All language subtitles for young_love_xxx

It's the first X -rated war movie shot
on location in the South Pacific.

Prisoner of Paradise stars such film
greats as Sika.

Sika!

American, I said over here!

Fuck me!

And John C. Holmes.

Here's a weapon.

They thought you had the gun down there.

Pretty good joke, yeah?

Jade Wong, the sexiest Japanese soldier
you'll ever see.

Miko Moto, John's lovelorn girlfriend.

Nicky Edison as Private Carol Finley.
Brenda Vargo as Ensign Gloria Gianelli.

And newcomer Sue Carroll as Hans von
Schlemel's hand -picked she -wolves of

SS. Are mine girls ready for a little
relaxation now?

Yeah. We will have some fun with the
Americans, yeah?

Yeah.

American girls are lovely creatures.

They are so full of fight and spirit.

Nilsa, tie her up.

We will teach this American spy champ
how to behave.

They have their high points, too, you
know.

Cunning.

Intelligence.

And obedience.

Don't you come at me, you Americans.

Fine.

John C. Hall.

star cast.

Gail Palmer's Prisoner of Paradise, an
explicit war movie rated triple A.

It's a hot and saucy pizza girl.

They deliver. I say deliver.

That peach's girl is back.

Desiree Custo.

I don't care. It's a fringe visit. I
like the best.

if I made you wait a while.

You're nothing at all like the boys back
home. All they want is pussy and pussy

and more pussy.

This reminds me of Alabama.

Yes,

Desiree is back and she's in the pizza
business.

Delivery, that is.

He's got her girl.

He's got John home.

He's got trouble.

Holy fuck.

Who's the night chicken?

You said protection.

That son of a bitch just attacked me.

But you better guarantee that that job
is finished tonight.

Well, I quit.

I'm not about to get hit by any six
-foot chicken. I just don't want to get

fucked by no chicken. Folks, it's
Desiree.

Candida.

Lorian. Well, let's do it when your time
is up.

Vicki.

Christine. And the great John Holmes.

She's got her pizzas.

Conventioneer special.

Head cheese, head cheese, bell pepper,
bell pepper, and the high -protein

delight.

See hot and saucy pizza girls. The
Country Girl Pizza Parlor has very high

standards, and since I do the hiring, I
feel that I should check your references

closely. I don't like that chicken pie.
No, no, I don't want no apple pie. No,

no, that's all I want.

They deliver.

She blew it, man. She just blew it. She
comes walking right in the door. There's

Tia and Alice and I.

Oh, you've got to be kidding.

No. Don't even more.

Well, I just cannot wait to get back at
her is all I can say after all that.

After the way it's been. Yeah.

What's going on?

Listen,

I've got to get back to work. Okay, bye
-bye. Okay, bye -bye. See you later. Bye

-bye.

You must be here for your appointment
with Hal.

Yeah, right.

Well, Hal is really a promoter.

In the business, knows what he's doing,
got the money backing, got the car, got

the connection.

That's really fantastic.

Annie, if you want to make it, this is
your chance. Really a chance.

Don't pass this one up.

What were you guys talking about when I
came in?

Well, you got us there.

Well, Lou was out a couple nights ago.

Went over to visit Sherry. You met
Sherry, haven't you? Yeah.

Well, went inside.

And you're just not going to believe
this. This is so out of sight. It's so

incredible.

There. Sherry and John?

Yeah. I find that hard to believe.

Yeah. Are you spying on us?

Oh, no.

No. I walked in the door, you know.
Like, I was just walking the door over

there.

And there they were.

God.

It's really going to be a bummer if
Sherry's old man finds out.

I hope he does.

As a matter of fact, I think I'm going
to make a point of making sure he does

find out.

Why?

Well, that bitch stole my old man from
me one time, and so I think I'll just

need a little bit of trouble for her.

Who in the hell is that?

That must be Marge. Oh, right.

Come on in.

How you doing?

Well, I just happened to have some of
this 97 % good dope that I thought maybe

you might like to share with me, huh?

Want to do it?

Sure.

Never passed up a chance.

Take a hit, it's a bomber.

You know, like a traveler, huh? Oh, yes.

Just keeps rolling right along.

Really nice.

Kind of sweet, isn't it? It's tough.

Why don't you do that number that you
showed me about a month ago, you know?

You remember that. Yeah, I kind of like
that. I don't think you've seen it. No,

I haven't. This is fun. Let me see if I
can ask you.

Okay, you ready? I'm ready.

I'm going to fart out.

I don't want to do it.

No, you just start.

That's all right.

Suck in.

I want some.

What's my Bogart, you guys?

Good idea. Good idea.

Oh,

yeah?

What's going on?

I don't have my chance at blackmail.

Lou was just furious.

Don't blame her. I mean, really.

You know, that sherry check did one for
the old man before. You're kidding.

No, and it was, well, she was pretty
upset about it anyhow.

So sad.

Hi, Jimmy. Ray.

How's it going?

Going. Busy, huh? Oh, yeah. All right.
Coming, going.

I've got a friend here I'd like for you
to meet. This is Annie.

Annie, how you doing? Good, how are you?
Nice meeting you.

You're sending the fellas to work?

Yeah, they went down.

This video will be in a minute. It's got
to be a minute ago.

Oh, yeah?

I've got to do a thing for a couple of
hours, but I'll be finished by 8.

Oh. Something happened.

Well.

Well, I'll probably be busy.

All right.

All right.

I'm in school.

I'll be back up.

I mean, Annie,

nice meeting you. Nice meeting you, too.
All right.

Later.

The last story's about that one. Oh,
really? Yeah.

Let me tell you.

What's up, man?

What's up, D?

What's all right?

Man, you look at you, man.

Where you been, brother?

Where you been? Hey,

man, get out of the way.

We might as well do something, man.

Get out there and see what happens.

Turn up, man.

See what it is.

Let's see if we can get off on that old
song we made up. See what happens.

Yeah, give me some power.

Yeah,

there you go.

A little more on the bass over here.

Come on drum.

Come on, come on.

Thank you.

You buy that dress just for today?

Yeah, I did. I had to have something.

It was a good choice.

It was. You think so? Yeah, it's a good
idea.

Oh, it's a good idea. He's a... You just
can't make any business without a good

contact, man. And if you're going on a
good one, he's a good one.

Here he comes now. Come in.

Hi, Al. Hi, Nia.

Here are your messages.

Oh, thanks.

And this is your appointment this
afternoon.

This is Ann.

Hi, Ann.

She's ready to discuss.

the details the contacts yeah good
amazing do

you have much experience have a little
bit

Get off into that.

Little black rose.

What did you

think of that band?

They're really good. Yeah, they're
really good. Fantastic.

Listen, though, you haven't seen the
rest of the studio.

No, I haven't seen any of it yet. Why
don't we get to look around?

That sounds like a really good idea.

See?

Hey, hello. What's going on?

Showing Annie around the studio. Annie?
Hi, how are you? Hi.

Hey, how's the film going along, huh?

Pretty good, man. I've been working on
it here.

Yeah?

Yeah. Good.

Look, you know, I'm doing a lunch break.
You don't mind if I take a nap, do you?

Oh, no, no. Go ahead. Take it.

Take an hour and a half.

Okay. I will.

Hey, Annie, it was nice to meet you.
Nice to meet you.

Keep together, then. Yeah, I'll see you.

Hey, what kind of films are you making
anyway?

Oh, promotional stuff.

Make the stars big, you know, push their
records.

So what do you think about it?

Yeah, but sometimes it gets in the way.

Yeah, it did.

Yeah, I, uh... Let me lock the door.

We'll run right in the halls.

I'm going to buy.

I'm going to sell.

If you want to prove.

I live with you.

If you want to prove.

I live with you.

Thank you.

Thank you.

Thank

you.

Thank you.

If you want to prove it,

I'll share it with you.

Thank you.

Oh, I had one of the all -time big
things.

What? Jimmy's here.

Oh, he is?

Mm -hmm. That's good.

Don't believe me.

Get behind that action. Yeah. Yeah, last
time we were out, it was his dad's baby

trip. But that's not really the
headliner this morning.

What?

Tell us.

You know Hal from L .A., record
promoter.

Well, little Annie came in, the new one
that wants to cut the record. Have you

met her yet?

Long hair. Yeah, yeah.

She's here, right?

And so he finds out that she wants to
cut a record, and he lays the trip on

He's just checking in, he's trying it
all, just moving in on her.

Gets her in the corner, slips through
the editing room. I'm sitting there, you

know, and right there.

In front of everything.

Oh, yeah.

He didn't even take... Yeah, he didn't
take any time at all. Hi, Marcia. How

you? Hi, Jimmy. This is... Oh, you know
everybody, don't you? Hi, everybody.

How's everybody today?

Why don't you get a chair and sit with
us?

I don't have time today, baby. I've got
to go. I've got a short lunch hour.

You got any place special in mind? Can I
do anything for you?

As a matter of fact, I do.

Well, my meter's just about out. I'd be
happy to give you a blip. Would you

really? Sure, be happy. Thank you very
much. Let's go. Oh, wait a minute. We'll

see you on the air. See you, Doctor.

Okay. Here, just for the check.

And I'll remember you.

I'll tell you the rest of the stuff
later. Yeah, over here.

Well, here we are again.

It's been a long time.

Sure has.

Too long.

This will get together much more often.

You're probably right.

Oh, I know I'm right.

Mm -hmm.

I'll pick out your shoes for you.

Yes.

Thank you.

So, uh, we have Studio B reserved for
you for 4 o 'clock tomorrow afternoon.

Huh? Bye -bye.

Thanks for pulling that extra time for
me. Yeah, you're welcome.

I'll do it for you next week, right?

Okay. Okay. Get back to my work now.

Hey, Lou, how's it going? Hi there. All
right.

See you later.

What's happening, babe? How about a
little lunch?

Well, I hate to tell you this, but I
just got back from lunch.

Look here. Why are you putting the
freeze on me?

I mean, I thought we were supposed to
have at least a little something.

Well, you know, here at work, it's a
little difficult.

Yeah. I know what you mean.

Oh, excuse me.

Well, look here, I'm going to take off
anyway, because I've got to go back to

the studio and do the rehearsal, but
maybe something tonight, huh?

Maybe. All right, we'll do whatever.

Okay, all right. See you.

Hi, Ellen.

Yeah. Right.

Mm -hmm.

I have a little story for you.

Yeah. I took Marcia and Ginny home after
lunch, and I thought that maybe

Marcia had picked up some stuff of mine,
so I went in after to see that and

walked through the house, and you'll
never believe what I saw.

They were doing their own little special
thing for lunch.

Hey, that's wild.

Yeah. I don't think I'm going to do too
much tonight.

I think I'll just go to bed with a good
book or something.

Yeah, okay.

I'll see you later.

Hmm. Hi.

Thank you.

How you doing? Are you finished
recording?

A little while, a couple of hours.

Why don't you get going?

Well, I tell you, I have this new bottle
of wine at home.

Oh, yeah? And I haven't encroached it
yet.

What do you plan on doing with it?

Well, maybe I could find somebody to
unscrew it for me. Maybe. Maybe I could.

See what happens? Yeah. All right.

Thank you.

What's happening there?

Right? Yeah. I'll see you later, babe.

Yeah. Right.