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These are the user uploaded subtitles that are being translated: 1 00:00:04,105 --> 00:00:07,039 CAPTIONING MADE POSSIBLE BY ACORN MEDIA 2 00:01:04,731 --> 00:01:06,465 SAMMY? 3 00:01:06,534 --> 00:01:08,567 SAMMY? 4 00:01:08,635 --> 00:01:10,702 WHERE ARE YOU, SAMMY? 5 00:01:10,771 --> 00:01:13,038 SAMMY? 6 00:01:13,107 --> 00:01:14,906 SAMMY? 7 00:01:20,481 --> 00:01:22,181 SAMMY? 8 00:01:23,917 --> 00:01:26,751 SAMMY? 9 00:01:26,820 --> 00:01:27,752 SAMMY? 10 00:01:27,821 --> 00:01:29,354 SAMMY? 11 00:01:35,362 --> 00:01:36,940 Man: IT'S BEEN THREE DAYS 12 00:01:36,964 --> 00:01:39,444 SINCE SAMMY WRAY WAS REPORTED MISSING FROM WITHINGTON PARK. 13 00:01:43,971 --> 00:01:46,071 HOPES ARE NOW FADING FOR SAMMY WRAY, 14 00:01:46,140 --> 00:01:48,373 FIVE DAYS AFTER HE WAS LAST SEEN ALIVE. 15 00:01:59,886 --> 00:02:02,621 HIYA. 16 00:02:02,689 --> 00:02:04,123 HI. 17 00:02:04,191 --> 00:02:05,302 GOOD WEEKEND? 18 00:02:05,326 --> 00:02:06,592 YEP. 19 00:02:06,660 --> 00:02:08,071 TAKE THEM ANYWHERE? HI, DARLING. 20 00:02:08,095 --> 00:02:11,029 YEAH. CINEMA, PIZZA. 21 00:02:11,098 --> 00:02:12,864 EVERYTHING OKAY? 22 00:02:12,933 --> 00:02:14,666 FINE. GREAT. 23 00:02:14,735 --> 00:02:16,535 I'LL SEE YOU, THEN. 24 00:02:16,604 --> 00:02:17,702 YEAH, BYE. 25 00:02:37,090 --> 00:02:39,090 D.C.I. JANINE LEWIS. 26 00:02:39,160 --> 00:02:41,026 THANKS. 27 00:02:50,003 --> 00:02:51,670 D.I. MAYNE. 28 00:02:53,507 --> 00:02:56,441 MILLIE FROM THE PRESS OFFICE. 29 00:02:56,510 --> 00:02:57,609 SATISFIED? 30 00:02:57,678 --> 00:02:59,478 WAS SHE? 31 00:03:04,017 --> 00:03:05,950 HI. 32 00:03:06,019 --> 00:03:07,653 YOUNG CHILD. 33 00:03:07,721 --> 00:03:09,065 LOOKS LIKE A BLOW TO THE HEAD. 34 00:03:09,089 --> 00:03:11,390 SAMMY WRAY? COULD WELL BE. 35 00:03:11,458 --> 00:03:13,470 THE CLOTHES ARE RIGHT. SIZE OF THE BODY. 36 00:03:13,494 --> 00:03:15,038 WE GET THE PARENTS TO I.D. HIM? 37 00:03:15,062 --> 00:03:16,195 TOO DISTRESSING. 38 00:03:16,263 --> 00:03:18,763 THE EFFECTS OF THE WATER AND ANIMAL. 39 00:03:18,832 --> 00:03:20,432 LET'S CHECK THE DNA. 40 00:03:20,501 --> 00:03:22,621 I DON'T WANT THEM WAITING A MINUTE LONGER. 41 00:03:34,315 --> 00:03:35,814 MR. AND MRS. WRAY? 42 00:03:35,882 --> 00:03:37,583 I'M D.C.I. LEWIS. 43 00:03:37,651 --> 00:03:40,185 HAVE YOU FOUND HIM? 44 00:03:40,254 --> 00:03:41,853 I'M SO SORRY. 45 00:03:41,922 --> 00:03:44,055 BUT I HAVE TO TELL YOU, WE HAVE RECOVERED 46 00:03:44,124 --> 00:03:46,625 THE BODY OF A BOY MATCHING SAMMY'S DESCRIPTION. 47 00:03:46,694 --> 00:03:47,694 NO! 48 00:03:47,728 --> 00:03:48,927 JUST GET OUT. 49 00:03:50,163 --> 00:03:52,531 IT'S TERRIBLE NEWS, I KNOW. 50 00:03:54,201 --> 00:03:55,834 I WANT TO SEE HIM. 51 00:03:55,902 --> 00:03:57,369 I CAN'T DO THAT, MRS. WRAY. 52 00:03:57,438 --> 00:03:59,771 Mayne: UNTIL WE HAVE THE DNA RESULT, 53 00:03:59,840 --> 00:04:03,742 WE DON'T WANT TO PUT YOU THROUGH THE FORMAL IDENTIFICATION. 54 00:04:03,810 --> 00:04:07,713 SUE WILL REMAIN WITH YOU AS YOUR FAMILY-LIAISON OFFICER. 55 00:04:07,781 --> 00:04:11,250 SHE'LL CONTINUE TO STAY WITH YOU. 56 00:04:11,318 --> 00:04:14,419 I'M NOW GOING TO BE LEADING THE INVESTIGATION. 57 00:04:14,488 --> 00:04:17,155 D.I. MAYNE WILL BE WORKING WITH ME. 58 00:04:17,224 --> 00:04:18,768 I KNOW YOU'VE ALREADY MADE STATEMENTS 59 00:04:18,792 --> 00:04:20,103 TO THE MISSING-PERSONS INQUIRY, 60 00:04:20,127 --> 00:04:22,694 BUT THE CIRCUMSTANCES HAVE CHANGED. 61 00:04:22,763 --> 00:04:25,297 WE DO NEED TO LOOK AT EVERYTHING AGAIN. 62 00:04:25,366 --> 00:04:27,799 WE CAN, UM... 63 00:04:27,868 --> 00:04:29,167 DO THAT NOW OR... 64 00:04:29,236 --> 00:04:31,102 TAKE A BREAK, COME BACK LATER. 65 00:04:31,171 --> 00:04:32,103 NOW. 66 00:04:32,172 --> 00:04:34,273 FIONA? NOW. 67 00:04:38,612 --> 00:04:40,412 COULD YOU, UM... 68 00:04:40,481 --> 00:04:42,381 COULD YOU DESCRIBE FOR ME, PLEASE, 69 00:04:42,449 --> 00:04:45,751 WHAT SAMMY WAS WEARING THE SATURDAY HE WENT MISSING? 70 00:04:45,819 --> 00:04:48,720 HIS NAVY TROUSERS. 71 00:04:48,789 --> 00:04:50,689 A GRIZZLY BEAR T-SHIRT. 72 00:04:50,758 --> 00:04:53,057 RED SHOES. 73 00:04:56,730 --> 00:04:58,697 YOU WENT TO THE PARK? 74 00:04:58,766 --> 00:05:01,667 ABOUT 1:00. 75 00:05:01,735 --> 00:05:03,201 HE LOVES THE SLIDE. 76 00:05:03,270 --> 00:05:06,738 ONE MINUTE HE WAS THERE. 77 00:05:06,807 --> 00:05:08,607 THEN YOU RAISED THE ALARM. 78 00:05:08,676 --> 00:05:10,241 IT'S OKAY. 79 00:05:10,311 --> 00:05:12,311 AND YOU ARRIVED HOME AT? 80 00:05:12,379 --> 00:05:15,180 4:00. 81 00:05:15,248 --> 00:05:17,749 THE POLICE WERE HERE. 82 00:05:17,818 --> 00:05:19,685 OH, MY GOD. 83 00:05:19,753 --> 00:05:21,586 AND YOU'D BEEN WALKING? 84 00:05:21,655 --> 00:05:23,988 UM... 85 00:05:24,057 --> 00:05:25,290 I CAME TO SCOUT. 86 00:05:25,359 --> 00:05:28,393 HAYFIELD. 87 00:05:39,940 --> 00:05:42,306 SO, HAS SHE CALLED IT OFF YET, MATE? 88 00:05:42,375 --> 00:05:44,910 WHO HAVE YOU TOLD? HAVE YOU TOLD EVERYONE? 89 00:05:44,978 --> 00:05:46,878 IF SHE DOES, YOU WANT TO GET THAT ROCK BACK. 90 00:05:46,947 --> 00:05:48,046 STICK THAT IN YOUR PRENUP. 91 00:05:48,114 --> 00:05:49,726 SOMEBODY FINALLY SAID YES TO BUTCHERS. 92 00:05:49,750 --> 00:05:50,927 AND YOU ACTUALLY MET HER? 93 00:05:50,951 --> 00:05:52,450 DON'T WORRY, BOSS. MAIL-ORDER BRIDE. 94 00:05:52,519 --> 00:05:53,863 28 DAYS, MONEY-BACK GUARANTEE. 95 00:05:53,887 --> 00:05:55,020 HA, HA, HA. 96 00:05:55,088 --> 00:05:57,388 OKAY, EVERYONE. 97 00:05:57,457 --> 00:06:00,725 SMALL BOY KILLED AND LEFT IN A DRAINAGE TUNNEL. 98 00:06:00,794 --> 00:06:02,739 IT'S THE SORT OF CASE WE PRAY WON'T HAPPEN. 99 00:06:02,763 --> 00:06:05,764 IF ANYONE NEEDS TO STEP DOWN AT ANY POINT, DO IT. 100 00:06:05,832 --> 00:06:07,098 LIKEWISE COUNSELING. 101 00:06:07,167 --> 00:06:09,267 I DON'T WANT TO LOSE ANY OF YOU. 102 00:06:09,335 --> 00:06:11,502 NOW, MOST OF YOU KNOW MILLIE SAUNDERS. 103 00:06:11,572 --> 00:06:12,604 PRESS OFFICE. 104 00:06:12,673 --> 00:06:14,372 THIS IS A HIGH-PROFILE CASE, 105 00:06:14,441 --> 00:06:16,252 SO MILLIE IS GOING TO BE DEVELOPING AND MANAGING 106 00:06:16,276 --> 00:06:17,542 OUR PRESS STRATEGY. 107 00:06:17,611 --> 00:06:18,611 JANINE. 108 00:06:18,645 --> 00:06:20,745 WE HAVE THREE LINES OF INQUIRY... 109 00:06:20,814 --> 00:06:23,347 THE FAMILY, THE PARK, AND THE CRIME SCENE. 110 00:06:23,416 --> 00:06:26,217 POST-MORTEM SHOWS SHOWS DEATH DUE TO A FRACTURED SKULL. 111 00:06:26,286 --> 00:06:28,920 THE BODY WAS WRAPPED IN A SHEET. 112 00:06:28,989 --> 00:06:30,488 GENERIC POLYCOTTON. 113 00:06:30,557 --> 00:06:33,058 CHAIN STORES SELL THEM. CATALOGUES. 114 00:06:33,126 --> 00:06:35,827 CLOTHING HAS DESCRIPTIONS. 115 00:06:35,896 --> 00:06:37,862 POPULAR HIGH-STREET RANGE. 116 00:06:37,931 --> 00:06:40,264 THE FOOTWEAR IS STILL MISSING. 117 00:06:40,333 --> 00:06:44,335 ESTIMATED TIME OF DEATH BETWEEN 7 AND 12 DAYS AGO. 118 00:06:44,404 --> 00:06:45,670 AND IT APPEARS AS IF THE BODY 119 00:06:45,739 --> 00:06:47,617 WAS PUT INTO THE TUNNEL SOON AFTER THAT. 120 00:06:47,641 --> 00:06:50,208 SO, IDEAS? 121 00:06:50,276 --> 00:06:51,209 FAMILY? 122 00:06:51,277 --> 00:06:52,421 THE WRAYS KILL HIM 123 00:06:52,445 --> 00:06:54,356 AND THEN REPORT HIM MISSING AS A COVER-UP. 124 00:06:54,380 --> 00:06:57,048 BUT FIONA WRAY WAS SEEN WITH SOMEBODY AT THE PARK. 125 00:06:57,117 --> 00:06:58,828 Mayne: CLIVE'S GOT A DODGY ALIBI, THOUGH. 126 00:06:58,852 --> 00:07:01,064 THERE'S NO ONE TO VERIFY WHERE HE WAS. 127 00:07:01,088 --> 00:07:02,386 SUPPOSE HE WAS INVOLVED. 128 00:07:02,455 --> 00:07:05,356 WHY BURY SAMMY SO CLOSE TO HOME? 129 00:07:05,425 --> 00:07:07,058 OPPORTUNISTIC? 130 00:07:07,127 --> 00:07:11,229 SHAP, GET ONTO THE WARDENS, PARK RANGERS, WHATEVER. 131 00:07:11,297 --> 00:07:14,298 CHECK CCTV BETWEEN HERE AND HAYFIELD. 132 00:07:14,367 --> 00:07:15,433 SPEED CAMERAS. 133 00:07:15,502 --> 00:07:17,513 ANYTHING THAT MIGHT FLAG UP CLIVE WRAY. 134 00:07:17,537 --> 00:07:18,948 OKAY. MOVING ON. 135 00:07:18,972 --> 00:07:20,071 SCENE OF CRIME. 136 00:07:20,140 --> 00:07:22,273 THE PROPERTY HERE IS BEING REFURBISHED. 137 00:07:22,342 --> 00:07:23,875 WE'LL TALK TO THE CONTRACTORS. 138 00:07:23,944 --> 00:07:25,644 AND DOOR-TO-DOOR WITH THE NEIGHBORS. 139 00:07:25,712 --> 00:07:28,847 WE'VE GOT A SCREW FROM A PAIR OF GLASSES CAUGHT IN THE SHEETS, 140 00:07:28,915 --> 00:07:30,559 PLUS FRAGMENTS OF OPTICAL GLASS 141 00:07:30,583 --> 00:07:32,695 FOUND ON THE PAVEMENT BY THE MANHOLE COVER. 142 00:07:32,719 --> 00:07:35,319 SAMMY WAS WEARING HIS GLASSES AT THE PARK. 143 00:07:35,388 --> 00:07:38,623 THE SHEET? IT'S LIKE A SHROUD, ISN'T IT? 144 00:07:38,692 --> 00:07:40,725 NOT JUST DUMPED IN A BIN BAG. 145 00:07:40,794 --> 00:07:41,993 A MARK OF RESPECT. 146 00:07:42,062 --> 00:07:44,306 OR HE JUST GRABBED WHAT WAS AT HAND. 147 00:07:44,330 --> 00:07:45,330 YEAH, OKAY. 148 00:07:45,365 --> 00:07:46,464 NOW, AT THE PARK. 149 00:07:46,533 --> 00:07:48,967 Butchers: WE ARE REVIEWING EYEWITNESS STATEMENTS, 150 00:07:49,036 --> 00:07:51,736 BUT, TO DATE, NO ONE SAW THE ACTUAL ABDUCTION, SO... 151 00:07:51,805 --> 00:07:54,605 THOSE THREE SIGHTINGS, HAVE THEY BEEN CROSS-REFERENCED? 152 00:07:54,675 --> 00:07:56,574 WE'RE STILL LOOKING FOR A WOMAN ON HER OWN, 153 00:07:56,643 --> 00:07:58,576 AN ELDERLY COUPLE WITH A DOG, 154 00:07:58,645 --> 00:08:01,579 AND, YES, A BEARDED MAN ACTING STRANGELY BY THE GATE. 155 00:08:01,648 --> 00:08:04,082 I KNOW THERE IS ALWAYS A BEARDED WEIRDO ACTING STRANGELY, 156 00:08:04,151 --> 00:08:05,662 BUT DON'T DISMISS IT COMPLETELY. 157 00:08:05,686 --> 00:08:07,351 JUST DON'T WASTE TIME ON IT. 158 00:08:07,420 --> 00:08:10,421 LOTS TO DO. LET'S GET ON WITH IT. 159 00:08:13,660 --> 00:08:14,693 HEY. 160 00:08:14,761 --> 00:08:16,172 WHAT ARE YOU DOING ON THIS JOB? 161 00:08:16,196 --> 00:08:17,636 WHAT DO YOU THINK? DOING MY JOB. 162 00:08:17,698 --> 00:08:18,730 MILLIE. 163 00:08:20,767 --> 00:08:22,411 CAN YOU AVOID SENSATIONALIZING IT? 164 00:08:22,435 --> 00:08:25,436 YEAH, I'LL DO MY BEST, BUT THE NATIONALS WILL BE ONTO IT. 165 00:08:25,505 --> 00:08:26,571 SUNDAYS. 166 00:08:26,639 --> 00:08:28,106 IT'S A BIG STORY. 167 00:08:28,175 --> 00:08:29,507 READY? 168 00:08:34,280 --> 00:08:36,414 AT APPROXIMATELY 7:30 THIS MORNING, 169 00:08:36,482 --> 00:08:39,450 POLICE WERE CALLED TO KENDALL AVENUE IN WITHINGTON, 170 00:08:39,519 --> 00:08:41,252 WHERE THE BODY OF A YOUNG CHILD 171 00:08:41,321 --> 00:08:43,554 WAS RECOVERED FROM A DRAINAGE TUNNEL. 172 00:08:43,623 --> 00:08:46,191 CAUSE OF DEATH WAS A FRACTURE TO THE SKULL. 173 00:08:46,259 --> 00:08:49,060 WE ARE NOT YET IN A POSITION TO CONFIRM IDENTITY. 174 00:08:49,129 --> 00:08:50,829 IS IT SAMMY WRAY? 175 00:08:50,897 --> 00:08:54,298 WE ARE INVESTIGATING THAT POSSIBILITY. 176 00:08:57,971 --> 00:09:00,839 DONNY McAVOY. 177 00:09:00,907 --> 00:09:03,641 DONNY McAVOY! 178 00:09:03,710 --> 00:09:05,276 AYE? 179 00:09:05,345 --> 00:09:07,712 YEAH? 180 00:09:07,781 --> 00:09:09,447 MAY I HAVE A WORD? 181 00:09:12,219 --> 00:09:13,351 THIS ABOUT THE MURDER? 182 00:09:13,419 --> 00:09:15,053 THAT'S RIGHT. 183 00:09:15,122 --> 00:09:18,289 I WAS THERE WHEN THEY FOUND THE BODY. 184 00:09:18,358 --> 00:09:19,924 HUGE SHOCK. 185 00:09:19,993 --> 00:09:21,303 HAVE YOU GOT ANY LEADS YET? 186 00:09:21,327 --> 00:09:24,829 YOU RECKON, IN MOST CASES LIKE THIS, IT WAS THE FAMILY. 187 00:09:24,898 --> 00:09:26,865 WHEN WERE YOU LAST THERE? MONDAY. 188 00:09:26,933 --> 00:09:28,032 MY MATE'S ON THE SICK, 189 00:09:28,101 --> 00:09:30,235 SO I'VE BEEN FILLING IN THERE ALL WEEK. 190 00:09:30,303 --> 00:09:32,237 THAT CHILD... 191 00:09:32,305 --> 00:09:34,105 HE'D BEEN THERE A WHILE, HADN'T HE? 192 00:09:34,174 --> 00:09:35,818 WHAT WERE YOU DOING THERE THIS MORNING? 193 00:09:35,842 --> 00:09:37,675 I WAS JUST CHECKING THE SITE, YOU KNOW. 194 00:09:37,744 --> 00:09:40,145 FOR VANDALISM. WE GET A LOT OF VANDALISM. 195 00:09:40,213 --> 00:09:42,480 STILL, I DON'T HAVE TO TELL YOU ABOUT THAT, DO I? 196 00:09:42,548 --> 00:09:44,193 SEE ANYTHING THAT MIGHT HELP US? 197 00:09:44,217 --> 00:09:47,085 I'VE BEEN RACKING MY BRAINS. 198 00:09:47,154 --> 00:09:50,088 IT WAS A FRACTURED SKULL AND ALL, WASN'T IT? 199 00:09:50,157 --> 00:09:53,324 DO YOU KNOW IF HE WAS KILLED AND THEN MOVED? 200 00:09:53,393 --> 00:09:56,427 YOU SEE, THERE WAS THIS CASE IN FLORIDA... 201 00:09:57,730 --> 00:09:59,898 OH, JOY. WE'VE GOT OURSELVES AN EXPERT. 202 00:10:21,922 --> 00:10:23,087 WHAT? 203 00:10:23,156 --> 00:10:25,857 MR. STAFFORD, DETECTIVE SERGEANT BUTCHERS. 204 00:10:25,926 --> 00:10:27,236 YOU ARE AWARE OF THE INCIDENT? 205 00:10:27,260 --> 00:10:28,326 YES. 206 00:10:28,394 --> 00:10:30,234 WE'RE INTERVIEWING EVERYBODY IN THE VICINITY. 207 00:10:30,297 --> 00:10:31,507 I DIDN'T SEE ANYTHING. 208 00:10:31,531 --> 00:10:33,631 I CAN'T HELP YOU. 209 00:10:40,573 --> 00:10:42,207 CAN I COME IN, PLEASE? 210 00:10:42,275 --> 00:10:44,386 YOU SAY YOU'VE NOT SEEN ANYTHING SUSPICIOUS. 211 00:10:44,410 --> 00:10:46,388 WHAT ABOUT REGULAR COMINGS AND GOINGS... 212 00:10:46,412 --> 00:10:48,390 NEIGHBORS, BUILDERS NEXT DOOR? 213 00:10:48,414 --> 00:10:49,680 BUILDERS? 214 00:10:49,749 --> 00:10:50,982 THAT'S A JOKE. 215 00:10:51,051 --> 00:10:53,584 PERMANENT GO-SLOW. 216 00:10:53,653 --> 00:10:55,153 DON'T SEE THEM FOR DAYS ON END, 217 00:10:55,222 --> 00:10:57,021 THEN THEY TURN UP AT THE CRACK OF DAWN. 218 00:10:57,090 --> 00:10:59,590 I'VE TOLD THEM I WORK NIGHTS, BUT THEY DON'T GIVE A TOSS. 219 00:10:59,659 --> 00:11:01,237 YEAH. WHEN DID YOU LAST SEE THEM? 220 00:11:01,261 --> 00:11:03,094 MONDAY. 221 00:11:03,163 --> 00:11:05,296 IS THAT IT? 222 00:11:05,365 --> 00:11:07,543 CAN I JUST HAVE A QUICK WORD WITH YOUR WIFE, AS WELL? 223 00:11:09,602 --> 00:11:10,835 SHE DIED. 224 00:11:13,840 --> 00:11:15,740 LUKE... 225 00:11:15,808 --> 00:11:19,878 THE POLICE WANT TO KNOW IF WE SAW ANYTHING. 226 00:11:19,946 --> 00:11:23,514 NO. JUST THE COPPERS AND THAT THIS MORNING. 227 00:11:28,721 --> 00:11:29,988 EXCUSE ME. 228 00:11:30,056 --> 00:11:31,589 MR. BREELEY? 229 00:11:31,657 --> 00:11:33,724 D.C.I. JANINE LEWIS. 230 00:11:33,793 --> 00:11:35,994 D.I. MAYNE. 231 00:11:36,062 --> 00:11:38,062 WHAT'S IT ABOUT? 232 00:11:38,131 --> 00:11:39,630 CAN WE COME IN? 233 00:11:40,833 --> 00:11:42,333 MANDY, THERE'S POLICE. 234 00:11:42,402 --> 00:11:44,080 COME 'BOUT THAT LITTLE KIDDY. 235 00:11:44,104 --> 00:11:47,272 Shh! WALLY, I'VE JUST PUT CHUCK DOWN FOR HIS NAP. 236 00:11:47,340 --> 00:11:50,375 I SAW IT ON THE NEWS. COULDN'T BELIEVE IT. 237 00:11:50,443 --> 00:11:52,643 YEAH, SIT DOWN. 238 00:11:52,712 --> 00:11:54,478 HELLO. WHO'S THIS? 239 00:11:54,547 --> 00:11:56,347 Mandy: CONNER. 240 00:11:56,416 --> 00:11:59,683 HEY, HEY! HA HA! 241 00:11:59,752 --> 00:12:02,954 Mayne: DID YOU SEE ANYONE ACTING SUSPICIOUSLY 242 00:12:03,023 --> 00:12:04,855 OR ANYONE CLOSE TO THE MAIN DRAINAGE? 243 00:12:04,925 --> 00:12:06,805 IS THAT WHERE THEY FOUND HIM? 244 00:12:07,260 --> 00:12:08,559 CHRIST. 245 00:12:08,628 --> 00:12:10,572 YOU KNOW, WHEN YOU'VE GOT KIDS OF YOUR OWN... 246 00:12:10,596 --> 00:12:11,529 NOT AT WORK? 247 00:12:11,597 --> 00:12:13,398 BAD BACK. 248 00:12:15,168 --> 00:12:17,468 WELL, WEATHER LIKE WE'VE BEEN HAVING... 249 00:12:17,537 --> 00:12:19,382 THE RAIN... NOTHING GOES OFF. 250 00:12:19,406 --> 00:12:22,140 TAKES TWICE AS LONG TO DO A JOB. 251 00:12:22,208 --> 00:12:24,186 LAST SATURDAY, YOU KNOCKED OFF LUNCHTIME. 252 00:12:24,210 --> 00:12:26,277 THAT'S RIGHT. I CAME BACK HERE. 253 00:12:26,346 --> 00:12:27,957 WHAT DID YOU DO THAT AFTERNOON? 254 00:12:27,981 --> 00:12:30,415 UM, JUST DID STUFF AROUND THE HOUSE. 255 00:12:30,483 --> 00:12:33,284 HE'S OUT BUSY FIXING OTHER PEOPLE'S HOUSES. 256 00:12:33,353 --> 00:12:36,354 I'M ALWAYS ON HIM TO SORT THIS PLACE UP FIRST. 257 00:12:41,694 --> 00:12:43,372 Charlotte: NO, YOU DIDN'T. 258 00:12:43,396 --> 00:12:44,396 Tom: YEAH, I DID. 259 00:12:44,464 --> 00:12:46,542 REALLY, REALLY DID. YOU KNOW I DID. 260 00:12:46,566 --> 00:12:47,665 NO, YOU DIDN'T, 261 00:12:47,733 --> 00:12:50,668 'CAUSE I HAD THE CHEESE-MARGARITA PIZZA, TOO. 262 00:12:50,736 --> 00:12:52,070 YOU WIN. 263 00:12:52,138 --> 00:12:53,204 BYE. 264 00:12:54,274 --> 00:12:55,440 WHEN IS IT COMING? 265 00:12:55,508 --> 00:12:56,788 NOT FOR A LONG TIME. 266 00:12:56,843 --> 00:12:58,776 WILL WE GET A DAY OFF SCHOOL WHEN IT DOES? 267 00:12:58,845 --> 00:13:00,378 DON'T BE STUPID. 268 00:13:01,948 --> 00:13:03,114 IT'S STILL WARM. 269 00:13:03,183 --> 00:13:04,961 DOUBT SHE'LL HAVE DARK HAIR. 270 00:13:04,985 --> 00:13:05,916 WHAT'S THIS? 271 00:13:05,986 --> 00:13:07,718 TINA'S BABY. 272 00:13:07,787 --> 00:13:10,488 ANNA THINKS IT'S LOVELY JUST 'CAUSE DAD SAYS SHE CAN BABYSIT. 273 00:13:10,556 --> 00:13:12,290 I'M NOT HAVING IT IN MY ROOM. 274 00:13:12,359 --> 00:13:14,758 ALL BABIES DO IS CRY. 275 00:13:14,827 --> 00:13:16,094 YOU DIDN'T KNOW? 276 00:13:16,162 --> 00:13:18,929 DAD PROBABLY JUST DIDN'T GET THE CHANCE TO TELL YOU. 277 00:13:18,999 --> 00:13:21,665 I DO NOW. 278 00:13:30,810 --> 00:13:33,311 YEAH? BOSS. 279 00:13:33,380 --> 00:13:35,580 SHAP, IF YOU'RE ANGLING FOR OVERTIME, YOU CAN FORGET IT. 280 00:13:35,615 --> 00:13:37,855 No. It's Clive Wray's alibi. 281 00:13:37,884 --> 00:13:41,652 HAYFIELD WAS HOLDING A FELL RACE ON THE DAY. 282 00:13:41,721 --> 00:13:45,390 120 ENTRANTS, SUPPORTERS, AND STEWARDS. 283 00:13:45,458 --> 00:13:48,692 IF HE WAS THERE, THERE'S NO WAY HE COULD HAVE MISSED IT. 284 00:13:48,761 --> 00:13:50,294 HE'S LYING TO US, BOSS. 285 00:13:50,363 --> 00:13:53,264 He's lying. 286 00:13:53,333 --> 00:13:54,410 YEAH, YEAH. 287 00:13:54,434 --> 00:13:55,933 CAN YOU COMMENT AT ALL... 288 00:13:56,002 --> 00:13:57,868 ANY NEWS AT THIS MOMENT? 289 00:14:04,844 --> 00:14:07,778 HE'S OUT. HE WON'T BE LONG. 290 00:14:07,847 --> 00:14:13,017 FIONA, I NEED TO ASK YOU A REALLY... DIFFICULT QUESTION, 291 00:14:13,086 --> 00:14:17,655 AND I WOULDN'T DO IF IT WASN'T SO VITAL. 292 00:14:17,723 --> 00:14:19,890 BUT... 293 00:14:19,959 --> 00:14:23,727 WE BELIEVE CLIVE IS LYING ABOUT GOING WALKING. 294 00:14:23,796 --> 00:14:27,631 WELL, I-I DON'T KNOW WHAT TO THINK ANYMORE. 295 00:14:27,700 --> 00:14:30,068 HE WAS JUST SO JUMPY 296 00:14:30,136 --> 00:14:32,515 EVERY TIME ANYONE ASKED US WHERE WE WERE. 297 00:14:32,539 --> 00:14:36,941 I THOUGHT I WAS BEING PARANOID, 298 00:14:37,009 --> 00:14:38,443 BUT... 299 00:14:38,511 --> 00:14:40,478 HIS BOOTS WERE CLEAN, 300 00:14:40,547 --> 00:14:42,947 AND I LOOKED IN HIS POCKETS. 301 00:14:44,584 --> 00:14:45,983 THAT'S WHERE HE WAS. 302 00:14:46,052 --> 00:14:48,852 LOOK AT THE DATE. 303 00:14:48,921 --> 00:14:51,655 HE'S LYING. 304 00:14:51,724 --> 00:14:54,325 TIME LIKE THIS, AND HE'S LYING. 305 00:14:54,394 --> 00:14:56,994 I MEAN, WHY WOULD HE LIE... 306 00:14:57,063 --> 00:15:00,698 WHEN SAMMY... WHY WOULD HE LIE? 307 00:15:04,170 --> 00:15:07,516 SO, I KNOW CLIVE WRAY WASN'T WALKING. 308 00:15:07,540 --> 00:15:08,984 WE'LL GET THE REST OF THE STORY ON THAT 309 00:15:09,008 --> 00:15:11,409 BEFORE WE BRING HIM IN. 310 00:15:11,478 --> 00:15:13,544 MILLIE? 311 00:15:14,981 --> 00:15:16,747 DO YOU, NOW? 312 00:15:16,816 --> 00:15:18,994 OH, YOU'LL HAVE TO WEAR IT, WON'T YOU? 313 00:15:21,488 --> 00:15:25,623 HEY, LISTEN, CLIVE WRAY, HIS WIFE SHOPPED HIM. 314 00:15:25,691 --> 00:15:27,925 HE WASN'T OUT ROAMING THE DARN PEAK. 315 00:15:27,994 --> 00:15:29,727 TURNS OUT HE WAS AT SPORT NORTH. 316 00:15:29,795 --> 00:15:32,130 NO, WE DON'T KNOW. 317 00:15:32,198 --> 00:15:33,864 ALL RIGHT, DARLING. BYE. 318 00:15:38,838 --> 00:15:40,238 WHAT? 319 00:15:40,306 --> 00:15:41,872 I'M THE S.I.O. 320 00:15:41,941 --> 00:15:46,477 I DECIDE WHEN AND HOW THE PRESS OFFICER IS BRIEFED. 321 00:15:46,546 --> 00:15:48,812 SHE WAS ON THE PHONE. 322 00:15:50,983 --> 00:15:53,451 ARE YOU SERIOUS? 323 00:15:53,520 --> 00:15:54,997 IF YOU THINK IT'S GONNA BE TRICKY, 324 00:15:55,021 --> 00:15:57,355 US SEEING EACH OTHER AND WORKING ON THE SAME CASE TOGETHER, 325 00:15:57,423 --> 00:15:59,257 THEN I'LL STAND DOWN! 326 00:16:03,596 --> 00:16:04,873 Shap: RIGHT. HERE WE ARE. 327 00:16:04,897 --> 00:16:07,298 11:45 A.M. ON THE MORNING OF THE DAY 328 00:16:07,367 --> 00:16:08,866 SAMMY WRAY WAS ABDUCTED, 329 00:16:08,934 --> 00:16:11,068 SPORTS NORTH RECREATION GROUND, 330 00:16:11,137 --> 00:16:14,238 HOCKEY MATCH BETWEEN MARSH HIGH SCHOOL AND, UH... 331 00:16:14,307 --> 00:16:15,618 ALL SAINTS HIGH, UNDER 16. 332 00:16:15,642 --> 00:16:16,642 RIGHT. OKAY. 333 00:16:16,676 --> 00:16:21,078 ENTER CLIVE WRAY, AND MEETS WITH JAILBAIT. 334 00:16:21,147 --> 00:16:23,347 NOT THE SORT OF ROAMING HIS MISSUS HAD IN MIND 335 00:16:23,416 --> 00:16:24,615 WHEN SHE FILLED HIS FLASK. 336 00:16:24,684 --> 00:16:26,584 COULD EXPLAIN THE ALIBI, THOUGH. 337 00:16:26,653 --> 00:16:28,619 OH, HANG ON. 338 00:16:28,688 --> 00:16:31,955 I MEAN, IF YOU ARE IN SOME SORT OF... ILLICIT, 339 00:16:32,024 --> 00:16:33,402 POSSIBLY EVEN ILLEGAL AFFAIR, 340 00:16:33,426 --> 00:16:35,271 I MEAN, WHY DO IT OUT IN THE OPEN? 341 00:16:35,295 --> 00:16:36,727 LIKE, THAT'S SO PUBLIC. 342 00:16:36,796 --> 00:16:39,897 Shap: HE'S SHAGGING HER. SHE'S GIVING HIM THE BOOT. 343 00:16:39,965 --> 00:16:41,131 HE CAN'T TAKE IT, 344 00:16:41,201 --> 00:16:43,767 'CAUSE HE'S SADDLED WITH A GYM-SLUT FIXATION. 345 00:16:43,836 --> 00:16:44,836 LIKE YOU. 346 00:16:44,904 --> 00:16:46,671 Janine: MM-HMM. 347 00:16:46,739 --> 00:16:48,372 BRING HIM IN. 348 00:16:50,643 --> 00:16:53,611 SATURDAY SCHOOL FINALS AT SPORTS NORTH, 349 00:16:53,680 --> 00:16:55,313 CAUGHT ON CCTV. 350 00:16:55,381 --> 00:16:56,681 YOUR CHILD GOES MISSING, 351 00:16:56,749 --> 00:16:58,960 AND YOU LIE TO THE PEOPLE WHO ARE TRYING TO FIND HIM. 352 00:16:58,984 --> 00:17:01,096 FOR WHAT... TO COVER UP A SEEDY AFFAIR? 353 00:17:01,120 --> 00:17:02,386 SHE'S MY DAUGHTER! 354 00:17:02,455 --> 00:17:05,389 SHE'S MY BLOODY DAUGHTER SARAH. 355 00:17:06,892 --> 00:17:09,827 WHEN I SPLIT FROM MY EX-WIFE, CLAIRE, 356 00:17:09,895 --> 00:17:12,396 I HOPED THAT I'D STILL GET TO SEE PLENTY OF SARAH. 357 00:17:12,465 --> 00:17:14,532 THAT'S WHY WE BOUGHT THE HOUSE NEARBY... 358 00:17:14,601 --> 00:17:17,435 SO THAT SHE COULD COME AROUND. 359 00:17:17,503 --> 00:17:23,140 BUT CLAIRE IS VERY... NEEDY, VOLATILE. 360 00:17:23,209 --> 00:17:26,076 SH-SHE MADE OUR LIVES HELL... 361 00:17:26,145 --> 00:17:29,046 COMING TO THE HOUSE, UH, ABUSIVE CALLS, 362 00:17:29,115 --> 00:17:30,348 TURNING UP AT WORK. 363 00:17:30,416 --> 00:17:31,949 IT WAS HORRENDOUS. 364 00:17:33,219 --> 00:17:38,021 IN THE END, I PROMISED FIONA I'D MAKE A CLEAN BREAK. 365 00:17:38,090 --> 00:17:42,293 ON THE VERY DAY SAMMY WAS BORN, CLAIRE TOOK AN OVERDOSE. 366 00:17:42,362 --> 00:17:44,895 SARAH HAD TO CALL AN AMBULANCE. 367 00:17:44,964 --> 00:17:46,642 HOW LONG DID THIS GO ON FOR? 368 00:17:46,666 --> 00:17:48,733 I LEFT CLAIRE WHEN FIONA GOT PREGNANT. 369 00:17:48,801 --> 00:17:52,770 SH-SHE WAS STILL HARASSING US UNTIL SAMMY WAS 6 MONTHS. 370 00:17:52,838 --> 00:17:54,872 BUT RECENTLY, I... 371 00:17:54,940 --> 00:17:58,075 I STARTED TO FEEL BAD ABOUT SARAH, YOU KNOW? 372 00:17:58,144 --> 00:18:01,812 I'D BEEN THERE FOR THE FIRST 12 YEARS, AND... 373 00:18:01,881 --> 00:18:05,249 WHAT ABOUT THE ARGUMENT AT THE HOCKEY MATCH? 374 00:18:05,318 --> 00:18:07,318 SHE WAS VERY ANGRY WITH ME. 375 00:18:07,387 --> 00:18:08,797 SHE... SHE TOLD ME TO PISS OFF. 376 00:18:08,821 --> 00:18:09,898 WHERE DID YOU GO? 377 00:18:09,922 --> 00:18:10,988 I DON'T REMEMBER. 378 00:18:11,056 --> 00:18:13,023 I, UM... 379 00:18:13,092 --> 00:18:15,793 I DROVE AROUND AND JUST SAT IN THE CAR. 380 00:18:17,463 --> 00:18:19,129 DO YOU HAVE TO TELL FIONA? 381 00:18:19,198 --> 00:18:20,431 NO. 382 00:18:20,500 --> 00:18:21,932 YOU HAVE TO. 383 00:18:22,001 --> 00:18:24,012 Mayne: STILL NO ALIBI FOR THAT AFTERNOON. 384 00:18:24,036 --> 00:18:25,336 Janine: STILL NO MOTIVE. 385 00:18:25,405 --> 00:18:27,885 MAYBE HE THOUGHT HE'D MADE THE WRONG CHOICE. 386 00:18:27,940 --> 00:18:29,351 IF HE WANTED TO GO BACK TO CLAIRE, 387 00:18:29,375 --> 00:18:30,886 HE COULD HAVE JUST UP STICKS AND GONE. 388 00:18:30,910 --> 00:18:34,512 DIDN'T NEED TO KILL HIS SON. LET'S TALK TO THE GIRL. 389 00:18:34,580 --> 00:18:36,992 HE THOUGHT HE COULD JUST SAY SORRY, 390 00:18:37,016 --> 00:18:39,261 AND IT'D MAKE EVERYTHING BETTER. 391 00:18:39,285 --> 00:18:40,396 LIKE HELLO. 392 00:18:40,420 --> 00:18:41,885 IS THAT WHY YOU WERE OUT? 393 00:18:41,954 --> 00:18:43,865 DID YOU KNOW ABOUT THIS ARGUMENT? 394 00:18:43,889 --> 00:18:45,066 I TOLD HER ABOUT IT. 395 00:18:45,090 --> 00:18:47,102 SHE STOPPED EATING, YOU KNOW, WHEN HE LEFT. 396 00:18:47,126 --> 00:18:48,126 STARVED HERSELF. 397 00:18:48,194 --> 00:18:49,226 MOM. 398 00:18:49,295 --> 00:18:51,895 IS THIS THE FIRST TIME HE'D COME TO SEE YOU? 399 00:18:51,964 --> 00:18:53,464 SARAH, YOUR DAD? 400 00:18:53,533 --> 00:18:56,066 UM, NO. 401 00:18:56,135 --> 00:18:58,514 HE BROUGHT SAMMY AROUND A FEW WEEKS AGO. 402 00:18:58,538 --> 00:18:59,870 SOME DERANGED PLAN... 403 00:18:59,939 --> 00:19:01,583 IF WE MET HIM, IT'D CHANGE EVERYTHING. 404 00:19:01,607 --> 00:19:02,607 YOU MET SAMMY? 405 00:19:02,675 --> 00:19:04,252 IT WAS SO NOT A GOOD IDEA. 406 00:19:04,276 --> 00:19:06,188 I NEVER WISHED THE CHILD ANY HARM. 407 00:19:06,212 --> 00:19:08,879 I JUST... WISHED IT HAD NEVER BEEN BORN. 408 00:19:08,948 --> 00:19:09,880 MOM. 409 00:19:09,949 --> 00:19:11,794 IF IT HADN'T BEEN FOR THE BABY, 410 00:19:11,818 --> 00:19:13,317 HE'D HAVE NEVER HAVE LEFT ME. 411 00:19:13,386 --> 00:19:14,785 WE'RE SECOND BEST. 412 00:19:14,854 --> 00:19:15,894 HE'S JUST IN DENIAL. 413 00:19:15,955 --> 00:19:17,287 HE CHOSE FIONA. 414 00:19:17,357 --> 00:19:18,789 HE CHOSE SAMMY. 415 00:19:18,858 --> 00:19:20,624 HE NEEDS HEALING. 416 00:19:20,693 --> 00:19:23,594 HE NEEDS TO FORGIVE HIMSELF AND TO ACCEPT... 417 00:19:23,663 --> 00:19:25,073 MY MOM, SHE TOOK AN OVERDOSE. 418 00:19:25,097 --> 00:19:26,731 I HAD TO STAY AT DAD'S. 419 00:19:26,799 --> 00:19:27,999 I WAS INVISIBLE. 420 00:19:28,067 --> 00:19:29,177 MY MOM HAD ALMOST DIED, 421 00:19:29,201 --> 00:19:31,112 AND ALL HE COULD THINK ABOUT WAS SAMMY. 422 00:19:31,136 --> 00:19:33,070 IT MUST HAVE BEEN VERY HARD FOR YOU. 423 00:19:33,138 --> 00:19:34,916 WE HAVE TO EMBRACE OUR EMOTIONS. 424 00:19:34,940 --> 00:19:37,975 ALL THEY WANTED WAS TO LIVE HAPPILY EVER AFTER. 425 00:19:38,043 --> 00:19:39,477 POOR FIONA. 426 00:19:39,545 --> 00:19:42,145 SUCH A TRAGEDY. 427 00:19:44,517 --> 00:19:45,983 BLOODY VIOLET. 428 00:19:46,051 --> 00:19:47,951 IF I EVER GET THAT BITTER AND TWISTED, 429 00:19:48,020 --> 00:19:49,253 DO ME A FAVOR... SHOOT ME. 430 00:19:49,321 --> 00:19:50,488 "IF"? 431 00:19:59,131 --> 00:20:01,866 DAD WILL STILL LOVE YOU JUST THE SAME. 432 00:20:01,934 --> 00:20:04,001 SO WILL ME AND CHARLOTTE. 433 00:20:04,069 --> 00:20:07,337 LOVE DOESN'T RUN OUT. IT STRETCHES. 434 00:20:07,407 --> 00:20:08,839 LIKE AN ELASTIC BAND. 435 00:20:08,908 --> 00:20:10,374 YEAH, SORT OF. 436 00:20:10,443 --> 00:20:11,776 NOT ALWAYS. 437 00:20:11,844 --> 00:20:14,311 LIKE IF SOMEONE GETS A NEW WIFE. 438 00:20:14,380 --> 00:20:17,615 YEAH. NO, NOT ALWAYS. 439 00:20:17,683 --> 00:20:20,384 DAD WILL NEED A BIGGER CAR, THOUGH. THAT WON'T STRETCH. 440 00:20:20,453 --> 00:20:21,453 COOL. 441 00:20:21,521 --> 00:20:23,387 CAN I GET A PACKET OF CRISPS? 442 00:20:23,456 --> 00:20:24,855 YEAH. 443 00:20:32,064 --> 00:20:34,565 Janine: CLAIRE HATES CLIVE FOR DESTROYING THE MARRIAGE. 444 00:20:34,634 --> 00:20:36,111 YEAH, BUT SHE WANTS HIM BACK. 445 00:20:37,236 --> 00:20:39,003 SHE BLAMES SAMMY FOR CLIVE LEAVING. 446 00:20:39,071 --> 00:20:41,104 MAYBE SEEING THE CHILD TRIGGERS THAT RAGE. 447 00:20:42,241 --> 00:20:43,819 OR THE GIRL. ANGRY, JEALOUS. 448 00:20:43,843 --> 00:20:45,754 HE SAW SHE WAS SHIELDING HER MOTHER. 449 00:20:45,778 --> 00:20:48,512 SARAH DOES IT FOR CLAIRE. 450 00:20:48,581 --> 00:20:49,625 OR HERSELF. 451 00:20:49,649 --> 00:20:50,748 WITNESSES AT THE PARK, 452 00:20:50,816 --> 00:20:52,816 THEY SAID THEY SAW A WOMAN ON THEIR OWN. 453 00:20:52,885 --> 00:20:54,484 COULD THAT BE CLAIRE OR SARAH? 454 00:20:56,556 --> 00:20:58,088 OKAY? 455 00:21:00,526 --> 00:21:01,703 OOH. NICE. 456 00:21:01,727 --> 00:21:04,047 CAN WE DO THIS AGAIN, PLEASE? 457 00:21:05,330 --> 00:21:06,363 YEAH. 458 00:21:06,432 --> 00:21:07,776 GOOD. DO WE KNOW WHAT TIME? 459 00:21:07,800 --> 00:21:08,999 I'VE JUST HAD "THE STAR" ON. 460 00:21:09,068 --> 00:21:11,035 DONNY McAVOY'S BEEN TRYING TO SELL PICTURES 461 00:21:11,103 --> 00:21:12,269 FROM THE CRIME SCENE. 462 00:21:12,337 --> 00:21:14,282 TOOK HIM WITH HIS PHONE. THEY'RE NOT BITING? 463 00:21:14,306 --> 00:21:16,707 NO. THEY KNOW THE SCORE. 464 00:21:16,776 --> 00:21:17,808 MYSTIC MEG. 465 00:21:17,877 --> 00:21:19,555 SHE WAS SEEN LOITERING OUTSIDE THE RES 466 00:21:19,579 --> 00:21:21,745 THAT AFTERNOON. 467 00:21:21,814 --> 00:21:24,682 YOU WERE SEEN AT THE HOUSE SHORTLY BEFORE 1:00 ON SATURDAY. 468 00:21:24,750 --> 00:21:26,951 WAS I? WHAT WERE YOU DOING THERE? 469 00:21:27,019 --> 00:21:29,397 IF CLIVE WANTS TO PLAY DADDY TO SARAH AGAIN, 470 00:21:29,421 --> 00:21:30,821 HE'LL HAVE TO GIVE IT 100%. 471 00:21:30,890 --> 00:21:32,222 COME BACK TO YOU? 472 00:21:34,694 --> 00:21:37,227 I WENT TO TELL HIM, "ALL OR NOTHING." 473 00:21:37,296 --> 00:21:39,964 WHEN I THINK ABOUT WHAT HE'D DONE. 474 00:21:40,032 --> 00:21:42,766 OUR LOVELY GIRL. HE ABANDONED HER. 475 00:21:42,835 --> 00:21:44,768 CUT HER DEAD. 476 00:21:44,837 --> 00:21:46,737 HE NEARLY DESTROYED ME. 477 00:21:46,806 --> 00:21:50,540 SARAH HAD TO LISTEN TO ME HOWLING NIGHT AFTER NIGHT. 478 00:21:50,610 --> 00:21:51,909 WHAT DID CLIVE SAY? 479 00:21:51,978 --> 00:21:53,944 NOTHING. 480 00:21:54,013 --> 00:21:57,214 NO ONE WAS HOME. 481 00:21:57,282 --> 00:21:59,149 SO, YOU WENT TO THE PARK? 482 00:21:59,218 --> 00:22:01,351 SAW SAMMY AND FIONA? 483 00:22:01,420 --> 00:22:02,653 HE LOVES ME. 484 00:22:02,722 --> 00:22:05,222 THAT'S WHAT PEOPLE MISS... THE CONNECTION. 485 00:22:05,290 --> 00:22:07,658 PASSION. 486 00:22:07,727 --> 00:22:10,928 WE WERE PROBABLY LOVERS IN OUR FORMER LIVES. 487 00:22:10,997 --> 00:22:12,863 IT HAS THAT RESONANCE. 488 00:22:12,932 --> 00:22:15,432 AND THEY LOOKED HAPPY... FIONA AND SAMMY? 489 00:22:15,501 --> 00:22:17,034 AND YOU'VE BEEN HAPPY, HAVEN'T YOU? 490 00:22:17,103 --> 00:22:18,235 YOU AND SARAH... 491 00:22:18,303 --> 00:22:20,504 WELL, YOU AND SARAH AND CLIVE TILL SAMMY CAME ALONG. 492 00:22:20,572 --> 00:22:21,872 IT'S AT TIMES LIKE THIS 493 00:22:21,941 --> 00:22:24,307 THAT PEOPLE FIND OUT WHAT REALLY MATTERS. 494 00:22:24,376 --> 00:22:25,776 LIKE CLIVE AND I. 495 00:22:27,346 --> 00:22:29,091 IT'LL BRING US CLOSER IN THE END. 496 00:22:29,115 --> 00:22:31,115 DID YOU GO TO THE PARK? 497 00:22:31,183 --> 00:22:33,583 YOU'RE HOLDING ON TO A GREAT DEAL OF ANGER. 498 00:22:33,653 --> 00:22:34,752 MRS. WRAY. 499 00:22:34,820 --> 00:22:36,453 NO. 500 00:22:38,691 --> 00:22:41,025 I HAD A WALK AND CAME HOME. 501 00:22:41,093 --> 00:22:42,093 SARAH? 502 00:22:42,161 --> 00:22:43,927 SHE WAS HERE. 503 00:22:43,996 --> 00:22:45,863 WHAT TIME WAS THAT? 504 00:22:47,299 --> 00:22:49,066 I DON'T WEAR A WATCH. 505 00:22:49,135 --> 00:22:51,101 IT INTERFERES WITH MY CHAKRAS. 506 00:22:53,105 --> 00:22:58,008 WHY DID YOU TAKE SAMMY TO SEE CLAIRE? 507 00:22:59,745 --> 00:23:00,978 HE'S JUST A LITTLE BOY. 508 00:23:01,047 --> 00:23:03,280 SHE ACTED AS IF HE WAS A... 509 00:23:03,348 --> 00:23:05,849 I JUST THOUGHT THAT IF SHE SAW HIM. 510 00:23:05,918 --> 00:23:09,853 YOU TOOK OUR SON TO SEE THAT BLOODY WOMAN 511 00:23:09,922 --> 00:23:12,956 AFTER EVERYTHING SHE DID TO US? 512 00:23:13,025 --> 00:23:14,624 THE CAR. 513 00:23:14,694 --> 00:23:19,129 THE SCRATCHES, THE TIRES... THAT WAS HER AGAIN, NOT VANDALS. 514 00:23:19,198 --> 00:23:22,199 YOU STILL LOVE HER, DON'T YOU? 515 00:23:22,267 --> 00:23:25,069 CLAIRE'S BEEN RIGHT ALL ALONG. 516 00:23:25,137 --> 00:23:27,304 YOU ONLY LEFT HER BECAUSE I WAS PREGNANT. 517 00:23:27,372 --> 00:23:29,406 YOU NEVER REALLY LOVED ME. 518 00:23:29,474 --> 00:23:31,909 IT'S ALWAYS BEEN CLAIRE, HASN'T IT? 519 00:23:31,977 --> 00:23:33,143 NO. 520 00:23:33,212 --> 00:23:36,346 TRAGIC BLOODY CLAIRE AND HER PRECIOUS DAUGHTER. 521 00:23:36,415 --> 00:23:38,775 DO YOU KNOW SHE NEVER EVEN LET ME GIVE BIRTH IN PEACE? 522 00:23:38,818 --> 00:23:40,562 OH, NO. SHE HAD TO GRAB THE SPOTLIGHT. 523 00:23:40,586 --> 00:23:41,852 TRY AND KILL HERSELF. 524 00:23:41,921 --> 00:23:43,020 MY BOY. 525 00:23:43,089 --> 00:23:44,321 SHE'D NEVER TOUCH HIM. 526 00:23:44,389 --> 00:23:46,256 YOU HAVE NO REASON TO THINK SO. 527 00:23:46,325 --> 00:23:48,025 CLAIRE WAS SEEN. 528 00:23:48,094 --> 00:23:49,292 SHE ADMITS SHE CAME HERE. 529 00:23:49,361 --> 00:23:51,428 SHE KILLED HIM! 530 00:23:51,496 --> 00:23:53,130 AND IT'S YOUR FAULT! 531 00:23:53,199 --> 00:23:56,078 THAT MAD BITCH CAME AND TOOK HIM! 532 00:23:56,102 --> 00:23:57,846 DO YOU SEE WHAT YOU'VE DONE?! 533 00:23:57,870 --> 00:23:59,136 HELLO. 534 00:23:59,205 --> 00:24:01,038 CLAIRE IS NOT THE KILLER. 535 00:24:01,107 --> 00:24:02,539 I LOVE YOU, FIONA. 536 00:24:02,608 --> 00:24:04,274 YOU, SAMMY, AND SARAH. 537 00:24:04,343 --> 00:24:05,442 YOU SURE? 538 00:24:05,510 --> 00:24:07,455 I MAY HAVE LOST ONE CHILD, BUT I'LL FIGHT HARD 539 00:24:07,479 --> 00:24:09,024 TO BE A FATHER TO THE OTHER ONE. 540 00:24:09,048 --> 00:24:10,180 NO DOUBT WHATSOEVER? 541 00:24:10,249 --> 00:24:12,682 YEAH, I SEE. 542 00:24:12,752 --> 00:24:15,352 THANKS. 543 00:24:15,420 --> 00:24:16,631 THAT'S HOW IT'LL BE. 544 00:24:16,655 --> 00:24:19,135 IF YOU LOVE ME, YOU'LL ACCEPT THAT. 545 00:24:22,795 --> 00:24:26,529 FIONA, I... 546 00:24:26,598 --> 00:24:29,432 I'M SO SORRY. 547 00:24:29,501 --> 00:24:31,869 THE CHILD... THE BOY... 548 00:24:33,739 --> 00:24:35,472 IT'S NOT SAMMY. 549 00:24:35,540 --> 00:24:38,675 THE DNA RESULTS HAVE COME BACK, AND IT'S NOT SAMMY. 550 00:24:44,083 --> 00:24:47,017 SO, SAMMY WRAY IS STILL MISSING, 551 00:24:47,086 --> 00:24:50,020 AND YOU STILL HAVE NO IDEA WHO THE ACTUAL MURDER VICTIM IS. 552 00:24:50,089 --> 00:24:52,455 YOU'VE WASTED TWO DAYS FOLLOWING FALSE TRAILS. 553 00:24:52,524 --> 00:24:54,235 WE NEVER SAID SAMMY WAS THE VICTIM. 554 00:24:54,259 --> 00:24:55,637 NO, BUT YOU ASSUMED HE WAS, 555 00:24:55,661 --> 00:24:57,105 AND YOU LET THAT DETERMINE YOUR ACTIONS. 556 00:24:57,129 --> 00:24:59,997 THEY WERE WEARING THE SAME CLOTHES... THE SAME TOP. 557 00:25:00,066 --> 00:25:02,599 "MOST POPULAR HIGH-STREET BRAND," AS I RECALL. 558 00:25:02,668 --> 00:25:05,368 THE CHIEF CONSTABLE IS WAITING TO HEAR FROM ME. 559 00:25:05,437 --> 00:25:08,271 HE WANTS TO KNOW EXACTLY HOW WE ARE HELPING SAMMY'S PARENTS, 560 00:25:08,340 --> 00:25:10,340 HOW WE INTEND TO REASSURE THE COMMUNITY, 561 00:25:10,409 --> 00:25:12,375 AND PROTECT THE FORCE'S REPUTATION. 562 00:25:12,444 --> 00:25:13,677 WHAT SHALL I TELL HIM? 563 00:25:13,746 --> 00:25:15,691 THAT NO ONE COULD BE MORE DEDICATED TO SOLVING THIS 564 00:25:15,715 --> 00:25:16,995 THAN ME AND MY TEAM. 565 00:25:17,049 --> 00:25:19,360 THAT WE WILL PURSUE EVERY POSSIBLE LINE OF INQUIRY, 566 00:25:19,384 --> 00:25:21,830 AND I HAVE NO DOUBT OF OUR EVENTUAL SUCCESS. 567 00:25:21,854 --> 00:25:24,088 ALL VERY WELL, 568 00:25:24,156 --> 00:25:27,791 BUT WHAT WE NEED IS A BREAKTHROUGH. 569 00:25:30,162 --> 00:25:31,695 WE HAVE AN ABDUCTION 570 00:25:31,764 --> 00:25:34,531 AND THE MURDER OF AN UNKNOWN CHILD. 571 00:25:34,600 --> 00:25:35,899 A WEEK AGO LAST SATURDAY, 572 00:25:35,968 --> 00:25:39,269 3-YEAR-OLD SAMMY WRAY WAS ABDUCTED FROM WITHINGTON PARK. 573 00:25:39,338 --> 00:25:41,839 TWO DAYS AGO, 574 00:25:41,907 --> 00:25:44,674 THE BODY OF A CHILD WAS RECOVERED FROM KENDALL AVENUE 575 00:25:44,744 --> 00:25:45,943 LESS THAN A MILE AWAY. 576 00:25:46,011 --> 00:25:48,912 NOW, THIS CHILD WAS OF A SIMILAR AGE AND APPEARANCE, 577 00:25:48,981 --> 00:25:50,380 BUT HE IS NOT SAMMY WRAY. 578 00:25:50,449 --> 00:25:53,784 SAMMY IS OFFICIALLY A MISSING PERSON AGAIN. 579 00:25:53,853 --> 00:25:56,053 BACK TO SQUARE ONE ON THIS. 580 00:25:56,122 --> 00:25:59,389 HE'S NOW BEEN MISSING FOR 11 DAYS. 581 00:25:59,458 --> 00:26:03,460 CLAIRE WRAY IS OUR KEY CANDIDATE FOR THE ABDUCTION. 582 00:26:03,528 --> 00:26:04,694 DID YOU SEARCH HER HOUSE? 583 00:26:06,398 --> 00:26:09,366 WE'LL GET A WARRANT. WE'LL TALK TO HER. 584 00:26:09,434 --> 00:26:12,002 LOOK INTO THIS RECENT HARASSMENT OF CLIVE AND FIONA. 585 00:26:12,071 --> 00:26:13,949 SEE WHAT THREATS SHE'S BEEN MAKING. 586 00:26:13,973 --> 00:26:15,305 COULD DO A LINEUP. 587 00:26:15,374 --> 00:26:17,207 SEE IF PEOPLE PICK HER OUT 588 00:26:17,276 --> 00:26:18,942 AS THE SINGLE WOMAN AT THE PARK. 589 00:26:19,011 --> 00:26:21,411 SARAH IS ANOTHER CONTENDER FOR THAT. 590 00:26:21,480 --> 00:26:22,946 WE'LL TALK TO HER, TOO. 591 00:26:23,015 --> 00:26:24,793 OKAY, ACTIONS. 592 00:26:24,817 --> 00:26:28,051 TRACE, INTERVIEW, AND ELIMINATE REMAINING WITNESSES. 593 00:26:28,120 --> 00:26:29,798 RECONSTRUCTION SET FOR TOMORROW. 594 00:26:29,822 --> 00:26:32,455 AND IF YOU RULE OUT CLAIRE WRAY? 595 00:26:32,524 --> 00:26:33,791 CASES COULD BE LINKED. 596 00:26:33,859 --> 00:26:36,226 COULD BE SOMEBODY TARGETING 3 YEAR OLDS. 597 00:26:36,295 --> 00:26:38,662 Janine: YEAH, OR THERE COULD BE NO CONNECTION. 598 00:26:38,730 --> 00:26:41,098 SO WE DEAL WITH THESE AS TWO DISTINCT INQUIRIES. 599 00:26:47,940 --> 00:26:51,608 THIS IS NOT SAMMY WRAY. 600 00:26:51,677 --> 00:26:53,410 WHO IS IT? 601 00:26:53,478 --> 00:26:57,681 WITH NO I.D. FOR THE CHILD, WE CONCENTRATE ON THE SITE. 602 00:26:57,749 --> 00:26:59,016 HANG ON. JANINE. 603 00:27:02,221 --> 00:27:04,487 WELL, I'VE SEEN A FEW THINGS IN MY LIFE, 604 00:27:04,556 --> 00:27:07,024 BUT SOMETHING LIKE THIS, WRAPPED IN A SHEET. 605 00:27:07,092 --> 00:27:09,293 I COULD TELL IT WAS A BODY, 606 00:27:09,361 --> 00:27:11,321 AND HE'D BEEN DOWN THERE A WHILE. 607 00:27:11,363 --> 00:27:13,997 AND THEN HERE'S ME JUST WORKING A FEW YARDS AWAY. 608 00:27:14,066 --> 00:27:15,199 BEGGAR'S BELIEF. 609 00:27:16,936 --> 00:27:18,046 I WANT HIM GAGGED. 610 00:27:18,070 --> 00:27:20,548 SHAP, TALK TO HIM. WHY IS HE SO KEEN? 611 00:27:20,572 --> 00:27:23,040 IT'S THE MOST EXCITING THING THAT'S EVER HAPPENED TO HIM. 612 00:27:23,108 --> 00:27:24,519 YEAH, OR HE HAD A HAND IN IT. 613 00:27:24,543 --> 00:27:26,254 WHO ELSE HAD ACCESS TO THE SITE? 614 00:27:26,278 --> 00:27:27,388 THE PROPERTY DEVELOPER. 615 00:27:27,412 --> 00:27:29,279 YEAH, HE'S ON A SUN LOUNGER IN MEXICO. 616 00:27:29,348 --> 00:27:31,048 BOOK VERIFIED THAT. 617 00:27:31,116 --> 00:27:32,349 NEIGHBORS. 618 00:27:32,417 --> 00:27:34,362 KEN STAFFORD COULDN'T GET RID OF ME FAST ENOUGH. 619 00:27:34,386 --> 00:27:35,618 RIGHT. 620 00:27:35,687 --> 00:27:38,588 WE ELIMINATE ALL OF THEM BEFORE WE TAKE THIS ANY WIDER. 621 00:27:38,657 --> 00:27:41,992 BACKGROUND CHECKS, RECORD CHECKS, BE THOROUGH. 622 00:27:42,061 --> 00:27:43,538 WE'RE STARTING AFRESH ON THIS ONE. 623 00:27:43,562 --> 00:27:45,762 WE'VE TWO CRIMES. TWO BOYS. 624 00:27:45,831 --> 00:27:47,998 FOR NOW, THIS IS NOT A SERIES. 625 00:27:49,434 --> 00:27:50,868 MR. McAVOY? 626 00:27:52,905 --> 00:27:54,238 YOU FROM THE PAPERS? 627 00:27:54,306 --> 00:27:55,438 NO. 628 00:27:55,507 --> 00:27:57,908 MY BOSS... SHE'S NOT VERY HAPPY WITH YOU. 629 00:27:57,977 --> 00:28:00,210 SHOOTING YOUR MOUTH OFF. 630 00:28:00,279 --> 00:28:02,190 COULD COMPROMISE OUR INVESTIGATION. 631 00:28:02,214 --> 00:28:03,758 I'M ONLY GIVING MY SIDE OF THE STORY. 632 00:28:03,782 --> 00:28:05,215 NOT ANYMORE, YOU'RE NOT. 633 00:28:05,284 --> 00:28:06,416 WHAT ABOUT FREE SPEECH? 634 00:28:06,485 --> 00:28:08,864 IT ISN'T FREE IF IT COSTS US THE CASE. GOT IT? 635 00:28:08,888 --> 00:28:11,955 NOW, DATES, PLACES, TIMES. 636 00:28:12,024 --> 00:28:15,625 I NEED TO GO OVER IT ALL AGAIN WITH YOU, MR. McAVOY. 637 00:28:15,694 --> 00:28:17,794 FINE. 638 00:28:17,863 --> 00:28:20,864 She took Clive, and now she's still persecuting me. 639 00:28:20,933 --> 00:28:24,467 Because she knows where Clive really belongs, that's why. 640 00:28:24,536 --> 00:28:26,569 Did you take Sammy? 641 00:28:26,638 --> 00:28:28,305 Do you know where he is? 642 00:28:30,475 --> 00:28:32,209 No. 643 00:28:32,278 --> 00:28:34,912 Mrs. Wray... It's still Mrs. Wray? 644 00:28:34,980 --> 00:28:37,781 WHAT DO YOU THINK? 645 00:28:37,849 --> 00:28:39,783 SHE'S CRACKED ENOUGH. 646 00:28:39,851 --> 00:28:42,452 LET'S SEE WHAT THE LINEUP GIVES US. 647 00:28:42,521 --> 00:28:45,022 MY PHONE IS IN MELTDOWN. 648 00:28:45,090 --> 00:28:46,601 LOCAL PRESS HAVE GOT WIND OF AN ARREST. 649 00:28:46,625 --> 00:28:47,936 HALF OF THEM ARE CAMPED OUTSIDE. 650 00:28:47,960 --> 00:28:49,804 IS IT TRUE YOU'RE QUESTIONING THE EX-WIFE 651 00:28:49,828 --> 00:28:51,295 FOR THE ABDUCTION? 652 00:28:51,363 --> 00:28:55,598 What gives you the impression that Clive still loves you? 653 00:28:55,667 --> 00:28:57,512 WELL, THANK YOU FOR THE UPDATE. 654 00:28:57,536 --> 00:28:58,635 I'VE BEEN QUITE BUSY. 655 00:28:58,703 --> 00:29:00,882 I SHOULD BE TOLD OF ALL MAJOR DEVELOPMENTS. 656 00:29:00,906 --> 00:29:02,717 NOW, THIS IS A MAJOR DEVELOPMENT? 657 00:29:02,741 --> 00:29:04,207 NO. YEAH. 658 00:29:04,276 --> 00:29:06,109 YOUR FINAL ANSWER? 659 00:29:06,178 --> 00:29:08,478 THERE'S A LOT OF SPECULATION FLYING ABOUT AT THIS STAGE. 660 00:29:08,547 --> 00:29:10,591 WELL, UNLESS YOU GIVE ME SOMETHING TO WORK WITH, 661 00:29:10,615 --> 00:29:12,627 IT'S GONNA BE ALL OVER THE AIRWAVES, AS WELL. 662 00:29:12,651 --> 00:29:15,752 SHALL I PUT THE CALLS STRAIGHT THROUGH TO THE INCIDENT ROOM? 663 00:29:15,821 --> 00:29:17,098 TO THE HORSE'S MOUTH? 664 00:29:17,122 --> 00:29:18,922 RICHARD. 665 00:29:18,991 --> 00:29:21,358 NO NAMES YET. 666 00:29:23,329 --> 00:29:26,496 THANK YOU FOR YOUR SUPPORT. 667 00:29:26,565 --> 00:29:29,285 I'M NOT GONNA TALK TO HER LIKE THAT. 668 00:29:34,373 --> 00:29:37,607 YOU'VE BEEN UP TO YOUR OLD TRICKS AGAIN, MRS. WRAY. 669 00:29:37,676 --> 00:29:39,676 ATTACKING PROPERTY, 670 00:29:39,744 --> 00:29:42,612 THREATENING CLIVE AND HIS FAMILY. 671 00:29:42,681 --> 00:29:45,648 SECOND FAMILY. 672 00:29:45,717 --> 00:29:48,196 WE'VE BEEN READING SOME OF THE MESSAGES 673 00:29:48,220 --> 00:29:49,686 YOU'VE BEEN SENDING HIM. 674 00:29:49,754 --> 00:29:53,723 "YOUR LIFE WON'T BE WORTH LIVING." 675 00:29:53,792 --> 00:29:57,894 "YOUR SLUT AND HER BRAT CAN ROT IN HELL." 676 00:29:57,963 --> 00:29:59,596 THIS ALL STARTED UP AGAIN 677 00:29:59,664 --> 00:30:02,165 AFTER HE BROUGHT SAMMY AROUND, YEAH? 678 00:30:02,234 --> 00:30:04,534 WELL, WHAT DID HE EXPECT? 679 00:30:04,603 --> 00:30:06,470 I HATED THAT CHILD. 680 00:30:06,538 --> 00:30:07,971 HATED? 681 00:30:08,040 --> 00:30:11,808 YOU THINK HE'S STILL ALIVE? 682 00:30:13,979 --> 00:30:15,412 YES! 683 00:30:15,481 --> 00:30:18,515 LUKE STAFFORD... BIT OF A BAD UN. 684 00:30:18,583 --> 00:30:20,817 AND HE WENT TO ALL SAINTS HIGH SCHOOL... 685 00:30:20,886 --> 00:30:22,285 SAME SCHOOL AS SARAH WRAY. 686 00:30:24,556 --> 00:30:26,623 D.S. SHAP. 687 00:30:26,691 --> 00:30:28,392 OH, HIYA, KIM. 688 00:30:28,460 --> 00:30:31,628 YEAH, NO, IT'S TONY, YOUR FIANCé'S BETTER HALF HERE. 689 00:30:33,265 --> 00:30:35,698 NO, LOVE, YOU'VE JUST MISSED HIM, YEAH. 690 00:30:35,767 --> 00:30:39,503 OKAY. ALL SYSTEMS GO FOR TONIGHT? 691 00:30:39,571 --> 00:30:41,838 I CAN'T WAIT. I'LL TELL HIM. 692 00:30:41,907 --> 00:30:44,207 ALL RIGHT, BYE. 693 00:30:44,276 --> 00:30:47,110 MAYBE WE SHOULD POSTPONE THE PARTY. 694 00:30:47,179 --> 00:30:49,546 EVERYONE'S FLAT-OUT. NO WAY, MATE. 695 00:30:49,614 --> 00:30:51,014 AFTER THE LAST FEW DAYS, 696 00:30:51,083 --> 00:30:53,750 WE ALL NEED A CHANCE TO GET TOTALLY HAMMERED. 697 00:30:53,818 --> 00:30:57,220 A WEEK LAST SATURDAY, YOU WERE WORKING. THEN WHAT? 698 00:30:57,289 --> 00:30:59,122 SHIFT FINISHES AT 4:00 A.M. 699 00:30:59,191 --> 00:31:00,457 I GET IN AT HALF PAST, 700 00:31:00,526 --> 00:31:03,193 SLEPT THROUGH TILL 5:00-ISH THAT AFTERNOON. 701 00:31:03,262 --> 00:31:06,196 SO YOU DIDN'T SEE LUKE... 702 00:31:06,265 --> 00:31:09,966 FOR THE BEST PART OF 20-ODD HOURS? 703 00:31:10,035 --> 00:31:11,535 I NEEDED IT. 704 00:31:11,603 --> 00:31:13,670 I JUST GOT OFF WHEN THE BLOODY BUILDERS ROLLED UP. 705 00:31:13,738 --> 00:31:15,183 AND YOU NEVER SHUT UP ABOUT IT. 706 00:31:15,207 --> 00:31:17,174 WHAT TIME DID YOU GET UP? DON'T KNOW. 707 00:31:17,242 --> 00:31:19,054 THE REST OF THE DAY... WHAT THEN? 708 00:31:19,078 --> 00:31:21,278 HERE PROBABLY. 709 00:31:21,346 --> 00:31:24,114 'CAUSE YOU'VE BEEN IN A BIT OF A BOTHER, HAVEN'T YOU? 710 00:31:24,183 --> 00:31:25,915 VANDALISM, ASSAULT. 711 00:31:27,319 --> 00:31:28,896 DOES IT MAKE YOU FEEL BIG, DOES IT? 712 00:31:28,920 --> 00:31:30,165 KNOCKING SOMEONE ABOUT? 713 00:31:30,189 --> 00:31:31,933 DO YOU GET A BUZZ OUT OF HURTING PEOPLE? 714 00:31:31,957 --> 00:31:33,656 PACK IT IN! 715 00:31:38,964 --> 00:31:41,309 HOW WELL DO YOU KNOW SARAH WRAY? 716 00:31:41,333 --> 00:31:42,765 WE'RE MATES. 717 00:31:42,834 --> 00:31:45,354 HAS SHE SAID ANYTHING ABOUT THE ABDUCTION OF HER HALF BROTHER? 718 00:31:45,404 --> 00:31:47,070 NO. NOTHING? 719 00:31:48,340 --> 00:31:51,040 SAID YOU LOT WENT 'ROUND THERE. 720 00:31:51,110 --> 00:31:52,310 AND THAT'S ALL? 721 00:31:55,414 --> 00:31:57,892 IF YOU HAVE NO OBJECTION, I'M GONNA LOOK 'ROUND IN HERE. 722 00:31:57,916 --> 00:31:58,848 YES. 723 00:31:58,917 --> 00:32:01,251 THERE'S NOTHING FOR YOU HERE. 724 00:32:03,589 --> 00:32:04,654 OKAY. 725 00:32:07,826 --> 00:32:09,804 HAVE WE GOT THAT WARRANT FOR CLAIRE WRAY'S HOUSE? 726 00:32:09,828 --> 00:32:11,661 Lisa: YEAH. MEET ME THERE. 727 00:32:23,742 --> 00:32:25,742 RIGHT. 728 00:32:25,810 --> 00:32:27,710 CHARMING. 729 00:32:27,779 --> 00:32:29,019 YOU HAVE ANYTHING? 730 00:32:29,080 --> 00:32:30,380 NOT YET. 731 00:33:00,712 --> 00:33:01,878 THAT'S GREAT. 732 00:33:01,946 --> 00:33:02,986 THANKS. 733 00:33:03,048 --> 00:33:04,526 YEAH, IT NEEDS SENSITIVE HANDLING. 734 00:33:04,550 --> 00:33:05,760 WELL, YOU'RE GOOD AT THAT. 735 00:33:06,818 --> 00:33:08,518 YOU STILL FOR THE PARTY TONIGHT? 736 00:33:08,587 --> 00:33:09,886 YEAH. 737 00:33:09,954 --> 00:33:11,288 ARE YOU COMING? 738 00:33:11,356 --> 00:33:12,522 DOUBT IT. 739 00:33:12,591 --> 00:33:16,560 BOSS, LUKE STAFFORD AND SARAH WRAY ARE BEST MATES. 740 00:33:16,628 --> 00:33:19,028 HE'S GOT A HISTORY OF VIOLENT BEHAVIOR, 741 00:33:19,097 --> 00:33:21,698 AND HE LIVES NEXT DOOR TO THE MURDER SCENE. 742 00:33:21,766 --> 00:33:23,866 SHE'S GOT A REASON TO WANT RID OF SAMMY WRAY. 743 00:33:23,935 --> 00:33:25,613 WHAT ARE YOU SAYING? WELL, IT'S A PACT. 744 00:33:25,637 --> 00:33:27,537 SHE DOES SAMMY, AND HE DOES ANOTHER CHILD. 745 00:33:27,606 --> 00:33:28,805 THEY'RE KIDS. 746 00:33:28,873 --> 00:33:32,309 OR... HE WAS GOING AFTER SAMMY, BUT HE GOT THE WRONG KID. 747 00:33:32,377 --> 00:33:33,497 AW, COME ON. 748 00:33:33,545 --> 00:33:35,278 BOSS, YOU OUGHT TO SEE HER ROOM. 749 00:33:35,347 --> 00:33:37,581 FULL OF CHILLER DVDs 750 00:33:37,649 --> 00:33:40,149 AND STUFF ABOUT DEATH AND PAIN... 751 00:33:40,219 --> 00:33:41,585 SICK STUFF. 752 00:33:41,653 --> 00:33:43,298 SHE'S 15. HELLO? 753 00:33:43,322 --> 00:33:46,389 LEONARD COHEN, PURPLE INK, CRAP POETRY. 754 00:33:46,458 --> 00:33:48,203 I KNOW YOU SPRANG FULLY FORMED, 755 00:33:48,227 --> 00:33:49,804 BUT THE REST OF US HAVE BEEN THERE. 756 00:33:49,828 --> 00:33:51,728 I'M NOT PULLING JUVENILES IN 757 00:33:51,796 --> 00:33:54,598 ON THE BASIS OF A FREAKY DVD COLLECTION. 758 00:33:54,666 --> 00:33:57,767 CAN YOU PUT EITHER SARAH OR LUKE AT THE PARK? 759 00:33:57,836 --> 00:33:59,836 NOT YET. BUT I CAN TRY. 760 00:33:59,904 --> 00:34:02,424 I THOUGHT YOU WERE OTHERWISE ENGAGED THIS EVENING. 761 00:34:04,042 --> 00:34:06,876 GIVING HER A PREVIEW... LIFE WITH A COP. 762 00:34:06,945 --> 00:34:09,112 BOSS, NONE OF THE WITNESSES PICKED CLAIRE WRAY 763 00:34:09,180 --> 00:34:10,513 OUT OF THE LINEUP. 764 00:34:12,517 --> 00:34:14,851 OKAY, RELEASE HER. 765 00:34:24,229 --> 00:34:26,441 WE HAVE NO EVIDENCE THAT CLAIRE IS INVOLVED. 766 00:34:26,465 --> 00:34:29,299 THE RECONSTRUCTION IS TIMED FOR 1:00 TOMORROW. 767 00:34:29,368 --> 00:34:31,834 AND? 768 00:34:31,903 --> 00:34:33,069 IS THAT IT? 769 00:34:33,138 --> 00:34:35,505 WE GO THROUGH THE WHOLE THING FOR THE CAMERAS 770 00:34:35,574 --> 00:34:37,118 JUST SO YOU CAN PLASTER OVER THE NEWS? 771 00:34:37,142 --> 00:34:39,354 THERE ARE STILL WITNESSES WE HAVEN'T MANAGED TO TALK TO. 772 00:34:39,378 --> 00:34:40,788 I'M HOPING THEY'LL COME FORWARD, 773 00:34:40,812 --> 00:34:42,357 BUT YOU DON'T NEED TO BE THERE. 774 00:34:42,381 --> 00:34:44,892 WE DON'T NEED TO MAKE THIS ANY HARDER THAN IT HAS TO BE. 775 00:34:44,916 --> 00:34:47,550 OH, NO. WE'LL BE THERE. 776 00:34:47,619 --> 00:34:50,052 WHEN YOU FIRST TOLD US THAT YOU'D FOUND HIM, 777 00:34:50,121 --> 00:34:52,054 WHEN WE BELIEVED HE WAS DEAD, 778 00:34:52,123 --> 00:34:55,625 IT WAS SO RAW AND DARK, I COULDN'T BREATHE. 779 00:34:55,694 --> 00:34:58,227 BUT THIS... THIS IS WORSE. 780 00:34:58,297 --> 00:34:59,457 I'M SO SORRY. 781 00:34:59,498 --> 00:35:02,265 I DON'T KNOW WHAT'S HAPPENING TO HIM. 782 00:35:02,334 --> 00:35:05,568 I WATCH THE CLOCK, AND I COUNT HIS HOURS, 783 00:35:05,637 --> 00:35:07,069 AND I'M NOT THERE. 784 00:35:07,138 --> 00:35:09,706 I SHOULD BE THERE. 785 00:35:53,117 --> 00:35:54,584 YEAH, PETE? 786 00:35:54,653 --> 00:35:56,753 CAN YOU POP 'ROUND? SOMETHING'S COME UP. 787 00:35:58,690 --> 00:36:00,222 HIYA. 788 00:36:00,291 --> 00:36:01,891 I THOUGHT YOU MEANT WORK. 789 00:36:01,960 --> 00:36:03,103 IT'S WORK-RELATED. 790 00:36:03,127 --> 00:36:04,561 IS, UM... 791 00:36:04,629 --> 00:36:06,128 IS TINA ALL RIGHT? 792 00:36:08,433 --> 00:36:09,532 YEAH, GOOD. 793 00:36:10,769 --> 00:36:11,769 BYE, THEN. 794 00:36:38,396 --> 00:36:39,696 HIYA. 795 00:36:39,764 --> 00:36:41,664 THIS ONE'S ON ME. 796 00:36:41,733 --> 00:36:44,968 WHATEVER THESE GUYS WANT AND SOMETHING FOR YOURSELF. 797 00:36:45,036 --> 00:36:46,956 YOU OUGHT TO GET HER NAME DOWN FOR A WIFE SWAP. 798 00:36:47,005 --> 00:36:48,537 SHE'D BE PERFECT. 799 00:36:56,180 --> 00:36:57,814 THANKS. 800 00:36:57,882 --> 00:37:00,316 COME ON, BUTCHERS. WHICH ONE IS SHE? 801 00:37:00,384 --> 00:37:01,664 THE ONE IN PINK. THE ONE IN PINK? 802 00:37:03,454 --> 00:37:05,888 CONGRATULATIONS, DEAR. 803 00:37:05,957 --> 00:37:07,256 YES, BOSS. 804 00:37:07,325 --> 00:37:09,191 I'M GONNA JUST... 805 00:37:12,897 --> 00:37:14,664 HI, GIRLS. 806 00:37:17,636 --> 00:37:20,770 ♪ IT TOOK ALL THE STRENGTH I HAD NOT TO FALL APART ♪ 807 00:37:20,839 --> 00:37:24,641 ♪ KEPT TRYIN' HARD TO MEND THE PIECES OF MY BROKEN HEART ♪ 808 00:37:24,709 --> 00:37:26,676 ♪ AND I SPENT, OH, SO MANY NIGHTS ♪ 809 00:37:26,745 --> 00:37:28,577 ♪ FEELING SORRY FOR MYSELF ♪ 810 00:37:28,647 --> 00:37:30,613 ♪ I USED TO CRY ♪ 811 00:37:30,682 --> 00:37:32,715 ♪ BUT NOW I HOLD MY HEAD UP HIGH ♪ 812 00:37:32,784 --> 00:37:34,316 ♪ AND YOU SEE ME ♪ 813 00:37:34,385 --> 00:37:36,163 MILLIE. 814 00:37:36,187 --> 00:37:38,254 MILLIE. 815 00:37:38,322 --> 00:37:40,567 WE HAD A TORTOISE CALLED MILLIE ONCE. 816 00:37:40,591 --> 00:37:42,025 IS IT SHORT FOR SOMETHING? 817 00:37:42,093 --> 00:37:43,359 MILLISON? 818 00:37:43,427 --> 00:37:44,761 IT'S EMILY, ACTUALLY. 819 00:37:44,829 --> 00:37:46,129 OH. 820 00:37:46,197 --> 00:37:48,731 YOU DON'T USE EMILY FOR WORK. 821 00:37:48,800 --> 00:37:50,444 YOU DON'T THINK YOU MIGHT BE A BIT MORE... 822 00:37:50,468 --> 00:37:52,802 SAME AGAIN? WILL YOU DO THE HONORS? 823 00:37:52,871 --> 00:37:53,803 THANKS. 824 00:37:53,872 --> 00:37:55,016 I THINK YOU'VE HAD ENOUGH. 825 00:37:55,040 --> 00:37:56,172 PISS OFF. 826 00:37:56,240 --> 00:37:57,640 MORE WHAT? 827 00:37:59,778 --> 00:38:01,010 SORRY? 828 00:38:05,383 --> 00:38:07,394 HE ACTS LIKE IT'S A TRADE SECRET. 829 00:38:07,418 --> 00:38:08,996 YOU'RE NOT MARRIED TO A WOMAN OR SOMETHING, ARE YOU? 830 00:38:09,020 --> 00:38:10,920 GOD, NO. 831 00:38:10,989 --> 00:38:12,288 ARE YOU? 832 00:38:13,792 --> 00:38:15,257 ♪ I'VE GOT ALL MY SELF-ESTEEM ♪ 833 00:38:15,326 --> 00:38:17,827 ♪ I WILL SURVIVE ♪ 834 00:38:17,896 --> 00:38:19,696 WHAT? 835 00:38:19,764 --> 00:38:23,099 SO, WHAT MADE YOU POP THE QUESTION? 836 00:38:23,168 --> 00:38:24,934 WERE YOU PISSED OR WHAT? 837 00:38:25,003 --> 00:38:26,402 I DON'T REMEMBER. 838 00:38:26,470 --> 00:38:28,137 IT WAS NEWS TO ME. 839 00:38:28,206 --> 00:38:29,505 BAD NEWS. 840 00:38:29,574 --> 00:38:31,774 BUT YOU STILL WENT AHEAD AND STUMPED UP FOR A RING? 841 00:38:31,843 --> 00:38:33,109 WELL, UH... 842 00:38:33,178 --> 00:38:35,778 YOU TIGHT GIT. 843 00:38:36,948 --> 00:38:38,514 YOU MADE HER PAY FOR HER OWN RING. 844 00:38:38,583 --> 00:38:40,194 ONLY TILL ME SALARY COMES THROUGH. 845 00:38:41,686 --> 00:38:43,686 WHAT AM I GONNA DO? 846 00:38:43,755 --> 00:38:45,188 LEAVE IT WITH ME. 847 00:38:45,256 --> 00:38:46,555 I'LL HAVE A QUIET WORD. 848 00:38:46,624 --> 00:38:48,091 TONY. 849 00:38:48,159 --> 00:38:49,992 IT'S DECIDED. 850 00:38:50,061 --> 00:38:51,393 TRUST ME. 851 00:38:53,698 --> 00:38:56,999 I NEVER TOOK YOU FOR A PARTY ANIMAL. 852 00:38:57,068 --> 00:38:59,501 LIVE IT LARGE, LOUISE. THAT'S WHAT I SAY. 853 00:38:59,570 --> 00:39:01,403 GOT TO SHOW THEM WE'RE HUMAN. 854 00:39:01,472 --> 00:39:03,417 THE TEAM RESPECTS YOU, JANINE. 855 00:39:03,441 --> 00:39:05,881 THAT'S HARD TO WIN BUT EASILY LOST. 856 00:39:05,944 --> 00:39:07,922 YOU KNOW, YOU'RE NEVER REALLY OFF DUTY. 857 00:39:07,946 --> 00:39:09,345 THAT'S RIGHT. 858 00:39:09,413 --> 00:39:11,447 THAT'S RIGHT. 859 00:39:11,515 --> 00:39:14,016 AND YOU CAN BE ALL MATES TOGETHER ALL NIGHT AND CHUMMY, 860 00:39:14,085 --> 00:39:15,952 AND THEN, IN THE OFFICE IN THE MORNING, 861 00:39:16,020 --> 00:39:17,854 YOU CAN BE GIVING SOMEONE A BOLLOCKING. 862 00:39:17,922 --> 00:39:19,722 YOU HAVE TO SET THE TONE. 863 00:39:19,791 --> 00:39:21,023 LEAD BY EXAMPLE. 864 00:39:21,092 --> 00:39:23,793 CAN BE TRICKY KNOWING WHERE TO DRAW THE LINE. 865 00:39:23,862 --> 00:39:26,273 A CASE LIKE THIS IS HARD ON EVERYONE INVOLVED. 866 00:39:26,297 --> 00:39:28,231 CAN SAY THAT AGAIN. 867 00:39:28,299 --> 00:39:32,568 WE'RE WORKING OUR BALLS OFF AND GETTING NOWHERE. 868 00:39:32,637 --> 00:39:34,037 AND THERE'S ME, 869 00:39:34,105 --> 00:39:36,372 TELLING THE PARENTS OF A MISSING 3-YEAR-OLD 870 00:39:36,440 --> 00:39:38,540 THERE'S STILL NO NEWS. 871 00:39:38,609 --> 00:39:41,911 AND IT MAKES ME WONDER, YOU KNOW, 872 00:39:41,980 --> 00:39:44,113 MAYBE I'VE DONE SOMETHING WRONG. 873 00:39:44,182 --> 00:39:48,017 MAYBE I CAN'T HACK IT ANYMORE. 874 00:39:48,086 --> 00:39:51,854 AM I JUST IN THIS JOB BECAUSE IT'S ALL I'VE EVER DONE? 875 00:39:51,923 --> 00:39:53,089 YOU! 876 00:39:53,158 --> 00:39:54,690 IF I FEEL LIKE THAT, 877 00:39:54,759 --> 00:39:58,027 HOW AM I SUPPOSED TO KEEP UP MORALE FOR THAT LOT? 878 00:39:58,096 --> 00:39:59,874 WHERE WERE YOU?! WHAT DO YOU THINK YOU'RE DOING?! 879 00:39:59,898 --> 00:40:03,099 COME ON, BOSS. YOU HAVEN'T HAD ANY CAKE YET. 880 00:40:03,168 --> 00:40:05,268 WE NEED TO GET IN QUICK. 881 00:40:05,336 --> 00:40:08,938 Kim: 882 00:40:12,777 --> 00:40:15,111 Janine: ♪ REGRETS ♪ 883 00:40:15,180 --> 00:40:16,879 ♪ I'VE HAD A FEW ♪ 884 00:40:16,948 --> 00:40:18,915 I'VE HAD A FEW, ACTUALLY. 885 00:40:20,118 --> 00:40:22,318 ♪ THEN AGAIN ♪ 886 00:40:22,386 --> 00:40:25,288 ♪ TOO FEW TO MENTION ♪ 887 00:40:25,356 --> 00:40:28,024 ♪ I DID ♪ 888 00:40:28,092 --> 00:40:31,327 ♪ WHAT I HAD TO DO ♪ 889 00:40:31,395 --> 00:40:34,230 ♪ I SAW IT THROUGH ♪ 890 00:40:34,299 --> 00:40:38,201 ♪ WITHOUT EXEMPTION ♪ 891 00:40:38,269 --> 00:40:40,169 ♪ I PLANNED ♪ 892 00:40:40,238 --> 00:40:43,439 ♪ EACH CHARTED COURSE ♪ 893 00:40:43,507 --> 00:40:47,009 ♪ EACH CAREFUL STEP ♪ 894 00:40:47,078 --> 00:40:50,412 ♪ ALONG THE BYWAY ♪ 895 00:40:50,481 --> 00:40:53,082 ♪ MORE ♪ 896 00:40:53,151 --> 00:40:56,185 ♪ MORE THAN THIS ♪ 897 00:40:56,254 --> 00:41:02,291 ♪ I DID IT MY-Y-Y WAY ♪ 898 00:41:09,433 --> 00:41:10,833 HI. 899 00:41:10,902 --> 00:41:12,622 PETE, CAN YOU DROP ME LAPTOP 'ROUND? 900 00:41:12,671 --> 00:41:13,870 I'VE LEFT IT IN THE HALL. 901 00:41:13,938 --> 00:41:15,638 THANKS. 902 00:41:28,086 --> 00:41:29,752 ♪ REGRETS ♪ 903 00:41:29,821 --> 00:41:30,920 ♪ I'VE HAD A FEW ♪ 904 00:41:30,989 --> 00:41:32,288 ♪ BUT THEN AGAIN ♪ 905 00:41:32,356 --> 00:41:34,256 I CAN ARRANGE A FEW MORE IF YOU LIKE. 906 00:41:38,063 --> 00:41:39,528 OKAY. 907 00:41:39,597 --> 00:41:42,398 WE'VE, UH, WE'VE NOW GOT DETAILED STATEMENTS 908 00:41:42,466 --> 00:41:47,269 FROM THE STAFFORDS, McAVOY, BREELEY, 909 00:41:47,338 --> 00:41:50,406 HOUSE STAFFS FOR THE WHOLE OF KENDALL AVENUE, 910 00:41:50,474 --> 00:41:52,975 PLUS TESTIMONY FROM ROYAL MAIL STAFF, 911 00:41:53,044 --> 00:41:57,714 METER READERS, WINDOW CLEANERS, AVON LADY, THE WORKS. 912 00:41:57,782 --> 00:42:00,516 THAT LITTLE LOT NEEDS CORRELATING AND MAPPING OUT. 913 00:42:00,585 --> 00:42:03,152 SOMEONE PUT THAT CHILD THERE. 914 00:42:03,221 --> 00:42:05,454 THEY WEREN'T OBSERVED. 915 00:42:05,523 --> 00:42:07,156 WHEN DID THEY GET THE CHANCE? 916 00:42:08,526 --> 00:42:09,826 LATE NIGHT, BUTCHERS? 917 00:42:09,894 --> 00:42:12,239 I BROUGHT IN LUKE STAFFORD AND SARAH WRAY. 918 00:42:12,263 --> 00:42:14,441 THEY WERE AT LUKE'S HOUSE THAT SATURDAY AFTERNOON. 919 00:42:14,465 --> 00:42:16,877 THAT'S WHERE SHE WENT AFTER THE HOCKEY MATCH, 920 00:42:16,901 --> 00:42:19,836 AND LUKE FAILED TO MENTION IT. 921 00:42:19,904 --> 00:42:21,204 AND? 922 00:42:21,272 --> 00:42:23,272 AND... 923 00:42:23,341 --> 00:42:26,408 THEY COULD HAVE GONE TO THE PARK AND TAKEN SAMMY. 924 00:42:26,477 --> 00:42:28,077 HOW'S THIS? 925 00:42:31,249 --> 00:42:33,349 WE HUNG OUT TOGETHER, THAT'S ALL. 926 00:42:33,417 --> 00:42:35,284 WE JUST STAYED AT HIS HOUSE. 927 00:42:35,353 --> 00:42:36,719 YOU EVER GO OUT AT ALL? 928 00:42:36,788 --> 00:42:37,788 NO. 929 00:42:37,822 --> 00:42:38,902 BOY'S OUT OF CONTROL. 930 00:42:38,957 --> 00:42:40,723 YOU DON'T KNOW ANYTHING ABOUT HIM. 931 00:42:40,792 --> 00:42:41,836 PLEASE, MRS. WRAY, 932 00:42:41,860 --> 00:42:44,004 CAN WE JUST HEAR WHAT SARAH'S GOT TO SAY? 933 00:42:44,028 --> 00:42:46,362 LUKE'S MUM DIED, 934 00:42:46,430 --> 00:42:48,831 AND HIS DAD WON'T EVEN SAY HER NAME. 935 00:42:48,900 --> 00:42:50,967 IT'S LIKE SHE NEVER EXISTED. 936 00:42:51,035 --> 00:42:52,035 HE GETS DOWN, 937 00:42:52,103 --> 00:42:54,036 AND SO HE GETS ANGRY AND HE GETS INTO FIGHTS. 938 00:42:54,105 --> 00:42:55,105 THAT'S ALL. 939 00:42:55,140 --> 00:42:56,438 HOW FAR DOES HE GO? 940 00:42:56,507 --> 00:42:59,147 HAS HE EVER REALLY HURT ANYONE? NO. 941 00:42:59,210 --> 00:43:00,709 IT'S JUST A SCRAP... 942 00:43:00,779 --> 00:43:02,812 USUALLY SOMEONE WHO'S GETTING AT HIM. 943 00:43:02,881 --> 00:43:05,748 MOSTLY, HE JUST TALKS ABOUT KILLING HIMSELF 944 00:43:05,817 --> 00:43:07,884 BECAUSE HIS LIFE ISN'T WORTH LIVING. 945 00:43:07,952 --> 00:43:10,419 I KNOW ONLY TOO WELL HOW GREAT A LOSS CAN BE. 946 00:43:10,488 --> 00:43:12,655 PLEASE. BE QUIET. 947 00:43:12,723 --> 00:43:14,456 NO. 948 00:43:14,525 --> 00:43:16,392 NO, IT'S NOT THE SAME. 949 00:43:16,460 --> 00:43:19,395 DAD LEFT YOU, BUT HE LEFT ME, TOO. 950 00:43:19,463 --> 00:43:22,031 YOU JUST MADE IT HARDER. 951 00:43:22,100 --> 00:43:25,034 HE WANTED TO SEE ME, BUT YOU MADE IT IMPOSSIBLE. 952 00:43:25,103 --> 00:43:27,314 HAS ANYONE EVER ASKED YOU WHAT YOU WANTED? 953 00:43:27,338 --> 00:43:29,939 I MISSED HIM SO MUCH. 954 00:43:32,143 --> 00:43:34,010 YOU SHOULD HAVE TOLD ME. 955 00:43:34,078 --> 00:43:37,013 SARAH'S TELLING YOU NOW. JUST LISTEN. 956 00:43:39,417 --> 00:43:43,119 HE'D GONE, AND THEN YOU TOOK PILLS. 957 00:43:45,256 --> 00:43:47,489 WHAT IF I HADN'T FOUND YOU IN TIME? 958 00:43:47,558 --> 00:43:49,892 DID YOU EVER EVEN THINK OF THAT... 959 00:43:49,961 --> 00:43:52,661 AND WHAT IT WAS LIKE FOR ME? 960 00:43:52,730 --> 00:43:56,299 I'M SO SICK OF IT. 961 00:43:56,367 --> 00:43:59,368 I JUST WANT IT ALL TO STOP. 962 00:44:07,645 --> 00:44:08,811 WHY DIDN'T YOU TELL US 963 00:44:08,880 --> 00:44:11,347 THAT SARAH HAD COME TO YOUR HOUSE THAT AFTERNOON? 964 00:44:11,415 --> 00:44:13,760 YOU JUST ASKED ME WHERE I WAS. 965 00:44:13,784 --> 00:44:15,818 LUKE, CAN YOU HELP US? 966 00:44:15,887 --> 00:44:19,388 DO YOU KNOW ANYTHING ABOUT THE MURDER OR SAMMY'S ABDUCTION? 967 00:44:19,457 --> 00:44:21,535 NO. HOW CAN YOU THINK THAT? 968 00:44:21,559 --> 00:44:24,160 WE WON'T GET ANY SURPRISES WHEN YOUR DNA TESTS COME BACK? 969 00:44:24,229 --> 00:44:26,729 NO. IS SARAH ALL RIGHT? 970 00:44:26,797 --> 00:44:28,898 YES, SHE'S FINE. THANKS VERY MUCH FOR YOUR HELP. 971 00:44:28,967 --> 00:44:31,100 COULD YOU JUST WAIT OUTSIDE FOR A MOMENT, PLEASE? 972 00:44:33,804 --> 00:44:36,472 HOLD ON, PLEASE. 973 00:44:40,278 --> 00:44:42,211 THESE PROBLEMS THAT LUKE'S BEEN HAVING, 974 00:44:42,280 --> 00:44:44,146 THEY STARTED AFTER YOUR WIFE'S DEATH? 975 00:44:44,215 --> 00:44:46,148 HE TOOK IT HARD. 976 00:44:46,217 --> 00:44:48,517 YOU TRY TALKING TO HIM? GET ANY HELP? 977 00:44:48,586 --> 00:44:51,587 THERE'S NO POINT IN DWELLING ON IT. 978 00:44:51,655 --> 00:44:53,022 SO, YOU DID NOTHING? 979 00:44:54,259 --> 00:44:55,491 ARE YOU AWARE OF THE FACT 980 00:44:55,559 --> 00:44:58,394 THAT LUKE'S BEEN STRUGGLING WITH DEPRESSION? 981 00:44:58,462 --> 00:44:59,996 HE'S HAD SUICIDAL THOUGHTS. 982 00:45:01,866 --> 00:45:03,465 OH, GOD. 983 00:45:05,169 --> 00:45:08,104 I GOT IT ALL WRONG, DIDN'T I? 984 00:45:08,172 --> 00:45:09,616 I'M A DETECTIVE, NOT A FAMILY THERAPIST. 985 00:45:09,640 --> 00:45:11,340 YOU DRAG THEM IN THERE, 986 00:45:11,409 --> 00:45:13,888 FORCING ME AWAY FROM TWO CRITICAL INVESTIGATIONS. 987 00:45:13,912 --> 00:45:16,357 YOU LATCHED ONTO THE WHOLE TEENAGE-KILLER THEORY 988 00:45:16,381 --> 00:45:17,457 'CAUSE IT WAS EASIER 989 00:45:17,481 --> 00:45:19,726 THAN DEALING WITH YOUR PERSONAL STUFF. 990 00:45:19,750 --> 00:45:21,050 NOW, WE'VE ALL DONE IT, 991 00:45:21,119 --> 00:45:23,463 BUT IT COCKS THINGS UP HERE AND AT HOME. 992 00:45:23,487 --> 00:45:25,388 IT'S ALL OFF. 993 00:45:25,456 --> 00:45:26,967 WHY DOESN'T THAT SURPRISE ME? 994 00:45:26,991 --> 00:45:28,157 HAPPY? 995 00:45:28,226 --> 00:45:29,758 SHE WAS A BIT OF A SLAPPER. 996 00:45:29,827 --> 00:45:31,560 AND YOU'RE A PRAT. 997 00:45:31,629 --> 00:45:33,941 I WANT TO REVIEW YOUR ORIGINAL STATEMENTS, 998 00:45:33,965 --> 00:45:36,285 SEE HOW OBJECTIVE THEY ARE. 999 00:45:41,139 --> 00:45:42,416 LAYING DOWN THE LAW? 1000 00:45:42,440 --> 00:45:44,960 LOOKS LIKE HE'S DONE A FEW ROUNDS WITH AMIR KHAN. 1001 00:45:49,013 --> 00:45:50,479 A "THANK YOU" WOULD BE NICE. 1002 00:45:50,548 --> 00:45:52,148 HONESTY WOULD BE NICE. 1003 00:45:52,216 --> 00:45:54,716 WERE YOU EVER GONNA SAY ANYTHING? 1004 00:45:54,785 --> 00:45:56,825 GETTING THE KIDS TO TELL ME... HOW PATHETIC IS THAT? 1005 00:45:56,854 --> 00:45:58,198 I DIDN'T TELL THEM. IT WAS TINA. 1006 00:45:58,222 --> 00:46:00,622 OH, WELL, THAT'S RIGHT. 1007 00:46:00,691 --> 00:46:02,702 SO, YOU'RE KEEPING THE BABY A SECRET FROM ALL OF US. 1008 00:46:02,726 --> 00:46:04,526 FORGIVE ME IF I DON'T CONGRATULATE YOU. 1009 00:46:04,595 --> 00:46:05,806 I DON'T WANT ANOTHER CHILD. 1010 00:46:05,830 --> 00:46:07,596 YOU KNOW THAT. 1011 00:46:07,665 --> 00:46:10,025 IT'S NEVER PART OF THE PLANNING. 1012 00:46:11,069 --> 00:46:14,703 LOOK, UM, WHATEVER HAPPENS, I'M NOT GOING ANYWHERE. 1013 00:46:14,772 --> 00:46:17,017 THE KIDS... I'LL BE THERE FOR THEM. 1014 00:46:17,041 --> 00:46:18,841 IS SHE GONNA WANT TO GET MARRIED? 1015 00:46:20,211 --> 00:46:21,255 I DON'T KNOW. 1016 00:46:21,279 --> 00:46:23,412 AW, COME ON, PETE. TAKE A WILD GUESS. 1017 00:46:23,481 --> 00:46:25,448 WHAT IS IT? A COMMITMENT TOO FAR? 1018 00:46:25,516 --> 00:46:27,583 IT'S NOT THE BABY. 1019 00:46:27,651 --> 00:46:29,830 YOU KNOW, IT'S JUST... I HAD OPTIONS. 1020 00:46:29,854 --> 00:46:31,932 I WAS SEEING HOW THINGS PANNED OUT. 1021 00:46:31,956 --> 00:46:33,122 RIGHT. 1022 00:46:33,191 --> 00:46:34,890 RIGHT. 1023 00:46:34,959 --> 00:46:37,426 YOU CAN'T LEAVE TINA NOW. 1024 00:46:37,495 --> 00:46:38,861 IS THAT IT? 1025 00:46:38,929 --> 00:46:40,696 WHAT OPTIONS DID I HAVE? 1026 00:46:40,764 --> 00:46:42,865 HMM? 1027 00:46:42,933 --> 00:46:44,833 PROMOTION, THREE KIDS, ONE ON THE WAY 1028 00:46:44,902 --> 00:46:46,002 WHEN YOU SWANNED OFF. 1029 00:46:46,070 --> 00:46:49,238 I DIDN'T CHOOSE THIS. THIS WASN'T PART OF MY PLAN. 1030 00:46:49,307 --> 00:46:50,906 I WANT A DIVORCE. 1031 00:46:50,975 --> 00:46:52,619 YOU'RE UPSET. 1032 00:46:52,643 --> 00:46:55,211 IT'S BEEN TWO YEARS. IT'S NOT COMPLICATED. 1033 00:46:55,279 --> 00:46:56,778 THIS ISN'T A MARRIAGE. IT'S OVER. 1034 00:46:56,847 --> 00:46:58,127 YEAH? 1035 00:47:09,994 --> 00:47:13,095 KEN STAFFORD'S SECOND STATEMENT. 1036 00:47:13,164 --> 00:47:14,741 "SATURDAY, BACK FROM THE NIGHT SHIFT, 1037 00:47:14,765 --> 00:47:16,877 JUST GOT OFF TO SLEEP, WHEN THE BUILDERS START UP." 1038 00:47:16,901 --> 00:47:18,512 LUKE SAYS HIS DAD COMPLAINED ABOUT IT. 1039 00:47:18,536 --> 00:47:22,305 INITIAL DOOR-TO-DOOR TESTIMONY FROM KEN STAFFORD... 1040 00:47:22,373 --> 00:47:23,653 "DON'T SEE THEM FOR DAYS, 1041 00:47:23,707 --> 00:47:25,852 THEN THEY TURN UP AT THE CRACK OF DAWN." 1042 00:47:25,876 --> 00:47:30,012 LAZY BUILDERS... ON THE JOB BEFORE DAYLIGHT? 1043 00:47:30,081 --> 00:47:32,681 IT'S THE BUILDERS WE SHOULD BE TALKING TO. 1044 00:47:32,750 --> 00:47:34,250 IT'S THE BLOODY BUILDERS. 1045 00:47:34,319 --> 00:47:36,752 Shap: BREELEY'S CAR BROKE DOWN ON THE FRIDAY AFTERNOON. 1046 00:47:36,821 --> 00:47:38,999 A.A. WERE CALLED OUT. MANDY BREELEY WAS DRIVING. 1047 00:47:39,023 --> 00:47:41,623 YEAH, HE WAS FIXING THAT CAR WHEN WE FIRST WENT 'ROUND THERE. 1048 00:47:41,692 --> 00:47:43,938 IF IT WAS BREELEY, AND THAT CAR WAS OUT OF ACTION, 1049 00:47:43,962 --> 00:47:45,572 HE'D HAVE HAD TO USE HIS WORK VAN 1050 00:47:45,596 --> 00:47:47,441 TO TAKE THE BODY TO THE DRAINAGE TUNNEL. 1051 00:47:47,465 --> 00:47:48,664 FROM? 1052 00:47:50,701 --> 00:47:52,268 ALL RIGHT. 1053 00:47:52,337 --> 00:47:56,305 IF BREELEY OR McAVOY DID KILL THE CHILD, 1054 00:47:56,374 --> 00:47:58,640 COULD THEY HAVE GONE ON TO SNATCH SAMMY, 1055 00:47:58,709 --> 00:48:00,142 HIDDEN HIM SOMEWHERE, TOO? 1056 00:48:00,211 --> 00:48:02,389 BREELEY'S WIFE SAID HE WAS WITH HER ALL SATURDAY AFTERNOON. 1057 00:48:02,413 --> 00:48:04,158 AND THERE'S NO ONE TO ALIBI McAVOY FOR, THEN. 1058 00:48:04,182 --> 00:48:06,893 NO ONE? HOME IN FRONT OF THE TELLY, A FEW BEERS. 1059 00:48:06,917 --> 00:48:08,050 LIVES ALONE, NO FAMILY? 1060 00:48:08,119 --> 00:48:09,663 AND WHAT? THAT MAKES IT ANY MORE LIKELY? 1061 00:48:09,687 --> 00:48:11,498 JUST NO ONE TO KEEP TABS ON HIM. 1062 00:48:11,522 --> 00:48:12,989 HAS ITS ADVANTAGES. 1063 00:48:13,057 --> 00:48:15,691 SO, BREELEY'S BEEN OFF SICK. 1064 00:48:15,759 --> 00:48:18,060 WHICH SITES HAS McAVOY BEEN WORKING AT? 1065 00:48:18,129 --> 00:48:19,395 FIND OUT. 1066 00:48:19,464 --> 00:48:20,762 WE NEED TO SEARCH THEM. 1067 00:48:20,831 --> 00:48:22,398 LET'S GET CRACKING ON THIS. 1068 00:48:22,467 --> 00:48:23,467 RICHARD? 1069 00:48:31,609 --> 00:48:33,109 IS THIS ABOUT LAST NIGHT? 1070 00:48:33,177 --> 00:48:35,222 THE GLACIAL TONE, THE MOODY STARES. 1071 00:48:35,246 --> 00:48:36,390 DID I POP YOUR BALLOON? 1072 00:48:36,414 --> 00:48:38,447 NO, YOU WERE A RIGHT COW TO MILLIE LAST NIGHT. 1073 00:48:38,516 --> 00:48:39,982 YOU COULD BARELY SAY HER NAME. 1074 00:48:40,051 --> 00:48:41,051 "MILLIE?" 1075 00:48:41,085 --> 00:48:43,319 PATRONIZING HER, STICKING YOUR NOSE IN. 1076 00:48:43,388 --> 00:48:45,388 OR MAYBE YOU CAN'T REMEMBER THAT. 1077 00:48:45,456 --> 00:48:47,267 IT WAS JUST BEFORE YOU MADE A RIGHT PRAT OF YOURSELF 1078 00:48:47,291 --> 00:48:49,691 WITH YOUR "'X' FACTOR" ROUTINE. 1079 00:48:52,530 --> 00:48:56,499 OKAY, SO, WILL YOU CALL HIM AND THEN LET ME KNOW? 1080 00:48:56,567 --> 00:48:58,067 THANKS, JEFF. 1081 00:48:58,136 --> 00:48:59,402 YEAH, NO PROBS. 1082 00:48:59,470 --> 00:49:01,303 SPEAK TO YOU LATER. BYE. 1083 00:49:03,807 --> 00:49:06,153 WE'VE, UM... WE'VE HAD A BREAK. 1084 00:49:06,177 --> 00:49:09,178 STAFFORD'S STATEMENT PUTS ONE OF THE BUILDERS AT THE SCENE 1085 00:49:09,247 --> 00:49:10,527 EARLY THAT SATURDAY MORNING. 1086 00:49:10,581 --> 00:49:11,680 WHO? 1087 00:49:11,749 --> 00:49:14,850 IT'S TOO EARLY TO ELIMINATE EITHER OF THEM YET. 1088 00:49:14,919 --> 00:49:17,819 ANYTHING ELSE? 1089 00:49:17,888 --> 00:49:20,089 YEAH, UH, YEAH. 1090 00:49:20,158 --> 00:49:22,658 YOU COULD ISSUE A STATEMENT SAYING, 1091 00:49:22,726 --> 00:49:25,239 "YOUR INFORMATION HAS GIVEN US SOME POSITIVE NEW LEADS 1092 00:49:25,263 --> 00:49:26,895 AND VERY HELPFUL." 1093 00:49:26,964 --> 00:49:28,431 THAT TRUE? 1094 00:49:28,499 --> 00:49:29,965 NO. 1095 00:49:30,034 --> 00:49:32,212 FEEL LIKE I'M SMASHING ME HEAD AGAINST A BRICK WALL, 1096 00:49:32,236 --> 00:49:33,613 BUT THAT DOESN'T SCAN SO WELL. 1097 00:49:33,637 --> 00:49:37,739 WELL, I COULD DIG AROUND A BIT, DO AN ARCHIVE SEARCH. 1098 00:49:37,808 --> 00:49:39,475 YEAH, THANKS. 1099 00:49:39,544 --> 00:49:43,079 THE WRAYS ARE STILL SET ON ATTENDING THE RECONSTRUCTION. 1100 00:49:43,147 --> 00:49:45,459 THEY, UM, THEY WANT TO FEEL INVOLVED. 1101 00:49:48,819 --> 00:49:50,453 I'LL SEE YOU THERE. 1102 00:49:50,521 --> 00:49:51,853 MILLIE SAUNDERS. 1103 00:49:51,922 --> 00:49:52,999 WE HAVE A WITNESS 1104 00:49:53,023 --> 00:49:55,757 WHO PLACES YOU AT KENDALL AVENUE MUCH EARLIER. 1105 00:49:55,826 --> 00:49:58,294 THAT CAN'T BE ME. I DIDN'T GET THERE TILL 9:00. 1106 00:49:58,362 --> 00:49:59,473 WERE YOU THE FIRST? 1107 00:49:59,497 --> 00:50:00,497 YEAH. 1108 00:50:00,531 --> 00:50:02,231 WHEN DID BREELEY SHOW? 1109 00:50:02,300 --> 00:50:03,765 JUST AFTER. 1110 00:50:03,834 --> 00:50:06,034 DO YOU THINK HE HAD SOMETHING TO DO WITH IT? 1111 00:50:06,104 --> 00:50:07,747 YOU'RE THE ONE IN THE INTERVIEW ROOM. 1112 00:50:07,771 --> 00:50:09,838 THAT'S RUBBISH, THAT IS. 1113 00:50:09,907 --> 00:50:12,941 I WAS THE ONE WHO REPORTED IT... THE FLOOD, ANYWAY. 1114 00:50:13,010 --> 00:50:14,510 NOW, WHY WOULD I DO THAT? 1115 00:50:14,579 --> 00:50:16,145 YOU TELL ME. 1116 00:50:16,214 --> 00:50:18,258 YOU'RE A TRUE CRIME FAN. AM I RIGHT? 1117 00:50:18,282 --> 00:50:19,215 YEAH. 1118 00:50:19,283 --> 00:50:20,561 OH, YOU'LL KNOW, THEN. 1119 00:50:20,585 --> 00:50:22,796 THERE ARE SOME PEOPLE WHO ATTRACT PARTICULAR ATTENTION 1120 00:50:22,820 --> 00:50:23,964 IN A MURDER INQUIRY. 1121 00:50:23,988 --> 00:50:25,454 FAMILY, CLOSE FRIENDS. 1122 00:50:25,523 --> 00:50:28,457 ALSO, THE LAST PERSON TO SEE THE VICTIM ALIVE, 1123 00:50:28,526 --> 00:50:30,704 THE ONE WHO DISCOVERS THE BODY, 1124 00:50:30,728 --> 00:50:34,096 ANYONE SHOWING AN EXCESSIVE AMOUNT OF INTEREST IN THE CASE, 1125 00:50:34,165 --> 00:50:37,099 AND A PERSON WHO RETURNS TO THE SCENE OF THE CRIME. 1126 00:50:37,168 --> 00:50:38,934 THREE OUT OF FOUR. 1127 00:50:39,003 --> 00:50:40,136 NO WAY! 1128 00:50:40,204 --> 00:50:43,071 YOU GOT IT ALL WRONG! I WAS WORKING THERE. 1129 00:50:43,141 --> 00:50:45,407 I CALLED IT IN... THE FLOOD. 1130 00:50:45,476 --> 00:50:47,309 IT'S JUST CIRCUMSTANTIAL IS THIS. 1131 00:50:47,378 --> 00:50:49,911 YOU'VE BEEN TRYING TO SELL YOUR STORY TO THE PAPERS. 1132 00:50:49,980 --> 00:50:51,280 WHAT EXACTLY IS YOUR STORY? 1133 00:50:51,349 --> 00:50:53,315 IT'S HUMAN INTEREST. 1134 00:50:53,384 --> 00:50:55,317 IT'S IN THE PUBLIC DOMAIN. 1135 00:50:55,386 --> 00:50:56,652 I AM ENTITLED. 1136 00:50:56,720 --> 00:50:58,898 YOU'VE BEEN MOVING AROUND QUITE A LOT JUST RECENTLY. 1137 00:50:58,922 --> 00:51:00,889 DIFFERENT SITES. 1138 00:51:00,958 --> 00:51:04,193 HANDY, THAT, IF YOU'RE TRYING TO HIDE SOMETHING. 1139 00:51:04,262 --> 00:51:06,728 I'M NOT HIDING ANYTHING! 1140 00:51:19,677 --> 00:51:20,909 Woman: MA'AM? 1141 00:51:25,082 --> 00:51:28,617 WE'VE, UM... WE'VE GOT A GOOD TURNOUT. 1142 00:51:28,686 --> 00:51:30,052 WHAT IF THIS DOESN'T WORK? 1143 00:51:30,120 --> 00:51:31,387 I MEAN, HOW MUCH LONGER? 1144 00:51:31,455 --> 00:51:33,689 WE'RE DOING EVERYTHING WE CAN, I PROMISE. 1145 00:51:53,811 --> 00:51:55,511 THE GLASSES SCREW. 1146 00:51:57,114 --> 00:51:59,548 WE THOUGHT IT WAS SAMMY'S. 1147 00:51:59,617 --> 00:52:01,950 TURN IT ON ITS HEAD. 1148 00:52:02,019 --> 00:52:03,885 WHAT IF IT'S THE KILLER'S? 1149 00:52:03,954 --> 00:52:06,188 McAVOY WEARS GLASSES. 1150 00:52:06,257 --> 00:52:07,590 HE'S STILL GOT IT. 1151 00:52:12,697 --> 00:52:13,929 YEAH, RICHARD? 1152 00:52:13,997 --> 00:52:16,732 WHEN WE SPOKE TO JOE BREELEY AT HIS HOUSE, 1153 00:52:16,800 --> 00:52:17,977 THERE WERE PHOTOS ON THE WALL. 1154 00:52:18,001 --> 00:52:19,646 WAS HE WEARING GLASSES IN SOME OF THEM? 1155 00:52:19,670 --> 00:52:21,081 I THINK HE WAS. CAN YOU REMEMBER? 1156 00:52:21,105 --> 00:52:23,083 YOU'VE NOT GOT YOUR GLASSES, MR. BREELEY. 1157 00:52:23,107 --> 00:52:24,273 HE LOST THEM. 1158 00:52:24,342 --> 00:52:25,841 WHEN WAS THAT, THEN? 1159 00:52:25,909 --> 00:52:27,287 I DON'T KNOW. I CAN'T REMEMBER. 1160 00:52:27,311 --> 00:52:30,346 WELL, YOU DIDN'T HAVE THEM THE FIRST TIME WE CAME 'ROUND, 1161 00:52:30,414 --> 00:52:32,080 SO BEFORE THEN? 1162 00:52:32,149 --> 00:52:35,117 WE FOUND OPTICAL GLASS ON THE PAVEMENT AT KENDALL AVENUE 1163 00:52:35,185 --> 00:52:37,653 AND A GLASSES SCREW INSIDE THE SHEET 1164 00:52:37,722 --> 00:52:39,321 THE CHILD WAS WRAPPED IN. 1165 00:52:39,390 --> 00:52:42,157 HAVE YOU LOST YOUR GLASSES, OR ARE THEY BROKEN? 1166 00:52:42,226 --> 00:52:43,503 MAYBE THEY'RE IN THE VAN. 1167 00:52:43,527 --> 00:52:45,939 IT'S JUST OUTSIDE. CAN I HAVE A LOOK? 1168 00:52:45,963 --> 00:52:47,696 NO NEED TO DO THAT. 1169 00:52:47,765 --> 00:52:50,232 IT WON'T TAKE A MINUTE TO CLEAR THIS UP. 1170 00:52:50,301 --> 00:52:51,500 NOT IN THERE. 1171 00:52:51,569 --> 00:52:52,768 WHAT'S WRONG? 1172 00:52:52,836 --> 00:52:55,137 LEAVE IT! 1173 00:52:55,205 --> 00:52:56,438 JUST LEAVE! 1174 00:52:56,507 --> 00:52:58,039 BREELEY, RELAX. 1175 00:52:58,108 --> 00:52:59,508 JOSEPH BREELEY, 1176 00:52:59,577 --> 00:53:02,155 I'M ARRESTING YOU UNDER SUSPICION OF MURDER. MANDY! 1177 00:53:02,179 --> 00:53:03,724 YOU DO NOT HAVE TO SAY ANYTHING... MANDY! 1178 00:53:03,748 --> 00:53:05,148 BUT IT MAY HARM YOUR DEFENSE 1179 00:53:05,182 --> 00:53:06,815 IF YOU DO NOT MENTION, WHEN QUESTIONED, 1180 00:53:06,884 --> 00:53:08,917 SOMETHING WHICH YOU LATER RELY ON IN COURT. 1181 00:53:08,986 --> 00:53:11,353 ANYTHING YOU DO SAY MAY BE GIVEN IN EVIDENCE. 1182 00:53:11,422 --> 00:53:12,755 JUST RELAX. 1183 00:53:12,823 --> 00:53:16,292 THE SCREW MUST HAVE WORKED LOOSE AND DROPPED INTO THE SHEET. 1184 00:53:16,360 --> 00:53:18,472 LATER, AS YOU'RE MOVING THE BODY, 1185 00:53:18,496 --> 00:53:20,407 YOUR LENS FELL OUT AND BROKE. 1186 00:53:20,431 --> 00:53:21,463 THEY'RE NOT MINE. 1187 00:53:21,532 --> 00:53:22,731 COME ON, JOE, 1188 00:53:22,800 --> 00:53:25,367 WE CAN IDENTIFY THE PRESCRIPTION FROM THE FRAGMENTS. 1189 00:53:25,436 --> 00:53:26,535 THEY'LL MATCH. 1190 00:53:26,604 --> 00:53:28,181 THERE'S PLENTY MORE WHERE THAT CAME FROM. 1191 00:53:28,205 --> 00:53:29,683 WE GOT YOUR CLOTHES, WE GOT YOUR DNA. 1192 00:53:29,707 --> 00:53:31,807 YOU'RE BOUND TO FIND TRACES OF ME EVERYWHERE. 1193 00:53:31,875 --> 00:53:32,974 I WORKED THERE. 1194 00:53:33,043 --> 00:53:36,478 RIGHT, YOU WENT TO WORK EARLY IN THE VAN. 1195 00:53:36,547 --> 00:53:39,782 YOU PUT THE LITTLE BOY IN THE DRAINAGE TUNNEL, LEFT, 1196 00:53:39,850 --> 00:53:41,850 AND THEN CAME BACK AT 9:00. 1197 00:53:41,919 --> 00:53:43,251 WHAT HAPPENED, JOE? 1198 00:53:44,888 --> 00:53:46,888 WHO WAS THE LITTLE BOY? 1199 00:53:48,892 --> 00:53:50,793 Who was he, Joe? 1200 00:53:50,861 --> 00:53:53,696 Where is he from? Don't make it any worse for yourself. 1201 00:53:55,299 --> 00:53:57,199 JANINE, LOOK AT THIS. 1202 00:53:57,267 --> 00:53:59,768 JOE BREELEY HAD A LITTLE BROTHER... GARY. 1203 00:53:59,837 --> 00:54:02,270 JOE WAS LOOKING AFTER HIM WHEN THE TODDLER DIED. 1204 00:54:02,340 --> 00:54:04,873 HE FELL DOWN SOME STEPS, FRACTURED HIS SKULL. 1205 00:54:04,942 --> 00:54:08,377 THEY RULED ACCIDENTAL DEATH, THOUGH THERE WERE RUMORS. 1206 00:54:08,446 --> 00:54:10,824 "DID HE FALL, OR WAS HE PUSHED?" 1207 00:54:10,848 --> 00:54:11,848 EXACTLY. 1208 00:54:11,915 --> 00:54:13,949 JOE WAS 10 AT THE TIME. 1209 00:54:27,798 --> 00:54:29,798 WE KNOW ABOUT YOUR BROTHER... 1210 00:54:29,867 --> 00:54:31,667 ABOUT GARY. 1211 00:54:31,736 --> 00:54:34,970 OH, YOU DO, DO YOU? KNOW ALL ABOUT THAT? 1212 00:54:36,807 --> 00:54:39,842 HE HAD A FRACTURE TO THE SKULL. SAME AGE. 1213 00:54:39,910 --> 00:54:44,179 WHAT HAPPENED THIS TIME? ANOTHER ACCIDENT? 1214 00:54:44,248 --> 00:54:45,726 SOMEONE OUT THERE IS WORRIED SICK 1215 00:54:45,750 --> 00:54:47,293 'CAUSE THEIR LITTLE BOY IS MISSING. 1216 00:54:47,317 --> 00:54:48,450 YOU'RE A FATHER. 1217 00:54:48,519 --> 00:54:50,552 IMAGINE THAT. 1218 00:54:50,621 --> 00:54:52,554 THAT LITTLE BOY NEEDS A NAME, 1219 00:54:52,623 --> 00:54:55,657 BUT WE NEED TO FIND OUT WHAT HAPPENED TO HIM. 1220 00:54:58,295 --> 00:55:00,195 HE'S IN OUR MORTUARY. 1221 00:55:00,264 --> 00:55:02,731 THAT'S NO PLACE FOR HIM. 1222 00:55:05,068 --> 00:55:07,002 HE NEEDS YOUR HELP. 1223 00:55:07,070 --> 00:55:10,038 WHO IS HE, JOE? 1224 00:55:10,107 --> 00:55:11,940 HE'S MY SON. 1225 00:55:13,944 --> 00:55:15,977 MY SON. 1226 00:55:17,815 --> 00:55:20,416 MY LITTLE BOY. 1227 00:55:25,022 --> 00:55:27,122 AND HE'S DEAD. 1228 00:55:31,395 --> 00:55:33,239 IS HE LOSING IT OR WHAT? 1229 00:55:33,263 --> 00:55:34,997 HAS HE GOT ANOTHER KID? 1230 00:55:35,065 --> 00:55:37,165 WELL, THERE'S THE BABY... 1231 00:55:37,234 --> 00:55:38,634 AND JOHN. 1232 00:55:38,702 --> 00:55:41,102 I'VE JUST PUT CHUCK DOWN FOR HIS NAP. 1233 00:55:46,243 --> 00:55:48,877 OH, MY GOD. 1234 00:55:48,946 --> 00:55:51,680 MANDY WENT OUT FRIDAY AFTERNOON. 1235 00:55:51,749 --> 00:55:53,927 CAR BROKE DOWN. YOU WERE LEFT ALONE WITH THE BOYS. 1236 00:55:53,951 --> 00:55:55,918 IT WERE AN ACCIDENT. 1237 00:55:55,986 --> 00:55:58,420 JUST WANTED THEM TO STOP MESSING ABOUT. 1238 00:55:58,488 --> 00:56:00,433 HE WAS HAVING A TANTRUM, KICKING OUT, 1239 00:56:00,457 --> 00:56:02,435 CHUCKING HIS FOOD ALL OVER THE PLACE, 1240 00:56:02,459 --> 00:56:06,161 SCREAMING HIS LITTLE HEAD OFF. 1241 00:56:06,229 --> 00:56:08,063 I PICK HIM UP. 1242 00:56:08,131 --> 00:56:09,464 YOU SHOOK HIM? 1243 00:56:09,533 --> 00:56:11,733 PUT HIM DOWN TOO ROUGH. 1244 00:56:11,802 --> 00:56:16,805 HE GOES BACKWARDS HARD AGAINST THE WALL. 1245 00:56:16,874 --> 00:56:19,708 AND THEN HE'S QUIET. 1246 00:56:22,012 --> 00:56:23,378 SHE WOULDN'T LET HIM GO. 1247 00:56:25,248 --> 00:56:28,249 WE STAYED WITH HIM ALL NIGHT. 1248 00:56:31,288 --> 00:56:34,122 BUT I HAD TO. 1249 00:56:34,191 --> 00:56:38,293 SO, THEN, UH, YOU WENT OUT AND TOOK SAMMY? 1250 00:56:42,032 --> 00:56:43,832 MANDY. 1251 00:56:43,901 --> 00:56:45,181 INTERVIEW SUSPENDED. 1252 00:56:51,108 --> 00:56:53,075 RICHARD, MANDY BREELEY'S GONE. 1253 00:56:53,143 --> 00:56:54,876 SHE'S TAKEN THE KIDS WITH HER. 1254 00:56:54,945 --> 00:56:57,178 HOW LONG? About 10 minutes. 1255 00:56:57,247 --> 00:56:58,446 CAN YOU TALK TO JOE BREELEY, 1256 00:56:58,515 --> 00:57:00,493 SEE IF SHE KNOWS WHERE SHE IS, WHERE SHE MIGHT BE HEADED? 1257 00:57:00,517 --> 00:57:01,850 CAN YOU STICK LISA ON? 1258 00:57:03,887 --> 00:57:04,953 HELLO? 1259 00:57:05,022 --> 00:57:06,722 WOULD YOU LIKE DETAILS? YEAH. 1260 00:57:06,790 --> 00:57:09,658 LISA, MAP OUT RADIUS, POSSIBLE DISTANCE TRAVELED, 1261 00:57:09,727 --> 00:57:11,426 tire projection. 1262 00:57:11,495 --> 00:57:12,794 WE'VE GOT ABOUT 10 MINUTES. 1263 00:57:12,863 --> 00:57:14,329 OKAY. 1264 00:57:15,599 --> 00:57:17,611 JOE, MANDY'S GONE MISSING. 1265 00:57:17,635 --> 00:57:18,566 WHAT? 1266 00:57:18,636 --> 00:57:19,801 WHAT ABOUT CONNER? 1267 00:57:19,870 --> 00:57:21,848 SHE'S TAKEN HIM... AND SAMMY. 1268 00:57:21,872 --> 00:57:25,040 I'M VERY CONCERNED FOR THEIR SAFETY. WHERE WOULD SHE GO? 1269 00:57:25,109 --> 00:57:27,275 YOU'LL TAKE CONNER OFF HER. I CAN'T DO THAT TO HIM. 1270 00:57:27,344 --> 00:57:29,656 WHAT IF SOMETHING HAPPENS? WHAT IF SOMETHING GOES WRONG? 1271 00:57:29,680 --> 00:57:30,812 NO. 1272 00:57:30,881 --> 00:57:32,659 IF YOU HELP US, JOE, IT'LL BE TAKEN INTO ACCOUNT. 1273 00:57:32,683 --> 00:57:34,728 DON'T CARE ABOUT THAT. CHRIST, YOU THINK THAT MATTERS?! 1274 00:57:34,752 --> 00:57:36,029 WE NEED TO SPEAK TO HER FRIENDS. 1275 00:57:36,053 --> 00:57:38,098 PERHAPS SHE'S LEFT THE KIDS WITH SOMEONE, 1276 00:57:38,122 --> 00:57:40,656 ASKED SOMEBODY FOR HELP. 1277 00:57:40,724 --> 00:57:41,724 JOE? 1278 00:57:44,628 --> 00:57:46,494 THEY'RE ON ME PHONE. 1279 00:57:46,563 --> 00:57:48,842 WHAT'S BREELEY BEEN SAYING? NOT A LOT, BOSS. 1280 00:57:48,866 --> 00:57:50,276 HAVE SOMEONE INFORM THE WRAYS NOW. 1281 00:57:50,300 --> 00:57:51,978 SPEAK TO THE BANK TO GET IN TOUCH WITH US 1282 00:57:52,002 --> 00:57:53,780 THE MINUTE SHE STARTS USING HER CREDIT CARDS. 1283 00:57:53,804 --> 00:57:54,948 WHAT ABOUT A MOBILE PHONE? 1284 00:57:54,972 --> 00:57:56,149 I'VE CONTACTED THE MOBILE NETWORK. 1285 00:57:56,173 --> 00:57:57,583 THEY'RE GONNA LOG ANY CALLS THAT SHE'S MADE. 1286 00:57:57,607 --> 00:57:58,785 SHE CALL ANYONE SO FAR? NO. 1287 00:57:58,809 --> 00:58:00,887 30 MINUTES, BOSS. SHE'S SOMEWHERE IN THIS AREA. 1288 00:58:00,911 --> 00:58:02,255 MOST LIKELY ON THE MOTORWAY. 1289 00:58:02,279 --> 00:58:03,945 A CAMERA SHOULD PICK HER UP. 1290 00:58:04,014 --> 00:58:05,313 BUTCHERS, GET ONTO THAT. 1291 00:58:05,382 --> 00:58:06,748 SHAP, I NEED A NEGOTIATOR. 1292 00:58:06,817 --> 00:58:08,261 GET ONTO THE NATIONAL CRIME FACULTY. 1293 00:58:08,285 --> 00:58:10,030 SEE IF WE CAN HAVE A PSYCHOLOGIST STANDING BY, 1294 00:58:10,054 --> 00:58:11,230 ADVISE US ON HOW TO PLAY IT. 1295 00:58:11,254 --> 00:58:13,555 CUSTOMS ON BOARD? YES, BOSS. 1296 00:58:13,623 --> 00:58:14,868 SOCIAL SERVICES? WILL DO. 1297 00:58:14,892 --> 00:58:16,524 WE COULD GO PUBLIC... BREAKING NEWS. 1298 00:58:16,593 --> 00:58:18,393 I COULD GET US A "BE ON THE LOOKOUT FOR." 1299 00:58:18,461 --> 00:58:20,439 MIGHT FREAK HER. NO, GO FOR IT. 1300 00:58:20,463 --> 00:58:22,097 NEWSROOM, PLEASE. 1301 00:58:22,166 --> 00:58:23,899 YEAH, MILLIE SAUNDERS, GMP. 1302 00:58:23,967 --> 00:58:25,645 DO YOU WANT TEA OR COFFEE? 1303 00:58:25,669 --> 00:58:26,935 YEAH. 1304 00:58:27,004 --> 00:58:28,514 SHE'S ON THE PHONE. SHE'S USING THE PHONE NOW. 1305 00:58:28,538 --> 00:58:29,538 WHO IS SHE CALLING? 1306 00:58:38,381 --> 00:58:40,048 MANDY? 1307 00:58:40,117 --> 00:58:41,795 Mandy: Joe, I wanted to say goodbye. 1308 00:58:41,819 --> 00:58:43,952 I had to go. 1309 00:58:44,021 --> 00:58:45,520 I'm sorry. 1310 00:58:45,589 --> 00:58:47,622 NO, I'M SORRY. 1311 00:58:47,691 --> 00:58:49,324 IT'S MY FAULT. 1312 00:58:49,392 --> 00:58:50,959 IT'S ALL MY FAULT. 1313 00:58:51,028 --> 00:58:52,627 JUST COME HOME, YEAH? 1314 00:58:52,696 --> 00:58:54,062 COME BACK. 1315 00:58:54,131 --> 00:58:55,997 PLEASE, BABE. 1316 00:58:56,066 --> 00:58:57,833 I love you, Joe. 1317 00:58:57,901 --> 00:58:59,445 Remember that. I love you. 1318 00:58:59,469 --> 00:59:01,569 BUT WE CAN WORK SOMETHING OUT. 1319 00:59:01,638 --> 00:59:03,004 JUST COME HOME. 1320 00:59:03,073 --> 00:59:04,572 WE CAN SORT THIS OUT. 1321 00:59:04,641 --> 00:59:06,975 It's too late. I'm sorry. 1322 00:59:07,044 --> 00:59:08,543 MANDY, NO, DON'T. MANDY. 1323 00:59:08,612 --> 00:59:09,923 MANDY! 1324 00:59:11,949 --> 00:59:13,159 CAMERAS HAVE GOT HER, BOSS. 1325 00:59:13,183 --> 00:59:15,195 M62 WEST, JUST PAST WARRINGTON. 1326 00:59:15,219 --> 00:59:17,318 SHE'S HEADING FOR LIVERPOOL. 1327 00:59:19,723 --> 00:59:20,803 THE CALL? 1328 00:59:20,858 --> 00:59:22,157 SAYING GOODBYE. 1329 00:59:22,226 --> 00:59:23,658 GOODBYE AS IN? 1330 00:59:27,530 --> 00:59:29,675 MANDY'S TRAVELING TOWARDS LIVERPOOL. 1331 00:59:29,699 --> 00:59:32,934 WE BELIEVE SHE MIGHT BE HEADING FOR THE AIRPORT OR THE PORT. 1332 00:59:33,003 --> 00:59:34,114 WHERE IS SHE GOING? 1333 00:59:34,138 --> 00:59:35,703 HAVE YOU GOT FAMILY ABROAD? 1334 00:59:35,773 --> 00:59:37,572 A PLACE THAT'S SPECIAL? 1335 00:59:37,641 --> 00:59:39,474 WHAT'S GONNA HAPPEN TO CONNER? 1336 00:59:39,542 --> 00:59:40,742 I DON'T KNOW. 1337 00:59:40,811 --> 00:59:42,956 BUT LET'S JUST TRY AND GET HIM BACK SAFELY, YEAH? 1338 00:59:42,980 --> 00:59:44,545 SHE'D NEVER HURT HIM. 1339 00:59:44,614 --> 00:59:46,214 WELL, SHE'S GRIEVING. 1340 00:59:46,283 --> 00:59:48,917 SHE'S LOST A CHILD AND TAKEN A REPLACEMENT. 1341 00:59:48,986 --> 00:59:50,696 SHE KNOWS WE'VE ARRESTED YOU. 1342 00:59:50,720 --> 00:59:52,921 WHEN THINGS LOOK BAD, 1343 00:59:52,990 --> 00:59:55,301 IT CAN SOMETIMES FEEL LIKE THERE'S ONLY ONE WAY OUT. 1344 00:59:55,325 --> 00:59:57,737 ARE YOU PREPARED TO TAKE THAT RISK WITH SAMMY, 1345 00:59:57,761 --> 00:59:59,261 WITH CONNER? 1346 01:00:02,399 --> 01:00:03,464 ISLAND. 1347 01:00:03,533 --> 01:00:06,268 WE USED TO GO AND SEE HER COUSINS IN WEXFORD. 1348 01:00:06,336 --> 01:00:08,603 USED TO TALK ABOUT MOVING THERE. 1349 01:00:08,672 --> 01:00:10,784 HOW'D YOU USUALLY GET THERE? 1350 01:00:10,808 --> 01:00:12,307 ON THE FERRY. 1351 01:00:13,510 --> 01:00:15,221 WE SHOULD BE WITH YOU IN ABOUT 30. 1352 01:00:15,245 --> 01:00:16,856 MANDY BREELEY COULD BE VOLATILE. 1353 01:00:16,880 --> 01:00:19,400 SHE'S GRIEF-STRICKEN, AND SHE MAY BE FEELING DESPERATE. 1354 01:00:19,449 --> 01:00:21,969 LET HER BOARD, BUT TRY NOT TO DO ANYTHING TO SPOOK HER. 1355 01:00:22,019 --> 01:00:24,130 CAN YOU ASK YOUR GUIDES NOT TO APPROACH HER? 1356 01:00:24,154 --> 01:00:25,394 HOLD ALL SAILINGS. 1357 01:00:45,309 --> 01:00:47,509 YEAH, HERE. STEP DOWN. 1358 01:00:52,282 --> 01:00:53,581 HIYA. 1359 01:00:53,650 --> 01:00:54,850 D.C.I. LEWIS. 1360 01:00:54,918 --> 01:00:56,017 HI. 1361 01:00:56,086 --> 01:00:57,618 WE'VE DONE A DISCREET SEARCH. 1362 01:00:57,687 --> 01:00:58,854 SHE'S ON DECK 5. 1363 01:00:58,922 --> 01:01:00,021 THANKS. 1364 01:01:00,090 --> 01:01:02,390 COAST GUARD IS STANDING BY. NO NEGOTIATOR AS YET. 1365 01:01:02,459 --> 01:01:04,226 SOCIAL WORKER'S ON THE WAY. 1366 01:01:04,294 --> 01:01:06,814 I'VE MET HER BEFORE. SHE MIGHT TALK TO ME. 1367 01:01:25,782 --> 01:01:27,916 MANDY, YOU ALL RIGHT? 1368 01:01:27,985 --> 01:01:30,919 GO AWAY. 1369 01:01:33,556 --> 01:01:36,057 IT'S ALL RIGHT. IT'S OVER, MANDY. 1370 01:01:36,126 --> 01:01:38,459 IT'S OVER. 1371 01:01:38,528 --> 01:01:40,461 YOU NEED TO COME WITH US. 1372 01:01:40,530 --> 01:01:42,663 WE KNOW ABOUT JOHN. 1373 01:01:42,732 --> 01:01:45,100 HE'S FINE. 1374 01:01:45,168 --> 01:01:46,734 AREN'T YOU, LOVE? WE'RE BOTH FINE. 1375 01:01:46,803 --> 01:01:48,136 JUST LEAVE US ALONE. 1376 01:01:48,205 --> 01:01:49,737 THAT'S NOT JOHN. 1377 01:01:49,806 --> 01:01:51,672 THAT'S SAMMY. 1378 01:01:51,741 --> 01:01:54,776 AND HE'S SAD AND HE'S FRIGHTENED AND HE MISSES HIS MOM. 1379 01:01:54,844 --> 01:01:56,945 I DON'T KNOW WHAT YOU'RE ON ABOUT. 1380 01:01:58,848 --> 01:02:00,782 THAT'S SAMMY, ISN'T IT? 1381 01:02:05,488 --> 01:02:07,422 MANDY... 1382 01:02:09,192 --> 01:02:10,992 JOE TOLD US WHAT HE DID. 1383 01:02:13,363 --> 01:02:15,630 THEY'D DREDGE IT ALL UP AGAIN. 1384 01:02:15,698 --> 01:02:18,666 WHAT'S THE CHANCE OF IT HAPPENING TWICE? 1385 01:02:18,735 --> 01:02:20,969 NEVER BELIEVE ME. 1386 01:02:21,038 --> 01:02:24,439 I TOLD THE TRUTH ONCE BEFORE, AND IT FELL APART. 1387 01:02:24,507 --> 01:02:27,275 HIS BROTHER, NOW HIS SON. 1388 01:02:27,344 --> 01:02:28,676 NO. 1389 01:02:30,480 --> 01:02:32,180 NO, IT'S NOT LIKE THAT. 1390 01:02:32,249 --> 01:02:33,714 TELL ME. 1391 01:02:36,753 --> 01:02:39,687 I WANTED TO GET AN AMBULANCE TO GET HELP, 1392 01:02:39,756 --> 01:02:41,789 BUT HE WASN'T MOVING. 1393 01:02:41,858 --> 01:02:45,093 I WENT TO SEE WHAT OUR GARY WAS UP TO. 1394 01:02:45,162 --> 01:02:48,063 THE CELLAR DOOR WAS OPEN. 1395 01:02:48,131 --> 01:02:52,300 OUR GARY HAD NEVER OPENED IT BEFORE. 1396 01:02:52,369 --> 01:02:54,336 THE LIGHT WAS BROKE. 1397 01:02:54,404 --> 01:02:57,905 IT WAS REALLY DARK. 1398 01:02:57,975 --> 01:02:59,907 I GOT ME TORCH. 1399 01:02:59,977 --> 01:03:04,912 OUR GARY WASN'T SCARED OF THE DARK. 1400 01:03:04,982 --> 01:03:07,315 DIDN'T WANT TO GO DOWN THERE. 1401 01:03:09,186 --> 01:03:11,953 HE JUST SNAPPED. HE'S NOT A BAD MAN. 1402 01:03:12,022 --> 01:03:15,556 HE HAS A TEMPER, BUT HE'S NOT A BAD MAN. 1403 01:03:15,625 --> 01:03:18,994 I WAS LATE BACK. 1404 01:03:19,062 --> 01:03:21,363 JOE SAID WE'D LOSE IT ALL. 1405 01:03:22,799 --> 01:03:25,333 WITH HIS BROTHER, IT WAS DIFFERENT. 1406 01:03:25,402 --> 01:03:27,969 IT WAS AN ACCIDENT, AND THEY STILL PUT HIM IN CARE. 1407 01:03:28,038 --> 01:03:29,304 HIS MUM LEFT HIM. 1408 01:03:29,373 --> 01:03:32,840 ME MUM'S EYES AND HER FACE... SHE NEVER SPOKE TO ME. 1409 01:03:32,909 --> 01:03:34,909 I WAS 10 YEARS OLD! 1410 01:03:34,978 --> 01:03:37,845 BLAME AND HATE... THAT'S WHAT THE TRUTH GOT ME, 1411 01:03:37,914 --> 01:03:39,914 AND IT NEVER BROUGHT OUR GARY BACK. 1412 01:03:39,983 --> 01:03:43,718 IMAGINE YOU COULD BRING JOHN BACK. 1413 01:03:43,786 --> 01:03:46,787 NOW, YOU CAN DO THAT FOR SAMMY'S MOM AND DAD. 1414 01:03:48,558 --> 01:03:50,958 'CAUSE YOU KNOW WHAT IT'S LIKE. 1415 01:03:53,363 --> 01:03:54,529 COME ON. 1416 01:03:56,599 --> 01:03:59,334 I LOVED MY SON. 1417 01:03:59,403 --> 01:04:01,736 I LOVED HIM. 1418 01:04:07,244 --> 01:04:08,843 PLEASE, COME ON. 1419 01:04:13,650 --> 01:04:15,750 COME ON, SAMMY. 1420 01:04:15,818 --> 01:04:16,858 COME ON. 1421 01:04:16,920 --> 01:04:18,786 THAT'S IT, SWEETHEART. 1422 01:04:18,855 --> 01:04:19,899 THAT'S IT. 1423 01:04:19,923 --> 01:04:21,122 THAT'S IT. 1424 01:04:25,562 --> 01:04:28,029 HELLO, SAMMY. 1425 01:04:28,098 --> 01:04:29,098 HELLO. 1426 01:04:29,132 --> 01:04:31,244 SHALL WE GO FIND YOUR MOTHER? 1427 01:04:31,268 --> 01:04:32,900 COME ON, MANDY. 1428 01:04:32,969 --> 01:04:34,202 COME ON. 1429 01:04:38,075 --> 01:04:40,875 HE'LL NEED A BOTTLE IN AN HOUR OR SO. 1430 01:04:43,180 --> 01:04:49,150 THERE'S A CHANGE OF CLOTHES IN THE BAG AND HIS TEDDY. 1431 01:04:49,219 --> 01:04:51,586 HE LIKES ROASTED APRICOTS. 1432 01:04:54,023 --> 01:04:55,557 LOVE YOU. 1433 01:05:06,303 --> 01:05:08,543 COME ON. COME ON, MANDY. 1434 01:05:18,781 --> 01:05:21,182 SWEETHEART, HERE YOU GO, BABY. 1435 01:05:21,251 --> 01:05:23,951 THAT'S IT. THERE WE ARE. 1436 01:05:24,020 --> 01:05:25,086 A BIG BOY. 1437 01:05:25,155 --> 01:05:26,821 THAT'S A BIG BOY. 1438 01:05:26,889 --> 01:05:28,856 HERE WE GO. 1439 01:05:28,925 --> 01:05:30,925 OH. 1440 01:05:30,994 --> 01:05:32,427 OH! 1441 01:06:15,572 --> 01:06:19,374 YOU THINK THEY'LL PROSECUTE HER? 1442 01:06:19,442 --> 01:06:21,276 IT'S HARD TO TELL. 1443 01:06:21,344 --> 01:06:23,611 I'M NOT PUSHING FOR IT. 1444 01:06:23,680 --> 01:06:26,200 SHE'D BE BETTER OFF RAISING THAT BABY. 1445 01:06:27,350 --> 01:06:28,716 AND BREELEY? 1446 01:06:28,785 --> 01:06:31,786 WELL, HE CAUSED JOHN'S DEATH... 1447 01:06:31,854 --> 01:06:33,754 COVERED IT UP... 1448 01:06:33,823 --> 01:06:36,457 PUT HIS SON'S BODY IN A DRAINAGE TUNNEL. 1449 01:06:36,526 --> 01:06:39,794 IF HE'D COME CLEAN, IT MIGHT HAVE BEEN DIFFERENT, BUT... 1450 01:06:39,862 --> 01:06:41,329 HEY, YOU. 1451 01:06:41,398 --> 01:06:42,478 Mayne: HI. 1452 01:06:44,201 --> 01:06:47,168 WILL YOU GIVE US FIVE MINUTES? 1453 01:06:47,237 --> 01:06:49,370 YEAH. 1454 01:06:49,439 --> 01:06:50,771 CONGRATULATIONS. 1455 01:06:50,840 --> 01:06:51,840 GREAT COPY. 1456 01:06:51,908 --> 01:06:53,241 THANKS. 1457 01:06:53,310 --> 01:06:54,590 SEE YOU DOWN THERE? 1458 01:07:01,818 --> 01:07:05,786 RICHARD, UM, LAST NIGHT... 1459 01:07:05,855 --> 01:07:07,988 I WAS OUT OF ORDER. 1460 01:07:08,057 --> 01:07:11,892 EVERYTHING... 1461 01:07:11,961 --> 01:07:13,361 NO EXCUSE. 1462 01:07:13,430 --> 01:07:16,964 I KNOW. 1463 01:07:17,033 --> 01:07:19,701 NOT FOR MURDERING A CLASSIC LIKE THAT. 1464 01:07:21,605 --> 01:07:23,738 STILL NOT CONVINCED. 1465 01:07:23,806 --> 01:07:25,906 WHAT'S THAT? 1466 01:07:25,975 --> 01:07:28,376 THAT SHE'S YOUR TYPE. 1467 01:07:28,445 --> 01:07:31,379 DON'T BE DAFT. I DON'T HAVE A TYPE. 1468 01:07:34,718 --> 01:07:36,618 WHAT IS MY TYPE? 1469 01:07:36,686 --> 01:07:39,053 YOU'LL BE LATE. 1470 01:07:53,403 --> 01:07:56,404 CAPTIONING MADE POSSIBLE BY ACORN MEDIA 100968

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