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Eߣ�B��B��B�B�B��matroskaB��B��S�g ��M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���'M��S��T�gS���O�O� I�f�*ױ�B@M��libebml v1.4.4 + libmatroska v1.7.1WA�mkvmerge v71.1.0 ('Fortitude') 32-bitD��AXY�@ Da�
����3� s��� a�|�S���S���T�k���ׁsň00�B`�UՃ��� �� ��S_TEXT/UTF8"���enSn�SDHU���D) C�u�� ������ (AUDIENCE CHEERING
AND APPLAUDING FAINTLY)���C�u��;"����� AUDIENCE: (CHANTING)
Horsemen! Horsemen!�� ~����� Horsemen!
Horsemen!
Horsemen!��
�C�u��Rw����� Horsemen! Horsemen!
Horsemen! Horsemen!���C�u��k����� ATLAS: Did you think
we abandoned you?����� (AUDIENCE CHEERING LOUDLY)�� ^C�u�炅L����� Or that
we’d run out of magic?��7�����
� Well, think again,
ladies and gentlemen,��EC�u@�炙����� because you are
about to be amazed.�� ����� (AUDIENCE CHEERING LOUDLY)��
O�����l If you’re here right now,
then you have��4C�u�炴������ followed the clues
and cracked the code.��
������� Congratulations, and welcome.���C�u�������� (INTRIGUING MUSIC PLAYING)��
�����
It’s been 10 years since
the horseman last appeared,��
�C�u��������� but we are back!��⠤���� (AUDIENCE CHEERING LOUDLY)��
�����K Okay, so, come in close.
Mm, closer.��
rC�u@�������� Because the more
you think you see,������� the easier it will be
to dress up old tricks�� 젪��� and fool you
that they are new.��C�u@��ˠ���� (AUDIENCE CHEERING LOUDLY)��4�����5 So, my name is
J. Daniel Atlas,��M������ and allow me
to speak as I often do��BC�u��4������ for my less charismatic
colleagues when I say...��6�����7 Whoo! It is very good
to be back!�� C�u��H���� (AUDIENCE CHEERING LOUDLY)��
����� Yes. Yes.
We vanished for a while,��MC�u@��a+����� but in the world of magic,��蠰���� everything that disappears, reappears.�� ᠵ���
� Well, at least
if the trick is done right.��7C�u��|'����� (AUDIENCE CHEERING)�� ������y I’m Merritt McKinney.
(CHUCKLES)��
DC�u���堶��� Unlike my, uh, very good
buddy here, Danny,��������� most of you checked your egos
at the door tonight.��HC�u���۠���� You found this
little underground soiree��
�����
because you wanted
to get fooled.��6C�u�������� Hey, everyone.
I’m Jack Wilder.��������� (AUDIENCE CHEERING
AND SHOUTING INDISTINCTLY)��
�C�u������ Wars, pandemics,
climate change, AI.��������� Let’s face it, we all need
magic more than ever.���C�u���j����� So I want you to pay
very close attention.������� You are not gonna want
to miss this next trick.���C�u��Ѡ���� (AUDIENCE CHEERING)�� �����
� Henley Reeves,
now Henley Reeves Stanley.�� �C�u��-����� Three kids, two dogs
and a master’s degree.��
ՠ����
� It’s been a while.��t�����K Did you miss us?��*C�u��Dy����� (AUDIENCE CHEERING LOUDLY)�������9 Those guys were great
back in the day.��|C�u@��Y/����� I used to want to be
a magician.��,�����- - And then I turned 12.
- (BOTH LAUGH)��
O�����} Careful,
they might be listening.�� �C�u@��t������ Ooh, I’m shaking
in my AllSaints.������� What are they gonna do?
(CHUCKLES)�� ���� Is that real gold?��C�u@���x����� - What?
- Is that real gold?��U�����V - Yeah, I’m rich.
- (SNORTS)��������Q This is a magic show, dude.��C�u���ݠ���� Every fool here
is a pickpocket,��������� or a pickpocket’s fool.��2�����
� (AUDIENCE CHEERING)���C�u@��������� - Was that a haiku?
- What was that?�� ����� Each of you
just received a playing card.��E�����
G If you wouldn’t mind, uh,
pulling it out?��xC�u@��ԁ����� Right. Now, we’re gonna
shuffle the deck,��,�����- so everybody find
a random person near them��6�����d and switch cards with them.��C�u@��������� And then
when you’ve done that,��蠳���� find somebody else
and switch with them.������� Okay, great. Uh, now...���C�u@�������� Uh, duh-duh-duh-duh-duh...
You there, down there.�� ����� - Me?
- Yeah. What is your card?��E�����b - Ace of diamonds.
- Ace of diamonds. Okay.���C�u@������� Let’s make things a little
more complicated here.��,�����- Does anybody else here
have the ace of diamonds?��
gC�u@��0������ Wait, it’s me.
Ace of diamonds!������� (AUDIENCE CHEERING)��ꠗ���� MERRITT: Ooh!������� Looks like we have
a Fifth Horseman
not named Lula.��
gC�u��P
����� Come up on stage,
you’re gonna be our helper.��������� (AUDIENCE CHEERING)�� �C�u��hQ����� MAN 1: Do it!
MAN 2: Yeah, go!��7C�u��������� Now, uh, look into my eyes��_�����` and... sleep.
(SNAPS FINGERS)�� �C�u��������� - (AUDIENCE GASPS)
- (CHUCKLES) Still got it.��
������
� Now, this might look like
an ordinary kid to you,�� GC�u���y����� but tonight,
he is going to do
extraordinary magic��������� like a man possessed.���C�u@�������� - Literally.
- (AUDIENCE EXCLAIMING)��������� - Henley.
- Yes, Merritt.��������� Would you mind
stepping inside his body?��-C�u@��������� - (SNAPS FINGERS)
- (AUDIENCE GASPS)����Сʁ� Yep. And, Jack,
uh, why don’t you throw
yourself on in there, too?���C�u@���H����� - What I do best.
- (SNAPS FINGERS)��������� - (AUDIENCE GASPS)
- And... Oh, God help you.������ Atlas, why don’t you
slither on inside, as well?���C�u@��֠���� - (SNAPS FINGERS)
- (AUDIENCE GASPS)��*�����+ And I might as well
wedge myself in there, too.��������( It takes a village
to make magic.��
C�u��:����� - (SNAPS FINGERS)
- (AUDIENCE EXCLAIMING)��C�u@��Qڠ���� MAN IN AUDIENCE: Oh!
WOMAN: Whoa!��$�����% (AS ATLAS)
J. Daniel Atlas in the house.��,�����
R So, who wants
to see a magic trick?�� C�u��hH����� (AUDIENCE CHEERING)�������� Take it away, Merritt.���C�u@���m����� (AUDIENCE EXCLAIMING)��������� (AS MERRITT)
Hello, you beautiful people.�� �����
s Now, everyone knows that
Merritt McKinney reads minds.��
�C�u���i����� Well, now, I’m him.
Or he’s me. Who knows?��B�����C (AUDIENCE LAUGHS)��CC�u���𠶡�� Uh, I’m sensing
someone came here tonight��@�����A not to enjoy magic,
but to tear it down.���C�u���%����� Is there a Brett Finnegan
in the house?��������� - BRETT: What up?
- (AUDIENCE CHEERING)��MC�u�������� (BRETT’S FRIEND
SPEAKING INDISTINCTLY)�� =�����
G Now, you and your
friends here��C�u@��l����� set up the
Camp Hobart Crypto Exchange.��_�����` - Fact. Yep. Yeah.
- It’s what we’re about.�����K Took the good people
of New York’s��C�u@��7����� employee pension
and welfare fund
half its cash.��>�����? - (AUDIENCE BOOING)
- Uh, you’re rounding up,��������� and also, the risks were
laid out very clearly.�� GC�u@��6}����� Everybody knew what
they were getting into, dude.��U�����V Did you hide
the profits offshore?��
�����d Account ending in 53297?���C�u��d������ (CHUCKLES NERVOUSLY)��������� You couldn’t know that
without my, uh...��
f������ (AUDIENCE GASPS)���C�u@��z����� (AS JACK)
Oh, is this real gold?��������� (AUDIENCE CHEERING)��C�š�� � Brett, you ought to be more
careful with your things, man.���C�u@���l����� Merritt’s a psychic,
but me, Jack,��n�����o - I’m into sleight of hand.
- (AUDIENCE EXCLAIMS)��t�աρ� Ask your friends.
They’ve just done their part
to close the wealth gap.��YC�u��������� - (AUDIENCE CHEERING)
- What? What the...������� Now, here’s
a little redistribution.��
C�u������ Hey! Hey, hey!�������� (AUDIENCE CHEERING)�� �C�u@���{����� Thank you. Thank you.��������� Lawyer up, dude!
I’ll kick your ass!��������
/ (AS HENLEY) Uh-oh!��S������ Someone forgot
Henley can fly.��C�u�������� (AUDIENCE CHEERING)���C�u��"!����� We can take it from here,
but a round of applause��
Ӡ����
� for the best Horseman
on stage.���C�u@��5𠔡�� Whoo! Wow.��٠����� BRETT: Hey, hey,
hey. Hey, hey.����� Fantastic. So, everybody,
I want you to take your drink,��xC�u��N,����� and I want you to pour it
onto the face of your card.��z�����{ Can you do that?���C�u@��cP����� JACK: Those 12 unique words
on each of your cards�� ]�ѡˁ ^ - form the password
to your new crypto wallet.
- MAN IN AUDIENCE: Oh!��
C�u��y��š�� Log on and you’ll find Brett’s
stolen millions more...��'�����( fairly redistributed.���C�u���t����� Oh, my God. Fifty...
50,000 bucks!��������� 50,000!��KC�u@���d����� (AUDIENCE CHEERING LOUDLY)��
������ You’re freaking done, dude!��������� Whoa, whoa!
Cool your head, gingerbread,��C�u��� ����� because I am
having a vision.���ġ�� Eh, maybe cops are gonna come
bursting through that door!��qC�u��֤����� So perform a magic trick
of your own��ɠ����� and disappear
in three, two, one.��C�u���V����� (AUDIENCE CLAMORING)����� (SIREN WAILING)��
PC�u@��$����� ATLAS: (ON RECORDING)
Now come in close. Mm, closer.��z�š��{ Because the more
you think you see,
the easier it will be���C�u��?/����� - to dress up old tricks...
- What?��Ϡ����� ...and fool you
that they are new.��v�����
G (GASPS)���C�u��S����� Oh, my God, no.��������� No!��l����� (SOBBING) No!���C�u��hǠ���� (HITS SHEET)��K�����L (DRAMATIC MUSIC PLAYING)�� =C�u@���b����� (SIREN WAILING)��Ϡ����� Look, in my opinion,
I think you did a great job.��
r�����C Uh, I think
my Atlas was good.���C�u@���d����� My Merritt could
probably use some work.��������� - JUNE: Mm.
- It’s like a San Diego stoner��������
� and a shrimp boat captain
had a baby.���C�u@�������� - Sure.
- (CHUCKLING)��d�ġ��e JUNE: No, seriously, Bosco,
I don’t know how you do it.��4������ A good impersonation
isn’t just about the mimicry.�� �C�u@��������� It’s about
attention to detail,��������� personality and nuance.��=�����
� Okay. Okay.
Let me try, let me try.��C�u���x����� Um... (HIGH-PITCHED)
I’m J. Daniel Atlas.�� G����� H (SPUTTERS) The closer
you look, the less you see.���C�u@��
b����� CHARLIE: (LAUGHS)
It was something.������� Yep. Uh, you’ll work on it.�������
/ - I wasn’t bad.
- It was a good start.��K�����{ - But it could use some work.
- Okay, sure.��C�u@����ơ�� - What do you keep looking at?
- Nothing, nothing, nothing.��4�����5 Dude, cheer up.
Guys, come on! Look at us!��
��á��� Look at how far we’ve come.
We totally scored tonight.��
gC�u@��?&�� JUNE: All right, next time,
you wear the pink wig, okay?��
Ӡ����
� BOSCO: No.��*������ - Dude, it’s locked again.
- Okay, I’ll pick it.��
�C�u@��X������ Wait, wait, wait, hold on.
Do the thing.��n�����o - No.
- Please do the thing.��蠵���X - It’s so unnecessary.
- It’s so cool.��K������ - I’ll hold your bag.
- It’s so unnecessary.���C�u��n㠩��� - Come on, it’s fun.
- Okay.��������O (SUSPENSEFUL MUSIC PLAYING)���C�u���w����� BOSCO: You got this.��렒���
(GRUNTS)��K�����Y - She’s like a little Mario.
- She is like Mario.��
C�u���ޠ���� CHARLIE: Careful, careful.
BOSCO: Please don’t die.��U�����V BOSCO: Are you okay?
JUNE: Yeah.���C�u@��ǿ����� BOSCO: If I could do that,
I would only do that.��?�����@ - (CHUCKLES) It’s so cool.
- It’s insane.��
e������ Happy?��}C�u@���㠬��� - Yeah, that was awesome.
- Yeah.������� Please let us in.
It’s cold.��v�����
� - JUNE: Whoo.
- (GATE RATTLING)���C�u@���W����� Best apartment
in the whole city.������� Yep, and no one
will ever see it but us.��6�����C (JUNE CHUCKLES)��CC�u�� ޠ���� (CRUSADES BY GEESE
PLAYING FAINTLY)��٠����� ♪ Everybody... ♪��נ����� It’s such a shame.���C�u�� 3����� ♪ But in my armor
I am a man... ♪������� ATLAS: (ON RECORDING)
Come in close.���C�u�� 3������ Closer.��������� JUNE: That guy is so screwed.��������A (RECORDING CONTINUES
PLAYING INDISTINCTLY)��UC�u@�� K%����� Who’s rich now?��K�����L Charlie, can you turn
that thing off, please?�������` I think I’ve had
enough Atlas for one night.�������l CHARLIE: Yeah, I got you.��dC�u@�� a������ ATLAS:
...disappears, reappears.��:�����; At least
if the trick is done right.�� h������ Bosco, can you check
for pizza? I’m so hungry.��
�C�u@�� |n����� BOSCO: Ugh, me, too.��������� ATLAS: (ON RECORDING)
...Four Horsemen!��������� BOSCO: No pizza,
but we got beer.�������� - And, no, literally just beer.
- Closer. Because���C�u@�� ���� - the more you think you see...
- BOSCO: Any takers?��������� - Yeah, I’ll have one.
- (INTRIGUING MUSIC PLAYING)��٠����� Dude, seriously,
turn that thing off.���C�u�� �䠐��� I did.��������� Okay. Real funny, guys.
Where’s the other projector?��
������� I’m not a hologram.��C�u@�� ������� "I’m not a hologram."
Right. Yes.��Ѡ����� Exactly what
a hologram would say.��
E�ġ��a - Oh, my God, you’re real.
- Never touch my face again.��C�u@�� ������ I’m so sorry. I thought
that you were a hologram.������� I would never do that.
I’m a huge fan of yours.��٠����� How are you? (PANTING)��C�u@�� ������ How did you find us?��Ѡ����� I don’t know.
Took me about 30 seconds.��������� And if it was this easy
for me to find you,��fC�u@��
����� how hard would it be
for the police?����¡��� - Whoa, hold on, the police?
- ATLAS: Yeah, the police.��
������ Why would the police
be looking for us?���C�u@��
������ Uh, I don’t know,
what about that��������� little heist
you just pulled?��*������ Or the fact that you’re
squatting in this place��
p�����K or that your electricity
comes from���C�u@��
2������ the circuit box
in the corner?���á��� I don’t know,
it could be anything.
Am I right, Bozo?��W�����A (CHUCKLES) Bosco.��C�u@��
F�� - ATLAS: Hmm.
- Bosco Leroy.��ڠ����� Ah, that’s right, yeah,
Bosco Leroy.��M�ˡŁ) What, did you type, uh,
"fictional magician name"
into ChatGPT?��
FC�u@��
`a�ơ�� - No, that’s actually
my real name, Atlas.
- ATLAS: Hmm.��6�����7 What, did your mom
have sex with a map?��M������ (JUNE AND CHARLIE LAUGH)���C�u@��
zU����� - That’s not funny.
- ATLAS: Hmm.������� You don’t know
anything about us, dude.��2�����
G - I know everything about you.
- Oh.���C�u@��
�E����� The dubiously named
Bosco Leroy,��
����� a promising acting career��ڠ����� cut short
by crippling student loans.���C�u@��
������� It’s a bummer you had to
drop out of Juilliard,��������� but you never
stopped performing.��
.������ Uh, if memory serves,
your last paid gig,���C�u@��
�{����� I think, was dressing as Elmo
in Times Square?��v�����w Okay, first of all,
I was never Elmo.��v������ It’s the red Teletubby.���C�u@��
�
����� Po!��������� - What?
- The red Teletubby.��������? - Her name is Po.
- Oh, Po!��𠢡��0 She’s my favorite one.���C�u@��
������ - CHARLIE: Right?
- (JUNE CHUCKLES)��l�����m - Her name is Po.
- JUNE: Cute.��
������} And you, June Rouclere.��cC�u@��㠮��� Kicked out
of every boarding school�������� your parents
forced you to attend.��������) Not a big fan
of authority, I take it.��C�u@�� ����� Uh, let me guess.��蠴���� Uh, you think the "olds"
broke the planet�� �ơ��
� and it’s your generation’s
duty to clean up their mess.��
C�u@��,����� - Am I right?
- Am I wrong?�� ������ No.��������A And so,
you ran away from home,�� �����K made your way to New York,
where you ran into this guy��
pC�u@��IԠ���� at Tannin’s Magic Shop,
Charlie Gayes.�� ������ � - Yeah, hi.
- Yeah, hi.��ɠ����� I actually couldn’t find
a lot about you online.��[C�u@��`������ Although, I do know
you were an orphan����ɡÁ� and you were
in and out of foster care
your entire childhood,�� <�����
� and that you didn’t know
the meaning of family���C�u@��t������ until you hooked up
with these two.������� And so, the three of you
have been working��������� your little Robin Hood act
for years now,��fC�u@���Ϡ���� trying to change the world
one trick at a time,���� all leading to your riskiest
theft to date, my identity.��C�u@���⠙��� You were there?��C�����D You had our faces plastered��蠼���- on every scaffolding
and subway stop in the city.��,�����Z That’s copyright infringement,
by the way.���C�u@�������� Of course, I was there.��K�����L So, what’d you think?�� i������ - I think
your Merritt needs work.
- I knew it.��C�u@��̫����� - That’s a sensitive topic.
- No.�� �����
- You don’t even get it.
- He’s lying.��Ϡ����� But overall design
was impressive.�������
� That’s you, I assume,
the quiet guy?��nC�u@�������� - Textbook, behind the scenes.
- Yeah, well,��B�����C - Alexander Herrmann...
- Oh, boy.����֡Ё? ...he said that the people
who designed his tricks
were the real geniuses.���C�u@���4����� The fact that you know
that man’s name,��
�����
"behind the scenes" clearly.��2�ơ��A And you, your sleight of hand
was advanced. Good dexterity.���C�u@��p�̡Ɓ You’re quick
and nimble on your feet.
Really, I was impressed.��
.�����
/ - Thanks.
- ATLAS: You’re welcome.��������� Sounds like
we’re pretty great.��EC�u@��*������ ATLAS: You’re far from it.����¡��� But, uh, maybe with a little
fine tuning, you could be.��a�� Yeah, I could... I could see
why The Eye sent me to you.��
�C�u��H?����� - I’m sorry.
- Wait, did you say "The Eye"?������� Yeah, The Eye.��������Y All right, listen.���C�u@��_1����� This card arrived
at my apartment
three weeks ago,��o�����p along with
four plane tickets��Ϡ����@ and instructions
hidden in the lining��EC�u@��x������ for a trick
bigger and better��S�����T than anything
you have ever seen.��`�ġ��
� A trick that, for some reason,
includes the three of you.���C�u@�������� - Us?
- ATLAS: Mm-hmm.��K�����L - Why not the other Horsemen?
- No,��[�����
� - the other horsemen are dead.
- What?��������6 To me, they’re dead to me.
Stop interrupting.���C�u���֠���� No, things got emotional.
Everyone quit.�� G����� H I took
a walkabout in Australia.
It’s a long story.��
eC�u��������� And now you need us?��
�����
According to that card, yes.��������l Well, we don’t
need you, so...��C�u@��������� BOTH: Bosco.������ What? What do we need this
guy for? We’re crushing it.�������
� You’re crushing it?
You’re stealing��S����� a little money
from some crypto bro.��C�u@��� ����� I’m talking about
big fish here, man.��������� I’m talking
about something that will��������
G make a real difference.
(BANGS HAND ON TABLE)��EC�u@��
������ I thought that’s what
you kids are all about.��|�����} It is. No, exactly.��������, Yes, we are.��������
� Yeah, but I think we can
catch our own fish.��
�C�u@��
+����� - You can?
- CHARLIE: No, no, he...��������� - ATLAS: Good luck with that.
- What? No.��ڠ����
q Can you just wait
one second?��K�ءҁ� What are you doing?
What’s... what’s going on?
Are you out of your mind?��
�C�u@��
5������ - This is J. Daniel Atlas.
- Yeah, I know who he is.��
������
� He’s a freaking legend.��������� He was a legend.
Now he’s just kind of a dick.���C�u@��
O砫��� - Can you...
- JUNE: Yeah, sure.��*�����+ Bosco, he’s kind of a dick,
but he is a Horseman.��������� I mean, come on,
just trust us on this, please.���C�u@��
l������ Okay. Decision time, kids.
What’s it gonna be?��X�����J Are you in...�� �����T (BANGS HANDS ON TABLE)
...or are you out?�� �C�u��
������� What’s the trick?��������� (CAPTIVATING MUSIC PLAYING)���C�u��
�7����� WOMAN: Welcome,
esteemed community members,��
Ӡ����
� valued press,
friends and colleagues.��
%C�u��
�1����� We are gathered here
tonight to celebrate��
������
� Vanderberg’s latest
and greatest mine,��
�C�u��
������� C3, or as we
like to call her,��
������
� "Amahle," Zulu
for "The Beautiful One."���C�u@������� Because every child
is beautiful��U�����V in the eyes of its mother.��f������ (CROWD CHUCKLING)��������K Our customer
can rest assured���C�u��(�á�� that when they buy the world’s
greatest symbol of love��������� that it was produced
with nothing but.��
�C�u��Bv����� - (CROWD CHEERING)
- To Amahle, and to all of you.������� (CHUCKLES)�� C�u@��W��ġ�� Well, thank you all so much
for making the trip out here.��������� Now, I take it you were
all impressed by Amahle.��iC�u@��v������ Sorry, C3.��d�ǡ��e MAN: Oh, it’s quite dramatic.
WOMAN: Yeah, it’s amazing.���ݡׁX But I also understand that
you have chosen this fine day
to broach some concerns,��<C�u���*�š�� which, contrary
to your expectations,
I don’t begrudge.��(������ Fire away.���C�u���𠰡�� Right. Well, um,
the board feels that��������� projections
might be optimistic...��jC�u@�������� VERONIKA: Mm.��������� ...with increasing competition
from lab grown������� � and, in the event
borrowing rates plum...�������� William. William.��|C�u���?����� My father loved you,
but there was��������� a reason he called you
his dark cloud.��C�u@���!����� Aw, shame.��������� The Vanderberg family
does not lose.�� ]�����
� As you’re well aware,
our motorsports team just won��
�C�u�� ᠸ��� the Monaco Championship
for the seventh time.��栠���* The mine will produce.��wC�u@��'[����� Next?���� � Right.�������� Pricing. The minimums
that you’ve set for...��[����� Will you humor me, William?���C�u��> ����� In a demonstration
about reality?��6�����7 This diamond is say, what,
55 carats?�� C�u��[8����� The AWDC would price it
at 3,000,000 US dollars.���C�u��t꠬��� William, will you
open your mouth��������� and stick out your tongue?��Ҡ���� (CHUCKLES IN DISBELIEF)���C�u��������� Now.��ࠨ���� (LOW FOREBODING MUSIC PLAYING)�� ���� - Really?
- Really.��C�u���נ���� Now, if William here
were to swallow it,������� that selfsame diamond would
tear his throat to shreds.���C�u��ߦ����� He would bleed to death
before paramedics arrived.��������I So, to the AWDC,
it’s 3,000,000,��
.C�u�������� but to William, priceless.��ܠ����p Tell me then,
as the CEO responsible�� �C�u@������� for the world’s
last great diamond mines,��
D�����
E should I undercut
our profits,����8 or should I choose prices���C�u��*����� that I know
are unique clients will pay?��
&C�u��J栗��� As I thought.��Ϡ����� (SPITS)�������� i - Now...
- (COUGHING)��
�C�u��^֠���� ...unless there are
more concerns,������� I would like to head
to Antwerp with my price list��uC�u��|q����� and show off our stones.��������� (ALL AGREEING QUIETLY)��UC�u@��������� (PEOPLE CHATTERING)��Ǡܡց� BOSCO: Oh, uh, you know,
you probably could have led
with a free trip to Europe?����̡Ɓl CHARLIE:
You know, a little known fact
about Antwerp, is that...�� �C�u@���㠽��� ATLAS: Oh, great,
more magic trivia.
This is fun.������� CHARLIE: No, I was
just gonna say that��S�����` they make great biscuits.��d������ JUNE: Oh, do they? Can we
actually get some, please?���C�u@���r����� BOSCO: On Atlas, obviously.
ATLAS: No.��נ����� No, no, I’m not
getting you biscuits.��������` I just got you
chocolates, okay?��,C�u@��������� All right, listen,
this is not a vacation, okay?��������� We have three days
to prepare an effect����ہ� that’ll make your barely
passable Pepper’s Ghost trick
look like a cave painting.���C�u���0����� All right, come here.��\�����p The Heart Diamond, the most
valuable jewel in history��
pC�u@���� and the foundation of the
Vanderberg Mining Corporation.��
F�����
G (ENGINES REVVING)��������C Now, for years, the family’s
kept this big rock��
�C�u��2����� hidden inside
their secret vault,��
P�����X 70 stories underground.���C�u��FZ����� And not just any ground.
The Arabian Desert.��
g�����
h (DRAMATIC MUSIC PLAYING)�� �C�u��}������ No one beyond their most
trusted team has been inside.���C�u@���1����� Access through
a single elevator,��E�����F constantly monitored
by armed guards...��
%�����l (SOFT TRILLING)���C�u@���~����� AUTOMATED VOICE:
Identity verified.��l�ɡÁm ATLAS: ...and behind
a multi-level biometric
security system.��
������ (SUSPENSEFUL MUSIC PLAYING)��
/C�u@���B����� But the world
will be watching,��l�����m because for the first time
in half a century,��
0������ that diamond is
being traveled here��?C�u@���c����� to Antwerp,
to establish credibility��������� and to spur bidding
at a private auction��:�¡��
� for the company’s latest finds
in three days’ time.��
�C�u@��D����� Okay, obviously,
I’m down for stealing.������� But what makes
this diamond so special?���ɡÁ
/ Well, because
the magical tarot card
told us to, June, right?��xC�u@��,�á�� Yeah, okay, that’s very cute.
But can I please finish?���ơ��� You’re not finished? Jeez,
you’ve been talking forever.��������� Yes,
and I’m about to talk more.��2C�u@��B������ So, please, pay attention.��S�����T For decades, first,
Peter Vanderberg,�� &�����{ now his daughter, Veronika,��Ǡ����C have been selling these
diamonds at inflated prices��4C�u��]"����� to arms dealers, traffickers,
warlords the world over,��������� to, like,
help launder their money.���C�u@��q������ So, I mean,
the cash is dirty.��K�ǡ��L I mean, in some cases, it’s,
like, literally blood-soaked.��
.�����{ But then, voila...
(SNAPS FINGERS)��l�á��� ...it’s cleaned in exchange
for these precious stones.���C�u���P����� She makes all the world’s
worst people possible.��������� So, whoever
sent that tarot card...��UC�u@���H����� Are the few truly honorable
people left in this world.������� The only people that
still care about justice.��M�����d They’re people I haven’t
spoken to in a long time.���C�u@��������� They call themselves
"The Eye,"����� and they want us
to do something�������
that the Horsemen never could.��NC�u@��ϰ����� This, man,��2�����3 this is a chance
to drive a stake��ڠ����
through the heart
of the devil herself.���� CHARLIE: Let’s do it.���C�u@���`����� (CAPTIVATING MUSIC PLAYING)��M�ҡ́N VERONIKA: All eyes
will be on me and the Heart
tonight at the auction.���C�u��������� I have to look dazzling.��⠮���� Do you have
that Kitten Kiss color?�������
� (LOW INDISTINCT CHATTER)�� C�u@������ Lethabo.��_������ - LETHABO: Yes?
- Straw.��*�����
� Who’s that
British photographer
from Vanity Fair?���C�u@�4s����� Uh, what’s his name again?
Marc...��
Ԡ����� Marc Scriber?�������� - Schreiber, good God.
- Schreiber.��,C�u@��J]����� Confirm him,
cancel the others.��ߠ����� We went wide last year.
This year, exclusivity.��>����� - LETHABO: All right.
- We’re open, transparent.���C�u��e-����� - (CELL PHONE RINGING)
- We have nothing to hide.��$�����% LETHABO: Okay, perfect.
I’ll have it done.��`C�u@��y��� This is Veronika.��d�����e DISTORTED VOICE ON PHONE:
♪ Hush little baby ♪�� <������ ♪ Don’t say a word ♪��C�u@���(����� Who is this?��࠸���� ♪ Papa’s gonna
buy you a mocking bird ♪�� <����� ♪ And if that mocking bird ♪��,�����K Vacate.��KC�u@��������� ♪ Don’t sing ♪��d�����e How did you
get this number?�� �����o ♪ Papa’s gonna buy you
a diamond ring ♪��۠����K This is a private line,
and that was a bit tone deaf.��HC�u���S����� (DISTORTED VOICE CHUCKLES)��^�����_ VERONIKA:
I asked who you are.��[������ Ah, Veronika.���C�u��ަ����� The storage unit
to your left.��`�����a (LOW SUSPENSEFUL
MUSIC PLAYING)��
�C�u�������� Look familiar?��;������ It belonged to that boy
who died 15 years ago.���C�u��/����� This means nothing
to me or anyone.�� 접��� � Really?��Q�����? You and I both know
what you did.���C�u��K������ Look, if you have
real evidence������ and you’re out to get me,
why not just use it?��ZC�u��bN�� Fifteen years ago, you took
what your father loved most.��[�����\ Now I’m going to do
the same to you.��C�u��Ƞ���� - I want the Heart Diamond.
- (STATIC CRACKLES)��.�����b You’re going
to give it to me.���C�u��������� Or I’m going to
hold up a looking glass��������� for the whole world
to see you as you are.���C�u��������� Go ahead.
I have nothing to hide.��
�C�u���ՠ���� (TRAIN HORN BLARES)��t�����u (INTRIGUING MUSIC PLAYING)��
C�u@�� !����� - JUNE: Oh, my God.
- Hey.��������� I’m so sorry about that.��\�����
� Hi. Can you
help me find this?��蠵���� I’ve been looking
literally for an hour.��C�u������� Yes. It’s gonna be
right over there, ma’am.��
�C�u��U@����� Marc Schreiber, James Winn,
Vanderberg PR.��
�C�u@��kϠ���� Huge admirer of your work.������� James?
What happened to Dani?��⠷���
� Oh, Dani. Yeah, sadly,
we had to let her go.��WC�u�������� Turns out she was racist.��������� And also, she booked you
into the Radisson Blu���C�u���w����� - in a partial view, double.
- Ugh.��6�š��7 Thankfully, I took the liberty
of moving you to the FRANQ.���C�u���"����� I do love the FRANQ.��*�����+ Yes, the presidential suite
is befitting of, well,��aC�u��ʯ����� presidents and talented
photographers like yourself.��������� Uh, your gala invitation
has been rerouted.���C�u���p����� If I could just check
your confirmation?��
C�u@���䠩��� - Thank you.
- (CAMERA CLICKS)��Ǡ����� I also bumped your shoot
from 7:00 to 9:00 p.m.��S����� to give you proper time
to make your magic.��
�C�u��
͠���� - Someone gets it.
- Yeah.�� �C�u@��#ؠ���� (DIAMOND BY ANGELINA JORDAN
PLAYING)��n�����o ♪ I’m shinin’
like a supernova ♪���¡��� ♪ With my hands up high
And my heart wide open... ♪���C�u@��C������ (ENGINE REVS)������� ♪ I shine even more bright
Like a diamond ♪��������� ♪ Brush that fear
right off my shoulder... ♪���C�u��bˠ���� Take, for instance, diamonds
created in laboratories.������� They purport to have value,���C�u��vy����� but they’re neither
natural nor rare.������� What honest woman wants
a falsehood on her finger?��
0C�u@��������� - I agree.
- (CHUCKLES)��������� One of the great truths left��נ����
f is the power
behind a natural gem.�����* Real diamonds
fill people with passion,��
�C�u@��������� as they have for centuries.������� That’s right.
In fact, Marie-Antoinette,��:�����X wore the Hope Diamond
for a single day,��Ѡ����* and a month later...
(SNAPS FINGERS)���C�u@��������� ...was dragged
to the guillotine��V�����W by some very, well,
as you say, passionate folks.��
#�����{ (CHUCKLES SOFTLY)���¡��\ But Marie-Antoinette didn’t
die because of a diamond.���C�u@���٠���� She died because of
a monstrous lack of empathy.��x�����y (CHUCKLES) Well...��࠶���Z And truth is,
she never even wore the Hope.��
DC�u@���x����� People just believe she did.��𠰡��� Really?
That’s kind of interesting.�������
q So it was not the mob
that killed her,�������� and it was
not the guillotine,���C�u@��
I����� it was a... a story.��w�����
P I must not know
my own guest list.��n������ Are you
in the diamond business?��KC�u@�� T�ǡ�� (CHUCKLES) No, no, I’m in the
illusion business, like you.��
�����
(CHUCKLES)��������� See, for centuries,
diamonds were worthless���C�u@��8Ҡ���� until some very smart,
very rich people��������� like Veronika here,
told us that, not only�� ������ are these little shards
of glass rare,�� hC�u@��R砭��� but that
no self-respecting couple��[�����\ could possibly get married
without one.��=������ No, now, that one is
a good magic trick.��
�C�u@��iJ����� (CHUCKLES)��}�����~ The problem
with the trick is, um...����ǡ�� (QUIETLY) All the good ones
have a little twist in the tale.���C�u���-����� Is it you?��������@ Is what me?��3������ - Of course not.
- No, no.���C�u@�����ǡ�� I mean, you wouldn’t have let
me in had I not demonstrated���¡��� the finest moral fiber, like
some of your other guests.��W�����K I notice Luis Briseno,
the arms dealer over there.��C�u@��������� Hello, sir.��}�����~ And of course, Maria Bortnick,
when starstruck,��2�ɡÁ� how she manages to mingle
while monopolizing
her state media.��>C�u���ݠ���� Perhaps you’d care
to reveal yourself.������ Then we can apply
the same scrutiny to you.��LC�u������ - ATLAS: Hmm.
- (CHUCKLES)��������� Not just yet. (INHALES)��U������ I’m sorry for interrupting.���C�u��?����� (SNAPS FINGERS)�������� = That won’t be necessary.��ʠ����� Let him eat cake.���C�u��&������ Marc Schreiber.��t�����u Veronika Vanderberg.
(CHUCKLES)���C�u@��>������ Let’s make this quick,
shall we?��f�����g Our auction begins shortly.��S������ I trust you can do me
and the Heart justice.��UC�u��R������ Yes. I only have one rule.
What I say goes.�����C Well, I’m sure I can
find my submissive side.���C�u��r젻��� Well, if not, I’ll find it
for you. (CHUCKLES)������d Ooh. I like you.���C�u��������� Right this way, darling.�� �����
(SUSPENSEFUL MUSIC PLAYING)��
/C�u@����ơ�� - I don’t want to be too matte.
- JUNE: Sure. Sure, sure.��٠����� And I don’t like
the sides of my nose shining.�� ������� JUNE: Okay.��TC�u@���n����� - Show me.
- Mm-hmm.��㠮���� Excuse me,
can the little fruit fly��������� in my shot please shoo,
shoo, shoo.��
�C�u@������ Thank you.����� The only thing more valuable
than that diamond is my time.��
������
� - (CAMERA CLICKING)
- I did my research on you.���C�u@���E����� Your industry, like mine,��𠬡��� is besieged
by manufacturer lore.��
.����� But you, you bring us
beauty as it is.��KC�u��##����� We’re alike in that regard.��K�����L We don’t sell contrivance,
we sell reality.��@C�u��6������ Well, I would argue
that we don’t sell at all.��
�����A Others buy.���C�u��J������ BOSCO: Hmm.��������C Let’s see...��%C�u��g3����� Uh... The diamond,
take it out.��������
Nah, boy.��>C�u@��{頙��� Absolutely not.��t�����u The glare in the glass
will mar the photos.�� ˠ����A I don’t
tolerate imperfections.��C�u@���D����� I don’t imagine
someone as ravishing��^�����_ as Ms. Vanderberg
does either.��נ����7 So, take it out or find
yourself a new photographer.��JC�u���Ơ���� (CHUCKLES)�������
� (SUSPENSEFUL MUSIC CONTINUES)��
C�u�������� (WHIRRING SOFTLY)���C�u�������� In truth,
I was hoping you’d ask.��������� I don’t remember asking.��wC�u��, ����� There it is. (CHUCKLES)����� Beautiful.
Work it. Fabulous.��W�����K Fabulous.
(CHUCKLES) Fabulous.��YC�u��M���� Beautiful.��������� Yes. Smiling,
we’re having fun.��5������ This is what we came for.���C�u��h����� (SUSPENSEFUL MUSIC BUILDS)����� Hold it, hold it.�� ������Y That’s the money shot.�� �C�u��������� Hold it.�������� And you, ma’am,
are far enough.��
������� I’m just trying...
I’m trying to help.���C�uA���סс - Her forehead is
shinier than the diamond.
- When it comes to the Heart...��������� Actually, I’m doing my job.��Ǡʡā� - I don’t take orders from you.
- When it comes to the Heart,��נ����Y - you listen to me. Get out.
- I... I can walk myself.��
C�u��������� - Thank you.
- Right.��g�����
- (BREATHES DEEPLY)
- VERONIKA: Mr. Schreiber.�� �C�u@���q����� If you’re
all you purport to be,��������� you should already have
what you need.������� - More than enough. Thank you.
- Excellent.��
�C�u@���v�á�� Well, it’s been a pleasure,
but I have buyers waiting.��堿���� LETHABO: I’ve had enough
of this of this nonsense.���C�u�������� Make sure it’s secured.��C�����D - MAN: Yes, Lethabo.
- (DOOR OPENS)��
/C�u@��'��̡Ɓ - What the hell, what happened?
- I don’t know. I don’t know.�� G����� H - (DOOR CLOSES)
- Time’s ticking. Let’s go.��4�����} (DRAMATIC MUSIC PLAYING)�� �C�u��k������ At last, the auction
we’ve all been waiting for.��������� Now, if you’re
here tonight,���C�u���Ӡ���� you probably think
you’ve seen everything.�� G����� H So it is to you that I ask...��?C�u@���蠕��� Everything?��������; (AUDIENCE GASPS AND APPLAUDS)��������� (VERONIKA LAUGHS)��"�š�� It’s not been seen in person
for a quarter of a century.��aC�u���j����� Still the largest diamond
ever discovered, the Heart.��a�����b (AUDIENCE APPLAUDING)�� �C�u��ҍ����� (LOUD SLOW CLAPPING)�� ������9 BOSCO: Congratulations
to all of you��,C�u@����� and for getting away
with it for so long.��������� Well, guess what?��������� - (AUDIENCE GASPS)
- Climate change���C�u@�� /����� doesn’t believe
in you, either.����� You tore your fortunes
from our Mother Earth,��
������ set fire to her skies
in your private jets...��IC�u@��o����� - Okay, she gets it.
- BOSCO: Yeah, yeah, yeah.��U�����V (AUDIENCE EXCLAIMS)��������� Bled her dry
with your insatiable...��נ����� Young man, we all want
to save the world here,��C�u@��