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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,140 --> 00:00:03,960 You know, Blackie, I don't know. All I know is I'm about one step away from 2 00:00:03,960 --> 00:00:05,400 torching this place to cinders. 3 00:00:06,700 --> 00:00:10,480 Hey, you know, boss, I know business is slow and everything, but going into the 4 00:00:10,480 --> 00:00:12,980 charcoal briquette business ain't gonna solve nothing. 5 00:00:14,340 --> 00:00:16,120 Blackie, look around. 6 00:00:17,540 --> 00:00:18,900 What the hell do you see, huh? 7 00:00:20,080 --> 00:00:23,300 Well, uh, you know, I've always wanted to fuck Dottie there, the bartender. 8 00:00:23,480 --> 00:00:26,020 Aside from that, what do you see? 9 00:00:26,740 --> 00:00:29,100 I see a lot of empty chairs, a lot of overhead. 10 00:00:29,790 --> 00:00:33,970 Exactly my point. I mean, hell, I even got my old lady working just to make 11 00:00:33,970 --> 00:00:35,570 meet. So I heard. 12 00:00:35,850 --> 00:00:41,230 I heard she's a great palmist, or she gives great palm. Hey, she's a palmist. 13 00:00:41,550 --> 00:00:44,790 Eleanor is a palmist, all right? You get that through your thick head, all 14 00:00:44,790 --> 00:00:45,749 right, Blackie? 15 00:00:45,750 --> 00:00:47,770 Hey, boss, she's a palmist. 16 00:00:49,610 --> 00:00:52,090 You're going to meet a tall, dark stranger. 17 00:00:53,690 --> 00:00:56,170 Actually, I already have, but it was more of a money transaction. 18 00:00:56,670 --> 00:00:58,330 Oh, really? Well, tell me about it. 19 00:00:58,980 --> 00:01:03,620 Well, it was kind of simple, really. He just told me to reach, and I handed him 20 00:01:03,620 --> 00:01:04,620 my wallet. 21 00:01:04,959 --> 00:01:06,060 Let me see your palm. 22 00:01:06,300 --> 00:01:07,440 I must have missed that. 23 00:01:08,680 --> 00:01:09,920 Ah, I see. 24 00:01:10,500 --> 00:01:12,160 New opportunities are ripe. 25 00:01:13,100 --> 00:01:15,720 That's good, because the old opportunities are rotten. 26 00:01:16,220 --> 00:01:17,220 You poor man. 27 00:01:19,020 --> 00:01:20,140 I lost my job. 28 00:01:21,080 --> 00:01:23,460 Robbed at gunpoint, and you lost your job? 29 00:01:24,040 --> 00:01:25,740 Yeah, I was a cul -de -sac designer. 30 00:01:26,080 --> 00:01:27,080 Well, that's interesting. 31 00:01:28,780 --> 00:01:30,300 No, it's kind of a dead -end job. 32 00:01:31,140 --> 00:01:32,140 That's unfortunate. 33 00:01:32,960 --> 00:01:33,960 What, the joke? 34 00:01:34,540 --> 00:01:38,820 Actually, speaking of dead -ends, I'd really like to find out more about my 35 00:01:38,820 --> 00:01:39,820 life. 36 00:01:40,380 --> 00:01:41,380 That's inappropriate. 37 00:01:41,860 --> 00:01:42,860 What do you mean? 38 00:01:43,720 --> 00:01:50,340 Well, from the looks of things, I see that you spend a lot of time in the 39 00:01:50,340 --> 00:01:51,900 reading men's magazines. 40 00:01:52,260 --> 00:01:54,460 And I'd do anything to change that situation. 41 00:01:55,260 --> 00:01:58,480 I mean, I want to be a doer, not a reader. I want to be an achiever. I want 42 00:01:58,480 --> 00:02:01,180 go out and find and meet that girl next door. 43 00:02:02,500 --> 00:02:07,400 Mr. Archer, let me give you some advice since obviously you don't have a clue. 44 00:02:08,699 --> 00:02:09,919 Look around you. 45 00:02:11,100 --> 00:02:15,900 The chances of finding the girl next door in this dump are about as good as 46 00:02:15,900 --> 00:02:18,120 finding a princess on a porno set. 47 00:02:20,480 --> 00:02:21,520 What's my alternative? 48 00:02:22,560 --> 00:02:23,560 Suicide. 49 00:02:24,300 --> 00:02:25,400 Or a mercy fuck. 50 00:02:26,940 --> 00:02:28,460 Do you read that in my poems? 51 00:02:28,800 --> 00:02:30,580 No. That's an excerpt. 52 00:02:32,420 --> 00:02:33,420 Ah. 53 00:02:36,380 --> 00:02:37,380 Mercy fuck? 54 00:02:37,540 --> 00:02:39,080 Mm -hmm. Or suicide? 55 00:02:39,860 --> 00:02:41,300 Mercy fuck, suicide. 56 00:02:42,600 --> 00:02:43,920 Maybe I can help you decide. 57 00:03:53,710 --> 00:03:54,710 Ugh. 58 00:05:14,220 --> 00:05:15,220 At least you're funny. 59 00:12:03,310 --> 00:12:05,710 Well, you know, the women in this town, they ain't stupid. 60 00:12:06,590 --> 00:12:08,870 They know this place has a bad reputation. 61 00:12:09,470 --> 00:12:13,170 Why? Because we haven't changed the bar from the porn studio it used to be? 62 00:12:13,650 --> 00:12:16,210 Come on, how narrow -minded can they be about fucking? 63 00:12:17,230 --> 00:12:21,030 They stay away because, you know, they think we're going to take their clothes 64 00:12:21,030 --> 00:12:22,030 off. 65 00:12:22,430 --> 00:12:23,430 Gee, I wonder why. 66 00:12:24,070 --> 00:12:27,330 Holy shit, get a look at them yams. 67 00:12:27,810 --> 00:12:29,330 Check out the outfit there. 68 00:12:29,810 --> 00:12:30,850 Straight out of Kansas. 69 00:12:32,880 --> 00:12:35,100 I'm not using the right talk around this place. 70 00:12:35,380 --> 00:12:37,440 Can you help me find this gentleman? 71 00:12:38,300 --> 00:12:39,360 Movie producer, huh? 72 00:12:39,780 --> 00:12:42,180 Yeah, he wanted me to get a hold of him when I got into town. 73 00:12:42,960 --> 00:12:44,900 Well, you got the right town, but the wrong state. 74 00:12:45,660 --> 00:12:49,440 Please don't tell me that. I'm flat busted and broke with no money to get 75 00:12:49,440 --> 00:12:50,440 to Indiana. 76 00:12:50,500 --> 00:12:51,500 Yo, Toro. 77 00:12:51,900 --> 00:12:52,900 Yo, Toro. 78 00:12:52,960 --> 00:12:55,800 What do you want me to tell you, Toots, that you're going to come here and be a 79 00:12:55,800 --> 00:12:59,920 big Hollywood star, act one in a screenplay? It just don't happen like 80 00:13:02,800 --> 00:13:04,700 Excuse me, Aunt Dottie, can I be of some assistance? 81 00:13:05,260 --> 00:13:09,360 Oh, sorry. We've got another one of those dames with bright lights and big 82 00:13:09,360 --> 00:13:10,760 dreams clogging her noggin. 83 00:13:14,200 --> 00:13:15,200 How you doing? 84 00:13:15,860 --> 00:13:17,640 I'm Thursby, owner of this establishment. 85 00:13:18,320 --> 00:13:19,940 Is there anything I can do for you? 86 00:13:21,820 --> 00:13:26,140 Well, Mr. Thursby, I'm a long way from home. I'm cold, I'm tired, and I'm 87 00:13:26,140 --> 00:13:27,140 hungry. 88 00:13:27,960 --> 00:13:30,140 And let me guess, you're from Kansas, too, huh? 89 00:13:30,520 --> 00:13:31,880 Indiana, actually. 90 00:13:32,430 --> 00:13:34,650 Just as bad, missy, just as bad. 91 00:13:36,010 --> 00:13:38,430 The name's Jinx. Jinx Cunningham. 92 00:13:39,450 --> 00:13:40,450 Well, 93 00:13:40,970 --> 00:13:45,590 in that case, welcome to the town too tough to die, Jinx Cunningham. 94 00:13:46,790 --> 00:13:48,090 Is that Gary, Indiana? 95 00:13:49,550 --> 00:13:50,550 No. 96 00:13:50,950 --> 00:13:56,030 But if I was a Benton man, which I am, I'd bet you were from the sticks. 97 00:13:56,830 --> 00:13:57,990 Why do you say the sticks? 98 00:13:58,830 --> 00:13:59,689 It's easy. 99 00:13:59,690 --> 00:14:00,690 Your boots. 100 00:14:01,580 --> 00:14:02,580 What's wrong with my boots? 101 00:14:03,540 --> 00:14:07,880 Well, they don't exactly scream big city now, do they, Jinx? Come on. 102 00:14:08,540 --> 00:14:12,300 Hey, Blackie, why don't you go get Jinx some brandy or something? 103 00:14:13,240 --> 00:14:14,240 Where, boss? 104 00:14:16,120 --> 00:14:18,560 Where do you think we keep liquor in the bar? 105 00:14:19,320 --> 00:14:20,320 Move it. 106 00:14:20,660 --> 00:14:22,120 Okay, boss. Move it, move it. 107 00:14:24,960 --> 00:14:27,060 Now, where was I? 108 00:14:28,700 --> 00:14:29,700 Why don't you... 109 00:14:30,140 --> 00:14:31,760 Put your foot right here on my lap. Why? 110 00:14:32,860 --> 00:14:36,200 Don't worry, I'll tell you why. I'll show you. Just put your foot here on my 111 00:14:36,200 --> 00:14:37,200 lap. 112 00:14:38,280 --> 00:14:39,280 See? 113 00:14:39,640 --> 00:14:40,640 Cowboy boots. 114 00:14:40,760 --> 00:14:43,040 These are indigenous to Kansas and the Midwest. 115 00:14:43,480 --> 00:14:46,100 And those damn little horse jeans, whatever. 116 00:14:47,000 --> 00:14:48,000 It's Indiana. 117 00:20:41,640 --> 00:20:42,640 um 118 00:21:51,850 --> 00:21:52,850 Hello. 119 00:22:21,610 --> 00:22:22,610 Oh. 120 00:24:53,070 --> 00:24:54,070 What do you want? 121 00:26:24,810 --> 00:26:28,310 Sorry to bother you, boss, but you know who is coming you know where. 122 00:26:31,070 --> 00:26:32,690 Another one of your bimbos, Miles? 123 00:26:33,030 --> 00:26:34,650 Of course not, Eleanor. 124 00:26:34,910 --> 00:26:38,650 This young lady was just asking for directions to Kansas. 125 00:26:39,070 --> 00:26:40,070 Indiana. 126 00:26:40,710 --> 00:26:41,970 Kansas? Indiana? 127 00:26:42,550 --> 00:26:44,930 I wish you'd get your story straight, Miles. 128 00:26:45,210 --> 00:26:47,290 Look, I'm not fucking your husband. 129 00:26:47,570 --> 00:26:48,610 Oh, yeah, I'm sure. 130 00:26:49,530 --> 00:26:52,530 But be that as it may, Miles, this is Mr. 131 00:26:52,730 --> 00:26:53,730 Archer. 132 00:26:53,870 --> 00:26:55,250 Pleased to meet you, dear. Mr. 133 00:26:56,890 --> 00:26:58,410 Archer's out of a job, Miles. 134 00:26:59,450 --> 00:27:01,250 Well, you know, times is tough. 135 00:27:02,350 --> 00:27:04,830 You said you'd help me get the girl of my dreams. 136 00:27:05,090 --> 00:27:06,090 Shut up. 137 00:27:06,870 --> 00:27:09,150 I want you to put him on the payroll, darling. 138 00:27:10,050 --> 00:27:13,130 Now, sweetheart, hiring him is what? 139 00:27:14,490 --> 00:27:16,230 You promised, and I want her. 140 00:27:16,690 --> 00:27:17,970 I said shut up. 141 00:27:19,530 --> 00:27:21,110 Be creative, darling. 142 00:27:22,120 --> 00:27:24,060 It may keep you out of divorce court. 143 00:27:27,940 --> 00:27:29,380 Hi, my name's Archie. 144 00:27:30,840 --> 00:27:32,100 Archie like the comic strip? 145 00:27:34,220 --> 00:27:38,140 I'm sorry, Mr. Thursby. I had no idea that this would happen. 146 00:27:39,040 --> 00:27:40,460 Yeah, yeah, I got you. 147 00:27:41,240 --> 00:27:43,320 Question is, now, what the hell am I going to do with you? 148 00:27:43,820 --> 00:27:46,940 You know, maybe I should put him on the car trunk detail. 149 00:27:48,560 --> 00:27:49,560 Shut up. 150 00:27:56,680 --> 00:27:59,880 You know, boss, this is so beautiful I could cry. 151 00:28:00,680 --> 00:28:04,240 Well, hold your tears until after Bubbles' performance, please. 152 00:28:04,820 --> 00:28:07,200 She won't let you down, boss. Yeah, well, she better not. 153 00:28:08,800 --> 00:28:11,420 Bubbles! Hey, we're ready. You're close up there. 154 00:28:12,060 --> 00:28:14,840 I swear to God, Blackie, I'm going to murder you for this one. 155 00:28:15,060 --> 00:28:17,640 Hey, it's okay, baby. It's okay. You look fabulous. 156 00:28:18,220 --> 00:28:19,220 We're going to make this. 157 00:28:21,780 --> 00:28:22,780 Eleanor! 158 00:28:23,020 --> 00:28:26,000 I don't know how I let you talk me into this. 159 00:28:26,460 --> 00:28:27,900 Oh, it's pretty easy, baby. 160 00:28:28,160 --> 00:28:31,760 You know, in divorce court, half of nothing, nothing. 161 00:28:32,660 --> 00:28:34,720 But see, this movie is going to make us a shit pop. 162 00:28:36,000 --> 00:28:37,000 Where's our extras? 163 00:28:37,500 --> 00:28:38,500 Oh, kids! 164 00:28:41,560 --> 00:28:43,600 They are right. There you are. 165 00:28:43,820 --> 00:28:46,580 Now, basically, it's pretty easy. You know what's going to happen here. You 166 00:28:46,580 --> 00:28:48,460 are going to need some bystanders, all right? You're going to be all 167 00:28:48,460 --> 00:28:52,500 dumbstricken when Eleanor and Bubbles here discover the joy of lesbian love. 168 00:28:53,180 --> 00:28:54,820 Where do they discover that, Mr. Thursby? 169 00:28:56,649 --> 00:28:58,590 On the couch like everybody else. 170 00:29:00,770 --> 00:29:02,930 All right, come on. Places, everyone. Let's go. 171 00:29:03,210 --> 00:29:04,650 Where do we stand, Mr. Thursby? 172 00:29:05,810 --> 00:29:09,190 I don't know. Go stand up in a corner and do what you do, okay? Go. 173 00:29:12,290 --> 00:29:13,290 All right. 174 00:29:14,190 --> 00:29:15,190 Everyone ready? 175 00:29:15,930 --> 00:29:17,570 Places and action. 176 00:29:18,850 --> 00:29:19,850 Roll them. 177 00:29:27,820 --> 00:29:28,820 You said roll them. 178 00:29:29,900 --> 00:29:30,900 I mean, yeah. 179 00:29:31,420 --> 00:29:35,500 I said roll them, not roll them, you asshole. 180 00:29:37,700 --> 00:29:39,900 All right, boy. Get off my head, okay? 181 00:29:40,740 --> 00:29:42,560 Obviously, we got some more rehearsing to do. 182 00:29:43,440 --> 00:29:44,440 Please continue. 183 00:30:24,270 --> 00:30:25,270 Yeah. 184 00:34:40,750 --> 00:34:41,750 All right. 185 00:38:25,100 --> 00:38:26,100 It's just a hand. 186 00:38:26,980 --> 00:38:28,560 What I meant to say was... Shh. 187 00:38:29,180 --> 00:38:31,600 We're supposed to be stand -on lickers, don't you remember? 188 00:38:32,080 --> 00:38:33,080 Yeah. 189 00:42:42,990 --> 00:42:46,410 You know, I had to send Bubbles home early, but I just had to tell you, you 190 00:42:46,410 --> 00:42:47,410 fucking terrific. 191 00:42:47,550 --> 00:42:48,408 Thanks, honey. 192 00:42:48,410 --> 00:42:49,410 Now get out of here. 193 00:42:50,390 --> 00:42:52,610 Hey, boss, we got a problem. 194 00:42:53,050 --> 00:42:54,470 Actually, we got two problems. 195 00:42:54,670 --> 00:42:55,670 One now, Blackie. 196 00:42:56,070 --> 00:43:00,330 You see the guy, the male talent guy, you know, he can't make it because he's 197 00:43:00,330 --> 00:43:02,610 got, like, hives on his balls or something. 198 00:43:04,210 --> 00:43:07,750 So that leaves, um... Guess what? 199 00:43:08,730 --> 00:43:09,730 What? 200 00:43:09,970 --> 00:43:12,580 The stars... for, my friend. You get to do the scene. 201 00:43:12,980 --> 00:43:16,540 Hey, wait, no. Hey, yo, yo, hey, yo, boss, I can't do that. 202 00:43:17,600 --> 00:43:18,598 Tell me why. 203 00:43:18,600 --> 00:43:21,660 Well, you know, because it's like Connie's scene, you know, and she won't 204 00:43:21,660 --> 00:43:27,180 me in front of the camera because, you know, unless she gets royalties and, you 205 00:43:27,180 --> 00:43:29,240 know, boxes. No, no, no, no. Fuck that. 206 00:43:30,320 --> 00:43:33,540 Huh. Well, what about the Archie Jughead guy? 207 00:43:34,420 --> 00:43:36,540 No, no, forget him. What's the other problem? 208 00:43:37,380 --> 00:43:40,020 Well, you see, the girl, the other girl didn't show up because, 209 00:43:41,000 --> 00:43:44,280 Something about being a vampire and can't be out in the daytime. 210 00:43:46,320 --> 00:43:47,560 So what does that leave us with? 211 00:43:48,660 --> 00:43:49,660 Well, there's jinx. 212 00:43:51,920 --> 00:43:52,920 You know, 213 00:43:53,740 --> 00:43:56,960 pretty good, you know, goody -two -shoes blonde taking her clothes off. I'd like 214 00:43:56,960 --> 00:43:57,960 to see that. 215 00:43:58,360 --> 00:43:59,900 I'm ready for my scene, Blackie. 216 00:44:02,730 --> 00:44:04,850 That wasn't in the script. That wasn't in the script. 217 00:44:05,110 --> 00:44:08,450 You get out. You get out of here. Yo, Jughead, take a hike, okay? That wasn't 218 00:44:08,450 --> 00:44:13,230 the script. You get trunk detail, man. All right, ladies. 219 00:44:14,190 --> 00:44:17,830 Not too much explaining to do here. You two know what to do. I'm going to be up 220 00:44:17,830 --> 00:44:20,170 in the booth and have fun. 221 00:44:21,010 --> 00:44:22,010 Oh, we will. 222 00:45:08,650 --> 00:45:09,650 um um 223 00:46:10,000 --> 00:46:11,000 Oh. 224 00:46:49,800 --> 00:46:50,800 Oh yeah! 225 00:52:02,060 --> 00:52:03,060 Yeah. 226 00:53:45,610 --> 00:53:46,610 Mmm. 227 00:57:35,660 --> 00:57:39,160 Mr. Thursby was kind enough to get me a bus ticket back to Indiana. 228 00:57:40,300 --> 00:57:42,520 Sorry to disappoint you, but this is to Kansas. 229 00:57:43,700 --> 00:57:45,200 Oh, no. What do I do now? 230 00:57:45,980 --> 00:57:46,980 It's fake. 231 00:57:47,280 --> 00:57:48,480 See, Jinx? 232 00:57:49,000 --> 00:57:51,360 It's your rent today. It's written in the palm of my hand. 233 00:57:51,880 --> 00:57:54,100 It's funny. All I smell is palm oil. 234 00:57:55,200 --> 00:57:56,420 I'm just a hopeless romantic. 235 00:57:57,220 --> 00:57:58,260 Hopeless is the word. 236 00:57:59,420 --> 00:58:01,080 I'm just a hopeless romantic, Jinx. 237 00:58:01,960 --> 00:58:03,820 I want to settle down and raise a family. 238 00:58:04,360 --> 00:58:06,620 Hear the sounds of little feet pitter -pattering around. 239 00:58:07,360 --> 00:58:09,240 Boy, are you in the wrong video. 240 00:58:10,400 --> 00:58:11,560 What do you say, Jinx? 241 00:58:11,840 --> 00:58:15,180 You and me, a house with a white picket fence? 242 00:58:15,600 --> 00:58:19,320 You're better off with a pink pickled pecker. A puckled picker? 243 00:58:19,700 --> 00:58:21,140 A speckled packer? 244 00:58:24,520 --> 00:58:26,560 Why don't you two demonstrate? 245 00:59:40,780 --> 00:59:41,780 Ugh. 246 01:03:13,370 --> 01:03:16,170 Oh. Oh. 247 01:03:17,530 --> 01:03:18,930 Oh. 248 01:03:20,110 --> 01:03:23,210 Oh. Oh. 249 01:03:28,170 --> 01:03:29,570 Yeah. 250 01:03:56,330 --> 01:03:57,730 Yeah, 251 01:04:00,150 --> 01:04:01,510 oh yeah 252 01:04:22,920 --> 01:04:23,960 oh 253 01:08:01,040 --> 01:08:02,040 Yeah. 254 01:08:46,149 --> 01:08:47,750 Yeah. Oh, yeah. 255 01:08:53,250 --> 01:08:54,250 So good. 256 01:10:02,800 --> 01:10:04,760 I did find my princess in a porn studio. 257 01:10:07,140 --> 01:10:08,280 The girl next door. 258 01:10:08,940 --> 01:10:10,840 And I'm about to ask her to be my bride. 259 01:10:11,800 --> 01:10:12,980 R .C., what time is it? 260 01:10:14,840 --> 01:10:15,840 10 .45. 261 01:10:17,080 --> 01:10:18,100 I've got a bus to catch. 262 01:10:19,440 --> 01:10:21,780 But... You've been really sweet. 263 01:10:23,220 --> 01:10:26,900 But... By the way, I was reading your palm when we were having sex. 264 01:10:27,220 --> 01:10:30,220 Yeah? You're doomed to die a miserable, loveless failure. 265 01:10:30,990 --> 01:10:32,170 But don't take it personally. 18407

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