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Heat.
Heat. Heat.
[Applause]
Heat. Heat. Heat.
[Music]
[Applause]
Now, Now that they're out of the way,
only you and
me. And
[Music]
now it's only me.
Come on, drink. There's a lot more gold
where this came
from. Home. Home on the rain.
Where has the end of both
play where seldom is
heard on a cloudy old
day? What's the dogone funny? Ain't no
way you can cinch a saddle on that nag
proper. He sucks in wind. Puff his rib
bows up his back and you can't get him
tight. It don't make sense.
Leaving our own horses and riding this
here kind of
[Laughter]
crowb sure don't do our social standing
no good riding these kind of nags. Well,
what are we supposed to be anyhow? Dude
ranchers or prospectors? You ask me
three darn fools on a wild goose chase.
Oh, what are you talking about? You
ought to be flattered have the
government send us on a secret mission.
pulling your blasted ribs. The only way
you could flatter me is give him my own
horse back. Oh, but then the mission
wouldn't be secret any longer. You know
good and well riding our own horses
would stamp us as the range busters and
not prospectors. Now, let me do that.
Did you get jarred up any Elmer?
Feels like it's broke. Well, what's a
broken neck compared to Secret Mission?
You know, Elmer, you and I are being
honored by the United States. honored my
eye. What's it all about? Well, that's a
secret. Leastwise, as far as I'm
concerned, you know, it seems like that
Arizona gold is red, and when an ombre
brings in some that's yellow. Says he
got it from an Arizona mine, the folks
at the mint get some suspicious.
Expecting he died it yellow, maybe.
Sounds like it. Anyhow, I know we're
supposed to run down a fellow they call
Jingler and find out what it's all
about.
Now, if you can stay on that mag, let's
ride.
What are you stopping here for?
Well, after all, you can't pass through
a busy community like this without
paying your respects to the mayor. Well,
if you do, you're going to have to look
for him in the cemetery. No, sir. I
ain't got no hanger for ghost towns or
ghost mayors. Now, look, Alibi, the only
time ghosts are dangerous is when you
don't pay him due respect. Now, come on,
pile. No, I ain't going to go. I You are
going.
Did you hear something? Not a thing.
Well, I thought I did. Anyhow, I don't
like it. Take a look down that street.
Well, what's the matter with it? It
gives me the creeps. I ain't scared of
anything that lives and breathes. But
when it comes to a place like this, you
can count me out. I don't aim to get my
hair full of spooks. Now look, Alifi, a
place like this, you'll be looked on
with reverence. It's a monument to the
dead past. If we don't get out of here,
we'll have a dead past. Oh, you're
talking about gravestones. Dusty means
historical monuments. Well, I ain't
finicky about the brand of monuments.
All I can say is I ain't hankering for
one just yet. I can get a lot later
start and put in plenty of time being
dead.
Good. Well, that's sure enough a
skeleton. All right. I claim with alibi
this metropolis is better than Adam. And
I claim that there's life all around.
Like for instance, that coyote there
digging a
hole. A nice little heila monster there
looking for its mate. Hormson reptiles
ain't what I mean. They sort of have a
leaning for ghosts and grave the args.
Anyhow, what I'm saying is there ain't a
human being within miles of this place.
Once you're used to staying in a place
where the only creatures that greet you
is a delegation of trapdo spiders.
Anyhow, until it's time for the haunts
to get busy.
A up, Alibabi. What you need is a
nice drink. So, uh, let me escort you to
the bar. What bar? I don't see none. Ah,
but you will. That's what I aim to show
you.
[Music]
There you are. The old bottleneck
casino. You know that used to be the
most famous drink emporium west of
Tucson. Deadwood Ike mixing the poison
rolet spinning the wheel. Her motto was
uh no limit this side of the pearly
gates. That's right. Even her ghost
wouldn't be so bad to look at right now.
You're not kidding. If I have to go in a
tomb like that to find a drink, I'm
taking the pledge here now. All right.
All right, little man. If that's the way
you feel about it. Anyhow, we ought to
go over to the hotel and get our
reservations in early. What hotel? Right
over there. Can't you see? Come on.
I've heard that even presidents have
stopped here, and that'll put us into
extra good company. Hold on now. You
don't aim to stay in that place all
night. And why not? We sure don't aim to
sleep in the streets. Well, neither do
I. I don't aim to sleep no more than 10
mile here. We haven't got any other
choice now, Alibabi. It's too late not
across the desert. Well, we'll be seeing
you.
Hey, fellas, come here. They don't leave
me out here by myself. Come here.
[Music]
[Music]
Well, let's register.
See what' they tell you? Ulyses Grant.
September the 18th, 1879.
Boys, we're putting up in
style. Hey, Alibabi, give me a nickel,
will you? I want to see if that thing
over there works.
[Music]
[Music]
[Applause]
Hey fellers. Gosh.
say dated way back in Civil War day.
Yeah.
1871. Here's one. 1883.
1975. What? 18? Yeah. 187. Hey. Hey.
Here's one that was coined only last
year. Huh? Now I know this place is
jinx. Say that must be the one you just
dropped in.
Listen. What's the matter now? Don't you
hear nothing?
Ain't human. The clock's still running
after 20 years. Maybe some desert rat
passed you and wound it up. Not any
desert rat I ever seen. He'd be scared
to. Scared what? The white clock. Yep.
Or come along them streets out there.
They'll all tell you that every ghost
town this year desert's haunted.
Uh, well, uh, come on. Let's go up and
pick out our rooms. No, sir. This as far
as I go. If anything happens during the
night, I'm going to be where the good.
Well, all right, Alibabi. If that's the
way you feel about it, we'll go out and
get our saddle rolls and we'll bed down
right here for the night. Huh? All
right.
[Music]
[Music]
Heat. Heat.
[Music]
[Music]
[Music]
[Music]
[Music]
[Music]
Hey,
Crash. Crash.
Hey, what do you want? I just saw it.
Saw what? The ghost runs this place.
Leave me
alone. Father. Father, wake up.
You've been walking in your sleep again.
Come on, sit down over here.
Little alibi. Will you lay down and get
some sleep? But I tell you that I saw
It's as plain as a nose on your face.
And all the talk about who wound that
clock set you to having bad dreams.
Wasn't no dream, Dusty. I see it just as
clear to see you this minute. Now, get
this straight, Alibabi. There's no such
thing as a ghost. And if there was, it
wouldn't have the kind of muscles that
had wind a genuine clock. Now you've
been seeing
things. Put the light out
quick. Get some clothes on. We're in
trouble.
[Music]
Hello. Come on.
[Music]
Heat. Heat.
Hey, things have got mighty quiet all of
a sudden. Yeah, but they might start
popping again any minute. I reckon we'd
better split up. Bestie, you go up that
way. Alibi over there.
Put up your hands.
Stay where you are and don't move.
Good evening, ma'am. Turn around. Much
obliged,
ma'am. Was it you and that pop gun that
started all the ruckus? I'll ask the
question. What are you doing in our
town? I wasn't aware it was your town,
ma'am. I was given a notion that belong
to the ghosts. So, it was you. Me? Me?
What? They tried to frighten us off our
property with all that ghost writing.
Well, it didn't work. We don't scare as
easily as that. No, ma'am. I I reckon
not. And you can't frighten us by
shooting out our windows. No, ma'am.
Then why did you try to? I didn't. Then
who was it? I'm sure I don't. Uh-oh.
There go the fireworks again. Keep your
hands up.
Yes, ma'am.
[Music]
I wish I could believe all you've said
about how you happen to come to our
town. Well, that's how I was wishing
when I was telling you, ma'am. It was
mostly true. Well, I guess we'd better
see what my father thinks about this.
Fine, ma'am. Keep your hands up and
march up those steps. Well, don't you
think you'd better keep your gun on me
then,
ma'am? I tell you, some of the fireworks
I noticed come from right up there. And
that's the exact spot that that clock
wind and spook come from and went. All
right, then. Let's go up and find out.
Now, sure, come on along. Not me, and
you better not neither. Well, with
everything pitch dark, you wouldn't have
a China's chance. Well, on second
thought, maybe we'd better wait till
morning. But anyhow, we ought to go on
out and look for Dusty. What for?
Dusty's old enough to look out for
himself. Alibi, you surprise me. How?
Every shot that was fired after he left
this room was aimed at me.
Well, if you're scared, then I'll go by
myself. Maybe he's out there shot. Maybe
he's bleeding.
[Music]
Bleeding, huh? He's been cutting capers
of the female spook. And while we were
out risking our lives,
clouds and rain have all taken flight.
[Music]
All
because of
[Music]
you. The dark clouds went
hiding. The blue skies
appear. A rainbow is riding the
rain. And I am confiding.
Whenever you're near, a romance is right
in the
range. The trail that was rocky is
smooth as can
be. Everything seems so different and
strange.
For the day seems so dery
whenever you're near. A rainbow is right
in the rain.
Oh, just a minute, Mr. Nardy. These are
my two friends I was telling you about.
Dog gone it. Nowadays, one don't know
who needs killing. Here, father, let me
have that gun. You had no business.
Where are your manners? Oh, I beg your
pardon, ma'am. After all, seeing as this
used to be a hotel and it's open to the
public, I don't you be too hard on
crash, ma'am. He means all right. Of
course, I might forget some manners,
too, if I was raised on a goat ranch.
Well, everything's all
right. Seems like old times there folks
come into this parlor and make
themselves to home. Nancy, ask the
gentleman to be seated. Why certainly?
Oh, thank you. Oh, no. No, Miss Nancy,
we got to be going. It's getting late.
And besides, your dad needs his rest.
Uh, good night, Miss Nancy. Good night,
Mr. Nordic. Good night.
Hey, what's the idea of telling folks I
was raised on a goat ranch? I didn't say
you were. I only mentioned what might
have happened if I was. Well, that's the
impression you tried to leave. It's
getting late. Let's get some
shot. Who is she? Nancy Nordic. And you
need to watch your step. Why? Her father
was a fellow with a shotgun. That old he
goat ain't nothing too beckard about
using it neither. Who's he trying to
perforate anyhow? Oh, he isn't sure
exactly. Seems like some Humber's trying
to run him off of this place. But he
can't make out who it is. The fellow
won't show his face. How's he trying to
run him off then? Well, near as I can
make out by writing makebelieve ghost
messages, mostly on the walls of the old
man's gold mine. His mine? Uh-huh. Where
is it? Right here in the edge of town.
Well, I thought all the mines around
here were worked out and so did
everybody else except the old man. He
seems to be a little bit cracked. Well,
I'll tell you more about it in the
morning. Right now, I need some sleep.
Good night. Good night.
Good night.
[Music]
Well, that was when this town was a
booming. Seems like the old man started
sinking all the money he had, buying up
everything in sight. This hotel, the
casino, and all the main street, and the
best paying mining properties in the
neighborhood, and then the bottom fell
out, leaving him flat. Yep, it sure did.
had nothing left on his hands but a
ghost town. A lot of holes in the ground
that used to be mines. What I can't
understand is why anybody would want to
run him out of it. Unless them ghost
messages are genuine. Could it be that
humans sticking around and sort of
aggravated a spook? It wasn't any spook
that started all that shooting last
night. The bullet that smashed the old
man's window was a real thing. Well,
that was about all I was able to get out
of that gal. She quit talking soon as
the old man came in the room. Wonder
where Crash is. Yeah, he's probably out
tending the horses. Say it was right
thoughtful of him not to trouble us.
I was just a baby then. Let me. Well,
after we left, nothing father attempted
ever worked out. It seems that all his
luck had been left
behind. Then mother died. After that, he
brooded more than
ever. He could think only of this town
in the boom days when he was king. It
was the big moment of his life.
That's very easy to understand.
Yes, I suppose
so. It wouldn't have been so bad if it
hadn't become an obsession with him. He
thought this town would come back
someday, just as big as it ever was. And
so you brought him back here.
Doctor said he hadn't longed to live. So
I thought if if it would make his last
days any happier.
Good morning, father. Morning, sir.
You're not going out before you have
breakfast, are you? Well, I thought I'd
go out and work up an appetite. I hope
you found things satisfied for you. Yes,
sir. Everything was just fine. That's
good. If the not speak right up, this
hotel aims to please. Thank you.
I wish you wouldn't go to the mine. Not
this morning. After what happened last
night. Oh, I'm all right. Old Betsy here
will take care of me. From the looks of
things yesterday, I'm getting mighty
close to pay dirt.
That's the way it's been ever since we
got here. Each day he expects to strike
it rich and it's all so
hopeless. If only just once he could
find a little real encouragement
again. Maybe then he'd be willing to
leave before he I
know. But those ghost messages and those
shots last
night, I reckon I'd better trail after
him and see that nothing happens.
Thanks for the breakfast.
Say alibi, there's something funny about
Crash. I just been over at the horses
and they haven't been fed at all. That
ain't surprising. What do you mean? I've
been rumaging through the saddle bags
and wherever Crash went, that fancy
shirt of his went with him. Oh, it did?
Huh? Trying to beat my
time. Uh-oh. It looks like we're in for
more trouble. Not me. No sir.
[Music]
Hey. Hey. What's the matter? Who you
shooting at? Oh, I don't know. I was
just mosing here when that guy takes a
couple of pot shots at me from behind
those rocks.
[Music]
[Applause]
Hey, let me give you a little of this.
[Music]
Dr. Netwitz, you want to get killed?
Killed? How? You haven't got yourself in
trouble again, have you? No, I'm just
wasting ammunition for the fun of it.
[Music]
You know what I'm worrying about, Elmer?
Is whether I'm thinking right or wrong.
If you want me to be your conscience
alibi, you'll have to talk plain or not.
Well, take a look at this.
Gold? Yeah, gold nuggets. Uh-oh. So,
that's what's worrying you. been holding
out on Crash and Dusty. Where'd you get
it? No, that's not it. These nuggets
loaned us by that government man that
sent us on this year's secret mission.
Wasn't he loan you gold nuggets, Farah?
Well, to show us samples. That way, if
anybody started asking questions, we
could flim flam folks into thinking
we're real prospectors. But I was
figuring on using them for something
else. Uh-oh. Can I? Well, speaking
plain, I've got a notion I'm going to
salt a gold mine with it. Uh-oh.
Naughty, naughty. Well, if that's the
way you feel about it. Well, of course,
if it's an interested justice. Well, it
might not be an interest justice, but
something nearly as praiseworthy. How
near? Awful near, Elmer. Awful near.
Well, then if I you'd go ahead. Much
obliged, pal, for setting me right.
[Music]
[Applause]
What are you up to now?
Did you and Dusty been crying all over
the place because you feel sorry for old
Nardic in his gap? Yes, but I'm not
advising shooting anybody to get him out
of their misery. Well, that's not my
intention either.
What are you doing with this? That's
what I'm trying to tell you. Had you
been a cllayman that what the old man
needs is fine gold again to sort easy
his mind? Yes, Nancy did think that
something like that might help. Do you
know how any such fine could happen
unless we helped it along a little? No.
No, I don't. That's the way I had it
figured, too. All I'm worried about is
how hard that old shotgun of his is
liable to kick when I shoot a couple of
loads of this gold into the gizzard of
his old mine.
Heat.
Heat. Heat.
Heat.
[Applause]
[Music]
Heat. Heat.
[Music]
[Applause]
You sure started something when you shot
those gold nuggets in the Nordic's
worthless mine. Well, how bad is it? Oh,
terrible. They're coming here in droves
and paying fairs at $100 a piece. They
probably hacked everything they had. And
you talk about me going out and hunting
trouble. Now, hold on a minute, Craig.
You just wait until that bunch of
armories finds out there isn't any gold.
Just you waiting.
What does this mean? What does what
mean? Well, these blankets done up in a
saddle roll. Well, it means I'm
traveling, that's what. And you're
traveling with me. Oh, no, we're not.
Now, hold on, Crash. Listen, whose fault
was we stopped here in the first place?
Running out and leaving other people
holding the bag. No, it ain't that,
Crash. Honest. It ain't. It ain't just
because we solded that gold mine. What
do you mean we? Well, you didn't stop
me, did you?
No. No, I
didn't. Well, I guess that leaves me to
shoulder my share of the blame, too.
Yep. And that includes me. I reckon
we're all riding the same colored horse.
[Music]
Look at
[Music]
I figure there's gold enough here for
everybody. And I'm selling you boys
shares in my claim at the same price I
paid 25 years ago.
Anderson
Yes, sir. And I'm going to use this
money to make this town better than it
ever was before.
Why the hotel will be the likes
of
[Music]
Goodbye.
[Music]
Chem. Oh, hitch up your horses and feed
him some hay. My wagon is good and
cold. I'm
leaving. I'm off to my hand. Goodbye,
old pain. I'm a
leaving. My horses ain't hungry. They
won't eat your h. Good morning, young
ladies. I'm rolling away. I'm leaving
Cheyenne. I'm off to Montana.
I'm a giant
old
[Music]
he I'm off the mountain.
Goodbye old paint.
I'm
a
[Music]
[Applause]
child. Much obliged, folks. Much
obliged. Just wanted to tell you that
Mr. Nordic asked us in here to to help
him out till he got his entertainers
down from Frisco. Want to thank you very
much. So, thank you. Thank you.
[Applause]
[Music]
And it's been wonderful for father. It's
the first time I've ever seen him really
happy. And also, it's the first time
I've ever known him to develop a streak
of superstition.
Is that so? Why? He thinks it was you
three boys coming to bottleneck that
changed his love.
Well, what does he figure we had to do
with it? Nobody knows why is behind
superstition.
A black cat crosses in front of you and
a little later you trip and break a leg.
You know the cat didn't put the rock
there, but you feel that you mightn't
have tripped over it if there hadn't
been a cat. Kind of involved, isn't it?
Yeah, kind of. But uh I hope it isn't as
bad as that. You know, I'd hate to turn
out to be a black cat for your father.
Oh, I didn't mean that. I meant that
gold was there before. Ages and ages
before you boys ever came here.
Naturally, it was, wasn't it?
Well, it
seems natural for you to suppose so.
Well, the point is, father didn't find
it till right after you came. I suppose
that's how all superstitions grow.
[Music]
Speaking of black
cats, you
black cats and tough luck always come
together. Well, if you ask me, no black
cats needed to bring tough luck. You
just leave a door open and it always
pops in. Oh, yes. Now, now, boys, I
think I'm very lucky to have both here.
I need two strong men to help me
rearrange the furniture. What do you
mean two men? So, you just get that boy
out of the way there and show me what
you want. I'll move it for you in a
jiffy. A good idea. Let the little man
show off.
All right. Now, where should we start?
Well, let's see. Suppose we move the
couch first. All right. Uh, where should
we put it? See how it looks over here.
Over there? Mhm. Right over there.
[Laughter]
Well, I guess there's no use denying you
slipped one over on me that time, Elmer.
But what I mean, what's your trade? My
trade would be your knee for a blond's
knee.
No. What's your calling? Hog calling.
[Music]
No. What do you work at? I mean, what do
you do? Oh, why didn't you say that in
the first place? I tell fortunes. Tell
fortunes, eh? Let me see your hand.
Awful dirty.
Too bad. Too bad. Go ahead. I can take
it. What do you see? Trouble. You sure
got yourself in a lot of trouble. Well,
I was afraid of that. How soon is it
going to come? Right on your heels now.
Right on your heels. Well, ain't there
no way I can duck it? Not a chance. Not
a chance. But it ain't going to last. I
can see where it's going to end. Well,
now that's better. Where is it going to
end? at the end of her rope.
Jim Jim Nordic selling mine chief.
They're going like hot cakes. Come on.
[Music]
You sure knew what you were talking
about. Trouble is right on my heels.
You know, I think this room would look
much better as it was before. I think
so, too. Let's put the couch back where
it was in the first place.
Oh, Crash. What if I could see you and
Dusty for a minute? I got a little
problem and need to talk over in a
minute. Just as soon as I get through
supervising this job. Come on, Alibaba.
Give me a hand, will you?
[Music]
[Applause]
[Music]
Right over there.
[Music]
What are you looking for? Nothing. I was
just killing time. Well, you picked
funny places to kill
it. I don't know who you are, but this
isn't the first time you've gotten in my
way. Next will be the
last. Safest thing you can do is get out
of
town.
Okay. Then close the door after you.
Listen, Crash. Old man Nic selling
shares in that mine of his. What? Where
is he? We got to stop him. I'm afraid
it's too late, gentlemen.
He's practically sold out.
You would have been smart had you
followed your partner's advice in the
first place and left town a week ago. I
don't know what you're talking about.
Oh, I think you do. Sultting mines is a
dangerous occupation, particularly if
the mob in this town finds out about
it. Surprised, aren't
you? No, not necessarily.
Attempting murder is also a dangerous
occupation. Yes, if
proven. This belongs to you, doesn't it?
Perhaps. At least I lost one like it. It
was the night that your friend here was
dodging
bookshot. Pretty strong evidence, isn't
it? No, I was just a
spectator. Do you
mind? No, not at all. Thank you.
If I were you gentlemen, I wouldn't
waste much time saddling your horses. A
few miles head start might be a great
advantage. Good
evening. Nice going, Grace. You were
right all the time. It was a jingler
that started all that shooting. It seems
like the Nordics aren't the only ones
he's trying to scare away. Alibi, you
get Nordic and the daughter out of town
immediately.
Dusty and I keep an eye. Well, sooner
said than
[Music]
done. Gentlemen, I have something to
tell you. If you please keep quiet,
if you please,
gentlemen, if you
please. Thank you very
much. This thing you thought was a gold
strike.
[Music]
Stand back and lift your hands.
[Music]
I'd kill you both if it wasn't that I
want to get my message to those folks
out there
first. Move away from that door.
[Music]
Let him blab his head off. All I wanted
was to make him mad enough to include us
in what he had to say. Yeah, but Chris,
the only way we can find out what he's
up to is to get out of town and take
that crowd with us. All I wanted was to
make sure they'd be chasing us instead
of the Nordics.
[Music]
I started to tell you gentlemen, the
whole gold strike was a fake.
The mine you bought into was
salty. Rodic and those three ombres that
have been living with him fixed it up
between them.
I overheard them talk just a while ago.
That's why, gentlemen, none of you have
found any gold. You've all suffered
hard. Well, I reckon it's about time for
us to hit the saddle. Spent your life
saving us like a bunch of tender feet.
Are we going to stand for it?
[Music]
They're gone. Get your horses. Go after
them.
[Music]
We better split up and start scaring in
all directions till we find them. You
fellas back there. Go with Walker.
[Music]
You boys come with me.
[Music]
Heat. Heat.
Okay, Dusty. Now we'll ride back and see
what's doing at Bottleneck. Huh.
They must have given us a slip. Come on.
Well, it looks like the last of the
folks are leaving Bottleneck. That town
must be as deserted as when we first
came there. Yeah, excepting maybe for
the Jingler. If my guess is right, I'll
bet this is what he's been waiting for.
Come on.
Look, I can't see plane, but it could be
them. I can't understand why they'd be
heading back for the diggings. We might
as well trail along and find out.
[Music]
Heat. Heat.
[Music]
[Music]
[Music]
gold.
[Music]
[Music]
Yeah.
Oh, don't don't shoot. If you don't,
I'll let you in on a secret to make us
both rich. You again.
You know what? I promise the next time
you got in my way. I know, but
but Oh. Oh, listen. Please listen. I can
tell you it was a vein of gold. More
gold in this town ever turned out in
this bombiest day. I got all the gold I
want. No, you haven't. Nobody ever has.
No matter how much gold you got, you can
always use more. All you got to do is to
listen.
All right, go ahead. Where is this ghoul
you're talking about? There's a tunnel
leading to it. Right behind the walls of
this cellar. The only man that knew
about it was Samson, but now he's dead.
Wait a minute. I'm not ready for you to
get up yet. Who was this Samson? Once he
was foreman of the Nordic Mines. That's
how we happened to find it. a vain
Richard and all the rest. If he'd talled
about it, it belonged to Nordic. So,
he's just walled it off. Figuring on
coming back someday and working himself.
Yeah, but he got into a shooting scrape
and sent up to prison. That's where I
met him. He told me about it just before
he died. He gave me directions
and in this
chart. You'd better see what's storing
at the casino and I'll scout around at
the
hotel. It must have been him who rigged
up that secret passage behind the clock.
Yeah. Well, how did you find out about
it? Stumbled on it by accident and then
figured out how it could come in
handy. Are you sure you're the only one
Samson told about this? Oh, I swear to
it. Nobody knows anything about it
excepting just
you and
me. That's fine.
[Music]
Now nobody knows about
it but me.
[Music]
Heat. Heat.
[Music]
Dusty Getty's gun.
He came from behind that clock. Yeah.
Well, let's have a look. It might be
worth your while, gentlemen, not to act
too hastily. How do you mean? I can make
you both rich. I've got a quarter of a
million in gold to be split three ways.
Where'd you get it? All you need to know
is that I've got it. Sounds interesting.
Yeah, if it's there. I see you gentlemen
are a couple of good horse traders, but
this isn't sight on scene. Come along,
I'll show you. And don't forget, I'll be
right behind you. This isn't a trap, I
assure you. But if you doubt my word, I
have no objections in leading the way.
[Music]
Hey, who's that? He's the gentleman that
started all the shooting the night you
arrived in Bottleneck. It finally became
expedient to dispose of him.
But this is what I brought you down to
see.
Gold. Pure
gold. Looks like it came from the mint.
You needn't worry about that. We'll melt
it up and remold it. It'll never be
recognized when it gets back to the
mint. You're a bigger gun than I
thought, Jingler. A little keepsake from
the Denver Mint. But you promised a
quarter of a million and the Denver Mint
didn't give up that much in the first
place and you've been unloading it ever
since. Gentlemen, I have a chart here. A
liberal contribution from our friend
there. It'll more than make up for any
deficit. Well, uh, what does it mean? It
means that hidden behind these walls,
there's a richer vein of a ever found
before in bottleneck. H. Then that
property old man Nordic sold wasn't so
worthless after all. Well, hardly. But
he need never know about it. Now those
green horns who bought stock from him?
Oh yes they
do. Government man. Yes. Dusty put the
handcuffs on
him. Now let's go upstairs and give the
miners the good news.
[Music]
Just look at them. Biggest gold strike
this state ever saw.
It's wonderful, father. And we owe it
all to you boys.
Oh, maybe. But oh boy, when I think how
close we came to being black cats. Well,
I've got to get back to Bottleneck and
meet those entertainers coming from San
Francisco.
Say, that reminds me, we've got to make
our report to the government, too.
Sorry. We'll have to say goodbye.
Goodbye. Goodbye, Miss Nancy. Bye.
Oh,
goodbye, Alibabi. Goodbye, M. Goodbye.
Goodbye, Miss Nancy.
Come back to bottleneck when you can.
[Music]
Nice girl. Yeah. You know, she's going
to make some man a fine wife.
Yeah. I don't suppose she was meant for
either of us. No.
Why don't you boys draw straws or let's
get to the lazy am and get her horses.
[Music]
We'll be seeing you, folks.
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