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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,535 --> 00:00:03,304 - SO TAKE ME THROUGH THE FLOW OF THIS OPEN HOUSE. 2 00:00:03,337 --> 00:00:05,806 - SO I'M THE PARENT OF AN EIGHT-YEAR-OLD LITTLE GIRL... 3 00:00:05,839 --> 00:00:08,542 - WALKED BY THIS DANCE STUDIO, I DON'T KNOW, A THOUSAND TIMES. 4 00:00:08,576 --> 00:00:10,444 - YEAH, BUT WHAT IS THIS, AN OPEN HOUSE? 5 00:00:10,478 --> 00:00:12,380 YES, PLEASE. I COME INTO THIS SPACE. 6 00:00:12,413 --> 00:00:13,747 - STUNNING. - GORGEOUS. 7 00:00:13,781 --> 00:00:15,183 EXPOSED BRICK, ARE YOU KIDDING? 8 00:00:15,216 --> 00:00:16,384 - I HAND THEM A PAMPHLET. 9 00:00:16,417 --> 00:00:17,685 - SO MUCH HELPFUL INFORMATION. 10 00:00:17,718 --> 00:00:19,487 - YOU SHOVE A BABY QUICHE IN THEIR MOUTH, 11 00:00:19,520 --> 00:00:21,222 THEY SIT DOWN, THE KIDS GET UP. 12 00:00:21,255 --> 00:00:22,656 GIVE 'EM THE OLD RAZZLE-DAZZLE... 13 00:00:22,690 --> 00:00:24,425 - AND THEN ENROLLMENT IN MY DANCE STUDIO 14 00:00:24,458 --> 00:00:26,360 GOES THROUGH THE ROOF. - DONE AND DONE. 15 00:00:26,394 --> 00:00:27,695 - GUYS, I DID A VARMINT SCARE. 16 00:00:27,728 --> 00:00:28,696 - WHAT IS A VARMINT SCARE? 17 00:00:28,729 --> 00:00:30,331 - A VARMINT SCARE'S WHEN I GO UP TO THE ROOF 18 00:00:30,364 --> 00:00:31,332 AND SCREAM AROUND FOR ALL THE VARMINTS. 19 00:00:31,365 --> 00:00:32,400 - MM, 'COURSE. - WHAT'D YOU FIND? 20 00:00:32,433 --> 00:00:33,701 - WE MIGHT HAVE A SITUATION. 21 00:00:33,734 --> 00:00:35,269 - WHAT? - THERE'S A HOMELESS GUY 22 00:00:35,303 --> 00:00:36,604 BEEN KEEPING HIS BIRDS UP THERE. both: EW. 23 00:00:36,637 --> 00:00:38,139 - SO OBVIOUSLY WE NEED TO PULL UP THE LADDER, 24 00:00:38,172 --> 00:00:39,340 BUT THAT BREAKS MY HEART BECAUSE-- 25 00:00:39,373 --> 00:00:41,342 - NO, HE'LL NEVER SEE HIS BIRDS AGAIN--WE CANNOT DO THAT. 26 00:00:41,375 --> 00:00:43,311 - OKAY, WHY DON'T WE JUST PUT A TARP DOWN? 27 00:00:43,344 --> 00:00:44,745 - I THINK THAT WOULD SHOW A LOT OF COMPASSION. 28 00:00:44,778 --> 00:00:46,847 - GUYS, CAN I JUST--IN THIS MOMENT RIGHT NOW-- 29 00:00:46,880 --> 00:00:48,416 - CAN YOU NOT CRY RIGHT NOW? 30 00:00:48,449 --> 00:00:50,251 - TELL YOU HOW AMAZING YOU ARE FOR HELPING ME? 31 00:00:50,284 --> 00:00:51,352 - OH, LENNON, YOU HAVE CRIED FIVE TIMES. 32 00:00:51,385 --> 00:00:53,254 IT IS ONLY 11:00 A.M., OKAY. - BUT THIS IS MY DREAM. 33 00:00:53,287 --> 00:00:55,289 - OH, I'M SORRY, I MUST BE LOST. 34 00:00:55,323 --> 00:00:57,258 OR AM I... IN HEAVEN? 35 00:00:57,291 --> 00:01:00,594 - KEN, OH, I THOUGHT YOU WERE ON TOUR! 36 00:01:00,628 --> 00:01:02,263 - APPEARS YOU WERE MISTAKEN, MADAM. 37 00:01:02,296 --> 00:01:03,864 both: * WE CAN DANCE AMONG THE FLOWERS * 38 00:01:03,897 --> 00:01:05,433 * WHILE WE WHILE AWAY THE HOURS * 39 00:01:05,466 --> 00:01:07,201 * IN THE DEWY MORNING GLOW * 40 00:01:07,235 --> 00:01:08,702 * WITH A HEY-NONNY-NONNY AND A HO-HO-HO * 41 00:01:08,736 --> 00:01:10,304 - [laughing] OH, MY GOD. 42 00:01:10,338 --> 00:01:11,772 - OH, YOU SMELL DIVINE. - IT'S SO GOOD TO SEE YOU. 43 00:01:11,805 --> 00:01:15,409 - JESSICA, WHAT THE HELL'S GOING ON? 44 00:01:15,443 --> 00:01:16,544 - IT'S KEN. 45 00:01:16,577 --> 00:01:17,678 - [laughing] 46 00:01:17,711 --> 00:01:20,681 - * ALL IS NOTHING 47 00:01:20,714 --> 00:01:23,751 * ALL IS KEEPING IT DOWN 48 00:01:23,784 --> 00:01:25,719 * ALL IS NOTHING 49 00:01:25,753 --> 00:01:28,422 - KEN, WHAT ARE YOU DOING HERE? 50 00:01:28,456 --> 00:01:29,623 I--YOU NEVER WROTE ME BACK. 51 00:01:29,657 --> 00:01:30,824 - WELL, LENNON, HOW MANY TIMES HAVE WE SPOKEN, 52 00:01:30,858 --> 00:01:32,826 AND I'M ON TOUR, YOU'RE BUSY? 53 00:01:32,860 --> 00:01:34,862 SUDDENLY, I GET AN INVITE TO YOUR OPEN HOUSE, 54 00:01:34,895 --> 00:01:36,430 I'M IN NEW YORK. 55 00:01:36,464 --> 00:01:38,299 I'M NOT EMAILING BACK. I'M POPPING IN. 56 00:01:38,332 --> 00:01:39,200 - [laughing] 57 00:01:39,233 --> 00:01:40,401 - SO, HOW DO YOU GUYS KNOW EACH OTHER? 58 00:01:40,434 --> 00:01:41,902 - OH, BABE, THIS IS KEN. 59 00:01:41,935 --> 00:01:44,605 KEN HASKINS? REMEMBER WHEN I STUDIED ABROAD IN LONDON, 60 00:01:44,638 --> 00:01:46,207 KEN WAS WITH THE NATIONAL BALLET. 61 00:01:46,240 --> 00:01:47,575 - OKAY, KEN HASKINS, RIGHT. 62 00:01:47,608 --> 00:01:49,377 LEN SHOWED ME THE PBS THING THAT YOU DID. 63 00:01:49,410 --> 00:01:50,544 VERY ATHLETIC. - OH, THANK YOU. 64 00:01:50,578 --> 00:01:52,446 - KEN, I JUST HAVE TO SAY CONGRATULATIONS 65 00:01:52,480 --> 00:01:53,847 ON ALL OF YOUR SUCCESSES. 66 00:01:53,881 --> 00:01:55,483 - YOU ARE REMARKABLY SWEET. KEN HASKINS. 67 00:01:55,516 --> 00:01:57,685 - OH, KEN, IT'S JESSICA. 68 00:01:57,718 --> 00:01:59,420 IT'S--OKAY-- YOU REMEMBER? 69 00:01:59,453 --> 00:02:01,689 I VISITED LENNON FOR TWO WEEKS WHEN SHE WAS IN LONDON? 70 00:02:01,722 --> 00:02:03,457 WE ALL WENT OUT TOGETHER, LIKE, EVERY NIGHT. 71 00:02:03,491 --> 00:02:04,458 - YEAH. - IT WAS SO MANY GOOD TIMES. 72 00:02:04,492 --> 00:02:07,728 - OH, YES, OF COURSE. THAT SOUNDS FAMILIAR. 73 00:02:07,761 --> 00:02:10,198 YEAH, I'M SO SORRY. - OH, NO WORRIES, IT HAPPENS. 74 00:02:10,231 --> 00:02:11,399 NOT USUALLY TO ME, BUT... 75 00:02:11,432 --> 00:02:12,366 - NOW ABOUT THIS OPEN HOUSE, 76 00:02:12,400 --> 00:02:14,635 I DID HAVE ONE LITTLE QUESTION: - OH, YEAH. 77 00:02:14,668 --> 00:02:16,337 - WHY HAVEN'T YOU ASKED ME TO DANCE? 78 00:02:16,370 --> 00:02:17,338 - WHAT ARE YOU TALKING ABOUT? 79 00:02:17,371 --> 00:02:19,473 THE OPEN HOUSE. I AM DANCING. 80 00:02:19,507 --> 00:02:21,442 - SHUT UP. YOU WOULD DO THAT FOR ME? 81 00:02:21,475 --> 00:02:22,476 - NOW THERE IS JUST ONE REQUIREMENT, 82 00:02:22,510 --> 00:02:24,178 AND I'M AFRAID IT'S NON-NEGOTIABLE. 83 00:02:24,212 --> 00:02:26,480 - ANYTHING. - YOU'RE DANCING WITH ME. 84 00:02:26,514 --> 00:02:29,517 - NO, KEN, UH-UH. I DO NOT PERFORM ANYMORE. 85 00:02:29,550 --> 00:02:30,518 IT'LL LOOK LIKE YOU'RE DRAGGING AROUND 86 00:02:30,551 --> 00:02:31,919 AN OLD SACK OF POTATOES. 87 00:02:31,952 --> 00:02:33,587 - OH, THEN IT WAS A GOOD THING I'VE BEEN WORKING OUT. 88 00:02:33,621 --> 00:02:34,855 - [giggling] - UNLESS, OF COURSE, 89 00:02:34,888 --> 00:02:37,258 YOU DON'T WANT LONDON'S PREEMINENT CHOREOGRAPHER 90 00:02:37,291 --> 00:02:38,459 DANCING AT YOUR OPEN HOUSE. 91 00:02:38,492 --> 00:02:39,393 - YOU SHOULD DO IT, LEN. 92 00:02:39,427 --> 00:02:40,928 - IT WOULD GET BUTTS IN SEATS. 93 00:02:40,961 --> 00:02:43,431 - ALL RIGHT, I'M DOING IT. 94 00:02:43,464 --> 00:02:44,498 - SPLENDID. 95 00:02:44,532 --> 00:02:46,934 both: * WITH A HEY-NONNY-NONNY AND A HO-HO-HO * 96 00:02:46,967 --> 00:02:48,636 - * AND A HEY-NONNY-NONNY OOPS, SORRY. 97 00:02:48,669 --> 00:02:50,671 YOU WERE DONE. COOL. 98 00:02:51,872 --> 00:02:53,441 - HOW'S THAT BRAIN EXPLOSION WORKING FOR YOU? 99 00:02:53,474 --> 00:02:54,575 'CAUSE I CAN ADD MORE BRAIN. 100 00:02:54,608 --> 00:02:56,377 - ARE YOU KIDDING? I CAN TASTE THE BRAIN. 101 00:02:56,410 --> 00:02:57,478 - DON'T FILL UP, 'CAUSE I NEED YOU 102 00:02:57,511 --> 00:02:58,546 TO TEST TWO MORE LEVELS. 103 00:02:58,579 --> 00:02:59,547 - IT WAS SO GOOD TO SEE KEN. 104 00:02:59,580 --> 00:03:00,481 - SO GOOD. 105 00:03:00,514 --> 00:03:02,216 - I FELT LIKE I WAS 20 YEARS OLD AGAIN. 106 00:03:02,250 --> 00:03:03,951 - YOU KNOW WHAT? EUROPE IN THE LATE 90s, 107 00:03:03,984 --> 00:03:06,287 THAT WAS JUST A MAGICAL TIME. 108 00:03:06,320 --> 00:03:07,721 - AND WHAT IT WAS FOR ME, REALLY, 109 00:03:07,755 --> 00:03:09,790 WAS THAT I FIRST FELT LIKE A REAL WOMAN. 110 00:03:09,823 --> 00:03:11,425 - WELL, WE WERE. - I MEAN, MEN WERE NOTICING ME. 111 00:03:11,459 --> 00:03:12,893 - LENNON, WE WERE WOMEN. 112 00:03:12,926 --> 00:03:14,528 - REMEMBER THOSE DISCOTHEQUES? - OH, YEAH. 113 00:03:14,562 --> 00:03:15,363 - WE WOULD STEP ON THE FLOOR, 114 00:03:15,396 --> 00:03:17,498 AND IT WAS LIKE SHARKS TO THE KILL. 115 00:03:17,531 --> 00:03:18,866 - BOOM. - CROTCH-TO-CROTCH 116 00:03:18,899 --> 00:03:21,502 WITH EVERY GUY FROM NORWAY, CROATIA, 117 00:03:21,535 --> 00:03:23,437 YOU NAME IT. - SWEDEN, GREECE, 118 00:03:23,471 --> 00:03:25,273 THE UKRAINE. - GUYS, I CAN HEAR YOU. 119 00:03:25,306 --> 00:03:27,475 - THOSE EUROPEAN MEN, THEY JUST REALLY GOT ME. 120 00:03:27,508 --> 00:03:29,510 - OH, GOT US GOOD. - THEY GOT YOU? 121 00:03:29,543 --> 00:03:30,778 - WELL, NO, THEY DIDN'T GET ME. 122 00:03:30,811 --> 00:03:31,779 THEY GOT ME. 123 00:03:31,812 --> 00:03:34,515 ALTHOUGH, THIS ONE... - I DID SOME GETTING. 124 00:03:34,548 --> 00:03:35,783 AND SOME GOTTING, IF YOU KNOW WHAT I MEAN. 125 00:03:35,816 --> 00:03:37,618 - THINGS WERE DIFFERENT IN SPAIN, THOUGH, RIGHT? 126 00:03:37,651 --> 00:03:38,752 - YEAH. - LITTLE LOOSER. 127 00:03:38,786 --> 00:03:39,753 LITTLE WILDER. - WE DIDN'T USE... 128 00:03:39,787 --> 00:03:40,754 - YEAH. - I MEAN... 129 00:03:40,788 --> 00:03:41,989 THOSE GUYS RUN FROM BULLS, 130 00:03:42,022 --> 00:03:43,457 SO THEY'RE NOT AFRAID TO PUT IT IN YOUR-- 131 00:03:43,491 --> 00:03:45,293 [explosion sound] 132 00:03:45,326 --> 00:03:46,827 - OOH. - OKAY. 133 00:03:46,860 --> 00:03:48,496 CAN YOU GUYS PLEASE TAKE IT TO ANOTHER ROOM? 134 00:03:48,529 --> 00:03:49,497 I'M ON WITH RAV. 135 00:03:49,530 --> 00:03:50,364 - HEY, RAV. - RAV. 136 00:03:50,398 --> 00:03:51,265 - RAV KNOWS WHAT I'M TALKING ABOUT-- 137 00:03:51,299 --> 00:03:52,833 - HEY, RAV. - JUST A LITTLE BIT OF... 138 00:03:52,866 --> 00:03:54,468 [disco music vocalizations] - HEY, LADIES. 139 00:03:54,502 --> 00:03:55,803 - ALL RIGHT, PLEASE GET OUT OF HERE, COME ON. 140 00:03:55,836 --> 00:03:57,338 - GET TOO TURNED ON, I GET IT. 141 00:03:57,371 --> 00:03:59,006 - I'M WORKING. - WHAT'S HAPPENING IN THERE? 142 00:03:59,039 --> 00:04:01,475 - AH, THEY'RE JUST ALL WORKED UP ABOUT KEN HASKINS. 143 00:04:01,509 --> 00:04:03,411 YOU DON'T THINK I NEED TO WORRY ABOUT THAT GUY, RIGHT? 144 00:04:03,444 --> 00:04:04,678 - BIG GAY HASKINS? 145 00:04:04,712 --> 00:04:05,913 NO, I DON'T THINK YOU NEED TO WORRY. 146 00:04:05,946 --> 00:04:08,482 - YOU'RE A DISGRACE TO THE REBELLION, CADET. 147 00:04:08,516 --> 00:04:09,750 - WHAT WAS THAT? WHAT DID YOU PRESS? 148 00:04:09,783 --> 00:04:11,552 - I HIT SPACE BAR. - SON OF A BITCH. 149 00:04:11,585 --> 00:04:12,886 THAT IS THE WRONG VOICE. 150 00:04:12,920 --> 00:04:14,588 YOU'RE SUPPOSED TO HEAR THE VOICE OF A LITTLE GIRL. 151 00:04:14,622 --> 00:04:15,456 I MUST'VE LOST THE AUDIO. 152 00:04:15,489 --> 00:04:16,824 - WELL, CAN'T YOU JUST RERECORD IT? 153 00:04:16,857 --> 00:04:18,025 - I-I DON'T HAVE TIME. 154 00:04:18,058 --> 00:04:19,493 I NEED TO FINISH THIS BEFORE THE CONFERENCE, 155 00:04:19,527 --> 00:04:21,061 AND I CAN'T GET THAT CHILD ACTOR BACK. 156 00:04:21,094 --> 00:04:22,062 - OH, YOU KNOW WHO'D BE GREAT? 157 00:04:22,095 --> 00:04:23,764 DAKOTA FANNING. - RAV... 158 00:04:23,797 --> 00:04:25,399 SHE'S PRACTICALLY A WOMAN NOW. 159 00:04:25,433 --> 00:04:26,500 - TELL ME ABOUT IT. 160 00:04:26,534 --> 00:04:30,604 - THEN I CHAINES OUT INTO AN ARABESQUE? 161 00:04:30,638 --> 00:04:31,739 - YEAH, BUT REMEMBER, LAMB, 162 00:04:31,772 --> 00:04:32,806 WE'VE GOT TO FILL EIGHT BEATS THERE. 163 00:04:32,840 --> 00:04:34,007 - OH, SORRY. - ALL RIGHT? 164 00:04:34,041 --> 00:04:35,443 HOW 'BOUT INSIDE ROND DE JAMBE-- 165 00:04:35,476 --> 00:04:36,844 - OKAY. STEP CONTRETEMPS, 166 00:04:36,877 --> 00:04:37,911 THEN INTO YOUR ARABESQUE. 167 00:04:37,945 --> 00:04:39,480 OF COURSE, I'LL BE THERE TO CATCH-- 168 00:04:39,513 --> 00:04:40,314 - YES. - AND... 169 00:04:40,348 --> 00:04:41,682 - OH, GOOD, YEAH-- - YEAH, LOVELY-- 170 00:04:41,715 --> 00:04:43,684 - OH, LOOKING GOOD, GUYS. 171 00:04:43,717 --> 00:04:46,053 OH, MAN, YOU KNOW WHAT THIS REMINDS ME OF? 172 00:04:46,086 --> 00:04:47,788 THAT DANCE WE CRASHED AT OXFORD. 173 00:04:47,821 --> 00:04:48,622 DO YOU REMEMBER THAT, KEN? 174 00:04:48,656 --> 00:04:50,724 YOU WERE WEARING THAT SILK CRAVAT, 175 00:04:50,758 --> 00:04:52,426 AND WE WERE DANCING TO THE CRANBERRIES? 176 00:04:52,460 --> 00:04:53,827 - SOUNDS LIKE ME, YOU'RE SAYING IT'S YOU, 177 00:04:53,861 --> 00:04:55,563 SO IT MUST BE US. 178 00:04:55,596 --> 00:04:57,731 - GUYS, WE JUST GOT 12 MORE RSVPs. 179 00:04:57,765 --> 00:04:58,932 KEN, YOU'RE BLOWING IT UP. 180 00:04:58,966 --> 00:05:00,033 - OH, PLEASE. 181 00:05:00,067 --> 00:05:01,335 ACTUALLY, JESS, WHILE I HAVE YOU. 182 00:05:01,369 --> 00:05:02,570 - YEAH. - YOU KNOW WHAT WOULD BE GREAT 183 00:05:02,603 --> 00:05:06,407 AS A SET WOULD BE A RIVER, UM, WOODEN, 184 00:05:06,440 --> 00:05:08,709 MAYBE ELIZABETHAN IN STYLE, PERHAPS WITH SOME TIN ACCENTS. 185 00:05:08,742 --> 00:05:11,412 I THINK TIN HAS A NICE SCINTILLANT QUALITY. 186 00:05:11,445 --> 00:05:13,514 - SCINTILLANT. OKAY, THAT'S A WORD I'LL BE GOOGLING-- 187 00:05:13,547 --> 00:05:15,483 - ACTUALLY, YOU KNOW WHAT HAS A TERRIFIC AMOUNT OF TIN? 188 00:05:15,516 --> 00:05:16,684 - WHERE IS THAT? - CHINATOWN. 189 00:05:16,717 --> 00:05:18,118 - OH, WELL, TEXT ME THE ADDRESS, I'M ON IT. 190 00:05:18,151 --> 00:05:19,920 - YOU KNOW, MY TEAM IS ON HIATUS THIS WEEK. 191 00:05:19,953 --> 00:05:21,021 THEY HAVE A SET. 192 00:05:21,054 --> 00:05:22,690 IF IT WOULD BE HELPFUL, THEY COULD JUST BRING IT IN 193 00:05:22,723 --> 00:05:23,524 AND ERECT IT. - OH, NO. 194 00:05:23,557 --> 00:05:25,359 I CAN ERECT WHATEVER NEEDS ERECTING. 195 00:05:25,393 --> 00:05:26,827 MY CREW CAN HANDLE THAT. 196 00:05:26,860 --> 00:05:28,028 - YOU HAVE A CREW? 197 00:05:28,061 --> 00:05:30,664 - DO I HAVE A CREW? I HAVE A CREW, 'KAY? 198 00:05:33,401 --> 00:05:34,868 IS THAT REALLY A RIVER? 199 00:05:34,902 --> 00:05:36,637 I FEEL LIKE WE MIGHT NEED MORE WAVES. 200 00:05:36,670 --> 00:05:38,539 - YOU'RE WELCOME, BY THE WAY, FOR HELPING YOU. 201 00:05:38,572 --> 00:05:40,007 - OH, THANK YOU, RAV. 202 00:05:40,040 --> 00:05:42,042 MAN, I DIDN'T KNOW YOU WERE GONNA BE SO NEEDY. 203 00:05:42,075 --> 00:05:43,076 - WELL, I AM. 204 00:05:43,110 --> 00:05:44,578 I REQUIRE CONSTANT AFFIRMATION. 205 00:05:44,612 --> 00:05:46,514 - HEY, JESS. - HEY. 206 00:05:46,547 --> 00:05:47,548 - DO YOU KNOW WHERE THE BOOM BOX IS? 207 00:05:47,581 --> 00:05:49,517 I'M TRYING TO RUN THE KIDS THROUGH THEIR DANCE. 208 00:05:49,550 --> 00:05:50,784 - YEAH, AT RECEPTION. I WAS DUSTING 209 00:05:50,818 --> 00:05:52,653 TO A LITTLE DIRTY DIANA. 210 00:05:52,686 --> 00:05:54,154 - HEY, NAYA, YOU MIND GRABBING ME THAT HAMMER OVER THERE? 211 00:05:54,187 --> 00:05:55,823 - THERE'S A HAMMER RIGHT HERE. 212 00:05:55,856 --> 00:05:57,725 - HERE YOU GO. - NICE TATTOO. 213 00:05:57,758 --> 00:05:59,960 - OH, THANKS. IT'S A ZEN GATE. 214 00:05:59,993 --> 00:06:01,462 REPRESENTS OPENNESS. 215 00:06:01,495 --> 00:06:03,130 - MUST'VE HURT LIKE HELL. YOU'RE SO THIN. 216 00:06:03,163 --> 00:06:04,465 I GOT ONE ON MY SHOULDER. 217 00:06:05,466 --> 00:06:06,667 - IS THAT A BAT? 218 00:06:06,700 --> 00:06:08,769 - IT'S ACTUALLY THE HOPI SYMBOL FOR INTUITION. 219 00:06:08,802 --> 00:06:11,705 I GOT IT WHEN I WAS, UH, ON A RESERVATION FOR A LITTLE BIT. 220 00:06:11,739 --> 00:06:12,540 - REALLY? - YEAH. 221 00:06:12,573 --> 00:06:13,407 I WAS GONNA GET THE ONE FOR BRAVERY, 222 00:06:13,441 --> 00:06:16,644 BUT IT WAS HUGE AND I WAS AFRAID, SO... 223 00:06:16,677 --> 00:06:17,778 - [laughing] 224 00:06:17,811 --> 00:06:19,647 WELL, I'LL LEAVE YOU GUYS TO IT. 225 00:06:19,680 --> 00:06:21,882 - OKAY, BYE, NAYA. 226 00:06:21,915 --> 00:06:24,685 OH, LOOK AT YOU. 227 00:06:24,718 --> 00:06:25,753 - WHAT? 228 00:06:25,786 --> 00:06:27,821 - REAL GLIMPSE INTO THE RAV TECHNIQUE. 229 00:06:27,855 --> 00:06:29,790 "BRING ME A HAMMER." 230 00:06:29,823 --> 00:06:32,025 THAT'S HOW YOU SEPARATE THE HERD FROM THE PREY, 231 00:06:32,059 --> 00:06:34,528 LIKE A JUNGLE CAT POUNCING ON HIS DINNER. 232 00:06:34,562 --> 00:06:35,529 - I'M NOT TRYING TO EAT HER. 233 00:06:35,563 --> 00:06:37,130 - RIGHT, RIGHT. 234 00:06:37,164 --> 00:06:40,100 WHEN DID YOU SPEND TIME ON A RES? 235 00:06:40,133 --> 00:06:41,535 - YOU KNOW, YOU DON'T KNOW EVERYTHING ABOUT ME. 236 00:06:41,569 --> 00:06:42,803 GIMME THAT HAMMER. 237 00:06:42,836 --> 00:06:45,105 - OH! I JUST GOT CAUGHT IN YOUR WEB. 238 00:06:45,138 --> 00:06:47,675 JUST KIDDING. PASSED. MOMENT PASSED. 239 00:06:51,144 --> 00:06:54,815 - LET'S CUT TO THE CHASE. WE BOTH KNOW WHY I'M HERE. 240 00:06:54,848 --> 00:06:56,617 - OKAY, I COULD REALLY USE YOUR HELP 241 00:06:56,650 --> 00:06:57,818 RECORDING A VOICE FOR MY VIDEO GAME. 242 00:06:57,851 --> 00:06:59,219 - THAT'S FUNNY. 243 00:06:59,252 --> 00:07:02,155 I REMEMBER OFFERING MY SERVICES A FEW WEEKS AGO 244 00:07:02,189 --> 00:07:04,224 AND BEING TOLD YOU NEED A PROFESSIONAL. 245 00:07:04,257 --> 00:07:06,126 - AND I-I-I APOLOGIZE FOR THAT, 246 00:07:06,159 --> 00:07:09,630 BUT I THOUGHT NOW YOU MIGHT WANNA HELP OUT A FRIEND. 247 00:07:09,663 --> 00:07:12,032 - I WOULD LOVE TO HELP OUT A FRIEND. 248 00:07:12,065 --> 00:07:13,734 AND GENEVA HERE WAS JUST SAYING TO ME 249 00:07:13,767 --> 00:07:15,803 THAT SHE ALWAYS WANTED A SISTER. 250 00:07:15,836 --> 00:07:16,804 - I'M LISTENING. 251 00:07:16,837 --> 00:07:18,806 - LIKE ANOTHER FRIEND TIME DOLL. 252 00:07:18,839 --> 00:07:21,041 - HOW MUCH WOULD ONE OF THESE DOLLS COST ME? 253 00:07:21,074 --> 00:07:24,044 - I DON'T KNOW, JOE. I GOT GENEVA FOR CHRISTMAS. 254 00:07:24,077 --> 00:07:27,581 PLUS, I DON'T WANNA PUT A PRICE TAG ON FRIENDSHIP. 255 00:07:27,615 --> 00:07:28,816 - WOULD I HAVE TO HAVE THE DOLL 256 00:07:28,849 --> 00:07:30,651 BEFORE YOU LAID DOWN ANY OF THE TRACKS? 257 00:07:30,684 --> 00:07:33,053 - I'M PRETTY SURE THAT'S HOW BUSINESS WORKS. 258 00:07:33,086 --> 00:07:34,154 MORE TEA? 259 00:07:34,187 --> 00:07:36,256 - JUST THOUGHT MAYBE AT THE TOP-- 260 00:07:36,289 --> 00:07:37,124 - YEAH. - YOU KNOW, YOU COULD GIVE, 261 00:07:37,157 --> 00:07:38,759 LIKE, A LITTLE-- LIKE, A LITTLE THIS. 262 00:07:38,792 --> 00:07:39,927 - LIKE A SNAKE? - OLD SCHOOL. 263 00:07:39,960 --> 00:07:40,928 - OR MAYBE, LIKE, A BODY ROLL? 264 00:07:40,961 --> 00:07:42,129 - OH, YEAH, GIRL. - OH, YEAH. 265 00:07:42,162 --> 00:07:42,930 - GET IT, GIRL. 266 00:07:42,963 --> 00:07:44,932 AND THEN SHAKE IT DOWN, POW, YEAH. 267 00:07:44,965 --> 00:07:46,166 - HEY. - WHAT? 268 00:07:46,199 --> 00:07:47,167 - UH, THE RIVER IS LOOKING FANTASTIC. 269 00:07:47,200 --> 00:07:48,168 - OH, GOOD. - YEAH. 270 00:07:48,201 --> 00:07:49,402 REALLY APPRECIATE THE WORK. 271 00:07:49,436 --> 00:07:52,973 QUICK THING: THINK WE HAD A CONVERSATION ABOUT TIN ACCENTS. 272 00:07:53,006 --> 00:07:54,107 - YES, ABOUT THE TIN. 273 00:07:54,141 --> 00:07:55,743 I WENT TO THAT PLACE IN CHINATOWN, 274 00:07:55,776 --> 00:07:57,611 BUT I THINK IT MIGHT'VE CHANGED HANDS, 275 00:07:57,645 --> 00:07:59,513 'CAUSE ALL THEY WERE SELLING WERE LIVE EELS. 276 00:07:59,547 --> 00:08:00,814 - NO, NO, NO, THAT IS THE PLACE. 277 00:08:00,848 --> 00:08:02,750 YOU HAVE TO GO ALL THE WAY TO THE BACK, 278 00:08:02,783 --> 00:08:05,819 PUSH THROUGH THE RED CURTAIN, AND ASK FOR PING MAI. 279 00:08:05,853 --> 00:08:08,722 DID I NOT TELL YOU THAT? - YOU DIDN'T, BUT I'LL GET IT. 280 00:08:08,756 --> 00:08:09,690 - WELL, APOLOGIES, MADAM. - [chuckling] 281 00:08:09,723 --> 00:08:11,625 - LENNON, SHALL WE? - YEAH. 282 00:08:13,761 --> 00:08:16,864 - WELL, I HAVE TO GO BACK TO CHINATOWN. 283 00:08:16,897 --> 00:08:18,632 MAN, THAT GUY... - BIT OF A DOUCHE. 284 00:08:18,666 --> 00:08:21,735 - RIGHT? I HAD A SIMPLE PLAN FOR AN ELEGANT OPEN HOUSE, 285 00:08:21,769 --> 00:08:22,703 AND HE JUST TAKES IT ALL OVER. 286 00:08:22,736 --> 00:08:24,705 - STILL, THIS IS SOMETHING SPECIAL FOR LEN, 287 00:08:24,738 --> 00:08:26,707 SO MAYBE WE SHOULD ALL JUST TAKE THE HIGH ROAD. 288 00:08:26,740 --> 00:08:29,710 - I'M SORRY, IS THAT NOT THE ROAD I'VE BEEN TRAVELING? 289 00:08:29,743 --> 00:08:31,011 I LOVE THE HIGH ROAD. 290 00:08:31,044 --> 00:08:33,547 IN FACT, THE HIGH ROAD IS LEADING ME TO CHINATOWN, 291 00:08:33,581 --> 00:08:35,182 WHERE I HAVE A DATE WITH A MAN NAMED PING MAI. 292 00:08:35,215 --> 00:08:36,884 - PRETTY SURE THAT'S A WOMAN. 293 00:08:36,917 --> 00:08:38,786 - WHATEVER. LISTEN, IF I'M NOT BACK IN A HALF AN HOUR... 294 00:08:38,819 --> 00:08:40,954 - I'LL SEND OUT AN AMBER ALERT. 295 00:08:43,356 --> 00:08:44,858 - I WILL MURDER-- - JESS. 296 00:08:44,892 --> 00:08:47,861 HIGH ROAD. - RECALCULATING. 297 00:08:50,698 --> 00:08:53,166 - BACK OFF, STRANGER, I KEEP A GRENADE IN MY BABY STROLLER. 298 00:08:53,200 --> 00:08:55,202 - AWESOME, Q. YOU'RE A PRO. 299 00:08:55,235 --> 00:08:57,037 - WHAT DO YOU EXPECT, JOSEPH? 300 00:08:57,070 --> 00:08:58,906 LOOK AT ME. I'M A STAR. 301 00:08:58,939 --> 00:09:00,808 BET YOU'RE GLAD YOU WISED UP 302 00:09:00,841 --> 00:09:02,175 AND GOT ME ANOTHER FRIEND TIME DOLL. 303 00:09:02,209 --> 00:09:04,211 - OKAY, OKAY, YEAH, Q. LET'S KEEP GOING FOR THE LINES-- 304 00:09:04,244 --> 00:09:06,880 - GENEVA AND CHEYENNE NEED SOME MORE TEA FIRST. 305 00:09:06,914 --> 00:09:08,281 - I THINK THEY'VE HAD THEIR FILL OF TEA. 306 00:09:09,783 --> 00:09:12,953 - OH, MY GOD, JOSEPH. CHEYENNE JUST LOST HER HAND. 307 00:09:12,986 --> 00:09:14,822 YOU GOT ME A BOOTLEG DOLL? 308 00:09:14,855 --> 00:09:16,123 - NO, I GOT IT OFF CRAIGSLIST. 309 00:09:16,156 --> 00:09:17,925 THEY JUST SAID THERE WAS SOME LIGHT DOG DAMAGE. 310 00:09:17,958 --> 00:09:19,259 - DOG DAMAGE? 311 00:09:19,292 --> 00:09:21,995 YOU CAN CONSIDER THIS CONTRACT NULL AND VOID. 312 00:09:22,029 --> 00:09:24,297 GENEVA, I'M SORRY YOU HAD TO SEE THIS. 313 00:09:24,331 --> 00:09:26,199 - WAIT, COME ON, Q., AREN'T YOU A LITTLE OLD FOR DOLLS? 314 00:09:26,233 --> 00:09:29,202 I MEAN, YOU'RE 9 YEARS OLD. - 9 AND 1/2! 315 00:09:29,236 --> 00:09:30,604 - COME ON, QUEENETTA. 316 00:09:30,638 --> 00:09:33,006 HEY, COME ON. 317 00:09:33,040 --> 00:09:34,274 - OH, BABE, I'M SORRY. I DIDN'T KNOW 318 00:09:34,307 --> 00:09:36,176 YOU WERE STILL WORKING. - IT'S FINE, I, UH... 319 00:09:36,209 --> 00:09:37,244 I GUESS I'M DONE FOR THE DAY. 320 00:09:37,277 --> 00:09:39,346 - I JUST THOUGHT WE COULD ALL BREAK SOME BREAD. 321 00:09:39,379 --> 00:09:41,281 YOU KNOW, GET TO KNOW EACH OTHER, SO... 322 00:09:41,314 --> 00:09:43,684 - SO, UH, JOE, YOU ALSO WORK WITH CHILDREN. 323 00:09:43,717 --> 00:09:44,885 - OH, JUST THE ONE. 324 00:09:44,918 --> 00:09:46,319 ACTUALLY, I'M DESIGNING A VIDEO GAME. 325 00:09:46,353 --> 00:09:47,120 - OH, VERY COOL. 326 00:09:47,154 --> 00:09:48,388 UH, WHAT DO YOU DO PROFESSIONALLY? 327 00:09:48,421 --> 00:09:50,724 - OH. THIS. 328 00:09:50,758 --> 00:09:52,125 I DO THIS. 329 00:09:52,159 --> 00:09:54,127 - JOE IS A GENIUS DEVELOPER. HE'S TAKING TIME OFF 330 00:09:54,161 --> 00:09:54,962 TO MAKE HIS OWN GAME. 331 00:09:54,995 --> 00:09:56,363 - OH, LIKE SOMEONE COMMISSIONED IT. 332 00:09:56,396 --> 00:09:58,131 YEAH, THAT'S HOW A LOT OF MY STUFF WORKS. 333 00:09:58,165 --> 00:09:59,667 - I'M ACTUALLY STILL TRYING TO SELL IT. 334 00:09:59,700 --> 00:10:02,002 - RIGHT, HEY, GOOD LUCK WITH THAT, MAN. 335 00:10:02,035 --> 00:10:05,338 - NOW, I PROMISED PIMM'S CUPS, AND I SHALL NOT DISAPPOINT. 336 00:10:05,372 --> 00:10:07,274 TO THE BAR! - [laughing] 337 00:10:07,307 --> 00:10:10,177 - WHATEVER, I THINK THE BEST NIGHT WE SPENT TOGETHER 338 00:10:10,210 --> 00:10:11,411 WAS THAT PUB CRAWL. 339 00:10:11,444 --> 00:10:12,880 - OH, WARWICK AVENUE. - OH! 340 00:10:12,913 --> 00:10:13,881 - IT WAS YOU, ME, AND MEREDITH. 341 00:10:13,914 --> 00:10:14,948 - MEREDITH, YES. 342 00:10:14,982 --> 00:10:17,250 - NOW, MEREDITH WAS THIS PETITE TOMBOY FROM OSLO. 343 00:10:17,284 --> 00:10:18,919 - NO, I KNOW MEREDITH, I WAS AT THAT PUB CRAWL. 344 00:10:18,952 --> 00:10:20,053 - WELL, THAT'S-- MEREDITH'S NOT IMPORTANT. 345 00:10:20,087 --> 00:10:21,689 THE POINT IS, WE WERE DRUNK. 346 00:10:21,722 --> 00:10:23,256 COMPLETELY PISSED, AS I RECALL. 347 00:10:23,290 --> 00:10:25,292 - OH, YEAH? LEN AND I HAVE BEEN DRUNK A BUNCH OF TIMES. 348 00:10:25,325 --> 00:10:26,359 - WELL, NOT THAT MUCH. 349 00:10:26,393 --> 00:10:27,995 - WELL, ENOUGH TO CALL IT "A BUNCH." 350 00:10:28,028 --> 00:10:29,329 - YEAH, YEAH, YEAH, BUT WE WERE BRITISH DRUNK. 351 00:10:29,362 --> 00:10:30,831 - IT'S DIFFERENT. - OH, AND THEN WE STUMBLED 352 00:10:30,864 --> 00:10:32,766 INTO THAT RAW BAR, REMEMBER? - YES! YES! 353 00:10:32,800 --> 00:10:33,834 AND I MADE YOU TRY YOUR FIRST OYSTER. 354 00:10:33,867 --> 00:10:35,002 - OH. - NOW SHE SAID... 355 00:10:35,035 --> 00:10:36,136 SHE DIDN'T WANNA HAVE IT, BUT I SAID, 356 00:10:36,169 --> 00:10:37,370 "YOU HAVE TO! IT'S AN APHRODISIAC." 357 00:10:37,404 --> 00:10:39,039 - HE KEPT SAYING THAT. - DID HE? 358 00:10:39,072 --> 00:10:41,408 DID HE KEEP SAYING THAT? - HE DID, 'CAUSE I WAS THERE. 359 00:10:41,441 --> 00:10:43,343 - I BET YOU WERE. - OH! 360 00:10:43,376 --> 00:10:45,412 - NOW, KEN, LET ME ASK YOU A QUESTION: 361 00:10:45,445 --> 00:10:46,246 ARE YOU FAMILIAR WITH THE WORK 362 00:10:46,279 --> 00:10:48,215 OF SHABBA DOO AND BOOGALOO SHRIMP? 363 00:10:48,248 --> 00:10:50,083 - UH, I'M NOT SURE. ARE THEY DANCERS? 364 00:10:50,117 --> 00:10:52,319 - ARE THEY DANCERS? 365 00:10:52,352 --> 00:10:55,088 YEAH, UM, THEY'RE JUST PART OF THE BIGGEST DANCE MOVEMENT 366 00:10:55,122 --> 00:10:56,356 IN THE 1980s. 367 00:10:56,389 --> 00:10:57,190 BREAKIN'? 368 00:10:57,224 --> 00:10:59,059 BREAKIN' 2: ELECTRIC BOOGALOO? 369 00:11:03,864 --> 00:11:04,832 OKAY. 370 00:11:04,865 --> 00:11:06,934 I'M GONNA GET THE PLATES. 371 00:11:06,967 --> 00:11:08,736 - I'LL HELP YOU, JOE, SO... - ACTUALLY, JESS. 372 00:11:08,769 --> 00:11:09,970 - YES. - I DON'T WANNA BE A TROUBLE, 373 00:11:10,003 --> 00:11:11,404 BUT IF YOU HAVE IT, I'D LOVE AN ESPRESSO. 374 00:11:11,438 --> 00:11:12,773 - SURE. 375 00:11:12,806 --> 00:11:14,775 - WITH A RIND OF LEMON. - OKAY. 376 00:11:14,808 --> 00:11:16,176 - JUST A TWIST. - OKAY. 377 00:11:18,511 --> 00:11:19,913 DO WE HAVE AN ESPRESSO MACHINE? 378 00:11:19,947 --> 00:11:21,448 HIS ROYAL HIGHNESS HAS REQUESTED ONE. 379 00:11:21,481 --> 00:11:23,283 - DO WE HAVE AN "EAT MY BUTT" MACHINE? 380 00:11:23,316 --> 00:11:25,152 I'M REQUESTING ONE FOR GOOD OLD KEN HASKINS. 381 00:11:25,185 --> 00:11:26,419 - "NEVER MIND MEREDITH." 382 00:11:26,453 --> 00:11:27,821 "OOH, I'M KEN HASKINS." 383 00:11:27,855 --> 00:11:29,322 "I CAN CRACK A WALNUT IN MY BUTT-CHEEKS." 384 00:11:29,356 --> 00:11:31,825 - "EAT THIS OYSTER, LENNON, IT'S AN APHRODISIAC." 385 00:11:31,859 --> 00:11:33,426 - "PIMM'S CUPS FOR EVERYONE." 386 00:11:33,460 --> 00:11:35,128 - I SWEAR, IF HE WEREN'T A GAY MAN, 387 00:11:35,162 --> 00:11:36,396 I WOULD ALREADY HAVE PUNCHED HIM IN THE FACE. 388 00:11:36,429 --> 00:11:38,832 - I DON'T KNOW IF HE'S GAY OR JUST BRITISH. 389 00:11:38,866 --> 00:11:40,801 - I'M PRETTY SURE HE'S GAY. 390 00:11:40,834 --> 00:11:43,303 - WHATEVER HE IS, HE IS GETTING ON MY LAST NERVE. 391 00:11:43,336 --> 00:11:44,537 I MEAN, I AM TAKING THE HIGH ROAD HERE, 392 00:11:44,571 --> 00:11:46,506 BUT HONESTLY? I MAY HAVE TO SAY SOMETHING TO HER ABOUT HIM. 393 00:11:46,539 --> 00:11:48,175 - YOU SHOULD SAY SOMETHING. 394 00:11:48,208 --> 00:11:50,343 - YOU KNOW WHAT? I DON'T HAVE THE TIME, 395 00:11:50,377 --> 00:11:52,179 BECAUSE HE HAS ME BUILDING A RAGING RIVER 396 00:11:52,212 --> 00:11:53,747 FOR THE TWO OF THEM TO ROLL AROUND IN. 397 00:11:53,781 --> 00:11:55,415 - WHAT DO YOU MEAN "ROLL AROUND IN"? 398 00:11:55,448 --> 00:11:57,417 - WELL, I MEAN, IT'S PART OF THE DANCE, BUT IT'S A BIT MUCH. 399 00:11:57,450 --> 00:11:59,953 - MM-HMM. - KEEP THAT TIGHT. 400 00:11:59,987 --> 00:12:01,421 LET ME FEEL IT? 401 00:12:01,454 --> 00:12:02,289 THERE, RIGHT, PERFECT, AND THIS... 402 00:12:02,322 --> 00:12:03,957 - [chuckling] - IS GONNA BE STRAIGHT. 403 00:12:03,991 --> 00:12:05,425 THREE, TWO-- TRUST ME. 404 00:12:05,458 --> 00:12:09,396 THERE. - JUST--WHAT--STOP! 405 00:12:09,429 --> 00:12:11,098 - [laughing] THAT OLD PLAY STILL GETS YOU, DOES IT? 406 00:12:11,131 --> 00:12:12,432 - WELL, YEAH. - [laughing] 407 00:12:15,102 --> 00:12:16,069 OH, HEY, CAN YOU HOLD THAT, MATE? 408 00:12:16,103 --> 00:12:18,271 - OH, YEAH. 409 00:12:18,305 --> 00:12:22,075 - THANK YOU. - THERE YOU GO. 410 00:12:22,109 --> 00:12:23,510 - AW, IT'S-- - KEN? 411 00:12:23,543 --> 00:12:24,511 - AW, IT'S-- - OH, KEN? 412 00:12:24,544 --> 00:12:25,545 - AW. - OH, KEN? KEN? 413 00:12:25,578 --> 00:12:26,546 - AW. - KEN! 414 00:12:26,579 --> 00:12:29,482 OOH! 415 00:12:32,419 --> 00:12:33,586 I REALLY--I NEED TO TALK TO YOU. 416 00:12:33,620 --> 00:12:36,523 - OKAY, HEY, CAN YOU JUST LOOK AT THIS SECTION REAL QUICK? 417 00:12:36,556 --> 00:12:38,358 I JUST WANNA MAKE SURE I DON'T LOOK LIKE A COMPLETE LOSER. 418 00:12:38,391 --> 00:12:39,893 - OKAY, BUT YOU NEVER LOOK LIKE A LOSER. 419 00:12:39,927 --> 00:12:41,228 - WILL YOU JUST WATCH? 420 00:12:41,261 --> 00:12:42,329 'CAUSE I REALLY FEEL LIKE I DON'T HAVE IT. 421 00:12:42,362 --> 00:12:43,530 - ALL RIGHT, BUT I ALREADY LOVE IT. 422 00:12:43,563 --> 00:12:45,065 - JESSICA. 423 00:12:45,098 --> 00:12:48,401 OKAY, SO THERE'S THIS SOLO PART WHERE HE SPINS ME OFF, 424 00:12:48,435 --> 00:12:51,271 AND THEN I BASICALLY DO THREE OF THESE. 425 00:12:51,304 --> 00:12:52,505 - I'M ALREADY CRYING. THAT'S BEAUTIFUL. 426 00:12:52,539 --> 00:12:54,808 - JESS, I'M SERIOUS. - I'M BEING SERIOUS. 427 00:12:54,842 --> 00:12:57,310 - I DON'T WANNA LOOK LIKE A WEIRD WOMAN. 428 00:12:57,344 --> 00:12:59,346 YOU REMEMBER WHEN WE WENT TO SEE YOUR NIECE'S RECITAL 429 00:12:59,379 --> 00:13:00,313 AND ALL THE TEACHERS DID A DANCE, 430 00:13:00,347 --> 00:13:02,182 AND IT WAS THE SADDEST THING IN THE WORLD? 431 00:13:02,215 --> 00:13:03,383 - OKAY, THAT WAS BECAUSE 432 00:13:03,416 --> 00:13:05,552 A--THEY WERE ALL WEARING CAPRI PANTS, 433 00:13:05,585 --> 00:13:07,254 AND B-- THEY WERE DANCING 434 00:13:07,287 --> 00:13:10,090 TO SHANIA TWAIN'S THAT DON'T IMPRESS ME MUCH. 435 00:13:10,123 --> 00:13:14,194 HEY, YOU MAY NOT HAVE BEEN DANCING PROFESSIONALLY LIKE KEN, 436 00:13:14,227 --> 00:13:16,563 BUT YOU DANCE HERE EVERY DAY FOR HOURS AND HOURS. 437 00:13:16,596 --> 00:13:18,065 - WELL, YEAH, BUT-- - NO. 438 00:13:18,098 --> 00:13:20,200 YOU MAY NOT HAVE HIS THIGH STRENGTH, 439 00:13:20,233 --> 00:13:23,403 BUT YOU GOT THE STEMS, HONEY, AND THEY GO FOR DAYS. 440 00:13:23,436 --> 00:13:25,172 - [chuckling] - ALL RIGHT? 441 00:13:25,205 --> 00:13:27,074 - ALL RIGHT. 442 00:13:27,107 --> 00:13:28,541 DID YOU NEED TO TALK TO ME ABOUT SOMETHING? 443 00:13:28,575 --> 00:13:30,944 - NO, I'M FINE. I'M GOOD. 444 00:13:32,312 --> 00:13:35,048 - HEY, Q. - JOSEPH. 445 00:13:35,082 --> 00:13:37,250 - COME ON, Q., I'M SORRY. 446 00:13:37,284 --> 00:13:38,551 - DON'T APOLOGIZE TO ME. 447 00:13:38,585 --> 00:13:40,420 GENEVA'S THE ONE WHO WAS TRAUMATIZED. 448 00:13:40,453 --> 00:13:43,323 - I'M SORRY, GENEVA. 449 00:13:43,356 --> 00:13:45,425 THOSE PIGTAILS ARE LOOKING FANTASTIC. 450 00:13:45,458 --> 00:13:48,328 - GENEVA APPRECIATES YOUR COMPLIMENT, 451 00:13:48,361 --> 00:13:49,362 AND SHE FORGIVES YOU. 452 00:13:55,502 --> 00:13:59,039 OKAY, THAT'S ENOUGH. 453 00:14:02,042 --> 00:14:04,044 - ALL RIGHT. 454 00:14:04,077 --> 00:14:06,246 - HEY, I WAS GONNA ASK YOU KIND OF A WEIRD QUESTION. 455 00:14:06,279 --> 00:14:08,348 - YEAH, YEAH, WHAT'S UP? - IS THERE ANYTHING GOING ON 456 00:14:08,381 --> 00:14:09,549 BETWEEN YOU AND RAV? 457 00:14:09,582 --> 00:14:12,085 - WHAT? OH, NO, NO, NO, NO. 458 00:14:12,119 --> 00:14:13,453 LENNON AND I HAVE KNOWN HIM FOREVER. 459 00:14:13,486 --> 00:14:15,355 WE WENT TO COLLEGE TOGETHER. - OH, OKAY. 460 00:14:15,388 --> 00:14:18,358 'CAUSE I WAS GONNA MAYBE ASK HIM OUT FOR SOME DRINKS, 461 00:14:18,391 --> 00:14:19,626 BUT I DON'T WANNA STEP ON ANY TOES. 462 00:14:19,659 --> 00:14:20,961 - OH, NO, NO, YOU SHOULD DO THAT. 463 00:14:20,994 --> 00:14:22,629 ASK HIM OUT, ABSOLUTELY. - OKAY. 464 00:14:22,662 --> 00:14:23,931 AND HE'S NOT, LIKE, THE TYPE OF GUY 465 00:14:23,964 --> 00:14:25,632 WHO SLEEPS WITH A TON OF WOMEN, OR... 466 00:14:25,665 --> 00:14:27,500 - UM, I WOULD HAVE TO CHECK WITH HIM 467 00:14:27,534 --> 00:14:30,570 REGARDING THOSE FIGURES, BUT HE'S A REALLY GREAT GUY. 468 00:14:30,603 --> 00:14:32,139 HE'S SMART AND FUNNY, AND... 469 00:14:32,172 --> 00:14:33,540 YOU KNOW, HE BUILT HIS OWN BAR IN RED HOOK. 470 00:14:33,573 --> 00:14:34,541 - OH. - HE'S BEST FRIENDS 471 00:14:34,574 --> 00:14:36,143 WITH HIS GRANDFATHER. - WOW. 472 00:14:36,176 --> 00:14:38,111 YOU MAKE HIM SOUND LIKE THE PERFECT GUY. 473 00:14:38,145 --> 00:14:41,081 - OH, YEAH, I MEAN, NOT PERFECT, NO, I-- 474 00:14:41,114 --> 00:14:43,016 BUT DON'T EVER SAY THAT I USED THAT WORD. 475 00:14:43,050 --> 00:14:45,385 UM, BUT IT DOESN'T MATTER 'CAUSE WE'RE NOT... 476 00:14:45,418 --> 00:14:47,654 UH, HE DOES TAKE HIS SHIRT OFF A LOT. 477 00:14:47,687 --> 00:14:49,522 - OH, THAT WASN'T, LIKE, A ONE-TIME DEAL? 478 00:14:49,556 --> 00:14:51,992 - I'M AFRAID NOT. RAV! 479 00:14:52,025 --> 00:14:53,393 DO YOU SHAVE YOUR CHEST? 480 00:14:55,395 --> 00:14:56,363 - WHAT DO YOU THINK? 481 00:14:56,396 --> 00:14:58,065 - OKAY, GREAT, THANK YOU. 482 00:14:58,098 --> 00:14:58,999 SO... 483 00:14:59,032 --> 00:15:01,034 - YEAH, YOU WANNA BREATHE THROUGH HERE. 484 00:15:01,068 --> 00:15:03,203 - UH-HUH. - HOLD IT THERE. 485 00:15:03,236 --> 00:15:04,204 PERFECT. - YOU GUYS MIND 486 00:15:04,237 --> 00:15:05,705 IF I GET SOME EYES ON THIS? 487 00:15:05,738 --> 00:15:06,706 LOVE TO SEE WHAT YOU'VE BEEN WORKING ON. 488 00:15:06,739 --> 00:15:09,042 - YEAH, YOU WANNA SEE MY SWEET MOVES, LOVER? 489 00:15:09,076 --> 00:15:10,610 - LET'S, UH--LET'S TAKE IT FROM THE FOLD OVER. 490 00:15:10,643 --> 00:15:11,611 - OKAY. 491 00:15:11,644 --> 00:15:14,614 [classical music playing] 492 00:15:14,647 --> 00:15:22,655 * 493 00:15:40,473 --> 00:15:42,642 - HM, THAT MAN'S TRYING TO MAKE A BABY. 494 00:15:45,178 --> 00:15:48,215 - OH, WOW, WOW, WOW. GOOD STUFF, GUYS. 495 00:15:48,248 --> 00:15:49,482 REALLY GOOD. OKAY, LET'S TAKE TEN. 496 00:15:49,516 --> 00:15:51,218 LET'S NOT--LET'S NOT WASTE IT, OKAY? 497 00:15:51,251 --> 00:15:52,519 LET'S SAVE IT FOR THE SHOW. 498 00:15:52,552 --> 00:15:54,487 - BABE, WE'RE NOT DONE WITH THE DANCE YET, THOUGH. 499 00:15:54,521 --> 00:15:56,189 - DID YOU WANNA TALK TO ME? - WHAT? 500 00:15:56,223 --> 00:15:57,190 - YOU WANNA TALK TO ME OUTSIDE? 501 00:15:57,224 --> 00:15:58,425 - WHAT ARE YOU TALKING ABOUT? 502 00:15:58,458 --> 00:15:59,692 - I DON'T LIKE WHAT'S HAPPENING HERE. 503 00:15:59,726 --> 00:16:01,194 - OKAY, WHY ARE YOU WHISPERING? 504 00:16:01,228 --> 00:16:02,362 - 'CAUSE I DON'T LIKE THIS AT ALL. 505 00:16:02,395 --> 00:16:04,197 - EVERYTHING ALL RIGHT, MATE? - HEY, TAKE A WALK, MAN. 506 00:16:04,231 --> 00:16:05,198 - PARDON ME? - YEAH, YOU HEARD ME, 507 00:16:05,232 --> 00:16:06,599 WALK IT OFF. - OKAY. 508 00:16:06,633 --> 00:16:09,169 YOU KNOW WHAT? HA, I DO NEED TO TALK TO YOU, ACTUALLY. 509 00:16:09,202 --> 00:16:10,637 RIGHT NOW. NOW! 510 00:16:13,606 --> 00:16:15,608 - OKAY, THAT WAS EMBARRASSING. - MAN, I JUST FEEL LIKE... 511 00:16:15,642 --> 00:16:17,210 HE WAS REALLY TAKING SOME LIBERTIES THERE. 512 00:16:17,244 --> 00:16:18,378 - OKAY, YOU KNOW WHAT? I AM DOING DANCE MOVES 513 00:16:18,411 --> 00:16:19,612 THAT EVERY DANCER DOES. 514 00:16:19,646 --> 00:16:22,182 - WELL, LET'S JUST SAY THAT DUDE WAS REALLY TAKING ADVANTAGE, 515 00:16:22,215 --> 00:16:23,583 REALLY GETTING IN THERE. 516 00:16:23,616 --> 00:16:26,253 - WHAT, DO YOU NOT TRUST ME? BECAUSE THAT IS INSANE. 517 00:16:26,286 --> 00:16:28,188 - IT'S NOT YOU I'M WORRIED ABOUT, IT'S HIM. 518 00:16:28,221 --> 00:16:30,057 HE'S THE ONE THAT'S BUSTING OUT OF THOSE PANTS. 519 00:16:30,090 --> 00:16:31,624 - OKAY, SO LET ME JUST GET THIS STRAIGHT: 520 00:16:31,658 --> 00:16:33,626 YOUR MAIN CONCERN IS THAT A GAY MAN HAS TO TOUCH ME 521 00:16:33,660 --> 00:16:35,628 IN ORDER TO DO A DANCE WHICH REQUIRES TOUCHING. 522 00:16:35,662 --> 00:16:37,564 - WELL, JESS AND I WEREN'T SURE IF HE WAS GAY, OR JUST BRITISH. 523 00:16:37,597 --> 00:16:39,166 - IT DOESN'T MATTER WHAT HE IS. 524 00:16:39,199 --> 00:16:41,268 - IT MATTERS TO ME. - GUYS, GUYS, IF I COULD. 525 00:16:41,301 --> 00:16:43,036 I-I THINK WHAT JOE IS TRYING TO SAY 526 00:16:43,070 --> 00:16:45,105 IS THAT KEN CAN BE A BIT DIFFICULT. 527 00:16:45,138 --> 00:16:46,306 - WHAT ARE YOU TALKING ABOUT? 528 00:16:46,339 --> 00:16:48,741 HE HAS SELFLESSLY DEDICATED A WEEK OF HIS LIFE TO HELP-- 529 00:16:48,775 --> 00:16:50,743 - AND THAT'S WONDERFUL, BUT TO JOE AND I, 530 00:16:50,777 --> 00:16:53,580 HE HASN'T EXACTLY BEEN THE MOST WARM OR WELCOMING. 531 00:16:53,613 --> 00:16:55,682 - OH, I'M SORRY THAT FOR ONCE IN YOUR ENTIRE LIFE, 532 00:16:55,715 --> 00:16:57,550 YOU HAVE TO SUPPORT SOMEONE ELSE BESIDES YOURSELF. 533 00:16:57,584 --> 00:16:59,819 - HEY, YOU KNOW WHAT? I HAVE BEEN ON THE HIGH ROAD, OKAY? 534 00:16:59,852 --> 00:17:03,590 I WENT TO CHINATOWN, AND I HAVE BURNS ON MY FINGERTIPS 535 00:17:03,623 --> 00:17:05,625 FROM A BUNCH OF LIVE EELS THAT PING MAI MADE ME TOUCH 536 00:17:05,658 --> 00:17:07,627 TO SEE MY FUTURE. - ALL I AM ASKING IS THAT 537 00:17:07,660 --> 00:17:11,698 FOR ONCE YOU GET ON BOARD WHEN I AM FEELING REALLY HAPPY. 538 00:17:18,871 --> 00:17:20,840 - HOW'S MY GIRL? 539 00:17:20,873 --> 00:17:22,575 - I'M SO SORRY THAT YOU HAD TO SEE THAT. 540 00:17:22,609 --> 00:17:24,511 THAT WAS SO EMBARRASSING. 541 00:17:24,544 --> 00:17:25,778 - NO, I'M SORRY, I STIR IT UP. 542 00:17:25,812 --> 00:17:27,680 I ALWAYS STIR UP THE TROUBLE. 543 00:17:27,714 --> 00:17:28,548 - I DON'T WANT YOU TO THINK 544 00:17:28,581 --> 00:17:30,450 THAT I DON'T APPRECIATE YOU BEING HERE. 545 00:17:30,483 --> 00:17:31,818 IT MEANS THE-- - JUST SAY NO MORE. 546 00:17:31,851 --> 00:17:33,653 OUR WORLD CAN BE HARD TO UNDERSTAND 547 00:17:33,686 --> 00:17:36,723 FOR THOSE ON THE OUTSIDE. - [chuckling] 548 00:17:36,756 --> 00:17:38,158 OKAY, WAIT, WHOA. 549 00:17:38,191 --> 00:17:39,192 WHAT ARE YOU DOING? 550 00:17:39,226 --> 00:17:40,727 - WHAT DO YOU MEAN? - STOP. 551 00:17:40,760 --> 00:17:42,562 - WHY ARE YOU DOING THAT? 552 00:17:42,595 --> 00:17:44,131 - WHAT HAVE WE BEEN DOING ALL WEEK? 553 00:17:44,164 --> 00:17:46,799 - UH, DANCING. I-I THOUGHT YOU WERE GAY. 554 00:17:46,833 --> 00:17:48,568 - OH, COME ON, THE OLD "GAY THING" AGAIN, REALLY? 555 00:17:48,601 --> 00:17:50,603 - YEAH, YOU'RE, LIKE, REALLY, SUPER GAY-- 556 00:17:50,637 --> 00:17:52,705 - BRITISH. - OH. 557 00:17:52,739 --> 00:17:55,142 YOU DO IT AGAIN, I'LL RIP YOUR FACE OFF. 558 00:17:55,175 --> 00:17:57,744 - WOW, I REALLY MISREAD THE SITUATION. 559 00:17:57,777 --> 00:17:59,512 - YEAH, I NEED YOU TO GET OUT OF HERE. 560 00:17:59,546 --> 00:18:01,714 - YEAH, I THINK THAT WOULD BE APPROPRIATE. 561 00:18:01,748 --> 00:18:06,586 UM, LENNON, CAN I JUST SAY ONE MORE THING? 562 00:18:06,619 --> 00:18:08,255 - OH, MY GOD. GET OUT. 563 00:18:09,322 --> 00:18:11,624 ARE YOU BROKEN IN THE HEAD? GET OUT. 564 00:18:13,793 --> 00:18:15,662 - HEY, EVERYBODY. 565 00:18:15,695 --> 00:18:19,399 NO PHONES, NO TEXTING, NO EMAILING... 566 00:18:19,432 --> 00:18:22,169 AND IF YOU NEED TO OPEN UP A SANDWICH, DO IT NOW. 567 00:18:22,202 --> 00:18:23,703 AND THANK YOU FOR COMING. 568 00:18:23,736 --> 00:18:25,372 [applause] 569 00:18:26,706 --> 00:18:28,775 - LEN? 570 00:18:28,808 --> 00:18:30,009 - LOOK, WE-- WE TALKED OUTSIDE-- 571 00:18:30,042 --> 00:18:31,911 - AND WE REALIZED THAT WE-- - YOU SAID I COULD APOLOGIZE. 572 00:18:31,944 --> 00:18:33,513 - OH, ALL RIGHT, FINE, GO AHEAD, JOE. 573 00:18:33,546 --> 00:18:35,382 - WE REALIZED WE WERE ACTING LIKE TOTAL ASSES. 574 00:18:35,415 --> 00:18:36,783 WE WERE JUST JEALOUS. 575 00:18:36,816 --> 00:18:37,617 - NO, AND WE HAVE TO BE OKAY WITH YOU 576 00:18:37,650 --> 00:18:40,153 HAVING OTHER PEOPLE IN YOUR LIFE. 577 00:18:40,187 --> 00:18:42,755 - KEN TRIED TO KISS ME. both: WHAT? 578 00:18:42,789 --> 00:18:43,756 - OH! - WAIT, WHAT? 579 00:18:43,790 --> 00:18:45,725 - THAT IS THE LAST TIME I TAKE THE HIGH ROAD. 580 00:18:45,758 --> 00:18:47,327 - I FEEL LIKE SUCH AN IDIOT, 581 00:18:47,360 --> 00:18:49,562 'CAUSE I THOUGHT HE WAS HERE TO DANCE WITH ME, 582 00:18:49,596 --> 00:18:51,231 AND THAT--I DON'T KNOW WHY HE WOULD DO THAT, 583 00:18:51,264 --> 00:18:52,632 I'M JUST A STUPID DANCE TEACHER. 584 00:18:52,665 --> 00:18:53,800 - OH, DON'T YOU DARE SAY THAT ABOUT YOURSELF. 585 00:18:53,833 --> 00:18:55,535 - NO, JESS, IT DOESN'T MATTER. 586 00:18:55,568 --> 00:18:57,904 I'VE GOT TO GO TELL THESE PEOPLE THAT KEN WON'T BE DANCING. 587 00:18:57,937 --> 00:18:58,738 I'M SURE THEY'LL BE RUSHING 588 00:18:58,771 --> 00:19:00,640 TO SIGN THEIR KIDS UP AFTER THAT. 589 00:19:00,673 --> 00:19:04,211 - NO, THAT JACKASS DOES NOT GET TO RUIN THIS FOR YOU, OKAY? 590 00:19:04,244 --> 00:19:05,745 YOU DON'T NEED HIM, LENNON. 591 00:19:05,778 --> 00:19:07,380 YOU ARE A PHENOMENAL DANCER. 592 00:19:07,414 --> 00:19:09,216 - BABE, YOU-- YOU GOTTA DO THIS. 593 00:19:11,351 --> 00:19:14,554 [applause] 594 00:19:16,623 --> 00:19:19,592 [classical music playing] 595 00:19:19,626 --> 00:19:27,634 * 596 00:19:45,718 --> 00:19:47,820 - SORRY, SORRY. - IT'S OKAY. 597 00:19:47,854 --> 00:19:48,688 OKAY, GO--OOF. 598 00:19:48,721 --> 00:19:50,457 - I GOT IT, I GOT IT. GET UP THERE. 599 00:19:50,490 --> 00:19:51,891 GET UP THERE, GIRL. 600 00:20:12,779 --> 00:20:15,348 - [whispering under breath] 601 00:20:28,561 --> 00:20:30,229 JESS, THE LIFT. 602 00:20:40,740 --> 00:20:43,910 [applause] 603 00:20:45,812 --> 00:20:47,814 - BEAUTIFUL. 604 00:20:58,891 --> 00:20:59,859 - ALL RIGHT, Q., JUST READ THE LINES AND REALLY UNLEASH IT. 605 00:20:59,892 --> 00:21:01,494 I JUST WANT YOU TO BE YOU. 606 00:21:01,528 --> 00:21:03,830 - YOU ARE NOT WANTED HERE, FOUL CREATURE. 607 00:21:03,863 --> 00:21:05,398 - UH, Q., WHAT'S THE DEAL? 608 00:21:05,432 --> 00:21:06,399 WHERE'S THE SASS? - UM... 609 00:21:06,433 --> 00:21:08,368 HOLD ON. HEY, JESS? - YEAH? 610 00:21:08,401 --> 00:21:09,636 - CAN YOU COME IN HERE FOR A SECOND? 611 00:21:09,669 --> 00:21:10,637 - YEAH, WHAT'S UP? 612 00:21:10,670 --> 00:21:12,071 UGH, WHAT ARE YOU DOING HERE? 613 00:21:12,104 --> 00:21:14,907 - WHAT AM I DOING HERE? WHAT ARE YOU DOING HERE? 614 00:21:14,941 --> 00:21:15,708 I'M AN INVITED GUEST... 615 00:21:15,742 --> 00:21:18,478 UNLIKE SOME PEOPLE I KNOW. - OKAY. 616 00:21:18,511 --> 00:21:20,046 - AND WHAT ARE YOU WEARING? YOU LOOK LIKE A PIRATE. 617 00:21:20,079 --> 00:21:21,381 - ALL RIGHT, SAY THIS. 618 00:21:21,414 --> 00:21:23,316 - YOU ARE NOT WANTED HERE, FOUL CREATURE! 619 00:21:23,350 --> 00:21:24,851 - GOT IT. - SO HURTFUL. 620 00:21:24,884 --> 00:21:27,620 - YOU NEED TO GET REAL WITH YOURSELF. 46319

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