All language subtitles for The.Rookies.S01E16.Crossfire.1080p.WEB-DL.AAC2.0.H.264-BTN_track3_[eng]

[♪♪♪]

[SIRENS WAILING]

[♪♪♪]

[PHONE RINGING,
INDISTINCT CHATTER]

[INDISTINCT POLICE RADIO
CHATTER]

[DOOR CLOSES]

RYKER:
Come in!

You're early.

Love the assignment so much
I could hardly wait.

Now, look, R.C., uh--

Officer Taylor,
if you don't mind.

They want it by the book,
that's how it'll be, Lt. Ryker.

Officer Taylor.

That's the way
you want it.

Nothing about this is
the way I want it.

Nothing I can do about it now,
so let's get to it, lieutenant.

Who do I ride with?

[♪♪♪]

Just crossed Garvey.

So?

It's out of
our precinct.

Well, just thought I'd run
in here and look around.

See how they're
getting along without me.

Dumb broad.

[INDISTINCT CHATTER]

Well, if it isn't
Officer Taylor.

Okay, Cindy,
night work's over.

Take a hike.
Back to the pad.

Heard they shuffled you
out of here, Taylor.

Move it. Now!

You don't have no right
to tell me where to go.

Any more lip out of you,
and I'll find enough right

to throw you in the can
for a week.

Now move it.

Starting countdown.

Five.

Four.

Three.

Two.

One and blastoff.

I think that's called
rousting a citizen, isn't it?

Some people
call it that.

I call it getting the garbage
off the sidewalk.

There's no legal
justification for it.

Then report it.

Maybe I will.

And I'll deny it.

And I've been on the force
nearly 20 years.

Now which way do you think
they'll lean, Webster?

You don't know very much
about me, Webster, but--

I know that you were
the first black officer

ever hired
by the department.

And...I was looking forward
to working with you.

Was?
That's right.

Well, I don't share
that with you, rookie.

Didn't look forward
to working with you.

I got this assignment because
some shiny badge upstairs

felt R.C. Taylor
was coming down too tough

on the sweet citizens,
like that bimbo, Cindy.

I think you're supposed to
help me see the light.

Our precinct is back
that way, Officer Taylor.

[♪♪♪]

[TIRES SCREECHING]

[GLASS BREAKS]

It's a big heap
of nothin', Webster.

Worse than when
I joined up.

Place is worse
and the people no better.

Well, what can you expect?

They're mostly black, after all.

Yeah, well, all I know is I had

guts and brains enough
to get out.

No, man, you never got out.

You come back every night
to lean on people,

and show how superior you are
to everything and everyone.

Hold it.

[♪♪♪]

WEBSTER:
Looks like a flashlight.

Call in a possible
459 in progress.

Take the alley.
I'll take the front.

This is
Ludlow Nine.

We have a possible 459
in progress at Commonwealth.

[INDISTINCT RADIO CHATTER]

Police.

I know you're in here.
Come out with your hands up.

Halt!

Halt!

Put it away, Taylor.
He's just a kid.

All right. Hold it,
hold it, hold it.

Put it down. Ease it down.
That's it.

Don't want to
hurt you.

Easy. Easy.

That's it.
That's it.

That's it.

Who else was in that store
with you? Come on.

Taylor, I haven't given him
his rights yet.

You don't give people rights,
man. They earn 'em.

WEBSTER:
You have the right

to remain silent.

Anything you say can and
will be used against you.

You have the right
to an attorney.

If you cannot afford an
attorney, one will be appointed.

Do you understand
what I just said to you?

I understand.
Does he?

[♪♪♪]

[DOOR CLOSES]

Did you get it?

Hey.

[SIGHS]
Rainbow heaven.

Was there any trouble?

I don't know.

I think--

I think somebody saw me.

Who?

Black kid. In the alley.

I'm pretty sure he saw me.

Oh.

BOY:
I saw this guy come out,

and, uh, I figured he'd already
ripped the place off

on account of the way
it looked.

You know?

But you did
break in, Mark.

Whether or not somebody
was in there ahead of you

has nothing to do
with it.

You mean, you believe
what he's handing out?

What I do
and what I don't believe

has nothing to do
with it, officer.

What we're concerned about
is what happens to Mark.

You gonna send him
to the reform school?

No, I don't
think so.

Your son has been
in some scrapes.

Most of it looks to be
relatively minor.

Might send him to camp though.
What kind of camp?

Oh, it's just a camp
up near Sand Lake.

Place where kids can get
rid of some pressure.

We get to know them,

they get to know
a little about us.

Oh, boy, that's terrific.

He burglarizes a store,
you send him to camp.

If he'd killed someone,
I suppose you'd give him

two weeks in Hawaii.

All yours, Webster.
Too thick in here for me.

What about it,
Mrs. Culpepper?

Can you have Mark
here Friday

to leave for camp
Friday morning?

He'll be here.
You can count on it.

Good. We'll see you then.
Around 10:00.

Uh, what about it,
Mark?

Uh, will we see you
Friday at 10?

She said so.

Ahem.
You didn't.

Friday around 10.

I'll be
here.

He will be here.

Good night, officer.

Webster, this camp,
you know,

we staff it with
police personnel.

Yes, sir, I've heard.

Mike Danko is signed up
for this weekend.

His wife is coming along
to make sure

everyone gets
their flu shots.

I was wondering if you
and your partner

might like to donate
some time this weekend.

I'd love to, lieutenant,

and I bet that
Willie would too.

I wasn't talking about Gillis,
Officer Webster.

I meant your new partner.

[♪♪♪]

Well, what about it,
Mr. Maxwell?

Is that everything
that was taken?

I'm not sure.

Give me another
minute.

You say you
caught him?

Another unit
did, sir.

Right outside
the back door.

Uh-huh. What's
his name?

Oh, we're not allowed
to tell you that, sir.

He's a juvenile.

The department has decided not
to seek petition for trial.

What?

After he stole
all these things?

GILLIS:
Mr. Maxwell, all

those things were recovered.

We would prefer to help him.
And sending him to jail

or reform school isn't
likely to do that.

Uh-huh.

DANKO:
Uh, what do you say?

Is that, uh, everything?

Let me check
with the bookkeeper.

He knows my inventory
better than I do.

I'll be
right back.

I don't get the feeling
he's on our side.

Yeah, me either.

Now, if we can get
that kid a life sentence,

he'd probably love us.
Yeah.

They didn't find
the record player.

The kid must have ditched it
before they put the arm on him.

[SIGHS]
And if we don't find out

where the kid
put the stuff,

we're in very big
trouble, Donald.

Maybe the cops took it.
They'll do that.

No, no.
Not this way.

It's the kid who knows
where the pills are.

Where is he now?

I don't know where he is.

I don't know who he is, but I
can tell you what he is, Donald.

He's the thing that
can get us killed.

I promised to deliver
that stuff Monday.

And if I don't deliver,
we're dead.

I'll find out who he is,
Mr. Maxwell.

[♪♪♪]

I wanna get him
just as much as you do.

Believe me.

Do you realize this is
the first time in almost a year

we've been able to get out
of town for a full weekend?

Too bad not
all of us get to go.

Well, somebody's gotta fight
crime in the city.

Thanks. Thanks for
the vote of confidence.

Besides, uh,
we don't get

extra pay for this,
you know.

Well, don't blame me. I voted
for the police-bond issue.

Not my fault it didn't
pass. Gillis!

BOY:
Excuse me, please.

Yes, sir. What can
we do for you?

Um, my name's
Dennis Palmer,

and I'm supposed
to go

to this camp
this weekend.

It looks like you didn't
get your bags loaded

with the rest of 'em.
No, sir, I didn't.

Well, there you go,
Mr. Palmer.

I think you can consider
your luggage loaded.

JILL:
Do you know how

to get to the bus, Dennis?

No, ma'am.

Well, you come on
with me then.

We'll get lost together.
We'll see you guys out there.

Oh. Willie...

don't forget
to water the plants.

You got it.

You know, that's
a big responsibility,

but I think I can
handle it.

Well, let's get
this thing going, huh?

Oh.

Hey. Uh,
uh-oh.

[GILLIS BLOWS RASPBERRY]

That's a bad omen, gentlemen.
If I were you, I'd stay home.

Well, you ain't us,
and we ain't staying.

The--

[♪♪♪]

DANKO:
That Palmer kid's

looking for trouble.

Oh, boy.

Tell you one thing.

This is no vacation
we're going on.

I reported here because
it still meant street duty.

Nobody talked about nursing
junior hoods at a summer camp.

You reported here
because you're a policeman.

The same reason
you'll go to the camp.

Oh, Eddie,
I'm no shrink.

I thought it was lieutenant
and an officer

between you and me.

Oh, Eddie. Eddie.

Now, we go back too far
for this to happen.

Come on, get me out of it.
I'm asking you as a favor.

Why?
Because I don't believe

in any of the stuff
they do up there.

And if I don't believe in it,
I won't be any good.

I won't be able to help those
kids. That's the whole point.

That's half the point.

And what's the other half?

Find out how many policemen
can be helped.

It's a two-way street.

All this because
I say that kid's lying

about someone else
being in the record shop.

Not really.

But I think you might be
interested to know

the lab says there may have been
two points of entry.

The back window
Culpepper broke,

plus evidence
the front door was jimmied.

That's what they think.
Not what I think.

Pack your bag.
Your bus leaves at 10.

And one more thing.
What?

Next time you put a fist
on my desk,

make sure there's a badge
in that fist.

[CLOSES DRAWER]

'Cause that's the only way
you will

get away with it next time.

[SLAMS DOOR]

ALL:
♪ I've got six pence ♪

♪ Jolly, jolly six pence ♪

♪ I've got six pence
To last me all my life ♪

♪ I've got two pence to spend
And two pence to lend ♪

♪ And two pence
To send home to my wife ♪

♪ Poor wife.
No cares have I ♪

[POLICE RADIO CHATTER]

[PHONE RINGING]

[♪♪♪]

[RINGING]

Hello.

I got the kid's name,
Mr. Pierce.

What is it?

Oh, no. No, no.

That's not our deal.

I give it to you over the phone,
you might not be good to me.

I know you want to be good
to me, don't you, Mr. Pierce?

My place. Eight o'clock
tonight.

See you then.

[ALL CHATTERING]

[SPEAKING INDISTINCTLY]

There you go.

Hey,
where you going?

Girls' cabin.

That's the way
they usually

do these things,
as I recall.

[CHUCKLES]
Yeah. Okay.

See you later.

[KIDS CHATTERING]

Oh, Ryker said
there'd be, uh...

sacrifices to
being a cop,

but he left
that one out.

[LAUGHS]
Well, don't let it

get you down.

I hear that we'll be
too busy to notice.

DANKO
Come on, guys.

Let's get right in here.

Whoa! Hey.
Ball one.

[ALL CHATTERING]

Ohh!

[KIDS YELLING]

Don't wanna scare you, but you
look like you're enjoying this.

Yeah, well, don't kid yourself.
I'm just here because--

Well...
[CHUCKLES]

All right, come on.
Let's go.

[CLAPS]
Whoo!

All right, come on.
Come on.

Let's get this one out.

Oh, that was
a strike.

Whoo!
[CLAPS]

Come on.
He can't hit it.

Okay, come on. Come on.

Oh, hey. Come on,
send it home.

Hey, hey, hey, hey, hey.
Home.

Run it home!

[KIDS YELLING]

Oh!

Run it home.

Home!

[CHEERING STOPS]

[♪♪♪]

Oh, I think
my curve ball's

seen better
days.

You'll come back, tiger.
I got faith in you.

Yeah?

Hey, Mike, what are we
gonna do about the stuff

we found in the kid's
suitcase, huh?

Didn't you
keep it?

No.

He just would've thought
we went through the luggage.

Wouldn't have
accomplished anything.

[SIGHS]

Doesn't look
the type, does he?

I mean,
I know there's no type,

but, um...

he doesn't look like
he'd be smoking grass.

Tell you what,
I'll let you know.

See you
in a minute.

He doesn't waste
much time, does he?

Hey, that was a nice hit, man.
Thanks.

Hi.

Hi.

How you doing?

Okay, I guess. Why?

Well, I--

I wanted to tell you,
your suitcase dropped

off the luggage rack
when we were loading it.

Popped open and...

we put everything back.

Everything?

That's what I said.

I just wanted you to know.

Hey. Thanks.

Yeah.

Uh, look,

I'd say you better get
yourself a new suitcase.

Either that or...

maybe not put
so much junk into it,

for your own sake.

Huh?

[♪♪♪]

How's the foot?

It's all right.
I'm fine.

I'm glad it happened.

How do you mean?

Ah, keep me out of those
dippy singsongs and...

modeling clay and kickball,

and...all that tough stuff,
you know?

Is, uh-- Is that what
a cop's about?

Being tough?

I got that little
punk back, didn't I?

Yeah. Yeah, yeah,
you got him back.

Nice throw.

I don't know
what he, uh...

feels about us,
but...

nice throw.

Oh, I already know
what he feels about me.

Traitor to the race.

Just like you feel.

No, that's not
how I feel.

Oh, come on. Don't
give me that, Webster.

They all feel
that way about me.

They had me transferred

because I was tougher
and came down harder on them

than any
white cop ever did.

And if I hadn't, heh,

they'd have booted my can
into the swamp and said,

"See? See? Black guy
can't cut it."

And that would have closed
the door on you...

and every other black cop
that's come along since me.

One question.
Uh-huh?

You say, tougher...

on "them."

Came down harder on "them."
Who is "them"?

People who live there.

Mostly black, right?
Uh-huh.

Brothers, right?

Uh-huh.

Well, tell me,
Officer Taylor...

what did we gain...

by a black cop

who comes down harder
and is tougher

than any white cop around.

What did we gain?

[♪♪♪]

Mm.

What did we gain?

We gained a black cop
like you, Webster.

That's what we gained.

And it took a guy
like me to do it.

[KNOCKING ON DOOR]

[KNOCKING ON DOOR]

Donald?

Donald, there's
no other way.

Mr. Pierce.
Come on in.

Okay.

Where is it?

PIERCE:
What's the kid's name?

Where is he?

JANITOR:
Well, his name I know.

But all it said in
the booking officer's report

was...that he was under
the Juvenile Authority.

And that stuff
is downtown.

But his name
is Mark Culpepper.

Cul-- Culpepper.

Culpepper.

Okay?

You wait here.
I'll get the stuff.

Hi.

Your, uh-- Your boyfriend...

sure wants to get ahold
of that kid pretty badly.

[CHUCKLES]

What's the matter,
he got something on you?

No, they're just
old friends.

Donald just wants to
reminisce with him.

[LAUGHING]
Oh, yeah.

Sure.

Say...you sick?

You got a cold?

No.

It's just that sometimes
I get...

really faint

at the sight of blood.

[CHUCKLES]

[CHUCKLES]

[CLICKS ON]

[FUNK MUSIC
PLAYING]

[GRUNTING]

[GROANING]

[BODY HITS FLOOR]

You feel all right?

Yeah.

Yeah, I feel fine.

I don't feel faint at all.
Not one little bit.

[♪♪♪]

[MOUTHING WORDS]

Gillis, you and Danko questioned
the owner of that record store

that got busted into,
didn't you?

Yes, sir.
Anything out of line?

Well, didn't
seem to be.

Owner wasn't happy about
not preferring charges

against Culpepper,
but no big deal about it.

Well, it still
doesn't fit.

The lab says the jimmy marks
on the front door

were made from
the inside.

Well, what do
you make of that?

Beats me. But that place
is starting to develop

a reputation as being
a meeting place for users.

Meet me here at 8:00
in the morning. We'll stop by,

we'll talk to that man again.
Okay.

Um, lieutenant,
I'm on duty here till 4.

All right. Make it--
Make it, uh, 8:15.

WOMAN:
Pardon me.

Are you, uh,
Mrs. Culpepper?

Uh. I most assuredly am.

I'm Miss Hubbard,
Mrs. Culpepper.

I work for
the Youth Authority.

I'm really sorry to
trouble you so late,

but I need some information
on your son, Mark.

Do you think
you could...

help me?

Miss Hubbard,
I'll be glad to help you

do anything
to help my boy.

Oh, won't you
come in, please.

Yes.

[♪♪♪]

DANKO:
Hey, hey.

[YELLING]

BOY:
Over. Over.

Oh, get it.
Oh.

DANKO: Oh.

Get it.
Hey!

Good, good, good.
Hey.

[ALL CHATTERING]

[ALL CHEERING]

Hi, Dennis.

You wanna take
some movies for me?

I don't know how
to work one of those.

That doesn't make a difference.
I don't know how either. Look.

Look right
through here.

Point it at Mike,
okay.

Okay, push this button.
Okay. Rotate. Come on.

Now I'll zoom in.
Michael!

Hey, how you doing,
Dennis?

Okay?
Yeah. Uh.

[CHUCKLES]

[♪♪♪]

JILL:
Mike.

Wait up.

DANKO:
How you doing?

DENNIS:
Do you think...

when we get
back to town...

you and me could
get together sometimes?

Well, throw
the ball around.

Stuff like that?

I suppose so.

Maybe what you
ought to do

is join one of
those leagues there.

Ought to be plenty of 'em
around there where you live.

Yeah.

I guess
there are.

It's...not just
throwing the ball around.

Having someone
to talk to.

A guy, I mean.
Guy older than me.

Yeah, I think I can
squeeze some time out

to throw the ball around
with you, Dennis.

Wait.
You stay there.

I'll take your picture.
Okay.

Uh, how's this?
[JILL SPEAKS INDISTINCTLY]

Yeah.

JILL:
Woo-hoo.

Yeah.
Is my horse smiling?

Well, you can move around.
Isn't that a moving picture?

Oh, hey.
[CHUCKLES]

Oh, hi.

Hi.

We got ourselves
a little lost.

Can you help us out?
Yeah.

Highway's back
same way you came.

About a quarter of a mile or so.

Is there anything
interesting up that way?

Oh, I'm sorry,
that's private property.

That's operated
by the police department.

Oh, you mean
there's a--

A prison or
something up there?

Uh, no, it's a--
It's a camp for kids.

They come on the weekends, get
a little fresh air and exercise.

That's all there is to it.

Oh, well, if it's
just for the weekend,

we could go up through there
after Sunday then.

Yeah, I guess so. Uh...

We'll be gone. I don't suppose
anybody would mind.

PIERCE:
Well, thank you

very much.

Have a good weekend
with the kids.

Okay.
Guess they got you outnumbered?

Yeah, about
ten to one.

That's why we can
only do it on the weekend.

Thank you.
So long.

Take care.
You bet.

Okay, buddy.

Let's see if we can
get that guy

from the police lab to develop
that brilliant film of yours.

You called me "buddy."

Are we buddies?

Sure.
One plus one?

You got it.
One plus one.

Come on. Hey.

[♪♪♪]

RYKER:
No, Gillis,

he was telling the truth.

I'd stake
my life on it.

How could he tell us the truth,
when he didn't tell us anything.

He didn't say
anything to us out loud,

but the look on his face
when I told him

the door was jimmied
from the inside,

that's what you call
a real loud look.

Excuse me, please.

Sgt. Ryker, uh,

may I speak
to you a minute, please?

Oh, Mrs. Culpepper.
Of course.

Sure. Come on in.
Have a seat.

Thank you.
Come on in.

What can I do
for you, ma'am?

Well, I don't know if I should
even be troubling you with this.

I mean, maybe I--

I-- I'm being silly.

Well, maybe so,
maybe not.

Let us be the judge
of that.

Well, last night,
when I got home,

there was a girl
waiting for me.

A Miss Hubbard. Said she worked
with the Youth Authority.

Maybe you know her.

No. But that
doesn't mean anything.

It's a pretty large department.

Well, she said she was there
to check on Mark,

and I told her Mark
wasn't home.

That he was
at the camp...

that you folks run up there
for the weekend.

Uh--

But she didn't seem
to know about it.

Maybe there was a slip-up.
She just never got the word.

Then there was
her eyes.

Ma'am. What
about her eyes?

Well...

I know young folks
don't do

like they did
when I was a girl...

but she had eyelashes on.

Fake eyelashes,
out to here.

Looked like two
upside-down rakes.

Now, does the city hire
those type of girls

to work with
the Youth Authority?

[♪♪♪]

Gillis, call
the Youth Authority.

Find out if they got
a female on the staff

by the name of Hubbard.
Yes, sir.

WOMAN:
All right now.

There it is.

What's on fire?

[ALL SPEAKING]

BOY: It's a train.
DANKO: Stables.

Now, how does this...

connect with the fire?

[ALL SPEAKING INDISTINCTLY]

BOY:
Probably a pawn shop

or something like that.

Something that
went up in the riot.

Rebellion.

Any ideas over here?

Most likely what
the kid said.

Riot.

DANKO: Uh, no.

What do you think
it was?

Well, uh,
I don't know.

Maybe you don't
want me to say.

I-- I mean, I know
what it is. I was there.

TEACHER:
No, go ahead.

DANKO:
Okay, that's a block party.

That's the opening of the park
over on Winston.

That is precisely
what it was.

And what you've done,

all of you--
well, most of you

--is assume that because
young people

and police were involved,
that that had to mean trouble.

WEBSTER:
Uh, Miss Reynolds.

You've stacked it, haven't you?

I mean...

you show them the fire...

and...what are
they expected to believe?

To think?

What are we
supposed to think?

Well, it's not a question
of what's expected.

See, all we're
trying to do...

is to try to get past
some stereotypes,

all of us...

and open a few doors
to what's inside.

And one of those
stereotypes

is...that youngsters

need to go to bed by 9:00.

That's not true.

But adults do.
[LAUGHTER]

So all right,

everybody up the hill
to the camp.

[GROANS]

Mark.
What?

[PEOPLE CHATTERING]

[♪♪♪]

JILL:
What about the fire?

DANKO:
Well, the caretaker will

put it out.

[HORSE NEIGHS]

See you tomorrow, Blaze.

It's all mumbo jumbo,
Webster.

Won't change anything
or anyone.

Yeah, well, I bet you
that kid back there--

WEBSTER:
Mark?

Mark?

Mark?

[WHIMPERING]

[♪♪♪]

Mark?

Mark. You
around here?

Mark.

Mark. Mark.

Mark.

Hey-- All right, what are you
doing? Trying to run away? Huh?

I saw the man who was
in the record store.

Come on, son. Don't you never
get tired of lying?

Now, listen here.
I spent 20 years

trying to build this drugstore

into a place where people
like to do business,

and they don't like
you kids and your gangs

hanging around
out in front.

Well, where are we
supposed to go?

There's no place
in this stinking neighborhood

where we can have any fun.

And it's not
a gang.

I don't care what it is.

Just so long as it's not
in front of my store.

Oh, you don't want us
in front of your store,

but you don't mind
hustling pills

at the school now,
do you?

ALL:
Yeah.

Is that true, Linda?

Does he push
pills in school?

Well, I can't
say for sure,

but a lot of the kids
say that he does.

Well, have you ever considered
taking it to the police?

DENNIS:
Police wouldn't do nothing.

They're all on the take.

Oh, they are, huh?

Well, then, uh,

how come I still owe
on my car and my TV,

if all cops are on the take?

Well, I didn't mean you.
I meant--

TAYLOR:
Yeah, you meant him.

You meant all of us.

We're all no good, and we
all cheat and we all lie.

And that's how you read us.
And that's how we'll be.

WEBSTER:
How about how you read them.

I mean...

as far as
you're concerned...

they all lie.

They all cheat.

Mm. Maybe not
all of 'em.

Why didn't you believe
what Mark said?

You mean the man
in the woods with a gun?

Oh, come on, Webster.
You don't swallow that.

WEBSTER:
Yeah, but whether you

believe him or not,

at least you could have
investigated.

TAYLOR:
I did.

I looked around.
There was nobody there.

WEBSTER: The way you
looked around was...

Mike.

...like what you were
looking for didn't exist.

It didn't. The kid was
taking off, I tell you.

How do you know?

How do you think you'd feel
if you were Mark?

Suppose...

Suppose he was
telling the truth?

That there was some guy
in the woods.

And he comes to you,
a police officer.

You call him
a liar.

How do you think
that goes down?

Mike?
What?

The movies came back
from the police lab today.

I want you to see 'em.
I can't leave--

Hey, come on. Listen, listen.

There's something
wrong with 'em.

What?
What could be wrong?

Mike, look, just humor me,
okay, and look at 'em.

There's something in there
I think you should see.

Ah, forget it.
That's kid stuff.

It's for people
who...

have something
to learn.

And that's them.
And that's us.

I know all I need to know
about these kids.

But maybe you don't know
everything you need to know

about you, and that's the point.

I know I put in almost
20 years,

and I can tell when some
fuzzy-cheeked kid is lying.

Hey, man. I don't need this.

He wouldn't believe me if I told
him that grass was green.

The kind of grass
you know about ain't green!

Hey, Mark.

Mark!

You said I was supposed to
enter into the discussion.

I entered.

Okay,
stand closer

so you can
see better.

Oh, look, baby,
this is all nice, but--

Just watch.

Okay, right there.
Did you see it?

[STOPS PROJECTOR]

I saw the guy button
his coat, but I--

Wait a minute. Let me
run it backwards for you.

[CLICKS]

Okay. Now watch.

Okay. Right...

there.

He's got a gun.

[♪♪♪]

[TIRES SCREECHING]

Yeah, well, every time
the littlest thing goes wrong,

a cop starts
reaching for his gun.

That's 'cause nearly
a hundred of 'em

lost their lives in
the line of duty last year.

And that makes a man a little
bit twitchy, young lady.

Then why do we have to pay
the price of that?

No. you're not
paying the price.

The price was paid
by all those dead cops.

Webster, where is
Mark Culpepper?

I don't know,
lieutenant. He left.

He...could be
in his cabin.

Why? Is he wanted
for something heavier

than the record-shop
deal?

RYKER:
Looks like he's wanted,

but not by us.

Way things
are starting to fit,

looks like somebody's on their
way here to try to shut him up.

He said last night
that somebody

tried to get him
in the woods.

RYKER:
He said that?

Nobody did anything
about it?

Nobody tried to
find the man?

It's a man and a woman
we want, lieutenant.

Man and woman sounds like it,
according to what we've learned.

Now the only question is,
where is the boy?

[♪♪♪]

Mister...

I ain't gonna
tell anybody

I saw you
in the record store.

That's right, kid.
You sure ain't.

This way.

He's not in there.

Not here.
Haven't seen him.

All right, now
the three of you

know the terrain
around here.

Cover any path that looks
like a logical route

through the woods
to the highway.

We'll take the car,
we'll block the road. Go.

[♪♪♪]

Nothing.
Let's get in the car.

Mark?

Mark?

Mark?

You go that way.
I'll try up the hill.

[♪♪♪]

DANKO:
Mark?

[♪♪♪]

Police. Halt.

[GUNSHOT]

[GUNSHOT]
Police. Halt.

[GRUNTS]

Is he all right?

Yeah. He'll be all right.

[♪♪♪]

Good afternoon,
gentlemen.

Was I speeding?

MARK: This is the one.
WEBSTER: That's the one. Okay.

Why don't you take it with you?
Well, guess I better be going.

Guess you
better be going.

See you.

Mark?

Anybody meeting you?
Excuse me.

My mom's working.

I'll probably
take the bus.

Well, I'm, uh...

I'll be finished here in a few
minutes. If you want a ride,

I'll--
It's a long drive.

Longer bus drive.

JILL:
Bye-bye.

Bye.

Bye.
Bye.

Bye.

You got everything,
Dennis?

Yeah. Except...

[♪♪♪]

I gotta give you a present.
DANKO: Present?

Well, you didn't need
to do that, Dennis.

But it's a present
you can't keep.

Gotta promise
to throw it away.

[GASPS]

It's a good present, Dennis.

We appreciate that.

[SOBBING]

[DOOR CLOSES]

Little boy just came
running out of here crying.

How come?

Oh. Because, uh...

he's not a little boy anymore.

[♪♪♪]

[♪♪♪]