really doesn't deserve to be like this. You have to do something.

I'm so sorry, Sara, I can't do anything.

They also appear here from time to time.

- It's called the right to information. - And what about the right to privacy?

Sara,

if they reappear, Let me know and I'll send you a zeta.

Ah. And how do I explain a zeta at home?

[sighs deeply]

Our hands are tied.

- Understand it. - [Sara] Shit tied up.

I've been avoiding journalists for 20 years. And this doesn't come from nowhere.

I know you don't want to hear What I'm going to tell you,

But perhaps it's time. thinking about damage control.

- What are you saying? - Your family, Sara.

If you don't talk to them, It's a matter of time.

- [mobile phone beeps] - My God.

[exhale]

Fuck.

[knocks on the door]

You don't smoke anymore, do you?

- Neither do you. - Well, it won't be for lack of trying.

Someone has leaked Sara has collaborated with us.

Do you think Osorio…?

- I don't know. What would he gain? - Joderme.

Well, give me some joy.

RealKiller22.

The IP address gave us an address. I paid him a visit.

AND?

- Does he have an alibi? - [nods] And a hip implant.

María Ángeles Navarro. She is 75 years old. She's a true crime fanatic.

Documentary series of real cases, of mysteries…

- Know? - I have a TV.

While checking in, I asked him How did he know so much about Felix?

A thesis. Look at the signature.

[whispers] Sara Gonzalez.

- [police siren in the distance] - [phone in the background]

Do you know what this is?

And even to the director of the investigation, Jesús Herranz.

- I didn't know your intern was so... - That?

So biased.

What about Félix Garay? Did he kill high-functioning psychopaths?

It's nonsense.

- It doesn't matter what you think. - Sorry?

And it doesn't matter what I think,

because this thesis It's been posted on the forum for a long time.

Among Felix fans.

And do you know what that means?

That it is possible that the imitator was inspired by her.

Because do you know what imitators do?

They imitate.

So yes, you should read it.

You're not understanding what's happening here.

This is not a game, okay?

I remind you that it was I who did the profile of this case 25 years ago.

So I can be a target.

[mocks]

If I were you I wouldn't worry too much about that.

25 years ago, you were just as useful as you are now.

Létela.

[small birds' trills]

A wine pourer.

I've read that it does something to him, I don't know what. to the… to the tannins, eh?

[distorted voice] Come on, The wine tastes better. Let's see…

- [eerie music] - [unintelligible voice]

[rock music plays] via player]

[knocks on the door]

- [Arias] What do you hear? It sounds good. Nothing.

[music stops]

[footsteps slowly approach]

Your aunt told me that you know who did it.

A second-year kid, right?

Are you going to do something to him?

[distant barking]

So what does it matter?

[dramatic music]

- [Arias] Sons of bitches. - It's not even an insult.

That's who I am.

I used to always wear the uniform, do you remember?

- Because you're a police officer. - Yes.

But sometimes, you can't be a police officer if everyone knows you're a police officer.

Change is good, Sara.

if it's to be more free.

Change so you can be who you are.

[dramatic music continues]

[muffled voice] It was on sale.

[Aitor laughs through his nose]

[music fades out]

What's happening?

It's a decanter.

- ¿Mm? - [timbre]

Uh… I’ll go.

- [door] - [Aitor] Man!

- Hello. - [man] How are you?

- [Quique] If you keep this up, bro, you'll catch me. - [Sebas] Idiot.

[Quique laughs]

- You don't even believe that yourself. - [Quique] Go, go for it.

- And. - And.

Dale.

- You go ahead. - Can I leave you a little bit of arm?

[both laugh]

Isn't that Nagore?

[inaudible conversation]

And, well, then I have the office there. That's it. Here…

Natxo's really going for it, isn't he?

Look, this one ends…

- I'm telling you. - What are you saying?

Natxo has a riding arena in the cabin. Didn't you know that?

Look, look, look! I told you.

In the cabin.

I knew it.

[disturbing music]

[music intensifies]

- Damn! - [music abruptly stops]

Sebas, give him 20 more minutes! Because you're clumsy, go on!

- [Quique] Are you okay? - Leave me alone, damn it!

- Come on! - [Aitor] Thank you.

- [ambient music plays] - Well, decanted wine is much better, isn't it?

- Yes sir. - [Aitor] Sí.

- [Sara] How are you? - Like a bull. I even have a bigger appetite.

Now, we wait to see the reviews. But for now, it's clean.

- [Aitor] A toast to Óscar! - Excellent.

- [woman] Yes. Because of Oscar. - Health.

- We were so looking forward to it. - [Sara] Health.

[Oscar] Are you following up on the killer?

The diesel one? Not really.

- Our daughter is completely hooked. - ¿Mm?

Mm. It's just that there are a lot of us. women in crime novels.

I think there's something there. [laughs]

She studied Criminology.

Well, it was a second cycle at university.

Oh, I love it.

Look, I, without having studied I've never done anything, I'm good at it.

Hmm. You know, I always guess the endings. in thrillers.

[laughs] Well, when I was a kid, I was terrified about the issue.

It's even scarier now, isn't it?, because it doesn't stop.

- Is it proven that it was him? - Kill the cop and the prosecutor who locked him up.

- It's obvious. - [Aitor] Yes, yes.

- What does the expert say? - No. Not an expert at all.

- And we're not following the issue very closely. - No.

We're all a little bit morbidly curious, aren't we? Get wet, woman.

[Oscar and the woman laugh]

I don't know. Well, I think Aitor is right. No… It hasn't been proven that it's him.

You'll see.

- [Oscar] I have some gossip. - Yeah?

What are you waiting for? Come on, take it out.

Charo met the killer's daughter.

- What do you think? - [Aitor] Don't mess around.

[Charo nods] I was going to my high school, a couple of courses ahead of me.

And, well, it was… let's say that the girl wasn't right in the head.

The girl would have a life that is anything but easy, of course.

You told me you were sort of friends.

- Yes, but it didn't last long. - [Aitor nods]

[Charo] The teachers protected her, They were trying to keep it a secret.

- [Oscar] Of course. - I think I was in one of those phases…

So, are you going with González?

I think it's the most common one.

Very well. Then sign here.

This court approves the request.

From now on, Your legal name is Sara González.

[Charo] One day, She uploads a photo that says: "Daughter of a murderer."

- [Oscar] Oh… - [Charo] It's gotten really messy.

Of course, he left the institute and we never saw her again.

And what did you do?

For her, I say.

- They? - [nods]

[Sara] You were friends, weren't you?

Did you ever worry? Because of her, because of…? I don't know.

- [Aitor] Mm. - [Charo] Man, it's just that…

Well, I was a child.

She was a teenager. We would have to see the context…

Love, it seems that the context He's making it up a bit.

It gives that impression, I mean.

[Charo] Excuse me?

Oh, the psychologist, right?

- [laughs] Why? - [Charo laughs nervously]

- More wine? - [Oscar] Yes.

- I'll take it, come on. - [Aitor] Are you going? Come on.

Come on, another toast. Let's go.

[indistinct background conversations]

[slot machine buzzing]

- Isn't it not so horrible? - Coffee, yes.

[laughs] Well, But the place is very authentic, isn't it?

We are two normal people, in a regular bar…

Sure. - While drinking terrible coffee, though.

- You, chill. - As?

Chill.

- ¿Chill? - Chill. [laughs]

- Chill. - [Lorena laughs]

- Good afternoon. - [Marcial] ¡Eh!

[door closing]

- Marcial, give us one. - [Martial] I'm going.

[customer] Good afternoon.

Why are you doing this?

[Lorena] He's your partner, isn't he?

- You could talk to him or… - [Mario] Thank you.

Felix.

[Felix] Cobra.

That's it, charge him and tell him to leave.

[tension music]

[clink of coins]

[Felix] Thank you.

[Tension music intensifies]

[Mario] Román, Luis,

Let him go.

Okay. Go on, go away.

But don't come back.

- Killer. - [door]

- [music fades out] - Sara, where are you from?

- Of Oñati. - Of Oñati.

Your face seems familiar.

I don't know what about.

- He's from here, you must have crossed paths. - [Charo] It can't be.

- I loved the wine decanter. - [Author] Yes.

But it wasn't necessary at all.

You already gave me a gift at the office.

[Charo] You guys really goof off in the office, huh?

[Charo laughs] Have you been there?

In Santo Domingo.

No.

[Charo] Well, we did it twice. [laughs] It's a place…

- ¡Oh! - [broken glass]

I'm sorry.

- What happened? - It slipped out of my hand.

[Charo] Well.

- [Oscar] Let that be all. - [Charo] Yes.

[hand brake]

[engine stopped]

He was a neighbor.

Told me that the people from the fire station went there,

and…

Well, I didn't think that we would see them on the first day.

See you on Thursday?

No. I don't want to see you again.

[grunts with effort]

[mobile]

[opening of gate]

Hello.

[gate closure]

No, he's not making it easy for me at all.

Don't know. Well, I'll talk to him. I don't know what to do.

He is very angry And now he doesn't want to talk to me.

[Felix is ​​breathing heavily]

[Félix] ¡Ah!

Guests.

- [Felix coughs] - [Lorena] Felix?

Felix!

- Felix. - [choking cough]

- Felix, Felix. - [them]

Are you okay? Breathe, breathe. I'm going to call an ambulance.

Breathe, breathe.

- [Aitor] Would you like to go to Santo Domingo? - No, not a chance.

[Aitor] Hmm?

- By? - No, not at all. No.

[sighs] Oh, darling…

How are you?

Good. [laughs through his nose]

I feel like… well, That today's event turned out this way, just okay.

- Man, so-so, so-so… - Well.

It's because Charo He needs to be fed separately, my goodness.

- Jo. The next… - [Sebas] Hello.

- They've already left, haven't they? - Yes. You dodged a bullet there…

What are you going to take? Never mind. What are you going to take?

- Water. - Close it, close it.

- [Sebas] ¿Mm? - Would you like a drink?

- Well... - Oh well.

- Yes, okay, sure. - Neither good nor bad. Give him a small drink.

- Of wine? - Of wine.

You wet your lips.

- Me too? - Yeah.

Let's see.

Okay. Wet your lips, huh?

Come on.

Well… come on.

- For us? - For us.

I love you all very much.

[school bell]

You, come on.

What do we do after rowing? Something has to be done, right?

I don't know, go out or… - Go to Errezubi.

- Are you kidding me? - The other day you thought it was a great plan.

Great plan? They've killed two people. This is no fucking joke.

It wasn't him.

- Are you coming or not? - You're losing it. I'm serious.

- Now he's starting to lose it. - Yes. Yes.

What has Natxo offered you?

I defended you. I defend you all the time. In front of everyone, you know it.

To be the boss if Xabi comes back, right? That's it, isn't it?

- I haven't said yes yet. - Now we have to behave.

- Don't let them mistake you for the weirdo. - Nobody says that.

But going to Errezubi, I don't know, bro.

Tell me, what's with this obsession? Tell me!

[tension music]

[Tension music fades out]

Do you already have a diagnosis?

We still have three sessions left.

Ah.

[drumming with fingers]

Jaime, can I ask you something?

- [drumming stops] - [nods] Sure.

Are you worried about us arriving? At the heart of this, will we unearth something?

- What the hell is this about? - Be on the defensive.

Because I don't like it that make me feel this way.

So?

As well as?

Like a madman.

I don't treat crazy people.

Yes, that's exactly it. what you're supposed to say.

[sighs deeply]

Know?

I'm not as different from you as you think. [clicks lips]

I had one too.

episodes of violence in the past.

In my case, there were… two diagnoses.

Complicated grief and post-traumatic stress.

- I had no idea. - No, of course not. Nobody knows.

Not even my family.

Do you know who Félix Garay is?

The Diesel Killer.

I saw it on the news, yes.

[somber music]

I am his daughter.

And you, the first person to whom I tell it.

- [Mercedes] Are you okay? - You've asked me that seven times already.

This is all temporary, do you hear me?

In a few years, you'll meet some good people. that you can trust…

- No. - You'll be able to tell them…

No!

We're not going to talk about it with anyone.

You're hurting me, Sara.

[somber music stops]

And why are you telling me this?

Well… because your session It ended three minutes ago.

and because I wanted to see if he was able to tell someone.

Tough days are coming...

[pressurized air leak]

You've heard the doctor, haven't you?

If you ever feel that way again, You connect to oxygen.

- Yes, like a balloon. - [laughs]

You've had respiratory failure, no joke.

Weren't you going to tell me?

And what would have changed?

- I thought I had upset you. - [laughs]

Killing a murderer earns points.

But save his life, no.

[Lorena laughs]

Well, if I had known, I would have saved myself this trouble.

[Lorena clears her throat]

Because of the ambush.

[Felix laughs]

It had been a long time since…

Nobody gave me anything for free.

Well, I got them from you, you psychopath. Just the way you like them.

They are very good.

- You are welcome. - [breathes]

I'm going to make a call.

Well, I'm going to take this with me.

- Well. - OK.

[grunts with effort]

Thank you. We have screened. the list of return addresses by frequency.

Very well. Anything relevant?

Well, this is the one who has written to him the most.

Two or three times a year, according to the Penitentiary.

- Haven't you realized who it is? - Well...

[enigmatic music]

This was his companion, the one the daughter told us about.

Mario Elizalde.

[Mario] Hello.

Martial. - ¡Ey!

- Give me one. - Marching.

[enigmatic music intensifies]

[transition to pulsating, tense music]

[insect chittering]

[music tempo speeds up]

[whistle of pressurized air]

[Tension music intensifies]

[creaking of wooden floorboards]

[creaking of wooden floorboards]

[tension music fades]

[Tension music intensifies]

[Tension music continues]

[sighs deeply]

[noise]

[fast-paced music rhythm]

[Throbbing, tense music continues]

[opening the lock]

[The rhythm of the music slows down]

[pulsating, tense music]

[wheeze]

[mobile phone beeps]

[Tension music intensifies]

[fast-paced music rhythm]

[music abruptly stops]

Who are you?

[crawling of the fire]

[the crackling stops]

[peaceful piano music]

[music tempo increases]

[music rhythm decreases]

[transition to mystical music]

[music stops]