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[blues playing]
4
00:00:15,974 --> 00:00:23,189
♪ ♪
5
00:00:32,532 --> 00:00:34,868
- "HERE ON THE PULSE
OF THIS NEW DAY,
6
00:00:34,909 --> 00:00:37,704
"YOU MAY HAVE THE GRACE
TO LOOK UP AND OUT
7
00:00:37,746 --> 00:00:39,205
"AND INTO
YOUR SISTER'S EYES
8
00:00:39,247 --> 00:00:40,975
AND INTO YOUR BROTHER'S FACE,
YOUR COUNTRY..."
9
00:00:40,999 --> 00:00:43,793
- "AND SAY SIMPLY, VERY SIMPLY,
10
00:00:43,835 --> 00:00:45,795
WITH HOPE, GOOD MORNING."
11
00:00:45,837 --> 00:00:49,632
MAYA ANGELOU, ON THE PULSE OF
MORNING, WHICH SHE READ
12
00:00:49,674 --> 00:00:52,260
AT PRESIDENT CLINTON'S
INAUGURATION LAST MONTH.
13
00:00:52,302 --> 00:00:56,389
COME ON, VANESSA,
THAT WAS TOO EASY.
14
00:00:57,682 --> 00:00:59,976
+- "EVER, DID YOU EVER
SIT DOWN AND WONDER
15
00:01:00,018 --> 00:01:01,853
WHAT FREEDOM'S FREEDOM
WOULD BRING?"
16
00:01:01,895 --> 00:01:04,356
- "IT'S SO EASY TO BE FREE.
17
00:01:04,397 --> 00:01:07,317
YOU START BY LOVING YOURSELF."
18
00:01:07,359 --> 00:01:10,779
NIKKI GIOVANNI,
WALKING DOWN PARK.
19
00:01:10,820 --> 00:01:12,739
AND NIKKI GIOVANNI
WENT TO FISK.
20
00:01:12,781 --> 00:01:14,741
- YEAH, BUT WHAT IF YOU COULD
21
00:01:14,783 --> 00:01:16,576
GO TO HARVARD OR PRINCETON?
22
00:01:16,618 --> 00:01:18,286
- FISK WAS THERE FOR US
23
00:01:18,328 --> 00:01:21,247
WHEN
HARVARD AND PRINCETON WEREN'T,
24
00:01:21,289 --> 00:01:25,085
AND IT'S ALSO
CLOSER TO MAMA.
25
00:01:25,126 --> 00:01:26,378
- YOUR MAMA'S STRONG.
26
00:01:26,419 --> 00:01:28,713
SHE'LL BE
JUST FINE WITHOUT YOU.
27
00:01:28,755 --> 00:01:30,882
- I'M ALL SHE'S GOT LEFT.
28
00:01:34,094 --> 00:01:37,847
BEYOND REASON,
I'M ATTACHED TO YOU,
29
00:01:38,932 --> 00:01:44,312
THE FEELING OF YOUR TOUCH,
MY GRANDMOTHER'S SOFT SKIN,
30
00:01:45,313 --> 00:01:49,651
SEEING IN YOUR EYES
OUR UNBORN,
31
00:01:50,819 --> 00:01:57,409
SMELLING MAMA'S KITCHEN
IN YOUR HAIR, FAMILY TO BE.
32
00:01:58,118 --> 00:02:02,330
- THAT'S BEAUTIFUL.
WHO WROTE IT?
33
00:02:07,919 --> 00:02:11,673
- WALLACE SAMSON,
FAMILY TO BE.
34
00:02:12,799 --> 00:02:16,720
I WROTE IT FOR YOU.
35
00:02:16,761 --> 00:02:18,680
- THANK YOU.
36
00:02:20,974 --> 00:02:23,184
- I LOVE YOU.
37
00:02:23,977 --> 00:02:27,188
- I LOVE YOU,
WALLACE SAMSON.
38
00:02:42,162 --> 00:02:43,121
[gunshot]
39
00:02:43,163 --> 00:02:45,832
- [screams]
40
00:02:45,874 --> 00:02:48,835
[discordant rock]
41
00:02:48,877 --> 00:02:52,130
♪ ♪
42
00:02:52,172 --> 00:02:59,387
people chanting:
FIRE MATT HARPER!
43
00:03:22,744 --> 00:03:25,789
- THAT'S HIM!
THAT'S MATT HARPER!
44
00:03:25,830 --> 00:03:31,586
[people shouting]
45
00:03:34,381 --> 00:03:39,678
people chanting:
FIRE MATT HARPER!
46
00:03:48,103 --> 00:03:50,021
- IT ACTUALLY WASN'T
THAT BAD A STORY.
47
00:03:50,063 --> 00:03:52,607
- YEAH, WELL, I'M NOT THE ONE
WHO WROTE THE HEADLINE
48
00:03:52,649 --> 00:03:55,193
AND THEN DECIDED TO ONLY USE
PICTURES OF BLACK PEOPLE.
49
00:03:55,235 --> 00:03:57,237
- MATT, HIGHTAIL IT
DOWN TO AMOS.
50
00:03:57,278 --> 00:03:58,863
SOMEONE SHOT
THE POLICE CHIEF.
51
00:03:58,905 --> 00:04:00,407
- ON IT.
52
00:04:00,448 --> 00:04:02,450
- SUPPOSED TO HAVE A GOOD
BARBECUE JOINT THERE.
53
00:04:02,492 --> 00:04:05,954
TEDDY'S BARBECUE,
THE BEST IN TOWN.
54
00:04:05,995 --> 00:04:09,040
[Break by Dave Perkins]
55
00:04:09,082 --> 00:04:10,917
- ♪ COME ON, Y'ALL ♪
56
00:04:10,959 --> 00:04:17,966
♪ ♪
57
00:04:22,178 --> 00:04:26,725
♪ THE TASTE OF LIFE
IS OH, SO SWEET ♪
58
00:04:26,766 --> 00:04:31,396
♪ THEY'RE FINDING MONEY
IN THE STREET ♪
59
00:04:31,438 --> 00:04:33,898
♪ SOME FOLKS CAN LIVE A LIFE
THAT'S CHARMED ♪
60
00:04:33,940 --> 00:04:36,484
♪ SOME FOLKS CAN
GO THROUGH HELL UNHARMED ♪
61
00:04:36,526 --> 00:04:40,780
♪ THE TASTE OF LIFE
IS OH, SO SWEET ♪
62
00:04:40,822 --> 00:04:43,658
♪ BUT HARD LUCK DAYS
HAVE CAUGHT ME ♪
63
00:04:43,700 --> 00:04:46,536
♪ IN A CORNER
FULL OF KILL ♪
64
00:04:46,578 --> 00:04:49,706
♪ ♪
65
00:04:49,748 --> 00:04:54,294
♪ SO WHY DOES THE ROAD
SEEM THE HARDEST WHEN UPHILL?
66
00:04:54,336 --> 00:04:56,963
♪ I WANT A BREAK THAT I DON'T
HAVE TO MAKE ♪
67
00:04:57,005 --> 00:04:59,382
- ♪ I WANT A BREAK THAT
I DON'T HAVE TO MAKE ♪
68
00:04:59,424 --> 00:05:01,760
- ♪ I WANT A BREAK
THAT I DON'T HAVE TO MAKE ♪
69
00:05:01,801 --> 00:05:03,803
- ♪ I WANT A BREAK THAT
I DON'T HAVE TO MAKE ♪
70
00:05:03,845 --> 00:05:06,639
- ♪ I WANT A BREAK
THAT I DON'T HAVE TO MAKE ♪
71
00:05:06,681 --> 00:05:13,688
♪ ♪
72
00:05:16,232 --> 00:05:18,860
- WHAT ARE YOU
LOOKING AT, HUH?
73
00:05:18,902 --> 00:05:21,988
- NOW, NOW, NOW,
IT'S ALL RIGHT, EMMA JEAN.
74
00:05:22,030 --> 00:05:24,449
IT'S ALL RIGHT.
75
00:05:30,163 --> 00:05:32,665
[police radio dispatch]
76
00:05:37,128 --> 00:05:39,547
- I'M SORRY FOR YOUR LOSS.
77
00:05:39,589 --> 00:05:42,258
I UNDERSTAND THE CHIEF
WAS YOUR DAD.
78
00:05:42,300 --> 00:05:45,136
- HAVE YOU NO DECENCY?
79
00:05:45,178 --> 00:05:47,180
- JUST DOING MY JOB, SIR.
80
00:05:47,222 --> 00:05:49,599
- WELL, I'M JUST DOING MINE.
81
00:05:49,641 --> 00:05:52,936
WHY DON'T YOU BOYS ESCORT
THIS VULTURE OUT OF TOWN?
82
00:05:52,977 --> 00:05:55,397
- ARE YOU SERIOUS?
I HAVE A RIGHT TO BE HERE.
83
00:05:55,438 --> 00:05:59,109
- SO SUE ME.
I'M A JUDGE.
84
00:05:59,150 --> 00:06:01,945
[police radio dispatch]
85
00:06:07,367 --> 00:06:08,702
- OH.
86
00:06:11,496 --> 00:06:14,582
- SUCH A SHAME, MATT.
THEY'VE GOT YOU ALL WRONG.
87
00:06:19,170 --> 00:06:22,173
- OKAY, I GET THE MESSAGE.
88
00:06:22,215 --> 00:06:24,592
- HEY. WHAT?
89
00:06:28,555 --> 00:06:31,599
THE WEDDING PLANNER
WAS TODAY.
90
00:06:33,101 --> 00:06:35,645
UH, WHAT ARE YOU...?
91
00:06:35,687 --> 00:06:42,027
DELANA. WHAT?
DELANA. DELANA, HANG ON.
92
00:06:42,068 --> 00:06:45,405
- NEVER A GOOD SIGN
WHEN THEY TAKE THE KEY.
93
00:06:45,447 --> 00:06:50,577
- HEY, DELANA.
- HEY, WALKER.
94
00:06:51,995 --> 00:06:55,081
- HEY, MATT, YOU GOT A...
YOU GOT A MINUTE?
95
00:06:55,123 --> 00:06:58,168
- HEY, UH, YEAH, SURE.
96
00:06:58,209 --> 00:06:59,669
- THIS IS TREY HALL.
97
00:06:59,711 --> 00:07:01,171
- EVERETT HALL THE THIRD,
ACTUALLY.
98
00:07:01,212 --> 00:07:03,340
- MATT HARPER THE FIRST.
99
00:07:03,381 --> 00:07:05,467
WHAT BRINGS YOU
TO THE TIMES?
100
00:07:05,508 --> 00:07:07,093
- I LIVE IN AMOS, ALABAMA.
101
00:07:07,135 --> 00:07:08,636
I SAW YOU THERE YESTERDAY.
102
00:07:08,678 --> 00:07:10,930
I HAVE SOME INFORMATION YOU
MIGHT BE INTERESTED IN.
103
00:07:10,972 --> 00:07:14,100
- OH, UH, GREAT.
104
00:07:14,142 --> 00:07:17,228
- WOW.
105
00:07:17,270 --> 00:07:20,148
- SO, WHAT DO YOU KNOW ABOUT
CHIEF PERINGER'S MURDER?
106
00:07:20,190 --> 00:07:23,443
- NOTHING. I'M HERE ABOUT
A DIFFERENT MURDER.
107
00:07:23,485 --> 00:07:24,569
- WHO?
108
00:07:24,611 --> 00:07:25,779
- WALLACE SAMPSON,
109
00:07:25,987 --> 00:07:28,198
A 15-YEAR-OLD BLACK KID,
SHOT IN THE HEAD.
110
00:07:28,239 --> 00:07:29,783
- WHERE?
111
00:07:29,824 --> 00:07:31,034
- BY THE STORE,
112
00:07:31,076 --> 00:07:33,119
RIGHT NEAR WHERE CHIEF PERINGER
WAS KILLED.
113
00:07:33,161 --> 00:07:36,122
- WHEN?
- 19 YEARS AGO.
114
00:07:36,164 --> 00:07:38,249
- 19 YEARS AGO? WHY?
115
00:07:38,291 --> 00:07:39,477
- THAT'S WHAT I'M TRYING
TO FIGURE OUT,
116
00:07:39,501 --> 00:07:41,002
BUT NO ONE WANTS TO TALK.
117
00:07:41,044 --> 00:07:43,922
- NO, NO, NO. I MEAN,
WHY... WHY... WHY NOW?
118
00:07:43,963 --> 00:07:45,256
I WAS NINE THEN.
119
00:07:45,465 --> 00:07:47,109
YOU WERE PROBABLY IN DIAPERS.
WHY DO YOU CARE?
120
00:07:47,133 --> 00:07:49,487
- WALLACE WAS THE SON OF OUR
HOUSEKEEPER, MARY PELL SAMPSON.
121
00:07:49,511 --> 00:07:51,096
I KNEW MARY PELL LOST A SON,
122
00:07:51,137 --> 00:07:53,973
BUT I DIDN'T KNOW UNTIL RECENTLY
THAT HE HAD BEEN MURDERED.
123
00:07:54,015 --> 00:07:57,227
- SO, WHY COME TO ME?
124
00:07:57,268 --> 00:07:58,561
- I NEED HELP.
125
00:07:58,603 --> 00:07:59,979
THE LOCAL
AUTHORITIES ARE A JOKE.
126
00:08:00,021 --> 00:08:02,399
WE DON'T HAVE
A REAL NEWSPAPER IN AMOS.
127
00:08:02,440 --> 00:08:04,192
PLUS, MY FATHER IS SERIOUSLY
HASSLING ME
128
00:08:04,234 --> 00:08:05,276
FOR GETTING INTO THIS.
129
00:08:05,318 --> 00:08:06,903
THE WALLACE'S SHOOTING
130
00:08:06,945 --> 00:08:08,947
IS STILL AN OPEN WOUND
IN THE BLACK COMMUNITY.
131
00:08:08,988 --> 00:08:11,282
IT BOTHERS THEM
THAT NO ONE CARES.
132
00:08:11,324 --> 00:08:14,536
IT SHOULD BOTHER YOU TOO.
133
00:08:14,577 --> 00:08:17,664
[rock music]
134
00:08:17,706 --> 00:08:19,165
- ♪ WE'RE TRAVELIN',
TRAVELIN' ♪
135
00:08:19,207 --> 00:08:20,333
[line ringing]
136
00:08:20,375 --> 00:08:21,519
- THIS IS DELANA.
LEAVE A MESSAGE.
137
00:08:21,543 --> 00:08:22,836
[beep]
138
00:08:22,877 --> 00:08:24,379
- HEY, HONEY,
I'M REALLY SORRY.
139
00:08:24,421 --> 00:08:26,423
I'M GONNA BE TIED UP
ON A STORY ALL WEEKEND,
140
00:08:26,464 --> 00:08:28,758
BUT I'LL SEE YOU SUNDAY.
141
00:08:28,800 --> 00:08:31,761
- ♪ WHEN THE DAYLIGHT'S
DONE ♪
142
00:08:31,803 --> 00:08:34,014
♪ ♪
143
00:08:34,055 --> 00:08:39,769
♪ THIS ROAD IS WEARY BUT
OUR WORK HAS JUST BEGUN ♪
144
00:08:39,811 --> 00:08:42,063
♪ ♪
145
00:08:42,105 --> 00:08:48,778
♪ COME AND GO WITH ME
DOWN BEHIND THE SUN ♪
146
00:08:48,820 --> 00:08:51,573
♪ ♪
147
00:08:51,614 --> 00:08:53,950
- WINDROW STARTED
AS A COTTON PLANTATION.
148
00:08:53,992 --> 00:08:58,079
MY GREAT-GREAT-GREAT GRANDFATHER
BOUGHT IT AFTER THE CIVIL WAR.
149
00:08:58,121 --> 00:08:59,998
I'VE BEEN IN AND OUT
OF SCHOOLS UP NORTH,
150
00:09:00,040 --> 00:09:02,500
BUT THAT HOUSE
IS WHERE I GREW UP.
151
00:09:02,542 --> 00:09:04,627
I LIVE IN THE LEFT WING NOW
152
00:09:04,669 --> 00:09:07,422
AND MY DAD LIVES
IN THE EXTREME RIGHT.
153
00:09:07,464 --> 00:09:12,385
MY FATHER LIKES TO HUNT BIRDS,
BUT I LIKE TO HUNT PLANTS.
154
00:09:12,427 --> 00:09:15,305
- PLANTS
AND A COLD CASE MURDER?
155
00:09:15,347 --> 00:09:17,057
- MM-HMM.
156
00:09:17,098 --> 00:09:19,100
- FUNNY COMBINATION
OF INTERESTS.
157
00:09:19,142 --> 00:09:21,436
- ACTUALLY, THEY HAVE
A LOT IN COMMON.
158
00:09:21,478 --> 00:09:23,146
SOLVING WALLACE'S MURDER
159
00:09:23,188 --> 00:09:26,066
IS LIKE FINDING A PLANT
I CAN'T IDENTIFY.
160
00:09:26,107 --> 00:09:28,610
I CAN'T STOP UNTIL I DO.
161
00:09:28,651 --> 00:09:31,071
[cow mooing]
162
00:09:33,073 --> 00:09:34,908
THERE'S SOMEONE
I WANT YOU TO MEET
163
00:09:34,949 --> 00:09:36,993
WHO WAS HERE
WHEN WALLACE WAS KILLED.
164
00:09:37,035 --> 00:09:40,163
- IT'S BEEN 19 YEARS SINCE
WALLACE WAS KILLED
165
00:09:40,205 --> 00:09:43,458
AND IT'S STILL A DEVIL THAT
WON'T BE EXORCIZED,
166
00:09:43,500 --> 00:09:45,085
SO IT WAS NO SURPRISE
167
00:09:45,126 --> 00:09:46,979
WHEN BLACK PEOPLE WANT TO KNOW
WHO KILLED WALLACE,
168
00:09:47,003 --> 00:09:51,049
BUT WHEN A WHITE PERSON DOES...
ESPECIALLY A HALL...
169
00:09:51,091 --> 00:09:54,177
WELL, THAT'S SOMETHING
DIFFERENT.
170
00:09:54,219 --> 00:09:55,970
- TELL ME WHAT HAPPENED.
171
00:09:56,012 --> 00:09:59,349
- WELL, IT STARTED OUT AS SOME
BOTTLES AND ROCKS BEING THROWN.
172
00:09:59,391 --> 00:10:00,934
POLICE HAD TO BREAK IT UP.
173
00:10:00,975 --> 00:10:03,353
THE NEXT NIGHT,
EVERYTHING HAD QUIETED DOWN
174
00:10:03,395 --> 00:10:04,646
AND WALLACE WAS WALKING HOME
175
00:10:04,688 --> 00:10:07,649
WHEN HE WAS GUNNED DOWN
IN COLD BLOOD.
176
00:10:07,691 --> 00:10:09,943
- YOU KNOW WHY THEY SHOT HIM?
177
00:10:09,984 --> 00:10:14,864
- SURE, BLACK KID
AT THE WRONG PLACE.
178
00:10:14,906 --> 00:10:18,118
LET ME SHOW YOU SOMETHING.
179
00:10:20,328 --> 00:10:23,581
YOU SEE THIS CROSS?
180
00:10:23,623 --> 00:10:26,626
IT MEANS A LOT
TO MY CONGREGATION.
181
00:10:26,668 --> 00:10:29,379
THEY CALL IT
THE LYNCHING CROSS.
182
00:10:29,421 --> 00:10:32,882
SEE, BACK IN 1932, THE KLAN
LYNCHED A BLACK KID
183
00:10:32,924 --> 00:10:35,510
WHO WAS ACCUSED OF
ATTACKING A WHITE AMOS GIRL.
184
00:10:35,552 --> 00:10:37,470
THERE WAS NO TRIAL.
185
00:10:37,512 --> 00:10:41,182
THEY JUST HUNG HIM
FROM AN OAK TREE.
186
00:10:41,224 --> 00:10:43,560
WELL, THE BOY'S DADDY
CUT THAT TREE DOWN
187
00:10:43,601 --> 00:10:45,061
AND MADE THAT CROSS
OUT OF IT.
188
00:10:45,103 --> 00:10:47,063
YOU SEE, HE COULD DEAL
WITH WHAT HAPPENED
189
00:10:47,105 --> 00:10:51,818
IF HE THOUGHT HIS SON
DIED ON A CROSS,
190
00:10:51,860 --> 00:10:53,653
BUT IT'S TIME
WE GET BEYOND IT.
191
00:10:53,695 --> 00:10:55,655
- WHAT DO YOU MEAN,
"GET BEYOND IT"?
192
00:10:55,697 --> 00:10:57,323
- WELL, TO MY CONGREGATION,
193
00:10:57,365 --> 00:11:00,660
THAT CROSS IS A SYMBOL OF
JUSTICE IN THE NEXT LIFE,
194
00:11:00,702 --> 00:11:05,790
BUT TO ME, IT'S STILL
JUST A LYNCHING TREE,
195
00:11:05,832 --> 00:11:08,543
AND I HATE THAT CROSS.
196
00:11:08,585 --> 00:11:10,795
[doorbell rings]
197
00:11:13,340 --> 00:11:17,260
- MISS TREY, WHAT ARE YOU DOING
ON THIS SIDE OF TOWN?
198
00:11:17,302 --> 00:11:19,304
- I'M SORRY TO BOTHER YOU
ON A SATURDAY, MARY PELL.
199
00:11:19,346 --> 00:11:22,640
THIS IS MATT HARPER.
HE'S A REPORTER FROM NASHVILLE.
200
00:11:22,682 --> 00:11:24,642
MARY PELL RAISED ME.
201
00:11:24,684 --> 00:11:27,479
WE'D LIKE TO SPEAK WITH YOU
ABOUT WALLACE.
202
00:11:31,483 --> 00:11:32,734
- THANK YOU.
203
00:11:32,942 --> 00:11:36,488
- WALLACE WAS
A STRAIGHT "A" STUDENT.
204
00:11:36,529 --> 00:11:39,407
HE NEVER MISSED SCHOOL
OR CHURCH.
205
00:11:39,449 --> 00:11:46,873
I TOLD HIM NOT TO BE OUT LATE,
AND HE SAID, "YES, MA'AM."
206
00:11:48,541 --> 00:11:54,130
THEN, UH, REVEREND YOUNG
CAME TO THE DOOR
207
00:11:54,172 --> 00:11:59,386
AND HE TOLD ME
WALLACE HAD BEEN SHOT.
208
00:12:01,137 --> 00:12:07,686
THEY TOOK HIM TO THE HOSPITAL
BUT HE HAD ALREADY PASSED.
209
00:12:07,727 --> 00:12:09,979
[sniffling]
210
00:12:10,021 --> 00:12:16,111
I WANTED TO SEE HIM,
BUT THEY WOULDN'T LET ME.
211
00:12:17,904 --> 00:12:24,327
- I'M SORRY FOR YOUR LOSS.
I'M SORRY TO MAKE YOU RELIVE IT.
212
00:12:24,369 --> 00:12:29,874
- I RELIVE IT EVERY DAY.
YOU CAN'T HURT ME, MR. HARPER.
213
00:12:29,916 --> 00:12:34,254
I'VE ALREADY BEEN HURT
THE WORST THERE IS.
214
00:12:36,339 --> 00:12:39,426
- TELL ME, MR. BIG CITY
NEWSPAPER REPORTER,
215
00:12:39,467 --> 00:12:41,594
WHAT DO YOU WRITE ABOUT?
216
00:12:41,636 --> 00:12:44,556
- WHATEVER I'M ASSIGNED.
217
00:12:44,597 --> 00:12:46,433
- DOES IT PAY WELL?
218
00:12:46,474 --> 00:12:48,893
- NOT AT ALL.
219
00:12:48,935 --> 00:12:50,562
- THEN WHY DO IT?
220
00:12:50,603 --> 00:12:52,439
- TO MAKE A DIFFERENCE,
221
00:12:52,480 --> 00:12:56,026
COMFORT THE AFFLICTED AND
AFFLICT THE COMFORTABLE.
222
00:12:56,067 --> 00:12:59,404
- DO THEY MAKE YOU
DRINK THE KOOL-AID
223
00:12:59,446 --> 00:13:02,907
OR DO THEY JUST BRAINWASH YOU
WHEN YOU JOIN THE RANKS?
224
00:13:02,949 --> 00:13:04,492
- FATHER.
225
00:13:04,534 --> 00:13:08,371
- WHY DO YOU MAKE
SO MANY ERRORS?
226
00:13:08,413 --> 00:13:10,290
- I WASN'T AWARE YOU READ
THE NASHVILLE TIMES.
227
00:13:10,331 --> 00:13:11,875
- YOU DON'T HAVE TO.
228
00:13:11,916 --> 00:13:13,668
THE NEW YORK TIMES,
THE WASHINGTON POST,
229
00:13:13,710 --> 00:13:15,795
CBS, THE NASHVILLE TIMES.
230
00:13:15,837 --> 00:13:19,466
IF IT WASN'T FOR FOX NEWS
AND RUSH LIMBAUGH,
231
00:13:19,507 --> 00:13:21,051
WE'D ALL BE THE SAME.
232
00:13:21,092 --> 00:13:23,803
A LIBERAL BIAS
DOES INFECT THE MEDIA.
233
00:13:23,845 --> 00:13:25,555
I MEAN,
YOU SAID SO YOURSELF.
234
00:13:25,597 --> 00:13:27,515
YOU WANT TO
COMFORT THE AFFLICTED
235
00:13:27,557 --> 00:13:28,808
AND AFFLICT THE COMFORTABLE,
236
00:13:28,850 --> 00:13:33,313
AND THAT WOULD BE
PEOPLE LIKE US.
237
00:13:33,355 --> 00:13:35,774
MARY PELL,
DO YOU FEEL AFFLICTED?
238
00:13:35,815 --> 00:13:37,359
- FATHER, PLEASE.
239
00:13:37,400 --> 00:13:40,528
- I'VE GOT MY ACHES AND PAINS,
MR. HALL,
240
00:13:40,570 --> 00:13:43,448
BUT GOT HAS BLESSED ME.
241
00:13:43,490 --> 00:13:47,160
- WELL, I SEE YOU HAVE INDUCED
MR. HARPER
242
00:13:47,202 --> 00:13:50,413
TO JOIN YOU
IN THIS WILD GOOSE CHASE.
243
00:13:50,455 --> 00:13:52,624
- I WOULDN'T CALL IT THAT.
244
00:13:57,796 --> 00:14:00,799
- YOU'RE STIRRING UP THINGS
THAT...
245
00:14:00,840 --> 00:14:03,468
THAT DON'T NEED TO BE
STIRRED UP.
246
00:14:03,510 --> 00:14:07,681
NOW, THE BOY WAS PROBABLY KILLED
BY HIS OWN KIND AND,
247
00:14:07,722 --> 00:14:09,724
WELL, HE PROBABLY
DESERVED IT.
248
00:14:09,766 --> 00:14:13,395
- NOT BASED ON WHAT WE FOUND
AT HIS HOUSE.
249
00:14:16,272 --> 00:14:22,112
- YOU WENT TO MARY PELL'S?
IN NIGRA TOWN?
250
00:14:22,153 --> 00:14:25,323
- PLEASE DON'T USE THAT WORD.
IT'S AN EMBARRASSMENT.
251
00:14:25,365 --> 00:14:27,617
- NO, NO,
YOU ARE THE EMBARRASSMENT,
252
00:14:27,659 --> 00:14:29,494
AND I FORBID YOU TO CONTINUE.
253
00:14:29,536 --> 00:14:30,912
I WILL NOT HAVE MY DAUGHTER
254
00:14:30,954 --> 00:14:33,415
RILING UP THE WHOLE TOWN OVER
SOME DEAD NIGRA KID.
255
00:14:33,456 --> 00:14:37,794
NOW, OTHER THAN YOU
AND MARY PELL, NO ONE CARES.
256
00:14:37,836 --> 00:14:42,632
- WALLACE SAMPSON HAD FRIENDS.
THEY CARE.
257
00:14:42,674 --> 00:14:44,843
MR. HARPER CARES.
258
00:14:44,884 --> 00:14:46,928
AND IF YOU WEREN'T
A BLUE-BLOODED FAT CAT
259
00:14:46,970 --> 00:14:48,930
BORN ON THIRD BASE BUT YOU
THINK YOU HIT A TRIPLE,
260
00:14:48,972 --> 00:14:49,931
YOU WOULD CARE.
261
00:14:49,973 --> 00:14:52,934
- THAT'S ENOUGH.
262
00:14:59,607 --> 00:15:00,859
[phone rings]
263
00:15:00,900 --> 00:15:03,194
- THIS IS DELANA.
LEAVE A MESSAGE.
264
00:15:03,236 --> 00:15:04,279
[beep]
265
00:15:04,320 --> 00:15:06,656
- HEY, SORRY
I KEEP MISSING YOU.
266
00:15:06,698 --> 00:15:09,576
I'M DOWN IN ALABAMA,
CHASING A STORY.
267
00:15:09,617 --> 00:15:11,036
IT COULD BE BIG.
268
00:15:11,077 --> 00:15:15,623
ANYWAY, SEE YOU TOMORROW NIGHT.
LOVE YOU.
269
00:15:15,665 --> 00:15:22,213
- SO LET JUSTICE FLOW LIKE
A RIVER AND RIGHTEOUSNESS
270
00:15:22,255 --> 00:15:23,882
LIKE AN EVER-FLOWING STREAM.
271
00:15:23,923 --> 00:15:26,259
- AMEN.
272
00:15:26,301 --> 00:15:27,927
- JUSTICE.
273
00:15:27,969 --> 00:15:29,679
- YES.
274
00:15:29,721 --> 00:15:31,222
- AND RIGHTEOUSNESS.
275
00:15:31,264 --> 00:15:33,016
- AMEN.
276
00:15:33,058 --> 00:15:37,729
- MY BELOVED, WE HAVE GUESTS
HERE THIS MORNING,
277
00:15:37,771 --> 00:15:39,731
JUST IN CASE
YOU HADN'T NOTICED.
278
00:15:39,773 --> 00:15:41,900
[laughter]
279
00:15:41,941 --> 00:15:44,611
THEY'RE HERE
FOR SISTER MARY PELL.
280
00:15:44,652 --> 00:15:45,862
- AMEN.
281
00:15:45,904 --> 00:15:48,531
- THEY'RE HERE
FOR WALLACE SAMPSON.
282
00:15:48,573 --> 00:15:49,824
- YES.
283
00:15:50,200 --> 00:15:55,413
- EVERY SUNDAY MORNING,
FOR 19 YEARS,
284
00:15:55,455 --> 00:15:58,750
SISTER MARY PELL HAS OFFERED UP
HER PRAYER TO THE LORD.
285
00:15:58,792 --> 00:16:01,002
- AMEN.
286
00:16:01,044 --> 00:16:03,797
- AND I'M SAYING TODAY, LORD,
HEAR OUR PRAYER.
287
00:16:03,838 --> 00:16:06,007
- LORD, HEAR OUR PRAYER.
288
00:16:06,049 --> 00:16:08,426
- HOW LONG?
- HOW LONG?
289
00:16:08,468 --> 00:16:11,012
- WOULDN'T THIS BE A GOOD TIME
FOR JUSTICE?
290
00:16:11,054 --> 00:16:12,639
- YES, SIR.
291
00:16:12,681 --> 00:16:15,058
- HOW LONG?
- HOW LONG?
292
00:16:15,100 --> 00:16:17,727
- WOULDN'T THIS BE A GOOD TIME
FOR RIGHTEOUSNESS?
293
00:16:17,769 --> 00:16:19,104
- YES, SIR.
294
00:16:19,145 --> 00:16:21,439
- FOR 19 YEARS...
- 19 YEARS.
295
00:16:21,481 --> 00:16:26,319
- SHE'S WONDERED ABOUT HER SON.
WHO STOLE HIS LIFE?
296
00:16:26,361 --> 00:16:27,737
FOR 19 YEARS,
297
00:16:27,779 --> 00:16:31,199
SHE'S WONDERED ABOUT THE WATERS
OF RIGHTEOUSNESS.
298
00:16:31,241 --> 00:16:33,493
WHEN WILL JUSTICE FLOW?
299
00:16:33,535 --> 00:16:35,203
[applause]
300
00:16:35,245 --> 00:16:37,163
HOW LONG?
- HOW LONG?
301
00:16:37,205 --> 00:16:39,582
- WOULDN'T THIS BE
A GOOD TIME FOR JUSTICE?
302
00:16:39,624 --> 00:16:41,251
HOW LONG?
- HOW LONG?
303
00:16:41,292 --> 00:16:44,754
- WOULDN'T THIS BE A GOOD TIME
FOR RIGHTEOUSNESS?
304
00:16:44,796 --> 00:16:47,007
HOW LONG?
- HOW LONG?
305
00:16:47,048 --> 00:16:50,760
- HOW LONG?
- HOW LONG?
306
00:16:50,802 --> 00:16:53,680
- OH, WOULDN'T THIS BE
A GOOD TIME?
307
00:16:53,722 --> 00:16:58,184
[applause]
308
00:17:06,860 --> 00:17:10,822
- HEY. HEY,
SORRY ABOUT FRIDAY.
309
00:17:10,864 --> 00:17:12,824
I TOTALLY FORGOT
ABOUT THE PLANNER.
310
00:17:12,866 --> 00:17:14,826
- THAT WAS FRIDAY.
THIS IS SUNDAY.
311
00:17:14,868 --> 00:17:16,494
WHERE HAVE YOU BEEN?
312
00:17:16,536 --> 00:17:18,055
- DIDN'T YOU GET MY MESSAGES?
I HAD TO WORK.
313
00:17:18,079 --> 00:17:19,706
- REALLY? THE PAPER
DIDN'T KNOW ABOUT IT.
314
00:17:19,748 --> 00:17:21,249
- I DID IT ON MY OWN.
315
00:17:21,291 --> 00:17:23,102
DELANA, SERIOUSLY, FRIDAY
WAS A COMPLETE ACCIDENT.
316
00:17:23,126 --> 00:17:24,586
- ACCIDENT, MY FOOT!
317
00:17:24,627 --> 00:17:27,088
YOU ASKED TO SKIP
THE CAKE-TASTING PARTY
318
00:17:27,130 --> 00:17:29,090
AND THE STATIONERY SELECTION,
OKAY?
319
00:17:29,132 --> 00:17:30,693
THEN YOU BLOW OFF THE MEETING
WITH OUR MINISTER?
320
00:17:30,717 --> 00:17:31,885
- I HAD TO WORK OVERTIME.
321
00:17:31,926 --> 00:17:33,219
- AND NOW YOU FORGET
THE PLANNER.
322
00:17:33,261 --> 00:17:34,763
I'M UPSET,
BUT WHAT DO YOU DO?
323
00:17:34,804 --> 00:17:38,058
YOU GO OUT OF TOWN WHEN YOU
DON'T EVEN HAVE TO.
324
00:17:38,099 --> 00:17:41,603
YOUR PRIORITIES
ARE ABUNDANTLY CLEAR.
325
00:17:42,896 --> 00:17:47,817
THE WEDDING'S OFF.
326
00:17:47,859 --> 00:17:50,862
- FINE.
327
00:17:53,448 --> 00:17:57,202
FINE. FINE.
328
00:17:57,243 --> 00:17:59,454
[engine starts]
329
00:18:05,710 --> 00:18:08,755
- HEY, I'M ON TO ONE HECK
OF A STORY.
330
00:18:08,797 --> 00:18:10,340
- JUST HOLD YOUR HORSES,
PARTNER.
331
00:18:10,382 --> 00:18:11,901
I'VE GOT THE PUBLISHER MOSEYING
DOWN HERE,
332
00:18:11,925 --> 00:18:13,426
WHICH MEANS
I'M FACING MORE CRAP
333
00:18:13,468 --> 00:18:15,679
THAN A COWHAND AT THE TAIL END
OF A CATTLE DRIVE.
334
00:18:15,720 --> 00:18:18,223
- [laughs] HE'S FUNNY.
335
00:18:19,516 --> 00:18:21,017
- WHAT DO YOU THINK
BAXTER WANTS?
336
00:18:21,059 --> 00:18:23,311
- AH, MY HIDE,
MORE THAN LIKELY.
337
00:18:23,353 --> 00:18:25,063
- WHAT'D YOU DO NOW?
338
00:18:25,105 --> 00:18:26,523
- WELL, YOU'VE SEEN
THE HEADLIGHTS
339
00:18:26,564 --> 00:18:28,000
ON THE NEW ASSISTANT LIBRARIAN,
RIGHT?
340
00:18:28,024 --> 00:18:29,526
- MM-HMM.
341
00:18:29,567 --> 00:18:31,462
- WELL, I THOUGHT IT'D BE FUNNY,
SO I ASKED PERSONNEL,
342
00:18:31,486 --> 00:18:34,781
I SAID, WOULD IT COST ME MY
PENSION IF I NUZZLED THEM?
343
00:18:34,823 --> 00:18:37,784
WELL, APPARENTLY, THERE'S SOME
QUESTIONS YOU JUST DON'T ASK.
344
00:18:37,826 --> 00:18:39,327
- LIKE THAT ONE.
345
00:18:39,369 --> 00:18:42,956
- YEP. THAT, AND WHY THERE'S
NO WHITE HISTORY MONTH.
346
00:18:42,997 --> 00:18:44,582
- YOU REDNECK.
347
00:18:44,624 --> 00:18:48,044
- GIVEN THE PROTESTERS,
MAYBE BAXTER'S AFTER YOU?
348
00:18:48,086 --> 00:18:49,671
- ME?
349
00:18:49,713 --> 00:18:52,340
- THINK BAXTER HAS
THE GUTS TO FIRE THE SON
350
00:18:52,382 --> 00:18:54,634
OF THE LEGENDARY
LUCAS HARPER?
351
00:18:54,676 --> 00:18:56,219
- HARPER!
352
00:18:56,261 --> 00:19:00,390
- OH, BOY. BETTER
YOU THAN ME, PREPSTER.
353
00:19:02,475 --> 00:19:04,561
- HEY, IS BAXTER AFTER ME,
OR WHAT?
354
00:19:04,602 --> 00:19:05,645
- BULLS-EYE.
355
00:19:05,687 --> 00:19:08,064
- RIGHT.
356
00:19:08,106 --> 00:19:09,983
- EXCUSE ME, MAY I ASK YOU
A QUESTION?
357
00:19:10,025 --> 00:19:14,821
- ANYTHING YOU SAY WILL BE USED
AGAINST YOU. PROMISE.
358
00:19:14,863 --> 00:19:19,951
- OH, WELL. HMM.
359
00:19:19,993 --> 00:19:21,786
- SO IT'S A COLD CASE STORY.
360
00:19:21,828 --> 00:19:24,456
RICH BLUE BLOOD'S OBSESSED
WITH THE FORGOTTEN KILLING
361
00:19:24,497 --> 00:19:26,332
OF HER HOUSEKEEPER'S SON.
362
00:19:26,374 --> 00:19:29,252
- NO, NO, NO, NOT FORGOTTEN.
NEVER EVEN INVESTIGATED.
363
00:19:29,294 --> 00:19:31,087
TREY HALL'S SEARCH FOR JUSTICE
364
00:19:31,129 --> 00:19:32,815
AGAINST THE OBJECTIONS
OF HER BIG-SHOT FATHER,
365
00:19:32,839 --> 00:19:34,174
THAT'S THE LEAST WE GET.
366
00:19:34,215 --> 00:19:36,301
BEST CASE,
WE SOLVE THE MURDER.
367
00:19:36,343 --> 00:19:38,094
- WELL, IT'S A GOOD STORY,
ALL RIGHT.
368
00:19:38,136 --> 00:19:39,929
BUT SO'S THE MURDER
OF THE POLICE CHIEF...
369
00:19:39,971 --> 00:19:41,431
ONLY THAT'S STILL NEWS.
370
00:19:41,473 --> 00:19:42,491
- THE MURDER
OF THE POLICE CHIEF'S
371
00:19:42,515 --> 00:19:43,850
ALREADY BEING INVESTIGATED.
372
00:19:43,892 --> 00:19:45,685
WALLACE SAMPSON'S MURDER
ISN'T.
373
00:19:45,727 --> 00:19:47,604
- AMOS ISN'T EVEN
IN OUR CIRCULATION AREA.
374
00:19:47,645 --> 00:19:49,731
- AMOS ISN'T IN ANYBODY'S
CIRCULATION AREA.
375
00:19:49,773 --> 00:19:50,958
IF WE DON'T DO IT,
IT WON'T GET DONE.
376
00:19:50,982 --> 00:19:52,359
- WELL, I'M NOT FRETTIN'
377
00:19:52,400 --> 00:19:54,486
ABOUT STORIES IN AMOS
NOT GETTING DONE.
378
00:19:54,527 --> 00:19:56,464
I'M WORRIED ABOUT STORIES IN
NASHVILLE NOT GETTING DONE.
379
00:19:56,488 --> 00:20:00,450
WE'VE GOT A NEWSROOM
FULL OF EMPTY DESKS,
380
00:20:00,492 --> 00:20:02,077
AND BAXTER THE AXTER'S
381
00:20:02,118 --> 00:20:03,346
TALKING ABOUT
CULLING THE HERD EVEN MORE.
382
00:20:03,370 --> 00:20:06,456
YOUR NAME'S COME UP.
383
00:20:06,498 --> 00:20:08,583
- YOU KNOW THE PROTESTS
AREN'T MY FAULT.
384
00:20:08,625 --> 00:20:10,502
- THAT'S NOT
THE ONLY BULLET HE'S GOT.
385
00:20:10,543 --> 00:20:13,380
HE'S DONE A COUNT OF EVERY
REPORTER'S STORIES,
386
00:20:13,421 --> 00:20:16,508
AND YOU RANKED DEAD LAST,
WITH NO BLOCKBUSTERS.
387
00:20:16,549 --> 00:20:19,219
- WELL, TO GET A BLOCKBUSTER,
YOU NEED A GOOD STORY.
388
00:20:19,260 --> 00:20:21,680
- MATT, YOU NEVER HANDLED
A BIG INVESTIGATION.
389
00:20:21,721 --> 00:20:23,348
I DON'T KNOW
THAT YOU'RE READY.
390
00:20:23,390 --> 00:20:26,518
- LOOK, I'VE ALREADY
DONE SOME WORK.
391
00:20:26,935 --> 00:20:30,063
I CAN GET IT.
392
00:20:30,105 --> 00:20:32,607
- YOU'VE GOT A FEW DAYS.
393
00:20:32,649 --> 00:20:33,608
- THANK YOU.
394
00:20:33,650 --> 00:20:34,984
- SCREW UP
AND YOU'RE STEW MEAT.
395
00:20:35,026 --> 00:20:36,194
- I WON'T.
396
00:20:36,236 --> 00:20:39,030
- MATT,
TAKE BULLOCK WITH YOU.
397
00:20:39,072 --> 00:20:40,573
- WHAT?
398
00:20:40,615 --> 00:20:44,703
- IF WE USE ONE OF OUR TOP
REPORTERS, BAXTER WILL NOTICE.
399
00:20:44,744 --> 00:20:46,162
- BUT BULLOCK?
400
00:20:46,204 --> 00:20:47,872
- WITH ALL THIS NUZZLING CRAP
FROM BULLOCK
401
00:20:47,914 --> 00:20:49,708
AND YOUR BLACK HOLE PROBLEM,
402
00:20:49,749 --> 00:20:52,419
I NEED YOU BOTH
OUT OF SIGHT FOR A WHILE.
403
00:20:52,460 --> 00:20:54,254
BESIDES,
BULLOCK MAY BE CRAZY
404
00:20:54,295 --> 00:20:56,881
BUT HE'S GOT
EVERY GADGET YOU NEED.
405
00:20:56,923 --> 00:20:58,008
- ♪ BAD NEWS ♪
406
00:20:58,049 --> 00:20:59,926
- TESTING, ONE, TWO, THREE.
407
00:20:59,968 --> 00:21:01,386
TESTING,
ONE, TWO, THREE.
408
00:21:01,428 --> 00:21:03,096
- ♪ BAD NEWS ♪
409
00:21:03,138 --> 00:21:06,182
♪ ♪
410
00:21:06,224 --> 00:21:08,101
♪ BAD NEWS ♪
411
00:21:08,143 --> 00:21:10,770
♪ ♪
412
00:21:10,812 --> 00:21:12,605
♪ BAD NEWS ♪
413
00:21:12,647 --> 00:21:15,859
♪ ♪
414
00:21:15,900 --> 00:21:19,738
♪ YOU'VE SEEN ME SHUFFLING
DOWN THE SIDEWALK ♪
415
00:21:19,779 --> 00:21:21,281
♪ ♪
416
00:21:21,322 --> 00:21:25,035
♪ I KNOW I AIN'T
NO MARLON BRANDO ♪
417
00:21:25,076 --> 00:21:28,955
♪ HEY, WHAT CAN I SAY,
THIS AIN'T NO TRASH TALK ♪
418
00:21:28,997 --> 00:21:30,540
♪ ♪
419
00:21:30,582 --> 00:21:34,294
♪ I'VE GOT YOU ANY WAY,
ANY WAY I CHOOSE ♪
420
00:21:34,336 --> 00:21:36,379
- ♪ BAD NEWS ♪
421
00:21:36,421 --> 00:21:39,049
- ♪ I'LL SHOW YOU
WHAT I CAN DO ♪
422
00:21:39,090 --> 00:21:41,134
- ♪ BAD NEWS ♪
423
00:21:41,176 --> 00:21:43,803
- ♪ SOON YOU'LL SEE
THE PICTURE ♪
424
00:21:43,845 --> 00:21:45,430
- ♪ BAD NEWS ♪
425
00:21:45,472 --> 00:21:47,974
- ♪ BEFORE I SAY OR DO ♪
426
00:21:48,016 --> 00:21:49,434
- ♪ BAD NEWS ♪
427
00:21:49,476 --> 00:21:53,229
- ♪ YEAH, I'LL TELL
THE TRUTH ON YOU ♪
428
00:21:53,271 --> 00:21:54,981
- OKAY, WE'RE TAKING
MY LEMANS,
429
00:21:55,023 --> 00:21:56,441
'CAUSE YOUR RICE BURNER
430
00:21:56,483 --> 00:21:58,860
IS AN INSULT TO
THE AMERICAN WORKING MAN.
431
00:21:58,902 --> 00:22:01,905
BESIDES, MY LEMANS HAS AN
ENGINE. IT MIGHT COME IN HANDY.
432
00:22:01,946 --> 00:22:03,531
- GET OFF IT, BULLOCK.
433
00:22:03,573 --> 00:22:05,426
WHEN'S THE LAST TIME A REPORTER
WAS ON A HIGH-SPEED CHASE?
434
00:22:05,450 --> 00:22:07,494
- HEY, IT COULD HAPPEN.
435
00:22:07,535 --> 00:22:10,455
I THINK YOU'RE FORGETTING
WHO'S IN CHARGE HERE, BOY.
436
00:22:10,497 --> 00:22:12,499
I'M KIND OF SORRY
I'VE GOT TO TAKE YOU WITH ME.
437
00:22:12,540 --> 00:22:13,917
- HEY, THIS IS MY STORY.
438
00:22:13,958 --> 00:22:15,436
YOU THINK I'M HAPPY ABOUT
WORKING WITH YOU
439
00:22:15,460 --> 00:22:16,961
AND YOUR RACIST
CAVEMAN ATTITUDE?
440
00:22:17,003 --> 00:22:17,962
- HUH!
441
00:22:18,004 --> 00:22:19,589
- [groans] OW.
442
00:22:19,631 --> 00:22:23,343
- NOW YOU LISTEN TO ME
VERY CAREFULLY, YOU LITTLE PUNK.
443
00:22:23,385 --> 00:22:27,097
MY JOB IS TO LEARN THINGS
PEOPLE DON'T KNOW ABOUT
444
00:22:27,138 --> 00:22:28,848
AND PUT IT IN THE PAPER.
445
00:22:28,890 --> 00:22:30,517
IT'S CALLED NEWS.
446
00:22:30,558 --> 00:22:32,519
AND I DON'T WORRY ABOUT
IF IT'S FOR RICH PEOPLE,
447
00:22:32,560 --> 00:22:35,772
POOR PEOPLE, BLACK,
WHITE, MEN OR WOMEN,
448
00:22:35,814 --> 00:22:38,358
OR PEOPLE YOU CAN'T
TELL THE DIFFERENCE.
449
00:22:38,400 --> 00:22:41,653
I KNOW WHAT YOU THINK OF ME,
AND MOST OF THE TIME,
450
00:22:41,695 --> 00:22:45,865
I COULDN'T CARE LESS, BUT
LET ME TELL YOU SOMETHING, BOY.
451
00:22:45,907 --> 00:22:51,204
I AM NOT A RACIST.
452
00:22:51,246 --> 00:22:56,042
- FINE,
YOU'RE NOT A RACIST.
453
00:22:56,084 --> 00:22:58,086
- ALL RIGHT.
454
00:23:02,007 --> 00:23:04,009
- YOU'RE JUST A SEXIST.
455
00:23:09,055 --> 00:23:11,182
- THANK YOU.
456
00:23:16,521 --> 00:23:18,648
LET'S MAKE A LIST.
- ALL RIGHT.
457
00:23:18,690 --> 00:23:20,167
WELL, WE NEED TO SEE
WHERE IT HAPPENED,
458
00:23:20,191 --> 00:23:22,027
CHECK THE POLICE RECORDS.
459
00:23:22,068 --> 00:23:23,796
WE NEED TO INTERVIEW
WALLACE SAMPSON'S GIRLFRIEND.
460
00:23:23,820 --> 00:23:25,423
SHE WAS THE LAST ONE TO SEE HIM
BEFORE HE GOT KILLED.
461
00:23:25,447 --> 00:23:26,698
- OKAY, WRITE THAT DOWN.
462
00:23:26,740 --> 00:23:30,243
I'VE GOT A PEN AND PAD
IN THE GLOVE BOX.
463
00:23:30,285 --> 00:23:33,538
- UH...
464
00:23:33,580 --> 00:23:36,875
- 22 MAGNUM.
THAT'LL STOP A BAD GUY.
465
00:23:36,916 --> 00:23:38,418
- THAT THING
COULD HAVE GONE OFF.
466
00:23:38,460 --> 00:23:41,421
- NAH.
THE HAMMER BLOCK IS IN.
467
00:23:41,463 --> 00:23:43,923
PUT THAT AWAY FOR ME,
WILL YOU?
468
00:23:43,965 --> 00:23:45,550
- [sighs]
469
00:23:45,592 --> 00:23:49,387
SO, IT'S TRUE,
YOU DO CARRY A GUN.
470
00:23:49,429 --> 00:23:50,805
- ON THIS TRIP, THREE.
471
00:23:50,847 --> 00:23:54,142
THE .22 MAGNUM.
I GOT A .270 IN THE TRUNK.
472
00:23:54,184 --> 00:23:57,437
AND WHEN ALL ELSE FAILS,
I'VE GOT A LITTLE HENRY...
473
00:23:57,479 --> 00:24:00,398
A DOUBLE-SHOT DERRINGER.
474
00:24:00,440 --> 00:24:02,442
NICE, HUH?
475
00:24:02,484 --> 00:24:04,444
- I CAN'T BELIEVE YOU
BROUGHT ALL THOSE WEAPONS.
476
00:24:04,486 --> 00:24:06,112
- THIS IS ALABAMA, BOY.
477
00:24:06,154 --> 00:24:09,657
ALCOHOL, TOBACCO, AND FIREARMS
AIN'T A GOVERNMENT AGENCY,
478
00:24:09,699 --> 00:24:11,785
IT'S A DANG SHOPPING LIST.
479
00:24:11,826 --> 00:24:14,621
[siren]
480
00:24:14,662 --> 00:24:16,790
OH, BOY, HERE WE GO.
481
00:24:16,831 --> 00:24:19,834
[siren]
482
00:24:28,593 --> 00:24:33,765
OH, BOY. WE GOT A COP
WITH A BIG HAT.
483
00:24:35,183 --> 00:24:36,601
OFFICER.
484
00:24:36,643 --> 00:24:39,145
- LICENSE AND REGISTRATION.
485
00:24:39,187 --> 00:24:40,980
- UH-HUH.
486
00:24:41,022 --> 00:24:43,566
- OFFICER PERINGER, HEY.
487
00:24:43,608 --> 00:24:45,485
MATT HARPER
FROM THE NASHVILLE TIMES.
488
00:24:45,527 --> 00:24:48,405
WE MET THE OTHER DAY.
SORRY ABOUT YOUR DAD.
489
00:24:48,446 --> 00:24:52,283
- YOU WERE SPEEDING,
20 MILES OVER.
490
00:24:52,325 --> 00:24:54,703
- WE WERE DOING 55.
491
00:24:54,744 --> 00:24:57,580
- WELL, IT DROPS TO 35
AT THE TOWN LIMIT.
492
00:24:57,622 --> 00:24:59,499
- I DIDN'T SEE A SIGN.
493
00:24:59,541 --> 00:25:01,459
- I'LL HANDLE THIS.
494
00:25:01,501 --> 00:25:04,796
OFFICER,
HOW MUCH IS THE FINE?
495
00:25:04,838 --> 00:25:07,799
- $100. OR WE CAN
GO SEE THE JUDGE.
496
00:25:07,841 --> 00:25:12,512
- JUST PAY HIM. ACTUALLY,
YOU KNOW WHAT? PAY HIM $200.
497
00:25:12,554 --> 00:25:13,781
THE NEXT TIME
WE COME THROUGH HERE,
498
00:25:13,805 --> 00:25:15,807
WE'LL BE GOING
THE EXACT SAME SPEED.
499
00:25:15,849 --> 00:25:19,227
- I'VE HEARD ENOUGH FROM YOU.
HAND ME THE REGISTRATION.
500
00:25:25,567 --> 00:25:30,155
- OFFICER, I CAN EXPLAIN
THE PISTOL IN THE GLOVE BOX.
501
00:25:30,196 --> 00:25:33,867
- FREEZE, YOU KEEP YOUR HANDS UP
WHERE I CAN SEE 'EM.
502
00:25:33,908 --> 00:25:37,829
UP, BOTH OF YOU.
503
00:25:37,871 --> 00:25:41,249
- I'VE ALSO GOT A .270
IN THE TRUNK.
504
00:25:42,917 --> 00:25:44,794
- MOVE.
505
00:25:46,338 --> 00:25:48,298
COME ON, THIS WAY.
506
00:25:48,340 --> 00:25:49,716
- I'M GONNA HAVE TO
CALL YOU BACK.
507
00:25:49,758 --> 00:25:52,802
- YOU TOO, BUDDY.
508
00:25:52,844 --> 00:25:54,554
- [sighs] WHAT YOU GOT, OLEN?
509
00:25:54,596 --> 00:25:57,015
- SPEEDING AND CARRYING
CONCEALED WEAPONS.
510
00:25:57,057 --> 00:25:59,184
AND ONE OF THEM THREW UP
IN THE PATROL CAR.
511
00:25:59,225 --> 00:26:01,394
- [laughs]
512
00:26:01,436 --> 00:26:05,398
- MA'AM, WE DIDN'T MEAN TO
SPEED, AND WE'RE NOT DANGEROUS.
513
00:26:05,440 --> 00:26:06,858
WE'RE REPORTERS.
514
00:26:06,900 --> 00:26:09,611
- WHICH ONE OF YOU'S SICK?
515
00:26:11,279 --> 00:26:13,823
TAKE OFF THE HANDCUFFS, OLEN.
GO GET THE JUDGE.
516
00:26:20,121 --> 00:26:21,581
SIT.
517
00:26:21,623 --> 00:26:25,085
- [groans]
518
00:26:25,126 --> 00:26:27,587
- YOU'RE NOT GONNA THROW UP
IN HERE, ARE YOU?
519
00:26:27,629 --> 00:26:29,923
- NO, MA'AM.
- [laughs]
520
00:26:29,964 --> 00:26:32,801
- MM-MM-MM-MM.
521
00:26:32,842 --> 00:26:34,886
CARRYING CONCEALED WEAPONS
522
00:26:34,928 --> 00:26:38,598
IS A SERIOUS VIOLATION
OF THE ALABAMA CRIMINAL CODE.
523
00:26:38,640 --> 00:26:42,727
- IT WOULD BE, YES, SIR,
BUT, UH, I HAVE A PERMIT.
524
00:26:42,769 --> 00:26:45,105
- THAT A FACT?
- YEAH.
525
00:26:45,146 --> 00:26:49,234
- MM-HMM.
526
00:26:49,275 --> 00:26:51,945
I REMEMBER YOU.
527
00:26:51,986 --> 00:26:55,865
YOU'RE THAT RUDE REPORTER.
528
00:26:55,907 --> 00:26:57,742
- SORRY, SIR. WE DON'T
MEAN TO MAKE TROUBLE.
529
00:26:57,784 --> 00:27:00,620
- SO, ARE YOU REPORTING
ON THE CHIEF'S DEATH?
530
00:27:00,662 --> 00:27:03,832
- NO, WE'RE HERE FOR
SOMETHING ELSE, ACTUALLY.
531
00:27:03,873 --> 00:27:06,292
EVER HEAR OF A KID
NAMED WALLACE SAMPSON?
532
00:27:06,334 --> 00:27:09,587
- WELL, I'LL BE JIGGERED.
533
00:27:09,629 --> 00:27:11,131
TREY HALL MUST HAVE
LATCHED ON TO YOU.
534
00:27:11,172 --> 00:27:12,632
- HOW'D YOU KNOW?
535
00:27:12,674 --> 00:27:14,300
- BECAUSE I'VE KNOWN TREY
AND HER DADDY
536
00:27:14,342 --> 00:27:16,136
SINCE MOSES WAS IN DIAPERS.
537
00:27:16,177 --> 00:27:17,721
OH, TREY'S A GOOD GIRL.
538
00:27:17,762 --> 00:27:19,806
BLESS HER HEART,
I KNOW SHE MEANS WELL,
539
00:27:19,848 --> 00:27:21,766
BUT TOO MUCH MONEY
AND TOO LITTLE TO DO
540
00:27:21,808 --> 00:27:23,309
IS A BAD COMBINATION.
541
00:27:23,351 --> 00:27:24,936
- MEANING WHAT?
542
00:27:24,978 --> 00:27:26,664
- MEANING I'D HAD TO SEE YOU
WASTE YOUR TIME,
543
00:27:26,688 --> 00:27:29,315
ESPECIALLY SINCE YOUR LITTLE
EXPEDITION DOWN HERE
544
00:27:29,357 --> 00:27:30,942
IS ALREADY
COSTING YOU A FINE.
545
00:27:30,984 --> 00:27:33,153
- WE NEVER SAW
A CITY SPEED LIMIT SIGN.
546
00:27:33,194 --> 00:27:35,655
- YEAH, THAT SIGN GOT SHOT UP
A FEW YEARS BACK.
547
00:27:35,697 --> 00:27:37,323
WE HAVEN'T HAD THE MONEY
TO REPLACE IT.
548
00:27:37,365 --> 00:27:38,616
- THAT IS RIDICULOUS.
549
00:27:38,658 --> 00:27:40,410
HOW MUCH
COULD IT POSSIBLY COST?
550
00:27:40,452 --> 00:27:42,287
- IT AIN'T
THE COST OF THE SIGN.
551
00:27:42,328 --> 00:27:45,915
IT'S ALL THE REVENUE IN MONEY
WE'D LOSE WRITING FEWER TICKETS.
552
00:27:45,957 --> 00:27:47,667
- IT'S LIKE MY DADDY
ALWAYS SAID,
553
00:27:47,709 --> 00:27:49,669
EVERY YANKEE TOURIST
IS WORTH A BALE OF COTTON,
554
00:27:49,711 --> 00:27:52,255
AND A WHOLE LOT EASIER
TO PICK.
555
00:27:52,297 --> 00:27:54,841
WELCOME TO AMOS, BOYS.
556
00:27:54,883 --> 00:27:56,885
- MAN, YOU ALMOST BLEW IT.
557
00:27:56,926 --> 00:27:58,970
- OH, I ALMOST BLEW IT?
558
00:27:59,012 --> 00:28:00,197
- WOULDN'T HAVE GOT IN TROUBLE
IN THE FIRST PLACE
559
00:28:00,221 --> 00:28:02,015
IF YOU HADN'T
LIPPED OFF TO THE COP.
560
00:28:02,057 --> 00:28:04,201
AIN'T YOU EVER HEARD OF "NEVER
COMPLAIN, NEVER EXPLAIN"?
561
00:28:04,225 --> 00:28:05,852
- WELL,
I WASN'T THE ONE SPEEDING
562
00:28:05,894 --> 00:28:07,371
AND YOU DIDN'T SAY ANYTHING
ABOUT THE DERRINGER.
563
00:28:07,395 --> 00:28:08,772
WHAT IF HE SEARCHED YOU?
564
00:28:08,813 --> 00:28:10,899
- THE WHOLE POINT OF
A DERRINGER IS SURPRISE.
565
00:28:10,940 --> 00:28:12,817
- YEAH, WELL, IT WAS
AN UNNECESSARY RISK
566
00:28:12,859 --> 00:28:15,153
AND IT
JEOPARDIZED THE STORY.
567
00:28:15,195 --> 00:28:20,450
- WELL, ALL RIGHT.
I'LL TELL YOU WHAT.
568
00:28:20,492 --> 00:28:22,494
I'LL PLAY BY THE RULES
569
00:28:22,535 --> 00:28:24,454
IF YOU ACT LIKE
YOU'VE DONE THIS BEFORE.
570
00:28:24,496 --> 00:28:25,872
- I HAVE DONE THIS BEFORE.
571
00:28:25,914 --> 00:28:27,207
- INVESTIGATED A MURDER?
572
00:28:27,248 --> 00:28:30,543
- WELL, NOT EXACTLY.
573
00:28:30,585 --> 00:28:33,213
- THAT'S ALL RIGHT.
574
00:28:33,254 --> 00:28:35,715
I'VE NEVER EXACTLY
PLAYED BY THE RULES.
575
00:28:35,757 --> 00:28:37,801
COME ON,
LET'S GO TO THE CRIME SCENE.
576
00:28:45,266 --> 00:28:46,893
- HEY.
- HEY.
577
00:28:46,935 --> 00:28:50,146
- THIS THE PLACE?
- YEP.
578
00:28:50,188 --> 00:28:52,857
- WOW.
579
00:28:52,899 --> 00:28:55,193
- THERE'S NOTHING
TO SEE IN THERE.
580
00:28:55,235 --> 00:28:58,988
WALLACE AND THE CHIEF
WERE KILLED OUT FRONT.
581
00:28:59,030 --> 00:29:00,865
- THEY WERE BOTH KILLED
IN THE SAME SPOT?
582
00:29:00,907 --> 00:29:04,869
- 19 YEARS APART, BUT
PRACTICALLY THE SAME PLACE.
583
00:29:04,911 --> 00:29:06,830
- THAT'S WEIRD.
584
00:29:06,871 --> 00:29:12,002
- THERE'S A DOZEN PLACES
A SHOOTER COULD HIDE. YEAH, BOY.
585
00:29:19,300 --> 00:29:21,302
- [groans]
586
00:29:22,971 --> 00:29:27,434
- LOOKS LIKE SOMEBODY
LIVED HERE.
587
00:29:27,475 --> 00:29:30,603
- OR WORKED HERE.
588
00:29:30,645 --> 00:29:32,397
- GROSS.
589
00:29:32,439 --> 00:29:34,024
- I SAY WE MOVE ON.
590
00:29:34,065 --> 00:29:36,109
THIS PLACE MAY BE ABANDONED,
BUT SOMEBODY OWNS IT.
591
00:29:36,151 --> 00:29:37,902
- LET'S GO BACK
TO THE COP SHOP,
592
00:29:37,944 --> 00:29:42,032
TRY TO DIG UP
THAT POLICE REPORT.
593
00:29:47,120 --> 00:29:50,749
- THIS PLACE REALLY IS NOWHERE.
I CAN'T EVEN GET A SIGNAL.
594
00:29:50,790 --> 00:29:52,959
- SOMETIMES I CAN
GET ONE OUTSIDE.
595
00:29:53,001 --> 00:29:54,502
- I FOUND SOMETHING.
596
00:29:56,921 --> 00:29:58,232
OKAY, THE NIGHT
BEFORE THE SHOOTING,
597
00:29:58,256 --> 00:30:00,550
SOMEONE THREW
A FIREBOMB AT THE STORE.
598
00:30:00,592 --> 00:30:03,470
THE FIREBOMB WAS REPORTED WHEN
THE MAN WHO RUNS THE STORE,
599
00:30:03,511 --> 00:30:05,055
A BRAEFORD WATSON,
600
00:30:05,096 --> 00:30:08,308
GETS HERE TO WORK
AND SAW THE SCORCH MARKS.
601
00:30:08,350 --> 00:30:10,518
- WALLACE IS SHOT
THE NEXT NIGHT AS HE WALKS BY.
602
00:30:10,560 --> 00:30:13,313
- ALL RIGHT, SO LET'S SAY
WALLACE THREW THE FIREBOMB.
603
00:30:13,355 --> 00:30:14,814
IT'S A DUD,
604
00:30:14,856 --> 00:30:17,275
SO HE COMES BACK THE NEXT NIGHT
TO FINISH THE JOB.
605
00:30:17,317 --> 00:30:18,276
WATSON SHOOTS HIM.
606
00:30:18,318 --> 00:30:20,070
HE'S THERE
TO PROTECT THE STORE.
607
00:30:20,111 --> 00:30:23,990
- THERE WAS NEVER ANY EVIDENCE
OF WALLACE HAVING A FIREBOMB,
608
00:30:24,032 --> 00:30:26,159
AND I REALLY DON'T THINK
HE WAS THAT KIND OF A KID.
609
00:30:26,201 --> 00:30:27,160
- MM-MM.
610
00:30:27,202 --> 00:30:28,995
- WELL,
LET'S GET THE NEWSPAPER
611
00:30:29,037 --> 00:30:30,348
AND SEE IF WATSON'S NAME
SHOWS UP IN ANY OLD CLIPS.
612
00:30:30,372 --> 00:30:31,956
- YEAH.
613
00:30:31,998 --> 00:30:34,376
- NOT SO FAST. PUT THOSE FILES
BACK WHERE YOU GOT THEM.
614
00:30:34,417 --> 00:30:36,795
YOUR MAMA'S NOT HERE TO
CLEAN UP AFTER YOU.
615
00:30:36,836 --> 00:30:40,006
- YES, MA'AM.
616
00:30:40,048 --> 00:30:45,512
LORD HAVE MERCY.
WHERE'S RHETT AND SCARLETT?
617
00:30:45,553 --> 00:30:47,931
- THAT'S DELANA'S CAR.
618
00:30:54,312 --> 00:30:58,316
- OH, BOY. BET I COULD SELL
TICKETS TO THIS FIGHT.
619
00:30:58,358 --> 00:30:59,818
- WHO'S DELANA?
620
00:30:59,859 --> 00:31:03,071
- HEY, I'M SO GLAD
TO SEE YOU.
621
00:31:05,156 --> 00:31:07,158
LISTEN, I KNOW
YOU DON'T BELIEVE ME
622
00:31:07,200 --> 00:31:09,035
ABOUT THE WEDDING PLANNER
THING,
623
00:31:09,077 --> 00:31:12,706
BUT I WAS JUST DISTRACTED WITH
THE PROTEST AND EVERYTHING.
624
00:31:12,747 --> 00:31:15,125
- THIS ISN'T ABOUT US.
625
00:31:15,166 --> 00:31:17,794
MATT,
YOUR FATHER'S VERY SICK.
626
00:31:17,836 --> 00:31:19,713
- WHAT IS IT?
- THEY DON'T KNOW FOR SURE.
627
00:31:19,754 --> 00:31:21,381
HE'S GOING IN
FOR TESTS TOMORROW.
628
00:31:21,423 --> 00:31:23,216
YOU NEED TO BE THERE.
629
00:31:23,258 --> 00:31:24,551
- IS IT CANCER?
630
00:31:24,592 --> 00:31:26,136
- THEY'RE NOT SURE.
631
00:31:26,177 --> 00:31:31,016
- UH, YOU DROVE ALL THE WAY DOWN
HERE TO TELL ME THAT?
632
00:31:31,057 --> 00:31:32,892
- YOUR DAD CALLED ME.
633
00:31:32,934 --> 00:31:34,161
HE COULDN'T GET YOU
AND I COULDN'T EITHER.
634
00:31:34,185 --> 00:31:36,730
- OH, JEEZ,
I FORGOT TO CALL HIM.
635
00:31:36,771 --> 00:31:38,690
- OH.
- HI.
636
00:31:38,732 --> 00:31:40,900
- DELANA CALHOUN.
- TREY HALL.
637
00:31:40,942 --> 00:31:44,571
- I THOUGHT... THOUGHT YOU
WERE A HE.
638
00:31:44,612 --> 00:31:50,076
- YEAH, I GET THAT A LOT.
MUST BE MY MANLY PHYSIQUE.
639
00:31:51,619 --> 00:31:53,621
- I'M SORRY.
I'VE GOT TO GO.
640
00:31:53,663 --> 00:31:57,584
- WAIT, YOU JUST GOT HERE.
WE'VE GOT THINGS TO TALK ABOUT.
641
00:31:57,625 --> 00:32:00,045
- I CAN'T.
642
00:32:00,086 --> 00:32:02,172
- YEAH, THE MAN
WHO RAN THE STORE,
643
00:32:02,213 --> 00:32:05,258
ONE OF THE GRAND DRAGONS
OF THE ALABAMA KLAN.
644
00:32:05,300 --> 00:32:06,676
HE GOT CONVICTED
645
00:32:06,718 --> 00:32:08,487
OF CLUBBING A CIVIL RIGHTS
MARCHER IN MONTGOMERY.
646
00:32:08,511 --> 00:32:10,430
- WE'VE GOT A STORY.
- YEAH, WE'VE GOT A STORY.
647
00:32:10,472 --> 00:32:12,432
- BRAEFORD WATSON
WAS A BAD MAN.
648
00:32:12,474 --> 00:32:14,059
- WHERE IS HE NOW?
649
00:32:14,100 --> 00:32:16,102
- BURNIN' WITH THE DEVIL,
I IMAGINE.
650
00:32:16,144 --> 00:32:21,107
HE PASSED YEARS AGO.
651
00:32:21,149 --> 00:32:23,943
- OKAY,
THERE'S UNREST IN AMOS.
652
00:32:23,985 --> 00:32:26,029
SOMEBODY THROWS A FIREBOMB
AT THE STORE.
653
00:32:26,071 --> 00:32:28,156
IT DOES NOT BURN DOWN.
654
00:32:28,198 --> 00:32:33,244
WATSON'S NOT TAKING ANY CHANCES.
HE SPENDS THE NIGHT THERE.
655
00:32:33,286 --> 00:32:36,081
- WHERE?
- IN THE BACK ROOM.
656
00:32:36,122 --> 00:32:38,249
YOU PAYING ATTENTION?
- SORRY.
657
00:32:38,291 --> 00:32:43,129
- ANYWAY, MAYBE IT WAS WALLACE
WHO THREW THE FIREBOMB
658
00:32:43,171 --> 00:32:45,173
AND NOW HE'S COMING BACK
FOR ANOTHER TRY.
659
00:32:45,215 --> 00:32:49,135
OR MAYBE HE'S JUST
A SCHOOL KID ON THE WAY HOME.
660
00:32:49,177 --> 00:32:53,640
WATSON DECIDES TO SHOOT FIRST,
ASK QUESTIONS LATER.
661
00:32:53,682 --> 00:32:55,975
- ONLY ONE PROBLEM.
- WHAT?
662
00:32:56,017 --> 00:32:59,270
- IT'S ALL CIRCUMSTANTIAL.
NO WITNESSES.
663
00:32:59,312 --> 00:33:02,232
WATSON'S DEAD. NO ONE EVER
INTERVIEWED HIM.
664
00:33:02,273 --> 00:33:04,484
- WELL, THAT'S OUR STORY.
665
00:33:04,526 --> 00:33:09,656
AUTHORITIES IGNORED AN OBVIOUS
SUSPECT IN THE KILLING.
666
00:33:09,698 --> 00:33:12,158
- POLICE INVESTIGATING THE
KILLING OF A BLACK TEENAGER
667
00:33:12,200 --> 00:33:14,244
NEVER QUESTIONED
A POTENTIAL SUSPECT.
668
00:33:14,285 --> 00:33:17,163
- OKAY, MAKE IT "FAILED TO
QUESTION." IT'S STRONGER.
669
00:33:17,205 --> 00:33:23,128
- OKAY, "FAILED TO QUESTION
A POTENTIAL SUSPECT,
670
00:33:23,169 --> 00:33:25,922
"A KLAN MEMBER WHO OPERATED
A STORE NEAR THE SHOOTING
671
00:33:25,964 --> 00:33:28,192
AND WHO HAD PREVIOUSLY BEEN
CONVICTED OF RACIAL VIOLENCE."
672
00:33:28,216 --> 00:33:29,592
- NOT "NEAR THE SHOOTING."
673
00:33:29,926 --> 00:33:31,446
MAKE IT "NEAR THE SCENE
OF THE MURDER."
674
00:33:32,637 --> 00:33:34,156
WHAT ARE YOU DOING HERE?
YOU SHOULD BE WITH YOUR DADDY.
675
00:33:34,180 --> 00:33:34,973
- IN A MINUTE. HANG ON.
JUST HANG ON A SECOND.
676
00:33:35,015 --> 00:33:36,182
- LET'S SEE HOW YOU COWBOYS
677
00:33:36,224 --> 00:33:40,186
HAVE BEEN SPENDING
THE STOCKHOLDERS' MONEY.
678
00:33:40,228 --> 00:33:43,023
WELL, I'M NOT
BOOKIN' MY TICKET
679
00:33:43,064 --> 00:33:44,524
TO THE PULITZER PRIZE
CEREMONY YET,
680
00:33:44,566 --> 00:33:46,026
BUT IT'S A START.
681
00:33:46,067 --> 00:33:50,030
FIX THE LEAD. MAKE IT, "NEVER
BOTHERED TO INVESTIGATE."
682
00:33:50,071 --> 00:33:51,531
AND THE
FOURTH PARAGRAPH'S WEAK.
683
00:33:51,573 --> 00:33:54,534
YOU'VE GOT ALL THE FACTS,
BUT THERE'S NO OUTRAGE.
684
00:33:54,576 --> 00:33:58,830
A 15-YEAR-OLD IS DEAD.
THE COPS DON'T CARE.
685
00:34:01,666 --> 00:34:03,293
- "ALMOST 20 YEARS LATER,
686
00:34:03,335 --> 00:34:06,004
"THE CRIME REMAINS
UNINVESTIGATED,
687
00:34:06,046 --> 00:34:08,548
UNSOLVED, AND UNPUNISHED."
688
00:34:08,590 --> 00:34:10,633
- ARE YOU GONNA PITCH IT
FOR THE FRONT PAGE?
689
00:34:10,675 --> 00:34:13,261
- ALREADY DID.
690
00:34:16,264 --> 00:34:19,267
- AMOS, ALA-FRICKIN'-BAMA?
691
00:34:19,309 --> 00:34:22,228
THE NAME OF THE PAPER
IS THE NASHVILLE TIMES,
692
00:34:22,270 --> 00:34:24,147
AND OUR COMPETITION'S
CRAIGSLIST,
693
00:34:24,189 --> 00:34:26,483
NOT THE WASHINGTON POST.
694
00:34:26,524 --> 00:34:27,692
HOW LONG DID WE SPEND
ON THIS?
695
00:34:27,734 --> 00:34:29,069
- A COUPLE DAYS.
696
00:34:29,110 --> 00:34:31,196
- A COUPLE OF DAYS?
TWO REPORTERS?
697
00:34:31,237 --> 00:34:32,864
WAKE UP, PEOPLE!
698
00:34:32,906 --> 00:34:34,991
WE ARE LOSING
ADVERTISERS EVERY DAY!
699
00:34:35,033 --> 00:34:38,036
WE NEED TO WRITE ABOUT STUFF
THAT MATTERS TO NASHVILLIANS.
700
00:34:38,078 --> 00:34:40,830
- THIS IS A HECK OF A STORY,
ALL RIGHT?
701
00:34:40,872 --> 00:34:42,832
IT'LL MATTER TO OUR READERS.
702
00:34:42,874 --> 00:34:45,043
- WELL,
YOU'D BETTER BE RIGHT.
703
00:34:45,085 --> 00:34:49,589
[cell phone ringtone]
704
00:34:49,631 --> 00:34:53,760
- HEY, TREY.
705
00:34:53,802 --> 00:34:55,553
LET ME PUT YOU ON SPEAKER.
706
00:34:55,595 --> 00:34:57,847
- I JUST FOUND ANOTHER
POLICE REPORT.
707
00:34:57,889 --> 00:34:59,265
RIGHT AFTER THE FIREBOMB,
708
00:34:59,307 --> 00:35:01,601
BRAEFORD WATSON
SUFFERED A HEART ATTACK.
709
00:35:01,643 --> 00:35:03,520
HE WAS IN THE HOSPITAL
WHEN WALLACE WAS SHOT.
710
00:35:03,561 --> 00:35:04,854
- PERFECT ALIBI.
711
00:35:04,896 --> 00:35:06,314
- STORY'S DEAD.
712
00:35:06,356 --> 00:35:09,359
- DEADER THAN AN ARMADILLO
ON A TRUCK STOP EXIT RAMP.
713
00:35:09,401 --> 00:35:12,445
- TREY, HOLD ON. LET ME
CALL YOU RIGHT BACK.
714
00:35:12,487 --> 00:35:13,613
HEY.
715
00:35:13,655 --> 00:35:14,614
- ARE YOU SITTING DOWN?
716
00:35:14,656 --> 00:35:16,449
- UH, YEAH.
717
00:35:16,491 --> 00:35:18,618
- MATT, I'M SORRY,
IT IS CANCER.
718
00:35:18,660 --> 00:35:21,871
MULTIPLE MYELOMA.
719
00:35:21,913 --> 00:35:23,039
- [sighs]
720
00:35:23,081 --> 00:35:24,457
WILL YOU GO WITH ME?
721
00:35:24,499 --> 00:35:26,501
- OF COURSE.
722
00:35:28,545 --> 00:35:30,797
YOU DIDN'T TELL ME
TREY HALL WAS A WOMAN.
723
00:35:30,839 --> 00:35:32,382
- DOES IT MATTER?
724
00:35:32,424 --> 00:35:34,300
- I DON'T KNOW, DOES IT?
725
00:35:34,342 --> 00:35:35,927
- WHAT ARE YOU SAYING?
726
00:35:35,969 --> 00:35:39,264
- WOULD YOU BE CHASING
THIS STORY ALL OVER ALABAMA
727
00:35:39,305 --> 00:35:40,932
IF TREY HALL WAS A GUY?
728
00:35:40,974 --> 00:35:42,434
- THANKS A LOT.
729
00:35:42,475 --> 00:35:45,687
- WELL, MATT, WHAT ELSE
HAVEN'T YOU TOLD ME?
730
00:35:45,729 --> 00:35:49,149
- I HAVEN'T TOLD MY DAD
WE'RE NOT GETTING MARRIED.
731
00:35:49,190 --> 00:35:50,984
- WHAT?
732
00:35:51,026 --> 00:35:52,318
- I SHOULD HAVE.
733
00:35:52,360 --> 00:35:54,279
- MATT, HOW DOES THIS
NOT COME UP?
734
00:35:54,320 --> 00:35:55,655
- I HAVEN'T SPOKEN TO HIM.
735
00:35:55,697 --> 00:35:58,533
- YOU WOULD HAVE
IF IT WAS IMPORTANT.
736
00:36:01,453 --> 00:36:04,664
- WELL, ARE WE GONNA EAT OUT
HERE OR ARE YOU TWO COMING IN?
737
00:36:04,706 --> 00:36:06,332
- HOW ARE YOU DOING?
738
00:36:06,374 --> 00:36:09,419
- FINE, THANKS.
TRANSFUSION HELPED.
739
00:36:09,461 --> 00:36:11,338
I START CHEMO TOMORROW.
YOU LOOK BEAUTIFUL.
740
00:36:11,379 --> 00:36:12,898
- HOW LONG DO YOU HAVE
TO DO CHEMO FOR?
741
00:36:12,922 --> 00:36:15,258
- YOU MEAN, "FOR HOW LONG
DO I HAVE TO DO CHEMO?"
742
00:36:15,300 --> 00:36:17,344
TO PARAPHRASE
WINSTON CHURCHILL,
743
00:36:17,385 --> 00:36:19,179
"ENDING A SENTENCE
WITH A PREPOSITION
744
00:36:19,220 --> 00:36:22,974
IS A PRACTICE UP
WITH WHICH I WILL NOT PUT."
745
00:36:23,016 --> 00:36:24,100
- [laughs]
746
00:36:24,142 --> 00:36:26,353
- COME ON IN, MATTY.
747
00:36:26,394 --> 00:36:28,646
SO WITHOUT THIS BRAEFORD WATSON
IN THE PICTURE,
748
00:36:28,688 --> 00:36:31,358
YOU'RE NO CLOSER TO
GETTING YOUR STORY
749
00:36:31,399 --> 00:36:35,028
THAN YOU WERE
WHEN YOU STARTED OUT.
750
00:36:35,070 --> 00:36:36,780
- YEAH.
751
00:36:36,821 --> 00:36:38,948
- HMM.
752
00:36:38,990 --> 00:36:41,701
- TELL US ABOUT
YOUR TREATMENT.
753
00:36:41,743 --> 00:36:43,536
- [groans]
754
00:36:43,578 --> 00:36:45,038
OKAY.
755
00:36:45,080 --> 00:36:47,499
UH, THERE'S
THESE TUBES HERE.
756
00:36:47,540 --> 00:36:51,044
THEY GO RIGHT INTO
MY CIRCULATORY SYSTEM.
757
00:36:51,086 --> 00:36:55,507
UH, CHEMO GOES IN.
NO NEEDLES. PRETTY NEAT.
758
00:36:55,548 --> 00:36:57,884
I'LL HAVE IT DONE ON FRIDAYS,
759
00:36:57,926 --> 00:37:00,679
AND THEN I SHOULD BE READY TO
WORK ON MY COLUMN BY MONDAYS.
760
00:37:00,720 --> 00:37:04,974
- YOU SCHEDULED SO YOU CAN
BE SICK AT HOME
761
00:37:05,016 --> 00:37:06,309
BUT BE WELL TO WORK?
762
00:37:06,351 --> 00:37:08,645
- HOME LIFE'S OVERRATED.
763
00:37:08,687 --> 00:37:12,941
- IT ALWAYS WAS.
THE WORLD'S MORE IMPORTANT.
764
00:37:15,777 --> 00:37:20,240
I JUST, UH, DON'T SEE HOW YOU
CAN BE SO PHILOSOPHICAL.
765
00:37:20,281 --> 00:37:23,618
- HERE'S WHAT I THINK ABOUT...
766
00:37:23,660 --> 00:37:26,538
IF I DIED TODAY,
HOW WOULD MY OBIT READ?
767
00:37:26,579 --> 00:37:31,084
LONG OR SHORT?
FRONT PAGE OR BURIED INSIDE?
768
00:37:31,126 --> 00:37:33,503
ABOVE THE FOLD?
BELOW THE FOLD?
769
00:37:33,545 --> 00:37:37,590
WOULD THEY REMEMBER
MY PREFERRED EPITAPH?
770
00:37:37,632 --> 00:37:39,759
- YOU WERE A FOOL
FOR THE TRUTH?
771
00:37:39,801 --> 00:37:46,516
- YEAH, EXACTLY.
772
00:37:46,558 --> 00:37:49,436
I THINK IF I DIED RIGHT NOW,
IT'D MAKE A PRETTY GOOD STORY.
773
00:37:49,477 --> 00:37:51,354
- FINE FOR YOU.
WHAT ABOUT ME?
774
00:37:51,396 --> 00:37:54,107
I HATE THAT YOU'RE SICK.
775
00:37:54,149 --> 00:37:56,484
- SON, I HAPPEN TO HAVE
776
00:37:56,526 --> 00:37:58,778
A PARTICULARLY AGGRESSIVE FORM
OF CANCER,
777
00:37:58,820 --> 00:38:00,989
BUT WE'RE ALL DYING
OF SOMETHING.
778
00:38:01,031 --> 00:38:05,869
THEY PUSH THE DEATH RATE DOWN
FOR THIS, IT GOES UP FOR THAT.
779
00:38:05,910 --> 00:38:11,875
IT'S A ZERO SUM GAME.
NO ONE GETS OUT ALIVE.
780
00:38:11,916 --> 00:38:15,962
- I CAN'T BELIEVE YOU TALKED
THAT WAY TO YOUR FATHER.
781
00:38:16,004 --> 00:38:18,465
YOU'RE MORE WORRIED ABOUT
YOUR FEELINGS THAN HIS.
782
00:38:18,506 --> 00:38:20,383
- AT LEAST I HAVE FEELINGS.
783
00:38:20,425 --> 00:38:22,594
- HE'S A WONDERFUL MAN.
A WONDERFUL, VERY SICK MAN.
784
00:38:22,635 --> 00:38:24,429
- LET ME TELL YOU SOMETHING
ABOUT MY FATHER.
785
00:38:24,471 --> 00:38:26,973
IF HE'S EVER SAID "I LOVE YOU,"
I DON'T REMEMBER IT.
786
00:38:27,015 --> 00:38:28,475
- I DON'T BELIEVE THAT.
787
00:38:28,516 --> 00:38:30,393
- I'M NOT KIDDING.
788
00:38:30,435 --> 00:38:31,978
I'VE PLAYED THIS GAME
789
00:38:32,395 --> 00:38:34,981
WHERE I TRY TO SEE
IF I CAN MAKE HIM SAY IT.
790
00:38:35,023 --> 00:38:39,319
I'VE NEVER WON.
791
00:38:39,361 --> 00:38:41,696
WE'VE GOT TO GET
BACK DOWN THERE.
792
00:38:41,738 --> 00:38:43,656
ALL WE NEED
IS A COUPLE MORE DAYS.
793
00:38:43,698 --> 00:38:45,992
WE'VE GOT TO FIND OUT
WHO OWNS THE STORE,
794
00:38:46,034 --> 00:38:47,452
AND WE HAVEN'T EVEN TALKED TO
795
00:38:47,494 --> 00:38:49,245
WALLACE'S GIRLFRIEND
VANESSA BROWN YET.
796
00:38:49,287 --> 00:38:51,414
- I DON'T THINK WALKER
WILL BUY IT,
797
00:38:51,456 --> 00:38:54,334
AND OUR CREDIBILITY ISN'T
EXACTLY AT A HIGH POINT.
798
00:38:54,376 --> 00:38:57,337
- WELL, WHO SAYS WE NEED TO ASK
WALKER'S PERMISSION?
799
00:38:57,379 --> 00:38:59,005
WE COULD DO IT
IN A SERIES OF TRIPS.
800
00:38:59,047 --> 00:39:01,591
IF WE GET THE STORY, NOBODY'S
GONNA CARE HOW WE DID IT.
801
00:39:08,556 --> 00:39:11,976
- I'LL PICK YOU UP AT 6:00.
802
00:39:13,645 --> 00:39:15,105
- SORRY TO BOTHER YOU,
803
00:39:15,313 --> 00:39:16,874
BUT WE NEED TO ASK YOU
SOME MORE QUESTIONS.
804
00:39:16,898 --> 00:39:18,858
- I TOLD YOU ABOUT
THE NIGHT IT HAPPENED.
805
00:39:18,900 --> 00:39:21,611
- YEAH, BUT WE NEED TO
MAKE SURE WE KNOW EVERYTHING.
806
00:39:21,653 --> 00:39:24,614
THAT'S EVEN THINGS THAT YOU
MIGHT NOT THINK ARE IMPORTANT.
807
00:39:24,656 --> 00:39:29,536
- I HAVE TO LIVE HERE.
YOU TWO GET TO LEAVE.
808
00:39:29,577 --> 00:39:33,206
- YOU CAN TRUST ME.
ASK ANYONE WHO KNOWS ME.
809
00:39:33,248 --> 00:39:38,586
- I DON'T KNOW
ANYONE WHO KNOWS YOU.
810
00:39:40,588 --> 00:39:43,967
- YOUR TIMING SUCKS.
MY PORCELAIN CRACKED.
811
00:39:44,009 --> 00:39:48,680
I GOT A HORRIBLE REVIEW.
OH, YEAH, I ALMOST FORGOT.
812
00:39:48,722 --> 00:39:51,474
YOU GOT COLD FEET THREE MONTHS
BEFORE OUR WEDDING.
813
00:39:51,516 --> 00:39:53,351
NOW YOU WANT ME TO DROP
EVERYTHING
814
00:39:53,393 --> 00:39:54,853
AND HELP YOU
WITH A RELUCTANT SOURCE?
815
00:39:54,894 --> 00:39:57,230
- YOU'RE TRAINED TO GET PEOPLE
TO OPEN UP TO YOU.
816
00:39:57,272 --> 00:39:58,356
YOU'RE GOOD AT IT.
817
00:39:58,398 --> 00:40:00,233
- THAT WAS MY OLD LIFE.
818
00:40:00,275 --> 00:40:03,695
NOW I SLING MUD.
IT DOESN'T TALK BACK.
819
00:40:03,737 --> 00:40:07,157
NO CODEPENDENCY ISSUES,
NO ENABLING ISSUES, NOTHING.
820
00:40:07,198 --> 00:40:10,577
- PLEASE, DELANA?
821
00:40:10,618 --> 00:40:14,164
- WHY DOESN'T TREY
TALK TO HER?
822
00:40:14,205 --> 00:40:17,667
- TREY TRIED. I JUST... I THINK
THERE ARE SOME THINGS
823
00:40:17,709 --> 00:40:19,353
MARY PELL IS NOT COMFORTABLE
TALKING TO HER ABOUT.
824
00:40:19,377 --> 00:40:20,754
TREY'S LIKE HER CHILD.
825
00:40:20,795 --> 00:40:25,550
AT LEAST CONVINCE MARY PELL
THAT SHE CAN TRUST ME.
826
00:40:26,634 --> 00:40:29,262
DELANA,
MY JOB'S ON THE LINE.
827
00:40:29,304 --> 00:40:32,932
- WHICH MATTERS TO ME
EXACTLY WHY?
828
00:40:37,896 --> 00:40:43,735
I'LL HELP,
BUT NOT BECAUSE OF YOU.
829
00:40:43,777 --> 00:40:46,905
I'LL DO IT FOR MARY PELL.
830
00:40:48,990 --> 00:40:52,202
- MY SANCTUARY.
831
00:40:52,243 --> 00:40:54,621
- THAT'S HOW I FEEL
ABOUT MY STUDIO.
832
00:40:54,662 --> 00:40:56,998
- NO ONE BOTHERS ME HERE.
833
00:41:06,091 --> 00:41:09,469
- MARY PELL, I KNOW
IT MUST BE HARD FOR YOU,
834
00:41:09,511 --> 00:41:11,596
BUT MAY I ASK YOU
SOME QUESTIONS?
835
00:41:11,638 --> 00:41:15,058
- YOU CAN ASK.
836
00:41:15,100 --> 00:41:18,103
- I UNDERSTAND BRAEFORD WATSON
WAS IN THE KLAN.
837
00:41:18,144 --> 00:41:20,730
IS THAT WHY SOMEONE THREW
A FIREBOMB AT HIS STORE?
838
00:41:20,772 --> 00:41:26,778
- EVERYONE KNEW BRAEFORD WATSON
WAS A KLUXER,
839
00:41:26,820 --> 00:41:29,114
PLUS HE CHARGED TWICE WHAT HE
SHOULD HAVE FOR EVERYTHING.
840
00:41:29,155 --> 00:41:36,037
BUT THAT'S NOT
WHY THE STORE WAS FIREBOMBED.
841
00:41:40,000 --> 00:41:42,293
- HEY, GUYS.
- HOW ARE YOU DOING?
842
00:41:42,335 --> 00:41:46,881
- I FORGOT PATTY HAS FRIDAYS
OFF, BUT THE DOOR WAS OPEN.
843
00:41:46,923 --> 00:41:48,425
- WHAT IS THIS?
844
00:41:48,466 --> 00:41:49,944
- I'VE BEEN COLLECTING
PLANT SPECIMENS.
845
00:41:49,968 --> 00:41:52,345
THAT ONE'S CALLED
CNIDOSCOLUS STIMULOSUS.
846
00:41:52,387 --> 00:41:54,264
- CNIDOSCOLUS STIMULOSUS.
847
00:41:54,305 --> 00:41:55,974
- [laughs]
A NATURAL APHRODISIAC.
848
00:41:56,016 --> 00:41:58,643
COUNTRY PEOPLE CALL IT
"THE COURAGE PLANT."
849
00:41:58,685 --> 00:42:01,646
- FREEZE. Y'ALL KEEP YOUR HANDS
UP WHERE I CAN SEE 'EM.
850
00:42:01,688 --> 00:42:05,483
UP. NOW, JUST WHAT DO YOU
THINK YOU'RE DOING?
851
00:42:05,525 --> 00:42:07,044
- WE'RE LOOKING AT
REAL ESTATE RECORDS.
852
00:42:07,068 --> 00:42:09,487
JUST PUT THE GUN DOWN.
- HOLD IT.
853
00:42:09,529 --> 00:42:12,532
NOW, YOU'RE ALL UNDER ARREST.
- FOR WHAT?
854
00:42:12,574 --> 00:42:16,202
- FOR ATTEMPTED THEFT OF
GOVERNMENT PROPERTY.
855
00:42:16,244 --> 00:42:18,246
- THAT'S CRAZY.
856
00:42:18,288 --> 00:42:22,709
THIS IS ALL PUBLIC RECORD, SO
YOU CAN'T STEAL WHAT YOU OWN.
857
00:42:22,751 --> 00:42:26,338
- OLEN, NO HARM'S BEEN DONE.
858
00:42:26,379 --> 00:42:28,757
WHY DON'T WE JUST COME BACK
WHEN MISS PATTY'S HERE?
859
00:42:28,798 --> 00:42:30,383
- MM-MM, THAT'S UP TO
JUDGE BUCHANAN.
860
00:42:30,425 --> 00:42:32,427
HE'LL BE IN AFTER LUNCH.
861
00:42:32,469 --> 00:42:36,848
- MR. BULLOCK AND I HAVE TO BE
BACK IN NASHVILLE BY 3:00.
862
00:42:36,890 --> 00:42:38,576
- UH-HUH, WELL, YOU SHOULD HAVE
THOUGHT ABOUT THAT
863
00:42:38,600 --> 00:42:40,352
BEFORE YOU BROKE IN.
864
00:42:40,393 --> 00:42:42,270
- WE DIDN'T BREAK IN.
IT WAS OPEN.
865
00:42:44,439 --> 00:42:47,233
- OH.
866
00:42:47,275 --> 00:42:49,778
- OLEN, PLEASE,
LOWER THE GUN.
867
00:42:49,819 --> 00:42:51,571
I PROMISE,
WE WON'T GO ANYWHERE
868
00:42:51,613 --> 00:42:53,239
UNTIL JUDGE BUCHANAN
SHOWS UP.
869
00:42:53,281 --> 00:42:56,659
WHY DON'T I MAKE US SOME COFFEE
WHILE WE WAIT.
870
00:42:56,701 --> 00:43:00,663
- YOU CAN POUR A CUP FOR ME.
- OKAY.
871
00:43:07,504 --> 00:43:11,758
- BRAEFORD WATSON STARTED
RUNNING GIRLS OUT OF THE STORE
872
00:43:11,800 --> 00:43:14,427
FROM A ROOM IN BACK.
873
00:43:14,469 --> 00:43:17,764
WORKERS
FROM THE NUCLEAR PLANT
874
00:43:17,806 --> 00:43:21,101
WERE THE MAIN CUSTOMERS.
875
00:43:21,142 --> 00:43:24,104
THE WORKERS WERE WHITE.
876
00:43:24,145 --> 00:43:27,148
THE GIRLS WERE BLACK.
877
00:43:28,733 --> 00:43:32,070
THE BLACK COMMUNITY HATED
WHAT WAS GOING ON.
878
00:43:32,112 --> 00:43:36,783
- MATT AND BULLOCK WILL
WANT TO KNOW HOW YOU KNOW.
879
00:43:43,915 --> 00:43:46,334
- MY DAUGHTER WORKED THERE.
880
00:43:47,752 --> 00:43:51,464
SHE WAS AN ADDICT.
881
00:43:51,506 --> 00:43:55,051
ALWAYS NEEDED MONEY.
882
00:43:55,093 --> 00:43:58,138
SHE'S DEAD NOW.
883
00:43:58,179 --> 00:44:01,808
- OH, MARY PELL.
884
00:44:01,850 --> 00:44:04,894
YOU CARRY SO MUCH PAIN.
885
00:44:07,355 --> 00:44:10,692
- I CARRY A LOT.
886
00:44:12,986 --> 00:44:15,905
- MARY PELL, DO YOU KNOW
WHO COULD HAVE SHOT WALLACE?
887
00:44:17,157 --> 00:44:20,618
- DON'T KNOW ANYTHING
ABOUT WHO SHOT WALLACE.
888
00:44:20,660 --> 00:44:22,579
- DID WALLACE
THROW THE FIREBOMB?
889
00:44:22,620 --> 00:44:25,582
- NO!
890
00:44:25,623 --> 00:44:28,460
- DO YOU HAVE ANY IDEA
WHO DID?
891
00:44:28,501 --> 00:44:32,505
- MARY PELL, WHERE ARE YOU?
892
00:44:32,547 --> 00:44:34,341
- COMING, MR. HALL.
893
00:44:34,382 --> 00:44:37,761
[sighs]
894
00:44:37,802 --> 00:44:41,389
I'VE TOLD YOU
EVERYTHING I CAN.
895
00:44:52,067 --> 00:44:55,153
- [sighs]
896
00:44:55,195 --> 00:44:58,531
UH...
897
00:44:58,573 --> 00:45:00,700
Y'ALL GET IN THERE.
898
00:45:00,742 --> 00:45:01,826
- WHAT DO YOU MEAN?
899
00:45:01,868 --> 00:45:02,911
- GET IN THE CLOSET.
900
00:45:02,952 --> 00:45:04,371
- JUST DO AS HE SAYS.
901
00:45:04,412 --> 00:45:05,622
- GET IN THERE.
COME ON.
902
00:45:05,663 --> 00:45:07,040
- ALL RIGHT, ALL RIGHT,
ALL RIGHT.
903
00:45:07,082 --> 00:45:08,041
- MOVE.
904
00:45:08,083 --> 00:45:08,833
- ALL RIGHT.
905
00:45:08,875 --> 00:45:12,545
- MOVE.
- I'M GOING.
906
00:45:12,587 --> 00:45:14,422
- GO ON.
907
00:45:18,426 --> 00:45:21,304
[groans]
908
00:45:21,346 --> 00:45:22,555
[thud]
909
00:45:22,597 --> 00:45:23,932
- MISSION ACCOMPLISHED.
910
00:45:23,973 --> 00:45:26,685
LADY'S SLIPPER, A MEMBER
OF THE ORCHID FAMILY,
911
00:45:26,726 --> 00:45:28,395
A NATURAL SEDATIVE.
912
00:45:28,436 --> 00:45:29,854
I BREWED IT IN HIS COFFEE.
913
00:45:29,896 --> 00:45:32,941
- COOL.
LET'S GET OUT OF HERE.
914
00:45:35,193 --> 00:45:37,320
[grunts]
915
00:45:37,362 --> 00:45:38,655
HELP ME OUT, WILL YOU, PAL?
916
00:45:38,697 --> 00:45:39,739
- YEAH.
917
00:45:39,781 --> 00:45:41,199
- [grunts]
918
00:45:41,241 --> 00:45:45,495
OKAY, TIME FOR LITTLE HENRY.
HERE WE GO.
919
00:45:45,537 --> 00:45:48,665
- UH...
920
00:45:48,707 --> 00:45:50,291
OKAY.
921
00:45:50,333 --> 00:45:52,228
- IT'S A DOUBLE SHOT, BUT I
GOT ONE BULLET IN HERE, SO...
922
00:45:52,252 --> 00:45:53,086
- HEADS UP.
923
00:45:53,128 --> 00:45:54,671
- ONE SHOT'S GOTTA DO IT.
924
00:45:54,713 --> 00:45:57,090
COME ON, LITTLE BUDDY.
925
00:45:57,132 --> 00:45:59,134
[gunshot]
926
00:45:59,175 --> 00:46:00,927
[laughs]
927
00:46:00,969 --> 00:46:05,348
AND YOU THOUGHT THIS WOULDN'T
COME IN HANDY.
928
00:46:05,390 --> 00:46:07,392
[laughs]
929
00:46:12,814 --> 00:46:14,566
- HEY, BULLOCK,
YOU GOT A 20?
930
00:46:14,607 --> 00:46:15,984
- YEAH.
931
00:46:16,026 --> 00:46:18,236
- DROP IT HERE, WOULD YOU?
932
00:46:21,614 --> 00:46:24,034
LET'S GET DELANA AND ROLL.
933
00:46:27,912 --> 00:46:30,165
- FREE AT LAST!
934
00:46:30,206 --> 00:46:32,042
- HOWDY, MEN.
935
00:46:32,083 --> 00:46:34,461
HAVE A LITTLE DUSTUP,
DID WE?
936
00:46:34,502 --> 00:46:35,879
ANYBODY FACING A FELONY?
937
00:46:35,920 --> 00:46:37,630
- NO, IT'S
A MISUNDERSTANDING.
938
00:46:37,672 --> 00:46:38,798
- YOU WERE BACK IN ALABAMA!
939
00:46:38,840 --> 00:46:41,009
- WE WERE ON OUR OWN TIME.
940
00:46:41,051 --> 00:46:42,635
- DO YOU KNOW
HOW MANY SUBSCRIBERS
941
00:46:42,677 --> 00:46:45,263
WE HAVE IN AMOS, ALABAMA?
942
00:46:45,305 --> 00:46:47,182
ZERO!
943
00:46:47,223 --> 00:46:49,893
LOOK, I KNOW Y'ALL CALL ME
BAXTER THE AXTER,
944
00:46:49,934 --> 00:46:51,394
BUT THIS IS A WASTE
OF RESOURCES,
945
00:46:51,436 --> 00:46:54,481
REPORTERS WANDERING AROUND
ALABAMA, GETTING ARRESTED.
946
00:46:54,522 --> 00:46:56,399
- NOBODY GOT ARRESTED.
947
00:46:56,441 --> 00:46:58,318
IF YOU'RE GONNA BE
INVOLVED IN JOURNALISM,
948
00:46:58,360 --> 00:46:59,903
GET YOUR FACTS RIGHT.
949
00:46:59,944 --> 00:47:01,988
- THEN
WHAT ARE THE FACTS?
950
00:47:02,030 --> 00:47:04,282
- THE FACT IS,
WE WERE IN AMOS,
951
00:47:04,324 --> 00:47:07,202
DOING INVESTIGATIVE REPORTING
ON OUR OWN TIME
952
00:47:07,243 --> 00:47:10,080
BECAUSE THE NASHVILLE TIMES
IS UNWILLING TO.
953
00:47:11,873 --> 00:47:13,583
- IT MADE YOU LATE.
954
00:47:13,625 --> 00:47:17,087
- YOU'RE RIGHT. I'LL PUT IN
AN EXTRA HOUR THE DAY I RETIRE.
955
00:47:17,128 --> 00:47:19,506
- I COMMAND YOU TO END
YOUR CEASELESS THRALL
956
00:47:19,547 --> 00:47:21,091
WITH WALLACE SAMPSON!
957
00:47:21,132 --> 00:47:24,260
- YOU CAN COMMAND OUR HOURS
AND OUR ASSIGNMENTS
958
00:47:24,302 --> 00:47:25,845
AND WHAT GOES
IN OUR PAYCHECKS,
959
00:47:25,887 --> 00:47:27,472
BUT AS LONG AS
IT'S ON MY TIME,
960
00:47:27,514 --> 00:47:31,518
I, NOT YOU, WILL DECIDE
WHEN I END MY CEASELESS THRALL!
961
00:47:31,559 --> 00:47:34,437
- [exhales]
962
00:47:34,479 --> 00:47:36,231
- WOW.
963
00:47:36,272 --> 00:47:37,315
LOOK AT YOU.
964
00:47:37,357 --> 00:47:38,525
[door slams]
965
00:47:38,566 --> 00:47:39,609
[applause]
966
00:47:39,651 --> 00:47:41,319
- YEAH!
- WHOO!
967
00:47:41,361 --> 00:47:42,987
[applause]
968
00:47:43,029 --> 00:47:44,614
- SPECTACULAR.
969
00:47:44,656 --> 00:47:46,991
I'VE SEEN PUBLISHERS
TOLD OFF BEFORE,
970
00:47:47,033 --> 00:47:48,302
BUT I'VE NEVER
SEEN IT DONE BETTER.
971
00:47:48,326 --> 00:47:49,452
- SORRY, WALKER.
972
00:47:49,494 --> 00:47:53,456
- MATT, DISAPPEAR
FOR A COUPLE DAYS, OKAY?
973
00:47:53,498 --> 00:47:54,958
VISIT YOUR FATHER.
974
00:47:55,000 --> 00:47:58,586
BUT PUT AMOS ON HOLD,
AT LEAST FOR A WHILE.
975
00:48:09,723 --> 00:48:12,726
- HEY.
- HEY.
976
00:48:12,767 --> 00:48:14,686
OH, SORRY.
977
00:48:14,728 --> 00:48:17,272
- STUFF REALLY ZAPS YOU,
HUH?
978
00:48:17,313 --> 00:48:23,153
- AH, NOT SO BAD.
I GO TO RADIATION AFTER THIS.
979
00:48:23,194 --> 00:48:27,282
IT'S NO SWEAT.
- WELL, IT'S GOOD TO SEE YOU.
980
00:48:27,323 --> 00:48:32,871
- NICE OF YOU TO COME.
I ACTUALLY NEED YOUR HELP.
981
00:48:32,912 --> 00:48:35,331
THE PAPER WANTS TO RUN
A STORY ABOUT ME.
982
00:48:35,373 --> 00:48:38,752
I WANT YOU TO
TALK THEM OUT OF IT.
983
00:48:38,793 --> 00:48:40,420
- WHY?
984
00:48:40,462 --> 00:48:41,755
- 'CAUSE THE HOOK
985
00:48:41,796 --> 00:48:44,924
IS GONNA BE
THIS MULTIPLE MYELOMA,
986
00:48:44,966 --> 00:48:48,011
AND THEY'RE GONNA MAKE IT
SOUND LIKE I'M DYING.
987
00:48:48,053 --> 00:48:51,598
I'M NOT,
SO THERE'S NO STORY.
988
00:48:51,639 --> 00:48:56,227
I'M GONNA BEAT THIS THING.
989
00:48:56,269 --> 00:48:59,606
PLEASE, MATTY.
I NEED YOUR HELP.
990
00:48:59,647 --> 00:49:03,318
- I'LL SEE WHAT I CAN DO.
991
00:49:05,945 --> 00:49:07,322
IT'S AMAZING
I STILL HAVE A JOB.
992
00:49:07,364 --> 00:49:09,282
- BECAUSE THE FIGHT
WAS PUBLIC.
993
00:49:09,324 --> 00:49:11,576
BAXTER CAN'T FIRE YOU
OVER A DISCUSSION
994
00:49:11,618 --> 00:49:15,872
ABOUT JOURNALISTIC DIFFERENCES
WITHOUT LOOKING LIKE A JERK,
995
00:49:15,914 --> 00:49:18,249
BUT YOU'RE NOT
OUT OF THE WOODS YET.
996
00:49:18,291 --> 00:49:20,251
HE'LL FIND A WAY
TO MAKE IT TOUGH FOR YOU.
997
00:49:20,293 --> 00:49:22,962
- AH, I SHOULDN'T HAVE
DONE IT.
998
00:49:23,004 --> 00:49:27,801
- NOW, WAIT A MINUTE.
YOU BELIEVE IN YOUR STORY?
999
00:49:27,842 --> 00:49:29,469
- YEAH, OF COURSE.
1000
00:49:29,511 --> 00:49:31,680
IT'S IMPORTANT TO MARY PELL
AND A LOT OF PEOPLE IN AMOS
1001
00:49:31,721 --> 00:49:34,349
AND IT SHOULD BE TO PEOPLE
IN NASHVILLE AND MEMPHIS
1002
00:49:34,391 --> 00:49:37,811
AND DALLAS AND DENVER AND
SEATTLE AND NEW YORK TOO, YEAH.
1003
00:49:37,852 --> 00:49:42,524
- STICK WITH IT.
SCREW THE CONSEQUENCES.
1004
00:49:45,694 --> 00:49:48,196
BESIDES,
YOU DID THE RIGHT THING.
1005
00:49:50,281 --> 00:49:53,493
- BUT HOW DO WE
PURSUE IT NOW?
1006
00:49:53,535 --> 00:49:56,496
- WELL, BAXTER'S GOT
A THING FOR OBITS, RIGHT?
1007
00:49:56,538 --> 00:49:57,539
- YEAH, SURE DOES.
1008
00:49:57,580 --> 00:49:59,124
- ALL RIGHT.
1009
00:49:59,165 --> 00:50:01,102
YOU DON'T HAVE TO BE IN
NASHVILLE TO DO THAT, DO YOU?
1010
00:50:01,126 --> 00:50:03,253
- NO. THE DEAD DON'T
INTERVIEW WELL.
1011
00:50:03,294 --> 00:50:06,464
- EXACTLY. SO SET UP SHOP
IN AMOS,
1012
00:50:06,506 --> 00:50:10,135
REPORT YOUR STORY BY DAY,
DO THE OBITS AT NIGHT.
1013
00:50:10,176 --> 00:50:12,137
BAXTER PICKS UP THE PAPER,
1014
00:50:12,178 --> 00:50:15,265
HE SEES YOU AND BULLOCK'S NAME
WITH BYLINES...
1015
00:50:15,306 --> 00:50:19,477
OVER THE OBITUARIES, NO LESS...
AND HE'S HAPPY.
1016
00:50:19,519 --> 00:50:21,021
- IT MIGHT WORK.
1017
00:50:21,062 --> 00:50:25,817
ALL RIGHT.
LOVE YOU, DAD.
1018
00:50:25,859 --> 00:50:27,068
- TAKE CARE.
1019
00:50:29,738 --> 00:50:31,656
- SEE YA.
1020
00:50:34,701 --> 00:50:35,869
WHAT'D YOU SAY TO BAXTER?
1021
00:50:35,910 --> 00:50:37,579
- TOLD HIM
REPORTERS ARE CRAZY.
1022
00:50:37,620 --> 00:50:40,123
THE TRUTH IS ALWAYS
THE BEST DEFENSE.
1023
00:50:40,165 --> 00:50:42,375
- YOU DIDN'T CHANGE HIS MIND
ABOUT THE STORY, DID YOU?
1024
00:50:42,417 --> 00:50:44,210
- DIDN'T TRY.
1025
00:50:44,252 --> 00:50:45,479
THAT'D BE LIKE TRYING TO TALK
SENSE TO AN OKLAHOMA FAN.
1026
00:50:45,503 --> 00:50:47,297
- [laughs]
1027
00:50:47,339 --> 00:50:49,483
- AND I DIDN'T WANT TO WIN
THE BATTLE AND LOSE THE WAR,
1028
00:50:49,507 --> 00:50:50,717
AND IT IS A WAR.
1029
00:50:50,759 --> 00:50:52,469
- HOW SO?
1030
00:50:52,510 --> 00:50:56,056
- IT'S A WAR FOR JOURNALISM,
AND IF WE DON'T WIN,
1031
00:50:56,097 --> 00:50:59,309
IT'S NOT WORTH
BEING AT THE NASHVILLE TIMES.
1032
00:50:59,351 --> 00:51:01,269
IT'S A WAR FOR THE PEOPLE
WE WRITE ABOUT
1033
00:51:01,311 --> 00:51:03,188
AND THE PEOPLE
WE'RE WRITING FOR.
1034
00:51:03,229 --> 00:51:07,317
BAXTER CALLS 'EM CUSTOMERS.
I CALL 'EM CITIZENS.
1035
00:51:07,359 --> 00:51:10,570
- MY DAD HAD AN IDEA.
1036
00:51:10,612 --> 00:51:12,989
WHAT IF WE SET UP SHOP
DOWN IN AMOS,
1037
00:51:13,031 --> 00:51:15,200
COVER THE WALLACE SAMPSON STORY
DURING THE DAY,
1038
00:51:15,241 --> 00:51:16,993
AND WRITE OBITS AT NIGHT?
1039
00:51:17,035 --> 00:51:18,870
- YEAH, YOUR DAD
WAS ALWAYS A SLY ONE.
1040
00:51:18,912 --> 00:51:21,289
- SO YOU'LL COVER FOR US?
1041
00:51:22,957 --> 00:51:24,751
- JUST GET THE STORY.
1042
00:51:28,296 --> 00:51:32,258
- LET'S GO TRACK DOWN
WALLACE'S GIRLFRIEND.
1043
00:51:32,300 --> 00:51:34,594
- I THINK WE NEED TO
CHANGE COURSE.
1044
00:51:34,636 --> 00:51:35,637
- WHAT?
1045
00:51:35,679 --> 00:51:37,514
- THE LAST THING
VANESSA BROWN NEEDS
1046
00:51:37,555 --> 00:51:39,432
IS TO BE INTIMIDATED
BY SOME REDNECK
1047
00:51:39,474 --> 00:51:41,114
WHO LOOKS AS IF HE
JUST ROLLED OUT OF BED.
1048
00:51:41,142 --> 00:51:44,729
- HMM. WHAT ABOUT YOU?
1049
00:51:44,771 --> 00:51:47,857
I AIN'T SEEN A MAN
IN AMOS WITH A TIE ON.
1050
00:51:47,899 --> 00:51:52,153
WHAT'S SHE GONNA THINK YOU ARE,
A JEHOVAH'S WITNESS?
1051
00:51:56,658 --> 00:51:57,784
[phone rings]
1052
00:51:57,826 --> 00:51:59,536
[beeps]
1053
00:51:59,577 --> 00:52:02,372
- LET ME GUESS, YOU WANT ME TO
INTERVIEW ANOTHER WOMAN FOR YOU.
1054
00:52:02,414 --> 00:52:04,624
- HI, DELANA, HOW ARE YOU?
1055
00:52:04,666 --> 00:52:06,084
- AM I RIGHT?
1056
00:52:06,126 --> 00:52:07,627
- YES.
1057
00:52:07,669 --> 00:52:09,254
- WHO?
1058
00:52:09,295 --> 00:52:12,924
- WALLACE SAMPSON'S GIRLFRIEND,
VANESSA BROWN.
1059
00:52:21,016 --> 00:52:22,475
- HI.
1060
00:52:26,021 --> 00:52:29,315
- WHY IS SHE HERE?
1061
00:52:29,357 --> 00:52:36,072
- UH, THIS IS DELANA CALHOUN.
SHE'S MY... FRIEND.
1062
00:52:36,114 --> 00:52:37,991
UH, IS EVERYBODY
IN THIS TOWN ARMED?
1063
00:52:38,033 --> 00:52:41,536
- I GOT THIS GUN
19 YEARS AGO.
1064
00:52:43,163 --> 00:52:45,165
- VANESSA,
DO YOU HAVE CHILDREN?
1065
00:52:45,206 --> 00:52:52,297
- TWO. LATETIA IS 12
AND WALLACE JUST TURNED 16.
1066
00:52:52,339 --> 00:52:55,633
- WHAT A HANDSOME YOUNG MAN.
1067
00:52:55,675 --> 00:52:58,345
- THANK YOU.
1068
00:52:58,386 --> 00:53:01,348
- YOU MUST HAVE LOVED WALLACE
VERY MUCH
1069
00:53:01,389 --> 00:53:03,266
TO NAME YOUR SON AFTER HIM.
1070
00:53:03,308 --> 00:53:08,480
- I LOVED WALLACE MORE THAN
ANYBODY I'VE EVER KNOWN.
1071
00:53:08,521 --> 00:53:10,857
- WHAT DID YOU LOVE MOST
ABOUT HIM?
1072
00:53:22,702 --> 00:53:23,828
- [crying]
1073
00:53:23,870 --> 00:53:26,664
HE MADE ME FEEL PRETTY.
1074
00:53:29,918 --> 00:53:32,462
HE LOVED ME.
1075
00:53:34,839 --> 00:53:37,926
HE WROTE ME POEMS.
1076
00:53:39,094 --> 00:53:41,304
- IT'S HARD TO KEEP BREATHING
1077
00:53:41,346 --> 00:53:43,556
WHEN YOU'VE LOST
SOMEONE LIKE THAT.
1078
00:53:47,644 --> 00:53:51,398
- Y'ALL EVER LOST
ANYONE YOU LOVED?
1079
00:53:51,439 --> 00:53:55,694
- I LOST MY FATHER
WHEN I WAS SEVEN.
1080
00:53:55,735 --> 00:53:57,529
BUT MATT...
1081
00:54:00,365 --> 00:54:03,910
- THAT'S MY BROTHER LUKE.
1082
00:54:03,952 --> 00:54:07,539
HE WAS 15.
1083
00:54:07,580 --> 00:54:11,418
HE DIED FROM A BULLET
IN THE HEAD.
1084
00:54:11,459 --> 00:54:13,420
THEY NEVER FIGURED OUT
1085
00:54:13,461 --> 00:54:16,965
IF IT WAS AN ACCIDENT
OR ON PURPOSE OR WHAT.
1086
00:54:31,980 --> 00:54:34,232
- HEAVENLY FATHER,
1087
00:54:34,274 --> 00:54:38,445
WE DON'T PRAY FOR THOSE
WHO HAVE GONE AHEAD
1088
00:54:38,486 --> 00:54:42,782
BECAUSE THEY ARE WITH YOU.
1089
00:54:42,824 --> 00:54:49,247
WE PRAY INSTEAD FOR THOSE OF US
WHO ARE LEFT BEHIND
1090
00:54:49,289 --> 00:54:52,000
AND DON'T KNOW WHY.
1091
00:54:58,631 --> 00:54:59,632
[sniffles]
1092
00:54:59,674 --> 00:55:01,509
THANK YOU.
1093
00:55:06,306 --> 00:55:10,268
HE HAD GIVEN ME A POEM
HE HAD WRITTEN FOR ME,
1094
00:55:10,310 --> 00:55:13,271
AND HE TOLD ME HE LOVED ME.
1095
00:55:13,313 --> 00:55:16,441
THOSE WERE THE LAST WORDS
HE EVER SAID...
1096
00:55:16,483 --> 00:55:19,819
"I LOVE YOU."
1097
00:55:19,861 --> 00:55:23,948
THEN I WATCHED HIM
WALK TOWARD HOME,
1098
00:55:23,990 --> 00:55:30,413
AND WHEN HE GOT NEAR THE STORE,
HE STOPPED AND HE WAVED.
1099
00:55:30,455 --> 00:55:34,584
OH, HE HAD THE SWEETEST LOOK
ON HIS FACE.
1100
00:55:36,628 --> 00:55:42,634
THEN I HEARD THE SHOT
AND I SAW HIM FALL.
1101
00:55:45,720 --> 00:55:47,597
[sniffles]
1102
00:55:47,639 --> 00:55:52,936
- IF IT WAS DARK,
HOW COULD YOU SEE HIM?
1103
00:55:52,977 --> 00:55:59,067
- LIGHTS. SOME LIGHTS WERE
ALWAYS ON AT THE STORE.
1104
00:56:03,530 --> 00:56:08,034
THEN I SAW BILLY BAKER
RUNNING AWAY.
1105
00:56:08,076 --> 00:56:09,786
- BILLY BAKER?
1106
00:56:09,828 --> 00:56:14,290
- SOME OLD REDNECK.
HE USED TO WORK ON CARS.
1107
00:56:14,332 --> 00:56:16,334
HAVEN'T SEEN HIM AROUND
IN YEARS.
1108
00:56:16,376 --> 00:56:17,961
- DID HE HAVE A GUN?
1109
00:56:18,003 --> 00:56:21,506
- NO.
1110
00:56:21,548 --> 00:56:23,883
- VANESSA, WHY DIDN'T YOU
TELL ANYONE THIS BEFORE?
1111
00:56:23,925 --> 00:56:28,054
- NOBODY ASKED.
1112
00:56:28,096 --> 00:56:30,974
PLUS, I WAS SCARED.
1113
00:56:31,016 --> 00:56:33,018
I STILL AM.
1114
00:56:42,694 --> 00:56:45,613
- WE GOTTA GET OUT OF HERE.
GET IN.
1115
00:56:49,117 --> 00:56:50,076
BAD NEWS.
1116
00:56:50,118 --> 00:56:51,077
- IT'S GOT TO WAIT.
1117
00:56:51,119 --> 00:56:52,579
TREY DID SOME MORE DIGGING.
1118
00:56:52,620 --> 00:56:54,706
GUESS WHO OWNS THE STORE.
1119
00:56:54,748 --> 00:56:55,498
- WHO?
1120
00:56:55,540 --> 00:56:56,791
- THE JUDGE.
1121
00:56:56,833 --> 00:56:58,543
- BUCHANAN?
YOU'RE KIDDING.
1122
00:56:58,585 --> 00:57:01,880
- WE LEFT NOTES AT HIS MANSION
AND TOWN HALL,
1123
00:57:01,921 --> 00:57:03,340
SAYING WE WANT TO
SPEAK TO HIM.
1124
00:57:03,381 --> 00:57:05,342
ALL RIGHT,
WHAT'S YOUR NEWS?
1125
00:57:05,383 --> 00:57:08,678
- UH, IT'S ABOUT THE LEMANS.
1126
00:57:08,720 --> 00:57:11,765
- YOU DID NOT WRECK MY CAR.
1127
00:57:11,806 --> 00:57:13,808
- UH...
1128
00:57:13,850 --> 00:57:14,934
- OH!
1129
00:57:14,976 --> 00:57:16,186
OH, NO!
1130
00:57:16,227 --> 00:57:17,395
MAN!
1131
00:57:17,437 --> 00:57:19,773
OH, MAMA!
1132
00:57:19,814 --> 00:57:21,399
OH, NO!
1133
00:57:21,441 --> 00:57:24,736
OKAY, NOW IT'S PERSONAL.
1134
00:57:24,778 --> 00:57:27,697
- WHO THE HELL
IS RONNIE BULLOCK?
1135
00:57:27,739 --> 00:57:28,948
- THAT WOULD BE ME,
SIR.
1136
00:57:28,990 --> 00:57:31,618
- I ONLY SHAKE HANDS
WITH GENTLEMEN.
1137
00:57:31,659 --> 00:57:34,120
- THAT NOTE WAS NOT
INTENDED FOR YOU, SIR.
1138
00:57:34,162 --> 00:57:35,705
IT WAS
FOR JUDGE BUCHANAN.
1139
00:57:35,747 --> 00:57:40,960
- HOW DARE YOU DRAG RUT BUCHANAN
INTO YOUR COCKAMAMIE
1140
00:57:41,002 --> 00:57:44,172
INVESTIGATION
OF SOME DEAD NIGRA KID?
1141
00:57:44,214 --> 00:57:47,467
- YOU MUST DO THINGS DIFFERENTLY
UP THERE IN NASHVILLE.
1142
00:57:47,509 --> 00:57:49,302
'CAUSE AROUND HERE,
WHEN WE HAVE BUSINESS
1143
00:57:49,344 --> 00:57:50,637
WITH A MAN,
WE GO SEE HIM.
1144
00:57:50,679 --> 00:57:52,097
WE DON'T WRITE
A NOTE.
1145
00:57:52,138 --> 00:57:54,933
- SORRY, I WAS JUST TRYING
TO MOVE THINGS ALONG.
1146
00:57:54,974 --> 00:57:57,102
- YEAH.
1147
00:57:57,143 --> 00:57:58,436
LOOK...
1148
00:57:58,478 --> 00:58:01,231
WE'VE BEEN OUT BIRD-HUNTING
ALL DAY.
1149
00:58:01,272 --> 00:58:03,608
WE GOT SKUNKED,
1150
00:58:03,650 --> 00:58:06,027
SO WE WERE KIND OF UPSET
BEFORE WE SAW YOUR NOTE.
1151
00:58:06,069 --> 00:58:08,697
SO FETCH SOME GLASSES.
LET'S SIT DOWN.
1152
00:58:08,738 --> 00:58:10,281
I DON'T KNOW
WHAT I CAN TELL YOU
1153
00:58:10,323 --> 00:58:11,634
ABOUT WHATEVER
Y'ALL ARE LOOKING INTO,
1154
00:58:11,658 --> 00:58:13,243
BUT I'LL TRY.
1155
00:58:13,284 --> 00:58:16,037
COME ON.
1156
00:58:16,079 --> 00:58:18,790
YES, I OWN THE BUILDING
WHERE THEY HAD THE STORE,
1157
00:58:18,832 --> 00:58:20,291
BUT I OWN
MOST OF THIS TOWN.
1158
00:58:20,333 --> 00:58:24,087
MY DADDY WAS JUDGE BEFORE ME
AND HIS DADDY BEFORE HIM.
1159
00:58:24,129 --> 00:58:27,841
IT'S BEEN OUR HABIT TO BUY
FORECLOSED PROPERTIES.
1160
00:58:27,882 --> 00:58:29,634
THAT MAY HAVE BEEN
GOOD FOR US,
1161
00:58:29,676 --> 00:58:31,636
BUT IT ALSO KEPT THE PROPERTY
ON THE TAX ROLLS.
1162
00:58:31,678 --> 00:58:33,304
SO IT'S BEEN GOOD
FOR AMOS TOO.
1163
00:58:33,346 --> 00:58:36,850
- [slurring] I'VE KNOWN
RUT BUCHANAN MY WHOLE LIFE,
1164
00:58:36,891 --> 00:58:41,354
AND THERE'S NOT A MAN ALIVE
THAT HAS DONE MORE FOR AMOS.
1165
00:58:41,396 --> 00:58:42,647
ESPECIALLY
FOR THE COLOREDS.
1166
00:58:42,689 --> 00:58:45,358
THAT'S A MIGHTY
FINE WEAPON.
1167
00:58:45,400 --> 00:58:47,193
WHOSE IS IT?
1168
00:58:47,235 --> 00:58:49,154
- IT'S MINE.
1169
00:58:49,195 --> 00:58:51,197
- YOU A SPORTSMAN?
1170
00:58:51,239 --> 00:58:52,866
- ALL MY LIFE.
1171
00:58:52,907 --> 00:58:53,867
- [sighs]
1172
00:58:53,908 --> 00:58:57,537
- EASY, FATHER.
- [grunts]
1173
00:58:57,579 --> 00:58:59,056
- SO YOU LEASED THE STORE
TO BRAEFORD WATSON?
1174
00:58:59,080 --> 00:59:02,334
- NO, BRAEFORD WAS THE ONLY ONE
WILLING TO GO IN THERE
1175
00:59:02,375 --> 00:59:05,920
AND SELL THOSE PEOPLE GROCERIES,
DOING THEM A FAVOR.
1176
00:59:05,962 --> 00:59:07,672
THING IS, THEY DIDN'T
SEEM TO APPRECIATE IT
1177
00:59:07,714 --> 00:59:10,717
'CAUSE THERE WERE
CUTTINGS AND SHOOTINGS,
1178
00:59:10,759 --> 00:59:12,552
ALL THE STUFF
THAT COMES FROM BEING
1179
00:59:12,594 --> 00:59:14,471
ON THAT SIDE
OF THE TRACKS.
1180
00:59:14,512 --> 00:59:15,823
- I UNDERSTAND A FIREBOMB
WENT OFF THE NIGHT
1181
00:59:15,847 --> 00:59:17,390
BEFORE WALLACE SAMPSON
WAS KILLED.
1182
00:59:17,432 --> 00:59:19,726
- AH, THAT'S A BUNCH
OF HOTHEADS.
1183
00:59:19,768 --> 00:59:21,811
PROBABLY BEEN HOPPED UP
ON DOPE.
1184
00:59:21,853 --> 00:59:23,855
- JUDGE, YOU EVER HEAR
ABOUT PROSTITUTION
1185
00:59:23,897 --> 00:59:26,649
BEING AROUND IN THE BACK
OF THAT BUILDING?
1186
00:59:26,691 --> 00:59:27,859
- NEVER HAD A CASE
LIKE THAT.
1187
00:59:27,901 --> 00:59:30,070
- THAT'S NOT
WHAT I ASKED.
1188
00:59:30,111 --> 00:59:32,572
- I-I DON'T BELIEVE
I LIKE YOUR TONE.
1189
00:59:32,614 --> 00:59:36,368
- I DON'T THINK THE JUDGE
ANSWERED MY QUESTION.
1190
00:59:36,409 --> 00:59:39,579
- [chuckles] THAT'S IT.
1191
00:59:39,621 --> 00:59:42,082
YOU, SIR,
NEED TO GET GONE.
1192
00:59:42,123 --> 00:59:43,249
- CALM DOWN,
EVERETT.
1193
00:59:43,291 --> 00:59:46,252
- [chuckles]
1194
00:59:46,294 --> 00:59:48,963
- [grunts]
1195
00:59:49,005 --> 00:59:50,507
MM.
1196
00:59:50,548 --> 00:59:52,592
WHAT KIND OF SOUTHERN BOY
ARE YOU,
1197
00:59:52,634 --> 00:59:54,594
TAKING UP
FOR THE NIGRAS?
1198
00:59:54,636 --> 00:59:56,113
- I'M THE KIND OF SOUTHERN BOY
WHO DON'T CARE
1199
00:59:56,137 --> 00:59:57,847
ABOUT THE COLOR
OF MURDER VICTIMS.
1200
00:59:57,889 --> 01:00:00,725
- YOU ARE A TRAITOR
TO THE SOUTH.
1201
01:00:00,767 --> 01:00:02,435
- IS THAT
A FACT?
1202
01:00:02,477 --> 01:00:04,270
- MM.
- [chuckles]
1203
01:00:04,312 --> 01:00:07,107
- [grunts, coughs]
1204
01:00:07,148 --> 01:00:10,360
- HE'S THE KIND OF BIGOT
WHO GIVES THE SOUTH A BAD NAME.
1205
01:00:10,402 --> 01:00:15,740
- [groaning]
1206
01:00:15,782 --> 01:00:19,285
- AH, COME ON
WITH YOURSELF.
1207
01:00:19,327 --> 01:00:20,745
- MATT,
I DON'T WANNA GO.
1208
01:00:20,787 --> 01:00:23,289
- IT'S DANGEROUS HERE.
- WELL, YOU'RE STAYING.
1209
01:00:23,331 --> 01:00:25,458
- I HAVE TO.
YOU DON'T.
1210
01:00:25,500 --> 01:00:27,293
- OKAY, ONE THING
BEFORE YOU GO.
1211
01:00:27,335 --> 01:00:30,922
HOP IN.
1212
01:00:30,964 --> 01:00:32,274
OKAY, YOU SEE THIS THING
RIGHT HERE?
1213
01:00:32,298 --> 01:00:33,466
- UH-HUH.
1214
01:00:33,508 --> 01:00:35,301
- WHATEVER YOU DO,
DO NOT TOUCH IT.
1215
01:00:35,343 --> 01:00:36,636
- THE TOP
DOESN'T COME DOWN?
1216
01:00:36,678 --> 01:00:38,179
- THE TOP
COMES DOWN FINE.
1217
01:00:38,221 --> 01:00:39,931
IT'S GOING BACK UP
THAT'S THE PROBLEM.
1218
01:00:39,973 --> 01:00:42,142
- SHOOT, I ALWAYS WANTED
A CONVERTIBLE.
1219
01:00:42,183 --> 01:00:44,102
- WELL, GET ON. HAVE FUN.
- BE CAREFUL.
1220
01:00:44,144 --> 01:00:45,770
[engine starts]
1221
01:00:45,812 --> 01:00:47,206
- I CAN'T BELIEVE YOU MADE HER
TAKE THE LEMANS.
1222
01:00:47,230 --> 01:00:49,899
- SWAPPING CARS KEEPS US
UNDER THE RADAR.
1223
01:00:49,941 --> 01:00:52,444
BESIDES, I HAD TO GET
THE LEMANS OUT OF AMOS.
1224
01:00:52,485 --> 01:00:53,987
IT'S BEEN TRASHED
ALL I CAN STAND.
1225
01:00:54,029 --> 01:00:56,614
COME ON, LET'S GO
TRACK DOWN BILLY BAKER.
1226
01:00:56,656 --> 01:00:59,617
[rock music]
1227
01:00:59,659 --> 01:01:06,875
♪ ♪
1228
01:01:07,834 --> 01:01:14,341
[inaudible speech]
1229
01:01:14,382 --> 01:01:20,680
♪ ♪
1230
01:01:20,722 --> 01:01:25,185
- BILLY BAKER?
1231
01:01:25,226 --> 01:01:29,356
♪ ♪
1232
01:01:29,397 --> 01:01:31,358
[tires screech]
1233
01:01:31,399 --> 01:01:35,111
[inaudible speech]
1234
01:01:35,153 --> 01:01:42,160
♪ ♪
1235
01:01:47,874 --> 01:01:54,089
[tires screeching]
1236
01:02:01,221 --> 01:02:04,224
- BILLY BAKER?
1237
01:02:04,265 --> 01:02:07,268
OH,
YOU MEAN POSSUM?
1238
01:02:12,399 --> 01:02:14,818
THAT'S POSSUM
RIGHT THERE.
1239
01:02:14,859 --> 01:02:16,194
UH-HUH.
[cell phone rings]
1240
01:02:16,236 --> 01:02:18,571
- HEY.
1241
01:02:18,613 --> 01:02:22,659
HOLD ON,
YOU'RE BREAKING UP.
1242
01:02:22,701 --> 01:02:25,203
[pen snaps]
1243
01:02:25,245 --> 01:02:26,079
- IT'S A CAMERA.
1244
01:02:26,121 --> 01:02:28,707
- WHAT?
MY GOD, ALL RIGHT.
1245
01:02:28,748 --> 01:02:30,417
WE'RE COMING
TO GET YOU.
1246
01:02:30,458 --> 01:02:31,918
- NO, DON'T.
I'M OKAY.
1247
01:02:31,960 --> 01:02:33,837
THE LEMANS
IS A LITTLE ROUGHED UP,
1248
01:02:33,878 --> 01:02:35,922
BUT AT LEAST
I GOT MY CONVERTIBLE.
1249
01:02:35,964 --> 01:02:37,841
- [sighs] ARE YOU SURE
YOU'RE OKAY?
1250
01:02:37,882 --> 01:02:40,343
- YEAH, BUT YOU ALL
NEED TO BE CAREFUL.
1251
01:02:40,385 --> 01:02:41,594
UNLESS I MISS
MY GUESS,
1252
01:02:41,636 --> 01:02:43,888
THEY WERE AFTER YOU AND BULLOCK,
NOT ME.
1253
01:02:43,930 --> 01:02:46,891
- [sighs]
I'VE GOT A BAD FEELING, MAN.
1254
01:02:46,933 --> 01:02:50,270
I'D KILL MYSELF IF SOMETHING
BAD HAPPENED TO DELANA.
1255
01:02:50,311 --> 01:02:52,272
I MEAN, BESIDES THE BAD STUFF
I'VE DONE.
1256
01:02:52,313 --> 01:02:55,233
- EH, SHE SEEMED LIKE A GIRL
WHO CAN TAKE CARE OF HERSELF.
1257
01:02:55,275 --> 01:02:58,153
LOOK, WE CAN CHASE
THIS POSSUM CHARACTER TOMORROW
1258
01:02:58,194 --> 01:02:59,904
IF WE GET CRACKING
ON THESE OBITS TONIGHT.
1259
01:02:59,946 --> 01:03:03,950
NOW, WALKER SAYS,
IF WE HAND IN THREE TONIGHT,
1260
01:03:03,992 --> 01:03:05,952
WE MIGHT HAVE A CRACK
AT EMPLOYEES OF THE MONTH.
1261
01:03:05,994 --> 01:03:08,747
- [scoffs]
- WHAT?
1262
01:03:08,788 --> 01:03:12,792
IT'S A $20 BONUS.
1263
01:03:12,834 --> 01:03:14,627
- WHOA, LOOK AT THIS.
- WHAT?
1264
01:03:14,669 --> 01:03:16,421
- POSSUM, RIGHT HERE
IN THIS CLIP.
1265
01:03:16,463 --> 01:03:19,090
SAYS HE WAS TRIED
ALONGSIDE BRAEFORD WATSON
1266
01:03:19,132 --> 01:03:21,092
FOR BEATING CIVIL RIGHTS
MARCHERS IN MONTGOMERY.
1267
01:03:21,134 --> 01:03:23,595
HE AND THE OTHER GUY PLEADED
GUILTY EVEN BEFORE THE TRIAL.
1268
01:03:23,636 --> 01:03:24,888
NOW WE GOT
A STORY.
1269
01:03:24,929 --> 01:03:27,474
- OKAY, A MAN
WHO LATER PLEADED GUILTY
1270
01:03:27,515 --> 01:03:31,644
TO CIVIL RIGHTS CHARGES
WAS SEEN AT THE SITE OF...
1271
01:03:31,686 --> 01:03:33,021
- MAKE IT
"SPOTTED FLEEING FROM."
1272
01:03:33,063 --> 01:03:34,814
IT'S STRONGER.
[typing]
1273
01:03:34,856 --> 01:03:36,983
- WE GOTTA FIND
POSSUM.
1274
01:03:37,025 --> 01:03:39,944
- MAYBE WE CAN TRACK HIM THROUGH
THE DEPARTMENT OF CORRECTIONS.
1275
01:03:39,986 --> 01:03:42,072
- WE'LL GO TO MONTGOMERY
TOMORROW.
1276
01:03:42,113 --> 01:03:43,673
RIGHT NOW, THERE'S SOMEPLACE
I GOTTA BE.
1277
01:03:43,698 --> 01:03:45,825
- WHAT ABOUT EMPLOYEES
OF THE MONTH?
1278
01:03:45,867 --> 01:03:48,661
- CONGRATULATIONS,
YOU WON.
1279
01:03:48,703 --> 01:03:51,831
- MATT...
1280
01:03:51,873 --> 01:03:56,169
TAKE THIS.
1281
01:03:56,211 --> 01:03:59,381
- [sighs]
1282
01:04:01,549 --> 01:04:05,053
- YEAH.
1283
01:04:05,095 --> 01:04:08,264
[suspenseful music]
1284
01:04:08,306 --> 01:04:15,313
♪ ♪
1285
01:04:22,821 --> 01:04:25,865
- [gasps]
1286
01:04:25,907 --> 01:04:30,537
- DELANA?
1287
01:04:30,578 --> 01:04:32,288
HEY.
1288
01:04:32,330 --> 01:04:35,083
- YOU SCARED ME.
I-I TOLD YOU NOT TO COME.
1289
01:04:35,125 --> 01:04:37,836
- NO, I KNOW.
I'M, UH... I'M SORRY.
1290
01:04:37,877 --> 01:04:39,129
I WAS WORRIED.
1291
01:04:39,170 --> 01:04:41,381
- YOU'RE JUST
FEELING GUILTY.
1292
01:04:41,423 --> 01:04:43,967
[melancholy music]
1293
01:04:44,009 --> 01:04:46,302
- YOU'RE RIGHT.
1294
01:04:46,344 --> 01:04:50,807
BUT NOT ABOUT GETTING YOU
INVOLVED WITH WALLACE SAMPSON.
1295
01:04:50,849 --> 01:04:52,308
[sighs]
I'M TOTALLY ASHAMED
1296
01:04:52,350 --> 01:04:56,563
THAT I EVER GAVE YOU
A REASON TO DOUBT US.
1297
01:04:56,604 --> 01:05:00,066
I'M SORRY.
1298
01:05:00,108 --> 01:05:02,861
IT BREAKS MY HEART TO KNOW
THAT I HURT YOU.
1299
01:05:02,902 --> 01:05:06,865
I NEVER WANT
TO HURT YOU AGAIN.
1300
01:05:06,906 --> 01:05:08,134
- I HOPE YOU DIDN'T
JEOPARDIZE THE STORY
1301
01:05:08,158 --> 01:05:09,367
JUST TO COME
TELL ME THAT.
1302
01:05:09,409 --> 01:05:13,413
- I LOVE YOU
MORE THAN ANY STORY,
1303
01:05:13,455 --> 01:05:15,373
MORE THAN ANYTHING.
1304
01:05:15,415 --> 01:05:22,422
♪ ♪
1305
01:05:38,813 --> 01:05:43,360
- SO...
1306
01:05:43,401 --> 01:05:46,029
WHERE IS POSSUM?
1307
01:05:46,071 --> 01:05:47,155
- ONE MORE STOP.
1308
01:05:47,197 --> 01:05:48,907
THE PROSECUTOR
WAS MAX MCCALLUM.
1309
01:05:48,948 --> 01:05:50,241
MAYBE HE KNOWS
WHERE POSSUM IS.
1310
01:05:50,283 --> 01:05:52,285
- WE HAVE FRESH
EYEWITNESS TESTIMONY
1311
01:05:52,327 --> 01:05:54,788
THAT POSSUM WAS THERE
AT THE TIME OF THE SHOOTING.
1312
01:05:54,829 --> 01:05:58,249
AND WE KNOW POSSUM WAS CONVICTED
OF CIVIL RIGHTS VIOLATIONS,
1313
01:05:58,291 --> 01:06:01,211
ALONG WITH BRAEFORD WATSON,
THE GUY WHO RAN THE STORE.
1314
01:06:01,252 --> 01:06:04,089
- HE WAS NOT CONVICTED.
HE PLED GUILTY.
1315
01:06:04,130 --> 01:06:05,215
- SAME THING.
1316
01:06:05,256 --> 01:06:07,217
- ACTUALLY,
IT'S NOT.
1317
01:06:07,258 --> 01:06:10,470
- YEAH, BUT WHENEVER POSSUM
WAS AROUND, BAD THINGS HAPPENED.
1318
01:06:10,512 --> 01:06:14,140
- YOU COULD WRITE THAT STORY,
AND IT WOULD BE ACCURATE.
1319
01:06:14,182 --> 01:06:15,892
BUT IT WOULD BE
A MISTAKE.
1320
01:06:15,934 --> 01:06:17,519
- FACTS ARE NEVER
A MISTAKE.
1321
01:06:17,560 --> 01:06:20,105
- SON, I'VE BEEN
AROUND A LOT OF COURTROOMS.
1322
01:06:20,146 --> 01:06:23,108
FACTS AND TRUTH
ARE NOT THE SAME THING.
1323
01:06:23,149 --> 01:06:26,319
THE FACT IS,
POSSUM MAY HAVE BEEN PRESENT
1324
01:06:26,361 --> 01:06:28,279
AT THE SITE
OF THE SAMPSON KILLING.
1325
01:06:28,321 --> 01:06:32,158
BUT THE TRUTH IS, WHEN IT COMES
TO ADVANCING CIVIL RIGHTS
1326
01:06:32,200 --> 01:06:35,370
IN ALABAMA,
POSSUM WAS A HERO.
1327
01:06:37,956 --> 01:06:39,666
YOU WILLING TO GO
OFF THE RECORD?
1328
01:06:39,708 --> 01:06:41,501
- SURE.
- YEAH.
1329
01:06:41,543 --> 01:06:46,256
- BILLY BAKER, POSSUM,
WAS AN INFORMER.
1330
01:06:46,297 --> 01:06:48,508
HE WAS SO HIGH UP
IN THE KLAN,
1331
01:06:48,550 --> 01:06:51,011
HE WAS THE BEST SOURCE
WE EVER HAD.
1332
01:06:51,052 --> 01:06:52,762
HE'D TIP US OFF,
1333
01:06:52,804 --> 01:06:56,224
SOMETIMES EVEN GET ARRESTED
WITH EVERYONE ELSE.
1334
01:06:56,266 --> 01:06:57,684
THEN HE'D PLEAD
GUILTY.
1335
01:06:57,726 --> 01:06:59,811
THAT PRESERVED
HIS COVER.
1336
01:06:59,853 --> 01:07:01,813
WE'D MAKE SURE
HE GOT A LIGHT SENTENCE.
1337
01:07:01,855 --> 01:07:03,940
- THAT'S AN EVEN
BETTER STORY.
1338
01:07:03,982 --> 01:07:05,525
- YOU CAN'T WRITE
THAT ONE EITHER.
1339
01:07:05,567 --> 01:07:07,795
PEOPLE ARE STILL IN PRISON
BECAUSE POSSUM PUT THEM THERE.
1340
01:07:07,819 --> 01:07:11,823
- WHY DIDN'T HE INFORM ABOUT
THE WALLACE SAMPSON KILLING?
1341
01:07:11,865 --> 01:07:15,035
- MAYBE HE DID,
AND NO ONE FOLLOWED UP.
1342
01:07:15,076 --> 01:07:17,203
- WELL, LET US
FOLLOW UP ON IT.
1343
01:07:17,245 --> 01:07:19,247
- ASK POSSUM
IF WE CAN INTERVIEW HIM
1344
01:07:19,289 --> 01:07:21,708
ABOUT THE KILLING
OF WALLACE SAMPSON.
1345
01:07:21,750 --> 01:07:24,711
[acoustic rock music]
1346
01:07:24,753 --> 01:07:31,760
♪ ♪
1347
01:07:39,768 --> 01:07:43,063
- OH!
1348
01:07:43,104 --> 01:07:46,441
GOT A WEIRDO
WITH A RIFLE.
1349
01:07:46,483 --> 01:07:50,820
♪ ♪
1350
01:07:50,862 --> 01:07:55,575
- ♪ I FELL
IN A HOLE ♪
1351
01:07:55,617 --> 01:08:00,914
♪ 100 MILES DEEP ♪
1352
01:08:00,955 --> 01:08:04,250
♪ THE ONE
THAT TOOK MY DADDY ♪
1353
01:08:04,292 --> 01:08:07,754
♪ AND HIS DADDY
AND HIS DADDY ♪
1354
01:08:07,796 --> 01:08:12,759
♪ AND HIS DADDY ♪
1355
01:08:12,801 --> 01:08:16,471
♪ TRY AS I MIGHT ♪
1356
01:08:16,513 --> 01:08:19,224
♪ TO LIVE
IN THE LIGHT ♪
1357
01:08:19,265 --> 01:08:21,351
♪ THIS IS ALL
I'VE SEEN ♪
1358
01:08:21,393 --> 01:08:23,353
♪ THIS IS
WHAT I'M TOLD ♪
1359
01:08:23,395 --> 01:08:28,274
♪ THIS IS
WHAT I KNOW ♪
1360
01:08:28,316 --> 01:08:31,903
♪ THAT THE TEARS
OF MY MAMA ♪
1361
01:08:31,945 --> 01:08:35,865
♪ AND HER MAMA
AND HER MAMA ♪
1362
01:08:35,907 --> 01:08:38,952
♪ THEY HAVE FLOWED ♪
1363
01:08:38,993 --> 01:08:40,370
- ONE LAST QUESTION,
POSSUM.
1364
01:08:40,412 --> 01:08:43,289
HOW DID THE FEDS
FLIP YOU?
1365
01:08:43,331 --> 01:08:47,794
- WELL, THEY GOT PICTURES
OF ME AND A BLACK WOMAN
1366
01:08:47,836 --> 01:08:49,295
AND THREATENED
TO GO PUBLIC.
1367
01:08:49,337 --> 01:08:52,590
AND THERE SHE IS
RIGHT NOW.
1368
01:08:52,632 --> 01:08:55,260
- YOU LIVE
WITH A BLACK WOMAN?
1369
01:08:55,301 --> 01:08:59,305
- NO, I'M MARRIED TO HER.
COMMON LAW.
1370
01:08:59,347 --> 01:09:05,145
- WHY ON EARTH
WERE YOU IN THE KLAN?
1371
01:09:05,186 --> 01:09:11,276
- I WAS YOUNG,
RAISED UP STUPID.
1372
01:09:11,317 --> 01:09:15,071
LIQUOR MIGHT HAVE HAD SOMETHING
TO DO WITH IT TOO.
1373
01:09:15,113 --> 01:09:18,533
- MAX MCCALLUM
SAID YOU'D BE IN DANGER
1374
01:09:18,575 --> 01:09:20,577
IF WE WROTE
THAT YOU'D BEEN AN INFORMANT.
1375
01:09:20,618 --> 01:09:24,998
- PROBABLY.
1376
01:09:25,040 --> 01:09:28,585
BUT IT'S TIME.
1377
01:09:28,626 --> 01:09:34,632
OLD CANCER'S
EATING ME UP ANYWAY.
1378
01:09:37,385 --> 01:09:40,180
- WALKER,
WE GOT IT.
1379
01:09:40,221 --> 01:09:42,515
WE'RE COMING IN.
1380
01:09:42,557 --> 01:09:46,728
[coins dropping]
1381
01:09:50,315 --> 01:09:53,777
LUCAS HARPER?
1382
01:09:53,818 --> 01:09:55,487
- ARE YOU MATT?
- I AM.
1383
01:09:55,528 --> 01:09:58,365
- I'M DR. WRIGHT,
YOUR FATHER'S ONCOLOGIST.
1384
01:09:58,406 --> 01:10:01,785
- HI.
- HE TALKS A LOT ABOUT YOU.
1385
01:10:01,826 --> 01:10:03,328
I'M SORRY.
1386
01:10:03,370 --> 01:10:07,457
I NEED TO TELL YOU THAT NOTHING
WE'VE TRIED HAS WORKED.
1387
01:10:10,418 --> 01:10:13,296
- UH, WHAT ABOUT
EXPERIMENTAL THERAPIES?
1388
01:10:13,338 --> 01:10:14,297
INTERFERON
OR SOMETHING?
1389
01:10:14,339 --> 01:10:17,050
- I'M SORRY, MATT.
1390
01:10:17,092 --> 01:10:19,302
MAYBE IF WE
CAUGHT IT EARLIER.
1391
01:10:19,344 --> 01:10:23,473
HOSPICE
IS YOUR BEST CHOICE NOW.
1392
01:10:23,515 --> 01:10:25,475
- HOSPICE?
HOW LONG DOES HE HAVE?
1393
01:10:25,517 --> 01:10:27,811
WE HAVE... WE HAVE THINGS
WE NEED TO TALK ABOUT.
1394
01:10:27,852 --> 01:10:31,606
- DON'T WAIT.
1395
01:10:36,569 --> 01:10:38,446
[beeps]
1396
01:10:38,488 --> 01:10:42,534
- HEY.
- WHAT BRINGS YOU HERE?
1397
01:10:42,575 --> 01:10:44,577
- SORRY,
I COULDN'T STOP IT.
1398
01:10:44,619 --> 01:10:48,081
- [grunts]
1399
01:10:48,123 --> 01:10:51,418
PICTURE'S NOT BAD.
1400
01:10:51,459 --> 01:10:53,545
- [scoffs] I THOUGHT
YOU'D BE UPSET.
1401
01:10:53,586 --> 01:10:55,088
I HAVEN'T READ
THE WHOLE THING,
1402
01:10:55,130 --> 01:10:58,091
BUT THE HEADLINE
CERTAINLY LOOKS OVERBLOWN.
1403
01:10:58,133 --> 01:11:01,553
- ACTUALLY,
IT'S ACCURATE,
1404
01:11:01,594 --> 01:11:03,346
BUT IT APPLIES TO EVERYBODY
ON THE PLANET.
1405
01:11:03,388 --> 01:11:05,682
WE'RE ALL
NEARING DEATH.
1406
01:11:05,724 --> 01:11:11,855
THEREFORE,
NOT A VERY GOOD HEADLINE.
1407
01:11:11,896 --> 01:11:14,107
HOW'S YOUR STORY?
1408
01:11:14,149 --> 01:11:16,276
- WE GOT IT.
1409
01:11:16,317 --> 01:11:20,405
WE'RE GOING TO WRITE
FOR THE WEEKEND.
1410
01:11:20,447 --> 01:11:21,799
THANKS FOR THE OBIT IDEA.
IT WORKED.
1411
01:11:21,823 --> 01:11:25,368
- GOOD JOB.
1412
01:11:25,410 --> 01:11:29,039
PROUD OF YOU.
1413
01:11:29,080 --> 01:11:31,458
- DAD, HOW COME
IT TOOK SO LONG?
1414
01:11:31,499 --> 01:11:34,669
HOW COME YOU NEVER
HELPED ME BEFORE?
1415
01:11:42,677 --> 01:11:43,677
- YOUR BROTHER.
1416
01:11:43,845 --> 01:11:46,139
- WHAT HAS HE
GOT TO DO WITH THIS?
1417
01:11:46,181 --> 01:11:51,227
- LUKE WAS...
1418
01:11:51,269 --> 01:11:55,482
LUKE WAS GONNA BE
THE NEXT GREAT JOURNALIST.
1419
01:11:55,523 --> 01:11:58,985
HE HAD THE NAME
AND THE TALENT.
1420
01:11:59,027 --> 01:12:05,116
LUCAS HARPER THE THIRD,
NEW AND IMPROVED VERSION.
1421
01:12:05,158 --> 01:12:10,663
HIS DEATH
WAS HARD ON US ALL.
1422
01:12:10,705 --> 01:12:13,458
YOUR MOTHER NEVER
RECOVERED FROM IT.
1423
01:12:13,500 --> 01:12:16,169
- WHY DIDN'T YOU
WANT FOR ME
1424
01:12:16,211 --> 01:12:17,504
WHAT YOU WANTED
FOR HIM?
1425
01:12:17,545 --> 01:12:21,633
- I DIDN'T WANT
TO SCREW YOU UP TOO.
1426
01:12:23,718 --> 01:12:26,805
- [sighs]
1427
01:12:26,846 --> 01:12:29,516
AT LUKE'S FUNERAL,
THE REPORTER CAME AND SAID
1428
01:12:29,557 --> 01:12:33,019
HE NEEDED
TO WRITE THE STORY.
1429
01:12:33,061 --> 01:12:36,898
YOU SAID,
"GO AHEAD,
1430
01:12:36,940 --> 01:12:39,609
WRITE THE TRUTH AS BEST
AS YOU COULD DETERMINE IT."
1431
01:12:39,651 --> 01:12:45,865
DAD, I THOUGHT
LUKE'S DEATH WAS AN ACCIDENT,
1432
01:12:45,907 --> 01:12:49,703
HE WAS IN THE GARDEN
KILLING GOPHERS,
1433
01:12:49,744 --> 01:12:53,665
AND THE GUN
MISFIRED.
1434
01:12:53,707 --> 01:12:56,710
IS THAT
WHAT THE STORY SAID?
1435
01:12:56,751 --> 01:13:01,548
- THE STORY SAID
IT COULD HAVE BEEN AN ACCIDENT.
1436
01:13:01,589 --> 01:13:03,883
IT ALSO SAID THE POLICE
FOUND EVIDENCE
1437
01:13:03,925 --> 01:13:07,554
THAT IT MIGHT NOT HAVE BEEN
ACCIDENTAL.
1438
01:13:10,265 --> 01:13:11,224
- EVIDENCE?
1439
01:13:11,266 --> 01:13:16,604
- A NOTE
IN HIS DIARY.
1440
01:13:16,646 --> 01:13:22,694
IT SAID, "SOMETIMES
I WORRY THAT I WILL BE
1441
01:13:22,736 --> 01:13:26,031
THE FIRST LUCAS HARPER
NOT TO BE FAMOUS."
1442
01:13:31,077 --> 01:13:32,829
[crying]
1443
01:13:32,871 --> 01:13:37,208
I COULDN'T LET THAT HAPPEN
TO YOU, MATTY.
1444
01:13:37,250 --> 01:13:41,671
I LOVE YOU,
SON.
1445
01:13:46,968 --> 01:13:51,097
- [cries]
1446
01:13:55,310 --> 01:14:00,023
- [typing]
1447
01:14:00,065 --> 01:14:01,441
- HEY.
- HEY.
1448
01:14:01,483 --> 01:14:04,194
- HEY, MATT.
HAVE A SEAT.
1449
01:14:04,235 --> 01:14:06,988
TAKE A LOOK.
- HOW'S YOUR DAD?
1450
01:14:07,030 --> 01:14:09,866
- BAD.
WE NEED TO FINISH THE STORY.
1451
01:14:09,908 --> 01:14:12,911
- WALKER SENT AN ARTIST
DOWN TO AMOS
1452
01:14:12,952 --> 01:14:14,746
TO DO A DIAGRAM
OF THE CRIME SCENE.
1453
01:14:14,788 --> 01:14:17,290
PHOTO'S TAKING
FRESH PICTURES.
1454
01:14:17,332 --> 01:14:19,000
AND NATIONAL'S
GONNA GIVE UP SOME SPACE.
1455
01:14:19,042 --> 01:14:21,378
- PARTNERS, THE LAWYERS
ARE GONNA PECK AT THIS
1456
01:14:21,419 --> 01:14:23,755
LIKE CHICKENS WITH A PAN
OF STALE CORNBREAD.
1457
01:14:23,797 --> 01:14:25,924
LET'S BE SURE
WE GOT IT RIGHT.
1458
01:14:25,965 --> 01:14:27,217
[rock music]
1459
01:14:27,509 --> 01:14:31,262
- ♪ BABY YOU CAN TALK
ABOUT IT ♪
1460
01:14:31,304 --> 01:14:34,557
♪ YOU CAN SHOUT IT
IN THE STREETS ♪
1461
01:14:34,599 --> 01:14:40,563
♪ YEAH YOU CAN PAINT IT
ON YOUR EYELIDS ♪
1462
01:14:40,605 --> 01:14:43,900
♪ SO YOU DON'T FORGET ABOUT IT
WHILE YOU SLEEP ♪
1463
01:14:43,942 --> 01:14:45,985
♪ BUT BABY ♪
1464
01:14:46,027 --> 01:14:51,991
♪ MM YOU BETTER FIND OUT
WHAT IT IS ♪
1465
01:14:52,033 --> 01:14:53,743
- WHAT DO YOU THINK?
1466
01:14:53,785 --> 01:14:56,705
- MARY PELL WAITED
A LONG TIME FOR THIS.
1467
01:14:56,746 --> 01:14:58,707
♪ BABY YOU CAN SIT
ON IT ♪
1468
01:14:58,748 --> 01:15:01,251
♪ YOU CAN HOLD
IT DOWN ♪
1469
01:15:01,292 --> 01:15:04,295
♪ GET OUT
YOUR HAMMER AND NAILS ♪
1470
01:15:04,337 --> 01:15:06,548
[bell rings]
1471
01:15:06,589 --> 01:15:07,757
♪ PUT IT
IN A TIME CAPSULE ♪
1472
01:15:07,799 --> 01:15:09,634
♪ BURY IT
IN MEMPHIS ♪
1473
01:15:09,676 --> 01:15:13,096
♪ ONLY TO BE DISCOVERED
CENTURIES LATER ♪
1474
01:15:13,138 --> 01:15:14,639
♪ IN SOME ALIEN GALAXY ♪
1475
01:15:14,681 --> 01:15:18,518
♪ MY BABY ♪
1476
01:15:18,560 --> 01:15:22,022
♪ YOU BETTER FIND OUT
YEAH ♪
1477
01:15:22,063 --> 01:15:26,943
♪ WHAT IT IS ♪
1478
01:15:26,985 --> 01:15:28,820
♪ A PICTURE ♪
1479
01:15:28,862 --> 01:15:30,947
♪ PUT IT IN A FRAME ♪
1480
01:15:30,989 --> 01:15:35,076
♪ HANG IT IN THE ROOM
TO GREAT ACCLAIM ♪
1481
01:15:35,118 --> 01:15:39,831
♪ SEE IT IN THE MIRROR
WHEN YOU WALK AWAY ♪
1482
01:15:39,873 --> 01:15:43,043
♪ WILL YOU FORGET
WHAT YOU SEE TODAY? ♪
1483
01:15:43,084 --> 01:15:46,838
♪ OH BABE ♪
1484
01:15:51,968 --> 01:15:55,889
♪ MY BABY ♪
1485
01:15:55,930 --> 01:15:58,808
♪ YEAH ♪
1486
01:16:01,728 --> 01:16:04,689
- NO, GREAT.
THANK YOU.
1487
01:16:04,731 --> 01:16:07,942
APPRECIATE
THE CALL.
1488
01:16:07,984 --> 01:16:10,653
MAX MCCALLUM'S IMPANELING
A GRAND JURY
1489
01:16:10,695 --> 01:16:12,072
TO CONSIDER
MURDER CHARGES.
1490
01:16:12,113 --> 01:16:16,576
- MATTHEW.
1491
01:16:16,618 --> 01:16:18,203
YOU AND ME,
BUDDY.
1492
01:16:18,244 --> 01:16:20,747
WE'RE GONNA BE FAMOUS.
1493
01:16:20,789 --> 01:16:23,708
[phone rings]
- MATT.
1494
01:16:23,750 --> 01:16:26,586
- WALKER, HE'S GONE.
- SORRY, MATT.
1495
01:16:26,628 --> 01:16:30,382
CONSIDERATE OF HIM TO GO OUT
BEFORE DEADLINE.
1496
01:16:30,423 --> 01:16:31,800
- [sniffles]
1497
01:16:31,841 --> 01:16:33,760
YEAH, HE PROBABLY PLANNED IT
THAT WAY.
1498
01:16:33,802 --> 01:16:37,847
- HE WAS A GOOD MAN,
MATT.
1499
01:16:37,889 --> 01:16:42,727
I ALWAYS TOLD HIM HE WAS
A FOOL FOR THE TRUTH.
1500
01:16:42,769 --> 01:16:44,854
- HE THOUGHT OF THAT
AS HIS HIGHEST COMPLIMENT.
1501
01:16:44,896 --> 01:16:47,982
MAKE SURE IT'S IN THE OBIT,
WILL YOU?
1502
01:16:48,024 --> 01:16:49,784
- YOU WANNA WRITE THAT ONE
YOURSELF, PARTNER?
1503
01:16:49,818 --> 01:16:53,238
YOU'VE GOTTEN PRETTY GOOD
AT IT.
1504
01:16:53,279 --> 01:16:54,280
- LIFE'S FUNNY,
MAN.
1505
01:16:54,322 --> 01:16:57,409
I... A WEEK AGO,
I WAS...
1506
01:16:57,450 --> 01:17:00,745
[sniffles] PRAYING I'D NEVER
HAVE TO WRITE ANOTHER OBIT.
1507
01:17:00,787 --> 01:17:04,290
NOW IT'S AN HONOR.
1508
01:17:04,332 --> 01:17:06,960
[church bell tolls]
1509
01:17:07,002 --> 01:17:10,797
THANK YOU, MAN.
I APPRECIATE IT.
1510
01:17:10,839 --> 01:17:15,468
- YOUR DAD MUST HAVE BEEN
SO PROUD OF YOU.
1511
01:17:15,510 --> 01:17:17,429
AND YOU OF HIM.
1512
01:17:17,470 --> 01:17:18,888
- YOU KNOW, MATT,
IN THE LONG RUN,
1513
01:17:18,930 --> 01:17:20,807
TRUTH DOESN'T NEED
ANY HELP.
1514
01:17:20,849 --> 01:17:23,143
BUT IN THE SHORT RUN,
IT USES PEOPLE
1515
01:17:23,184 --> 01:17:25,937
LIKE YOU AND YOUR DAD
TO SPEED ITSELF ALONG.
1516
01:17:25,979 --> 01:17:28,314
THERE'S A "JUSTICE
FOR WALLACE SAMPSON" MARCH
1517
01:17:28,356 --> 01:17:30,817
IN AMOS
NEXT WEEK.
1518
01:17:30,859 --> 01:17:32,068
I HOPE
YOU'LL BE THERE.
1519
01:17:32,110 --> 01:17:35,447
- I'LL BE THERE.
1520
01:17:35,488 --> 01:17:39,701
- WE'LL BOTH
BE THERE.
1521
01:17:47,375 --> 01:17:53,381
[overlapping chatter]
1522
01:17:54,716 --> 01:17:55,884
- HEY!
- HEY.
1523
01:17:55,925 --> 01:17:57,093
- ARE YOU MARCHING?
1524
01:17:57,135 --> 01:17:59,095
- NO, CAN'T.
1525
01:17:59,137 --> 01:18:00,614
JOURNALISTIC OBJECTIVITY
AND ALL THAT.
1526
01:18:00,638 --> 01:18:01,890
REPORTERS
AREN'T SUPPOSED
1527
01:18:01,931 --> 01:18:03,367
TO TAKE SIDES ON A STORY
THEY'RE COVERING.
1528
01:18:03,391 --> 01:18:04,976
HEY,
WHAT'S WITH THE CROSS?
1529
01:18:05,018 --> 01:18:06,853
- CHURCH HAS
A PLASTER PROBLEM.
1530
01:18:06,895 --> 01:18:08,521
CROSS NEEDS TO COME DOWN
FOR A FEW WEEKS
1531
01:18:08,563 --> 01:18:10,940
WHILE REPAIRS
ARE BEING MADE.
1532
01:18:10,982 --> 01:18:12,525
- TOO BAD.
- YEAH, WELL.
1533
01:18:12,567 --> 01:18:17,530
WE'LL DO
JUST FINE.
1534
01:18:17,572 --> 01:18:20,533
[dramatic music]
1535
01:18:20,575 --> 01:18:26,873
♪ ♪
1536
01:18:26,915 --> 01:18:29,542
- GO BACK TO AFRICA!
1537
01:18:29,584 --> 01:18:33,922
NIGGER LOVERS!
1538
01:18:33,963 --> 01:18:40,970
♪ ♪
1539
01:18:41,179 --> 01:18:45,100
- DAMN ALABAMA.
1540
01:18:45,141 --> 01:18:47,477
- WELL, YOU'RE AS BAD
AS THOSE REDNECKS, HARPER.
1541
01:18:47,519 --> 01:18:50,063
DON'T STEREOTYPE
ALABAMA.
1542
01:18:50,105 --> 01:18:52,399
TREY, MARY PELL,
REVEREND YOUNG.
1543
01:18:52,440 --> 01:18:53,775
THEY'RE ALABAMA TOO.
1544
01:18:53,817 --> 01:18:56,528
[crowd chanting]
1545
01:18:56,569 --> 01:18:57,862
- I'M MARCHING.
1546
01:18:57,904 --> 01:18:59,739
- YOU'RE NOT SUPPOSED
TO CHOOSE SIDES.
1547
01:18:59,781 --> 01:19:01,032
- TRUTH DOESN'T
HAVE TWO SIDES.
1548
01:19:01,074 --> 01:19:02,385
- HEY,
SOMEONE WILL CALL SOMEBODY,
1549
01:19:02,409 --> 01:19:03,576
AND YOU'LL LOSE
YOUR JOB.
1550
01:19:03,618 --> 01:19:04,828
- I DON'T CARE
WHAT THEY THINK.
1551
01:19:04,869 --> 01:19:08,415
I CARE
WHAT I THINK.
1552
01:19:08,456 --> 01:19:11,001
- YOU'RE A FOOL,
BUDDY.
1553
01:19:11,042 --> 01:19:13,962
- MAYBE
I AM A FOOL.
1554
01:19:14,004 --> 01:19:15,588
A FOOL
FOR THE TRUTH.
1555
01:19:15,630 --> 01:19:18,383
- FOOL
FOR THE TRUTH.
1556
01:19:18,425 --> 01:19:24,431
[chanting continues]
1557
01:19:32,897 --> 01:19:35,567
- I'M SO PROUD
OF YOU.
1558
01:19:35,608 --> 01:19:37,277
I LOVE YOU,
MATT.
1559
01:19:37,318 --> 01:19:38,903
- I LOVE YOU.
1560
01:19:38,945 --> 01:19:40,739
I OWE YOU
EVERYTHING.
1561
01:19:40,780 --> 01:19:46,995
[chanting continues]
1562
01:19:51,166 --> 01:19:55,462
- MATT, WE'VE BEEN SUMMONED
TO BAXTER'S OFFICE.
1563
01:19:55,503 --> 01:19:57,255
- [sighs] WHAT'S UP?
1564
01:19:57,297 --> 01:20:00,925
- I DON'T KNOW, BUT HE'S SURE
GOT A BURR UNDER HIS SADDLE.
1565
01:20:00,967 --> 01:20:03,053
- GENTLEMEN,
WE HAVE A PROBLEM.
1566
01:20:03,094 --> 01:20:05,805
THE NEW YORK TIMES WANTS TO DO
A STORY ABOUT WALLACE SAMPSON.
1567
01:20:05,847 --> 01:20:08,141
- YEAH, THE WASHINGTON POST
CALLED TOO.
1568
01:20:08,183 --> 01:20:10,018
- WELL, I'M DISINCLINED
TO COOPERATE.
1569
01:20:10,060 --> 01:20:12,812
- UM, WH-WHAT'S
THE PROBLEM?
1570
01:20:12,854 --> 01:20:14,898
- I'LL NOT BE THE BLACK CAT
IN THIS THING.
1571
01:20:14,939 --> 01:20:16,900
I CAN SEE
WHERE THIS IS GOING.
1572
01:20:16,941 --> 01:20:19,569
COURAGEOUS REPORTERS DEFY
PUBLISHER AND SOLVE MURDER.
1573
01:20:19,611 --> 01:20:21,321
JUSTICE PREVAILS.
1574
01:20:21,363 --> 01:20:23,740
- WELL, I DON'T... I DON'T THINK
THAT'S THE STORY AT ALL.
1575
01:20:23,782 --> 01:20:25,492
- WELL, HOW WOULD
YOU PUT IT THEN?
1576
01:20:25,533 --> 01:20:28,078
- [sighs]
1577
01:20:28,119 --> 01:20:31,915
THAT THE NASHVILLE TIMES
IS THE KIND OF NEWSPAPER
1578
01:20:31,956 --> 01:20:37,379
WHERE THIS SORT OF JOURNALISM
CAN STILL HAPPEN.
1579
01:20:37,420 --> 01:20:40,173
- DO YOU THINK MAYBE I COULD BE
THE ONE QUOTED SAYING THAT?
1580
01:20:40,215 --> 01:20:44,678
- I THINK YOU'RE
JUST THE RIGHT PERSON.
1581
01:20:44,719 --> 01:20:46,179
- WHAT A HYPOCRITE.
1582
01:20:46,221 --> 01:20:47,981
CAN'T BELIEVE YOU LET HIM
GET AWAY WITH THAT.
1583
01:20:48,014 --> 01:20:50,266
- PARTNER, WHEN YOU'RE
HOLDING ALL THE CARDS,
1584
01:20:50,308 --> 01:20:52,352
YOU DON'T WANT ANYONE
TO LEAVE THE TABLE.
1585
01:20:52,394 --> 01:20:53,829
I WENT IN THERE
THINKING SOMEBODY'S HEAD
1586
01:20:53,853 --> 01:20:55,230
WAS ABOUT TO ROLL.
1587
01:20:55,271 --> 01:20:57,607
INSTEAD, WE GOT THE PUBLISHER
BEGGING TO BE QUOTED
1588
01:20:57,649 --> 01:21:01,903
IN THE NATIONAL MEDIA SUPPORTING
INVESTIGATIVE JOURNALISM.
1589
01:21:03,655 --> 01:21:07,534
- MCCALLUM WAS SMART TO TRANSFER
POSSUM OVER HERE TONIGHT.
1590
01:21:07,575 --> 01:21:09,411
- I'M BETTING THERE WILL BE
A WHOLE BOATLOAD
1591
01:21:09,452 --> 01:21:12,163
OF ANGRY PEOPLE
AT TOMORROW'S HEARING.
1592
01:21:12,205 --> 01:21:16,876
SAFER NOT TO MAKE OL' POSSUM
RUN THAT GAUNTLET.
1593
01:21:16,918 --> 01:21:18,086
- MR. MCCALLUM,
WE'RE ARRIVING
1594
01:21:18,294 --> 01:21:19,963
AT THE COURTHOUSE
WITH THE PACKAGE.
1595
01:21:20,005 --> 01:21:23,216
- ROGER THAT.
1596
01:21:23,258 --> 01:21:25,093
[static]
1597
01:21:25,135 --> 01:21:29,681
- THEY'RE PULLING UP
TO THE COURTHOUSE.
1598
01:21:31,599 --> 01:21:34,519
[static]
1599
01:21:34,561 --> 01:21:37,063
- LOOKS LIKE A GOOD NIGHT
FOR POSSUM-HUNTING.
1600
01:21:37,105 --> 01:21:39,315
- THERE'S SOMEBODY ELSE
OUT THERE.
1601
01:21:39,357 --> 01:21:42,318
[rock music]
1602
01:21:42,360 --> 01:21:46,698
♪ ♪
1603
01:21:46,740 --> 01:21:47,866
- THEY'RE GONNA KILL HIM!
1604
01:21:47,907 --> 01:21:51,703
[tires screech]
1605
01:21:51,745 --> 01:21:53,580
[gunshot]
1606
01:21:53,621 --> 01:21:56,374
[tires screech]
1607
01:21:56,416 --> 01:21:58,168
- DANG, MATT.
1608
01:21:58,209 --> 01:22:01,087
WELL, YOU JUST MADE
RICHARD PETTY RIGHT PROUD.
1609
01:22:01,129 --> 01:22:02,380
HOO!
1610
01:22:02,422 --> 01:22:04,299
[chuckling]
1611
01:22:04,341 --> 01:22:06,176
- ALL RISE.
1612
01:22:06,217 --> 01:22:08,511
THE COURT
IS NOW IN SESSION.
1613
01:22:08,553 --> 01:22:10,072
THE HONORABLE
R. HORACE WILLIAMS PRESIDING.
1614
01:22:10,096 --> 01:22:15,018
- YOU MAY BE SEATED.
1615
01:22:15,060 --> 01:22:17,312
NOW COUNSELORS,
THIS IS NOT A TRIAL.
1616
01:22:17,354 --> 01:22:19,773
THIS IS ONLY A HEARING
ON THE DEFENSE REQUEST
1617
01:22:19,814 --> 01:22:22,359
FOR THE RELEASE
OF THE DEFENDANT ON BOND.
1618
01:22:22,400 --> 01:22:24,194
AS SUCH,
THERE ARE ONLY TWO QUESTIONS
1619
01:22:24,235 --> 01:22:26,071
THAT CONCERN
THE COURT TODAY.
1620
01:22:26,112 --> 01:22:29,240
ONE, IS HE
A FLIGHT RISK?
1621
01:22:29,282 --> 01:22:33,453
AND TWO, DOES HE POSE A RISK
OF HARM TO THE COMMUNITY?
1622
01:22:33,495 --> 01:22:35,580
- YOUR HONOR,
DESPITE JUDGE BUCHANAN'S TIES
1623
01:22:35,622 --> 01:22:39,084
TO THE COMMUNITY, WE CONSIDER
HIM A HIGH FLIGHT RISK.
1624
01:22:39,125 --> 01:22:40,710
- WHY IS THAT,
COUNSELOR?
1625
01:22:40,752 --> 01:22:44,422
- BECAUSE THE STATE WILL BE
SEEKING THE DEATH PENALTY.
1626
01:22:44,464 --> 01:22:48,176
[gasping]
1627
01:22:48,218 --> 01:22:49,969
- WHAT IS
YOUR AGGRAVATING CIRCUMSTANCE?
1628
01:22:50,011 --> 01:22:51,638
- PREMEDITATION.
1629
01:22:51,680 --> 01:22:54,766
WE WILL OFFER THE TESTIMONY
OF WILLIAM A. BAKER.
1630
01:22:54,808 --> 01:22:56,726
- I DO.
1631
01:22:56,768 --> 01:23:00,563
- ON THE NIGHT OF THE KILLING
OF WALLACE SAMPSON,
1632
01:23:00,605 --> 01:23:04,317
WERE YOU WITH JUDGE BUCHANAN?
- YES, SIR.
1633
01:23:04,359 --> 01:23:05,944
- WAS ANYONE ELSE
WITH YOU?
1634
01:23:05,985 --> 01:23:07,987
- YES, SIR.
1635
01:23:08,029 --> 01:23:09,823
CHIEF PERINGER.
1636
01:23:09,864 --> 01:23:11,241
THREE OF US
WAS IN TOWN HALL,
1637
01:23:11,282 --> 01:23:13,493
STANDING GUARD
AGAINST THE BLACKS.
1638
01:23:13,535 --> 01:23:16,287
[inhales] SOMEONE HAD THROWED
A FIREBOMB AT THE STORE.
1639
01:23:16,329 --> 01:23:17,997
THE JUDGE WAS PRETTY UPSET
ABOUT IT.
1640
01:23:18,039 --> 01:23:20,125
HE SAID HE'D ALREADY
BEEN LOSING MONEY
1641
01:23:20,166 --> 01:23:21,978
'CAUSE THE BLACKS WERE SCARING
AWAY THE WHITE FELLAS,
1642
01:23:22,002 --> 01:23:24,838
WHO'D COME AROUND
FOR THE GIRLS,
1643
01:23:24,879 --> 01:23:29,426
AND NOW, THEY'D CAUSED OL'
BRAEFORD WATSON'S HEART ATTACK.
1644
01:23:29,467 --> 01:23:33,096
- WHAT ELSE DID JUDGE BUCHANAN
SAY ABOUT THE FIREBOMB?
1645
01:23:33,138 --> 01:23:36,141
- HE SAID A FIREBOMB THAT, UH...
THAT DON'T GO OFF
1646
01:23:36,182 --> 01:23:37,767
MUST HAVE BEEN MADE
BY A BLACK.
1647
01:23:37,809 --> 01:23:39,185
[overlapping chatter]
1648
01:23:39,227 --> 01:23:44,649
- IS THAT EXACTLY
WHAT HE SAID?
1649
01:23:44,691 --> 01:23:46,026
- NO,
NOT EXACTLY.
1650
01:23:46,067 --> 01:23:48,319
- MR. BAKER,
TELL THE COURT
1651
01:23:48,361 --> 01:23:53,950
EXACTLY WHAT
JUDGE BUCHANAN SAID.
1652
01:23:53,992 --> 01:23:55,428
- HE SAID, "A FIREBOMB
THAT DON'T GO OFF
1653
01:23:55,452 --> 01:23:57,537
MUST HAVE BEEN MADE
BY A NIGGER."
1654
01:23:57,579 --> 01:23:59,164
[gasping]
1655
01:23:59,205 --> 01:24:02,208
- PLEASE.
[bangs gavel]
1656
01:24:02,250 --> 01:24:04,210
- DID JUDGE BUCHANAN
OFFER AN OPINION
1657
01:24:04,252 --> 01:24:06,338
ABOUT WHAT
SHOULD BE DONE?
1658
01:24:06,379 --> 01:24:09,049
- HE SAID, UH, "THEM NIGGERS
NEED TO BE PUT IN THEIR PLACE."
1659
01:24:09,090 --> 01:24:13,470
- DID JUDGE BUCHANAN SAY
HOW THAT SHOULD BE DONE?
1660
01:24:13,511 --> 01:24:15,138
- HE SAID,
"THERE NEEDS TO BE A KILLING."
1661
01:24:15,180 --> 01:24:18,516
[overlapping chatter]
1662
01:24:18,558 --> 01:24:21,227
- DID JUDGE BUCHANAN SAY
WHO NEEDED TO BE KILLED?
1663
01:24:21,269 --> 01:24:23,897
- HE SAID, "WE SHOULD KILL
THE NEXT NIGGER
1664
01:24:23,938 --> 01:24:25,065
THAT WALKS PAST
THE STORE."
1665
01:24:25,106 --> 01:24:29,069
[overlapping chatter]
1666
01:24:29,110 --> 01:24:31,237
- PLEASE.
1667
01:24:31,279 --> 01:24:34,491
- AND HOW WERE YOU GOING
TO DECIDE WHO WOULD KILL
1668
01:24:34,532 --> 01:24:37,577
THE NEXT BLACK PERSON
THAT WALKED PAST THE STORE?
1669
01:24:37,619 --> 01:24:39,579
- WE PLAYED POKER.
1670
01:24:39,621 --> 01:24:41,223
THAT WAY, WE COULD DECIDE
WHO WOULD BE LOOKOUTS
1671
01:24:41,247 --> 01:24:42,499
AND WHO WOULD BE
THE SHOOTER.
1672
01:24:42,540 --> 01:24:45,585
- AND THE LOSER
WOULD DO THE SHOOTING?
1673
01:24:45,627 --> 01:24:48,838
- NO,
THE WINNER.
1674
01:24:48,880 --> 01:24:51,675
[gasping]
1675
01:24:51,716 --> 01:24:52,926
- WHO WON THE HAND?
1676
01:24:52,967 --> 01:24:56,262
- JUDGE BUCHANAN.
1677
01:24:56,304 --> 01:24:58,223
- WHAT HAPPENED NEXT?
1678
01:24:58,264 --> 01:25:00,934
- JUDGE WENT AND GOT HIS RIFLE
FROM HIS CAR.
1679
01:25:00,975 --> 01:25:03,061
CHIEF SAID HE WANTED
TO GO HOME.
1680
01:25:03,103 --> 01:25:05,105
HE SAID HE THOUGHT
THE JUDGE HAD BEEN BLUFFING.
1681
01:25:05,146 --> 01:25:07,649
THE JUDGE SAID
IT WAS FINE BY HIM,
1682
01:25:07,691 --> 01:25:10,485
AS LONG AS HE KEPT
HIS MOUTH SHUT.
1683
01:25:10,527 --> 01:25:12,028
AFTER THE CHIEF LEFT,
I TRIED
1684
01:25:12,070 --> 01:25:13,613
TO TALK THE JUDGE
OUT OF IT.
1685
01:25:13,655 --> 01:25:16,241
I TOLD HIM HE DIDN'T ACTUALLY
NEED TO SHOOT ANYBODY.
1686
01:25:16,282 --> 01:25:18,368
HE COULD JUST
SCARE 'EM.
1687
01:25:18,410 --> 01:25:21,329
JUDGE SAID
IT WASN'T A BAD IDEA.
1688
01:25:21,371 --> 01:25:24,290
I JUST HID
IN THE BUSHES.
1689
01:25:24,332 --> 01:25:26,376
THEN I SAW
SOMEONE WALKING.
1690
01:25:26,418 --> 01:25:28,461
I COULD TELL
IT WAS A BLACK.
1691
01:25:28,503 --> 01:25:32,882
THEN I HEARD THE SHOT FROM WHERE
THE JUDGE WAS STANDING.
1692
01:25:32,924 --> 01:25:38,263
THE BLACK FELL,
AND I TOOK OFF.
1693
01:25:38,304 --> 01:25:39,639
I DIDN'T EVEN KNOW
IT WAS A KID
1694
01:25:39,681 --> 01:25:44,227
UNTIL THE JUDGE TOLD ME
THE NEXT DAY.
1695
01:25:44,269 --> 01:25:47,063
- WHAT ELSE DID
JUDGE BUCHANAN SAY?
1696
01:25:47,105 --> 01:25:49,399
- HE SAID THAT WAS
JUST ONE MORE NIGGER KID
1697
01:25:49,441 --> 01:25:51,067
WE DIDN'T HAVE TO WORRY
ABOUT GROWING UP.
1698
01:25:51,109 --> 01:25:57,323
[overlapping chatter]
1699
01:25:59,325 --> 01:26:03,621
- YOUR HONOR,
I HAVE ONE MORE WITNESS.
1700
01:26:03,663 --> 01:26:07,334
MARY PELL SAMPSON.
1701
01:26:07,375 --> 01:26:09,294
- DO YOU SWEAR AND AFFIRM
THAT THE STATEMENTS
1702
01:26:09,336 --> 01:26:11,129
THAT YOU MAKE ARE THE TRUTH,
THE WHOLE TRUTH,
1703
01:26:11,171 --> 01:26:12,339
AND NOTHING
BUT THE TRUTH?
1704
01:26:12,380 --> 01:26:14,924
- YES,
YOUR HONOR.
1705
01:26:14,966 --> 01:26:16,176
- MRS. SAMPSON,
JUDGE BUCHANAN
1706
01:26:16,217 --> 01:26:19,346
IS ACCUSED
OF KILLING YOUR SON.
1707
01:26:19,387 --> 01:26:23,808
WOULD YOU BE FEARFUL
IF HE WERE FREE ON BOND?
1708
01:26:23,850 --> 01:26:24,976
- I FEAR NO MAN.
1709
01:26:25,018 --> 01:26:28,146
ONLY GOD.
1710
01:26:28,188 --> 01:26:29,606
- YOU'RE
A TRUSTING WOMAN.
1711
01:26:29,647 --> 01:26:34,027
WHAT WOULD YOUR SON'S FATHER
SAY ABOUT THIS QUESTION?
1712
01:26:34,069 --> 01:26:35,695
- I DON'T KNOW.
1713
01:26:35,737 --> 01:26:39,115
- WHERE IS HE?
1714
01:26:39,157 --> 01:26:42,327
- I-I'D RATHER
NOT SAY.
1715
01:26:42,369 --> 01:26:47,290
- MA'AM, YOU ARE SWORN
TO TELL THE TRUTH HERE.
1716
01:26:47,332 --> 01:26:50,460
SO I'LL ASK YOU,
WHO IS WALLACE'S FATHER?
1717
01:26:57,217 --> 01:26:59,803
- JUDGE BUCHANAN!
1718
01:26:59,844 --> 01:27:05,850
[overlapping chatter]
1719
01:27:11,398 --> 01:27:12,774
- GO ON, PLEASE,
MA'AM.
1720
01:27:12,816 --> 01:27:17,487
- [quivering]
JUDGE BUCHANAN RAPED ME.
1721
01:27:17,529 --> 01:27:22,200
[overlapping chatter]
1722
01:27:22,242 --> 01:27:25,036
- PLEASE.
1723
01:27:25,078 --> 01:27:28,998
- HE AND MR. HALL
HAD BEEN...
1724
01:27:29,040 --> 01:27:31,209
SHOOTING BIRDS AND...
AND DRINKING.
1725
01:27:31,251 --> 01:27:36,214
MR. HALL FELL ASLEEP.
1726
01:27:36,256 --> 01:27:40,343
THE JUDGE...
1727
01:27:40,385 --> 01:27:42,929
CAME INTO THE KITCHEN
WHERE I WAS WORKING
1728
01:27:42,971 --> 01:27:46,016
AND SAID...
1729
01:27:46,057 --> 01:27:50,603
"WHY PAY FOR BROWN SUGAR
WHEN I CAN GET IT FOR FREE?"
1730
01:27:50,645 --> 01:27:53,440
[crying]
1731
01:27:53,481 --> 01:27:57,444
I NEVER TOLD ANYONE,
1732
01:27:57,485 --> 01:28:01,781
NOT EVEN WHEN I FOUND
I WAS PREGNANT.
1733
01:28:01,823 --> 01:28:05,368
IT MADE
NO MATTER.
1734
01:28:05,410 --> 01:28:07,579
I LOVED WALLACE.
1735
01:28:07,620 --> 01:28:12,917
HE WAS
MY ONLY SON.
1736
01:28:12,959 --> 01:28:14,461
JUDGE BUCHANAN
RAPED ME,
1737
01:28:14,502 --> 01:28:20,550
BUT GOD GAVE ME
WALLACE.
1738
01:28:24,846 --> 01:28:28,767
[gospel music]
1739
01:28:28,808 --> 01:28:32,604
[camera snaps]
1740
01:28:32,645 --> 01:28:39,652
♪ ♪
1741
01:28:43,323 --> 01:28:48,703
- JUDGE,
CARE TO COMMENT?
1742
01:28:48,745 --> 01:28:50,345
- YEAH, TOO BAD
CHIEF PERINGER AIN'T HERE
1743
01:28:50,372 --> 01:28:54,542
TO TELL HIS SIDE
OF THIS.
1744
01:28:54,584 --> 01:28:56,419
- MIGHT BE
THE POINT.
1745
01:28:56,461 --> 01:28:58,880
[cameras snapping]
1746
01:29:10,058 --> 01:29:12,435
- PERFECT MATCH.
1747
01:29:12,477 --> 01:29:14,312
THE GUN THAT KILLED
WALLACE SAMPSON
1748
01:29:14,354 --> 01:29:16,189
WAS THE GUN THAT KILLED
CHIEF PERINGER.
1749
01:29:16,231 --> 01:29:19,025
- [sighs]
1750
01:29:19,067 --> 01:29:22,487
[sighs]
1751
01:29:22,529 --> 01:29:24,340
- CHIEF PERINGER AND POSSUM
WERE THE ONLY OTHER PEOPLE
1752
01:29:24,364 --> 01:29:25,699
WHO KNEW WHAT BUCHANAN
HAD DONE.
1753
01:29:25,740 --> 01:29:28,493
SO WHEN TREY STARTS STIRRING
THINGS UP,
1754
01:29:28,535 --> 01:29:31,204
BUCHANAN KILLS THE CHIEF
THE SAME WAY HE SHOT WALLACE.
1755
01:29:31,246 --> 01:29:32,664
- THE CHIEF
WOULD STILL BE ALIVE
1756
01:29:32,706 --> 01:29:34,058
IF I HADN'T STARTED
ASKING QUESTIONS.
1757
01:29:34,082 --> 01:29:35,542
- NO, BABY.
- WELL, HEY.
1758
01:29:35,583 --> 01:29:37,228
THE CHIEF MIGHT NOT HAVE
PULLED THE TRIGGER,
1759
01:29:37,252 --> 01:29:38,396
BUT HE DID COVER UP
WALLACE'S MURDER
1760
01:29:38,420 --> 01:29:39,546
FOR ALMOST
20 YEARS.
1761
01:29:39,587 --> 01:29:42,507
- YOU DID
WHAT YOU BELIEVED IN,
1762
01:29:42,549 --> 01:29:46,344
AND I WAS SO WRONG
TO TRY TO STOP YOU.
1763
01:29:46,386 --> 01:29:52,058
[phone rings]
1764
01:29:52,100 --> 01:29:55,895
HELLO?
1765
01:29:55,937 --> 01:30:00,400
- DADDY?
1766
01:30:00,442 --> 01:30:01,401
- BUCHANAN'S DEAD.
1767
01:30:01,443 --> 01:30:05,530
HUNG HIMSELF
IN JAIL.
1768
01:30:05,572 --> 01:30:06,799
AND THERE'S A FIRE
AT THE CHURCH,
1769
01:30:06,823 --> 01:30:09,909
AND ALL HELL
IS BREAKING LOOSE.
1770
01:30:09,951 --> 01:30:12,912
[rock music]
1771
01:30:12,954 --> 01:30:15,832
- [sniffles]
1772
01:30:15,874 --> 01:30:22,172
♪ ♪
1773
01:30:22,213 --> 01:30:25,175
- [sighs] PRAISE GOD.
1774
01:30:25,216 --> 01:30:27,635
- YOU KNOW,
IN 19 YEARS,
1775
01:30:27,677 --> 01:30:30,930
I'VE LEARNED A THING OR TWO
ABOUT MAKING FIREBOMBS.
1776
01:30:30,972 --> 01:30:33,058
- ♪ SEEMS SO LONG ♪
1777
01:30:33,099 --> 01:30:37,103
♪ YOU BEEN CARRYING THAT CROSS
ALL BY YOURSELF ♪
1778
01:30:37,145 --> 01:30:42,901
♪ AND YOU DON'T SEE
HOW YOU CAN TAKE IT ♪
1779
01:30:42,942 --> 01:30:44,694
♪ TRUTH BE TOLD ♪
1780
01:30:44,736 --> 01:30:48,698
♪ WE EACH LIVE
IN A HOUSE OF CARDS ♪
1781
01:30:48,740 --> 01:30:51,534
♪ YEAH
AND IT DON'T TAKE MUCH ♪
1782
01:30:51,576 --> 01:30:55,789
♪ TO SHAKE IT ♪
1783
01:30:55,830 --> 01:31:01,795
♪ ♪
1784
01:31:01,836 --> 01:31:03,463
- I'M SORRY.
1785
01:31:03,505 --> 01:31:05,048
- IT'S OKAY,
EMMA JEAN.
1786
01:31:05,090 --> 01:31:11,096
IT'S NOT YOUR FAULT.
1787
01:31:15,016 --> 01:31:22,023
♪ ♪
1788
01:31:28,905 --> 01:31:34,744
[fire crackling]
1789
01:31:43,169 --> 01:31:46,339
- ♪ TO BE REDEEMED ♪
1790
01:31:46,381 --> 01:31:48,633
♪ OH TO BE REDEEMED ♪
1791
01:31:48,675 --> 01:31:52,846
♪ TO BE REDEEMED ♪
1792
01:31:52,887 --> 01:31:55,807
♪ REDEEMED ♪
1793
01:31:55,849 --> 01:31:59,519
♪ FROM THE GRIP
OF THE MIGHTY ♪
1794
01:31:59,561 --> 01:32:03,523
♪ FROM THE JAWS
OF THE LION ♪
1795
01:32:03,565 --> 01:32:07,277
♪ TO BE REDEEMED ♪
1796
01:32:07,318 --> 01:32:13,241
♪ THIS SIDE OF ZION ♪
1797
01:32:19,581 --> 01:32:23,710
♪ I HEARD TELL
OF A CITY ♪
1798
01:32:23,752 --> 01:32:26,755
♪ WHERE NO ONE CRIES ♪
1799
01:32:26,796 --> 01:32:31,301
♪ WE'VE ONLY EVER KNOWN
THE SUBURB ♪
1800
01:32:31,343 --> 01:32:34,512
♪ BUILT ON LIES ♪
1801
01:32:34,554 --> 01:32:38,224
♪ WHERE THE LOWBORN
SUFFER ♪
1802
01:32:38,266 --> 01:32:41,728
♪ AND THE WICKED WIN ♪
1803
01:32:41,770 --> 01:32:46,483
♪ THEY GET PAID
TO SIN ♪
1804
01:32:46,524 --> 01:32:50,737
♪ WHILE THE WEARY WAIT
AT HEAVEN'S DOOR ♪
1805
01:32:50,779 --> 01:32:53,323
♪ HOPING SOMEONE
LETS THEM IN ♪
1806
01:32:53,365 --> 01:33:01,414
♪ TO BE REDEEMED ♪
1807
01:33:01,456 --> 01:33:04,209
♪ TO FIND
THAT ALL WE DREAMED ♪
1808
01:33:04,250 --> 01:33:07,420
♪ IS WHAT IT SEEMS ♪
1809
01:33:07,462 --> 01:33:11,007
♪ FROM THE GRIP
OF THE MIGHTY ♪
1810
01:33:11,049 --> 01:33:14,719
♪ FROM THE JAWS
OF THE LION ♪
1811
01:33:14,761 --> 01:33:20,058
♪ THIS SIDE OF ZION ♪
1812
01:33:20,100 --> 01:33:24,020
♪ OH OH OH ♪
1813
01:33:24,062 --> 01:33:28,441
♪ OH ♪
1814
01:33:28,483 --> 01:33:31,653
[country music]
1815
01:33:36,991 --> 01:33:39,411
- ♪ 100 MILES
AN HOUR ♪
1816
01:33:39,452 --> 01:33:41,705
♪ COMING AT YOU
FAST ♪
1817
01:33:41,746 --> 01:33:43,456
♪ SHOT LIKE
A BULLET ♪
1818
01:33:43,498 --> 01:33:45,792
♪ THAT'S SHOWING UP
AT LAST ♪
1819
01:33:45,834 --> 01:33:49,379
♪ THERE'S
A DEAD LINE COMING ♪
1820
01:33:49,421 --> 01:33:55,385
♪ NOWHERE TO HIDE
OH NO ♪
1821
01:33:55,427 --> 01:33:58,596
♪ THERE'S
A DEAD LINE COMING ♪
1822
01:33:58,638 --> 01:34:02,434
♪ WRITTEN
A LONG TIME AGO ♪
1823
01:34:05,353 --> 01:34:07,480
♪ ACROSS THE COUNTY LINE ♪
1824
01:34:07,522 --> 01:34:09,774
♪ SCREAMING
AS IT COMES ♪
1825
01:34:09,816 --> 01:34:12,402
♪ KILLING OFF
THE FUTURE ♪
1826
01:34:12,444 --> 01:34:14,029
♪ BLOCKING OUT
THE SUN ♪
1827
01:34:14,070 --> 01:34:17,449
♪ THERE'S
A DEAD LINE COMING ♪
1828
01:34:17,490 --> 01:34:23,455
♪ GOING ACROSS
THE LAND ♪
1829
01:34:23,496 --> 01:34:26,833
♪ THERE'S
A DEAD LINE COMING ♪
1830
01:34:26,875 --> 01:34:29,169
♪ BE READY
IF YOU CAN ♪
1831
01:34:29,210 --> 01:34:35,675
♪ ♪
1832
01:34:35,717 --> 01:34:37,427
♪ YEAH ♪
1833
01:34:37,469 --> 01:34:38,595
♪ BE READY ♪
1834
01:34:38,636 --> 01:34:45,852
♪ ♪
122975
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