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These are the user uploaded subtitles that are being translated: 1 00:00:00,090 --> 00:00:05,829 2 00:00:05,829 --> 00:00:05,839 [Music] 3 00:00:05,839 --> 00:00:08,150 [Music] welcome to exum an underground 4 00:00:08,150 --> 00:00:08,160 welcome to exum an underground 5 00:00:08,160 --> 00:00:10,470 welcome to exum an underground retrospective of arts and culture in the 6 00:00:10,470 --> 00:00:10,480 retrospective of arts and culture in the 7 00:00:10,480 --> 00:00:13,270 retrospective of arts and culture in the late 20th century i'm your host james 8 00:00:13,270 --> 00:00:13,280 late 20th century i'm your host james 9 00:00:13,280 --> 00:00:14,549 late 20th century i'm your host james wallace 10 00:00:14,549 --> 00:00:14,559 wallace 11 00:00:14,559 --> 00:00:17,750 wallace today we can come to the conclusion of 12 00:00:17,750 --> 00:00:17,760 today we can come to the conclusion of 13 00:00:17,760 --> 00:00:20,070 today we can come to the conclusion of marquis smith and the falls 14 00:00:20,070 --> 00:00:20,080 marquis smith and the falls 15 00:00:20,080 --> 00:00:23,150 marquis smith and the falls career 16 00:00:23,150 --> 00:00:23,160 17 00:00:23,160 --> 00:00:27,509 18 00:00:27,509 --> 00:00:27,519 19 00:00:27,519 --> 00:00:29,750 20 00:00:29,750 --> 00:00:29,760 after brick's departure smith would 21 00:00:29,760 --> 00:00:31,910 after brick's departure smith would continue the fall through the 90s into 22 00:00:31,910 --> 00:00:31,920 continue the fall through the 90s into 23 00:00:31,920 --> 00:00:33,670 continue the fall through the 90s into the millennium and right up until his 24 00:00:33,670 --> 00:00:33,680 the millennium and right up until his 25 00:00:33,680 --> 00:00:35,750 the millennium and right up until his death in 2018. 26 00:00:35,750 --> 00:00:35,760 death in 2018. 27 00:00:35,760 --> 00:00:37,670 death in 2018. smith's first album post bricks was 28 00:00:37,670 --> 00:00:37,680 smith's first album post bricks was 29 00:00:37,680 --> 00:00:40,310 smith's first album post bricks was extricate this album continued the use 30 00:00:40,310 --> 00:00:40,320 extricate this album continued the use 31 00:00:40,320 --> 00:00:42,549 extricate this album continued the use of electronics and the song telephone 32 00:00:42,549 --> 00:00:42,559 of electronics and the song telephone 33 00:00:42,559 --> 00:00:45,029 of electronics and the song telephone thing was remixed by the electronic duo 34 00:00:45,029 --> 00:00:45,039 thing was remixed by the electronic duo 35 00:00:45,039 --> 00:00:46,150 thing was remixed by the electronic duo cold cut 36 00:00:46,150 --> 00:00:46,160 cold cut 37 00:00:46,160 --> 00:00:47,910 cold cut the song had a sound similar to the 38 00:00:47,910 --> 00:00:47,920 the song had a sound similar to the 39 00:00:47,920 --> 00:00:49,670 the song had a sound similar to the bands of the manchester scene of the 40 00:00:49,670 --> 00:00:49,680 bands of the manchester scene of the 41 00:00:49,680 --> 00:00:51,830 bands of the manchester scene of the late 80s such as the stone roses or the 42 00:00:51,830 --> 00:00:51,840 late 80s such as the stone roses or the 43 00:00:51,840 --> 00:00:53,350 late 80s such as the stone roses or the happy mondays 44 00:00:53,350 --> 00:00:53,360 happy mondays 45 00:00:53,360 --> 00:00:54,950 happy mondays elements of hip-hop scratching were 46 00:00:54,950 --> 00:00:54,960 elements of hip-hop scratching were 47 00:00:54,960 --> 00:00:56,950 elements of hip-hop scratching were incorporated into the song 48 00:00:56,950 --> 00:00:56,960 incorporated into the song 49 00:00:56,960 --> 00:00:59,110 incorporated into the song smith tries singing the beautiful yet 50 00:00:59,110 --> 00:00:59,120 smith tries singing the beautiful yet 51 00:00:59,120 --> 00:01:01,990 smith tries singing the beautiful yet sad bill is dead where he declares that 52 00:01:01,990 --> 00:01:02,000 sad bill is dead where he declares that 53 00:01:02,000 --> 00:01:04,789 sad bill is dead where he declares that this is the greatest time in my life 54 00:01:04,789 --> 00:01:04,799 this is the greatest time in my life 55 00:01:04,799 --> 00:01:06,550 this is the greatest time in my life one gets the feeling that hughes may be 56 00:01:06,550 --> 00:01:06,560 one gets the feeling that hughes may be 57 00:01:06,560 --> 00:01:08,230 one gets the feeling that hughes may be trying to come to terms with his breakup 58 00:01:08,230 --> 00:01:08,240 trying to come to terms with his breakup 59 00:01:08,240 --> 00:01:09,590 trying to come to terms with his breakup with bricks 60 00:01:09,590 --> 00:01:09,600 with bricks 61 00:01:09,600 --> 00:01:11,990 with bricks martin brammo was brought back in but he 62 00:01:11,990 --> 00:01:12,000 martin brammo was brought back in but he 63 00:01:12,000 --> 00:01:14,390 martin brammo was brought back in but he only stuck around for one album 64 00:01:14,390 --> 00:01:14,400 only stuck around for one album 65 00:01:14,400 --> 00:01:16,630 only stuck around for one album over the course of the early mid 90s the 66 00:01:16,630 --> 00:01:16,640 over the course of the early mid 90s the 67 00:01:16,640 --> 00:01:18,230 over the course of the early mid 90s the fall would continue to produce several 68 00:01:18,230 --> 00:01:18,240 fall would continue to produce several 69 00:01:18,240 --> 00:01:19,749 fall would continue to produce several albums that kept incorporating 70 00:01:19,749 --> 00:01:19,759 albums that kept incorporating 71 00:01:19,759 --> 00:01:21,830 albums that kept incorporating electronics with their dirty guitar 72 00:01:21,830 --> 00:01:21,840 electronics with their dirty guitar 73 00:01:21,840 --> 00:01:22,710 electronics with their dirty guitar sound 74 00:01:22,710 --> 00:01:22,720 sound 75 00:01:22,720 --> 00:01:25,670 sound shift work code selfish the infotainment 76 00:01:25,670 --> 00:01:25,680 shift work code selfish the infotainment 77 00:01:25,680 --> 00:01:26,550 shift work code selfish the infotainment scan 78 00:01:26,550 --> 00:01:26,560 scan 79 00:01:26,560 --> 00:01:28,710 scan and middle class revolt 80 00:01:28,710 --> 00:01:28,720 and middle class revolt 81 00:01:28,720 --> 00:01:30,789 and middle class revolt what was really interesting was smith's 82 00:01:30,789 --> 00:01:30,799 what was really interesting was smith's 83 00:01:30,799 --> 00:01:33,030 what was really interesting was smith's desire to cover songs 84 00:01:33,030 --> 00:01:33,040 desire to cover songs 85 00:01:33,040 --> 00:01:36,230 desire to cover songs on shift work smith's covered 86 00:01:36,230 --> 00:01:36,240 on shift work smith's covered 87 00:01:36,240 --> 00:01:37,830 on shift work smith's covered white lightning which was written by the 88 00:01:37,830 --> 00:01:37,840 white lightning which was written by the 89 00:01:37,840 --> 00:01:39,830 white lightning which was written by the big bopper but made famous by country 90 00:01:39,830 --> 00:01:39,840 big bopper but made famous by country 91 00:01:39,840 --> 00:01:41,830 big bopper but made famous by country great george jones 92 00:01:41,830 --> 00:01:41,840 great george jones 93 00:01:41,840 --> 00:01:44,230 great george jones on code selfish they recorded a cover of 94 00:01:44,230 --> 00:01:44,240 on code selfish they recorded a cover of 95 00:01:44,240 --> 00:01:47,190 on code selfish they recorded a cover of hank williams senior song just waiting 96 00:01:47,190 --> 00:01:47,200 hank williams senior song just waiting 97 00:01:47,200 --> 00:01:49,510 hank williams senior song just waiting on the infotainment scan the band covers 98 00:01:49,510 --> 00:01:49,520 on the infotainment scan the band covers 99 00:01:49,520 --> 00:01:52,630 on the infotainment scan the band covers the disco classic by sister sledge lost 100 00:01:52,630 --> 00:01:52,640 the disco classic by sister sledge lost 101 00:01:52,640 --> 00:01:55,429 the disco classic by sister sledge lost to music a novelty song called i'm going 102 00:01:55,429 --> 00:01:55,439 to music a novelty song called i'm going 103 00:01:55,439 --> 00:01:58,630 to music a novelty song called i'm going to spain and why are people so grudgeful 104 00:01:58,630 --> 00:01:58,640 to spain and why are people so grudgeful 105 00:01:58,640 --> 00:02:01,030 to spain and why are people so grudgeful by the famous reggae musician and 106 00:02:01,030 --> 00:02:01,040 by the famous reggae musician and 107 00:02:01,040 --> 00:02:03,670 by the famous reggae musician and producer lee scratch perry 108 00:02:03,670 --> 00:02:03,680 producer lee scratch perry 109 00:02:03,680 --> 00:02:05,990 producer lee scratch perry on middle class revolt they cover war by 110 00:02:05,990 --> 00:02:06,000 on middle class revolt they cover war by 111 00:02:06,000 --> 00:02:07,270 on middle class revolt they cover war by henry cow 112 00:02:07,270 --> 00:02:07,280 henry cow 113 00:02:07,280 --> 00:02:09,990 henry cow junk man by the groundhogs and shut up 114 00:02:09,990 --> 00:02:10,000 junk man by the groundhogs and shut up 115 00:02:10,000 --> 00:02:13,110 junk man by the groundhogs and shut up by the experimental 60s 116 00:02:13,110 --> 00:02:13,120 by the experimental 60s 117 00:02:13,120 --> 00:02:16,070 by the experimental 60s garage rockers the monks whose songs i 118 00:02:16,070 --> 00:02:16,080 garage rockers the monks whose songs i 119 00:02:16,080 --> 00:02:17,510 garage rockers the monks whose songs i hate you and 120 00:02:17,510 --> 00:02:17,520 hate you and 121 00:02:17,520 --> 00:02:18,309 hate you and oh 122 00:02:18,309 --> 00:02:18,319 oh 123 00:02:18,319 --> 00:02:19,350 oh how do 124 00:02:19,350 --> 00:02:19,360 how do 125 00:02:19,360 --> 00:02:22,229 how do how to do now they covered on extricate 126 00:02:22,229 --> 00:02:22,239 how to do now they covered on extricate 127 00:02:22,239 --> 00:02:25,589 how to do now they covered on extricate under the titles black monk time parts 1 128 00:02:25,589 --> 00:02:25,599 under the titles black monk time parts 1 129 00:02:25,599 --> 00:02:26,869 under the titles black monk time parts 1 and 2. 130 00:02:26,869 --> 00:02:26,879 and 2. 131 00:02:26,879 --> 00:02:29,190 and 2. the band recorded extricate 132 00:02:29,190 --> 00:02:29,200 the band recorded extricate 133 00:02:29,200 --> 00:02:31,670 the band recorded extricate code selfish and shift work on the label 134 00:02:31,670 --> 00:02:31,680 code selfish and shift work on the label 135 00:02:31,680 --> 00:02:34,150 code selfish and shift work on the label fontana while infotainment scan and 136 00:02:34,150 --> 00:02:34,160 fontana while infotainment scan and 137 00:02:34,160 --> 00:02:36,070 fontana while infotainment scan and middle class revolt were released on 138 00:02:36,070 --> 00:02:36,080 middle class revolt were released on 139 00:02:36,080 --> 00:02:38,390 middle class revolt were released on permanent records in the uk and famous 140 00:02:38,390 --> 00:02:38,400 permanent records in the uk and famous 141 00:02:38,400 --> 00:02:42,070 permanent records in the uk and famous indie label matador in the states 142 00:02:42,070 --> 00:02:42,080 indie label matador in the states 143 00:02:42,080 --> 00:02:44,470 indie label matador in the states brics returned for the tour for middle 144 00:02:44,470 --> 00:02:44,480 brics returned for the tour for middle 145 00:02:44,480 --> 00:02:46,869 brics returned for the tour for middle class revolt but they did not rekindle 146 00:02:46,869 --> 00:02:46,879 class revolt but they did not rekindle 147 00:02:46,879 --> 00:02:48,470 class revolt but they did not rekindle their relationship 148 00:02:48,470 --> 00:02:48,480 their relationship 149 00:02:48,480 --> 00:02:51,589 their relationship she was shocked by smith's appearance he 150 00:02:51,589 --> 00:02:51,599 she was shocked by smith's appearance he 151 00:02:51,599 --> 00:02:53,990 she was shocked by smith's appearance he looked like he had aged decades he was 152 00:02:53,990 --> 00:02:54,000 looked like he had aged decades he was 153 00:02:54,000 --> 00:02:56,390 looked like he had aged decades he was drinking copious amounts of alcohol and 154 00:02:56,390 --> 00:02:56,400 drinking copious amounts of alcohol and 155 00:02:56,400 --> 00:02:59,270 drinking copious amounts of alcohol and was continuing to abuse amphetamines 156 00:02:59,270 --> 00:02:59,280 was continuing to abuse amphetamines 157 00:02:59,280 --> 00:03:00,790 was continuing to abuse amphetamines smith was also becoming more 158 00:03:00,790 --> 00:03:00,800 smith was also becoming more 159 00:03:00,800 --> 00:03:02,869 smith was also becoming more unreasonable and his erratic behavior 160 00:03:02,869 --> 00:03:02,879 unreasonable and his erratic behavior 161 00:03:02,879 --> 00:03:05,110 unreasonable and his erratic behavior was well documented in british music 162 00:03:05,110 --> 00:03:05,120 was well documented in british music 163 00:03:05,120 --> 00:03:06,070 was well documented in british music mags 164 00:03:06,070 --> 00:03:06,080 mags 165 00:03:06,080 --> 00:03:08,470 mags i remember seeing the fall at rpm in 166 00:03:08,470 --> 00:03:08,480 i remember seeing the fall at rpm in 167 00:03:08,480 --> 00:03:11,670 i remember seeing the fall at rpm in toronto in 1994 and smith certainly 168 00:03:11,670 --> 00:03:11,680 toronto in 1994 and smith certainly 169 00:03:11,680 --> 00:03:13,830 toronto in 1994 and smith certainly looked worse for wear 170 00:03:13,830 --> 00:03:13,840 looked worse for wear 171 00:03:13,840 --> 00:03:15,589 looked worse for wear bricks would remain in the band and 172 00:03:15,589 --> 00:03:15,599 bricks would remain in the band and 173 00:03:15,599 --> 00:03:19,830 bricks would remain in the band and record the 1995 album cerebral caustic 174 00:03:19,830 --> 00:03:19,840 record the 1995 album cerebral caustic 175 00:03:19,840 --> 00:03:21,750 record the 1995 album cerebral caustic the album starts out with the dynamic 176 00:03:21,750 --> 00:03:21,760 the album starts out with the dynamic 177 00:03:21,760 --> 00:03:24,390 the album starts out with the dynamic the joke which remained irregular at 178 00:03:24,390 --> 00:03:24,400 the joke which remained irregular at 179 00:03:24,400 --> 00:03:26,710 the joke which remained irregular at fall live gigs in years to come 180 00:03:26,710 --> 00:03:26,720 fall live gigs in years to come 181 00:03:26,720 --> 00:03:28,949 fall live gigs in years to come bricks's influence was apparent in songs 182 00:03:28,949 --> 00:03:28,959 bricks's influence was apparent in songs 183 00:03:28,959 --> 00:03:32,309 bricks's influence was apparent in songs like don't call me darling and feeling 184 00:03:32,309 --> 00:03:32,319 like don't call me darling and feeling 185 00:03:32,319 --> 00:03:34,789 like don't call me darling and feeling numb a song where smith describes the 186 00:03:34,789 --> 00:03:34,799 numb a song where smith describes the 187 00:03:34,799 --> 00:03:36,789 numb a song where smith describes the effect that the antidepressant prozac 188 00:03:36,789 --> 00:03:36,799 effect that the antidepressant prozac 189 00:03:36,799 --> 00:03:38,070 effect that the antidepressant prozac had on him 190 00:03:38,070 --> 00:03:38,080 had on him 191 00:03:38,080 --> 00:03:40,309 had on him the album also features the experimental 192 00:03:40,309 --> 00:03:40,319 the album also features the experimental 193 00:03:40,319 --> 00:03:42,789 the album also features the experimental bonkers in phoenix a cover of the frank 194 00:03:42,789 --> 00:03:42,799 bonkers in phoenix a cover of the frank 195 00:03:42,799 --> 00:03:45,270 bonkers in phoenix a cover of the frank zappa song i'm not satisfied and a 196 00:03:45,270 --> 00:03:45,280 zappa song i'm not satisfied and a 197 00:03:45,280 --> 00:03:48,390 zappa song i'm not satisfied and a re-recording of the 1990s b-side life 198 00:03:48,390 --> 00:03:48,400 re-recording of the 1990s b-side life 199 00:03:48,400 --> 00:03:50,070 re-recording of the 1990s b-side life just bounces 200 00:03:50,070 --> 00:03:50,080 just bounces 201 00:03:50,080 --> 00:03:52,869 just bounces later in 1995 the band would record the 202 00:03:52,869 --> 00:03:52,879 later in 1995 the band would record the 203 00:03:52,879 --> 00:03:54,949 later in 1995 the band would record the single the chiselers 204 00:03:54,949 --> 00:03:54,959 single the chiselers 205 00:03:54,959 --> 00:03:57,270 single the chiselers during the recording of the single smith 206 00:03:57,270 --> 00:03:57,280 during the recording of the single smith 207 00:03:57,280 --> 00:04:00,390 during the recording of the single smith fired long-time guitarist craig scallion 208 00:04:00,390 --> 00:04:00,400 fired long-time guitarist craig scallion 209 00:04:00,400 --> 00:04:02,229 fired long-time guitarist craig scallion he would later admit that his drinking 210 00:04:02,229 --> 00:04:02,239 he would later admit that his drinking 211 00:04:02,239 --> 00:04:05,070 he would later admit that his drinking was affecting his judgment 212 00:04:05,070 --> 00:04:05,080 was affecting his judgment 213 00:04:05,080 --> 00:04:08,229 was affecting his judgment 1996's the light user syndrome was the 214 00:04:08,229 --> 00:04:08,239 1996's the light user syndrome was the 215 00:04:08,239 --> 00:04:10,070 1996's the light user syndrome was the last album with bricks 216 00:04:10,070 --> 00:04:10,080 last album with bricks 217 00:04:10,080 --> 00:04:11,910 last album with bricks she would end up walking out during the 218 00:04:11,910 --> 00:04:11,920 she would end up walking out during the 219 00:04:11,920 --> 00:04:14,229 she would end up walking out during the tour and basis stephen hanley would 220 00:04:14,229 --> 00:04:14,239 tour and basis stephen hanley would 221 00:04:14,239 --> 00:04:16,550 tour and basis stephen hanley would describe a concert in worthington as the 222 00:04:16,550 --> 00:04:16,560 describe a concert in worthington as the 223 00:04:16,560 --> 00:04:18,710 describe a concert in worthington as the worst gig ever 224 00:04:18,710 --> 00:04:18,720 worst gig ever 225 00:04:18,720 --> 00:04:21,110 worst gig ever the follow-up album levitate was 226 00:04:21,110 --> 00:04:21,120 the follow-up album levitate was 227 00:04:21,120 --> 00:04:23,990 the follow-up album levitate was recorded under extreme tension 228 00:04:23,990 --> 00:04:24,000 recorded under extreme tension 229 00:04:24,000 --> 00:04:26,629 recorded under extreme tension the band owned a vat bill that had 230 00:04:26,629 --> 00:04:26,639 the band owned a vat bill that had 231 00:04:26,639 --> 00:04:28,550 the band owned a vat bill that had accrued interest over the eighties and 232 00:04:28,550 --> 00:04:28,560 accrued interest over the eighties and 233 00:04:28,560 --> 00:04:30,710 accrued interest over the eighties and nineties and was now two hundred 234 00:04:30,710 --> 00:04:30,720 nineties and was now two hundred 235 00:04:30,720 --> 00:04:32,469 nineties and was now two hundred thousand pounds 236 00:04:32,469 --> 00:04:32,479 thousand pounds 237 00:04:32,479 --> 00:04:34,790 thousand pounds drummer carl burns returned despite 238 00:04:34,790 --> 00:04:34,800 drummer carl burns returned despite 239 00:04:34,800 --> 00:04:36,629 drummer carl burns returned despite being fired after the recording of the 240 00:04:36,629 --> 00:04:36,639 being fired after the recording of the 241 00:04:36,639 --> 00:04:38,710 being fired after the recording of the light user syndrome 242 00:04:38,710 --> 00:04:38,720 light user syndrome 243 00:04:38,720 --> 00:04:41,270 light user syndrome levitate contains probably their most 244 00:04:41,270 --> 00:04:41,280 levitate contains probably their most 245 00:04:41,280 --> 00:04:43,110 levitate contains probably their most unique cover song 246 00:04:43,110 --> 00:04:43,120 unique cover song 247 00:04:43,120 --> 00:04:46,550 unique cover song smith decided to cover the comedic 1959 248 00:04:46,550 --> 00:04:46,560 smith decided to cover the comedic 1959 249 00:04:46,560 --> 00:04:47,350 smith decided to cover the comedic 1959 song 250 00:04:47,350 --> 00:04:47,360 song 251 00:04:47,360 --> 00:04:50,469 song i'm a mummy by voice actor bobby 252 00:04:50,469 --> 00:04:50,479 i'm a mummy by voice actor bobby 253 00:04:50,479 --> 00:04:52,390 i'm a mummy by voice actor bobby mcfadden 254 00:04:52,390 --> 00:04:52,400 mcfadden 255 00:04:52,400 --> 00:04:55,990 mcfadden but a complete disaster was unfolding 256 00:04:55,990 --> 00:04:56,000 but a complete disaster was unfolding 257 00:04:56,000 --> 00:04:58,710 but a complete disaster was unfolding the vat bill almost resulted in smith 258 00:04:58,710 --> 00:04:58,720 the vat bill almost resulted in smith 259 00:04:58,720 --> 00:05:00,550 the vat bill almost resulted in smith and hanley having their houses 260 00:05:00,550 --> 00:05:00,560 and hanley having their houses 261 00:05:00,560 --> 00:05:02,070 and hanley having their houses repossessed 262 00:05:02,070 --> 00:05:02,080 repossessed 263 00:05:02,080 --> 00:05:04,390 repossessed smith fired the whole band when they 264 00:05:04,390 --> 00:05:04,400 smith fired the whole band when they 265 00:05:04,400 --> 00:05:07,029 smith fired the whole band when they were in ireland only to rehire them a 266 00:05:07,029 --> 00:05:07,039 were in ireland only to rehire them a 267 00:05:07,039 --> 00:05:08,550 were in ireland only to rehire them a few days later 268 00:05:08,550 --> 00:05:08,560 few days later 269 00:05:08,560 --> 00:05:10,950 few days later then things would explode at a gig in 270 00:05:10,950 --> 00:05:10,960 then things would explode at a gig in 271 00:05:10,960 --> 00:05:12,310 then things would explode at a gig in new york city 272 00:05:12,310 --> 00:05:12,320 new york city 273 00:05:12,320 --> 00:05:15,749 new york city most of the band walked off stage 274 00:05:15,749 --> 00:05:15,759 most of the band walked off stage 275 00:05:15,759 --> 00:05:18,710 most of the band walked off stage three days earlier at a philadelphia gig 276 00:05:18,710 --> 00:05:18,720 three days earlier at a philadelphia gig 277 00:05:18,720 --> 00:05:21,189 three days earlier at a philadelphia gig leaving smith and current girlfriend 278 00:05:21,189 --> 00:05:21,199 leaving smith and current girlfriend 279 00:05:21,199 --> 00:05:24,870 leaving smith and current girlfriend julia nagle playing on stage together 280 00:05:24,870 --> 00:05:24,880 julia nagle playing on stage together 281 00:05:24,880 --> 00:05:27,430 julia nagle playing on stage together at the gig at brownies on lower east 282 00:05:27,430 --> 00:05:27,440 at the gig at brownies on lower east 283 00:05:27,440 --> 00:05:31,670 at the gig at brownies on lower east side of new york city on april 7 1998 284 00:05:31,670 --> 00:05:31,680 side of new york city on april 7 1998 285 00:05:31,680 --> 00:05:34,070 side of new york city on april 7 1998 things exploded on stage 286 00:05:34,070 --> 00:05:34,080 things exploded on stage 287 00:05:34,080 --> 00:05:36,070 things exploded on stage smith started messing with carl burns 288 00:05:36,070 --> 00:05:36,080 smith started messing with carl burns 289 00:05:36,080 --> 00:05:38,390 smith started messing with carl burns drum kit which started a physical fight 290 00:05:38,390 --> 00:05:38,400 drum kit which started a physical fight 291 00:05:38,400 --> 00:05:40,390 drum kit which started a physical fight between smith and the band 292 00:05:40,390 --> 00:05:40,400 between smith and the band 293 00:05:40,400 --> 00:05:42,390 between smith and the band the fight continued at the hotel with 294 00:05:42,390 --> 00:05:42,400 the fight continued at the hotel with 295 00:05:42,400 --> 00:05:44,150 the fight continued at the hotel with smith and nigel getting physical with 296 00:05:44,150 --> 00:05:44,160 smith and nigel getting physical with 297 00:05:44,160 --> 00:05:46,070 smith and nigel getting physical with each other and eventually 298 00:05:46,070 --> 00:05:46,080 each other and eventually 299 00:05:46,080 --> 00:05:47,749 each other and eventually the police were called 300 00:05:47,749 --> 00:05:47,759 the police were called 301 00:05:47,759 --> 00:05:50,070 the police were called smith was arrested and spent two days at 302 00:05:50,070 --> 00:05:50,080 smith was arrested and spent two days at 303 00:05:50,080 --> 00:05:52,469 smith was arrested and spent two days at rikers with the exception of julian 304 00:05:52,469 --> 00:05:52,479 rikers with the exception of julian 305 00:05:52,479 --> 00:05:54,629 rikers with the exception of julian nagle the rest of the band quit 306 00:05:54,629 --> 00:05:54,639 nagle the rest of the band quit 307 00:05:54,639 --> 00:05:56,629 nagle the rest of the band quit including carl burns who had been in and 308 00:05:56,629 --> 00:05:56,639 including carl burns who had been in and 309 00:05:56,639 --> 00:05:59,270 including carl burns who had been in and out of the band since 1977 310 00:05:59,270 --> 00:05:59,280 out of the band since 1977 311 00:05:59,280 --> 00:06:01,029 out of the band since 1977 and stephen hanley who had been in the 312 00:06:01,029 --> 00:06:01,039 and stephen hanley who had been in the 313 00:06:01,039 --> 00:06:03,749 and stephen hanley who had been in the band since 1979. 314 00:06:03,749 --> 00:06:03,759 band since 1979. 315 00:06:03,759 --> 00:06:06,150 band since 1979. smith was ordered by the judge to go 316 00:06:06,150 --> 00:06:06,160 smith was ordered by the judge to go 317 00:06:06,160 --> 00:06:08,710 smith was ordered by the judge to go through an anger management course 318 00:06:08,710 --> 00:06:08,720 through an anger management course 319 00:06:08,720 --> 00:06:10,870 through an anger management course smith claims after leaving rikers that 320 00:06:10,870 --> 00:06:10,880 smith claims after leaving rikers that 321 00:06:10,880 --> 00:06:12,870 smith claims after leaving rikers that he had a premonition of the twin towers 322 00:06:12,870 --> 00:06:12,880 he had a premonition of the twin towers 323 00:06:12,880 --> 00:06:16,550 he had a premonition of the twin towers coming down on september 11 2001. 324 00:06:16,550 --> 00:06:16,560 coming down on september 11 2001. 325 00:06:16,560 --> 00:06:18,309 coming down on september 11 2001. he stated to a policeman that the 326 00:06:18,309 --> 00:06:18,319 he stated to a policeman that the 327 00:06:18,319 --> 00:06:20,870 he stated to a policeman that the buildings didn't have a proper joist 328 00:06:20,870 --> 00:06:20,880 buildings didn't have a proper joist 329 00:06:20,880 --> 00:06:24,309 buildings didn't have a proper joist and could come down at some point 330 00:06:24,309 --> 00:06:24,319 and could come down at some point 331 00:06:24,319 --> 00:06:26,790 and could come down at some point nagaland smith reconciled and she helped 332 00:06:26,790 --> 00:06:26,800 nagaland smith reconciled and she helped 333 00:06:26,800 --> 00:06:28,790 nagaland smith reconciled and she helped them form a new ban 334 00:06:28,790 --> 00:06:28,800 them form a new ban 335 00:06:28,800 --> 00:06:32,230 them form a new ban the marshall suite was released in 1999 336 00:06:32,230 --> 00:06:32,240 the marshall suite was released in 1999 337 00:06:32,240 --> 00:06:34,790 the marshall suite was released in 1999 and it would begin an 18-year journey 338 00:06:34,790 --> 00:06:34,800 and it would begin an 18-year journey 339 00:06:34,800 --> 00:06:37,270 and it would begin an 18-year journey which smith would record albums with 340 00:06:37,270 --> 00:06:37,280 which smith would record albums with 341 00:06:37,280 --> 00:06:39,590 which smith would record albums with ever-changing lineups of the band 342 00:06:39,590 --> 00:06:39,600 ever-changing lineups of the band 343 00:06:39,600 --> 00:06:41,990 ever-changing lineups of the band often these albums would have a more 344 00:06:41,990 --> 00:06:42,000 often these albums would have a more 345 00:06:42,000 --> 00:06:44,390 often these albums would have a more garage rock feel to them 346 00:06:44,390 --> 00:06:44,400 garage rock feel to them 347 00:06:44,400 --> 00:06:46,150 garage rock feel to them interest in the band was growing and 348 00:06:46,150 --> 00:06:46,160 interest in the band was growing and 349 00:06:46,160 --> 00:06:48,309 interest in the band was growing and smith's unique musical vision was 350 00:06:48,309 --> 00:06:48,319 smith's unique musical vision was 351 00:06:48,319 --> 00:06:50,550 smith's unique musical vision was praised by music enthusiasts 352 00:06:50,550 --> 00:06:50,560 praised by music enthusiasts 353 00:06:50,560 --> 00:06:52,710 praised by music enthusiasts henry rollins would often play fall 354 00:06:52,710 --> 00:06:52,720 henry rollins would often play fall 355 00:06:52,720 --> 00:06:55,270 henry rollins would often play fall tracks on his radio show harmony in my 356 00:06:55,270 --> 00:06:55,280 tracks on his radio show harmony in my 357 00:06:55,280 --> 00:06:56,230 tracks on his radio show harmony in my head 358 00:06:56,230 --> 00:06:56,240 head 359 00:06:56,240 --> 00:06:58,950 head in 2004 the bbc would produce a 360 00:06:58,950 --> 00:06:58,960 in 2004 the bbc would produce a 361 00:06:58,960 --> 00:07:01,029 in 2004 the bbc would produce a documentary examining 362 00:07:01,029 --> 00:07:01,039 documentary examining 363 00:07:01,039 --> 00:07:02,710 documentary examining the fall called the wonderful and 364 00:07:02,710 --> 00:07:02,720 the fall called the wonderful and 365 00:07:02,720 --> 00:07:06,070 the fall called the wonderful and frightening world of marquis smith 366 00:07:06,070 --> 00:07:06,080 frightening world of marquis smith 367 00:07:06,080 --> 00:07:08,710 frightening world of marquis smith in 192 2014 368 00:07:08,710 --> 00:07:08,720 in 192 2014 369 00:07:08,720 --> 00:07:10,390 in 192 2014 three danish fall fans released the 370 00:07:10,390 --> 00:07:10,400 three danish fall fans released the 371 00:07:10,400 --> 00:07:13,430 three danish fall fans released the documentary it's not repetition it's 372 00:07:13,430 --> 00:07:13,440 documentary it's not repetition it's 373 00:07:13,440 --> 00:07:15,589 documentary it's not repetition it's discipline 374 00:07:15,589 --> 00:07:15,599 discipline 375 00:07:15,599 --> 00:07:17,589 discipline smith would produce some amazing tracks 376 00:07:17,589 --> 00:07:17,599 smith would produce some amazing tracks 377 00:07:17,599 --> 00:07:19,589 smith would produce some amazing tracks over this period one 378 00:07:19,589 --> 00:07:19,599 over this period one 379 00:07:19,599 --> 00:07:22,070 over this period one standout is the hypnotic blindness from 380 00:07:22,070 --> 00:07:22,080 standout is the hypnotic blindness from 381 00:07:22,080 --> 00:07:25,990 standout is the hypnotic blindness from the 2005 album fall heads roll 382 00:07:25,990 --> 00:07:26,000 the 2005 album fall heads roll 383 00:07:26,000 --> 00:07:29,350 the 2005 album fall heads roll smith would marry greek german elena 384 00:07:29,350 --> 00:07:29,360 smith would marry greek german elena 385 00:07:29,360 --> 00:07:31,749 smith would marry greek german elena palau who would join the band 386 00:07:31,749 --> 00:07:31,759 palau who would join the band 387 00:07:31,759 --> 00:07:33,990 palau who would join the band she would eventually leave smith in 388 00:07:33,990 --> 00:07:34,000 she would eventually leave smith in 389 00:07:34,000 --> 00:07:36,629 she would eventually leave smith in 2016. 390 00:07:36,629 --> 00:07:36,639 2016. 391 00:07:36,639 --> 00:07:39,909 2016. 66 musicians were in the fall over the 392 00:07:39,909 --> 00:07:39,919 66 musicians were in the fall over the 393 00:07:39,919 --> 00:07:41,990 66 musicians were in the fall over the course of the band's history 394 00:07:41,990 --> 00:07:42,000 course of the band's history 395 00:07:42,000 --> 00:07:44,150 course of the band's history even though it was a kind of marquee 396 00:07:44,150 --> 00:07:44,160 even though it was a kind of marquee 397 00:07:44,160 --> 00:07:46,950 even though it was a kind of marquee smith's solo act because it was always 398 00:07:46,950 --> 00:07:46,960 smith's solo act because it was always 399 00:07:46,960 --> 00:07:48,230 smith's solo act because it was always different groups 400 00:07:48,230 --> 00:07:48,240 different groups 401 00:07:48,240 --> 00:07:50,629 different groups members pay may have been better than if 402 00:07:50,629 --> 00:07:50,639 members pay may have been better than if 403 00:07:50,639 --> 00:07:52,469 members pay may have been better than if the albums were released under smith's 404 00:07:52,469 --> 00:07:52,479 the albums were released under smith's 405 00:07:52,479 --> 00:07:54,390 the albums were released under smith's name alone 406 00:07:54,390 --> 00:07:54,400 name alone 407 00:07:54,400 --> 00:07:56,150 name alone smith saw himself as running the band 408 00:07:56,150 --> 00:07:56,160 smith saw himself as running the band 409 00:07:56,160 --> 00:07:59,189 smith saw himself as running the band like a work crew on a building site 410 00:07:59,189 --> 00:07:59,199 like a work crew on a building site 411 00:07:59,199 --> 00:08:01,749 like a work crew on a building site smith used to keep the band's wages in a 412 00:08:01,749 --> 00:08:01,759 smith used to keep the band's wages in a 413 00:08:01,759 --> 00:08:03,909 smith used to keep the band's wages in a bag and distribute them by hand rather 414 00:08:03,909 --> 00:08:03,919 bag and distribute them by hand rather 415 00:08:03,919 --> 00:08:07,189 bag and distribute them by hand rather than through check or bank transfer 416 00:08:07,189 --> 00:08:07,199 than through check or bank transfer 417 00:08:07,199 --> 00:08:09,430 than through check or bank transfer smith got a lot of admiration because 418 00:08:09,430 --> 00:08:09,440 smith got a lot of admiration because 419 00:08:09,440 --> 00:08:11,110 smith got a lot of admiration because right up to the time of his death he 420 00:08:11,110 --> 00:08:11,120 right up to the time of his death he 421 00:08:11,120 --> 00:08:13,350 right up to the time of his death he insisted on producing new music 422 00:08:13,350 --> 00:08:13,360 insisted on producing new music 423 00:08:13,360 --> 00:08:14,950 insisted on producing new music and making music 424 00:08:14,950 --> 00:08:14,960 and making music 425 00:08:14,960 --> 00:08:16,950 and making music that music the focus of his concerts 426 00:08:16,950 --> 00:08:16,960 that music the focus of his concerts 427 00:08:16,960 --> 00:08:19,110 that music the focus of his concerts rather than the old material 428 00:08:19,110 --> 00:08:19,120 rather than the old material 429 00:08:19,120 --> 00:08:21,029 rather than the old material many bands tore on their hits from 430 00:08:21,029 --> 00:08:21,039 many bands tore on their hits from 431 00:08:21,039 --> 00:08:23,909 many bands tore on their hits from yesteryear but smith refused to do that 432 00:08:23,909 --> 00:08:23,919 yesteryear but smith refused to do that 433 00:08:23,919 --> 00:08:25,830 yesteryear but smith refused to do that the downside of his approach was his 434 00:08:25,830 --> 00:08:25,840 the downside of his approach was his 435 00:08:25,840 --> 00:08:29,029 the downside of his approach was his stubborn and irrational behavior made 436 00:08:29,029 --> 00:08:29,039 stubborn and irrational behavior made 437 00:08:29,039 --> 00:08:31,189 stubborn and irrational behavior made him difficult to work with 438 00:08:31,189 --> 00:08:31,199 him difficult to work with 439 00:08:31,199 --> 00:08:33,750 him difficult to work with and there was also his addictions years 440 00:08:33,750 --> 00:08:33,760 and there was also his addictions years 441 00:08:33,760 --> 00:08:35,829 and there was also his addictions years of heavy smoking alcoholism and 442 00:08:35,829 --> 00:08:35,839 of heavy smoking alcoholism and 443 00:08:35,839 --> 00:08:38,230 of heavy smoking alcoholism and amphetamine abuse would eventually catch 444 00:08:38,230 --> 00:08:38,240 amphetamine abuse would eventually catch 445 00:08:38,240 --> 00:08:40,630 amphetamine abuse would eventually catch up with smith he developed a number of 446 00:08:40,630 --> 00:08:40,640 up with smith he developed a number of 447 00:08:40,640 --> 00:08:42,230 up with smith he developed a number of health problems and would eventually 448 00:08:42,230 --> 00:08:42,240 health problems and would eventually 449 00:08:42,240 --> 00:08:45,590 health problems and would eventually develop cancer in the lungs and kidney 450 00:08:45,590 --> 00:08:45,600 develop cancer in the lungs and kidney 451 00:08:45,600 --> 00:08:48,230 develop cancer in the lungs and kidney he came on stage in a wheelchair on 452 00:08:48,230 --> 00:08:48,240 he came on stage in a wheelchair on 453 00:08:48,240 --> 00:08:52,550 he came on stage in a wheelchair on november 4th 2017 to perform 454 00:08:52,550 --> 00:08:52,560 november 4th 2017 to perform 455 00:08:52,560 --> 00:08:56,150 november 4th 2017 to perform on january 24th 2018 456 00:08:56,150 --> 00:08:56,160 on january 24th 2018 457 00:08:56,160 --> 00:08:58,389 on january 24th 2018 smith passed away 458 00:08:58,389 --> 00:08:58,399 smith passed away 459 00:08:58,399 --> 00:09:01,829 smith passed away tributes came in from numerous artists 460 00:09:01,829 --> 00:09:01,839 tributes came in from numerous artists 461 00:09:01,839 --> 00:09:04,710 tributes came in from numerous artists liam gallagher billy bragg suede's brett 462 00:09:04,710 --> 00:09:04,720 liam gallagher billy bragg suede's brett 463 00:09:04,720 --> 00:09:07,509 liam gallagher billy bragg suede's brett anderson elasticus justine frishman 464 00:09:07,509 --> 00:09:07,519 anderson elasticus justine frishman 465 00:09:07,519 --> 00:09:10,470 anderson elasticus justine frishman garbage super trunk henry rollins the 466 00:09:10,470 --> 00:09:10,480 garbage super trunk henry rollins the 467 00:09:10,480 --> 00:09:13,670 garbage super trunk henry rollins the pixies and many many others 468 00:09:13,670 --> 00:09:13,680 pixies and many many others 469 00:09:13,680 --> 00:09:15,990 pixies and many many others after all they had been through bricks 470 00:09:15,990 --> 00:09:16,000 after all they had been through bricks 471 00:09:16,000 --> 00:09:18,230 after all they had been through bricks still considered mark to be your soul 472 00:09:18,230 --> 00:09:18,240 still considered mark to be your soul 473 00:09:18,240 --> 00:09:19,670 still considered mark to be your soul mate 474 00:09:19,670 --> 00:09:19,680 mate 475 00:09:19,680 --> 00:09:22,550 mate smith created one of the most unique 476 00:09:22,550 --> 00:09:22,560 smith created one of the most unique 477 00:09:22,560 --> 00:09:25,509 smith created one of the most unique music groups of the late 20th century 478 00:09:25,509 --> 00:09:25,519 music groups of the late 20th century 479 00:09:25,519 --> 00:09:28,949 music groups of the late 20th century the way he used narration stream of 480 00:09:28,949 --> 00:09:28,959 the way he used narration stream of 481 00:09:28,959 --> 00:09:32,070 the way he used narration stream of consciousness repetitive choruses 482 00:09:32,070 --> 00:09:32,080 consciousness repetitive choruses 483 00:09:32,080 --> 00:09:34,870 consciousness repetitive choruses all done in a working class manchurian 484 00:09:34,870 --> 00:09:34,880 all done in a working class manchurian 485 00:09:34,880 --> 00:09:36,470 all done in a working class manchurian elocution was 486 00:09:36,470 --> 00:09:36,480 elocution was 487 00:09:36,480 --> 00:09:38,230 elocution was inanimable 488 00:09:38,230 --> 00:09:38,240 inanimable 489 00:09:38,240 --> 00:09:40,630 inanimable indie rockers today emulate the jagged 490 00:09:40,630 --> 00:09:40,640 indie rockers today emulate the jagged 491 00:09:40,640 --> 00:09:43,670 indie rockers today emulate the jagged rhythms of the fall and their music has 492 00:09:43,670 --> 00:09:43,680 rhythms of the fall and their music has 493 00:09:43,680 --> 00:09:46,150 rhythms of the fall and their music has a quality that feels as relevant today 494 00:09:46,150 --> 00:09:46,160 a quality that feels as relevant today 495 00:09:46,160 --> 00:09:48,310 a quality that feels as relevant today as when it was produced 496 00:09:48,310 --> 00:09:48,320 as when it was produced 497 00:09:48,320 --> 00:09:50,630 as when it was produced marquis smith was a visionary artist who 498 00:09:50,630 --> 00:09:50,640 marquis smith was a visionary artist who 499 00:09:50,640 --> 00:09:52,710 marquis smith was a visionary artist who refused to compromise 500 00:09:52,710 --> 00:09:52,720 refused to compromise 501 00:09:52,720 --> 00:09:55,030 refused to compromise there will never again be a figure in 502 00:09:55,030 --> 00:09:55,040 there will never again be a figure in 503 00:09:55,040 --> 00:09:58,510 there will never again be a figure in music quite like him 504 00:09:58,510 --> 00:09:58,520 music quite like him 505 00:09:58,520 --> 00:10:01,990 music quite like him [Music] 506 00:10:01,990 --> 00:10:02,000 507 00:10:02,000 --> 00:10:04,310 508 00:10:04,310 --> 00:10:04,320 thank you for listening to exhumed i'm 509 00:10:04,320 --> 00:10:06,150 thank you for listening to exhumed i'm your host james wallace 510 00:10:06,150 --> 00:10:06,160 your host james wallace 511 00:10:06,160 --> 00:10:08,310 your host james wallace tune in to the next episode to look at 512 00:10:08,310 --> 00:10:08,320 tune in to the next episode to look at 513 00:10:08,320 --> 00:10:11,269 tune in to the next episode to look at more arts and culture in the late 20th 514 00:10:11,269 --> 00:10:11,279 more arts and culture in the late 20th 515 00:10:11,279 --> 00:10:15,990 more arts and culture in the late 20th century 516 00:10:15,990 --> 00:10:16,000 517 00:10:16,000 --> 00:10:28,389 518 00:10:28,389 --> 00:10:28,399 [Music] 519 00:10:28,399 --> 00:10:30,480 [Music] you 42467

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