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welcome to 20th Century Music and Arts
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welcome to 20th Century Music and Arts
tonight's episode is a remastered
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tonight's episode is a remastered
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tonight's episode is a remastered
version of part two of my series on Mary
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version of part two of my series on Mary
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version of part two of my series on Mary
Smith in the fall again I have added
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Smith in the fall again I have added
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Smith in the fall again I have added
video clips and I've re-recorded the
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video clips and I've re-recorded the
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video clips and I've re-recorded the
vocals so hopefully everything will be
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vocals so hopefully everything will be
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vocals so hopefully everything will be
much more enjoyable I tell you what's
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much more enjoyable I tell you what's
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much more enjoyable I tell you what's
going to be really enjoyable is this new
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going to be really enjoyable is this new
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going to be really enjoyable is this new
intro that was made by my friend burn
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intro that was made by my friend burn
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intro that was made by my friend burn
power please enjoy this incredible intro
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power please enjoy this incredible intro
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power please enjoy this incredible intro
please check out his sites which are
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please check out his sites which are
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please check out his sites which are
listed below and considering donating to
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listed below and considering donating to
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listed below and considering donating to
help him bring his amazing book and
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help him bring his amazing book and
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help him bring his amazing book and
record collection over from Alaska to
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record collection over from Alaska to
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record collection over from Alaska to
his home now inbl Georgia Thank
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it's great because it's a really unique
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it's great because it's a really unique
band and it's completely original and it
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band and it's completely original and it
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band and it's completely original and it
doesn't sound like any other band it's
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doesn't sound like any other band it's
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doesn't sound like any other band it's
itself and it's really different kind of
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itself and it's really different kind of
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itself and it's really different kind of
music than you know all your synthesized
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music than you know all your synthesized
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music than you know all your synthesized
pop and everything I think it's
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pop and everything I think it's
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pop and everything I think it's
important when I was a teenager I mean I
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important when I was a teenager I mean I
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important when I was a teenager I mean I
always thought accessibility was
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always thought accessibility was
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always thought accessibility was
something to be spat upon anyway you
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something to be spat upon anyway you
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something to be spat upon anyway you
know the way I used to listen to records
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know the way I used to listen to records
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know the way I used to listen to records
Laura Elise Salinger was born in Los
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Laura Elise Salinger was born in Los
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Laura Elise Salinger was born in Los
Angeles California in 1962 she would
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Angeles California in 1962 she would
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Angeles California in 1962 she would
spend part of her life in Chicago and
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spend part of her life in Chicago and
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spend part of her life in Chicago and
study theater and literature at
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study theater and literature at
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study theater and literature at
Bennington College in Vermont she
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Bennington College in Vermont she
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Bennington College in Vermont she
changed her name to Bricks after the
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changed her name to Bricks after the
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changed her name to Bricks after the
song guns of brickton by The Clash and
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song guns of brickton by The Clash and
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song guns of brickton by The Clash and
she joined her first group Branda draing
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she joined her first group Branda draing
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she joined her first group Branda draing
where she played bass eventually she
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where she played bass eventually she
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where she played bass eventually she
dropped out of college traveled back to
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dropped out of college traveled back to
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dropped out of college traveled back to
Chicago where she found herself at a
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Chicago where she found herself at a
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Chicago where she found herself at a
fall gig in April 1983 after buying a
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fall gig in April 1983 after buying a
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fall gig in April 1983 after buying a
drink at the bar she turned around and
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drink at the bar she turned around and
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drink at the bar she turned around and
bumped into a man carrying two beers
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bumped into a man carrying two beers
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bumped into a man carrying two beers
with white powder on his nose that
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with white powder on his nose that
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with white powder on his nose that
should have been a warning sign she says
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should have been a warning sign she says
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should have been a warning sign she says
now in retrospect the man was Mark E
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now in retrospect the man was Mark E
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now in retrospect the man was Mark E
Smith he invited her to a party and she
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Smith he invited her to a party and she
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Smith he invited her to a party and she
plays him a tape of her music upon
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plays him a tape of her music upon
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plays him a tape of her music upon
hearing the music he told her that she
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hearing the music he told her that she
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hearing the music he told her that she
was a genius she in turn said she liked
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was a genius she in turn said she liked
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was a genius she in turn said she liked
his music but had a hard time
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his music but had a hard time
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his music but had a hard time
understanding the words he invited her
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understanding the words he invited her
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understanding the words he invited her
over to Manchester soon they would be
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over to Manchester soon they would be
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over to Manchester soon they would be
married and Bricks would become a member
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married and Bricks would become a member
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married and Bricks would become a member
of the Fall The Bleak landscape of 80s
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of the Fall The Bleak landscape of 80s
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of the Fall The Bleak landscape of 80s
manchesters was shocking to the
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manchesters was shocking to the
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manchesters was shocking to the
Californian bricks but Smith tried to
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Californian bricks but Smith tried to
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Californian bricks but Smith tried to
put a positive spin on the situation
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put a positive spin on the situation
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put a positive spin on the situation
look there's the local prison look
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look there's the local prison look
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look there's the local prison look
there's the boddington's brewery but she
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there's the boddington's brewery but she
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there's the boddington's brewery but she
found herself integrating into the local
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found herself integrating into the local
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found herself integrating into the local
culture she was able to make some
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culture she was able to make some
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culture she was able to make some
musical contributions to the perverted
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musical contributions to the perverted
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musical contributions to the perverted
by language album and made appearances
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by language album and made appearances
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by language album and made appearances
for the videos of of eat yourself fitter
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for the videos of of eat yourself fitter
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for the videos of of eat yourself fitter
wings and kick your
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conspiracy the album did have the same
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conspiracy the album did have the same
Dury sound on most of the tracks that
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Dury sound on most of the tracks that
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Dury sound on most of the tracks that
the fall were known for but the opener
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the fall were known for but the opener
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the fall were known for but the opener
eaty yourself fitter was filled with
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eaty yourself fitter was filled with
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eaty yourself fitter was filled with
humorous observations over a frantic
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humorous observations over a frantic
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humorous observations over a frantic
rockabilly Rhythm John Peele was
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rockabilly Rhythm John Peele was
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rockabilly Rhythm John Peele was
apparently so Overjoyed when he heard
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apparently so Overjoyed when he heard
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apparently so Overjoyed when he heard
the track he fainted and had to be
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the track he fainted and had to be
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the track he fainted and had to be
revived neighborhood of infinity
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revived neighborhood of infinity
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revived neighborhood of infinity
pulsates in Crut Rock Style with Smith
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pulsates in Crut Rock Style with Smith
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pulsates in Crut Rock Style with Smith
ranting about how he used to play link
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ranting about how he used to play link
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ranting about how he used to play link
Ray records on Saturdays Garden evokes
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Ray records on Saturdays Garden evokes
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Ray records on Saturdays Garden evokes
the sound of the early Velvet
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the sound of the early Velvet
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the sound of the early Velvet
Underground albums and on the track
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Underground albums and on the track
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Underground albums and on the track
Hotel bodell bricks provides lead vocals
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Hotel bodell bricks provides lead vocals
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Hotel bodell bricks provides lead vocals
along with the band additional violin
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along with the band additional violin
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along with the band additional violin
and of course Smith's
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narration in
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narration in
subia over the next few years bricks
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subia over the next few years bricks
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subia over the next few years bricks
would bring her shimmering guitar
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would bring her shimmering guitar
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would bring her shimmering guitar
rhythms and melodic vocals and integrate
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rhythms and melodic vocals and integrate
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rhythms and melodic vocals and integrate
them into the fall sound it provided an
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them into the fall sound it provided an
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them into the fall sound it provided an
interesting counterbalance to Smith's
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interesting counterbalance to Smith's
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interesting counterbalance to Smith's
dark satirical approach to his music her
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dark satirical approach to his music her
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dark satirical approach to his music her
inclusion in the band also represented
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inclusion in the band also represented
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inclusion in the band also represented
the many contradictions that make up
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the many contradictions that make up
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the many contradictions that make up
Smith's personality here is a man who
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Smith's personality here is a man who
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Smith's personality here is a man who
defines himself as being a British
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defines himself as being a British
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defines himself as being a British
workingclass punter who has not been
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workingclass punter who has not been
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workingclass punter who has not been
corrupted by the American influence
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corrupted by the American influence
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corrupted by the American influence
consumerism of ' 80s Britain and what
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consumerism of ' 80s Britain and what
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consumerism of ' 80s Britain and what
does Smith do marry a California girl
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does Smith do marry a California girl
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does Smith do marry a California girl
and she brought a ray of sunshine into
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and she brought a ray of sunshine into
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and she brought a ray of sunshine into
Smith's grotesque musical Vision John
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Smith's grotesque musical Vision John
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Smith's grotesque musical Vision John
Peele was asked to appear on the British
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Peele was asked to appear on the British
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Peele was asked to appear on the British
music show the tube Peele only agreed to
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music show the tube Peele only agreed to
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music show the tube Peele only agreed to
do it if he could choose a band to
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do it if he could choose a band to
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do it if he could choose a band to
appear on the show so of course he chose
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appear on the show so of course he chose
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appear on the show so of course he chose
the fall this show usually featured
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the fall this show usually featured
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the fall this show usually featured
artists that were climbing the charts
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artists that were climbing the charts
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artists that were climbing the charts
and who produced music that was easy to
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and who produced music that was easy to
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and who produced music that was easy to
dance to for the live audience watching
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dance to for the live audience watching
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dance to for the live audience watching
the audience attempting to dance to the
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the audience attempting to dance to the
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the audience attempting to dance to the
falls malevolent dissonant rhythms in
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falls malevolent dissonant rhythms in
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falls malevolent dissonant rhythms in
the song Smile was a complete
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the song Smile was a complete
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the song Smile was a complete
manifestation of awkwardness they also
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manifestation of awkwardness they also
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manifestation of awkwardness they also
played the song 2x4 off that would be on
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played the song 2x4 off that would be on
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played the song 2x4 off that would be on
their upcoming album Peele got the fall
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their upcoming album Peele got the fall
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their upcoming album Peele got the fall
their first exposure on national TV and
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their first exposure on national TV and
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their first exposure on national TV and
to an audience that would usually watch
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to an audience that would usually watch
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to an audience that would usually watch
the latest new romantic artist they
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the latest new romantic artist they
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the latest new romantic artist they
actually got their first taste of this
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actually got their first taste of this
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actually got their first taste of this
very unique band you have recognized
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very unique band you have recognized
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very unique band you have recognized
from earlier John you have we asked you
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from earlier John you have we asked you
243
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from earlier John you have we asked you
when we asked you to choose a band that
244
00:05:21,029 --> 00:05:21,039
when we asked you to choose a band that
245
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when we asked you to choose a band that
you'd like to see on the tube you chose
246
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you'd like to see on the tube you chose
247
00:05:23,080 --> 00:05:24,629
you'd like to see on the tube you chose
this next ACT who we won't name yet what
248
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this next ACT who we won't name yet what
249
00:05:24,639 --> 00:05:26,830
this next ACT who we won't name yet what
were your motives for choosing this act
250
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were your motives for choosing this act
251
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were your motives for choosing this act
well it was it was difficult cuz there
252
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well it was it was difficult cuz there
253
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well it was it was difficult cuz there
were a lot of bands that I wanted to
254
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were a lot of bands that I wanted to
255
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were a lot of bands that I wanted to
choose it would have been easy to have
256
00:05:30,150 --> 00:05:30,160
choose it would have been easy to have
257
00:05:30,160 --> 00:05:31,110
choose it would have been easy to have
picked somebody who's like really
258
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picked somebody who's like really
259
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picked somebody who's like really
obscure and difficult and by and large
260
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obscure and difficult and by and large
261
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obscure and difficult and by and large
unlistenable uh the kind of bands that I
262
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unlistenable uh the kind of bands that I
263
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unlistenable uh the kind of bands that I
play on me programs at night but uh I
264
00:05:37,309 --> 00:05:37,319
play on me programs at night but uh I
265
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play on me programs at night but uh I
wanted to pick somebody who's like a
266
00:05:38,670 --> 00:05:38,680
wanted to pick somebody who's like a
267
00:05:38,680 --> 00:05:40,270
wanted to pick somebody who's like a
favorite of mine for a number of years
268
00:05:40,270 --> 00:05:40,280
favorite of mine for a number of years
269
00:05:40,280 --> 00:05:42,270
favorite of mine for a number of years
and funny enough they've never done uh
270
00:05:42,270 --> 00:05:42,280
and funny enough they've never done uh
271
00:05:42,280 --> 00:05:44,510
and funny enough they've never done uh
National TV in this country before
272
00:05:44,510 --> 00:05:44,520
National TV in this country before
273
00:05:44,520 --> 00:05:45,670
National TV in this country before
they've done a couple of local things
274
00:05:45,670 --> 00:05:45,680
they've done a couple of local things
275
00:05:45,680 --> 00:05:47,350
they've done a couple of local things
but they've never been on national TV
276
00:05:47,350 --> 00:05:47,360
but they've never been on national TV
277
00:05:47,360 --> 00:05:49,430
but they've never been on national TV
which seemed to me to be shocking so I
278
00:05:49,430 --> 00:05:49,440
which seemed to me to be shocking so I
279
00:05:49,440 --> 00:05:51,430
which seemed to me to be shocking so I
quite wanted to go down in history as uh
280
00:05:51,430 --> 00:05:51,440
quite wanted to go down in history as uh
281
00:05:51,440 --> 00:05:53,710
quite wanted to go down in history as uh
the man who
282
00:05:53,710 --> 00:05:53,720
the man who
283
00:05:53,720 --> 00:05:56,710
the man who
put
284
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put
285
00:05:56,720 --> 00:05:58,469
put
smil
286
00:05:58,469 --> 00:05:58,479
smil
287
00:05:58,479 --> 00:06:00,270
smil
smiles
288
00:06:00,270 --> 00:06:00,280
smiles
289
00:06:00,280 --> 00:06:04,390
smiles
the clock now at
290
00:06:04,390 --> 00:06:04,400
291
00:06:04,400 --> 00:06:09,790
292
00:06:09,790 --> 00:06:09,800
293
00:06:09,800 --> 00:06:12,670
294
00:06:12,670 --> 00:06:12,680
Theus smile the Fall Would sign with
295
00:06:12,680 --> 00:06:14,950
Theus smile the Fall Would sign with
Beggar's Banquet a larger label that
296
00:06:14,950 --> 00:06:14,960
Beggar's Banquet a larger label that
297
00:06:14,960 --> 00:06:17,189
Beggar's Banquet a larger label that
would give them greater distribution and
298
00:06:17,189 --> 00:06:17,199
would give them greater distribution and
299
00:06:17,199 --> 00:06:18,710
would give them greater distribution and
let them still keep their artistic
300
00:06:18,710 --> 00:06:18,720
let them still keep their artistic
301
00:06:18,720 --> 00:06:20,469
let them still keep their artistic
Freedom the wonderful and frightening
302
00:06:20,469 --> 00:06:20,479
Freedom the wonderful and frightening
303
00:06:20,479 --> 00:06:22,070
Freedom the wonderful and frightening
world of the Fall was released in
304
00:06:22,070 --> 00:06:22,080
world of the Fall was released in
305
00:06:22,080 --> 00:06:24,990
world of the Fall was released in
October 1984 brics's guitar playing and
306
00:06:24,990 --> 00:06:25,000
October 1984 brics's guitar playing and
307
00:06:25,000 --> 00:06:26,830
October 1984 brics's guitar playing and
backing vocals were a keen component of
308
00:06:26,830 --> 00:06:26,840
backing vocals were a keen component of
309
00:06:26,840 --> 00:06:29,070
backing vocals were a keen component of
the overall sound this was also the last
310
00:06:29,070 --> 00:06:29,080
the overall sound this was also the last
311
00:06:29,080 --> 00:06:31,390
the overall sound this was also the last
album with the double drum sound as Paul
312
00:06:31,390 --> 00:06:31,400
album with the double drum sound as Paul
313
00:06:31,400 --> 00:06:33,189
album with the double drum sound as Paul
Hanley would leave after the tour for
314
00:06:33,189 --> 00:06:33,199
Hanley would leave after the tour for
315
00:06:33,199 --> 00:06:34,870
Hanley would leave after the tour for
this album the album's opener is the
316
00:06:34,870 --> 00:06:34,880
this album the album's opener is the
317
00:06:34,880 --> 00:06:37,510
this album the album's opener is the
upbeat bar burner lay of the land which
318
00:06:37,510 --> 00:06:37,520
upbeat bar burner lay of the land which
319
00:06:37,520 --> 00:06:39,230
upbeat bar burner lay of the land which
starts with a chant taken from the
320
00:06:39,230 --> 00:06:39,240
starts with a chant taken from the
321
00:06:39,240 --> 00:06:41,150
starts with a chant taken from the
television series The Quarter Mass
322
00:06:41,150 --> 00:06:41,160
television series The Quarter Mass
323
00:06:41,160 --> 00:06:43,550
television series The Quarter Mass
conclusion before igniting into a roxus
324
00:06:43,550 --> 00:06:43,560
conclusion before igniting into a roxus
325
00:06:43,560 --> 00:06:44,950
conclusion before igniting into a roxus
rockabilly
326
00:06:44,950 --> 00:06:44,960
rockabilly
327
00:06:44,960 --> 00:06:50,070
rockabilly
charge give up
328
00:06:50,070 --> 00:06:50,080
329
00:06:50,080 --> 00:06:54,630
330
00:06:54,630 --> 00:06:54,640
living I'm who
331
00:06:54,640 --> 00:06:58,390
living I'm who
[Music]
332
00:06:58,390 --> 00:06:58,400
[Music]
333
00:06:58,400 --> 00:07:00,490
[Music]
I
334
00:07:00,490 --> 00:07:00,500
I
335
00:07:00,500 --> 00:07:09,950
I
[Music]
336
00:07:09,950 --> 00:07:09,960
[Music]
337
00:07:09,960 --> 00:07:12,070
[Music]
on the track elves the band plays A
338
00:07:12,070 --> 00:07:12,080
on the track elves the band plays A
339
00:07:12,080 --> 00:07:14,270
on the track elves the band plays A
Sinister Rift that emulates the stoes
340
00:07:14,270 --> 00:07:14,280
Sinister Rift that emulates the stoes
341
00:07:14,280 --> 00:07:20,400
Sinister Rift that emulates the stoes
classic I want to be your
342
00:07:20,400 --> 00:07:20,410
343
00:07:20,410 --> 00:07:24,029
344
00:07:24,029 --> 00:07:24,039
[Music]
345
00:07:24,039 --> 00:07:31,070
[Music]
dog the St come down
346
00:07:31,070 --> 00:07:31,080
dog the St come down
347
00:07:31,080 --> 00:07:32,909
dog the St come down
the band would experiment with dubstyle
348
00:07:32,909 --> 00:07:32,919
the band would experiment with dubstyle
349
00:07:32,919 --> 00:07:35,189
the band would experiment with dubstyle
recording with the track bug day the
350
00:07:35,189 --> 00:07:35,199
recording with the track bug day the
351
00:07:35,199 --> 00:07:38,110
recording with the track bug day the
ending track Disney's dream de based is
352
00:07:38,110 --> 00:07:38,120
ending track Disney's dream de based is
353
00:07:38,120 --> 00:07:40,230
ending track Disney's dream de based is
based on an experience that Smith had
354
00:07:40,230 --> 00:07:40,240
based on an experience that Smith had
355
00:07:40,240 --> 00:07:42,430
based on an experience that Smith had
when visiting Disneyland in California
356
00:07:42,430 --> 00:07:42,440
when visiting Disneyland in California
357
00:07:42,440 --> 00:07:44,469
when visiting Disneyland in California
Smith felt very uncomfortable after
358
00:07:44,469 --> 00:07:44,479
Smith felt very uncomfortable after
359
00:07:44,479 --> 00:07:46,510
Smith felt very uncomfortable after
getting off one of the rides and decided
360
00:07:46,510 --> 00:07:46,520
getting off one of the rides and decided
361
00:07:46,520 --> 00:07:49,350
getting off one of the rides and decided
that the ride was Evil later that day a
362
00:07:49,350 --> 00:07:49,360
that the ride was Evil later that day a
363
00:07:49,360 --> 00:07:51,589
that the ride was Evil later that day a
woman ended up getting decapitated on
364
00:07:51,589 --> 00:07:51,599
woman ended up getting decapitated on
365
00:07:51,599 --> 00:07:54,070
woman ended up getting decapitated on
the ride the song surprisingly mellow
366
00:07:54,070 --> 00:07:54,080
the ride the song surprisingly mellow
367
00:07:54,080 --> 00:07:56,629
the ride the song surprisingly mellow
tone supports Mark's grotesque
368
00:07:56,629 --> 00:07:56,639
tone supports Mark's grotesque
369
00:07:56,639 --> 00:07:58,990
tone supports Mark's grotesque
description of the day's events a bloody
370
00:07:58,990 --> 00:07:59,000
description of the day's events a bloody
371
00:07:59,000 --> 00:08:01,070
description of the day's events a bloody
Cor with people dressed as Disney
372
00:08:01,070 --> 00:08:01,080
Cor with people dressed as Disney
373
00:08:01,080 --> 00:08:02,909
Cor with people dressed as Disney
characters trying to comfort people have
374
00:08:02,909 --> 00:08:02,919
characters trying to comfort people have
375
00:08:02,919 --> 00:08:05,530
characters trying to comfort people have
witnessed the horrific
376
00:08:05,530 --> 00:08:05,540
witnessed the horrific
377
00:08:05,540 --> 00:08:13,149
witnessed the horrific
[Music]
378
00:08:13,149 --> 00:08:13,159
[Music]
379
00:08:13,159 --> 00:08:16,029
[Music]
accident the recording of the album was
380
00:08:16,029 --> 00:08:16,039
accident the recording of the album was
381
00:08:16,039 --> 00:08:18,309
accident the recording of the album was
an intense experience it was recorded
382
00:08:18,309 --> 00:08:18,319
an intense experience it was recorded
383
00:08:18,319 --> 00:08:20,710
an intense experience it was recorded
live in the studio at high volume and
384
00:08:20,710 --> 00:08:20,720
live in the studio at high volume and
385
00:08:20,720 --> 00:08:23,029
live in the studio at high volume and
according to producer John Ley mark
386
00:08:23,029 --> 00:08:23,039
according to producer John Ley mark
387
00:08:23,039 --> 00:08:25,670
according to producer John Ley mark
would have a can of special Brew vodka
388
00:08:25,670 --> 00:08:25,680
would have a can of special Brew vodka
389
00:08:25,680 --> 00:08:27,670
would have a can of special Brew vodka
and a line of speed going at 11:00 in
390
00:08:27,670 --> 00:08:27,680
and a line of speed going at 11:00 in
391
00:08:27,680 --> 00:08:29,589
and a line of speed going at 11:00 in
the morning just to start the day this
392
00:08:29,589 --> 00:08:29,599
the morning just to start the day this
393
00:08:29,599 --> 00:08:31,510
the morning just to start the day this
album was the first among three albums
394
00:08:31,510 --> 00:08:31,520
album was the first among three albums
395
00:08:31,520 --> 00:08:33,469
album was the first among three albums
on Beggars Banquets that are considered
396
00:08:33,469 --> 00:08:33,479
on Beggars Banquets that are considered
397
00:08:33,479 --> 00:08:35,310
on Beggars Banquets that are considered
to be among the Fall's best the
398
00:08:35,310 --> 00:08:35,320
to be among the Fall's best the
399
00:08:35,320 --> 00:08:38,110
to be among the Fall's best the
follow-up album This Nation Saving Grace
400
00:08:38,110 --> 00:08:38,120
follow-up album This Nation Saving Grace
401
00:08:38,120 --> 00:08:41,269
follow-up album This Nation Saving Grace
was recorded in June July 1985 and again
402
00:08:41,269 --> 00:08:41,279
was recorded in June July 1985 and again
403
00:08:41,279 --> 00:08:43,430
was recorded in June July 1985 and again
was produced by John Ley the band was
404
00:08:43,430 --> 00:08:43,440
was produced by John Ley the band was
405
00:08:43,440 --> 00:08:45,590
was produced by John Ley the band was
down to now to one drummer and basis
406
00:08:45,590 --> 00:08:45,600
down to now to one drummer and basis
407
00:08:45,600 --> 00:08:47,590
down to now to one drummer and basis
Steven Hanley went on four months
408
00:08:47,590 --> 00:08:47,600
Steven Hanley went on four months
409
00:08:47,600 --> 00:08:49,430
Steven Hanley went on four months
paternity leave and was replaced by
410
00:08:49,430 --> 00:08:49,440
paternity leave and was replaced by
411
00:08:49,440 --> 00:08:51,750
paternity leave and was replaced by
Simon Rogers Smith was happy with the
412
00:08:51,750 --> 00:08:51,760
Simon Rogers Smith was happy with the
413
00:08:51,760 --> 00:08:53,430
Simon Rogers Smith was happy with the
production on this album as he felt
414
00:08:53,430 --> 00:08:53,440
production on this album as he felt
415
00:08:53,440 --> 00:08:55,310
production on this album as he felt
there was more emphasis on the drums and
416
00:08:55,310 --> 00:08:55,320
there was more emphasis on the drums and
417
00:08:55,320 --> 00:08:57,750
there was more emphasis on the drums and
bass creating a wall of sound the album
418
00:08:57,750 --> 00:08:57,760
bass creating a wall of sound the album
419
00:08:57,760 --> 00:08:59,389
bass creating a wall of sound the album
begins with a creepy instrumental
420
00:08:59,389 --> 00:08:59,399
begins with a creepy instrumental
421
00:08:59,399 --> 00:09:02,829
begins with a creepy instrumental
Mansion before Mark declares all those
422
00:09:02,829 --> 00:09:02,839
Mansion before Mark declares all those
423
00:09:02,839 --> 00:09:05,590
Mansion before Mark declares all those
who M entitle themselves and whose main
424
00:09:05,590 --> 00:09:05,600
who M entitle themselves and whose main
425
00:09:05,600 --> 00:09:07,949
who M entitle themselves and whose main
entitle is themselves shall feel the
426
00:09:07,949 --> 00:09:07,959
entitle is themselves shall feel the
427
00:09:07,959 --> 00:09:11,269
entitle is themselves shall feel the
wrath of my bombast this track bombast
428
00:09:11,269 --> 00:09:11,279
wrath of my bombast this track bombast
429
00:09:11,279 --> 00:09:12,829
wrath of my bombast this track bombast
grabs the listener's attention with
430
00:09:12,829 --> 00:09:12,839
grabs the listener's attention with
431
00:09:12,839 --> 00:09:14,630
grabs the listener's attention with
heavy riffs and Smith occasionally
432
00:09:14,630 --> 00:09:14,640
heavy riffs and Smith occasionally
433
00:09:14,640 --> 00:09:17,350
heavy riffs and Smith occasionally
singing through a megaphone all those
434
00:09:17,350 --> 00:09:17,360
singing through a megaphone all those
435
00:09:17,360 --> 00:09:22,150
singing through a megaphone all those
who andle themselves and whose enle is
436
00:09:22,150 --> 00:09:22,160
who andle themselves and whose enle is
437
00:09:22,160 --> 00:09:28,110
who andle themselves and whose enle is
themselves shall feel the r of my
438
00:09:28,110 --> 00:09:28,120
439
00:09:28,120 --> 00:09:32,170
440
00:09:32,170 --> 00:09:32,180
441
00:09:32,180 --> 00:09:43,269
442
00:09:43,269 --> 00:09:43,279
[Music]
443
00:09:43,279 --> 00:09:46,590
[Music]
cling on the repetitive what you need
444
00:09:46,590 --> 00:09:46,600
cling on the repetitive what you need
445
00:09:46,600 --> 00:09:49,230
cling on the repetitive what you need
Smith suggests that what people need is
446
00:09:49,230 --> 00:09:49,240
Smith suggests that what people need is
447
00:09:49,240 --> 00:09:52,190
Smith suggests that what people need is
a little Iggy stoe the first side ends
448
00:09:52,190 --> 00:09:52,200
a little Iggy stoe the first side ends
449
00:09:52,200 --> 00:09:54,389
a little Iggy stoe the first side ends
with the track La this track
450
00:09:54,389 --> 00:09:54,399
with the track La this track
451
00:09:54,399 --> 00:09:56,550
with the track La this track
incorporates electronic music which
452
00:09:56,550 --> 00:09:56,560
incorporates electronic music which
453
00:09:56,560 --> 00:09:59,110
incorporates electronic music which
pulsates while Smith makes cynical up
454
00:09:59,110 --> 00:09:59,120
pulsates while Smith makes cynical up
455
00:09:59,120 --> 00:10:01,310
pulsates while Smith makes cynical up
observations about the same famous city
456
00:10:01,310 --> 00:10:01,320
observations about the same famous city
457
00:10:01,320 --> 00:10:03,150
observations about the same famous city
over time the band would integrate more
458
00:10:03,150 --> 00:10:03,160
over time the band would integrate more
459
00:10:03,160 --> 00:10:05,269
over time the band would integrate more
use of synthesizers and samples into
460
00:10:05,269 --> 00:10:05,279
use of synthesizers and samples into
461
00:10:05,279 --> 00:10:08,710
use of synthesizers and samples into
their
462
00:10:08,710 --> 00:10:08,720
463
00:10:08,720 --> 00:10:09,930
464
00:10:09,930 --> 00:10:09,940
[Music]
465
00:10:09,940 --> 00:10:14,920
[Music]
[Applause]
466
00:10:14,920 --> 00:10:14,930
467
00:10:14,930 --> 00:10:24,949
468
00:10:24,949 --> 00:10:24,959
469
00:10:24,959 --> 00:10:27,509
470
00:10:27,509 --> 00:10:27,519
music my new house starts with a
471
00:10:27,519 --> 00:10:29,670
music my new house starts with a
repetitive acoustic Rift
472
00:10:29,670 --> 00:10:29,680
repetitive acoustic Rift
473
00:10:29,680 --> 00:10:32,509
repetitive acoustic Rift
before a mild cacophony begins and Smith
474
00:10:32,509 --> 00:10:32,519
before a mild cacophony begins and Smith
475
00:10:32,519 --> 00:10:34,630
before a mild cacophony begins and Smith
rants about a semidetached home he
476
00:10:34,630 --> 00:10:34,640
rants about a semidetached home he
477
00:10:34,640 --> 00:10:37,269
rants about a semidetached home he
purchased he admits to listeners that I
478
00:10:37,269 --> 00:10:37,279
purchased he admits to listeners that I
479
00:10:37,279 --> 00:10:42,509
purchased he admits to listeners that I
gets bills and I get mythed my new house
480
00:10:42,509 --> 00:10:42,519
gets bills and I get mythed my new house
481
00:10:42,519 --> 00:10:44,949
gets bills and I get mythed my new house
you should see my
482
00:10:44,949 --> 00:10:44,959
you should see my
483
00:10:44,959 --> 00:10:50,310
you should see my
house my new house you should see my new
484
00:10:50,310 --> 00:10:50,320
house my new house you should see my new
485
00:10:50,320 --> 00:10:53,350
house my new house you should see my new
house the experimental paintwork is a
486
00:10:53,350 --> 00:10:53,360
house the experimental paintwork is a
487
00:10:53,360 --> 00:10:55,990
house the experimental paintwork is a
semi-acoustic tape collage that Smith
488
00:10:55,990 --> 00:10:56,000
semi-acoustic tape collage that Smith
489
00:10:56,000 --> 00:10:57,790
semi-acoustic tape collage that Smith
accidentally recorded over with a
490
00:10:57,790 --> 00:10:57,800
accidentally recorded over with a
491
00:10:57,800 --> 00:11:00,430
accidentally recorded over with a
university lecture on red giant Stars
492
00:11:00,430 --> 00:11:00,440
university lecture on red giant Stars
493
00:11:00,440 --> 00:11:02,350
university lecture on red giant Stars
when he took the master tape home the
494
00:11:02,350 --> 00:11:02,360
when he took the master tape home the
495
00:11:02,360 --> 00:11:04,590
when he took the master tape home the
accident seemed to fit the track and
496
00:11:04,590 --> 00:11:04,600
accident seemed to fit the track and
497
00:11:04,600 --> 00:11:06,690
accident seemed to fit the track and
remained on the Final
498
00:11:06,690 --> 00:11:06,700
remained on the Final
499
00:11:06,700 --> 00:11:08,230
remained on the Final
[Music]
500
00:11:08,230 --> 00:11:08,240
[Music]
501
00:11:08,240 --> 00:11:11,030
[Music]
Mix really
502
00:11:11,030 --> 00:11:11,040
Mix really
503
00:11:11,040 --> 00:11:13,470
Mix really
amazing stars were no good for making
504
00:11:13,470 --> 00:11:13,480
amazing stars were no good for making
505
00:11:13,480 --> 00:11:15,110
amazing stars were no good for making
car in
506
00:11:15,110 --> 00:11:15,120
car in
507
00:11:15,120 --> 00:11:17,280
car in
this giant
508
00:11:17,280 --> 00:11:17,290
this giant
509
00:11:17,290 --> 00:11:21,230
this giant
[Music]
510
00:11:21,230 --> 00:11:21,240
511
00:11:21,240 --> 00:11:24,629
512
00:11:24,629 --> 00:11:24,639
Stars I am Dam Suzuki is a tribute to
513
00:11:24,639 --> 00:11:27,190
Stars I am Dam Suzuki is a tribute to
the legendary and unfortunately now late
514
00:11:27,190 --> 00:11:27,200
the legendary and unfortunately now late
515
00:11:27,200 --> 00:11:29,910
the legendary and unfortunately now late
can singer and directly references the
516
00:11:29,910 --> 00:11:29,920
can singer and directly references the
517
00:11:29,920 --> 00:11:33,389
can singer and directly references the
can Trak oh yeah in its guitar Rift what
518
00:11:33,389 --> 00:11:33,399
can Trak oh yeah in its guitar Rift what
519
00:11:33,399 --> 00:11:36,150
can Trak oh yeah in its guitar Rift what
have you got that
520
00:11:36,150 --> 00:11:36,160
have you got that
521
00:11:36,160 --> 00:11:40,110
have you got that
b is it a d Vin
522
00:11:40,110 --> 00:11:40,120
b is it a d Vin
523
00:11:40,120 --> 00:11:47,389
b is it a d Vin
C ain't got no time for West
524
00:11:47,389 --> 00:11:47,399
525
00:11:47,399 --> 00:11:51,030
526
00:11:51,030 --> 00:11:51,040
L the album is completed with two NK
527
00:11:51,040 --> 00:11:53,790
L the album is completed with two NK
roachman yarbles which starts with a
528
00:11:53,790 --> 00:11:53,800
roachman yarbles which starts with a
529
00:11:53,800 --> 00:11:56,430
roachman yarbles which starts with a
riff like mansion and references
530
00:11:56,430 --> 00:11:56,440
riff like mansion and references
531
00:11:56,440 --> 00:11:58,990
riff like mansion and references
Clockwork Orange the final album in the
532
00:11:58,990 --> 00:11:59,000
Clockwork Orange the final album in the
533
00:11:59,000 --> 00:12:01,509
Clockwork Orange the final album in the
this Trilogy produced by John Ley is
534
00:12:01,509 --> 00:12:01,519
this Trilogy produced by John Ley is
535
00:12:01,519 --> 00:12:04,430
this Trilogy produced by John Ley is
1986's Ben Sinister the album's title
536
00:12:04,430 --> 00:12:04,440
1986's Ben Sinister the album's title
537
00:12:04,440 --> 00:12:06,389
1986's Ben Sinister the album's title
was taken from the Vladimir Nabokov
538
00:12:06,389 --> 00:12:06,399
was taken from the Vladimir Nabokov
539
00:12:06,399 --> 00:12:08,949
was taken from the Vladimir Nabokov
novel of the same name the novel takes
540
00:12:08,949 --> 00:12:08,959
novel of the same name the novel takes
541
00:12:08,959 --> 00:12:10,829
novel of the same name the novel takes
place in a dystopian Society where
542
00:12:10,829 --> 00:12:10,839
place in a dystopian Society where
543
00:12:10,839 --> 00:12:12,430
place in a dystopian Society where
people are discouraged from being
544
00:12:12,430 --> 00:12:12,440
people are discouraged from being
545
00:12:12,440 --> 00:12:13,750
people are discouraged from being
different from one another the
546
00:12:13,750 --> 00:12:13,760
different from one another the
547
00:12:13,760 --> 00:12:16,150
different from one another the
protagonist Professor kug refuses to
548
00:12:16,150 --> 00:12:16,160
protagonist Professor kug refuses to
549
00:12:16,160 --> 00:12:17,870
protagonist Professor kug refuses to
compromise with the government by
550
00:12:17,870 --> 00:12:17,880
compromise with the government by
551
00:12:17,880 --> 00:12:20,189
compromise with the government by
promoting its philosophy this character
552
00:12:20,189 --> 00:12:20,199
promoting its philosophy this character
553
00:12:20,199 --> 00:12:22,990
promoting its philosophy this character
is a kindred spirit to Smith the album
554
00:12:22,990 --> 00:12:23,000
is a kindred spirit to Smith the album
555
00:12:23,000 --> 00:12:25,629
is a kindred spirit to Smith the album
is sparse in production it contains a
556
00:12:25,629 --> 00:12:25,639
is sparse in production it contains a
557
00:12:25,639 --> 00:12:28,470
is sparse in production it contains a
balance of both gloomy durges and upbeat
558
00:12:28,470 --> 00:12:28,480
balance of both gloomy durges and upbeat
559
00:12:28,480 --> 00:12:32,590
balance of both gloomy durges and upbeat
Popp songs the dark songs are the opener
560
00:12:32,590 --> 00:12:32,600
Popp songs the dark songs are the opener
561
00:12:32,600 --> 00:12:36,030
Popp songs the dark songs are the opener
Rod the base heavy gross japel British
562
00:12:36,030 --> 00:12:36,040
Rod the base heavy gross japel British
563
00:12:36,040 --> 00:12:39,230
Rod the base heavy gross japel British
grenadiers Riddler and autot Tech pilot
564
00:12:39,230 --> 00:12:39,240
grenadiers Riddler and autot Tech pilot
565
00:12:39,240 --> 00:12:42,990
grenadiers Riddler and autot Tech pilot
Monday night in operation control
566
00:12:42,990 --> 00:12:43,000
Monday night in operation control
567
00:12:43,000 --> 00:12:47,030
Monday night in operation control
I
568
00:12:47,030 --> 00:12:47,040
569
00:12:47,040 --> 00:12:49,470
570
00:12:49,470 --> 00:12:49,480
facing
571
00:12:49,480 --> 00:12:52,030
facing
monor the lighter songs are exemplified
572
00:12:52,030 --> 00:12:52,040
monor the lighter songs are exemplified
573
00:12:52,040 --> 00:12:54,470
monor the lighter songs are exemplified
by the extremely catchy shoulder pads
574
00:12:54,470 --> 00:12:54,480
by the extremely catchy shoulder pads
575
00:12:54,480 --> 00:12:56,670
by the extremely catchy shoulder pads
part one and part two the songs have an
576
00:12:56,670 --> 00:12:56,680
part one and part two the songs have an
577
00:12:56,680 --> 00:12:58,949
part one and part two the songs have an
insanely poppy hook where Smith rants
578
00:12:58,949 --> 00:12:58,959
insanely poppy hook where Smith rants
579
00:12:58,959 --> 00:13:00,750
insanely poppy hook where Smith rants
about having to hang out with people who
580
00:13:00,750 --> 00:13:00,760
about having to hang out with people who
581
00:13:00,760 --> 00:13:03,790
about having to hang out with people who
couldn't tell Lou Reed from Doug Yule
582
00:13:03,790 --> 00:13:03,800
couldn't tell Lou Reed from Doug Yule
583
00:13:03,800 --> 00:13:05,670
couldn't tell Lou Reed from Doug Yule
Doug Yule was the replacement base
584
00:13:05,670 --> 00:13:05,680
Doug Yule was the replacement base
585
00:13:05,680 --> 00:13:07,189
Doug Yule was the replacement base
player in the Velvet Underground who
586
00:13:07,189 --> 00:13:07,199
player in the Velvet Underground who
587
00:13:07,199 --> 00:13:11,180
player in the Velvet Underground who
played on the third and fourth
588
00:13:11,180 --> 00:13:11,190
589
00:13:11,190 --> 00:13:18,990
590
00:13:18,990 --> 00:13:19,000
[Music]
591
00:13:19,000 --> 00:13:21,550
[Music]
albums his commentary in the song Terry
592
00:13:21,550 --> 00:13:21,560
albums his commentary in the song Terry
593
00:13:21,560 --> 00:13:24,110
albums his commentary in the song Terry
weight says ended up backfiring on him
594
00:13:24,110 --> 00:13:24,120
weight says ended up backfiring on him
595
00:13:24,120 --> 00:13:26,670
weight says ended up backfiring on him
weight was a famous hostage negotiator
596
00:13:26,670 --> 00:13:26,680
weight was a famous hostage negotiator
597
00:13:26,680 --> 00:13:28,189
weight was a famous hostage negotiator
and when he traveled to Lebanon to
598
00:13:28,189 --> 00:13:28,199
and when he traveled to Lebanon to
599
00:13:28,199 --> 00:13:31,189
and when he traveled to Lebanon to
secure the released of hostages in 1987
600
00:13:31,189 --> 00:13:31,199
secure the released of hostages in 1987
601
00:13:31,199 --> 00:13:33,269
secure the released of hostages in 1987
Wade himself was also taken hostage
602
00:13:33,269 --> 00:13:33,279
Wade himself was also taken hostage
603
00:13:33,279 --> 00:13:35,470
Wade himself was also taken hostage
Mark's criticism of weight's method and
604
00:13:35,470 --> 00:13:35,480
Mark's criticism of weight's method and
605
00:13:35,480 --> 00:13:39,040
Mark's criticism of weight's method and
Ideology Now looks seriously
606
00:13:39,040 --> 00:13:39,050
Ideology Now looks seriously
607
00:13:39,050 --> 00:13:43,990
Ideology Now looks seriously
[Music]
608
00:13:43,990 --> 00:13:44,000
609
00:13:44,000 --> 00:13:46,069
610
00:13:46,069 --> 00:13:46,079
insensitive another highlight track is
611
00:13:46,079 --> 00:13:48,710
insensitive another highlight track is
the cover of the 60s garage rocker the
612
00:13:48,710 --> 00:13:48,720
the cover of the 60s garage rocker the
613
00:13:48,720 --> 00:13:51,509
the cover of the 60s garage rocker the
other half's Mr pharmacists there would
614
00:13:51,509 --> 00:13:51,519
other half's Mr pharmacists there would
615
00:13:51,519 --> 00:13:53,710
other half's Mr pharmacists there would
be many more covers that the Fall Would
616
00:13:53,710 --> 00:13:53,720
be many more covers that the Fall Would
617
00:13:53,720 --> 00:13:57,749
be many more covers that the Fall Would
produce over the
618
00:13:57,749 --> 00:13:57,759
619
00:13:57,759 --> 00:13:59,629
620
00:13:59,629 --> 00:13:59,639
years
621
00:13:59,639 --> 00:14:02,189
years
can you help me out
622
00:14:02,189 --> 00:14:02,199
can you help me out
623
00:14:02,199 --> 00:14:06,150
can you help me out
today and you're usual lovely way as a
624
00:14:06,150 --> 00:14:06,160
today and you're usual lovely way as a
625
00:14:06,160 --> 00:14:08,870
today and you're usual lovely way as a
fall fan these three albums wonderful
626
00:14:08,870 --> 00:14:08,880
fall fan these three albums wonderful
627
00:14:08,880 --> 00:14:11,150
fall fan these three albums wonderful
fighting world of the fall this nation
628
00:14:11,150 --> 00:14:11,160
fighting world of the fall this nation
629
00:14:11,160 --> 00:14:13,590
fighting world of the fall this nation
Saving Grace and Ben Sinister represent
630
00:14:13,590 --> 00:14:13,600
Saving Grace and Ben Sinister represent
631
00:14:13,600 --> 00:14:15,910
Saving Grace and Ben Sinister represent
a real high point in the band sound I
632
00:14:15,910 --> 00:14:15,920
a real high point in the band sound I
633
00:14:15,920 --> 00:14:17,910
a real high point in the band sound I
would recommend these albums as the
634
00:14:17,910 --> 00:14:17,920
would recommend these albums as the
635
00:14:17,920 --> 00:14:20,150
would recommend these albums as the
starting point for any new fan that is
636
00:14:20,150 --> 00:14:20,160
starting point for any new fan that is
637
00:14:20,160 --> 00:14:21,910
starting point for any new fan that is
curious about the band the band were
638
00:14:21,910 --> 00:14:21,920
curious about the band the band were
639
00:14:21,920 --> 00:14:24,430
curious about the band the band were
growing in popularity and we're making
640
00:14:24,430 --> 00:14:24,440
growing in popularity and we're making
641
00:14:24,440 --> 00:14:27,269
growing in popularity and we're making
more TV appearances Smith looked
642
00:14:27,269 --> 00:14:27,279
more TV appearances Smith looked
643
00:14:27,279 --> 00:14:29,749
more TV appearances Smith looked
confident in his long black trench coat
644
00:14:29,749 --> 00:14:29,759
confident in his long black trench coat
645
00:14:29,759 --> 00:14:31,710
confident in his long black trench coat
and he would conduct numerous interviews
646
00:14:31,710 --> 00:14:31,720
and he would conduct numerous interviews
647
00:14:31,720 --> 00:14:34,189
and he would conduct numerous interviews
with his wife bricks alongside him Smith
648
00:14:34,189 --> 00:14:34,199
with his wife bricks alongside him Smith
649
00:14:34,199 --> 00:14:36,310
with his wife bricks alongside him Smith
and his wife had great banter and the
650
00:14:36,310 --> 00:14:36,320
and his wife had great banter and the
651
00:14:36,320 --> 00:14:38,230
and his wife had great banter and the
band leader came across as charming and
652
00:14:38,230 --> 00:14:38,240
band leader came across as charming and
653
00:14:38,240 --> 00:14:40,230
band leader came across as charming and
witty the BL said to me
654
00:14:40,230 --> 00:14:40,240
witty the BL said to me
655
00:14:40,240 --> 00:14:45,310
witty the BL said to me
yesterday said some uh you know the fall
656
00:14:45,310 --> 00:14:45,320
yesterday said some uh you know the fall
657
00:14:45,320 --> 00:14:48,350
yesterday said some uh you know the fall
always strikes him as like six talented
658
00:14:48,350 --> 00:14:48,360
always strikes him as like six talented
659
00:14:48,360 --> 00:14:50,550
always strikes him as like six talented
people almost like uh fighting against
660
00:14:50,550 --> 00:14:50,560
people almost like uh fighting against
661
00:14:50,560 --> 00:14:52,310
people almost like uh fighting against
each other you know bricks was also
662
00:14:52,310 --> 00:14:52,320
each other you know bricks was also
663
00:14:52,320 --> 00:14:54,710
each other you know bricks was also
pursuing her side project the adult net
664
00:14:54,710 --> 00:14:54,720
pursuing her side project the adult net
665
00:14:54,720 --> 00:14:56,829
pursuing her side project the adult net
the adult net had a much more pop and
666
00:14:56,829 --> 00:14:56,839
the adult net had a much more pop and
667
00:14:56,839 --> 00:14:59,230
the adult net had a much more pop and
psychedelic feel than the fall the band
668
00:14:59,230 --> 00:14:59,240
psychedelic feel than the fall the band
669
00:14:59,240 --> 00:15:02,509
psychedelic feel than the fall the band
would release many singles between 1985
670
00:15:02,509 --> 00:15:02,519
would release many singles between 1985
671
00:15:02,519 --> 00:15:05,389
would release many singles between 1985
and 1989 including a cover of incense
672
00:15:05,389 --> 00:15:05,399
and 1989 including a cover of incense
673
00:15:05,399 --> 00:15:08,170
and 1989 including a cover of incense
and peppermints by the strawbery alarm
674
00:15:08,170 --> 00:15:08,180
and peppermints by the strawbery alarm
675
00:15:08,180 --> 00:15:14,949
and peppermints by the strawbery alarm
[Music]
676
00:15:14,949 --> 00:15:14,959
677
00:15:14,959 --> 00:15:17,670
678
00:15:17,670 --> 00:15:17,680
clock and it was this pop influence of
679
00:15:17,680 --> 00:15:19,509
clock and it was this pop influence of
bricks that would really start to take
680
00:15:19,509 --> 00:15:19,519
bricks that would really start to take
681
00:15:19,519 --> 00:15:22,910
bricks that would really start to take
over the false sound in April of 1987
682
00:15:22,910 --> 00:15:22,920
over the false sound in April of 1987
683
00:15:22,920 --> 00:15:25,389
over the false sound in April of 1987
the fall will release a cover of R Dean
684
00:15:25,389 --> 00:15:25,399
the fall will release a cover of R Dean
685
00:15:25,399 --> 00:15:27,990
the fall will release a cover of R Dean
Taylor's Northern Soul classic there's a
686
00:15:27,990 --> 00:15:28,000
Taylor's Northern Soul classic there's a
687
00:15:28,000 --> 00:15:29,710
Taylor's Northern Soul classic there's a
ghost in my house house with a much
688
00:15:29,710 --> 00:15:29,720
ghost in my house house with a much
689
00:15:29,720 --> 00:15:32,030
ghost in my house house with a much
cleaner sound than most previous fall
690
00:15:32,030 --> 00:15:32,040
cleaner sound than most previous fall
691
00:15:32,040 --> 00:15:34,509
cleaner sound than most previous fall
releases the single reached number 30 on
692
00:15:34,509 --> 00:15:34,519
releases the single reached number 30 on
693
00:15:34,519 --> 00:15:40,150
releases the single reached number 30 on
the British charts I be shs
694
00:15:40,150 --> 00:15:40,160
the British charts I be shs
695
00:15:40,160 --> 00:15:42,550
the British charts I be shs
the
696
00:15:42,550 --> 00:15:42,560
the
697
00:15:42,560 --> 00:15:46,230
the
time theion of your smile face they
698
00:15:46,230 --> 00:15:46,240
time theion of your smile face they
699
00:15:46,240 --> 00:15:48,069
time theion of your smile face they
would then release hit the North in
700
00:15:48,069 --> 00:15:48,079
would then release hit the North in
701
00:15:48,079 --> 00:15:50,990
would then release hit the North in
October 1987 bricks very consciously
702
00:15:50,990 --> 00:15:51,000
October 1987 bricks very consciously
703
00:15:51,000 --> 00:15:53,430
October 1987 bricks very consciously
along with member Simon Roger created a
704
00:15:53,430 --> 00:15:53,440
along with member Simon Roger created a
705
00:15:53,440 --> 00:15:55,710
along with member Simon Roger created a
pop song that would go up the charts she
706
00:15:55,710 --> 00:15:55,720
pop song that would go up the charts she
707
00:15:55,720 --> 00:15:57,590
pop song that would go up the charts she
felt that the band needed to be more
708
00:15:57,590 --> 00:15:57,600
felt that the band needed to be more
709
00:15:57,600 --> 00:16:00,350
felt that the band needed to be more
well-known Roger used the sequential
710
00:16:00,350 --> 00:16:00,360
well-known Roger used the sequential
711
00:16:00,360 --> 00:16:03,150
well-known Roger used the sequential
circuit Studio 4 sequencer sampler to
712
00:16:03,150 --> 00:16:03,160
circuit Studio 4 sequencer sampler to
713
00:16:03,160 --> 00:16:05,749
circuit Studio 4 sequencer sampler to
get the sound that modern New Wave bands
714
00:16:05,749 --> 00:16:05,759
get the sound that modern New Wave bands
715
00:16:05,759 --> 00:16:08,070
get the sound that modern New Wave bands
had been using over the past few
716
00:16:08,070 --> 00:16:08,080
had been using over the past few
717
00:16:08,080 --> 00:16:16,110
had been using over the past few
[Music]
718
00:16:16,110 --> 00:16:16,120
[Music]
719
00:16:16,120 --> 00:16:18,790
[Music]
years the next album the friends
720
00:16:18,790 --> 00:16:18,800
years the next album the friends
721
00:16:18,800 --> 00:16:20,590
years the next album the friends
experiment would continue this
722
00:16:20,590 --> 00:16:20,600
experiment would continue this
723
00:16:20,600 --> 00:16:23,069
experiment would continue this
trajectory even though Mark's sardonic
724
00:16:23,069 --> 00:16:23,079
trajectory even though Mark's sardonic
725
00:16:23,079 --> 00:16:25,470
trajectory even though Mark's sardonic
personality was still present the techn
726
00:16:25,470 --> 00:16:25,480
personality was still present the techn
727
00:16:25,480 --> 00:16:27,590
personality was still present the techn
pop atmosphere alleviated some of the
728
00:16:27,590 --> 00:16:27,600
pop atmosphere alleviated some of the
729
00:16:27,600 --> 00:16:31,670
pop atmosphere alleviated some of the
darkness
730
00:16:31,670 --> 00:16:31,680
731
00:16:31,680 --> 00:16:34,710
732
00:16:34,710 --> 00:16:34,720
something happened in brma I know
733
00:16:34,720 --> 00:16:38,470
something happened in brma I know
something I don't want to soon after the
734
00:16:38,470 --> 00:16:38,480
something I don't want to soon after the
735
00:16:38,480 --> 00:16:40,430
something I don't want to soon after the
forward lease their cover of the king's
736
00:16:40,430 --> 00:16:40,440
forward lease their cover of the king's
737
00:16:40,440 --> 00:16:43,350
forward lease their cover of the king's
classic Victoria which reached number 35
738
00:16:43,350 --> 00:16:43,360
classic Victoria which reached number 35
739
00:16:43,360 --> 00:16:44,990
classic Victoria which reached number 35
on the
740
00:16:44,990 --> 00:16:45,000
on the
741
00:16:45,000 --> 00:16:50,790
on the
charts and the rich with so men Ste hes
742
00:16:50,790 --> 00:16:50,800
charts and the rich with so men Ste hes
743
00:16:50,800 --> 00:16:54,470
charts and the rich with so men Ste hes
for the
744
00:16:54,470 --> 00:16:54,480
745
00:16:54,480 --> 00:16:57,309
746
00:16:57,309 --> 00:16:57,319
L Smith's mom would call him and tell
747
00:16:57,319 --> 00:17:00,189
L Smith's mom would call him and tell
him she saw that Elton John said that he
748
00:17:00,189 --> 00:17:00,199
him she saw that Elton John said that he
749
00:17:00,199 --> 00:17:01,990
him she saw that Elton John said that he
liked the fall because it was rock and
750
00:17:01,990 --> 00:17:02,000
liked the fall because it was rock and
751
00:17:02,000 --> 00:17:04,510
liked the fall because it was rock and
roll Smith felt at that moment he must
752
00:17:04,510 --> 00:17:04,520
roll Smith felt at that moment he must
753
00:17:04,520 --> 00:17:07,309
roll Smith felt at that moment he must
be doing something wrong so Smith
754
00:17:07,309 --> 00:17:07,319
be doing something wrong so Smith
755
00:17:07,319 --> 00:17:09,549
be doing something wrong so Smith
decided to collaborate on a ballet with
756
00:17:09,549 --> 00:17:09,559
decided to collaborate on a ballet with
757
00:17:09,559 --> 00:17:12,230
decided to collaborate on a ballet with
Scottish dancer Michael Clark Clark had
758
00:17:12,230 --> 00:17:12,240
Scottish dancer Michael Clark Clark had
759
00:17:12,240 --> 00:17:14,549
Scottish dancer Michael Clark Clark had
used the Falls music to dance to in his
760
00:17:14,549 --> 00:17:14,559
used the Falls music to dance to in his
761
00:17:14,559 --> 00:17:17,189
used the Falls music to dance to in his
fictionalized biographical film hail the
762
00:17:17,189 --> 00:17:17,199
fictionalized biographical film hail the
763
00:17:17,199 --> 00:17:18,099
fictionalized biographical film hail the
new
764
00:17:18,099 --> 00:17:18,109
new
765
00:17:18,109 --> 00:17:27,390
new
[Music]
766
00:17:27,390 --> 00:17:27,400
[Music]
767
00:17:27,400 --> 00:17:33,070
[Music]
Puritan
768
00:17:33,070 --> 00:17:33,080
769
00:17:33,080 --> 00:17:35,029
770
00:17:35,029 --> 00:17:35,039
Smith came up with the idea of creating
771
00:17:35,039 --> 00:17:37,310
Smith came up with the idea of creating
a soundtrack to a ballet that would be
772
00:17:37,310 --> 00:17:37,320
a soundtrack to a ballet that would be
773
00:17:37,320 --> 00:17:39,549
a soundtrack to a ballet that would be
performed live the whole concept was
774
00:17:39,549 --> 00:17:39,559
performed live the whole concept was
775
00:17:39,559 --> 00:17:41,630
performed live the whole concept was
based on the 300th anniversary of
776
00:17:41,630 --> 00:17:41,640
based on the 300th anniversary of
777
00:17:41,640 --> 00:17:43,669
based on the 300th anniversary of
William of Orange coming to the throne
778
00:17:43,669 --> 00:17:43,679
William of Orange coming to the throne
779
00:17:43,679 --> 00:17:47,110
William of Orange coming to the throne
the song new big Prince references the
780
00:17:47,110 --> 00:17:47,120
the song new big Prince references the
781
00:17:47,120 --> 00:17:50,350
the song new big Prince references the
1982 song Hip priest from the album hex
782
00:17:50,350 --> 00:17:50,360
1982 song Hip priest from the album hex
783
00:17:50,360 --> 00:17:51,750
1982 song Hip priest from the album hex
induction
784
00:17:51,750 --> 00:17:51,760
induction
785
00:17:51,760 --> 00:17:55,789
induction
hour track Rec track the rec track the
786
00:17:55,789 --> 00:17:55,799
hour track Rec track the rec track the
787
00:17:55,799 --> 00:17:59,790
hour track Rec track the rec track the
guys track record there
788
00:17:59,790 --> 00:17:59,800
guys track record there
789
00:17:59,800 --> 00:18:03,750
guys track record there
[Music]
790
00:18:03,750 --> 00:18:03,760
[Music]
791
00:18:03,760 --> 00:18:05,750
[Music]
Smith would do a rendition of Blake's
792
00:18:05,750 --> 00:18:05,760
Smith would do a rendition of Blake's
793
00:18:05,760 --> 00:18:08,230
Smith would do a rendition of Blake's
Jerusalem on the album the title of the
794
00:18:08,230 --> 00:18:08,240
Jerusalem on the album the title of the
795
00:18:08,240 --> 00:18:11,070
Jerusalem on the album the title of the
album I am curious orange was a direct
796
00:18:11,070 --> 00:18:11,080
album I am curious orange was a direct
797
00:18:11,080 --> 00:18:14,510
album I am curious orange was a direct
reference to vilgot scan's erotic films
798
00:18:14,510 --> 00:18:14,520
reference to vilgot scan's erotic films
799
00:18:14,520 --> 00:18:17,029
reference to vilgot scan's erotic films
I am curious yellow and I am curious
800
00:18:17,029 --> 00:18:17,039
I am curious yellow and I am curious
801
00:18:17,039 --> 00:18:19,390
I am curious yellow and I am curious
blue the music was turned into an album
802
00:18:19,390 --> 00:18:19,400
blue the music was turned into an album
803
00:18:19,400 --> 00:18:21,510
blue the music was turned into an album
and a live performance with the ballet
804
00:18:21,510 --> 00:18:21,520
and a live performance with the ballet
805
00:18:21,520 --> 00:18:23,110
and a live performance with the ballet
and it happened at the N burough
806
00:18:23,110 --> 00:18:23,120
and it happened at the N burough
807
00:18:23,120 --> 00:18:25,070
and it happened at the N burough
Festival now the audience was a mixture
808
00:18:25,070 --> 00:18:25,080
Festival now the audience was a mixture
809
00:18:25,080 --> 00:18:27,230
Festival now the audience was a mixture
of ballet and Rock Fans the performance
810
00:18:27,230 --> 00:18:27,240
of ballet and Rock Fans the performance
811
00:18:27,240 --> 00:18:30,149
of ballet and Rock Fans the performance
had its share of absurdities bricks
812
00:18:30,149 --> 00:18:30,159
had its share of absurdities bricks
813
00:18:30,159 --> 00:18:31,830
had its share of absurdities bricks
riding across the stage on a giant
814
00:18:31,830 --> 00:18:31,840
riding across the stage on a giant
815
00:18:31,840 --> 00:18:35,149
riding across the stage on a giant
burger Rock fans shocked by Markel Clark
816
00:18:35,149 --> 00:18:35,159
burger Rock fans shocked by Markel Clark
817
00:18:35,159 --> 00:18:37,230
burger Rock fans shocked by Markel Clark
doing ballet movements in an outfit that
818
00:18:37,230 --> 00:18:37,240
doing ballet movements in an outfit that
819
00:18:37,240 --> 00:18:39,190
doing ballet movements in an outfit that
exposed his buttocks ballet fans
820
00:18:39,190 --> 00:18:39,200
exposed his buttocks ballet fans
821
00:18:39,200 --> 00:18:40,630
exposed his buttocks ballet fans
plugging their ears to keep out the
822
00:18:40,630 --> 00:18:40,640
plugging their ears to keep out the
823
00:18:40,640 --> 00:18:42,990
plugging their ears to keep out the
cacophony of the fall but the upper
824
00:18:42,990 --> 00:18:43,000
cacophony of the fall but the upper
825
00:18:43,000 --> 00:18:45,350
cacophony of the fall but the upper
Classics were beginning to heat Praise
826
00:18:45,350 --> 00:18:45,360
Classics were beginning to heat Praise
827
00:18:45,360 --> 00:18:47,710
Classics were beginning to heat Praise
on the fall and Smith wanted no part of
828
00:18:47,710 --> 00:18:47,720
on the fall and Smith wanted no part of
829
00:18:47,720 --> 00:18:50,230
on the fall and Smith wanted no part of
their praise getting writeups in Elite
830
00:18:50,230 --> 00:18:50,240
their praise getting writeups in Elite
831
00:18:50,240 --> 00:18:52,510
their praise getting writeups in Elite
newspapers went against his ethos of
832
00:18:52,510 --> 00:18:52,520
newspapers went against his ethos of
833
00:18:52,520 --> 00:18:54,990
newspapers went against his ethos of
being a workingclass artist but there
834
00:18:54,990 --> 00:18:55,000
being a workingclass artist but there
835
00:18:55,000 --> 00:18:57,110
being a workingclass artist but there
were serious issues going on behind the
836
00:18:57,110 --> 00:18:57,120
were serious issues going on behind the
837
00:18:57,120 --> 00:18:59,029
were serious issues going on behind the
scenes Smith was was becoming more
838
00:18:59,029 --> 00:18:59,039
scenes Smith was was becoming more
839
00:18:59,039 --> 00:19:01,149
scenes Smith was was becoming more
dependent on speed and alcohol his
840
00:19:01,149 --> 00:19:01,159
dependent on speed and alcohol his
841
00:19:01,159 --> 00:19:03,590
dependent on speed and alcohol his
marriage to Bricks began to crumble even
842
00:19:03,590 --> 00:19:03,600
marriage to Bricks began to crumble even
843
00:19:03,600 --> 00:19:05,710
marriage to Bricks began to crumble even
though she wrote many of the songs on I
844
00:19:05,710 --> 00:19:05,720
though she wrote many of the songs on I
845
00:19:05,720 --> 00:19:08,149
though she wrote many of the songs on I
am curious orange she was excluded from
846
00:19:08,149 --> 00:19:08,159
am curious orange she was excluded from
847
00:19:08,159 --> 00:19:10,390
am curious orange she was excluded from
the writing credits the couple grew more
848
00:19:10,390 --> 00:19:10,400
the writing credits the couple grew more
849
00:19:10,400 --> 00:19:12,390
the writing credits the couple grew more
distant and eventually Smith would be
850
00:19:12,390 --> 00:19:12,400
distant and eventually Smith would be
851
00:19:12,400 --> 00:19:15,669
distant and eventually Smith would be
unfaithful to Bricks in 1989 she left
852
00:19:15,669 --> 00:19:15,679
unfaithful to Bricks in 1989 she left
853
00:19:15,679 --> 00:19:18,310
unfaithful to Bricks in 1989 she left
him in her eyes smicks had become a
854
00:19:18,310 --> 00:19:18,320
him in her eyes smicks had become a
855
00:19:18,320 --> 00:19:20,350
him in her eyes smicks had become a
completely irrational drunk Brooks would
856
00:19:20,350 --> 00:19:20,360
completely irrational drunk Brooks would
857
00:19:20,360 --> 00:19:22,630
completely irrational drunk Brooks would
go on tour with the Bengals and become
858
00:19:22,630 --> 00:19:22,640
go on tour with the Bengals and become
859
00:19:22,640 --> 00:19:24,430
go on tour with the Bengals and become
romantically involved with violinist
860
00:19:24,430 --> 00:19:24,440
romantically involved with violinist
861
00:19:24,440 --> 00:19:27,430
romantically involved with violinist
Nigel KY audition for the band hole and
862
00:19:27,430 --> 00:19:27,440
Nigel KY audition for the band hole and
863
00:19:27,440 --> 00:19:29,549
Nigel KY audition for the band hole and
become involved in the fashion business
864
00:19:29,549 --> 00:19:29,559
become involved in the fashion business
865
00:19:29,559 --> 00:19:32,430
become involved in the fashion business
this day she has her own band bricks and
866
00:19:32,430 --> 00:19:32,440
this day she has her own band bricks and
867
00:19:32,440 --> 00:19:35,350
this day she has her own band bricks and
the extricated that play both fall
868
00:19:35,350 --> 00:19:35,360
the extricated that play both fall
869
00:19:35,360 --> 00:19:37,950
the extricated that play both fall
covers and original songs the departure
870
00:19:37,950 --> 00:19:37,960
covers and original songs the departure
871
00:19:37,960 --> 00:19:39,870
covers and original songs the departure
of bricks would lead the fall on a
872
00:19:39,870 --> 00:19:39,880
of bricks would lead the fall on a
873
00:19:39,880 --> 00:19:41,789
of bricks would lead the fall on a
turbulent Journey throughout the '90s
874
00:19:41,789 --> 00:19:41,799
turbulent Journey throughout the '90s
875
00:19:41,799 --> 00:19:43,750
turbulent Journey throughout the '90s
where the band would really hit rock
876
00:19:43,750 --> 00:19:43,760
where the band would really hit rock
877
00:19:43,760 --> 00:19:45,990
where the band would really hit rock
bottom tune in to the next episode to
878
00:19:45,990 --> 00:19:46,000
bottom tune in to the next episode to
879
00:19:46,000 --> 00:19:47,950
bottom tune in to the next episode to
see the journey through the destruction
880
00:19:47,950 --> 00:19:47,960
see the journey through the destruction
881
00:19:47,960 --> 00:19:49,470
see the journey through the destruction
and the Redemption thank you for
882
00:19:49,470 --> 00:19:49,480
and the Redemption thank you for
883
00:19:49,480 --> 00:19:52,029
and the Redemption thank you for
watching 20th Century Music and Arts
884
00:19:52,029 --> 00:19:52,039
watching 20th Century Music and Arts
885
00:19:52,039 --> 00:19:56,470
watching 20th Century Music and Arts
please like share subscribe and comment
886
00:19:56,470 --> 00:19:56,480
please like share subscribe and comment
887
00:19:56,480 --> 00:19:59,039
please like share subscribe and comment
thank you
75229
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