All language subtitles for Now.You.See.Me.Now.You.Dont.2025.x265.WEB-DL.2160p.HDR-DV

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g��M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���'M��S��T�gS���O�O�I�f�*ױ�B@M��libebml v1.4.4 + libmatroska v1.7.1WA�mkvmerge v71.1.0 ('Fortitude') 32-bitD��AXY�@Da� ����3�s��� a�|�S���S���T�k���ׁsň00�B`�UՃ�������S_TEXT/UTF8"���enSn�SDHU���D)C�u�� ������(AUDIENCE CHEERING AND APPLAUDING FAINTLY)�� �C�u��;"�����AUDIENCE: (CHANTING) Horsemen! Horsemen!�� ~����� Horsemen! Horsemen! Horsemen!�� �C�u��Rw�����Horsemen! Horsemen! Horsemen! Horsemen!���C�u��k�����ATLAS: Did you think we abandoned you?��򠤡���(AUDIENCE CHEERING LOUDLY)�� ^C�u�炅L�����Or that we’d run out of magic?�� 7����� �Well, think again, ladies and gentlemen,��EC�u@�炙�����because you are about to be amazed.�� ����� (AUDIENCE CHEERING LOUDLY)�� O�����lIf you’re here right now, then you have��4C�u�炴������followed the clues and cracked the code.�� �������Congratulations, and welcome.���C�u��������(INTRIGUING MUSIC PLAYING)�� ����� It’s been 10 years since the horseman last appeared,�� �C�u���������but we are back!��⠤����(AUDIENCE CHEERING LOUDLY)�� �����KOkay, so, come in close. Mm, closer.�� rC�u@��������Because the more you think you see,�������the easier it will be to dress up old tricks�� 젪���and fool you that they are new.�� C�u@��ˠ����(AUDIENCE CHEERING LOUDLY)��4�����5So, my name is J. Daniel Atlas,��M������and allow me to speak as I often do��BC�u��4������for my less charismatic colleagues when I say...�� 6����� 7Whoo! It is very good to be back!�� C�u��HΠ����(AUDIENCE CHEERING LOUDLY)�� �����Yes. Yes. We vanished for a while,��MC�u@��a+�����but in the world of magic,��蠰����everything that disappears, reappears.�� ᠵ��� �Well, at least if the trick is done right.�� 7C�u��|'�����(AUDIENCE CHEERING)�� ������ yI’m Merritt McKinney. (CHUCKLES)�� DC�u���堶���Unlike my, uh, very good buddy here, Danny,�� ������ �most of you checked your egos at the door tonight.��HC�u���۠����You found this little underground soiree�� ����� because you wanted to get fooled.�� 6C�u��������Hey, everyone. I’m Jack Wilder.���������(AUDIENCE CHEERING AND SHOUTING INDISTINCTLY)�� �C�u������Wars, pandemics, climate change, AI.���������Let’s face it, we all need magic more than ever.���C�u���j�����So I want you to pay very close attention.�� ����� You are not gonna want to miss this next trick.�� �C�u��Ѡ����(AUDIENCE CHEERING)�� ����� �Henley Reeves, now Henley Reeves Stanley.�� �C�u��-�����Three kids, two dogs and a master’s degree.�� ՠ���� �It’s been a while.��t�����KDid you miss us?��*C�u��Dy�����(AUDIENCE CHEERING LOUDLY)�� �����9Those guys were great back in the day.��|C�u@��Y/�����I used to want to be a magician.��,�����-- And then I turned 12. - (BOTH LAUGH)�� O�����}Careful, they might be listening.�� �C�u@��t������Ooh, I’m shaking in my AllSaints.�������What are they gonna do? (CHUCKLES)�� ᠜����Is that real gold?��C�u@���x�����- What? - Is that real gold?��U�����V- Yeah, I’m rich. - (SNORTS)��������QThis is a magic show, dude.��C�u���ݠ����Every fool here is a pickpocket,���������or a pickpocket’s fool.��2����� �(AUDIENCE CHEERING)���C�u@���������- Was that a haiku? - What was that?�������Each of you just received a playing card.��E����� GIf you wouldn’t mind, uh, pulling it out?�� xC�u@��ԁ�����Right. Now, we’re gonna shuffle the deck,��,�����-so everybody find a random person near them�� 6�����dand switch cards with them.��C�u@���������And then when you’ve done that,��蠳����find somebody else and switch with them.�� �����Okay, great. Uh, now...���C�u@��������Uh, duh-duh-duh-duh-duh... You there, down there.�� ����� - Me? - Yeah. What is your card?��E�����b- Ace of diamonds. - Ace of diamonds. Okay.���C�u@�� �����Let’s make things a little more complicated here.��,�����-Does anybody else here have the ace of diamonds?�� gC�u@��0������Wait, it’s me. Ace of diamonds!�������(AUDIENCE CHEERING)��ꠗ����MERRITT: Ooh!�������Looks like we have a Fifth Horseman not named Lula.�� gC�u��P �����Come up on stage, you’re gonna be our helper.�� ������ �(AUDIENCE CHEERING)�� �C�u��hQ�����MAN 1: Do it! MAN 2: Yeah, go!�� 7C�u���������Now, uh, look into my eyes�� _����� `and... sleep. (SNAPS FINGERS)�� �C�u���������- (AUDIENCE GASPS) - (CHUCKLES) Still got it.�� ������ �Now, this might look like an ordinary kid to you,�� GC�u���y�����but tonight, he is going to do extraordinary magic���������like a man possessed.���C�u@��������- Literally. - (AUDIENCE EXCLAIMING)���������- Henley. - Yes, Merritt.�������� �Would you mind stepping inside his body?��-C�u@���������- (SNAPS FINGERS) - (AUDIENCE GASPS)����Сʁ�Yep. And, Jack, uh, why don’t you throw yourself on in there, too?���C�u@���H�����- What I do best. - (SNAPS FINGERS)���������- (AUDIENCE GASPS) - And... Oh, God help you.�� ����Atlas, why don’t you slither on inside, as well?���C�u@��֠����- (SNAPS FINGERS) - (AUDIENCE GASPS)��*�����+And I might as well wedge myself in there, too.�� ������(It takes a village to make magic.�� C�u��:�����- (SNAPS FINGERS) - (AUDIENCE EXCLAIMING)�� C�u@��Qڠ����MAN IN AUDIENCE: Oh! WOMAN: Whoa!��$�����%(AS ATLAS) J. Daniel Atlas in the house.��,����� RSo, who wants to see a magic trick?�� C�u��hH�����(AUDIENCE CHEERING)�������� Take it away, Merritt.���C�u@���m�����(AUDIENCE EXCLAIMING)���������(AS MERRITT) Hello, you beautiful people.�� ����� sNow, everyone knows that Merritt McKinney reads minds.�� �C�u���i�����Well, now, I’m him. Or he’s me. Who knows?��B�����C(AUDIENCE LAUGHS)��CC�u���𠶡��Uh, I’m sensing someone came here tonight��@�����Anot to enjoy magic, but to tear it down.���C�u���%�����Is there a Brett Finnegan in the house?���������- BRETT: What up? - (AUDIENCE CHEERING)��MC�u��������(BRETT’S FRIEND SPEAKING INDISTINCTLY)�� =����� GNow, you and your friends here��C�u@��l�����set up the Camp Hobart Crypto Exchange.�� _����� `- Fact. Yep. Yeah. - It’s what we’re about.��꠯���KTook the good people of New York’s��C�u@��7�����employee pension and welfare fund half its cash.�� >����� ?- (AUDIENCE BOOING) - Uh, you’re rounding up,���������and also, the risks were laid out very clearly.�� GC�u@��6}�����Everybody knew what they were getting into, dude.��U�����VDid you hide the profits offshore?�� �����dAccount ending in 53297?���C�u��d������(CHUCKLES NERVOUSLY)���������You couldn’t know that without my, uh...�� f������(AUDIENCE GASPS)���C�u@��z�����(AS JACK) Oh, is this real gold?���������(AUDIENCE CHEERING)��C�š�� �Brett, you ought to be more careful with your things, man.�� �C�u@���l�����Merritt’s a psychic, but me, Jack,��n�����o- I’m into sleight of hand. - (AUDIENCE EXCLAIMS)��t�աρ �Ask your friends. They’ve just done their part to close the wealth gap.��YC�u���������- (AUDIENCE CHEERING) - What? What the...�������Now, here’s a little redistribution.�� C�u���à����Hey! Hey, hey!��������(AUDIENCE CHEERING)�� �C�u@���{�����Thank you. Thank you.���������Lawyer up, dude! I’ll kick your ass!�������� /(AS HENLEY) Uh-oh!��S������Someone forgot Henley can fly.�� C�u��������(AUDIENCE CHEERING)���C�u��"!�����We can take it from here, but a round of applause�� Ӡ���� �for the best Horseman on stage.���C�u@��5𠔡��Whoo! Wow.��٠�����BRETT: Hey, hey, hey. Hey, hey.���á�� �Fantastic. So, everybody, I want you to take your drink,�� xC�u��N,�����and I want you to pour it onto the face of your card.��z�����{Can you do that?���C�u@��cP�����JACK: Those 12 unique words on each of your cards�� ]�ѡˁ ^- form the password to your new crypto wallet. - MAN IN AUDIENCE: Oh!�� C�u��y��š��Log on and you’ll find Brett’s stolen millions more...��'�����(fairly redistributed.���C�u���t�����Oh, my God. Fifty... 50,000 bucks!���������50,000!��KC�u@���d�����(AUDIENCE CHEERING LOUDLY)�� ����� �You’re freaking done, dude!���������Whoa, whoa! Cool your head, gingerbread,�� C�u��� �����because I am having a vision.���ġ��Eh, maybe cops are gonna come bursting through that door!��qC�u��֤�����So perform a magic trick of your own��ɠ�����and disappear in three, two, one.��C�u���V�����(AUDIENCE CLAMORING)��򠙡���(SIREN WAILING)�� PC�u@��$�����ATLAS: (ON RECORDING) Now come in close. Mm, closer.��z�š��{Because the more you think you see, the easier it will be�� �C�u��?/�����- to dress up old tricks... - What?��Ϡ�����...and fool you that they are new.��v����� G(GASPS)���C�u��S�����Oh, my God, no.���������No!��l����� (SOBBING) No!���C�u��hǠ����(HITS SHEET)��K�����L(DRAMATIC MUSIC PLAYING)�� =C�u@���b�����(SIREN WAILING)��Ϡ�����Look, in my opinion, I think you did a great job.�� r�����CUh, I think my Atlas was good.���C�u@���d�����My Merritt could probably use some work.���������- JUNE: Mm. - It’s like a San Diego stoner�������� �and a shrimp boat captain had a baby.���C�u@��� �����- Sure. - (CHUCKLING)��d�ġ��eJUNE: No, seriously, Bosco, I don’t know how you do it.��4����� �A good impersonation isn’t just about the mimicry.�� �C�u@���������It’s about attention to detail,���������personality and nuance.��=����� �Okay. Okay. Let me try, let me try.��C�u���x�����Um... (HIGH-PITCHED) I’m J. Daniel Atlas.�� G����� H(SPUTTERS) The closer you look, the less you see.�� �C�u@�� b�����CHARLIE: (LAUGHS) It was something.�������Yep. Uh, you’ll work on it.������� /- I wasn’t bad. - It was a good start.��K�����{- But it could use some work. - Okay, sure.��C�u@����ơ��- What do you keep looking at? - Nothing, nothing, nothing.��4�����5Dude, cheer up. Guys, come on! Look at us!�� ��á���Look at how far we’ve come. We totally scored tonight.�� gC�u@��?&�á��JUNE: All right, next time, you wear the pink wig, okay?�� Ӡ���� �BOSCO: No.��*������- Dude, it’s locked again. - Okay, I’ll pick it.�� �C�u@��X������Wait, wait, wait, hold on. Do the thing.��n�����o- No. - Please do the thing.��蠵��� X- It’s so unnecessary. - It’s so cool.��K������- I’ll hold your bag. - It’s so unnecessary.���C�u��n㠩���- Come on, it’s fun. - Okay.��������O(SUSPENSEFUL MUSIC PLAYING)���C�u���w�����BOSCO: You got this.��렒��� (GRUNTS)��K�����Y- She’s like a little Mario. - She is like Mario.�� C�u���ޠ����CHARLIE: Careful, careful. BOSCO: Please don’t die.��U�����VBOSCO: Are you okay? JUNE: Yeah.���C�u@��ǿ�����BOSCO: If I could do that, I would only do that.��?�����@- (CHUCKLES) It’s so cool. - It’s insane.�� e������Happy?��}C�u@���㠬���- Yeah, that was awesome. - Yeah.�������Please let us in. It’s cold.��v����� �- JUNE: Whoo. - (GATE RATTLING)���C�u@���W�����Best apartment in the whole city.�� ����� Yep, and no one will ever see it but us.�� 6�����C(JUNE CHUCKLES)��CC�u�� ޠ����(CRUSADES BY GEESE PLAYING FAINTLY)��٠�����♪ Everybody... ♪��נ�����It’s such a shame.���C�u�� 3�����♪ But in my armor I am a man... ♪�� ����� ATLAS: (ON RECORDING) Come in close.���C�u�� 3������Closer.���������JUNE: That guy is so screwed.�� ������A(RECORDING CONTINUES PLAYING INDISTINCTLY)��UC�u@�� K%�����Who’s rich now?��K�����LCharlie, can you turn that thing off, please?������� `I think I’ve had enough Atlas for one night.�� �����lCHARLIE: Yeah, I got you.��dC�u@�� a������ATLAS: ...disappears, reappears.��:�����;At least if the trick is done right.�� h������Bosco, can you check for pizza? I’m so hungry.�� �C�u@�� |n�����BOSCO: Ugh, me, too.���������ATLAS: (ON RECORDING) ...Four Horsemen!���������BOSCO: No pizza, but we got beer.��������- And, no, literally just beer. - Closer. Because���C�u@�� �à����- the more you think you see... - BOSCO: Any takers?���������- Yeah, I’ll have one. - (INTRIGUING MUSIC PLAYING)��٠�����Dude, seriously, turn that thing off.���C�u�� �䠐���I did.���������Okay. Real funny, guys. Where’s the other projector?�� �������I’m not a hologram.��C�u@�� �������"I’m not a hologram." Right. Yes.��Ѡ�����Exactly what a hologram would say.�� E�ġ��a- Oh, my God, you’re real. - Never touch my face again.��C�u@�� ������I’m so sorry. I thought that you were a hologram.�������I would never do that. I’m a huge fan of yours.��٠�����How are you? (PANTING)��C�u@�� ������How did you find us?��Ѡ�����I don’t know. Took me about 30 seconds.���������And if it was this easy for me to find you,��fC�u@��  �����how hard would it be for the police?����¡���- Whoa, hold on, the police? - ATLAS: Yeah, the police.�� ������Why would the police be looking for us?���C�u@�� ������Uh, I don’t know, what about that���������little heist you just pulled?��*������Or the fact that you’re squatting in this place�� p�����Kor that your electricity comes from���C�u@�� 2������the circuit box in the corner?���á���I don’t know, it could be anything. Am I right, Bozo?�� W�����A(CHUCKLES) Bosco.��C�u@�� F񠧡��- ATLAS: Hmm. - Bosco Leroy.��ڠ�����Ah, that’s right, yeah, Bosco Leroy.��M�ˡŁ )What, did you type, uh, "fictional magician name" into ChatGPT?�� FC�u@�� `a�ơ��- No, that’s actually my real name, Atlas. - ATLAS: Hmm.�� 6����� 7What, did your mom have sex with a map?��M������(JUNE AND CHARLIE LAUGH)���C�u@�� zU�����- That’s not funny. - ATLAS: Hmm.�������You don’t know anything about us, dude.��2����� G- I know everything about you. - Oh.���C�u@�� �E�����The dubiously named Bosco Leroy,�� ����� a promising acting career��ڠ�����cut short by crippling student loans.���C�u@�� �������It’s a bummer you had to drop out of Juilliard,���������but you never stopped performing.�� .������Uh, if memory serves, your last paid gig,���C�u@�� �{�����I think, was dressing as Elmo in Times Square?��v�����wOkay, first of all, I was never Elmo.��v������It’s the red Teletubby.���C�u@�� � �����Po!���������- What? - The red Teletubby.�������� ?- Her name is Po. - Oh, Po!��𠢡��0She’s my favorite one.���C�u@�� ������- CHARLIE: Right? - (JUNE CHUCKLES)��l�����m- Her name is Po. - JUNE: Cute.�� ������}And you, June Rouclere.��cC�u@�� 㠮���Kicked out of every boarding school��������your parents forced you to attend.�������� )Not a big fan of authority, I take it.��C�u@��  �����Uh, let me guess.��蠴����Uh, you think the "olds" broke the planet���ơ�� �and it’s your generation’s duty to clean up their mess.�� C�u@�� ,�����- Am I right? - Am I wrong?�� ����� �No.��������AAnd so, you ran away from home,�� �����Kmade your way to New York, where you ran into this guy�� pC�u@�� IԠ����at Tannin’s Magic Shop, Charlie Gayes.�� ������ �- Yeah, hi. - Yeah, hi.��ɠ�����I actually couldn’t find a lot about you online.��[C�u@�� `������Although, I do know you were an orphan����ɡÁ�and you were in and out of foster care your entire childhood,�� <����� �and that you didn’t know the meaning of family���C�u@�� t������until you hooked up with these two.�������And so, the three of you have been working���������your little Robin Hood act for years now,��fC�u@�� �Ϡ����trying to change the world one trick at a time,�� �á�� all leading to your riskiest theft to date, my identity.��C�u@�� �⠙���You were there?��C�����DYou had our faces plastered��蠼���-on every scaffolding and subway stop in the city.��,�����ZThat’s copyright infringement, by the way.���C�u@�� ������Of course, I was there.��K�����LSo, what’d you think?�� i������- I think your Merritt needs work. - I knew it.�� C�u@�� ̫�����- That’s a sensitive topic. - No.�� ����� - You don’t even get it. - He’s lying.��Ϡ�����But overall design was impressive.������� �That’s you, I assume, the quiet guy?��nC�u@�� ������- Textbook, behind the scenes. - Yeah, well,��B�����C- Alexander Herrmann... - Oh, boy.����֡Ё ?...he said that the people who designed his tricks were the real geniuses.�� �C�u@�� �4�����The fact that you know that man’s name,�� ����� "behind the scenes" clearly.��2�ơ��AAnd you, your sleight of hand was advanced. Good dexterity.���C�u@�� p�̡ƁYou’re quick and nimble on your feet. Really, I was impressed.�� .����� /- Thanks. - ATLAS: You’re welcome.���������Sounds like we’re pretty great.��EC�u@�� *������ATLAS: You’re far from it.����¡���But, uh, maybe with a little fine tuning, you could be.��a�á�� Yeah, I could... I could see why The Eye sent me to you.�� �C�u�� H?�����- I’m sorry. - Wait, did you say "The Eye"?�������Yeah, The Eye.��������YAll right, listen.���C�u@�� _1�����This card arrived at my apartment three weeks ago,��o�����palong with four plane tickets��Ϡ����@and instructions hidden in the lining��EC�u@�� x������for a trick bigger and better��S�����Tthan anything you have ever seen.��`�ġ�� �A trick that, for some reason, includes the three of you.���C�u@�� ������- Us? - ATLAS: Mm-hmm.��K�����L- Why not the other Horsemen? - No,��[����� �- the other horsemen are dead. - What?��������6To me, they’re dead to me. Stop interrupting.���C�u�� �֠����No, things got emotional. Everyone quit.�� G����� HI took a walkabout in Australia. It’s a long story.�� eC�u�� �������And now you need us?�� ����� According to that card, yes.��������lWell, we don’t need you, so...�� C�u@�� �������BOTH: Bosco.����á���What? What do we need this guy for? We’re crushing it.������� �You’re crushing it? You’re stealing��S�����a little money from some crypto bro.��C�u@�� � �����I’m talking about big fish here, man.���������I’m talking about something that will�������� Gmake a real difference. (BANGS HAND ON TABLE)��EC�u@�� ������I thought that’s what you kids are all about.��|�����}It is. No, exactly.�������� ,Yes, we are.�������� �Yeah, but I think we can catch our own fish.�� �C�u@�� +�����- You can? - CHARLIE: No, no, he...���������- ATLAS: Good luck with that. - What? No.��ڠ���� qCan you just wait one second?��K�ءҁ�What are you doing? What’s... what’s going on? Are you out of your mind?�� �C�u@�� 5������- This is J. Daniel Atlas. - Yeah, I know who he is.�� ������ �He’s a freaking legend.���������He was a legend. Now he’s just kind of a dick.���C�u@�� O砫���- Can you... - JUNE: Yeah, sure.��*�����+Bosco, he’s kind of a dick, but he is a Horseman.�� �������I mean, come on, just trust us on this, please.�� �C�u@�� l������Okay. Decision time, kids. What’s it gonna be?�� X����� JAre you in...�� �����T(BANGS HANDS ON TABLE) ...or are you out?�� �C�u�� �������What’s the trick?���������(CAPTIVATING MUSIC PLAYING)�� �C�u�� �7�����WOMAN: Welcome, esteemed community members,�� Ӡ���� �valued press, friends and colleagues.�� %C�u�� �1�����We are gathered here tonight to celebrate�� ������ �Vanderberg’s latest and greatest mine,�� �C�u�� �������C3, or as we like to call her,�� ������ �"Amahle," Zulu for "The Beautiful One."���C�u@�������Because every child is beautiful��U�����Vin the eyes of its mother.��f������(CROWD CHUCKLING)��������KOur customer can rest assured���C�u��(�á��that when they buy the world’s greatest symbol of love���������that it was produced with nothing but.�� �C�u��Bv�����- (CROWD CHEERING) - To Amahle, and to all of you.�������(CHUCKLES)�� C�u@��W��ġ��Well, thank you all so much for making the trip out here.���������Now, I take it you were all impressed by Amahle.��iC�u@��v������Sorry, C3.��d�ǡ��eMAN: Oh, it’s quite dramatic. WOMAN: Yeah, it’s amazing.���ݡׁ XBut I also understand that you have chosen this fine day to broach some concerns,��<C�u���*�š��which, contrary to your expectations, I don’t begrudge.��(������Fire away.���C�u���𠰡��Right. Well, um, the board feels that�� ������ �projections might be optimistic...�� jC�u@��������VERONIKA: Mm.���������...with increasing competition from lab grown�� ����� �and, in the event borrowing rates plum...�� ������William. William.��|C�u���?�����My father loved you, but there was���������a reason he called you his dark cloud.�� C�u@���!�����Aw, shame.���������The Vanderberg family does not lose.�� ]����� �As you’re well aware, our motorsports team just won�� �C�u�� ᠸ���the Monaco Championship for the seventh time.��栠���*The mine will produce.��wC�u@��'[�����Next?��񠐡�� �Right.������� �Pricing. The minimums that you’ve set for...��[�����Will you humor me, William?���C�u��>�����In a demonstration about reality?�� 6����� 7This diamond is say, what, 55 carats?��C�u��[8�����The AWDC would price it at 3,000,000 US dollars.���C�u��t꠬���William, will you open your mouth���������and stick out your tongue?��Ҡ����(CHUCKLES IN DISBELIEF)���C�u���������Now.��ࠨ����(LOW FOREBODING MUSIC PLAYING)�� ᠞��� �- Really? - Really.�� C�u���נ����Now, if William here were to swallow it,�������that selfsame diamond would tear his throat to shreds.���C�u��ߦ�����He would bleed to death before paramedics arrived.��������ISo, to the AWDC, it’s 3,000,000,�� .C�u��������but to William, priceless.�� ܠ����pTell me then, as the CEO responsible�� �C�u@�������for the world’s last great diamond mines,�� D����� Eshould I undercut our profits,��򠣡��8or should I choose prices���C�u��*�����that I know are unique clients will pay?�� &C�u��J栗���As I thought.��Ϡ�����(SPITS)�������� i- Now... - (COUGHING)�� �C�u��^֠����...unless there are more concerns,�� ����� I would like to head to Antwerp with my price list��uC�u��|q�����and show off our stones.�� ������ �(ALL AGREEING QUIETLY)��UC�u@���������(PEOPLE CHATTERING)��Ǡܡց�BOSCO: Oh, uh, you know, you probably could have led with a free trip to Europe?����̡ƁlCHARLIE: You know, a little known fact about Antwerp, is that...�� �C�u@���㠽���ATLAS: Oh, great, more magic trivia. This is fun.�� ����� CHARLIE: No, I was just gonna say that��S����� `they make great biscuits.��d������JUNE: Oh, do they? Can we actually get some, please?���C�u@���r�����BOSCO: On Atlas, obviously. ATLAS: No.��נ�����No, no, I’m not getting you biscuits.�������� `I just got you chocolates, okay?��,C�u@���������All right, listen, this is not a vacation, okay?���������We have three days to prepare an effect����ہ �that’ll make your barely passable Pepper’s Ghost trick look like a cave painting.���C�u���0�����All right, come here.��\�����pThe Heart Diamond, the most valuable jewel in history�� pC�u@���á��and the foundation of the Vanderberg Mining Corporation.�� F����� G(ENGINES REVVING)��������CNow, for years, the family’s kept this big rock�� �C�u��2�����hidden inside their secret vault,�� P����� X70 stories underground.���C�u��FZ�����And not just any ground. The Arabian Desert.�� g����� h(DRAMATIC MUSIC PLAYING)�� �C�u��}������No one beyond their most trusted team has been inside.���C�u@���1�����Access through a single elevator,��E�����Fconstantly monitored by armed guards...�� %�����l(SOFT TRILLING)���C�u@���~�����AUTOMATED VOICE: Identity verified.��l�ɡÁmATLAS: ...and behind a multi-level biometric security system.�� ������(SUSPENSEFUL MUSIC PLAYING)�� /C�u@���B�����But the world will be watching,��l�����mbecause for the first time in half a century,�� 0������that diamond is being traveled here�� ?C�u@���c�����to Antwerp, to establish credibility���������and to spur bidding at a private auction��:�¡�� �for the company’s latest finds in three days’ time.�� �C�u@��D�����Okay, obviously, I’m down for stealing.�������But what makes this diamond so special?���ɡÁ /Well, because the magical tarot card told us to, June, right?�� xC�u@��,�á��Yeah, okay, that’s very cute. But can I please finish?���ơ���You’re not finished? Jeez, you’ve been talking forever.���������Yes, and I’m about to talk more.��2C�u@��B������So, please, pay attention.��S�����TFor decades, first, Peter Vanderberg,�� &�����{now his daughter, Veronika,��Ǡ����Chave been selling these diamonds at inflated prices��4C�u��]"�����to arms dealers, traffickers, warlords the world over,�� ������ �to, like, help launder their money.���C�u@��q������So, I mean, the cash is dirty.��K�ǡ��LI mean, in some cases, it’s, like, literally blood-soaked.�� .�����{But then, voila... (SNAPS FINGERS)��l�á���...it’s cleaned in exchange for these precious stones.���C�u���P�����She makes all the world’s worst people possible.�� ������ �So, whoever sent that tarot card...��UC�u@���H�����Are the few truly honorable people left in this world.�� ����� The only people that still care about justice.��M�����dThey’re people I haven’t spoken to in a long time.���C�u@���������They call themselves "The Eye,"��򠫡���and they want us to do something������� that the Horsemen never could.��NC�u@��ϰ�����This, man,��2�����3this is a chance to drive a stake��ڠ���� through the heart of the devil herself.��򠡡��CHARLIE: Let’s do it.���C�u@���`�����(CAPTIVATING MUSIC PLAYING)��M�ҡ́NVERONIKA: All eyes will be on me and the Heart tonight at the auction.���C�u���������I have to look dazzling.��⠮����Do you have that Kitten Kiss color?������� �(LOW INDISTINCT CHATTER)�� C�u@������Lethabo.��_������- LETHABO: Yes? - Straw.��*����� �Who’s that British photographer from Vanity Fair?���C�u@�4s�����Uh, what’s his name again? Marc...�� Ԡ���� �Marc Scriber?��������- Schreiber, good God. - Schreiber.��,C�u@��J]�����Confirm him, cancel the others.��ߠ�����We went wide last year. This year, exclusivity.�� >�����- LETHABO: All right. - We’re open, transparent.���C�u��e-�����- (CELL PHONE RINGING) - We have nothing to hide.��$�����%LETHABO: Okay, perfect. I’ll have it done.�� `C�u@��y���This is Veronika.��d�����eDISTORTED VOICE ON PHONE: ♪ Hush little baby ♪�� <����� �♪ Don’t say a word ♪��C�u@���(�����Who is this?��࠸����♪ Papa’s gonna buy you a mocking bird ♪�� <����� ♪ And if that mocking bird ♪��,�����KVacate.��KC�u@���������♪ Don’t sing ♪��d�����eHow did you get this number?�� �����o♪ Papa’s gonna buy you a diamond ring ♪�� ۠����KThis is a private line, and that was a bit tone deaf.��HC�u���S�����(DISTORTED VOICE CHUCKLES)��^�����_VERONIKA: I asked who you are.��[����� �Ah, Veronika.���C�u��ަ�����The storage unit to your left.��`�����a(LOW SUSPENSEFUL MUSIC PLAYING)�� �C�u��������Look familiar?��;������It belonged to that boy who died 15 years ago.���C�u��/�����This means nothing to me or anyone.�� 접��� �Really?��Q����� ?You and I both know what you did.�� �C�u��K������Look, if you have real evidence��꠻����and you’re out to get me, why not just use it?��ZC�u��bN�á��Fifteen years ago, you took what your father loved most.��[�����\Now I’m going to do the same to you.�� C�u��Ƞ����- I want the Heart Diamond. - (STATIC CRACKLES)��.�����bYou’re going to give it to me.���C�u���������Or I’m going to hold up a looking glass���������for the whole world to see you as you are.�� �C�u���������Go ahead. I have nothing to hide.�� �C�u���ՠ����(TRAIN HORN BLARES)��t�����u(INTRIGUING MUSIC PLAYING)�� C�u@��!�����- JUNE: Oh, my God. - Hey.���������I’m so sorry about that.��\����� �Hi. Can you help me find this?��蠵����I’ve been looking literally for an hour.��C�u�������Yes. It’s gonna be right over there, ma’am.�� �C�u��U@�����Marc Schreiber, James Winn, Vanderberg PR.�� �C�u@��kϠ����Huge admirer of your work.�������James? What happened to Dani?��⠷��� �Oh, Dani. Yeah, sadly, we had to let her go.�� WC�u��������Turns out she was racist.���������And also, she booked you into the Radisson Blu���C�u���w�����- in a partial view, double. - Ugh.�� 6�š�� 7Thankfully, I took the liberty of moving you to the FRANQ.���C�u���"�����I do love the FRANQ.��*�����+Yes, the presidential suite is befitting of, well,��aC�u��ʯ�����presidents and talented photographers like yourself.�� ������ �Uh, your gala invitation has been rerouted.���C�u���p�����If I could just check your confirmation?�� C�u@���䠩���- Thank you. - (CAMERA CLICKS)��Ǡ�����I also bumped your shoot from 7:00 to 9:00 p.m.��S����� to give you proper time to make your magic.�� �C�u�� ͠����- Someone gets it. - Yeah.�� �C�u@��#ؠ����(DIAMOND BY ANGELINA JORDAN PLAYING)��n�����o♪ I’m shinin’ like a supernova ♪���¡�� �♪ With my hands up high And my heart wide open... ♪���C�u@��C������(ENGINE REVS)�������♪ I shine even more bright Like a diamond ♪���������♪ Brush that fear right off my shoulder... ♪�� �C�u��bˠ����Take, for instance, diamonds created in laboratories.�������They purport to have value,���C�u��vy�����but they’re neither natural nor rare.�������What honest woman wants a falsehood on her finger?�� 0C�u@���������- I agree. - (CHUCKLES)���������One of the great truths left��נ���� fis the power behind a natural gem.��à����*Real diamonds fill people with passion,�� �C�u@���������as they have for centuries.�������That’s right. In fact, Marie-Antoinette,��:����� Xwore the Hope Diamond for a single day,��Ѡ����*and a month later... (SNAPS FINGERS)���C�u@���������...was dragged to the guillotine��V�����Wby some very, well, as you say, passionate folks.�� #�����{(CHUCKLES SOFTLY)���¡��\But Marie-Antoinette didn’t die because of a diamond.���C�u@���٠����She died because of a monstrous lack of empathy.�� x����� y(CHUCKLES) Well...��࠶���ZAnd truth is, she never even wore the Hope.�� DC�u@���x�����People just believe she did.��𠰡���Really? That’s kind of interesting.������� qSo it was not the mob that killed her,��������and it was not the guillotine,���C�u@�� I�����it was a... a story.��w����� PI must not know my own guest list.��n������Are you in the diamond business?��KC�u@�� T�ǡ��(CHUCKLES) No, no, I’m in the illusion business, like you.�� ����� (CHUCKLES)���������See, for centuries, diamonds were worthless���C�u@��8Ҡ����until some very smart, very rich people���������like Veronika here, told us that, not only�� ������are these little shards of glass rare,�� hC�u@��R砭���but that no self-respecting couple��[�����\could possibly get married without one.��=����� �No, now, that one is a good magic trick.�� �C�u@��iJ�����(CHUCKLES)��}�����~The problem with the trick is, um...����ǡ�� (QUIETLY) All the good ones have a little twist in the tale.���C�u���-�����Is it you?��������@Is what me?��3������- Of course not. - No, no.���C�u@�����ǡ��I mean, you wouldn’t have let me in had I not demonstrated���¡���the finest moral fiber, like some of your other guests.�� W�����KI notice Luis Briseno, the arms dealer over there.��C�u@���������Hello, sir.��}�����~And of course, Maria Bortnick, when starstruck,��2�ɡÁ�how she manages to mingle while monopolizing her state media.�� >C�u���ݠ����Perhaps you’d care to reveal yourself.��à�����Then we can apply the same scrutiny to you.�� LC�u������- ATLAS: Hmm. - (CHUCKLES)���������Not just yet. (INHALES)��U������I’m sorry for interrupting.���C�u��?�����(SNAPS FINGERS)�������� =That won’t be necessary.��ʠ�����Let him eat cake.���C�u��&������Marc Schreiber.��t�����uVeronika Vanderberg. (CHUCKLES)�� �C�u@��>������Let’s make this quick, shall we?��f�����gOur auction begins shortly.��S����� �I trust you can do me and the Heart justice.��UC�u��R������Yes. I only have one rule. What I say goes.�����CWell, I’m sure I can find my submissive side.�� �C�u��r젻���Well, if not, I’ll find it for you. (CHUCKLES)��Š����dOoh. I like you.���C�u���������Right this way, darling.�� ����� (SUSPENSEFUL MUSIC PLAYING)�� /C�u@����ơ��- I don’t want to be too matte. - JUNE: Sure. Sure, sure.��٠�����And I don’t like the sides of my nose shining.�� �������JUNE: Okay.��TC�u@���n�����- Show me. - Mm-hmm.��㠮����Excuse me, can the little fruit fly���������in my shot please shoo, shoo, shoo.�� �C�u@������Thank you.����š���The only thing more valuable than that diamond is my time.�� ������ �- (CAMERA CLICKING) - I did my research on you.�� �C�u@���E�����Your industry, like mine,��𠬡���is besieged by manufacturer lore.�� .����� But you, you bring us beauty as it is.��KC�u��##�����We’re alike in that regard.��K�����LWe don’t sell contrivance, we sell reality.��@C�u��6������Well, I would argue that we don’t sell at all.�� �����AOthers buy.���C�u��J������BOSCO: Hmm.��������CLet’s see...��%C�u��g3�����Uh... The diamond, take it out.�� ������ Nah, boy.��>C�u@��{頙���Absolutely not.��t�����uThe glare in the glass will mar the photos.�� ˠ����AI don’t tolerate imperfections.��C�u@���D�����I don’t imagine someone as ravishing��^�����_as Ms. Vanderberg does either.��נ���� 7So, take it out or find yourself a new photographer.��JC�u���Ơ����(CHUCKLES)������� �(SUSPENSEFUL MUSIC CONTINUES)�� C�u��������(WHIRRING SOFTLY)���C�u��������In truth, I was hoping you’d ask.���������I don’t remember asking.��wC�u��, �����There it is. (CHUCKLES)��򠨡���Beautiful. Work it. Fabulous.�� W�����KFabulous. (CHUCKLES) Fabulous.��YC�u��MŠ����Beautiful.���������Yes. Smiling, we’re having fun.��5������This is what we came for.���C�u��h�����(SUSPENSEFUL MUSIC BUILDS)��򠛡���Hold it, hold it.�� ������YThat’s the money shot.�� �C�u���������Hold it.��������And you, ma’am, are far enough.�� �������I’m just trying... I’m trying to help.���C�uA���סс- Her forehead is shinier than the diamond. - When it comes to the Heart...���������Actually, I’m doing my job.��Ǡʡā �- I don’t take orders from you. - When it comes to the Heart,��נ����Y- you listen to me. Get out. - I... I can walk myself.�� C�u���������- Thank you. - Right.��g����� - (BREATHES DEEPLY) - VERONIKA: Mr. Schreiber.�� �C�u@���q�����If you’re all you purport to be,���������you should already have what you need.�� �����- More than enough. Thank you. - Excellent.�� �C�u@���v�á��Well, it’s been a pleasure, but I have buyers waiting.��堿����LETHABO: I’ve had enough of this of this nonsense.���C�u��������Make sure it’s secured.��C�����D- MAN: Yes, Lethabo. - (DOOR OPENS)�� /C�u@��'��̡Ɓ- What the hell, what happened? - I don’t know. I don’t know.�� G����� H- (DOOR CLOSES) - Time’s ticking. Let’s go.��4�����}(DRAMATIC MUSIC PLAYING)�� �C�u��k������At last, the auction we’ve all been waiting for.���������Now, if you’re here tonight,���C�u���Ӡ����you probably think you’ve seen everything.�� G����� HSo it is to you that I ask...�� ?C�u@���蠕���Everything?��������;(AUDIENCE GASPS AND APPLAUDS)�������� �(VERONIKA LAUGHS)��"�š�� It’s not been seen in person for a quarter of a century.��aC�u���j�����Still the largest diamond ever discovered, the Heart.��a�����b(AUDIENCE APPLAUDING)�� �C�u��ҍ�����(LOUD SLOW CLAPPING)�� ������9BOSCO: Congratulations to all of you��,C�u@���󠴡��and for getting away with it for so long.�� ������ �Well, guess what?���������- (AUDIENCE GASPS) - Climate change���C�u@��/�����doesn’t believe in you, either.��򠸡���You tore your fortunes from our Mother Earth,�� ������set fire to her skies in your private jets...�� IC�u@��o�����- Okay, she gets it. - BOSCO: Yeah, yeah, yeah.��U�����V(AUDIENCE EXCLAIMS)�������� �Bled her dry with your insatiable...��נ�����Young man, we all want to save the world here,�� C�u@��

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