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1
00:00:12,345 --> 00:00:13,379
GOD BLESS YOU.
2
00:00:13,380 --> 00:00:14,747
THANK YOU.
3
00:00:14,748 --> 00:00:16,448
CHANGE IN TEMPERATURE
WILL DO IT EVERY TIME.
4
00:00:16,449 --> 00:00:18,684
NO, IT'S MY HAY FEVER.
5
00:00:18,685 --> 00:00:20,586
ALL I HAVE TO DO
IS GO THROUGH KANSAS,
6
00:00:20,587 --> 00:00:23,055
I BECOME
A HANDKERCHIEF CASE.
7
00:00:23,056 --> 00:00:26,225
HOW DID YOU GET IN THE SECRET
SERVICE WITH HAY FEVER?
8
00:00:26,226 --> 00:00:28,727
KEPT IT A SECRET.
9
00:00:28,728 --> 00:00:32,098
HEY, WE'VE STOPPED.
10
00:00:35,268 --> 00:00:37,302
HEY, JIM,
I JUST HAD A THOUGHT.
11
00:00:37,303 --> 00:00:39,471
AS LONG AS
WE'RE HERE ANYWAY,
12
00:00:39,472 --> 00:00:41,907
WHY DON'T WE SPEND
THE NIGHT, EH?
13
00:00:41,908 --> 00:00:43,976
BECAUSE, ARTIE,
IT'S STILL DAY.
14
00:00:43,977 --> 00:00:45,978
TWO HOURS
IS PLENTY OF TIME
15
00:00:45,979 --> 00:00:48,815
TO FIND ALL THE TROUBLE
WE NEED.
16
00:01:11,905 --> 00:01:16,909
PLEASE, BOYS.
17
00:01:16,910 --> 00:01:20,179
BOYS, THIS MORNING WE SHIPPED
OUR LAST ROUNDUP OF STEERS
18
00:01:20,180 --> 00:01:23,282
ON THE EASTBOUND RAIL,
MAKING THIS THE BIGGEST YEAR
19
00:01:23,283 --> 00:01:25,418
IN THE HISTORY
OF THE RAWLINS RANCH.
20
00:01:28,354 --> 00:01:30,589
YOU'VE WORKED LONG AND HARD,
21
00:01:30,590 --> 00:01:33,692
AND YOU'VE DONE
YOURSELVES PROUD.
22
00:01:33,693 --> 00:01:37,362
IN APPRECIATION OF YOUR EFFORTS,
MRS. RAWLINS AND I WANT YOU
23
00:01:37,363 --> 00:01:41,166
TO SHARE OUR HUMBLE TABLE.
24
00:01:41,167 --> 00:01:43,635
EUGENIA,
COME ON UP HERE, HONEY,
25
00:01:43,636 --> 00:01:46,305
AND SHOW
YOUR PRETTY FACE.
26
00:01:46,306 --> 00:01:50,309
I JUST WANT TO ECHO
WHAT MY HUSBAND HAS SAID
27
00:01:50,310 --> 00:01:53,312
AND ADD MY THANKS
TO ALL OF YOU.
28
00:01:53,313 --> 00:01:57,883
YOU MAKE AN EASTERN GIRL
FEEL VERY MUCH AT HOME.
29
00:01:57,884 --> 00:02:01,987
I JUST HAVE ONE MORE THING
TO SAY TO YOU, MY GOOD FRIENDS.
30
00:02:01,988 --> 00:02:03,822
HAVE FUN.
31
00:02:12,365 --> 00:02:15,734
SAY, THINK THEY'D MIND
IF WE JOINED THE PARTY?
32
00:02:15,735 --> 00:02:18,337
MY STOMACH'S
SENDING UP MESSAGES
33
00:02:18,338 --> 00:02:20,973
FOR A LITTLE OF
THAT RARE ROAST BEEF.
34
00:02:20,974 --> 00:02:23,243
I DON'T THINK
THEY'D MIND.
35
00:02:51,604 --> 00:02:52,871
MRS. RAWLINS.
36
00:02:52,872 --> 00:02:54,506
GOOD AFTERNOON,
MR. CREED.
37
00:02:54,507 --> 00:02:56,041
NICE PARTY
YOU HAVE HERE.
38
00:02:56,042 --> 00:02:58,544
IT MUST BE COSTING
YOUR HUSBAND A PRETTY PENNY.
39
00:02:58,545 --> 00:03:00,946
HE'S SHOWING HIS EMPLOYEES
HOW GRATEFUL HE IS.
40
00:03:00,947 --> 00:03:03,181
WELL, HE MUST PAY THEM
A GOOD WAGE, DOESN'T HE?
41
00:03:03,182 --> 00:03:05,517
MONEY'S NOT THE ONLY WAY
A MAN CAN SAY THANKS.
42
00:03:05,518 --> 00:03:07,452
AMOS, YOU'RE SPOILING
THESE PEOPLE
43
00:03:07,453 --> 00:03:09,421
WITH ALL THIS
FANCY CELEBRATION.
44
00:03:09,422 --> 00:03:11,523
THEY SHOULD BE OUT
DOING EXTRA WORK.
45
00:03:11,524 --> 00:03:13,191
THEY ALL OWE
THE BANK MONEY.
46
00:03:13,192 --> 00:03:14,960
THEY'LL PAY YOU, ROGER.
47
00:03:14,961 --> 00:03:16,695
THEY'RE HONEST CITIZENS.
YOU'D FIND THAT OUT
48
00:03:16,696 --> 00:03:18,931
IF YOU'D TREAT THEM LIKE MEN
INSTEAD OF ACCOUNT NUMBERS.
49
00:03:18,932 --> 00:03:20,799
THAT'S EASY ENOUGH TO SAY.
50
00:03:20,800 --> 00:03:23,035
WELL, THE TRUTH ALWAYS IS.
51
00:03:23,036 --> 00:03:25,604
IT'S 12:00, ROGER.
SIT DOWN. FEED YOUR FACE.
52
00:03:25,605 --> 00:03:27,940
IF YOU DON'T MIND, I'LL--
53
00:03:34,147 --> 00:03:35,747
Mrs. Rawlins: AMOS!
54
00:03:35,748 --> 00:03:38,717
AMOS, WHAT'S WRONG?
WHAT'S HAPPENED?
55
00:03:38,718 --> 00:03:41,553
THERE HE GOES--
THE MAN WHO DID IT!
56
00:03:41,554 --> 00:03:43,221
I TRIED TO STOP HIM!
57
00:03:43,222 --> 00:03:45,891
I TRIED TO STOP HIM.
58
00:03:45,892 --> 00:03:47,426
WHICH WAY DID HE GO?
59
00:03:47,427 --> 00:03:48,461
THERE. THERE.
60
00:04:13,152 --> 00:04:14,686
HE MAY GO
OUT THE BACK.
61
00:04:14,687 --> 00:04:16,589
I'LL TAKE HIM.
62
00:04:38,711 --> 00:04:40,012
WHO ARE YOU?
63
00:04:40,013 --> 00:04:43,048
JAMES WEST,
UNITED STATES AGENT.
64
00:04:43,049 --> 00:04:45,384
WELL, WHAT DO YOU WANT?
65
00:04:45,385 --> 00:04:48,120
NOTHING, BUT I GOT AN IDEA
66
00:04:48,121 --> 00:04:51,791
THE STATE OF KANSAS WANTS YOU--
FOR MURDER.
67
00:06:03,162 --> 00:06:07,265
SO THAT WHILE THE DEFENDANT,
LUCIUS BRAND, HAD NO INTENTION
68
00:06:07,266 --> 00:06:13,472
OF KILLING AMOS RAWLINS,
HE COLDY AND WITH CALCULATION
69
00:06:13,473 --> 00:06:16,541
DID INTEND TO TAKE THE LIFE
OF ROGER CREED.
70
00:06:16,542 --> 00:06:20,378
LADIES AND GENTLEMEN
OF THE JURY, MY PATH IS CLEAR.
71
00:06:20,379 --> 00:06:25,584
I WILL PROVE TO YOU THAT
LUCIUS BRAND IS GUILTY OF MURDER
72
00:06:25,585 --> 00:06:28,453
IN THE FIRST DEGREE.
73
00:06:28,454 --> 00:06:30,322
THAT'S HIM.
74
00:06:30,323 --> 00:06:33,292
THAT'S THE MAN I SAW
PULL A GUN AND SHOOT.
75
00:06:35,161 --> 00:06:36,828
HE WAS SITTING ON THE BED
WHEN I GOT THERE.
76
00:06:36,829 --> 00:06:38,263
THE GUN WAS IN HIS HAND.
77
00:06:38,264 --> 00:06:39,831
HAD IT BEEN FIRED,
MR. WEST?
78
00:06:39,832 --> 00:06:41,200
YEAH, IT'D BEEN FIRED.
79
00:06:44,003 --> 00:06:47,305
MR. WEST,
DO YOU RECOGNIZE THIS COAT?
80
00:06:47,306 --> 00:06:49,574
THE DEFENDANT WAS WEARING
THAT COAT
81
00:06:49,575 --> 00:06:51,176
WHEN HE WAS APPREHENDED.
82
00:06:51,177 --> 00:06:52,511
AND THIS POCKET?
83
00:06:52,512 --> 00:06:55,580
THAT WAS GIVEN TO ME
BY ABIGAIL MOSS.
84
00:06:55,581 --> 00:06:59,751
AND MISS MOSS ALREADY HAS
TESTIFIED THAT SHE RIPPED IT
85
00:06:59,752 --> 00:07:03,355
FROM THE COAT
OF LUCIUS BRAND.
86
00:07:03,356 --> 00:07:05,690
I WAS ABLE
TO REMOVE MYSELF
87
00:07:05,691 --> 00:07:07,492
FROM THE PATH
OF THE BULLET.
88
00:07:07,493 --> 00:07:09,594
POOR AMOS RAWLINS
WASN'T SO LUCKY.
89
00:07:09,595 --> 00:07:13,298
TELL THE COURT OF YOUR
DEALINGS WITH LUCIUS BRAND.
90
00:07:13,299 --> 00:07:16,134
WELL, MY BANK LOANED HIM
MONEY FOR HIS FARM.
91
00:07:16,135 --> 00:07:19,337
THE DROUGHT LAST YEAR CAUSED
HIM TO FORFEIT HIS PAYMENTS.
92
00:07:19,338 --> 00:07:21,807
I WAS FORCED TO FORECLOSE
ON HIS MORTGAGE.
93
00:07:21,808 --> 00:07:22,974
I SEE,
94
00:07:22,975 --> 00:07:25,110
AND WHAT WAS
MR. BRAND'S REACTION?
95
00:07:25,111 --> 00:07:27,345
YOU MIGHT SAY
IT WAS VIOLENT.
96
00:07:27,346 --> 00:07:30,216
HE THREATENED
TO KILL ME.
97
00:07:32,852 --> 00:07:36,721
AND JUST BEFORE MR. WEST
BUSTED IN, I WOKE UP.
98
00:07:36,722 --> 00:07:41,059
THAT WAS PAST
THE HOUR OF NOON.
99
00:07:41,060 --> 00:07:42,961
MR. BRAND,
YOU'RE A FARMER, AREN'T YOU?
100
00:07:42,962 --> 00:07:44,629
I WAS.
101
00:07:44,630 --> 00:07:48,400
OH, YES. THERE WAS
THE MATTER OF YOUR LOST FARM.
102
00:07:48,401 --> 00:07:50,902
TELL THE COURT
WHAT HAPPENED AFTER THAT.
103
00:07:50,903 --> 00:07:54,172
I JUST SENT MY WIFE
BACK TO LIVE WITH THE FAMILY.
104
00:07:54,173 --> 00:07:56,875
THEN I COME TO KIRBY GAP
LOOKING FOR A JOB.
105
00:07:56,876 --> 00:07:59,811
JUST LIKE THAT YOU STOPPED
BEING A FARMER, HMM?
106
00:07:59,812 --> 00:08:02,981
I DON'T UNDERSTAND
WHAT YOU MEAN.
107
00:08:02,982 --> 00:08:06,484
FARMERS GET UP AT SUNUP.
EVERYBODY KNOWS THAT.
108
00:08:06,485 --> 00:08:08,854
YET, ON THE DAY MR. WEST
BROKE INTO YOUR ROOM
109
00:08:08,855 --> 00:08:11,323
YOU SLEPT PAST THE HOUR
OF NOON.
110
00:08:11,324 --> 00:08:13,058
WHY, MR. BRAND?
111
00:08:13,059 --> 00:08:15,894
WELL, I GUESS, I HAD
A MIGHT TOO MUCH TO DRINK
112
00:08:15,895 --> 00:08:17,230
THE NIGHT BEFORE.
113
00:08:20,466 --> 00:08:23,101
MR. BRAND,
DO YOU RECOGNIZE THIS COAT?
114
00:08:23,102 --> 00:08:26,504
YES, SIR, BUT I DON'T REMEMBER
TEARING THAT POCKET ON IT.
115
00:08:26,505 --> 00:08:29,407
I SEE.
AND IS THIS YOUR GUN?
116
00:08:29,408 --> 00:08:32,509
YES, BUT I--
I DIDN'T--
117
00:08:32,510 --> 00:08:34,178
DIDN'T WHAT?
118
00:08:34,179 --> 00:08:36,115
I DIDN'T FIRE IT.
119
00:08:38,183 --> 00:08:40,452
GENTLEMEN OF THE JURY,
120
00:08:40,453 --> 00:08:44,422
WHAT WE HAVE HERE IS
MR. BRAND'S COAT,
121
00:08:44,423 --> 00:08:47,459
WHICH HE CLAIMS
HE DIDN'T TEAR,
122
00:08:47,460 --> 00:08:49,594
AND MR. BRAND'S GUN
123
00:08:49,595 --> 00:08:51,630
WHICH HE CLAIMS
HE NEVER FIRED.
124
00:08:51,631 --> 00:08:53,932
THE NEXT THING
WE'RE LIKELY TO HEAR
125
00:08:53,933 --> 00:08:56,968
IS THAT AMOS RAWLINS
WAS NEVER REALLY MURDERED.
126
00:08:56,969 --> 00:08:59,704
THE JURY HAS FOUND YOU
GUILTY OF MURDER.
127
00:08:59,705 --> 00:09:02,207
I THEREFORE SENTENCE YOU
TO BE TRANSPORTED
128
00:09:02,208 --> 00:09:04,309
TO THE STATE PRISON
AT HASTINGS,
129
00:09:04,310 --> 00:09:07,145
WHERE TWO DAYS
FROM THIS DAY, AT SUNSET,
130
00:09:07,146 --> 00:09:10,248
YOU WILL BE HANGED
BY THE NECK UNTIL DEAD,
131
00:09:10,249 --> 00:09:14,186
AND MAY GOD HAVE MERCY
ON YOUR SOUL.
132
00:09:21,727 --> 00:09:23,495
HOLD YOUR FIRE, SHERIFF.
133
00:09:24,997 --> 00:09:27,499
YOU'RE KIND OF QUICK
ON THE DRAW, AREN'T YOU?
134
00:09:27,500 --> 00:09:29,601
THIS MAN WASN'T
GOING ANYWHERE.
135
00:09:29,602 --> 00:09:33,472
YEAH, WELL, YOU CAN'T BE TOO
CAREFUL WITH THESE KILLERS.
136
00:09:42,381 --> 00:09:45,016
WHY DIDN'T YOU
LET HIM GET KILLED?
137
00:09:45,017 --> 00:09:47,252
IT WOULD
HAVE BEEN KINDER.
138
00:09:47,253 --> 00:09:48,520
I'M SORRY, MRS. BRAND.
139
00:09:48,521 --> 00:09:50,922
YOU HAVE A LOT TO BE
SORRY FOR, DON'T YOU?
140
00:09:50,923 --> 00:09:54,326
DON'T YOU KNOW THAT
LUCIUS COULDN'T HAVE DONE
141
00:09:54,327 --> 00:09:58,164
WHAT ALL THOSE OTHERS AND YOU
SAID THAT HE WENT AND DID?
142
00:10:07,340 --> 00:10:09,808
ALL WIVES
AND CLOSE RELATIVES
143
00:10:09,809 --> 00:10:13,278
ALWAYS BECOME EMOTIONAL
AT TIMES LIKE THIS.
144
00:10:13,279 --> 00:10:15,613
YEAH, THEY DO,
DON'T THEY?
145
00:10:15,614 --> 00:10:18,483
COME ON, JIM.
WE'RE TWO DAYS LATE
146
00:10:18,484 --> 00:10:20,485
FOR ST. LOUIS ALREADY.
147
00:10:20,486 --> 00:10:22,955
YEAH, LET'S
GET TO ST. LOUIS.
148
00:10:29,261 --> 00:10:30,662
COME ON, JIM.
149
00:10:30,663 --> 00:10:33,465
IT'S AN OPEN-AND-SHUT CASE,
FOR PETE'S SAKE.
150
00:10:33,466 --> 00:10:35,667
ARTIE, THAT'S THE PART
THAT BOTHERS ME.
151
00:10:35,668 --> 00:10:36,901
I KNOW YOU.
152
00:10:36,902 --> 00:10:38,336
YOU'RE PROBABLY
STILL WONDERING
153
00:10:38,337 --> 00:10:40,872
WHY BRAND WOULD LEAD YOU
RIGHT TO HIS VERY HOME.
154
00:10:40,873 --> 00:10:42,674
SINCE YOU BROUGHT THAT UP.
155
00:10:42,675 --> 00:10:45,810
WELL, YOU KNOW MURDERERS DO
STRANGE THINGS UNDER STRESS.
156
00:10:45,811 --> 00:10:48,614
NOW, FORGET ABOUT IT,
WILL YOU? COME ON.
157
00:10:51,317 --> 00:10:53,885
PLUS, IF YOU'D BROUGHT UP
THE MATTER WHY HE WASN'T EVEN
158
00:10:53,886 --> 00:10:56,354
OUT OF BREATH WHEN YOU
FINALLY CAUGHT UP WITH HIM
159
00:10:56,355 --> 00:10:58,890
AFTER CHASING HIM
ALL THAT TIME,
160
00:10:58,891 --> 00:11:01,493
OR WHY HE WOULDN'T EVEN BOTHER
TO THROW AWAY HIS GUN
161
00:11:01,494 --> 00:11:03,395
WHEN HE KNEW
THAT WE WERE CHASING HIM,
162
00:11:03,396 --> 00:11:06,498
RIGHT AFTER THE MURDER.
163
00:11:06,499 --> 00:11:11,103
ARTIE, WHAT WERE YOU SAYING
ABOUT AN OPEN-AND-SHUT CASE?
164
00:11:13,139 --> 00:11:16,107
YEAH.
165
00:11:18,344 --> 00:11:19,611
HELP ME, YOU SAY?
166
00:11:19,612 --> 00:11:21,913
IF YOU WANT
TO HELP SOMEBODY,
167
00:11:21,914 --> 00:11:24,416
HELP MY WIFE WHEN SHE
WINDS UP A WIDOW
168
00:11:24,417 --> 00:11:26,918
AND MY SON WHEN HE GETS
AROUND TO BEING BORN.
169
00:11:26,919 --> 00:11:28,620
RUN THROUGH THE EVENTS
170
00:11:28,621 --> 00:11:30,755
OF THE NIGHT OF THE MURDER
AGAIN, MR. BRAND.
171
00:11:30,756 --> 00:11:32,457
WHY?
172
00:11:32,458 --> 00:11:35,460
BECAUSE I THINK YOU MIGHT BE
INNOCENT, THAT'S WHY.
173
00:11:35,461 --> 00:11:37,062
ALL RIGHT.
174
00:11:37,063 --> 00:11:40,398
I HAD DINNER
AT THE KIRBY GAP HOTEL.
175
00:11:40,399 --> 00:11:43,401
THEN I HAD TWO OR THREE DRINKS
WITH A COUPLE OF COWHANDS
176
00:11:43,402 --> 00:11:45,804
FROM THE RAWLINS RANCH.
177
00:11:45,805 --> 00:11:48,039
THEY MUST HAVE BEEN
POURING TRIPLES
178
00:11:48,040 --> 00:11:51,242
BECAUSE I GUESS
I PASSED OUT.
179
00:11:51,243 --> 00:11:53,211
THEN THE NEXT THING
I REMEMBER,
180
00:11:53,212 --> 00:11:55,780
I WOKE UP IN A SWEAT,
AND YOU COME BUSTING IN.
181
00:11:55,781 --> 00:11:57,449
WHAT ABOUT THE GUN?
182
00:11:57,450 --> 00:12:00,418
WELL, WHEN I WOKE UP,
I SPOTTED IT ON THE FLOOR,
183
00:12:00,419 --> 00:12:02,787
AND I JUST PICKED IT UP.
THAT'S ALL.
184
00:12:02,788 --> 00:12:03,955
AND THE COAT?
185
00:12:03,956 --> 00:12:06,224
I WORE IT THE NIGHT BEFORE,
186
00:12:06,225 --> 00:12:08,993
BUT I DON'T REMEMBER
TEARING THAT POCKET OFF OF IT.
187
00:12:08,994 --> 00:12:11,930
HOW DID YOU HAPPEN TO WAKE
UP JUST BEFORE I BUSTED IN?
188
00:12:11,931 --> 00:12:17,235
I-- I HAD A NIGHTMARE.
189
00:12:17,236 --> 00:12:18,970
YOU NEVER MENTIONED
THAT IN COURT.
190
00:12:18,971 --> 00:12:23,007
WELL, BECAUSE THEY JUST
WOULD HAVE HOOTED AT ME,
191
00:12:23,008 --> 00:12:25,377
BECAUSE IT WASN'T REALLY
A NIGHTMARE.
192
00:12:26,712 --> 00:12:30,815
I WAS AWAKENED BY...
193
00:12:30,816 --> 00:12:35,521
A TRAIN THAT
WAS BEARING DOWN ON ME.
194
00:12:38,724 --> 00:12:41,359
WELL, NOW YOU CAN GO AHEAD
AND HOOT AT ME, TOO.
195
00:12:41,360 --> 00:12:44,262
GUARD.
196
00:12:44,263 --> 00:12:46,531
LISTEN, NOW,
WAIT A MINUTE.
197
00:12:46,532 --> 00:12:48,666
I DIDN'T SHOOT CREED.
IT'S TRUE I HATED HIM,
198
00:12:48,667 --> 00:12:50,034
BUT I DIDN'T SHOOT HIM
199
00:12:50,035 --> 00:12:52,003
AND I DIDN'T KILL
AMOS RAWLINS EITHER.
200
00:12:52,004 --> 00:12:54,339
NOW WHAT ARE GOING
TO DO ABOUT IT?
201
00:12:54,340 --> 00:12:56,975
I DON'T KNOW,
BUT YOU GOT TWO DAYS
202
00:12:56,976 --> 00:12:59,445
FOR US TO THINK
OF SOMETHING.
203
00:13:35,481 --> 00:13:36,981
FIND ANYTHING YET,
ARTIE?
204
00:13:36,982 --> 00:13:39,384
I'M NOT QUITE SURE
WHAT I'M LOOKING FOR
205
00:13:39,385 --> 00:13:40,919
NOW THAT I THINK
ABOUT IT.
206
00:13:40,920 --> 00:13:43,789
WELL, WHEN YOU FIND IT
YOU'LL KNOW.
207
00:13:48,661 --> 00:13:52,497
HOW ABOUT BEHIND
THE PICTURES?
208
00:13:52,498 --> 00:13:57,769
ARTIE?
209
00:13:57,770 --> 00:14:01,339
NO NEED TO SHOUT, JIM.
I HEAR YOU PERFECTLY FINE.
210
00:14:01,340 --> 00:14:05,076
MIND GIVING ME A CLUE
WHERE YOU ARE?
211
00:14:05,077 --> 00:14:07,913
NOT AT ALL.
JUST FOLLOW MY VOICE.
212
00:14:09,481 --> 00:14:12,083
COME ON, ARTIE.
KEEP TALKING.
213
00:14:13,786 --> 00:14:15,620
THE MINUTE YOU SAY
KEEP TALKING I CAN'T THINK
214
00:14:15,621 --> 00:14:16,888
OF ANYTHING TO SAY.
215
00:14:16,889 --> 00:14:18,623
COME ON OVER HERE,
WILL YOU?
216
00:14:18,624 --> 00:14:20,291
I THINK I GOT SOMETHING.
217
00:14:20,292 --> 00:14:22,193
"WHEN IN THE COURSE
OF HUMAN EVENTS
218
00:14:22,194 --> 00:14:24,696
"IT BECOMES NECESSARY
FOR ONE PEOPLE TO DISSOLVE
219
00:14:24,697 --> 00:14:27,065
THE POLITICAL BANDS
WHICH HAVE CONNECTED THEM"--
220
00:14:27,066 --> 00:14:28,800
I FOUND YOU, ARTIE.
221
00:14:28,801 --> 00:14:30,435
CONGRATULATIONS.
222
00:14:30,436 --> 00:14:33,238
NOW, WHERE'S THE REST
OF YOU?
223
00:14:33,239 --> 00:14:36,040
JUST WALK
IN THE LIVING ROOM,
224
00:14:36,041 --> 00:14:38,142
SIT DOWN
IN THAT ARMCHAIR,
225
00:14:38,143 --> 00:14:40,645
AND MOVE
THE RIGHT ARM PANEL.
226
00:14:40,646 --> 00:14:42,948
WILL YOU EVER FIND OUT.
227
00:14:56,795 --> 00:14:59,797
WELL, WE KNOW HOW BRAND'S
DOUBLE GOT OUT SO QUICKLY.
228
00:14:59,798 --> 00:15:01,833
RIGHT. THE MINUTE
HE CAME INSIDE
229
00:15:01,834 --> 00:15:04,235
HE TOSSED THE GUN
INTO BRAND'S BEDROOM.
230
00:15:04,236 --> 00:15:07,005
HAD HIMSELF CATAPULTED
UP THROUGH THE CEILING
231
00:15:07,006 --> 00:15:09,007
AND LEFT BRAND TO HOLD
THE BAG.
232
00:15:09,008 --> 00:15:11,509
REMEMBER THE SOUND
OF THE ONCOMING TRAIN
233
00:15:11,510 --> 00:15:13,911
THAT BRAND SAID HE HEARD
WHICH WOKE HIM?
234
00:15:13,912 --> 00:15:16,048
GET A LOAD OF THIS.
235
00:15:23,389 --> 00:15:26,591
NICE WORK, ARTIE.
236
00:15:26,592 --> 00:15:29,260
NOW WE'D BETTER GO
AND HAVE A TALK--
237
00:15:39,872 --> 00:15:42,874
DON'T LOOK NOW, ARTIE,
BUT I THINK WE'RE ON FIRE.
238
00:15:42,875 --> 00:15:45,711
YOU KNOW SOMETHING.
I THINK YOU'RE RIGHT.
239
00:15:58,590 --> 00:16:00,825
SUGGEST WE MAKE
OUR HURRIED EXIT.
240
00:16:00,826 --> 00:16:02,294
I LIKE YOUR THINKING.
241
00:16:55,447 --> 00:16:57,548
NOW, LET ME
GET THIS STRAIGHT--
242
00:16:57,549 --> 00:17:00,885
A CHAIR THAT BRINGS YOU
THROUGH THE CEILING,
243
00:17:00,886 --> 00:17:04,521
AND A BLACK BOX THAT SOUNDS
LIKE A TRAIN. IS THAT RIGHT?
244
00:17:04,522 --> 00:17:06,289
THAT'S RIGHT, JUDGE.
245
00:17:06,290 --> 00:17:08,358
THAT'S YOUR EVIDENCE
THAT BRAND WAS FRAMED?
246
00:17:08,359 --> 00:17:09,794
IT WAS THE EVIDENCE.
247
00:17:09,795 --> 00:17:11,829
UNFORTUNATELY,
IT WAS BURNED IN A FIRE.
248
00:17:14,299 --> 00:17:16,100
WHAT DO YOU
WANT ME TO DO?
249
00:17:16,101 --> 00:17:17,802
I'D LIKE A FEW DAYS
250
00:17:17,803 --> 00:17:19,804
SO I CAN PROVE
THAT BRAND IS INNOCENT.
251
00:17:19,805 --> 00:17:21,706
I DON'T SUPPOSE
IT WOULD DO ANY HARM
252
00:17:21,707 --> 00:17:23,540
TO GIVE YOU
ANOTHER DAY OR TWO.
253
00:17:23,541 --> 00:17:26,043
LUCIUS BRAND DID MORE
THAN JUST KILL A MAN.
254
00:17:26,044 --> 00:17:28,980
HE SNUFFED OUT THE MOST
LOVED MAN IN THIS TOWN.
255
00:17:28,981 --> 00:17:32,083
IF YOU GRANT HIM A STAY
WITHOUT ANY SHOW OF EVIDENCE,
256
00:17:32,084 --> 00:17:36,053
WHY YOU'RE JUST BEGGING
FOR MOB ACTION.
257
00:17:36,054 --> 00:17:40,291
YES, YES. I WAS COMING TO THAT.
THAT'S RIGHT.
258
00:17:40,292 --> 00:17:43,127
NO, IT'S OUT OF THE QUESTION,
MR. WEST. I'M SORRY.
259
00:17:43,128 --> 00:17:45,430
WHAT MAKES YOU SO HOT
ABOUT THIS?
260
00:17:45,431 --> 00:17:47,565
THE MAN'S INNOCENT.
261
00:17:47,566 --> 00:17:49,301
PROVE IT, MR. WEST.
PROVE IT.
262
00:18:03,148 --> 00:18:06,150
I HOPE YOU'RE HAVING
MORE SUCCESS WITH THAT
263
00:18:06,151 --> 00:18:08,085
THAN I HAD
WITH JUDGE BLAKE.
264
00:18:08,086 --> 00:18:10,354
I WANT YOU TO SEE SOMETHING.
265
00:18:10,355 --> 00:18:12,790
I'VE BEEN STUDYING
THESE PLATES FOR HOURS.
266
00:18:12,791 --> 00:18:15,693
THIS IS THE FIRST ONE,
MADE JUST BEFORE THE SHOOTING.
267
00:18:15,694 --> 00:18:18,664
ALL RIGHT?
NOW LOOK AT THIS.
268
00:18:21,834 --> 00:18:23,835
THAT'S THE OTHER PLATE.
269
00:18:23,836 --> 00:18:26,871
AND THAT'S ABIGAIL MOSS.
270
00:18:26,872 --> 00:18:29,474
RIGHT, AND THE GENTLEMAN
IN THE TWEED JACKET
271
00:18:29,475 --> 00:18:32,510
AND THE ROLLED COLLAR,
THAT'S OUR OWN LUCIUS BRAND.
272
00:18:32,511 --> 00:18:34,979
OR THE MAN ABIGAIL
CLAIMS WAS BRAND.
273
00:18:34,980 --> 00:18:38,049
EXACTLY. IT'S TOO BAD
THAT WE CAN'T SEE HIS FACE.
274
00:18:38,050 --> 00:18:40,017
IF WE HAD, MAYBE BRAND
WOULDN'T BE THE MAN
275
00:18:40,018 --> 00:18:41,619
BEING HANGED TOMORROW.
276
00:18:41,620 --> 00:18:44,655
NOW, I'VE BEEN EXAMINING
THIS THING FOR OVER AN HOUR.
277
00:18:44,656 --> 00:18:46,491
TRYING TO FIND ONE THING
278
00:18:46,492 --> 00:18:48,793
THAT DIDN'T SHOW UP
AT THE TRIAL.
279
00:18:48,794 --> 00:18:53,398
I THINK I FOUND A BALLOON.
280
00:18:56,969 --> 00:18:59,971
A BALLOON.
281
00:18:59,972 --> 00:19:03,341
ACCORDING TO MY CALCULATIONS,
RELEASED ONE SECOND
282
00:19:03,342 --> 00:19:05,310
AFTER THE SHOT WAS FIRED.
283
00:19:07,880 --> 00:19:10,848
ARTIE, THAT BALLOON
WAS A SIGNAL.
284
00:19:10,849 --> 00:19:12,183
EXACTLY.
285
00:19:12,184 --> 00:19:14,352
THAT'S THE DEVICE,
WHICH SET THE ENTIRE
286
00:19:14,353 --> 00:19:17,054
COMPLICATED MACHINERY
INTO SYNCHRONIZED MOTION.
287
00:19:17,055 --> 00:19:19,590
THERE WAS A MAN IN THE ATTIC
LOOKING OUT THE WINDOW.
288
00:19:19,591 --> 00:19:21,259
WHEN THE BALLOON
BEGAN TO RISE,
289
00:19:21,260 --> 00:19:23,494
THAT WAS A SIGNAL
THAT THE SHOT HAD BEEN FIRED
290
00:19:23,495 --> 00:19:26,163
AND THE MURDERER WAS
ON HIS WAY TO BRAND'S PLACE.
291
00:19:26,164 --> 00:19:28,399
AT WHICH POINT BRAND
WAS ROUSED BY THE SOUND
292
00:19:28,400 --> 00:19:30,768
OF THAT ONCOMING TRAIN.
IT WAS JUST BEAUTIFUL.
293
00:19:30,769 --> 00:19:36,008
ARTIE, BLOW UP THE PICTURE
WITH THE BALLOON HAWKER.
294
00:19:40,145 --> 00:19:43,548
THAT IS MY FIRST STOP
TOMORROW MORNING.
295
00:19:43,549 --> 00:19:47,118
WHY DON'T I HAVE
A CHAT WITH ABIGAIL MOSS.
296
00:19:47,119 --> 00:19:48,487
WHY DON'T YOU.
297
00:20:16,348 --> 00:20:18,382
RENT $12 A WEEK IN ADVANCE.
298
00:20:18,383 --> 00:20:21,786
NO PETS, POKER, OR PARTIES.
SUPPER $2.50 EXTRA.
299
00:20:21,787 --> 00:20:25,089
FIRST COME, FIRST SERVED
TILL VICTUALS IS GONE.
300
00:20:25,090 --> 00:20:26,891
WELL?
301
00:20:26,892 --> 00:20:28,059
YOU DON'T UNDERSTAND.
302
00:20:28,060 --> 00:20:31,062
I AM NOT REALLY HERE
ABOUT A ROOM.
303
00:20:31,063 --> 00:20:33,297
IF IT'S
ABOUT A CONTRIBUTION
304
00:20:33,298 --> 00:20:34,832
TO ONE OF THOSE
HEATHEN MISSIONS.
305
00:20:34,833 --> 00:20:36,500
NO. IT'S NOT MONEY
THAT I WANT.
306
00:20:36,501 --> 00:20:37,602
IT'S JUST INFORMATION.
307
00:20:37,603 --> 00:20:39,103
INFORMATION?
308
00:20:39,104 --> 00:20:41,906
WITH ALL THE CHORES
I'M SADDLED WITH?
309
00:20:41,907 --> 00:20:44,008
WELL, I--
310
00:20:44,009 --> 00:20:46,577
ALL RIGHT, YOUNG LADY.
THANK YOU.
311
00:20:46,578 --> 00:20:49,747
WOULD YOU BE GOOD ENOUGH
TO TELL YOUR MOTHER,
312
00:20:49,748 --> 00:20:54,019
THE WOMAN OF THE HOUSE,
THAT I WAS HERE?
313
00:21:04,062 --> 00:21:09,600
IT HAPPENS I'M
THE WOMAN OF THE HOUSE.
314
00:21:09,601 --> 00:21:11,535
YOU'RE JOSHING?
315
00:21:11,536 --> 00:21:16,140
WHY, IT DOESN'T SEEM POSSIBLE.
YOU SEEM SO YOUNG.
316
00:21:16,141 --> 00:21:20,044
WELL, IT'S INFORMATION
YOU WANT, REVEREND.
317
00:21:20,045 --> 00:21:21,846
WON'T YOU STEP IN?
318
00:21:21,847 --> 00:21:27,351
THANK YOU.
THANK YOU SO MUCH.
319
00:21:27,352 --> 00:21:30,187
OH, MY.
320
00:21:30,188 --> 00:21:34,559
OH, MY GOODNESS.
321
00:21:36,561 --> 00:21:38,530
OH.
322
00:21:40,966 --> 00:21:44,202
OH, OH, OH.
323
00:21:49,441 --> 00:21:52,209
OH.
324
00:21:52,210 --> 00:21:54,745
OF COURSE,
IT AIN'T BUCKINGHAM PALACE,
325
00:21:54,746 --> 00:21:57,048
BUT WE CALL IT HOME.
326
00:21:57,049 --> 00:22:02,053
YES. HOW FORTUNATE
THAT MISS ABIGAIL MOSS
327
00:22:02,054 --> 00:22:04,822
CAN CALL THIS HOME, TOO.
328
00:22:04,823 --> 00:22:07,825
OH, IT'S ABOUT HER
YOU'RE HERE, EH?
329
00:22:07,826 --> 00:22:10,761
WELL, LET ME TELL YOU
THAT SHE'S--
330
00:22:10,762 --> 00:22:14,132
OH, MERCY. MY BURGOO.
331
00:22:23,108 --> 00:22:24,542
EXCUSE ME, REVEREND,
332
00:22:24,543 --> 00:22:27,545
BUT WHERE WERE WE?
333
00:22:27,546 --> 00:22:32,717
UH, WE WERE, UH,
SPEAKING ABOUT MISS MOSS.
334
00:22:32,718 --> 00:22:34,552
OH, YES. HER.
335
00:22:34,553 --> 00:22:38,189
WELL, THIS MORNING,
BRIGHT AND EARLY, SHE--
336
00:22:38,190 --> 00:22:44,762
REVEREND, WOULD YOU MIND
GIVING ME YOUR OPINION?
337
00:22:44,763 --> 00:22:47,666
OH, UH, NOT AT ALL.
338
00:22:55,273 --> 00:22:57,809
MANNA FROM HEAVEN.
339
00:23:48,927 --> 00:23:52,530
NO, TRULY, I WOULDN'T THINK
OF DEPRIVING YOU OF ANY MORE.
340
00:23:52,531 --> 00:23:54,665
MODERATION IN ALL THINGS,
YOU KNOW.
341
00:23:54,666 --> 00:23:56,700
YOU SURE YOU AIN'T
JUST BEING POLITE,
342
00:23:56,701 --> 00:23:58,102
TURNING DOWN THIRDS?
343
00:23:58,103 --> 00:24:00,371
NO, TRULY, MRS. PEACOCK,
344
00:24:00,372 --> 00:24:03,507
I COULDN'T PUT DOWN
ANOTHER BITE.
345
00:24:03,508 --> 00:24:08,045
NOW, ABOUT MISS MOSS.
346
00:24:08,046 --> 00:24:10,781
WHEN DID YOU SAY
SHE'D BE ARRIVING?
347
00:24:10,782 --> 00:24:13,884
SHE WON'T. EARLY THIS
MORNING SHE LEFT TOWN.
348
00:24:13,885 --> 00:24:17,622
I SEE.
349
00:24:20,258 --> 00:24:24,562
WHERE DID OUR BIRD
OF PASSAGE FLY TO, DEAR LADY?
350
00:24:24,563 --> 00:24:27,631
SEEMS SOME UNCLE
LEFT OUR BIRD OF PASSAGE
351
00:24:27,632 --> 00:24:31,202
A FORTUNE IN JEWELS.
AT LEAST THAT WAS HER STORY.
352
00:24:31,203 --> 00:24:35,005
IF YOU ASK ME, SHE HAS
MORE THAN HER SHARE OF UNCLES.
353
00:24:35,006 --> 00:24:36,907
YES, BUT PERHAPS
SHE HAS VERY LARGE FAMILY.
354
00:24:36,908 --> 00:24:38,075
WHERE DID SHE GO TO?
355
00:24:38,076 --> 00:24:39,977
SHE CAME DOWNSTAIRS
THIS MORNING
356
00:24:39,978 --> 00:24:42,713
WEARING A DIAMOND BROOCH
AND A SAPPHIRE BRACELET,
357
00:24:42,714 --> 00:24:45,382
NEITHER OF WHICH EVER
CAME FROM NO NOVELTY COUNTER.
358
00:24:45,383 --> 00:24:47,084
I'M QUITE SURE,
MRS. PEACOCK.
359
00:24:47,085 --> 00:24:48,752
HER DESTINATION,
WHERE DID--
360
00:24:48,753 --> 00:24:51,188
NO NOTICE. NO NOTHING.
JUST UP AND WENT.
361
00:24:51,189 --> 00:24:54,758
WHERE DID MISS MOSS
GO TO, DEAR LADY?
362
00:24:54,759 --> 00:24:58,429
WELL, LAND SAKES.
SHE AIN'T GONE NOWHERE YET.
363
00:24:58,430 --> 00:25:00,030
WHAT DO YOU MEAN?
364
00:25:00,031 --> 00:25:02,566
SHE SAID SHE WAS TAKING
THE NOON STAGE,
365
00:25:02,567 --> 00:25:05,336
BUT THAT DON'T LEAVE
FOR ANOTHER HOUR YET.
366
00:25:05,337 --> 00:25:07,171
THANK YOU, MRS. PEACOCK.
367
00:25:07,172 --> 00:25:09,407
THANK YOU VERY MUCH INDEED.
368
00:25:12,777 --> 00:25:14,378
WAIT, REVEREND! WAIT!
369
00:25:14,379 --> 00:25:17,548
ARE YOU SURE YOU WOULDN'T LIKE
SOME MORE OF THIS BURGOO?
370
00:25:17,549 --> 00:25:20,517
MRS. PEACOCK, NEVER BEFORE
IN MY ENTIRE LIFE
371
00:25:20,518 --> 00:25:24,356
HAVE I BEEN MORE SURE
OF ANYTHING!
372
00:28:56,568 --> 00:29:01,238
WHOA.
373
00:29:01,239 --> 00:29:04,074
MY HORSE WENT LAME
OVER THAT HILL THERE.
374
00:29:04,075 --> 00:29:07,010
ARE YOU BY ANY CHANCE
GOING BY PARADISE FLATS?
375
00:29:07,011 --> 00:29:09,847
THAT'S OUR NEXT STOP,
MISTER. CLIMB ABOARD.
376
00:29:09,848 --> 00:29:12,182
OH, THANK YOU.
THANK YOU VERY MUCH.
377
00:29:12,183 --> 00:29:14,686
THANK YOU, YES.
THANK YOU.
378
00:30:05,603 --> 00:30:08,372
GOLLY!
379
00:30:08,373 --> 00:30:10,340
WHAT A COLLECTION
OF SPARKLERS?
380
00:30:10,341 --> 00:30:12,009
SPARKLERS?
381
00:30:12,010 --> 00:30:14,011
WHAT SPARKLERS?
I DIDN'T SEE ANY SPARKLERS.
382
00:30:14,012 --> 00:30:16,046
WHATEVER YOU DO,
DON'T COME ANY CLOSER.
383
00:30:16,047 --> 00:30:19,149
MISTER, I NEVER SAW SUCH
SPARKLERS IN MY WHOLE LIFE,
384
00:30:19,150 --> 00:30:20,817
ESPECIALLY THAT BLUE ONE.
385
00:30:20,818 --> 00:30:23,555
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
386
00:30:25,323 --> 00:30:29,060
I'M SORRY, YOUNG LADY,
BUT YOU UNDERSTAND.
387
00:30:34,465 --> 00:30:36,400
EH...YOU,
388
00:30:36,401 --> 00:30:38,736
YOU LIKE NICE JEWELRY, HUH?
389
00:30:40,438 --> 00:30:43,373
MORE THAN ANYTHING ELSE
I CAN THINK OF.
390
00:30:43,374 --> 00:30:44,942
OH, THAT'S SO NICE.
391
00:30:44,943 --> 00:30:47,844
YOU KNOW, AROUND HERE,
100 MILES FROM NOWHERE,
392
00:30:47,845 --> 00:30:50,180
THE WOMEN, THEY DON'T
KNOW THE DIFFERENCE
393
00:30:50,181 --> 00:30:52,683
BETWEEN FINE JEWELRY
AND INDIAN BEADS.
394
00:30:52,684 --> 00:30:55,552
THEY THINK A CARAT
IS TO FEED A HORSE.
395
00:30:55,553 --> 00:30:56,688
OH.
396
00:30:58,122 --> 00:31:00,290
YOU LIKE NICE JEWELRY.
397
00:31:00,291 --> 00:31:03,293
I SHOW YOU
A LITTLE SOMETHING.
398
00:31:03,294 --> 00:31:05,062
HERE.
399
00:31:05,063 --> 00:31:08,466
I THINK SURE YOU WILL
LOVE TO SEE THIS.
400
00:31:10,969 --> 00:31:13,203
LOOK, DON'T TOUCH.
401
00:31:13,204 --> 00:31:18,141
NOW, THIS IS
A BRILLIANT CUT GEM.
402
00:31:18,142 --> 00:31:22,145
IT WAS CUT FROM THE STAR
OF KIMBERLEY.
403
00:31:22,146 --> 00:31:27,150
THAT IS 12 CARATS
OF ABSOLUTE PERFECTION.
404
00:31:27,151 --> 00:31:29,319
GOLLY.
405
00:31:29,320 --> 00:31:32,322
IT'S THE MOST BEAUTIFUL
THING I EVER SAW.
406
00:31:32,323 --> 00:31:33,825
YEAH.
407
00:31:36,394 --> 00:31:37,661
WELL.
408
00:31:37,662 --> 00:31:40,597
WELL, THIS CERTAINLY
ISN'T IN YOUR CLASS,
409
00:31:40,598 --> 00:31:44,768
BUT IT'S NICE, ISN'T IT?
410
00:31:44,769 --> 00:31:46,737
OH, YES,
THAT'S VERY NICE, INDEED.
411
00:31:46,738 --> 00:31:48,772
IT CERTAINLY IS--
FOR COSTUME JEWELRY.
412
00:31:48,773 --> 00:31:51,508
COSTUME JEWELRY?
413
00:31:51,509 --> 00:31:54,478
YES. IT'S A VERY FINE
REPRODUCTION,
414
00:31:54,479 --> 00:31:57,581
BUT I JUST DEAL
IN GENUINE DIAMONDS.
415
00:31:57,582 --> 00:31:59,983
THESE ARE GENUINE DIAMONDS.
416
00:31:59,984 --> 00:32:01,486
OH...
417
00:32:10,662 --> 00:32:12,629
ALL RIGHT.
418
00:32:12,630 --> 00:32:14,798
VERY NICELY CUT GLASS,
419
00:32:14,799 --> 00:32:19,871
BUT NO MATTER HOW YOU
CUT IT, GLASS IS GLASS.
420
00:32:22,740 --> 00:32:24,641
YOU MEAN IT'S WORTHLESS?
421
00:32:24,642 --> 00:32:26,276
WORTHLESS?
422
00:32:26,277 --> 00:32:28,211
OH, ABSOLUTELY NOT.
423
00:32:28,212 --> 00:32:32,517
WHY, YOU CAN GET
FOR THAT, UH...3-- $4.
424
00:32:46,297 --> 00:32:47,365
WHOA!
425
00:32:53,071 --> 00:32:55,005
THIS IS IT, FOLKS,
PARADISE FLATS.
426
00:32:55,006 --> 00:32:58,075
DRIVER, WHEN IS THE NEXT
STAGE BACK TO KIRBY GAP?
427
00:32:58,076 --> 00:33:01,011
I THOUGHT YOU WAS GOING TO
KANSAS CITY, MA'AM.
428
00:33:01,012 --> 00:33:03,580
WELL, I CHANGED MY PLANS.
WHEN IS IT?
429
00:33:03,581 --> 00:33:07,218
NEXT WESTBOUND NUMBER 6.
BE THROUGH HERE IN AN HOUR.
430
00:33:56,634 --> 00:33:58,735
ALL RIGHT, HENRIETTA.
431
00:33:58,736 --> 00:34:01,571
TIME FOR YOU TO GO TO WORK,
SWEETHEART.
432
00:34:01,572 --> 00:34:04,775
THERE WE ARE.
433
00:34:04,776 --> 00:34:06,743
THAT'S A GOOD GIRL.
434
00:34:06,744 --> 00:34:08,812
THAT'S RIGHT.
435
00:34:08,813 --> 00:34:12,048
CARRY THE LITTLE MESSAGE
BACK HOME.
436
00:34:12,049 --> 00:34:14,384
NOW, WHATEVER YOU DO,
SWEETHEART,
437
00:34:14,385 --> 00:34:17,155
DON'T STOP TO TALK
TO ANY HAWKS.
438
00:34:38,842 --> 00:34:42,078
WHAT DO YOU GOT THERE
FOR ME, HENRIETTA?
439
00:34:42,079 --> 00:34:43,514
HMM?
440
00:35:11,442 --> 00:35:14,178
OKAY, GIRL, YOU TAKE CARE
OF THE PLACE, HUH?
441
00:37:09,527 --> 00:37:12,329
THERE ARE LAWS AGAINST
TRESPASSING, MR. WEST.
442
00:37:12,330 --> 00:37:13,797
YOU SHOULD KNOW THAT.
443
00:37:13,798 --> 00:37:15,432
I DO, MR. POORE.
444
00:37:15,433 --> 00:37:17,500
AND THERE ARE LAWS
AGAINST MURDER.
445
00:37:17,501 --> 00:37:19,403
YOU SHOULD KNOW THAT.
446
00:37:21,806 --> 00:37:24,674
THE MURDER OF AMOS RAWLINS
IS A CLOSED CASE.
447
00:37:24,675 --> 00:37:27,310
LUCIUS BRAND
GOES TO THE GALLOWS...
448
00:37:27,311 --> 00:37:28,945
IN JUST FOUR HOURS.
449
00:37:28,946 --> 00:37:31,481
YOU PAID ABIGAIL MOSS
TO LIE IN COURT?
450
00:37:31,482 --> 00:37:34,417
OR SHOULD I ASK HER,
SINCE SHE JUST LEFT TOWN?
451
00:37:34,418 --> 00:37:36,486
I'M NOT UNDER
CROSS-EXAMINATION, WEST.
452
00:37:36,487 --> 00:37:39,956
YOU AND I ARE GOING TO HAVE
A TALK WITH JUDGE BLAKE
453
00:37:39,957 --> 00:37:42,926
BEFORE BRAND HANGS
FOR A MURDER HE DIDN'T COMMIT.
454
00:37:42,927 --> 00:37:45,428
WELL, NOW, THAT SEEMS
REASONABLE ENOUGH.
455
00:37:45,429 --> 00:37:48,165
HIS OFFICE IS JUST
ACROSS THE STREET.
456
00:38:02,847 --> 00:38:05,516
Mr. Poore: ALL RIGHT, NOW.
IN HERE NOW, QUICKLY.
457
00:38:12,623 --> 00:38:15,125
HELLO THERE,
HENRIETTA, SWEETHEART.
458
00:38:15,126 --> 00:38:17,494
HOW ARE YOUR
PINFEATHERS, HUH?
459
00:38:17,495 --> 00:38:20,130
YOU JUST HOLD ON TO THEM,
SWEETHEART,
460
00:38:20,131 --> 00:38:22,632
BECAUSE BY THIS TIME
TOMORROW...
461
00:38:22,633 --> 00:38:25,301
YOU'LL BE DEAD.
462
00:38:25,302 --> 00:38:27,671
WE'VE BEEN WAITING
SUCH A LONG TIME
463
00:38:27,672 --> 00:38:29,106
FOR YOU, MR. GORDON.
464
00:38:31,208 --> 00:38:32,742
WE?
465
00:38:32,743 --> 00:38:37,615
ME AND THE BABY THAT MY HUSBAND
WILL NEVER LIVE TO SEE.
466
00:38:39,150 --> 00:38:41,151
UM...
467
00:38:41,152 --> 00:38:45,155
MAY I ASK WHAT YOU INTEND
TO DO WITH THAT, MRS. BRAND?
468
00:38:45,156 --> 00:38:49,225
LUCIUS IS GOING TO DIE
FOR A KILLING HE DIDN'T DO.
469
00:38:49,226 --> 00:38:51,061
AND SO WHY NOT YOU,
470
00:38:51,062 --> 00:38:53,530
AND AFTER YOU,
MR. WEST, TOO?
471
00:38:53,531 --> 00:38:55,031
HE'LL DIE, TOO.
472
00:38:55,032 --> 00:38:56,599
OH, NO, MRS. BRAND.
473
00:38:56,600 --> 00:38:58,368
WHATEVER ELSE YOU DO,
474
00:38:58,369 --> 00:39:01,438
YOU BE VERY, VERY CAREFUL
NOT TO KILL ME.
475
00:39:01,439 --> 00:39:04,074
BECAUSE IF YOU DO,
476
00:39:04,075 --> 00:39:06,776
YOUR HUSBAND WILL SURELY DIE.
477
00:39:06,777 --> 00:39:09,045
WHAT DO YOU MEAN?
478
00:39:09,046 --> 00:39:11,915
I MEAN I'M GOING TO
SAVE HIM,
479
00:39:11,916 --> 00:39:14,284
BECAUSE HE'S NOT GUILTY.
480
00:39:14,285 --> 00:39:17,087
AND UNLESS I'VE BECOME
A COMPLETE AND TOTAL IDIOT,
481
00:39:17,088 --> 00:39:18,955
I CAN PROVE IT, TOO.
482
00:39:18,956 --> 00:39:22,358
NOW PUT THAT SILLY THING AWAY
AND GIVE ME A HAND HERE.
483
00:39:22,359 --> 00:39:26,831
YOU CAN START BY TURNING DOWN
THOSE WALL SCONCES.
484
00:39:46,117 --> 00:39:49,052
NOW I HAVE HERE
TWO DAGUERREOTYPES,
485
00:39:49,053 --> 00:39:52,388
WHICH I HAVE STUDIED UNTIL
MY EYES ALMOST GAVE OUT.
486
00:39:52,389 --> 00:39:53,957
HERE'S THE FIRST ONE.
487
00:39:53,958 --> 00:39:57,260
YOU RECOGNIZE
THOSE PEOPLE, DON'T YOU?
488
00:39:57,261 --> 00:39:59,295
IF YOU'RE
GOING TO TELL ME
489
00:39:59,296 --> 00:40:01,264
THAT MY HUSBAND'S
IN THAT PICTURE--
490
00:40:01,265 --> 00:40:03,333
NOW, WAIT A MINUTE,
MRS. BRAND.
491
00:40:03,334 --> 00:40:06,169
PLEASE, JUST LET ME SHOW YOU
THE SECOND DAGUERREOTYPE
492
00:40:06,170 --> 00:40:07,837
RIGHT OVER HERE,
493
00:40:07,838 --> 00:40:11,074
TAKEN IMMEDIATELY AFTER
THE MURDERER FIRED.
494
00:40:11,075 --> 00:40:12,809
NOTICE, IF YOU PLEASE,
495
00:40:12,810 --> 00:40:15,578
THAT STANDING BETWEEN
YOUR HUSBAND'S LOOK-ALIKE
496
00:40:15,579 --> 00:40:20,484
AND THE MURDERER'S VICTIM
IS THIS GENTLEMAN.
497
00:40:23,320 --> 00:40:26,089
THAT'S IT!
498
00:40:26,090 --> 00:40:28,291
THAT'S JUST WHAT I FIGURED!
499
00:40:28,292 --> 00:40:30,527
LOOK.
500
00:40:30,528 --> 00:40:34,798
THESE GRIDS CONVERT THE TWO-
DIMENSION OF THE DAGUERREOTYPE
501
00:40:34,799 --> 00:40:38,601
INTO A KIND OF A MATHEMATICAL
THREE-DIMENSION.
502
00:40:38,602 --> 00:40:40,270
NOW...
503
00:40:40,271 --> 00:40:41,638
LOOK AT THAT.
504
00:40:41,639 --> 00:40:44,307
GRID A-3--
505
00:40:44,308 --> 00:40:46,176
RAWLINS,
THE MURDERER'S VICTIM.
506
00:40:46,177 --> 00:40:48,545
GRID B-4--
507
00:40:48,546 --> 00:40:51,347
CREED, THE TARGET
FOR THE GUNMAN.
508
00:40:51,348 --> 00:40:53,616
GRID B-7--
509
00:40:53,617 --> 00:40:57,453
MR. LUCIUS BRAND'S LOOK-ALIKE,
RIGHT NEXT TO DEAR ABBY.
510
00:40:57,454 --> 00:40:59,622
AND GRID G-2--
511
00:40:59,623 --> 00:41:02,559
OUR OBLIGING COWBOY FRIEND,
512
00:41:02,560 --> 00:41:04,961
STANDING RIGHT BETWEEN
THE MURDERER
513
00:41:04,962 --> 00:41:06,996
AND HIS INTENDED VICTIM.
514
00:41:06,997 --> 00:41:09,999
YOU MEAN THAT...
THAT LUCIUS--
515
00:41:10,000 --> 00:41:13,804
IS GOING TO BE
A FREE MAN, MRS. BRAND.
516
00:41:16,073 --> 00:41:17,740
AS SOON AS I CAN
GET THESE OVER
517
00:41:17,741 --> 00:41:19,577
TO THE DISTRICT ATTORNEY'S
OFFICE.
518
00:41:40,764 --> 00:41:43,099
AH, THERE YOU ARE,
MR. WEST.
519
00:41:43,100 --> 00:41:46,069
YOU'LL PARDON ME IF I KEEP ON
WORKING AWAY AT THIS.
520
00:41:46,070 --> 00:41:47,304
OF COURSE.
521
00:41:51,809 --> 00:41:53,877
I ASSUME THE SECRET SERVICE
522
00:41:53,878 --> 00:41:56,279
HAS A SUBSTANTIAL
INSURANCE PLAN
523
00:41:56,280 --> 00:41:59,582
TO COMFORT
YOUR LOVED ONES.
524
00:41:59,583 --> 00:42:03,853
DOUBLE INDEMNITY IF I'M
BARBECUED IN THE LINE OF DUTY.
525
00:42:03,854 --> 00:42:05,155
GOOD.
526
00:42:07,758 --> 00:42:10,593
NOW THIS SHOULD
GIVE US SOME TIME FOR...
527
00:42:10,594 --> 00:42:12,395
UNFINISHED BUSINESS.
528
00:42:12,396 --> 00:42:14,931
BEFORE MY ACCIDENTAL
DEATH BY FIRE.
529
00:42:14,932 --> 00:42:16,834
EXACTLY.
530
00:42:18,602 --> 00:42:19,903
WHEN THE CANDLE
BURNS DOWN--
531
00:42:19,904 --> 00:42:21,571
OH, LET ME GUESS.
532
00:42:21,572 --> 00:42:23,907
THE CANDLE BURNS DOWN
TO THE ROPE,
533
00:42:23,908 --> 00:42:26,075
THE ROPE BURNS,
534
00:42:26,076 --> 00:42:29,579
AND THE LAMP FALLS
AND THE ROOM IS ON FIRE.
535
00:42:29,580 --> 00:42:33,116
AND JAMES WEST GOES OUT
IN A BLAZE OF GLORY.
536
00:42:33,117 --> 00:42:36,786
THAT'S THE SAME METHOD
YOU USED IN THE LIVERY STABLE.
537
00:42:36,787 --> 00:42:38,788
YOU'RE IN A RUT, POORE.
538
00:42:38,789 --> 00:42:40,823
I WOULDN'T BE CONCERNED.
539
00:42:40,824 --> 00:42:43,760
YOU'LL BE IN A GRAVE
SOON ENOUGH.
540
00:42:43,761 --> 00:42:45,195
LET'S GO.
541
00:43:21,098 --> 00:43:23,433
RAWLINS' POSITION
AT THE HEAD TABLE WAS HERE.
542
00:43:23,434 --> 00:43:24,968
MM-HMM.
543
00:43:24,969 --> 00:43:27,670
MR. CREED WAS RIGHT NEXT
TO HIM OVER THERE.
544
00:43:27,671 --> 00:43:29,138
SOMEWHERE IN THE CROWD,
545
00:43:29,139 --> 00:43:31,207
A MAN IDENTIFIED
AS LUCIUS BRAND.
546
00:43:31,208 --> 00:43:33,176
BRAND, THE PAWN.
547
00:43:33,177 --> 00:43:34,310
HMM.
548
00:43:34,311 --> 00:43:36,446
NOW THE MAIN POINT IS THIS.
549
00:43:36,447 --> 00:43:40,316
OPTICAL MEASUREMENTS OF TWO
DAGUERREOTYPES HAVE SHOWN
550
00:43:40,317 --> 00:43:42,352
THAT A MAN SEATED ON A HORSE
551
00:43:42,353 --> 00:43:44,787
WAS DIRECTLY
IN THE LINE OF FIRE
552
00:43:44,788 --> 00:43:46,823
BETWEEN RAWLINS AND BRAND.
553
00:43:46,824 --> 00:43:50,059
BRAND'S DOUBLE COULD NOT
HAVE FIRED THE SHOT
554
00:43:50,060 --> 00:43:51,861
THAT KILLED RAWLINS.
555
00:43:51,862 --> 00:43:53,796
IT WAS PHYSICALLY
IMPOSSIBLE.
556
00:43:53,797 --> 00:43:55,531
MM-HMM.
557
00:43:55,532 --> 00:43:58,968
ROGER, HE PRESENTS
AN INTERESTING CHALLENGE.
558
00:43:58,969 --> 00:44:02,038
YES. I THINK WE KNOW
WHAT MUST BE DONE,
559
00:44:02,039 --> 00:44:03,573
AND QUICKLY.
560
00:44:03,574 --> 00:44:07,343
YES. THERE'S VERY LITTLE TIME
BEFORE THE EXECUTION.
561
00:44:07,344 --> 00:44:09,747
YOUR EXECUTION, GORDON.
562
00:44:14,084 --> 00:44:16,986
THERE'S A CHILL
TO THE AIR, BUT, UH...
563
00:44:16,987 --> 00:44:19,289
YOU'LL BE WARM
SOON ENOUGH.
564
00:44:30,134 --> 00:44:32,001
YOU KNOW, THAT'S NOT
A BAD ARRANGEMENT.
565
00:44:32,002 --> 00:44:34,070
YOU KNOW HOW I'D DO IT?
566
00:44:34,071 --> 00:44:35,571
EXCUSE ME FOR CUTTING IN,
567
00:44:35,572 --> 00:44:37,440
BUT WE DON'T HAVE
MUCH TIME.
568
00:44:37,441 --> 00:44:39,042
OH, I KNOW THAT.
569
00:44:39,043 --> 00:44:42,112
I WAS JUST COMMENTING ON
THE ARRANGEMENT, THAT'S ALL.
570
00:44:45,949 --> 00:44:47,151
OKAY...
571
00:45:40,003 --> 00:45:41,538
ARTIE...
572
00:45:43,707 --> 00:45:46,043
THIS IS A FIRING MECHANISM.
573
00:45:48,545 --> 00:45:50,847
THE TRIGGER MAN
WAS A FEMALE.
574
00:45:50,848 --> 00:45:52,315
WILD GUESS--
575
00:45:52,316 --> 00:45:53,916
MRS. RAWLINS,
THE BEREAVED WIDOW.
576
00:45:53,917 --> 00:45:55,752
Mrs. Rawlins:
YOU'RE QUITE RIGHT, GENTLEMEN.
577
00:46:01,892 --> 00:46:02,993
MRS. RAWLINS.
578
00:46:04,528 --> 00:46:06,195
BECAUSE OF POORE'S BUNGLING,
579
00:46:06,196 --> 00:46:09,632
I'VE SPENT TWO MORE DAYS
IN THIS TOWN THAN I PLANNED.
580
00:46:09,633 --> 00:46:11,434
YOU'RE LEAVING
KIRBY GAP,
581
00:46:11,435 --> 00:46:13,469
JUST WHEN IT'S
ALL YOURS?
582
00:46:13,470 --> 00:46:15,805
I DESPISE THIS
GOD-FORSAKEN PLACE.
583
00:46:15,806 --> 00:46:17,940
NOT AS MUCH AS YOU
DESPISED YOUR HUSBAND.
584
00:46:17,941 --> 00:46:19,642
KINDLY AMOS RAWLINS?
585
00:46:19,643 --> 00:46:22,612
I WAS A LADY OF BREEDING
BEFORE HE BROUGHT ME HERE.
586
00:46:22,613 --> 00:46:25,549
YOU CONSIDER THAT LADYLIKE,
MURDERING YOUR HUSBAND?
587
00:46:26,884 --> 00:46:28,118
SEARCH THEM.
588
00:46:29,953 --> 00:46:31,054
JIM.
589
00:46:50,607 --> 00:46:54,043
WELL, OF COURSE,
I NO LONGER CAN TELL FOR SURE,
590
00:46:54,044 --> 00:46:57,079
BUT I SAY THAT WE MAY HAVE
ABOUT 30 MINUTES
591
00:46:57,080 --> 00:47:00,016
IN WHICH TO SAVE LUCIUS BRAND
FROM HANGING.
592
00:47:00,017 --> 00:47:02,318
YOU WILL JOIN US,
WON'T YOU?
593
00:47:02,319 --> 00:47:04,654
YOU KNOW WHAT
I CAN'T UNDERSTAND?
594
00:47:04,655 --> 00:47:07,023
I DON'T KNOW WHY
WE DIDN'T FIGURE THAT...
595
00:47:07,024 --> 00:47:08,257
OF COURSE.
596
00:47:08,258 --> 00:47:10,326
THE SOLUTION
TO THE WHOLE THING
597
00:47:10,327 --> 00:47:12,228
WAS RIGHT THERE
ALL THE TIME.
598
00:47:12,229 --> 00:47:13,496
ON A CHESS BOARD?
599
00:47:13,497 --> 00:47:15,064
EVERYBODY KNOWS THE QUEEN
600
00:47:15,065 --> 00:47:18,335
IS THE MOST POWERFUL PIECE
IN THE GAME.
601
00:47:27,077 --> 00:47:29,011
BOY, WALKING OUT
OF THAT CELL
602
00:47:29,012 --> 00:47:31,547
WAS THE HAPPIEST DAY
OF MY LIFE.
603
00:47:31,548 --> 00:47:34,550
WELL, I HOPE YOU LEFT IT
NEAT AND CLEAN, LUCIUS,
604
00:47:34,551 --> 00:47:37,453
BECAUSE IT WILL PROBABLY
BE HOUSING MRS. RAWLINS
605
00:47:37,454 --> 00:47:38,955
AND CREED AND POORE.
606
00:47:38,956 --> 00:47:41,390
MR. WEST, MR. GORDON,
607
00:47:41,391 --> 00:47:43,726
IF IT HADN'T BEEN
FOR YOU...
608
00:47:43,727 --> 00:47:46,530
NOW, COME ON,
YOU PROMISED, MRS. BRAND.
609
00:47:48,765 --> 00:47:51,468
ALL RIGHT.
HERE'S TO GOOD FRIENDS.
610
00:47:57,641 --> 00:48:00,476
WOULD ONE OF Y'ALL
TELL ME WHAT MRS. RAWLINS
611
00:48:00,477 --> 00:48:02,445
FIGURED TO GET
OUT OF ALL THIS?
612
00:48:02,446 --> 00:48:04,046
RAWLINS BROUGHT HER
FROM BOSTON.
613
00:48:04,047 --> 00:48:06,983
SHE WAS THE DAUGHTER OF
A WEALTHY MAN WHO WENT BANKRUPT.
614
00:48:06,984 --> 00:48:09,252
SHE HATED IT HERE,
AND SHE HATED HIM.
615
00:48:09,253 --> 00:48:12,321
SHE ENLISTED CREED'S AID
TO HELP HER GET RID OF HIM.
616
00:48:12,322 --> 00:48:15,057
ALL CREED HAD TO DO
WAS DUCK THAT BULLET
617
00:48:15,058 --> 00:48:16,993
AND MAKE ME
THE PERFECT SUSPECT.
618
00:48:16,994 --> 00:48:19,929
WELL, WHAT ABOUT MR. POORE?
619
00:48:19,930 --> 00:48:21,797
HE RAN THE REST
OF THE SHOW--
620
00:48:21,798 --> 00:48:23,466
THE DRUGGING OF YOUR DRINK,
621
00:48:23,467 --> 00:48:26,402
THE THEFT OF YOUR GUN,
THE TEARING OF YOUR COAT.
622
00:48:26,403 --> 00:48:28,971
CREED WAS TO GET HALF
OF RAWLINS' INTEREST.
623
00:48:28,972 --> 00:48:32,308
POORE HOPED THAT CREED
WOULD BACK HIM POLITICALLY.
624
00:48:32,309 --> 00:48:35,978
IT WAS A REAL NEAT PLAN.
625
00:48:35,979 --> 00:48:37,580
UH...
626
00:48:37,581 --> 00:48:40,249
MR. WEST, IF YOU DON'T MIND,
627
00:48:40,250 --> 00:48:42,952
I'D JUST AS LEAVE YOU'D
CHANGE THAT SLIDE THERE.
628
00:48:42,953 --> 00:48:45,321
IT KIND OF GIVES ME
THE WILLIES.
629
00:48:45,322 --> 00:48:46,823
MY PLEASURE.
630
00:48:55,365 --> 00:48:58,534
WHOA, MY PLEASURE.
631
00:48:58,535 --> 00:49:00,136
HEY, SHE'S LOVELY.
632
00:49:00,137 --> 00:49:03,005
JUST SAY THE WORD, AND I'LL
ARRANGE AN INTRODUCTION.
633
00:49:03,006 --> 00:49:05,141
CONSIDER THE WORD SAID.
WHAT'S HER NAME?
634
00:49:05,142 --> 00:49:07,109
JENNIFER COLT,
ALIAS PRUDENCE MALLERY.
635
00:49:07,110 --> 00:49:09,045
IF YOU LIGHTEN THE HAIR
A LITTLE,
636
00:49:09,046 --> 00:49:10,946
YOU'LL KNOW HER
AS ABIGAIL MOSS,
637
00:49:10,947 --> 00:49:13,649
WANTED IN FOUR STATES.
638
00:49:13,650 --> 00:49:16,687
WHY DO YOU ALWAYS
HAVE TO SPOIL EVERYTHING?
639
00:49:18,422 --> 00:49:20,389
ARTIE,
I DIDN'T SPOIL A THING.
640
00:49:20,390 --> 00:49:22,458
IF YOU WANT TO SEE HER,
YOU CAN,
641
00:49:22,459 --> 00:49:24,227
THE FIRST SUNDAY
OF EVERY MONTH.
642
00:49:37,774 --> 00:49:40,710
{\an8}- CAPTIONS BY VITAC--
BURBANK, PITTSBURGH, WASHINGTON
643
00:49:40,711 --> 00:49:43,447
{\an8}CAPTIONS PAID FOR BY
PARAMOUNT DOMESTIC TELEVISION
46673
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