Original subtitles

Downloaded from YTS.MX

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YOU EVER GET THE FEELING YOU'RE DEAD?

LIKE SOME DOG LYING IN THE STREET,

THAT'S BEEN HIT MY A CAR AND LEFT THERE TO ROT?

I DON'T KNOW WHY I BOTHER GETTING UP IN THE MORNING.

WE'VE BEEN THROUGH THIS BEFORE, ALEX,

YOU SUFFER FROM MOOD SWINGS, YOU'RE DEPRESSIVE.

I MET SOMEONE.

A GIRL.

YOU'RE MARRIED, ALEX.

THE THING IS,

WHEN I SEE HER, THIS GIRL...

I DON'T FEEL DEAD ANYMORE.

WHO IS SHE?

- JUST SOME GIRL. - WHAT'S HER NAME?

I DON'T KNOW.

- WHEN DID YOU MEET HER? - A FEW WEEKS AGO.

- WHERE? - HERE.

OUT IN THE WAITING ROOM THE FIRST TIME I CAME TO SEE YOU.

- FIRST TIME? - EXCUSE ME?

THIS IS YOUR FIRST TIME, RIGHT?

- YEAH. - I CAN TELL.

YOU HAVE TO PUSH THE BUTTON.

NOW WHAT?

WAIT.

NO SMOKING.

I THINK DR. LEAVITT HAS GOT A POTENTIAL SUICIDE ON HER HANDS OR SOMETHING.

EXCUSE ME?

THE SHRINK I'M WAITING FOR, DR. LEAVITT

SHE'S 15 MINUTES LATE, CAME OUT HERE AND APOLOGIZED--

SAID SHE HAD AN EMERGENCY, WOULD I MIND WAITING?

I SAID "NO." I WAS STILL READING "FAMILY CIRCLE"

ON "HOW TO KEEP YOUR MARRIAGE ALIVE."

LISTEN TO THIS:

"I SUGGEST A CANDLELIGHT DINNER ONCE A WEEK,

AND MAYBE A GOOD FOOT MASSAGE,

SOMETHING GENTLE AND INTIMATE TO BRING A COUPLE BACK TOGETHER AGAIN."

SO SAD, DON'T YOU THINK?

PEOPLE FALL IN LOVE, THEY CAN'T STOP THINKING ABOUT EACH OTHER--

THEY CAN'T KEEP THEIR HANDS OFF OF EACH OTHER,

THEN WHO KNOWS WHAT HAPPENS?

THEY SUDDENLY DON'T LIKE EACH OTHER ANYMORE?

MAYBE IT'S NOT SO SUDDEN.

ANYWAY, I FINISHED THE ARTICLE, NOW I'M JUST SITTING HERE...

WAITING, LIKE YOU.

WHAT'S YOUR PROBLEM?

I DON'T HAVE A PROBLEM.

THEN WHY ARE YOU HERE?

- ALEX? - THAT'S ME.

HI. I'M DOCTOR PARKS.

COME ON IN, ALEX. SIT DOWN.

THERE'S NOTHING WRONG WITH ME.

- EXCUSE ME? - I'M NOT SICK.

YOU KNOW... CRAZY.

I'M A THERAPIST, ALEX.

THERAPY IS AS COMMON AS GASOLINE,

IT'S WHAT WE NEED TO KEEP US GOING.

IT'S NOT A MENTAL WARD.

PLEASE.

SO TELL ME, SAM GRAYLEIGH SENT YOU MY WAY?

YES.

SAM'S A GOOD DOCTOR.

HOW OLD ARE YOU, ALEX?

WHAT ARE YOU DOING?

MAKING NOTES.

NO NOTES.

OKAY. NO NOTES.

WHAT DO YOU DO FOR A LIVING?

I-I GOT TWO JOBS.

I RUN A SMALL MAIL ORDER BUSINESS OUT OF THE HOUSE,

LAWN ORNAMENTS, KITCHEN GEEGAWS,

SEXUAL AIDS. THINGS LIKE THAT.

AND THE REST OF THE TIME?

I WORK FOR MY FATHER.

- DOING WHAT? - I KILL PEOPLE.

( muffled gunshot )

( clears throat )

WHO WAS HE?

I DON'T KNOW.

YOU GET PAID FOR KILLING PEOPLE?

UM-HUM.

YOU'RE JOKING. YOU'RE TESTING ME.

NO.

- IS THAT WHY YOU'RE HERE? - WHAT DO YOU MEAN?

ARE YOU HERE SEEKING PROFESSIONAL HELP BECAUSE YOU KILL PEOPLE?

- NO. - I'M CONFUSED, WHY ARE YOU HERE?

I-I DON'T REALLY KNOW.

I'VE NEVER BEEN TO A SHRINK BEFORE.

I DON'T BELIEVE IN SHRINKS.

I MEAN WE ARE WHO WE ARE, RIGHT?

I SHOULD GO. I'M GOING TO GO.

SORRY, I'M WASTING YOUR TIME, HOW MUCH DO I OWE YOU?

EACH SESSION IS $125 DOLLARS.

OUCH!

WHAT ARE YOU FEELING RIGHT NOW?

POOR.

I'M JUST KIDDING.

WHAT ARE YOU REALLY FEELING, ALEX?

TIRED.

I FEEL TIRED.

DEIRDRE, WHY DOES OUR SON AVOID ME?

I'M NOT AVOIDING YOU.

WE WERE SUPPOSED TO HAVE LUNCH TODAY, MR. NO-SHOW.

I HAD A DOCTOR'S APPOINTMENT.

A DOCTOR'S APPOINTMENT? WHICH DOCTOR?

GRAYLEIGH.

YOU COULD HAVE TOLD ME.

YOU LEFT ME.

I WAS SITTING THERE LIKE A BRIDE ON AN ALTAR FOR CHRIST'S SAKE.

DAD, I'M SORRY, OKAY? I FORGOT.

- ARE YOU SICK? - NO.

YOU OKAY? WHY DIDN'T YOU TELL ME?

- I'M FINE. - WHAT'S WRONG WITH YOU?

NOTHING'S WRONG WITH ME. I SAID I'M FINE.

IF YOU'RE FINE, HOW COME YOU WENT TO THE DOCTOR?

MY BACK'S BEEN HURTING. I THOUGHT I MIGHT HAVE PULLED SOMETHING.

WHAT DID DR. GRAYLEIGH SAY?

HE SAID I PULLED SOMETHING.

THAT'S IT? YOU PULLED SOMETHING?

HE SAID, "TAKE IT EASY. DON'T LIFE HEAVY OBJECTS."

LIKE YOUR WIFE.

VERY FUNNY. ( giggles )

- I'M THINKING OF QUITTING. - QUITTING WHAT?

WORK.

OH, YOU'RE GONNA BE A BUM.

I'M SERIOUS. I CAN'T DO THIS ANYMORE.

JUST EXACTLY WHAT CAN'T YOU DO ANYMORE?

MOM, YOU KNOW.

OH...

YOU SUDDENLY GOT SCRUPLES.

I'VE BEEN SEEING A SHRINK.

A SHRINK?

AND DON'T TELL MARTHA. I WANT TO KEEP THIS PRIVATE.

AND THAT GOES FOR DAD, TOO.

WHAT ARE YOU SEEING A SHRINK FOR?

YOU'RE NOT CRAZY.

I'M STUCK. I'M IN A RUT.

I'M ASLEEP ON MY DAMN FEET.

NOW YOU LISTEN TO ME.

YOUR FATHER WORKED ALL HIS LIFE TO MAKE THIS BUSINESS.

HE MADE IT WITH HIS HANDS, ON HIS OWN.

NOBODY HELPED HIM.

AND NOW YOU WANT TO BREAK HIS HEART.

THAT'S THE THANKS HE GETS?

NO, I WON'T LET IT HAPPEN.

NO! ( sighs )

GIVE UP THAT MAIL ORDER NONSENSE, FINE,

BUT THE FAMILY BUSINESS-- NO, NO!

NOT THAT.

ARE YOU GETTING ENOUGH FROM MARTHA LATELY?

- IS SHE HOLDING OUT? - MOM, FOR GOD'S SAKE.

DON'T "FOR GOD'S SAKE" ME.

MEN DON'T GET THEIR SEX, THEY GET WACKY,

AND YOU ARE TALKING WACKY.

DAD, WHAT DOES GOD LOOK LIKE?

UMM, NO ONE REALLY KNOWS FOR SURE.

YOU KNOW WHAT I THINK HE LOOKS LIKE?

TELL ME.

I THINK HE'S IN THE SUN WITH HIS ARMS AROUND THE EARTH.

- DOES HE HAVE A BEARD? - NO.

- DOES HE HAVE GLASSES? - NO.

- DOES HE HAVE A HAT? - NO, BUT HE HAS A NOSE.

ALL RIGHT. GO TO SLEEP.

DAD, WHAT'S INFINITY?

( chuckling ) INFINITY IS SOMETHING...

THAT DOESN'T END.

THAT'S IMPOSSIBLE. EVERYTHING ENDS.

CLOSE YOUR EYES. CLOSE YOUR EYES.

- DAD, ARE YOU GONNA DIE? - NOT IF I CAN HELP IT.

BUT YOU'RE GONNA DIE WHEN YOU GET OLD?

WELL, SOONER OR LATER I GUESS, YEAH.

AND MOM AND GRANDPA AND GRANDMA?

YEAH, BUT NOT FOR A LONG, LONG TIME.

NOTHING THAT YOU HAVE TO WORRY ABOUT.

AND ME ONE DAY, TOO?

SAMMY, IT'S LATE. IT'S A SCHOOL NIGHT, REMEMBER?

- GOOD NIGHT, DAD. - GOOD NIGHT, SWEET HEART.

CLOSE YOUR EYES. SLEEP TIGHT.

DON'T LET THE... WHAT?

DON'T LET THE...

ROBBERS COME THROUGH THE WINDOW?

YEAH, RIGHT. ( laughs )

GO TO SLEEP.

Mother: HE'S SEEING A SHRINK.

Father: WHO?

OUR SON.

ALEX IS SEEING A SHRINK?

WHAT FOR?

I CAN'T IMAGINE.

SHRINK... THEY TALK, RIGHT?

HE SPILLS HIS GUTS...

IT'S HIS AGE. MAYBE IT WILL PASS.

ON THE OTHER HAND, MAYBE YOU'RE LOSING HIM.

LIKE HELL I AM.

I THOUGHT YOU SHOULD KNOW.

PLEASE DON'T SAY ANYTHING. I PROMISED I WOULDN'T TELL YOU.

HE'S SO SENSITIVE.

I JUST THOUGHT YOU SHOULD KNOW.

( door opens )

I'M LATE.

I HATE HAVING TO COMPRESS A WHOLE WEEK'S TRAGEDIES IN 50 MINUTES.

THAT'S PROBABLY ALL THEY'RE WORTH AT MOST, I KNOW THAT,

BUT THE FACT OF THE MATTER IS, THEY'RE MY TRAGEDIES.

THEY'RE ALL I'VE GOT. I DON'T WANT TO RUSH THROUGH THEM.

NOT FOR $130 AN HOUR, THANK YOU VERY MUCH.

A HUNDRED AND THIRTY?

YEAH, WHY? HOW MUCH YOU PAY?

HUNDRED AND TWENTY FIVE.

I'LL BE DAMNED. THE BITCH IS OVERCHARGING ME.

HI, SARAH.

HI.

SORRY I'M LATE.

THAT'S YOUR NAME? SARAH?

SARAH CASSIDY.

ALEX.

WHY DID YOU COME BACK, ALEX?

I DON'T KNOW.

- ARE YOU MARRIED? - UH-HUH.

- WHAT'S YOUR WIFE'S NAME? - MARTHA.

CHILDREN?

A BOY, SAMMY. HE'S SIX.

DOES MARTHA KNOW WHAT YOU DO?

UH-HUH.

WOULD SHE APPROVE IF SHE DID KNOW?

UH-HUH.

ALEX, IF YOU'RE GOING TO CONTINUE SEEING ME,

IT'S IMPORTANT THAT I'M CLEAR ABOUT THE RULES.

WHAT YOU SAY IN HERE ABOUT THE PAST IS COMPLETELY PROTECTED

BY DOCTOR/PATENT CONFIDENTIALITY, BUT,

IF I THINK A CRIME IS GOING TO BE COMMITTED

I'M UNDER OBLIGATION TO REPORT IT TO THE AUTHORITIES.

YOU UNDERSTAND?

I LIKE PUSSY. IS THERE ANYTHING WRONG WITH THAT?

NO.

THEN WHY ARE YOU STARING AT ME LIKE I KILL PEOPLE?

I'M LISTENING, SARAH. I'M JUST LISTENING.

SEEMS MORE LIKE DISAPPROVING TO ME.

WHAT IF I WERE TO TELL YOU I WAS GAY?

- YOU ARE? - YOU'D TAKE MY POINT?

RIGHT.

SO ANYWAY, WE HAD SOME WINE.

- WHERE? - AT MY PLACE. ON THE COUCH.

THE NEXT THING I KNOW, I'VE GOT THIS IDEA I COULD SEDUCE HER.

I MEAN, WHY NOT? NO BIG DEAL.

I'VE SLEPT WITH GIRLS BEFORE.

SO WHAT DID YOU DO WITH TRACY?

I LEANED OVER AND KISSED HER.

SHE KIND OF LIKED IT, BECAUSE THE NEXT THING I KNEW,

SHE'S GOT HER TONGUE DOWN MY THROAT,

AND MOANING AND STUFF, MAKING A LOT OF NOISE,

AND WE'RE OFF TO THE RACES.

( jackhammer - city noise )

HEY, DAD.

I GOT LOUIE TO BRING YOU THE CHICKEN A LA KING.

LOVE THAT CHICKEN A LA KING.

- YOU'RE LOOKING GOOD. - THANKS.

YOU, TOO.

( scoffs ) ME?

MY TITS ARE SAGGING.

YOU, YOU'RE YOUNG, STRONG,

I ENVY YOU.

WHEN I WAS YOUR AGE, I USED TO LOOK LIKE A GODDAMN WARRIOR.

- HEY, LOUIE. - HI.

HOW'S BUSINESS?

BUSINESS IS GOOD. I'M A LUCKY MAN.

- DON'T HE LOOK GOOD, LOUIE? - LIKE A GOD.

ENJOY.

YOU GOT A NEW JOB.

A GOOD ONE. A BIG ONE.

LOTS OF MOOLAH. GONNA BUY A VILLA,

GET YOUR MOTHER A LEXUS.

WHAT ABOUT A BMW?

WHAT THE FUCK IS WRONG WITH A LEXUS?

HUH? BECAUSE THE JAPANESE MAKE IT?

DON'T BE PREJUDICED. FACE IT,

THEY MAKE GOOD CARS.

ALL THE PARTICULARS ARE IN THERE.

THE CLIENT WANTS THE JOB DONE IN A MONTH.

YOU HAVE THREE WEEKS TO FIGURE IT OUT.

WHAT WOULD YOU SAY IF I TOLD YOU I DIDN'T WANT TO DO IT?

( chuckles )

EAT YOUR CHICKEN A LA KING.

( harmonica playing off key notes )

HOW'S THAT SOUND, DAD?

TERRIFIC.

- AS GOOD AS BACH? - ABSOLUTELY.

Martha: SAMMY, YOU'D BETTER GET DRESSED.

- MOM, I'M COMPOSING. - HE'S COMPOSING.

HE'S GONNA BE LATE FOR SCHOOL.

SAMMY, BREAKFAST.

I THOUGHT YOU WANTED ME TO GET DRESSED?

NOW I WANT YOU TO HAVE BREAKFAST.

- YOU'RE MAKING ME NUTS, MOM. - ( sighs )

Alex: SAMMY, EAT YOUR BREAKFAST, NOW!

- DOES BACH EAT BREAKFAST? - EVERY MORNING.

GOD, HE'S GOING TO BE LATE.

DAD?

- I FIGURED OUT MY FUTURE. - YOU'RE AHEAD OF ME.

FIRST I WANT TO JOIN THE ARMY.

I'LL PROBABLY GET KILLED.

AND DON'T GET KILLED, I'LL BE A ROCK AND ROLL STAR.

DON'T TELL YOUR MOTHER ABOUT THE ARMY PART,

IT'S JUST GOING TO UPSET HER.

OKAY. MOM, I'M GOING TO JOIN THE ARMY.

- WHAT? - I'LL PROBABLY GET KILLED.

WHAT IS HE TALKING ABOUT?

PLANS. HE'S GOT PLANS.

- I HATE THIS SHIRT. - WHAT'S WRONG WITH THIS SHIRT?

IT'S BLUE. HE DOESN'T LIKE BLUE.

- IT'S A BRAND NEW SHIRT. - I LIKE GREEN.

I'M GOING THROUGH A GREEN PHASE.

WEAR IT AND LIKE IT, OKAY?

AW, SHIT. HIS LUNCH.

UMM, YOU SAID THE "S" WORD.

SORRY.

- DAD? - YEAH?

WHEN CAN I GET A GUITAR?

WHEN YOU'VE MASTERED THE HARMONICA.

WHEN CAN I GET AN ELECTRIC GUITAR?

WHEN YOU'VE GOT YOUR OWN HOUSE.

GIVE ME A KISS.

LUNCH BOX-- BACKPACK.

- I LOVE YOU. - BYE.

BYE, DAD.

( elevator bell sounds )

- WHAT FLOOR? - EXCUSE ME?

YOU FORGOT TO PUSH THE FLOOR BUTTON.

OH, I'M JUST RIDING.

JUST RIDING?

YEAH, TO PASS THE TIME.

IT'S LESS DANGEROUS THAN THE FREEWAY,

AND I LIKE THE MUSIC, YOU KNOW?

YOU JUST RIDE UP AND DOWN?

UP AND DOWN-- UP AND DOWN, YEAH.

ARE YOU A HOOKER?

DON'T I WISH.

DO I LOOK LIKE A HOOKER?

- YEP. - REALLY?

YEAH.

THIS IS MY FLOOR.

- GOOD NIGHT. - ( bell rings )

UM...

WOULD YOU LIKE SOME COMPANY?

I HATED THAT HAIR STYLE. I LOOKED LIKE A POODLE.

YOU LOOKED GREAT.

- REMEMBER OUR FIRST DATE? - OH YEAH.

WE WENT TO THE MOVIES.

WHICH MOVIE?

SOMETHING WITH BILLY CRYSTAL AND UM...

GREGORY HINES.

I LOVE GREGORY HINES.

AND THEN WHAT?

- THEN WE WENT TO DINNER. - WHERE?

UH... "IL FORNO."

YOU HAD CAESAR SALAD, WHITE BEAN SOUP--

YOU WERE WATCHING YOUR WEIGHT.

- AND THEN WE HAD SAMMY. - AND THEN WE HAD SAMMY.

OH, I LIKE THIS ONE.

YEAH, IT'S NICE.

THESE HYDRAULIC THINGS ARE VERY COOL.

WHAT WAS THE NAME OF THE MOVIE?

- THE MOVIE? - WITH GREGORY HINES.

OH, I DON'T KNOW.

I CAN'T REMEMBER EITHER.

IT'S BLACK. I LOVE THESE...

LOOK AT THIS.

JUST IN CASE YOU GET THIRSTY.

BRAKES...

YOU ALL RIGHT?

WHAT'S HAPPENING, ALEX?

NOTHING'S HAPPENING. EVERYTHING'S OKAY.

- I SAW HIM AGAIN. - WHO?

THAT GUY I TOLD YOU ABOUT.

FROM THE SHRINK'S?

HE'S SO POLITE. IT'S KIND OF DISTRACTING.

- IS HE CUTE? - CUTE...?

NO-- NOT REALLY.

HE'S BEAUTIFUL.

"BEAUTIFUL"?

YEAH.

HE HAS BEAUTIFUL, SAD EYES.

IS HE MARRIED?

I DON'T KNOW. I THINK SO.

DOES HE WEAR A RING?

NO.

WELL, THAT CAN MEAN ANYTHING THESE DAYS.

( door opens )

- HI. - HI.

HOW'S THERAPY GOING, ALEX?

FINE, SARAH. THANK YOU.

I WENT TO THE THEATER LAST NIGHT.

I SAW "THE SEAGULL." CHEKHOV. YOU KNOW IT?

I DON'T KNOW MUCH ABOUT THEATER.

IT'S ABOUT A YOUNG WOMAN-- A GIRL, REALLY,

WHO FALLS FOR AN OLDER MAN AND HAS HER HEART CRUSHED.

- SO YOU'RE MARRIED? - YES.

- CHILDREN? - YES...

A BOY, SAMMY. HE'S SIX.

ARE YOU ONE OF THESE MIDDLE-AGED GUYS WHO'S TIRED OF HIS MARRIAGE

AND THINKS MAYBE A BEAUTIFUL YOUNG THING COULD HELP HIM OUT?

EXCUSE ME...?

JUST THINKING ALOUD.

ARE YOU A BEAUTIFUL YOUNG THING?

I DON'T KNOW. AM I?

YES.

WHAT'S YOUR FAVORITE COLOR?

GREEN.

ME, TOO.

EVERY MAN HAS A DESTINY, ALEX.

LIFE IS NOT RANDOM.

THE TRICK IS, DISCOVERING YOUR DESTINY...

KNOWING IT.

ONCE YOU DO THAT,

EVERYTHING ELSE COMES EASY...

JUST FLOWS.

YOU KNOW WHAT THIS IS, ALEX?

YES, SIR. A GUN.

THAT'S RIGHT. A GUN.

A WALTHER PPK, TO BE EXACT,

AND IT'S LOADED. LESSON NUMBER ONE:

NEVER AIM A GUN AT ANYTHING

UNLESS YOU INTEND TO KILL IT.

- ALL RIGHT? - YES, SIR.

YOU SEE THAT SQUIRREL OVER THERE?

- YES, SIR. - I WANT YOU TO SHOOT IT.

SHOOT IT?

YEAH, SHOOT IT. GO ON.

AIM THE GUN...

A LITTLE LOWER THAN YOUR TARGET,

'CAUSE IT'S GONNA JUMP WHEN YOU FIRE.

OKAY, THAT'S GOOD.

NOW, EASE BACK ON THE TRIGGER.

GENTLY.

( fires )

( soft chuckle )

LESSON NUMBER TWO:

THE GUN IS ALWAYS STRONGER THAN YOU ARE.

NOW, COME ON, TRY AGAIN. YOU DIDN'T HIT SHIT.

SPREAD YOUR FEET.

OKAY. GET YOUR PURCHASE.

THE GROUND IS YOUR FRIEND, USE IT.

TRY AGAIN. THERE'S ANOTHER SQUIRREL.

AIM...

FIRE.

GOOD. LOOK, ALEX.

ONE DEAD SQUIRREL.

( thunderclap )

WHERE ARE YOU GOING?

I'M THIRSTY. I'M GONNA GO GET A BEER.

AT THREE O'CLOCK IN THE MORNING?

THAT BICYCLE IS CRAP.

IT'S NOT CRAP, IT'S JUST TOO SMALL.

IT'S CRAP. IT RATTLES.

HE'S GETTING A NEW ONE FOR HIS BIRTHDAY.

GOOD, BECAUSE THAT ONE'S A PIECE OF JUNK.

DAD...

JUST WHO EXACTLY IS OUR CURRENT CLIENT?

YOU KNOW BETTER THAN TO ASK ME THAT.

I'M CURIOUS. THAT'S ALL.

YOU DON'T KNOW WHAT I KNOW, I DON'T KNOW WHAT YOU KNOW.

I CAN'T HURT YOU, YOU CAN'T HURT ME.

I'M JUST WONDERING WHAT THE GUY DID

THAT THE CLIENT... WANTS HIM TAKEN CARE OF.

PLAUSIBLE DENIABILITY, ALEX,

THAT'S THE KEY.

OTHERWISE, WHAT WE'D HAVE ON OUR HANDS

IS AN INSECURE OPERATION.

THE POINT IS, I KNOW HIM.

WHO?

THE GUY.

YOU KNOW HIM?

YES.

YOU DON'T KNOW THAT?

HOW COULD I KNOW THAT?

JESUS.

HE A GOOD FRIEND?

NOT REALLY, BUT STILL...

BUSINESS IS BUSINESS, ALEX. A JOB IS A JOB.

GET STARTED ON THIS, YOU HEAR?

I HEAR YOU.

I USED TO DANCE OUT THERE.

- WHERE? - THERE. THE PAVILION.

SATURDAY NIGHTS.

I'D TAKE YOUR MOTHER,

AND WE'D DANCE. I WAS A GOOD DANCER.

UP ON MY TOES...

TWIRL HER AROUND,

SHE'D LAUGH...

OH, BOY.

- HEY. - HEY.

YOU'RE TOO OLD TO BE SMOKING.

I'M NOT THAT OLD.

YES, YOU ARE.

HOW'S THERAPY GOING?

I'M WASTING MY MONEY...

WHICH IS MORONIC, SINCE I DON'T HAVE ANY.

- THEN WHY GO? - I'M WEAK.

HOW'S YOUR FAMILY?

OKAY. THEY'RE GOOD.

WHAT ABOUT YOUR FAMILY?

WHAT ABOUT THEM?

ARE THEY OKAY?

WELL, MY SISTER, EILEEN, IS ANOREXIC.

HER HUSBAND'S FUCKIN' THE BABYSITTER.

MY MOM SITS AROUND

WATCHING SOAP OPERAS ALL DAY AND EATING PIZZA,

AND MY DAD ASKED ME THE OTHER DAY

IF I KNEW THE MEANING OF LIFE.

WHAT KIND OF QUESTION IS THAT FOR A 23-YEAR OLD DAUGHTER?

YOU'RE 23?

WHY'D YOU ASK ME ABOUT MY FAMILY? YOU DON'T EVEN KNOW ME.

YOU ASKED ME ABOUT MY FAMILY. I WAS JUST BEING POLITE.

WANNA HAVE LUNCH?

- LUNCH? - YEAH.

- WHEN? - NOW.

WHAT ABOUT THERAPY?

I THINK NOT.

- SORRY. - WHAT FOR?

I DIDN'T MEAN TO FREAK YOU OUT.

LOOK, ALEX, THERE IS NO POINT IN OUR HAVING LUNCH.

- WHY NOT? - BECAUSE YOU'RE MARRIED.

I DIDN'T ASK YOU TO GO TO BED, FOR GOD'S SAKE.

YES, YOU DID.

I THINK YOU'RE JUMPING TO CONCLUSIONS HERE.

- AM I? - YEAH, YOU ARE.

DID IT EVER OCCUR TO YOU THAT I MIGHT HAVE A BOYFRIEND?

- DO YOU? - YES.

- WHO? - NONE OF YOUR BUSINESS.

THANKS.

SORRY.

- WHY ARE WE HERE? - WE'RE HAVING FUN.

- WE ARE? - YES.

- THIS IS FUN? - THIS IS FUN.

SHOULDN'T I BE HAVING SOME "FUN FEELING" TO LET ME KNOW?

SHUT UP, SARAH.

DAMN, YOU GUYS LOOK GREAT.

- CANDICE, WHAT'S UP? - OH, HEY...

GUYS, THIS IS SEAN. SARAH, TRACY...

HEY. HOW ARE YOU

SEAN DO YOU THINK TRACY AND I LOOK GREAT?

I CERTAINLY DO.

- WOULD YOU LIKE US, SEAN? - EXCUSE ME...?

WOULD YOU LIKE US? BOTH OF US?

WHAT DO YOU SAY?

I SAY, OF COURSE, YEAH. WHAT AM I, STUPID?

I SAY,"SO LONG, IT'S BEEN BAD TO MEET YOU."

( laughter )

HEY, WHAT'S THE DEAL HERE?

I THINK THAT'S YOUR EXIT LINE, SEAN.

GOODBYE.

WHO IS HE?

HE CAME WITH MAX AND LILLIE. HE PAINTS OR SOMETHING.

HE'S CUTE.

- ODDS OR EVENS? - ODDS.

( tango-style ballad plays )

Hey, it's Sarah. Leave me a message and I'll call you back.

Hello?

HI, IT'S ME. ALEX.

How'd you get my number?

- WHO WAS THAT? - BUSINESS.

AT ONE O'CLOCK IN THE MORNING?

A GUY UP IN OXNARD.

HE'S LATE WITH THOSE MOTHER OF PEARL PICTURE FRAMES.

HAD TO GET HIM AT HOME.

NOT IN THE HOUSE, ALEX.

SORRY.

I SAW DR. GRAYLEIGH TODAY.

WHAT'S WRONG?

NOTHING. JUST A CHECK-UP.

EVERYTHING'S ALL RIGHT?

WHY DID YOU TELL ME YOU HAD AN APPOINTMENT WITH HIM?

HMM?

YOU SAID YOU HAD AN APPOINTMENT WITH HIM. YOU DIDN'T.

WHERE WERE YOU?

WALKING.

I WENT WALKING.

- WHY DID YOU LIE? - I WASN'T LYING...

YOU WEREN'T TELLING THE TRUTH.

I WAS SEEING A SHRINK.

- A SHRINK? - YEAH.

AS IN, PSYCHIATRIST?

PSYCHOLOGIST.

WHY?

DO WE HAVE TO TALK ABOUT THIS?

YES.

I WAS FEELING WEIRD.

DR. GRAYLEIGH SAID I SHOULD GO SEE THIS GUY, SO I DID.

- "WEIRD"? - YEAH...

UNHAPPY?

TRUTH IS, YOU'VE ALWAYS BEEN UNHAPPY.

THAT'S NOT TRUE.

YES, IT IS.

WHEN I FIRST MET YOU, IN THAT ELEVATOR,

WERE YOU REALLY THERE JUST TO PASS THE TIME,

OR WAS THAT JUST A LINE?

IT WAS A LINE. IT WAS ALSO TRUE.

BECAUSE YOU COULDN'T SLEEP?

BECAUSE I WAS UNHAPPY.

COME TO BED.

HE'S HAVING AN AFFAIR.

- YOU'RE BEING PARANOID. - I'M NEVER PARANOID,

EXCEPT WHEN I DO COKE, AND I HAVEN'T DONE THAT

SINCE I GOT PREGNANT, SO...

YOU THINK I'M HAVING A PARANOID COKE FLASHBACK?

I THINK THAT YOUR LIFE IS GOOD THESE DAYS.

REALLY GOOD.

BUT YOU DON'T TRUST WHEN LIFE IS GOOD.

YOU THINK IT'S A TRICK, AND SOMETHING TERRIBLE IS GOING TO HAPPEN.

- THAT'S NOT TRUE. - OH, IT IS.

YOU GIVING ALEX ENOUGH SEX?

- JESUS, DIERDRE. - WELL, ARE YOU?

HE WON'T COME TO BED WITH ME. HE JUST STAYS IN THE KITCHEN

AND DRINKS BEER.

WELL... AT LEAST HE'S AT HOME.

HEY, KID.

- HUNGRY? - NO, THANKS.

COME ON. YOU'RE GETTIN' SKINNY.

LOOK LIKE ONE OF THOSE RWANDA PEOPLE, FOR CHRIST'S SAKE.

ALREADY ATE. THANKS.

YOUR MOTHER WOULD LIKE IT IF YOU CAME BY, PAID A VISIT.

I'LL DROP BY TOMORROW.

BRING THE KID. SHE LIKES THE KID.

GOT HIM A BIRTHDAY PRESENT.

SO... HOW'S IT GOIN'?

OKAY... GOOD.

READY TO MAKE YOUR MOVE?

- NOT YET. - WHY NOT?

JUST NOT READY, THAT'S ALL.

WHAT THE FUCK'S TAKIN' SO LONG?

IT'S TRICKY.

"TRICKY"?

GET THE LEAD OUT, FOR CHRIST'S SAKE.

CLIENTS ARE STARTING TO GET ANTSY.

- THE CLIENTS? - YEAH, THE CLIENTS.

REMEMBER THEM? THOSE WHO PAY US?

LAST TIME, YOU SAID, "CLIENT."

WHAT?

LAST TIME, YOU SAID "CLIENT." SINGULAR.

COULD BE A WHOLE FUCKING TRIBE. DOESN'T MAKE ANY DIFFERENCE.

- YOU GOT A GUN YET? - NOT YET.

JESUS, SON...

IF I DIDN'T KNOW BETTER...

I'D THINK YOU WERE DRAGGIN' YOUR FEET.

ALEX?

BARRY. HOW'S IT GOIN'?

I'M TRYING TO MAINTAIN A PHILOSOPHICAL ATTITUDE,

BUT THE TRUTH IS, I'M KINDA DEPRESSED.

- WHAT'S GOING ON? - IT'S PATSY.

- HER LEG'S ACTING UP AGAIN. - HAS SHE BEEN TO A DOCTOR?

DOCTOR'S BEEN HMO'D.

ALL OF A SUDDEN HIS OFFICE IS LIKE A THIRD WORLD AIRPORT.

YOU CALL HIM UP, THEY PUT YOU ON HOLD FOR DAYS,

YOU FINALLY GET HIM... THE NEXT AVAILABLE APPOINTMENT IS THREE MONTHS AWAY.

THREE FUCKIN' MONTHS!

SHE'S GONNA BE DEAD, OR BETTER BY THEN, RIGHT?

YOU'RE RIGHT.

WHAT ARE YOU DOIN'? SHOPPING?

I'M SHOPPING.

TAKE YOUR PICK.

( buzzer )

Hello?

HI... IT'S ME. ALEX.

CAN I COME UP? CAN I SEE YOU?

How'd you get my...?

Come in. ( buzzing )

CAN I ASK YOU SOMETHING? WHY ARE YOU HERE?

I DON'T KNOW.

NO...

SIT DOWN.

SORRY.

STOP APOLOGIZING.

WHAT DO YOU WANT?

YOU.

AND THEN?

"THEN"?

AFTER YOU HAVE ME, WHAT THEN?

I DON'T KNOW...

YOU DON'T KNOW MUCH, DO YOU?

NO, I GUESS NOT.

SO YOUR PLAN IS, YOU HAVE ME...

YOU RAVISH ME, YOU BURY YOUR PATHETIC,

MIDDLE-AGED PAIN IN ME, AND THEN YOU SAY, "THANKS,"

OR MAYBE YOU DON'T, AND I NEVER SEE YOU AGAIN?

OR, I SEE YOU AGAIN AND AGAIN BECAUSE I MAKE YOU FEEL BETTER,

AND YOU CAN'T STAND NOT FEELING BETTER.

EITHER WAY, YOU FINALLY GET YOUR SHIT TOGETHER,

AND YOU GO BACK TO YOUR MARRIAGE...

YOUR LOVELY LIFE, AND YOUR LOVELY WIFE,

AND I'M LEFT ALONE IN THIS FUCKING APARTMENT

WONDERING WHEN MY OWN LIFE IS GOING TO BEGIN-- IS THAT YOUR PLAN?

JESUS, IT MUST BE. YOU'RE HERE.

I'M NOT MIDDLE-AGED.

YOU WANT ME TO HAVE AN AFFAIR WITH YOU.

YOU WANT ME TO BE YOUR MISTRESS.

YOU'RE KINDA SCARY, YOU KNOW THAT?

YOU SHOULD GO NOW.

I'LL LEAVE YOU ALONE.

I DON'T KNOW WHAT IS THE MATTER WITH ME.

- I'M REALLY SORRY. - STOP APOLOGIZING.

YOU HAVEN'T DONE ANYTHING WRONG-- YET.

SO, DAD, WHAT AM I GETTING FOR MY BIRTHDAY?

THAT'S A SECRET.

IS IT A BIKE?

A WHAT? WHATEVER GAVE YOU THAT IDEA?

I HEARD YOU AND MOM TALK ABOUT GETTING ME A BIKE

IN THE LIVING ROOM.

IT'S NOT POLITE TO SPY ON PEOPLE.

- I WASN'T SPYING. - YEAH?

SO, AM I GETTING A BIKE?

YOU'LL HAVE TO WAIT AND SEE.

DAD... ARE YOU OKAY?

YEAH... WHY?

YOU'VE BEEN ACTING STRANGE.

I'M... I'M ALL RIGHT.

I'M TIRED, IS ALL.

SOMETHING'S WRONG.

NO, I PROMISE. NOTHING'S WRONG.

- IT'S OKAY. - SOMETHING IS WRONG.

NO, IT'S NOT.

GO TO SLEEP. NOTHING'S WRONG. CLOSE YOUR EYES.

HOW MANY HOURS ARE THERE IN A WHOLE DAY...

MORNING, AFTERNOON, NIGHT, AND WHOLE NIGHT?

THERE'S 24, AND YOU'VE USED ALL OF THESE UP,

- SO CLOSE YOUR EYES. - GOOD NIGHT.

( squealing )

IT'S YOUR DAD...!

YOU'RE NOT VERY GOOD AT EXPRESSING YOUR ANGER,

ARE YOU, ALEX?

I DON'T GET ANGRY VERY OFTEN.

WHEN'S THE LAST TIME YOU GOT ANGRY?

I DON'T REMEMBER.

EMOTIONALLY, THAT'S A VERY LONG TIME AGO.

I'M NOT SURE I'VE EVER GOTTEN ANGRY.

YOU'VE NEVER GOTTEN ANGRY AT YOUR FATHER?

NO.

( clicking )

SEVEN...

SEVEN BULLETS.

YOU GOT SEVEN CHANCES.

IF YOU'RE GOOD AT WHAT YOU DO...

YOU'VE DONE YOUR HOMEWORK AND PREPARED YOURSELF,

IT SHOULD ONLY TAKE ONE.

NEVER GET COMPLICATED.

KEEP THINGS SIMPLE.

YES, SIR.

THE GUN IS UNTRACEABLE.

SHOOT, DROP THE GUN...

WALK AWAY-- NEVER RUN.

ALWAYS WEAR GLOVES.

WE'RE NOT TALKIN' ABOUT BRAIN SURGERY HERE.

THE HARDEST PART, ALEX, IS KEEPING YOUR MOUTH SHUT.

YOU CAN NEVER, UNDER ANY CIRCUMSTANCES,

TELL ANYONE WHAT YOU DO.

I KNOW, YOU KNOW, YOUR MOTHER KNOWS,

BECAUSE SHE HELPED ME GET STARTED IN THE BUSINESS,

BUT NOBODY ELSE MUST EVER KNOW.

NOT YOUR BUDDIES, NOT YOUR GIRLFRIEND,

NOT YOUR WIFE-- IF YOU'RE LUCKY ENOUGH

TO FIND THE RIGHT WOMAN AND GET MARRIED.

PEOPLE DON'T UNDERSTAND THIS LINE OF WORK.

THEY GET AGITATED, YOU UNDERSTAND?

YES, SIR.

YOU READY FOR TOMORROW?

YES, SIR...

I'M READY.

GOOD BOY.

OKAY, LET'S GO.

NOW...

YOU GET OVER THERE AND DO YOUR JOB.

WE GOT A REPUTATION TO PROTECT.

COME ON.

REMEMBER WHAT I TOLD YOU...

KEEP IT FAST AND SIMPLE. DON'T MEET HIS EYES.

JUST WALK UP, DO YOUR JOB, AND WALK AWAY.

I'LL BE RIGHT HERE WAITING FOR YOU.

COME ON. YOU CAN DO IT.

WHAT...?

WALK, GODDAMMIT! WALK!

WALK! DROP THE GUN.

DROP IT. TAKE OFF YOUR GLOVES.

TAKE OFF YOUR GLOVES.

YOU DID IT, KID. YOU FUCKIN' DID IT!

- I FUCKIN' DID IT! - I'M SO DAMN PROUD OF YA.

( dogs barking )

COME ON, MAX. PICK IT UP!

HEY, MAN. GIVE US YOUR MONEY.

GIVE US YOUR FUCKIN' MONEY!

- WHERE'S YOUR WALLET? - I DON'T HAVE IT!

GO AWAY, OLD MAN.

HEY, MAN-- RUN. HE'S GOT A GUN.

ALEX?

ALEX?

( coughing )

WHAT WERE YOU DOING IN THE PARK?

I WAS COMING BACK FROM THE GYM.

I SAW YOU WALKING, I PULLED OVER,

GOT OUT... JUST TO SAY HELLO.

WHY DID YOU RUN AWAY?

I'M NOT SURE.

WELL, AGAIN, THANKS.

DUMB LUCK. I'M GLAD YOU'RE OKAY.

HOW ARE YOU FEELING THESE DAYS?

NOT SO GOOD.

WHAT'S GOING ON WITH SARAH?

- I SAW HER AGAIN-- - CAN WE GO BACK TO THE PARK?

SURE.

I CAN'T GET OVER THE COINCIDENCE...

OF YOU BEING THERE. YOU JUST HAPPENED TO BE IN THE NEIGHBORHOOD?

- I WAS DRIVING BY. - DO YOU ALWAYS CARRY A GUN?

NO...

NOT ALWAYS. CAN WE TALK ABOUT SARAH?

OF COURSE. GO ON, I'M SORRY.

I CAN'T STOP THINKING ABOUT HER.

ARE YOU GOING TO KILL SOMEONE AGAIN?

THAT'S NOT A QUESTION YOU SHOULD ASK ME.

I'M ASKING.

NO.

YOU'RE NOT GOING TO KILL ANYONE ELSE?

- NO. - YOU'VE DECIDED TO STOP?

- YES. - HAVE YOU TOLD YOUR FATHER?

- NOT YET. - WHEN ARE YOU PLANNING ON TELLING HIM?

SOON.

- DOES IT SCARE YOU? - WHAT?

THE IDEA OF TELLING YOUR FATHER?

I DON'T KNOW--

IT'S NOT SOMETHING HE'S GONNA WANT TO HEAR.

I THINK IT SCARES YOU.

SAM, SAY HI TO YOUR GRANDMA.

COME ON, GIVE ME A KISS.

HOW ABOUT ME? I DON'T RATE A HELLO?

HI, MICHAEL.

HI, GRANDPA. CAN I WATCH NICKELODEON?

HOW ABOUT WE LOOK AT YOUR SPECIAL TREAT FIRST?

WHAT SPECIAL TREAT?

IT'S YOUR BIRTHDAY SPECIAL TREAT.

BUT, MY BIRTHDAY WAS BEFORE.

I KNOW. THAT'S WHY THIS IS A SPECIAL TREAT.

IS IT A "HOT WHEELS"?

NO, IT'S WAY BETTER THAN THAT, SAMMY.

IT'S A MODEL AIRPLANE--

A FLYING FORTRESS, TO BE EXACT--

JUST LIKE YOUR FATHER AND I USED TO MAKE. REMEMBER, ALEX?

- I REMEMBER. - LOOK AT IT, SAMMY.

SEE, IT'S GOT FOUR PROPELLER ENGINES.

IT'S NOT LIKE THE JET PLANES THEY HAVE TODAY.

THIS WAS A B-17. IT WAS THE FIRST BOMBER

THAT WE USED IN THE SECOND WORLD WAR.

SAMMY?

WHAT IS THAT ON THE FLOOR?

IT'S JUST THE WRAPPING FROM THE GIFT, MOM.

YOU DON'T HAVE TO ANSWER FOR HIM, ALEX.

HE IS PERFECTLY CAPABLE OF SPEAKING FOR HIMSELF.

SAMMY...

LOOK AT IT. LOOK AT THE FLOOR.

WHAT IS THIS?

HMM?

THAT'S TRASH. WE DON'T THROW TRASH ON THE FLOOR.

WE ARE NOT SLUMDWELLERS IN THIS HOUSE...

- NOT YET. - NOT YET.

- SO... PICK IT UP. - I'LL GET IT.

NO...

PICK IT UP.

ALL RIGHT, I'VE GOT IT. I'LL PICK IT UP MYSELF.

ALL RIGHT, SAMMY.

NOW, THESE ARE THE INSTRUCTIONS.

ALWAYS READ THE INSTRUCTIONS FIRST.

START AT NUMBER ONE...

WHAT'S THIS?

I DON'T KNOW. I HAVEN'T READ THE INSTRUCTIONS.

- HAVE YOU? - NO.

WHAT DID I JUST TELL YOU?

I DON'T KNOW.

- YOU DON'T KNOW? - I DON'T REMEMBER.

SAMMY, DO YOU HAVE A BRAIN INSIDE THAT LITTLE HEAD?

HE HAS A PERFECTLY GOOD BRAIN, GRANDPA. DON'T BE SO NASTY.

I'M NOT TRYING TO BE NASTY. I'M TRYING TO HELP THE BOY.

ALL RIGHT, ALL RIGHT, SAMMY. IT SAYS HERE...

FIRST THING... HERE WE GO.

YOU OPEN THE GLUE, VERY CAREFULLY.

AW, GODDAMMIT! WHAT IS THE MATTER WITH YOU?

OH, MY GOD! WE'VE GOT TO GET THAT UP IMMEDIATELY...

IT'S GONNA EAT RIGHT THROUGH THE FINISH.

WHAT, SAMMY? YOU TRYIN' TO PROVE ME RIGHT? IS THAT IT?

ARE YOU TRYIN' TO SHOW ME THAT YOU REALLY DON'T HAVE A BRAIN?

THAT YOU'RE STUPID, THAT YOU'RE A MORON?

MICHAEL, YOU ARE SUCH AN ASSHOLE!

HE'S A CHILD, A LITTLE BOY. WHAT IS THE MATTER WITH YOU?!

WHAT ARE YOU DOING? COME ON, COME ON...

HAVE YOU SEEN SARAH AGAIN?

NO.

HAVE YOU TOLD YOUR FATHER YET THAT YOU'RE QUITTING?

WELL, YES.

AS A MATTER OF FACT, I DID.

- YOU DID? - I DID.

WHAT DID HE SAY?

HE GOT ANGRY, STEAMED AROUND FOR BIT,

THEN HE CALMED DOWN.

THAT'S IT?

THAT'S IT.

DO YOU FEEL BETTER?

OH, YES...

MUCH BETTER. BIG RELIEF.

- I DON'T BELIEVE YOU. - YOU DON'T BELIEVE ME?

YOU'RE LYING TO YOUR OWN THERAPIST. THINK ABOUT THAT.

THERE'S NOTHING TO THINK ABOUT.

SO WHAT'S YOUR NEXT JOB?

I CAN'T DISCUSS IT.

- I THOUGHT YOU QUIT. - I DID QUIT.

SO THERE ISN'T GOING TO BE A "NEXT JOB"?

- NO, OF COURSE NOT. - YOU'RE FREE.

I'M FREE.

LIAR, LIAR, TONGUE'S ON FIRE.

I THINK YOU'RE GOING TO DO EXACTLY WHAT YOUR FATHER WANTS.

- I'VE GOTTA GO... - YOU'LL NEVER BE FREE, ALEX.

ALEX, STAY-- WAIT, TALK.

I'M SICK OF TALKING!

( pins crashing )

GOOD TO SEE YOU, BOYO.

COME TO SEE YOUR OLD MAN KICK ASS?

FUCK YOU!

FUCK YOU IN YOUR ASSHOLE, MOTHER!

FUCK Y'ALL!

Man: COME ON, MIKE, DON'T BE LIKE THAT!

COME BACK!

- DO YOU WANT SOMETHING, ALEX? - NO, THANKS, EDDIE.

YOU SHOULDN'T HAVE DONE THAT WITH SAMMY, DAD.

WHAT ARE YOU TALKING ABOUT?

MAKING HIM FEEL BAD LIKE THAT-- ABOUT SPILLING THE GLUE.

- THE KID'S A RETARD. - HE'S VERY SMART.

- RIGHT. - HE IS.

OKAY, I'M SORRY. I GET AGGRAVATED.

TELL MARTHA I'M SORRY. SHE PISSED AT ME?

YES.

SHE MAKE YOU COME TALK TO ME? YOU THE MESSENGER BOY?

YOU PUSSYWHIPPED, SON? I THINK YOU'RE PUSSYWHIPPED.

DON'T FEEL BAD ABOUT IT. WE'RE ALL FUCKIN' PUSSYWHIPPED.

WOMEN RUN THE WORLD. DON'T LET ANYBODY TELL YOU DIFFERENT.

WOMEN-- NOT MEN. FUCK 'EM.

EDDIE, YOU WORK FOR A LIVING, OR WHAT?

SNEAKY, THE WAY THEY DO IT.

THAT'S WHAT THEY'RE GOOD AT-- BEIN' FUCKIN' SNEAKY.

WHO DECIDES WHAT YOU'RE GONNA EAT TONIGHT?

WHO DECIDES HOW MUCH BOOZE YOU SHOULD DRINK?

WHO DECIDES WHAT MOVIE YOU'RE GONNA GO SEE?

FOLLOW MY DRIFT, ALEX? WOMEN ARE VIPERS.

DON'T GET ME WRONG, I LOVE YOUR MOTHER...

- YOU GOT A GUN YET? - YES.

ABOUT FUCKIN' TIME.

DAD, I WANNA QUIT.

QUIT?

- YES, I CAN'T DO THIS ANYMORE. - YOU WANNA QUIT THE BUSINESS?

YES.

YOU WANNA CHANGE YOUR LIFE?

YOU THINK I DON'T KNOW WHERE THIS COMES FROM?

- IT COMES FROM ME. - IT COMES FROM THAT SHRINK.

SHRINK? YOU KNOW ABOUT MY SHRINK?

WHAT'S THE FIRST THING I TAUGHT YOU, ALEX?

"YOU CAN'T TELL ANYONE WHAT WE DO--

NOT EVEN MARTHA." REMEMBER?

YOU GO BLABBIN' TO A COMPLETE STRANGER.

MOM TOLD YOU. JESUS CHRIST!

YOUR MOTHER NEVER TELLS ME ANYTHING.

WHY ARE YOU DOING THIS TO ME?

- WHAT? - TRYING TO GET ME TO KILL MY OWN--

- GODDAMNED SHRINK! - QUIET, QUIET!

RELAX. TAKE A DEEP BREATH.

I'LL TELL YOU WHY I'M DOING THIS TO YOU.

BECAUSE YOU'RE MY SON, MY ONLY SON...

AND I LOVE YOU TOO MUCH TO STAND BACK...

AND WATCH YOU THROW YOUR LIFE AWAY.

DAD-- I QUIT. OH, BOY, DO I QUIT!

YOU QUIT, I'M TELLIN' MARTHA AND YOUR LITTLE HONEY, SARAH,

WHAT YOU BEEN DOIN' FOR A LIVING.

YOU WANNA LOSE BOTH YOUR WOMEN, ALEX?

WANNA LOSE SAMMY?

SHOOT THE MOTHERFUCKER.

I LOVE THIS SONG.

MOLLY, YOU'RE SO BEAUTIFUL, I WANNA DANCE WITH YOU.

COME ON, I DO.

( song plays ) * ...AND SHE LETS HER HAIR HANG DOWN *

* AND SHE MAKES ME GLAD THAT I'M A MAN *

* OH, NO ONE KNOWS

* WHAT GOES ON BEHIND CLOSED DOORS *

( alarm beeping )

( ringing )

( ringing )

( ringing )

SHIT...

WHAT ARE YOU DOING?

NOTHIN'.

LOOKS TO ME LIKE YOU'RE STALKING ME.

STALKING YOU? NO, I'M NOT--

WHY WOULD I BE STALKING YOU?

I DON'T KNOW. 'CAUSE YOU'RE SCREWY.

GOT NICE FEET.

DO YOU WANNA COME IN?

CLOSE THE DOOR.

WHAT ARE THESE FOR?

YOU DON'T KNOW ME WELL ENOUGH TO ASK THAT QUESTION.

HOW'S IT GOIN' WITH YOUR BOYFRIEND?

I SENT HIM PACKING. I DIDN'T WANT TO BREAK HIS HEART.

GO AHEAD. LOOK.

I'VE GOT TO GET READY FOR WORK.

YOU FIGURED OUT WHAT YOU'RE DOING HERE YET?

I CAME TO SAY I CAN'T DO THIS.

DO WHAT?

I CAN'T HURT HER. MY WIFE, MARTHA.

FINE.

I UNDERSTAND. THAT'S COMMENDABLE.

IF YOU WERE HER, YOU WOULDN'T WANT ME HERE WITH SOMEBODY ELSE, WOULD YOU?

NO, OF COURSE NOT.

SO, GOODBYE, SO LONG. IT'S BEEN GREAT.

CLOSE THE DOOR ON YOUR WAY OUT.

WHO'S THE PICTURE?

MY DAD.

SO THE LITTLE GIRL-- THAT'S YOU?

THAT'S ME.

I'M SORRY.

STOP SAYING THAT.

( glass crashing )

WHAT HAPPENED?

WHAT ARE YOU, CRAZY?

NOW YOU KNOW. I'M GIVEN TO MELODRAMA.

I'M HYSTERICAL. MAYBE I'M UNBALANCED.

MAYBE I AM CRAZY. DOES THAT SCARE YOU?

NO.

IT SHOULD.

DO YOU LOVE YOUR WIFE?

YES.

- WILL YOU EVER LEAVE HER? - NO.

- I'VE GOT A KID. - I KNOW YOU'VE GOT A KID.

OKAY, HERE ARE THE RULES...

SHE NEVER FINDS OUT, AND WE NEVER FALL IN LOVE.

AGREED?

YOU'RE SO BEAUTIFUL.

YOU'LL GET SICK. I'M GETTING A COLD.

I DON'T CARE.

DID HE HAPPEN TO MENTION THE NAME OF ANY OF HIS VICTIMS?

- NO. - OF COURSE NOT.

AND HE SAYS HE'S GOING TO DO IT AGAIN?

HE DIDN'T ACTUALLY SAY IT,

BUT HE IMPLIED HE WAS GONNA DO IT AGAIN.

- WHEN? - SOON.

DID HE HAPPEN TO MENTION WHO?

NO, BUT I THINK IT'S GOING TO BE ME.

YOU?

WHY YOU?

HE'S BEEN FOLLOWING ME...

WATCHING THE HOUSE, GOD KNOWS WHAT ELSE.

YOU MUST HAVE REALLY PISSED OFF ONE OF YOUR PATIENTS, DOC.

NO, I DON'T THINK THAT'S IT.

YOU DON'T THINK THIS ALEX IS MAYBE... LYING?

UNFORTUNATELY, NO, I DON'T.

YOU DON'T THINK HE'S MAYBE...

CONFUSED? A LITTLE CONFUSED IN HIS HEAD?

DELUSIONAL? UH-- NO.

SO HE'S A COMPLETELY NORMAL JOE WHO KILLS PEOPLE FOR A LIVING.

THIS ISN'T EASY FOR ME, YOU KNOW...

COMING IN HERE, TELLING YOU THESE THINGS.

THIS MAN IS MY PATIENT, AND I'M BETRAYING HIM.

I FEEL LIKE SHIT.

FILL OUT THIS FORM.

I DON'T HAVE A CHOICE, RIGHT?

DAD?

YEAH?

WHAT'S YOUR FAVORITE GROUP?

I DON'T HAVE A FAVORITE GROUP.

IF YOU HAD A FAVORITE GROUP, WHAT WOULD IT BE?

I DON'T KNOW-- THE BEATLES.

WHAT ABOUT THE BEACH BOYS?

THEY'RE GOOD, TOO.

- AND BECK? - AND BECK.

SO... WHICH IS YOUR FAVORITE GROUP?

I DON'T HAVE A FAVORITE FUCKING GROUP, SAMMY! OKAY?

I'M SORRY.

LONG DAY.

SAMMY, PLEASE-- I'M SORRY, OKAY?

EAT YOUR POPSICLE, SWEETHEART.

DID YOU HAVE A NICE TIME THIS MORNING WITH GRANDPA?

YES.

WHAT DID YOU DO? GO TO THE MALL?

NO.

WHAT DID YOU DO?

WE FLEW MODEL AIRPLANES.

THAT SOUNDS LIKE FUN. WAS IT FUN?

GUESS SO. DAD...

ARE YOU AND MOM GONNA GET A DIVORCE?

WHAT?

NO, WE'RE NOT GONNA GET A DIVORCE, ARE WE, DAD?

NO, OF COURSE NOT. ABSOLUTELY NOT.

HE'S ASLEEP.

WHAT'S GOING ON, ALEX?

NOTHING'S GOING ON.

YOU YELLED AT YOUR OWN SON.

I DIDN'T YELL.

YOU SCARED HIM.

I'M A LITTLE STRESSED, IS ALL.

YOU SLEEP AS FAR AWAY FROM ME AS YOU POSSIBLY CAN

WITHOUT FALLING OUT OF BED. WHEN I TOUCH YOU, YOU FLINCH.

I... DON'T FLINCH. YOU'RE EXAGGERATING.

WHO'S "SARAH"?

EXCUSE ME?

YOU HEARD ME.

SARAH...?

WE GOT THE PHONE BILL TODAY.

OH, COME ON!

I CALL A LOT OF PEOPLE FROM THE HOUSE.

I SIT THERE ALL DAY,

ORDERING STUFF AND SELLING STUFF...

YOU KNOW THAT.

I CALLED THE NUMBER, AND SHE ANSWERED.

SHE'S YOUNG.

SHE SOUNDS YOUNG, ANYWAY.

YOU CAN'T TELL MUCH FROM A PERSON'S VOICE,

BUT USUALLY YOU CAN GET A PRETTY GOOD IDEA ABOUT AGE,

AND SHE SOUNDED AWFUL DARN YOUNG, ALL RIGHT.

GOD, LISTEN TO ME--

I SOUND LIKE SOME JEALOUS, MIDDLE-AGED HOUSEWIFE--

WHICH IS, I SUPPOSE, WHAT I AM.

( heavy sigh ) OH-HH, JESUS...

NOTHING HAPPENED.

DO YOU LOVE HER?

NO.

DO YOU WANNA LEAVE ME?

NO.

I WANT TO KEEP OUR FAMILY TOGETHER. I REALLY DO...

BUT YOU DON'T KNOW WHO I AM ANYMORE.

- I MEAN, YOU DON'T REMEMBER. - MATTY...

( soft sniffling )

GOTTA MOW THAT LAWN TOMORROW.

TOUCH ME.

KISS ME.

FUCK ME.

WHY AM I... BEGGING YOU?

WHY AM I SPREADING MY LEGS FOR YOU?

GET OUT, ALEX-- GET OUT!

THIS IS MY HOUSE NOW, NOT YOUR HOUSE.

YOU DON'T LIVE HERE ANYMORE.

YOU LIVE SOMEWHERE ELSE-- YOU LAUGH WITH SOMEONE ELSE--

YOU LOOK AT SOMEONE ELSE AND GET A HARD-ON...

NOT AT ME, OH, NO--

MOM...? DAD?

I DID A REALLY BAD THING TODAY.

WHAT DID YOU DO, SWEETHEART?

I KILLED A SQUIRREL.

Martha: WHAT DO YOU MEAN, YOU "KILLED A SQUIRREL"?

GRANDPA TOLD ME NOT TO TELL.

HE SAID I WOULD GET IN TROUBLE.

( engine starts )

HERE, YOU KNOW WHAT THIS IS?

A GUN. IS IT REAL?

VERY REAL. IT'S AS REAL AS IT GETS.

THAT'S THE BEAUTY OF THE THING.

NOW PAY ATTENTION. ( chamber clicks )

IT'S LOADED.

YOU SEE THAT SQUIRREL OVER THERE?

- YES, SIR. - SHOOT IT.

SHOOT IT?

SHOOT IT. AIM THE GUN.

THAT'S RIGHT-- HOLD IT A LITTLE LOWER THAN YOUR TARGET,

'CAUSE IT'S GOING TO JUMP WHEN YOU FIRE.

I DON'T WANT TO SHOOT THE SQUIRREL.

SURE YOU DO.

JUST AIM A LITTLE LOW...

PULL BACK ON THE TRIGGER-- IT'S EASY.

BUT WHAT IF I HIT THE SQUIRREL?

( chuckles ) JESUS CHRIST!

THAT'S THE WHOLE DAMN POINT, TO HIT THE DAMN SQUIRREL.

NOW AIM THE GUN AND PULL THE TRIGGER.

PLEASE, GRANDPA. DON'T MAKE ME SHOOT THE SQUIRREL.

PULL THE TRIGGER, NOW.

GOOD BOY, SAMMY.

YOU JUST GOT YOUR FIRST SQUIRREL.

DO YOU KNOW WHAT DESTINY IS, SAMMY?

NO.

IT'S WHO YOU REALLY ARE.

WHO YOU'RE REALLY MEANT TO BE.

WHERE'S MOM?

I LOVE YOUR MOTHER WITH ALL MY HEART...

BUT SHE TALKS SO MUCH, SOMETIMES I WANT TO SCREAM.

THAT'S WHEN I SAY, "HONEY, I KNOW I'M BORING YOU.

WHY DON'T YOU GO NEXT DOOR AND HAVE A NICE GAME OF HEARTS

WITH MRS. MEMRACHEV?"

YOU TOOK SAMMY OUT?

YEAH. I PUT SOME HAIR ON HIS CHEST.

HE COULD USE IT.

HE'S A NATURAL, YOU KNOW?

YOU SHOULDN'T HAVE TAKEN SAMMY OUT.

( sighs ) WHO SAYS?

HEY!

DAMN IT! ( groaning in pain )

WHAT THE HELL--?

ALEX? ALEX?!

OH...

GOD!

ALEX?

ALEX, WHAT HAVE YOU DONE?

WHAT HAVE YOU DONE? ( sobbing )

( sighs )

- HI. - HI.

I HAVEN'T SEEN YOU HERE BEFORE.

THIS YOUR FIRST TIME?

I'M WAITING FOR SOMEONE.

YEAH, WELL, I THINK I'M PRETTY MUCH CHAINED TO THIS PLACE

FOR THE REST OF MY LIFE.

YOU JUST DO THE BEST YOU CAN EVERY DAY.

SLOWLY, SLOWLY--

IT TAKES TIME TO GET OVER SOMETHING LIKE THIS.

TELL ME ABOUT SCHOOL, SAMMY.

SCHOOL'S OKAY.

YOU DOING YOUR HOMEWORK?

I DON'T HAVE HOMEWORK. I'M TOO LITTLE.

DO YOU MISS YOUR DAD?

YES.

I HATE THE NEWS.

EXCUSE ME?

I HATE THE NEWS.

IT'S ALWAYS BAD.

BOMBS GOING OFF, PEOPLE STARVING,

PLANES CRASHING.

IT'S A REGULAR DISASTER OUT THERE.

SEEMS LIKE WE OUGHT TO BE ABLE TO LEAD SAFER LIVES.

SAFE IS HARD TO COME BY.

I LOST SOMEONE VERY CLOSE TO ME RECENTLY,

IT'S KIND OF MADE ME A WRECK.

SOMEBODY DIED?

YES.

I'M SORRY.

IT'S HARDER BEING A WOMAN...

DON'T YOU THINK?

I MEAN, COMPARED TO BEING A MAN?

WE'RE DONE FOR THE DAY. HE'S ALL YOURS.

HOW'S HE DOING?

BETTER. MUCH BETTER, AREN'T YOU, SAMMY?

SAMMY?

YEAH, THAT'S MY SON.

HI.

NICE TO MEET YOU, SAMMY.

Martha: SO, SAME TIME NEXT WEEK. RIGHT, DR. PARKS?

- RIGHT. - OKAY.

COME ON, HONEY.

GOODBYE.

YOU KNOW HOW I KNOW THERE'S NO SUCH THING AS INFINITY?

HOW?

I CAN SEE IT WHEN I CLOSE MY EYES.

IF YOU CAN SEE IT, DOESN'T THAT MEAN IT EXISTS?

NO, EXACTLY THE OPPOSITE.

YOU SAID INFINITY WAS ENDLESS.

HOW COULD I SEE IT IF IT WAS ENDLESS?

I THINK YOU GOT ME, KIDDO.

YEAH. I GOT YA.

- DAD? - HMM?

ARE YOU OKAY?

YEAH. I'M OKAY.

YOU SEEM TO HAVE A LOT ON YOUR MIND LATELY.

UMM... I'M OKAY.

- SHH! SHH! - GOOD NIGHT, DAD.

CLOSE YOUR EYES.

SWEET DREAMS. I LOVE YOU.

GOOD NIGHT AGAIN.

Dr. Parks: INFINITY, HUH?

SOUNDS LIKE YOU AND YOUR FATHER

HAD SOME PRETTY SERIOUS CONVERSATIONS.

Sammy: I DIDN'T USED TO THINK THERE WAS SUCH A THING AS INFINITY.

I USED TO THINK EVERYTHING BEGAN AND ENDED.

I DON'T THINK THAT ANYMORE.

WHAT DO YOU THINK NOW?

NOW I THINK NOTHING REALLY ENDS.

Closed Captioned By: Hollywood, CAnc.