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1
00:00:27,627 --> 00:00:29,962
MA'AM, WOULD YOU
EXCUSE ME, PLEASE?
2
00:00:29,963 --> 00:00:31,931
THANK YOU.
3
00:00:38,638 --> 00:00:40,038
MAY I HELP YOU?
4
00:00:40,039 --> 00:00:41,607
YES, YOU MAY.
5
00:00:41,608 --> 00:00:44,410
THIS $20 BILL
WAS DEPOSITED BY YOUR STORE
6
00:00:44,411 --> 00:00:46,211
AT THE BANK THIS MORNING.
7
00:00:46,212 --> 00:00:48,247
DO YOU REMEMBER
WHO GAVE IT TO YOU?
8
00:00:48,248 --> 00:00:50,048
MAY I ASK YOUR NAME, SIR?
9
00:00:50,049 --> 00:00:51,417
JAMES WEST.
10
00:00:51,418 --> 00:00:52,951
OH, THAT'S PERFECT.
11
00:00:52,952 --> 00:00:55,254
YOU DO BELIEVE
IN DYNAMIC NUMEROLOGY?
12
00:00:55,255 --> 00:00:57,823
I DON'T EVEN KNOW
WHAT IT IS.
13
00:00:57,824 --> 00:01:01,960
OH, WELL, YOU SEE,
YOUR NAME HAS 9 LETTERS,
14
00:01:01,961 --> 00:01:05,564
WHICH IS ODD,
AND MY NAME HAS 17 LETTERS.
15
00:01:05,565 --> 00:01:07,733
OH, IT'S PRISCILLA GOODBODY,
16
00:01:07,734 --> 00:01:10,269
WHICH IS ODD--
OH, I MEAN THE LETTERS.
17
00:01:10,270 --> 00:01:12,004
WELL, NOW YOU SEE,
18
00:01:12,005 --> 00:01:16,175
IF YOU DIVIDE YOUR NAME
INTO MY NAME, YOU GET ONE.
19
00:01:16,176 --> 00:01:18,911
CARRY THE EIGHT,
WHICH IS EVEN,
20
00:01:18,912 --> 00:01:20,813
FROM WHICH YOU SUBTRACT
THE MONTH OF THE YEAR,
21
00:01:20,814 --> 00:01:23,916
WHICH IS FIVE,
AND THAT LEAVES YOU THREE,
22
00:01:23,917 --> 00:01:27,586
WHICH IS A TERRIBLY
LUCKY NUMBER, DON'T YOU SEE?
23
00:01:27,587 --> 00:01:29,922
TO THINK ALL THESE YEARS
I DIDN'T KNOW THIS.
24
00:01:29,923 --> 00:01:31,523
THE $20 BILL--
25
00:01:31,524 --> 00:01:33,759
DO YOU REMEMBER
WHO GAVE IT TO YOU?
26
00:01:33,760 --> 00:01:36,428
HUH? OH, YES,
OF COURSE I DO.
27
00:01:36,429 --> 00:01:38,597
WE DON'T
GET MANY $20 BILLS.
28
00:01:38,598 --> 00:01:40,032
IT WAS MR. BRONZINI.
29
00:01:40,033 --> 00:01:42,100
YOU KNOW WHERE
I CAN FIND HIM?
30
00:01:42,101 --> 00:01:44,369
AT THE CLARK HOUSE,
WHERE THE TRAVELING MEN STOP.
31
00:01:44,370 --> 00:01:45,971
HE'S A SALESMAN?
32
00:01:45,972 --> 00:01:48,140
I GUESS SO--
TWO OR THREE TIMES A MONTH
33
00:01:48,141 --> 00:01:49,975
MRS. MOORE HAS ME
SEND HIM SPECIAL ORDERS
34
00:01:49,976 --> 00:01:51,610
WHEN HE'S OUT OF TOWN.
35
00:01:51,611 --> 00:01:53,612
ASIDE FROM THE FACT
THAT MRS. MOORE
36
00:01:53,613 --> 00:01:55,781
HAS FIVE LETTERS
IN HER NAME, WHO IS SHE?
37
00:01:55,782 --> 00:01:57,883
SHE'S MANAGER AND OWNER.
38
00:01:57,884 --> 00:02:00,519
THANK YOU.
THANK YOU VERY MUCH.
39
00:02:00,520 --> 00:02:02,888
YOU KNOW, YOU'VE CHANGED
MY WHOLE LIFE
40
00:02:02,889 --> 00:02:05,224
THROUGH DYNAMIC NUMEROLOGY.
41
00:02:05,225 --> 00:02:07,860
THANK YOU VERY MUCH.
42
00:02:07,861 --> 00:02:09,795
GOODBYE.
43
00:02:24,210 --> 00:02:26,311
MR. BRONZINI?
44
00:03:16,129 --> 00:03:20,833
THE CASE.
45
00:03:24,671 --> 00:03:27,440
THERE'S A FIRE IN THERE!
GET SOME WATER.
46
00:05:14,147 --> 00:05:16,214
GENTLEMAN,
AS DIRECTOR OF THIS MINT,
47
00:05:16,215 --> 00:05:18,050
I THINK I CAN SPEAK
WITH AUTHORITY
48
00:05:18,051 --> 00:05:20,052
WHEN I SAY
THIS COUNTRY IS FACED
49
00:05:20,053 --> 00:05:22,054
WITH A CATASTROPHIC SITUATION--
CATASTROPHIC.
50
00:05:22,055 --> 00:05:23,922
MR. FARNSWORTH,
MY CHIEF ASSISTANT.
51
00:05:23,923 --> 00:05:25,590
MR. WEST, MR. GORDON,
52
00:05:25,591 --> 00:05:27,492
WORKING OUT OF SECRET SERVICE.
53
00:05:27,493 --> 00:05:28,827
HOW DO YOU DO?
54
00:05:28,828 --> 00:05:29,928
GENTLEMEN.
55
00:05:29,929 --> 00:05:31,730
READ THOSE FIGURES, BURT.
56
00:05:31,731 --> 00:05:35,701
THE RANGE AND SCOPE
OF THE REMBRANDT FILE.
57
00:05:35,702 --> 00:05:37,536
"THE REMBRANDT FILE"
IS THE CODE NAME
58
00:05:37,537 --> 00:05:39,204
WE'VE ASSIGNED
THE COUNTERFEIT PRODUCT.
59
00:05:39,205 --> 00:05:41,273
AH.
60
00:05:41,274 --> 00:05:43,875
"CHEYENNE, ONLY $5 BILLS PASSED.
61
00:05:43,876 --> 00:05:45,777
"SIOUX FALLS ONLY $10s,
62
00:05:45,778 --> 00:05:48,714
TUCSON ONLY $20s,
AND IN HOUSTON ONLY $50s."
63
00:05:48,715 --> 00:05:51,216
NOW, SINCE THREE WEEKS AGO
WHEN THE OPERATION STARTED,
64
00:05:51,217 --> 00:05:54,186
THERE'S NEVER BEEN A WEEK WHEN
MORE THAN $100 WORTH OF PRODUCT
65
00:05:54,187 --> 00:05:56,021
HAS BEEN PASSED
IN A GIVEN CITY.
66
00:05:56,022 --> 00:05:57,923
WHAT DO YOU MAKE
OF THAT, GENTLEMEN?
67
00:05:57,924 --> 00:05:59,591
A LOT
OF DRESS REHEARSALS.
68
00:05:59,592 --> 00:06:02,094
EXACTLY. EXACTLY.
69
00:06:02,095 --> 00:06:04,863
OPENING NIGHT COULD TURN OUT
TO BE QUITE A MONEYMAKER.
70
00:06:04,864 --> 00:06:07,866
GENTLEMEN, I KNOW I SHOULDN'T
GET SO EMOTIONAL ABOUT THIS,
71
00:06:07,867 --> 00:06:10,035
BUT MY JOB IS TO OVERSEE
THE PRODUCTION
72
00:06:10,036 --> 00:06:11,703
OF A UNIQUE PRODUCT,
73
00:06:11,704 --> 00:06:13,405
WHICH WE TURN OUT
WITH SUCH FINESSE,
74
00:06:13,406 --> 00:06:15,240
ARTISTRY,
ATTENTION TO DETAIL,
75
00:06:15,241 --> 00:06:18,110
THAT NO COMPETING PRODUCT
COME CLOSE TO MATCHING.
76
00:06:18,111 --> 00:06:19,878
UNTIL REMBRANDT, THAT IS.
77
00:06:19,879 --> 00:06:22,948
THIS STUFF
IS GIVING YOU THAT MUCH
78
00:06:22,949 --> 00:06:24,916
OF A RUN
FOR YOUR MONEY, HMM?
79
00:06:24,917 --> 00:06:27,753
AT ANY OTHER TIME,
I'D APPRECIATE THAT. NOT NOW.
80
00:06:27,754 --> 00:06:30,722
YOU SEE, THIS COUNTRY
HAS NEVER BEEN PUT TO THE TASK
81
00:06:30,723 --> 00:06:32,824
OF SEEING WHETHER
IT CAN SURVIVE THE INFILTRATION
82
00:06:32,825 --> 00:06:35,260
OF MILLIONS AND MILLIONS
OF DOLLARS ON ITS ECONOMY--
83
00:06:35,261 --> 00:06:37,262
MILLIONS OF DOLLARS
THAT EVEN AN EXPERT
84
00:06:37,263 --> 00:06:39,464
WOULD HAVE TROUBLE SPOTTING
AS COUNTERFEIT.
85
00:06:39,465 --> 00:06:41,466
IT WOULD HELP US
IF WE COULD BORROW
86
00:06:41,467 --> 00:06:43,235
SOME OF THOSE
FOR A WHILE.
87
00:06:43,236 --> 00:06:44,936
TAKE THEM ALL.
88
00:06:44,937 --> 00:06:48,273
TELL ME, WITH REGARD
TO THE BRILLIANT COMPETITION
89
00:06:48,274 --> 00:06:50,175
YOU'VE GOT IN THIS MATTER,
90
00:06:50,176 --> 00:06:51,843
DO YOU HAVE ANY IDEA
91
00:06:51,844 --> 00:06:54,946
WHO THE GUIDING GENIUS
MIGHT BE?
92
00:06:54,947 --> 00:06:57,383
ABBY.
93
00:06:59,852 --> 00:07:02,454
YOU FORGOT TO TAKE
YOUR PILL AGAIN.
94
00:07:02,455 --> 00:07:04,823
MARY, MAY I PRESENT
MR. WEST, MR. GORDON.
95
00:07:04,824 --> 00:07:06,992
HELLO, GENTLEMEN.
96
00:07:06,993 --> 00:07:09,127
HELLO, BURT.
HOW NICE TO SEE YOU AGAIN.
97
00:07:09,128 --> 00:07:11,663
I CAN ALWAYS TELL
WHEN MY HUSBAND FORGETS
98
00:07:11,664 --> 00:07:13,431
TO TAKE HIS PILL--
99
00:07:13,432 --> 00:07:16,201
HE STARTS POUNDING
THE TABLES, EVEN AT HOME.
100
00:07:16,202 --> 00:07:17,769
OH, DEAR,
I'M INTERRUPTING
101
00:07:17,770 --> 00:07:19,805
ONE OF YOUR HIGH-LEVEL
DISCUSSIONS.
102
00:07:19,806 --> 00:07:22,340
NO, MR. WEST AND MR. GORDON
WERE JUST LEAVING.
103
00:07:22,341 --> 00:07:24,109
THAT'S QUITE RIGHT,
MRS. LENNOX.
104
00:07:24,110 --> 00:07:25,443
ANY LAST COMMENTS
105
00:07:25,444 --> 00:07:27,312
YOU'D LIKE TO MAKE
ON THE CASE, SIR?
106
00:07:27,313 --> 00:07:28,980
I'M AFRAID THAT'S THE CROP,
GENTLEMEN.
107
00:07:28,981 --> 00:07:31,116
GOOD DAY.
108
00:07:31,117 --> 00:07:33,719
GOOD DAY TO YOU, SIR.
109
00:07:41,394 --> 00:07:43,161
ARTIE, WHY DON'T WE GO
TO THE HORSE'S MOUTH
110
00:07:43,162 --> 00:07:44,896
FOR THE INFORMATION
WE NEED?
111
00:07:44,897 --> 00:07:46,965
THAT'S WHAT
I WAS GOING TO SUGGEST.
112
00:07:46,966 --> 00:07:48,800
BEAUTIFUL--
113
00:07:48,801 --> 00:07:51,503
A SYMPHONY
OF INSPIRED INTAGLIO.
114
00:07:51,504 --> 00:07:55,340
THE ENGRAVING, THE PRINTING,
THE REGISTERING--
115
00:07:55,341 --> 00:07:58,243
ALL WORTHY
OF REMBRANDT HIMSELF.
116
00:07:58,244 --> 00:08:02,747
I DIDN'T KNOW THAT REMBRANDT
WENT IN FOR FORGERY, DOC.
117
00:08:02,748 --> 00:08:05,350
THE ONE I'M TALKING
ABOUT DID--
118
00:08:05,351 --> 00:08:08,186
THE TOWERING GENIUS
OF COUNTERFEITS.
119
00:08:08,187 --> 00:08:11,022
HE TAUGHT ME EVERYTHING
I KNOW ABOUT THIS CRAFT.
120
00:08:11,023 --> 00:08:14,326
THE OLD MASTER HIMSELF--
HARRY HOLMES.
121
00:08:14,327 --> 00:08:19,197
AND THIS IS GENUINE
HARRY HOLMES?
122
00:08:19,198 --> 00:08:21,266
WELL, IT COULDN'T
BE ANYTHING ELSE.
123
00:08:21,267 --> 00:08:24,202
NOTICE THE UNIQUE
DELICACY OF LINE,
124
00:08:24,203 --> 00:08:25,904
THE SUBTLE COLORING
OF THE INK,
125
00:08:25,905 --> 00:08:29,507
THE MASTERFUL IMPRINTING
OF THE WATERMARK.
126
00:08:29,508 --> 00:08:31,576
ONE LAST QUESTION, DOC--
127
00:08:31,577 --> 00:08:34,079
WHERE WOULD HARRY HOLMES
BE OPERATING NOW?
128
00:08:34,080 --> 00:08:37,916
AH, WHERE, INDEED.
129
00:08:37,917 --> 00:08:42,120
EIGHT YEARS AGO,
I HAD THE MOURNFUL JOB
130
00:08:42,121 --> 00:08:45,023
AS SERVING AS PALLBEARER
131
00:08:45,024 --> 00:08:50,428
WHEN WE LAID HIS POOR,
TORMENTED SOUL TO REST.
132
00:08:50,429 --> 00:08:52,297
DEAD, HUH?
133
00:08:52,298 --> 00:08:55,467
YOU WOULDN'T BE KIDDING
US, WOULD YOU, DOC?
134
00:08:55,468 --> 00:08:57,402
WHY, MR. GORDON,
135
00:08:57,403 --> 00:09:01,140
WOULD I KID THE TWO GENTLEMEN
WHO SENT ME UP?
136
00:09:13,386 --> 00:09:15,420
YOU KNOW, ARTIE,
137
00:09:15,421 --> 00:09:17,789
DR. KEYNO'S NEVER LIED
TO US BEFORE.
138
00:09:17,790 --> 00:09:19,891
I KNOW.
ALL THE SAME,
139
00:09:19,892 --> 00:09:21,927
I'M CHECKING WASHINGTON
ON HARRY HOLMES' FUNERAL.
140
00:09:21,928 --> 00:09:23,795
HMM.
141
00:09:23,796 --> 00:09:26,965
ARTIE, YOU DON'T--
YOU DON'T SUPPOSE
142
00:09:26,966 --> 00:09:30,969
THAT THE OLD MAN TOOK THOSE
ENGRAVINGS WITH HIM, DO YOU?
143
00:09:30,970 --> 00:09:33,772
WOULDN'T THAT BE
AN INTERESTING THOUGHT?
144
00:09:33,773 --> 00:09:36,808
YOU BETTER HAVE A LONG CHAT
WITH WASHINGTON
145
00:09:36,809 --> 00:09:39,811
BECAUSE IF SOMEONE
GOT A HOLD OF THOSE PLATES,
146
00:09:39,812 --> 00:09:42,447
SOMEONE THAT KNEW
HOW TO USE THEM...
147
00:09:42,448 --> 00:09:44,550
MM-HMM.
148
00:09:52,224 --> 00:09:53,792
ARTIE, I'M STARVED.
149
00:09:53,793 --> 00:09:55,627
WHAT DO YOU SAY
WE HAVE LUNCH?
150
00:09:55,628 --> 00:09:57,762
THAT'S A GREAT IDEA.
151
00:09:57,763 --> 00:10:00,031
THERE'S AN AGED SIRLOIN
AND A MARVELOUS BOTTLE
152
00:10:00,032 --> 00:10:02,000
OF CHATEAU ROTHSCHILD
IN THERE.
153
00:10:02,001 --> 00:10:04,302
NO, WHY DON'T WE
GO OUT FOR LUNCH TODAY?
154
00:10:04,303 --> 00:10:06,938
I KNOW A PLACE
THAT SERVES MEMORABLE FOOD.
155
00:10:06,939 --> 00:10:08,873
YOUR TREAT?
156
00:10:08,874 --> 00:10:11,843
YEAH, MY TREAT.
157
00:10:15,281 --> 00:10:17,215
LISTEN,
158
00:10:17,216 --> 00:10:18,883
NEXT TIME YOU
INVITE ME TO LUNCH,
159
00:10:18,884 --> 00:10:21,152
REMIND ME TO EAT FIRST,
WILL YOU?
160
00:10:21,153 --> 00:10:22,988
ARTIE, YOU'RE A SNOB.
161
00:10:22,989 --> 00:10:26,524
YOU'VE GOT TO THINK THAT
A HOT DOG IS A PORTABLE STEAK.
162
00:10:26,525 --> 00:10:28,393
IT'S ALL IN YOUR MIND.
163
00:10:28,394 --> 00:10:31,463
THIS ONE'S IN THE PIT
OF MY STOMACH-- TO STAY.
164
00:10:31,464 --> 00:10:33,064
ARTIE, WE KNOW
THAT BRONZINI
165
00:10:33,065 --> 00:10:35,300
WAS A PART
OF THIS CIRCUS.
166
00:10:35,301 --> 00:10:37,403
YEAH, BUT WE DON'T KNOW
HIS MURDERER WAS--
167
00:10:43,075 --> 00:10:44,642
UH, EXCUSE ME.
168
00:10:44,643 --> 00:10:46,378
COULD YOU TELL US
169
00:10:46,379 --> 00:10:48,513
WHERE WE COULD FIND
COLONEL HOUSLEY, PLEASE?
170
00:10:48,514 --> 00:10:50,715
RED TRAILER OVER THERE.
171
00:10:50,716 --> 00:10:52,785
OH, THANK YOU.
172
00:10:57,890 --> 00:11:01,026
JUST LET ME CATCH YOU BUMS
FIGHTING ONCE MORE,
173
00:11:01,027 --> 00:11:04,195
AND I'LL BOUNCE YOU BOTH
SO FAST YOUR EARS WILL FLAP.
174
00:11:04,196 --> 00:11:05,598
NOW GET OUT OF HERE!
175
00:11:11,604 --> 00:11:13,171
SINCE WE OPEN IN TWO WEEKS,
176
00:11:13,172 --> 00:11:15,673
PUBLICITY FOR SALT LAKE CITY
SHOULD START NO LATER THAN--
177
00:11:15,674 --> 00:11:17,442
MARCH OUT OF HERE.
178
00:11:17,443 --> 00:11:19,911
I AIN'T AUDITIONING
ANY ACTS TODAY.
179
00:11:19,912 --> 00:11:21,913
I THINK YOU NEED
A WIRE WALKER.
180
00:11:21,914 --> 00:11:24,416
I GOT ONE.
181
00:11:24,417 --> 00:11:26,752
YOU HAD ONE.
HE'S DEAD.
182
00:11:30,990 --> 00:11:33,425
THAT'S ALL I CAN TELL YOU
ABOUT BRONZINI.
183
00:11:33,426 --> 00:11:34,926
AS I SAID,
HE WAS A LONER,
184
00:11:34,927 --> 00:11:36,761
KEPT PRETTY MUCH
TO HIMSELF.
185
00:11:36,762 --> 00:11:39,297
DID HE GET MUCH MAIL
WHEN HE WAS ON THE ROAD?
186
00:11:39,298 --> 00:11:41,466
NO, ONLY PACKAGES AS I RECALL.
187
00:11:41,467 --> 00:11:44,736
HE DID GIVE YOU A PRESENT ONCE,
SOMETHING TO WEAR?
188
00:11:44,737 --> 00:11:47,372
A PETTICOAT,
BUT DON'T GET THE WRONG IDEA.
189
00:11:47,373 --> 00:11:50,575
HE USED TO HAND THEM OUT
TO ALL THE GIRLS.
190
00:11:50,576 --> 00:11:52,544
OH, FAST MAN
WITH THE DAINTY THINGS, HUH?
191
00:11:52,545 --> 00:11:54,212
I'LL SAY.
192
00:11:54,213 --> 00:11:56,414
I BET HE GAVE ONE
TO EVERY GIRL IN THE CIRCUS,
193
00:11:56,415 --> 00:11:58,583
MAYBE WITH THE EXCEPTION
OF LOLA.
194
00:11:58,584 --> 00:12:00,285
WHY NOT LOLA?
195
00:12:00,286 --> 00:12:02,121
SOMEONE PAGING ME?
196
00:12:09,228 --> 00:12:10,895
STRANGE, ISN'T IT?
197
00:12:10,896 --> 00:12:12,797
THAT CIRCUS
PLAYED SIOUX FALLS,
198
00:12:12,798 --> 00:12:14,999
CHEYENNE, TUCSON,
AND HOUSTON.
199
00:12:15,000 --> 00:12:17,769
THE PLAY DATES COINCIDE EXACTLY
WITH THE APPEARANCE
200
00:12:17,770 --> 00:12:20,071
OF COUNTERFEIT MONEY
IN THOSE TOWNS.
201
00:12:20,072 --> 00:12:22,640
AND IN EACH OF THOSE TOWNS,
WE KNOW THAT BRONZINI
202
00:12:22,641 --> 00:12:24,809
GETS A PACKAGE
FROM MOORE'S EMPORIUM.
203
00:12:24,810 --> 00:12:27,245
NOW, THAT ACCOUNTS
FOR THE LITTLE PRESENTS
204
00:12:27,246 --> 00:12:29,280
THAT HE GAVE
TO ALL THE GIRLS,
205
00:12:29,281 --> 00:12:32,317
BUT BRINGS UP
ANOTHER VERY BIG QUESTION.
206
00:12:32,318 --> 00:12:36,321
IF ALL HE WAS DOING
IS GIVING THEM LITTLE GIFTS,
207
00:12:36,322 --> 00:12:38,823
WHY HAVE IT SHIPPED
ALL THE WAY FROM DENVER?
208
00:12:38,824 --> 00:12:41,759
WHY NOT PICK UP
HIS PRESENTS ON THE ROAD?
209
00:12:41,760 --> 00:12:43,962
SUPPOSE THERE
WAS SOMETHING MORE
210
00:12:43,963 --> 00:12:46,498
THAN LADIES LINGERIE
IN THOSE PACKAGES.
211
00:12:46,499 --> 00:12:48,299
LIKE COUNTERFEIT MONEY.
212
00:12:48,300 --> 00:12:50,535
NEATLY WRAPPED
IN LADIES LINGERIE.
213
00:12:50,536 --> 00:12:53,304
THAT WOULD MAKE
A VERY NICE TIE-UP
214
00:12:53,305 --> 00:12:55,273
BETWEEN BRONZINI
AND MOORE'S EMPORIUM, ALL RIGHT.
215
00:12:55,274 --> 00:12:58,810
YOU THINK THAT'S WHERE
THE BOGUS MONEY'S BEING PRINTED?
216
00:12:58,811 --> 00:13:00,845
I THINK THAT'S WORTH
LOOKING INTO.
217
00:13:00,846 --> 00:13:02,680
YOU'VE BEEN THERE
ALREADY, HAVEN'T YOU?
218
00:13:02,681 --> 00:13:04,583
I THINK IT'S MY TURN.
219
00:13:10,789 --> 00:13:12,724
I'LL GO BACK
TO THE CIRCUS,
220
00:13:12,725 --> 00:13:14,659
SEE IF BRONZINI
LEFT ANYTHING BEHIND.
221
00:13:14,660 --> 00:13:16,127
FINE.
222
00:13:16,128 --> 00:13:18,329
OH, JIM,
223
00:13:18,330 --> 00:13:21,132
WHAT WAS THE NAME OF THAT
YOUNG WOMAN AT THE EMPORIUM--
224
00:13:21,133 --> 00:13:23,301
YOU KNOW, THE ONE
WITH ALL THOSE NUMBERS?
225
00:13:23,302 --> 00:13:25,803
OH, PRISCILLA GOODBODY.
DON'T BOTHER, ARTIE.
226
00:13:25,804 --> 00:13:28,139
I'VE ALREADY GOT YOU BEAT
BY TWO LETTERS.
227
00:13:28,140 --> 00:13:30,442
NOT THIS GENTLEMAN,
YOU DON'T.
228
00:17:15,601 --> 00:17:17,902
WHEN DID COLONEL HOUSLEY
HIRE YOU?
229
00:17:17,903 --> 00:17:19,537
HE DIDN'T.
230
00:17:19,538 --> 00:17:21,439
HE DIDN'T?
YOU'LL BE KILLED.
231
00:17:21,440 --> 00:17:23,241
HERE, USE THIS.
232
00:17:33,152 --> 00:17:34,919
JUST CRACK THE WHIP
IN FRONT OF HIS FACE,
233
00:17:34,920 --> 00:17:37,054
BUT DON'T HIT HIM.
234
00:17:54,740 --> 00:17:56,441
ARE YOU ALL RIGHT?
235
00:17:56,442 --> 00:17:59,644
YEAH, I'M ALL RIGHT.
THANK YOU, UM...
236
00:17:59,645 --> 00:18:01,078
ERIKA.
237
00:18:01,079 --> 00:18:03,581
I OUGHT TO HAVE YOU
ARRESTED.
238
00:18:03,582 --> 00:18:05,650
YOU HAD NO BUSINESS
HERE IN THE FIRST PLACE.
239
00:18:05,651 --> 00:18:07,452
AND IF IT WAS UP TO ME,
240
00:18:07,453 --> 00:18:10,087
I'D HAVE COLONEL HOUSLEY
THROW YOU IN JAIL.
241
00:18:10,088 --> 00:18:11,856
WAIT A MINUTE,
YOU ARE HURT.
242
00:18:11,857 --> 00:18:15,494
I'LL GO GET SOMETHING
FOR THAT.
243
00:18:26,104 --> 00:18:28,039
HERE YOU ARE, MRS. FOLSOM.
244
00:18:28,040 --> 00:18:30,641
OH, AND HERE'S YOUR CHANGE.
245
00:18:30,642 --> 00:18:34,545
OH, DEAR, THIS ISN'T
AS EASY AS IT USED TO BE.
246
00:18:34,546 --> 00:18:37,049
THANK YOU,
AND DO COME AGAIN.
247
00:19:07,479 --> 00:19:08,913
YES, SIR?
248
00:19:08,914 --> 00:19:10,581
OH, HELLO.
249
00:19:10,582 --> 00:19:12,583
HOW NICE
TO SEE YOU AGAIN.
250
00:19:12,584 --> 00:19:16,387
OH, NO,
THERE WAS ANOTHER
251
00:19:16,388 --> 00:19:18,422
VERY ATTRACTIVE YOUNG LADY
THAT TOOK CARE OF ME
252
00:19:18,423 --> 00:19:20,658
THE LAST TIME I WAS HERE.
253
00:19:20,659 --> 00:19:23,494
I THINK YOU MUST BE
REFERRING TO MISS GOODBODY,
254
00:19:23,495 --> 00:19:26,697
WHO ONLY WAITS ON CUSTOMERS
DURING THE DAY.
255
00:19:26,698 --> 00:19:29,433
I'M MRS. MOORE.
PERHAPS I CAN HELP YOU.
256
00:19:29,434 --> 00:19:31,502
WHAT A CHARMING PROSPECT.
257
00:19:31,503 --> 00:19:33,704
AS A MATTER OF FACT,
258
00:19:33,705 --> 00:19:35,907
I'M SO FORTUNATE
THAT YOU'RE OPEN THIS EVENING.
259
00:19:35,908 --> 00:19:38,075
I WAS LOOKING FOR SOMETHING
IN PETTICOATS...
260
00:19:38,076 --> 00:19:40,244
FOR MY WIFE, OF COURSE.
261
00:19:40,245 --> 00:19:43,848
OH. OH, WELL, IN THAT EVENT,
262
00:19:43,849 --> 00:19:47,251
MAY I SUGGEST, UH...
263
00:19:47,252 --> 00:19:50,855
OH, UH, THIS FULL-FASHIONED
BATISTE, YOU SEE,
264
00:19:50,856 --> 00:19:54,125
WITH THE WHITE EYELET HERE,
THE RUFFLES?
265
00:19:54,126 --> 00:19:57,228
OH, MY,
ISN'T THAT MARVELOUS?
266
00:19:57,229 --> 00:19:59,263
OH, SHE'LL ADORE THAT.
267
00:19:59,264 --> 00:20:03,467
AND NOW,
WHAT IS SHE, 12, 14?
268
00:20:03,468 --> 00:20:07,071
MRS. MOORE, MY WIFE
IS A FULLY MATURE WOMAN.
269
00:20:07,072 --> 00:20:11,909
OH, I WAS REFERRING
TO HER SIZE, NOT HER AGE.
270
00:20:11,910 --> 00:20:13,811
OH, OF COURSE--
HER SIZE.
271
00:20:13,812 --> 00:20:15,713
OH, HOW FOOLISH OF ME.
272
00:20:15,714 --> 00:20:17,782
WELL, LET'S SEE,
I WOULD SAY
273
00:20:17,783 --> 00:20:21,320
THAT SHE'S ABOUT, UH--
OH, ROUGHLY ABOUT, UH...
274
00:20:24,289 --> 00:20:25,923
MRS. MOORE,
275
00:20:25,924 --> 00:20:28,726
IF I MAY BE PERMITTED,
276
00:20:28,727 --> 00:20:31,063
PURELY IN THE INTEREST
OF ACCURACY.
277
00:20:35,167 --> 00:20:37,735
OH, YES.
278
00:20:37,736 --> 00:20:39,837
OH, I WOULD SAY
THAT YOUR WAIST
279
00:20:39,838 --> 00:20:43,107
IS EXACTLY THE SAME SIZE
AS MY CHARLOTTE'S.
280
00:20:43,108 --> 00:20:45,076
WELL, IN THAT EVENT,
281
00:20:45,077 --> 00:20:47,445
YOUR WIFE IS A PERFECT 42.
282
00:20:47,446 --> 00:20:49,280
YES.
283
00:20:49,281 --> 00:20:50,848
OH, DEAR.
284
00:20:50,849 --> 00:20:52,283
OH, MY.
285
00:20:52,284 --> 00:20:54,185
OH, DEAR.
286
00:20:54,186 --> 00:20:56,187
THERE YOU ARE.
287
00:20:56,188 --> 00:20:58,323
OH, THANK YOU.
288
00:20:59,925 --> 00:21:01,226
OH.
289
00:21:03,528 --> 00:21:05,930
NOW THIS WON'T TAKE
A MOMENT, MR. UH...
290
00:21:05,931 --> 00:21:07,365
GENTRY--
291
00:21:07,366 --> 00:21:09,935
EMERSON P. GENTRY,
AFTER THE POET.
292
00:21:12,037 --> 00:21:14,740
OH, HERE WE ARE.
293
00:21:17,209 --> 00:21:19,745
YOUR CHANGE, MR. GENTRY.
294
00:21:32,624 --> 00:21:34,825
UM, THAT'S PERFECTLY
ALL RIGHT.
295
00:21:34,826 --> 00:21:37,896
WHY DON'T YOU
JUST KEEP THE CHANGE?
296
00:21:41,633 --> 00:21:43,567
ARE YOU FEELING
ALL RIGHT NOW?
297
00:21:43,568 --> 00:21:45,736
WAS I LUCKY
IT WAS ONLY A SCRATCH.
298
00:21:45,737 --> 00:21:48,372
OF ALL THE UNBELIEVABLE
THINGS TO DO,
299
00:21:48,373 --> 00:21:50,841
WANDERING INTO A LION'S DEN.
300
00:21:50,842 --> 00:21:53,244
I DIDN'T WANDER
INTO A LION'S DEN
301
00:21:53,245 --> 00:21:55,312
ANY MORE THAN DANIEL
DID HIS.
302
00:21:55,313 --> 00:21:57,148
I HAD HELP.
303
00:21:57,149 --> 00:21:59,717
WHY? WHO COULD HAVE DONE
A THING LIKE THAT?
304
00:21:59,718 --> 00:22:01,886
MAYBE THE SAME
CIRCUS TYPES
305
00:22:01,887 --> 00:22:04,722
THAT MURDERED BRONZINI.
306
00:22:04,723 --> 00:22:07,058
I DIDN'T KNOW THAT.
307
00:22:07,059 --> 00:22:09,026
YOU'RE A POLICEMAN?
308
00:22:09,027 --> 00:22:12,863
YEAH, SORT OF.
309
00:22:12,864 --> 00:22:14,666
HOW WELL
DID YOU KNOW BRONZINI?
310
00:22:16,468 --> 00:22:18,669
I DESPISED HIM.
311
00:22:18,670 --> 00:22:20,571
HE HAD A WAXED MOUSTACHE,
312
00:22:20,572 --> 00:22:23,541
AND EYES LIKE A PAIR
OF SHINY NEW MARBLES,
313
00:22:23,542 --> 00:22:26,544
AND A LIFELONG LOVE AFFAIR
WITH HIMSELF.
314
00:22:26,545 --> 00:22:28,512
WELL, THERE WAS AT LEAST
ONE WOMAN
315
00:22:28,513 --> 00:22:30,448
THAT DIDN'T DESPISE HIM.
316
00:22:30,449 --> 00:22:33,017
CAN YOU RECALL EVER
SEEING HIM MORE THAN ONCE
317
00:22:33,018 --> 00:22:35,553
WITH THE SAME WOMAN?
318
00:22:35,554 --> 00:22:38,022
NOW THAT YOU
MENTION IT, YES.
319
00:22:38,023 --> 00:22:39,857
CAN YOU DESCRIBE HER?
320
00:22:39,858 --> 00:22:41,892
FUNNY...
321
00:22:41,893 --> 00:22:43,761
NOW THAT I THINK ABOUT IT,
322
00:22:43,762 --> 00:22:45,763
SHE WAS ALWAYS
SITTING IN THE SHADOWS
323
00:22:45,764 --> 00:22:48,299
OR HER BACK
WAS ALWAYS TURNED.
324
00:22:48,300 --> 00:22:50,401
AS IF SHE DIDN'T
WANT TO BE SEEN?
325
00:22:50,402 --> 00:22:52,103
MM-HMM.
326
00:22:52,104 --> 00:22:55,306
BUT I REMEMBER SHE HAD A HABIT
OF PLAYING WITH HER EARRING
327
00:22:55,307 --> 00:22:57,608
AS SHE TALKED WITH BRONZINI.
328
00:22:57,609 --> 00:22:59,610
PLAYING WITH HER EARRING?
329
00:22:59,611 --> 00:23:03,849
YOU KNOW, LIKE SO.
SORT OF A NERVOUS HABIT.
330
00:23:05,951 --> 00:23:07,752
ANYTHING ELSE?
331
00:23:07,753 --> 00:23:11,756
NO, NO. THANK YOU.
332
00:23:11,757 --> 00:23:14,391
COME TO THINK OF IT,
YOU SAVED MY LIFE.
333
00:23:14,392 --> 00:23:15,993
FORGET IT.
334
00:23:15,994 --> 00:23:17,628
WELL, NEVERTHELESS,
335
00:23:17,629 --> 00:23:19,965
IT'S ALWAYS
GOOD MANNERS TO SAY...
336
00:23:25,504 --> 00:23:27,038
THANK YOU.
337
00:23:29,841 --> 00:23:32,843
DON'T MENTION IT.
338
00:23:32,844 --> 00:23:36,647
Mrs. Moore: LET'S TRY IT
ONCE MORE, MR. GENTRY--
339
00:23:36,648 --> 00:23:41,919
OR WHATEVER
YOUR NAME REALLY IS.
340
00:23:41,920 --> 00:23:44,688
WHERE DID YOU GET
THIS $20 BILL?
341
00:23:44,689 --> 00:23:47,792
MY DEAR MRS. MOORE,
I HAVE ALREADY TOLD YOU
342
00:23:47,793 --> 00:23:50,528
I GOT IT IN WICHITA
FROM A TOBACCONIST NAMED THWING,
343
00:23:50,529 --> 00:23:54,632
I BELIEVE, LIONEL J. THWING.
344
00:23:54,633 --> 00:23:58,135
TSK, TSK. THAT'S NOT
THE RIGHT ANSWER, I'M AFRAID.
345
00:23:58,136 --> 00:24:01,705
HOW COULD YOU
POSSIBLY KNOW?
346
00:24:01,706 --> 00:24:05,509
BECAUSE THIS IS
FUNNY MONEY, MR. GENTRY.
347
00:24:05,510 --> 00:24:07,278
I KNOW
BECAUSE WE MAKE IT
348
00:24:07,279 --> 00:24:09,313
IN OUR OWN
FUNNY FACTORY, YOU SEE?
349
00:24:09,314 --> 00:24:12,016
AND I ALSO KNOW
THAT NONE OF THE BILLS
350
00:24:12,017 --> 00:24:14,652
HAVE BEEN PASSED
EAST OF DENVER.
351
00:24:14,653 --> 00:24:18,289
SO THAT MAKES YOU A LIAR,
DOESN'T IT?
352
00:24:18,290 --> 00:24:21,125
ALL RIGHT, BOYS,
HE'S ALL YOURS.
353
00:24:21,126 --> 00:24:22,126
HOLD IT.
354
00:24:22,127 --> 00:24:25,196
NO, Y-Y-YOU'RE RIGHT.
355
00:24:25,197 --> 00:24:28,465
I-- I-I-I DIDN'T
GET IT IN WICHITA.
356
00:24:28,466 --> 00:24:31,335
I-I GOT IT RIGHT HERE
IN DENVER.
357
00:24:31,336 --> 00:24:32,536
WHERE?
358
00:24:32,537 --> 00:24:35,039
WELL, THERE'S
THIS CHARACTER I KNOW
359
00:24:35,040 --> 00:24:36,507
NAMED BRONZINI.
360
00:24:36,508 --> 00:24:38,843
I SPOTTED IT
IN HIS HOTEL ROOM.
361
00:24:38,844 --> 00:24:40,845
HE HAD A BUNDLE OF 'EM.
362
00:24:40,846 --> 00:24:42,880
GO ON.
363
00:24:42,881 --> 00:24:45,749
WELL, I--
364
00:24:45,750 --> 00:24:48,719
I JUST LIBERATED
A FEW OF THE $20s
365
00:24:48,720 --> 00:24:51,355
WHILE HE WASN'T LOOKING.
366
00:24:51,356 --> 00:24:53,424
THAT'S THE TRUTH.
367
00:24:53,425 --> 00:24:55,159
HONEST.
368
00:24:55,160 --> 00:24:58,395
YOU KNOW, I'M INCLINED
TO BELIEVE YOU.
369
00:24:58,396 --> 00:25:01,098
MR. GENTRY,
DO YOU HAVE ANY IDEA
370
00:25:01,099 --> 00:25:04,368
WHAT THE REST
OF THOSE BILLS WERE DOING
371
00:25:04,369 --> 00:25:06,837
IN MR. BRONZINI'S ROOM
TO BEGIN WITH?
372
00:25:06,838 --> 00:25:09,440
WELL, UH...
373
00:25:09,441 --> 00:25:12,943
I MEAN,
JUST A SHOT IN THE DARK--
374
00:25:12,944 --> 00:25:15,379
I'D SAY HE WAS ONE
OF YOUR PASSERS, RIGHT?
375
00:25:15,380 --> 00:25:18,883
QUITE SO.
ONLY, BRONZINI WAS GREEDY.
376
00:25:18,884 --> 00:25:20,784
HE KEPT A FEW OF THOSE BILLS.
377
00:25:20,785 --> 00:25:23,921
AND IF THAT WASN'T ENOUGH, WHY,
HE FORGOT WHICH BILL WAS WHICH
378
00:25:23,922 --> 00:25:26,290
AND HE SPENT ONE
OF THE $20s IN MY SHOP.
379
00:25:26,291 --> 00:25:28,425
AND A SILLY SALESGIRL
TOOK IT TO THE BANK
380
00:25:28,426 --> 00:25:30,294
WITH THE REST
OF THE DAY'S RECEIPTS.
381
00:25:30,295 --> 00:25:32,963
NOW, THAT WAS
DEFINITELY A MISTAKE.
382
00:25:32,964 --> 00:25:34,565
EH...
383
00:25:34,566 --> 00:25:37,968
A FATAL MISTAKE?
384
00:25:37,969 --> 00:25:41,106
WELL, NATURALLY,
WE HAD TO DISCIPLINE HIM.
385
00:25:43,174 --> 00:25:45,542
MR. GENTRY,
386
00:25:45,543 --> 00:25:48,479
NOW, WHERE ARE THE REST
OF THOSE $20s YOU LIBERATED
387
00:25:48,480 --> 00:25:50,881
FROM MR. BRONZINI?
388
00:25:50,882 --> 00:25:52,816
OH, I-I-I GOT 'EM
RIGHT HERE IN MY BAG.
389
00:25:52,817 --> 00:25:54,185
I'LL GET 'EM FOR YOU.
I GOT 'EM RIGHT HERE--
390
00:25:56,321 --> 00:25:59,089
MR. GENTRY,
391
00:25:59,090 --> 00:26:02,726
DON'T EVER TRY TO TEACH YOUR
GRANDMOTHER HOW TO SUCK EGGS.
392
00:26:02,727 --> 00:26:06,797
I'LL GET THEM
OUT OF THE BAG FOR YOU.
393
00:26:06,798 --> 00:26:08,700
PUT IT ON THE COUNTER, BOYS.
394
00:26:10,702 --> 00:26:12,237
I WAS ONLY TRYING TO HELP.
395
00:26:14,539 --> 00:26:17,141
AAH! AAH!
396
00:26:18,643 --> 00:26:19,911
KILL HIM! KILL HIM!
397
00:26:55,747 --> 00:26:58,882
WELL, AT LEAST WE'RE CERTAIN
OF TWO THINGS--
398
00:26:58,883 --> 00:27:01,218
MOORE'S EMPORIUM
WAS A CLEARINGHOUSE
399
00:27:01,219 --> 00:27:04,722
FOR THAT COUNTERFEIT RING,
AND BRONZINI WAS THEIR PASSER.
400
00:27:04,723 --> 00:27:07,524
HE JUST GOT A LITTLE
GREEDY, THAT'S ALL.
401
00:27:07,525 --> 00:27:09,893
HOW LONG BEFORE YOU GOT BACK
WITH THE POLICE?
402
00:27:09,894 --> 00:27:11,528
NO MORE THAN 10 MINUTES.
403
00:27:11,529 --> 00:27:13,897
SOMEONE HAD CUT THEM LOOSE
AND THEY'D ALL SKIPPED.
404
00:27:13,898 --> 00:27:15,499
I WENT OVER THAT PLACE
FROM ATTIC TO BASEMENT.
405
00:27:15,500 --> 00:27:18,135
THERE'S NO SIGN AT ALL
OF ANY PRINTING EQUIPMENT.
406
00:27:18,136 --> 00:27:20,304
AND HERE WE ARE
WITH A KEY FOR BRONZINI
407
00:27:20,305 --> 00:27:23,307
FROM SOME LADY UNKNOWN.
408
00:27:23,308 --> 00:27:25,909
TO OPEN A DOOR
EQUALLY UNKNOWN.
409
00:27:25,910 --> 00:27:28,212
I CAN GUARANTEE
YOU ONE THING--
410
00:27:28,213 --> 00:27:31,382
THIS DOESN'T OPEN ANY
OF THE DOORS AT THE EMPORIUM.
411
00:27:31,383 --> 00:27:34,585
WELL, I COULDN'T FIND ANYTHING
THAT IT FIT AT THE CIRCUS.
412
00:27:34,586 --> 00:27:36,353
YOU KNOW, WE'RE DOING FINE.
413
00:27:36,354 --> 00:27:39,556
SO FAR WE'VE DONE NOTHING
BUT WIND UP IN DEAD ENDS.
414
00:27:39,557 --> 00:27:42,026
YEAH, BUT, ARTIE,
LOOK AT THE BRIGHT SIDE.
415
00:27:42,027 --> 00:27:44,228
WE'VE GOT
SOMEONE TERRIBLY WORRIED,
416
00:27:44,229 --> 00:27:46,930
BECAUSE SOMEONE TRIED
TO KILL ME AT THE CIRCUS.
417
00:27:46,931 --> 00:27:48,599
YEAH, THAT'S A COMFORT.
418
00:27:48,600 --> 00:27:51,168
CHANCES ARE THEY'LL
TRY TO DO IT AGAIN.
419
00:27:51,169 --> 00:27:53,570
I JUST WISH I KNEW
HOW LONG BEFORE THEY DO.
420
00:27:53,571 --> 00:27:56,273
AT LEAST WE KNOW THEY'RE
ON THEIR WAY TO DENVER,
421
00:27:56,274 --> 00:27:58,575
SO IT WON'T BE
TOO MUCH LONGER.
422
00:27:58,576 --> 00:28:00,544
IS THERE ANY CHANCE
423
00:28:00,545 --> 00:28:04,448
THAT THE CIRCUS MIGHT BE
WHERE THAT PRINTING PRESS IS?
424
00:28:04,449 --> 00:28:07,551
NO. NO, THERE'S NO PLACE
TO HIDE IT AND BESIDES,
425
00:28:07,552 --> 00:28:10,788
THERE ARE TOO MANY PEOPLE
AROUND THERE FOR COMFORT.
426
00:28:10,789 --> 00:28:13,857
I THINK THAT PRINTING PRESS
HAS GOT TO BE SOMEPLACE
427
00:28:13,858 --> 00:28:15,426
NEAR THAT DRESS SHOP.
428
00:28:17,062 --> 00:28:19,930
YEAH, WE KNOW
IT'S SOMEWHERE IN THE CITY,
429
00:28:19,931 --> 00:28:22,566
BUT WHERE EXACTLY?
430
00:28:22,567 --> 00:28:24,435
HELLO, ARABELLA.
431
00:28:24,436 --> 00:28:28,072
HOW WAS THE TRIP,
DEAR GIRL? HUH?
432
00:28:28,073 --> 00:28:30,974
HAWKED ANY HAWKS
ON THE WAY, DID YOU? HUH?
433
00:28:30,975 --> 00:28:34,278
THERE YOU ARE.
TAKE YOUR REST, DEAR GIRL.
434
00:28:34,279 --> 00:28:36,147
THIS SHOULD BE IT.
435
00:28:41,119 --> 00:28:43,887
"DR. ANSTRUTHER,
BALTIMORE PHYSICIAN,
436
00:28:43,888 --> 00:28:47,591
PRESENT WHEN HARRY HOLMES DIED.
DEATH CERTIFICATE AUTHENTIC."
437
00:28:47,592 --> 00:28:50,395
NO DOUBT ABOUT IT,
HARRY HOLMES IS DEAD.
438
00:28:53,231 --> 00:28:56,166
"HOLMES' DAUGHTER WAS
WITH HIM IN THE LAST HOURS.
439
00:28:56,167 --> 00:28:59,069
"THE DAUGHTER FADED
OUT OF SIGHT AFTERWARD,
440
00:28:59,070 --> 00:29:02,005
BUT IS NOW BELIEVED TO BE
LIVING SOMEWHERE OUT WEST."
441
00:29:02,006 --> 00:29:04,842
ARTIE, I'D LIKE TO KNOW
MORE ABOUT THAT DAUGHTER.
442
00:29:04,843 --> 00:29:06,510
SO WOULD I.
443
00:29:06,511 --> 00:29:08,479
WHY DON'T I WIRE
FOR A RUNDOWN ON HER?
444
00:29:08,480 --> 00:29:11,748
YOU KNOW, ARTIE, THE PAPER
THE COUNTERFEITERS ARE USING
445
00:29:11,749 --> 00:29:13,851
IS SO MUCH LIKE
THE REAL THING,
446
00:29:13,852 --> 00:29:16,687
FOR ALL PRACTICAL PURPOSES,
IT IS THE REAL THING.
447
00:29:16,688 --> 00:29:18,356
I WONDER WHERE THEY--
448
00:29:23,928 --> 00:29:26,296
HEY, THAT'S WILD.
449
00:29:26,297 --> 00:29:28,632
THERE'S A ZANY
KIND OF LOGIC ABOUT THAT
450
00:29:28,633 --> 00:29:30,033
THAT APPEALS TO ME.
451
00:29:30,034 --> 00:29:33,036
WHY NOT? IF YOU WERE
IN THE BOGUS MONEY BUSINESS,
452
00:29:33,037 --> 00:29:35,339
WHERE ELSE COULD YOU GET
AN UNLIMITED SUPPLY
453
00:29:35,340 --> 00:29:37,941
OF THE RIGHT KIND OF PAPER?
454
00:29:37,942 --> 00:29:41,145
THE MINT INVOLVED
IN THIS COUNTERFEIT PLOT--
455
00:29:41,146 --> 00:29:44,548
GENTLEMEN, THAT ACCUSATION
BORDERS ON CRIMINAL LIBEL.
456
00:29:44,549 --> 00:29:47,151
NO ONE'S MAKING
ANY ACCUSATION.
457
00:29:47,152 --> 00:29:49,319
WE JUST WANT TO KNOW
IF IT'S POSSIBLE
458
00:29:49,320 --> 00:29:52,623
IF ANYONE COULD BE STEALING
QUANTITIES OF PAPER AND INK.
459
00:29:52,624 --> 00:29:54,892
FARNSWORTH KEEPS
SCRUPULOUS RECORDS
460
00:29:54,893 --> 00:29:57,494
OF EVERY FOOT OF PAPER
AND DROP OF INK USED.
461
00:29:57,495 --> 00:29:58,829
MAY WE TALK WITH HIM?
462
00:29:58,830 --> 00:30:00,464
HE'S IN THE OTHER WING
463
00:30:00,465 --> 00:30:02,699
WHERE THE MONEY
IS PRINTED AND STORED.
464
00:30:02,700 --> 00:30:04,902
THAT IS
A HIGH-SECURITY AREA.
465
00:30:04,903 --> 00:30:08,306
TOO HIGH FOR THE UNITED STATES
SECRET SERVICE?
466
00:30:12,143 --> 00:30:15,580
GENTLEMEN, I'D BE DELIGHTED
TO TAKE YOU TO HIM.
467
00:30:25,123 --> 00:30:28,358
I DIDN'T SEE VERY MANY
GUARDS BACK THERE.
468
00:30:28,359 --> 00:30:31,995
THERE'S LITTLE TO GUARD IN
THAT PART OF THE BUILDING.
469
00:30:31,996 --> 00:30:34,865
THIS IS THE ENTRANCE
TO THE SECURITY AREA.
470
00:30:34,866 --> 00:30:36,366
GENTLEMEN.
471
00:30:36,367 --> 00:30:38,535
MR. FARNSWORTH,
GOOD TO SEE YOU AGAIN.
472
00:30:38,536 --> 00:30:40,871
I UNDERSTAND
THAT YOU KEEP THE RECORDS
473
00:30:40,872 --> 00:30:42,339
ON THE PAPER
AND INK USED HERE.
474
00:30:42,340 --> 00:30:44,107
QUITE RIGHT.
475
00:30:44,108 --> 00:30:45,709
IS THERE
ANY OTHER CHECK?
476
00:30:45,710 --> 00:30:47,778
YES. MR. LENNOX CHECKS THEM.
477
00:30:47,779 --> 00:30:50,447
WHAT ABOUT LEFTOVERS,
MR. LENNOX?
478
00:30:50,448 --> 00:30:53,383
I MEAN, ENDS OF SHEETS
THAT HAVEN'T BEEN PRINTED ON.
479
00:30:53,384 --> 00:30:56,386
THEY'RE BURNED
IN A SPECIAL INCINERATOR
480
00:30:56,387 --> 00:30:58,555
UNDER THE SUPERVISION
OF MR. FARNSWORTH.
481
00:30:58,556 --> 00:30:59,590
ANYTHING ELSE?
482
00:30:59,591 --> 00:31:00,724
NO. THANK YOU.
483
00:31:00,725 --> 00:31:02,160
THANK YOU, BURT.
484
00:31:15,673 --> 00:31:18,041
MR. LENNOX, I'D LIKE
TO THANK YOU VERY MUCH
485
00:31:18,042 --> 00:31:19,443
FOR YOUR COOPERATION.
486
00:31:19,444 --> 00:31:20,911
NOT AT ALL.
487
00:31:20,912 --> 00:31:22,613
AND WHERE'S MR. GORDON?
488
00:31:22,614 --> 00:31:23,947
HE WENT ON AHEAD.
489
00:31:23,948 --> 00:31:26,917
WELL, ADD THIS
TO WHATEVER NEAT LITTLE RECORD
490
00:31:26,918 --> 00:31:28,952
YOU AND MR. GORDON
ARE ASSEMBLING--
491
00:31:28,953 --> 00:31:31,922
I BITTERLY RESENT
THE IMPUTATIONS YOU'VE MADE
492
00:31:31,923 --> 00:31:33,457
ABOUT MY DEPARTMENT.
GOOD DAY.
493
00:31:33,458 --> 00:31:35,827
GOOD DAY.
494
00:32:52,103 --> 00:32:54,639
SLATE!
495
00:36:22,980 --> 00:36:25,850
WHAT IN THE DEVIL
ARE YOU DOING IN MY OFFICE?
496
00:36:28,152 --> 00:36:32,088
I SAID WHAT IN THE DEVIL
ARE YOU DOING IN MY OFFICE?
497
00:36:32,089 --> 00:36:36,092
OH, NO, NO.
IT'S NOT MY OFFICE AT ALL.
498
00:36:36,093 --> 00:36:40,230
IT BELONGS TO ONE
OF THE GOVERNMENT BIG SHOTS.
499
00:36:40,231 --> 00:36:42,732
YOU CAN ALWAYS TELL
WHEN YOU'RE IN THE OFFICE
500
00:36:42,733 --> 00:36:45,602
OF ONE OF THE BIG GOVERNMENT
MUCK-A-MUCKS
501
00:36:45,603 --> 00:36:49,139
BECAUSE-- NEAT AS A PIN,
YOU KNOW--
502
00:36:49,140 --> 00:36:53,344
BECAUSE THEY DON'T DO
ENOUGH WORK TO MESS IT UP.
503
00:36:55,279 --> 00:36:57,614
I'VE NEVER SEEN YOU
IN HERE BEFORE.
504
00:36:57,615 --> 00:36:59,115
HOW'S THAT?
505
00:36:59,116 --> 00:37:01,885
I SAID I HAVE NOT SEEN YOU
IN MY OFFICE BEFORE!
506
00:37:01,886 --> 00:37:05,822
WELL, THAT'S 'CAUSE I'VE NEVER
BEEN IN HERE BEFORE.
507
00:37:05,823 --> 00:37:08,658
I JUST STARTED
WORKING TONIGHT.
508
00:37:08,659 --> 00:37:12,762
A FELLA NAMED BARNSWORTH--
WAS IT TARNSWORTHY?
509
00:37:12,763 --> 00:37:13,897
FARNSWORTH?
510
00:37:13,898 --> 00:37:15,899
I THINK IT WAS TARNSWORTHY.
511
00:37:15,900 --> 00:37:17,467
FARNSWORTH?
512
00:37:17,468 --> 00:37:18,935
YEAH, THAT'S THE NAME.
513
00:37:18,936 --> 00:37:21,706
TOLD ME TO REPORT HERE
FOR NIGHT CLEANING DUTY.
514
00:37:23,975 --> 00:37:26,242
WELL, I HAVE A LOT
OF WORK TO DO,
515
00:37:26,243 --> 00:37:30,013
SO TAKE YOUR STUFF
AND CLEAN UP ELSEWHERE.
516
00:37:30,014 --> 00:37:35,685
WELL, I'M SORRY, SIR,
BUT THAT'S ALL I CAN DO HERE.
517
00:37:35,686 --> 00:37:37,888
I'VE GOT TO GO
CLEAN UP ELSEWHERE.
518
00:39:22,093 --> 00:39:24,194
GUARD?
519
00:39:24,195 --> 00:39:25,629
GUARD!
520
00:39:27,198 --> 00:39:28,865
YES, SIR, MR. LENNOX.
521
00:39:28,866 --> 00:39:30,600
WHY WAS THAT DOOR
LEFT OPEN?
522
00:39:30,601 --> 00:39:32,102
I DON'T KNOW, SIR.
523
00:39:32,103 --> 00:39:35,205
I DON'T LIKE IT.
524
00:39:35,206 --> 00:39:37,874
SEARCH THIS ROOM.
SEARCH IT.
525
00:39:37,875 --> 00:39:40,010
IF YOU FIND ANYONE,
SHOOT HIM.
526
00:39:56,494 --> 00:39:59,230
THERE'S NOTHING HERE.
WE BETTER LOCK UP.
527
00:41:03,727 --> 00:41:07,330
I KNOW IT'S NOT POLITE
TO COUNT,
528
00:41:07,331 --> 00:41:09,966
BUT THAT'S ABOUT $20
YOU'VE BURNED, HMM?
529
00:41:09,967 --> 00:41:11,734
I'VE BURNED $30.
530
00:41:11,735 --> 00:41:15,672
IF THEY WERE REAL,
I'D FEEL JUST AWFUL ABOUT IT.
531
00:41:15,673 --> 00:41:18,275
NOW THEN.
532
00:41:20,911 --> 00:41:22,979
TAKE A LOOK AT THAT, JIM.
533
00:41:22,980 --> 00:41:25,014
NOW, THE ASH
ON THE LEFT WAS TAKEN
534
00:41:25,015 --> 00:41:26,649
FROM THE INCINERATOR
AT THE MINT.
535
00:41:26,650 --> 00:41:28,818
THE ONE ON THE RIGHT IS ONE
OF THE COUNTERFEIT BILLS.
536
00:41:28,819 --> 00:41:30,220
THEY'RE THE SAME.
537
00:41:30,221 --> 00:41:31,754
RIGHT.
538
00:41:31,755 --> 00:41:34,691
THE QUESTION IS WHO IS SNITCHING
GOVERNMENT PROPERTY?
539
00:41:34,692 --> 00:41:36,993
IT'S AN INTERESTING
QUESTION, ARTIE.
540
00:41:36,994 --> 00:41:39,930
THE ANSWER WILL PROBABLY
EVEN BE MORE INTERESTING.
541
00:42:27,211 --> 00:42:29,213
ARTIE, YOU COVER
THE BACKDOOR.
542
00:44:06,210 --> 00:44:09,413
LOOK AT THIS.
TELL ME WHAT YOU THINK.
543
00:44:19,456 --> 00:44:21,391
IT'S BEAUTIFUL.
544
00:44:23,160 --> 00:44:25,161
I'D HATE TO HAVE TO TELL
545
00:44:25,162 --> 00:44:26,863
WHICH ONE IS REAL
AND WHICH ONE ISN'T.
546
00:44:26,864 --> 00:44:28,164
OH, HO HO.
547
00:44:28,165 --> 00:44:30,166
THAT'D BE
A CHORE, ALL RIGHT.
548
00:44:30,167 --> 00:44:31,969
OH, BUT IT WOULD
NEVER COME TO THAT.
549
00:44:33,804 --> 00:44:35,738
WOULDN'T IT? WHY NOT?
550
00:44:35,739 --> 00:44:38,775
WHY, MARY WOULDN'T
ALLOW IT, OF COURSE.
551
00:44:38,776 --> 00:44:41,677
"IT'S ALL RIGHT FOR YOU TO PLAY
AT YOUR ENGRAVINGS, HARRY,"
552
00:44:41,678 --> 00:44:45,915
SAYS SHE, "BUT IT MUST BE
ONLY PLAYING FROM NOW ON."
553
00:44:45,916 --> 00:44:49,118
YOU'RE HARRY HOLMES
AND YOUR DAUGHTER MARY--
554
00:44:49,119 --> 00:44:51,187
IS THE DEVOTED WIFE
OF THE DIRECTOR
555
00:44:51,188 --> 00:44:53,556
OF THE DENVER MINT,
OF COURSE.
556
00:44:53,557 --> 00:44:56,994
AH. LEAVE THE GUN
ON THE TABLE, MR. WEST.
557
00:45:02,366 --> 00:45:05,635
CLEVER OF YOU TO HAVE
DRAWN US TO EARTH, MR. WEST.
558
00:45:05,636 --> 00:45:08,604
UNFORTUNATELY, THAT WILL BE
THE DEATH OF YOU.
559
00:45:08,605 --> 00:45:11,107
YOU'VE DONE SOME CLEVER THINGS,
TOO, MRS. LENNOX,
560
00:45:11,108 --> 00:45:13,409
LIKE GETTING THE EMINENT
DR. ANSTRUTHER
561
00:45:13,410 --> 00:45:15,578
TO SIGN YOUR FATHER'S
DEATH CERTIFICATE.
562
00:45:15,579 --> 00:45:18,448
ACTUALLY, THAT WAS
QUITE SIMPLE.
563
00:45:18,449 --> 00:45:21,984
I BORROWED A DYING OLD MAN,
A TRAMP I FOUND,
564
00:45:21,985 --> 00:45:24,587
AND SINCE THE DOCTOR
DIDN'T KNOW FATHER,
565
00:45:24,588 --> 00:45:27,156
IT WORKED LIKE A CHARM.
566
00:45:37,568 --> 00:45:40,503
HE'S BECOME SIMPLE WITH AGE,
567
00:45:40,504 --> 00:45:43,406
BUT HIS INCREDIBLE HANDS
ARE AS SURE AS EVER.
568
00:45:43,407 --> 00:45:45,741
I'M SURE YOU'VE FOUND THAT
VERY CONVENIENT, TOO.
569
00:45:45,742 --> 00:45:47,243
ENOUGH OF THIS, MARY.
570
00:45:47,244 --> 00:45:49,011
LET'S WRAP UP MR. WEST.
571
00:45:49,012 --> 00:45:52,516
NOT DOWN HERE. SOMETHING
LIKE THAT WOULD UPSET FATHER.
572
00:46:07,498 --> 00:46:11,601
VERY IMPRESSIVE,
VERY NEAT, SHIPSHAPE.
573
00:46:11,602 --> 00:46:14,837
WHAT DOES YOUR HUSBAND
THINK ABOUT ALL THIS?
574
00:46:14,838 --> 00:46:19,208
ABNER SUFFERS FROM
A CONSTITUTIONAL AILMENT--
575
00:46:19,209 --> 00:46:20,877
HE'S A RIDICULOUS FOOL.
576
00:46:20,878 --> 00:46:23,346
AND NATURALLY ONE WITHHOLDS
THINGS FROM A FOOL.
577
00:46:23,347 --> 00:46:25,014
NATURALLY.
578
00:46:25,015 --> 00:46:27,783
THE LESS HE KNOWS, THE BETTER.
579
00:46:27,784 --> 00:46:29,452
UP THOSE STAIRS, MR. WEST,
580
00:46:29,453 --> 00:46:30,853
THE SIGHT OF YOUR BLOOD
581
00:46:30,854 --> 00:46:33,389
MIGHT UPSET
SOME OF THESE MEN.
582
00:47:08,425 --> 00:47:11,227
I THOUGHT YOU WERE GOING TO
LOOK FOR THE BACKDOOR.
583
00:47:11,228 --> 00:47:13,596
I FOUND IT.
IT'S KIND OF INTERESTING.
584
00:47:13,597 --> 00:47:15,666
HAVE A LOOK FOR YOURSELF.
585
00:47:17,935 --> 00:47:19,803
STAY RIGHT WHERE YOU ARE,
GENTLEMEN.
586
00:47:26,343 --> 00:47:28,377
CONVENIENT--
587
00:47:28,378 --> 00:47:31,415
YOUR TOWN HOUSE
ADJOINING YOUR WORKSHOP.
588
00:47:37,754 --> 00:47:41,290
NOW, WHAT'S ALL THIS ABOUT?
589
00:47:41,291 --> 00:47:44,328
I THINK YOU'D BETTER SIT DOWN
BEFORE I TELL YOU, MR. LENNOX.
590
00:47:53,470 --> 00:47:55,071
HAH!
591
00:47:55,072 --> 00:47:57,306
MRS. MOORE AND THE WHOLE GANG
FROM THE EMPORIUM
592
00:47:57,307 --> 00:47:58,975
WERE APPREHENDED IN TUCSON.
593
00:47:58,976 --> 00:48:01,110
THEY'RE BEING BROUGHT BACK
FOR TRIAL.
594
00:48:01,111 --> 00:48:02,378
LET'S DRINK
TO A HAPPY ENDING.
595
00:48:02,379 --> 00:48:06,415
I'LL DRINK TO PLEASANT
BEGINNINGS.
596
00:48:06,416 --> 00:48:09,151
I DIDN'T KNOW MR. BRONZINI
REAL WELL,
597
00:48:09,152 --> 00:48:11,988
BUT IT'S STILL HARD TO BELIEVE
HE WAS PART OF THAT GANG.
598
00:48:11,989 --> 00:48:13,589
HE SEEMED SO NICE.
599
00:48:13,590 --> 00:48:16,259
WHICH ONLY GOES TO PROVE
YOU CAN'T TELL BY LOOKING.
600
00:48:16,260 --> 00:48:17,793
ERIKA FOR INSTANCE--
601
00:48:17,794 --> 00:48:20,229
WOULD YOU BELIEVE
SHE'S A LION TAMER?
602
00:48:20,230 --> 00:48:23,432
WELL, YOU SHOULD, FOR ONE.
IT'S NOT THAT DIFFICULT.
603
00:48:23,433 --> 00:48:24,900
YOU DID QUITE WELL.
604
00:48:24,901 --> 00:48:27,069
WELL, THAT WAS
JUST BEGINNER'S LUCK.
605
00:48:27,070 --> 00:48:29,805
WELL, I THINK
WITH A FEW PRIVATE INSTRUCTIONS,
606
00:48:29,806 --> 00:48:32,642
YOU COULD BE QUITE
A GOOD LION TAMER YOURSELF.
607
00:48:32,643 --> 00:48:35,778
YOU KNOW, I ALWAYS WANTED
TO BE A LION TAMER.
608
00:48:35,779 --> 00:48:38,247
WILL YOU BE
GOING BACK TO WASHINGTON
609
00:48:38,248 --> 00:48:40,683
NOW THAT YOU'VE SOLVED
THE CASE?
610
00:48:40,684 --> 00:48:44,020
OH, NO, WE'RE GOING TO BE
AROUND FOR AT LEAST A WEEK,
611
00:48:44,021 --> 00:48:45,254
UNTIL THE TRIAL.
612
00:48:45,255 --> 00:48:47,256
WELL NOW, ISN'T THAT NICE?
613
00:48:47,257 --> 00:48:49,326
I'M SURE
IT'LL BE MOST PLEASANT.
614
00:48:51,328 --> 00:48:53,095
AND TO START IT OFF,
615
00:48:53,096 --> 00:48:56,265
WHY DON'T WE HAVE A BIG EVENING
ON THE TOWN, ALL OF US?
616
00:48:56,266 --> 00:48:57,199
ARTIE.
617
00:48:57,200 --> 00:48:59,101
YEAH?
618
00:48:59,102 --> 00:49:01,137
UNLESS YOU WANT TO BE IN DENVER
FOR MORE THAN A WEEK,
619
00:49:01,138 --> 00:49:02,638
I WOULDN'T SPEND THAT MONEY.
620
00:49:02,639 --> 00:49:04,940
HUH?
621
00:49:04,941 --> 00:49:07,210
THAT'S HARRY HOLMES' MONEY.
622
00:49:14,951 --> 00:49:18,220
WELL, HOW ABOUT
SOME SCRAMBLED EGGS
623
00:49:18,221 --> 00:49:20,523
AND CHAMPAGNE RIGHT HERE?
624
00:49:20,524 --> 00:49:21,624
MARVELOUS.
625
00:49:21,625 --> 00:49:22,559
GOOD.
626
00:49:37,207 --> 00:49:40,042
{\an8}- CAPTIONS BY VITAC--
BURBANK, PITTSBURGH, WASHINGTON
627
00:49:40,043 --> 00:49:42,779
{\an8}CAPTIONS PAID FOR BY
PARAMOUNT DOMESTIC TELEVISION
45398
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