Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,720 --> 00:00:05,290
here live at the Awardie Awards!
2
00:00:05,290 --> 00:00:08,460
This red carpet has fierce
trendsetters and fashion victims
3
00:00:08,460 --> 00:00:11,000
and yours truly is rendering
divine judgment
4
00:00:10,990 --> 00:00:13,560
on every last one of them.
(girls screaming)
5
00:00:13,560 --> 00:00:15,960
Oh, my Gomez!
That's Selena Gomez!
6
00:00:17,030 --> 00:00:18,030
Hi, there.
7
00:00:18,040 --> 00:00:19,440
(Mark)
Excuse you, Alton Brown.
8
00:00:19,440 --> 00:00:20,710
Oh, I'm not Alton Brown.
9
00:00:20,700 --> 00:00:23,770
Yeah, you're way too old.
Move! Ugh!
10
00:00:24,880 --> 00:00:26,480
I missed her.
Now I'll never know
11
00:00:26,480 --> 00:00:28,880
if her choice of dress
was icy or dicey.
12
00:00:28,880 --> 00:00:31,220
Oh, I'm sorry.
Let me make it up to you.
13
00:00:31,210 --> 00:00:33,280
You wanna
be my plus-one?
14
00:00:33,280 --> 00:00:34,740
Ahh!
(laughing)
15
00:00:34,750 --> 00:00:36,910
Of course, Selena probably
didn't choose her dress.
16
00:00:36,920 --> 00:00:38,260
She's just
a walking billboard,
17
00:00:38,260 --> 00:00:39,730
like all these people.
18
00:00:39,720 --> 00:00:41,780
You can't just criticize
the Hollywood elite.
19
00:00:41,790 --> 00:00:43,890
Who do you think you are,
Joan Rivers?
20
00:00:43,890 --> 00:00:45,020
Rest in peace.
21
00:00:45,030 --> 00:00:46,470
No, I'm Adam Conover,
22
00:00:46,460 --> 00:00:48,890
and this is
"Adam Ruins Everything."
23
00:00:48,900 --> 00:00:53,670
♪
(whistling)
24
00:00:59,210 --> 00:01:00,810
I can't believe
I'm here.
25
00:01:00,810 --> 00:01:03,510
The epicenter of culture
and high fashion.
26
00:01:03,510 --> 00:01:04,770
The red carpet is--
27
00:01:04,780 --> 00:01:06,310
Basically one big ad.
28
00:01:06,320 --> 00:01:09,120
We idolize celebrities
for their style and fashion,
29
00:01:09,120 --> 00:01:10,960
but the truth is,
everything from their jewelry
30
00:01:10,950 --> 00:01:12,750
to their shoes
is marketing,
31
00:01:12,760 --> 00:01:14,890
picked out by brands
looking to make a buck.
32
00:01:14,890 --> 00:01:16,790
And what brand are you wearing?
Ann Taylor?
33
00:01:16,790 --> 00:01:17,850
Yes, is that bad?
34
00:01:17,860 --> 00:01:20,290
(sighing)
Not everyone is a shill.
35
00:01:20,300 --> 00:01:22,100
Shailene Woodley
would never sell out.
36
00:01:22,100 --> 00:01:24,570
She's a free spirit.
She eats clay.
37
00:01:24,570 --> 00:01:25,670
I don't believe you.
38
00:01:25,670 --> 00:01:26,870
Well, let's ask
someone who knows.
39
00:01:26,870 --> 00:01:28,210
Oh, hi, Rachel.
40
00:01:28,210 --> 00:01:30,340
♪
41
00:01:30,340 --> 00:01:31,710
Oh, hey, Adam.
42
00:01:31,710 --> 00:01:33,410
I was just showing my elbows
to America.
43
00:01:33,410 --> 00:01:36,580
Golden Globe winner slash
goddess Rachel Bloom?
44
00:01:36,580 --> 00:01:38,450
This is the coolest moment
of my life.
45
00:01:38,450 --> 00:01:40,790
You look stunning.
46
00:01:40,780 --> 00:01:41,880
I bet you woke up
like this.
47
00:01:41,890 --> 00:01:44,090
Um, no,
I woke up like dis.
48
00:01:45,520 --> 00:01:48,350
And so did everybody
else here, yeah.
49
00:01:48,360 --> 00:01:50,260
Most of the time, we look
shlubbier than the crowd
50
00:01:50,260 --> 00:01:51,600
at a Dave Matthews
concert,
51
00:01:51,600 --> 00:01:53,530
but anybody
would look fantastic
52
00:01:53,530 --> 00:01:55,530
if they had a pit crew
of hair and make-up experts
53
00:01:55,530 --> 00:01:57,960
Frankensteining them
for six hours.
54
00:01:57,970 --> 00:02:00,210
Anyway...
Hey!
55
00:02:00,200 --> 00:02:02,700
Your frock looks fab.
Why did you choose it?
56
00:02:02,710 --> 00:02:04,710
Oh, I didn't choose it.
Those people did.
57
00:02:04,710 --> 00:02:06,080
♪
58
00:02:06,080 --> 00:02:07,210
So, that's my stylist
59
00:02:07,210 --> 00:02:10,150
and the designer's
marketing team.
60
00:02:10,150 --> 00:02:11,580
My stylist tells me
what to wear
61
00:02:11,580 --> 00:02:13,210
and then the designer's
marketing team
62
00:02:13,220 --> 00:02:15,090
says yes or no depending
on whether or not
63
00:02:15,090 --> 00:02:16,690
they think
I'll sell the product.
64
00:02:16,690 --> 00:02:18,890
Sometimes, the designer
can refuse
65
00:02:18,890 --> 00:02:20,760
to loan somebody
a dress if that person
66
00:02:20,760 --> 00:02:23,600
doesn't fit their brand
or has the wrong body type.
67
00:02:23,590 --> 00:02:24,890
That's not style.
68
00:02:24,900 --> 00:02:27,800
That's not fashion!
No, it's advertising,
69
00:02:27,800 --> 00:02:29,370
'cause when
Mark McGrath asks,
70
00:02:29,370 --> 00:02:30,500
"Who are you wearing?"
71
00:02:30,500 --> 00:02:32,470
all of America will hear
that brand's name.
72
00:02:32,470 --> 00:02:34,910
Exactly. I'm basically
a human NASCAR.
73
00:02:34,910 --> 00:02:35,970
Who are you wearing?
74
00:02:35,970 --> 00:02:37,630
Oh, thank you
for asking.
75
00:02:37,640 --> 00:02:38,900
My dress
is by Valvoline.
76
00:02:38,910 --> 00:02:40,210
(engine revving)
77
00:02:40,210 --> 00:02:41,950
And my shoes
are by Kraft.
78
00:02:43,110 --> 00:02:45,110
Kraft cheese.
79
00:02:45,120 --> 00:02:46,320
Oh, they're melting again.
80
00:02:46,320 --> 00:02:47,650
Okay, I gotta go.
I gotta go over
81
00:02:47,650 --> 00:02:49,040
to the, uh, the pedi-cam.
Okay, bye!
82
00:02:49,050 --> 00:02:50,110
Have a good web series!
83
00:02:50,120 --> 00:02:51,460
Bye, Rachel!
84
00:02:51,450 --> 00:02:53,720
(crowd cheering,
camera shutters clicking)
85
00:02:53,720 --> 00:02:55,980
(announcer)
Please, everyone take your seats.
86
00:02:55,990 --> 00:02:58,350
I forgot about the awards.
This is amazing.
87
00:02:58,360 --> 00:02:59,690
We get to watch live
88
00:02:59,700 --> 00:03:02,230
as Hollywood decides
who is the most talented.
89
00:03:02,230 --> 00:03:04,890
More like, who had
the best ad campaign.
90
00:03:04,900 --> 00:03:06,900
Come on, I'll show you.
(grunting)
91
00:03:08,540 --> 00:03:11,280
(announcer)
Live from the most cost-effective theater
92
00:03:11,270 --> 00:03:14,670
in North Hollywood,
the Awardie Awards.
93
00:03:14,680 --> 00:03:19,480
Please welcome minor
TV personality Adam Conover!
94
00:03:19,480 --> 00:03:21,340
(single person clapping)
95
00:03:23,750 --> 00:03:26,520
And the nominees
for best picture are...
96
00:03:26,520 --> 00:03:28,380
"The Sad British Man."
97
00:03:28,390 --> 00:03:31,020
(applause)
98
00:03:31,030 --> 00:03:33,500
"Room 2: Back in the Room."
99
00:03:33,500 --> 00:03:35,830
(applause)
100
00:03:35,830 --> 00:03:38,490
"That Tom Hanks Movie
Your Dad Liked."
101
00:03:38,500 --> 00:03:40,860
(applause)
102
00:03:40,870 --> 00:03:43,340
And
"The Rosa Parks Story."
103
00:03:43,340 --> 00:03:46,650
(cheering and applause)
104
00:03:46,640 --> 00:03:48,400
And the best movie of the year
is...
105
00:03:48,410 --> 00:03:51,170
(drum rolling)
106
00:03:51,180 --> 00:03:53,380
Not determined by this award.
Sorry.
107
00:03:53,380 --> 00:03:56,280
Whoa, whoa, whoa.
Yes, it is.
108
00:03:56,290 --> 00:03:57,560
Award shoes
are how tastemakers
109
00:03:57,550 --> 00:03:58,880
honor important art,
110
00:03:58,890 --> 00:04:02,090
like "Crash" and...
better movies.
111
00:04:02,090 --> 00:04:03,890
Yes, we'd all love
to believe
112
00:04:03,890 --> 00:04:05,120
that these awards
are determined
113
00:04:05,130 --> 00:04:06,800
by objective voters
weighing
114
00:04:06,800 --> 00:04:08,830
the artistic merits
of each work.
115
00:04:08,830 --> 00:04:12,260
But the fact is, these might
as well be the nominees.
116
00:04:12,270 --> 00:04:13,770
Money can't act!
117
00:04:13,770 --> 00:04:16,880
No, but it can make voters
act differently.
118
00:04:16,870 --> 00:04:18,130
And to influence them,
119
00:04:18,140 --> 00:04:20,600
studios and networks
throw boatloads of money
120
00:04:20,610 --> 00:04:21,950
into what
the industry calls
121
00:04:21,950 --> 00:04:23,780
For Your Consideration
campaigns.
122
00:04:23,780 --> 00:04:25,680
Oh, I've heard of those,
123
00:04:25,680 --> 00:04:27,680
and I know exactly
what they are,
124
00:04:27,680 --> 00:04:29,610
so you don't
have to explain them.
125
00:04:31,520 --> 00:04:34,020
But go ahead,
have your fun.
126
00:04:34,020 --> 00:04:35,650
For Your Consideration
campaigns
127
00:04:35,660 --> 00:04:37,600
are a very specific form
of marketing
128
00:04:37,590 --> 00:04:39,920
that's aimed solely
at awards voters.
129
00:04:39,930 --> 00:04:43,070
They're not quite bribery,
but they're close.
130
00:04:43,070 --> 00:04:45,170
We don't have to pay
to see movies.
131
00:04:45,170 --> 00:04:47,410
The studio
sent them to us for free.
132
00:04:47,400 --> 00:04:49,930
Oh, this one comes
with an iPad.
133
00:04:49,940 --> 00:04:51,340
Or they throw
lavish parties
134
00:04:51,340 --> 00:04:53,070
for voters
to meet celebrities.
135
00:04:53,080 --> 00:04:54,310
I met Shailene Woodley,
136
00:04:54,310 --> 00:04:56,370
and now we eat clay
together.
137
00:04:56,380 --> 00:04:57,520
Not to mentions the ads
138
00:04:57,510 --> 00:05:00,210
the studios plaster
all over L.A.
139
00:05:00,220 --> 00:05:03,720
♪
140
00:05:03,720 --> 00:05:06,120
You know what?
I think he does.
141
00:05:06,120 --> 00:05:07,420
♪ Vote for Leo! ♪
142
00:05:07,420 --> 00:05:09,580
The worst offenders
are the Golden Globes.
143
00:05:09,590 --> 00:05:12,220
Only the 87 members of
the Hollywood Foreign Press
144
00:05:12,230 --> 00:05:14,000
get to vote, and since
everyone in Hollywood
145
00:05:14,000 --> 00:05:17,000
knows who they are, they get
campaigned to personally.
146
00:05:17,000 --> 00:05:18,600
One year,
Sharon Stone's people
147
00:05:18,600 --> 00:05:21,230
sent us all
gold Coach watches. Wha...
148
00:05:21,240 --> 00:05:23,480
So, uh, yeah,
she got the nom.
149
00:05:23,470 --> 00:05:24,870
Holy crow!
150
00:05:24,870 --> 00:05:27,400
This process is such
an open secret,
151
00:05:27,410 --> 00:05:29,610
Denzel Washington
joked about it on-air
152
00:05:29,610 --> 00:05:31,340
during an acceptance
speech.
153
00:05:31,350 --> 00:05:32,880
Some of you may know
Freddy Fields.
154
00:05:32,880 --> 00:05:35,140
He invited me
to the first, uh,
155
00:05:35,150 --> 00:05:36,750
Hollywood Foreign Press
luncheon.
156
00:05:36,750 --> 00:05:39,150
He said, they're gonna watch
the movie,
157
00:05:39,160 --> 00:05:42,060
we're gonna feed 'em,
they're gonna come over,
158
00:05:42,060 --> 00:05:43,460
you're gonna take pictures
with everybody,
159
00:05:43,460 --> 00:05:46,100
you're gonna hold the magazines,
take the pictures,
160
00:05:46,100 --> 00:05:47,900
and you're gonna win
the award.
161
00:05:47,900 --> 00:05:51,070
(laughter)
162
00:05:51,070 --> 00:05:54,410
I won that year.
(laughter)
163
00:05:54,400 --> 00:05:56,730
And all that advertising
costs money.
164
00:05:56,740 --> 00:05:58,080
To win an Oscar,
165
00:05:58,070 --> 00:06:00,940
studios may have to spend
up to $10 million.
166
00:06:00,940 --> 00:06:02,840
10 million--
167
00:06:02,850 --> 00:06:05,050
That's Kardashian
wedding money.
168
00:06:05,050 --> 00:06:06,320
I mean,
these things are nice,
169
00:06:06,320 --> 00:06:08,520
but not $10 million
nice.
170
00:06:08,520 --> 00:06:10,020
So, what's the point?
171
00:06:10,020 --> 00:06:11,490
You gotta spend money
to make money.
172
00:06:11,490 --> 00:06:13,530
Ahh!
Oh, Mark, this is Pete Hammond,
173
00:06:13,520 --> 00:06:15,480
awards columnist
at Deadline Hollywood.
174
00:06:15,490 --> 00:06:16,920
Hi, Pete.
175
00:06:16,930 --> 00:06:18,930
Hey, be careful, Adam,
I'm in deep cover.
176
00:06:18,930 --> 00:06:20,030
Oh, shh.
Sorry.
177
00:06:20,030 --> 00:06:22,030
Look, it's all about
the bottom line.
178
00:06:22,030 --> 00:06:24,590
There are studies
that show a nomination itself
179
00:06:24,600 --> 00:06:27,330
can mean $20 million more
at the box office,
180
00:06:27,340 --> 00:06:30,180
and with a win,
it can be 35 million and up.
181
00:06:30,170 --> 00:06:32,330
Actually,
even a flop movie
182
00:06:32,340 --> 00:06:34,300
can make money with
a nomination.
183
00:06:34,310 --> 00:06:37,080
Getting nominated
is just good for business.
184
00:06:37,080 --> 00:06:38,450
And winning
a major award
185
00:06:38,450 --> 00:06:40,490
conveys something
even more important--
186
00:06:40,480 --> 00:06:43,040
prestige and power.
187
00:06:43,050 --> 00:06:46,950
No one was taking Netflix
seriously as a TV network.
188
00:06:46,960 --> 00:06:51,130
So we resolved...
to win us an Emmy.
189
00:06:51,130 --> 00:06:52,660
We went to the neighborhoods
of Emmy voters
190
00:06:52,660 --> 00:06:54,590
and we gave
their neighbors $50 each
191
00:06:54,600 --> 00:06:57,000
to put up Netflix
lawn signs.
192
00:06:57,000 --> 00:06:58,970
We sent out food trucks
193
00:06:58,970 --> 00:07:02,570
will free lunch
all around Los Angeles.
194
00:07:02,570 --> 00:07:06,300
We painted the town
with money.
195
00:07:06,310 --> 00:07:07,610
And that year,
196
00:07:07,610 --> 00:07:12,480
we won not only one Emmy,
we won three.
197
00:07:12,480 --> 00:07:14,740
So, I took the other two
and I melted them down
198
00:07:14,750 --> 00:07:17,150
and made them
into rings.
199
00:07:17,150 --> 00:07:20,250
Now, Netflix...
(knocking on counter)
200
00:07:20,260 --> 00:07:22,790
is a TV network.
(Mark) No!
201
00:07:22,790 --> 00:07:24,920
Awards matter.
Leo ate raw meat.
202
00:07:24,930 --> 00:07:26,430
He deserves to win!
203
00:07:26,430 --> 00:07:28,500
Well, quality can matter,
but really,
204
00:07:28,500 --> 00:07:30,270
you've got to campaign.
205
00:07:30,270 --> 00:07:31,700
Studios do all sorts
of things now
206
00:07:31,700 --> 00:07:33,430
to get attention from voters.
207
00:07:33,440 --> 00:07:35,910
They have concerts,
trips to Vegas.
208
00:07:35,910 --> 00:07:38,680
Nominees will even
come to your house now.
209
00:07:38,680 --> 00:07:41,610
Look, spending money doesn't
guarantee you're gonna win,
210
00:07:41,610 --> 00:07:44,610
but if you want to have
a chance, you'd better campaign.
211
00:07:44,610 --> 00:07:46,480
That's so disappointing.
212
00:07:46,480 --> 00:07:48,040
Sorry.
It's true.
213
00:07:48,050 --> 00:07:49,040
Oh, my gosh.
214
00:07:49,050 --> 00:07:50,310
Adam, please hide me.
215
00:07:50,320 --> 00:07:53,290
Here comes Anne Hathaway.
She's relentless.
216
00:07:53,290 --> 00:07:54,930
Sure.
Sorry.
217
00:07:54,920 --> 00:07:56,250
Come on, let's go,
let's go!
218
00:07:56,260 --> 00:07:58,600
Look, I want my show
to win an award, too,
219
00:07:58,600 --> 00:08:00,870
so I gotta play the game
like everybody else.
220
00:08:00,860 --> 00:08:02,990
That's why this year,
I'm giving every voter
221
00:08:03,000 --> 00:08:05,100
a tub of my custom hair gel
and a book
222
00:08:05,100 --> 00:08:07,630
of my favorite graphs,
called "Graphs"!
223
00:08:07,640 --> 00:08:08,740
You'll have fun with that.
224
00:08:08,740 --> 00:08:10,440
So what's the point?
225
00:08:10,440 --> 00:08:13,680
All the movies and TV shows that
I love are secretly horrible?
226
00:08:13,680 --> 00:08:15,080
Oh, no, the ones
that get nominated
227
00:08:15,080 --> 00:08:16,380
are still pretty good,
but when it comes
228
00:08:16,380 --> 00:08:18,250
to who wins,
money talks.
229
00:08:18,250 --> 00:08:20,850
I'd like to thank the Academy
for accepting me
230
00:08:20,850 --> 00:08:23,620
and the studio for always
putting my needs first.
231
00:08:23,620 --> 00:08:26,260
(announcer)
Coming up next, Adam ruins everything you know
232
00:08:26,260 --> 00:08:28,760
about movie ratings
and we drench you
233
00:08:28,760 --> 00:08:31,560
in PG-13 violence,
right after this.
234
00:08:31,560 --> 00:08:32,990
(money)
Thank you, everyone!
235
00:08:35,230 --> 00:08:36,660
(applause)
236
00:08:36,670 --> 00:08:40,140
I haven't had that much fun
since the last NPR pledge drive.
237
00:08:40,140 --> 00:08:41,370
I love interruptions.
238
00:08:41,370 --> 00:08:42,800
Your version of "adulting"
is weird.
239
00:08:42,810 --> 00:08:43,810
(phone vibrating)
240
00:08:43,810 --> 00:08:45,440
Hold up!
Text alert.
241
00:08:54,220 --> 00:08:56,250
Of course movie ratings
matter, Adam.
242
00:08:56,250 --> 00:08:58,780
Before last week, my sweet
little 16-year-old brain
243
00:08:58,790 --> 00:09:00,060
couldn't handle
such filth,
244
00:09:00,060 --> 00:09:02,990
but now that I'm a jaded
and mature 17,
245
00:09:02,990 --> 00:09:04,790
I'm ready to see
that corpse get blended.
246
00:09:04,790 --> 00:09:07,420
Sorry, Mark, but movie ratings
are an outdated
247
00:09:07,430 --> 00:09:09,470
and unnecessary
form of censorship
248
00:09:09,470 --> 00:09:11,270
that makes no sense.
249
00:09:11,270 --> 00:09:13,100
It all goes back
to the uptight
250
00:09:13,100 --> 00:09:16,160
and Prohibition-y
1920s.
251
00:09:16,170 --> 00:09:19,170
♪
252
00:09:19,180 --> 00:09:22,110
Movies back then were starting
to get a little racy.
253
00:09:22,110 --> 00:09:23,540
(wolf whistle)
254
00:09:23,550 --> 00:09:25,720
So the government threatened
to censor the movie industry
255
00:09:25,720 --> 00:09:27,150
until a man named
William Hays
256
00:09:27,150 --> 00:09:29,490
stepped in and created
the Hays Code.
257
00:09:29,490 --> 00:09:31,560
No need to censor us.
258
00:09:31,550 --> 00:09:35,420
The movie industry
shall censor ourselves.
259
00:09:35,430 --> 00:09:40,470
The following perversions are
hereby banned in Hollywood.
260
00:09:40,460 --> 00:09:44,290
Interracial dating.
Banned!
261
00:09:44,300 --> 00:09:48,170
Making fun of clergy.
Banned!
262
00:09:48,170 --> 00:09:50,670
White slavery, banned!
263
00:09:50,670 --> 00:09:52,730
Black slavery
is A-okay, though.
264
00:09:52,740 --> 00:09:54,600
Switch 'em out,
boys!
265
00:09:57,450 --> 00:09:59,950
That's crazy.
266
00:09:59,950 --> 00:10:01,050
Where am I?
267
00:10:01,050 --> 00:10:02,690
(bell ringing,
indistinct voice on PA)
268
00:10:02,690 --> 00:10:04,090
The Hays Code
eventually evolved
269
00:10:04,090 --> 00:10:06,320
into the ratings system
we have today.
270
00:10:06,320 --> 00:10:08,620
And while today's system
is a lot less racist,
271
00:10:08,630 --> 00:10:11,030
it is just as weird
and arbitrary.
272
00:10:11,030 --> 00:10:12,960
No way.
I'm sure the people
273
00:10:12,960 --> 00:10:16,160
who rate movies
are intelligent, objective...
274
00:10:16,170 --> 00:10:17,800
Who are they,
B-T-dubs?
275
00:10:17,800 --> 00:10:19,740
That's the spooky part.
276
00:10:19,740 --> 00:10:21,610
No one knows.
277
00:10:21,600 --> 00:10:23,730
The identities of the ratings
board members
278
00:10:23,740 --> 00:10:26,010
are kept secret.
All we know is that
279
00:10:26,010 --> 00:10:27,950
they're parents who live
in Los Angeles.
280
00:10:27,940 --> 00:10:31,610
(woman, distorted)
I don't agree with the Smurfs' polygamous lifestyle.
281
00:10:31,610 --> 00:10:33,310
PG.
282
00:10:33,320 --> 00:10:34,820
(slurping)
283
00:10:34,820 --> 00:10:36,220
Okay, I gotta run.
284
00:10:36,220 --> 00:10:39,220
Skylar has soccer and the 101
is backed up my ass today.
285
00:10:39,220 --> 00:10:40,450
What we do know is,
286
00:10:40,460 --> 00:10:42,590
the ratings they give
are totally irrational.
287
00:10:44,230 --> 00:10:47,200
Nah, boo, movie ratings
must mean something.
288
00:10:47,200 --> 00:10:48,800
Okay, what are you excited
to see
289
00:10:48,800 --> 00:10:51,440
in your first R-rated movie
that you can't in PG-13?
290
00:10:51,430 --> 00:10:54,560
(Mark)
Sweet, sweet violence, and a lot of it.
291
00:10:54,570 --> 00:10:57,140
Wrong. PG-13 movies
have been found
292
00:10:57,140 --> 00:11:00,050
to contain more gun violence
than R-rated movies.
293
00:11:00,040 --> 00:11:01,500
(stabbing)
Oh!
294
00:11:01,510 --> 00:11:05,140
In fact, gun violence
in PG-13 movies has doubled--
295
00:11:05,150 --> 00:11:06,220
(gunshot)
Unh!
296
00:11:06,220 --> 00:11:07,650
No.
297
00:11:07,650 --> 00:11:10,290
Tripled, since 1985.
298
00:11:10,290 --> 00:11:13,830
Thanks, MPAA,
you filthy animals.
299
00:11:13,820 --> 00:11:15,750
(man)
And, cut! (yawning)
300
00:11:15,760 --> 00:11:17,700
Tripled?
That's sick!
301
00:11:17,690 --> 00:11:21,790
Well, then PG-13 movies
must also have tons of...
302
00:11:21,800 --> 00:11:22,800
(whispering)
...sex.
303
00:11:22,800 --> 00:11:24,170
(chuckling)
You wish.
304
00:11:24,170 --> 00:11:25,670
For a group
that's totally chill
305
00:11:25,670 --> 00:11:27,440
with hyper-violent
blood symphonies,
306
00:11:27,440 --> 00:11:30,710
the MPAA is weirdly
prudish about sex.
307
00:11:30,710 --> 00:11:33,310
They gave a PG-13 to
"The Dark Knight,"
308
00:11:33,310 --> 00:11:35,180
a movie where dozens
are brutally murdered,
309
00:11:35,180 --> 00:11:36,580
a hospital explodes
310
00:11:36,580 --> 00:11:38,720
and a bomb is planted
in a dude's belly.
311
00:11:38,720 --> 00:11:43,420
(beeping, explosion)
312
00:11:43,420 --> 00:11:45,860
And an R to
"Shakespeare in Love,"
313
00:11:45,860 --> 00:11:47,760
an Oscar-winning
literary dramedy
314
00:11:47,760 --> 00:11:49,660
with some mild
hanky-panky.
315
00:11:49,660 --> 00:11:51,930
(fabric tearing)
Oh, careful, Will!
316
00:11:51,930 --> 00:11:54,600
One more button
and we'll hit NC-17.
317
00:11:54,600 --> 00:11:56,870
The MPAA straight-up
loves violence
318
00:11:56,870 --> 00:11:59,140
and hates sex
and no one know why.
319
00:11:59,140 --> 00:12:00,510
Eh, I'm a teen.
320
00:12:00,500 --> 00:12:01,960
I'll take whatever nudity
I can get.
321
00:12:01,970 --> 00:12:03,330
Get out of here.
Hey, wait!
322
00:12:03,340 --> 00:12:05,140
(gasping)
What about swearing?
323
00:12:05,140 --> 00:12:06,470
That always
gets an R
324
00:12:06,480 --> 00:12:08,150
because swearing rules.
Nope.
325
00:12:08,140 --> 00:12:10,770
The MPAA often gives
different ratings
326
00:12:10,780 --> 00:12:12,880
to the very same word.
327
00:12:12,880 --> 00:12:15,040
So this...
(bleep) you!
328
00:12:15,050 --> 00:12:17,150
...gets you a PG-13,
while this...
329
00:12:17,150 --> 00:12:18,710
I'd like to (bleep) you.
330
00:12:18,720 --> 00:12:20,850
...gets you an R.
And this...
331
00:12:20,860 --> 00:12:22,690
I'd like to (bleep) you.
332
00:12:22,690 --> 00:12:24,120
...gets you an NC-17,
333
00:12:24,130 --> 00:12:27,070
because they also
routinely rate LGBT sex
334
00:12:27,060 --> 00:12:29,190
as more objectionable
than straight sex.
335
00:12:29,200 --> 00:12:30,600
(Mark gasping)
No!
336
00:12:30,600 --> 00:12:32,000
Not in Macklemore's
America.
337
00:12:32,000 --> 00:12:33,390
How do they justify this?
338
00:12:33,400 --> 00:12:35,200
They don't.
Joan Graves, the chair
339
00:12:35,200 --> 00:12:37,170
of the MPAA Ratings Board
has said...
340
00:12:40,640 --> 00:12:42,500
Which means they can use
whatever weird logic
341
00:12:42,510 --> 00:12:44,210
or prejudice they want.
342
00:12:44,210 --> 00:12:47,440
It's insane that
this is the system.
343
00:12:47,450 --> 00:12:49,790
Look, in principle,
it's important
344
00:12:49,790 --> 00:12:51,560
to know what kids
are watching.
345
00:12:51,550 --> 00:12:52,680
But the system
we currently have
346
00:12:52,690 --> 00:12:54,830
is outdated,
arbitrary,
347
00:12:54,820 --> 00:12:58,050
kinda homophobic,
and helps no one.
348
00:12:58,060 --> 00:12:59,160
Movie ratings
are as pointless
349
00:12:59,160 --> 00:13:00,890
as trying to stop
the corpse blender.
350
00:13:00,900 --> 00:13:02,670
Its power
is from hell! Ugh!
351
00:13:02,670 --> 00:13:05,270
Spoiler alert!
I was gonna see that!
352
00:13:06,740 --> 00:13:08,410
Fine. I guess
I'll just go home
353
00:13:08,400 --> 00:13:10,500
and make myself a mocktail
and do something vintage,
354
00:13:10,510 --> 00:13:13,080
like watch reality shows
on cable.
355
00:13:13,080 --> 00:13:14,550
Oh, I love
reality shows.
356
00:13:14,540 --> 00:13:16,300
You do strike me
as a Tim Gunn fan.
357
00:13:16,310 --> 00:13:18,770
Oh, no, I mean, because
everything in them is fake.
358
00:13:18,780 --> 00:13:21,180
Here, I'll show you!
Ahh!
359
00:13:21,180 --> 00:13:24,380
(announcer)
Next on "The Real Ruiners of L.A."
360
00:13:24,390 --> 00:13:26,290
Everything in reality shows
is hella fake.
361
00:13:26,290 --> 00:13:27,990
(grunting)
Oh!
362
00:13:27,990 --> 00:13:30,630
Hey!
Not in my section!
363
00:13:30,630 --> 00:13:32,230
(weeping)
364
00:13:35,670 --> 00:13:38,840
♪
365
00:13:40,400 --> 00:13:42,530
I asked Adam to brunch
so I can confront him
366
00:13:42,540 --> 00:13:44,380
about ruining things
for me.
367
00:13:44,370 --> 00:13:47,540
If you ain't El Niño,
don't rain on my parade.
368
00:13:47,540 --> 00:13:49,070
What Mark needs
to realize is,
369
00:13:49,080 --> 00:13:51,320
I didn't come here
to make friends.
370
00:13:51,310 --> 00:13:53,210
I came here for brunch.
371
00:13:55,250 --> 00:13:56,310
Hi, you look amazing.
372
00:13:56,320 --> 00:13:58,820
Oh, my God,
that shirt is flawless.
373
00:13:58,820 --> 00:14:01,320
Thank you.
I keep it 100.
374
00:14:01,320 --> 00:14:02,520
(waitress)
Hi.
375
00:14:02,530 --> 00:14:05,560
I'm Ariana.
I'll be your server.
376
00:14:08,060 --> 00:14:09,590
All right, I can tell
you guys are drama,
377
00:14:09,600 --> 00:14:11,670
so you better not
mess up my brunch hunch,
378
00:14:11,670 --> 00:14:12,900
or Ariana's gonna
have to throw down.
379
00:14:12,900 --> 00:14:15,330
Ugh!
Okay, whatever.
380
00:14:15,340 --> 00:14:17,680
I brought you here
to let you know
381
00:14:17,670 --> 00:14:19,730
when you ruin things
that I love,
382
00:14:19,740 --> 00:14:22,540
you're attacking me
and that's not okay.
383
00:14:22,550 --> 00:14:25,420
Okay, I hear you
so hard,
384
00:14:25,410 --> 00:14:26,910
but what
you need to understand
385
00:14:26,920 --> 00:14:29,350
is that everything
in reality shows is hella fake
386
00:14:29,350 --> 00:14:31,880
and I'm gonna tell you about it
'cause I keep it real.
387
00:14:31,890 --> 00:14:33,760
Okay, well,
how is this for real?
388
00:14:33,760 --> 00:14:36,230
You're a social
parasite, Adam.
389
00:14:36,230 --> 00:14:37,860
(whimpering)
390
00:14:45,970 --> 00:14:49,240
Hey!
Not in my section!
391
00:14:49,240 --> 00:14:51,210
(tearing)
My weave!
392
00:14:51,210 --> 00:14:52,440
(man)
And, cut!
393
00:14:52,440 --> 00:14:53,470
That was great,
guys.
394
00:14:53,480 --> 00:14:55,880
Everybody take five.
Whew.
395
00:14:55,880 --> 00:14:57,080
Wait,
what just happened?
396
00:14:57,080 --> 00:14:58,750
I can't believe I said
all those things.
397
00:14:58,750 --> 00:14:59,750
Oh, yeah, you know,
398
00:14:59,750 --> 00:15:02,720
I go places exclusively
to make friends.
399
00:15:02,720 --> 00:15:03,860
I'm not even on this show.
400
00:15:03,850 --> 00:15:05,180
I'm on
"Vanderpump Rules."
401
00:15:06,260 --> 00:15:08,560
Watch what happens.
402
00:15:10,430 --> 00:15:13,000
What's going on?
Let me explain.
403
00:15:13,000 --> 00:15:14,700
Mark,
this is Mike Kopplin,
404
00:15:14,700 --> 00:15:16,530
a veteran reality show
head writer
405
00:15:16,530 --> 00:15:18,490
and part of
my Hollywood entourage.
406
00:15:18,500 --> 00:15:21,200
Well, technically,
it's supervising story producer,
407
00:15:21,200 --> 00:15:22,730
and, uh,
you're more of a Turtle.
408
00:15:22,740 --> 00:15:23,940
♪ Oh, yeah ♪
409
00:15:23,940 --> 00:15:25,040
Mike, would you just
tell him about
410
00:15:25,040 --> 00:15:26,270
what you guys
are doing here?
411
00:15:26,280 --> 00:15:27,550
Well, Mark,
most people know
412
00:15:27,540 --> 00:15:29,470
that reality shows bend
the truth,
413
00:15:29,480 --> 00:15:30,820
but they don't understand
how staged
414
00:15:30,810 --> 00:15:32,110
they really are.
415
00:15:32,110 --> 00:15:35,410
These are our story producers,
also known as writers.
416
00:15:35,420 --> 00:15:38,220
Okay, so for the "Vanderpump"
cross-promotion,
417
00:15:38,220 --> 00:15:41,230
how about we have Adam confront
Mark about ruining things?
418
00:15:41,220 --> 00:15:43,120
No, let's have Mark
confront Adam,
419
00:15:43,130 --> 00:15:44,330
so we need an insult.
420
00:15:44,330 --> 00:15:45,330
Let's hear
some pitches.
421
00:15:47,100 --> 00:15:48,670
All right, how about,
you look like
422
00:15:48,660 --> 00:15:50,530
a less hot
Rick Moranis?
423
00:15:50,530 --> 00:15:51,930
You're like if "thirsty"
were a person.
424
00:15:51,930 --> 00:15:55,200
You look like a Pidgeotto
who went to grad school.
425
00:15:55,200 --> 00:15:57,400
You dress like
a lonely meteorologist.
426
00:15:57,410 --> 00:15:59,840
(thunder rumbling)
Let's, uh...
427
00:15:59,840 --> 00:16:01,770
Let's go with Rick Moranis.
It's got a nice cadence.
428
00:16:01,780 --> 00:16:04,180
Cool, cool.
I'll hand out scripts.
429
00:16:04,180 --> 00:16:05,620
Reality shows have scripts?
430
00:16:05,610 --> 00:16:06,940
Oh, yeah.
Some reality shows
431
00:16:06,950 --> 00:16:09,090
are so scripted,
they've actually been unionized
432
00:16:09,090 --> 00:16:11,090
by the Writer's Guild
of America.
433
00:16:11,090 --> 00:16:12,460
Now, every show
is different,
434
00:16:12,460 --> 00:16:13,460
but they all start
with a basic
435
00:16:13,460 --> 00:16:15,490
level of planning,
from establishing
436
00:16:15,490 --> 00:16:19,190
talking points beforehand
to actually doing reshoots.
437
00:16:19,200 --> 00:16:20,500
Like on "Bridezillas,"
for instance,
438
00:16:20,500 --> 00:16:22,570
we would go out and reshoot
the bride if she was too nice.
439
00:16:22,570 --> 00:16:25,470
We'd have her go crazy and yell
and scream and carry on.
440
00:16:25,470 --> 00:16:28,610
Now, celebrity shows,
they can be very scripted.
441
00:16:28,600 --> 00:16:30,230
But Kim, Kendall,
442
00:16:30,240 --> 00:16:32,410
and to a lesser extent,
Scott Disick,
443
00:16:32,410 --> 00:16:34,280
are inviting us
into their lives.
444
00:16:34,280 --> 00:16:35,880
Well, think about it
for a second.
445
00:16:35,880 --> 00:16:38,580
If a celebrity's entire
livelihood is their image,
446
00:16:38,580 --> 00:16:40,170
you really think they're gonna
let cameras into their home
447
00:16:40,180 --> 00:16:41,940
without some kind
of a plan?
448
00:16:41,950 --> 00:16:43,140
And TV shows
are very expensive
449
00:16:43,150 --> 00:16:44,610
to make, so we have to
prove to the network
450
00:16:44,620 --> 00:16:46,190
before the shoot day that
we're gonna get
451
00:16:46,190 --> 00:16:47,660
useable footage,
because a perfect
452
00:16:47,660 --> 00:16:50,360
three-act story just doesn't
fall into our laps.
453
00:16:50,360 --> 00:16:51,760
That makes sense.
454
00:16:51,760 --> 00:16:54,520
So we need to get back to
our insult brainstorm session.
455
00:16:54,530 --> 00:16:56,170
Oh, sorry.
Thanks, Mike.
456
00:16:56,170 --> 00:16:57,400
(snapping fingers)
457
00:16:57,400 --> 00:16:58,640
Can I see the script?
458
00:16:58,630 --> 00:17:00,500
Even if some of
the lines are written,
459
00:17:00,500 --> 00:17:03,330
I know I never called you
a social parasite.
460
00:17:03,340 --> 00:17:05,210
Oh, no, that was just
a Frankenbite.
461
00:17:05,210 --> 00:17:06,640
Mark, this is Kent Kincannon,
462
00:17:06,640 --> 00:17:08,470
an editor on our show
463
00:17:08,480 --> 00:17:09,910
and part of
my Hollywood entourage.
464
00:17:09,910 --> 00:17:11,570
Stop telling people
that, Adam.
465
00:17:11,580 --> 00:17:14,020
Yeah, so a Frankenbite
is when editors combine
466
00:17:14,020 --> 00:17:16,650
and trim sentences
to make them more concise.
467
00:17:16,650 --> 00:17:18,110
When you hear somebody
say something
468
00:17:18,120 --> 00:17:20,760
and it's off-screen,
it's probably a Frankenbite.
469
00:17:20,760 --> 00:17:22,360
You can even
use Frankenbites
470
00:17:22,360 --> 00:17:24,600
to make people say things
they didn't actually say.
471
00:17:24,590 --> 00:17:26,590
Like in this case,
we can take this clip.
472
00:17:26,600 --> 00:17:28,030
You're a social media app.
473
00:17:28,030 --> 00:17:29,330
You're a traffic app.
474
00:17:29,330 --> 00:17:31,260
You're a Japanese cat app.
475
00:17:31,270 --> 00:17:32,700
And combine it
with this clip here.
476
00:17:32,700 --> 00:17:34,760
(Adam)
So it's called amoebic dysentery.
477
00:17:34,770 --> 00:17:36,310
I'm eating.
478
00:17:36,310 --> 00:17:38,610
Please don't talk about
your food parasite, Adam.
479
00:17:38,610 --> 00:17:41,280
And, if we edit
that audio together
480
00:17:41,280 --> 00:17:43,380
and use different video
to hide the edit,
481
00:17:43,380 --> 00:17:45,750
we'll get...
You're a social parasite, Adam.
482
00:17:45,750 --> 00:17:48,590
(gasping)
I feel so lied to.
483
00:17:48,580 --> 00:17:49,910
How deep
does this go?
484
00:17:49,920 --> 00:17:52,590
Does this mean all my fave
reality shows are fake?
485
00:17:52,590 --> 00:17:54,790
To some extent, yes.
486
00:17:54,790 --> 00:17:56,760
The people on house-hunting
shows have already bought
487
00:17:56,760 --> 00:17:58,860
one of the houses and just
removed all the furniture
488
00:17:58,860 --> 00:18:00,120
to make it look vacant.
489
00:18:00,130 --> 00:18:01,630
Food competition shows
490
00:18:01,630 --> 00:18:03,900
let contestants re-cook
fresh plates of food.
491
00:18:03,900 --> 00:18:06,540
The Alaskan bush people
actually live in Seattle.
492
00:18:06,540 --> 00:18:08,440
And the producers
on "The Bachelor" plan
493
00:18:08,440 --> 00:18:10,310
all the dates and tell
the bachelor
494
00:18:10,310 --> 00:18:12,240
who to send home when.
495
00:18:12,240 --> 00:18:14,440
Mark, reality shows
want you to believe
496
00:18:14,440 --> 00:18:16,570
that they're real life,
but the truth is,
497
00:18:16,580 --> 00:18:19,550
they're as fake
as everything else on TV.
498
00:18:19,550 --> 00:18:20,720
Oh.
499
00:18:20,720 --> 00:18:22,720
You are more evil than
the corpse blender.
500
00:18:22,720 --> 00:18:24,190
R-rated movies are fake.
501
00:18:24,190 --> 00:18:25,760
Award shows are fake.
502
00:18:25,750 --> 00:18:26,950
Reality TV is fake.
503
00:18:26,960 --> 00:18:28,590
Everything is fake
and the only thing
504
00:18:28,590 --> 00:18:30,750
on the planet that's real
is your show.
505
00:18:30,760 --> 00:18:33,800
Watch it on truTV.
All praise Adam!
506
00:18:33,800 --> 00:18:36,130
Oh, no, even my show
isn't what it seems.
507
00:18:36,130 --> 00:18:38,830
Let me explain.
(tearing)
508
00:18:38,830 --> 00:18:41,760
How many weaves
do you have?
509
00:18:41,770 --> 00:18:43,570
(whistling)
510
00:18:44,440 --> 00:18:48,150
(indistinct chatter)
511
00:18:48,140 --> 00:18:49,570
Nothing is real.
512
00:18:49,580 --> 00:18:51,780
Everything I believed in
is a lie.
513
00:18:51,780 --> 00:18:55,190
Mark, don't be so dramatic.
It's okay.
514
00:18:55,180 --> 00:18:57,450
Mark is gone.
I am Cain.
515
00:18:57,450 --> 00:18:59,980
Tell Mark that, yeah,
Hollywood is an illusion,
516
00:18:59,990 --> 00:19:02,460
but that's all right.
517
00:19:02,460 --> 00:19:04,230
Mark is too sad
to listen.
518
00:19:04,230 --> 00:19:05,360
Maybe Mark would listen
519
00:19:05,360 --> 00:19:09,120
to Ariana Madix from
"Vanderpump Rules"?
520
00:19:09,130 --> 00:19:11,090
Hey, Mark.
Adam's right.
521
00:19:11,100 --> 00:19:13,300
A lot of Hollywood
is an illusion.
522
00:19:13,300 --> 00:19:14,500
But as long
as they're honest
523
00:19:14,500 --> 00:19:17,500
about the extent of that
illusion, it's okay.
524
00:19:17,510 --> 00:19:19,510
"Vanderpump Rules"
is actually really real.
525
00:19:19,510 --> 00:19:20,880
We're all really friends,
526
00:19:20,880 --> 00:19:22,550
we all get
in tons of fights,
527
00:19:22,550 --> 00:19:24,580
and I actually do work
at the restaurant.
528
00:19:24,580 --> 00:19:26,120
But, that tough
conversation
529
00:19:26,120 --> 00:19:27,590
I have to have
with my boyfriend,
530
00:19:27,580 --> 00:19:29,610
I know where it's gonna
take place, 'cause that table
531
00:19:29,620 --> 00:19:32,190
is surrounded by cameras
and lights.
532
00:19:32,190 --> 00:19:33,930
Much like a lot
of Hollywood,
533
00:19:33,920 --> 00:19:36,550
it's real
and it's produced.
534
00:19:36,560 --> 00:19:39,460
But that's okay, as long
as you know the difference.
535
00:19:39,460 --> 00:19:41,390
My show is
the same way.
536
00:19:41,400 --> 00:19:43,470
I mean, yeah, I'm a know-it-all
in real life, too,
537
00:19:43,470 --> 00:19:45,840
but there's no way
one person could learn
538
00:19:45,830 --> 00:19:48,030
all of these facts
all by themselves.
539
00:19:48,040 --> 00:19:51,180
That's why I have the help
of my writers and researchers.
540
00:19:51,170 --> 00:19:52,170
Heck,
half the time,
541
00:19:52,170 --> 00:19:54,470
I'm just reading lines
they wrote.
542
00:19:54,480 --> 00:19:56,950
"I'm dumb, Travis is great."
Come on, man.
543
00:19:58,810 --> 00:20:00,510
Look, the point is,
there's nothing wrong
544
00:20:00,520 --> 00:20:01,990
with a little
Hollywood magic,
545
00:20:01,980 --> 00:20:04,110
as long as everyone knows
it's a magic trick.
546
00:20:04,120 --> 00:20:05,420
And I hope that
by being up-front
547
00:20:05,420 --> 00:20:06,680
about how we make
our show,
548
00:20:06,690 --> 00:20:08,490
we've helped generate
a little bit of trust.
549
00:20:08,490 --> 00:20:11,030
Wow.
That's really cool.
550
00:20:11,030 --> 00:20:13,530
I always wondered how shows
like this got made.
551
00:20:13,530 --> 00:20:15,530
It's actually kind of
more fun this way.
552
00:20:15,530 --> 00:20:16,920
See,
that's the spirit!
553
00:20:16,930 --> 00:20:18,760
Well, I gotta go tend bar
for some rich idiots.
554
00:20:18,770 --> 00:20:19,770
Bye, guys.
555
00:20:19,770 --> 00:20:21,210
Bye, Ariana, thanks.
Bye.
556
00:20:22,670 --> 00:20:25,300
I'm gonna go home and watch
"Bachelor in Paradise"
557
00:20:25,310 --> 00:20:26,780
and try to guess how
the producers
558
00:20:26,780 --> 00:20:28,510
got him to say
all that dumb stuff.
559
00:20:28,510 --> 00:20:30,820
There you go.
Do you want to come?
560
00:20:30,810 --> 00:20:32,240
Oh, yeah, of course.
561
00:20:32,250 --> 00:20:34,420
I mean, if you don't think
I'd bug you too much.
562
00:20:34,420 --> 00:20:36,750
No, I learned
a lot today.
563
00:20:36,750 --> 00:20:39,580
You know, I'd consider
the two of us true friends.
564
00:20:39,590 --> 00:20:43,090
♪
565
00:20:43,090 --> 00:20:44,220
(man)
And cut!
566
00:20:44,230 --> 00:20:45,660
That was awesome.
Great job, Adam.
567
00:20:45,660 --> 00:20:47,090
Thanks, Tim.
Thank you.
568
00:20:50,170 --> 00:20:52,040
Oh, hey, Edwin.
Man, great work.
569
00:20:52,030 --> 00:20:53,230
Yeah, yeah, yeah,
you too, man.
570
00:20:53,240 --> 00:20:54,970
Killin' it.
571
00:20:57,170 --> 00:20:58,500
Yo, what time
is lunch?
572
00:20:58,510 --> 00:20:59,780
(whistling)
573
00:20:59,830 --> 00:21:04,380
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
41847
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
