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Zulu
29th of August 30BC.
The Egyptian city of Alexandria.
A 17-year-old boy is running through the streets,
pursued by assassins.
He was born to rule an empire
but his people will not help him.
His army has deserted him
and his mother has taken her own life.
He does not know it yet
but this teenager will be the last pharaoh of Ancient Egypt,
a 19-day reign that will bring to an end
3,000 years of history.
Ancient Egypt...
..the Roman Empire...
..the Aztecs of Mexico...
..and the Samurai of Japan.
Four great civilisations,
each a pinnacle of human ingenuity and achievement.
Each lasted for centuries.
Their people thought they would endure forever...
..until, suddenly...
CANNON FIRE
..everything changed.
These civilisations faced challenges that are all-too familiar today.
Climate catastrophe.
Pandemic.
War.
Challenges for which ancient societies had few solutions.
But what if there was a place that had the answers to what went wrong?
A place full of secrets and stories.
A repository of memory, stretching back through time.
The British Museum, home to more than eight million artefacts,
is a record of how and why the greatest civilisations
rose to power and then spectacularly fell.
Its treasures are the human traces that survived disaster.
But might they also hold lessons for our own future?
Every civilisation throughout history has had an expiry date.
With great societies, the seeds of their destruction
are sown within the society. They're already there.
No civilisation ever thinks it's going to fall,
but the question is, what can we learn from the past?
By the 1st century BC,
Ancient Egypt has thrived for three millennia.
Ancient Egypt is the jewel in the crown of ancient history.
It's wealthy,
it's got 3,000 years of the most spectacular history.
Its monumental buildings, its phenomenal culture,
and it was the country all others aspired to be.
It had it all.
Egypt is advanced architecturally.
They built amazing temples and, of course, the pyramids.
And on top of that, there are huge advances
in writing and in medicine as well.
The natural resources of this land have allowed the Egyptians
to build a vast and powerful kingdom,
stretching from the Mediterranean, deep into Africa.
The secret to Egypt's success is its unique river -
the Nile.
The great bounty of the River Nile
allows Egypt to become the bread basket of the ancient world,
because, each year, when the rains fall in the summer,
up in the Ethiopian highlands, it causes a great rush of water
down the Nile, and that causes the river to flood its banks,
and it brings water and nutrients to the fields.
It enables a super-abundance of grain.
This is the currency that the world economy depends upon,
and Egypt has this in huge quantities.
Grain provides Egypt with vast wealth and power,
making it the first nation state in history.
It is led by a single, all-powerful ruler -
the Pharaoh.
One jewel of the British Museum's Egypt Collection...
..is a grand monument to the most famous pharaoh of them all.
Ramses ruled Egypt during its prime,
when its empire spread far and wide,
unifying his diverse subjects with a singular vision.
This is a surviving fragment of a 23-foot statue
that struck awe and wonder into all who saw it,
and played a vital role in uniting his people behind him.
The eyes are slightly tilted downwards,
so when you're looking up,
you've got this powerful feeling that Ramses is looking down on you.
This really gives you a real sense of majesty and dominance.
On Ramses' crown is his royal symbol -
a deadly snake, the cobra.
It reveals the secret behind the pharaoh's absolute power.
For the Egyptians, you have a leader, who is the king,
but the Egyptian king is someone who is not just a human.
When you see the cobra on the forehead of anyone,
it means that they are divine.
The king, or the pharaoh, was a sort of god on Earth.
He was supposed to enter into a contract with the gods
and make sure the gods were appeased,
and therefore he was both the ruler as well as a deity,
and this gave him special privileges and powers.
Egypt thrives when its people unite behind their god king,
but this is a challenge for the latest pharaohs.
A thousand years after Ramses II,
a new dynasty rules -
the Ptolemies.
COUGHING
The Ptolemies are, without doubt,
the most violent royal dynasty that there's ever been.
The Ptolemies are not Egyptian but Greek,
successors of Alexander the Great, who conquered Egypt
and built one of the grandest cities of the ancient world -
Alexandria.
To begin with, the Ptolemies build a strong economy
and a thriving society.
But after 200 years, there are signs that their riches
and successes have gone to their heads.
This is a family that, over several generations,
has been tearing itself apart, vying for ultimate control of Egypt.
Like any situation where great wealth or great power is at stake,
it is fertile breeding ground for rivalry.
In the days of Ramses,
pharaohs represented permanence and invincibility,
but under the Ptolemies, chaos now reigns.
This is a sandstone stela - a monument.
Traditionally, the name of the ruling pharaoh
would be inscribed into the stone in an oval symbol
called a cartouche.
But this stela is different.
We get in this period examples of blank cartouches.
The cartouches usually contain the pharaoh's name,
but in the records, we find many hundreds of examples
of blank cartouches.
They've never been filled in.
The artist hasn't even tried to fill it in.
The turnover of pharaohs becomes so rapid
that the stonemasons are reluctant to carve the name
of a specific Ptolemaic pharaoh because, who knows, you know,
in five minutes' time, this name might be no more
and we'd have to carve it out and rewrite it.
Brothers have been at war with brothers.
Husbands have been at war with their wives.
One had his own son killed and the body parts
sent to the boy's mother on the eve of her birthday celebrations,
so this gives you a bit of a sense of the kind of
blood-spattered nature of the Ptolemaic royal family.
Dynasties are a pressure cooker
and the people who are the top dynasty
tend to become corrupted by power.
We now have ample evidence from neuroscience and psychology
that people's brains seem to change once they get a hold of power.
This is a recipe for disaster.
It's 51BC,
and Pharaoh Ptolemy XII lies dying.
His reign has been dominated by infighting.
He has squandered Egypt's wealth and territory to preserve his power.
He is about to hand this poisoned chalice to his successor.
Ptolemy has five kids, and is looking to them
to pave the way
for the survival of the dynasty,
but that shows a chronic lack of self-awareness
about dynastic politics and the family that he has bred.
Of his five children, his formidable 18-year-old daughter
seems the obvious choice to succeed him.
Her name is Cleopatra.
I think it's fair to say that Cleopatra
is very much her father's favourite child.
She has a brilliant mind, a great intellect.
She was a superb politician.
But she's also very, very ruthless.
She could manipulate those around her quite brilliantly.
And that quality of ruthless ambition
is something Ptolemy has deliberately encouraged.
Great family dynasties, whether you're talking about Murdoch,
the Hearst family, Rockefeller,
the means by which the head of the dynasty keeps control
is by making sure they all understand that, you know,
they can be up but they can come down again.
In a sense, he's encouraged division,
he's encouraged ambition.
He has created a readymade battlefield that's going to explode.
Ptolemy does have a male heir,
also called Ptolemy,
but he's only 11 and too young to rule.
Their father insists that brother and sister join forces
and become joint pharaohs by marrying each other.
Of course, she does not want to marry her brother.
Cleopatra is a headstrong young woman
who was well-versed in statecraft,
so why would she want to share the throne?
She was astute enough to know that this was a power struggle
waiting to happen and she wanted to nip it in the bud.
When her father dies, Cleopatra makes her move.
But she inherits a deeply divided society.
The Ptolemies have promoted a Greek elite
and they expect a male ruler.
Egypt is a difficult country to rule.
There are tensions between the indigenous population
and the Greek settlers.
By this time, the Egyptians feel
that they are towards the lower end of the hierarchy -
that the best jobs are actually reserved for the Greek population.
We could see Egypt as a kind of tinderbox.
She tries to appease the Egyptian people.
Cleopatra knows that the people's support
can be the tipping point
in her infighting with her brother.
Cleopatra believes if she can get the Egyptians onside,
the Greeks will have to follow,
so she embarks on an audacious campaign.
Pharaohs have always claimed to be divine,
but Cleopatra takes it one step further.
Cleopatra refers to herself as a goddess.
The new Isis, or Isis personified.
The great mother goddess,
the bringer of fertility, the bringer of wealth.
By Cleopatra's time, Isis has absorbed all the powers
of all the collective goddesses of Egypt,
so she is the ultimate deity.
She is pretty much everywhere.
She's on the walls of temples.
And with some of these statuettes and figurines, these are often
put in domestic shrines, so people could worship Isis at home.
Everybody literally loved Isis.
This is a stunning sculpture,
representing the nurturing aspect of the mother goddess Isis.
She's gently raising her hand towards her breast,
which means that she was about to breast-feed her son.
Now, if we look closer to her hair, that's probably my favourite bit.
She's wearing a vulture headdress,
and every single feather is detailed in dark blue.
In Ancient Egypt, Isis is the ultimate symbol of motherhood,
protection, magic, but also of divine rulership.
By identifying herself with Isis, Cleopatra is really saying
to the Egyptians, "I am your living goddess.
"I will protect you as Isis protects you.
"The tears of Isis give you the Nile.
"I am Isis, I give you the Nile, I give you life,
"I give you protection, I give you fertility."
It was a very sensible political ploy.
So when Cleopatra puts it out there that she actually is a goddess,
part of you might think, well, that's absurd
and it's just a piece of spin - dare I say -
but actually, we quite like the idea of thinking
there's somebody out there that we can trust
to lead us in a certain direction.
She may be winning over the Egyptian people
but Cleopatra also needs allies with real power.
She looks to her forefathers for inspiration.
Who did they turn to to secure their crown?
The Rosetta Stone is so important to us as Egyptologists
because, on this hunk of granite, you have hieroglyphs,
Egyptian, demotic and Greek written.
The Rosetta Stone -
a magical key that allowed 19th-century historians
to decode hieroglyphs for the very first time.
But the Rosetta Stone is more than just a translation device.
The words written on it explain
one of Cleopatra's most important decisions.
When the Rosetta Stone was written, there was an uprising,
and the Ptolemies were struggling to maintain control.
And so the Rosetta Stone really is a document that tells us
what the Ptolemies did to solve this problem.
The Ptolemies really have to get the Egyptian priests onside.
The priests are very influential figures amongst
the native Egyptian population.
On the face of it, it's a simple contract between
the priests of Egypt and the royal family.
The early Ptolemies made a deal.
They gave priests tax breaks and land.
In return, the priests decreed that the Ptolemies were god kings
who must be faithfully followed.
Cleopatra strikes the same deal,
lavishly funding temples and enriching the priests.
In return, they proclaim her sole pharaoh,
and she rules unopposed for 18 months.
But not everyone accepts the new status quo.
While Cleopatra was winning the hearts and minds of the Egyptians
and of the priests, she left one thing out of the equation,
because her brother went off and got the Greek elites
and the military on his side.
But Cleopatra and her brother, Ptolemy XIII, are playing with fire.
The population, rather than being unified by a single belief
in the pharaoh, is instead divided upon multiple ethnic lines.
Different ethnic and ideological groups can become fault lines
across the society.
This makes a society, by nature, far more fragile.
Cleopatra has the loyalty of the people
but Ptolemy has control of Egypt's mighty army.
As his forces approach Alexandria, Cleopatra flees the country.
But she will not accept defeat.
We're talking about Cleopatra here.
She was born to rule.
She was trained to rule, she was a goddess and a queen,
so she was not going to let that little snivelling brat take over.
And so she was going to come back and fight for what was hers.
Desperate to reclaim her throne, she takes a monumental gamble,
and turns to a superpower even mightier than her own,
the unstoppable rising force of Rome.
The Romans are probably the most warlike society on Earth.
Its great deity is Mars, the god of war.
Rome was stampeding its way across the Mediterranean.
Their tactics are swift and bloody and brutal.
That's what it was all about for them, was to expand the idea
of Romanitas, being Roman,
and creating a civilised world out of that.
It would be a very dangerous thing for Cleopatra to get Rome on
her side, because, of course, she has to be able to, A,
convince the Romans that she is the right ruler,
and, B, hold Rome in check so that they don't swallow her up.
There's a potential here for Rome, as dangerous as it is,
to actually be the saviour of Cleopatra.
But getting into bed with the devil is a dangerous thing.
If fortune favours the bold,
this is Cleopatra's moment to be fearless.
The legendary Roman general Julius Caesar
is passing through Egypt on a military campaign.
So she smuggles herself back into the country, risking her own life,
in order to meet the man she hopes will save her.
It is always challenging for a woman to be a ruler,
or it has been in the past few thousand years,
and this was obviously something that Cleopatra had to struggle with.
I think the biggest problem was getting military might
immediately behind her.
Cleopatra was very astute politically,
and she knew that she could use other gifts in her arsenal -
her charm, her wit, her humour,
her wealth and even her body.
I think that this is where all of that charisma
of the woman comes out.
This kind of magic that she works,
in terms of conversation and intellect.
Julius Caesar, he is smitten,
he is absolutely smitten with her.
I think it's a great meeting of minds,
but also, there's a lot of sexual energy in the room too.
Cleopatra had few options as to what she could do
and this was indeed a gamble.
But nothing ventured, nothing gained,
and the die is cast.
With Caesar's support, she now has the might of Rome on her side.
But Cleopatra and her brother have unleashed the dark forces
of division in Egypt.
Within a matter of weeks, outright civil war breaks out.
This is very serious.
This is politics turning against the people
and against the things they hold most dear.
This infighting that happens among the Ptolemies
does affect people's daily life.
People who had been living in relative tolerance with one another,
suddenly they have to pick sides.
The violence boils over into Alexandria,
as Cleopatra's forces set light to her brother Ptolemy's ships.
A devastating fire sweeps across the city,
destroying its treasures.
What's going through Cleopatra's head as the Library of Alexandria,
that her ancestors built and that was the pride of her city,
is in flames?
They had set the task for the first librarian to collect
every book in the world.
Now thousands of books are burnt
and lots of poems are destroyed.
The irony, to a large extent, is that what's at stake
isn't as great as that.
It's a sibling rivalry.
It's not worth the damage that's taking place.
Alexandria never recovers.
This is a huge tragedy for Egypt and indeed for humanity.
I think leaders often find it difficult to separate out
their own interest and the national interest, and they can persuade
themselves that the two are one and the same thing.
And it leads to levels of brutality and ruthlessness.
And I think once that happens, it is dangerous.
The Romans proved too powerful to Ptolemy XIII.
He is hopelessly outnumbered and outflanked.
At the age of just 15, he drowns, fleeing Caesar's troops.
Cleopatra's brother is gone.
Restored as pharaoh, Cleopatra must now heal the divisions of civil war.
But family feuds and infighting have ravaged Egypt's economy.
More than ever, she must rely on the bounty of the Nile.
But seismic events 6,000 miles away
are about to plunge Egypt deeper into chaos.
There is a large eruption in Alaska, of all places,
in fact, the largest volcanic eruption in the last 2,500 years
in the northern hemisphere.
So this is a very big eruption.
What we've learnt in the last couple of years is that very large
volcanic eruptions can impact the east African monsoon,
which drives the Nile flood that hits Egypt every year.
Egypt is dependent on the annual flood of the river,
and when that goes wrong -
when it's weak or there's no flood -
then things are really bad.
This climate disaster leads to food shortages
and Egypt's grain exports come to a halt.
Cleopatra has to resort to desperate measures to keep her country afloat.
The Egyptian economy is in real sharp decline at this point.
Cleopatra has to respond economically as best she can.
Her extreme measures are revealed in these coins
of father and daughter,
minted only 20 years apart.
The economic crises are coming thick and fast.
And what do rulers throughout history do when they're faced
with economic crisis?
Well, they devalue the currency, they debase the coinage.
There are two coins.
One of Ptolemy XII.
The other of Cleopatra.
You can see significant changes already in the silver content.
The coin of Ptolemy XII has about 90% silver content, it's larger.
The coin of Cleopatra is about 30% silver content, and it's smaller.
It tells a really important story of the drop-off
of the Ptolemaic economy between Ptolemy XII and Cleopatra.
Within just 20 years, the value of Egypt's currency
plummets by nearly 70%.
She is faced by a whole array of issues which no ruler on Earth
could have solved.
To make matters worse, the floods fail to return for almost ten years.
Food reserves are gone and mass famine breaks out.
Cleopatra has to use all the emergency stocks of grain
that the Egyptian Government hold,
and she depletes the treasury in order to feed her people.
And really, the combination of those things
essentially bankrupts Egypt.
Broken and starving, the people lose trust in their pharaoh.
And there is evidence that Cleopatra's subjects
place their faith elsewhere.
They turn in increasing numbers to worshipping animal gods.
This is Sobek,
Egypt's god of fertility.
This crocodile mummy is fantastic.
Even though I've seen hundreds of them, I still get a frisson,
because each one is different.
To see Sobek, we are actually in the presence of the divine.
It's extraordinary for us to be able to see a living god from Egypt,
2,000 plus years later.
It's about four metres plus long,
and it's very much blackened,
because it's got this resinous black goo on it,
and what's really cool is,
on the back, there are babies that are stuck to the back.
There were temples dedicated to the crocodile god.
So, the young crocodiles were brought in, put in the sacred pools.
They were given a very luxurious lifestyle, and they were literally
treated like the gods that they were assumed to be.
During the Ptolemaic era, the number of animal mummies is mindboggling.
At one site, we have eight million dogs, two million ibises,
You have hundreds and thousands of baboons.
This upsurge is an indication that things are not OK,
things are awry.
Like everyone else in this world, when it is a time of crisis
and the rulers are not doing their job, you turn to the gods.
The pharaoh who once promoted herself
as the all-powerful goddess Isis
is losing her grip.
It's a very difficult moment when a pharaoh fails,
because the pharaoh is the incarnation of the gods.
Something has gone wrong in the cosmic set-up of the world.
There are calls in the south of Egypt
to break off from the rest of Egypt.
Certainly, the Ptolemaic dynasty is hanging by a thread.
Time is running out for the Ptolemies.
But unlike her male predecessors,
Cleopatra has an ace that only she can play.
Nine months after Cleopatra and Julius Caesar were first holed up
together in the royal palace, she gives birth to a son.
He has the blood of Rome and the blood of Egypt flowing in his veins,
and she thinks, "If I can unite the military might of Rome with Egypt,
"this is an unstoppable force."
So she really thinks that this is, you know, not the end of a dynasty
but the beginning of a great new chapter in the Egyptian story.
On this sandstone monument, Cleopatra proclaims that her son
will forge a new empire,
one that can feed its people and restore its fortune.
A winged sun and a scarab beetle represent the dawn
of a new golden age.
Gifts are offered to Egypt's fertility gods,
including Sobek and Isis.
And Cleopatra's son is shown as the new pharaoh.
He will be known by his Roman nickname, Caesarion,
or Little Caesar.
This would be a startling new world.
Unparalleled, unmapped, uncharted, unstoppable.
If the plan works, not only do the problems of Egypt get solved...
..but Egypt regains a position as a superpower.
For her strategy to work, Cleopatra must get the Romans
to also embrace Caesarion as their future leader.
But events outpace her.
In Rome, Julius Caesar is brutally murdered
before he declares his heir.
The assassination of Julius Caesar comes as a hammer blow to Cleopatra,
not only on the most personal level -
I think she genuinely loved him -
but of course, it brought a swift end
to her political ambitions as well.
All that came crashing down in one foul day.
A lesser ruler might now accept defeat,
but not Cleopatra.
After one of her sisters plots against her,
Cleopatra uses the opportunity to wipe out any possible opposition.
Power can be like a drug, and once you're hooked on it,
very, very, very hard to give up,
because you can't really see life beyond it.
Over the next three years, she murders all her remaining siblings.
There's a sort of moral corruption that power can do to people.
You certainly see it having sometimes a very corrosive
psychological impact on people.
You're prepared to do anything,
anything to stay in power and to meet your objectives,
up to and including killing people.
The Ptolemy line will continue, but only on Cleopatra's terms.
She now needs to form a new alliance with Rome,
so she looks to the men who take Caesar's place.
Two candidates emerge.
Caesar's nephew, Octavian, takes control of the western Roman world.
He sees himself as Caesar's rightful heir,
so will never accept Cleopatra's son.
But there's also the general who takes control of Rome's
vast eastern territories, Mark Antony.
And so, she casts her eye on Mark Antony to do the kind of work
that she needed to be done.
Mark Antony was, to his core, a squaddie.
You know, he was a rough Roman soldier, heavy drinking,
heavy womanising, living for pleasure, and living to fight.
She clearly recognised that Antony was not a deep thinker,
that he was impulsive, that he was easily persuaded.
He was open to flattery, that's for sure.
And so she plays this brilliant political game.
She knows what she wants, and she's able to attract those to her side
to support her vision of almost, like,
the takeover of the ancient world.
She was so magnetic in her charm,
her ability to understand what makes the male ego tick,
to flatter them.
And that is a heady mix that no-one could ever resist.
Mark Antony is besotted.
He abandons his Roman wife and sets up home with Cleopatra,
throwing his weight behind her plan for an Egypto-Roman empire,
ruled by the now 13-year-old Caesarion.
This culminates in a spectacular ceremony,
called the Donations of Alexandria.
This was not merely a coronation
but a politically provocative event
to strengthen their rule in the east.
And there, in front of all of the Alexandrians
and ambassadors from different states around the Mediterranean,
Mark Antony doles out the lands of the eastern Roman Empire
to Cleopatra and her heirs.
And he says that all of these lands belongings to the east of Rome
will be, in perpetuity, inherited by Cleopatra and Caesarion.
So there is a real possibility at this moment that Cleopatra
and Caesarion could become the rulers of a vast empire.
But when news of the ceremony reaches Octavian,
Mark Anthony's rival back in Rome,
he is outraged.
He refuses to allow Roman lands to be broken up and given away.
Antony and Cleopatra had so much power at their disposal,
the only weapons Octavian had to throw at them was to ridicule them.
Octavian starts a smear campaign to destroy Cleopatra
and Antony's credibility and turn all Romans against them.
Now, this fragmentary marble relief is fascinating.
It shows Mark Antony and Cleopatra engaged in what's euphemistically
called a sexual act on a boat.
It's a sort of symbol of how some in the Roman world,
certainly Mark Antony's enemies,
saw how he was being manipulated by this harlot queen of Egypt.
Octavian creates multiple pieces of propaganda like this
to destroy Cleopatra's reputation
and play on fears that Egypt might one day overshadow Rome.
Where her allure and beauty were once part of Cleopatra's armoury
as a leader, now they are used to attack her.
And so they're using this as a sort of crowbar
to sort of prise apart the two worlds.
And this relief really brings that idea to the fore,
to use ridicule and misogyny to undermine one's enemies.
Octavian's plan works,
and the Romans turn against Mark Antony and Cleopatra.
But things have gone too far for her to back down now.
There are times when it looks like she has Egypt's
best interests at heart.
There are other times when her decisions appear to suggest
that she's only really interested in holding on to power.
This is absolutely an all-or-nothing gamble for Cleopatra.
If she wins, she re-establishes the Ptolemaic dynasty
in all its former glory.
If she loses, well, all bets are off.
Octavian declares war
and his fleet sets sail.
On the 2nd of September 31 BC,
Cleopatra and Mark Antony face Octavian in a legendary naval battle
off the coast of Greece, at Actium.
One extraordinary witness to what happened that day still survives.
This fitting belongs to a boat which participated
to the famous Battle of Actium, in 31 BC.
It is made of leaded copper.
You can see it's highly corroded and encrusted with sea creatures.
Emerging from the medallion at the front of this prow
is this beautiful figure of Athena,
the goddess of strategy, war and wisdom.
Now, this is the goddess you want leading your fleet into battle.
Believing the gods are on her side,
Cleopatra has every reason to be confident.
She has the numbers too.
Antony and Cleopatra's fleet of ships, there were about 230 of them,
and there were about 150 Roman ships in this.
So, on the face of it, the Egyptians really outnumbered the Romans.
But Cleopatra makes an epic miscalculation -
she lets her fleet be pushed back towards the coast.
The Egyptian fleet was essentially being hemmed in
and the Romans moved their fleet closer and closer,
and essentially the Egyptians were trapped.
They couldn't get out of it at all.
Octavian then unleashes burning oil and tar.
An inferno breaks out across the Egyptian navy.
Cleopatra and Mark Antony know the game is up.
They make their escape, abandoning their fleet,
including the ship this prow once served.
It becomes a burnt, battered witness to a monumental defeat.
Her navy decimated, her treasury depleted
and her political legitimacy shattered,
Cleopatra barricades herself with Mark Antony
inside their royal quarters
while Octavian's triumphant army marches into Egypt.
It all ends badly.
Antony knew that way in which Roman traitors were treated,
and he knew that a spectacle of death awaited him.
So he took his life to avoid the dishonour
of a traitor's death in Rome.
He is taken to Cleopatra, who weeps over his body
and then gives him a proper decent burial.
But then she then realises, of course, the only option would be
for Octavian to march her into Rome, in chains, humiliated,
and she was not having any of it.
Cleopatra takes a venomous asp,
and lets it bite her.
This cobra, once the symbol of unassailable Egyptian royal power,
in her hands, becomes an instrument of death.
Even to the end, Cleopatra is mistress of her own destiny.
Octavian instructs his forces
to hunt down Cleopatra's heir, Caesarion.
The fate of Egypt now rests in the hands of its 17-year-old pharaoh.
But who will come to his aid?
Decades of the most dysfunctional family in world history
had caused a complete disconnect with much of Egypt.
The Egyptians had been through a lot,
in terms of civil wars and famines.
The people probably knew it was the beginning of the end
for the Egypt they knew.
Lacking both military and popular support,
Caesarion is abandoned to his fate.
He is murdered by Octavian's troops.
It is the last moment of a 3,000-year-old empire
and the end of the Egyptian pharaohs.
For three millennia, Egypt thrived,
united behind its mighty pharaoh.
But the dysfunctional dynasty of the Ptolemies,
with their vicious infighting,
tore this once-great civilisation apart.
Had the Ptolemies been less inclined to just pursue short-term
power gains, Ancient Egyptian pharaonic values
would still be alive and well today.
But I think the number of Ptolemies who sought to just benefit
themselves, I think that's what destabilised things, ultimately.
In their desperation to cling on to power, at all costs,
the Ptolemies forgot what it was to rule,
and left Egypt vulnerable and fatally exposed.
Cleopatra, in the end, was undermined by a perfect storm.
Warfare, Nile flood failure, political instability,
Rome threatening her,
on top of which a shock of a volcanic eruption.
And there are many people today who, rightly, suggest
that we should be on the lookout for a perfect storm event.
I think there's a lesson to learn from Cleopatra's time
and what happened to her.
Countries can rise,
they can have a standing and a reputation in the world
that is huge -
and it can go, and it can fall.
And I don't think we should ever think that we're immune.
The Aztecs, one of the most remarkable civilisations in history,
faces an unimaginable threat
as old world meets new,
and a ruthless leader struggles to save his empire
from powerful, new enemies.
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