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welcome to 20th Century Music and Arts
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welcome to 20th Century Music and Arts
this is going to be the remastered
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this is going to be the remastered
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this is going to be the remastered
version of Mary Smith in the fall part
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version of Mary Smith in the fall part
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version of Mary Smith in the fall part
one and I'm going to remaster all the
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one and I'm going to remaster all the
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one and I'm going to remaster all the
episodes in the series with new vocal
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episodes in the series with new vocal
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episodes in the series with new vocal
recordings by me and also I want to
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recordings by me and also I want to
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recordings by me and also I want to
include music tracks as well so
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include music tracks as well so
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include music tracks as well so
everything sounds better please enjoy a
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everything sounds better please enjoy a
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everything sounds better please enjoy a
dissonant rockabilly durge begins off
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dissonant rockabilly durge begins off
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dissonant rockabilly durge begins off
time and Out Of Tune the Rhythm repeats
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time and Out Of Tune the Rhythm repeats
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time and Out Of Tune the Rhythm repeats
both to hypnotize and to irritate over
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both to hypnotize and to irritate over
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both to hypnotize and to irritate over
this copon the vocals begin this is a
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this copon the vocals begin this is a
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this copon the vocals begin this is a
rant a rant that is a stream of
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rant a rant that is a stream of
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rant a rant that is a stream of
Consciousness diet tribe in a Manchester
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Consciousness diet tribe in a Manchester
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Consciousness diet tribe in a Manchester
workingclass slang each line ends with
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workingclass slang each line ends with
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workingclass slang each line ends with
an emphasized ah our chorus repeats what
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an emphasized ah our chorus repeats what
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an emphasized ah our chorus repeats what
is shouted the band themselves stay in a
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is shouted the band themselves stay in a
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is shouted the band themselves stay in a
rigid position performing these Jagged
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rigid position performing these Jagged
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rigid position performing these Jagged
rhythms they wear thrift store s
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rhythms they wear thrift store s
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rhythms they wear thrift store s
sweaters golf shirts and khakis there's
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sweaters golf shirts and khakis there's
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sweaters golf shirts and khakis there's
no flare or image here no glamour this
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no flare or image here no glamour this
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no flare or image here no glamour this
is Andy cap as a rock band the
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is Andy cap as a rock band the
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is Andy cap as a rock band the
contradictions are everywhere especially
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contradictions are everywhere especially
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contradictions are everywhere especially
in the lyrics mundane observations of
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in the lyrics mundane observations of
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in the lyrics mundane observations of
workingclass Life are just opposed with
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workingclass Life are just opposed with
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workingclass Life are just opposed with
surreal flights of fantasy grotesque
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surreal flights of fantasy grotesque
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surreal flights of fantasy grotesque
magic realism sarcastic tirades and a
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magic realism sarcastic tirades and a
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magic realism sarcastic tirades and a
love for 50s rock and roll the frontman
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love for 50s rock and roll the frontman
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love for 50s rock and roll the frontman
announces to the audience we are the
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announces to the audience we are the
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announces to the audience we are the
fall how the fall became my favorite
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fall how the fall became my favorite
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fall how the fall became my favorite
band was an interesting process in my
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band was an interesting process in my
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band was an interesting process in my
late teams I would read magazines like
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late teams I would read magazines like
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late teams I would read magazines like
alternative Prest and voraciously
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alternative Prest and voraciously
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alternative Prest and voraciously
consume the reviews I always wanted to
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consume the reviews I always wanted to
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consume the reviews I always wanted to
see see how a band sound would be
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see see how a band sound would be
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see see how a band sound would be
referred to in relation to another band
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referred to in relation to another band
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referred to in relation to another band
sound occasionally a review would State
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sound occasionally a review would State
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sound occasionally a review would State
the singer would R rant like a more
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the singer would R rant like a more
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the singer would R rant like a more
relaxed version of mares Smith or they
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relaxed version of mares Smith or they
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relaxed version of mares Smith or they
have Jagged rhythms like the fall so I
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have Jagged rhythms like the fall so I
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have Jagged rhythms like the fall so I
kept wondering what this band The Fall
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kept wondering what this band The Fall
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kept wondering what this band The Fall
sounded like I finally saw a video for
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sounded like I finally saw a video for
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sounded like I finally saw a video for
kicker conspiracy on much Music City
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kicker conspiracy on much Music City
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kicker conspiracy on much Music City
Limits it was a strange early 80s Video
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Limits it was a strange early 80s Video
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Limits it was a strange early 80s Video
on a soccer pitch with angular guitar
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on a soccer pitch with angular guitar
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on a soccer pitch with angular guitar
sounds and a shouted non-melodic chorus
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sounds and a shouted non-melodic chorus
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sounds and a shouted non-melodic chorus
I was intrigued but did not know what to
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I was intrigued but did not know what to
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I was intrigued but did not know what to
make of
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[Music]
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[Music]
it K in the marble halls of the Tom
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St
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St
is months later I decided to buy the
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is months later I decided to buy the
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is months later I decided to buy the
compilation album Palace of Swords
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compilation album Palace of Swords
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compilation album Palace of Swords
reversed the opening Track Pro art
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reversed the opening Track Pro art
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reversed the opening Track Pro art
threat immediately grabbed my attention
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threat immediately grabbed my attention
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threat immediately grabbed my attention
the shouted lyrics and off-kilter guitar
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the shouted lyrics and off-kilter guitar
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the shouted lyrics and off-kilter guitar
I found fascin ating the lyrics were
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I found fascin ating the lyrics were
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I found fascin ating the lyrics were
strange and I had no clue what they were
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strange and I had no clue what they were
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strange and I had no clue what they were
about but being a fan of music that was
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about but being a fan of music that was
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about but being a fan of music that was
noisy and distant I knew that this was
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noisy and distant I knew that this was
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noisy and distant I knew that this was
up my alley the next song how I wrote
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up my alley the next song how I wrote
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up my alley the next song how I wrote
elastic man at that time I found really
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elastic man at that time I found really
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elastic man at that time I found really
annoying and fast forwarded it on my
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annoying and fast forwarded it on my
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annoying and fast forwarded it on my
cassette player to the next track
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cassette player to the next track
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cassette player to the next track
totally wired with its pulsating beat
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totally wired with its pulsating beat
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totally wired with its pulsating beat
was definitely on my alley however I
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was definitely on my alley however I
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was definitely on my alley however I
started to lose interest over the next
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started to lose interest over the next
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started to lose interest over the next
few songs by the time I got to kick a
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few songs by the time I got to kick a
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few songs by the time I got to kick a
conspiracy on S 2 I come to the
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conspiracy on S 2 I come to the
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conspiracy on S 2 I come to the
conclusion that this tape was not bad
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conclusion that this tape was not bad
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conclusion that this tape was not bad
but it wasn't n necessarily going to be
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but it wasn't n necessarily going to be
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but it wasn't n necessarily going to be
on my heavy playlist rotation but I
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on my heavy playlist rotation but I
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on my heavy playlist rotation but I
would occasionally put this tape on
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would occasionally put this tape on
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would occasionally put this tape on
slowly over time the music began to
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slowly over time the music began to
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slowly over time the music began to
creep into my unconsciousness this sound
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creep into my unconsciousness this sound
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creep into my unconsciousness this sound
was unique and cerebral at the time I
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was unique and cerebral at the time I
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was unique and cerebral at the time I
did not really know what the reference
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did not really know what the reference
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did not really know what the reference
points that were being made musically
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points that were being made musically
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points that were being made musically
you see at that time I was listening to
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you see at that time I was listening to
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you see at that time I was listening to
a wide range of music that included
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a wide range of music that included
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a wide range of music that included
indie rock alternative metal Punk
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indie rock alternative metal Punk
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indie rock alternative metal Punk
hardcore and a lot of noise music this
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hardcore and a lot of noise music this
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hardcore and a lot of noise music this
sound was different from any of these
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sound was different from any of these
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sound was different from any of these
reference points it was also different
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reference points it was also different
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reference points it was also different
from the other British postpunk I was
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from the other British postpunk I was
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from the other British postpunk I was
familiar with like Joy Division bajos
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familiar with like Joy Division bajos
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familiar with like Joy Division bajos
and killing Joe these obtuse rhythms and
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and killing Joe these obtuse rhythms and
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and killing Joe these obtuse rhythms and
surreal lyrics painted a unique
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surreal lyrics painted a unique
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surreal lyrics painted a unique
landscape in my mind the singer ranted
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landscape in my mind the singer ranted
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landscape in my mind the singer ranted
about City hob goblins and traveling
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about City hob goblins and traveling
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about City hob goblins and traveling
back in time to the US Civil War in one
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back in time to the US Civil War in one
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back in time to the US Civil War in one
song which began with the cheapest
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song which began with the cheapest
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song which began with the cheapest
sounding electronic beat the singer
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sounding electronic beat the singer
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sounding electronic beat the singer
commands the rest of the band to turn
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commands the rest of the band to turn
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commands the rest of the band to turn
that Bloody blimy space invader off
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that Bloody blimy space invader off
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that Bloody blimy space invader off
immediately the annoying electronic
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immediately the annoying electronic
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immediately the annoying electronic
pulse ceases and the obtuse guitars
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pulse ceases and the obtuse guitars
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pulse ceases and the obtuse guitars
begin to create a rhythmic
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begin to create a rhythmic
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begin to create a rhythmic
[Music]
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[Music]
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[Music]
wave
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wave
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wave
[Music]
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203
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204
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Space by the time I entered University
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Space by the time I entered University
the fall had creeped enough into my
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the fall had creeped enough into my
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the fall had creeped enough into my
unconsciousness to become my favorite
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unconsciousness to become my favorite
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unconsciousness to become my favorite
band most people did not really take to
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band most people did not really take to
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band most people did not really take to
the fall when I played it for them and I
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the fall when I played it for them and I
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the fall when I played it for them and I
was probably became
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was probably became
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was probably became
insufferable trying to insist why this
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insufferable trying to insist why this
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insufferable trying to insist why this
band was so great it took years but they
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band was so great it took years but they
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band was so great it took years but they
eventually came around the story of the
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eventually came around the story of the
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eventually came around the story of the
Fall goes back to the working class
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Fall goes back to the working class
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Fall goes back to the working class
sford area of Manchester in the mid1
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sford area of Manchester in the mid1
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sford area of Manchester in the mid1
1970s Mary Smith started listening to
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1970s Mary Smith started listening to
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1970s Mary Smith started listening to
music at age 14 and developed eclectic
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music at age 14 and developed eclectic
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music at age 14 and developed eclectic
tastes that were influenced by John
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tastes that were influenced by John
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tastes that were influenced by John
peele's radio show Black Sabbath's
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peele's radio show Black Sabbath's
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peele's radio show Black Sabbath's
paranoid album
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paranoid album
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paranoid album
can The Velvet Underground Captain beart
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can The Velvet Underground Captain beart
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can The Velvet Underground Captain beart
garage 60s groups like The Seeds early
238
00:05:06,670 --> 00:05:06,680
garage 60s groups like The Seeds early
239
00:05:06,680 --> 00:05:08,909
garage 60s groups like The Seeds early
rock and rollers like Jean Vincent and
240
00:05:08,909 --> 00:05:08,919
rock and rollers like Jean Vincent and
241
00:05:08,919 --> 00:05:10,920
rock and rollers like Jean Vincent and
dub r
242
00:05:10,920 --> 00:05:10,930
dub r
243
00:05:10,930 --> 00:05:24,610
dub r
[Music]
244
00:05:24,610 --> 00:05:24,620
245
00:05:24,620 --> 00:05:34,110
246
00:05:34,110 --> 00:05:34,120
247
00:05:34,120 --> 00:05:36,870
248
00:05:36,870 --> 00:05:36,880
Mark was also an Avid Reader noting that
249
00:05:36,880 --> 00:05:38,590
Mark was also an Avid Reader noting that
the one book that he really enjoyed
250
00:05:38,590 --> 00:05:38,600
the one book that he really enjoyed
251
00:05:38,600 --> 00:05:41,909
the one book that he really enjoyed
reading at school was Thomas Hardy's
252
00:05:41,909 --> 00:05:41,919
reading at school was Thomas Hardy's
253
00:05:41,919 --> 00:05:44,590
reading at school was Thomas Hardy's
mayor of casterbridge but he also
254
00:05:44,590 --> 00:05:44,600
mayor of casterbridge but he also
255
00:05:44,600 --> 00:05:46,749
mayor of casterbridge but he also
consumed the fantasy and science fiction
256
00:05:46,749 --> 00:05:46,759
consumed the fantasy and science fiction
257
00:05:46,759 --> 00:05:50,990
consumed the fantasy and science fiction
of Edgar Allen Poe HP Lovecraft Philip K
258
00:05:50,990 --> 00:05:51,000
of Edgar Allen Poe HP Lovecraft Philip K
259
00:05:51,000 --> 00:05:55,070
of Edgar Allen Poe HP Lovecraft Philip K
dick Colin Wilson Clark ashon Smith
260
00:05:55,070 --> 00:05:55,080
dick Colin Wilson Clark ashon Smith
261
00:05:55,080 --> 00:05:57,909
dick Colin Wilson Clark ashon Smith
Arthur Machan Mr James and algon
262
00:05:57,909 --> 00:05:57,919
Arthur Machan Mr James and algon
263
00:05:57,919 --> 00:06:00,270
Arthur Machan Mr James and algon
Blackwood the Hardo Detective fiction of
264
00:06:00,270 --> 00:06:00,280
Blackwood the Hardo Detective fiction of
265
00:06:00,280 --> 00:06:02,350
Blackwood the Hardo Detective fiction of
Raymond Chandler literary heavyweights
266
00:06:02,350 --> 00:06:02,360
Raymond Chandler literary heavyweights
267
00:06:02,360 --> 00:06:04,510
Raymond Chandler literary heavyweights
like Malcolm Lowry The Poetry of Ezra
268
00:06:04,510 --> 00:06:04,520
like Malcolm Lowry The Poetry of Ezra
269
00:06:04,520 --> 00:06:06,110
like Malcolm Lowry The Poetry of Ezra
pound and the experimental writing of
270
00:06:06,110 --> 00:06:06,120
pound and the experimental writing of
271
00:06:06,120 --> 00:06:08,189
pound and the experimental writing of
Windom Lewis all these literary
272
00:06:08,189 --> 00:06:08,199
Windom Lewis all these literary
273
00:06:08,199 --> 00:06:09,830
Windom Lewis all these literary
influences would stew together and
274
00:06:09,830 --> 00:06:09,840
influences would stew together and
275
00:06:09,840 --> 00:06:11,749
influences would stew together and
helped Smith develop what he described
276
00:06:11,749 --> 00:06:11,759
helped Smith develop what he described
277
00:06:11,759 --> 00:06:14,510
helped Smith develop what he described
as a unique approach to writing after
278
00:06:14,510 --> 00:06:14,520
as a unique approach to writing after
279
00:06:14,520 --> 00:06:16,830
as a unique approach to writing after
getting laid off as a dock worker Smith
280
00:06:16,830 --> 00:06:16,840
getting laid off as a dock worker Smith
281
00:06:16,840 --> 00:06:19,029
getting laid off as a dock worker Smith
hooked up with others to try and find an
282
00:06:19,029 --> 00:06:19,039
hooked up with others to try and find an
283
00:06:19,039 --> 00:06:21,629
hooked up with others to try and find an
outlet for his writing through music a
284
00:06:21,629 --> 00:06:21,639
outlet for his writing through music a
285
00:06:21,639 --> 00:06:23,990
outlet for his writing through music a
key event happened that Smith likes to
286
00:06:23,990 --> 00:06:24,000
key event happened that Smith likes to
287
00:06:24,000 --> 00:06:26,870
key event happened that Smith likes to
downplay was the Sex Pistols gig at the
288
00:06:26,870 --> 00:06:26,880
downplay was the Sex Pistols gig at the
289
00:06:26,880 --> 00:06:30,070
downplay was the Sex Pistols gig at the
Lesser free trade Hall in Manchester and
290
00:06:30,070 --> 00:06:30,080
Lesser free trade Hall in Manchester and
291
00:06:30,080 --> 00:06:32,909
Lesser free trade Hall in Manchester and
1976 after that gig he put together a
292
00:06:32,909 --> 00:06:32,919
1976 after that gig he put together a
293
00:06:32,919 --> 00:06:35,029
1976 after that gig he put together a
band where he initially he was the
294
00:06:35,029 --> 00:06:35,039
band where he initially he was the
295
00:06:35,039 --> 00:06:37,670
band where he initially he was the
guitarist they started as The Outsiders
296
00:06:37,670 --> 00:06:37,680
guitarist they started as The Outsiders
297
00:06:37,680 --> 00:06:40,510
guitarist they started as The Outsiders
named after the novel by Albert Kimu
298
00:06:40,510 --> 00:06:40,520
named after the novel by Albert Kimu
299
00:06:40,520 --> 00:06:43,110
named after the novel by Albert Kimu
Smith preferred the cimu novel The Fall
300
00:06:43,110 --> 00:06:43,120
Smith preferred the cimu novel The Fall
301
00:06:43,120 --> 00:06:45,550
Smith preferred the cimu novel The Fall
so the name changed soon Smith was on
302
00:06:45,550 --> 00:06:45,560
so the name changed soon Smith was on
303
00:06:45,560 --> 00:06:48,589
so the name changed soon Smith was on
vocals and as Smith States they realized
304
00:06:48,589 --> 00:06:48,599
vocals and as Smith States they realized
305
00:06:48,599 --> 00:06:50,710
vocals and as Smith States they realized
that their true mission was to be in the
306
00:06:50,710 --> 00:06:50,720
that their true mission was to be in the
307
00:06:50,720 --> 00:06:52,390
that their true mission was to be in the
fall the early lineup of the Fall
308
00:06:52,390 --> 00:06:52,400
fall the early lineup of the Fall
309
00:06:52,400 --> 00:06:55,589
fall the early lineup of the Fall
included Smith Martin Brahma Tony Friel
310
00:06:55,589 --> 00:06:55,599
included Smith Martin Brahma Tony Friel
311
00:06:55,599 --> 00:06:58,350
included Smith Martin Brahma Tony Friel
Carl Burns and gilfred unab Bain their
312
00:06:58,350 --> 00:06:58,360
Carl Burns and gilfred unab Bain their
313
00:06:58,360 --> 00:07:00,710
Carl Burns and gilfred unab Bain their
first gigs were part of a Manchester Art
314
00:07:00,710 --> 00:07:00,720
first gigs were part of a Manchester Art
315
00:07:00,720 --> 00:07:02,430
first gigs were part of a Manchester Art
Collective where anybody could go up and
316
00:07:02,430 --> 00:07:02,440
Collective where anybody could go up and
317
00:07:02,440 --> 00:07:04,469
Collective where anybody could go up and
play they shared the stage with brass
318
00:07:04,469 --> 00:07:04,479
play they shared the stage with brass
319
00:07:04,479 --> 00:07:06,510
play they shared the stage with brass
bands and a man who created compositions
320
00:07:06,510 --> 00:07:06,520
bands and a man who created compositions
321
00:07:06,520 --> 00:07:08,710
bands and a man who created compositions
with samples of bird noises soon they
322
00:07:08,710 --> 00:07:08,720
with samples of bird noises soon they
323
00:07:08,720 --> 00:07:10,589
with samples of bird noises soon they
were able to get gigs opening up for the
324
00:07:10,589 --> 00:07:10,599
were able to get gigs opening up for the
325
00:07:10,599 --> 00:07:13,550
were able to get gigs opening up for the
Buzzcocks whose manager funded the first
326
00:07:13,550 --> 00:07:13,560
Buzzcocks whose manager funded the first
327
00:07:13,560 --> 00:07:15,830
Buzzcocks whose manager funded the first
recordings of the Fall Bingo Master's
328
00:07:15,830 --> 00:07:15,840
recordings of the Fall Bingo Master's
329
00:07:15,840 --> 00:07:19,350
recordings of the Fall Bingo Master's
breakout was recorded in November 1977
330
00:07:19,350 --> 00:07:19,360
breakout was recorded in November 1977
331
00:07:19,360 --> 00:07:20,950
breakout was recorded in November 1977
but did not end up getting released
332
00:07:20,950 --> 00:07:20,960
but did not end up getting released
333
00:07:20,960 --> 00:07:22,550
but did not end up getting released
until August
334
00:07:22,550 --> 00:07:22,560
until August
335
00:07:22,560 --> 00:07:26,830
until August
1978 Master bre out Bango Masters break
336
00:07:26,830 --> 00:07:26,840
1978 Master bre out Bango Masters break
337
00:07:26,840 --> 00:07:32,010
1978 Master bre out Bango Masters break
out B Master break out
338
00:07:32,010 --> 00:07:32,020
339
00:07:32,020 --> 00:07:33,909
340
00:07:33,909 --> 00:07:33,919
[Music]
341
00:07:33,919 --> 00:07:36,309
[Music]
by that time frel and Baines had quit
342
00:07:36,309 --> 00:07:36,319
by that time frel and Baines had quit
343
00:07:36,319 --> 00:07:37,950
by that time frel and Baines had quit
beginning this long and tradition of
344
00:07:37,950 --> 00:07:37,960
beginning this long and tradition of
345
00:07:37,960 --> 00:07:40,110
beginning this long and tradition of
revolving lineups of the Fall the first
346
00:07:40,110 --> 00:07:40,120
revolving lineups of the Fall the first
347
00:07:40,120 --> 00:07:41,830
revolving lineups of the Fall the first
album live at The Witch Trials was
348
00:07:41,830 --> 00:07:41,840
album live at The Witch Trials was
349
00:07:41,840 --> 00:07:43,790
album live at The Witch Trials was
released in March
350
00:07:43,790 --> 00:07:43,800
released in March
351
00:07:43,800 --> 00:07:48,029
released in March
1979 by this time eager 16-year-old Mark
352
00:07:48,029 --> 00:07:48,039
1979 by this time eager 16-year-old Mark
353
00:07:48,039 --> 00:07:50,189
1979 by this time eager 16-year-old Mark
Riley had joined the band much to the
354
00:07:50,189 --> 00:07:50,199
Riley had joined the band much to the
355
00:07:50,199 --> 00:07:52,230
Riley had joined the band much to the
annoyance of the other members recorded
356
00:07:52,230 --> 00:07:52,240
annoyance of the other members recorded
357
00:07:52,240 --> 00:07:54,350
annoyance of the other members recorded
in one day the album contains
358
00:07:54,350 --> 00:07:54,360
in one day the album contains
359
00:07:54,360 --> 00:07:56,589
in one day the album contains
surprisingly clean sounding guitars
360
00:07:56,589 --> 00:07:56,599
surprisingly clean sounding guitars
361
00:07:56,599 --> 00:07:58,909
surprisingly clean sounding guitars
playing Dury rhythms with Smith's
362
00:07:58,909 --> 00:07:58,919
playing Dury rhythms with Smith's
363
00:07:58,919 --> 00:08:01,230
playing Dury rhythms with Smith's
barking on about a variety of subjects
364
00:08:01,230 --> 00:08:01,240
barking on about a variety of subjects
365
00:08:01,240 --> 00:08:03,909
barking on about a variety of subjects
including drug paranoia lack of decent
366
00:08:03,909 --> 00:08:03,919
including drug paranoia lack of decent
367
00:08:03,919 --> 00:08:05,550
including drug paranoia lack of decent
jobs for the working class and the
368
00:08:05,550 --> 00:08:05,560
jobs for the working class and the
369
00:08:05,560 --> 00:08:07,790
jobs for the working class and the
shallowness of the music
370
00:08:07,790 --> 00:08:07,800
shallowness of the music
371
00:08:07,800 --> 00:08:11,629
shallowness of the music
industry I swe it a lot you could feel
372
00:08:11,629 --> 00:08:11,639
industry I swe it a lot you could feel
373
00:08:11,639 --> 00:08:12,390
industry I swe it a lot you could feel
the
374
00:08:12,390 --> 00:08:12,400
the
375
00:08:12,400 --> 00:08:14,469
the
[Music]
376
00:08:14,469 --> 00:08:14,479
[Music]
377
00:08:14,479 --> 00:08:17,110
[Music]
violence Smith's lyrics would describe
378
00:08:17,110 --> 00:08:17,120
violence Smith's lyrics would describe
379
00:08:17,120 --> 00:08:19,390
violence Smith's lyrics would describe
the mundane aspects and dialogue of
380
00:08:19,390 --> 00:08:19,400
the mundane aspects and dialogue of
381
00:08:19,400 --> 00:08:21,390
the mundane aspects and dialogue of
everyday life just opposed with
382
00:08:21,390 --> 00:08:21,400
everyday life just opposed with
383
00:08:21,400 --> 00:08:23,830
everyday life just opposed with
grotesque surrealism all the time
384
00:08:23,830 --> 00:08:23,840
grotesque surrealism all the time
385
00:08:23,840 --> 00:08:26,790
grotesque surrealism all the time
dripping with cynicism and sarcasm these
386
00:08:26,790 --> 00:08:26,800
dripping with cynicism and sarcasm these
387
00:08:26,800 --> 00:08:28,510
dripping with cynicism and sarcasm these
complex rants would always Circle back
388
00:08:28,510 --> 00:08:28,520
complex rants would always Circle back
389
00:08:28,520 --> 00:08:32,269
complex rants would always Circle back
to a repetitive chorus Smith's vocal
390
00:08:32,269 --> 00:08:32,279
to a repetitive chorus Smith's vocal
391
00:08:32,279 --> 00:08:34,829
to a repetitive chorus Smith's vocal
approach was not to sing but rather to
392
00:08:34,829 --> 00:08:34,839
approach was not to sing but rather to
393
00:08:34,839 --> 00:08:37,829
approach was not to sing but rather to
rant or shout in the song your heart out
394
00:08:37,829 --> 00:08:37,839
rant or shout in the song your heart out
395
00:08:37,839 --> 00:08:40,670
rant or shout in the song your heart out
from the album draget Smith declares I
396
00:08:40,670 --> 00:08:40,680
from the album draget Smith declares I
397
00:08:40,680 --> 00:08:43,469
from the album draget Smith declares I
don't sing I just shout the murrian
398
00:08:43,469 --> 00:08:43,479
don't sing I just shout the murrian
399
00:08:43,479 --> 00:08:45,470
don't sing I just shout the murrian
Cadence of his vocal delivery would
400
00:08:45,470 --> 00:08:45,480
Cadence of his vocal delivery would
401
00:08:45,480 --> 00:08:47,389
Cadence of his vocal delivery would
result in many lines ending with an
402
00:08:47,389 --> 00:08:47,399
result in many lines ending with an
403
00:08:47,399 --> 00:08:50,350
result in many lines ending with an
enunciated ah the band soon got the
404
00:08:50,350 --> 00:08:50,360
enunciated ah the band soon got the
405
00:08:50,360 --> 00:08:53,190
enunciated ah the band soon got the
attention of Maverick British DJ John
406
00:08:53,190 --> 00:08:53,200
attention of Maverick British DJ John
407
00:08:53,200 --> 00:08:56,350
attention of Maverick British DJ John
Peele who invite them to record peel
408
00:08:56,350 --> 00:08:56,360
Peele who invite them to record peel
409
00:08:56,360 --> 00:08:58,230
Peele who invite them to record peel
sessions at his Studio this first
410
00:08:58,230 --> 00:08:58,240
sessions at his Studio this first
411
00:08:58,240 --> 00:08:59,750
sessions at his Studio this first
recording would be the beginning of a
412
00:08:59,750 --> 00:08:59,760
recording would be the beginning of a
413
00:08:59,760 --> 00:09:01,590
recording would be the beginning of a
long relationship and the fall will
414
00:09:01,590 --> 00:09:01,600
long relationship and the fall will
415
00:09:01,600 --> 00:09:03,630
long relationship and the fall will
record more peel sessions than any other
416
00:09:03,630 --> 00:09:03,640
record more peel sessions than any other
417
00:09:03,640 --> 00:09:05,790
record more peel sessions than any other
music group or artist two other
418
00:09:05,790 --> 00:09:05,800
music group or artist two other
419
00:09:05,800 --> 00:09:07,990
music group or artist two other
significant factors during this time
420
00:09:07,990 --> 00:09:08,000
significant factors during this time
421
00:09:08,000 --> 00:09:10,550
significant factors during this time
were the exit of founding member Martin
422
00:09:10,550 --> 00:09:10,560
were the exit of founding member Martin
423
00:09:10,560 --> 00:09:12,430
were the exit of founding member Martin
Brahma who had accepted the fact that
424
00:09:12,430 --> 00:09:12,440
Brahma who had accepted the fact that
425
00:09:12,440 --> 00:09:14,470
Brahma who had accepted the fact that
Smith was the clear leader of the group
426
00:09:14,470 --> 00:09:14,480
Smith was the clear leader of the group
427
00:09:14,480 --> 00:09:16,389
Smith was the clear leader of the group
and they would never again be on equal
428
00:09:16,389 --> 00:09:16,399
and they would never again be on equal
429
00:09:16,399 --> 00:09:18,750
and they would never again be on equal
footing the other Factor was Smith's new
430
00:09:18,750 --> 00:09:18,760
footing the other Factor was Smith's new
431
00:09:18,760 --> 00:09:21,670
footing the other Factor was Smith's new
girlfriend K Carrol taking on the role
432
00:09:21,670 --> 00:09:21,680
girlfriend K Carrol taking on the role
433
00:09:21,680 --> 00:09:24,269
girlfriend K Carrol taking on the role
of manager herg of tactics would
434
00:09:24,269 --> 00:09:24,279
of manager herg of tactics would
435
00:09:24,279 --> 00:09:28,150
of manager herg of tactics would
frighten many promoters yeah give me a
436
00:09:28,150 --> 00:09:28,160
frighten many promoters yeah give me a
437
00:09:28,160 --> 00:09:33,870
frighten many promoters yeah give me a
name then give me a name
438
00:09:33,870 --> 00:09:33,880
439
00:09:33,880 --> 00:09:36,150
440
00:09:36,150 --> 00:09:36,160
then well I've already paid for that
441
00:09:36,160 --> 00:09:37,910
then well I've already paid for that
it's already been taken off my roties
442
00:09:37,910 --> 00:09:37,920
it's already been taken off my roties
443
00:09:37,920 --> 00:09:40,069
it's already been taken off my roties
I've already paid for it do you know
444
00:09:40,069 --> 00:09:40,079
I've already paid for it do you know
445
00:09:40,079 --> 00:09:43,949
I've already paid for it do you know
what I mean in October 1979 Dragnet was
446
00:09:43,949 --> 00:09:43,959
what I mean in October 1979 Dragnet was
447
00:09:43,959 --> 00:09:46,269
what I mean in October 1979 Dragnet was
released on step forward records this
448
00:09:46,269 --> 00:09:46,279
released on step forward records this
449
00:09:46,279 --> 00:09:48,790
released on step forward records this
album was much more gritty and lfi in
450
00:09:48,790 --> 00:09:48,800
album was much more gritty and lfi in
451
00:09:48,800 --> 00:09:50,670
album was much more gritty and lfi in
production than its predecessor on the
452
00:09:50,670 --> 00:09:50,680
production than its predecessor on the
453
00:09:50,680 --> 00:09:53,230
production than its predecessor on the
opening track Smith asks is there
454
00:09:53,230 --> 00:09:53,240
opening track Smith asks is there
455
00:09:53,240 --> 00:09:56,350
opening track Smith asks is there
anybody there an angular guitar riffs
456
00:09:56,350 --> 00:09:56,360
anybody there an angular guitar riffs
457
00:09:56,360 --> 00:09:58,310
anybody there an angular guitar riffs
prances around for a few bars before the
458
00:09:58,310 --> 00:09:58,320
prances around for a few bars before the
459
00:09:58,320 --> 00:10:00,389
prances around for a few bars before the
listener is over one Med in a dissonant
460
00:10:00,389 --> 00:10:00,399
listener is over one Med in a dissonant
461
00:10:00,399 --> 00:10:02,550
listener is over one Med in a dissonant
cacophony of rockabilly rhythms many of
462
00:10:02,550 --> 00:10:02,560
cacophony of rockabilly rhythms many of
463
00:10:02,560 --> 00:10:06,230
cacophony of rockabilly rhythms many of
the songs are durgy Sinister tyraids of
464
00:10:06,230 --> 00:10:06,240
the songs are durgy Sinister tyraids of
465
00:10:06,240 --> 00:10:08,670
the songs are durgy Sinister tyraids of
paranoia such as a figure walks or
466
00:10:08,670 --> 00:10:08,680
paranoia such as a figure walks or
467
00:10:08,680 --> 00:10:12,110
paranoia such as a figure walks or
before the moon
468
00:10:12,110 --> 00:10:12,120
469
00:10:12,120 --> 00:10:16,870
470
00:10:16,870 --> 00:10:16,880
Falls I must create a new
471
00:10:16,880 --> 00:10:25,260
Falls I must create a new
regime by
472
00:10:25,260 --> 00:10:25,270
473
00:10:25,270 --> 00:10:26,870
474
00:10:26,870 --> 00:10:26,880
[Music]
475
00:10:26,880 --> 00:10:29,670
[Music]
another it was on this album that Smith
476
00:10:29,670 --> 00:10:29,680
another it was on this album that Smith
477
00:10:29,680 --> 00:10:32,829
another it was on this album that Smith
began to solidify his vision a British
478
00:10:32,829 --> 00:10:32,839
began to solidify his vision a British
479
00:10:32,839 --> 00:10:35,030
began to solidify his vision a British
workingclass band that played a kind of
480
00:10:35,030 --> 00:10:35,040
workingclass band that played a kind of
481
00:10:35,040 --> 00:10:37,509
workingclass band that played a kind of
avant garage music that was just as much
482
00:10:37,509 --> 00:10:37,519
avant garage music that was just as much
483
00:10:37,519 --> 00:10:40,230
avant garage music that was just as much
rockabilly and skiffle as it was Canon
484
00:10:40,230 --> 00:10:40,240
rockabilly and skiffle as it was Canon
485
00:10:40,240 --> 00:10:42,030
rockabilly and skiffle as it was Canon
Captain beart this album marked the
486
00:10:42,030 --> 00:10:42,040
Captain beart this album marked the
487
00:10:42,040 --> 00:10:44,790
Captain beart this album marked the
debuts of both basist Steven Handley and
488
00:10:44,790 --> 00:10:44,800
debuts of both basist Steven Handley and
489
00:10:44,800 --> 00:10:47,230
debuts of both basist Steven Handley and
guitarist Craig scallion two stalwarts
490
00:10:47,230 --> 00:10:47,240
guitarist Craig scallion two stalwarts
491
00:10:47,240 --> 00:10:49,550
guitarist Craig scallion two stalwarts
who would remain with Smith for many
492
00:10:49,550 --> 00:10:49,560
who would remain with Smith for many
493
00:10:49,560 --> 00:10:51,509
who would remain with Smith for many
years to come the band would sign to
494
00:10:51,509 --> 00:10:51,519
years to come the band would sign to
495
00:10:51,519 --> 00:10:53,870
years to come the band would sign to
rough trade in 1980 where they would
496
00:10:53,870 --> 00:10:53,880
rough trade in 1980 where they would
497
00:10:53,880 --> 00:10:56,829
rough trade in 1980 where they would
release two seminal albums grotesque
498
00:10:56,829 --> 00:10:56,839
release two seminal albums grotesque
499
00:10:56,839 --> 00:11:00,110
release two seminal albums grotesque
after the Graham and the slates EP
500
00:11:00,110 --> 00:11:00,120
after the Graham and the slates EP
501
00:11:00,120 --> 00:11:02,550
after the Graham and the slates EP
on the grotesque LP The Listener is
502
00:11:02,550 --> 00:11:02,560
on the grotesque LP The Listener is
503
00:11:02,560 --> 00:11:05,750
on the grotesque LP The Listener is
introduced to Joe toal the yet unborn
504
00:11:05,750 --> 00:11:05,760
introduced to Joe toal the yet unborn
505
00:11:05,760 --> 00:11:08,790
introduced to Joe toal the yet unborn
son who will lead a rebellious Northern
506
00:11:08,790 --> 00:11:08,800
son who will lead a rebellious Northern
507
00:11:08,800 --> 00:11:10,870
son who will lead a rebellious Northern
Army against the elite in Southern
508
00:11:10,870 --> 00:11:10,880
Army against the elite in Southern
509
00:11:10,880 --> 00:11:13,790
Army against the elite in Southern
England in the epic song the north will
510
00:11:13,790 --> 00:11:13,800
England in the epic song the north will
511
00:11:13,800 --> 00:11:17,269
England in the epic song the north will
rise again I'm Joo
512
00:11:17,269 --> 00:11:17,279
rise again I'm Joo
513
00:11:17,279 --> 00:11:22,750
rise again I'm Joo
town of the yet unborn son of the north
514
00:11:22,750 --> 00:11:22,760
town of the yet unborn son of the north
515
00:11:22,760 --> 00:11:25,949
town of the yet unborn son of the north
will rise
516
00:11:25,949 --> 00:11:25,959
517
00:11:25,959 --> 00:11:28,949
518
00:11:28,949 --> 00:11:28,959
again again on the album Smith comments
519
00:11:28,959 --> 00:11:30,990
again again on the album Smith comments
on people saying he rips off Johnny
520
00:11:30,990 --> 00:11:31,000
on people saying he rips off Johnny
521
00:11:31,000 --> 00:11:33,150
on people saying he rips off Johnny
Rotten British workers making money in
522
00:11:33,150 --> 00:11:33,160
Rotten British workers making money in
523
00:11:33,160 --> 00:11:35,190
Rotten British workers making money in
Europe and the contrast between
524
00:11:35,190 --> 00:11:35,200
Europe and the contrast between
525
00:11:35,200 --> 00:11:37,750
Europe and the contrast between
intellectuals and the working class A
526
00:11:37,750 --> 00:11:37,760
intellectuals and the working class A
527
00:11:37,760 --> 00:11:39,949
intellectuals and the working class A
good mind don't make a good Pub mate
528
00:11:39,949 --> 00:11:39,959
good mind don't make a good Pub mate
529
00:11:39,959 --> 00:11:42,470
good mind don't make a good Pub mate
slates contains the amazing PL art
530
00:11:42,470 --> 00:11:42,480
slates contains the amazing PL art
531
00:11:42,480 --> 00:11:44,310
slates contains the amazing PL art
thread but at this time the fall were
532
00:11:44,310 --> 00:11:44,320
thread but at this time the fall were
533
00:11:44,320 --> 00:11:47,069
thread but at this time the fall were
also releasing singles regularly and in
534
00:11:47,069 --> 00:11:47,079
also releasing singles regularly and in
535
00:11:47,079 --> 00:11:50,430
also releasing singles regularly and in
1980 they released totally wired Smith
536
00:11:50,430 --> 00:11:50,440
1980 they released totally wired Smith
537
00:11:50,440 --> 00:11:52,389
1980 they released totally wired Smith
describes the effects of being on
538
00:11:52,389 --> 00:11:52,399
describes the effects of being on
539
00:11:52,399 --> 00:11:54,750
describes the effects of being on
amphetamines a drug that Smith would use
540
00:11:54,750 --> 00:11:54,760
amphetamines a drug that Smith would use
541
00:11:54,760 --> 00:11:56,870
amphetamines a drug that Smith would use
and abuse until his death the song
542
00:11:56,870 --> 00:11:56,880
and abuse until his death the song
543
00:11:56,880 --> 00:12:00,230
and abuse until his death the song
describes Smith being I rate peeved and
544
00:12:00,230 --> 00:12:00,240
describes Smith being I rate peeved and
545
00:12:00,240 --> 00:12:03,030
describes Smith being I rate peeved and
worried after drinking a jar of coffee
546
00:12:03,030 --> 00:12:03,040
worried after drinking a jar of coffee
547
00:12:03,040 --> 00:12:04,629
worried after drinking a jar of coffee
and taking some of
548
00:12:04,629 --> 00:12:04,639
and taking some of
549
00:12:04,639 --> 00:12:07,790
and taking some of
these I Dr a jar of
550
00:12:07,790 --> 00:12:07,800
these I Dr a jar of
551
00:12:07,800 --> 00:12:10,509
these I Dr a jar of
coffee I took some
552
00:12:10,509 --> 00:12:10,519
coffee I took some
553
00:12:10,519 --> 00:12:12,629
coffee I took some
of I'm
554
00:12:12,629 --> 00:12:12,639
of I'm
555
00:12:12,639 --> 00:12:14,870
of I'm
totally in the live version he would
556
00:12:14,870 --> 00:12:14,880
totally in the live version he would
557
00:12:14,880 --> 00:12:17,750
totally in the live version he would
quote Hunter S Thompson when the going
558
00:12:17,750 --> 00:12:17,760
quote Hunter S Thompson when the going
559
00:12:17,760 --> 00:12:20,670
quote Hunter S Thompson when the going
gets weird the weird turn
560
00:12:20,670 --> 00:12:20,680
gets weird the weird turn
561
00:12:20,680 --> 00:12:24,949
gets weird the weird turn
pro to be a punk Fu [ __ ] pop [ __ ] up
562
00:12:24,949 --> 00:12:24,959
pro to be a punk Fu [ __ ] pop [ __ ] up
563
00:12:24,959 --> 00:12:27,590
pro to be a punk Fu [ __ ] pop [ __ ] up
Tick Tock P then I don't have to be
564
00:12:27,590 --> 00:12:27,600
Tick Tock P then I don't have to be
565
00:12:27,600 --> 00:12:31,230
Tick Tock P then I don't have to be
strange
566
00:12:31,230 --> 00:12:31,240
567
00:12:31,240 --> 00:12:34,629
568
00:12:34,629 --> 00:12:34,639
strangled when the going against we the
569
00:12:34,639 --> 00:12:35,710
strangled when the going against we the
way
570
00:12:35,710 --> 00:12:35,720
way
571
00:12:35,720 --> 00:12:37,790
way
to
572
00:12:37,790 --> 00:12:37,800
to
573
00:12:37,800 --> 00:12:41,389
to
so wild the fall made their first tour
574
00:12:41,389 --> 00:12:41,399
so wild the fall made their first tour
575
00:12:41,399 --> 00:12:44,350
so wild the fall made their first tour
of the United States in 1981 which was
576
00:12:44,350 --> 00:12:44,360
of the United States in 1981 which was
577
00:12:44,360 --> 00:12:47,189
of the United States in 1981 which was
captured on the album part of America
578
00:12:47,189 --> 00:12:47,199
captured on the album part of America
579
00:12:47,199 --> 00:12:51,030
captured on the album part of America
therein 1981 the lp starts with the band
580
00:12:51,030 --> 00:12:51,040
therein 1981 the lp starts with the band
581
00:12:51,040 --> 00:12:53,750
therein 1981 the lp starts with the band
being introduced as from the riot torn
582
00:12:53,750 --> 00:12:53,760
being introduced as from the riot torn
583
00:12:53,760 --> 00:12:55,949
being introduced as from the riot torn
streets of Manchester England to the
584
00:12:55,949 --> 00:12:55,959
streets of Manchester England to the
585
00:12:55,959 --> 00:12:57,790
streets of Manchester England to the
scenic sewers of
586
00:12:57,790 --> 00:12:57,800
scenic sewers of
587
00:12:57,800 --> 00:13:02,150
scenic sewers of
Chicago from the riot torn streets of
588
00:13:02,150 --> 00:13:02,160
Chicago from the riot torn streets of
589
00:13:02,160 --> 00:13:04,350
Chicago from the riot torn streets of
Manchester
590
00:13:04,350 --> 00:13:04,360
Manchester
591
00:13:04,360 --> 00:13:09,910
Manchester
England to the scenic sewers of
592
00:13:09,910 --> 00:13:09,920
593
00:13:09,920 --> 00:13:12,069
594
00:13:12,069 --> 00:13:12,079
Chicago are you
595
00:13:12,079 --> 00:13:15,790
Chicago are you
Mark tuts takes great pleasure in
596
00:13:15,790 --> 00:13:15,800
Mark tuts takes great pleasure in
597
00:13:15,800 --> 00:13:21,310
Mark tuts takes great pleasure in
presenting for their last United States
598
00:13:21,310 --> 00:13:21,320
presenting for their last United States
599
00:13:21,320 --> 00:13:25,230
presenting for their last United States
engagement ladies and gentlemen the fall
600
00:13:25,230 --> 00:13:25,240
engagement ladies and gentlemen the fall
601
00:13:25,240 --> 00:13:27,870
engagement ladies and gentlemen the fall
the ban was developing a following State
602
00:13:27,870 --> 00:13:27,880
the ban was developing a following State
603
00:13:27,880 --> 00:13:30,189
the ban was developing a following State
Side among College radio listeners and
604
00:13:30,189 --> 00:13:30,199
Side among College radio listeners and
605
00:13:30,199 --> 00:13:32,790
Side among College radio listeners and
more open-minded hardcore punk fans the
606
00:13:32,790 --> 00:13:32,800
more open-minded hardcore punk fans the
607
00:13:32,800 --> 00:13:34,590
more open-minded hardcore punk fans the
band would go on to record what many
608
00:13:34,590 --> 00:13:34,600
band would go on to record what many
609
00:13:34,600 --> 00:13:36,710
band would go on to record what many
fall fans consider to be their greatest
610
00:13:36,710 --> 00:13:36,720
fall fans consider to be their greatest
611
00:13:36,720 --> 00:13:39,509
fall fans consider to be their greatest
album at least of their early albums in
612
00:13:39,509 --> 00:13:39,519
album at least of their early albums in
613
00:13:39,519 --> 00:13:43,790
album at least of their early albums in
1982 hex induction hour Smith had become
614
00:13:43,790 --> 00:13:43,800
1982 hex induction hour Smith had become
615
00:13:43,800 --> 00:13:46,310
1982 hex induction hour Smith had become
frustrated by the rough trade label and
616
00:13:46,310 --> 00:13:46,320
frustrated by the rough trade label and
617
00:13:46,320 --> 00:13:48,189
frustrated by the rough trade label and
did not want to be pigeon hold as a
618
00:13:48,189 --> 00:13:48,199
did not want to be pigeon hold as a
619
00:13:48,199 --> 00:13:50,350
did not want to be pigeon hold as a
rough trade band the band would release
620
00:13:50,350 --> 00:13:50,360
rough trade band the band would release
621
00:13:50,360 --> 00:13:53,230
rough trade band the band would release
the single lie dream of a casino Soul on
622
00:13:53,230 --> 00:13:53,240
the single lie dream of a casino Soul on
623
00:13:53,240 --> 00:13:55,990
the single lie dream of a casino Soul on
the small label camera records the group
624
00:13:55,990 --> 00:13:56,000
the small label camera records the group
625
00:13:56,000 --> 00:13:58,069
the small label camera records the group
would end up recording the first tracks
626
00:13:58,069 --> 00:13:58,079
would end up recording the first tracks
627
00:13:58,079 --> 00:14:00,749
would end up recording the first tracks
of the hex andu hour on their travels to
628
00:14:00,749 --> 00:14:00,759
of the hex andu hour on their travels to
629
00:14:00,759 --> 00:14:03,069
of the hex andu hour on their travels to
Iceland a track on the album would be
630
00:14:03,069 --> 00:14:03,079
Iceland a track on the album would be
631
00:14:03,079 --> 00:14:04,670
Iceland a track on the album would be
named after the country and the fall
632
00:14:04,670 --> 00:14:04,680
named after the country and the fall
633
00:14:04,680 --> 00:14:06,829
named after the country and the fall
would build a serious fan base there the
634
00:14:06,829 --> 00:14:06,839
would build a serious fan base there the
635
00:14:06,839 --> 00:14:09,310
would build a serious fan base there the
band's new lineup now included two
636
00:14:09,310 --> 00:14:09,320
band's new lineup now included two
637
00:14:09,320 --> 00:14:11,110
band's new lineup now included two
drummers adding to the rhythmic
638
00:14:11,110 --> 00:14:11,120
drummers adding to the rhythmic
639
00:14:11,120 --> 00:14:13,790
drummers adding to the rhythmic
cacophony of the tracks the production
640
00:14:13,790 --> 00:14:13,800
cacophony of the tracks the production
641
00:14:13,800 --> 00:14:16,389
cacophony of the tracks the production
was purposely lowy and the influence of
642
00:14:16,389 --> 00:14:16,399
was purposely lowy and the influence of
643
00:14:16,399 --> 00:14:18,389
was purposely lowy and the influence of
The Velvet Underground Ken and Captain
644
00:14:18,389 --> 00:14:18,399
The Velvet Underground Ken and Captain
645
00:14:18,399 --> 00:14:20,949
The Velvet Underground Ken and Captain
beart were on full display Smith was
646
00:14:20,949 --> 00:14:20,959
beart were on full display Smith was
647
00:14:20,959 --> 00:14:22,670
beart were on full display Smith was
making a statement against what was
648
00:14:22,670 --> 00:14:22,680
making a statement against what was
649
00:14:22,680 --> 00:14:24,990
making a statement against what was
happening at the time as Smith States
650
00:14:24,990 --> 00:14:25,000
happening at the time as Smith States
651
00:14:25,000 --> 00:14:26,749
happening at the time as Smith States
when you're mired in the [ __ ] of the
652
00:14:26,749 --> 00:14:26,759
when you're mired in the [ __ ] of the
653
00:14:26,759 --> 00:14:29,150
when you're mired in the [ __ ] of the
times with Bland bastards like Elvis
654
00:14:29,150 --> 00:14:29,160
times with Bland bastards like Elvis
655
00:14:29,160 --> 00:14:31,949
times with Bland bastards like Elvis
Costello and spand ballet you start to
656
00:14:31,949 --> 00:14:31,959
Costello and spand ballet you start to
657
00:14:31,959 --> 00:14:33,870
Costello and spand ballet you start to
question not only people's tastes but
658
00:14:33,870 --> 00:14:33,880
question not only people's tastes but
659
00:14:33,880 --> 00:14:36,230
question not only people's tastes but
their existences you're not going to
660
00:14:36,230 --> 00:14:36,240
their existences you're not going to
661
00:14:36,240 --> 00:14:38,629
their existences you're not going to
going anywhere with all that [ __ ] I
662
00:14:38,629 --> 00:14:38,639
going anywhere with all that [ __ ] I
663
00:14:38,639 --> 00:14:40,550
going anywhere with all that [ __ ] I
wanted an album to be like reading a
664
00:14:40,550 --> 00:14:40,560
wanted an album to be like reading a
665
00:14:40,560 --> 00:14:42,430
wanted an album to be like reading a
really good book you have a couple of
666
00:14:42,430 --> 00:14:42,440
really good book you have a couple of
667
00:14:42,440 --> 00:14:45,030
really good book you have a couple of
beers sit down and immerse
668
00:14:45,030 --> 00:14:45,040
beers sit down and immerse
669
00:14:45,040 --> 00:14:45,110
beers sit down and immerse
[Music]
670
00:14:45,110 --> 00:14:45,120
[Music]
671
00:14:45,120 --> 00:14:48,880
[Music]
[Applause]
672
00:14:48,880 --> 00:14:48,890
673
00:14:48,890 --> 00:14:54,090
674
00:14:54,090 --> 00:14:54,100
[Music]
675
00:14:54,100 --> 00:14:57,230
[Music]
[Applause]
676
00:14:57,230 --> 00:14:57,240
[Applause]
677
00:14:57,240 --> 00:14:59,990
[Applause]
yourself the album cover was a bunch of
678
00:14:59,990 --> 00:15:00,000
yourself the album cover was a bunch of
679
00:15:00,000 --> 00:15:02,389
yourself the album cover was a bunch of
scribbled notes and a small picture of
680
00:15:02,389 --> 00:15:02,399
scribbled notes and a small picture of
681
00:15:02,399 --> 00:15:04,790
scribbled notes and a small picture of
abstract art which caused many record
682
00:15:04,790 --> 00:15:04,800
abstract art which caused many record
683
00:15:04,800 --> 00:15:06,629
abstract art which caused many record
stores to place the album at the back of
684
00:15:06,629 --> 00:15:06,639
stores to place the album at the back of
685
00:15:06,639 --> 00:15:09,550
stores to place the album at the back of
the display Stacks the aesthetic of both
686
00:15:09,550 --> 00:15:09,560
the display Stacks the aesthetic of both
687
00:15:09,560 --> 00:15:12,269
the display Stacks the aesthetic of both
the cover and the music would later be
688
00:15:12,269 --> 00:15:12,279
the cover and the music would later be
689
00:15:12,279 --> 00:15:14,990
the cover and the music would later be
very influential on 90s Indie rockers
690
00:15:14,990 --> 00:15:15,000
very influential on 90s Indie rockers
691
00:15:15,000 --> 00:15:16,829
very influential on 90s Indie rockers
pavement Smith would dismiss them as
692
00:15:16,829 --> 00:15:16,839
pavement Smith would dismiss them as
693
00:15:16,839 --> 00:15:19,269
pavement Smith would dismiss them as
mere ripoff artists however the slow
694
00:15:19,269 --> 00:15:19,279
mere ripoff artists however the slow
695
00:15:19,279 --> 00:15:22,430
mere ripoff artists however the slow
plotting hip priest would be later heard
696
00:15:22,430 --> 00:15:22,440
plotting hip priest would be later heard
697
00:15:22,440 --> 00:15:24,870
plotting hip priest would be later heard
when Clarice Starling played by Jodi
698
00:15:24,870 --> 00:15:24,880
when Clarice Starling played by Jodi
699
00:15:24,880 --> 00:15:27,790
when Clarice Starling played by Jodi
Foster confronts Buffalo Bill in his den
700
00:15:27,790 --> 00:15:27,800
Foster confronts Buffalo Bill in his den
701
00:15:27,800 --> 00:15:31,269
Foster confronts Buffalo Bill in his den
of Horrors in John Demi's film Silence
702
00:15:31,269 --> 00:15:31,279
of Horrors in John Demi's film Silence
703
00:15:31,279 --> 00:15:34,110
of Horrors in John Demi's film Silence
of the Lamb who knew that serial killers
704
00:15:34,110 --> 00:15:34,120
of the Lamb who knew that serial killers
705
00:15:34,120 --> 00:15:36,550
of the Lamb who knew that serial killers
were fall fans but not everything was
706
00:15:36,550 --> 00:15:36,560
were fall fans but not everything was
707
00:15:36,560 --> 00:15:39,110
were fall fans but not everything was
going well in the fall Camp tension had
708
00:15:39,110 --> 00:15:39,120
going well in the fall Camp tension had
709
00:15:39,120 --> 00:15:40,829
going well in the fall Camp tension had
been brewing between Mark Riley and
710
00:15:40,829 --> 00:15:40,839
been brewing between Mark Riley and
711
00:15:40,839 --> 00:15:43,350
been brewing between Mark Riley and
Smith Riley tried to speak up against
712
00:15:43,350 --> 00:15:43,360
Smith Riley tried to speak up against
713
00:15:43,360 --> 00:15:46,269
Smith Riley tried to speak up against
Smith's tyrannical rule while Smith
714
00:15:46,269 --> 00:15:46,279
Smith's tyrannical rule while Smith
715
00:15:46,279 --> 00:15:48,269
Smith's tyrannical rule while Smith
simply felt that Riley wanted to play
716
00:15:48,269 --> 00:15:48,279
simply felt that Riley wanted to play
717
00:15:48,279 --> 00:15:49,990
simply felt that Riley wanted to play
the hits every night after recording the
718
00:15:49,990 --> 00:15:50,000
the hits every night after recording the
719
00:15:50,000 --> 00:15:52,550
the hits every night after recording the
lp room to live the band would go on
720
00:15:52,550 --> 00:15:52,560
lp room to live the band would go on
721
00:15:52,560 --> 00:15:54,550
lp room to live the band would go on
tour of New Zealand another country
722
00:15:54,550 --> 00:15:54,560
tour of New Zealand another country
723
00:15:54,560 --> 00:15:56,110
tour of New Zealand another country
where the fall had developed a serious
724
00:15:56,110 --> 00:15:56,120
where the fall had developed a serious
725
00:15:56,120 --> 00:16:00,269
where the fall had developed a serious
following and Australia y so find a case
726
00:16:00,269 --> 00:16:00,279
following and Australia y so find a case
727
00:16:00,279 --> 00:16:04,110
following and Australia y so find a case
for else that's we don't make the same
728
00:16:04,110 --> 00:16:04,120
for else that's we don't make the same
729
00:16:04,120 --> 00:16:07,829
for else that's we don't make the same
mistake twice that's you don't make the
730
00:16:07,829 --> 00:16:07,839
mistake twice that's you don't make the
731
00:16:07,839 --> 00:16:10,749
mistake twice that's you don't make the
same mistake T Riley would end up
732
00:16:10,749 --> 00:16:10,759
same mistake T Riley would end up
733
00:16:10,759 --> 00:16:13,430
same mistake T Riley would end up
punching Smith on that tour Smith's
734
00:16:13,430 --> 00:16:13,440
punching Smith on that tour Smith's
735
00:16:13,440 --> 00:16:15,710
punching Smith on that tour Smith's
black eye can be seen on an Australian
736
00:16:15,710 --> 00:16:15,720
black eye can be seen on an Australian
737
00:16:15,720 --> 00:16:18,230
black eye can be seen on an Australian
TV interview with both him and Riley
738
00:16:18,230 --> 00:16:18,240
TV interview with both him and Riley
739
00:16:18,240 --> 00:16:19,870
TV interview with both him and Riley
sitting there with a ton of tension
740
00:16:19,870 --> 00:16:19,880
sitting there with a ton of tension
741
00:16:19,880 --> 00:16:21,509
sitting there with a ton of tension
between and I've also read over there
742
00:16:21,509 --> 00:16:21,519
between and I've also read over there
743
00:16:21,519 --> 00:16:23,389
between and I've also read over there
that they one fell said that you are
744
00:16:23,389 --> 00:16:23,399
that they one fell said that you are
745
00:16:23,399 --> 00:16:25,829
that they one fell said that you are
still angry and you're the last group in
746
00:16:25,829 --> 00:16:25,839
still angry and you're the last group in
747
00:16:25,839 --> 00:16:28,629
still angry and you're the last group in
England to be still angry would you go
748
00:16:28,629 --> 00:16:28,639
England to be still angry would you go
749
00:16:28,639 --> 00:16:30,790
England to be still angry would you go
along with with that statement yeah I
750
00:16:30,790 --> 00:16:30,800
along with with that statement yeah I
751
00:16:30,800 --> 00:16:32,430
along with with that statement yeah I
think we're the only group that's
752
00:16:32,430 --> 00:16:32,440
think we're the only group that's
753
00:16:32,440 --> 00:16:35,749
think we're the only group that's
actually uh upset about certain things
754
00:16:35,749 --> 00:16:35,759
actually uh upset about certain things
755
00:16:35,759 --> 00:16:38,030
actually uh upset about certain things
when they got back to Europe Riley would
756
00:16:38,030 --> 00:16:38,040
when they got back to Europe Riley would
757
00:16:38,040 --> 00:16:39,309
when they got back to Europe Riley would
get the sack
758
00:16:39,309 --> 00:16:39,319
get the sack
759
00:16:39,319 --> 00:16:41,509
get the sack
indirectly Smith would tell him that the
760
00:16:41,509 --> 00:16:41,519
indirectly Smith would tell him that the
761
00:16:41,519 --> 00:16:44,189
indirectly Smith would tell him that the
BAM were going on tour in Europe and
762
00:16:44,189 --> 00:16:44,199
BAM were going on tour in Europe and
763
00:16:44,199 --> 00:16:46,790
BAM were going on tour in Europe and
that Smith did not want Riley to go but
764
00:16:46,790 --> 00:16:46,800
that Smith did not want Riley to go but
765
00:16:46,800 --> 00:16:48,389
that Smith did not want Riley to go but
he would call Riley if things didn't
766
00:16:48,389 --> 00:16:48,399
he would call Riley if things didn't
767
00:16:48,399 --> 00:16:51,150
he would call Riley if things didn't
work out with his replacement Riley
768
00:16:51,150 --> 00:16:51,160
work out with his replacement Riley
769
00:16:51,160 --> 00:16:53,629
work out with his replacement Riley
never ever received that call according
770
00:16:53,629 --> 00:16:53,639
never ever received that call according
771
00:16:53,639 --> 00:16:57,150
never ever received that call according
to Smith Riley was fired for dancing to
772
00:16:57,150 --> 00:16:57,160
to Smith Riley was fired for dancing to
773
00:16:57,160 --> 00:16:59,110
to Smith Riley was fired for dancing to
Deep Purple Smoke on the Water at his
774
00:16:59,110 --> 00:16:59,120
Deep Purple Smoke on the Water at his
775
00:16:59,120 --> 00:17:02,069
Deep Purple Smoke on the Water at his
own wedding with the fall the truth is
776
00:17:02,069 --> 00:17:02,079
own wedding with the fall the truth is
777
00:17:02,079 --> 00:17:03,870
own wedding with the fall the truth is
always obscured things would end up
778
00:17:03,870 --> 00:17:03,880
always obscured things would end up
779
00:17:03,880 --> 00:17:06,309
always obscured things would end up
taking a different turn for the fall on
780
00:17:06,309 --> 00:17:06,319
taking a different turn for the fall on
781
00:17:06,319 --> 00:17:09,510
taking a different turn for the fall on
their 1983 tour of the United States
782
00:17:09,510 --> 00:17:09,520
their 1983 tour of the United States
783
00:17:09,520 --> 00:17:12,189
their 1983 tour of the United States
tuneing into the next episode to see how
784
00:17:12,189 --> 00:17:12,199
tuneing into the next episode to see how
785
00:17:12,199 --> 00:17:15,230
tuneing into the next episode to see how
an American girl would impact Smith's
786
00:17:15,230 --> 00:17:15,240
an American girl would impact Smith's
787
00:17:15,240 --> 00:17:17,549
an American girl would impact Smith's
vision of the Fall thank you for
788
00:17:17,549 --> 00:17:17,559
vision of the Fall thank you for
789
00:17:17,559 --> 00:17:20,429
vision of the Fall thank you for
watching 20th Century Music and Arts
790
00:17:20,429 --> 00:17:20,439
watching 20th Century Music and Arts
791
00:17:20,439 --> 00:17:24,549
watching 20th Century Music and Arts
please like share
792
00:17:24,549 --> 00:17:24,559
please like share
793
00:17:24,559 --> 00:17:27,909
please like share
comment and subscribe if you have not
794
00:17:27,909 --> 00:17:27,919
comment and subscribe if you have not
795
00:17:27,919 --> 00:17:30,439
comment and subscribe if you have not
thank you
69213
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