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Narrator: buried in the ruins Of this building
Are the remnants Of a broken dream.
Here, more than fifty years ago, Began a controversial experiment
That many believed would lead To a startling breakthrough.
Man: it wasn't science fiction.
It was a breakthrough
Of potentially World historic significance.
Narrator: The experiment involved
Communicating with dolphins.
And if successful, it would Not only change our world;
It would open up the door To other worlds beyond us.
Man: we wanted to understand As much as we could
About what the challenges Were going to be
In communicating with Other intelligent species.
Woman: come right out With the english, peter.
Don't even think In your own language.
[dolphin squeaking]
Narrator: but after years Of intense effort,
The dream spiraled Out of control.
Woman: he said, "Alright, I'm gonna inject the lsd."
And I said, "Whoa! I will have Nothing to do with that."
Narrator: in its wake, The research left devastation.
Woman: the worst experiment In the world,
I've read somewhere.
Narrator: Now, for the first time,
Those with knowledge of this Notorious experiment speak,
And they tell a story
Almost too shocking To be believed.
If there's one thing That defines us as human,
It's our ability To think and use language
To communicate with each other.
But we don't just talk To other people.
Man: do this, vickie.
Narrator: in the 1950s,
Researchers tried communicating With the great apes,
Teaching them sign language
And even teaching english To chimpanzees.
Man: another sound Resembles the letter "K."
Vickie, sit up, girl.
Come on.
Do this. Kuh.
[vickie sputters]
Man: vickie has to hold her hand Over her nose.
Narrator: but these experiments Didn't consistently demonstrate
That animals could talk to us,
Or that they could Think independently.
Yet one pioneering researcher Refused to give up on the idea.
His name was john lilly.
Graham burnett: lilly's A fascinating character.
He was a super smart, Physics-oriented caltech grad
Who, during The second world war,
Ends up doing experimental work On american pilots.
And then subsequently, As his research life develops,
Increasingly interested In animals.
Narrator: in the 1950s,
Lilly was A respected brain scientist
Working for The u.S. Government's
National institute Of mental health.
His focus was what The brains of animals
Could reveal about our own.
And for his subject He chose an animal
With a brain of surprising Size and complexity--
The bottlenose dolphin.
[squeaking]
Graham: this is a big brain.
This is a bigger brain than We're accustomed to working on.
In fact it's a bigger brain Than a human brain.
Narrator: About 30% bigger, in fact.
Lilly's search For dolphins to study
Took him To a well-known aquarium
That doubled as an underwater Movie sound stage.
Graham: Marine studios in florida
Is one of the first institutions In the postwar period
To keep the bottlenose dolphin In captivity.
Lilly makes his way down there In order to have access
To some of these animals For experimental purposes.
Narrator: lilly began doing His brain experiments
On the dolphins At marine studios
And recording their reactions.
One day, in 1957,
This research Triggered a behavior
That would change The course of his life.
The first to spot it Was his wife mary.
While john and his team Were working nearby,
She noticed Something they'd missed.
Mary lilly: I came in.
I heard john talking.
John lilly: chi chi. Chi chi. More, more fish.
[dolphin squeaking]
Mary: and then I realized
It was hearing their voices And imitating them.
I went down to where They were operating
And told them That this was going on,
And they were quite startled.
John: more, more fish.
[dolphin squeaking]
Narrator: lilly was convinced
The dolphin Was imitating the humans,
Trying to speak to them.
Graham: For the rest of his career,
Lilly would write about and Talk about that moment in 1957
Where it all Popped open for him.
He thinks that this indicates Ambition on their part
To communicate with the beings Around them that are human.
Narrator: if he was right,
It would be one of The biggest discoveries
In the history of science.
Graham: a breakthrough Of not just scientific
But potentially even World historic significance.
Humans were being displaced From their position
Atop the cosmos Of intelligent creatures.
We were not alone.
[squeaking]
Announcer: And now...Here's jack.
[applause]
Narrator: News of lilly's research
Into dolphin communication
Captured The public's imagination.
For the first time, Here was another species
That seemed to be trying To make contact with us.
And in 1961 he published a book, "Man and dolphin,"
Revealing his findings.
Jack paar: doc, what was Your prediction in your book
That caused such comment?
John: I predicted that Within a decade or two
That the human species would Establish communication
With another species.
Jack: this is a scientist.
This isn't some, you know, nut That I've brought out here!
This man knows what he-- He may be a little nutty.
John: thank you!
Jack: but he's a real Acknowledged scientist.
Now, roll this film,
And you're going to see Some interesting things.
These are some Of the sounds they make.
What in the main do you think Dolphins talk about
Among each other?
John: oh, food, sex, And danger.
Jack: sounds like westport, Connecticut, to me there.
[laughter]
Mary: hi.
Narrator: Lilly's talking dolphins
Proved more than a passing fad.
In fact, For one group of people,
His work had A special significance.
Man on radio: Ok. Back-up is in.
Man: lift-off!
Narrator: In the early sixties,
America was in the midst Of a space race,
Launching satellites And manned spacecraft
To the moon and planets.
[indistinct radio chatter]
Narrator: surprisingly, The ideas in "Man and dolphin"
Struck a chord With american astronomers
Who were searching For extraterrestrial life.
They were led by frank drake.
Frank drake: It was a very exciting book
Because it had these new ideas--
Particularly the idea
That there could be creatures
As intelligent and sophisticated
In their thinking as us,
And yet living In a far different milieu.
Narrator: drake and his team
Were part of an official Government-funded project
Using radio telescopes To listen for signals
From other intelligent life In the galaxy.
For them, lilly's work was Potentially groundbreaking.
Drake: the possible Intelligence of dolphins
Was of special interest to me
And the others Who were interested
In extraterrestrial Intelligent life,
Because we wanted to understand As much as we could
About what the challenges Were going to be
In communicating with Other intelligent species.
There might be other Civilizations in space
Attempting to send us messages.
The detection Of extraterrestrial signals
Are going to be One of the most exciting things
That ever happened.
Narrator: astronomer carl sagan Was also part of the seti team.
Carl sagan: it's possible, But by no means certain,
That life on many Of these planets
Evolves into beings
Which are as advanced as we, Or more advanced.
Narrator: lilly realized The astronomers' interest
Opened up a new opportunity For funding.
Graham: lilly brilliantly Pitches the space administration
On the idea that they need A model organism
Upon which to experiment
For the prospect Of an encounter with aliens.
Narrator: in 1961,
Nasa and other Government agencies
Gave financial backing
For lilly to construct A state-of-the-art laboratory.
The modern white villa Was known as the dolphin house.
Reporter: at st. Thomas In the virgin islands
Stands a unique laboratory.
Narrator: here, a thousand miles From the american mainland,
He would now focus on research
Into human communication With dolphins.
And in this idyllic setting,
A strange new chapter in Scientific research would begin.
John lilly was convinced The dolphin's large brain size
Gave it the capability To learn a human language,
And he set out to prove it.
Lilly had assembled a team Of brilliant researchers
To help him in his quest.
But in 1963, he struck gold.
Graham: he recruits A very significant figure,
Gregory bateson, An anthropologist,
Who rounds out his team
For thinking big About these animals.
Narrator: gregory bateson
Was an intellectual giant Of his time.
He had explored subjects
Like linguistics And human anthropology
At cambridge And sydney universities.
He'd also been studying Animal behavior.
Lois bateson: gregory had been Doing behavioral work,
Not only with humans,
But with otters,
And we had in our house 17 octopuses.
And we were studying Their personal relationships,
Which was interesting.
Narrator: bateson's focus
Wasn't on humans Communicating with animals,
But rather how animals Communicated with each other.
He brought his wife And 11-year-old stepson eric
With him to st. Thomas.
Eric bateson: My dad was much more interested
In the interaction Between the dolphins--
Looking at the posture Of pectoral fins.
Does this mean something?
Or the alignment of two Animals swimming together.
Is this sexual, Or is this just friendship,
Or is this just Waiting to be fed?
Narrator: the house was built Over a single outdoor pool
Where the dolphins would live.
Linked to the sea, It was cleaned by the tide.
Lilly's new lab Offered the best conditions
For observing the dolphins In captivity.
And a window allowed bateson
To observe The creatures underwater.
Eric: I actually thought It was fantastic.
I mean, the water Was absolutely crystalline.
That was neat.
I mean, it was just all new.
It was exotic.
That's the best word I can say for it.
Narrator: early in his study,
Lilly brought in Andy williamson,
The island's veterinarian,
To ensure the well-being Of the dolphins.
Andy williamson: Dr. Lilly called me,
And he put me through An interview.
His concern was The health of his animals.
He wanted to be sure that I could relate to the dolphins
By putting me in the water With them.
Narrator: then, in early 1964,
Margaret howe came to the lab.
Margaret was an attractive 22-year-old college dropout
Who had come to st. Thomas In search of adventure.
She heard rumors
About a strange house At the eastern end of the island
Where people Worked with dolphins.
Margaret howe: I was curious,
And I drove out and found signs Saying "Keep out."
It was pretty isolated.
I said, "Well, I heard You had dolphins here,
And I thought I'd come and see If there's anything I can do
Or if there's any way I could help."
Narrator: Margaret met gregory bateson,
Who invited her to observe The dolphins in the pool
And write notes About their behavior.
What she wrote impressed him.
Margaret: he said, "You're able to see things.
You can come here Anytime you want.
We can't pay you, But you can come here.
Would you like to do that?"
"Yes," I said. "Yes, thank you.
I will come back here anytime."
So I did.
Narrator: the dolphins came From marine studios in miami,
Where they'd been used in Filming for the movie "Flipper."
[dolphin squeaking]
There were two female dolphins-- Sissy and pam.
[squeaking]
And then there was One male dolphin.
Eric: Peter was an immature male.
I don't think He was fully mature.
He was different.
Margaret: he was definitely A young guy.
Sexually coming of age, I'm sure,
And liked sissy.
And sissy Was always having to...
Lois: she'd "Bip!"
Flip him off like that.
Narrator: by 1964, The lab was in full operation.
Lilly was often away traveling,
Publicizing his work Or raising funds,
So he left much of the research To the others.
He had margaret Pick up the mimicry work
Where he'd left off.
Her job was to try To encourage the dolphins
To copy the specific sounds Of human speech.
Margaret: they can click And squeak and whistle
And do all the dolphin noises, And there are many.
But this human-like sound,
Humanoid they call it--
Not underwater, in the air,
And through the blowhole.
Andy: the blowhole,
Where they force air Out of the lungs,
And the lips on the blowhole Actually open and close,
And they can talk that way,
If you want to call it talking.
Narrator: margaret focused
On one of the dolphins In particular--
The male.
Margaret: I really chose To work with peter
Because he had not had Any human-like sound training.
The other two had.
My first goal was to get him To listen while I speak,
And then I would listen While he speaks,
And we would set up This conversation-type thing
Where we could make Some sort of progress.
Today is january 27th.
The time is 0900 hours.
[dolphin clicking]
Narrator: much of the work In the dolphin house
Was captured on tape,
And these are the real Sound recordings
Of margaret's lessons.
Margaret: a, e, I, o.
[dolphin squeaking]
Narrator: but from the start, Peter was a reluctant pupil.
Margaret: speak for fish.
Don't squirt.
He would listen to me,
And I would say, "No, no, no, no, peter.
What I want you to do Is count to three.
You're going to say, 'one, two, three.'"
And peter wouldn't repeat Everything I told him.
He would work on the...
[makes dolphin noises]
[dolphin squeaking]
Margaret: listen, 1, 2, 3.
[dolphin squeaking]
Margaret: You can do better, peter.
We had a few disagreements On things.
He could slap his tail.
You know when A dolphin is annoyed.
One, two, three. I've already done that.
One, two, three. I told you I've done that.
I'm gonna do it one more time.
One, two, three, And now that's it.
And he'd disappear.
[dolphin squeaking]
Narrator: but while margaret's Work with peter continued,
A new development occurred
That would dramatically change The nature of lilly's research.
By early 1965,
Margaret felt the daytime Experiments with peter
Didn't reveal enough About dolphins--
That it should be A 24-7 venture.
Margaret: I said, "I will stay And I will do this."
And lilly said, "What's that?"
I said, "I want to plaster everything
And fill this place with water.
I want to live here with peter."
And lilly got very excited.
And he went for it.
Narrator: margaret drew up Radical plans for the house,
Redesigning the layout Of the upstairs rooms,
Altering their shape And making them waterproof.
Margaret: the building Had not been built to flood,
And we're gonna flood the place
Comfortably knee deep, A little bit deeper.
And I didn't want to Just be indoors for so long,
So the balcony as well.
Eric: They had a giant elevator.
You'd get the animal On the elevator
With a sling under it.
That's how the animal Got up and down.
Narrator: margaret had created A domestic dolphinarium
Where she and peter Could live together
In a semi-aquatic environment.
Margaret: I had a desk Hanging from the ceiling,
A telephone,
And a little stove, I could make tea.
I was on a foam cushion,
And peter would sleep Next to me.
And he would sleep As long as I did.
And I lived there day and night, And it was perfect.
Narrator: and so, in june 1965, Margaret's experiment began.
Over the coming months, She'd live with peter,
Devoting herself To teaching him english,
Like a mother Teaching a child to speak.
Margaret: 1, 2, 3, 4.
Narrator: these are the actual Audio recordings she made.
Margaret: today is august 18.
This is the morning lesson With peter.
Hello.
[dolphin squeaking]
Margaret: hello.
[dolphin squeaking]
Margaret: come on.
I didn't talk to peter The way I talk to you.
I...I spoke In single words usually
And made inflection--
Something that he could follow.
That they were very good at.
The enunciation was not good,
But if I said, "One, two...
[in higher pitch] ...Three,"
I wouldn't get one, two, three,
But I would get... [makes squeaking sound].
Margaret: 1, 2, 3.
[dolphin squeaks]
Margaret: good!
Narrator: But as hard as peter tried,
There were some anatomical Restrictions
That limited his speech.
Margaret: "M" is very difficult.
My name.
You know, "Hello, margaret" I worked on,
And "M" is just impossible.
But he eventually rolled over
So that it kind of... Mwaa...
He would bubble it Into the water.
Mmmmm.
Margaret.
[dolphin squeaking]
Oh, he just couldn't Get it right.
And he just would try And he would try. Oh, god!
Narrator: to help with Peter's pronunciation,
Margaret wanted To draw his attention
To the movement Of her mouth and lips.
Margaret: his blowhole And my mouth
Sort of were trying To do the same thing.
I actually put a white makeup--
Thick white and black Around my mouth--
So that when I was talking To him or teaching a word,
He could really see my blowhole, As it were,
And I would really use my mouth With this makeup on it.
Fish in bucket.
[dolphin squeaking]
Narrator: lilly was impressed With margaret's progress,
Thinking it vindicated His research.
Lilly: I feel armed With a kind of knowledge
That we could never Have obtained
Except through These experiments.
This must be supported and Enthusiastically encouraged.
Margaret: I felt very supported And encouraged to do more.
Narrator: the batesons, however,
Were skeptical about Teaching dolphins english.
Lois' husband gregory Doubted its scientific merit.
He felt that his research on Dolphin-to-dolphin communication
In the sea pool downstairs
Was of more value than Margaret's research with peter.
Lois: she was certainly Trying to see
If they could be trained To speak english...
[laughs]
Which was an ambitious plan.
It was interesting,
But, you know, It wasn't our cup of tea.
Narrator: Despite the batesons' doubts,
Margaret persevered.
She began using peter's Curiosity and playfulness
To keep him interested In the lessons.
Margaret: let's go through All our toys, peter.
Ball.
[dolphin squeaks]
Margaret: good.
Oblong.
[dolphin squeaks]
Margaret: good!
Triangle.
[dolphin squeaks]
Margaret: oh, nice, peter!
Beautiful!
[beeping]
Narrator: meanwhile, nasa Was monitoring the experiment.
That summer, they sent Astronomer carl sagan to the lab
To evaluate its progress.
Margaret: hello!
[dolphin squeaks]
Margaret: oh, I like it, I like it, I like it, peter!
Good boy.
Narrator: it didn't take long For sagan to conclude
That despite margaret's efforts,
Peter was far from being able To understand and use english.
[dolphin clicking]
So instead of teaching The dolphins a human language,
Like the batesons,
Frank drake suggested Lilly study
How dolphins communicate With each other.
Drake: and so we would suggest To have two dolphins,
One in each tank of water, Separately,
Not able to see each other,
But to be able to hear Any phonations,
One to the other.
And that he should teach One dolphin some procedure
By which it could obtain food
And see if it could Tell the other dolphin
How to do the same thing In its tank.
Narrator: lilly dismissed Drake's suggestion
And instructed margaret to Continue her lessons with peter.
Margaret: ball.
Narrator: but lilly's defiance Would soon prove disastrous.
During the summer of 1965,
Margaret howe continued Her research work with peter
At the dolphin house.
But back on the mainland,
John lilly's interests Were shifting.
Lsd had gained popularity As a powerful drug
With remarkable Mind-altering properties.
Brain scientist lilly Became obsessed
By how humans reacted to it,
Including himself.
He experimented with the drug,
Convinced it would steer him To new insights into the mind.
Margaret: there was one time Where he said,
"Alright, I'm gonna go up And inject the lsd."
And I said, "Whoa! I will have Nothing to do with that.
And I will stay out of that,
And you stay out Of my business,"
Which was dolphins.
Narrator: while lilly was Journeying deep into his mind,
Margaret got a crash course
In one aspect Of a dolphin's basic instincts.
Andy: they have sexual urges.
Peter had caused margaret
Some minor injuries On her legs and stuff,
Pushing like an obsessed suitor.
Margaret: in the beginning
When he would get rambunctious And had this need,
I would put him On the elevator and say,
"You go play with the girls For a day."
Narrator: but that Only worked temporarily.
Peter's urges Grew more frequent.
And soon margaret felt
That the best way of focusing His mind back on the lessons
Was to relieve his desires Herself, by hand.
Margaret: it was just easier To incorporate that
And let it happen.
It was very precious.
It was very gentle.
It was sexual on his part; It was not sexual on mine.
Sensuous perhaps.
And that's really all it was.
I was there To get to know peter.
That was part of peter.
Andy: it was great that she Wasn't gonna be damaged by that.
But as a veterinarian, I wondered about poor peter.
This dolphin was Madly in love with her.
Margaret: margaret.
[dolphin squeaking]
Narrator: by now, Anthropologist gregory bateson
Was seriously questioning
The value of margaret's work With peter.
Eric: my dad had, I think, A pretty firm and clear view
That this was a kind Of circus trick.
Narrator: for bateson,
Peter was simply Copying margaret's sounds
With no real comprehension Of what he was saying.
Eric: I can't see why Anybody in their right mind
Would think they were Going to be able to teach
Or to learn to speak In some common language.
You're not Demonstrating anything
About an animal's Capacity for language
By getting them to master Some part of your language.
You want to find out Whether they have language.
You want to find out what They have for their language.
Margaret: come right out With the english, peter.
Don't even think In your own language.
English all the time.
Margaret!
[dolphin squeaking]
Margaret: better. Thank you, peter.
Narrator: Like gregory bateson,
Lilly's funders Were also having doubts
About the value of the research.
Some were starting to pull out.
Lilly grew increasingly Desperate for results
To impress his backers.
He turned to the one experiment He had so far resisted.
Graham: Why wouldn't you go ahead
And use this very powerful drug That has been used
To facilitate psychotherapy--
Namely lsd?
Take a little bit yourself
So you're a little more open To the alien world of the other.
And, heck, while you're at it, Give a little bit to the dolphin
So that they're A little bit more kind of open
To the communicative world Of the other themselves.
Narrator: lilly hoped That giving the dolphins lsd
Would have a dramatic effect.
It had been used Experimentally in research
On animals and humans Since the fifties.
His decision shocked margaret.
Margaret: My first thought was, not peter.
I just said, "Not peter."
What was I? 24 or something.
It was his stuff, It was his animals,
It was his pool.
I can't stop him.
Narrator: Margaret reluctantly agreed
To help lilly With the lsd experiment.
Margaret: he pulled back, And he said, "Ok, not peter."
We pulled peter out Of the sea pool where they were.
So pam and sissy Were in the sea pool.
And john did inject them With lsd.
John: 10:06 p.M.
Lsd, 200 microgram dose Continued.
Andy: different species React in different ways.
Playing with pharmaceuticals
Is tricky business To say the least.
Margaret: we didn't know What was gonna happen.
And we certainly weren't Prepared for anything to happen.
The dolphins were circling.
And john occasionally glanced
And said, "Oh, well, It's only been ten minutes."
And nothing was going on,
And it's been, Well, twenty minutes now.
Nothing was going on.
Nothing, nothing, Nothing happened, period.
Narrator: lilly was anxious To provoke a response.
Standing by the pool, He came up with a cruel idea,
Which shows How far he had strayed
From genuine Scientific research.
Margaret: and he picked up A jackhammer.
Jackhammer makes a big thunk Going through the earth
And the cement and the rock,
And he just started Jackhammering,
Which had everything Sort of shaking.
And still nothing happened.
So that was Sort of the end of it.
Narrator: for gregory bateson,
Lilly's use of lsd On the dolphins
Was the last straw.
He packed up his family And left.
Lois: we had learned As much as we could
From that particular setting In st. Thomas,
And we just felt It was time to go.
Narrator: By the summer of 1966,
With the batesons gone and His government funding depleted,
Lilly was running up Large debts.
And in his lsd-fueled world,
His attention was drifting away From research.
Margaret: he lost focus on it,
And the drug culture and the lsd Took his interest away.
It did fall apart at the end...
Badly.
Narrator: lilly's dream lab Would have to shut down.
But another problem emerged.
Andy: when you're dealing With live subjects,
Whether they're rats Or monkeys or dolphins,
What do you Do with them after...
After the experiments are over?
There was nothing We could do about it.
Narrator: lilly decided To transport the dolphins
To the u.S. Mainland
And keep them In another private lab
He ran outside miami.
It meant the end of margaret And peter's relationship.
Margaret: he wasn't mine.
I couldn't keep him.
We couldn't elope.
We couldn't rush off Into the sea
And disappear and hide.
You just can't do that.
Narrator: after months of living Almost continuously with peter,
The experiment was over.
[dolphin squeaking]
Narrator: in october 1966,
All three dolphins were loaded Into traveling tanks
To be flown to lilly's lab In south florida.
Margaret: seeing that plane Take off and circle...
I didn't go with them.
That was emotional.
Narrator: margaret and andy
Believed the animals Had gone to a good home.
Andy: I was told that They were shipped someplace
Where they would be very happy.
Margaret: I was told He arrived healthy,
That they had him Checked by a vet.
Narrator: in reality, this is The building outside miami
Where the dolphins Had been moved to.
With little or no natural light And tiny cramped tanks,
This nightmarish room
Was a very different environment To the dolphin house.
[dolphin squealing]
Lilly's friend ric o'barry Remembers once visiting the lab.
Ric o'barry: It was awful, to be frank.
It was awful.
The first thing that hit you Was that smell.
[dolphin shrieking]
Dolphins urinate and defecate
Three to five times The quantity people will,
So you can imagine the stench
Of having dolphins Inside of that small room,
In a plastic Portable swimming pool.
And the chlorine, Copper sulfate, chlorine.
Heavily chlorined.
And, uh, yeah, it was awful.
It was awful.
[dolphins squeaking]
Narrator: Back at the dolphin house,
Margaret was unaware Of the conditions
The dolphins were now kept in.
Weeks passed,
And then margaret received A phone call about peter.
[ringing]
Margaret: I got that phone call From john lilly.
John called me himself To tell me.
And he said He committed suicide.
Ric: suicide--
And I use that word With some trepidation
At the risk of sounding Anthropomorphic--
But it does describe
What is indeed Self-induced asphyxiation.
They're not automatic Air breathers like we are.
Every breath Is a conscious effort.
If life becomes too unbearable,
The dolphins just take a breath And they sink to the bottom.
They don't take That next breath.
Narrator: the shock of being Moved from the dolphin house
Had been too much.
Peter, it seems, Had died of a broken heart.
Andy: you could think that Margaret could rationalize that.
But when she left, could peter?
Here's the love Of his life gone.
Narrator: fifty years Of ocean and storms
Have taken their toll On the dolphin house.
Today, this decaying shell is All that remains of the building
Which housed one of the most Controversial experiments
In the history Of animal science.
Graham: in the ruins Of the dolphin house
It's easy to see The pathetic brokenness
Of lilly's own Extraordinary ambition.
Margaret: boy.
[dolphin squeaking]
Margaret: lovely.
Graham: People who study language
Aren't really persuaded that His claims about dolphin talking
Are really informed By the best work
In the study of language itself.
Narrator: instead, today's Leading animal language experts
Believe what happened At the dolphin house
Was in reality a sophisticated Mimicry experiment.
Margaret: fish in bucket.
[dolphin squeaking]
Margaret: yes!
Graham: your parrot says, "Polly want a cracker,"
And you give that parrot A cracker.
Have you broken through To an alien species?
Narrator: peter could copy Margaret's sounds
And relate them To objects and people.
What he couldn't do Was form these sounds into words
That would communicate Spontaneously back to her.
Margaret: He listens to me.
Narrator: for margaret, This was simply because
The experiment Was stopped too early.
She believes peter's progress Was far more advanced
Than a human infant's Would have been
After the same coaching.
And with more time,
She feels she would have Taken his communication
To the next level.
Margaret: six months.
You have a six-month-old baby. They're doing that? No.
You're talking to them All the time,
Sleeping with them, Hugging them, cuddling them,
Are they doing that? No.
It's nothing.
But people are impatient.
Do more, do more.
Narrator: Throughout the 1970s and '80s,
Lilly's desire to communicate With dolphins continued.
Some of his research Was bizarrely mystical,
Like this attempt to try to Contact them telepathically.
The failure of the dolphin house
Killed off Serious scientific interest
In teaching animals A human language.
Tarnished by the reputation Of his work,
John lilly's use Of mind-expanding drugs
Increased In the following years.
But as he got older,
Lilly's appreciation Of dolphin intelligence
Got him thinking About the animals differently.
Ric: up to that point I think he was very involved
In what dolphins can do for me,
John lilly the scientist.
And something happened Along the way
Where he understood they have Just as much rights as we do,
And let's start thinking about What we can do for them.
Lilly: I had no right To confine them,
To imprison them,
To work on them.
My only right Would be to work with them
In their natural habitat,
In their natural state.
Narrator: in the mid-1980s
Lilly began campaigning Relentlessly
Against holding Dolphins captive.
This, together with the profile His work had given dolphins,
Helped elevate them In the eyes of the public.
And for organizations Like greenpeace,
They became an iconic symbol of The wider conservation movement.
Graham: that story Of a rising campaign
To afford new protections To the world's marine mammals--
I would argue it's impossible To imagine that work
Without lilly's legacy.
Narrator: John lilly died in 2001
After a short illness At the age of 86.
Margaret howe Stayed on in st. Thomas
And married john lovatt,
The photographer who had taken The pictures of her with peter.
Remarkably, she and her husband
Continued living in the house For another ten years,
Converting it into a family home And bringing up three girls.
Margaret: It was a good place.
There was good feeling In that building all the time.
Narrator: but for margaret,
Today the house has an even More powerful memory--
Of a time when communicating Between species seemed possible,
Almost destined to happen.
In the decades since lilly's Failed experiment at st. Thomas,
Scientists have resumed The study of dolphins,
Learning more About their behaviors,
Their habitat, Social structure,
And their intelligence.
Dr. Diana reiss specializes in The field of animal cognition,
The mental capacity of animals.
Early in her career, She met john lilly
And considers him an important Figure in dolphin research.
Diana reiss: he was a visionary, He was a pioneer.
And when I was starting-- It was the late '70s--
We didn't know much About dolphin communication.
He lit our fires.
Reiss: bye!
Narrator: Here, with allison ginsburg
Of the national aquarium In baltimore,
Reiss will demonstrate An extraordinary experiment
With far-reaching implications.
Reiss: much of my work Has focused on finding a tool
To reflect The intelligence of dolphins.
We used to think
We were the only thinking Species on the planet.
We held that view For a long time.
And it's really remarkable That we think about it that way
Because we're part Of the animal world
And are made up Of the same building blocks--
Cells and synapses.
And we all have brains Made up of the same stuff.
So why think that We're the only thinkers?
Narrator: it's a question Scientists are now asking.
In this underwater lab, Reiss uses a simple tool--
A two-way mirror-- To look for an answer.
Reiss: we use a mirror, And we ask how do they react?
Do they act Like it's another animal?
Do they understand
That it's themselves They're looking at?
Will they use the mirror As a tool to view themselves?
Narrator: in the experiment,
Diana watches the behavior Of two young male dolphins,
Beau and foster.
The dolphins See their reflection.
Reiss observes their reactions.
Reiss: and if we think about What a mirror is for a dolphin,
If they understand It's themselves in a mirror,
That means they understand
That that's an external Representation of themselves.
Narrator: reiss has concluded
Dolphins have what's called "Mirror self-recognition,"
The ability to see themselves As individual beings.
Reiss: for many years
We thought, again, We were alone as a species
That could have Mirror self-recognition.
You put a mirror In front of most animals,
And they either think it's Another of their own species
And show social behavior,
Or they don't pay attention.
So it's a very Small group of animals
That show Mirror self-recognition.
It really seems to take A lot of brain power.
Narrator: the recognition of This brain power in a dolphin
Has helped spark a revolution That began with john lilly.
Reiss: so the question is now Not do other animals think,
But how do they think?
It's a very different view.
Narrator: for reiss, This different view
Also brings with it A different outlook
On the plight of marine mammals.
Reiss: as a scientist I've always been trained,
Don't step into advocacy.
I can't help Stepping into advocacy.
Having seen what I've seen In terms of their intelligence,
Their social awareness, Their self-awareness,
The fact that they have capacity For pain and suffering
And being aware of it,
We need to protect them.
It's time to get Global protection
For dolphins and whales.
Narrator: fifty years After the dolphin house closed,
Science may be catching up With john lilly's vision.
Reiss: it's too bad Lilly didn't succeed,
Because then we could have Turned around
And asked the dolphins Themselves
About the nature of their Intelligence and communication.
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