Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,779 --> 00:00:04,860
Today, I am having sex with Kenna James.
2
00:00:05,760 --> 00:00:07,100
What do you know about Kenna James?
3
00:00:08,160 --> 00:00:11,120
Um, I know that she's blonde.
4
00:00:12,060 --> 00:00:13,060
Are you nervous?
5
00:00:13,280 --> 00:00:15,320
No. I'm pretty confident today.
6
00:00:15,740 --> 00:00:17,200
You're going to be better at connecting?
7
00:00:17,580 --> 00:00:18,580
Yeah.
8
00:00:19,780 --> 00:00:21,840
You gotta get in your head.
9
00:00:22,140 --> 00:00:25,720
But do you think you'll be able to just
stay in the room, get hard for the
10
00:00:25,720 --> 00:00:26,760
scene? Yeah, I can do that.
11
00:00:28,000 --> 00:00:29,700
As far back as I can remember.
12
00:00:30,510 --> 00:00:32,330
I always wanted to be a porn star.
13
00:00:33,550 --> 00:00:37,950
Just kidding. I decided that six months
ago, right after a six -year
14
00:00:37,950 --> 00:00:41,810
relationship ended, and I realized I'd
only had sex with one girl.
15
00:00:42,710 --> 00:00:49,110
Total. I'm Blake Bullitt. I'm 5 '4", 100
pounds, soaking wet. I'm not built like
16
00:00:49,110 --> 00:00:53,630
a god, but I've got heart. And a
comeback rate that puts the Energizer
17
00:00:53,630 --> 00:00:56,550
shame. So get ready to laugh, gasp.
18
00:00:56,780 --> 00:01:01,760
And maybe even salute, as I live out
every young guy's wildest dream to have
19
00:01:01,760 --> 00:01:05,500
with the biggest porn stars on the
planet and become one myself.
20
00:01:06,620 --> 00:01:08,480
Zero to zero.
21
00:01:12,860 --> 00:01:15,840
Okay, Blake, this is your third scene.
22
00:01:16,140 --> 00:01:18,280
Hold on, should we wait for that plane?
Yes, we should.
23
00:01:18,900 --> 00:01:19,900
Okay,
24
00:01:21,340 --> 00:01:23,080
Blake, so this is your third scene.
25
00:01:23,700 --> 00:01:27,080
Now, originally we had you paired with
Chloe Moore, but she canceled last
26
00:01:27,080 --> 00:01:29,640
minute. Did that make you nervous? Did
that throw you off?
27
00:01:30,040 --> 00:01:33,200
No. So you're getting kind of used to
it, because this is the second time
28
00:01:33,200 --> 00:01:34,860
somebody's canceled last minute, right?
29
00:01:35,180 --> 00:01:37,820
Yeah. Which is going to be pretty common
in porn.
30
00:01:38,040 --> 00:01:42,920
Like, does it matter for you at all,
knowing who the person is going in?
31
00:01:42,920 --> 00:01:45,180
do you need to have a game plan? Do you
need to research it beforehand?
32
00:01:45,860 --> 00:01:52,830
I do have a game plan going in, but I
feel like because I'm, like, so nervous
33
00:01:52,830 --> 00:01:58,870
about that person, and it always happens
to be somebody else, um, that, like,
34
00:01:58,890 --> 00:02:02,270
I'm usually not, like, super attracted
to.
35
00:02:02,710 --> 00:02:04,350
Kind of makes things easier.
36
00:02:04,970 --> 00:02:09,330
So. Interesting. I want to see what you
do to try to make it look like romantic.
37
00:02:10,190 --> 00:02:15,250
What? Try to make it look like romantic.
Like, you're the, you're seducing her.
38
00:02:16,370 --> 00:02:18,070
Picture? Yeah, for a picture.
39
00:02:18,270 --> 00:02:19,270
Oh.
40
00:02:21,640 --> 00:02:23,480
I usually get seduced, so I don't know.
41
00:02:23,800 --> 00:02:26,060
You've got to play roles. This is
performance.
42
00:02:26,440 --> 00:02:28,680
Okay. It usually involves touching her.
43
00:02:30,300 --> 00:02:35,500
Why don't you try getting on your knees
behind her and playing with her strap?
44
00:02:36,180 --> 00:02:40,820
Before, you build it up in your mind,
and then it changes at the last minute.
45
00:02:40,820 --> 00:02:45,660
has it taught you to try to be less
attached to how the scene's going to go?
46
00:02:45,660 --> 00:02:49,220
feel like that's something important a
lot of guys get in, and they need...
47
00:02:49,760 --> 00:02:52,420
They need, like, certainty. They need to
know, like, when is this happening,
48
00:02:52,560 --> 00:02:55,660
blah, blah, blah. But at some point in
porn, you just kind of have to let go
49
00:02:55,660 --> 00:02:58,280
be like, it's okay, I'll be ready. You
trust your body.
50
00:02:58,720 --> 00:03:02,900
Yeah, I think going in with no
expectations is better. Right. Yeah.
51
00:03:02,900 --> 00:03:05,540
expecting that the scene's going to go
this way. Yeah.
52
00:03:06,100 --> 00:03:08,940
Look at that seduction on his face, huh?
53
00:03:10,640 --> 00:03:14,840
Remember we were talking about how, in a
lot of porn, you're the prop.
54
00:03:15,360 --> 00:03:19,100
So we're focusing on her face. So maybe
hide, like, your tits in her neck.
55
00:03:19,860 --> 00:03:21,320
Get closer. Get lower.
56
00:03:23,080 --> 00:03:26,160
We're just doing the top of your head,
so you need to do, like, a side kiss.
57
00:03:26,720 --> 00:03:28,240
Like that?
58
00:03:29,620 --> 00:03:32,620
He looks like he's waiting for Baskin
-Robbins to open.
59
00:03:34,180 --> 00:03:35,180
Okay,
60
00:03:35,400 --> 00:03:39,420
you've done two themes so far. What do
you think you're going to do differently
61
00:03:39,420 --> 00:03:40,319
in this theme?
62
00:03:40,320 --> 00:03:41,920
I'm going to be more talkative. Okay.
63
00:03:42,180 --> 00:03:43,180
And confident.
64
00:03:43,400 --> 00:03:47,680
Okay. The goal is to get at least two
pops. Two pops.
65
00:03:48,020 --> 00:03:51,580
Because we've talked about it. We
haven't seen it yet. We want to see why
66
00:03:51,580 --> 00:03:54,520
named The Bullet. But that is a rare
trait.
67
00:03:54,760 --> 00:03:59,060
Like, we've had guys before who come
early and everybody gets silent on set
68
00:03:59,060 --> 00:04:02,140
because we assume their dick is done for
the day and they're not going to get
69
00:04:02,140 --> 00:04:06,780
hard again. But then when the guy stays
hard, keeps fucking, or immediately gets
70
00:04:06,780 --> 00:04:10,500
hard, then we're all very relieved and
we're like, okay, this guy's going to be
71
00:04:10,500 --> 00:04:11,179
a stud.
72
00:04:11,180 --> 00:04:13,380
So if you can do that, that's...
73
00:04:14,240 --> 00:04:16,980
evidence that you have a long career.
74
00:04:18,079 --> 00:04:19,180
Like, think about your hand.
75
00:04:20,339 --> 00:04:21,339
You want more?
76
00:04:22,380 --> 00:04:24,960
Open your mouth a little bit.
77
00:04:29,740 --> 00:04:31,660
It's not like you're gonna kiss a
grandmother.
78
00:04:32,900 --> 00:04:35,860
Just you telling me to open my mouth.
79
00:04:37,600 --> 00:04:38,740
Yeah, that was pretty weird.
80
00:04:39,260 --> 00:04:41,460
For Kenna, do you know anything about
her?
81
00:04:41,720 --> 00:04:43,470
No. Did you know?
82
00:04:44,630 --> 00:04:49,050
I picked her as my very first zero to
hero theme. Not only is she beautiful,
83
00:04:49,050 --> 00:04:55,770
she's just like very nice and relatable.
And she has this way of making you feel
84
00:04:55,770 --> 00:05:01,070
like she really likes you. She likes
everybody to a certain degree. But she
85
00:05:01,070 --> 00:05:04,170
has this way of connecting with you and
making you feel like you're the only
86
00:05:04,170 --> 00:05:08,070
person in the room. You're going to be
better at connecting with her?
87
00:05:08,330 --> 00:05:10,970
Because I'll see it more as like a
friend.
88
00:05:11,440 --> 00:05:15,220
Kenna is also what I would describe as a
tomboy. I think she would describe
89
00:05:15,220 --> 00:05:16,220
herself this way.
90
00:05:16,260 --> 00:05:18,480
Do you like tomboys?
91
00:05:18,900 --> 00:05:23,420
Does it matter? Do you like women to be
more girly? No, I like a girl who can
92
00:05:23,420 --> 00:05:27,540
eat a cheeseburger in one hand and jerk
me off in the other. Oh, then you're
93
00:05:27,540 --> 00:05:29,760
going to love Kenna. One, two, three,
jump!
94
00:05:34,680 --> 00:05:40,180
Did you just smack your own ass?
95
00:05:41,670 --> 00:05:45,330
Another thing that we're going to work
on today, something you've got to get
96
00:05:45,330 --> 00:05:50,730
used to is just being naked, jerking
your dick around people, around crew.
97
00:05:51,070 --> 00:05:51,809
That's easy.
98
00:05:51,810 --> 00:05:55,730
This is something that I've done is,
like, go into another room, get hard,
99
00:05:55,730 --> 00:05:56,369
come back.
100
00:05:56,370 --> 00:06:00,510
But do you think you'll be able to just
stay in the room, get hard for the
101
00:06:00,510 --> 00:06:02,430
scene? Yeah, I could do that. Do that?
Mm -hmm.
102
00:06:02,850 --> 00:06:06,730
Yeah, it's time to do the thing. Well,
how do you want to take your shirt off?
103
00:06:07,050 --> 00:06:08,050
Let's, um...
104
00:06:08,240 --> 00:06:10,200
Let's start with her undressing him.
105
00:06:11,140 --> 00:06:12,140
Wait,
106
00:06:13,140 --> 00:06:17,760
am I prepping for this? Well, you can do
it with us, right? Yeah.
107
00:06:19,040 --> 00:06:20,040
Well,
108
00:06:20,520 --> 00:06:22,980
get the shots of her taking off your
clothes and we can go get ready.
109
00:06:23,240 --> 00:06:25,140
All right, well, are you ready?
110
00:06:26,200 --> 00:06:27,700
Yeah, more than ready.
111
00:06:28,580 --> 00:06:29,720
I think it's going to be fun.
112
00:06:29,940 --> 00:06:30,940
We'll see.
113
00:06:31,640 --> 00:06:32,940
I seem to be very nervous.
114
00:06:35,400 --> 00:06:37,400
Allegedly. I don't understand why.
115
00:06:37,930 --> 00:06:38,930
Are you excited?
116
00:06:39,310 --> 00:06:41,150
I think it'll be fun.
117
00:06:42,790 --> 00:06:44,330
Do you ever get to be the manhandler?
118
00:06:45,030 --> 00:06:48,750
Not really, but I'm typically the guys
that are the manhandley type.
119
00:06:50,210 --> 00:06:51,210
How do you think it's going to go?
120
00:06:51,770 --> 00:06:53,750
I think it'll go well. It'll be
entertaining.
121
00:06:55,070 --> 00:06:56,350
Look to the camera and say you're done.
122
00:06:57,490 --> 00:06:58,870
It's time to bite the bullet.
123
00:06:59,290 --> 00:07:02,290
It is. Go ahead. Bite the bullet.
124
00:07:05,200 --> 00:07:08,920
So you are working with Blake Bullitt
today. What do you know about Blake
125
00:07:08,920 --> 00:07:09,920
Bullitt?
126
00:07:09,980 --> 00:07:14,420
Absolutely nothing other than, like, I'm
maybe his fourth team. What a weird
127
00:07:14,420 --> 00:07:15,420
fucking thing, huh?
128
00:07:17,500 --> 00:07:20,120
This is the strangest.
129
00:07:21,740 --> 00:07:25,120
It looks like she's trying to blow up a
raft.
130
00:07:30,620 --> 00:07:35,200
I called you last night to see if you'd
be open to doing the scene, and you were
131
00:07:35,200 --> 00:07:36,920
like, let's do it.
132
00:07:37,440 --> 00:07:41,940
How often do you go into a scene not
knowing who your scene partner is or not
133
00:07:41,940 --> 00:07:43,060
knowing really anything about them?
134
00:07:43,280 --> 00:07:46,860
I mean, on the guy side, it's kind of
really rare. I usually know most of the
135
00:07:46,860 --> 00:07:50,740
guys. With girls, it's definitely like,
yeah, I may not know them.
136
00:07:51,020 --> 00:07:52,160
But guys, it's very rare.
137
00:07:52,960 --> 00:07:54,000
Do you ever...
138
00:07:54,680 --> 00:07:58,140
Just not look people up? Are you
somebody who wants to look them up to
139
00:07:58,140 --> 00:07:59,059
know what you're getting into?
140
00:07:59,060 --> 00:08:01,960
I generally look them up just to get an
idea of like, oh, okay, that's kind of
141
00:08:01,960 --> 00:08:02,960
what they look like.
142
00:08:03,380 --> 00:08:06,160
What are you looking for when you're
looking them up? Like some sort of
143
00:08:06,160 --> 00:08:08,860
commonality or just... Curiosity.
144
00:08:09,200 --> 00:08:13,140
Curiosity. Yeah, just strictly
curiosity. I'm like, oh, maybe I can see
145
00:08:13,140 --> 00:08:16,200
your dick looks like or I can see what
your face looks like or maybe I can hear
146
00:08:16,200 --> 00:08:17,200
what your voice sounds like.
147
00:08:17,940 --> 00:08:21,120
This is the strangest shit I've ever
seen. I'll bring the camera.
148
00:08:23,960 --> 00:08:26,970
Good. You were my very first zero to
hero scene.
149
00:08:27,190 --> 00:08:27,729
I was.
150
00:08:27,730 --> 00:08:32,450
You're very good at being present with
people and connecting with them and
151
00:08:32,450 --> 00:08:36,429
making them, I don't know, feel seen. Is
that something you do intentionally or
152
00:08:36,429 --> 00:08:38,049
is it just naturally who you are?
153
00:08:38,450 --> 00:08:42,950
I think a certain amount of it's
natural, but there is some intention
154
00:08:42,950 --> 00:08:46,030
that usually because I want to come to
set. I want to have a good day.
155
00:08:46,330 --> 00:08:50,090
So I want the person I'm with to also
have a good day. And if we both can have
156
00:08:50,090 --> 00:08:54,460
good day, everyone has a great day.
Right. We get done early, get done
157
00:08:54,640 --> 00:08:56,020
and then get to go home.
158
00:08:56,500 --> 00:08:58,640
And, yeah, everything about it's great.
159
00:09:00,720 --> 00:09:05,500
When you do work with relatively new
guys, are you able to tell which ones
160
00:09:05,500 --> 00:09:09,920
going to make it a career and which ones
are going to, like, fail out or
161
00:09:09,920 --> 00:09:11,600
disappear within a year or two?
162
00:09:12,080 --> 00:09:17,340
I mean, there are some things you can
tell, you know, but some have surprised
163
00:09:17,340 --> 00:09:20,290
me. Okay. This is going to be your
signature move.
164
00:09:20,490 --> 00:09:22,030
This is going to be your signature move,
exactly.
165
00:09:22,250 --> 00:09:23,830
This is the bullet right here. Yeah.
166
00:09:25,390 --> 00:09:28,190
What do you think makes for a great male
performer?
167
00:09:28,710 --> 00:09:32,910
Someone that's kind, somebody that can
come to work and do the job, first and
168
00:09:32,910 --> 00:09:34,970
foremost. I feel like that's an
important one.
169
00:09:37,670 --> 00:09:41,130
But just talk with someone who's not
going to get too attached and think this
170
00:09:41,130 --> 00:09:42,510
all a love connection. Right.
171
00:09:43,050 --> 00:09:45,630
You know, anything more than it is.
172
00:09:46,140 --> 00:09:49,940
Are you saying that our theme meant
nothing to you? No, no, that's not what
173
00:09:49,940 --> 00:09:50,940
saying. Aren't you special?
174
00:09:51,220 --> 00:09:54,380
Okay. It's a bit like she just happened
upon someone who was thrown from a
175
00:09:54,380 --> 00:09:55,380
moving car.
176
00:09:56,720 --> 00:09:57,720
Exactly.
177
00:09:59,220 --> 00:10:01,400
He's ejected from his car on the 101.
178
00:10:02,660 --> 00:10:03,660
Photo op.
179
00:10:05,880 --> 00:10:06,940
There's one classic.
180
00:10:07,420 --> 00:10:12,600
His most challenge right now is
connecting with performers because he's
181
00:10:12,600 --> 00:10:13,600
shy.
182
00:10:13,740 --> 00:10:18,420
Um, so even just like talking to
performers before the scene is really
183
00:10:18,420 --> 00:10:19,199
for him.
184
00:10:19,200 --> 00:10:24,840
Do you have a trick to get guys to open
up more or do you, you're just, you're
185
00:10:24,840 --> 00:10:25,840
just yourself.
186
00:10:26,300 --> 00:10:29,880
And if they're nervous, sometimes I get
nervous and I'm like, ah, okay.
187
00:10:30,780 --> 00:10:34,920
Do you remember our scene? Do you
remember anything about my nerves or
188
00:10:34,920 --> 00:10:35,879
I acted?
189
00:10:35,880 --> 00:10:38,960
I remember you were nervous, but I can't
remember any of the specifics.
190
00:10:39,320 --> 00:10:42,240
Yeah. I remember I didn't even call you
by your name for the longest time.
191
00:10:42,360 --> 00:10:47,980
Right. You didn't know my name. I
couldn't remember it. You looked like
192
00:10:47,980 --> 00:10:52,320
from the Vampire Diaries. So I just
walked around calling you Matt.
193
00:10:52,980 --> 00:10:54,260
And you answered.
194
00:10:55,160 --> 00:10:58,720
That's how I knew you were so good at
connecting with people.
195
00:10:59,240 --> 00:11:00,660
Calling them by the wrong name.
196
00:11:00,860 --> 00:11:02,740
Making them really feel special and
seen.
197
00:11:04,110 --> 00:11:06,050
I did all the compliments you gave me.
198
00:11:07,870 --> 00:11:11,250
It gives you practice. There's no better
place to practice than here.
199
00:11:12,910 --> 00:11:13,930
Yeah, that was weird.
200
00:11:16,070 --> 00:11:19,310
Okay. When you come back, you'll be
making movie magic.
201
00:11:20,130 --> 00:11:23,810
All right, well, let's go get him so you
can meet him.
202
00:11:24,050 --> 00:11:25,050
Okay.
203
00:11:28,210 --> 00:11:29,210
Damn!
204
00:11:29,910 --> 00:11:32,110
You need to be shaken up every time I
see you.
205
00:11:32,460 --> 00:11:34,840
All right. I feel like you're going to
break me every time you do that. I'm
206
00:11:34,840 --> 00:11:36,520
trying to. That's what this whole series
is about.
207
00:11:37,000 --> 00:11:41,480
Breaking. Yeah, I'm your opposition. I'm
trying to, like, destroy you.
208
00:11:41,700 --> 00:11:43,000
Okay. And you're trying to beat me.
209
00:11:44,160 --> 00:11:47,260
Anyways, are you ready to meet Kevin
James? I'm ready. Are you ready to bang
210
00:11:47,260 --> 00:11:48,620
Kevin James? I am ready.
211
00:11:48,900 --> 00:11:51,700
All right. Are you nervous at all? You
saw her briefly. You came out of the
212
00:11:51,700 --> 00:11:53,660
bathroom and she was there. No, I'm not
nervous at all.
213
00:11:53,880 --> 00:11:55,760
Okay. All right.
214
00:11:59,000 --> 00:12:00,000
Clap.
215
00:12:01,720 --> 00:12:02,870
Clap. Go, clap.
216
00:12:03,130 --> 00:12:04,970
Hold on. There we go. Do it again. Do it
again.
217
00:12:07,930 --> 00:12:10,390
Nothing real about this reality.
218
00:12:10,730 --> 00:12:11,730
Action.
219
00:12:15,650 --> 00:12:16,650
Hi,
220
00:12:18,670 --> 00:12:19,670
Larry.
221
00:12:21,330 --> 00:12:22,330
Hi. Hi.
222
00:12:22,610 --> 00:12:23,349
How's it going?
223
00:12:23,350 --> 00:12:24,350
Good. How are you?
224
00:12:24,410 --> 00:12:25,410
Pretty good.
225
00:12:27,390 --> 00:12:29,370
I'm Blake, by the way.
226
00:12:29,570 --> 00:12:31,070
Kenneth. Pleasure to meet you. Nice to
meet you.
227
00:12:33,550 --> 00:12:35,490
So, um, hmm.
228
00:12:37,650 --> 00:12:38,850
Now I gotta ask questions, huh?
229
00:12:39,790 --> 00:12:40,790
Damn. Okay.
230
00:12:42,030 --> 00:12:46,210
I don't know what's once more awkward,
sitting or, sitting and trying to talk
231
00:12:46,210 --> 00:12:47,129
not talking.
232
00:12:47,130 --> 00:12:48,450
Yeah. At a certain point.
233
00:12:48,790 --> 00:12:50,290
I wonder how awkward we can make it for
that.
234
00:12:50,850 --> 00:12:51,850
Hmm.
235
00:12:56,390 --> 00:12:58,170
How many scenes have you done so far
like this?
236
00:12:58,910 --> 00:13:00,150
Oh. Because that could be my question.
237
00:13:00,490 --> 00:13:01,830
Two. Two? Yeah.
238
00:13:06,180 --> 00:13:12,940
Has there been anything that you have
experienced, I guess, in the industry or
239
00:13:12,940 --> 00:13:17,300
that you can't come to find out about,
like, how production works and stuff
240
00:13:17,300 --> 00:13:18,980
you were kind of, like, surprised or
shocked?
241
00:13:19,320 --> 00:13:25,980
One of my longest days on set, 12 hours,
then second day was 18 and a half
242
00:13:25,980 --> 00:13:29,780
hours. Then I had another day where I
shot for a different company, and
243
00:13:30,190 --> 00:13:31,630
came back for another 16 -hour day.
244
00:13:32,170 --> 00:13:35,810
And then I've had days where it was like
two or three hours.
245
00:13:36,230 --> 00:13:41,350
Wham, bam, thank you, ma 'am. Would you
say you like more of a kind of exciting,
246
00:13:41,390 --> 00:13:46,890
rough kind of scene or more of like a
slow, go with the flow kind of?
247
00:13:47,290 --> 00:13:50,530
That's honestly situational for me
because I love both of those.
248
00:13:50,810 --> 00:13:53,930
On days like today, I feel like they're
probably a little softer, a little
249
00:13:53,930 --> 00:13:58,090
slower. I also like to be tossed around
and just treated like a piece of meat,
250
00:13:58,170 --> 00:13:59,170
so.
251
00:13:59,580 --> 00:14:00,519
I feel that.
252
00:14:00,520 --> 00:14:02,480
Would you ever like to toss around your
scene partner?
253
00:14:03,740 --> 00:14:07,000
Depending on the scene partner, if I
can. Yeah. Could you toss around Blake?
254
00:14:08,280 --> 00:14:09,620
I could probably toss around Blake.
255
00:14:10,580 --> 00:14:11,880
I'm 100 pounds soaking wet.
256
00:14:13,520 --> 00:14:16,580
You'd like that, right? You'd like to be
tossed around. I love it. So you two
257
00:14:16,580 --> 00:14:18,620
are going to be having sex today. What
do you think that's going to be like?
258
00:14:19,560 --> 00:14:20,980
Fun. That could be fun.
259
00:14:21,300 --> 00:14:22,300
Looking forward to it.
260
00:14:22,840 --> 00:14:23,840
Exciting.
261
00:14:23,939 --> 00:14:28,900
She remembers my zero to hero thing very
vividly in great detail. Is that what I
262
00:14:28,900 --> 00:14:33,020
did? And she was very impressed by how
good I did.
263
00:14:33,220 --> 00:14:35,060
Do you think you're going to be able to
out fuck me?
264
00:14:35,280 --> 00:14:36,280
Yes.
265
00:14:39,780 --> 00:14:41,340
I like him already.
266
00:14:45,880 --> 00:14:46,880
All right.
267
00:14:47,060 --> 00:14:48,700
I want to see it.
268
00:14:53,260 --> 00:14:54,199
Action, Blake!
269
00:14:54,200 --> 00:14:55,200
Oh, my bad.
270
00:15:43,630 --> 00:15:44,630
You know.
271
00:16:25,770 --> 00:16:26,770
I can't do that.
272
00:16:58,410 --> 00:17:00,090
Oh, that's so good.
273
00:18:14,640 --> 00:18:15,640
Thank you.
274
00:19:00,360 --> 00:19:01,360
Yeah.
275
00:19:50,980 --> 00:19:53,080
Do you want to hide after you come?
276
00:20:25,930 --> 00:20:26,930
Jane?
277
00:21:02,459 --> 00:21:05,760
Oh, yeah. Yeah.
278
00:22:16,270 --> 00:22:17,330
Yeah, yeah, yeah.
279
00:22:21,050 --> 00:22:23,150
Where are we?
280
00:22:24,170 --> 00:22:26,150
Yeah, let's sit over there at that
fucking cup.
281
00:22:57,040 --> 00:22:58,040
I love you.
282
00:25:23,240 --> 00:25:24,240
Thank you.
283
00:26:44,620 --> 00:26:46,680
Well, we can do... You know what we can
do?
284
00:26:46,960 --> 00:26:51,140
Why don't you go down on her and stroke
your cock while you go down on her?
285
00:26:51,800 --> 00:26:54,380
Because you haven't eaten your pussy
yet, right? No.
286
00:26:55,100 --> 00:26:57,660
That's always something like if you need
to get your edge, you can always go to
287
00:26:57,660 --> 00:26:58,259
pussy eating.
288
00:26:58,260 --> 00:26:59,260
Okay.
289
00:26:59,620 --> 00:27:02,280
Unless you just need a break because it
is hot in there. You can turn the AC on
290
00:27:02,280 --> 00:27:03,460
and you can just take a break for a
second.
291
00:27:04,000 --> 00:27:05,360
I'm down with that. I need some water.
292
00:27:05,580 --> 00:27:07,240
Okay. Perfect. Take a break. Keep going.
293
00:27:08,300 --> 00:27:09,300
That's a cut.
294
00:27:09,840 --> 00:27:11,120
We're still rolling, but yes.
295
00:27:16,980 --> 00:27:18,300
It's not a magic carpet.
296
00:27:21,960 --> 00:27:22,960
Remember,
297
00:27:25,620 --> 00:27:26,620
it's open.
298
00:27:27,240 --> 00:27:28,700
How you doing, Blake?
299
00:27:28,900 --> 00:27:30,320
I'm not letting that pop out, dude.
300
00:27:30,920 --> 00:27:31,980
Are you getting close?
301
00:27:32,200 --> 00:27:33,200
Yeah.
302
00:27:36,140 --> 00:27:38,020
Did we get that on camera?
303
00:27:44,020 --> 00:27:48,920
I thought you did your best fucking that
I've seen you in this series after you
304
00:27:48,920 --> 00:27:49,920
came.
305
00:27:50,000 --> 00:27:51,760
I was impressed.
306
00:27:53,560 --> 00:27:55,060
Wow. Staying hard.
307
00:27:55,720 --> 00:27:59,760
Your doggy fucking was the best fucking
thing you do. And you started talking.
308
00:28:00,580 --> 00:28:02,480
You did well. Can I stand real quick?
309
00:28:12,880 --> 00:28:14,680
My thighs feel so big.
310
00:28:16,300 --> 00:28:17,980
Your thighs feel big? Yeah.
311
00:28:18,240 --> 00:28:20,240
Are they just sore? She's getting fat.
312
00:28:20,780 --> 00:28:21,820
She is.
313
00:28:23,540 --> 00:28:24,620
I'm so fat.
314
00:28:25,380 --> 00:28:26,940
So fat.
315
00:28:27,400 --> 00:28:28,480
I'll probably get on Ozempic.
316
00:28:30,340 --> 00:28:32,140
Imagine if I went on Ozempic.
317
00:28:32,520 --> 00:28:33,520
Jesus Christ.
318
00:28:34,060 --> 00:28:37,000
Where are we starting from?
319
00:28:38,660 --> 00:28:40,260
Let's practice transition.
320
00:28:40,560 --> 00:28:41,660
So where were you?
321
00:28:42,280 --> 00:28:47,860
We're doing cowgirl. Yeah, we'll do
cowgirl and then into fishbone or
322
00:28:47,860 --> 00:28:54,800
like that. Are you sure you're ready? Do
you want to do more of an edge?
323
00:28:55,200 --> 00:28:57,280
No, it'll go back up during.
324
00:28:58,860 --> 00:29:02,840
Sit back on this mat and then
transition.
325
00:29:16,650 --> 00:29:17,650
Have fun, kids.
326
00:34:55,549 --> 00:34:56,610
I thought we were ready
327
00:35:02,060 --> 00:35:03,060
Pretty good.
328
00:35:03,580 --> 00:35:04,580
God damn.
329
00:35:05,660 --> 00:35:10,840
So I know you're trying to keep your
edge, but a lot of directors will want
330
00:35:10,840 --> 00:35:13,520
to open up more because you're really in
there tight.
331
00:35:13,760 --> 00:35:15,060
Yeah, as you're trying to keep your
edge.
332
00:35:15,300 --> 00:35:19,460
Which makes sense because you came early
in the scene, which we wanted you to
333
00:35:19,460 --> 00:35:20,460
try to do.
334
00:35:22,300 --> 00:35:25,900
It's just about learning your body and
doing what you're capable of.
335
00:35:28,450 --> 00:35:32,070
And if you talk more, you start to be a
little more verbal, which is good.
336
00:35:32,550 --> 00:35:33,990
But more talking is great.
337
00:35:35,350 --> 00:35:39,230
Any notes? I think a few times in each
position, like, not sticking you in. We
338
00:35:39,230 --> 00:35:42,710
can... Do you think you have another pop
in you?
339
00:35:43,150 --> 00:35:44,150
Me? Yeah.
340
00:35:44,710 --> 00:35:51,270
How about... What I would say is, why
don't we just build up...
341
00:35:51,270 --> 00:35:54,850
We'll do, like, one more position, build
up to your next pop, and then we'll
342
00:35:54,850 --> 00:35:55,850
pop. Yeah?
343
00:35:59,710 --> 00:36:00,710
Can I get you any water?
344
00:36:01,090 --> 00:36:03,510
Come on, put another bullet in the
chamber.
345
00:36:03,730 --> 00:36:04,730
Come on.
346
00:36:05,130 --> 00:36:08,290
Reload. I can come on a semi.
347
00:36:09,130 --> 00:36:10,009
That's not hard.
348
00:36:10,010 --> 00:36:14,210
Well, I know. We need to go down on the
101. Oh, you meant a semi -erected. I
349
00:36:14,210 --> 00:36:18,670
thought you meant a Persian truck
driver. All right. We still want you to
350
00:36:18,670 --> 00:36:19,670
hard enough to talk to him.
351
00:36:19,690 --> 00:36:23,050
I hear that you want to come on my semi.
All right, fuck off, son.
352
00:36:24,940 --> 00:36:28,180
I told you to get yours. It happens I
get blowjobs too much. You didn't hear
353
00:36:28,180 --> 00:36:29,038
say get yourself.
354
00:36:29,040 --> 00:36:32,320
I will ruin my sex by giving too good of
a blowjob.
355
00:36:32,880 --> 00:36:33,880
Yeah,
356
00:36:35,320 --> 00:36:39,180
your blowjob was too good. And because
of that, now we have this issue to deal
357
00:36:39,180 --> 00:36:42,380
with. Oh, no, I mean, even in my
personal life, sometimes I will
358
00:36:42,380 --> 00:36:46,260
up having sex because I just give him a
blowjob and then I really like fucking
359
00:36:46,260 --> 00:36:48,160
his dick and then he comes and then I
don't give a fuck.
360
00:36:48,540 --> 00:36:49,499
But that's okay.
361
00:36:49,500 --> 00:36:52,500
I still enjoy it. Always the bridesmaid,
never a bride.
362
00:36:54,630 --> 00:36:58,810
Oh, no. Well, often the bridesmaids,
more often the bridesmaids.
363
00:37:04,750 --> 00:37:05,250
Take a
364
00:37:05,250 --> 00:37:15,470
picture.
365
00:37:16,010 --> 00:37:17,570
You wanted to be in porn, my friend.
366
00:37:17,910 --> 00:37:19,530
This is it. This is porn.
367
00:37:19,890 --> 00:37:22,210
Don't look at me. Don't look at me. It's
so glamorous.
368
00:37:26,549 --> 00:37:28,450
Can I get like 30 seconds in the
bathroom?
369
00:37:28,710 --> 00:37:29,710
Sure.
370
00:37:29,810 --> 00:37:30,810
I'll get them fully up.
371
00:37:31,910 --> 00:37:33,790
Follow him to the bathroom. What's in
there?
372
00:37:35,030 --> 00:37:36,030
Barrels.
373
00:37:36,610 --> 00:37:38,090
What's good for you? Where would you
like to go?
374
00:37:40,170 --> 00:37:45,090
Should we go missionary since that was
kind of like... Where were you last? We
375
00:37:45,090 --> 00:37:46,770
were doggy. I can flip back over into
mish.
376
00:37:47,030 --> 00:37:51,410
Let's do doggy into mish. Yeah. I feel
like that makes you come the easiest,
377
00:37:51,430 --> 00:37:52,710
right? It's like a little garden.
378
00:37:53,829 --> 00:37:55,050
Start dogging, then go to mission.
379
00:37:55,630 --> 00:37:59,390
Yeah, so we'll just go... I'll go from
here, and then I'll just go back over
380
00:37:59,390 --> 00:38:03,030
here. I don't know if I'll come from
fucking... Oh, yeah, just set up like
381
00:38:03,030 --> 00:38:06,210
you're gonna come. Yeah, it's like you
can pull up, kind of jerk yourself right
382
00:38:06,210 --> 00:38:10,550
up. And then set up, and then just get
yourself there, and we'll pick up from
383
00:38:10,550 --> 00:38:11,810
there. Okay, so, yeah.
384
00:38:12,670 --> 00:38:15,030
This will be a good practice. This is a
lot of porn.
385
00:38:15,330 --> 00:38:16,330
Just set up.
386
00:38:20,490 --> 00:38:21,630
And we are rolling.
387
00:38:22,920 --> 00:38:25,200
Oh. Oh.
388
00:39:13,710 --> 00:39:14,790
Yes, yes.
389
00:40:09,720 --> 00:40:16,000
So, if you need to get hard and just go
get hard, come back in, fucker, for like
390
00:40:16,000 --> 00:40:20,180
30 seconds and be like, I'm gonna come,
pull out, set up like you're gonna come.
391
00:40:20,320 --> 00:40:23,950
Okay. Just so we have that, because we
need that moment where you pull out like
392
00:40:23,950 --> 00:40:24,669
you're about to come.
393
00:40:24,670 --> 00:40:28,410
Okay. And then you can get your edge,
and then we'll just be in the same
394
00:40:28,410 --> 00:40:29,410
position. Yep.
395
00:40:29,470 --> 00:40:30,470
Cool, Vince. Cool.
396
00:40:41,170 --> 00:40:43,290
He's got great eyes.
397
00:40:44,330 --> 00:40:47,210
You just need to fuck her for like 30
seconds and pull out like you're going
398
00:40:47,210 --> 00:40:49,030
come. Okay. Or if you actually come.
399
00:40:49,810 --> 00:40:51,510
But we need you to say, I'm about to
cum.
400
00:40:52,810 --> 00:40:54,850
We're going to have to do the cut and
then let me.
401
00:40:55,150 --> 00:40:57,250
Yep. Okay. Yep. That's why we do it that
way.
402
00:40:57,590 --> 00:41:00,610
Yep. You're just going to fuck me, pull
it out, be like, oh my God, I'm going to
403
00:41:00,610 --> 00:41:01,610
cum.
404
00:41:01,870 --> 00:41:03,170
And then fuck.
405
00:41:03,750 --> 00:41:04,750
Yeah.
406
00:41:05,570 --> 00:41:06,509
That'll do.
407
00:41:06,510 --> 00:41:07,910
All right. And whenever you're ready.
408
00:41:08,110 --> 00:41:09,110
All right.
409
00:41:38,919 --> 00:41:41,260
That was so weird. I don't know why I
did that.
410
00:41:41,800 --> 00:41:48,140
I thought she was coming to the knees
and I was just waiting there.
411
00:41:49,500 --> 00:41:54,700
Yeah, you're going to come just like
right here.
412
00:41:57,710 --> 00:41:59,930
And you can come from before when you
stood up, right, and just have the pop
413
00:41:59,930 --> 00:42:00,930
start there.
414
00:42:02,970 --> 00:42:08,230
Yeah, we'll just have him come in and
come on that butt.
415
00:42:08,770 --> 00:42:11,170
Yeah, and walk in and jizz.
416
00:42:11,530 --> 00:42:15,330
Another thing that we're going to work
on today, something you've got to get
417
00:42:15,330 --> 00:42:20,710
used to is just being naked, jerking
your dick around people, around crew.
418
00:42:20,950 --> 00:42:21,888
That's easy.
419
00:42:21,890 --> 00:42:24,590
You have to blow up. There it goes
again.
420
00:42:25,740 --> 00:42:26,740
Let's make a compilation.
421
00:42:27,580 --> 00:42:29,960
Here it comes. Ready? Rolling.
422
00:42:33,740 --> 00:42:34,340
One
423
00:42:34,340 --> 00:42:50,260
more
424
00:42:50,260 --> 00:42:52,840
second. One more second.
425
00:42:54,230 --> 00:42:55,910
Verbally tell us when you're ready.
Okay.
426
00:42:58,690 --> 00:42:59,690
It's so hard sitting.
427
00:43:00,850 --> 00:43:01,850
That's good.
428
00:43:01,930 --> 00:43:02,930
Yeah.
429
00:43:03,870 --> 00:43:05,470
Can I just stand and sit? Yeah.
430
00:43:05,810 --> 00:43:08,550
Because you were already standing up
when you left.
431
00:43:08,910 --> 00:43:10,130
So you can just come like right here.
432
00:43:10,430 --> 00:43:11,430
And right there.
433
00:43:16,850 --> 00:43:18,770
Happy that it happened. Sad that I was
alone.
434
00:43:19,030 --> 00:43:20,030
Okay.
435
00:43:28,110 --> 00:43:29,410
Did I break your concentration?
436
00:43:34,750 --> 00:43:35,750
Okay.
437
00:43:37,670 --> 00:43:38,649
Okay, I'm ready.
438
00:43:38,650 --> 00:43:39,650
Roll it.
439
00:44:01,990 --> 00:44:03,850
Two loads, you did it. We got jizz.
440
00:44:04,670 --> 00:44:05,670
Oh, good.
441
00:44:06,630 --> 00:44:07,630
All right.
442
00:44:07,730 --> 00:44:09,930
Well, I'm going to let you guys get
cleaned up, and we're going to talk
443
00:44:09,930 --> 00:44:10,808
the scene.
444
00:44:10,810 --> 00:44:11,810
Sounds good. Do it.
445
00:44:12,810 --> 00:44:16,890
Okay, Blake and Kenna, this is Blake's
third scene for us. How do you think he
446
00:44:16,890 --> 00:44:18,310
did? I think he did good.
447
00:44:19,150 --> 00:44:21,830
Do you think he has potential as a porn
star?
448
00:44:22,230 --> 00:44:23,230
Yeah, I think so.
449
00:44:23,390 --> 00:44:24,390
Yeah. You can do it.
450
00:44:25,330 --> 00:44:26,790
What do you think he did well in the
theater?
451
00:44:27,310 --> 00:44:29,550
I was very impressed that he stayed hard
after you came.
452
00:44:30,550 --> 00:44:31,550
That was impressive.
453
00:44:31,770 --> 00:44:35,450
Don't often say that. Yeah. Blake, what
do you think you did well during the
454
00:44:35,450 --> 00:44:38,330
scene? I talked more, came twice.
455
00:44:39,390 --> 00:44:40,510
I'm sweating this time.
456
00:44:41,590 --> 00:44:42,590
This has never happened.
457
00:44:42,990 --> 00:44:44,370
I'm out of breath for the first time.
458
00:44:45,350 --> 00:44:50,550
Would you tell a director again that you
could do two pops for the scene? You
459
00:44:50,550 --> 00:44:55,630
would? Yeah. You did stay hard for that
first position, but then it wasn't quite
460
00:44:55,630 --> 00:44:59,830
as hard, and so you were a little bit
close, so we couldn't see as much of
461
00:44:59,830 --> 00:45:00,830
dick. Yeah.
462
00:45:01,240 --> 00:45:02,840
My leg cramped up.
463
00:45:04,340 --> 00:45:06,260
You don't think it had to do with you
coming?
464
00:45:06,560 --> 00:45:07,560
It was my leg, dude.
465
00:45:07,820 --> 00:45:09,420
It was just completely your leg? Yeah.
466
00:45:10,280 --> 00:45:13,720
All right. You said that. We're going to
ask you to come multiple times again.
467
00:45:13,980 --> 00:45:14,618
Go ahead.
468
00:45:14,620 --> 00:45:17,380
I'm ready. You don't think your dick
would have stayed harder if you hadn't
469
00:45:17,380 --> 00:45:18,380
come the first time?
470
00:45:20,200 --> 00:45:21,200
No.
471
00:45:21,780 --> 00:45:22,780
Really?
472
00:45:23,160 --> 00:45:25,300
Okay. We're going to make you do it
again, then.
473
00:45:26,000 --> 00:45:27,380
Oh, we have to make it three next time.
474
00:45:28,609 --> 00:45:32,770
But next time we may make you, you can't
leave the room. Will you be able to get
475
00:45:32,770 --> 00:45:33,910
there if you have to stay in the room?
476
00:45:34,190 --> 00:45:35,870
Yeah. All right, Kenna.
477
00:45:36,150 --> 00:45:37,970
What are the things that he could work
on?
478
00:45:39,610 --> 00:45:44,250
Yeah, definitely keeping your head there
a little bit more if you can. I know
479
00:45:44,250 --> 00:45:50,050
once things start kind of not as solid,
I know it gets in the brain a little
480
00:45:50,050 --> 00:45:53,590
bit. One of the things you can
definitely do, I know Sean mentioned it,
481
00:45:53,810 --> 00:45:56,390
eat her out, kind of just use that
moment.
482
00:45:57,080 --> 00:45:57,919
For the edge.
483
00:45:57,920 --> 00:46:01,040
We didn't do that, did we? No, we told
you to, but you were so in your head.
484
00:46:01,100 --> 00:46:02,100
Fuck. Yeah.
485
00:46:02,760 --> 00:46:04,800
Yeah, you're good. Like I said, you got
to get in your head.
486
00:46:05,220 --> 00:46:08,800
When you had her in missionary, you were
good at opening her legs to the camera.
487
00:46:08,840 --> 00:46:12,280
That was great. And then you did her in
like a side missionary.
488
00:46:12,720 --> 00:46:15,160
That was really good.
489
00:46:15,400 --> 00:46:20,260
And you're, I said this before, but you
fucking her in doggy after you came was
490
00:46:20,260 --> 00:46:24,560
probably the best moment of sex that
I've seen with you because you were like
491
00:46:24,560 --> 00:46:26,240
aggressive. You were like in the zone.
492
00:46:27,140 --> 00:46:29,040
And it felt like I was watching a real
porn.
493
00:46:29,280 --> 00:46:31,080
What do you think you could improve on
for next time?
494
00:46:31,280 --> 00:46:32,420
I just got to stay out of my head, man.
495
00:46:33,180 --> 00:46:35,180
That's really, that's the main factor.
496
00:46:35,380 --> 00:46:38,200
Because once I'm in my head, everything
kind of just malfunctions.
497
00:46:38,620 --> 00:46:42,980
When you're in your head, what are the
thoughts that are derailing you?
498
00:46:45,500 --> 00:46:46,500
Disappointing you.
499
00:46:46,920 --> 00:46:49,080
That's literally it. You're not going to
disappoint me.
500
00:46:49,280 --> 00:46:51,940
I'm going to get paid no matter what.
You can't read your faith.
501
00:46:52,500 --> 00:46:53,960
I'm sorry, my life is like that.
502
00:46:55,900 --> 00:47:00,680
This was sort of like an easier scene
that was tailored towards Blake. Are
503
00:47:00,680 --> 00:47:05,020
any directors that you know or sets that
you've been on that you think will
504
00:47:05,020 --> 00:47:08,840
challenge him in ways that might be
difficult for him? Can you describe some
505
00:47:08,840 --> 00:47:09,840
those scenarios?
506
00:47:10,560 --> 00:47:15,240
Any feature film. If you have to run
through, say, eight hours of dialogue
507
00:47:15,240 --> 00:47:18,280
before you even get to your scene, a lot
of times you're going to be tired.
508
00:47:18,500 --> 00:47:22,960
You're already going to want to go home.
It could be two in the morning, and
509
00:47:22,960 --> 00:47:24,800
they're like, all right, dick's hard.
510
00:47:25,240 --> 00:47:26,240
We're going.
511
00:47:26,500 --> 00:47:30,780
What about other female talent? Have you
ever seen other female talent be, like,
512
00:47:30,800 --> 00:47:31,980
cruel and unforgiving?
513
00:47:32,360 --> 00:47:34,720
Uh -huh. Oh, yeah. What are some
examples of things that they do?
514
00:47:35,100 --> 00:47:37,960
They will straight up tell you that it
is not their job to make your deck hard.
515
00:47:38,000 --> 00:47:40,560
They will not come because there's no
Hitachi involved.
516
00:47:40,980 --> 00:47:42,720
They will tell you they straight up
don't like sex.
517
00:47:43,680 --> 00:47:45,620
That kind of helps me a little bit.
518
00:47:45,940 --> 00:47:50,180
Oh. When she's, like, not into it.
Really? Yeah. Because then I take it as
519
00:47:50,180 --> 00:47:52,740
challenge. So I'll get you into it.
520
00:47:53,240 --> 00:47:54,240
Okay.
521
00:47:55,390 --> 00:47:59,290
You keep saying these things that are
going to make us challenge you to prove
522
00:47:59,290 --> 00:48:01,650
it. That's why I'm saying it. You're
making it so much harder for yourself.
523
00:48:02,190 --> 00:48:05,150
That is why I'm saying it. We're going
to make you come three times. We're
524
00:48:05,150 --> 00:48:06,150
to make her be mean to you.
525
00:48:06,550 --> 00:48:09,930
We're going to have Quasar be talking
shit the whole time.
526
00:48:10,350 --> 00:48:11,350
I need that.
527
00:48:11,750 --> 00:48:15,070
Dude, literally, he's one of the ones
I've been thinking about for the middle
528
00:48:15,070 --> 00:48:16,070
the hour.
529
00:48:16,850 --> 00:48:19,910
This is the third theme. This is the
last of the... We were going to do
530
00:48:19,950 --> 00:48:22,370
like, kind of easier, comfortable
themes. The next one...
531
00:48:22,910 --> 00:48:24,950
It's going to be a little bit more
challenging. It's going to be a new
532
00:48:25,430 --> 00:48:26,430
I'm ready.
533
00:48:26,450 --> 00:48:27,710
All right, Kenna. Thank you.
534
00:48:28,070 --> 00:48:29,070
Thank you, guys.
41645
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.