subtitlecat.com

All language subtitles for The Girl Next Door 2 xxx

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,140 --> 00:00:03,960 You know, Blackie, I don't know. All I know is I'm about one step away from 2 00:00:03,960 --> 00:00:05,400 porching this place to cinders. 3 00:00:06,700 --> 00:00:10,480 Hey, you know, boss, I know business is slow and everything, but going into the 4 00:00:10,480 --> 00:00:12,980 charcoal briquette business ain't gonna solve nothing. 5 00:00:14,340 --> 00:00:16,120 Blackie, look around. 6 00:00:17,540 --> 00:00:18,900 What the hell do you see, huh? 7 00:00:20,080 --> 00:00:23,320 Well, uh, you know, I've always wanted to fuck Dottie there, the bartender. 8 00:00:23,480 --> 00:00:26,020 Aside from that, what do you see? 9 00:00:26,740 --> 00:00:29,100 I see a lot of empty chairs, a lot of overhead. 10 00:00:29,849 --> 00:00:33,970 Exactly my point. I mean, hell, I even got my old lady working just to make 11 00:00:33,970 --> 00:00:35,570 meet. So I heard. 12 00:00:35,890 --> 00:00:41,230 I heard she's a great palmist, or she gives great palm. Hey, she's a palmist. 13 00:00:41,590 --> 00:00:44,790 Eleanor is a palmist, all right? You get that through your thick head, all 14 00:00:44,790 --> 00:00:45,789 right, Blackie? 15 00:00:45,790 --> 00:00:47,770 Hey, boss, she's a palmist. 16 00:00:49,650 --> 00:00:52,090 You're going to meet a tall, dark stranger. 17 00:00:53,730 --> 00:00:56,170 Actually, I already have, but it was more of a money transaction. 18 00:00:56,670 --> 00:00:57,389 Oh, really? 19 00:00:57,390 --> 00:00:58,390 Well, tell me about it. 20 00:00:58,980 --> 00:01:03,620 Well, it was kind of simple, really. He just told me to reach, and I handed him 21 00:01:03,620 --> 00:01:04,620 my wallet. 22 00:01:04,959 --> 00:01:06,060 Let me see your palm. 23 00:01:06,280 --> 00:01:07,440 I must have missed that. 24 00:01:08,680 --> 00:01:09,920 Ah, I see. 25 00:01:10,500 --> 00:01:12,160 New opportunities are ripe. 26 00:01:13,080 --> 00:01:15,720 That's good, because the old opportunities are rotten. 27 00:01:16,220 --> 00:01:17,220 You poor man. 28 00:01:19,020 --> 00:01:20,140 I lost my job. 29 00:01:21,080 --> 00:01:23,440 Robbed at gunpoint, and you lost your job? 30 00:01:24,000 --> 00:01:25,740 Yeah, I was a cul -de -sac designer. 31 00:01:26,080 --> 00:01:27,080 Well, that's interesting. 32 00:01:28,780 --> 00:01:30,280 No, it's kind of a dead -end job. 33 00:01:31,140 --> 00:01:32,140 That's unfortunate. 34 00:01:32,960 --> 00:01:33,960 What, the joke? 35 00:01:34,540 --> 00:01:38,820 Actually, speaking of dead -ends, I'd really like to find out more about my 36 00:01:38,820 --> 00:01:39,820 life. 37 00:01:40,380 --> 00:01:41,380 That's inappropriate. 38 00:01:41,860 --> 00:01:42,860 What do you mean? 39 00:01:43,720 --> 00:01:50,340 Well, from the looks of things, I see that you spend a lot of time in the 40 00:01:50,340 --> 00:01:51,900 reading men's magazines. 41 00:01:52,240 --> 00:01:54,460 And I'd do anything to change that situation. 42 00:01:55,240 --> 00:01:58,480 I mean, I want to be a doer, not a reader. I want to be an achiever. I want 43 00:01:58,480 --> 00:02:01,140 go out and find and meet that girl next door. 44 00:02:02,540 --> 00:02:07,400 Mr. Archer, let me give you some advice since obviously you don't have a clue. 45 00:02:08,740 --> 00:02:09,919 Look around you. 46 00:02:11,140 --> 00:02:15,900 The chances of finding the girl next door in this dump are about as good as 47 00:02:15,900 --> 00:02:18,120 finding a princess on a porno set. 48 00:02:20,520 --> 00:02:21,520 What's my alternative? 49 00:02:22,580 --> 00:02:23,580 Suicide. 50 00:02:24,300 --> 00:02:25,400 Or a mercy fuck. 51 00:02:26,980 --> 00:02:28,440 Do you read that in my poems? 52 00:02:28,840 --> 00:02:30,580 No. That's an excerpt. 53 00:02:32,400 --> 00:02:33,400 Ah. 54 00:02:36,440 --> 00:02:37,440 Mercy fuck? 55 00:02:37,540 --> 00:02:39,080 Mm -hmm. Or suicide? 56 00:02:39,900 --> 00:02:41,300 Mercy fuck, suicide. 57 00:02:42,640 --> 00:02:43,920 Maybe I can help you decide. 58 00:03:51,920 --> 00:03:53,660 Ah. Ah. 59 00:05:14,220 --> 00:05:15,220 At least you're fine. 60 00:12:03,310 --> 00:12:05,710 Well, you know, the women in this town, they ain't stupid. 61 00:12:06,590 --> 00:12:08,870 They know this place has a bad reputation. 62 00:12:09,450 --> 00:12:13,170 Why? Because we haven't changed the bar from the porn studio it used to be? 63 00:12:13,650 --> 00:12:16,210 Come on, how narrow -minded can they be about fucking? 64 00:12:17,230 --> 00:12:21,030 They stay away because, you know, they think we're going to take their clothes 65 00:12:21,030 --> 00:12:22,030 off. 66 00:12:22,430 --> 00:12:23,430 Gee, I wonder why. 67 00:12:24,070 --> 00:12:27,330 Holy shit, get a look at them yams. 68 00:12:27,810 --> 00:12:29,330 Check out the outfit there. 69 00:12:29,810 --> 00:12:30,830 Straight out of Kansas. 70 00:12:32,880 --> 00:12:35,080 I'm not using such bright talk around this place. 71 00:12:35,380 --> 00:12:37,440 Can you help me find this gentleman? 72 00:12:38,300 --> 00:12:39,360 Movie producer, huh? 73 00:12:39,780 --> 00:12:42,180 Yeah, he wanted me to get a hold of him when I got into town. 74 00:12:42,960 --> 00:12:44,900 Well, you got the right town, but the wrong state. 75 00:12:45,640 --> 00:12:49,440 Please don't tell me that. I'm flat busted and broke with no money to get 76 00:12:49,440 --> 00:12:50,440 to Indiana. 77 00:12:50,500 --> 00:12:51,500 Yo, Toro. 78 00:12:51,900 --> 00:12:52,900 Yo, Toro. 79 00:12:52,960 --> 00:12:55,800 What do you want me to tell you, Toots, that you're going to come here and be a 80 00:12:55,800 --> 00:12:59,920 big Hollywood star, act one in a screenplay? It just don't happen like 81 00:13:02,800 --> 00:13:04,700 Excuse me, Aunt Dottie, can I be of some assistance? 82 00:13:05,260 --> 00:13:09,360 Oh, sorry. We've got another one of those dames with bright lights and big 83 00:13:09,360 --> 00:13:10,760 dreams clogging her noggin. 84 00:13:14,200 --> 00:13:15,200 How you doing? 85 00:13:15,860 --> 00:13:17,620 I'm Thursby, owner of this establishment. 86 00:13:18,320 --> 00:13:19,940 Is there anything I can do for you? 87 00:13:21,820 --> 00:13:26,140 Well, Mr. Thursby, I'm a long way from home. I'm cold, I'm tired, and I'm 88 00:13:26,140 --> 00:13:27,140 hungry. 89 00:13:27,960 --> 00:13:30,140 And let me guess, you're from Kansas, too, huh? 90 00:13:30,520 --> 00:13:31,880 Indiana, actually. 91 00:13:32,460 --> 00:13:34,620 Just as bad, missy, just as bad. 92 00:13:35,980 --> 00:13:38,440 The name's Jinx. Jinx Cunningham. 93 00:13:39,420 --> 00:13:40,420 Well, 94 00:13:40,980 --> 00:13:45,580 in that case, welcome to the town too tough to die, Jinx Cunningham. 95 00:13:46,760 --> 00:13:48,080 Is that Gary, Indiana? 96 00:13:49,500 --> 00:13:50,500 No. 97 00:13:50,920 --> 00:13:56,020 But if I was a Benton man, which I am, I'd bet you were from the sticks. 98 00:13:56,760 --> 00:13:58,000 Why do you say the sticks? 99 00:13:58,920 --> 00:14:00,340 Easy, your boots. 100 00:14:01,550 --> 00:14:02,550 What's wrong with my boots? 101 00:14:03,590 --> 00:14:07,870 Well, they don't exactly scream big city now, do they, Jinx? Come on. 102 00:14:08,570 --> 00:14:12,290 Hey, Blackie, why don't you go get Jinx some brandy or something? 103 00:14:13,270 --> 00:14:14,270 Where, boss? 104 00:14:16,170 --> 00:14:18,570 Where do you think we keep liquor in the bar? 105 00:14:19,370 --> 00:14:22,110 Move it. Okay, boss. Move it, move it. 106 00:14:24,990 --> 00:14:27,050 Now, where was I? 107 00:14:28,730 --> 00:14:29,810 Why don't you, uh... 108 00:14:30,140 --> 00:14:31,760 Put your foot right here on my lap. Why? 109 00:14:32,880 --> 00:14:36,200 Don't worry, I'll tell you why. I'll show you. Just put your foot here on my 110 00:14:36,200 --> 00:14:37,200 lap. 111 00:14:38,280 --> 00:14:39,280 See? 112 00:14:39,640 --> 00:14:40,640 Cowboy boots. 113 00:14:40,760 --> 00:14:43,060 These are indigenous to Kansas and the Midwest. 114 00:14:43,480 --> 00:14:46,100 And those damn little horse jeans, whatever. 115 00:14:47,020 --> 00:14:48,020 It's Indiana. 116 00:19:27,340 --> 00:19:28,340 Oh, no. 117 00:21:51,850 --> 00:21:52,850 I'm home. 118 00:22:21,610 --> 00:22:22,610 Cool. 119 00:24:53,070 --> 00:24:54,070 What do you want? 120 00:26:24,810 --> 00:26:28,310 Sorry to bother you, boss, but you know who is coming you know where. 121 00:26:31,070 --> 00:26:32,690 Another one of your bimbos, Miles? 122 00:26:33,030 --> 00:26:34,650 Of course not, Eleanor. 123 00:26:34,910 --> 00:26:38,650 This young lady was just asking for directions to Kansas. 124 00:26:39,090 --> 00:26:40,090 Indiana. 125 00:26:40,710 --> 00:26:41,970 Kansas? Indiana? 126 00:26:42,550 --> 00:26:44,930 I wish you'd get your story straight, Miles. 127 00:26:45,210 --> 00:26:47,290 Look, I'm not fucking your husband. 128 00:26:47,570 --> 00:26:48,610 Oh, yeah, I'm sure. 129 00:26:49,530 --> 00:26:52,530 But be that as it may, Miles, this is Mr. 130 00:26:52,730 --> 00:26:53,730 Archer. 131 00:26:53,790 --> 00:26:55,550 Pleased to meet you, dear. Mr. 132 00:26:56,890 --> 00:26:58,410 Archer's out of a job, Miles. 133 00:26:59,410 --> 00:27:01,250 Well, you know, times is tough. 134 00:27:02,290 --> 00:27:04,830 You said you'd help me get the girl of my dreams. 135 00:27:05,110 --> 00:27:06,110 Shut up. 136 00:27:06,830 --> 00:27:09,150 I want you to put him on the payroll, darling. 137 00:27:10,010 --> 00:27:13,130 Now, sweetheart, hiring him is what? 138 00:27:14,430 --> 00:27:16,230 You promised, and I want her. 139 00:27:16,630 --> 00:27:17,970 I said shut up. 140 00:27:19,490 --> 00:27:21,130 Be creative, darling. 141 00:27:22,120 --> 00:27:24,060 It may keep you out of divorce court. 142 00:27:27,980 --> 00:27:29,380 Hi, my name's Archie. 143 00:27:30,880 --> 00:27:32,100 Archie like the comic strip? 144 00:27:34,260 --> 00:27:38,140 I'm sorry, Mr. Thursby. I had no idea that this would happen. 145 00:27:39,080 --> 00:27:40,460 Yeah, yeah, I gotcha. 146 00:27:41,280 --> 00:27:43,300 Question is, now, what the hell am I going to do with you? 147 00:27:43,860 --> 00:27:46,940 You know, maybe I should put him on the car trunk detail. 148 00:27:48,600 --> 00:27:50,240 Shut up. 149 00:27:56,680 --> 00:27:59,880 You know, boss, this is so beautiful I could cry. 150 00:28:00,680 --> 00:28:04,240 Well, hold your tears until after Bubbles' performance, please. 151 00:28:04,820 --> 00:28:07,200 She won't let you down, boss. Yeah, well, she better not. 152 00:28:08,800 --> 00:28:11,420 Bubbles! Hey, we're ready. You're close up there. 153 00:28:12,060 --> 00:28:14,840 I swear to God, Blackie, I'm going to murder you for this one. 154 00:28:15,060 --> 00:28:17,640 Hey, it's okay, baby. It's okay. You look fabulous. 155 00:28:18,220 --> 00:28:19,220 We're going to make this. 156 00:28:21,780 --> 00:28:22,780 Eleanor! 157 00:28:22,900 --> 00:28:26,000 I don't know how I let you talk me into this. 158 00:28:26,460 --> 00:28:27,900 Oh, it's pretty easy, baby. 159 00:28:28,160 --> 00:28:31,760 You know, in divorce court, half of nothing, nothing. 160 00:28:32,660 --> 00:28:34,720 But see, this movie is going to make us a shit pop. 161 00:28:36,000 --> 00:28:37,000 Where's our extras? 162 00:28:37,520 --> 00:28:38,520 Oh, kids! 163 00:28:41,040 --> 00:28:43,600 Get these people on today. All right, there you are. 164 00:28:43,800 --> 00:28:46,580 Now, basically, it's pretty easy. This is what's going to happen here. You guys 165 00:28:46,580 --> 00:28:48,460 are going to need some bystanders, all right? You're going to be all 166 00:28:48,460 --> 00:28:52,500 dumbstricken when Eleanor and Bubbles here discover the joy of lesbian love. 167 00:28:53,180 --> 00:28:54,820 Where do they discover that, Mr. Thursby? 168 00:28:56,649 --> 00:28:58,590 On the couch like everybody else. 169 00:29:00,770 --> 00:29:02,930 All right, come on. Places, everyone. Let's go. 170 00:29:03,210 --> 00:29:04,650 Where do we stand, Mr. Thursby? 171 00:29:05,810 --> 00:29:09,190 I don't know. Go stand up in a corner and do what you do, okay? Go. 172 00:29:12,290 --> 00:29:13,290 All right. 173 00:29:14,190 --> 00:29:15,190 Everyone ready? 174 00:29:15,930 --> 00:29:17,590 Places and action. 175 00:29:18,830 --> 00:29:19,830 Roll them. 176 00:29:27,820 --> 00:29:28,820 You said roll them. 177 00:29:29,980 --> 00:29:30,980 I mean, yeah. 178 00:29:31,500 --> 00:29:35,500 I said roll them, not roll them, you asshole. 179 00:29:37,800 --> 00:29:39,880 All right, boy. Get out of here. Get off my set, okay? 180 00:29:40,840 --> 00:29:42,560 Obviously, we got some more rehearsing to do. 181 00:29:43,520 --> 00:29:44,520 Please continue. 182 00:34:40,830 --> 00:34:41,830 All right. 183 00:38:25,100 --> 00:38:26,100 It's just Anne. 184 00:38:26,980 --> 00:38:28,580 What I meant to say was... Shh. 185 00:38:29,180 --> 00:38:31,600 We're supposed to be stand -on lickers, don't you remember? 186 00:38:32,080 --> 00:38:33,080 Yeah. 187 00:42:42,990 --> 00:42:46,410 You know, I had to send Bubbles home early, but I just had to tell you, you 188 00:42:46,410 --> 00:42:47,410 fucking terrific. 189 00:42:47,550 --> 00:42:48,408 Thanks, honey. 190 00:42:48,410 --> 00:42:49,410 Now get out of here. 191 00:42:50,430 --> 00:42:52,610 Hey, boss, we got a problem. 192 00:42:53,070 --> 00:42:54,470 Actually, we got two problems. 193 00:42:54,710 --> 00:42:55,710 One now, Blackie. 194 00:42:56,110 --> 00:43:00,330 You see the guy, the male talent guy, you know, he can't make it because he's 195 00:43:00,330 --> 00:43:02,630 got, like, hives on his balls or something. 196 00:43:04,270 --> 00:43:07,750 So that leaves, um... Guess what? 197 00:43:10,830 --> 00:43:12,590 Sorry for my friend. You get to do the scene. 198 00:43:12,970 --> 00:43:15,570 Hey, wait, no. Hey, yo, yo, hey, yo, boss. 199 00:43:15,890 --> 00:43:16,890 I can't do that. 200 00:43:17,650 --> 00:43:18,609 Tell me why. 201 00:43:18,610 --> 00:43:21,670 Well, you know, because it's like Connie's scene, you know, and she won't 202 00:43:21,670 --> 00:43:27,190 me in front of the camera because, you know, unless she gets royalties and, you 203 00:43:27,190 --> 00:43:29,250 know, boxes. No, no, no, no. Fuck that. 204 00:43:30,330 --> 00:43:33,530 Huh. Well, what about the Archie Jughead guy? 205 00:43:34,410 --> 00:43:36,530 No, no, forget him. What's the other problem? 206 00:43:37,390 --> 00:43:40,250 Well, you see the girl, the other girl didn't show up because... 207 00:43:40,480 --> 00:43:44,300 It's something about being a vampire and can't be out in the daytime. 208 00:43:46,320 --> 00:43:47,560 So what does that leave us with? 209 00:43:48,660 --> 00:43:49,660 Well, there's jinx. 210 00:43:51,920 --> 00:43:52,920 You know, 211 00:43:53,760 --> 00:43:56,980 pretty good, you know, goody -two -shoes blonde taking her clothes off. I'd like 212 00:43:56,980 --> 00:43:57,980 to see that. 213 00:43:58,400 --> 00:43:59,860 I'm ready for my scene, Blackie. 214 00:44:02,730 --> 00:44:04,850 That wasn't in the script. That wasn't in the script. 215 00:44:05,110 --> 00:44:08,450 You get out. You get out of here. Yo, Jughead, take a hike, okay? That wasn't 216 00:44:08,450 --> 00:44:13,230 the script. You get trunk detail, man. All right, ladies. 217 00:44:14,190 --> 00:44:17,830 Not too much explaining to do here. You two know what to do. I'm going to be up 218 00:44:17,830 --> 00:44:20,170 in the booth and have fun. 219 00:44:21,010 --> 00:44:22,010 Oh, we will. 220 00:45:10,290 --> 00:45:14,790 I'm going to get out. 221 00:46:10,780 --> 00:46:11,780 Thank you. 222 00:46:49,800 --> 00:46:50,800 Oh yeah! 223 00:52:02,060 --> 00:52:03,060 Yeah. 224 00:53:45,610 --> 00:53:46,610 Mmm. 225 00:57:35,660 --> 00:57:39,160 Mr. Thursby was kind enough to get me a bus ticket back to Indiana. 226 00:57:40,300 --> 00:57:42,520 Sorry to disappoint you, but this is to Kansas. 227 00:57:43,700 --> 00:57:45,200 Oh, no. What do I do now? 228 00:57:46,020 --> 00:57:47,020 It's fake. 229 00:57:47,280 --> 00:57:48,460 See, Jinx? 230 00:57:49,000 --> 00:57:50,000 It's your birthday. 231 00:57:50,140 --> 00:57:51,360 It's written in the palm of my hand. 232 00:57:51,880 --> 00:57:54,100 It's funny. All I smell is palm oil. 233 00:57:55,200 --> 00:57:56,420 I'm just a hopeless romantic. 234 00:57:57,220 --> 00:57:58,260 Hopeless is the word. 235 00:57:59,420 --> 00:58:01,080 I'm just a hopeless romantic, Jinx. 236 00:58:01,960 --> 00:58:03,840 I want to settle down and raise a family. 237 00:58:04,360 --> 00:58:06,600 Hear the sounds of little feet pitter -pattering around. 238 00:58:07,380 --> 00:58:09,220 Boy, are you in the wrong video. 239 00:58:10,420 --> 00:58:11,560 What do you say, Jinx? 240 00:58:11,860 --> 00:58:15,180 You and me, a house with a white picket fence? 241 00:58:15,600 --> 00:58:19,320 You're better off with a pink pickled pecker. A puckled picker? 242 00:58:19,720 --> 00:58:21,140 A speckled packer? 243 00:58:24,540 --> 00:58:26,560 Why don't you two demonstrate? 244 00:59:40,490 --> 00:59:41,490 Oh my God. 245 01:03:15,350 --> 01:03:18,150 Yeah. Yeah. 246 01:03:56,690 --> 01:04:01,570 Ouch. Oh, yeah. Oh, yeah. 247 01:04:22,920 --> 01:04:23,940 Oh. 248 01:08:56,490 --> 01:08:57,490 So good. 249 01:10:02,760 --> 01:10:04,760 I did find my princess in a porn studio. 250 01:10:07,140 --> 01:10:08,280 The girl next door. 251 01:10:08,920 --> 01:10:10,840 And I'm about to ask her to be my bride. 252 01:10:11,800 --> 01:10:12,980 R .C., what time is it? 253 01:10:14,840 --> 01:10:15,840 10 .45. 254 01:10:17,060 --> 01:10:18,100 I've got a bus to catch. 255 01:10:19,460 --> 01:10:21,780 But... You've been really sweet. 256 01:10:23,220 --> 01:10:26,880 But... By the way, I was reading your palm when we were having sex. 257 01:10:27,180 --> 01:10:30,200 Yeah? You're doomed to die a miserable, loveless failure. 258 01:10:30,990 --> 01:10:32,170 But don't take it personally. 18204