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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:11,011 --> 00:00:14,222 [blues playing] 4 00:00:15,974 --> 00:00:23,189 ♪ ♪ 5 00:00:32,532 --> 00:00:34,868 - "HERE ON THE PULSE OF THIS NEW DAY, 6 00:00:34,909 --> 00:00:37,704 "YOU MAY HAVE THE GRACE TO LOOK UP AND OUT 7 00:00:37,746 --> 00:00:39,205 "AND INTO YOUR SISTER'S EYES 8 00:00:39,247 --> 00:00:40,975 AND INTO YOUR BROTHER'S FACE, YOUR COUNTRY..." 9 00:00:40,999 --> 00:00:43,793 - "AND SAY SIMPLY, VERY SIMPLY, 10 00:00:43,835 --> 00:00:45,795 WITH HOPE, GOOD MORNING." 11 00:00:45,837 --> 00:00:49,632 MAYA ANGELOU, ON THE PULSE OF MORNING, WHICH SHE READ 12 00:00:49,674 --> 00:00:52,260 AT PRESIDENT CLINTON'S INAUGURATION LAST MONTH. 13 00:00:52,302 --> 00:00:56,389 COME ON, VANESSA, THAT WAS TOO EASY. 14 00:00:57,682 --> 00:00:59,976 +- "EVER, DID YOU EVER SIT DOWN AND WONDER 15 00:01:00,018 --> 00:01:01,853 WHAT FREEDOM'S FREEDOM WOULD BRING?" 16 00:01:01,895 --> 00:01:04,356 - "IT'S SO EASY TO BE FREE. 17 00:01:04,397 --> 00:01:07,317 YOU START BY LOVING YOURSELF." 18 00:01:07,359 --> 00:01:10,779 NIKKI GIOVANNI, WALKING DOWN PARK. 19 00:01:10,820 --> 00:01:12,739 AND NIKKI GIOVANNI WENT TO FISK. 20 00:01:12,781 --> 00:01:14,741 - YEAH, BUT WHAT IF YOU COULD 21 00:01:14,783 --> 00:01:16,576 GO TO HARVARD OR PRINCETON? 22 00:01:16,618 --> 00:01:18,286 - FISK WAS THERE FOR US 23 00:01:18,328 --> 00:01:21,247 WHEN HARVARD AND PRINCETON WEREN'T, 24 00:01:21,289 --> 00:01:25,085 AND IT'S ALSO CLOSER TO MAMA. 25 00:01:25,126 --> 00:01:26,378 - YOUR MAMA'S STRONG. 26 00:01:26,419 --> 00:01:28,713 SHE'LL BE JUST FINE WITHOUT YOU. 27 00:01:28,755 --> 00:01:30,882 - I'M ALL SHE'S GOT LEFT. 28 00:01:34,094 --> 00:01:37,847 BEYOND REASON, I'M ATTACHED TO YOU, 29 00:01:38,932 --> 00:01:44,312 THE FEELING OF YOUR TOUCH, MY GRANDMOTHER'S SOFT SKIN, 30 00:01:45,313 --> 00:01:49,651 SEEING IN YOUR EYES OUR UNBORN, 31 00:01:50,819 --> 00:01:57,409 SMELLING MAMA'S KITCHEN IN YOUR HAIR, FAMILY TO BE. 32 00:01:58,118 --> 00:02:02,330 - THAT'S BEAUTIFUL. WHO WROTE IT? 33 00:02:07,919 --> 00:02:11,673 - WALLACE SAMSON, FAMILY TO BE. 34 00:02:12,799 --> 00:02:16,720 I WROTE IT FOR YOU. 35 00:02:16,761 --> 00:02:18,680 - THANK YOU. 36 00:02:20,974 --> 00:02:23,184 - I LOVE YOU. 37 00:02:23,977 --> 00:02:27,188 - I LOVE YOU, WALLACE SAMSON. 38 00:02:42,162 --> 00:02:43,121 [gunshot] 39 00:02:43,163 --> 00:02:45,832 - [screams] 40 00:02:45,874 --> 00:02:48,835 [discordant rock] 41 00:02:48,877 --> 00:02:52,130 ♪ ♪ 42 00:02:52,172 --> 00:02:59,387 people chanting: FIRE MATT HARPER! 43 00:03:22,744 --> 00:03:25,789 - THAT'S HIM! THAT'S MATT HARPER! 44 00:03:25,830 --> 00:03:31,586 [people shouting] 45 00:03:34,381 --> 00:03:39,678 people chanting: FIRE MATT HARPER! 46 00:03:48,103 --> 00:03:50,021 - IT ACTUALLY WASN'T THAT BAD A STORY. 47 00:03:50,063 --> 00:03:52,607 - YEAH, WELL, I'M NOT THE ONE WHO WROTE THE HEADLINE 48 00:03:52,649 --> 00:03:55,193 AND THEN DECIDED TO ONLY USE PICTURES OF BLACK PEOPLE. 49 00:03:55,235 --> 00:03:57,237 - MATT, HIGHTAIL IT DOWN TO AMOS. 50 00:03:57,278 --> 00:03:58,863 SOMEONE SHOT THE POLICE CHIEF. 51 00:03:58,905 --> 00:04:00,407 - ON IT. 52 00:04:00,448 --> 00:04:02,450 - SUPPOSED TO HAVE A GOOD BARBECUE JOINT THERE. 53 00:04:02,492 --> 00:04:05,954 TEDDY'S BARBECUE, THE BEST IN TOWN. 54 00:04:05,995 --> 00:04:09,040 [Break by Dave Perkins] 55 00:04:09,082 --> 00:04:10,917 - ♪ COME ON, Y'ALL ♪ 56 00:04:10,959 --> 00:04:17,966 ♪ ♪ 57 00:04:22,178 --> 00:04:26,725 ♪ THE TASTE OF LIFE IS OH, SO SWEET ♪ 58 00:04:26,766 --> 00:04:31,396 ♪ THEY'RE FINDING MONEY IN THE STREET ♪ 59 00:04:31,438 --> 00:04:33,898 ♪ SOME FOLKS CAN LIVE A LIFE THAT'S CHARMED ♪ 60 00:04:33,940 --> 00:04:36,484 ♪ SOME FOLKS CAN GO THROUGH HELL UNHARMED ♪ 61 00:04:36,526 --> 00:04:40,780 ♪ THE TASTE OF LIFE IS OH, SO SWEET ♪ 62 00:04:40,822 --> 00:04:43,658 ♪ BUT HARD LUCK DAYS HAVE CAUGHT ME ♪ 63 00:04:43,700 --> 00:04:46,536 ♪ IN A CORNER FULL OF KILL ♪ 64 00:04:46,578 --> 00:04:49,706 ♪ ♪ 65 00:04:49,748 --> 00:04:54,294 ♪ SO WHY DOES THE ROAD SEEM THE HARDEST WHEN UPHILL? 66 00:04:54,336 --> 00:04:56,963 ♪ I WANT A BREAK THAT I DON'T HAVE TO MAKE ♪ 67 00:04:57,005 --> 00:04:59,382 - ♪ I WANT A BREAK THAT I DON'T HAVE TO MAKE ♪ 68 00:04:59,424 --> 00:05:01,760 - ♪ I WANT A BREAK THAT I DON'T HAVE TO MAKE ♪ 69 00:05:01,801 --> 00:05:03,803 - ♪ I WANT A BREAK THAT I DON'T HAVE TO MAKE ♪ 70 00:05:03,845 --> 00:05:06,639 - ♪ I WANT A BREAK THAT I DON'T HAVE TO MAKE ♪ 71 00:05:06,681 --> 00:05:13,688 ♪ ♪ 72 00:05:16,232 --> 00:05:18,860 - WHAT ARE YOU LOOKING AT, HUH? 73 00:05:18,902 --> 00:05:21,988 - NOW, NOW, NOW, IT'S ALL RIGHT, EMMA JEAN. 74 00:05:22,030 --> 00:05:24,449 IT'S ALL RIGHT. 75 00:05:30,163 --> 00:05:32,665 [police radio dispatch] 76 00:05:37,128 --> 00:05:39,547 - I'M SORRY FOR YOUR LOSS. 77 00:05:39,589 --> 00:05:42,258 I UNDERSTAND THE CHIEF WAS YOUR DAD. 78 00:05:42,300 --> 00:05:45,136 - HAVE YOU NO DECENCY? 79 00:05:45,178 --> 00:05:47,180 - JUST DOING MY JOB, SIR. 80 00:05:47,222 --> 00:05:49,599 - WELL, I'M JUST DOING MINE. 81 00:05:49,641 --> 00:05:52,936 WHY DON'T YOU BOYS ESCORT THIS VULTURE OUT OF TOWN? 82 00:05:52,977 --> 00:05:55,397 - ARE YOU SERIOUS? I HAVE A RIGHT TO BE HERE. 83 00:05:55,438 --> 00:05:59,109 - SO SUE ME. I'M A JUDGE. 84 00:05:59,150 --> 00:06:01,945 [police radio dispatch] 85 00:06:07,367 --> 00:06:08,702 - OH. 86 00:06:11,496 --> 00:06:14,582 - SUCH A SHAME, MATT. THEY'VE GOT YOU ALL WRONG. 87 00:06:19,170 --> 00:06:22,173 - OKAY, I GET THE MESSAGE. 88 00:06:22,215 --> 00:06:24,592 - HEY. WHAT? 89 00:06:28,555 --> 00:06:31,599 THE WEDDING PLANNER WAS TODAY. 90 00:06:33,101 --> 00:06:35,645 UH, WHAT ARE YOU...? 91 00:06:35,687 --> 00:06:42,027 DELANA. WHAT? DELANA. DELANA, HANG ON. 92 00:06:42,068 --> 00:06:45,405 - NEVER A GOOD SIGN WHEN THEY TAKE THE KEY. 93 00:06:45,447 --> 00:06:50,577 - HEY, DELANA. - HEY, WALKER. 94 00:06:51,995 --> 00:06:55,081 - HEY, MATT, YOU GOT A... YOU GOT A MINUTE? 95 00:06:55,123 --> 00:06:58,168 - HEY, UH, YEAH, SURE. 96 00:06:58,209 --> 00:06:59,669 - THIS IS TREY HALL. 97 00:06:59,711 --> 00:07:01,171 - EVERETT HALL THE THIRD, ACTUALLY. 98 00:07:01,212 --> 00:07:03,340 - MATT HARPER THE FIRST. 99 00:07:03,381 --> 00:07:05,467 WHAT BRINGS YOU TO THE TIMES? 100 00:07:05,508 --> 00:07:07,093 - I LIVE IN AMOS, ALABAMA. 101 00:07:07,135 --> 00:07:08,636 I SAW YOU THERE YESTERDAY. 102 00:07:08,678 --> 00:07:10,930 I HAVE SOME INFORMATION YOU MIGHT BE INTERESTED IN. 103 00:07:10,972 --> 00:07:14,100 - OH, UH, GREAT. 104 00:07:14,142 --> 00:07:17,228 - WOW. 105 00:07:17,270 --> 00:07:20,148 - SO, WHAT DO YOU KNOW ABOUT CHIEF PERINGER'S MURDER? 106 00:07:20,190 --> 00:07:23,443 - NOTHING. I'M HERE ABOUT A DIFFERENT MURDER. 107 00:07:23,485 --> 00:07:24,569 - WHO? 108 00:07:24,611 --> 00:07:25,779 - WALLACE SAMPSON, 109 00:07:25,987 --> 00:07:28,198 A 15-YEAR-OLD BLACK KID, SHOT IN THE HEAD. 110 00:07:28,239 --> 00:07:29,783 - WHERE? 111 00:07:29,824 --> 00:07:31,034 - BY THE STORE, 112 00:07:31,076 --> 00:07:33,119 RIGHT NEAR WHERE CHIEF PERINGER WAS KILLED. 113 00:07:33,161 --> 00:07:36,122 - WHEN? - 19 YEARS AGO. 114 00:07:36,164 --> 00:07:38,249 - 19 YEARS AGO? WHY? 115 00:07:38,291 --> 00:07:39,477 - THAT'S WHAT I'M TRYING TO FIGURE OUT, 116 00:07:39,501 --> 00:07:41,002 BUT NO ONE WANTS TO TALK. 117 00:07:41,044 --> 00:07:43,922 - NO, NO, NO. I MEAN, WHY... WHY... WHY NOW? 118 00:07:43,963 --> 00:07:45,256 I WAS NINE THEN. 119 00:07:45,465 --> 00:07:47,109 YOU WERE PROBABLY IN DIAPERS. WHY DO YOU CARE? 120 00:07:47,133 --> 00:07:49,487 - WALLACE WAS THE SON OF OUR HOUSEKEEPER, MARY PELL SAMPSON. 121 00:07:49,511 --> 00:07:51,096 I KNEW MARY PELL LOST A SON, 122 00:07:51,137 --> 00:07:53,973 BUT I DIDN'T KNOW UNTIL RECENTLY THAT HE HAD BEEN MURDERED. 123 00:07:54,015 --> 00:07:57,227 - SO, WHY COME TO ME? 124 00:07:57,268 --> 00:07:58,561 - I NEED HELP. 125 00:07:58,603 --> 00:07:59,979 THE LOCAL AUTHORITIES ARE A JOKE. 126 00:08:00,021 --> 00:08:02,399 WE DON'T HAVE A REAL NEWSPAPER IN AMOS. 127 00:08:02,440 --> 00:08:04,192 PLUS, MY FATHER IS SERIOUSLY HASSLING ME 128 00:08:04,234 --> 00:08:05,276 FOR GETTING INTO THIS. 129 00:08:05,318 --> 00:08:06,903 THE WALLACE'S SHOOTING 130 00:08:06,945 --> 00:08:08,947 IS STILL AN OPEN WOUND IN THE BLACK COMMUNITY. 131 00:08:08,988 --> 00:08:11,282 IT BOTHERS THEM THAT NO ONE CARES. 132 00:08:11,324 --> 00:08:14,536 IT SHOULD BOTHER YOU TOO. 133 00:08:14,577 --> 00:08:17,664 [rock music] 134 00:08:17,706 --> 00:08:19,165 - ♪ WE'RE TRAVELIN', TRAVELIN' ♪ 135 00:08:19,207 --> 00:08:20,333 [line ringing] 136 00:08:20,375 --> 00:08:21,519 - THIS IS DELANA. LEAVE A MESSAGE. 137 00:08:21,543 --> 00:08:22,836 [beep] 138 00:08:22,877 --> 00:08:24,379 - HEY, HONEY, I'M REALLY SORRY. 139 00:08:24,421 --> 00:08:26,423 I'M GONNA BE TIED UP ON A STORY ALL WEEKEND, 140 00:08:26,464 --> 00:08:28,758 BUT I'LL SEE YOU SUNDAY. 141 00:08:28,800 --> 00:08:31,761 - ♪ WHEN THE DAYLIGHT'S DONE ♪ 142 00:08:31,803 --> 00:08:34,014 ♪ ♪ 143 00:08:34,055 --> 00:08:39,769 ♪ THIS ROAD IS WEARY BUT OUR WORK HAS JUST BEGUN ♪ 144 00:08:39,811 --> 00:08:42,063 ♪ ♪ 145 00:08:42,105 --> 00:08:48,778 ♪ COME AND GO WITH ME DOWN BEHIND THE SUN ♪ 146 00:08:48,820 --> 00:08:51,573 ♪ ♪ 147 00:08:51,614 --> 00:08:53,950 - WINDROW STARTED AS A COTTON PLANTATION. 148 00:08:53,992 --> 00:08:58,079 MY GREAT-GREAT-GREAT GRANDFATHER BOUGHT IT AFTER THE CIVIL WAR. 149 00:08:58,121 --> 00:08:59,998 I'VE BEEN IN AND OUT OF SCHOOLS UP NORTH, 150 00:09:00,040 --> 00:09:02,500 BUT THAT HOUSE IS WHERE I GREW UP. 151 00:09:02,542 --> 00:09:04,627 I LIVE IN THE LEFT WING NOW 152 00:09:04,669 --> 00:09:07,422 AND MY DAD LIVES IN THE EXTREME RIGHT. 153 00:09:07,464 --> 00:09:12,385 MY FATHER LIKES TO HUNT BIRDS, BUT I LIKE TO HUNT PLANTS. 154 00:09:12,427 --> 00:09:15,305 - PLANTS AND A COLD CASE MURDER? 155 00:09:15,347 --> 00:09:17,057 - MM-HMM. 156 00:09:17,098 --> 00:09:19,100 - FUNNY COMBINATION OF INTERESTS. 157 00:09:19,142 --> 00:09:21,436 - ACTUALLY, THEY HAVE A LOT IN COMMON. 158 00:09:21,478 --> 00:09:23,146 SOLVING WALLACE'S MURDER 159 00:09:23,188 --> 00:09:26,066 IS LIKE FINDING A PLANT I CAN'T IDENTIFY. 160 00:09:26,107 --> 00:09:28,610 I CAN'T STOP UNTIL I DO. 161 00:09:28,651 --> 00:09:31,071 [cow mooing] 162 00:09:33,073 --> 00:09:34,908 THERE'S SOMEONE I WANT YOU TO MEET 163 00:09:34,949 --> 00:09:36,993 WHO WAS HERE WHEN WALLACE WAS KILLED. 164 00:09:37,035 --> 00:09:40,163 - IT'S BEEN 19 YEARS SINCE WALLACE WAS KILLED 165 00:09:40,205 --> 00:09:43,458 AND IT'S STILL A DEVIL THAT WON'T BE EXORCIZED, 166 00:09:43,500 --> 00:09:45,085 SO IT WAS NO SURPRISE 167 00:09:45,126 --> 00:09:46,979 WHEN BLACK PEOPLE WANT TO KNOW WHO KILLED WALLACE, 168 00:09:47,003 --> 00:09:51,049 BUT WHEN A WHITE PERSON DOES... ESPECIALLY A HALL... 169 00:09:51,091 --> 00:09:54,177 WELL, THAT'S SOMETHING DIFFERENT. 170 00:09:54,219 --> 00:09:55,970 - TELL ME WHAT HAPPENED. 171 00:09:56,012 --> 00:09:59,349 - WELL, IT STARTED OUT AS SOME BOTTLES AND ROCKS BEING THROWN. 172 00:09:59,391 --> 00:10:00,934 POLICE HAD TO BREAK IT UP. 173 00:10:00,975 --> 00:10:03,353 THE NEXT NIGHT, EVERYTHING HAD QUIETED DOWN 174 00:10:03,395 --> 00:10:04,646 AND WALLACE WAS WALKING HOME 175 00:10:04,688 --> 00:10:07,649 WHEN HE WAS GUNNED DOWN IN COLD BLOOD. 176 00:10:07,691 --> 00:10:09,943 - YOU KNOW WHY THEY SHOT HIM? 177 00:10:09,984 --> 00:10:14,864 - SURE, BLACK KID AT THE WRONG PLACE. 178 00:10:14,906 --> 00:10:18,118 LET ME SHOW YOU SOMETHING. 179 00:10:20,328 --> 00:10:23,581 YOU SEE THIS CROSS? 180 00:10:23,623 --> 00:10:26,626 IT MEANS A LOT TO MY CONGREGATION. 181 00:10:26,668 --> 00:10:29,379 THEY CALL IT THE LYNCHING CROSS. 182 00:10:29,421 --> 00:10:32,882 SEE, BACK IN 1932, THE KLAN LYNCHED A BLACK KID 183 00:10:32,924 --> 00:10:35,510 WHO WAS ACCUSED OF ATTACKING A WHITE AMOS GIRL. 184 00:10:35,552 --> 00:10:37,470 THERE WAS NO TRIAL. 185 00:10:37,512 --> 00:10:41,182 THEY JUST HUNG HIM FROM AN OAK TREE. 186 00:10:41,224 --> 00:10:43,560 WELL, THE BOY'S DADDY CUT THAT TREE DOWN 187 00:10:43,601 --> 00:10:45,061 AND MADE THAT CROSS OUT OF IT. 188 00:10:45,103 --> 00:10:47,063 YOU SEE, HE COULD DEAL WITH WHAT HAPPENED 189 00:10:47,105 --> 00:10:51,818 IF HE THOUGHT HIS SON DIED ON A CROSS, 190 00:10:51,860 --> 00:10:53,653 BUT IT'S TIME WE GET BEYOND IT. 191 00:10:53,695 --> 00:10:55,655 - WHAT DO YOU MEAN, "GET BEYOND IT"? 192 00:10:55,697 --> 00:10:57,323 - WELL, TO MY CONGREGATION, 193 00:10:57,365 --> 00:11:00,660 THAT CROSS IS A SYMBOL OF JUSTICE IN THE NEXT LIFE, 194 00:11:00,702 --> 00:11:05,790 BUT TO ME, IT'S STILL JUST A LYNCHING TREE, 195 00:11:05,832 --> 00:11:08,543 AND I HATE THAT CROSS. 196 00:11:08,585 --> 00:11:10,795 [doorbell rings] 197 00:11:13,340 --> 00:11:17,260 - MISS TREY, WHAT ARE YOU DOING ON THIS SIDE OF TOWN? 198 00:11:17,302 --> 00:11:19,304 - I'M SORRY TO BOTHER YOU ON A SATURDAY, MARY PELL. 199 00:11:19,346 --> 00:11:22,640 THIS IS MATT HARPER. HE'S A REPORTER FROM NASHVILLE. 200 00:11:22,682 --> 00:11:24,642 MARY PELL RAISED ME. 201 00:11:24,684 --> 00:11:27,479 WE'D LIKE TO SPEAK WITH YOU ABOUT WALLACE. 202 00:11:31,483 --> 00:11:32,734 - THANK YOU. 203 00:11:32,942 --> 00:11:36,488 - WALLACE WAS A STRAIGHT "A" STUDENT. 204 00:11:36,529 --> 00:11:39,407 HE NEVER MISSED SCHOOL OR CHURCH. 205 00:11:39,449 --> 00:11:46,873 I TOLD HIM NOT TO BE OUT LATE, AND HE SAID, "YES, MA'AM." 206 00:11:48,541 --> 00:11:54,130 THEN, UH, REVEREND YOUNG CAME TO THE DOOR 207 00:11:54,172 --> 00:11:59,386 AND HE TOLD ME WALLACE HAD BEEN SHOT. 208 00:12:01,137 --> 00:12:07,686 THEY TOOK HIM TO THE HOSPITAL BUT HE HAD ALREADY PASSED. 209 00:12:07,727 --> 00:12:09,979 [sniffling] 210 00:12:10,021 --> 00:12:16,111 I WANTED TO SEE HIM, BUT THEY WOULDN'T LET ME. 211 00:12:17,904 --> 00:12:24,327 - I'M SORRY FOR YOUR LOSS. I'M SORRY TO MAKE YOU RELIVE IT. 212 00:12:24,369 --> 00:12:29,874 - I RELIVE IT EVERY DAY. YOU CAN'T HURT ME, MR. HARPER. 213 00:12:29,916 --> 00:12:34,254 I'VE ALREADY BEEN HURT THE WORST THERE IS. 214 00:12:36,339 --> 00:12:39,426 - TELL ME, MR. BIG CITY NEWSPAPER REPORTER, 215 00:12:39,467 --> 00:12:41,594 WHAT DO YOU WRITE ABOUT? 216 00:12:41,636 --> 00:12:44,556 - WHATEVER I'M ASSIGNED. 217 00:12:44,597 --> 00:12:46,433 - DOES IT PAY WELL? 218 00:12:46,474 --> 00:12:48,893 - NOT AT ALL. 219 00:12:48,935 --> 00:12:50,562 - THEN WHY DO IT? 220 00:12:50,603 --> 00:12:52,439 - TO MAKE A DIFFERENCE, 221 00:12:52,480 --> 00:12:56,026 COMFORT THE AFFLICTED AND AFFLICT THE COMFORTABLE. 222 00:12:56,067 --> 00:12:59,404 - DO THEY MAKE YOU DRINK THE KOOL-AID 223 00:12:59,446 --> 00:13:02,907 OR DO THEY JUST BRAINWASH YOU WHEN YOU JOIN THE RANKS? 224 00:13:02,949 --> 00:13:04,492 - FATHER. 225 00:13:04,534 --> 00:13:08,371 - WHY DO YOU MAKE SO MANY ERRORS? 226 00:13:08,413 --> 00:13:10,290 - I WASN'T AWARE YOU READ THE NASHVILLE TIMES. 227 00:13:10,331 --> 00:13:11,875 - YOU DON'T HAVE TO. 228 00:13:11,916 --> 00:13:13,668 THE NEW YORK TIMES, THE WASHINGTON POST, 229 00:13:13,710 --> 00:13:15,795 CBS, THE NASHVILLE TIMES. 230 00:13:15,837 --> 00:13:19,466 IF IT WASN'T FOR FOX NEWS AND RUSH LIMBAUGH, 231 00:13:19,507 --> 00:13:21,051 WE'D ALL BE THE SAME. 232 00:13:21,092 --> 00:13:23,803 A LIBERAL BIAS DOES INFECT THE MEDIA. 233 00:13:23,845 --> 00:13:25,555 I MEAN, YOU SAID SO YOURSELF. 234 00:13:25,597 --> 00:13:27,515 YOU WANT TO COMFORT THE AFFLICTED 235 00:13:27,557 --> 00:13:28,808 AND AFFLICT THE COMFORTABLE, 236 00:13:28,850 --> 00:13:33,313 AND THAT WOULD BE PEOPLE LIKE US. 237 00:13:33,355 --> 00:13:35,774 MARY PELL, DO YOU FEEL AFFLICTED? 238 00:13:35,815 --> 00:13:37,359 - FATHER, PLEASE. 239 00:13:37,400 --> 00:13:40,528 - I'VE GOT MY ACHES AND PAINS, MR. HALL, 240 00:13:40,570 --> 00:13:43,448 BUT GOT HAS BLESSED ME. 241 00:13:43,490 --> 00:13:47,160 - WELL, I SEE YOU HAVE INDUCED MR. HARPER 242 00:13:47,202 --> 00:13:50,413 TO JOIN YOU IN THIS WILD GOOSE CHASE. 243 00:13:50,455 --> 00:13:52,624 - I WOULDN'T CALL IT THAT. 244 00:13:57,796 --> 00:14:00,799 - YOU'RE STIRRING UP THINGS THAT... 245 00:14:00,840 --> 00:14:03,468 THAT DON'T NEED TO BE STIRRED UP. 246 00:14:03,510 --> 00:14:07,681 NOW, THE BOY WAS PROBABLY KILLED BY HIS OWN KIND AND, 247 00:14:07,722 --> 00:14:09,724 WELL, HE PROBABLY DESERVED IT. 248 00:14:09,766 --> 00:14:13,395 - NOT BASED ON WHAT WE FOUND AT HIS HOUSE. 249 00:14:16,272 --> 00:14:22,112 - YOU WENT TO MARY PELL'S? IN NIGRA TOWN? 250 00:14:22,153 --> 00:14:25,323 - PLEASE DON'T USE THAT WORD. IT'S AN EMBARRASSMENT. 251 00:14:25,365 --> 00:14:27,617 - NO, NO, YOU ARE THE EMBARRASSMENT, 252 00:14:27,659 --> 00:14:29,494 AND I FORBID YOU TO CONTINUE. 253 00:14:29,536 --> 00:14:30,912 I WILL NOT HAVE MY DAUGHTER 254 00:14:30,954 --> 00:14:33,415 RILING UP THE WHOLE TOWN OVER SOME DEAD NIGRA KID. 255 00:14:33,456 --> 00:14:37,794 NOW, OTHER THAN YOU AND MARY PELL, NO ONE CARES. 256 00:14:37,836 --> 00:14:42,632 - WALLACE SAMPSON HAD FRIENDS. THEY CARE. 257 00:14:42,674 --> 00:14:44,843 MR. HARPER CARES. 258 00:14:44,884 --> 00:14:46,928 AND IF YOU WEREN'T A BLUE-BLOODED FAT CAT 259 00:14:46,970 --> 00:14:48,930 BORN ON THIRD BASE BUT YOU THINK YOU HIT A TRIPLE, 260 00:14:48,972 --> 00:14:49,931 YOU WOULD CARE. 261 00:14:49,973 --> 00:14:52,934 - THAT'S ENOUGH. 262 00:14:59,607 --> 00:15:00,859 [phone rings] 263 00:15:00,900 --> 00:15:03,194 - THIS IS DELANA. LEAVE A MESSAGE. 264 00:15:03,236 --> 00:15:04,279 [beep] 265 00:15:04,320 --> 00:15:06,656 - HEY, SORRY I KEEP MISSING YOU. 266 00:15:06,698 --> 00:15:09,576 I'M DOWN IN ALABAMA, CHASING A STORY. 267 00:15:09,617 --> 00:15:11,036 IT COULD BE BIG. 268 00:15:11,077 --> 00:15:15,623 ANYWAY, SEE YOU TOMORROW NIGHT. LOVE YOU. 269 00:15:15,665 --> 00:15:22,213 - SO LET JUSTICE FLOW LIKE A RIVER AND RIGHTEOUSNESS 270 00:15:22,255 --> 00:15:23,882 LIKE AN EVER-FLOWING STREAM. 271 00:15:23,923 --> 00:15:26,259 - AMEN. 272 00:15:26,301 --> 00:15:27,927 - JUSTICE. 273 00:15:27,969 --> 00:15:29,679 - YES. 274 00:15:29,721 --> 00:15:31,222 - AND RIGHTEOUSNESS. 275 00:15:31,264 --> 00:15:33,016 - AMEN. 276 00:15:33,058 --> 00:15:37,729 - MY BELOVED, WE HAVE GUESTS HERE THIS MORNING, 277 00:15:37,771 --> 00:15:39,731 JUST IN CASE YOU HADN'T NOTICED. 278 00:15:39,773 --> 00:15:41,900 [laughter] 279 00:15:41,941 --> 00:15:44,611 THEY'RE HERE FOR SISTER MARY PELL. 280 00:15:44,652 --> 00:15:45,862 - AMEN. 281 00:15:45,904 --> 00:15:48,531 - THEY'RE HERE FOR WALLACE SAMPSON. 282 00:15:48,573 --> 00:15:49,824 - YES. 283 00:15:50,200 --> 00:15:55,413 - EVERY SUNDAY MORNING, FOR 19 YEARS, 284 00:15:55,455 --> 00:15:58,750 SISTER MARY PELL HAS OFFERED UP HER PRAYER TO THE LORD. 285 00:15:58,792 --> 00:16:01,002 - AMEN. 286 00:16:01,044 --> 00:16:03,797 - AND I'M SAYING TODAY, LORD, HEAR OUR PRAYER. 287 00:16:03,838 --> 00:16:06,007 - LORD, HEAR OUR PRAYER. 288 00:16:06,049 --> 00:16:08,426 - HOW LONG? - HOW LONG? 289 00:16:08,468 --> 00:16:11,012 - WOULDN'T THIS BE A GOOD TIME FOR JUSTICE? 290 00:16:11,054 --> 00:16:12,639 - YES, SIR. 291 00:16:12,681 --> 00:16:15,058 - HOW LONG? - HOW LONG? 292 00:16:15,100 --> 00:16:17,727 - WOULDN'T THIS BE A GOOD TIME FOR RIGHTEOUSNESS? 293 00:16:17,769 --> 00:16:19,104 - YES, SIR. 294 00:16:19,145 --> 00:16:21,439 - FOR 19 YEARS... - 19 YEARS. 295 00:16:21,481 --> 00:16:26,319 - SHE'S WONDERED ABOUT HER SON. WHO STOLE HIS LIFE? 296 00:16:26,361 --> 00:16:27,737 FOR 19 YEARS, 297 00:16:27,779 --> 00:16:31,199 SHE'S WONDERED ABOUT THE WATERS OF RIGHTEOUSNESS. 298 00:16:31,241 --> 00:16:33,493 WHEN WILL JUSTICE FLOW? 299 00:16:33,535 --> 00:16:35,203 [applause] 300 00:16:35,245 --> 00:16:37,163 HOW LONG? - HOW LONG? 301 00:16:37,205 --> 00:16:39,582 - WOULDN'T THIS BE A GOOD TIME FOR JUSTICE? 302 00:16:39,624 --> 00:16:41,251 HOW LONG? - HOW LONG? 303 00:16:41,292 --> 00:16:44,754 - WOULDN'T THIS BE A GOOD TIME FOR RIGHTEOUSNESS? 304 00:16:44,796 --> 00:16:47,007 HOW LONG? - HOW LONG? 305 00:16:47,048 --> 00:16:50,760 - HOW LONG? - HOW LONG? 306 00:16:50,802 --> 00:16:53,680 - OH, WOULDN'T THIS BE A GOOD TIME? 307 00:16:53,722 --> 00:16:58,184 [applause] 308 00:17:06,860 --> 00:17:10,822 - HEY. HEY, SORRY ABOUT FRIDAY. 309 00:17:10,864 --> 00:17:12,824 I TOTALLY FORGOT ABOUT THE PLANNER. 310 00:17:12,866 --> 00:17:14,826 - THAT WAS FRIDAY. THIS IS SUNDAY. 311 00:17:14,868 --> 00:17:16,494 WHERE HAVE YOU BEEN? 312 00:17:16,536 --> 00:17:18,055 - DIDN'T YOU GET MY MESSAGES? I HAD TO WORK. 313 00:17:18,079 --> 00:17:19,706 - REALLY? THE PAPER DIDN'T KNOW ABOUT IT. 314 00:17:19,748 --> 00:17:21,249 - I DID IT ON MY OWN. 315 00:17:21,291 --> 00:17:23,102 DELANA, SERIOUSLY, FRIDAY WAS A COMPLETE ACCIDENT. 316 00:17:23,126 --> 00:17:24,586 - ACCIDENT, MY FOOT! 317 00:17:24,627 --> 00:17:27,088 YOU ASKED TO SKIP THE CAKE-TASTING PARTY 318 00:17:27,130 --> 00:17:29,090 AND THE STATIONERY SELECTION, OKAY? 319 00:17:29,132 --> 00:17:30,693 THEN YOU BLOW OFF THE MEETING WITH OUR MINISTER? 320 00:17:30,717 --> 00:17:31,885 - I HAD TO WORK OVERTIME. 321 00:17:31,926 --> 00:17:33,219 - AND NOW YOU FORGET THE PLANNER. 322 00:17:33,261 --> 00:17:34,763 I'M UPSET, BUT WHAT DO YOU DO? 323 00:17:34,804 --> 00:17:38,058 YOU GO OUT OF TOWN WHEN YOU DON'T EVEN HAVE TO. 324 00:17:38,099 --> 00:17:41,603 YOUR PRIORITIES ARE ABUNDANTLY CLEAR. 325 00:17:42,896 --> 00:17:47,817 THE WEDDING'S OFF. 326 00:17:47,859 --> 00:17:50,862 - FINE. 327 00:17:53,448 --> 00:17:57,202 FINE. FINE. 328 00:17:57,243 --> 00:17:59,454 [engine starts] 329 00:18:05,710 --> 00:18:08,755 - HEY, I'M ON TO ONE HECK OF A STORY. 330 00:18:08,797 --> 00:18:10,340 - JUST HOLD YOUR HORSES, PARTNER. 331 00:18:10,382 --> 00:18:11,901 I'VE GOT THE PUBLISHER MOSEYING DOWN HERE, 332 00:18:11,925 --> 00:18:13,426 WHICH MEANS I'M FACING MORE CRAP 333 00:18:13,468 --> 00:18:15,679 THAN A COWHAND AT THE TAIL END OF A CATTLE DRIVE. 334 00:18:15,720 --> 00:18:18,223 - [laughs] HE'S FUNNY. 335 00:18:19,516 --> 00:18:21,017 - WHAT DO YOU THINK BAXTER WANTS? 336 00:18:21,059 --> 00:18:23,311 - AH, MY HIDE, MORE THAN LIKELY. 337 00:18:23,353 --> 00:18:25,063 - WHAT'D YOU DO NOW? 338 00:18:25,105 --> 00:18:26,523 - WELL, YOU'VE SEEN THE HEADLIGHTS 339 00:18:26,564 --> 00:18:28,000 ON THE NEW ASSISTANT LIBRARIAN, RIGHT? 340 00:18:28,024 --> 00:18:29,526 - MM-HMM. 341 00:18:29,567 --> 00:18:31,462 - WELL, I THOUGHT IT'D BE FUNNY, SO I ASKED PERSONNEL, 342 00:18:31,486 --> 00:18:34,781 I SAID, WOULD IT COST ME MY PENSION IF I NUZZLED THEM? 343 00:18:34,823 --> 00:18:37,784 WELL, APPARENTLY, THERE'S SOME QUESTIONS YOU JUST DON'T ASK. 344 00:18:37,826 --> 00:18:39,327 - LIKE THAT ONE. 345 00:18:39,369 --> 00:18:42,956 - YEP. THAT, AND WHY THERE'S NO WHITE HISTORY MONTH. 346 00:18:42,997 --> 00:18:44,582 - YOU REDNECK. 347 00:18:44,624 --> 00:18:48,044 - GIVEN THE PROTESTERS, MAYBE BAXTER'S AFTER YOU? 348 00:18:48,086 --> 00:18:49,671 - ME? 349 00:18:49,713 --> 00:18:52,340 - THINK BAXTER HAS THE GUTS TO FIRE THE SON 350 00:18:52,382 --> 00:18:54,634 OF THE LEGENDARY LUCAS HARPER? 351 00:18:54,676 --> 00:18:56,219 - HARPER! 352 00:18:56,261 --> 00:19:00,390 - OH, BOY. BETTER YOU THAN ME, PREPSTER. 353 00:19:02,475 --> 00:19:04,561 - HEY, IS BAXTER AFTER ME, OR WHAT? 354 00:19:04,602 --> 00:19:05,645 - BULLS-EYE. 355 00:19:05,687 --> 00:19:08,064 - RIGHT. 356 00:19:08,106 --> 00:19:09,983 - EXCUSE ME, MAY I ASK YOU A QUESTION? 357 00:19:10,025 --> 00:19:14,821 - ANYTHING YOU SAY WILL BE USED AGAINST YOU. PROMISE. 358 00:19:14,863 --> 00:19:19,951 - OH, WELL. HMM. 359 00:19:19,993 --> 00:19:21,786 - SO IT'S A COLD CASE STORY. 360 00:19:21,828 --> 00:19:24,456 RICH BLUE BLOOD'S OBSESSED WITH THE FORGOTTEN KILLING 361 00:19:24,497 --> 00:19:26,332 OF HER HOUSEKEEPER'S SON. 362 00:19:26,374 --> 00:19:29,252 - NO, NO, NO, NOT FORGOTTEN. NEVER EVEN INVESTIGATED. 363 00:19:29,294 --> 00:19:31,087 TREY HALL'S SEARCH FOR JUSTICE 364 00:19:31,129 --> 00:19:32,815 AGAINST THE OBJECTIONS OF HER BIG-SHOT FATHER, 365 00:19:32,839 --> 00:19:34,174 THAT'S THE LEAST WE GET. 366 00:19:34,215 --> 00:19:36,301 BEST CASE, WE SOLVE THE MURDER. 367 00:19:36,343 --> 00:19:38,094 - WELL, IT'S A GOOD STORY, ALL RIGHT. 368 00:19:38,136 --> 00:19:39,929 BUT SO'S THE MURDER OF THE POLICE CHIEF... 369 00:19:39,971 --> 00:19:41,431 ONLY THAT'S STILL NEWS. 370 00:19:41,473 --> 00:19:42,491 - THE MURDER OF THE POLICE CHIEF'S 371 00:19:42,515 --> 00:19:43,850 ALREADY BEING INVESTIGATED. 372 00:19:43,892 --> 00:19:45,685 WALLACE SAMPSON'S MURDER ISN'T. 373 00:19:45,727 --> 00:19:47,604 - AMOS ISN'T EVEN IN OUR CIRCULATION AREA. 374 00:19:47,645 --> 00:19:49,731 - AMOS ISN'T IN ANYBODY'S CIRCULATION AREA. 375 00:19:49,773 --> 00:19:50,958 IF WE DON'T DO IT, IT WON'T GET DONE. 376 00:19:50,982 --> 00:19:52,359 - WELL, I'M NOT FRETTIN' 377 00:19:52,400 --> 00:19:54,486 ABOUT STORIES IN AMOS NOT GETTING DONE. 378 00:19:54,527 --> 00:19:56,464 I'M WORRIED ABOUT STORIES IN NASHVILLE NOT GETTING DONE. 379 00:19:56,488 --> 00:20:00,450 WE'VE GOT A NEWSROOM FULL OF EMPTY DESKS, 380 00:20:00,492 --> 00:20:02,077 AND BAXTER THE AXTER'S 381 00:20:02,118 --> 00:20:03,346 TALKING ABOUT CULLING THE HERD EVEN MORE. 382 00:20:03,370 --> 00:20:06,456 YOUR NAME'S COME UP. 383 00:20:06,498 --> 00:20:08,583 - YOU KNOW THE PROTESTS AREN'T MY FAULT. 384 00:20:08,625 --> 00:20:10,502 - THAT'S NOT THE ONLY BULLET HE'S GOT. 385 00:20:10,543 --> 00:20:13,380 HE'S DONE A COUNT OF EVERY REPORTER'S STORIES, 386 00:20:13,421 --> 00:20:16,508 AND YOU RANKED DEAD LAST, WITH NO BLOCKBUSTERS. 387 00:20:16,549 --> 00:20:19,219 - WELL, TO GET A BLOCKBUSTER, YOU NEED A GOOD STORY. 388 00:20:19,260 --> 00:20:21,680 - MATT, YOU NEVER HANDLED A BIG INVESTIGATION. 389 00:20:21,721 --> 00:20:23,348 I DON'T KNOW THAT YOU'RE READY. 390 00:20:23,390 --> 00:20:26,518 - LOOK, I'VE ALREADY DONE SOME WORK. 391 00:20:26,935 --> 00:20:30,063 I CAN GET IT. 392 00:20:30,105 --> 00:20:32,607 - YOU'VE GOT A FEW DAYS. 393 00:20:32,649 --> 00:20:33,608 - THANK YOU. 394 00:20:33,650 --> 00:20:34,984 - SCREW UP AND YOU'RE STEW MEAT. 395 00:20:35,026 --> 00:20:36,194 - I WON'T. 396 00:20:36,236 --> 00:20:39,030 - MATT, TAKE BULLOCK WITH YOU. 397 00:20:39,072 --> 00:20:40,573 - WHAT? 398 00:20:40,615 --> 00:20:44,703 - IF WE USE ONE OF OUR TOP REPORTERS, BAXTER WILL NOTICE. 399 00:20:44,744 --> 00:20:46,162 - BUT BULLOCK? 400 00:20:46,204 --> 00:20:47,872 - WITH ALL THIS NUZZLING CRAP FROM BULLOCK 401 00:20:47,914 --> 00:20:49,708 AND YOUR BLACK HOLE PROBLEM, 402 00:20:49,749 --> 00:20:52,419 I NEED YOU BOTH OUT OF SIGHT FOR A WHILE. 403 00:20:52,460 --> 00:20:54,254 BESIDES, BULLOCK MAY BE CRAZY 404 00:20:54,295 --> 00:20:56,881 BUT HE'S GOT EVERY GADGET YOU NEED. 405 00:20:56,923 --> 00:20:58,008 - ♪ BAD NEWS ♪ 406 00:20:58,049 --> 00:20:59,926 - TESTING, ONE, TWO, THREE. 407 00:20:59,968 --> 00:21:01,386 TESTING, ONE, TWO, THREE. 408 00:21:01,428 --> 00:21:03,096 - ♪ BAD NEWS ♪ 409 00:21:03,138 --> 00:21:06,182 ♪ ♪ 410 00:21:06,224 --> 00:21:08,101 ♪ BAD NEWS ♪ 411 00:21:08,143 --> 00:21:10,770 ♪ ♪ 412 00:21:10,812 --> 00:21:12,605 ♪ BAD NEWS ♪ 413 00:21:12,647 --> 00:21:15,859 ♪ ♪ 414 00:21:15,900 --> 00:21:19,738 ♪ YOU'VE SEEN ME SHUFFLING DOWN THE SIDEWALK ♪ 415 00:21:19,779 --> 00:21:21,281 ♪ ♪ 416 00:21:21,322 --> 00:21:25,035 ♪ I KNOW I AIN'T NO MARLON BRANDO ♪ 417 00:21:25,076 --> 00:21:28,955 ♪ HEY, WHAT CAN I SAY, THIS AIN'T NO TRASH TALK ♪ 418 00:21:28,997 --> 00:21:30,540 ♪ ♪ 419 00:21:30,582 --> 00:21:34,294 ♪ I'VE GOT YOU ANY WAY, ANY WAY I CHOOSE ♪ 420 00:21:34,336 --> 00:21:36,379 - ♪ BAD NEWS ♪ 421 00:21:36,421 --> 00:21:39,049 - ♪ I'LL SHOW YOU WHAT I CAN DO ♪ 422 00:21:39,090 --> 00:21:41,134 - ♪ BAD NEWS ♪ 423 00:21:41,176 --> 00:21:43,803 - ♪ SOON YOU'LL SEE THE PICTURE ♪ 424 00:21:43,845 --> 00:21:45,430 - ♪ BAD NEWS ♪ 425 00:21:45,472 --> 00:21:47,974 - ♪ BEFORE I SAY OR DO ♪ 426 00:21:48,016 --> 00:21:49,434 - ♪ BAD NEWS ♪ 427 00:21:49,476 --> 00:21:53,229 - ♪ YEAH, I'LL TELL THE TRUTH ON YOU ♪ 428 00:21:53,271 --> 00:21:54,981 - OKAY, WE'RE TAKING MY LEMANS, 429 00:21:55,023 --> 00:21:56,441 'CAUSE YOUR RICE BURNER 430 00:21:56,483 --> 00:21:58,860 IS AN INSULT TO THE AMERICAN WORKING MAN. 431 00:21:58,902 --> 00:22:01,905 BESIDES, MY LEMANS HAS AN ENGINE. IT MIGHT COME IN HANDY. 432 00:22:01,946 --> 00:22:03,531 - GET OFF IT, BULLOCK. 433 00:22:03,573 --> 00:22:05,426 WHEN'S THE LAST TIME A REPORTER WAS ON A HIGH-SPEED CHASE? 434 00:22:05,450 --> 00:22:07,494 - HEY, IT COULD HAPPEN. 435 00:22:07,535 --> 00:22:10,455 I THINK YOU'RE FORGETTING WHO'S IN CHARGE HERE, BOY. 436 00:22:10,497 --> 00:22:12,499 I'M KIND OF SORRY I'VE GOT TO TAKE YOU WITH ME. 437 00:22:12,540 --> 00:22:13,917 - HEY, THIS IS MY STORY. 438 00:22:13,958 --> 00:22:15,436 YOU THINK I'M HAPPY ABOUT WORKING WITH YOU 439 00:22:15,460 --> 00:22:16,961 AND YOUR RACIST CAVEMAN ATTITUDE? 440 00:22:17,003 --> 00:22:17,962 - HUH! 441 00:22:18,004 --> 00:22:19,589 - [groans] OW. 442 00:22:19,631 --> 00:22:23,343 - NOW YOU LISTEN TO ME VERY CAREFULLY, YOU LITTLE PUNK. 443 00:22:23,385 --> 00:22:27,097 MY JOB IS TO LEARN THINGS PEOPLE DON'T KNOW ABOUT 444 00:22:27,138 --> 00:22:28,848 AND PUT IT IN THE PAPER. 445 00:22:28,890 --> 00:22:30,517 IT'S CALLED NEWS. 446 00:22:30,558 --> 00:22:32,519 AND I DON'T WORRY ABOUT IF IT'S FOR RICH PEOPLE, 447 00:22:32,560 --> 00:22:35,772 POOR PEOPLE, BLACK, WHITE, MEN OR WOMEN, 448 00:22:35,814 --> 00:22:38,358 OR PEOPLE YOU CAN'T TELL THE DIFFERENCE. 449 00:22:38,400 --> 00:22:41,653 I KNOW WHAT YOU THINK OF ME, AND MOST OF THE TIME, 450 00:22:41,695 --> 00:22:45,865 I COULDN'T CARE LESS, BUT LET ME TELL YOU SOMETHING, BOY. 451 00:22:45,907 --> 00:22:51,204 I AM NOT A RACIST. 452 00:22:51,246 --> 00:22:56,042 - FINE, YOU'RE NOT A RACIST. 453 00:22:56,084 --> 00:22:58,086 - ALL RIGHT. 454 00:23:02,007 --> 00:23:04,009 - YOU'RE JUST A SEXIST. 455 00:23:09,055 --> 00:23:11,182 - THANK YOU. 456 00:23:16,521 --> 00:23:18,648 LET'S MAKE A LIST. - ALL RIGHT. 457 00:23:18,690 --> 00:23:20,167 WELL, WE NEED TO SEE WHERE IT HAPPENED, 458 00:23:20,191 --> 00:23:22,027 CHECK THE POLICE RECORDS. 459 00:23:22,068 --> 00:23:23,796 WE NEED TO INTERVIEW WALLACE SAMPSON'S GIRLFRIEND. 460 00:23:23,820 --> 00:23:25,423 SHE WAS THE LAST ONE TO SEE HIM BEFORE HE GOT KILLED. 461 00:23:25,447 --> 00:23:26,698 - OKAY, WRITE THAT DOWN. 462 00:23:26,740 --> 00:23:30,243 I'VE GOT A PEN AND PAD IN THE GLOVE BOX. 463 00:23:30,285 --> 00:23:33,538 - UH... 464 00:23:33,580 --> 00:23:36,875 - 22 MAGNUM. THAT'LL STOP A BAD GUY. 465 00:23:36,916 --> 00:23:38,418 - THAT THING COULD HAVE GONE OFF. 466 00:23:38,460 --> 00:23:41,421 - NAH. THE HAMMER BLOCK IS IN. 467 00:23:41,463 --> 00:23:43,923 PUT THAT AWAY FOR ME, WILL YOU? 468 00:23:43,965 --> 00:23:45,550 - [sighs] 469 00:23:45,592 --> 00:23:49,387 SO, IT'S TRUE, YOU DO CARRY A GUN. 470 00:23:49,429 --> 00:23:50,805 - ON THIS TRIP, THREE. 471 00:23:50,847 --> 00:23:54,142 THE .22 MAGNUM. I GOT A .270 IN THE TRUNK. 472 00:23:54,184 --> 00:23:57,437 AND WHEN ALL ELSE FAILS, I'VE GOT A LITTLE HENRY... 473 00:23:57,479 --> 00:24:00,398 A DOUBLE-SHOT DERRINGER. 474 00:24:00,440 --> 00:24:02,442 NICE, HUH? 475 00:24:02,484 --> 00:24:04,444 - I CAN'T BELIEVE YOU BROUGHT ALL THOSE WEAPONS. 476 00:24:04,486 --> 00:24:06,112 - THIS IS ALABAMA, BOY. 477 00:24:06,154 --> 00:24:09,657 ALCOHOL, TOBACCO, AND FIREARMS AIN'T A GOVERNMENT AGENCY, 478 00:24:09,699 --> 00:24:11,785 IT'S A DANG SHOPPING LIST. 479 00:24:11,826 --> 00:24:14,621 [siren] 480 00:24:14,662 --> 00:24:16,790 OH, BOY, HERE WE GO. 481 00:24:16,831 --> 00:24:19,834 [siren] 482 00:24:28,593 --> 00:24:33,765 OH, BOY. WE GOT A COP WITH A BIG HAT. 483 00:24:35,183 --> 00:24:36,601 OFFICER. 484 00:24:36,643 --> 00:24:39,145 - LICENSE AND REGISTRATION. 485 00:24:39,187 --> 00:24:40,980 - UH-HUH. 486 00:24:41,022 --> 00:24:43,566 - OFFICER PERINGER, HEY. 487 00:24:43,608 --> 00:24:45,485 MATT HARPER FROM THE NASHVILLE TIMES. 488 00:24:45,527 --> 00:24:48,405 WE MET THE OTHER DAY. SORRY ABOUT YOUR DAD. 489 00:24:48,446 --> 00:24:52,283 - YOU WERE SPEEDING, 20 MILES OVER. 490 00:24:52,325 --> 00:24:54,703 - WE WERE DOING 55. 491 00:24:54,744 --> 00:24:57,580 - WELL, IT DROPS TO 35 AT THE TOWN LIMIT. 492 00:24:57,622 --> 00:24:59,499 - I DIDN'T SEE A SIGN. 493 00:24:59,541 --> 00:25:01,459 - I'LL HANDLE THIS. 494 00:25:01,501 --> 00:25:04,796 OFFICER, HOW MUCH IS THE FINE? 495 00:25:04,838 --> 00:25:07,799 - $100. OR WE CAN GO SEE THE JUDGE. 496 00:25:07,841 --> 00:25:12,512 - JUST PAY HIM. ACTUALLY, YOU KNOW WHAT? PAY HIM $200. 497 00:25:12,554 --> 00:25:13,781 THE NEXT TIME WE COME THROUGH HERE, 498 00:25:13,805 --> 00:25:15,807 WE'LL BE GOING THE EXACT SAME SPEED. 499 00:25:15,849 --> 00:25:19,227 - I'VE HEARD ENOUGH FROM YOU. HAND ME THE REGISTRATION. 500 00:25:25,567 --> 00:25:30,155 - OFFICER, I CAN EXPLAIN THE PISTOL IN THE GLOVE BOX. 501 00:25:30,196 --> 00:25:33,867 - FREEZE, YOU KEEP YOUR HANDS UP WHERE I CAN SEE 'EM. 502 00:25:33,908 --> 00:25:37,829 UP, BOTH OF YOU. 503 00:25:37,871 --> 00:25:41,249 - I'VE ALSO GOT A .270 IN THE TRUNK. 504 00:25:42,917 --> 00:25:44,794 - MOVE. 505 00:25:46,338 --> 00:25:48,298 COME ON, THIS WAY. 506 00:25:48,340 --> 00:25:49,716 - I'M GONNA HAVE TO CALL YOU BACK. 507 00:25:49,758 --> 00:25:52,802 - YOU TOO, BUDDY. 508 00:25:52,844 --> 00:25:54,554 - [sighs] WHAT YOU GOT, OLEN? 509 00:25:54,596 --> 00:25:57,015 - SPEEDING AND CARRYING CONCEALED WEAPONS. 510 00:25:57,057 --> 00:25:59,184 AND ONE OF THEM THREW UP IN THE PATROL CAR. 511 00:25:59,225 --> 00:26:01,394 - [laughs] 512 00:26:01,436 --> 00:26:05,398 - MA'AM, WE DIDN'T MEAN TO SPEED, AND WE'RE NOT DANGEROUS. 513 00:26:05,440 --> 00:26:06,858 WE'RE REPORTERS. 514 00:26:06,900 --> 00:26:09,611 - WHICH ONE OF YOU'S SICK? 515 00:26:11,279 --> 00:26:13,823 TAKE OFF THE HANDCUFFS, OLEN. GO GET THE JUDGE. 516 00:26:20,121 --> 00:26:21,581 SIT. 517 00:26:21,623 --> 00:26:25,085 - [groans] 518 00:26:25,126 --> 00:26:27,587 - YOU'RE NOT GONNA THROW UP IN HERE, ARE YOU? 519 00:26:27,629 --> 00:26:29,923 - NO, MA'AM. - [laughs] 520 00:26:29,964 --> 00:26:32,801 - MM-MM-MM-MM. 521 00:26:32,842 --> 00:26:34,886 CARRYING CONCEALED WEAPONS 522 00:26:34,928 --> 00:26:38,598 IS A SERIOUS VIOLATION OF THE ALABAMA CRIMINAL CODE. 523 00:26:38,640 --> 00:26:42,727 - IT WOULD BE, YES, SIR, BUT, UH, I HAVE A PERMIT. 524 00:26:42,769 --> 00:26:45,105 - THAT A FACT? - YEAH. 525 00:26:45,146 --> 00:26:49,234 - MM-HMM. 526 00:26:49,275 --> 00:26:51,945 I REMEMBER YOU. 527 00:26:51,986 --> 00:26:55,865 YOU'RE THAT RUDE REPORTER. 528 00:26:55,907 --> 00:26:57,742 - SORRY, SIR. WE DON'T MEAN TO MAKE TROUBLE. 529 00:26:57,784 --> 00:27:00,620 - SO, ARE YOU REPORTING ON THE CHIEF'S DEATH? 530 00:27:00,662 --> 00:27:03,832 - NO, WE'RE HERE FOR SOMETHING ELSE, ACTUALLY. 531 00:27:03,873 --> 00:27:06,292 EVER HEAR OF A KID NAMED WALLACE SAMPSON? 532 00:27:06,334 --> 00:27:09,587 - WELL, I'LL BE JIGGERED. 533 00:27:09,629 --> 00:27:11,131 TREY HALL MUST HAVE LATCHED ON TO YOU. 534 00:27:11,172 --> 00:27:12,632 - HOW'D YOU KNOW? 535 00:27:12,674 --> 00:27:14,300 - BECAUSE I'VE KNOWN TREY AND HER DADDY 536 00:27:14,342 --> 00:27:16,136 SINCE MOSES WAS IN DIAPERS. 537 00:27:16,177 --> 00:27:17,721 OH, TREY'S A GOOD GIRL. 538 00:27:17,762 --> 00:27:19,806 BLESS HER HEART, I KNOW SHE MEANS WELL, 539 00:27:19,848 --> 00:27:21,766 BUT TOO MUCH MONEY AND TOO LITTLE TO DO 540 00:27:21,808 --> 00:27:23,309 IS A BAD COMBINATION. 541 00:27:23,351 --> 00:27:24,936 - MEANING WHAT? 542 00:27:24,978 --> 00:27:26,664 - MEANING I'D HAD TO SEE YOU WASTE YOUR TIME, 543 00:27:26,688 --> 00:27:29,315 ESPECIALLY SINCE YOUR LITTLE EXPEDITION DOWN HERE 544 00:27:29,357 --> 00:27:30,942 IS ALREADY COSTING YOU A FINE. 545 00:27:30,984 --> 00:27:33,153 - WE NEVER SAW A CITY SPEED LIMIT SIGN. 546 00:27:33,194 --> 00:27:35,655 - YEAH, THAT SIGN GOT SHOT UP A FEW YEARS BACK. 547 00:27:35,697 --> 00:27:37,323 WE HAVEN'T HAD THE MONEY TO REPLACE IT. 548 00:27:37,365 --> 00:27:38,616 - THAT IS RIDICULOUS. 549 00:27:38,658 --> 00:27:40,410 HOW MUCH COULD IT POSSIBLY COST? 550 00:27:40,452 --> 00:27:42,287 - IT AIN'T THE COST OF THE SIGN. 551 00:27:42,328 --> 00:27:45,915 IT'S ALL THE REVENUE IN MONEY WE'D LOSE WRITING FEWER TICKETS. 552 00:27:45,957 --> 00:27:47,667 - IT'S LIKE MY DADDY ALWAYS SAID, 553 00:27:47,709 --> 00:27:49,669 EVERY YANKEE TOURIST IS WORTH A BALE OF COTTON, 554 00:27:49,711 --> 00:27:52,255 AND A WHOLE LOT EASIER TO PICK. 555 00:27:52,297 --> 00:27:54,841 WELCOME TO AMOS, BOYS. 556 00:27:54,883 --> 00:27:56,885 - MAN, YOU ALMOST BLEW IT. 557 00:27:56,926 --> 00:27:58,970 - OH, I ALMOST BLEW IT? 558 00:27:59,012 --> 00:28:00,197 - WOULDN'T HAVE GOT IN TROUBLE IN THE FIRST PLACE 559 00:28:00,221 --> 00:28:02,015 IF YOU HADN'T LIPPED OFF TO THE COP. 560 00:28:02,057 --> 00:28:04,201 AIN'T YOU EVER HEARD OF "NEVER COMPLAIN, NEVER EXPLAIN"? 561 00:28:04,225 --> 00:28:05,852 - WELL, I WASN'T THE ONE SPEEDING 562 00:28:05,894 --> 00:28:07,371 AND YOU DIDN'T SAY ANYTHING ABOUT THE DERRINGER. 563 00:28:07,395 --> 00:28:08,772 WHAT IF HE SEARCHED YOU? 564 00:28:08,813 --> 00:28:10,899 - THE WHOLE POINT OF A DERRINGER IS SURPRISE. 565 00:28:10,940 --> 00:28:12,817 - YEAH, WELL, IT WAS AN UNNECESSARY RISK 566 00:28:12,859 --> 00:28:15,153 AND IT JEOPARDIZED THE STORY. 567 00:28:15,195 --> 00:28:20,450 - WELL, ALL RIGHT. I'LL TELL YOU WHAT. 568 00:28:20,492 --> 00:28:22,494 I'LL PLAY BY THE RULES 569 00:28:22,535 --> 00:28:24,454 IF YOU ACT LIKE YOU'VE DONE THIS BEFORE. 570 00:28:24,496 --> 00:28:25,872 - I HAVE DONE THIS BEFORE. 571 00:28:25,914 --> 00:28:27,207 - INVESTIGATED A MURDER? 572 00:28:27,248 --> 00:28:30,543 - WELL, NOT EXACTLY. 573 00:28:30,585 --> 00:28:33,213 - THAT'S ALL RIGHT. 574 00:28:33,254 --> 00:28:35,715 I'VE NEVER EXACTLY PLAYED BY THE RULES. 575 00:28:35,757 --> 00:28:37,801 COME ON, LET'S GO TO THE CRIME SCENE. 576 00:28:45,266 --> 00:28:46,893 - HEY. - HEY. 577 00:28:46,935 --> 00:28:50,146 - THIS THE PLACE? - YEP. 578 00:28:50,188 --> 00:28:52,857 - WOW. 579 00:28:52,899 --> 00:28:55,193 - THERE'S NOTHING TO SEE IN THERE. 580 00:28:55,235 --> 00:28:58,988 WALLACE AND THE CHIEF WERE KILLED OUT FRONT. 581 00:28:59,030 --> 00:29:00,865 - THEY WERE BOTH KILLED IN THE SAME SPOT? 582 00:29:00,907 --> 00:29:04,869 - 19 YEARS APART, BUT PRACTICALLY THE SAME PLACE. 583 00:29:04,911 --> 00:29:06,830 - THAT'S WEIRD. 584 00:29:06,871 --> 00:29:12,002 - THERE'S A DOZEN PLACES A SHOOTER COULD HIDE. YEAH, BOY. 585 00:29:19,300 --> 00:29:21,302 - [groans] 586 00:29:22,971 --> 00:29:27,434 - LOOKS LIKE SOMEBODY LIVED HERE. 587 00:29:27,475 --> 00:29:30,603 - OR WORKED HERE. 588 00:29:30,645 --> 00:29:32,397 - GROSS. 589 00:29:32,439 --> 00:29:34,024 - I SAY WE MOVE ON. 590 00:29:34,065 --> 00:29:36,109 THIS PLACE MAY BE ABANDONED, BUT SOMEBODY OWNS IT. 591 00:29:36,151 --> 00:29:37,902 - LET'S GO BACK TO THE COP SHOP, 592 00:29:37,944 --> 00:29:42,032 TRY TO DIG UP THAT POLICE REPORT. 593 00:29:47,120 --> 00:29:50,749 - THIS PLACE REALLY IS NOWHERE. I CAN'T EVEN GET A SIGNAL. 594 00:29:50,790 --> 00:29:52,959 - SOMETIMES I CAN GET ONE OUTSIDE. 595 00:29:53,001 --> 00:29:54,502 - I FOUND SOMETHING. 596 00:29:56,921 --> 00:29:58,232 OKAY, THE NIGHT BEFORE THE SHOOTING, 597 00:29:58,256 --> 00:30:00,550 SOMEONE THREW A FIREBOMB AT THE STORE. 598 00:30:00,592 --> 00:30:03,470 THE FIREBOMB WAS REPORTED WHEN THE MAN WHO RUNS THE STORE, 599 00:30:03,511 --> 00:30:05,055 A BRAEFORD WATSON, 600 00:30:05,096 --> 00:30:08,308 GETS HERE TO WORK AND SAW THE SCORCH MARKS. 601 00:30:08,350 --> 00:30:10,518 - WALLACE IS SHOT THE NEXT NIGHT AS HE WALKS BY. 602 00:30:10,560 --> 00:30:13,313 - ALL RIGHT, SO LET'S SAY WALLACE THREW THE FIREBOMB. 603 00:30:13,355 --> 00:30:14,814 IT'S A DUD, 604 00:30:14,856 --> 00:30:17,275 SO HE COMES BACK THE NEXT NIGHT TO FINISH THE JOB. 605 00:30:17,317 --> 00:30:18,276 WATSON SHOOTS HIM. 606 00:30:18,318 --> 00:30:20,070 HE'S THERE TO PROTECT THE STORE. 607 00:30:20,111 --> 00:30:23,990 - THERE WAS NEVER ANY EVIDENCE OF WALLACE HAVING A FIREBOMB, 608 00:30:24,032 --> 00:30:26,159 AND I REALLY DON'T THINK HE WAS THAT KIND OF A KID. 609 00:30:26,201 --> 00:30:27,160 - MM-MM. 610 00:30:27,202 --> 00:30:28,995 - WELL, LET'S GET THE NEWSPAPER 611 00:30:29,037 --> 00:30:30,348 AND SEE IF WATSON'S NAME SHOWS UP IN ANY OLD CLIPS. 612 00:30:30,372 --> 00:30:31,956 - YEAH. 613 00:30:31,998 --> 00:30:34,376 - NOT SO FAST. PUT THOSE FILES BACK WHERE YOU GOT THEM. 614 00:30:34,417 --> 00:30:36,795 YOUR MAMA'S NOT HERE TO CLEAN UP AFTER YOU. 615 00:30:36,836 --> 00:30:40,006 - YES, MA'AM. 616 00:30:40,048 --> 00:30:45,512 LORD HAVE MERCY. WHERE'S RHETT AND SCARLETT? 617 00:30:45,553 --> 00:30:47,931 - THAT'S DELANA'S CAR. 618 00:30:54,312 --> 00:30:58,316 - OH, BOY. BET I COULD SELL TICKETS TO THIS FIGHT. 619 00:30:58,358 --> 00:30:59,818 - WHO'S DELANA? 620 00:30:59,859 --> 00:31:03,071 - HEY, I'M SO GLAD TO SEE YOU. 621 00:31:05,156 --> 00:31:07,158 LISTEN, I KNOW YOU DON'T BELIEVE ME 622 00:31:07,200 --> 00:31:09,035 ABOUT THE WEDDING PLANNER THING, 623 00:31:09,077 --> 00:31:12,706 BUT I WAS JUST DISTRACTED WITH THE PROTEST AND EVERYTHING. 624 00:31:12,747 --> 00:31:15,125 - THIS ISN'T ABOUT US. 625 00:31:15,166 --> 00:31:17,794 MATT, YOUR FATHER'S VERY SICK. 626 00:31:17,836 --> 00:31:19,713 - WHAT IS IT? - THEY DON'T KNOW FOR SURE. 627 00:31:19,754 --> 00:31:21,381 HE'S GOING IN FOR TESTS TOMORROW. 628 00:31:21,423 --> 00:31:23,216 YOU NEED TO BE THERE. 629 00:31:23,258 --> 00:31:24,551 - IS IT CANCER? 630 00:31:24,592 --> 00:31:26,136 - THEY'RE NOT SURE. 631 00:31:26,177 --> 00:31:31,016 - UH, YOU DROVE ALL THE WAY DOWN HERE TO TELL ME THAT? 632 00:31:31,057 --> 00:31:32,892 - YOUR DAD CALLED ME. 633 00:31:32,934 --> 00:31:34,161 HE COULDN'T GET YOU AND I COULDN'T EITHER. 634 00:31:34,185 --> 00:31:36,730 - OH, JEEZ, I FORGOT TO CALL HIM. 635 00:31:36,771 --> 00:31:38,690 - OH. - HI. 636 00:31:38,732 --> 00:31:40,900 - DELANA CALHOUN. - TREY HALL. 637 00:31:40,942 --> 00:31:44,571 - I THOUGHT... THOUGHT YOU WERE A HE. 638 00:31:44,612 --> 00:31:50,076 - YEAH, I GET THAT A LOT. MUST BE MY MANLY PHYSIQUE. 639 00:31:51,619 --> 00:31:53,621 - I'M SORRY. I'VE GOT TO GO. 640 00:31:53,663 --> 00:31:57,584 - WAIT, YOU JUST GOT HERE. WE'VE GOT THINGS TO TALK ABOUT. 641 00:31:57,625 --> 00:32:00,045 - I CAN'T. 642 00:32:00,086 --> 00:32:02,172 - YEAH, THE MAN WHO RAN THE STORE, 643 00:32:02,213 --> 00:32:05,258 ONE OF THE GRAND DRAGONS OF THE ALABAMA KLAN. 644 00:32:05,300 --> 00:32:06,676 HE GOT CONVICTED 645 00:32:06,718 --> 00:32:08,487 OF CLUBBING A CIVIL RIGHTS MARCHER IN MONTGOMERY. 646 00:32:08,511 --> 00:32:10,430 - WE'VE GOT A STORY. - YEAH, WE'VE GOT A STORY. 647 00:32:10,472 --> 00:32:12,432 - BRAEFORD WATSON WAS A BAD MAN. 648 00:32:12,474 --> 00:32:14,059 - WHERE IS HE NOW? 649 00:32:14,100 --> 00:32:16,102 - BURNIN' WITH THE DEVIL, I IMAGINE. 650 00:32:16,144 --> 00:32:21,107 HE PASSED YEARS AGO. 651 00:32:21,149 --> 00:32:23,943 - OKAY, THERE'S UNREST IN AMOS. 652 00:32:23,985 --> 00:32:26,029 SOMEBODY THROWS A FIREBOMB AT THE STORE. 653 00:32:26,071 --> 00:32:28,156 IT DOES NOT BURN DOWN. 654 00:32:28,198 --> 00:32:33,244 WATSON'S NOT TAKING ANY CHANCES. HE SPENDS THE NIGHT THERE. 655 00:32:33,286 --> 00:32:36,081 - WHERE? - IN THE BACK ROOM. 656 00:32:36,122 --> 00:32:38,249 YOU PAYING ATTENTION? - SORRY. 657 00:32:38,291 --> 00:32:43,129 - ANYWAY, MAYBE IT WAS WALLACE WHO THREW THE FIREBOMB 658 00:32:43,171 --> 00:32:45,173 AND NOW HE'S COMING BACK FOR ANOTHER TRY. 659 00:32:45,215 --> 00:32:49,135 OR MAYBE HE'S JUST A SCHOOL KID ON THE WAY HOME. 660 00:32:49,177 --> 00:32:53,640 WATSON DECIDES TO SHOOT FIRST, ASK QUESTIONS LATER. 661 00:32:53,682 --> 00:32:55,975 - ONLY ONE PROBLEM. - WHAT? 662 00:32:56,017 --> 00:32:59,270 - IT'S ALL CIRCUMSTANTIAL. NO WITNESSES. 663 00:32:59,312 --> 00:33:02,232 WATSON'S DEAD. NO ONE EVER INTERVIEWED HIM. 664 00:33:02,273 --> 00:33:04,484 - WELL, THAT'S OUR STORY. 665 00:33:04,526 --> 00:33:09,656 AUTHORITIES IGNORED AN OBVIOUS SUSPECT IN THE KILLING. 666 00:33:09,698 --> 00:33:12,158 - POLICE INVESTIGATING THE KILLING OF A BLACK TEENAGER 667 00:33:12,200 --> 00:33:14,244 NEVER QUESTIONED A POTENTIAL SUSPECT. 668 00:33:14,285 --> 00:33:17,163 - OKAY, MAKE IT "FAILED TO QUESTION." IT'S STRONGER. 669 00:33:17,205 --> 00:33:23,128 - OKAY, "FAILED TO QUESTION A POTENTIAL SUSPECT, 670 00:33:23,169 --> 00:33:25,922 "A KLAN MEMBER WHO OPERATED A STORE NEAR THE SHOOTING 671 00:33:25,964 --> 00:33:28,192 AND WHO HAD PREVIOUSLY BEEN CONVICTED OF RACIAL VIOLENCE." 672 00:33:28,216 --> 00:33:29,592 - NOT "NEAR THE SHOOTING." 673 00:33:29,926 --> 00:33:31,446 MAKE IT "NEAR THE SCENE OF THE MURDER." 674 00:33:32,637 --> 00:33:34,156 WHAT ARE YOU DOING HERE? YOU SHOULD BE WITH YOUR DADDY. 675 00:33:34,180 --> 00:33:34,973 - IN A MINUTE. HANG ON. JUST HANG ON A SECOND. 676 00:33:35,015 --> 00:33:36,182 - LET'S SEE HOW YOU COWBOYS 677 00:33:36,224 --> 00:33:40,186 HAVE BEEN SPENDING THE STOCKHOLDERS' MONEY. 678 00:33:40,228 --> 00:33:43,023 WELL, I'M NOT BOOKIN' MY TICKET 679 00:33:43,064 --> 00:33:44,524 TO THE PULITZER PRIZE CEREMONY YET, 680 00:33:44,566 --> 00:33:46,026 BUT IT'S A START. 681 00:33:46,067 --> 00:33:50,030 FIX THE LEAD. MAKE IT, "NEVER BOTHERED TO INVESTIGATE." 682 00:33:50,071 --> 00:33:51,531 AND THE FOURTH PARAGRAPH'S WEAK. 683 00:33:51,573 --> 00:33:54,534 YOU'VE GOT ALL THE FACTS, BUT THERE'S NO OUTRAGE. 684 00:33:54,576 --> 00:33:58,830 A 15-YEAR-OLD IS DEAD. THE COPS DON'T CARE. 685 00:34:01,666 --> 00:34:03,293 - "ALMOST 20 YEARS LATER, 686 00:34:03,335 --> 00:34:06,004 "THE CRIME REMAINS UNINVESTIGATED, 687 00:34:06,046 --> 00:34:08,548 UNSOLVED, AND UNPUNISHED." 688 00:34:08,590 --> 00:34:10,633 - ARE YOU GONNA PITCH IT FOR THE FRONT PAGE? 689 00:34:10,675 --> 00:34:13,261 - ALREADY DID. 690 00:34:16,264 --> 00:34:19,267 - AMOS, ALA-FRICKIN'-BAMA? 691 00:34:19,309 --> 00:34:22,228 THE NAME OF THE PAPER IS THE NASHVILLE TIMES, 692 00:34:22,270 --> 00:34:24,147 AND OUR COMPETITION'S CRAIGSLIST, 693 00:34:24,189 --> 00:34:26,483 NOT THE WASHINGTON POST. 694 00:34:26,524 --> 00:34:27,692 HOW LONG DID WE SPEND ON THIS? 695 00:34:27,734 --> 00:34:29,069 - A COUPLE DAYS. 696 00:34:29,110 --> 00:34:31,196 - A COUPLE OF DAYS? TWO REPORTERS? 697 00:34:31,237 --> 00:34:32,864 WAKE UP, PEOPLE! 698 00:34:32,906 --> 00:34:34,991 WE ARE LOSING ADVERTISERS EVERY DAY! 699 00:34:35,033 --> 00:34:38,036 WE NEED TO WRITE ABOUT STUFF THAT MATTERS TO NASHVILLIANS. 700 00:34:38,078 --> 00:34:40,830 - THIS IS A HECK OF A STORY, ALL RIGHT? 701 00:34:40,872 --> 00:34:42,832 IT'LL MATTER TO OUR READERS. 702 00:34:42,874 --> 00:34:45,043 - WELL, YOU'D BETTER BE RIGHT. 703 00:34:45,085 --> 00:34:49,589 [cell phone ringtone] 704 00:34:49,631 --> 00:34:53,760 - HEY, TREY. 705 00:34:53,802 --> 00:34:55,553 LET ME PUT YOU ON SPEAKER. 706 00:34:55,595 --> 00:34:57,847 - I JUST FOUND ANOTHER POLICE REPORT. 707 00:34:57,889 --> 00:34:59,265 RIGHT AFTER THE FIREBOMB, 708 00:34:59,307 --> 00:35:01,601 BRAEFORD WATSON SUFFERED A HEART ATTACK. 709 00:35:01,643 --> 00:35:03,520 HE WAS IN THE HOSPITAL WHEN WALLACE WAS SHOT. 710 00:35:03,561 --> 00:35:04,854 - PERFECT ALIBI. 711 00:35:04,896 --> 00:35:06,314 - STORY'S DEAD. 712 00:35:06,356 --> 00:35:09,359 - DEADER THAN AN ARMADILLO ON A TRUCK STOP EXIT RAMP. 713 00:35:09,401 --> 00:35:12,445 - TREY, HOLD ON. LET ME CALL YOU RIGHT BACK. 714 00:35:12,487 --> 00:35:13,613 HEY. 715 00:35:13,655 --> 00:35:14,614 - ARE YOU SITTING DOWN? 716 00:35:14,656 --> 00:35:16,449 - UH, YEAH. 717 00:35:16,491 --> 00:35:18,618 - MATT, I'M SORRY, IT IS CANCER. 718 00:35:18,660 --> 00:35:21,871 MULTIPLE MYELOMA. 719 00:35:21,913 --> 00:35:23,039 - [sighs] 720 00:35:23,081 --> 00:35:24,457 WILL YOU GO WITH ME? 721 00:35:24,499 --> 00:35:26,501 - OF COURSE. 722 00:35:28,545 --> 00:35:30,797 YOU DIDN'T TELL ME TREY HALL WAS A WOMAN. 723 00:35:30,839 --> 00:35:32,382 - DOES IT MATTER? 724 00:35:32,424 --> 00:35:34,300 - I DON'T KNOW, DOES IT? 725 00:35:34,342 --> 00:35:35,927 - WHAT ARE YOU SAYING? 726 00:35:35,969 --> 00:35:39,264 - WOULD YOU BE CHASING THIS STORY ALL OVER ALABAMA 727 00:35:39,305 --> 00:35:40,932 IF TREY HALL WAS A GUY? 728 00:35:40,974 --> 00:35:42,434 - THANKS A LOT. 729 00:35:42,475 --> 00:35:45,687 - WELL, MATT, WHAT ELSE HAVEN'T YOU TOLD ME? 730 00:35:45,729 --> 00:35:49,149 - I HAVEN'T TOLD MY DAD WE'RE NOT GETTING MARRIED. 731 00:35:49,190 --> 00:35:50,984 - WHAT? 732 00:35:51,026 --> 00:35:52,318 - I SHOULD HAVE. 733 00:35:52,360 --> 00:35:54,279 - MATT, HOW DOES THIS NOT COME UP? 734 00:35:54,320 --> 00:35:55,655 - I HAVEN'T SPOKEN TO HIM. 735 00:35:55,697 --> 00:35:58,533 - YOU WOULD HAVE IF IT WAS IMPORTANT. 736 00:36:01,453 --> 00:36:04,664 - WELL, ARE WE GONNA EAT OUT HERE OR ARE YOU TWO COMING IN? 737 00:36:04,706 --> 00:36:06,332 - HOW ARE YOU DOING? 738 00:36:06,374 --> 00:36:09,419 - FINE, THANKS. TRANSFUSION HELPED. 739 00:36:09,461 --> 00:36:11,338 I START CHEMO TOMORROW. YOU LOOK BEAUTIFUL. 740 00:36:11,379 --> 00:36:12,898 - HOW LONG DO YOU HAVE TO DO CHEMO FOR? 741 00:36:12,922 --> 00:36:15,258 - YOU MEAN, "FOR HOW LONG DO I HAVE TO DO CHEMO?" 742 00:36:15,300 --> 00:36:17,344 TO PARAPHRASE WINSTON CHURCHILL, 743 00:36:17,385 --> 00:36:19,179 "ENDING A SENTENCE WITH A PREPOSITION 744 00:36:19,220 --> 00:36:22,974 IS A PRACTICE UP WITH WHICH I WILL NOT PUT." 745 00:36:23,016 --> 00:36:24,100 - [laughs] 746 00:36:24,142 --> 00:36:26,353 - COME ON IN, MATTY. 747 00:36:26,394 --> 00:36:28,646 SO WITHOUT THIS BRAEFORD WATSON IN THE PICTURE, 748 00:36:28,688 --> 00:36:31,358 YOU'RE NO CLOSER TO GETTING YOUR STORY 749 00:36:31,399 --> 00:36:35,028 THAN YOU WERE WHEN YOU STARTED OUT. 750 00:36:35,070 --> 00:36:36,780 - YEAH. 751 00:36:36,821 --> 00:36:38,948 - HMM. 752 00:36:38,990 --> 00:36:41,701 - TELL US ABOUT YOUR TREATMENT. 753 00:36:41,743 --> 00:36:43,536 - [groans] 754 00:36:43,578 --> 00:36:45,038 OKAY. 755 00:36:45,080 --> 00:36:47,499 UH, THERE'S THESE TUBES HERE. 756 00:36:47,540 --> 00:36:51,044 THEY GO RIGHT INTO MY CIRCULATORY SYSTEM. 757 00:36:51,086 --> 00:36:55,507 UH, CHEMO GOES IN. NO NEEDLES. PRETTY NEAT. 758 00:36:55,548 --> 00:36:57,884 I'LL HAVE IT DONE ON FRIDAYS, 759 00:36:57,926 --> 00:37:00,679 AND THEN I SHOULD BE READY TO WORK ON MY COLUMN BY MONDAYS. 760 00:37:00,720 --> 00:37:04,974 - YOU SCHEDULED SO YOU CAN BE SICK AT HOME 761 00:37:05,016 --> 00:37:06,309 BUT BE WELL TO WORK? 762 00:37:06,351 --> 00:37:08,645 - HOME LIFE'S OVERRATED. 763 00:37:08,687 --> 00:37:12,941 - IT ALWAYS WAS. THE WORLD'S MORE IMPORTANT. 764 00:37:15,777 --> 00:37:20,240 I JUST, UH, DON'T SEE HOW YOU CAN BE SO PHILOSOPHICAL. 765 00:37:20,281 --> 00:37:23,618 - HERE'S WHAT I THINK ABOUT... 766 00:37:23,660 --> 00:37:26,538 IF I DIED TODAY, HOW WOULD MY OBIT READ? 767 00:37:26,579 --> 00:37:31,084 LONG OR SHORT? FRONT PAGE OR BURIED INSIDE? 768 00:37:31,126 --> 00:37:33,503 ABOVE THE FOLD? BELOW THE FOLD? 769 00:37:33,545 --> 00:37:37,590 WOULD THEY REMEMBER MY PREFERRED EPITAPH? 770 00:37:37,632 --> 00:37:39,759 - YOU WERE A FOOL FOR THE TRUTH? 771 00:37:39,801 --> 00:37:46,516 - YEAH, EXACTLY. 772 00:37:46,558 --> 00:37:49,436 I THINK IF I DIED RIGHT NOW, IT'D MAKE A PRETTY GOOD STORY. 773 00:37:49,477 --> 00:37:51,354 - FINE FOR YOU. WHAT ABOUT ME? 774 00:37:51,396 --> 00:37:54,107 I HATE THAT YOU'RE SICK. 775 00:37:54,149 --> 00:37:56,484 - SON, I HAPPEN TO HAVE 776 00:37:56,526 --> 00:37:58,778 A PARTICULARLY AGGRESSIVE FORM OF CANCER, 777 00:37:58,820 --> 00:38:00,989 BUT WE'RE ALL DYING OF SOMETHING. 778 00:38:01,031 --> 00:38:05,869 THEY PUSH THE DEATH RATE DOWN FOR THIS, IT GOES UP FOR THAT. 779 00:38:05,910 --> 00:38:11,875 IT'S A ZERO SUM GAME. NO ONE GETS OUT ALIVE. 780 00:38:11,916 --> 00:38:15,962 - I CAN'T BELIEVE YOU TALKED THAT WAY TO YOUR FATHER. 781 00:38:16,004 --> 00:38:18,465 YOU'RE MORE WORRIED ABOUT YOUR FEELINGS THAN HIS. 782 00:38:18,506 --> 00:38:20,383 - AT LEAST I HAVE FEELINGS. 783 00:38:20,425 --> 00:38:22,594 - HE'S A WONDERFUL MAN. A WONDERFUL, VERY SICK MAN. 784 00:38:22,635 --> 00:38:24,429 - LET ME TELL YOU SOMETHING ABOUT MY FATHER. 785 00:38:24,471 --> 00:38:26,973 IF HE'S EVER SAID "I LOVE YOU," I DON'T REMEMBER IT. 786 00:38:27,015 --> 00:38:28,475 - I DON'T BELIEVE THAT. 787 00:38:28,516 --> 00:38:30,393 - I'M NOT KIDDING. 788 00:38:30,435 --> 00:38:31,978 I'VE PLAYED THIS GAME 789 00:38:32,395 --> 00:38:34,981 WHERE I TRY TO SEE IF I CAN MAKE HIM SAY IT. 790 00:38:35,023 --> 00:38:39,319 I'VE NEVER WON. 791 00:38:39,361 --> 00:38:41,696 WE'VE GOT TO GET BACK DOWN THERE. 792 00:38:41,738 --> 00:38:43,656 ALL WE NEED IS A COUPLE MORE DAYS. 793 00:38:43,698 --> 00:38:45,992 WE'VE GOT TO FIND OUT WHO OWNS THE STORE, 794 00:38:46,034 --> 00:38:47,452 AND WE HAVEN'T EVEN TALKED TO 795 00:38:47,494 --> 00:38:49,245 WALLACE'S GIRLFRIEND VANESSA BROWN YET. 796 00:38:49,287 --> 00:38:51,414 - I DON'T THINK WALKER WILL BUY IT, 797 00:38:51,456 --> 00:38:54,334 AND OUR CREDIBILITY ISN'T EXACTLY AT A HIGH POINT. 798 00:38:54,376 --> 00:38:57,337 - WELL, WHO SAYS WE NEED TO ASK WALKER'S PERMISSION? 799 00:38:57,379 --> 00:38:59,005 WE COULD DO IT IN A SERIES OF TRIPS. 800 00:38:59,047 --> 00:39:01,591 IF WE GET THE STORY, NOBODY'S GONNA CARE HOW WE DID IT. 801 00:39:08,556 --> 00:39:11,976 - I'LL PICK YOU UP AT 6:00. 802 00:39:13,645 --> 00:39:15,105 - SORRY TO BOTHER YOU, 803 00:39:15,313 --> 00:39:16,874 BUT WE NEED TO ASK YOU SOME MORE QUESTIONS. 804 00:39:16,898 --> 00:39:18,858 - I TOLD YOU ABOUT THE NIGHT IT HAPPENED. 805 00:39:18,900 --> 00:39:21,611 - YEAH, BUT WE NEED TO MAKE SURE WE KNOW EVERYTHING. 806 00:39:21,653 --> 00:39:24,614 THAT'S EVEN THINGS THAT YOU MIGHT NOT THINK ARE IMPORTANT. 807 00:39:24,656 --> 00:39:29,536 - I HAVE TO LIVE HERE. YOU TWO GET TO LEAVE. 808 00:39:29,577 --> 00:39:33,206 - YOU CAN TRUST ME. ASK ANYONE WHO KNOWS ME. 809 00:39:33,248 --> 00:39:38,586 - I DON'T KNOW ANYONE WHO KNOWS YOU. 810 00:39:40,588 --> 00:39:43,967 - YOUR TIMING SUCKS. MY PORCELAIN CRACKED. 811 00:39:44,009 --> 00:39:48,680 I GOT A HORRIBLE REVIEW. OH, YEAH, I ALMOST FORGOT. 812 00:39:48,722 --> 00:39:51,474 YOU GOT COLD FEET THREE MONTHS BEFORE OUR WEDDING. 813 00:39:51,516 --> 00:39:53,351 NOW YOU WANT ME TO DROP EVERYTHING 814 00:39:53,393 --> 00:39:54,853 AND HELP YOU WITH A RELUCTANT SOURCE? 815 00:39:54,894 --> 00:39:57,230 - YOU'RE TRAINED TO GET PEOPLE TO OPEN UP TO YOU. 816 00:39:57,272 --> 00:39:58,356 YOU'RE GOOD AT IT. 817 00:39:58,398 --> 00:40:00,233 - THAT WAS MY OLD LIFE. 818 00:40:00,275 --> 00:40:03,695 NOW I SLING MUD. IT DOESN'T TALK BACK. 819 00:40:03,737 --> 00:40:07,157 NO CODEPENDENCY ISSUES, NO ENABLING ISSUES, NOTHING. 820 00:40:07,198 --> 00:40:10,577 - PLEASE, DELANA? 821 00:40:10,618 --> 00:40:14,164 - WHY DOESN'T TREY TALK TO HER? 822 00:40:14,205 --> 00:40:17,667 - TREY TRIED. I JUST... I THINK THERE ARE SOME THINGS 823 00:40:17,709 --> 00:40:19,353 MARY PELL IS NOT COMFORTABLE TALKING TO HER ABOUT. 824 00:40:19,377 --> 00:40:20,754 TREY'S LIKE HER CHILD. 825 00:40:20,795 --> 00:40:25,550 AT LEAST CONVINCE MARY PELL THAT SHE CAN TRUST ME. 826 00:40:26,634 --> 00:40:29,262 DELANA, MY JOB'S ON THE LINE. 827 00:40:29,304 --> 00:40:32,932 - WHICH MATTERS TO ME EXACTLY WHY? 828 00:40:37,896 --> 00:40:43,735 I'LL HELP, BUT NOT BECAUSE OF YOU. 829 00:40:43,777 --> 00:40:46,905 I'LL DO IT FOR MARY PELL. 830 00:40:48,990 --> 00:40:52,202 - MY SANCTUARY. 831 00:40:52,243 --> 00:40:54,621 - THAT'S HOW I FEEL ABOUT MY STUDIO. 832 00:40:54,662 --> 00:40:56,998 - NO ONE BOTHERS ME HERE. 833 00:41:06,091 --> 00:41:09,469 - MARY PELL, I KNOW IT MUST BE HARD FOR YOU, 834 00:41:09,511 --> 00:41:11,596 BUT MAY I ASK YOU SOME QUESTIONS? 835 00:41:11,638 --> 00:41:15,058 - YOU CAN ASK. 836 00:41:15,100 --> 00:41:18,103 - I UNDERSTAND BRAEFORD WATSON WAS IN THE KLAN. 837 00:41:18,144 --> 00:41:20,730 IS THAT WHY SOMEONE THREW A FIREBOMB AT HIS STORE? 838 00:41:20,772 --> 00:41:26,778 - EVERYONE KNEW BRAEFORD WATSON WAS A KLUXER, 839 00:41:26,820 --> 00:41:29,114 PLUS HE CHARGED TWICE WHAT HE SHOULD HAVE FOR EVERYTHING. 840 00:41:29,155 --> 00:41:36,037 BUT THAT'S NOT WHY THE STORE WAS FIREBOMBED. 841 00:41:40,000 --> 00:41:42,293 - HEY, GUYS. - HOW ARE YOU DOING? 842 00:41:42,335 --> 00:41:46,881 - I FORGOT PATTY HAS FRIDAYS OFF, BUT THE DOOR WAS OPEN. 843 00:41:46,923 --> 00:41:48,425 - WHAT IS THIS? 844 00:41:48,466 --> 00:41:49,944 - I'VE BEEN COLLECTING PLANT SPECIMENS. 845 00:41:49,968 --> 00:41:52,345 THAT ONE'S CALLED CNIDOSCOLUS STIMULOSUS. 846 00:41:52,387 --> 00:41:54,264 - CNIDOSCOLUS STIMULOSUS. 847 00:41:54,305 --> 00:41:55,974 - [laughs] A NATURAL APHRODISIAC. 848 00:41:56,016 --> 00:41:58,643 COUNTRY PEOPLE CALL IT "THE COURAGE PLANT." 849 00:41:58,685 --> 00:42:01,646 - FREEZE. Y'ALL KEEP YOUR HANDS UP WHERE I CAN SEE 'EM. 850 00:42:01,688 --> 00:42:05,483 UP. NOW, JUST WHAT DO YOU THINK YOU'RE DOING? 851 00:42:05,525 --> 00:42:07,044 - WE'RE LOOKING AT REAL ESTATE RECORDS. 852 00:42:07,068 --> 00:42:09,487 JUST PUT THE GUN DOWN. - HOLD IT. 853 00:42:09,529 --> 00:42:12,532 NOW, YOU'RE ALL UNDER ARREST. - FOR WHAT? 854 00:42:12,574 --> 00:42:16,202 - FOR ATTEMPTED THEFT OF GOVERNMENT PROPERTY. 855 00:42:16,244 --> 00:42:18,246 - THAT'S CRAZY. 856 00:42:18,288 --> 00:42:22,709 THIS IS ALL PUBLIC RECORD, SO YOU CAN'T STEAL WHAT YOU OWN. 857 00:42:22,751 --> 00:42:26,338 - OLEN, NO HARM'S BEEN DONE. 858 00:42:26,379 --> 00:42:28,757 WHY DON'T WE JUST COME BACK WHEN MISS PATTY'S HERE? 859 00:42:28,798 --> 00:42:30,383 - MM-MM, THAT'S UP TO JUDGE BUCHANAN. 860 00:42:30,425 --> 00:42:32,427 HE'LL BE IN AFTER LUNCH. 861 00:42:32,469 --> 00:42:36,848 - MR. BULLOCK AND I HAVE TO BE BACK IN NASHVILLE BY 3:00. 862 00:42:36,890 --> 00:42:38,576 - UH-HUH, WELL, YOU SHOULD HAVE THOUGHT ABOUT THAT 863 00:42:38,600 --> 00:42:40,352 BEFORE YOU BROKE IN. 864 00:42:40,393 --> 00:42:42,270 - WE DIDN'T BREAK IN. IT WAS OPEN. 865 00:42:44,439 --> 00:42:47,233 - OH. 866 00:42:47,275 --> 00:42:49,778 - OLEN, PLEASE, LOWER THE GUN. 867 00:42:49,819 --> 00:42:51,571 I PROMISE, WE WON'T GO ANYWHERE 868 00:42:51,613 --> 00:42:53,239 UNTIL JUDGE BUCHANAN SHOWS UP. 869 00:42:53,281 --> 00:42:56,659 WHY DON'T I MAKE US SOME COFFEE WHILE WE WAIT. 870 00:42:56,701 --> 00:43:00,663 - YOU CAN POUR A CUP FOR ME. - OKAY. 871 00:43:07,504 --> 00:43:11,758 - BRAEFORD WATSON STARTED RUNNING GIRLS OUT OF THE STORE 872 00:43:11,800 --> 00:43:14,427 FROM A ROOM IN BACK. 873 00:43:14,469 --> 00:43:17,764 WORKERS FROM THE NUCLEAR PLANT 874 00:43:17,806 --> 00:43:21,101 WERE THE MAIN CUSTOMERS. 875 00:43:21,142 --> 00:43:24,104 THE WORKERS WERE WHITE. 876 00:43:24,145 --> 00:43:27,148 THE GIRLS WERE BLACK. 877 00:43:28,733 --> 00:43:32,070 THE BLACK COMMUNITY HATED WHAT WAS GOING ON. 878 00:43:32,112 --> 00:43:36,783 - MATT AND BULLOCK WILL WANT TO KNOW HOW YOU KNOW. 879 00:43:43,915 --> 00:43:46,334 - MY DAUGHTER WORKED THERE. 880 00:43:47,752 --> 00:43:51,464 SHE WAS AN ADDICT. 881 00:43:51,506 --> 00:43:55,051 ALWAYS NEEDED MONEY. 882 00:43:55,093 --> 00:43:58,138 SHE'S DEAD NOW. 883 00:43:58,179 --> 00:44:01,808 - OH, MARY PELL. 884 00:44:01,850 --> 00:44:04,894 YOU CARRY SO MUCH PAIN. 885 00:44:07,355 --> 00:44:10,692 - I CARRY A LOT. 886 00:44:12,986 --> 00:44:15,905 - MARY PELL, DO YOU KNOW WHO COULD HAVE SHOT WALLACE? 887 00:44:17,157 --> 00:44:20,618 - DON'T KNOW ANYTHING ABOUT WHO SHOT WALLACE. 888 00:44:20,660 --> 00:44:22,579 - DID WALLACE THROW THE FIREBOMB? 889 00:44:22,620 --> 00:44:25,582 - NO! 890 00:44:25,623 --> 00:44:28,460 - DO YOU HAVE ANY IDEA WHO DID? 891 00:44:28,501 --> 00:44:32,505 - MARY PELL, WHERE ARE YOU? 892 00:44:32,547 --> 00:44:34,341 - COMING, MR. HALL. 893 00:44:34,382 --> 00:44:37,761 [sighs] 894 00:44:37,802 --> 00:44:41,389 I'VE TOLD YOU EVERYTHING I CAN. 895 00:44:52,067 --> 00:44:55,153 - [sighs] 896 00:44:55,195 --> 00:44:58,531 UH... 897 00:44:58,573 --> 00:45:00,700 Y'ALL GET IN THERE. 898 00:45:00,742 --> 00:45:01,826 - WHAT DO YOU MEAN? 899 00:45:01,868 --> 00:45:02,911 - GET IN THE CLOSET. 900 00:45:02,952 --> 00:45:04,371 - JUST DO AS HE SAYS. 901 00:45:04,412 --> 00:45:05,622 - GET IN THERE. COME ON. 902 00:45:05,663 --> 00:45:07,040 - ALL RIGHT, ALL RIGHT, ALL RIGHT. 903 00:45:07,082 --> 00:45:08,041 - MOVE. 904 00:45:08,083 --> 00:45:08,833 - ALL RIGHT. 905 00:45:08,875 --> 00:45:12,545 - MOVE. - I'M GOING. 906 00:45:12,587 --> 00:45:14,422 - GO ON. 907 00:45:18,426 --> 00:45:21,304 [groans] 908 00:45:21,346 --> 00:45:22,555 [thud] 909 00:45:22,597 --> 00:45:23,932 - MISSION ACCOMPLISHED. 910 00:45:23,973 --> 00:45:26,685 LADY'S SLIPPER, A MEMBER OF THE ORCHID FAMILY, 911 00:45:26,726 --> 00:45:28,395 A NATURAL SEDATIVE. 912 00:45:28,436 --> 00:45:29,854 I BREWED IT IN HIS COFFEE. 913 00:45:29,896 --> 00:45:32,941 - COOL. LET'S GET OUT OF HERE. 914 00:45:35,193 --> 00:45:37,320 [grunts] 915 00:45:37,362 --> 00:45:38,655 HELP ME OUT, WILL YOU, PAL? 916 00:45:38,697 --> 00:45:39,739 - YEAH. 917 00:45:39,781 --> 00:45:41,199 - [grunts] 918 00:45:41,241 --> 00:45:45,495 OKAY, TIME FOR LITTLE HENRY. HERE WE GO. 919 00:45:45,537 --> 00:45:48,665 - UH... 920 00:45:48,707 --> 00:45:50,291 OKAY. 921 00:45:50,333 --> 00:45:52,228 - IT'S A DOUBLE SHOT, BUT I GOT ONE BULLET IN HERE, SO... 922 00:45:52,252 --> 00:45:53,086 - HEADS UP. 923 00:45:53,128 --> 00:45:54,671 - ONE SHOT'S GOTTA DO IT. 924 00:45:54,713 --> 00:45:57,090 COME ON, LITTLE BUDDY. 925 00:45:57,132 --> 00:45:59,134 [gunshot] 926 00:45:59,175 --> 00:46:00,927 [laughs] 927 00:46:00,969 --> 00:46:05,348 AND YOU THOUGHT THIS WOULDN'T COME IN HANDY. 928 00:46:05,390 --> 00:46:07,392 [laughs] 929 00:46:12,814 --> 00:46:14,566 - HEY, BULLOCK, YOU GOT A 20? 930 00:46:14,607 --> 00:46:15,984 - YEAH. 931 00:46:16,026 --> 00:46:18,236 - DROP IT HERE, WOULD YOU? 932 00:46:21,614 --> 00:46:24,034 LET'S GET DELANA AND ROLL. 933 00:46:27,912 --> 00:46:30,165 - FREE AT LAST! 934 00:46:30,206 --> 00:46:32,042 - HOWDY, MEN. 935 00:46:32,083 --> 00:46:34,461 HAVE A LITTLE DUSTUP, DID WE? 936 00:46:34,502 --> 00:46:35,879 ANYBODY FACING A FELONY? 937 00:46:35,920 --> 00:46:37,630 - NO, IT'S A MISUNDERSTANDING. 938 00:46:37,672 --> 00:46:38,798 - YOU WERE BACK IN ALABAMA! 939 00:46:38,840 --> 00:46:41,009 - WE WERE ON OUR OWN TIME. 940 00:46:41,051 --> 00:46:42,635 - DO YOU KNOW HOW MANY SUBSCRIBERS 941 00:46:42,677 --> 00:46:45,263 WE HAVE IN AMOS, ALABAMA? 942 00:46:45,305 --> 00:46:47,182 ZERO! 943 00:46:47,223 --> 00:46:49,893 LOOK, I KNOW Y'ALL CALL ME BAXTER THE AXTER, 944 00:46:49,934 --> 00:46:51,394 BUT THIS IS A WASTE OF RESOURCES, 945 00:46:51,436 --> 00:46:54,481 REPORTERS WANDERING AROUND ALABAMA, GETTING ARRESTED. 946 00:46:54,522 --> 00:46:56,399 - NOBODY GOT ARRESTED. 947 00:46:56,441 --> 00:46:58,318 IF YOU'RE GONNA BE INVOLVED IN JOURNALISM, 948 00:46:58,360 --> 00:46:59,903 GET YOUR FACTS RIGHT. 949 00:46:59,944 --> 00:47:01,988 - THEN WHAT ARE THE FACTS? 950 00:47:02,030 --> 00:47:04,282 - THE FACT IS, WE WERE IN AMOS, 951 00:47:04,324 --> 00:47:07,202 DOING INVESTIGATIVE REPORTING ON OUR OWN TIME 952 00:47:07,243 --> 00:47:10,080 BECAUSE THE NASHVILLE TIMES IS UNWILLING TO. 953 00:47:11,873 --> 00:47:13,583 - IT MADE YOU LATE. 954 00:47:13,625 --> 00:47:17,087 - YOU'RE RIGHT. I'LL PUT IN AN EXTRA HOUR THE DAY I RETIRE. 955 00:47:17,128 --> 00:47:19,506 - I COMMAND YOU TO END YOUR CEASELESS THRALL 956 00:47:19,547 --> 00:47:21,091 WITH WALLACE SAMPSON! 957 00:47:21,132 --> 00:47:24,260 - YOU CAN COMMAND OUR HOURS AND OUR ASSIGNMENTS 958 00:47:24,302 --> 00:47:25,845 AND WHAT GOES IN OUR PAYCHECKS, 959 00:47:25,887 --> 00:47:27,472 BUT AS LONG AS IT'S ON MY TIME, 960 00:47:27,514 --> 00:47:31,518 I, NOT YOU, WILL DECIDE WHEN I END MY CEASELESS THRALL! 961 00:47:31,559 --> 00:47:34,437 - [exhales] 962 00:47:34,479 --> 00:47:36,231 - WOW. 963 00:47:36,272 --> 00:47:37,315 LOOK AT YOU. 964 00:47:37,357 --> 00:47:38,525 [door slams] 965 00:47:38,566 --> 00:47:39,609 [applause] 966 00:47:39,651 --> 00:47:41,319 - YEAH! - WHOO! 967 00:47:41,361 --> 00:47:42,987 [applause] 968 00:47:43,029 --> 00:47:44,614 - SPECTACULAR. 969 00:47:44,656 --> 00:47:46,991 I'VE SEEN PUBLISHERS TOLD OFF BEFORE, 970 00:47:47,033 --> 00:47:48,302 BUT I'VE NEVER SEEN IT DONE BETTER. 971 00:47:48,326 --> 00:47:49,452 - SORRY, WALKER. 972 00:47:49,494 --> 00:47:53,456 - MATT, DISAPPEAR FOR A COUPLE DAYS, OKAY? 973 00:47:53,498 --> 00:47:54,958 VISIT YOUR FATHER. 974 00:47:55,000 --> 00:47:58,586 BUT PUT AMOS ON HOLD, AT LEAST FOR A WHILE. 975 00:48:09,723 --> 00:48:12,726 - HEY. - HEY. 976 00:48:12,767 --> 00:48:14,686 OH, SORRY. 977 00:48:14,728 --> 00:48:17,272 - STUFF REALLY ZAPS YOU, HUH? 978 00:48:17,313 --> 00:48:23,153 - AH, NOT SO BAD. I GO TO RADIATION AFTER THIS. 979 00:48:23,194 --> 00:48:27,282 IT'S NO SWEAT. - WELL, IT'S GOOD TO SEE YOU. 980 00:48:27,323 --> 00:48:32,871 - NICE OF YOU TO COME. I ACTUALLY NEED YOUR HELP. 981 00:48:32,912 --> 00:48:35,331 THE PAPER WANTS TO RUN A STORY ABOUT ME. 982 00:48:35,373 --> 00:48:38,752 I WANT YOU TO TALK THEM OUT OF IT. 983 00:48:38,793 --> 00:48:40,420 - WHY? 984 00:48:40,462 --> 00:48:41,755 - 'CAUSE THE HOOK 985 00:48:41,796 --> 00:48:44,924 IS GONNA BE THIS MULTIPLE MYELOMA, 986 00:48:44,966 --> 00:48:48,011 AND THEY'RE GONNA MAKE IT SOUND LIKE I'M DYING. 987 00:48:48,053 --> 00:48:51,598 I'M NOT, SO THERE'S NO STORY. 988 00:48:51,639 --> 00:48:56,227 I'M GONNA BEAT THIS THING. 989 00:48:56,269 --> 00:48:59,606 PLEASE, MATTY. I NEED YOUR HELP. 990 00:48:59,647 --> 00:49:03,318 - I'LL SEE WHAT I CAN DO. 991 00:49:05,945 --> 00:49:07,322 IT'S AMAZING I STILL HAVE A JOB. 992 00:49:07,364 --> 00:49:09,282 - BECAUSE THE FIGHT WAS PUBLIC. 993 00:49:09,324 --> 00:49:11,576 BAXTER CAN'T FIRE YOU OVER A DISCUSSION 994 00:49:11,618 --> 00:49:15,872 ABOUT JOURNALISTIC DIFFERENCES WITHOUT LOOKING LIKE A JERK, 995 00:49:15,914 --> 00:49:18,249 BUT YOU'RE NOT OUT OF THE WOODS YET. 996 00:49:18,291 --> 00:49:20,251 HE'LL FIND A WAY TO MAKE IT TOUGH FOR YOU. 997 00:49:20,293 --> 00:49:22,962 - AH, I SHOULDN'T HAVE DONE IT. 998 00:49:23,004 --> 00:49:27,801 - NOW, WAIT A MINUTE. YOU BELIEVE IN YOUR STORY? 999 00:49:27,842 --> 00:49:29,469 - YEAH, OF COURSE. 1000 00:49:29,511 --> 00:49:31,680 IT'S IMPORTANT TO MARY PELL AND A LOT OF PEOPLE IN AMOS 1001 00:49:31,721 --> 00:49:34,349 AND IT SHOULD BE TO PEOPLE IN NASHVILLE AND MEMPHIS 1002 00:49:34,391 --> 00:49:37,811 AND DALLAS AND DENVER AND SEATTLE AND NEW YORK TOO, YEAH. 1003 00:49:37,852 --> 00:49:42,524 - STICK WITH IT. SCREW THE CONSEQUENCES. 1004 00:49:45,694 --> 00:49:48,196 BESIDES, YOU DID THE RIGHT THING. 1005 00:49:50,281 --> 00:49:53,493 - BUT HOW DO WE PURSUE IT NOW? 1006 00:49:53,535 --> 00:49:56,496 - WELL, BAXTER'S GOT A THING FOR OBITS, RIGHT? 1007 00:49:56,538 --> 00:49:57,539 - YEAH, SURE DOES. 1008 00:49:57,580 --> 00:49:59,124 - ALL RIGHT. 1009 00:49:59,165 --> 00:50:01,102 YOU DON'T HAVE TO BE IN NASHVILLE TO DO THAT, DO YOU? 1010 00:50:01,126 --> 00:50:03,253 - NO. THE DEAD DON'T INTERVIEW WELL. 1011 00:50:03,294 --> 00:50:06,464 - EXACTLY. SO SET UP SHOP IN AMOS, 1012 00:50:06,506 --> 00:50:10,135 REPORT YOUR STORY BY DAY, DO THE OBITS AT NIGHT. 1013 00:50:10,176 --> 00:50:12,137 BAXTER PICKS UP THE PAPER, 1014 00:50:12,178 --> 00:50:15,265 HE SEES YOU AND BULLOCK'S NAME WITH BYLINES... 1015 00:50:15,306 --> 00:50:19,477 OVER THE OBITUARIES, NO LESS... AND HE'S HAPPY. 1016 00:50:19,519 --> 00:50:21,021 - IT MIGHT WORK. 1017 00:50:21,062 --> 00:50:25,817 ALL RIGHT. LOVE YOU, DAD. 1018 00:50:25,859 --> 00:50:27,068 - TAKE CARE. 1019 00:50:29,738 --> 00:50:31,656 - SEE YA. 1020 00:50:34,701 --> 00:50:35,869 WHAT'D YOU SAY TO BAXTER? 1021 00:50:35,910 --> 00:50:37,579 - TOLD HIM REPORTERS ARE CRAZY. 1022 00:50:37,620 --> 00:50:40,123 THE TRUTH IS ALWAYS THE BEST DEFENSE. 1023 00:50:40,165 --> 00:50:42,375 - YOU DIDN'T CHANGE HIS MIND ABOUT THE STORY, DID YOU? 1024 00:50:42,417 --> 00:50:44,210 - DIDN'T TRY. 1025 00:50:44,252 --> 00:50:45,479 THAT'D BE LIKE TRYING TO TALK SENSE TO AN OKLAHOMA FAN. 1026 00:50:45,503 --> 00:50:47,297 - [laughs] 1027 00:50:47,339 --> 00:50:49,483 - AND I DIDN'T WANT TO WIN THE BATTLE AND LOSE THE WAR, 1028 00:50:49,507 --> 00:50:50,717 AND IT IS A WAR. 1029 00:50:50,759 --> 00:50:52,469 - HOW SO? 1030 00:50:52,510 --> 00:50:56,056 - IT'S A WAR FOR JOURNALISM, AND IF WE DON'T WIN, 1031 00:50:56,097 --> 00:50:59,309 IT'S NOT WORTH BEING AT THE NASHVILLE TIMES. 1032 00:50:59,351 --> 00:51:01,269 IT'S A WAR FOR THE PEOPLE WE WRITE ABOUT 1033 00:51:01,311 --> 00:51:03,188 AND THE PEOPLE WE'RE WRITING FOR. 1034 00:51:03,229 --> 00:51:07,317 BAXTER CALLS 'EM CUSTOMERS. I CALL 'EM CITIZENS. 1035 00:51:07,359 --> 00:51:10,570 - MY DAD HAD AN IDEA. 1036 00:51:10,612 --> 00:51:12,989 WHAT IF WE SET UP SHOP DOWN IN AMOS, 1037 00:51:13,031 --> 00:51:15,200 COVER THE WALLACE SAMPSON STORY DURING THE DAY, 1038 00:51:15,241 --> 00:51:16,993 AND WRITE OBITS AT NIGHT? 1039 00:51:17,035 --> 00:51:18,870 - YEAH, YOUR DAD WAS ALWAYS A SLY ONE. 1040 00:51:18,912 --> 00:51:21,289 - SO YOU'LL COVER FOR US? 1041 00:51:22,957 --> 00:51:24,751 - JUST GET THE STORY. 1042 00:51:28,296 --> 00:51:32,258 - LET'S GO TRACK DOWN WALLACE'S GIRLFRIEND. 1043 00:51:32,300 --> 00:51:34,594 - I THINK WE NEED TO CHANGE COURSE. 1044 00:51:34,636 --> 00:51:35,637 - WHAT? 1045 00:51:35,679 --> 00:51:37,514 - THE LAST THING VANESSA BROWN NEEDS 1046 00:51:37,555 --> 00:51:39,432 IS TO BE INTIMIDATED BY SOME REDNECK 1047 00:51:39,474 --> 00:51:41,114 WHO LOOKS AS IF HE JUST ROLLED OUT OF BED. 1048 00:51:41,142 --> 00:51:44,729 - HMM. WHAT ABOUT YOU? 1049 00:51:44,771 --> 00:51:47,857 I AIN'T SEEN A MAN IN AMOS WITH A TIE ON. 1050 00:51:47,899 --> 00:51:52,153 WHAT'S SHE GONNA THINK YOU ARE, A JEHOVAH'S WITNESS? 1051 00:51:56,658 --> 00:51:57,784 [phone rings] 1052 00:51:57,826 --> 00:51:59,536 [beeps] 1053 00:51:59,577 --> 00:52:02,372 - LET ME GUESS, YOU WANT ME TO INTERVIEW ANOTHER WOMAN FOR YOU. 1054 00:52:02,414 --> 00:52:04,624 - HI, DELANA, HOW ARE YOU? 1055 00:52:04,666 --> 00:52:06,084 - AM I RIGHT? 1056 00:52:06,126 --> 00:52:07,627 - YES. 1057 00:52:07,669 --> 00:52:09,254 - WHO? 1058 00:52:09,295 --> 00:52:12,924 - WALLACE SAMPSON'S GIRLFRIEND, VANESSA BROWN. 1059 00:52:21,016 --> 00:52:22,475 - HI. 1060 00:52:26,021 --> 00:52:29,315 - WHY IS SHE HERE? 1061 00:52:29,357 --> 00:52:36,072 - UH, THIS IS DELANA CALHOUN. SHE'S MY... FRIEND. 1062 00:52:36,114 --> 00:52:37,991 UH, IS EVERYBODY IN THIS TOWN ARMED? 1063 00:52:38,033 --> 00:52:41,536 - I GOT THIS GUN 19 YEARS AGO. 1064 00:52:43,163 --> 00:52:45,165 - VANESSA, DO YOU HAVE CHILDREN? 1065 00:52:45,206 --> 00:52:52,297 - TWO. LATETIA IS 12 AND WALLACE JUST TURNED 16. 1066 00:52:52,339 --> 00:52:55,633 - WHAT A HANDSOME YOUNG MAN. 1067 00:52:55,675 --> 00:52:58,345 - THANK YOU. 1068 00:52:58,386 --> 00:53:01,348 - YOU MUST HAVE LOVED WALLACE VERY MUCH 1069 00:53:01,389 --> 00:53:03,266 TO NAME YOUR SON AFTER HIM. 1070 00:53:03,308 --> 00:53:08,480 - I LOVED WALLACE MORE THAN ANYBODY I'VE EVER KNOWN. 1071 00:53:08,521 --> 00:53:10,857 - WHAT DID YOU LOVE MOST ABOUT HIM? 1072 00:53:22,702 --> 00:53:23,828 - [crying] 1073 00:53:23,870 --> 00:53:26,664 HE MADE ME FEEL PRETTY. 1074 00:53:29,918 --> 00:53:32,462 HE LOVED ME. 1075 00:53:34,839 --> 00:53:37,926 HE WROTE ME POEMS. 1076 00:53:39,094 --> 00:53:41,304 - IT'S HARD TO KEEP BREATHING 1077 00:53:41,346 --> 00:53:43,556 WHEN YOU'VE LOST SOMEONE LIKE THAT. 1078 00:53:47,644 --> 00:53:51,398 - Y'ALL EVER LOST ANYONE YOU LOVED? 1079 00:53:51,439 --> 00:53:55,694 - I LOST MY FATHER WHEN I WAS SEVEN. 1080 00:53:55,735 --> 00:53:57,529 BUT MATT... 1081 00:54:00,365 --> 00:54:03,910 - THAT'S MY BROTHER LUKE. 1082 00:54:03,952 --> 00:54:07,539 HE WAS 15. 1083 00:54:07,580 --> 00:54:11,418 HE DIED FROM A BULLET IN THE HEAD. 1084 00:54:11,459 --> 00:54:13,420 THEY NEVER FIGURED OUT 1085 00:54:13,461 --> 00:54:16,965 IF IT WAS AN ACCIDENT OR ON PURPOSE OR WHAT. 1086 00:54:31,980 --> 00:54:34,232 - HEAVENLY FATHER, 1087 00:54:34,274 --> 00:54:38,445 WE DON'T PRAY FOR THOSE WHO HAVE GONE AHEAD 1088 00:54:38,486 --> 00:54:42,782 BECAUSE THEY ARE WITH YOU. 1089 00:54:42,824 --> 00:54:49,247 WE PRAY INSTEAD FOR THOSE OF US WHO ARE LEFT BEHIND 1090 00:54:49,289 --> 00:54:52,000 AND DON'T KNOW WHY. 1091 00:54:58,631 --> 00:54:59,632 [sniffles] 1092 00:54:59,674 --> 00:55:01,509 THANK YOU. 1093 00:55:06,306 --> 00:55:10,268 HE HAD GIVEN ME A POEM HE HAD WRITTEN FOR ME, 1094 00:55:10,310 --> 00:55:13,271 AND HE TOLD ME HE LOVED ME. 1095 00:55:13,313 --> 00:55:16,441 THOSE WERE THE LAST WORDS HE EVER SAID... 1096 00:55:16,483 --> 00:55:19,819 "I LOVE YOU." 1097 00:55:19,861 --> 00:55:23,948 THEN I WATCHED HIM WALK TOWARD HOME, 1098 00:55:23,990 --> 00:55:30,413 AND WHEN HE GOT NEAR THE STORE, HE STOPPED AND HE WAVED. 1099 00:55:30,455 --> 00:55:34,584 OH, HE HAD THE SWEETEST LOOK ON HIS FACE. 1100 00:55:36,628 --> 00:55:42,634 THEN I HEARD THE SHOT AND I SAW HIM FALL. 1101 00:55:45,720 --> 00:55:47,597 [sniffles] 1102 00:55:47,639 --> 00:55:52,936 - IF IT WAS DARK, HOW COULD YOU SEE HIM? 1103 00:55:52,977 --> 00:55:59,067 - LIGHTS. SOME LIGHTS WERE ALWAYS ON AT THE STORE. 1104 00:56:03,530 --> 00:56:08,034 THEN I SAW BILLY BAKER RUNNING AWAY. 1105 00:56:08,076 --> 00:56:09,786 - BILLY BAKER? 1106 00:56:09,828 --> 00:56:14,290 - SOME OLD REDNECK. HE USED TO WORK ON CARS. 1107 00:56:14,332 --> 00:56:16,334 HAVEN'T SEEN HIM AROUND IN YEARS. 1108 00:56:16,376 --> 00:56:17,961 - DID HE HAVE A GUN? 1109 00:56:18,003 --> 00:56:21,506 - NO. 1110 00:56:21,548 --> 00:56:23,883 - VANESSA, WHY DIDN'T YOU TELL ANYONE THIS BEFORE? 1111 00:56:23,925 --> 00:56:28,054 - NOBODY ASKED. 1112 00:56:28,096 --> 00:56:30,974 PLUS, I WAS SCARED. 1113 00:56:31,016 --> 00:56:33,018 I STILL AM. 1114 00:56:42,694 --> 00:56:45,613 - WE GOTTA GET OUT OF HERE. GET IN. 1115 00:56:49,117 --> 00:56:50,076 BAD NEWS. 1116 00:56:50,118 --> 00:56:51,077 - IT'S GOT TO WAIT. 1117 00:56:51,119 --> 00:56:52,579 TREY DID SOME MORE DIGGING. 1118 00:56:52,620 --> 00:56:54,706 GUESS WHO OWNS THE STORE. 1119 00:56:54,748 --> 00:56:55,498 - WHO? 1120 00:56:55,540 --> 00:56:56,791 - THE JUDGE. 1121 00:56:56,833 --> 00:56:58,543 - BUCHANAN? YOU'RE KIDDING. 1122 00:56:58,585 --> 00:57:01,880 - WE LEFT NOTES AT HIS MANSION AND TOWN HALL, 1123 00:57:01,921 --> 00:57:03,340 SAYING WE WANT TO SPEAK TO HIM. 1124 00:57:03,381 --> 00:57:05,342 ALL RIGHT, WHAT'S YOUR NEWS? 1125 00:57:05,383 --> 00:57:08,678 - UH, IT'S ABOUT THE LEMANS. 1126 00:57:08,720 --> 00:57:11,765 - YOU DID NOT WRECK MY CAR. 1127 00:57:11,806 --> 00:57:13,808 - UH... 1128 00:57:13,850 --> 00:57:14,934 - OH! 1129 00:57:14,976 --> 00:57:16,186 OH, NO! 1130 00:57:16,227 --> 00:57:17,395 MAN! 1131 00:57:17,437 --> 00:57:19,773 OH, MAMA! 1132 00:57:19,814 --> 00:57:21,399 OH, NO! 1133 00:57:21,441 --> 00:57:24,736 OKAY, NOW IT'S PERSONAL. 1134 00:57:24,778 --> 00:57:27,697 - WHO THE HELL IS RONNIE BULLOCK? 1135 00:57:27,739 --> 00:57:28,948 - THAT WOULD BE ME, SIR. 1136 00:57:28,990 --> 00:57:31,618 - I ONLY SHAKE HANDS WITH GENTLEMEN. 1137 00:57:31,659 --> 00:57:34,120 - THAT NOTE WAS NOT INTENDED FOR YOU, SIR. 1138 00:57:34,162 --> 00:57:35,705 IT WAS FOR JUDGE BUCHANAN. 1139 00:57:35,747 --> 00:57:40,960 - HOW DARE YOU DRAG RUT BUCHANAN INTO YOUR COCKAMAMIE 1140 00:57:41,002 --> 00:57:44,172 INVESTIGATION OF SOME DEAD NIGRA KID? 1141 00:57:44,214 --> 00:57:47,467 - YOU MUST DO THINGS DIFFERENTLY UP THERE IN NASHVILLE. 1142 00:57:47,509 --> 00:57:49,302 'CAUSE AROUND HERE, WHEN WE HAVE BUSINESS 1143 00:57:49,344 --> 00:57:50,637 WITH A MAN, WE GO SEE HIM. 1144 00:57:50,679 --> 00:57:52,097 WE DON'T WRITE A NOTE. 1145 00:57:52,138 --> 00:57:54,933 - SORRY, I WAS JUST TRYING TO MOVE THINGS ALONG. 1146 00:57:54,974 --> 00:57:57,102 - YEAH. 1147 00:57:57,143 --> 00:57:58,436 LOOK... 1148 00:57:58,478 --> 00:58:01,231 WE'VE BEEN OUT BIRD-HUNTING ALL DAY. 1149 00:58:01,272 --> 00:58:03,608 WE GOT SKUNKED, 1150 00:58:03,650 --> 00:58:06,027 SO WE WERE KIND OF UPSET BEFORE WE SAW YOUR NOTE. 1151 00:58:06,069 --> 00:58:08,697 SO FETCH SOME GLASSES. LET'S SIT DOWN. 1152 00:58:08,738 --> 00:58:10,281 I DON'T KNOW WHAT I CAN TELL YOU 1153 00:58:10,323 --> 00:58:11,634 ABOUT WHATEVER Y'ALL ARE LOOKING INTO, 1154 00:58:11,658 --> 00:58:13,243 BUT I'LL TRY. 1155 00:58:13,284 --> 00:58:16,037 COME ON. 1156 00:58:16,079 --> 00:58:18,790 YES, I OWN THE BUILDING WHERE THEY HAD THE STORE, 1157 00:58:18,832 --> 00:58:20,291 BUT I OWN MOST OF THIS TOWN. 1158 00:58:20,333 --> 00:58:24,087 MY DADDY WAS JUDGE BEFORE ME AND HIS DADDY BEFORE HIM. 1159 00:58:24,129 --> 00:58:27,841 IT'S BEEN OUR HABIT TO BUY FORECLOSED PROPERTIES. 1160 00:58:27,882 --> 00:58:29,634 THAT MAY HAVE BEEN GOOD FOR US, 1161 00:58:29,676 --> 00:58:31,636 BUT IT ALSO KEPT THE PROPERTY ON THE TAX ROLLS. 1162 00:58:31,678 --> 00:58:33,304 SO IT'S BEEN GOOD FOR AMOS TOO. 1163 00:58:33,346 --> 00:58:36,850 - [slurring] I'VE KNOWN RUT BUCHANAN MY WHOLE LIFE, 1164 00:58:36,891 --> 00:58:41,354 AND THERE'S NOT A MAN ALIVE THAT HAS DONE MORE FOR AMOS. 1165 00:58:41,396 --> 00:58:42,647 ESPECIALLY FOR THE COLOREDS. 1166 00:58:42,689 --> 00:58:45,358 THAT'S A MIGHTY FINE WEAPON. 1167 00:58:45,400 --> 00:58:47,193 WHOSE IS IT? 1168 00:58:47,235 --> 00:58:49,154 - IT'S MINE. 1169 00:58:49,195 --> 00:58:51,197 - YOU A SPORTSMAN? 1170 00:58:51,239 --> 00:58:52,866 - ALL MY LIFE. 1171 00:58:52,907 --> 00:58:53,867 - [sighs] 1172 00:58:53,908 --> 00:58:57,537 - EASY, FATHER. - [grunts] 1173 00:58:57,579 --> 00:58:59,056 - SO YOU LEASED THE STORE TO BRAEFORD WATSON? 1174 00:58:59,080 --> 00:59:02,334 - NO, BRAEFORD WAS THE ONLY ONE WILLING TO GO IN THERE 1175 00:59:02,375 --> 00:59:05,920 AND SELL THOSE PEOPLE GROCERIES, DOING THEM A FAVOR. 1176 00:59:05,962 --> 00:59:07,672 THING IS, THEY DIDN'T SEEM TO APPRECIATE IT 1177 00:59:07,714 --> 00:59:10,717 'CAUSE THERE WERE CUTTINGS AND SHOOTINGS, 1178 00:59:10,759 --> 00:59:12,552 ALL THE STUFF THAT COMES FROM BEING 1179 00:59:12,594 --> 00:59:14,471 ON THAT SIDE OF THE TRACKS. 1180 00:59:14,512 --> 00:59:15,823 - I UNDERSTAND A FIREBOMB WENT OFF THE NIGHT 1181 00:59:15,847 --> 00:59:17,390 BEFORE WALLACE SAMPSON WAS KILLED. 1182 00:59:17,432 --> 00:59:19,726 - AH, THAT'S A BUNCH OF HOTHEADS. 1183 00:59:19,768 --> 00:59:21,811 PROBABLY BEEN HOPPED UP ON DOPE. 1184 00:59:21,853 --> 00:59:23,855 - JUDGE, YOU EVER HEAR ABOUT PROSTITUTION 1185 00:59:23,897 --> 00:59:26,649 BEING AROUND IN THE BACK OF THAT BUILDING? 1186 00:59:26,691 --> 00:59:27,859 - NEVER HAD A CASE LIKE THAT. 1187 00:59:27,901 --> 00:59:30,070 - THAT'S NOT WHAT I ASKED. 1188 00:59:30,111 --> 00:59:32,572 - I-I DON'T BELIEVE I LIKE YOUR TONE. 1189 00:59:32,614 --> 00:59:36,368 - I DON'T THINK THE JUDGE ANSWERED MY QUESTION. 1190 00:59:36,409 --> 00:59:39,579 - [chuckles] THAT'S IT. 1191 00:59:39,621 --> 00:59:42,082 YOU, SIR, NEED TO GET GONE. 1192 00:59:42,123 --> 00:59:43,249 - CALM DOWN, EVERETT. 1193 00:59:43,291 --> 00:59:46,252 - [chuckles] 1194 00:59:46,294 --> 00:59:48,963 - [grunts] 1195 00:59:49,005 --> 00:59:50,507 MM. 1196 00:59:50,548 --> 00:59:52,592 WHAT KIND OF SOUTHERN BOY ARE YOU, 1197 00:59:52,634 --> 00:59:54,594 TAKING UP FOR THE NIGRAS? 1198 00:59:54,636 --> 00:59:56,113 - I'M THE KIND OF SOUTHERN BOY WHO DON'T CARE 1199 00:59:56,137 --> 00:59:57,847 ABOUT THE COLOR OF MURDER VICTIMS. 1200 00:59:57,889 --> 01:00:00,725 - YOU ARE A TRAITOR TO THE SOUTH. 1201 01:00:00,767 --> 01:00:02,435 - IS THAT A FACT? 1202 01:00:02,477 --> 01:00:04,270 - MM. - [chuckles] 1203 01:00:04,312 --> 01:00:07,107 - [grunts, coughs] 1204 01:00:07,148 --> 01:00:10,360 - HE'S THE KIND OF BIGOT WHO GIVES THE SOUTH A BAD NAME. 1205 01:00:10,402 --> 01:00:15,740 - [groaning] 1206 01:00:15,782 --> 01:00:19,285 - AH, COME ON WITH YOURSELF. 1207 01:00:19,327 --> 01:00:20,745 - MATT, I DON'T WANNA GO. 1208 01:00:20,787 --> 01:00:23,289 - IT'S DANGEROUS HERE. - WELL, YOU'RE STAYING. 1209 01:00:23,331 --> 01:00:25,458 - I HAVE TO. YOU DON'T. 1210 01:00:25,500 --> 01:00:27,293 - OKAY, ONE THING BEFORE YOU GO. 1211 01:00:27,335 --> 01:00:30,922 HOP IN. 1212 01:00:30,964 --> 01:00:32,274 OKAY, YOU SEE THIS THING RIGHT HERE? 1213 01:00:32,298 --> 01:00:33,466 - UH-HUH. 1214 01:00:33,508 --> 01:00:35,301 - WHATEVER YOU DO, DO NOT TOUCH IT. 1215 01:00:35,343 --> 01:00:36,636 - THE TOP DOESN'T COME DOWN? 1216 01:00:36,678 --> 01:00:38,179 - THE TOP COMES DOWN FINE. 1217 01:00:38,221 --> 01:00:39,931 IT'S GOING BACK UP THAT'S THE PROBLEM. 1218 01:00:39,973 --> 01:00:42,142 - SHOOT, I ALWAYS WANTED A CONVERTIBLE. 1219 01:00:42,183 --> 01:00:44,102 - WELL, GET ON. HAVE FUN. - BE CAREFUL. 1220 01:00:44,144 --> 01:00:45,770 [engine starts] 1221 01:00:45,812 --> 01:00:47,206 - I CAN'T BELIEVE YOU MADE HER TAKE THE LEMANS. 1222 01:00:47,230 --> 01:00:49,899 - SWAPPING CARS KEEPS US UNDER THE RADAR. 1223 01:00:49,941 --> 01:00:52,444 BESIDES, I HAD TO GET THE LEMANS OUT OF AMOS. 1224 01:00:52,485 --> 01:00:53,987 IT'S BEEN TRASHED ALL I CAN STAND. 1225 01:00:54,029 --> 01:00:56,614 COME ON, LET'S GO TRACK DOWN BILLY BAKER. 1226 01:00:56,656 --> 01:00:59,617 [rock music] 1227 01:00:59,659 --> 01:01:06,875 ♪ ♪ 1228 01:01:07,834 --> 01:01:14,341 [inaudible speech] 1229 01:01:14,382 --> 01:01:20,680 ♪ ♪ 1230 01:01:20,722 --> 01:01:25,185 - BILLY BAKER? 1231 01:01:25,226 --> 01:01:29,356 ♪ ♪ 1232 01:01:29,397 --> 01:01:31,358 [tires screech] 1233 01:01:31,399 --> 01:01:35,111 [inaudible speech] 1234 01:01:35,153 --> 01:01:42,160 ♪ ♪ 1235 01:01:47,874 --> 01:01:54,089 [tires screeching] 1236 01:02:01,221 --> 01:02:04,224 - BILLY BAKER? 1237 01:02:04,265 --> 01:02:07,268 OH, YOU MEAN POSSUM? 1238 01:02:12,399 --> 01:02:14,818 THAT'S POSSUM RIGHT THERE. 1239 01:02:14,859 --> 01:02:16,194 UH-HUH. [cell phone rings] 1240 01:02:16,236 --> 01:02:18,571 - HEY. 1241 01:02:18,613 --> 01:02:22,659 HOLD ON, YOU'RE BREAKING UP. 1242 01:02:22,701 --> 01:02:25,203 [pen snaps] 1243 01:02:25,245 --> 01:02:26,079 - IT'S A CAMERA. 1244 01:02:26,121 --> 01:02:28,707 - WHAT? MY GOD, ALL RIGHT. 1245 01:02:28,748 --> 01:02:30,417 WE'RE COMING TO GET YOU. 1246 01:02:30,458 --> 01:02:31,918 - NO, DON'T. I'M OKAY. 1247 01:02:31,960 --> 01:02:33,837 THE LEMANS IS A LITTLE ROUGHED UP, 1248 01:02:33,878 --> 01:02:35,922 BUT AT LEAST I GOT MY CONVERTIBLE. 1249 01:02:35,964 --> 01:02:37,841 - [sighs] ARE YOU SURE YOU'RE OKAY? 1250 01:02:37,882 --> 01:02:40,343 - YEAH, BUT YOU ALL NEED TO BE CAREFUL. 1251 01:02:40,385 --> 01:02:41,594 UNLESS I MISS MY GUESS, 1252 01:02:41,636 --> 01:02:43,888 THEY WERE AFTER YOU AND BULLOCK, NOT ME. 1253 01:02:43,930 --> 01:02:46,891 - [sighs] I'VE GOT A BAD FEELING, MAN. 1254 01:02:46,933 --> 01:02:50,270 I'D KILL MYSELF IF SOMETHING BAD HAPPENED TO DELANA. 1255 01:02:50,311 --> 01:02:52,272 I MEAN, BESIDES THE BAD STUFF I'VE DONE. 1256 01:02:52,313 --> 01:02:55,233 - EH, SHE SEEMED LIKE A GIRL WHO CAN TAKE CARE OF HERSELF. 1257 01:02:55,275 --> 01:02:58,153 LOOK, WE CAN CHASE THIS POSSUM CHARACTER TOMORROW 1258 01:02:58,194 --> 01:02:59,904 IF WE GET CRACKING ON THESE OBITS TONIGHT. 1259 01:02:59,946 --> 01:03:03,950 NOW, WALKER SAYS, IF WE HAND IN THREE TONIGHT, 1260 01:03:03,992 --> 01:03:05,952 WE MIGHT HAVE A CRACK AT EMPLOYEES OF THE MONTH. 1261 01:03:05,994 --> 01:03:08,747 - [scoffs] - WHAT? 1262 01:03:08,788 --> 01:03:12,792 IT'S A $20 BONUS. 1263 01:03:12,834 --> 01:03:14,627 - WHOA, LOOK AT THIS. - WHAT? 1264 01:03:14,669 --> 01:03:16,421 - POSSUM, RIGHT HERE IN THIS CLIP. 1265 01:03:16,463 --> 01:03:19,090 SAYS HE WAS TRIED ALONGSIDE BRAEFORD WATSON 1266 01:03:19,132 --> 01:03:21,092 FOR BEATING CIVIL RIGHTS MARCHERS IN MONTGOMERY. 1267 01:03:21,134 --> 01:03:23,595 HE AND THE OTHER GUY PLEADED GUILTY EVEN BEFORE THE TRIAL. 1268 01:03:23,636 --> 01:03:24,888 NOW WE GOT A STORY. 1269 01:03:24,929 --> 01:03:27,474 - OKAY, A MAN WHO LATER PLEADED GUILTY 1270 01:03:27,515 --> 01:03:31,644 TO CIVIL RIGHTS CHARGES WAS SEEN AT THE SITE OF... 1271 01:03:31,686 --> 01:03:33,021 - MAKE IT "SPOTTED FLEEING FROM." 1272 01:03:33,063 --> 01:03:34,814 IT'S STRONGER. [typing] 1273 01:03:34,856 --> 01:03:36,983 - WE GOTTA FIND POSSUM. 1274 01:03:37,025 --> 01:03:39,944 - MAYBE WE CAN TRACK HIM THROUGH THE DEPARTMENT OF CORRECTIONS. 1275 01:03:39,986 --> 01:03:42,072 - WE'LL GO TO MONTGOMERY TOMORROW. 1276 01:03:42,113 --> 01:03:43,673 RIGHT NOW, THERE'S SOMEPLACE I GOTTA BE. 1277 01:03:43,698 --> 01:03:45,825 - WHAT ABOUT EMPLOYEES OF THE MONTH? 1278 01:03:45,867 --> 01:03:48,661 - CONGRATULATIONS, YOU WON. 1279 01:03:48,703 --> 01:03:51,831 - MATT... 1280 01:03:51,873 --> 01:03:56,169 TAKE THIS. 1281 01:03:56,211 --> 01:03:59,381 - [sighs] 1282 01:04:01,549 --> 01:04:05,053 - YEAH. 1283 01:04:05,095 --> 01:04:08,264 [suspenseful music] 1284 01:04:08,306 --> 01:04:15,313 ♪ ♪ 1285 01:04:22,821 --> 01:04:25,865 - [gasps] 1286 01:04:25,907 --> 01:04:30,537 - DELANA? 1287 01:04:30,578 --> 01:04:32,288 HEY. 1288 01:04:32,330 --> 01:04:35,083 - YOU SCARED ME. I-I TOLD YOU NOT TO COME. 1289 01:04:35,125 --> 01:04:37,836 - NO, I KNOW. I'M, UH... I'M SORRY. 1290 01:04:37,877 --> 01:04:39,129 I WAS WORRIED. 1291 01:04:39,170 --> 01:04:41,381 - YOU'RE JUST FEELING GUILTY. 1292 01:04:41,423 --> 01:04:43,967 [melancholy music] 1293 01:04:44,009 --> 01:04:46,302 - YOU'RE RIGHT. 1294 01:04:46,344 --> 01:04:50,807 BUT NOT ABOUT GETTING YOU INVOLVED WITH WALLACE SAMPSON. 1295 01:04:50,849 --> 01:04:52,308 [sighs] I'M TOTALLY ASHAMED 1296 01:04:52,350 --> 01:04:56,563 THAT I EVER GAVE YOU A REASON TO DOUBT US. 1297 01:04:56,604 --> 01:05:00,066 I'M SORRY. 1298 01:05:00,108 --> 01:05:02,861 IT BREAKS MY HEART TO KNOW THAT I HURT YOU. 1299 01:05:02,902 --> 01:05:06,865 I NEVER WANT TO HURT YOU AGAIN. 1300 01:05:06,906 --> 01:05:08,134 - I HOPE YOU DIDN'T JEOPARDIZE THE STORY 1301 01:05:08,158 --> 01:05:09,367 JUST TO COME TELL ME THAT. 1302 01:05:09,409 --> 01:05:13,413 - I LOVE YOU MORE THAN ANY STORY, 1303 01:05:13,455 --> 01:05:15,373 MORE THAN ANYTHING. 1304 01:05:15,415 --> 01:05:22,422 ♪ ♪ 1305 01:05:38,813 --> 01:05:43,360 - SO... 1306 01:05:43,401 --> 01:05:46,029 WHERE IS POSSUM? 1307 01:05:46,071 --> 01:05:47,155 - ONE MORE STOP. 1308 01:05:47,197 --> 01:05:48,907 THE PROSECUTOR WAS MAX MCCALLUM. 1309 01:05:48,948 --> 01:05:50,241 MAYBE HE KNOWS WHERE POSSUM IS. 1310 01:05:50,283 --> 01:05:52,285 - WE HAVE FRESH EYEWITNESS TESTIMONY 1311 01:05:52,327 --> 01:05:54,788 THAT POSSUM WAS THERE AT THE TIME OF THE SHOOTING. 1312 01:05:54,829 --> 01:05:58,249 AND WE KNOW POSSUM WAS CONVICTED OF CIVIL RIGHTS VIOLATIONS, 1313 01:05:58,291 --> 01:06:01,211 ALONG WITH BRAEFORD WATSON, THE GUY WHO RAN THE STORE. 1314 01:06:01,252 --> 01:06:04,089 - HE WAS NOT CONVICTED. HE PLED GUILTY. 1315 01:06:04,130 --> 01:06:05,215 - SAME THING. 1316 01:06:05,256 --> 01:06:07,217 - ACTUALLY, IT'S NOT. 1317 01:06:07,258 --> 01:06:10,470 - YEAH, BUT WHENEVER POSSUM WAS AROUND, BAD THINGS HAPPENED. 1318 01:06:10,512 --> 01:06:14,140 - YOU COULD WRITE THAT STORY, AND IT WOULD BE ACCURATE. 1319 01:06:14,182 --> 01:06:15,892 BUT IT WOULD BE A MISTAKE. 1320 01:06:15,934 --> 01:06:17,519 - FACTS ARE NEVER A MISTAKE. 1321 01:06:17,560 --> 01:06:20,105 - SON, I'VE BEEN AROUND A LOT OF COURTROOMS. 1322 01:06:20,146 --> 01:06:23,108 FACTS AND TRUTH ARE NOT THE SAME THING. 1323 01:06:23,149 --> 01:06:26,319 THE FACT IS, POSSUM MAY HAVE BEEN PRESENT 1324 01:06:26,361 --> 01:06:28,279 AT THE SITE OF THE SAMPSON KILLING. 1325 01:06:28,321 --> 01:06:32,158 BUT THE TRUTH IS, WHEN IT COMES TO ADVANCING CIVIL RIGHTS 1326 01:06:32,200 --> 01:06:35,370 IN ALABAMA, POSSUM WAS A HERO. 1327 01:06:37,956 --> 01:06:39,666 YOU WILLING TO GO OFF THE RECORD? 1328 01:06:39,708 --> 01:06:41,501 - SURE. - YEAH. 1329 01:06:41,543 --> 01:06:46,256 - BILLY BAKER, POSSUM, WAS AN INFORMER. 1330 01:06:46,297 --> 01:06:48,508 HE WAS SO HIGH UP IN THE KLAN, 1331 01:06:48,550 --> 01:06:51,011 HE WAS THE BEST SOURCE WE EVER HAD. 1332 01:06:51,052 --> 01:06:52,762 HE'D TIP US OFF, 1333 01:06:52,804 --> 01:06:56,224 SOMETIMES EVEN GET ARRESTED WITH EVERYONE ELSE. 1334 01:06:56,266 --> 01:06:57,684 THEN HE'D PLEAD GUILTY. 1335 01:06:57,726 --> 01:06:59,811 THAT PRESERVED HIS COVER. 1336 01:06:59,853 --> 01:07:01,813 WE'D MAKE SURE HE GOT A LIGHT SENTENCE. 1337 01:07:01,855 --> 01:07:03,940 - THAT'S AN EVEN BETTER STORY. 1338 01:07:03,982 --> 01:07:05,525 - YOU CAN'T WRITE THAT ONE EITHER. 1339 01:07:05,567 --> 01:07:07,795 PEOPLE ARE STILL IN PRISON BECAUSE POSSUM PUT THEM THERE. 1340 01:07:07,819 --> 01:07:11,823 - WHY DIDN'T HE INFORM ABOUT THE WALLACE SAMPSON KILLING? 1341 01:07:11,865 --> 01:07:15,035 - MAYBE HE DID, AND NO ONE FOLLOWED UP. 1342 01:07:15,076 --> 01:07:17,203 - WELL, LET US FOLLOW UP ON IT. 1343 01:07:17,245 --> 01:07:19,247 - ASK POSSUM IF WE CAN INTERVIEW HIM 1344 01:07:19,289 --> 01:07:21,708 ABOUT THE KILLING OF WALLACE SAMPSON. 1345 01:07:21,750 --> 01:07:24,711 [acoustic rock music] 1346 01:07:24,753 --> 01:07:31,760 ♪ ♪ 1347 01:07:39,768 --> 01:07:43,063 - OH! 1348 01:07:43,104 --> 01:07:46,441 GOT A WEIRDO WITH A RIFLE. 1349 01:07:46,483 --> 01:07:50,820 ♪ ♪ 1350 01:07:50,862 --> 01:07:55,575 - ♪ I FELL IN A HOLE ♪ 1351 01:07:55,617 --> 01:08:00,914 ♪ 100 MILES DEEP ♪ 1352 01:08:00,955 --> 01:08:04,250 ♪ THE ONE THAT TOOK MY DADDY ♪ 1353 01:08:04,292 --> 01:08:07,754 ♪ AND HIS DADDY AND HIS DADDY ♪ 1354 01:08:07,796 --> 01:08:12,759 ♪ AND HIS DADDY ♪ 1355 01:08:12,801 --> 01:08:16,471 ♪ TRY AS I MIGHT ♪ 1356 01:08:16,513 --> 01:08:19,224 ♪ TO LIVE IN THE LIGHT ♪ 1357 01:08:19,265 --> 01:08:21,351 ♪ THIS IS ALL I'VE SEEN ♪ 1358 01:08:21,393 --> 01:08:23,353 ♪ THIS IS WHAT I'M TOLD ♪ 1359 01:08:23,395 --> 01:08:28,274 ♪ THIS IS WHAT I KNOW ♪ 1360 01:08:28,316 --> 01:08:31,903 ♪ THAT THE TEARS OF MY MAMA ♪ 1361 01:08:31,945 --> 01:08:35,865 ♪ AND HER MAMA AND HER MAMA ♪ 1362 01:08:35,907 --> 01:08:38,952 ♪ THEY HAVE FLOWED ♪ 1363 01:08:38,993 --> 01:08:40,370 - ONE LAST QUESTION, POSSUM. 1364 01:08:40,412 --> 01:08:43,289 HOW DID THE FEDS FLIP YOU? 1365 01:08:43,331 --> 01:08:47,794 - WELL, THEY GOT PICTURES OF ME AND A BLACK WOMAN 1366 01:08:47,836 --> 01:08:49,295 AND THREATENED TO GO PUBLIC. 1367 01:08:49,337 --> 01:08:52,590 AND THERE SHE IS RIGHT NOW. 1368 01:08:52,632 --> 01:08:55,260 - YOU LIVE WITH A BLACK WOMAN? 1369 01:08:55,301 --> 01:08:59,305 - NO, I'M MARRIED TO HER. COMMON LAW. 1370 01:08:59,347 --> 01:09:05,145 - WHY ON EARTH WERE YOU IN THE KLAN? 1371 01:09:05,186 --> 01:09:11,276 - I WAS YOUNG, RAISED UP STUPID. 1372 01:09:11,317 --> 01:09:15,071 LIQUOR MIGHT HAVE HAD SOMETHING TO DO WITH IT TOO. 1373 01:09:15,113 --> 01:09:18,533 - MAX MCCALLUM SAID YOU'D BE IN DANGER 1374 01:09:18,575 --> 01:09:20,577 IF WE WROTE THAT YOU'D BEEN AN INFORMANT. 1375 01:09:20,618 --> 01:09:24,998 - PROBABLY. 1376 01:09:25,040 --> 01:09:28,585 BUT IT'S TIME. 1377 01:09:28,626 --> 01:09:34,632 OLD CANCER'S EATING ME UP ANYWAY. 1378 01:09:37,385 --> 01:09:40,180 - WALKER, WE GOT IT. 1379 01:09:40,221 --> 01:09:42,515 WE'RE COMING IN. 1380 01:09:42,557 --> 01:09:46,728 [coins dropping] 1381 01:09:50,315 --> 01:09:53,777 LUCAS HARPER? 1382 01:09:53,818 --> 01:09:55,487 - ARE YOU MATT? - I AM. 1383 01:09:55,528 --> 01:09:58,365 - I'M DR. WRIGHT, YOUR FATHER'S ONCOLOGIST. 1384 01:09:58,406 --> 01:10:01,785 - HI. - HE TALKS A LOT ABOUT YOU. 1385 01:10:01,826 --> 01:10:03,328 I'M SORRY. 1386 01:10:03,370 --> 01:10:07,457 I NEED TO TELL YOU THAT NOTHING WE'VE TRIED HAS WORKED. 1387 01:10:10,418 --> 01:10:13,296 - UH, WHAT ABOUT EXPERIMENTAL THERAPIES? 1388 01:10:13,338 --> 01:10:14,297 INTERFERON OR SOMETHING? 1389 01:10:14,339 --> 01:10:17,050 - I'M SORRY, MATT. 1390 01:10:17,092 --> 01:10:19,302 MAYBE IF WE CAUGHT IT EARLIER. 1391 01:10:19,344 --> 01:10:23,473 HOSPICE IS YOUR BEST CHOICE NOW. 1392 01:10:23,515 --> 01:10:25,475 - HOSPICE? HOW LONG DOES HE HAVE? 1393 01:10:25,517 --> 01:10:27,811 WE HAVE... WE HAVE THINGS WE NEED TO TALK ABOUT. 1394 01:10:27,852 --> 01:10:31,606 - DON'T WAIT. 1395 01:10:36,569 --> 01:10:38,446 [beeps] 1396 01:10:38,488 --> 01:10:42,534 - HEY. - WHAT BRINGS YOU HERE? 1397 01:10:42,575 --> 01:10:44,577 - SORRY, I COULDN'T STOP IT. 1398 01:10:44,619 --> 01:10:48,081 - [grunts] 1399 01:10:48,123 --> 01:10:51,418 PICTURE'S NOT BAD. 1400 01:10:51,459 --> 01:10:53,545 - [scoffs] I THOUGHT YOU'D BE UPSET. 1401 01:10:53,586 --> 01:10:55,088 I HAVEN'T READ THE WHOLE THING, 1402 01:10:55,130 --> 01:10:58,091 BUT THE HEADLINE CERTAINLY LOOKS OVERBLOWN. 1403 01:10:58,133 --> 01:11:01,553 - ACTUALLY, IT'S ACCURATE, 1404 01:11:01,594 --> 01:11:03,346 BUT IT APPLIES TO EVERYBODY ON THE PLANET. 1405 01:11:03,388 --> 01:11:05,682 WE'RE ALL NEARING DEATH. 1406 01:11:05,724 --> 01:11:11,855 THEREFORE, NOT A VERY GOOD HEADLINE. 1407 01:11:11,896 --> 01:11:14,107 HOW'S YOUR STORY? 1408 01:11:14,149 --> 01:11:16,276 - WE GOT IT. 1409 01:11:16,317 --> 01:11:20,405 WE'RE GOING TO WRITE FOR THE WEEKEND. 1410 01:11:20,447 --> 01:11:21,799 THANKS FOR THE OBIT IDEA. IT WORKED. 1411 01:11:21,823 --> 01:11:25,368 - GOOD JOB. 1412 01:11:25,410 --> 01:11:29,039 PROUD OF YOU. 1413 01:11:29,080 --> 01:11:31,458 - DAD, HOW COME IT TOOK SO LONG? 1414 01:11:31,499 --> 01:11:34,669 HOW COME YOU NEVER HELPED ME BEFORE? 1415 01:11:42,677 --> 01:11:43,677 - YOUR BROTHER. 1416 01:11:43,845 --> 01:11:46,139 - WHAT HAS HE GOT TO DO WITH THIS? 1417 01:11:46,181 --> 01:11:51,227 - LUKE WAS... 1418 01:11:51,269 --> 01:11:55,482 LUKE WAS GONNA BE THE NEXT GREAT JOURNALIST. 1419 01:11:55,523 --> 01:11:58,985 HE HAD THE NAME AND THE TALENT. 1420 01:11:59,027 --> 01:12:05,116 LUCAS HARPER THE THIRD, NEW AND IMPROVED VERSION. 1421 01:12:05,158 --> 01:12:10,663 HIS DEATH WAS HARD ON US ALL. 1422 01:12:10,705 --> 01:12:13,458 YOUR MOTHER NEVER RECOVERED FROM IT. 1423 01:12:13,500 --> 01:12:16,169 - WHY DIDN'T YOU WANT FOR ME 1424 01:12:16,211 --> 01:12:17,504 WHAT YOU WANTED FOR HIM? 1425 01:12:17,545 --> 01:12:21,633 - I DIDN'T WANT TO SCREW YOU UP TOO. 1426 01:12:23,718 --> 01:12:26,805 - [sighs] 1427 01:12:26,846 --> 01:12:29,516 AT LUKE'S FUNERAL, THE REPORTER CAME AND SAID 1428 01:12:29,557 --> 01:12:33,019 HE NEEDED TO WRITE THE STORY. 1429 01:12:33,061 --> 01:12:36,898 YOU SAID, "GO AHEAD, 1430 01:12:36,940 --> 01:12:39,609 WRITE THE TRUTH AS BEST AS YOU COULD DETERMINE IT." 1431 01:12:39,651 --> 01:12:45,865 DAD, I THOUGHT LUKE'S DEATH WAS AN ACCIDENT, 1432 01:12:45,907 --> 01:12:49,703 HE WAS IN THE GARDEN KILLING GOPHERS, 1433 01:12:49,744 --> 01:12:53,665 AND THE GUN MISFIRED. 1434 01:12:53,707 --> 01:12:56,710 IS THAT WHAT THE STORY SAID? 1435 01:12:56,751 --> 01:13:01,548 - THE STORY SAID IT COULD HAVE BEEN AN ACCIDENT. 1436 01:13:01,589 --> 01:13:03,883 IT ALSO SAID THE POLICE FOUND EVIDENCE 1437 01:13:03,925 --> 01:13:07,554 THAT IT MIGHT NOT HAVE BEEN ACCIDENTAL. 1438 01:13:10,265 --> 01:13:11,224 - EVIDENCE? 1439 01:13:11,266 --> 01:13:16,604 - A NOTE IN HIS DIARY. 1440 01:13:16,646 --> 01:13:22,694 IT SAID, "SOMETIMES I WORRY THAT I WILL BE 1441 01:13:22,736 --> 01:13:26,031 THE FIRST LUCAS HARPER NOT TO BE FAMOUS." 1442 01:13:31,077 --> 01:13:32,829 [crying] 1443 01:13:32,871 --> 01:13:37,208 I COULDN'T LET THAT HAPPEN TO YOU, MATTY. 1444 01:13:37,250 --> 01:13:41,671 I LOVE YOU, SON. 1445 01:13:46,968 --> 01:13:51,097 - [cries] 1446 01:13:55,310 --> 01:14:00,023 - [typing] 1447 01:14:00,065 --> 01:14:01,441 - HEY. - HEY. 1448 01:14:01,483 --> 01:14:04,194 - HEY, MATT. HAVE A SEAT. 1449 01:14:04,235 --> 01:14:06,988 TAKE A LOOK. - HOW'S YOUR DAD? 1450 01:14:07,030 --> 01:14:09,866 - BAD. WE NEED TO FINISH THE STORY. 1451 01:14:09,908 --> 01:14:12,911 - WALKER SENT AN ARTIST DOWN TO AMOS 1452 01:14:12,952 --> 01:14:14,746 TO DO A DIAGRAM OF THE CRIME SCENE. 1453 01:14:14,788 --> 01:14:17,290 PHOTO'S TAKING FRESH PICTURES. 1454 01:14:17,332 --> 01:14:19,000 AND NATIONAL'S GONNA GIVE UP SOME SPACE. 1455 01:14:19,042 --> 01:14:21,378 - PARTNERS, THE LAWYERS ARE GONNA PECK AT THIS 1456 01:14:21,419 --> 01:14:23,755 LIKE CHICKENS WITH A PAN OF STALE CORNBREAD. 1457 01:14:23,797 --> 01:14:25,924 LET'S BE SURE WE GOT IT RIGHT. 1458 01:14:25,965 --> 01:14:27,217 [rock music] 1459 01:14:27,509 --> 01:14:31,262 - ♪ BABY YOU CAN TALK ABOUT IT ♪ 1460 01:14:31,304 --> 01:14:34,557 ♪ YOU CAN SHOUT IT IN THE STREETS ♪ 1461 01:14:34,599 --> 01:14:40,563 ♪ YEAH YOU CAN PAINT IT ON YOUR EYELIDS ♪ 1462 01:14:40,605 --> 01:14:43,900 ♪ SO YOU DON'T FORGET ABOUT IT WHILE YOU SLEEP ♪ 1463 01:14:43,942 --> 01:14:45,985 ♪ BUT BABY ♪ 1464 01:14:46,027 --> 01:14:51,991 ♪ MM YOU BETTER FIND OUT WHAT IT IS ♪ 1465 01:14:52,033 --> 01:14:53,743 - WHAT DO YOU THINK? 1466 01:14:53,785 --> 01:14:56,705 - MARY PELL WAITED A LONG TIME FOR THIS. 1467 01:14:56,746 --> 01:14:58,707 ♪ BABY YOU CAN SIT ON IT ♪ 1468 01:14:58,748 --> 01:15:01,251 ♪ YOU CAN HOLD IT DOWN ♪ 1469 01:15:01,292 --> 01:15:04,295 ♪ GET OUT YOUR HAMMER AND NAILS ♪ 1470 01:15:04,337 --> 01:15:06,548 [bell rings] 1471 01:15:06,589 --> 01:15:07,757 ♪ PUT IT IN A TIME CAPSULE ♪ 1472 01:15:07,799 --> 01:15:09,634 ♪ BURY IT IN MEMPHIS ♪ 1473 01:15:09,676 --> 01:15:13,096 ♪ ONLY TO BE DISCOVERED CENTURIES LATER ♪ 1474 01:15:13,138 --> 01:15:14,639 ♪ IN SOME ALIEN GALAXY ♪ 1475 01:15:14,681 --> 01:15:18,518 ♪ MY BABY ♪ 1476 01:15:18,560 --> 01:15:22,022 ♪ YOU BETTER FIND OUT YEAH ♪ 1477 01:15:22,063 --> 01:15:26,943 ♪ WHAT IT IS ♪ 1478 01:15:26,985 --> 01:15:28,820 ♪ A PICTURE ♪ 1479 01:15:28,862 --> 01:15:30,947 ♪ PUT IT IN A FRAME ♪ 1480 01:15:30,989 --> 01:15:35,076 ♪ HANG IT IN THE ROOM TO GREAT ACCLAIM ♪ 1481 01:15:35,118 --> 01:15:39,831 ♪ SEE IT IN THE MIRROR WHEN YOU WALK AWAY ♪ 1482 01:15:39,873 --> 01:15:43,043 ♪ WILL YOU FORGET WHAT YOU SEE TODAY? ♪ 1483 01:15:43,084 --> 01:15:46,838 ♪ OH BABE ♪ 1484 01:15:51,968 --> 01:15:55,889 ♪ MY BABY ♪ 1485 01:15:55,930 --> 01:15:58,808 ♪ YEAH ♪ 1486 01:16:01,728 --> 01:16:04,689 - NO, GREAT. THANK YOU. 1487 01:16:04,731 --> 01:16:07,942 APPRECIATE THE CALL. 1488 01:16:07,984 --> 01:16:10,653 MAX MCCALLUM'S IMPANELING A GRAND JURY 1489 01:16:10,695 --> 01:16:12,072 TO CONSIDER MURDER CHARGES. 1490 01:16:12,113 --> 01:16:16,576 - MATTHEW. 1491 01:16:16,618 --> 01:16:18,203 YOU AND ME, BUDDY. 1492 01:16:18,244 --> 01:16:20,747 WE'RE GONNA BE FAMOUS. 1493 01:16:20,789 --> 01:16:23,708 [phone rings] - MATT. 1494 01:16:23,750 --> 01:16:26,586 - WALKER, HE'S GONE. - SORRY, MATT. 1495 01:16:26,628 --> 01:16:30,382 CONSIDERATE OF HIM TO GO OUT BEFORE DEADLINE. 1496 01:16:30,423 --> 01:16:31,800 - [sniffles] 1497 01:16:31,841 --> 01:16:33,760 YEAH, HE PROBABLY PLANNED IT THAT WAY. 1498 01:16:33,802 --> 01:16:37,847 - HE WAS A GOOD MAN, MATT. 1499 01:16:37,889 --> 01:16:42,727 I ALWAYS TOLD HIM HE WAS A FOOL FOR THE TRUTH. 1500 01:16:42,769 --> 01:16:44,854 - HE THOUGHT OF THAT AS HIS HIGHEST COMPLIMENT. 1501 01:16:44,896 --> 01:16:47,982 MAKE SURE IT'S IN THE OBIT, WILL YOU? 1502 01:16:48,024 --> 01:16:49,784 - YOU WANNA WRITE THAT ONE YOURSELF, PARTNER? 1503 01:16:49,818 --> 01:16:53,238 YOU'VE GOTTEN PRETTY GOOD AT IT. 1504 01:16:53,279 --> 01:16:54,280 - LIFE'S FUNNY, MAN. 1505 01:16:54,322 --> 01:16:57,409 I... A WEEK AGO, I WAS... 1506 01:16:57,450 --> 01:17:00,745 [sniffles] PRAYING I'D NEVER HAVE TO WRITE ANOTHER OBIT. 1507 01:17:00,787 --> 01:17:04,290 NOW IT'S AN HONOR. 1508 01:17:04,332 --> 01:17:06,960 [church bell tolls] 1509 01:17:07,002 --> 01:17:10,797 THANK YOU, MAN. I APPRECIATE IT. 1510 01:17:10,839 --> 01:17:15,468 - YOUR DAD MUST HAVE BEEN SO PROUD OF YOU. 1511 01:17:15,510 --> 01:17:17,429 AND YOU OF HIM. 1512 01:17:17,470 --> 01:17:18,888 - YOU KNOW, MATT, IN THE LONG RUN, 1513 01:17:18,930 --> 01:17:20,807 TRUTH DOESN'T NEED ANY HELP. 1514 01:17:20,849 --> 01:17:23,143 BUT IN THE SHORT RUN, IT USES PEOPLE 1515 01:17:23,184 --> 01:17:25,937 LIKE YOU AND YOUR DAD TO SPEED ITSELF ALONG. 1516 01:17:25,979 --> 01:17:28,314 THERE'S A "JUSTICE FOR WALLACE SAMPSON" MARCH 1517 01:17:28,356 --> 01:17:30,817 IN AMOS NEXT WEEK. 1518 01:17:30,859 --> 01:17:32,068 I HOPE YOU'LL BE THERE. 1519 01:17:32,110 --> 01:17:35,447 - I'LL BE THERE. 1520 01:17:35,488 --> 01:17:39,701 - WE'LL BOTH BE THERE. 1521 01:17:47,375 --> 01:17:53,381 [overlapping chatter] 1522 01:17:54,716 --> 01:17:55,884 - HEY! - HEY. 1523 01:17:55,925 --> 01:17:57,093 - ARE YOU MARCHING? 1524 01:17:57,135 --> 01:17:59,095 - NO, CAN'T. 1525 01:17:59,137 --> 01:18:00,614 JOURNALISTIC OBJECTIVITY AND ALL THAT. 1526 01:18:00,638 --> 01:18:01,890 REPORTERS AREN'T SUPPOSED 1527 01:18:01,931 --> 01:18:03,367 TO TAKE SIDES ON A STORY THEY'RE COVERING. 1528 01:18:03,391 --> 01:18:04,976 HEY, WHAT'S WITH THE CROSS? 1529 01:18:05,018 --> 01:18:06,853 - CHURCH HAS A PLASTER PROBLEM. 1530 01:18:06,895 --> 01:18:08,521 CROSS NEEDS TO COME DOWN FOR A FEW WEEKS 1531 01:18:08,563 --> 01:18:10,940 WHILE REPAIRS ARE BEING MADE. 1532 01:18:10,982 --> 01:18:12,525 - TOO BAD. - YEAH, WELL. 1533 01:18:12,567 --> 01:18:17,530 WE'LL DO JUST FINE. 1534 01:18:17,572 --> 01:18:20,533 [dramatic music] 1535 01:18:20,575 --> 01:18:26,873 ♪ ♪ 1536 01:18:26,915 --> 01:18:29,542 - GO BACK TO AFRICA! 1537 01:18:29,584 --> 01:18:33,922 NIGGER LOVERS! 1538 01:18:33,963 --> 01:18:40,970 ♪ ♪ 1539 01:18:41,179 --> 01:18:45,100 - DAMN ALABAMA. 1540 01:18:45,141 --> 01:18:47,477 - WELL, YOU'RE AS BAD AS THOSE REDNECKS, HARPER. 1541 01:18:47,519 --> 01:18:50,063 DON'T STEREOTYPE ALABAMA. 1542 01:18:50,105 --> 01:18:52,399 TREY, MARY PELL, REVEREND YOUNG. 1543 01:18:52,440 --> 01:18:53,775 THEY'RE ALABAMA TOO. 1544 01:18:53,817 --> 01:18:56,528 [crowd chanting] 1545 01:18:56,569 --> 01:18:57,862 - I'M MARCHING. 1546 01:18:57,904 --> 01:18:59,739 - YOU'RE NOT SUPPOSED TO CHOOSE SIDES. 1547 01:18:59,781 --> 01:19:01,032 - TRUTH DOESN'T HAVE TWO SIDES. 1548 01:19:01,074 --> 01:19:02,385 - HEY, SOMEONE WILL CALL SOMEBODY, 1549 01:19:02,409 --> 01:19:03,576 AND YOU'LL LOSE YOUR JOB. 1550 01:19:03,618 --> 01:19:04,828 - I DON'T CARE WHAT THEY THINK. 1551 01:19:04,869 --> 01:19:08,415 I CARE WHAT I THINK. 1552 01:19:08,456 --> 01:19:11,001 - YOU'RE A FOOL, BUDDY. 1553 01:19:11,042 --> 01:19:13,962 - MAYBE I AM A FOOL. 1554 01:19:14,004 --> 01:19:15,588 A FOOL FOR THE TRUTH. 1555 01:19:15,630 --> 01:19:18,383 - FOOL FOR THE TRUTH. 1556 01:19:18,425 --> 01:19:24,431 [chanting continues] 1557 01:19:32,897 --> 01:19:35,567 - I'M SO PROUD OF YOU. 1558 01:19:35,608 --> 01:19:37,277 I LOVE YOU, MATT. 1559 01:19:37,318 --> 01:19:38,903 - I LOVE YOU. 1560 01:19:38,945 --> 01:19:40,739 I OWE YOU EVERYTHING. 1561 01:19:40,780 --> 01:19:46,995 [chanting continues] 1562 01:19:51,166 --> 01:19:55,462 - MATT, WE'VE BEEN SUMMONED TO BAXTER'S OFFICE. 1563 01:19:55,503 --> 01:19:57,255 - [sighs] WHAT'S UP? 1564 01:19:57,297 --> 01:20:00,925 - I DON'T KNOW, BUT HE'S SURE GOT A BURR UNDER HIS SADDLE. 1565 01:20:00,967 --> 01:20:03,053 - GENTLEMEN, WE HAVE A PROBLEM. 1566 01:20:03,094 --> 01:20:05,805 THE NEW YORK TIMES WANTS TO DO A STORY ABOUT WALLACE SAMPSON. 1567 01:20:05,847 --> 01:20:08,141 - YEAH, THE WASHINGTON POST CALLED TOO. 1568 01:20:08,183 --> 01:20:10,018 - WELL, I'M DISINCLINED TO COOPERATE. 1569 01:20:10,060 --> 01:20:12,812 - UM, WH-WHAT'S THE PROBLEM? 1570 01:20:12,854 --> 01:20:14,898 - I'LL NOT BE THE BLACK CAT IN THIS THING. 1571 01:20:14,939 --> 01:20:16,900 I CAN SEE WHERE THIS IS GOING. 1572 01:20:16,941 --> 01:20:19,569 COURAGEOUS REPORTERS DEFY PUBLISHER AND SOLVE MURDER. 1573 01:20:19,611 --> 01:20:21,321 JUSTICE PREVAILS. 1574 01:20:21,363 --> 01:20:23,740 - WELL, I DON'T... I DON'T THINK THAT'S THE STORY AT ALL. 1575 01:20:23,782 --> 01:20:25,492 - WELL, HOW WOULD YOU PUT IT THEN? 1576 01:20:25,533 --> 01:20:28,078 - [sighs] 1577 01:20:28,119 --> 01:20:31,915 THAT THE NASHVILLE TIMES IS THE KIND OF NEWSPAPER 1578 01:20:31,956 --> 01:20:37,379 WHERE THIS SORT OF JOURNALISM CAN STILL HAPPEN. 1579 01:20:37,420 --> 01:20:40,173 - DO YOU THINK MAYBE I COULD BE THE ONE QUOTED SAYING THAT? 1580 01:20:40,215 --> 01:20:44,678 - I THINK YOU'RE JUST THE RIGHT PERSON. 1581 01:20:44,719 --> 01:20:46,179 - WHAT A HYPOCRITE. 1582 01:20:46,221 --> 01:20:47,981 CAN'T BELIEVE YOU LET HIM GET AWAY WITH THAT. 1583 01:20:48,014 --> 01:20:50,266 - PARTNER, WHEN YOU'RE HOLDING ALL THE CARDS, 1584 01:20:50,308 --> 01:20:52,352 YOU DON'T WANT ANYONE TO LEAVE THE TABLE. 1585 01:20:52,394 --> 01:20:53,829 I WENT IN THERE THINKING SOMEBODY'S HEAD 1586 01:20:53,853 --> 01:20:55,230 WAS ABOUT TO ROLL. 1587 01:20:55,271 --> 01:20:57,607 INSTEAD, WE GOT THE PUBLISHER BEGGING TO BE QUOTED 1588 01:20:57,649 --> 01:21:01,903 IN THE NATIONAL MEDIA SUPPORTING INVESTIGATIVE JOURNALISM. 1589 01:21:03,655 --> 01:21:07,534 - MCCALLUM WAS SMART TO TRANSFER POSSUM OVER HERE TONIGHT. 1590 01:21:07,575 --> 01:21:09,411 - I'M BETTING THERE WILL BE A WHOLE BOATLOAD 1591 01:21:09,452 --> 01:21:12,163 OF ANGRY PEOPLE AT TOMORROW'S HEARING. 1592 01:21:12,205 --> 01:21:16,876 SAFER NOT TO MAKE OL' POSSUM RUN THAT GAUNTLET. 1593 01:21:16,918 --> 01:21:18,086 - MR. MCCALLUM, WE'RE ARRIVING 1594 01:21:18,294 --> 01:21:19,963 AT THE COURTHOUSE WITH THE PACKAGE. 1595 01:21:20,005 --> 01:21:23,216 - ROGER THAT. 1596 01:21:23,258 --> 01:21:25,093 [static] 1597 01:21:25,135 --> 01:21:29,681 - THEY'RE PULLING UP TO THE COURTHOUSE. 1598 01:21:31,599 --> 01:21:34,519 [static] 1599 01:21:34,561 --> 01:21:37,063 - LOOKS LIKE A GOOD NIGHT FOR POSSUM-HUNTING. 1600 01:21:37,105 --> 01:21:39,315 - THERE'S SOMEBODY ELSE OUT THERE. 1601 01:21:39,357 --> 01:21:42,318 [rock music] 1602 01:21:42,360 --> 01:21:46,698 ♪ ♪ 1603 01:21:46,740 --> 01:21:47,866 - THEY'RE GONNA KILL HIM! 1604 01:21:47,907 --> 01:21:51,703 [tires screech] 1605 01:21:51,745 --> 01:21:53,580 [gunshot] 1606 01:21:53,621 --> 01:21:56,374 [tires screech] 1607 01:21:56,416 --> 01:21:58,168 - DANG, MATT. 1608 01:21:58,209 --> 01:22:01,087 WELL, YOU JUST MADE RICHARD PETTY RIGHT PROUD. 1609 01:22:01,129 --> 01:22:02,380 HOO! 1610 01:22:02,422 --> 01:22:04,299 [chuckling] 1611 01:22:04,341 --> 01:22:06,176 - ALL RISE. 1612 01:22:06,217 --> 01:22:08,511 THE COURT IS NOW IN SESSION. 1613 01:22:08,553 --> 01:22:10,072 THE HONORABLE R. HORACE WILLIAMS PRESIDING. 1614 01:22:10,096 --> 01:22:15,018 - YOU MAY BE SEATED. 1615 01:22:15,060 --> 01:22:17,312 NOW COUNSELORS, THIS IS NOT A TRIAL. 1616 01:22:17,354 --> 01:22:19,773 THIS IS ONLY A HEARING ON THE DEFENSE REQUEST 1617 01:22:19,814 --> 01:22:22,359 FOR THE RELEASE OF THE DEFENDANT ON BOND. 1618 01:22:22,400 --> 01:22:24,194 AS SUCH, THERE ARE ONLY TWO QUESTIONS 1619 01:22:24,235 --> 01:22:26,071 THAT CONCERN THE COURT TODAY. 1620 01:22:26,112 --> 01:22:29,240 ONE, IS HE A FLIGHT RISK? 1621 01:22:29,282 --> 01:22:33,453 AND TWO, DOES HE POSE A RISK OF HARM TO THE COMMUNITY? 1622 01:22:33,495 --> 01:22:35,580 - YOUR HONOR, DESPITE JUDGE BUCHANAN'S TIES 1623 01:22:35,622 --> 01:22:39,084 TO THE COMMUNITY, WE CONSIDER HIM A HIGH FLIGHT RISK. 1624 01:22:39,125 --> 01:22:40,710 - WHY IS THAT, COUNSELOR? 1625 01:22:40,752 --> 01:22:44,422 - BECAUSE THE STATE WILL BE SEEKING THE DEATH PENALTY. 1626 01:22:44,464 --> 01:22:48,176 [gasping] 1627 01:22:48,218 --> 01:22:49,969 - WHAT IS YOUR AGGRAVATING CIRCUMSTANCE? 1628 01:22:50,011 --> 01:22:51,638 - PREMEDITATION. 1629 01:22:51,680 --> 01:22:54,766 WE WILL OFFER THE TESTIMONY OF WILLIAM A. BAKER. 1630 01:22:54,808 --> 01:22:56,726 - I DO. 1631 01:22:56,768 --> 01:23:00,563 - ON THE NIGHT OF THE KILLING OF WALLACE SAMPSON, 1632 01:23:00,605 --> 01:23:04,317 WERE YOU WITH JUDGE BUCHANAN? - YES, SIR. 1633 01:23:04,359 --> 01:23:05,944 - WAS ANYONE ELSE WITH YOU? 1634 01:23:05,985 --> 01:23:07,987 - YES, SIR. 1635 01:23:08,029 --> 01:23:09,823 CHIEF PERINGER. 1636 01:23:09,864 --> 01:23:11,241 THREE OF US WAS IN TOWN HALL, 1637 01:23:11,282 --> 01:23:13,493 STANDING GUARD AGAINST THE BLACKS. 1638 01:23:13,535 --> 01:23:16,287 [inhales] SOMEONE HAD THROWED A FIREBOMB AT THE STORE. 1639 01:23:16,329 --> 01:23:17,997 THE JUDGE WAS PRETTY UPSET ABOUT IT. 1640 01:23:18,039 --> 01:23:20,125 HE SAID HE'D ALREADY BEEN LOSING MONEY 1641 01:23:20,166 --> 01:23:21,978 'CAUSE THE BLACKS WERE SCARING AWAY THE WHITE FELLAS, 1642 01:23:22,002 --> 01:23:24,838 WHO'D COME AROUND FOR THE GIRLS, 1643 01:23:24,879 --> 01:23:29,426 AND NOW, THEY'D CAUSED OL' BRAEFORD WATSON'S HEART ATTACK. 1644 01:23:29,467 --> 01:23:33,096 - WHAT ELSE DID JUDGE BUCHANAN SAY ABOUT THE FIREBOMB? 1645 01:23:33,138 --> 01:23:36,141 - HE SAID A FIREBOMB THAT, UH... THAT DON'T GO OFF 1646 01:23:36,182 --> 01:23:37,767 MUST HAVE BEEN MADE BY A BLACK. 1647 01:23:37,809 --> 01:23:39,185 [overlapping chatter] 1648 01:23:39,227 --> 01:23:44,649 - IS THAT EXACTLY WHAT HE SAID? 1649 01:23:44,691 --> 01:23:46,026 - NO, NOT EXACTLY. 1650 01:23:46,067 --> 01:23:48,319 - MR. BAKER, TELL THE COURT 1651 01:23:48,361 --> 01:23:53,950 EXACTLY WHAT JUDGE BUCHANAN SAID. 1652 01:23:53,992 --> 01:23:55,428 - HE SAID, "A FIREBOMB THAT DON'T GO OFF 1653 01:23:55,452 --> 01:23:57,537 MUST HAVE BEEN MADE BY A NIGGER." 1654 01:23:57,579 --> 01:23:59,164 [gasping] 1655 01:23:59,205 --> 01:24:02,208 - PLEASE. [bangs gavel] 1656 01:24:02,250 --> 01:24:04,210 - DID JUDGE BUCHANAN OFFER AN OPINION 1657 01:24:04,252 --> 01:24:06,338 ABOUT WHAT SHOULD BE DONE? 1658 01:24:06,379 --> 01:24:09,049 - HE SAID, UH, "THEM NIGGERS NEED TO BE PUT IN THEIR PLACE." 1659 01:24:09,090 --> 01:24:13,470 - DID JUDGE BUCHANAN SAY HOW THAT SHOULD BE DONE? 1660 01:24:13,511 --> 01:24:15,138 - HE SAID, "THERE NEEDS TO BE A KILLING." 1661 01:24:15,180 --> 01:24:18,516 [overlapping chatter] 1662 01:24:18,558 --> 01:24:21,227 - DID JUDGE BUCHANAN SAY WHO NEEDED TO BE KILLED? 1663 01:24:21,269 --> 01:24:23,897 - HE SAID, "WE SHOULD KILL THE NEXT NIGGER 1664 01:24:23,938 --> 01:24:25,065 THAT WALKS PAST THE STORE." 1665 01:24:25,106 --> 01:24:29,069 [overlapping chatter] 1666 01:24:29,110 --> 01:24:31,237 - PLEASE. 1667 01:24:31,279 --> 01:24:34,491 - AND HOW WERE YOU GOING TO DECIDE WHO WOULD KILL 1668 01:24:34,532 --> 01:24:37,577 THE NEXT BLACK PERSON THAT WALKED PAST THE STORE? 1669 01:24:37,619 --> 01:24:39,579 - WE PLAYED POKER. 1670 01:24:39,621 --> 01:24:41,223 THAT WAY, WE COULD DECIDE WHO WOULD BE LOOKOUTS 1671 01:24:41,247 --> 01:24:42,499 AND WHO WOULD BE THE SHOOTER. 1672 01:24:42,540 --> 01:24:45,585 - AND THE LOSER WOULD DO THE SHOOTING? 1673 01:24:45,627 --> 01:24:48,838 - NO, THE WINNER. 1674 01:24:48,880 --> 01:24:51,675 [gasping] 1675 01:24:51,716 --> 01:24:52,926 - WHO WON THE HAND? 1676 01:24:52,967 --> 01:24:56,262 - JUDGE BUCHANAN. 1677 01:24:56,304 --> 01:24:58,223 - WHAT HAPPENED NEXT? 1678 01:24:58,264 --> 01:25:00,934 - JUDGE WENT AND GOT HIS RIFLE FROM HIS CAR. 1679 01:25:00,975 --> 01:25:03,061 CHIEF SAID HE WANTED TO GO HOME. 1680 01:25:03,103 --> 01:25:05,105 HE SAID HE THOUGHT THE JUDGE HAD BEEN BLUFFING. 1681 01:25:05,146 --> 01:25:07,649 THE JUDGE SAID IT WAS FINE BY HIM, 1682 01:25:07,691 --> 01:25:10,485 AS LONG AS HE KEPT HIS MOUTH SHUT. 1683 01:25:10,527 --> 01:25:12,028 AFTER THE CHIEF LEFT, I TRIED 1684 01:25:12,070 --> 01:25:13,613 TO TALK THE JUDGE OUT OF IT. 1685 01:25:13,655 --> 01:25:16,241 I TOLD HIM HE DIDN'T ACTUALLY NEED TO SHOOT ANYBODY. 1686 01:25:16,282 --> 01:25:18,368 HE COULD JUST SCARE 'EM. 1687 01:25:18,410 --> 01:25:21,329 JUDGE SAID IT WASN'T A BAD IDEA. 1688 01:25:21,371 --> 01:25:24,290 I JUST HID IN THE BUSHES. 1689 01:25:24,332 --> 01:25:26,376 THEN I SAW SOMEONE WALKING. 1690 01:25:26,418 --> 01:25:28,461 I COULD TELL IT WAS A BLACK. 1691 01:25:28,503 --> 01:25:32,882 THEN I HEARD THE SHOT FROM WHERE THE JUDGE WAS STANDING. 1692 01:25:32,924 --> 01:25:38,263 THE BLACK FELL, AND I TOOK OFF. 1693 01:25:38,304 --> 01:25:39,639 I DIDN'T EVEN KNOW IT WAS A KID 1694 01:25:39,681 --> 01:25:44,227 UNTIL THE JUDGE TOLD ME THE NEXT DAY. 1695 01:25:44,269 --> 01:25:47,063 - WHAT ELSE DID JUDGE BUCHANAN SAY? 1696 01:25:47,105 --> 01:25:49,399 - HE SAID THAT WAS JUST ONE MORE NIGGER KID 1697 01:25:49,441 --> 01:25:51,067 WE DIDN'T HAVE TO WORRY ABOUT GROWING UP. 1698 01:25:51,109 --> 01:25:57,323 [overlapping chatter] 1699 01:25:59,325 --> 01:26:03,621 - YOUR HONOR, I HAVE ONE MORE WITNESS. 1700 01:26:03,663 --> 01:26:07,334 MARY PELL SAMPSON. 1701 01:26:07,375 --> 01:26:09,294 - DO YOU SWEAR AND AFFIRM THAT THE STATEMENTS 1702 01:26:09,336 --> 01:26:11,129 THAT YOU MAKE ARE THE TRUTH, THE WHOLE TRUTH, 1703 01:26:11,171 --> 01:26:12,339 AND NOTHING BUT THE TRUTH? 1704 01:26:12,380 --> 01:26:14,924 - YES, YOUR HONOR. 1705 01:26:14,966 --> 01:26:16,176 - MRS. SAMPSON, JUDGE BUCHANAN 1706 01:26:16,217 --> 01:26:19,346 IS ACCUSED OF KILLING YOUR SON. 1707 01:26:19,387 --> 01:26:23,808 WOULD YOU BE FEARFUL IF HE WERE FREE ON BOND? 1708 01:26:23,850 --> 01:26:24,976 - I FEAR NO MAN. 1709 01:26:25,018 --> 01:26:28,146 ONLY GOD. 1710 01:26:28,188 --> 01:26:29,606 - YOU'RE A TRUSTING WOMAN. 1711 01:26:29,647 --> 01:26:34,027 WHAT WOULD YOUR SON'S FATHER SAY ABOUT THIS QUESTION? 1712 01:26:34,069 --> 01:26:35,695 - I DON'T KNOW. 1713 01:26:35,737 --> 01:26:39,115 - WHERE IS HE? 1714 01:26:39,157 --> 01:26:42,327 - I-I'D RATHER NOT SAY. 1715 01:26:42,369 --> 01:26:47,290 - MA'AM, YOU ARE SWORN TO TELL THE TRUTH HERE. 1716 01:26:47,332 --> 01:26:50,460 SO I'LL ASK YOU, WHO IS WALLACE'S FATHER? 1717 01:26:57,217 --> 01:26:59,803 - JUDGE BUCHANAN! 1718 01:26:59,844 --> 01:27:05,850 [overlapping chatter] 1719 01:27:11,398 --> 01:27:12,774 - GO ON, PLEASE, MA'AM. 1720 01:27:12,816 --> 01:27:17,487 - [quivering] JUDGE BUCHANAN RAPED ME. 1721 01:27:17,529 --> 01:27:22,200 [overlapping chatter] 1722 01:27:22,242 --> 01:27:25,036 - PLEASE. 1723 01:27:25,078 --> 01:27:28,998 - HE AND MR. HALL HAD BEEN... 1724 01:27:29,040 --> 01:27:31,209 SHOOTING BIRDS AND... AND DRINKING. 1725 01:27:31,251 --> 01:27:36,214 MR. HALL FELL ASLEEP. 1726 01:27:36,256 --> 01:27:40,343 THE JUDGE... 1727 01:27:40,385 --> 01:27:42,929 CAME INTO THE KITCHEN WHERE I WAS WORKING 1728 01:27:42,971 --> 01:27:46,016 AND SAID... 1729 01:27:46,057 --> 01:27:50,603 "WHY PAY FOR BROWN SUGAR WHEN I CAN GET IT FOR FREE?" 1730 01:27:50,645 --> 01:27:53,440 [crying] 1731 01:27:53,481 --> 01:27:57,444 I NEVER TOLD ANYONE, 1732 01:27:57,485 --> 01:28:01,781 NOT EVEN WHEN I FOUND I WAS PREGNANT. 1733 01:28:01,823 --> 01:28:05,368 IT MADE NO MATTER. 1734 01:28:05,410 --> 01:28:07,579 I LOVED WALLACE. 1735 01:28:07,620 --> 01:28:12,917 HE WAS MY ONLY SON. 1736 01:28:12,959 --> 01:28:14,461 JUDGE BUCHANAN RAPED ME, 1737 01:28:14,502 --> 01:28:20,550 BUT GOD GAVE ME WALLACE. 1738 01:28:24,846 --> 01:28:28,767 [gospel music] 1739 01:28:28,808 --> 01:28:32,604 [camera snaps] 1740 01:28:32,645 --> 01:28:39,652 ♪ ♪ 1741 01:28:43,323 --> 01:28:48,703 - JUDGE, CARE TO COMMENT? 1742 01:28:48,745 --> 01:28:50,345 - YEAH, TOO BAD CHIEF PERINGER AIN'T HERE 1743 01:28:50,372 --> 01:28:54,542 TO TELL HIS SIDE OF THIS. 1744 01:28:54,584 --> 01:28:56,419 - MIGHT BE THE POINT. 1745 01:28:56,461 --> 01:28:58,880 [cameras snapping] 1746 01:29:10,058 --> 01:29:12,435 - PERFECT MATCH. 1747 01:29:12,477 --> 01:29:14,312 THE GUN THAT KILLED WALLACE SAMPSON 1748 01:29:14,354 --> 01:29:16,189 WAS THE GUN THAT KILLED CHIEF PERINGER. 1749 01:29:16,231 --> 01:29:19,025 - [sighs] 1750 01:29:19,067 --> 01:29:22,487 [sighs] 1751 01:29:22,529 --> 01:29:24,340 - CHIEF PERINGER AND POSSUM WERE THE ONLY OTHER PEOPLE 1752 01:29:24,364 --> 01:29:25,699 WHO KNEW WHAT BUCHANAN HAD DONE. 1753 01:29:25,740 --> 01:29:28,493 SO WHEN TREY STARTS STIRRING THINGS UP, 1754 01:29:28,535 --> 01:29:31,204 BUCHANAN KILLS THE CHIEF THE SAME WAY HE SHOT WALLACE. 1755 01:29:31,246 --> 01:29:32,664 - THE CHIEF WOULD STILL BE ALIVE 1756 01:29:32,706 --> 01:29:34,058 IF I HADN'T STARTED ASKING QUESTIONS. 1757 01:29:34,082 --> 01:29:35,542 - NO, BABY. - WELL, HEY. 1758 01:29:35,583 --> 01:29:37,228 THE CHIEF MIGHT NOT HAVE PULLED THE TRIGGER, 1759 01:29:37,252 --> 01:29:38,396 BUT HE DID COVER UP WALLACE'S MURDER 1760 01:29:38,420 --> 01:29:39,546 FOR ALMOST 20 YEARS. 1761 01:29:39,587 --> 01:29:42,507 - YOU DID WHAT YOU BELIEVED IN, 1762 01:29:42,549 --> 01:29:46,344 AND I WAS SO WRONG TO TRY TO STOP YOU. 1763 01:29:46,386 --> 01:29:52,058 [phone rings] 1764 01:29:52,100 --> 01:29:55,895 HELLO? 1765 01:29:55,937 --> 01:30:00,400 - DADDY? 1766 01:30:00,442 --> 01:30:01,401 - BUCHANAN'S DEAD. 1767 01:30:01,443 --> 01:30:05,530 HUNG HIMSELF IN JAIL. 1768 01:30:05,572 --> 01:30:06,799 AND THERE'S A FIRE AT THE CHURCH, 1769 01:30:06,823 --> 01:30:09,909 AND ALL HELL IS BREAKING LOOSE. 1770 01:30:09,951 --> 01:30:12,912 [rock music] 1771 01:30:12,954 --> 01:30:15,832 - [sniffles] 1772 01:30:15,874 --> 01:30:22,172 ♪ ♪ 1773 01:30:22,213 --> 01:30:25,175 - [sighs] PRAISE GOD. 1774 01:30:25,216 --> 01:30:27,635 - YOU KNOW, IN 19 YEARS, 1775 01:30:27,677 --> 01:30:30,930 I'VE LEARNED A THING OR TWO ABOUT MAKING FIREBOMBS. 1776 01:30:30,972 --> 01:30:33,058 - ♪ SEEMS SO LONG ♪ 1777 01:30:33,099 --> 01:30:37,103 ♪ YOU BEEN CARRYING THAT CROSS ALL BY YOURSELF ♪ 1778 01:30:37,145 --> 01:30:42,901 ♪ AND YOU DON'T SEE HOW YOU CAN TAKE IT ♪ 1779 01:30:42,942 --> 01:30:44,694 ♪ TRUTH BE TOLD ♪ 1780 01:30:44,736 --> 01:30:48,698 ♪ WE EACH LIVE IN A HOUSE OF CARDS ♪ 1781 01:30:48,740 --> 01:30:51,534 ♪ YEAH AND IT DON'T TAKE MUCH ♪ 1782 01:30:51,576 --> 01:30:55,789 ♪ TO SHAKE IT ♪ 1783 01:30:55,830 --> 01:31:01,795 ♪ ♪ 1784 01:31:01,836 --> 01:31:03,463 - I'M SORRY. 1785 01:31:03,505 --> 01:31:05,048 - IT'S OKAY, EMMA JEAN. 1786 01:31:05,090 --> 01:31:11,096 IT'S NOT YOUR FAULT. 1787 01:31:15,016 --> 01:31:22,023 ♪ ♪ 1788 01:31:28,905 --> 01:31:34,744 [fire crackling] 1789 01:31:43,169 --> 01:31:46,339 - ♪ TO BE REDEEMED ♪ 1790 01:31:46,381 --> 01:31:48,633 ♪ OH TO BE REDEEMED ♪ 1791 01:31:48,675 --> 01:31:52,846 ♪ TO BE REDEEMED ♪ 1792 01:31:52,887 --> 01:31:55,807 ♪ REDEEMED ♪ 1793 01:31:55,849 --> 01:31:59,519 ♪ FROM THE GRIP OF THE MIGHTY ♪ 1794 01:31:59,561 --> 01:32:03,523 ♪ FROM THE JAWS OF THE LION ♪ 1795 01:32:03,565 --> 01:32:07,277 ♪ TO BE REDEEMED ♪ 1796 01:32:07,318 --> 01:32:13,241 ♪ THIS SIDE OF ZION ♪ 1797 01:32:19,581 --> 01:32:23,710 ♪ I HEARD TELL OF A CITY ♪ 1798 01:32:23,752 --> 01:32:26,755 ♪ WHERE NO ONE CRIES ♪ 1799 01:32:26,796 --> 01:32:31,301 ♪ WE'VE ONLY EVER KNOWN THE SUBURB ♪ 1800 01:32:31,343 --> 01:32:34,512 ♪ BUILT ON LIES ♪ 1801 01:32:34,554 --> 01:32:38,224 ♪ WHERE THE LOWBORN SUFFER ♪ 1802 01:32:38,266 --> 01:32:41,728 ♪ AND THE WICKED WIN ♪ 1803 01:32:41,770 --> 01:32:46,483 ♪ THEY GET PAID TO SIN ♪ 1804 01:32:46,524 --> 01:32:50,737 ♪ WHILE THE WEARY WAIT AT HEAVEN'S DOOR ♪ 1805 01:32:50,779 --> 01:32:53,323 ♪ HOPING SOMEONE LETS THEM IN ♪ 1806 01:32:53,365 --> 01:33:01,414 ♪ TO BE REDEEMED ♪ 1807 01:33:01,456 --> 01:33:04,209 ♪ TO FIND THAT ALL WE DREAMED ♪ 1808 01:33:04,250 --> 01:33:07,420 ♪ IS WHAT IT SEEMS ♪ 1809 01:33:07,462 --> 01:33:11,007 ♪ FROM THE GRIP OF THE MIGHTY ♪ 1810 01:33:11,049 --> 01:33:14,719 ♪ FROM THE JAWS OF THE LION ♪ 1811 01:33:14,761 --> 01:33:20,058 ♪ THIS SIDE OF ZION ♪ 1812 01:33:20,100 --> 01:33:24,020 ♪ OH OH OH ♪ 1813 01:33:24,062 --> 01:33:28,441 ♪ OH ♪ 1814 01:33:28,483 --> 01:33:31,653 [country music] 1815 01:33:36,991 --> 01:33:39,411 - ♪ 100 MILES AN HOUR ♪ 1816 01:33:39,452 --> 01:33:41,705 ♪ COMING AT YOU FAST ♪ 1817 01:33:41,746 --> 01:33:43,456 ♪ SHOT LIKE A BULLET ♪ 1818 01:33:43,498 --> 01:33:45,792 ♪ THAT'S SHOWING UP AT LAST ♪ 1819 01:33:45,834 --> 01:33:49,379 ♪ THERE'S A DEAD LINE COMING ♪ 1820 01:33:49,421 --> 01:33:55,385 ♪ NOWHERE TO HIDE OH NO ♪ 1821 01:33:55,427 --> 01:33:58,596 ♪ THERE'S A DEAD LINE COMING ♪ 1822 01:33:58,638 --> 01:34:02,434 ♪ WRITTEN A LONG TIME AGO ♪ 1823 01:34:05,353 --> 01:34:07,480 ♪ ACROSS THE COUNTY LINE ♪ 1824 01:34:07,522 --> 01:34:09,774 ♪ SCREAMING AS IT COMES ♪ 1825 01:34:09,816 --> 01:34:12,402 ♪ KILLING OFF THE FUTURE ♪ 1826 01:34:12,444 --> 01:34:14,029 ♪ BLOCKING OUT THE SUN ♪ 1827 01:34:14,070 --> 01:34:17,449 ♪ THERE'S A DEAD LINE COMING ♪ 1828 01:34:17,490 --> 01:34:23,455 ♪ GOING ACROSS THE LAND ♪ 1829 01:34:23,496 --> 01:34:26,833 ♪ THERE'S A DEAD LINE COMING ♪ 1830 01:34:26,875 --> 01:34:29,169 ♪ BE READY IF YOU CAN ♪ 1831 01:34:29,210 --> 01:34:35,675 ♪ ♪ 1832 01:34:35,717 --> 01:34:37,427 ♪ YEAH ♪ 1833 01:34:37,469 --> 01:34:38,595 ♪ BE READY ♪ 1834 01:34:38,636 --> 01:34:45,852 ♪ ♪ 122975

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