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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:03:30,200 --> 00:03:32,440 - NOW, MR. GOLDEN, HOW CAN I HELP YOU? 2 00:03:32,440 --> 00:03:35,340 - "HUNK." CALL ME "HUNK" FOR NOW. 3 00:03:35,340 --> 00:03:36,770 - ALL RIGHT. 4 00:03:36,770 --> 00:03:38,700 - THANKS FOR SEEING ME ON SUCH SHORT NOTICE. 5 00:03:38,700 --> 00:03:40,270 NOBODY ELSE WOULD. 6 00:03:40,270 --> 00:03:42,740 - YOU MADE IT SOUND LIKE A MATTER OF LIFE OR DEATH. 7 00:03:42,740 --> 00:03:45,200 - YEAH, WELL, IT IS. 8 00:03:45,200 --> 00:03:46,470 FOR HIM. 9 00:03:46,470 --> 00:03:48,100 - WHO IS HE? 10 00:03:48,100 --> 00:03:51,440 - HIS--HIS NAME IS BRADLEY BRINKMAN. 11 00:03:51,440 --> 00:03:52,970 - WHERE IS HE? 12 00:03:55,740 --> 00:03:59,670 - RIGHT HERE. 13 00:03:59,670 --> 00:04:01,900 I'M BRADLEY BRINKMAN. 14 00:04:01,900 --> 00:04:03,600 ON THE INSIDE ANYWAY. 15 00:04:03,600 --> 00:04:05,370 - LOOK, PLAYING AT SCHIZOPHRENIA IS NOT MY-- 16 00:04:05,370 --> 00:04:06,700 - YAH, I KNOW, I KNOW, I KNOW. 17 00:04:06,700 --> 00:04:10,900 LOOK, DOC, DIDN'T YOU EVER WANT TO BECOME SOMEBODY ELSE? 18 00:04:10,900 --> 00:04:15,170 SOMEBODY EXCITING, SOMEBODY FANTASTIC? 19 00:04:15,170 --> 00:04:17,440 I JUST HAPPEN TO BE THAT SOMEBODY FANTASTIC BRADLEY 20 00:04:17,440 --> 00:04:19,200 BRINKMAN WANTED TO BECOME. 21 00:04:19,200 --> 00:04:21,040 AND THEN BECAME. 22 00:04:21,040 --> 00:04:23,700 - SOMEBODY WITH A FANTASTIC IMAGINATION, YOU MEAN. 23 00:04:23,700 --> 00:04:26,600 - I KNOW IT SOUNDS CRAZY, BUT YOU GOTTA HEAR MY STORY. 24 00:04:26,600 --> 00:04:28,800 TIME IS RUNNING OUT FOR BRADLEY. 25 00:04:28,800 --> 00:04:30,140 AND FOR ME. 26 00:04:30,140 --> 00:04:31,670 - ALL RIGHT. 27 00:04:31,670 --> 00:04:35,300 I'LL HEAR YOUR STORY, BUT TIME IS RUNNING OUT FOR US AS WELL. 28 00:04:35,300 --> 00:04:37,470 SO WHY DON'T YOU JUST BEGIN 29 00:04:37,470 --> 00:04:39,340 WITH THE FIRST TIME THAT YOU BEGAN-- 30 00:04:39,340 --> 00:04:41,800 - AND BRADLEY BRINKMAN. 31 00:04:41,800 --> 00:04:45,040 - THE FIRST TIME THAT YOU AND BRADLEY BRINKMAN BEGAN 32 00:04:45,040 --> 00:04:46,700 TO FEEL THIS WAY. 33 00:04:46,700 --> 00:04:49,800 - DOCTOR, IF I CONVINCE YOU, WILL YOU TAKE MY CASE? 34 00:04:51,800 --> 00:04:53,540 - I'M LISTENING, MR. GOLDEN. 35 00:04:55,270 --> 00:04:58,470 - UP UNTIL SIX WEEKS AGO, I REALLY WAS BRADLEY BRINKMAN. 36 00:04:58,470 --> 00:05:00,140 HACK, COMPUTER HACK. 37 00:05:00,140 --> 00:05:02,540 I SPENT THE FIVE YEARS SINCE COLLEGE CHAINED TO A 38 00:05:02,540 --> 00:05:04,240 COMPUTER KEYBOARD. 39 00:05:04,240 --> 00:05:06,200 EXCEPT FOR MY IMAGINATION, THAT IS. 40 00:05:10,270 --> 00:05:12,270 I ALWAYS DAYDREAMED ABOUT BEING ONE OF THOSE 41 00:05:12,270 --> 00:05:15,040 IMPOSSIBLY COOL GUYS YOU SEE IN THE MOVIES 42 00:05:15,040 --> 00:05:16,670 OR COMMERCIALS. 43 00:05:16,670 --> 00:05:19,800 YOU KNOW, THE GUY THAT DRIVE MASERATIS AND RUN 44 00:05:19,800 --> 00:05:22,170 MAJOR CORPORATIONS. 45 00:05:22,170 --> 00:05:26,340 THE KIND THAT DRIP WITH WOMEN AND SELF CONFIDENCE. 46 00:05:26,340 --> 00:05:28,740 YOU KNOW, THE GUY THAT LOOK GREAT IN THOSE BIKINI BRIEFS 47 00:05:28,740 --> 00:05:30,640 THAT RIDE UP THE CRACK IN YOUR BUNS. 48 00:05:33,170 --> 00:05:35,270 UNFORTUNATELY, PERPETUAL DAYDREAMING DIDN'T LOOK 49 00:05:35,270 --> 00:05:38,140 GREAT TO MY BOSS, CONSTANTINE CONSTAPOPOLIS 50 00:05:38,140 --> 00:05:40,000 OF CONSTAPOPOLIS COMPUTERS. 51 00:05:51,400 --> 00:05:53,800 - DAYDREAMS? 52 00:05:53,800 --> 00:05:56,640 I'M PAYING YOU TO WRITE FOR ME DAYDREAMS? 53 00:05:56,640 --> 00:05:58,340 - HI, MR. CONSTAPOPOLIS. 54 00:05:58,340 --> 00:06:00,570 I WAS-- I REALLY-- I JUST DRIFTED OFF. 55 00:06:00,570 --> 00:06:02,300 - YES, WAY OFF, BRINKMAN. 56 00:06:02,300 --> 00:06:03,240 WAY OFF. 57 00:06:04,300 --> 00:06:06,340 WAY OFF. 58 00:06:06,340 --> 00:06:08,140 YOUR PROGRAM PROPOSAL'S SO BAD, 59 00:06:08,140 --> 00:06:12,070 THE K-9000 SHUT DOWN WITH D.I. AGAIN. 60 00:06:12,070 --> 00:06:13,140 - "DIGITAL INDIGESTION"? 61 00:06:13,140 --> 00:06:15,800 - I'LL-- LOOK AT THIS. 62 00:06:15,800 --> 00:06:17,370 CAMELS 'R' US. 63 00:06:17,370 --> 00:06:19,370 THE BEDOUIN PROGRAM. 64 00:06:19,370 --> 00:06:21,940 WHO'S GOT A CAMEL WITH A FLOPPY HUMP? 65 00:06:21,940 --> 00:06:22,970 LOOK AT THIS ONE. 66 00:06:22,970 --> 00:06:24,870 CONVERSATIONAL ICELANDIC. 67 00:06:24,870 --> 00:06:26,370 WHO ARE YOU GONNA SELL IT TO? 68 00:06:26,370 --> 00:06:28,870 PENGUINS ON TOUR? 69 00:06:28,870 --> 00:06:30,040 LOOK AT THIS ONE. 70 00:06:30,040 --> 00:06:31,370 SUSHI TOWERS. 71 00:06:31,370 --> 00:06:33,900 EAT WHAT YOU BUILD. 72 00:06:33,900 --> 00:06:36,000 YOU KNOW YOUR WORK HASN'T BEEN THE SAME EVER SINCE-- 73 00:06:36,000 --> 00:06:40,100 - SUSIE ELOPED WITH HER AEROBICS INSTRUCTOR. I-- 74 00:06:40,100 --> 00:06:42,400 - YEAH? 75 00:06:42,400 --> 00:06:45,800 - I KNOW I KNOW-- HOW WOULD YOU FEEL IF YOUR GIRLFRIEND 76 00:06:45,800 --> 00:06:49,940 REJECTED YOU BECAUSE YOU DIDN'T WEAR A LEOTARD AND 77 00:06:49,940 --> 00:06:52,870 COUNT DURING SEX? 78 00:06:52,870 --> 00:06:55,500 - LOOK, I'M RUNNING A BUSINESS HERE. 79 00:06:55,500 --> 00:06:58,300 YOU HAVE TWO WEEKS--TWO WEEKS! 80 00:06:58,300 --> 00:07:00,540 --TO MAKE A MONEY-MAKING IDEA UP HERE, 81 00:07:00,540 --> 00:07:02,870 OR ELSE YOU'RE OFF STUFFING-- - THE GRAPE 82 00:07:02,870 --> 00:07:05,270 all: THE GRAPE LEAVES IN MY ONE-EYED FATHER'S 83 00:07:05,270 --> 00:07:06,670 GREEK RESTAURANT, 84 00:07:06,670 --> 00:07:08,400 CYCLOPS WEST. 85 00:07:08,400 --> 00:07:10,940 - THANK YOU, MR. CONSTAPOPOLIS FOR YOUR UNDERSTANDING 86 00:07:10,940 --> 00:07:12,240 AND GENEROSITY. 87 00:07:12,240 --> 00:07:14,040 - HAVE A GOOD DAY. 88 00:07:30,770 --> 00:07:33,070 - THE NEW PROGRAM WAS DUE AT 9:00 A.M. 89 00:07:33,070 --> 00:07:35,170 I WAS DESPERATE FOR A CONCEPT. 90 00:07:35,170 --> 00:07:38,100 ANY CONCEPT BUT EVERYTHING I WROTE READ LIKE A ONE-WAY 91 00:07:38,100 --> 00:07:41,570 TICKET TO THE SOUVLAKI LINE AT CYCLOPS WEST. 92 00:07:44,100 --> 00:07:49,100 IT ALL SEEMED BEYOND HOPE WHEN I PUNCHED A DESPERATE 93 00:07:49,100 --> 00:07:51,570 PLEA INTO THE MACHINE. 94 00:07:56,540 --> 00:07:58,000 AND THEN IT HAPPENED. 95 00:07:58,000 --> 00:07:59,340 - WHAT HAPPENED? 96 00:07:59,340 --> 00:08:02,600 - SOME KIND OF DIGITAL VULTURE APPEARED ON MY SCREEN, 97 00:08:02,600 --> 00:08:04,340 AND THEN THE COMPUTER BEGAN WRITING THE 98 00:08:04,340 --> 00:08:06,170 PROGRAM BY ITSELF. 99 00:08:12,200 --> 00:08:13,870 - WHAT PROGRAM? 100 00:08:13,870 --> 00:08:15,000 - THE YUPPIE PROGRAM. 101 00:08:15,000 --> 00:08:18,200 A MULTI-COMPATIBLE LIFESTYLE BUDGETING-- 102 00:08:18,200 --> 00:08:21,200 - YOU WROTE IT? I CAN'T LIVE WITHOUT MINE. 103 00:08:21,200 --> 00:08:24,800 WHY, I SAVED A FORTUNE STOCKING MY WINE CELLAR ALONE. 104 00:08:24,800 --> 00:08:27,540 NOT TO MENTION THE COMPLIMENTS I GET FROM YOUR 105 00:08:27,540 --> 00:08:31,570 RECIPE FOR MICROWAVE PATE. 106 00:08:31,570 --> 00:08:33,240 - LIKE I SAID, THE COMPUTER WROTE IT, 107 00:08:33,240 --> 00:08:34,870 BUT I GOT THE CREDIT. 108 00:08:34,870 --> 00:08:37,470 I DIDN'T KNOW ANYTHING ABOUT PATE OR PASTA MACHINES OR 109 00:08:37,470 --> 00:08:39,740 THE YUPPIE-ING OF SUBURBIA UNTIL I STAYED UP ALL NIGHT 110 00:08:39,740 --> 00:08:41,870 READING IT MYSELF. 111 00:08:41,870 --> 00:08:42,900 - NOW, WAIT A MINUTE. 112 00:08:42,900 --> 00:08:45,300 HOW CAN A COMPUTER WRITE BY ITSELF? 113 00:08:45,300 --> 00:08:46,370 - NOW, WAIT A MINUTE. 114 00:08:46,370 --> 00:08:47,600 YOU HAVEN'T HEARD ANYTHING YET. 115 00:08:53,370 --> 00:08:55,740 I WOKE UP A HERO AND BECAME AN EVEN BIGGER ONE WHEN 116 00:08:55,740 --> 00:08:58,540 LEGIONS OF BABY BOOMERS SNAPPED UP 50,000 COPIES 117 00:08:58,540 --> 00:09:00,740 IN THE FIRST SIX WEEKS. 118 00:09:00,740 --> 00:09:03,340 MOM WAS PROUD. DAD WAS PROUD. 119 00:09:03,340 --> 00:09:06,470 HECK, EVEN SUSIE CALLED TO SAY SHE WAS PROUD TOO. 120 00:09:06,470 --> 00:09:09,370 TO HAVE YOURS TRULY FOR A PHENOMENALLY SUCCESSFUL 121 00:09:09,370 --> 00:09:11,770 EX-BOYFRIEND. 122 00:09:11,770 --> 00:09:15,170 MR. CONSTAPOPOLIS PAID ME A GIANT ROYALTY AND GAVE ME 123 00:09:15,170 --> 00:09:18,570 THE SUMMER OFF WITH PAY TO WRITE ANY PROGRAM I WANTED. 124 00:09:22,240 --> 00:09:24,840 - SOUNDS WONDERFUL SO FAR. 125 00:09:26,340 --> 00:09:29,600 - ALL I KNEW ABOUT YUPPIES WAS THEY WEAR REEBOKS TO BED 126 00:09:29,600 --> 00:09:31,740 AND WOULD HOCK THEIR HEALTH CLUB CARDS FOR TEN MINUTES 127 00:09:31,740 --> 00:09:33,540 ALONE WITH A DOVE BAR. 128 00:09:36,370 --> 00:09:39,170 - HMM, WHERE DOES HUNK GOLDEN FIT IN? 129 00:09:39,170 --> 00:09:41,870 - AT THE BEACH HOUSE I RENTED IN SEA SPRAY. 130 00:09:41,870 --> 00:09:45,070 - SEA SPRAY? PRETTY SWANKY PLACE. 131 00:09:45,070 --> 00:09:46,340 - SWANKY? 132 00:09:46,340 --> 00:09:48,000 WELL, LET'S SAY SEA SPRAY IS SWANKY, 133 00:09:48,000 --> 00:09:50,440 IF YOU'VE GOT BIG BUCKS TO BURN. 134 00:09:50,440 --> 00:09:52,940 THE ONLY THING SWANKY ABOUT THE PLACE I COULD AFFORD WAS 135 00:09:52,940 --> 00:09:54,970 THE DRIVEWAY. 136 00:09:54,970 --> 00:09:58,170 THE HOUSE ITSELF WAS THE OLDEST AND GRUNGIEST PLACE 137 00:09:58,170 --> 00:10:00,870 ON SEA SPRAY BEACH. 138 00:10:00,870 --> 00:10:03,770 BYE-BYE, BONUS. 139 00:10:24,200 --> 00:10:27,370 IT WAS BUILT BY SOME OLD SEA CAPTAIN WHO RAN OUT OF MONEY 140 00:10:27,370 --> 00:10:29,440 AND RAN OUT OF TOWN BEFORE HE COULD COMPLETE HIS 141 00:10:29,440 --> 00:10:31,640 SAILING SHIP OF A HOUSE. 142 00:10:31,640 --> 00:10:33,600 IT WAS IDEAL FOR INVESTIGATING THE 143 00:10:33,600 --> 00:10:35,540 YUPPIES-AT-PLAY LIFESTYLE ON WHICH I WAS 144 00:10:35,540 --> 00:10:37,300 SUPPOSEDLY AN EXPERT. 145 00:10:46,370 --> 00:10:49,040 I'D LEISURELY CONCOCT MY NEXT PROGRAM AND SPEND THE 146 00:10:49,040 --> 00:10:52,870 REST OF MY TIME MAKING MY DAYDREAMS COME TRUE. 147 00:10:52,870 --> 00:10:54,440 - SO FAR, SO GOOD. 148 00:10:54,440 --> 00:10:57,100 - EXCEPT THAT I WENT A BIT TOO FAR. 149 00:10:57,100 --> 00:11:00,470 NOW, THERE'S HELL TO PAY. 150 00:11:11,570 --> 00:11:13,600 IN MY DAYDREAMS, ALL I HAD TO DO WAS WINK, 151 00:11:13,600 --> 00:11:14,940 AND THE WOMEN WOULD COME RUNNING, 152 00:11:14,940 --> 00:11:16,840 AND THERE WASN'T A BEACH FULL OF TANNED AND TONED 153 00:11:16,840 --> 00:11:18,900 COMPETITION EITHER. 154 00:11:18,900 --> 00:11:22,600 THE OLD BOD DEFINITELY COULD'VE USED A WORK-OUT. 155 00:11:26,270 --> 00:11:27,540 - OH, THESE ARE FABULOUS. 156 00:11:27,540 --> 00:11:29,340 LITTLE PIGGY SALT-AND-PEPPER SHAKERS. 157 00:11:29,340 --> 00:11:31,140 OH, I'VE GOTTA ADD THESE TO MY COLLECTION. 158 00:11:34,340 --> 00:11:38,770 OH, WELCOME TO SEA SPRAY, WHERE THE WELL-TO-DO DO WELL 159 00:11:38,770 --> 00:11:40,340 AT DOING WELL. 160 00:11:40,340 --> 00:11:47,770 I'M POLLY CLUTTER, BUT EVERYBODY CALLS ME "CHACHKA." 161 00:11:47,770 --> 00:11:51,200 - I'M BRADLEY BRINKMAN, BUT EVERYBODY CALLS ME 162 00:11:51,200 --> 00:11:52,340 "BRADLEY." 163 00:11:54,440 --> 00:11:55,800 YOU'RE IN MY LIVING ROOM. 164 00:11:55,800 --> 00:11:58,100 - THOUGHT SO. I SAW YOUR CAR OUT FRONT. 165 00:11:58,100 --> 00:12:01,540 IS THAT A LOANER WHILE THE B.M.W.'S IN THE SHOP? 166 00:12:01,540 --> 00:12:02,800 - NO, ACTUALLY. 167 00:12:02,800 --> 00:12:04,040 - OH, LOOK. 168 00:12:04,040 --> 00:12:07,970 SOMEBODY IS GONNA FINALLY GENTRIFY THIS OLD MESS. 169 00:12:07,970 --> 00:12:09,400 GOOD FOR YOU. 170 00:12:09,400 --> 00:12:12,340 - WELL, ACTUALLY, I'M JUST RENTING THIS OLD MESS FOR 171 00:12:12,340 --> 00:12:13,700 THE SUMMER. 172 00:12:13,700 --> 00:12:16,270 - WELL, YOU DON'T LOOK LIKE YOU COULD AFFORD TO BUY. 173 00:12:16,270 --> 00:12:19,470 HE STARTED THIS PLACE AND NEVER QUITE FINISHED IT. 174 00:12:19,470 --> 00:12:22,470 CAPTAIN CRABIT. 175 00:12:22,470 --> 00:12:24,970 - HOW DO YOU KNOW SO MUCH ABOUT CAPTAIN CRABIT? 176 00:12:24,970 --> 00:12:27,640 - WHEN I WAS A KID, I USED TO HIDE FIRECRACKERS IN HIS 177 00:12:27,640 --> 00:12:32,170 BARBECUE AND THEN LISTEN FOR HIS HOT DOGS TO EXPLODE. 178 00:12:32,170 --> 00:12:36,040 OH, HE ALWAYS HAD A FIRE GOING, THAT CAPTAIN CRABIT. 179 00:12:36,040 --> 00:12:37,340 - NO KIDDING. 180 00:12:37,340 --> 00:12:39,740 - HEY, WHY DON'T YOU GO PUT ON YOUR BATHING SUIT? 181 00:12:39,740 --> 00:12:43,200 CHACHKA'S GONNA TAKE YOU ON THE GABBY GUIDED TOUR. 182 00:12:43,200 --> 00:12:44,340 - THE GABBY GUIDED TOUR? 183 00:12:44,340 --> 00:12:45,340 - DON'T WORRY ABOUT IT. 184 00:12:45,340 --> 00:12:46,770 IT'S FREE. 185 00:12:46,770 --> 00:12:47,740 - SOUNDS GREAT. 186 00:12:50,070 --> 00:12:51,570 HOW COME THEY CALL YOU CHACHKA. 187 00:12:51,570 --> 00:12:55,000 - OH, 'CAUSE MY HOUSE IS FULL OF CHACHKAS. 188 00:12:55,000 --> 00:12:56,970 I COLLECT THINGS. 189 00:12:56,970 --> 00:12:58,840 KNICK-KNACKS. 190 00:12:58,840 --> 00:13:01,040 BRIC-A-BRAC. 191 00:13:01,040 --> 00:13:03,400 I'M AN INCURABLE COLLECTOR. 192 00:13:07,940 --> 00:13:10,300 WHEN I MOVED OUT HERE FROM NEW YORK IN THE '50s, 193 00:13:10,300 --> 00:13:11,870 THE ONLY BUILDING ON THE BEACH 194 00:13:11,870 --> 00:13:15,600 WAS MY DAD'S HOT DOG STAND, WEE WILLIE'S WEENIES. 195 00:13:15,600 --> 00:13:19,140 - ♪ WEE WILLIE'S WEENIES, TOP OFF WITH CHEESE AND BEANIES ♪ 196 00:13:19,140 --> 00:13:23,200 both: ♪ WEE WILLIE'S WEENIES, BITE DOWN ON ONE TODAY, OLE ♪ 197 00:13:23,200 --> 00:13:24,670 THAT'S IT! 198 00:13:24,670 --> 00:13:29,200 OH, IN THE '60s THIS PLACE WAS BUFF BLUFF TOPLESS BEACH. 199 00:13:29,200 --> 00:13:31,440 ON A HOT DAY, THE BOOBS WERE PACKED TIGHTER THAN EGGS IN 200 00:13:31,440 --> 00:13:33,000 YOUR EASTER BASKET. 201 00:13:33,000 --> 00:13:35,540 - BORN TOO LATE. 202 00:13:35,540 --> 00:13:38,640 - IN THE '70s MAHATMA MAHARAJI WENT BANKRUPT 203 00:13:38,640 --> 00:13:42,600 BUILDING THE WORLD'S FIRST AND LAST CONDO COMMUNE. 204 00:13:42,600 --> 00:13:46,070 NOW, WE'VE GOT YUPPIES. WHO'S NEXT? 205 00:13:46,070 --> 00:13:47,940 - SHE IS. 206 00:13:47,940 --> 00:13:51,140 - WHO? 207 00:13:51,140 --> 00:13:52,540 - HER. 208 00:13:52,540 --> 00:13:56,600 SHE'S NOT REAL. 209 00:13:56,600 --> 00:13:57,770 - WHERE IS SHE? 210 00:13:57,770 --> 00:14:01,640 - RIGHT THERE. NEXT TO THOSE SURFERS. 211 00:14:01,640 --> 00:14:05,470 - THERE'S JUST A COUPLE OF SURFERS. 212 00:14:05,470 --> 00:14:08,140 - THE MOST GORGEOUS CREATURE IN THE GALAXY IS STEAMING 213 00:14:08,140 --> 00:14:10,170 RIGHT THIS WAY. 214 00:14:10,170 --> 00:14:12,340 - YOU'RE IMAGINING THIS. 215 00:14:23,100 --> 00:14:26,640 - HUH? WHERE'D SHE GO? 216 00:14:26,640 --> 00:14:28,440 WHERE'D SHE GO? 217 00:14:28,440 --> 00:14:30,500 - HEY, HEY, TAKE IT EASY. 218 00:14:30,500 --> 00:14:35,470 SHE DIDN'T GO ANYWHERE, BECAUSE SHE WAS NEVER HERE. 219 00:14:35,470 --> 00:14:37,370 HEY, HEY, COME ON. 220 00:14:37,370 --> 00:14:40,500 TIME TO MEET THE HEAVY HITTERS ON THE SOCIAL CIRCUIT. 221 00:14:40,500 --> 00:14:43,770 OH, YOU'RE IN LUCK. 222 00:14:43,770 --> 00:14:46,340 THEY'RE ALL HERE. 223 00:14:56,140 --> 00:14:57,670 - DON'T WORRY. 224 00:14:57,670 --> 00:14:59,470 WE'LL GET THIS ONE. 225 00:14:59,470 --> 00:15:02,370 - IN "THE ADVENTURES OF ROCKY AND BULLWINKLE, 226 00:15:02,370 --> 00:15:05,340 "ARCH-VILLAIN BORIS BADENOV WAS NAMED AFTER THE TITLE 227 00:15:05,340 --> 00:15:08,700 CHARACTER IN WHAT FAMOUS RUSSIAN OPERA?" 228 00:15:08,700 --> 00:15:09,970 - OPERA. 229 00:15:09,970 --> 00:15:11,840 GIVE ME A BREAK. 230 00:15:11,840 --> 00:15:15,100 - IGOR STRAVINSKY, RIGHT? 231 00:15:15,100 --> 00:15:17,600 - IGOR STRAVINSKY, WRONG. 232 00:15:17,600 --> 00:15:19,400 - OUR TURN? 233 00:15:19,400 --> 00:15:20,400 - YOU'RE THE BEST. 234 00:15:20,400 --> 00:15:21,670 - NO, YOU'RE THE BEST. 235 00:15:21,670 --> 00:15:23,540 - BUT YOU'RE THE CUTEST. - YOU'RE THE CUTEST. 236 00:15:23,540 --> 00:15:27,470 both: TIE. 237 00:15:27,470 --> 00:15:31,670 - BORIS GODUNOV, RIGHT? 238 00:15:31,670 --> 00:15:35,070 - SEA SPRAY BEACH RULES FOR TRIVIAL PURSUIT PROHIBIT 239 00:15:35,070 --> 00:15:38,540 SAYING THE CORRECT ANSWER TO THE LOSING TEAM. 240 00:15:38,540 --> 00:15:41,500 - THEY MIGHT ACTUALLY GET ONE RIGHT NEXT TIME. 241 00:15:41,500 --> 00:15:44,300 both: NO. 242 00:15:44,300 --> 00:15:46,170 - WHO IS THIS GUY, CHACHKA? 243 00:15:46,170 --> 00:15:47,670 - BARRY BRINKMAN. 244 00:15:47,670 --> 00:15:49,100 HE JUST MOVED IN. 245 00:15:49,100 --> 00:15:51,500 - IT'S BRADLEY BRINKMAN. 246 00:15:51,500 --> 00:15:52,870 SORRY. 247 00:15:52,870 --> 00:15:54,000 - BRADLEY. 248 00:15:54,000 --> 00:15:55,900 I WANT YOU TO MEET COASTER ROYCE, 249 00:15:55,900 --> 00:15:58,570 WALL STREET WIZ AND YOUNGEST VICE PRESIDENT IN THE 250 00:15:58,570 --> 00:16:01,100 HISTORY OF RATCHET, SLAMMER AND HOPS. 251 00:16:01,100 --> 00:16:03,440 - RATCHET, SLAMMER, HOPS AND ROYCE, 252 00:16:03,440 --> 00:16:04,940 IF I HAVE A SAY IN IT. 253 00:16:04,940 --> 00:16:06,670 AND I WILL. 254 00:16:06,670 --> 00:16:09,570 I ALWAYS DO. 255 00:16:09,570 --> 00:16:12,570 - AND THAT JET-SET ESCAPEE FROM EAST COAST OLD MONEY, 256 00:16:12,570 --> 00:16:13,800 ALEXIS CASH. 257 00:16:13,800 --> 00:16:15,870 - HA HA. 258 00:16:15,870 --> 00:16:18,170 WHERE YOU MOVING IN, BRINKMAN? 259 00:16:18,170 --> 00:16:20,170 - THE CRABIT HOUSE. 260 00:16:20,170 --> 00:16:21,870 - I'M GLAD SOMEONE IS GOING TO SPRUCE UP THAT 261 00:16:21,870 --> 00:16:23,600 DILAPIDATED OLD DUMP. 262 00:16:23,600 --> 00:16:26,100 THANK GOD. 263 00:16:26,100 --> 00:16:29,470 - WELL, ACTUALLY, I'M JUST RENTING IT FOR THE SUMMER. 264 00:16:29,470 --> 00:16:32,670 - YEAH, YOU DIDN'T LOOK LIKE YOU COULD AFFORD TO BUY. 265 00:16:32,670 --> 00:16:37,000 NEED ANY COCKROACH TRAPS? 266 00:16:37,000 --> 00:16:38,740 - WAIT A MINUTE. 267 00:16:38,740 --> 00:16:40,700 YOU'RE SKEET MECKLENBURGER, RIGHT? 268 00:16:40,700 --> 00:16:43,340 ALL-PRO DALLAS ANNIHILATOR LINEBACKER, RIGHT? 269 00:16:43,340 --> 00:16:45,840 - "ALL-THROUGH" LINEBACKER, YOU MEAN. 270 00:16:45,840 --> 00:16:49,940 CUT LIKE A ROOKIE ON UNCONDITIONAL WAIVERS. 271 00:16:49,940 --> 00:16:53,170 - YEAH, BUT I CAN STILL CUT IT WITH YOU, CAN'T I, 272 00:16:53,170 --> 00:16:54,470 PASSION PIE? 273 00:16:54,470 --> 00:16:58,200 - WITH AN ELECTRIC KNIFE, BABY. 274 00:16:58,200 --> 00:17:00,200 - YOU REMEMBER LAUREL SPRINGS, 275 00:17:00,200 --> 00:17:02,870 CHEERLEADER QUEEN OF WEDNESDAY NIGHT FOOTBALL. 276 00:17:02,870 --> 00:17:05,540 - YEAH, I LOVE THE LITE KNOCKWURST COMMERCIAL 277 00:17:05,540 --> 00:17:06,770 YOU GUYS DO TOGETHER. 278 00:17:06,770 --> 00:17:07,840 - OH, THANKS. - A FAN. 279 00:17:07,840 --> 00:17:09,540 HOW FLATTERING. 280 00:17:09,540 --> 00:17:11,740 YOU PLAY V-BALL, BRINSKY? 281 00:17:11,740 --> 00:17:12,840 - V-BALL? 282 00:17:12,840 --> 00:17:14,170 V-BALL. OH, YEAH. 283 00:17:14,170 --> 00:17:16,770 I'D LOVE TO, BUT I HAVEN'T PLAYED IT IN AGES. 284 00:17:16,770 --> 00:17:18,140 - DON'T WORRY. 285 00:17:18,140 --> 00:17:21,300 SKEET KNOWS ALL THE RULES. 286 00:17:23,970 --> 00:17:27,300 - THERE ARE A FEW DO'S AND DON'TS IN V-BALL, BRINSKY, 287 00:17:27,300 --> 00:17:31,600 SO LET'S START WITH THE DON'TS. 288 00:17:31,600 --> 00:17:36,070 YOU DON'T REACH UNDER THE NET. 289 00:17:36,070 --> 00:17:39,370 YOU DON'T RUN INTO THE NET. 290 00:17:39,370 --> 00:17:42,370 AND YOU DON'T KICK SAND ON AN OPPOSING PLAYER 291 00:17:42,370 --> 00:17:43,700 WHEN HE'S DOWN. 292 00:17:46,470 --> 00:17:49,940 GOT THE PICTURE, BRINSKY? 293 00:17:49,940 --> 00:17:52,900 - SO WHAT IF THEY ALL ACTED LIKE THEY HATED ME FROM BIRTH? 294 00:17:52,900 --> 00:17:55,100 THERE WAS AN AURA TO THEIR ARROGANCE. 295 00:17:55,100 --> 00:17:57,170 I HAD TO FIT IN. 296 00:17:57,170 --> 00:17:59,640 I YUPPIED OUT MY HOUSE WITH EVERY TRENDY APPLIANCE MY 297 00:17:59,640 --> 00:18:01,700 CREDIT LIMIT COULD BEAR. 298 00:18:01,700 --> 00:18:03,700 AH, SO WHAT IF THE STUFF WOULD NEVER FIT IN MY STUDIO 299 00:18:03,700 --> 00:18:05,300 APARTMENT AFTER THE SUMMER. 300 00:18:05,300 --> 00:18:06,870 I WAS LIVING IN THE MOMENT. 301 00:18:12,170 --> 00:18:16,140 I EVEN PERSONALLY STONEWASHED ALL MY CLOTHES. 302 00:18:16,140 --> 00:18:18,940 I STILL HAVEN'T FIGURED OUT WHY. 303 00:18:18,940 --> 00:18:21,840 SEA SPRAY BY NIGHT MEANS THE SAND CASTLE. 304 00:18:21,840 --> 00:18:24,740 THE MEN ARE LOW ON BODY FAT, THE WOMEN ARE HIGH ON 305 00:18:24,740 --> 00:18:28,770 THEMSELVES ... AND WHATEVER ELSE IS GOING AROUND. 306 00:18:28,770 --> 00:18:31,670 I WAS READY FOR STEP TWO, INVITING THE WHOLE BEACH TO 307 00:18:31,670 --> 00:18:34,040 AN OPEN HOUSE AT MY PLACE. 308 00:18:34,040 --> 00:18:35,970 I'D PARTY THEIR ASSES OFF. 309 00:18:35,970 --> 00:18:40,070 INCLUDE MYSELF IN WITH THE IN CROWD. 310 00:18:51,340 --> 00:18:54,240 THE SEA SPRAY CROWD ACCEPTS NO SUBSTITUTES, 311 00:18:54,240 --> 00:18:58,700 AND I FELT LIKE A SUBSTITUTE. 312 00:18:58,700 --> 00:19:00,270 - HEY, HI, COASTER. 313 00:19:00,270 --> 00:19:03,640 HOW'S IT GOING, GUY? 314 00:19:03,640 --> 00:19:05,640 - WHERE DID YOU GET THAT OUTFIT? 315 00:19:05,640 --> 00:19:09,000 - WELL, I GOT IT AT THE SEA SPRAY GALLERIA. 316 00:19:09,000 --> 00:19:12,540 - OH, ALEXIS, DARLING. 317 00:19:12,540 --> 00:19:15,040 BRINKMAN HERE WENT SHOPPING AT 318 00:19:15,040 --> 00:19:18,000 THE SEA SPRAY "SCHLOCKERIA." 319 00:19:19,340 --> 00:19:20,940 - WHAT'S SO FUNNY? 320 00:19:20,940 --> 00:19:22,600 WE'RE EXACTLY IDENTICAL. 321 00:19:22,600 --> 00:19:25,970 - OH, FAT CHANCE. 322 00:19:25,970 --> 00:19:27,870 - MIDNIGHT EXPRESS FOR MEN. 323 00:19:27,870 --> 00:19:30,070 MADE IN TURKEY. 324 00:19:30,070 --> 00:19:34,070 POLY-COTTON BLEND. both: OOH. 325 00:19:34,070 --> 00:19:38,470 OH, GIORGIO SPERMATUCCI STONEWASH. 326 00:19:38,470 --> 00:19:41,370 SPERMATUCCI, MY FAVORITE DESIGNER. 327 00:19:41,370 --> 00:19:43,640 - THEY'RE 100% COTTON. 328 00:19:43,640 --> 00:19:47,300 - THEY STONEWASH THEIR DENIM IN SYNTHETIC STONES. 329 00:19:47,300 --> 00:19:50,140 - BRINKMAN, A LITTLE ADVICE, THE ONLY THING THAT YOU'LL 330 00:19:50,140 --> 00:19:54,970 LAY TONIGHT IN THAT IS LINOLEUM. 331 00:19:56,400 --> 00:19:59,170 - OH, YEAH, YOU GUYS, HERE'S AN INVITATION. 332 00:19:59,170 --> 00:20:00,940 MY OPEN HOUSE. 333 00:20:00,940 --> 00:20:02,400 TRY AND DROP BY. 334 00:20:02,400 --> 00:20:06,140 - CATERED NO DOUBT BY CHARLES DE GRAVY DU POISSON. 335 00:20:06,140 --> 00:20:08,600 OH, WE WILL BE THERE WITH BELLS ON. 336 00:20:08,600 --> 00:20:10,040 BELLS. 337 00:20:10,040 --> 00:20:12,100 - DING AWAY. 338 00:20:18,070 --> 00:20:21,700 - AND THEN I SAW HER. AGAIN. 339 00:21:45,670 --> 00:21:47,370 - ARE WE PUMPED IN THERE, BRADLEY? 340 00:21:47,370 --> 00:21:49,400 - I WAS DANCING WITH THAT INCREDIBLY GORGEOUS WOMAN 341 00:21:49,400 --> 00:21:51,740 FROM THE BEACH, BUT SHE VANISHED. 342 00:21:51,740 --> 00:21:53,640 - OH, SURE. HOW COME I CAN'T SEE HER? 343 00:21:53,640 --> 00:21:54,800 WHERE'D SHE GO? 344 00:21:54,800 --> 00:21:58,470 - HELL, IF I KNOW. 345 00:22:03,800 --> 00:22:06,970 - THE FINAL SCORE FOR MY OPEN HOUSE WAS HOST-ONE, 346 00:22:06,970 --> 00:22:08,900 GUESTS-ZERO. 347 00:22:08,900 --> 00:22:12,370 TALK ABOUT WOUNDED PRIDE, MINE WAS DEAD ON ARRIVAL. 348 00:22:12,370 --> 00:22:16,970 A NIGHTMARE IN LEFTOVER ARTICHOKE HEARTS. 349 00:22:22,600 --> 00:22:24,770 - HELLO. 350 00:22:24,770 --> 00:22:30,400 CHACHKA, UH-- CHACHKA, BABY, HOW ARE YA? 351 00:22:30,400 --> 00:22:35,270 OH, FANTASTIC. FANTASTIC TURN-OUT, YEAH. 352 00:22:35,270 --> 00:22:37,140 YEAH! WHAT? 353 00:22:37,140 --> 00:22:38,400 OH, YOU CAN'T MAKE IT OVER. 354 00:22:38,400 --> 00:22:40,370 OH, BABE, WE'RE GONNA MISS YA, YEAH. 355 00:22:40,370 --> 00:22:42,370 GREAT PARTY, BRADLEY. 356 00:22:42,370 --> 00:22:43,740 YEAH, DUDE, GREAT PARTY. 357 00:22:43,740 --> 00:22:45,600 WHAT? 358 00:22:45,600 --> 00:22:46,600 LEFTOVERS? 359 00:22:46,600 --> 00:22:48,700 UH, NO, I DON'T THINK SO. 360 00:22:48,700 --> 00:22:51,370 THESE PARTY ANIMALS, THEY ARE PIGGING OUT. 361 00:22:51,370 --> 00:22:54,170 YEAH, PIGGING OUT, YEAH. 362 00:22:54,170 --> 00:22:56,840 WHAT? 363 00:22:56,840 --> 00:23:00,900 BABE, I CAN'T HEAR YOU. YOU GOTTA SPEAK UP FOR ME, OKAY? 364 00:23:00,900 --> 00:23:03,100 NO, NO, HONEY I CAN'T HEAR YOU. 365 00:23:03,100 --> 00:23:05,900 I'LL TALK TO YOU TOMORROW, OKAY? 366 00:23:05,900 --> 00:23:07,940 YEAH, YEAH. BYE! 367 00:23:14,970 --> 00:23:16,870 "ANY LEFTOVERS." 368 00:23:16,870 --> 00:23:19,800 SHE'LL PROBABLY BE RIGHT OVER WITH TUPPERWARE. 369 00:23:34,200 --> 00:23:38,600 - SUPPOSE YOU GAVE AN OPEN HOUSE, AND NOBODY CAME. 370 00:23:38,600 --> 00:23:41,640 WE CAN'T HAVE THAT NOW, CAN WE, COMPUTER CHAMP? 371 00:23:41,640 --> 00:23:43,700 - WAIT A MINUTE. DON'T DISAPPEAR. 372 00:23:43,700 --> 00:23:45,200 OKAY. 373 00:23:45,200 --> 00:23:49,070 WHO ARE YOU, AND HOW DO YOU KNOW SO MUCH ABOUT ME? 374 00:23:49,070 --> 00:23:51,770 AND AM I THE ONLY PERSON WHO CAN SEE YOU? 375 00:23:51,770 --> 00:23:54,140 - AROUSED? 376 00:23:54,140 --> 00:23:57,300 YOUR CURIOSITY, I MEAN. 377 00:23:57,300 --> 00:24:02,200 BRADLEY, A GIRL IN MY LINE WORKS UP A DEVILISH THIRST. 378 00:24:02,200 --> 00:24:06,100 AREN'T YOU GONNA INVITE ME TO STAY FOR A PERRIER? 379 00:24:07,800 --> 00:24:11,670 WOW, THE FOOD'S JUST TO DIE FOR, BRADLEY. 380 00:24:11,670 --> 00:24:15,440 YOU KNOW, YOU COULD BE ONE FABULOUS HOST. 381 00:24:15,440 --> 00:24:18,200 IT'S A SHAME YOU DON'T RECOGNIZE IT. 382 00:24:18,200 --> 00:24:20,600 - YOU'VE HAD THE FOOD, AND YOU'VE HAD YOUR FUN. 383 00:24:20,600 --> 00:24:23,270 NOW, WHO ARE YOU? 384 00:24:23,270 --> 00:24:26,070 - MY NAME'S O'BRIEN. 385 00:24:26,070 --> 00:24:27,570 - JUST O'BRIEN? 386 00:24:27,570 --> 00:24:29,240 - JUST O'BRIEN. 387 00:24:29,240 --> 00:24:32,500 - AND WHERE DO YOU LIVE, O'BRIEN? 388 00:24:32,500 --> 00:24:33,900 - HELL. 389 00:24:33,900 --> 00:24:37,100 I HAVE A LARGE STUDIO APARTMENT AT 1,700 DEGREES FAHRENHEIT. 390 00:24:37,100 --> 00:24:41,500 OF COURSE, I WANT A ONE-BEDROOM AT 2,500 DEGREES FAHRENHEIT. 391 00:24:41,500 --> 00:24:43,540 OR A LOFT IN THE CELSIUS NEIGHBORHOOD, 392 00:24:43,540 --> 00:24:47,240 BUT ANYTHING OVER 2,000 DEGREES IS A FORTUNE. 393 00:24:47,240 --> 00:24:51,500 IT'S HELL TO FIND A DECENT PLACE TO LIVE IN HELL. 394 00:24:51,500 --> 00:24:53,670 - WHO WRITES YOUR MATERIAL, DAVID LETTERMAN? 395 00:25:03,700 --> 00:25:05,940 CUTE. VERY CLEVER. 396 00:25:05,940 --> 00:25:09,440 WHAT DO YOU WANT FROM ME? 397 00:25:12,500 --> 00:25:14,900 - OKAY, LISTEN UP, BRADLEY, BECAUSE I'M ONLY GONNA READ 398 00:25:14,900 --> 00:25:16,900 YOUR BLACK MAGIC RIGHTS ONCE. 399 00:25:16,900 --> 00:25:19,770 - OH. 400 00:25:19,770 --> 00:25:22,570 - BE FOREWARNED-- 401 00:25:22,570 --> 00:25:24,000 - SORRY. 402 00:25:24,000 --> 00:25:27,370 - BE FOREWARNED, YOU'RE ABOUT TO BE SOLICITED FOR A 403 00:25:27,370 --> 00:25:29,170 SUPERNATURAL EXPERIENCE. 404 00:25:29,170 --> 00:25:31,340 YOU HAVE THE RIGHT TO CALL AN EXORCIST. 405 00:25:31,340 --> 00:25:32,870 IF YOU CANNOT AFFORD AN EXORCIST, 406 00:25:32,870 --> 00:25:34,970 ONE WILL BE APPOINTED TO YOU. 407 00:25:34,970 --> 00:25:38,200 ANY BLACK MAGIC COVENANTS HEREAFTER EXECUTED BY YOU 408 00:25:38,200 --> 00:25:41,070 CAN AND WILL BE USED TO ASSERT DARK DOMINION OVER 409 00:25:41,070 --> 00:25:42,400 YOUR SOUL. 410 00:25:42,400 --> 00:25:44,400 ANY QUESTIONS? 411 00:25:44,400 --> 00:25:47,370 - YEAH. WHY ME? 412 00:25:47,370 --> 00:25:51,440 - I'VE HAD MY EVIL ON YOU A LONG TIME. 413 00:25:51,440 --> 00:25:57,770 BRADLEY, YOU NEED A FRIEND RIGHT NOW. 414 00:25:57,770 --> 00:26:01,840 WHO DO YOU THINK INSPIRED THE YUPPIE PROGRAM? 415 00:26:01,840 --> 00:26:03,540 - WAIT A MINUTE. 416 00:26:03,540 --> 00:26:06,300 THIS WAS ON MY COMPUTER. 417 00:26:06,300 --> 00:26:09,670 YOU POSSESSED MY WORD PROCESSOR THAT NIGHT? 418 00:26:09,670 --> 00:26:15,240 - LET'S CALL IT "TEMPORARY OCCUPANCY." 419 00:26:15,240 --> 00:26:19,400 - THIS CONVERSATION IS INSANE, AND SO ARE YOU. 420 00:26:19,400 --> 00:26:23,740 - ONE QUESTION, BRADLEY. 421 00:26:23,740 --> 00:26:26,740 ARE YOU HAPPY YOU RENTED THIS FABULOUS HOUSE 422 00:26:26,740 --> 00:26:29,500 SO CLOSE TO ROYCE, COULD WIPE HIS TOPSIDERS ON YOUR FACE 423 00:26:29,500 --> 00:26:31,270 AT THE DROP OF A FRISBEE? 424 00:26:31,270 --> 00:26:32,770 HAPPY WOMEN AROUND HERE 425 00:26:32,770 --> 00:26:35,970 WON'T GIVE YOU THE CORRECT TIME OF DAY AT A ROLEX CONVENTION? 426 00:26:35,970 --> 00:26:40,070 - WELL-- - I CAN MAKE YOU OVER. 427 00:26:40,070 --> 00:26:42,070 MAKE YOU INTO THE KIND OF MAN YOU'VE ALWAYS 428 00:26:42,070 --> 00:26:44,240 DAYDREAMED ABOUT. 429 00:26:44,240 --> 00:26:47,470 THE KIND OF MAN WOMEN WANT MOST. 430 00:26:47,470 --> 00:26:49,870 AND MEN WANT MOST TO BE. 431 00:26:51,870 --> 00:26:53,700 A HUNK. 432 00:26:53,700 --> 00:26:58,370 HANDSOME, TANNED, TONED. 433 00:26:58,370 --> 00:26:59,970 RICH, BRADLEY. 434 00:26:59,970 --> 00:27:02,770 SUCCESSFUL. 435 00:27:02,770 --> 00:27:04,870 ADMIRED. 436 00:27:04,870 --> 00:27:06,700 - WHAT'S ALL THIS GONNA COST ME? 437 00:27:06,700 --> 00:27:09,940 - OH, YOUR SOUL, SILLY BOY. 438 00:27:09,940 --> 00:27:12,940 AND WOULD YOU BELIEVE, RIGHT NOW, 439 00:27:12,940 --> 00:27:17,140 WE HAVE A NO-OBLIGATION SELL-YOUR-SOUL-FOR-THE-SUMMER 440 00:27:17,140 --> 00:27:19,670 TRIAL OFFER? 441 00:27:19,670 --> 00:27:22,440 AND IF YOU ARE NOT 100% SATISFIED, 442 00:27:22,440 --> 00:27:25,570 YOUR OLD BODY AND OLD SOUL WILL BE REFUNDED. 443 00:27:25,570 --> 00:27:28,040 IT'S A PACKAGE DEAL. 444 00:27:28,040 --> 00:27:32,400 - ARE YOU PART OF THE PACKAGE DEAL? 445 00:27:32,400 --> 00:27:34,140 - OH, THE DEVIL HIMSELF, INCORPORATED, 446 00:27:34,140 --> 00:27:36,470 FORBIDS MY DATING CLIENTS WHILE THEIR SOUL IS IN 447 00:27:36,470 --> 00:27:38,840 SPIRITUAL ESCROW. 448 00:27:38,840 --> 00:27:42,940 - THE DEVIL HIMSELF, INCORPORATED? 449 00:27:42,940 --> 00:27:46,100 - THE BOSS NEEDS TAX WRITE-OFFS JUST LIKE YOU. 450 00:27:46,100 --> 00:27:48,300 - WE'LL STILL SEE EACH OTHER, WON'T WE? 451 00:27:48,300 --> 00:27:52,070 - OH, FOR ETERNITY, IF YOU WANT. 452 00:27:52,070 --> 00:27:54,140 SO GIVE IT A GO FOR THE SUMMER? 453 00:27:54,140 --> 00:27:59,140 - AND NOW I'M SUPPOSED TO SIGN SOMETHING IN BLOOD, RIGHT? 454 00:27:59,140 --> 00:28:00,500 - A HYPODERMIC PEN. 455 00:28:00,500 --> 00:28:02,570 NO MUSS, NO FUSS. 456 00:28:02,570 --> 00:28:03,970 IT'S MY LATEST INVENTION. 457 00:28:03,970 --> 00:28:05,900 - OW! 458 00:28:24,900 --> 00:28:27,800 - DONE. 459 00:28:27,800 --> 00:28:29,700 - NOW WHAT? 460 00:28:29,700 --> 00:28:31,970 - NOW, WAIT. 461 00:28:31,970 --> 00:28:36,640 A NEW LIFE AND A NEW BODY BEGIN TOMORROW AT SUNRISE. 462 00:28:36,640 --> 00:28:39,740 SWEET DREAMS, BRADLEY BRINKMAN. 463 00:28:39,740 --> 00:28:43,840 THIS MAY BE THE LAST WE SEE OF THE OLD YOU. 464 00:28:43,840 --> 00:28:45,200 BYE. 465 00:28:45,200 --> 00:28:49,540 - BYE. 466 00:28:49,540 --> 00:28:55,170 OH, WEIRD. REALLY WEIRD. 467 00:28:56,240 --> 00:28:58,770 - THAT NIGHT, I HAD A WILD DREAM. 468 00:28:58,770 --> 00:29:02,670 AT LEAST, I THOUGHT IT WAS A DREAM. 469 00:31:14,840 --> 00:31:16,570 - OH, MAN, WHAT A NIGHTMARE. 470 00:31:27,400 --> 00:31:28,540 WAIT A MINUTE. 471 00:31:28,540 --> 00:31:30,400 WHOSE ARM IS THIS? 472 00:31:30,400 --> 00:31:32,840 WAIT A MINUTE. 473 00:31:32,840 --> 00:31:37,700 WHOSE ROOM IS THIS? 474 00:31:37,700 --> 00:31:41,940 STILL DREAMING. 475 00:31:41,940 --> 00:31:44,500 I'M NOT DREAMING. 476 00:31:44,500 --> 00:31:47,970 THIS IS REAL. 477 00:31:47,970 --> 00:31:49,600 WHERE'D ALL THIS COME FROM? 478 00:31:53,070 --> 00:32:02,170 OH, MY GOD. 479 00:32:02,170 --> 00:32:04,740 O'BRIEN REALLY DID IT. 480 00:32:14,800 --> 00:32:22,800 SHE REALLY...REALLY DID IT. 481 00:32:22,800 --> 00:32:28,500 HEY, THAT'S NOT OSCAR. 482 00:32:28,500 --> 00:32:33,700 MY BEST FRIEND SINCE THE SEVENTH GRADE IS MISSING. 483 00:32:33,700 --> 00:32:34,870 O'BRIEN? 484 00:32:34,870 --> 00:32:38,940 O'BRIEN, WHAT THE HELL-- CHACHKA, HI. 485 00:32:38,940 --> 00:32:42,740 - YOU KNOW ME? I'D REMEMBER MEETING YOU. 486 00:32:42,740 --> 00:32:45,340 IF YOU'RE ONE OF THE LEFTOVERS FROM LAST NIGHT, 487 00:32:45,340 --> 00:32:47,840 I'M GONNA KILL MYSELF FOR MISSING YOU. 488 00:32:47,840 --> 00:32:50,170 I MEAN, IT. 489 00:32:50,170 --> 00:32:52,840 - YEAH, I'M WHAT'S LEFT OVER, ALL RIGHT. 490 00:32:52,840 --> 00:32:56,300 - OH, IS BODY--I MEAN, BRADLEY--HOME? 491 00:32:56,300 --> 00:32:58,300 - BRADLEY. 492 00:32:58,300 --> 00:33:01,200 NO, BRADLEY'S STILL DREAMING, I THINK. 493 00:33:01,200 --> 00:33:03,700 I MEAN, HE'S STILL HUNG OVER FROM THE PARTY. 494 00:33:03,700 --> 00:33:04,770 - OH, LOOK. 495 00:33:04,770 --> 00:33:07,440 HE REDECORATED THE WHOLE PLACE. 496 00:33:07,440 --> 00:33:08,770 - YEAH. 497 00:33:08,770 --> 00:33:09,770 WOW. 498 00:33:09,770 --> 00:33:10,900 SHE SURE DID. 499 00:33:10,900 --> 00:33:12,100 I MEAN, YES. 500 00:33:12,100 --> 00:33:17,770 YES, HE DID. 501 00:33:17,770 --> 00:33:19,840 WHAT ARE YOU STARING AT? 502 00:33:19,840 --> 00:33:22,670 - A REAL HUNK. 503 00:33:22,670 --> 00:33:26,740 I MEAN, IS THAT YOUR NEW CAR IN THE DRIVEWAY? 504 00:33:26,740 --> 00:33:27,900 - NEW CAR? 505 00:33:27,900 --> 00:33:28,840 WHAT NEW CAR? 506 00:33:34,540 --> 00:33:36,340 YOU MEAN, THIS CAR? 507 00:33:36,340 --> 00:33:37,370 - NO. 508 00:33:37,370 --> 00:33:41,400 THIS IS MY GASTROMOBILE. 509 00:33:41,400 --> 00:33:43,170 - AH, IT'S INTERESTING, YES. 510 00:33:43,170 --> 00:33:45,640 - THE NEW CAR IS OVER HERE. 511 00:33:45,640 --> 00:33:47,000 IS IT YOURS? 512 00:33:47,000 --> 00:33:48,970 - CAR OF MY DAYDREAMS. 513 00:33:48,970 --> 00:33:52,840 UH, I MEAN, I DON'T KNOW. 514 00:33:52,840 --> 00:33:55,670 - WHO ARE YOU ANYWAY? 515 00:33:55,670 --> 00:33:57,770 - I'M NOT SURE. 516 00:33:57,770 --> 00:34:00,500 I MEAN, BRADLEY AND I ARE VERY CLOSE. 517 00:34:00,500 --> 00:34:04,700 LISTEN, HAVE YOU SEEN A WOMAN ABOUT 5'9", DARK HAIR, 518 00:34:04,700 --> 00:34:05,970 REALLY GORGEOUS? 519 00:34:05,970 --> 00:34:07,870 - NOT YOU TOO. 520 00:34:07,870 --> 00:34:11,070 - NEVER MIND. SHE'LL TURN UP. 521 00:34:11,070 --> 00:34:12,800 I HOPE. 522 00:34:15,300 --> 00:34:18,740 LOOK AT THIS STUFF. 523 00:34:21,000 --> 00:34:24,440 H.G. WHO IS H.G.? 524 00:34:24,440 --> 00:34:26,770 NOT ONLY WAS I NEW TO CHACHKA, 525 00:34:26,770 --> 00:34:29,870 BUT EVERYTHING I NOW OWNED WAS NEW TO ME. 526 00:34:39,070 --> 00:34:43,100 HOW WE DOING, SUSIE? 527 00:34:55,900 --> 00:34:58,800 "THE WHOLE PACKAGE DEAL." 528 00:34:58,800 --> 00:35:00,000 O'BRIEN. 529 00:35:07,600 --> 00:35:10,270 "HUNK GOLDEN?" 530 00:35:10,270 --> 00:35:14,940 MY NAME IS "HUNK GOLDEN?" 531 00:35:22,270 --> 00:35:25,140 I'M RICH. 532 00:35:25,140 --> 00:35:27,870 WHATEVER HAPPENED TO BRADLEY BRINKMAN? 533 00:35:27,870 --> 00:35:36,740 O'BRIEN! 534 00:35:36,740 --> 00:35:39,170 O'BRIEN. 535 00:35:55,800 --> 00:35:58,340 - IT WAS ALL I COULD DO TO KEEP FROM RIPPING HIS TOWEL 536 00:35:58,340 --> 00:35:59,740 OFF WITH MY TEETH. 537 00:35:59,740 --> 00:36:01,470 WHAT'S HIS NAME? 538 00:36:01,470 --> 00:36:03,000 HE DIDN'T SAY. 539 00:36:03,000 --> 00:36:05,670 - ANOTHER RENTER ASSHOLE. 540 00:36:05,670 --> 00:36:08,000 - THERE HE IS NOW. 541 00:36:08,000 --> 00:36:09,440 YOO-HOO! 542 00:36:09,440 --> 00:36:13,000 BRADLEY'S FRIEND! 543 00:36:13,000 --> 00:36:16,900 OVER HERE. 544 00:36:16,900 --> 00:36:19,070 - OH, NOW, THAT'S A PERFECT SPECIMEN. 545 00:36:19,070 --> 00:36:22,370 - A MAN'S MAN-AND-A-HALF. 546 00:36:22,370 --> 00:36:24,840 - PUTS YOU TWO BOTH TO SHAME. 547 00:36:24,840 --> 00:36:26,500 - YEAH, WE'LL SEE ABOUT THAT. 548 00:36:26,500 --> 00:36:28,140 - HELLO AGAIN. 549 00:36:28,140 --> 00:36:29,800 I DIDN'T CATCH YOUR NAME. 550 00:36:29,800 --> 00:36:31,740 - BRADLEY-- HUNK. 551 00:36:31,740 --> 00:36:33,700 MY NAME IS HUNK GOLDEN. 552 00:36:33,700 --> 00:36:35,870 - HUNK. 553 00:36:35,870 --> 00:36:38,670 THAT SHORT FOR HAIRDRESSER OR SOMETHING? 554 00:36:38,670 --> 00:36:39,800 - UH, HUNK. 555 00:36:39,800 --> 00:36:44,140 THIS IS COASTER, ALEXIS, LAUREL AND SKEET. 556 00:36:44,140 --> 00:36:47,000 - WELL, I FEEL LIKE I KNOW YOU ALREADY. 557 00:36:47,000 --> 00:36:48,770 - ISN'T HE CHARMING. 558 00:36:48,770 --> 00:36:51,200 MOVING IN? 559 00:36:51,200 --> 00:36:54,200 - OR MOVING ALONG? 560 00:36:54,200 --> 00:36:57,100 - NO, ACTUALLY, I'M JUST VISITING BRADLEY BRINKMAN. 561 00:36:57,100 --> 00:36:58,800 - THAT SCRAWNY LITTLE WUSS? 562 00:36:58,800 --> 00:37:01,100 - WELL, ACTUALLY, I'M JUST LOOKING FOR SOMEBODY RIGHT NOW. 563 00:37:01,100 --> 00:37:02,940 - WELL, WHAT'S THE HURRY, MURRAY? 564 00:37:02,940 --> 00:37:06,140 JUST SO HAPPENS WE'RE LOOKING FOR A FOURTH FOR V-BALL. 565 00:37:06,140 --> 00:37:09,300 - YOU DO KNOW HOW TO PLAY V-BALL, DON'T YOU? 566 00:37:09,300 --> 00:37:11,200 - UH, YEAH. 567 00:37:11,200 --> 00:37:15,500 SOMEBODY GAVE ME A FEW LESSONS ... ONCE. 568 00:37:15,500 --> 00:37:16,800 - GO, HUNK! 569 00:37:16,800 --> 00:37:18,700 - OH, I HOPE THIS IS GONNA BE GOOD. 570 00:37:18,700 --> 00:37:21,370 - ALL RIGHT! GREAT. 571 00:37:21,370 --> 00:37:24,400 - GO, HUNK! GO! 572 00:37:24,400 --> 00:37:27,370 - YOU CAN SERVE, CAN'T YOU? 573 00:37:27,370 --> 00:37:28,670 - YEAH. MIND IF I PRACTICE FIRST? 574 00:37:28,670 --> 00:37:29,670 - HEY, GARDENER. 575 00:37:29,670 --> 00:37:32,940 YOU AND ME. ONE ON ONE. 576 00:37:32,940 --> 00:37:35,440 HOPE YOU CAN HANDLE A GOOD SPIKE. 577 00:37:35,440 --> 00:37:37,140 - GOOD LUCK. 578 00:37:37,140 --> 00:37:39,470 - YEAH. 579 00:37:39,470 --> 00:37:41,570 - COME ON. GET IT UP, GORGEOUS. 580 00:37:41,570 --> 00:37:42,870 - GO, HUNK. 581 00:37:53,100 --> 00:37:54,740 KILL HIM, HUNK. 582 00:37:54,740 --> 00:37:56,800 - I'M GONNA WRAP YOUR NUTS AROUND YOUR NECK, 583 00:37:56,800 --> 00:37:57,870 TWINKIE DICK. 584 00:37:57,870 --> 00:37:59,100 - NO, SKEET. 585 00:37:59,100 --> 00:38:04,870 NO! 586 00:38:04,870 --> 00:38:07,370 - SKEET, DON'T DAMAGE THE MERCHANDISE. 587 00:38:07,370 --> 00:38:18,370 - SKEET, ENOUGH'S ENOUGH. 588 00:38:18,370 --> 00:38:21,040 - GO, HUNK. 589 00:38:32,370 --> 00:38:34,870 - OUT COLD. 590 00:38:34,870 --> 00:38:36,270 - FAIR FIGHT. 591 00:38:36,270 --> 00:38:38,470 HE'S MY BEST FRIEND, BUT HE CAN REALLY ROAR LIKE AN 592 00:38:38,470 --> 00:38:40,400 ASSHOLE SOMETIMES. 593 00:38:40,400 --> 00:38:42,040 - WHERE'D YOU GET THAT WALLOP? 594 00:38:42,040 --> 00:38:44,870 - THAT'S WHAT I'D LIKE TO KNOW. 595 00:39:00,670 --> 00:39:02,370 - I CAN'T BELIEVE YOU THREW THIS TOGETHER 596 00:39:02,370 --> 00:39:04,340 IN FIVE MINUTES' NOTICE, HUNK. 597 00:39:04,340 --> 00:39:05,700 - WHAT A HOST. 598 00:39:05,700 --> 00:39:07,200 - ODDS AND ENDS FROM THE FRIDGE. 599 00:39:07,200 --> 00:39:09,200 - ODDS AND END FOR 40. 600 00:39:09,200 --> 00:39:11,240 IMPRESSIVE. 601 00:39:11,240 --> 00:39:12,470 - WHERE'S BRADLEY? 602 00:39:12,470 --> 00:39:14,870 - BRADLEY, HE'S DOWNTOWN. 603 00:39:14,870 --> 00:39:15,870 BIG FAMILY EMERGENCY. 604 00:39:15,870 --> 00:39:18,740 - FIGURES. 605 00:39:18,740 --> 00:39:23,600 - I WANT A WORD WITH YOU, MR. HUNK GOLDEN. 606 00:39:23,600 --> 00:39:26,000 - THE LAST TIME SHE HAD A WORD WITH SOMEBODY, 607 00:39:26,000 --> 00:39:27,700 HE COULDN'T TALK FOR A WEEK. 608 00:39:27,700 --> 00:39:29,500 WANT A CRACKER? 609 00:39:29,500 --> 00:39:30,540 - I'M NOT EATING. 610 00:39:30,540 --> 00:39:31,600 - WHY NOT, BUBBY? 611 00:39:31,600 --> 00:39:33,040 - I'M FAT. - YOU'RE NOT FAT. 612 00:39:33,040 --> 00:39:35,300 - OH, YOU ARE NOT FAT. YOU'RE A BEAUTIFUL GAZELLE. 613 00:39:35,300 --> 00:39:36,370 - I'M HUGE. 614 00:39:36,370 --> 00:39:37,700 - YOU'RE NOT HUGE. - YOU ARE NOT. 615 00:39:37,700 --> 00:39:39,540 - YOU'RE THE MOST BEAUTIFUL THING IN THE WORLD. 616 00:39:39,540 --> 00:39:44,940 - I'M A BEACHED WHALE. - YOU'RE NOT A BEACHED WHALE. 617 00:39:44,940 --> 00:39:46,870 - I'M REALLY SORRY ABOUT SKEET. 618 00:39:46,870 --> 00:39:49,540 I DON'T KNOW MY OWN STRENGTH. 619 00:39:49,540 --> 00:39:50,670 HOW IS HE? 620 00:39:50,670 --> 00:39:55,940 - UNCONSCIOUS UNDER A 20-POUND ICE PACK. 621 00:39:55,940 --> 00:39:58,000 YOU ANIMAL. 622 00:39:58,000 --> 00:39:59,840 - I'M AN ANIMAL? 623 00:39:59,840 --> 00:40:03,900 - I'VE NEVER SEEN ANYTHING SO SAVAGE IN MY ENTIRE LIFE. 624 00:40:03,900 --> 00:40:06,300 WHO DO YOU THINK YOU ARE? 625 00:40:06,300 --> 00:40:07,500 - DO I KNOW? 626 00:40:07,500 --> 00:40:10,800 I JUST MET MYSELF FOR THE FIRST TIME TODAY. 627 00:40:10,800 --> 00:40:13,440 - YOU KNOW WHAT SOMEBODY OUGHT TO DO TO A BRUTAL 628 00:40:13,440 --> 00:40:15,070 BASTARD LIKE YOU? 629 00:40:15,070 --> 00:40:18,070 - UH, NO. 630 00:40:18,070 --> 00:40:22,000 - SOMEBODY SHOULD THANK YOU FOR PUTTING THAT BIG LUMMOX 631 00:40:22,000 --> 00:40:24,670 IN HIS PLACE. 632 00:40:24,670 --> 00:40:27,040 YOU'RE A WALKING A CHUCK NORRIS MOVIE, 633 00:40:27,040 --> 00:40:30,300 AND I'M NOT WAITING TILL YOU'RE OUT ON VIDEOCASSETTE! 634 00:40:30,300 --> 00:40:33,170 - UH, IN CASE YOU HAVEN'T NOTICED, 635 00:40:33,170 --> 00:40:34,700 THIS HOUSE IS FULL OF GUESTS. 636 00:40:34,700 --> 00:40:37,740 - AND ALL THE WOMEN WANNA TAKE YOU SOUTH OF THE 637 00:40:37,740 --> 00:40:42,040 MASON-DIXON LINE. 638 00:40:42,040 --> 00:40:44,400 - THINGS LIKE THIS NEVER HAPPEN TO BRADLEY BRINKMAN. 639 00:40:44,400 --> 00:40:47,800 - WELL, WHY WORRY ABOUT THAT LITTLE OLD TADPOLE WHEN WE 640 00:40:47,800 --> 00:40:51,040 GOT A BIGGER FISH TO FRY? 641 00:40:53,440 --> 00:40:56,100 - WHERE'D YOU LEARN TO JOCKEY THIS BED? 642 00:40:56,100 --> 00:40:58,740 - DALLAS GENERAL HOSPITAL. 643 00:40:58,740 --> 00:41:01,740 BEFORE BECOMING AN ANNIHILATOR CHEERLEADER, 644 00:41:01,740 --> 00:41:06,040 I WAS STRIPPED OF MY CANDY STRIPES. 645 00:41:06,040 --> 00:41:08,170 - WELL, ONCE A CANDY-STRIPER, ALWAYS A CANDY-STRIPER. 646 00:41:08,170 --> 00:41:09,400 THAT'S WHAT I SAY. 647 00:41:09,400 --> 00:41:13,370 - YOU WANNA SEE MY STRIPES? 648 00:41:13,370 --> 00:41:17,040 OKAY! 649 00:41:17,040 --> 00:41:18,540 THEY'RE INVISIBLE. 650 00:41:18,540 --> 00:41:21,140 - OH, I CAN SEE 'EM JUST FINE. 651 00:41:21,140 --> 00:41:24,440 - WHOO! 652 00:41:32,840 --> 00:41:34,940 OH-OH-OH! - OH-OH-OH-OH-OH-OH-OH-OH! 653 00:41:34,940 --> 00:41:36,270 - WHOO! 654 00:41:37,370 --> 00:41:39,240 WHOO! 655 00:41:39,240 --> 00:41:40,870 AH! AH! AH! AH! AH! 656 00:41:45,540 --> 00:41:46,570 WHOO! 657 00:41:46,570 --> 00:41:48,340 - OH! OH! OH! 658 00:41:49,470 --> 00:41:50,540 - WHOO! 659 00:41:50,540 --> 00:41:52,640 - AH AH AH! - WHOO! 660 00:42:10,970 --> 00:42:12,570 - WHAT A DIFFERENCE A DAY MAKES. 661 00:42:12,570 --> 00:42:14,170 - IT'S ABOUT TIME. 662 00:42:14,170 --> 00:42:16,870 WHERE IS BRADLEY BRINKMAN? 663 00:42:16,870 --> 00:42:20,440 - YOU'RE STILL BRADLEY INSIDE. 664 00:42:20,440 --> 00:42:23,200 ONLY NOW, YOU'RE GETTING RESULTS. 665 00:42:23,200 --> 00:42:27,500 - I THOUGHT YOU WERE SOME GORGEOUS KOOK, NOT SATANA, 666 00:42:27,500 --> 00:42:29,000 QUEEN OF DARKNESS. 667 00:42:29,000 --> 00:42:30,540 - WILL YOU RELAX? 668 00:42:30,540 --> 00:42:34,970 ENJOY LIVING IN THIS GORGEOUS NEW CHASSIS FOR A WHILE. 669 00:42:34,970 --> 00:42:36,570 - YOU KNOW, I DRANK EIGHT MARTINIS. 670 00:42:36,570 --> 00:42:38,000 I'M NOT EVEN HUNG OVER. 671 00:42:38,000 --> 00:42:39,570 - THAT'S NOTHING. 672 00:42:39,570 --> 00:42:43,170 TOMORROW, WE BEGIN NEW BODY ORIENTATION. 673 00:42:43,170 --> 00:42:45,140 ARE YOU GONNA BE SURPRISED. 674 00:42:45,140 --> 00:42:48,440 - WHAT ABOUT MY OLD BODY? 675 00:42:48,440 --> 00:42:54,140 - THE TRIAL OFFER EXPIRES THE MIDNIGHT AFTER LABOR DAY, 676 00:42:54,140 --> 00:42:55,970 BUT YOU'LL NEVER GO BACK. 677 00:42:55,970 --> 00:42:57,640 NOBODY DOES. 678 00:42:57,640 --> 00:42:59,700 TRUST ME. 679 00:42:59,700 --> 00:43:01,940 I DESIGNED YOU MYSELF. 680 00:43:06,370 --> 00:43:09,400 YOU'VE GOT THE THIGHS OF SYLVESTER STALLONE, 681 00:43:09,400 --> 00:43:11,870 THE PELVIS OF ELVIS PRESLEY, 682 00:43:11,870 --> 00:43:14,500 THE NAVEL OF ARNOLD SCHWARZENEGGER, 683 00:43:14,500 --> 00:43:16,540 THE NIPPLES OF ROBERT REDFORD, 684 00:43:16,540 --> 00:43:20,940 THE EYES OF PAUL NEWMAN, AND THE SCHLONG OF KING KONG. 685 00:43:20,940 --> 00:43:25,370 I GAVE YOU PERMA-FIRM FLESH, WRINKLE-PROOF PERMA-TAN SKIN, 686 00:43:25,370 --> 00:43:29,900 UNFRIZZABLE HAIR, UNBREAKABLE BONES, 687 00:43:29,900 --> 00:43:34,640 SELF-CLEANING CAVITY-PROOF TEETH, ODORLESS SWEAT. 688 00:43:34,640 --> 00:43:37,570 WHEN YOU DIE, YOUR SOUL LIVES ON IN HELL IN HUNK FORM 689 00:43:37,570 --> 00:43:40,070 FOR ETERNITY. 690 00:43:49,170 --> 00:43:51,340 GORGE YOURSELF ON THE MOST FATTENING FOOD 691 00:43:51,340 --> 00:43:54,340 IN ALL CREATION AND NEVER GAIN WEIGHT. 692 00:44:03,200 --> 00:44:06,470 CHUG 12 TIMES THE ALCOHOL CAPACITY OF A PERSON 693 00:44:06,470 --> 00:44:08,300 TWICE YOUR SIZE. 694 00:44:08,300 --> 00:44:10,700 YOUR LIVER WAS DESIGNED BY DEAN MARTIN. 695 00:44:12,040 --> 00:44:14,100 AND TO PROTECT OUR EVIL INVESTMENT, 696 00:44:14,100 --> 00:44:16,540 YOU'RE A NATURAL MARTIAL ARTS MASTER. 697 00:44:16,540 --> 00:44:18,500 JUST ASK SKEET. 698 00:44:29,140 --> 00:44:32,840 LET'S NOT FORGET WHY WE PACKAGED YOU SO STUNNINGLY-- 699 00:44:32,840 --> 00:44:34,570 WOMEN. 700 00:44:36,370 --> 00:44:40,440 YOU'LL BE A MOVING TARGET FROM NOW ON FOR ANYONE WHO 701 00:44:40,440 --> 00:44:42,700 LOVES LUSCIOUS-LOOKING MEN. 702 00:44:51,540 --> 00:44:54,440 YOU'RE BOUND TO OVERDO THE SUPER-STUD BIT AT FIRST, 703 00:44:54,440 --> 00:44:57,800 BUT YOU'LL KNOW WHEN ENOUGH IS ENOUGH. 704 00:45:01,740 --> 00:45:03,440 WORSHIP THY WHEELS. 705 00:45:03,440 --> 00:45:06,300 A HUNK IS NAKED WITHOUT HIS CAR. 706 00:45:09,970 --> 00:45:11,500 AND DO EVERYTHING FIRST. 707 00:45:11,500 --> 00:45:14,100 A HUNK SETS TRENDS. 708 00:45:25,300 --> 00:45:27,370 UNDERDRESS TO IMPRESS. 709 00:45:27,370 --> 00:45:29,940 A HUNK LOOKS HIS BEST WHEN HE LOOKS LIKE HE DOESN'T 710 00:45:29,940 --> 00:45:31,840 CARE HOW HE LOOKS. 711 00:45:35,500 --> 00:45:39,670 - THAT IS THE MOST INCREDIBLE, RIDICULOUS, 712 00:45:39,670 --> 00:45:44,040 PREPOSTEROUS STORY I HAVE EVER HEARD. 713 00:45:44,040 --> 00:45:46,500 - BUT IT'S TRUE. 714 00:45:46,500 --> 00:45:49,900 - YOU REALIZE I JUST TAPED YOUR ENTIRE SESSION, 715 00:45:49,900 --> 00:45:52,100 AND ON THE BASIS OF THAT ALONE, 716 00:45:52,100 --> 00:45:54,600 I COULD HAVE YOU HELD FOR OBSERVATION AT ANY MENTAL 717 00:45:54,600 --> 00:45:57,300 WARD IN LOS ANGELES COUNTY, 718 00:45:57,300 --> 00:46:00,300 BUT THAT'S WHAT FASCINATES ME. 719 00:46:00,300 --> 00:46:04,240 YOU SOUND DELUDED, BUT SOMETHING INSIDE ME TELLS ME 720 00:46:04,240 --> 00:46:05,740 YOU'RE NOT. 721 00:46:05,740 --> 00:46:08,940 - YEAH, WELL THE ME INSIDE ME KNOWS I'M NOT. 722 00:46:08,940 --> 00:46:11,770 I MEAN, WHAT IF SHE HAS A DEMONIC WHIM AND TURNS ME 723 00:46:11,770 --> 00:46:12,940 INTO A HAMSTER? 724 00:46:12,940 --> 00:46:14,670 OR A HIGH SCHOOL DRIVER'S ED INSTRUCTOR? 725 00:46:14,670 --> 00:46:16,870 - DON'T PANIC, HUNK. 726 00:46:16,870 --> 00:46:18,370 DO I BELIEVE YOU? 727 00:46:18,370 --> 00:46:19,400 NO. 728 00:46:19,400 --> 00:46:23,600 CAN I HELP YOU TO HELP YOURSELF? MAYBE. 729 00:46:23,600 --> 00:46:24,600 - ALL RIGHT. 730 00:46:24,600 --> 00:46:26,170 WHERE DO I START? 731 00:46:26,170 --> 00:46:28,540 - WELL, YOU SAY YOU'RE BRADLEY BRINKMAN, 732 00:46:28,540 --> 00:46:31,940 AND THAT BRADLEY BRINKMAN'S DREAM IS TO BECOME A HUNK, 733 00:46:31,940 --> 00:46:34,240 RIGHT? - RIGHT. 734 00:46:34,240 --> 00:46:36,140 - SO BE A HUNK. 735 00:46:36,140 --> 00:46:38,300 I MEAN, THERE'S NOTHING WRONG WITH THAT WHILE WE'RE 736 00:46:38,300 --> 00:46:42,000 GETTING TO THE REAL ROOT OF YOUR PROBLEM. 737 00:46:42,000 --> 00:46:43,670 - YOU KNOW, MAYBE IF YOU COULD MEET O'BRIEN 738 00:46:43,670 --> 00:46:45,570 THAT WOULD PROVE EVERYTHING. 739 00:46:45,570 --> 00:46:49,870 - I DOUBT WHETHER O'BRIEN OR BRADLEY BRINKMAN EXIST 740 00:46:49,870 --> 00:46:52,700 OUTSIDE OF YOUR IMAGINATION. 741 00:46:52,700 --> 00:46:56,370 SO UNTIL OUR NEXT SESSION, JUST LIGHTEN UP. 742 00:46:56,370 --> 00:46:59,200 THERE ARE WORSE FATES THAN BEING A DROP DEAD GORGEOUS GUY 743 00:46:59,200 --> 00:47:04,570 WITH A PAD AT THE BEACH, YOU KNOW. 744 00:47:04,570 --> 00:47:08,040 - YOU KNOW SOMETHING, DOCTOR? YOU'RE RIGHT. 745 00:47:08,040 --> 00:47:11,170 - MY CLIENTS AND MY FRIENDS CALL ME SUNNY. 746 00:47:58,040 --> 00:48:00,600 - I'LL BE RIGHT BACK AFTER I POWDER MY NOSE. 747 00:48:00,600 --> 00:48:01,900 - YOU PROMISE. - MM-HMM. 748 00:48:08,540 --> 00:48:11,140 - WHOA. 749 00:48:11,140 --> 00:48:13,400 CHICKY, CHICKY, CHICKY DEAR OF THE SEA, 750 00:48:13,400 --> 00:48:16,340 WON'T YOU TALK TO ME? 751 00:48:16,340 --> 00:48:17,640 AWW, COME ON, BABE. 752 00:48:17,640 --> 00:48:20,470 SAVE THAT COLD FISH STUFF FOR ALL THESE NERDS AND 753 00:48:20,470 --> 00:48:23,470 "TUNA" IN TO ME, SUSHI TAIL. 754 00:48:24,600 --> 00:48:25,800 WHAT'S WRONG? 755 00:48:25,800 --> 00:48:28,540 HAS CATFISH GOT YOUR TONGUE, HUH? 756 00:48:28,540 --> 00:48:29,540 - BABE! 757 00:48:29,540 --> 00:48:31,670 - OOPS. GOTTA GO. 758 00:48:31,670 --> 00:48:34,270 BUT I JUST LOVE RAW FISH. 759 00:48:37,200 --> 00:48:40,570 - WAS BIGGSY-WIGGSY A GOOD WITTLE BOY WHILE MOMMY 760 00:48:40,570 --> 00:48:42,900 POWDERED HER NOSY-WOSY? 761 00:48:42,900 --> 00:48:44,270 - THE GOODEST. 762 00:48:44,270 --> 00:48:46,440 - I'LL BET. 763 00:48:49,500 --> 00:48:51,570 - EXCUSE ME. 764 00:49:04,640 --> 00:49:07,700 HEY, MARTY, HOW ABOUT A CAMPARI WITH A SPLASH OF ORANGE? 765 00:49:15,240 --> 00:49:16,170 - SINCE SHE TOLD ME-- 766 00:49:32,900 --> 00:49:37,100 - SO HOW WAS THE CATCH OF THE DAY? 767 00:49:37,100 --> 00:49:39,500 - AH, PRETTY FRESH. 768 00:49:39,500 --> 00:49:40,770 - "PRETTY FRESH"? 769 00:49:40,770 --> 00:49:43,140 HEY, I PROMISED YOU PARADISE, AND I DELIVERED. 770 00:49:43,140 --> 00:49:44,540 - I KNOW, I KNOW. 771 00:49:44,540 --> 00:49:47,840 A LIFE OF EARTHLY PLEASURE IN EXCHANGE FOR AN AFTERLIFE 772 00:49:47,840 --> 00:49:51,200 OF THE INTERNAL INFERNAL GOD OF HELLFIRE AND STAPH, RIGHT? 773 00:49:53,270 --> 00:49:54,940 - SOMEBODY MENTION ME? 774 00:49:56,940 --> 00:49:59,740 - HUNK, MEET THE CHAIRMAN OF THE BOARD 775 00:49:59,740 --> 00:50:03,700 OF THE DEVIL HIMSELF, INCORPORATED--DR. D., 776 00:50:03,700 --> 00:50:05,500 THE DEVIL HIMSELF. 777 00:50:05,500 --> 00:50:07,140 - THE DEVIL IS A DOCTOR? 778 00:50:07,140 --> 00:50:11,470 - A DOCTOR OF DEATH, SWORN TO THE HYPOCRITIC OATH-- 779 00:50:11,470 --> 00:50:14,800 TO TAKE LIFE WHENEVER POSSIBLE. 780 00:50:14,800 --> 00:50:16,170 - WAIT A MINUTE. 781 00:50:16,170 --> 00:50:18,240 YOU LOOK JUST LIKE THE GUY THAT USED TO OWN THIS HOUSE. 782 00:50:18,240 --> 00:50:20,840 THAT CAPTAIN CRABIT GUY. 783 00:50:20,840 --> 00:50:24,370 - OH, I LOOK LIKE MANY DIFFERENT PEOPLE THROUGHOUT HISTORY. 784 00:50:24,370 --> 00:50:26,640 ALL OF THEM ROTTEN. 785 00:50:26,640 --> 00:50:28,570 - WELL, YOU DRESS LIKE GENGHIS KHAN. 786 00:50:28,570 --> 00:50:30,600 - ATTILA THE HUN. 787 00:50:30,600 --> 00:50:34,170 WE'RE SACKING ROME IN 451 A.D. 788 00:50:34,170 --> 00:50:39,300 ACTUALLY, I JUST POPPED IN FOR A COKE CLASSIC. 789 00:50:39,300 --> 00:50:41,470 - WHO'S SHE? 790 00:50:41,470 --> 00:50:43,270 - CHINCHILLIA. 791 00:50:43,270 --> 00:50:47,200 A LITTLE ROMAN SLAVE GIRL I RESCUED 792 00:50:47,200 --> 00:50:49,440 TO KEEP ME WARM AT NIGHT. 793 00:50:49,440 --> 00:50:51,970 SHE ONLY SPEAKS LATIN, I'M AFRAID. 794 00:50:51,970 --> 00:50:55,800 "E PLURIBUS UNUM," MY DEAR. 795 00:50:55,800 --> 00:50:57,570 - WAIT A MINUTE, WAIT A MINUTE, WAIT A MINUTE. 796 00:50:57,570 --> 00:51:00,270 451 A.D.? THAT'S 15 CENTURIES AGO. 797 00:51:00,270 --> 00:51:02,170 - WELL, IF HISTORY'S GONNA REPEAT ITSELF, 798 00:51:02,170 --> 00:51:04,740 I HAVE TO KEEP EVIL GOING IN THE PAST AS WELL AS THE 799 00:51:04,740 --> 00:51:06,670 PRESENT AND FUTURE. 800 00:51:06,670 --> 00:51:09,240 THIS IS THE WORST DEMON POWER SHORTAGE WE'VE HAD 801 00:51:09,240 --> 00:51:14,200 SINCE EVERYONE WENT HOLY FOR THOSE BLASTED CRUSADES. 802 00:51:14,200 --> 00:51:19,770 THAT'S WHY I WANT YOU. 803 00:51:22,800 --> 00:51:25,300 - ME? 804 00:51:25,300 --> 00:51:27,640 - YES. YOU. 805 00:51:27,640 --> 00:51:31,470 IN ANOTHER 50 YEARS, YOU'LL BE ASSISTING ALL THE BIGGIES 806 00:51:31,470 --> 00:51:36,300 OF BADNESS--IVAN THE TERRIBLE, JACK THE RIPPER, 807 00:51:36,300 --> 00:51:40,770 BENITO MUSSOLINI, AND FIRST DIBS ON DELECTABLE FRINGE 808 00:51:40,770 --> 00:51:42,640 BENEFITS TOO, MY BOY. 809 00:51:45,300 --> 00:51:50,370 NOW, O'BRIEN, IF YOU NEED ME ON MONDAY, 810 00:51:50,370 --> 00:51:53,270 I WILL BE AT THE FRENCH REVOLUTION, 811 00:51:53,270 --> 00:51:55,800 BEHEADING AMBASSADORS. 812 00:51:55,800 --> 00:52:00,340 TUESDAY, CHAMPAGNE WITH CAIN FOR KILLING ABEL. 813 00:52:00,340 --> 00:52:05,240 WEDNESDAY NIGHT, POLO WITH THE FOUR HORSEMEN OF THE APOCALYPSE. 814 00:52:05,240 --> 00:52:10,200 THURSDAY, THE 1906 SAN FRANCISCO EARTHQUAKE. 815 00:52:10,200 --> 00:52:12,170 WHAT A BLAST THAT WAS. 816 00:52:12,170 --> 00:52:17,840 FRI--OH, FRIDAY, I SINK ATLANTIS FOR THE WEEKEND. 817 00:52:17,840 --> 00:52:20,100 I CAN'T WAIT FOR THAT. 818 00:52:20,100 --> 00:52:22,870 - WHAT, WHAT, WHAT HAPPENS TO HER? 819 00:52:22,870 --> 00:52:25,270 - OH, I'LL PROBABLY KILL HER IN THE TROJAN WAR 820 00:52:25,270 --> 00:52:28,470 OR TURN HER INTO A HULA-HOOP IN THE 1950s. 821 00:52:28,470 --> 00:52:29,940 I HAVEN'T DECIDED WHICH YET. 822 00:52:29,940 --> 00:52:31,070 - KILL HER? 823 00:52:31,070 --> 00:52:33,070 - YOU'RE RIGHT, I'LL KILL HER. 824 00:52:33,070 --> 00:52:34,740 A HULA-HOOP IS TOO CRUEL. 825 00:52:34,740 --> 00:52:36,800 EVEN FOR ME. 826 00:52:36,800 --> 00:52:39,970 - NO, NO, I DIDN'T MEAN "TO KILL HER." NO. 827 00:52:39,970 --> 00:52:42,270 - DON'T BE SO SQUEAMISH, MY BOY. 828 00:52:42,270 --> 00:52:44,600 THERE ARE VICTIMS ALL THROUGH HISTORY. 829 00:52:44,600 --> 00:52:46,440 MY VICTIMS. 830 00:52:46,440 --> 00:52:47,940 O'BRIEN'S VICTIMS. 831 00:52:47,940 --> 00:52:50,900 AND SOON, YOUR VICTIMS. 832 00:52:50,900 --> 00:52:53,300 - BODY COUNT IS THE BOTTOM LINE IN OUR BUSINESS. 833 00:52:53,300 --> 00:52:54,370 - THIS IS BEGINNING TO SOUND 834 00:52:54,370 --> 00:52:56,640 LIKE A HORROR FILM HERE, O'BRIEN. 835 00:52:56,640 --> 00:53:01,670 - OH, I ALWAYS SAY, "ART IMITATES DEATH." 836 00:53:08,540 --> 00:53:11,600 BYE-BYE, HAPPY HUNK GOLDEN. 837 00:53:11,600 --> 00:53:14,340 I'LL MEET YOU BACK HERE MIDNIGHT AFTER LABOR DAY 838 00:53:14,340 --> 00:53:16,040 TO CLOSE THE DEAL. 839 00:53:16,040 --> 00:53:19,540 WE'LL BE EXPECTING APPALLING, HORRIFYING, 840 00:53:19,540 --> 00:53:23,270 HORRIBLE, GHASTLY THINGS FROM YOU. 841 00:53:23,270 --> 00:53:25,870 CIAO, BABY. 842 00:53:31,300 --> 00:53:33,800 - I ASSIST IVAN THE TERRIBLE? 843 00:53:33,800 --> 00:53:35,240 - IT'S NO BIGGIE. 844 00:53:35,240 --> 00:53:37,600 SO EVERY FEW CENTURIES YOU RE-PERPETUATE EVIL 845 00:53:37,600 --> 00:53:39,400 SOMEWHERE IN HISTORY. 846 00:53:39,400 --> 00:53:43,700 - OH, A TIME-TRAVELLING SATANIC SALESPERSON, LIKE YOU. 847 00:53:43,700 --> 00:53:44,740 - RIGHT. 848 00:53:44,740 --> 00:53:46,370 THEN WE CAN BE TOGETHER FOREVER. 849 00:53:46,370 --> 00:53:47,670 THINK OF IT. 850 00:53:47,670 --> 00:53:49,970 DECEMBER 6, 1941. 851 00:53:49,970 --> 00:53:53,470 WE HIT TOKYO TO SCARF SOME SAKE AND SUSHI IN TIME TO 852 00:53:53,470 --> 00:53:56,470 BOMB PEARL HARBOR ON DECEMBER 7. 853 00:53:56,470 --> 00:53:59,270 TALK ABOUT ROMANTIC. 854 00:53:59,270 --> 00:54:01,800 - YEAH. 855 00:54:01,800 --> 00:54:03,470 FINALLY MEET A BEAUTIFUL WOMAN, 856 00:54:03,470 --> 00:54:06,600 AND SHE WANTS ME TO BOMB PEARL HARBOR. 857 00:54:06,600 --> 00:54:08,600 "TALK ABOUT ROMANTIC." 858 00:54:12,440 --> 00:54:15,240 - YOU MET THE DEVIL? 859 00:54:15,240 --> 00:54:17,200 - EVERYTHING WAS GOING LIKE A CHARM TOO. 860 00:54:17,200 --> 00:54:20,000 JUST LIKE O'BRIEN SAID IT WOULD. 861 00:54:20,000 --> 00:54:23,400 - AND WHAT DID THE DEVIL LOOK LIKE? 862 00:54:23,400 --> 00:54:24,640 - HIS NAME IS DR. D. 863 00:54:24,640 --> 00:54:26,770 HE WAS DRESSED LIKE ATTILA THE HUN. 864 00:54:26,770 --> 00:54:28,370 - ATTILA THE HUN? 865 00:54:28,370 --> 00:54:30,100 - AND HIS CAPTIVE ROMAN SLAVE GIRL WITH HIM, 866 00:54:30,100 --> 00:54:32,340 NAMED CHINCHILLA OR SOMETHING. 867 00:54:32,340 --> 00:54:35,070 - WELL, SHE'LL NEVER BE COLD WITH A NAME LIKE THAT. 868 00:54:35,070 --> 00:54:37,140 - HE'S GONNA KILL HER DURING THE TROJAN WAR OR TURN HER 869 00:54:37,140 --> 00:54:38,970 INTO A HULA-HOOP IN THE 1950s. 870 00:54:38,970 --> 00:54:41,000 HE'LL DO IT TOO. 871 00:54:41,000 --> 00:54:43,500 - I'M SURE HE WILL. 872 00:54:43,500 --> 00:54:48,100 - GONNA TRAVEL THROUGH TIME TOO. 873 00:54:48,100 --> 00:54:49,300 - HUNK? 874 00:54:49,300 --> 00:54:51,540 - YEAH. 875 00:54:51,540 --> 00:54:53,400 - HAVE YOU BEEN TAKING DRUGS? 876 00:54:53,400 --> 00:54:55,600 - FOR WHAT? 877 00:54:55,600 --> 00:55:00,270 I WAS FLYING HIGH ON MY OWN TILL DR. D. SHOWED UP. 878 00:55:00,270 --> 00:55:04,570 - MAYBE WE SHOULD HAVE OUR NEXT SESSION AT YOUR HOUSE. 879 00:55:04,570 --> 00:55:06,400 - OH, YOU MAKE HOUSE CALLS? 880 00:55:06,400 --> 00:55:07,700 - NO. 881 00:55:07,700 --> 00:55:09,200 NOT NORMALLY. 882 00:55:09,200 --> 00:55:11,500 BUT I THINK MAYBE SOMETHING AT THE SEA SPRAY SETTING 883 00:55:11,500 --> 00:55:14,200 MIGHT REVEAL CLUES THAT I JUST CAN'T DISCOVER HERE. 884 00:55:14,200 --> 00:55:16,300 - STILL THINK I'M JOKING, DON'T YOU? 885 00:55:16,300 --> 00:55:20,670 - NO. I THINK YOUR PANIC IS GENUINE. 886 00:55:20,670 --> 00:55:22,600 JUST NOT SO SURE ABOUT THE SOURCE. 887 00:55:22,600 --> 00:55:24,840 - IF I COULD ONLY GET YOU AND O'BRIEN IN THE SAME ROOM. 888 00:55:24,840 --> 00:55:27,040 SHE'S EXHIBIT A-PLUS. 889 00:55:27,040 --> 00:55:30,840 - HOW'S TUESDAY AT TEN? 890 00:55:32,740 --> 00:55:34,070 - GOOD. 891 00:55:41,570 --> 00:55:42,870 DOC! 892 00:55:42,870 --> 00:55:44,000 I MEAN, SUNNY. 893 00:55:44,000 --> 00:55:46,470 UH, COME IN. 894 00:55:46,470 --> 00:55:47,840 I HAD A LATE NIGHT. 895 00:55:47,840 --> 00:55:48,970 - SO IT SEEMS. 896 00:55:51,740 --> 00:55:52,800 - AIR DEUTSCHLAND. 897 00:55:52,800 --> 00:55:55,670 THE MESSERSCHMITT SISTERS. 898 00:55:55,670 --> 00:55:59,640 URSULA... 899 00:55:59,640 --> 00:56:01,400 UND UMLAUT. 900 00:56:05,400 --> 00:56:08,540 ICH BIN EIN BERLINER! 901 00:56:08,540 --> 00:56:11,770 THEY FOLLOWED ME HOME FROM THE 7-11 AND SANG BEATLES SONGS 902 00:56:11,770 --> 00:56:14,270 AT THE DOOR TO ME IN GERMAN TILL I LET THEM IN. 903 00:56:16,540 --> 00:56:19,470 - IT'S ALL PART OF OBSERVING YOU IN YOUR 904 00:56:19,470 --> 00:56:22,170 SUPERNATURAL HABITAT. 905 00:56:22,170 --> 00:56:23,700 - TOUCHE. 906 00:56:40,100 --> 00:56:44,640 WELL, NOW, WHERE WERE WE, DOC? 907 00:56:44,640 --> 00:56:45,970 - LET'S GET YOU OUT IN PUBLIC. 908 00:56:45,970 --> 00:56:48,340 I WANNA SEE YOUR HUNK MAGNETISM AT WORK. 909 00:56:48,340 --> 00:56:49,370 - THE BEACH. 910 00:56:49,370 --> 00:56:50,670 PERFECT. 911 00:56:50,670 --> 00:56:53,000 HANG ON. HELLO? 912 00:56:53,000 --> 00:56:55,000 - BRADLEY. 913 00:56:55,000 --> 00:56:56,870 IT'S CONSTAPOPOLIS CALLING. 914 00:56:56,870 --> 00:56:59,640 AND HOW IS DOING OUR LITTLE GENIUS, EH? 915 00:56:59,640 --> 00:57:01,040 - IT'S MY BOSS. 916 00:57:01,040 --> 00:57:04,840 BRADLEY'S BOSS, CONSTANTINE CONSTAPOPOLIS. 917 00:57:04,840 --> 00:57:08,500 HELLO, MR. CONSTAPOPOLIS, HOW ARE DEMETRA, 918 00:57:08,500 --> 00:57:11,970 DEMETRIUS AND CONSTANTINE, JR.? 919 00:57:11,970 --> 00:57:13,900 - IS THIS BRADLEY BRINKMAN? 920 00:57:13,900 --> 00:57:15,240 - OF COURSE. 921 00:57:15,240 --> 00:57:17,300 - IT DON'T SOUND LIKE YOU, BRADLEY. 922 00:57:17,300 --> 00:57:19,140 - HE DOESN'T BELIEVE I'M BRADLEY. 923 00:57:19,140 --> 00:57:21,200 - THAT MAKES TWO OF US. 924 00:57:21,200 --> 00:57:23,040 YEAH, I'M GONNA HAVE TO TRY TO DO MY OLD VOICE. 925 00:57:23,040 --> 00:57:24,540 ONE MINUTE, MR. C. DOORBELL. 926 00:57:26,100 --> 00:57:31,340 UH ... HELLO, MR. CONSTAPOPOLIS. 927 00:57:31,340 --> 00:57:33,700 YES, MR. CONSTAPOPOLIS? 928 00:57:35,770 --> 00:57:39,640 YOU'RE RIGHT, MR. CONSTAPOPOLIS. GOT IT. 929 00:57:39,640 --> 00:57:41,170 [as Bradley] THANKS FOR THE BAKLAVA. 930 00:57:41,170 --> 00:57:42,300 EVERYTHING WAS FANTASTIC. 931 00:57:42,300 --> 00:57:45,300 - THAT'S MY BRADLEY. 932 00:57:45,300 --> 00:57:47,870 SO HAVE YOU WRITTEN PROGRAM X YET? 933 00:57:47,870 --> 00:57:49,440 NO, DON'T TELL ME. DON'T TELL ME. 934 00:57:49,440 --> 00:57:52,240 I'LL WAIT TILL YOU COME BACK AFTER LABOR DAY, HUH? 935 00:57:52,240 --> 00:57:53,470 HUH? 936 00:57:53,470 --> 00:57:54,600 - PROGRAM X. 937 00:57:54,600 --> 00:57:55,600 LABOR DAY. 938 00:57:55,600 --> 00:57:56,600 UH, RIGHT. 939 00:57:56,600 --> 00:57:58,940 EVERYTHING IS COMING ALONG JUST FINE. 940 00:57:58,940 --> 00:58:01,500 - OH, LISTEN, THE DISTRIBUTORS NEED IT BY 941 00:58:01,500 --> 00:58:04,970 NOVEMBER, SO YOU MUST DELIVER IT AFTER LABOR DAY. 942 00:58:04,970 --> 00:58:06,840 NO PRESSURE, OF COURSE. 943 00:58:06,840 --> 00:58:08,240 - NO SWEAT. 944 00:58:08,240 --> 00:58:10,800 NO PRESSURE AT ALL. RIGHT. COMING UP RIGHT AFTER LABOR DAY. 945 00:58:10,800 --> 00:58:16,870 - GOOD, GOOD. TELL ME, BRADLEY-- WHAT IS IT? HMM? 946 00:58:16,870 --> 00:58:18,740 GIVE ME A HINT. JUST A LITTLE HINT. 947 00:58:18,740 --> 00:58:20,240 JUST A TINY, LITTLE HINT. 948 00:58:20,240 --> 00:58:21,740 JUST A--NO, NO, DON'T TELL ME. 949 00:58:21,740 --> 00:58:25,600 NO. JUST A LITTLE. COME ON. 950 00:58:25,600 --> 00:58:27,570 - AND RUIN THE SURPRISE? 951 00:58:27,570 --> 00:58:31,700 - "AND RUIN THE SURPRISE." 952 00:58:31,700 --> 00:58:32,900 YOU'RE A GENIUS. 953 00:58:32,900 --> 00:58:35,240 A GENIUS, YOU HEAR ME? 954 00:58:35,240 --> 00:58:37,170 BRADLEY, I KISS YOU. MWAH! 955 00:58:46,070 --> 00:58:50,700 "AND RUIN THE SURPRISE." 956 00:58:50,700 --> 00:58:54,500 - HI, GARRISON GAYLORD HERE. 957 00:58:54,500 --> 00:58:59,740 THIS WEEK ON "FILTHY RICH," WE SCAMPER ALONG THE SLEEK, 958 00:58:59,740 --> 00:59:05,340 CHIC, SUNNY SHORES OF THE GREEK ISLAND OF IMPHAL, 959 00:59:05,340 --> 00:59:07,900 A MILLIONAIRE'S PARADISE. 960 00:59:07,900 --> 00:59:09,270 - CUT! 961 00:59:09,270 --> 00:59:10,570 - WHAT? 962 00:59:10,570 --> 00:59:14,470 - NUMBER ONE, GARRISON, YOUR FLY IS OPEN. 963 00:59:14,470 --> 00:59:17,940 - OH. 964 00:59:19,040 --> 00:59:21,140 - AND TWO, LAST WEEK WAS IPINO. 965 00:59:21,140 --> 00:59:22,740 THIS WEEK WE'RE IN SEA SPRAY, 966 00:59:22,740 --> 00:59:25,770 HOME OF THE POLAR ICE CAP YOU'RE DRINKING. 967 00:59:25,770 --> 00:59:27,240 - ALL RIGHT, ALL RIGHT, ALL RIGHT. 968 00:59:27,240 --> 00:59:28,670 - OKAY. 969 00:59:28,670 --> 00:59:30,570 - I'VE GOT IT NOW. - YOU'VE GOT IT NOW. 970 00:59:30,570 --> 00:59:31,800 - YES. - YES. 971 00:59:31,800 --> 00:59:32,840 - I'VE GOT IT. 972 00:59:32,840 --> 00:59:33,970 - OKAY, LET'S TAKE TWO. 973 00:59:37,340 --> 00:59:41,240 - I CAN'T BELIEVE I FORGOT ALL ABOUT THAT NEW PROGRAM I WAS-- 974 00:59:41,240 --> 00:59:44,240 I MEAN, BRADLEY WAS SUPPOSED TO WRITE. 975 00:59:44,240 --> 00:59:45,570 - DO YOU SEE HOW THIS OBSESSION 976 00:59:45,570 --> 00:59:49,070 WITH AN IMAGINARY PERSONALITY TORMENTS YOU? 977 00:59:49,070 --> 00:59:50,100 LET IT GO. 978 00:59:50,100 --> 00:59:52,600 - SUNNY, BRADLEY IS NOT IMAGINARY. 979 00:59:56,100 --> 00:59:57,900 - I'M READY. 980 00:59:57,900 --> 01:00:02,500 - ROLL TAPE. 981 01:00:02,500 --> 01:00:03,570 - "FILTHY RICH." TAKE 12. 982 01:00:03,570 --> 01:00:06,000 - AH. HI, GARRISON GAYLORD HERE. 983 01:00:06,000 --> 01:00:09,440 THIS WEEK ON "FILTHY RICH," WE SCAMPER ALONG THE SLEEK, 984 01:00:09,440 --> 01:00:13,540 CHIC, SUNNY SHORES OF SEA SPRAY, 985 01:00:13,540 --> 01:00:19,470 HOME OF THE POLAR ICE CAP I AM DRINKING. 986 01:00:19,470 --> 01:00:20,470 OH... 987 01:00:20,470 --> 01:00:24,000 - OH, NO. NOT AGAIN, GARRISON. 988 01:00:24,000 --> 01:00:27,940 - IT WAS THE SAME BLINKING THING I DID IN MONACO. 989 01:00:27,940 --> 01:00:30,400 - NO, IN MONACO, YOU SET THE DUCHESS OF DUNGLEMORE'S WIG 990 01:00:30,400 --> 01:00:31,400 ON FIRE. 991 01:00:31,400 --> 01:00:32,570 DO YOU REMEMBER? 992 01:00:32,570 --> 01:00:33,640 - NYET. 993 01:00:33,640 --> 01:00:34,870 - I DO. 994 01:00:34,870 --> 01:00:36,240 THAT'S OUR BREAK, EVERYBODY. 995 01:00:36,240 --> 01:00:37,270 CUT! 996 01:00:37,270 --> 01:00:39,100 GET HIM INTO WARDROBE. 997 01:00:39,100 --> 01:00:41,800 - ALL MY WARDROBE IS BACK IN MY MOTEL ROOM, 998 01:00:41,800 --> 01:00:47,170 SO THAT YOUR WARDROBE PERSON WON'T STARCH MY COLLARS 999 01:00:47,170 --> 01:00:50,400 INTO CARDBOARD. 1000 01:00:50,400 --> 01:00:53,100 - OH, NOW HE'S WALKING-- WHERE'S HE GOING? 1001 01:00:57,270 --> 01:01:01,800 - ALL RIGHT. THE NEXT SHOT IS AT THE END OF THE PIER. 1002 01:01:03,600 --> 01:01:05,640 - WE HAVE NO PROOF THAT ANY AFTERLIFE 1003 01:01:05,640 --> 01:01:07,470 OR AFTER-DEATH EXISTS. 1004 01:01:07,470 --> 01:01:09,140 - I'M PROOF, SUNNY. 1005 01:01:09,140 --> 01:01:11,570 - MORTALITY MEANS LIVING WHO YOU ARE AND LOVING WHO YOU ARE 1006 01:01:11,570 --> 01:01:13,440 RIGHT NOW. 1007 01:01:13,440 --> 01:01:16,400 HOW ELSE CAN ANYONE LOVE YOU? 1008 01:01:16,400 --> 01:01:18,140 - I'M SORRY. 1009 01:01:18,140 --> 01:01:20,270 - HEY, WASN'T THAT GARRISON GAYLORD? 1010 01:01:20,270 --> 01:01:21,270 - I DON'T KNOW. 1011 01:01:21,270 --> 01:01:23,270 - HUH. 1012 01:01:23,270 --> 01:01:25,840 - ANYWAY, WHAT I WAS GOING TO SAY-- 1013 01:01:25,840 --> 01:01:30,040 - OH, MY BLEEDING DRIVER'S NEVER HERE. 1014 01:01:30,040 --> 01:01:31,270 I'LL DO IT MYSELF. 1015 01:01:31,270 --> 01:01:34,240 OW! 1016 01:01:36,040 --> 01:01:38,200 OH! 1017 01:01:38,200 --> 01:01:39,740 - OH! 1018 01:01:39,740 --> 01:01:43,640 HERE COMES GARRISON. HE'S IN REVERSE AND OUT OF CONTROL. 1019 01:01:43,640 --> 01:01:45,240 - IF HE KILLS HIMSELF ON CAMERA, 1020 01:01:45,240 --> 01:01:46,770 THE RATINGS ARE GOING TO SOAR. 1021 01:01:50,400 --> 01:01:53,400 - YOU WANT IT? YOU SHOOT IT. 1022 01:02:00,600 --> 01:02:01,840 - WATCH OUT! 1023 01:02:01,840 --> 01:02:04,200 - THERE IS A DARK POWER, SUNNY. 1024 01:02:04,200 --> 01:02:05,640 I'LL PROVE IT TO YOU SOMEHOW. 1025 01:02:05,640 --> 01:02:07,400 - HEY, YOU TWO, WATCH OUT! 1026 01:02:13,040 --> 01:02:16,370 - WHOO-HA-HA! 1027 01:02:16,370 --> 01:02:19,440 OH, I GOT THE WHOLE THING ON TAPE! 1028 01:02:19,440 --> 01:02:22,170 BABY! 1029 01:02:22,170 --> 01:02:24,870 - THAT WAS ONE OF THE MOST ASTONISHING FEATS I HAVE 1030 01:02:24,870 --> 01:02:26,100 EVER SEEN. 1031 01:02:26,100 --> 01:02:27,500 - HEY, CONGRATULATIONS, GUY. 1032 01:02:27,500 --> 01:02:28,800 YOU KNOW WHAT? YOU'RE A HERO. 1033 01:02:28,800 --> 01:02:31,340 - A SUPERHERO. YOU SAVED US ALL. 1034 01:02:31,340 --> 01:02:32,700 - NEED ANY MORE PROOF, SUNNY? 1035 01:02:32,700 --> 01:02:33,900 - WHAT'S YOUR NAME? 1036 01:02:33,900 --> 01:02:35,170 - HUNK. 1037 01:02:35,170 --> 01:02:36,400 HUNK GOLDEN. 1038 01:02:36,400 --> 01:02:39,000 - OH, "THE INCREDIBLE HUNK." I CAN'T BEAR IT. 1039 01:02:39,000 --> 01:02:40,540 YOU TWO MARRIED? 1040 01:02:40,540 --> 01:02:43,070 - UH, NO. I'M HIS PSYCHOLOGIST, ACTUALLY. 1041 01:02:43,070 --> 01:02:44,440 - OH, EVEN BETTER. 1042 01:02:44,440 --> 01:02:47,540 - WHAT AN EXCLUSIVE. 1043 01:02:55,140 --> 01:02:56,740 - PUMPING THAT MUCH ADRENALINE MAKES 1044 01:02:56,740 --> 01:02:58,840 ANY MAN A SUPERMAN. 1045 01:02:58,840 --> 01:03:01,840 - ADRENALINE WON'T STOP A JEEP. 1046 01:03:01,840 --> 01:03:03,640 - YOU JUST SAVED MY LIFE. 1047 01:03:03,640 --> 01:03:05,440 LOOK FOR YOUR ANSWERS IN THAT. 1048 01:03:05,440 --> 01:03:10,340 HUNK GOLDEN IS A HERO FOR A VERY GOOD REASON. 1049 01:03:10,340 --> 01:03:14,600 LOOK, THE MESSAGE IS SIMPLE-- THE WORLD NEEDS YOU. 1050 01:03:14,600 --> 01:03:16,240 THE WORLD NEEDS TO BELIEVE IN SOMEONE 1051 01:03:16,240 --> 01:03:18,970 WHO RISES ABOVE THE ORDINARY. 1052 01:03:18,970 --> 01:03:23,270 AND THAT SOMEONE IS YOU. 1053 01:03:23,270 --> 01:03:26,570 - I'D REALLY GO MAD WITHOUT YOU, SUNNY. 1054 01:03:30,640 --> 01:03:34,040 I'D BETTER GO. U.C.L.A. IS RUNNING SOME MORE TESTS. 1055 01:03:34,040 --> 01:03:39,540 - YEAH. THANK YOU FOR SAVING MY LIFE. 1056 01:03:45,400 --> 01:03:46,870 SAME TIME TUESDAY? 1057 01:03:46,870 --> 01:03:48,470 - YEAH. 1058 01:03:48,470 --> 01:03:50,940 MAKE ME FEEL LIKE YOUR ONLY CLIENT. 1059 01:03:50,940 --> 01:03:55,500 - I TRY TO MAKE THEM ALL FEEL LIKE THAT. 1060 01:03:55,500 --> 01:03:59,070 - YOU SURE ABOUT THAT? 1061 01:03:59,070 --> 01:04:00,940 - NO. 1062 01:04:21,270 --> 01:04:23,600 WE CAN'T. 1063 01:04:23,600 --> 01:04:28,600 I CAN'T HELP YOU LIKE THIS. 1064 01:04:28,600 --> 01:04:31,400 YOU'RE A VERY ATTRACTIVE MAN. 1065 01:04:31,400 --> 01:04:33,400 INSIDE. 1066 01:04:33,400 --> 01:04:38,640 NOT JUST OUTSIDE. 1067 01:04:38,640 --> 01:04:40,070 WE BETTER-- 1068 01:04:40,070 --> 01:04:43,070 - WAIT AND SEE. 1069 01:04:43,070 --> 01:04:46,800 - YEAH. 1070 01:04:48,440 --> 01:04:50,970 - SEE YOU TUESDAY. 1071 01:05:01,000 --> 01:05:04,700 - THINK YOU HOOKED HIM? 1072 01:05:04,700 --> 01:05:07,400 - THE CHEAP STUNT WAS THE CLINCHER. 1073 01:05:10,640 --> 01:05:14,000 - HE'S A BRIGHT BOY. 1074 01:05:14,000 --> 01:05:18,000 THE KIND I NEED TO START WORLD WAR III. 1075 01:05:18,000 --> 01:05:20,540 THERE'S JUST ONE TEENSY LITTLE PROBLEM. 1076 01:05:20,540 --> 01:05:22,270 - AND WHAT'S THAT? 1077 01:05:22,270 --> 01:05:26,870 - YOU'RE IN LOVE WITH ANOTHER ONE, O'BRIEN. 1078 01:05:26,870 --> 01:05:29,600 - I AM NOT IN LOVE WITH HUNK. 1079 01:05:29,600 --> 01:05:31,900 - PROMISES, PROMISES. 1080 01:05:31,900 --> 01:05:33,740 YOU ALWAYS COME ON LIKE GANGBUSTERS, 1081 01:05:33,740 --> 01:05:36,070 THEN YOU FALL IN LOVE WITH THE POOR SLOB, 1082 01:05:36,070 --> 01:05:39,100 AND THEN YOU END UP TALKING HIM OUT OF WHAT YOU COST ME 1083 01:05:39,100 --> 01:05:43,140 A FORTUNE IN SPECIAL EFFECTS TO WOO HIM INTO. 1084 01:05:43,140 --> 01:05:45,470 - CAN A SORCERESS HELP IT, IF SHE GETS EMOTIONALLY 1085 01:05:45,470 --> 01:05:47,240 INVOLVED WITH HER WORK? 1086 01:05:47,240 --> 01:05:50,070 SOUL SEDUCTION IS DRAINING. 1087 01:05:50,070 --> 01:05:51,370 - OH. 1088 01:05:51,370 --> 01:05:55,100 WHATEVER HAPPENED TO THE BAD OLD DAYS? 1089 01:05:55,100 --> 01:05:59,340 LIKE WHEN YOU HAD THAT IDEA ABOUT THE BERMUDA TRIANGLE. 1090 01:05:59,340 --> 01:06:03,040 A BIODEGRADABLE DEATH ZONE. 1091 01:06:03,040 --> 01:06:06,400 WITH GREAT FISHING. 1092 01:06:06,400 --> 01:06:08,170 I WAS SO PROUD OF YOU. 1093 01:06:08,170 --> 01:06:10,470 - I HID AL CAPONE'S SECRET VAULTS 1094 01:06:10,470 --> 01:06:13,840 FROM GERALDO RIVERA, DIDN'T I? 1095 01:06:13,840 --> 01:06:15,170 - THAT'S RIGHT. YOU DID. 1096 01:06:15,170 --> 01:06:16,470 POOR GERALDO. 1097 01:06:16,470 --> 01:06:18,570 I JUST LOVED THAT. 1098 01:06:18,570 --> 01:06:21,840 - BESIDES, HUNK IS FALLING RIGHT INTO LINE. 1099 01:06:21,840 --> 01:06:23,540 - WELL, THAT'S TRUE. 1100 01:06:23,540 --> 01:06:25,840 HE'S RICH. HE'S FAMOUS. 1101 01:06:25,840 --> 01:06:28,070 HE'S FALLING IN LOVE. 1102 01:06:28,070 --> 01:06:30,240 HE'LL NEVER WANT TO CHANGE BACK AGAIN NOW. 1103 01:06:30,240 --> 01:06:32,470 NOW, THAT HE FELL IN LOVE WITH YOU, DOCTOR. 1104 01:06:32,470 --> 01:06:35,100 - HUNK'S OURS. 1105 01:06:35,100 --> 01:06:37,370 I THINK. 1106 01:06:37,370 --> 01:06:39,700 - YOU THINK? 1107 01:06:39,700 --> 01:06:41,870 YOU THINK? 1108 01:06:41,870 --> 01:06:45,740 I WARNED YOU ABOUT THESE TRIAL OFFERS. 1109 01:06:45,740 --> 01:06:49,040 YOUR DEAL EXPIRES THE DAY AFTER LABOR DAY TOO, 1110 01:06:49,040 --> 01:06:50,800 YOU KNOW, O'BRIEN. 1111 01:06:50,800 --> 01:06:52,640 DON'T FORGET THAT. 1112 01:06:52,640 --> 01:06:54,800 ANOTHER FAILURE, AND I'LL HAVE TO TURN YOU BACK INTO-- 1113 01:06:54,800 --> 01:06:56,140 - NO. NOT THAT. 1114 01:06:56,140 --> 01:06:58,740 LOOK, JUST GIVE ME ANOTHER YEAR. ANOTHER SIX MONTHS. 1115 01:06:58,740 --> 01:07:02,570 - OH, LOOK AT YOU. LOVE. YOU REEK OF IT. 1116 01:07:02,570 --> 01:07:04,800 - YOU OWE ME A SOUL A CENTURY. 1117 01:07:04,800 --> 01:07:07,900 YOU ARE 0 FOR 99 YEARS. 1118 01:07:07,900 --> 01:07:09,970 NO SOUL, NO DEAL. 1119 01:07:09,970 --> 01:07:12,600 NO DEAL, NO O'BRIEN. 1120 01:07:12,600 --> 01:07:13,800 - OKAY. 1121 01:07:13,800 --> 01:07:16,640 LOOK, I MAKE HUNK FALL IN LOVE WITH SUNNY-- 1122 01:07:16,640 --> 01:07:19,370 - AND NOT VICE VERSA. - NOT VICE VERSA. 1123 01:07:19,370 --> 01:07:23,940 AND SUNNY CONVINCES HIM TO KEEP THE DEAL, 1124 01:07:23,940 --> 01:07:26,770 AND THEN WHAT HAPPENS TO SUNNY? 1125 01:07:26,770 --> 01:07:28,540 - SUNNY? WHY SUNNY? 1126 01:07:28,540 --> 01:07:30,500 SUNNY? 1127 01:07:30,500 --> 01:07:32,600 THE TUESDAY AFTER LABOR DAY, SUNNY DISAPPEARS. 1128 01:07:32,600 --> 01:07:34,400 HE NEVER SEES HER AGAIN. 1129 01:07:34,400 --> 01:07:36,540 - OH, HUNK WILL BE HEARTBROKEN. 1130 01:07:36,540 --> 01:07:38,940 - OH, IF YOU'RE NOT IN LOVE WITH HIM, IT WON'T MATTER, 1131 01:07:38,940 --> 01:07:42,000 WILL IT? 1132 01:07:42,000 --> 01:07:45,340 - IF HE EVER FINDS OUT, HE'S GONNA HATE ME FOREVER. 1133 01:07:45,340 --> 01:07:48,240 - WELL, THAT CAN BE ARRANGED. 1134 01:07:48,240 --> 01:07:51,000 I'LL BE WATCHING YOU, O'BRIEN. 1135 01:07:51,000 --> 01:07:53,770 HEIL HITLER. 1136 01:07:53,770 --> 01:07:58,400 I WISH I NEVER INVENTED THAT CLICKING BUSINESS. 1137 01:07:58,400 --> 01:08:00,440 CIAO, SWEETHEART. 1138 01:08:11,140 --> 01:08:12,870 - GARRISON GAYLORD HERE. 1139 01:08:12,870 --> 01:08:14,840 TWO WEEKS AGO ON "FILTHY RICH," 1140 01:08:14,840 --> 01:08:18,070 WE SHOWED YOU A REAL LIVE ACT OF SUPERHEROISM. 1141 01:08:18,070 --> 01:08:21,200 AS IT UNFOLDED RIGHT BEFORE OUR CAMERAS. 1142 01:08:22,740 --> 01:08:25,700 IN THE TWO WEEKS SINCE, HUNK GOLDEN, 1143 01:08:25,700 --> 01:08:28,940 THE SUPERMAN WHO SAVED MY LIFE, 1144 01:08:28,940 --> 01:08:32,600 HAS BECOME THE STUFF OF AMERICAN LEGEND. 1145 01:08:32,600 --> 01:08:37,100 A "FILTHY RICH" CAMERA CREW AND I SHARED IT WITH HIM. 1146 01:08:43,000 --> 01:08:45,700 "HUNKMANIA" IS SWEEPING SEA SPRAY 1147 01:08:45,700 --> 01:08:47,670 AND THE REST OF THE COUNTRY. 1148 01:08:47,670 --> 01:08:50,500 HUNK WANNABES CAMP AROUND HIS HOME 24 HOURS, 1149 01:08:50,500 --> 01:08:54,700 DESPERATE FOR JUST A LOOK AT THE HUNK HIMSELF. 1150 01:08:54,700 --> 01:08:57,140 HUNK'S SPORT COAT IS THE BRAND-NEW LOOK, 1151 01:08:57,140 --> 01:08:59,900 THE FASHION LOOK OF THE 1980s. 1152 01:09:04,070 --> 01:09:08,900 PROMOTIONAL OFFERS HAVE BEEN FLOODING IN SINCE DAY ONE. 1153 01:09:08,900 --> 01:09:11,170 FROM DESIGNER JEANS TO DOG FOOD, 1154 01:09:11,170 --> 01:09:13,240 FROM HEALTH CLUBS TO HEMORRHOIDS, 1155 01:09:13,240 --> 01:09:16,000 HUNK'S NAME IS INDEED GOLDEN. 1156 01:09:16,000 --> 01:09:19,000 THREE MILLION TO BE THE NEW JAMES BOND. 1157 01:09:19,000 --> 01:09:23,670 FOUR MILLION TO LOSE TO STALLONE IN ROCKY V. 1158 01:09:23,670 --> 01:09:25,400 PLAYBOY WANTS HIM. 1159 01:09:25,400 --> 01:09:27,940 PLAYGIRL WANTS HIM. 1160 01:09:27,940 --> 01:09:30,900 METEORIC FAME HAS ALREADY FORCED HUNK INTO 1161 01:09:30,900 --> 01:09:33,870 SELF-IMPOSED SECLUSION. 1162 01:09:33,870 --> 01:09:36,600 CONSTANTLY AT HIS SIDE THROUGHOUT THE DIZZYING SIEGE 1163 01:09:36,600 --> 01:09:40,740 IS LOS ANGELES PSYCHOLOGIST SUSAN "SUNNY" GRAVES 1164 01:09:40,740 --> 01:09:42,870 WHO HE RESCUED. 1165 01:09:42,870 --> 01:09:45,700 ARE THEY IN ROMANTIC CAHOOTS? 1166 01:09:45,700 --> 01:09:48,540 WILL SUCCESS SPOIL HUNK GOLDEN? 1167 01:09:48,540 --> 01:09:52,440 CLOSE FRIENDS SAY HE'S CHANGED ALREADY. 1168 01:09:52,440 --> 01:09:53,600 - U.P.I., SHMOO-P.I., 1169 01:09:53,600 --> 01:09:56,700 I THINK I HEAR A.P. CALLING. HUNK GOLDEN. 1170 01:09:56,700 --> 01:09:58,970 YEAH, YEAH, HUNK-BURGER FRANCHISES. NO, I'M SORRY. 1171 01:09:58,970 --> 01:10:01,070 I'M SOLD OUT TILL 1992. 1172 01:10:02,470 --> 01:10:03,400 UGH. 1173 01:10:06,670 --> 01:10:08,270 HUNK GOLDEN. 1174 01:10:08,270 --> 01:10:11,770 YEAH. YES, SENATOR. 1175 01:10:11,770 --> 01:10:13,300 NO, I'VE ALREADY BEEN ASKED TO BE PUT ON 1176 01:10:13,300 --> 01:10:15,170 THE STATE FLAG OF HAWAII, BUT-- 1177 01:10:15,170 --> 01:10:16,170 - HUNH! HUH! 1178 01:10:16,170 --> 01:10:18,370 - CAN YOU HANG A SECOND, SENATOR? 1179 01:10:18,370 --> 01:10:22,740 HI. AGGRESSIVE LITTLE THING, AREN'T YOU? 1180 01:10:32,040 --> 01:10:33,400 THERE YOU GO. 1181 01:10:37,940 --> 01:10:41,340 PEOPLE ARE ALWAYS DROPPING IN. 1182 01:10:41,340 --> 01:10:44,940 NO, SENATOR, I COULDN'T PICK A FAVORITE STATE. 1183 01:10:44,940 --> 01:10:47,070 OF COURSE, IF YOU'D LIKE TO SPONSOR A BILL PUTTING ME ON 1184 01:10:47,070 --> 01:10:49,800 THE AMERICAN FLAG, I'D HAVE NO OBJECTIONS. 1185 01:10:54,970 --> 01:10:57,370 GOD DAMN IT, SUNNY! 1186 01:10:57,370 --> 01:10:59,540 THESE PEOPLE ARE JUST LIKE A BUNCH OF PIRANHA! 1187 01:10:59,540 --> 01:11:01,770 BITE, BITE, BITE. 1188 01:11:07,140 --> 01:11:08,140 - HUNK, COME ON. JUST-- 1189 01:11:08,140 --> 01:11:11,800 - SUNNY, I'VE HAD IT OKAY. 1190 01:11:13,340 --> 01:11:15,570 WATCH THIS. 1191 01:11:15,570 --> 01:11:18,070 WAITING FOR SOMETHING MORE GOLDEN? 1192 01:11:18,070 --> 01:11:21,740 WELL, HERE IT IS--A PERSON-TO-PERSON MESSAGE. 1193 01:11:21,740 --> 01:11:23,470 STAY THE HELL AWAY FROM HERE! 1194 01:11:31,700 --> 01:11:34,100 TAKE THAT, FAT BOY. 1195 01:11:37,170 --> 01:11:40,100 - STOP IT, HUNK. THAT'S NOT FUNNY. HUNK, STOP IT. 1196 01:11:40,100 --> 01:11:42,300 HUNK, DO YOU WANT TO BE ON THE SIX O'CLOCK NEWS DOING THIS? 1197 01:11:42,300 --> 01:11:43,900 - SURE, I DO. I LOVE THE PUBLICITY, HONEY. 1198 01:11:43,900 --> 01:11:45,270 - GIVE ME THIS. GIVE IT TO ME. 1199 01:11:45,270 --> 01:11:47,570 - FINE. JUST FINE. 1200 01:12:17,600 --> 01:12:19,740 - YOU CAN'T LET IT GET TO YOU LIKE THIS. 1201 01:12:19,740 --> 01:12:22,870 - I'M STARTING TO FEEL DIFFERENT INSIDE. 1202 01:12:22,870 --> 01:12:24,940 ALMOST LIKE A DEMON. 1203 01:12:24,940 --> 01:12:27,800 - DEMONS DON'T EXIST. 1204 01:12:27,800 --> 01:12:31,640 JUST PEOPLE AND PRESSURES. 1205 01:12:31,640 --> 01:12:34,870 - YOU KNOW YOU'VE MADE IT WHEN YOUR GARBAGE IS FRONT PAGE NEWS. 1206 01:12:34,870 --> 01:12:38,470 EXTRA! HUNK TOSSES LEAN CUISINE, CAPPUCCINO GROUNDS 1207 01:12:38,470 --> 01:12:40,070 AND A PINT OF PRALINE TOFUTTI. 1208 01:12:40,070 --> 01:12:41,970 READ ALL ABOUT IT! 1209 01:12:41,970 --> 01:12:44,000 - IT WON'T ALWAYS BE LIKE THIS. 1210 01:12:44,000 --> 01:12:47,000 YOU WON'T ALWAYS LIVE UNDER THE MEDIA MICROSCOPE. 1211 01:12:47,000 --> 01:12:51,170 YOU'LL COOL OFF, AND THEN WE'LL HAVE-- 1212 01:12:51,170 --> 01:12:53,900 AND THEN YOU'LL HAVE YOUR PRIVACY AGAIN. 1213 01:12:53,900 --> 01:12:55,300 - YOU CAN SAY "WE." 1214 01:12:55,300 --> 01:12:57,500 WE'RE IN THIS TOGETHER. 1215 01:12:57,500 --> 01:12:59,100 - AND AFTER LABOR DAY TOMORROW, 1216 01:12:59,100 --> 01:13:00,970 WE'LL BE OUT OF IT TOGETHER. 1217 01:13:00,970 --> 01:13:04,970 YOU'LL FINALLY BE HUNK GOLDEN IN YOUR OWN MIND. 1218 01:13:04,970 --> 01:13:06,640 - KINDA LIKE BEING IN IT TOGETHER 1219 01:13:06,640 --> 01:13:08,200 WITH SOMEONE LIKE YOU. 1220 01:13:08,200 --> 01:13:12,370 - SO DO I. BUT THERE ARE BETTER THINGS 1221 01:13:12,370 --> 01:13:14,240 TO BE IN TOGETHER THAN THIS, YOU KNOW. 1222 01:13:35,270 --> 01:13:37,400 - THAT'S MORE LIKE IT. 1223 01:14:00,070 --> 01:14:02,770 - HUNK, WAKE UP, IT'S ME. 1224 01:14:02,770 --> 01:14:03,970 YOUR OLD BODY? 1225 01:14:03,970 --> 01:14:06,070 THE BODY YOU'RE ON VACATION FROM, REMEMBER? 1226 01:14:06,070 --> 01:14:07,270 - WHERE THE HELL HAVE YOU BEEN? 1227 01:14:07,270 --> 01:14:08,700 - EXACTLY. HELL. 1228 01:14:08,700 --> 01:14:10,140 I ESCAPED WHILE THEY WERE WATCHING 1229 01:14:10,140 --> 01:14:11,670 "THE POSSESSED" AND "THE WRESTLERS." 1230 01:14:11,670 --> 01:14:12,700 - HANG ON JUST A MINUTE. 1231 01:14:12,700 --> 01:14:14,470 HEY, SUNNY. SUNNY, WAKE UP. 1232 01:14:14,470 --> 01:14:17,400 BRADLEY'S HERE. WAKE UP. 1233 01:14:17,400 --> 01:14:19,300 - HUNK, I DON'T HAVE MUCH TIME. 1234 01:14:22,140 --> 01:14:23,500 - WHY WERE YOU IN HELL? 1235 01:14:23,500 --> 01:14:25,840 - WHERE ELSE ARE THEY GONNA HOLD THIS BODY IN ESCROW 1236 01:14:25,840 --> 01:14:27,700 WHILE YOU DECIDE WHO TO BOFF NEXT? 1237 01:14:27,700 --> 01:14:29,100 - THAT'S NOT FAIR. 1238 01:14:29,100 --> 01:14:31,170 - WHAT A SLEAZEBAG YOU'VE BECOME. 1239 01:14:31,170 --> 01:14:33,300 HOSING DOWN INNOCENT FANS. 1240 01:14:33,300 --> 01:14:34,340 - HOW'D YOU KNOW THAT? 1241 01:14:34,340 --> 01:14:36,070 - HOW'D I KNOW THAT? 1242 01:14:36,070 --> 01:14:38,340 YOU'RE RUNNING AS A MINI-SERIES ON DEMON TV. 1243 01:14:38,340 --> 01:14:40,070 KILLER RATINGS. 1244 01:14:40,070 --> 01:14:42,200 AND EVERYONE DOWN THERE'S RIPPING OFF THEIR COATCOAT SLEEVESSLEEVES. 1245 01:14:44,600 --> 01:14:46,740 - I DON'T KNOW WHAT'S HAPPENING TO ME? 1246 01:14:46,740 --> 01:14:48,600 - THE HELL YOU DON'T. 1247 01:14:48,600 --> 01:14:51,800 EVIL HAS TAKEN ROOT IN YOUR SOUL. 1248 01:14:51,800 --> 01:14:54,640 AND IT USED TO BE SUCH A NICE SOUL. 1249 01:14:54,640 --> 01:14:56,600 LONELY, BUT NICE. 1250 01:14:59,370 --> 01:15:02,800 - IT'S THEM. IT'S THEM! 1251 01:15:02,800 --> 01:15:03,970 I CAME TO WARN YOU. 1252 01:15:03,970 --> 01:15:06,200 DR. D. IS FOR REAL AND SO IS HELL. 1253 01:15:06,200 --> 01:15:09,070 HUNK, I KNOW YOU CAN FEEL IT ALREADY. 1254 01:15:09,070 --> 01:15:12,540 - HEY, SUNNY. SUNNY. YOU'RE MISSING IT. WAKE UP. WAKE UP. 1255 01:15:12,540 --> 01:15:15,400 - FORGET ABOUT HER AND THINK ABOUT OUR FUTURE. 1256 01:15:15,400 --> 01:15:17,470 IT IS SLIME TIME DOWN THERE. 1257 01:15:17,470 --> 01:15:21,570 EX-GAME SHOW HOSTS, USED-CAR SALESMEN, TV SPOKESMODELS. 1258 01:15:21,570 --> 01:15:22,670 EVEN MRS. KREPPEL. 1259 01:15:22,670 --> 01:15:23,800 - NO. - YES! 1260 01:15:23,800 --> 01:15:26,270 MRS. KREPPEL, THAT NINTH GRADE BIOLOGY BITCH THAT 1261 01:15:26,270 --> 01:15:27,700 FLUNKED US. TWICE. 1262 01:15:27,700 --> 01:15:29,070 - WHAT SHOULD I DO? 1263 01:15:29,070 --> 01:15:31,370 - THINK. THINK IF IT'S WORTH IT. - WHAT ABOUT SUNNY? 1264 01:15:31,370 --> 01:15:33,500 I'M IN LOVE WITH HER, AND IT'S WHAT WE'VE ALWAYS WANTED. 1265 01:15:33,500 --> 01:15:35,900 - DON'T YOU THINK I CAN FEEL THAT? 1266 01:15:35,900 --> 01:15:38,700 BUT A LIFETIME WITH HER IS A ONE-NIGHT STAND COMPARED TO 1267 01:15:38,700 --> 01:15:41,800 AN ETERNITY OF EVIL. 1268 01:15:41,800 --> 01:15:43,240 HUNK! 1269 01:15:43,240 --> 01:15:46,440 I KNOW YOU. I KNOW YOU'LL MAKE THE RIGHT DECISION. 1270 01:15:53,570 --> 01:15:55,970 - BRADLEY! 1271 01:15:59,340 --> 01:16:01,400 SUNNY'S GOTTA SEE THIS. 1272 01:16:01,400 --> 01:16:02,940 SUNNY, SUNNY, WAKE UP. - WHAT IS IT? 1273 01:16:02,940 --> 01:16:04,870 - BRADLEY WAS JUST HERE. THEY CAME AND CARRIED HIM 1274 01:16:04,870 --> 01:16:06,770 BACK TO HELL. COME ON. COME ON. SEE FOR YOURSELF. 1275 01:16:06,770 --> 01:16:08,700 - I WAS IN SUCH A DEEP SLEEP. - I KNOW, I KNOW, I KNOW. 1276 01:16:08,700 --> 01:16:10,540 LOOK, SUNNY. 1277 01:16:10,540 --> 01:16:12,200 - YOU WOKE ME UP TO SHOW ME THE BEDROOM DOOR. 1278 01:16:12,200 --> 01:16:14,000 - NO, NO, NO. JUST A MINUTE AGO, THESE ARMS CAME 1279 01:16:14,000 --> 01:16:16,300 AND PUNCHED HOLES RIGHT THROUGH THE DOOR AND PULLED BRADLEY 1280 01:16:16,300 --> 01:16:17,470 RIGHT BACK THROUGH THE WOOD. 1281 01:16:17,470 --> 01:16:19,270 - HONEY, HONEY, YOU WERE JUST DREAMING, OKAY? 1282 01:16:19,270 --> 01:16:21,000 - NO. 1283 01:16:21,000 --> 01:16:24,540 THEN HOW DID I GET THIS SPLINTER IN MY FINGER, HUH? 1284 01:16:24,540 --> 01:16:26,400 - I DON'T KNOW. I-I-I DON'T KNOW, HOW? 1285 01:16:26,400 --> 01:16:28,570 - FROM THE HOLE IN THE DOOR. 1286 01:16:28,570 --> 01:16:31,970 - HUNK, THE ONLY IN THIS ROOM IS IN YOUR HEAD. 1287 01:16:31,970 --> 01:16:34,040 LOOK, YOU'RE JUST UPSET, BECAUSE YOUR WHOLE BRADLEY 1288 01:16:34,040 --> 01:16:36,100 FANTASY SHATTERS TO BITS TOMORROW. 1289 01:16:36,100 --> 01:16:40,240 - SUNNY, DON'T BE MAD AT ME, OKAY? 1290 01:16:40,240 --> 01:16:42,300 - HONEY, I'M NOT MAD AT YOU. 1291 01:16:42,300 --> 01:16:45,400 I JUST WANT US TO GET PAST THIS. 1292 01:16:45,400 --> 01:16:49,900 I WANT IT TO BE THE TWO OF US, NOT THE THREE OF US. 1293 01:16:49,900 --> 01:16:52,440 - LOOK, YOU KNOW THAT YOU'RE THE BEST THING THAT 1294 01:16:52,440 --> 01:16:56,570 EVER HAPPENED TO ME, RIGHT? 1295 01:16:58,340 --> 01:17:00,400 - WHY DON'T WE SHOWER AND GO HAVE SOME BREAKFAST, HUH? 1296 01:17:00,400 --> 01:17:03,800 - YEAH. YEAH. I'LL JOIN YOU IN A SECOND. 1297 01:17:03,800 --> 01:17:06,070 - GOOD. 1298 01:17:33,670 --> 01:17:36,700 - GET IN. 1299 01:17:36,700 --> 01:17:38,440 - WHAT ARE YOU DOING HERE? 1300 01:17:38,440 --> 01:17:43,200 - I WAS SWIMMING KOSHER HOT DOGS FROM MIAMI TO HAVANA FOR FIDEL 1301 01:17:43,200 --> 01:17:47,200 DURING THE CUBAN MISSILE CRISIS WHEN BRINKMAN ESCAPED. 1302 01:17:47,200 --> 01:17:51,640 - SPIRITUAL SEPARATION ANXIETY. 1303 01:17:51,640 --> 01:17:54,000 HIS GOOD HALF IS SO STRONG. 1304 01:17:54,000 --> 01:17:56,370 - YES, SO DON'T WIMP OUT. 1305 01:17:56,370 --> 01:17:58,970 GOOD MOVE SUGGESTING BREAKFAST. 1306 01:17:58,970 --> 01:18:03,140 BUT LISTEN, DON'T LET HIM SLEEP BEFORE MIDNIGHT. 1307 01:18:03,140 --> 01:18:05,140 - HE'S STILL TIPPED IN OUR DIRECTION. 1308 01:18:05,140 --> 01:18:07,940 - YES, BUT ONE MORE SILLY, SAPPY, SENTIMENTAL DREAM, 1309 01:18:07,940 --> 01:18:09,940 AND HE'LL BACK OUT AT THE LAST SECOND. 1310 01:18:11,000 --> 01:18:12,840 - TALKING TO ME, HONEY? 1311 01:18:12,840 --> 01:18:16,640 - [as Sonny] I'M SINGING IN THE SHOWER, DEAR! 1312 01:18:16,640 --> 01:18:21,040 NOW LISTEN, KEEP HIM AWAKE, AND HE'S OURS. 1313 01:18:21,040 --> 01:18:21,970 - RIGHT. 1314 01:18:30,600 --> 01:18:33,070 - WELL, THAT DIDN'T SOUND LIKE SINGING TO ME. 1315 01:18:33,070 --> 01:18:36,100 - THEN YOU WEREN'T LISTENING. 1316 01:18:53,040 --> 01:18:54,470 I LOVE YOU. 1317 01:18:58,470 --> 01:18:59,500 - GREAT BREAKFAST. 1318 01:18:59,500 --> 01:19:01,940 - MM-HMM. 1319 01:19:01,940 --> 01:19:04,370 - SWEETHEART, I'M STILL A LITTLE JANGLED 1320 01:19:04,370 --> 01:19:07,570 FROM BRADLEY LAST NIGHT. MIND IF I TAKE A NAP. 1321 01:19:07,570 --> 01:19:10,640 - MM-MM. I THINK A NAP'S A GOOD IDEA. 1322 01:19:10,640 --> 01:19:14,600 YOU WANT TO BE IN TIP-TOP SHAPE WHEN THEY PRESENT YOU 1323 01:19:14,600 --> 01:19:16,400 WITH THE KEY TO SEA SPRAY AT THE CLUB TONIGHT. 1324 01:19:16,400 --> 01:19:17,870 - RIGHT. 1325 01:19:18,940 --> 01:19:20,470 - SWEET DREAMS. 1326 01:19:23,300 --> 01:19:25,400 BYE, HUNK! 1327 01:20:16,100 --> 01:20:17,370 - HELLO? 1328 01:20:17,370 --> 01:20:19,770 HELLO? HELLO? 1329 01:20:19,770 --> 01:20:21,870 HELLO? 1330 01:20:54,070 --> 01:20:57,300 - HI. - HI. 1331 01:20:57,300 --> 01:20:58,370 - WHAT HAPPENED TO YOUR NAP? 1332 01:20:58,370 --> 01:20:59,600 - SABOTAGED. 1333 01:20:59,600 --> 01:21:01,500 AFTER YOU LEFT, EVERY APPLIANCE IN THE HOUSE 1334 01:21:01,500 --> 01:21:04,400 TURNED ITSELF ON. I COULDN'T TURN 'EM OFF. 1335 01:21:04,400 --> 01:21:07,170 I MEAN, DON'T YOU HEAR IT? 1336 01:21:07,170 --> 01:21:09,840 - HEAR WHAT? 1337 01:21:09,840 --> 01:21:12,070 - IT STOPPED. 1338 01:21:12,070 --> 01:21:13,570 - HUNK, ARE YOU HAVING ANOTHER DREAM? 1339 01:21:13,570 --> 01:21:15,400 - NO, NO, NOW, SUNNY, SUNNY, I--I--NEVER, 1340 01:21:15,400 --> 01:21:17,140 NEVER, NEVER WENT TO SLEEP. 1341 01:21:20,370 --> 01:21:23,840 TEN MINUTES AGO, THEY WERE ALL RUNNING WITHOUT ELECTRICITY. 1342 01:21:23,840 --> 01:21:26,800 - HUNK, NOTHING RUNS WITHOUT ELECTRICITY. 1343 01:21:26,800 --> 01:21:28,300 - YEAH. 1344 01:21:28,300 --> 01:21:30,470 - YOU STILL HAVEN'T WRITTEN YOUR ACCEPTANCE SPEECH FOR 1345 01:21:30,470 --> 01:21:31,900 THE BANQUET TONIGHT, SO WHY DON'T-- 1346 01:21:31,900 --> 01:21:33,540 - SUNNY, SUNNY, FORGET ABOUT THE BANQUET. 1347 01:21:33,540 --> 01:21:35,600 YOU'RE MEETING THE DEVIL TONIGHT AT MIDNIGHT. 1348 01:21:35,600 --> 01:21:36,600 - SETTLE DOWN. 1349 01:21:36,600 --> 01:21:39,900 - MAYBE O'BRIEN TOO. 1350 01:21:39,900 --> 01:21:41,340 - ALL RIGHT. 1351 01:21:41,340 --> 01:21:46,700 SUPPOSE I DO MEET THE DEVIL, WHO YOU GONNA CHOOSE? 1352 01:21:46,700 --> 01:21:50,300 ME OR BRADLEY? 1353 01:21:53,340 --> 01:21:57,070 - I LOVE YOU SO MUCH, SUNNY. 1354 01:21:57,070 --> 01:22:00,040 I STILL DON'T KNOW. 1355 01:22:05,770 --> 01:22:07,700 - LET'S GET A SHOT OF US SHAKING HANDS. 1356 01:22:07,700 --> 01:22:08,770 - WHY NOT? 1357 01:22:28,200 --> 01:22:30,170 - WHAT TIME IS IT? 1358 01:22:30,170 --> 01:22:33,200 - IT'S TWO MINUTES LATER THAN THE LAST TIME YOU ASKED ME. 1359 01:22:33,200 --> 01:22:34,940 IT'S 10:32. 1360 01:22:34,940 --> 01:22:37,900 - WE HAVE TO MEET DR. D. AT MIDNIGHT. 1361 01:22:37,900 --> 01:22:41,400 I'M GONNA SLEEP TOMORROW, NO MATTER WHO I AM. 1362 01:22:41,400 --> 01:22:44,300 - AND I'LL BE WITH YOU. 1363 01:22:44,300 --> 01:22:46,200 - NO MATTER WHO I AM? 1364 01:22:46,200 --> 01:22:49,540 - YOU'LL BE HUNK. YOU'LL SEE. 1365 01:22:49,540 --> 01:22:50,900 - I SURE WISH O'BRIEN COULD SEE ME 1366 01:22:50,900 --> 01:22:53,400 GETTING THE KEY TO THE CITY. 1367 01:22:53,400 --> 01:22:55,470 - I'M SURE SHE'S WATCHING. 1368 01:23:02,800 --> 01:23:05,500 - LOOK AT THAT [indistinct]. 1369 01:23:05,500 --> 01:23:09,770 REMINDS ME OF THE COCKTAIL LOUNGE ON THE LUSITANIA. 1370 01:23:09,770 --> 01:23:12,100 HAPPY MEMORIES. 1371 01:23:12,100 --> 01:23:13,470 BON APPETIT. 1372 01:23:19,900 --> 01:23:22,440 - ATTENTION, EVERYBODY. 1373 01:23:22,440 --> 01:23:24,840 IT'S AWARD TIME. 1374 01:23:24,840 --> 01:23:28,970 AS PRESIDENT OF THE SEA SPRAY HOMEOWNERS ASSOCIATION, 1375 01:23:28,970 --> 01:23:34,140 IT IS MY HONOR TO HONOR ONE OF OUR OWN. 1376 01:23:34,140 --> 01:23:38,540 A MAN I AM PROUD TO CALL MY FRIEND. 1377 01:23:38,540 --> 01:23:40,670 WHEN HE FIRST APPEARED HERE AT SEA SPRAY, 1378 01:23:40,670 --> 01:23:45,640 I REALIZED HE WAS SOMEONE VERY SPECIAL. 1379 01:23:45,640 --> 01:23:48,900 AND NOW THE WORLD KNOWS IT TOO. 1380 01:23:48,900 --> 01:23:50,240 - WHAT A PHONY. 1381 01:23:54,300 --> 01:23:57,400 - HUNK, WE'RE PRESENTING YOU WITH THE KEY TO SEA SPRAY 1382 01:23:57,400 --> 01:24:00,670 TONIGHT, BUT YOU'LL NEVER HAVE TO USE IT. WHY? 1383 01:24:00,670 --> 01:24:08,870 BECAUSE OUR HOMES AND HEARTS ARE OPEN TO YOU FOREVER. 1384 01:24:14,340 --> 01:24:19,000 - A LITTLE BIT CORNY, BUT THE CROWD'S WITH HIM. 1385 01:24:19,000 --> 01:24:22,440 WHAT DO THEY KNOW? 1386 01:24:29,300 --> 01:24:32,340 - HUNK GOLDEN, PLEASE STEP FORWARD FOR THE PRESENTATION. 1387 01:24:34,800 --> 01:24:38,570 AND IF I MAY SAY SO, THIS KEY IS NOTHING COMPARED TO THE LADY 1388 01:24:38,570 --> 01:24:42,640 WHO IS THE SUNNY SIDE IN HUNK'S LIFE--DR. SUNNY GRAVES. 1389 01:24:52,670 --> 01:24:58,570 AND HERE TO PRESENT THE KEY IS THE HONORARY MAYOR OF SEA SPRAY, 1390 01:24:58,570 --> 01:25:02,600 THE STAR OF AMERICA'S FAVORITE LITE KNOCKWURST COMMERCIALS, 1391 01:25:02,600 --> 01:25:05,470 SKEET MECKLENBURG! 1392 01:25:09,400 --> 01:25:10,370 - THANK YOU. 1393 01:25:19,600 --> 01:25:22,740 HUNK, EVERYBODY HERE KNOWS THAT I HATED YOU ON SIGHT, 1394 01:25:22,740 --> 01:25:26,140 AND WELL, I'VE GOT TO HAND IT TO YOU, 1395 01:25:26,140 --> 01:25:28,900 YOU DID PUT ME IN MY PLACE. 1396 01:25:35,070 --> 01:25:39,500 THEY CALLED YOU A SUPERMAN FOR DOING IT AND SOMEHOW IT 1397 01:25:39,500 --> 01:25:45,000 SEEMS LIKE A SUPERGUY DESERVES MORE THAN A KEY, 1398 01:25:45,000 --> 01:25:46,000 DESERVES A CROWN. 1399 01:25:50,800 --> 01:25:51,970 - SKEET, WHAT HAVE YOU DONE! 1400 01:25:51,970 --> 01:25:53,840 WE HAD T-SHIRT RIGHTS. HUNK! 1401 01:25:57,170 --> 01:25:58,140 HUNK! 1402 01:25:59,940 --> 01:26:01,200 - HELL OF A SUPERMAN. 1403 01:26:02,300 --> 01:26:04,170 - IF THAT SKEET SCREWS UP MY PLANS, 1404 01:26:04,170 --> 01:26:06,600 I'LL BRING HIM BACK AS A WHOOPEE CUSHION. 1405 01:26:07,700 --> 01:26:08,900 - HUNK? 1406 01:26:08,900 --> 01:26:11,700 - HUNK, WAKE UP. HUNK, YOU'VE GOT TO WAKE UP. 1407 01:26:11,700 --> 01:26:15,200 - WILL SOMEBODY WAKE THAT SUCKER UP? I NEED HIM. 1408 01:26:15,200 --> 01:26:17,470 - HUNK, PLEASE, WAKE UP. 1409 01:26:17,470 --> 01:26:20,000 COME ON. YOU'VE GOTTA WAKE UP. 1410 01:26:38,140 --> 01:26:40,670 - BRILLIANT STROKE, HUNK. 1411 01:26:40,670 --> 01:26:43,840 MAKING OUR DEVILS BRIGADE RAID ON SEA SPRAY LOOK LIKE 1412 01:26:43,840 --> 01:26:45,440 AN ENEMY SNEAK ATTACK. 1413 01:26:45,440 --> 01:26:48,800 - I PROMISED YOU WORLD WAR III BY DINNER TIME. 1414 01:26:48,800 --> 01:26:55,440 - LOOK, ALL THOSE YUPPIE SNOBS YOU HATED ARE DEAD MEAT NOW. 1415 01:26:55,440 --> 01:26:57,040 - DEAD MEAT NOW. 1416 01:26:57,040 --> 01:26:59,040 - DID YOU KILL THEM ALL YOURSELF? 1417 01:26:59,040 --> 01:27:00,300 - SHUCKS, DR. D. 1418 01:27:00,300 --> 01:27:02,200 - OH, DON'T BE MODEST. 1419 01:27:02,200 --> 01:27:10,040 - MAYBE JUST A LITTLE BIT. MAYBE JUST A LITTLE BIT. 1420 01:27:10,040 --> 01:27:15,570 - CALM DOWN. CALM DOWN. GOOD BOY. 1421 01:27:22,540 --> 01:27:26,140 THERE'S JUST ONE LITTLE FORMALITY. 1422 01:27:27,870 --> 01:27:33,300 BEFORE YOU CAN TRULY COMMIT YOUR SOUL TO MY WICKED WORK, 1423 01:27:33,300 --> 01:27:35,770 YOU MUST GET RID OF YOUR BETTER HALF. 1424 01:27:35,770 --> 01:27:38,070 WE'VE ALL THE FIXINGS RIGHT HERE. 1425 01:27:38,070 --> 01:27:42,100 THAT SAPPY, SENTIMENTAL SIDE OF YOUR SOUL 1426 01:27:42,100 --> 01:27:45,370 MUST BE DESTROYED. 1427 01:27:45,370 --> 01:27:47,570 YOU READY TO SAVE YOURSELF, BRINKMAN? 1428 01:27:47,570 --> 01:27:50,240 - HUNK, DON'T DO THIS TO US! 1429 01:27:50,240 --> 01:27:53,570 ALL EVIL AND NO PLAY MAKES HUNK A DULL DEMON! 1430 01:27:53,570 --> 01:27:57,000 - READY. 1431 01:27:57,000 --> 01:27:59,500 - YOU'RE GONNA MISS ME! 1432 01:27:59,500 --> 01:28:01,940 THE GOOD THINGS ARE WHAT LIFE'S ALL ABOUT. 1433 01:28:01,940 --> 01:28:05,540 YOU CAN'T WANNA BE THE GUY WHO STARTED WORLD WAR III. 1434 01:28:05,540 --> 01:28:08,770 - AIM. 1435 01:28:08,770 --> 01:28:11,040 - ALL THIS JUST TO GET LAID MORE AND A GUEST HOST 1436 01:28:11,040 --> 01:28:12,800 ON THE CARSON SHOW? 1437 01:28:12,800 --> 01:28:16,540 PLEASE, GIVE AN INNOCENT BETTER HALF A BREAK. HUH? 1438 01:28:16,540 --> 01:28:20,240 - MY FAVORITE WORD--FIRE. 1439 01:28:21,440 --> 01:28:25,100 - HUNK! PLEASE! NO! DON'T! 1440 01:28:29,870 --> 01:28:32,640 - FIRE, FIRE, FI-- 1441 01:28:32,640 --> 01:28:37,040 - WAIT. OH HE'S ALL RIGHT. WAIT. 1442 01:28:37,040 --> 01:28:39,300 - YOU'RE ALL STILL ALIVE. 1443 01:28:39,300 --> 01:28:41,340 - OF COURSE, WE'RE STILL ALIVE. 1444 01:28:41,340 --> 01:28:44,000 EXCEPT FOR THE PEOPLE THAT ATE THE ROAST BEEF. 1445 01:28:44,000 --> 01:28:47,100 - FOR A SECOND THERE, I WAS KILLING ALL MY-- --YOUR 1446 01:28:47,100 --> 01:28:49,000 INVESTMENTS GOODBYE. 1447 01:28:49,000 --> 01:28:50,270 - WHAT HAPPENED? 1448 01:28:50,270 --> 01:28:52,570 - SKEET CROWNED YOU WITH THE KEY TO SEA SPRAY. 1449 01:28:52,570 --> 01:28:53,570 - YOU ALL RIGHT? 1450 01:28:53,570 --> 01:28:55,700 - YEAH. 1451 01:28:55,700 --> 01:28:57,940 WHAT TIME IS IT? 1452 01:28:57,940 --> 01:28:59,040 - MY WATCH STOPPED. 1453 01:28:59,040 --> 01:29:01,300 - IT'S TEN MINUTES TO MIDNIGHT. 1454 01:29:01,300 --> 01:29:02,340 - HUNK! 1455 01:29:02,340 --> 01:29:04,040 - HUNK, COME ON. ENOUGH FOR ONE DAY. 1456 01:29:04,040 --> 01:29:05,940 - YOU AND I HAVE AN APPOINTMENT WITH DR. D. 1457 01:29:05,940 --> 01:29:08,170 - HUNK, YOU CAN HAVE A CONCUSSION. NOW, COME ON. 1458 01:29:08,170 --> 01:29:09,440 - COME ON. BEFORE IT'S TOO LATE. 1459 01:29:09,440 --> 01:29:11,340 - NOW, WAIT A MINUTE. THE KEY, THE PRESENTATION-- 1460 01:29:11,340 --> 01:29:12,370 WHERE ARE YOU GOING? 1461 01:29:12,370 --> 01:29:13,400 - TO THE DEVIL! 1462 01:29:15,070 --> 01:29:17,740 - both: OUR INVESTMENTS. 1463 01:29:20,040 --> 01:29:22,600 - NO WAY I'M GONNA BE THE GUY WHO STARTED WORLD WAR III. 1464 01:29:22,600 --> 01:29:25,040 - HOW CAN YOU HAVE STARTED A WAR THAT HASN'T EVEN BEGUN? 1465 01:29:25,040 --> 01:29:26,200 - IN THE FUTURE, IT HAS, SUNNY. 1466 01:29:26,200 --> 01:29:28,140 IT STARTS RIGHT HERE IN SEA SPRAY. 1467 01:29:30,840 --> 01:29:33,970 - WELL, IT'S ALMOST MIDNIGHT. 1468 01:29:33,970 --> 01:29:37,300 WHO ARE YOU GONNA BE ONE MINUTE FROM NOW? 1469 01:29:37,300 --> 01:29:40,600 - BRADLEY BRINKMAN. 1470 01:29:40,600 --> 01:29:42,100 - WHAT? - SUNNY. 1471 01:29:42,100 --> 01:29:45,300 SUNNY, I KNOW IF YOU TRULY LOVE ME--THE ME INSIDE-- 1472 01:29:45,300 --> 01:29:47,200 IT'S NOT GONNA MATTER TO YOU IF I COME BACK JUST IN 1473 01:29:47,200 --> 01:29:48,400 A DIFFERENT KIND OF BODY. 1474 01:29:48,400 --> 01:29:50,040 - I DO LOVE YOU. 1475 01:29:50,040 --> 01:29:51,370 I LOVE WHAT'S INSIDE. 1476 01:29:51,370 --> 01:29:55,570 BUT HUNK YOU HAVE TO ACCEPT WHO YOU ARE. 1477 01:29:55,570 --> 01:29:58,940 - YOU KNOW, SOMETIMES YOU SOUND JUST LIKE O'BRIEN. 1478 01:29:58,940 --> 01:30:01,100 THE ONLY LIMITATION IN OUR RELATIONSHIP IS THAT YOU 1479 01:30:01,100 --> 01:30:05,740 CAN'T UNDERSTAND WHAT I'VE BEEN THROUGH. 1480 01:30:05,740 --> 01:30:07,400 WHEN YOU MEET DR. D. A FEW SECONDS FROM NOW, 1481 01:30:07,400 --> 01:30:08,440 YOU WILL, THOUGH. COME ON. 1482 01:30:21,240 --> 01:30:22,470 TOLD YOU HE'D BE HERE, SUNNY. 1483 01:30:22,470 --> 01:30:23,970 - IS THIS SOME KIND OF TRICK? 1484 01:30:23,970 --> 01:30:25,470 - WISH IT WERE. COME ON. 1485 01:30:39,170 --> 01:30:41,040 - OH, THERE YOU ARE. 1486 01:30:41,040 --> 01:30:44,740 WHILE YOU WERE AWAY, I WHIPPED UP A FEW LITTLE 1487 01:30:44,740 --> 01:30:47,000 GOODIES TO CELEBRATE OUR CLOSING OUR DEAL. 1488 01:30:47,000 --> 01:30:48,540 - DR. D., AT YOUR SERVICE, SUNNY. 1489 01:30:48,540 --> 01:30:50,770 - AND IMPECCABLE SERVICE IT IS TOO. 1490 01:30:50,770 --> 01:30:54,300 SEE? CANNIBAL CANAPES, 1491 01:30:54,300 --> 01:30:57,900 ALL-WHITE MEAT MISSIONARY (NO AGNOSTIC FILLERS), 1492 01:30:57,900 --> 01:31:00,800 FANTASTIC TITANIC ICEBERG LETTUCE SALAD, 1493 01:31:00,800 --> 01:31:04,040 KILLER TOMATOES, AND DEVILED EGGS A LA MOI. 1494 01:31:04,040 --> 01:31:07,570 - THERE'S NO DEAL, DR. D. 1495 01:31:07,570 --> 01:31:09,840 - WHAT? 1496 01:31:09,840 --> 01:31:13,340 - A LIFE OF SELFISH PLEASURE AND AN ETERNAL AFTERLIFE 1497 01:31:13,340 --> 01:31:16,740 AS ONE OF YOUR HENCHMEN IS A ROTTEN EXCHANGE. 1498 01:31:16,740 --> 01:31:19,600 I WANT SUNNY TO MEET O'BRIEN RIGHT NOW. 1499 01:31:19,600 --> 01:31:21,140 - O'BRIEN WILL BE AROUND, ALL RIGHT, 1500 01:31:21,140 --> 01:31:23,300 BUT LET'S NOT TALK ABOUT O'BRIEN. 1501 01:31:23,300 --> 01:31:25,300 WHY LET A FEW DREAMS SCARE YOU, 1502 01:31:25,300 --> 01:31:28,000 WHEN YOU CAN BE A LIVING NIGHTMARE YOURSELF? 1503 01:31:28,000 --> 01:31:30,440 - I WANNA BE BRADLEY BRINKMAN AGAIN. 1504 01:31:30,440 --> 01:31:32,300 WHY CAN'T O'BRIEN BE HERE TO SEE THIS? 1505 01:31:32,300 --> 01:31:35,040 - OH, SHE'LL SEE IT, ALL RIGHT. 1506 01:31:35,040 --> 01:31:37,170 SO BE IT. 1507 01:31:37,170 --> 01:31:40,500 EXIT, HUNK GOLDEN. 1508 01:31:40,500 --> 01:31:42,900 ENTER, BRADLEY BRINKMAN. 1509 01:31:53,100 --> 01:31:55,500 - THIS IS BRADLEY BRINKMAN. 1510 01:31:55,500 --> 01:31:57,500 THIS IS ME. 1511 01:31:57,500 --> 01:32:01,070 IT HAD TO BE THIS WAY, SUNNY. 1512 01:32:01,070 --> 01:32:02,470 - I KNOW. 1513 01:32:02,470 --> 01:32:06,240 - THE GAME IS UP FOR HER TOO, BRADLEY BRINKMAN. 1514 01:32:06,240 --> 01:32:10,840 COME OUT, COME OUT, WHEREVER YOU ARE. 1515 01:32:13,540 --> 01:32:15,340 - WHAT? 1516 01:32:15,340 --> 01:32:17,770 - OH, THE DEVIL MADE HER DO IT. 1517 01:32:17,770 --> 01:32:20,840 - AND I THOUGHT THAT YOU LOVED ME. 1518 01:32:20,840 --> 01:32:22,440 - I DID. 1519 01:32:22,440 --> 01:32:25,000 I MEAN, I DO. 1520 01:32:25,000 --> 01:32:27,770 BRADLEY, YOU MADE THE RIGHT DECISION. 1521 01:32:27,770 --> 01:32:30,500 ALL THE DREAMS WERE TRUE. 1522 01:32:30,500 --> 01:32:34,270 I HAD TO LIE TO GET YOU TO CLOSE THE DEAL. 1523 01:32:34,270 --> 01:32:36,270 YOU BELIEVED IN YOUR OLD SELF MORE. 1524 01:32:36,270 --> 01:32:37,770 - AND I BELIEVED IN YOU. 1525 01:32:37,770 --> 01:32:38,800 NOW WHAT? 1526 01:32:38,800 --> 01:32:41,370 - DISMISSAL. 1527 01:32:41,370 --> 01:32:43,070 - MY DEAL'S UP TOO. 1528 01:32:43,070 --> 01:32:44,370 - YOUR DEAL? 1529 01:32:44,370 --> 01:32:48,800 - FABULOUS DEAL TILL SHE GOT SENTIMENTAL AND SLOPPY. 1530 01:32:48,800 --> 01:32:53,500 - I HAD TO LAND A SOUL A CENTURY FOR DR. D. OR LOSE MY DEAL. 1531 01:32:53,500 --> 01:32:55,600 - SHE HASN'T MADE A SCORE SINCE 1532 01:32:55,600 --> 01:32:59,470 OTTO VON BISMARCK IN 1887. 1533 01:32:59,470 --> 01:33:02,600 - I'M TOO MUCH A ROMANTIC TO KEEP RECRUITING NICE GUYS 1534 01:33:02,600 --> 01:33:05,240 FOR THE DEVIL'S WORK. 1535 01:33:05,240 --> 01:33:06,840 NICE GUYS LIKE YOU. 1536 01:33:06,840 --> 01:33:11,170 - THEN WHY DO YOU KEEP DOING IT? 1537 01:33:11,170 --> 01:33:13,570 - I WAS AFRAID. 1538 01:33:13,570 --> 01:33:15,900 I AM AFRAID. 1539 01:33:15,900 --> 01:33:18,440 TO BE THE REAL ME. 1540 01:33:18,440 --> 01:33:22,400 THE ONE THAT SOLD THEIR SOUL TO DR. D. IN THE FIRST PLACE. 1541 01:33:22,400 --> 01:33:24,770 - WAIT A MINUTE. YOU'RE SUNNY. OR YOU WERE. 1542 01:33:24,770 --> 01:33:26,800 YOU'RE THE ONE WHO TAUGHT ME THAT PEOPLE EXIST ON THE 1543 01:33:26,800 --> 01:33:29,540 INSIDE, NOT ON THE OUTSIDE. 1544 01:33:29,540 --> 01:33:33,140 EVEN IF IT WAS TO DECEIVE ME, THE LOVE I FELT FROM YOU 1545 01:33:33,140 --> 01:33:38,900 CAME FROM SOME WONDERFUL PERSON. I THINK-- 1546 01:33:38,900 --> 01:33:42,870 - I'M REALLY TOUCHED. I -- VERY TOUCHING. 1547 01:33:42,870 --> 01:33:46,800 BUT IF YOU'LL EXCUSE ME, I HAVE TO CATCH AN ILL WIND TO BEIRUT. 1548 01:33:50,700 --> 01:33:55,700 LOOK. SINCE IT'S HITLER'S BIRTHDAY, 1549 01:33:55,700 --> 01:33:58,900 I'LL MAKE YOU ONE LAST OFFER--SIX MONTHS' EXTENSION 1550 01:33:58,900 --> 01:34:00,500 TO MAKE GOOD ON BEING BAD. 1551 01:34:00,500 --> 01:34:02,240 - NO WAY. 1552 01:34:02,240 --> 01:34:03,270 - SIX MONTHS? 1553 01:34:03,270 --> 01:34:04,570 - NO, DON'T. 1554 01:34:04,570 --> 01:34:07,470 WHOEVER YOU ARE OR WERE. 1555 01:34:07,470 --> 01:34:09,440 DON'T BE AFRAID. 1556 01:34:09,440 --> 01:34:12,100 THERE IS A PERSON INSIDE OF YOU WHO IS WARM AND LOVING. 1557 01:34:12,100 --> 01:34:14,200 I KNOW. I'VE FELT IT. 1558 01:34:14,200 --> 01:34:15,800 - O'BRIEN. 1559 01:34:18,040 --> 01:34:20,370 REMEMBER HOW LONELY YOU WERE? 1560 01:34:20,370 --> 01:34:22,400 - CAN'T BE LONELIER THAN RUNNING A TIME-TRAVELLING 1561 01:34:22,400 --> 01:34:25,600 SELL-YOUR-SOUL-TO-SATAN SERVICE. 1562 01:34:25,600 --> 01:34:27,240 - WELL-- 1563 01:34:27,240 --> 01:34:32,270 - DON'T BE AFRAID TO BE THE PERSON WHO YOU ARE INSIDE. 1564 01:34:32,270 --> 01:34:34,340 - STRONG ENOUGH TO COME BACK TO EARTH 1565 01:34:34,340 --> 01:34:37,200 AS YOURSELF USED TO BE? 1566 01:34:37,200 --> 01:34:40,500 - I WAS. 1567 01:34:40,500 --> 01:34:42,070 - I'M STAYING WITH-- 1568 01:34:42,070 --> 01:34:45,540 - UNLIMITED CREDIT ON "INFERNOCARD?" 1569 01:34:50,270 --> 01:34:51,440 - I'M STAYING WITH BRADLEY. 1570 01:34:51,440 --> 01:34:52,600 - YES! 1571 01:34:52,600 --> 01:34:55,970 - OH, TO HEAVEN WITH BOTH OF YOU. 1572 01:34:58,070 --> 01:35:00,840 THERE ARE PLENTY OF TAKERS ACROSS THE CENTURIES TO 1573 01:35:00,840 --> 01:35:03,240 CARRY OUT MY MASTER PLAN 1574 01:35:03,240 --> 01:35:06,240 TO MAKE ALL THE HAPPY ENDINGS IN HISTORY 1575 01:35:06,240 --> 01:35:08,540 EVIL ONES. 1576 01:35:08,540 --> 01:35:12,270 LIKE ALL THOSE LASSIE MOVIES. 1577 01:35:12,270 --> 01:35:13,740 SO BE IT. 1578 01:35:17,200 --> 01:35:18,600 THERE SHE IS. 1579 01:35:18,600 --> 01:35:21,440 PRINCESS LUCILLA OF LENINSHIRE, JUST AS I FOUND HER IN THE 1580 01:35:21,440 --> 01:35:26,700 TENTH CENTURY, AFTER HER FATHER SOLD HER TO THE VIKINGS. 1581 01:35:26,700 --> 01:35:30,740 NINE CENTURIES OF VICIOUS, VILE TRAINING DOWN 1582 01:35:30,740 --> 01:35:35,070 THE TUBES OF TIME. 1583 01:35:35,070 --> 01:35:38,040 - LUCILLA. 1584 01:35:38,040 --> 01:35:41,570 WHY DID YOUR FATHER SELL YOU? 1585 01:35:41,570 --> 01:35:44,400 - BECAUSE I WASN'T AS BEAUTIFUL AS MY SISTER, PRINCESS KASAVA, 1586 01:35:44,400 --> 01:35:48,500 SO I SOLD MY SOUL TO DR. D. 1587 01:35:48,500 --> 01:35:52,300 TO ESCAPE AND BECOME BEAUTIFUL ... LIKE YOU. 1588 01:35:55,200 --> 01:35:56,370 - YOU'RE A PRINCESS. 1589 01:35:57,670 --> 01:36:01,940 - A PRINCESS WITHOUT A CASTLE, WITHOUT A JOB. 1590 01:36:01,940 --> 01:36:04,600 WELL, I'LL BE GOING. 1591 01:36:04,600 --> 01:36:06,640 - WHOSE SIDE ARE YOU ON THIS TIME? 1592 01:36:06,640 --> 01:36:08,240 - WHAT DOES IT MATTER? 1593 01:36:08,240 --> 01:36:12,540 AS LONG AS MANKIND IS MISERABLE. 1594 01:36:12,540 --> 01:36:13,740 CIAO. 1595 01:36:23,500 --> 01:36:25,840 - SO YOU'VE BEEN-- 1596 01:36:25,840 --> 01:36:29,900 - RETURNED TO EARTH TO LIVE OUT THE REST OF MY MORTAL LIFE. 1597 01:36:29,900 --> 01:36:32,040 LIKE YOU. 1598 01:36:32,040 --> 01:36:34,300 - LIKE ME. 1599 01:36:34,300 --> 01:36:37,900 WHO WOULD EVER BELIEVE THIS? 1600 01:36:37,900 --> 01:36:40,000 - YOU WOULD, BRADLEY. 1601 01:36:48,540 --> 01:36:50,600 OH, MY GOODNESS BRADLEY, WHAT ABOUT YOUR PROGRAM? 1602 01:36:50,600 --> 01:36:51,870 IT'S DUE TODAY. 1603 01:36:51,870 --> 01:36:55,270 - IT CAME TO ME LAST NIGHT WHEN I MET THE REAL YOU. 1604 01:36:55,270 --> 01:36:56,400 - WHAT IS IT? 1605 01:36:56,400 --> 01:36:58,500 - "THE PRINCESS PROGRAM"-- 1606 01:36:58,500 --> 01:37:01,870 HOW TO LIVE ROYALLY ON A REGULAR WEEK'S PAY. 1607 01:37:01,870 --> 01:37:03,500 WHAT DO YOU THINK? 1608 01:37:03,500 --> 01:37:06,470 - WHAT DO I THINK? 1609 01:37:12,040 --> 01:37:14,000 BRADLEY? - HM? 1610 01:37:14,000 --> 01:37:15,870 - ARE YOU DISAPPOINTED? 1611 01:37:15,870 --> 01:37:18,870 - DISAPPOINTED IN WHAT? 1612 01:37:18,870 --> 01:37:21,540 - THAT YOU GAVE UP THE NEW YOU, 1613 01:37:21,540 --> 01:37:24,570 ENDED UP WITH THE OLD ME. 1614 01:37:24,570 --> 01:37:26,400 WHO'S ALWAYS SECOND BEST. 1615 01:37:26,400 --> 01:37:29,070 - YOU'RE SECOND BEST? NEVER. 1616 01:37:29,070 --> 01:37:34,270 NOT 900 YEARS AGO, NOT NOW, NOT EVER. 1617 01:37:52,300 --> 01:37:57,000 - FUNNY. HUNK DISAPPEARS, AND BRADLEY BRINKMAN RETURNS. 1618 01:37:57,000 --> 01:38:00,470 THEY BOTH WERE ALWAYS LOOKING FOR THE SAME WOMAN TOO. 1619 01:38:00,470 --> 01:38:04,570 - AND IT LOOKS LIKE BRINKMAN FINALLY GOT HIMSELF A GIRL. 1620 01:38:06,040 --> 01:38:08,100 - WHAT'D YOU EXPECT? 1621 01:38:08,100 --> 01:38:10,670 HUNK MUST'VE RUBBED OFF ON HIM. 114985