All language subtitles for The.Rookies.S01E08.Dirge.For.Sunday.1080p.WEB-DL.AAC2.0.H.264-BTN_track3_[eng]

[♪♪♪]

[SIRENS WAILING]

[HORN BLOWS]

[SIRENS WALING]

[HORN BLOWS]

[TIRES SCREECHING]

[♪♪♪]

Okay.

Hey. Over here.

Let me get
a shot of him.

What do you say?
Get him outta here.

We know he's in town.
Let me get a shot.

Danko, I want every pass issued
in the past week checked,

and I want it
checked again.

That's your responsibility
from here on out.

Yes, sir. Okay, come on.
Let's have the camera.

Come on.
Let's have the cameras.

There's still freedom of press
in this country.

Yeah, and there's still
a law against

people killing other people.

You print where Saul is,

there's gonna be somebody
trying to kill him.

Oh, come on, friend.
Let's not get hostile.

Let me get one good shot
of him.

Look, "friend,"
it's my job to make sure

nobody gets a shot of him
or at him.

Say "pig".

[♪♪♪]

Are you crazy?
I'm not going in there.

Now, look, the entire floor
has been cleared

from this end of the building.
No.

No, no.
You've got windows there.

They'll get me
through the windows.

No way, Mr. Saul. You're being
held in maximum security.

Come on, Saul. You're only gonna
be here for a couple of days.

That's all. Move it.
Come on.

[♪♪♪]

That man
is really frightened.

An organization
bookkeeper

who testifies against
the organization.

That's good reason
to be frightened.

Come on. You get the whole place
to yourself.

You can pace around
as much as you want.

What kind of a place
is this, anyway?

Well, it's better than what you
had in the big place, isn't it?

Yeah.

Yeah, anyplace
is better than that.

You want any magazines
or any kind of food?

I'll see if I can have it
sent in to you.

No, no. I--

Ever since I told them
I was willing to testify

in exchange for my release,

I haven't been able to eat,
sleep or do anything.

Let me know if you
change your mind.

Yeah.

[♪♪♪]

Nobody on this floor
unless they've been

searched and cleared.

I want a man
in the anteroom

at all times
watching Saul.

Is that clear?
Yes, sir.

Um, lieutenant?
What?

Have you any idea
why Saul decided to testify now?

Fifteen years in prison
and all of a sudden the switch.

How come?
He's dying, Gillis.

Doesn't want to die
behind the walls.

[♪♪♪]

To Mr. Saul,
with love.

[JAZZ MUSIC PLAYING]

Hi.

Anybody call?

No.
You expecting anybody?

Oh, old Ryker's gonna nail me
to the wall

if I don't check out
those passes.

[SIGHS]

Seems some yo-yo photographer
got into the compound today,

and almost blew
the whole thing.

The mayor had to call
the editor of the paper

to make sure
he'd kill the story, and--

So Ryker's now got me in charge
of who's been cleared,

who hasn't been cleared,
and why and why not.

Sergeant Tompkins, please.

How was your day?

Well--
Sergeant Tompkins?

Yeah.
This is Officer Danko.

I'm fine,
thank you.

Uh, Lieutenant Ryker
asked me to call you

in regards to a pass
you issued

to a David Fenner
to tour the prison facility.

Yeah. Well, it seems
we're gonna have to renege.

Happy birthday.

Yeah, well, I know it's
a little late in the day, but--

but that's the word.
Hey.

Happy birthday, Mike.

I'm on the phone.

Yeah. Okay.
Look, I'll be down there

tomorrow morning
around 10:00.

[MUSIC STOPS, RECORD SCRATCHES]

Yeah. Okay, fine.
Thank you.

What's the matter?

[♪♪♪]

I'm sorry.

We've been so involved
with Saul and--

That's no excuse.

But I am sorry.

I miss you, Mike.

I miss us.

What is that supposed to mean?

Well, it means that you've been
working 18 hours a day,

and I never see you.

When I do, I'm either going
to the hospital

or you're so tired
you can't see straight.

I know.

[RINGING]

Hello?

Yeah, he's here.

Mike, it's Lieutenant Ryker.

[DOOR CLOSES]

Yeah? Hello.

Danko, I got a call here
from Sergeant Tompkins

about denying a pass
to somebody named Fenner.

Tompkins says
that we ought to reconsider.

You know anything about this?

Just that he's

public relations,
and he doesn't like

to get anybody mad
at the department.

All right.
I'll see you in the morning,

and I'll explain the situation
to this Fenner guy.

Good deal.

Goodbye.

FENNER:
Now, look, I have permission.

I went through
all the right channels.

You cannot pull the rug out
from under me now.

I'm sorry, Mr. Fenner.
But circumstances won't permit-

What circumstances?
I'm not at liberty to say.

Look,
today's Sunday.

Maybe we can set it up later
in the week for you.

Later in the week
is no good.

Why not? What difference
will a couple of days make?

Look, I don't know
if you guys understand

how universities work
in this day and age,

but there is a saying.
You publish or you perish.

Now, unless I get this paper
on penology finished

in time to be published,
I will be out on my ear.

I've got
a whole timetable set up.

I've got to go to Utah
and tour a prison there.

I've gotta go to New Hampshire.

I cannot wait
till later in the week.

RYKER:
No, Mr. Fenner, I'm sorry.

That's it.
You're sorry?

Well, that's terrific.
A fat lot of good that does me.

You're always doing numbers
on the great new things

you're doing here
in the police department.

I tell you one thing
hasn't changed.

You're still up to your tails
in red tape.

[CHUCKLES]
He's right.

Look, I-I'm sure
you've got your reasons.

But, you see,
I've worked such a long time

to set this all up, and--

Isn't there something
you could do?

No, Mr. Fenner.
There's no way.

I'm still sorry
and it's still final.

Well, you're in charge.

Except, lieutenant, uh...

Well, there is a favor
you could do me.

What's that?

Well, you see...

I'm afraid I have been doing
a little bragging

with a few people
up at the university, and,

well, the head of the department
is flying in here today

to, uh, meet with me.

It would be a great help if,
well,

one of you guys
could be there to explain

why the tour has been canceled.

He's arriving by charter plane
in an hour and--

Well, it would be a great favor,
lieutenant.

All right, Danko.
Drive him out.

Well, hey, thank you.

Okay.

Uh, where in Utah
are you going?

That's my part of the country.
I don't know yet.

You don't know?

I--
Oh, I-I thought you said

you had this big itinerary
all set up.

Oh. Oh, you see, this guy, he
is meeting me in Salt Lake City.

And then the prison,
I don't know,

it's way out
in the country somewhere.

That would be the county.

That would only be about
15 miles outside of town.

Oh-- Look. I think this is the,
uh, the charter service.

Okay.

Yeah, you'll like it up there.
That's pretty country.

I look forward to it.

Oh, look, that's the gate,
I believe.

Oh, okay.

[AIRPLANE FLYING OVERHEAD]

Hi.

I got a guy here who's supposed
to meet an incoming passenger.

You wanna let us in, please?

Okay. Thank you.

[♪♪♪]

Throw the gun on the seat
with your left hand.

Very slow.

Like the Westerns say.

Now the belt.
Just as slow.

Now, I wouldn't take anything
away from you

without giving you something
to replace it with.

So, uh, here.

Put this on.

Go on.

Catch.

Now, this gizmo in my hand

is a microwave transmitter.

That little thing
on the front of your belt,

is the receiver.

The other stuff
is plastic explosive.

Now, I want you
to understand

that when I press this button,

nothing is gonna happen to you.

It's when I take my finger off
that the explosives go.

So if you try to knock me out,

or shoot me or anything,

you will be in so many pieces,

they will have to pick you up
with a straw,

and carry you home
in an air-sickness bag.

Do you hear me,
Officer Danko?

Yeah, I hear you.

Fine.

Get in. Let's go.

Drive straight
to that hangar.

Slowly.

Okay, now stop.

Get out slowly.

Hey, officer, I don't wanna
be hard to get along with,

but you can't park this thing

in the middle of a hangar
like that.

I say he can.

And I will take it most kindly
if you would line up over there.

Come on.
You two guys, come on.

Do what he says.
He means business.

FENNER:
Follow him.

Come on.

You two, come on.
Over here.

Drop those tools.

You. Handcuff him.

Hands behind the back.

FENNER:
Any one of you a pilot?

Nope,
they're all mechanics.

We service these birds.
We don't fly 'em.

Very well.
You are now all expendable.

But there are more of you
than I have time to expend.

So, uh...

Get in there.

Come along. Briskly.

Move, you slab-sided cretins.

Move.

Now close that door.

[♪♪♪]

And now, Officer Danko,
I would like you to give me

one of those radio code numbers
that you use.

Which one?

The one that means
officer needs help.

'Cause you do.

Fantastic.

Exactly what, my good man,
is the secret of this dish?

Well, my good man,
I will tell you.

Fresh mushrooms,
green peppers,

and half a cup of stale beer.

Oh. Well, let me assure you,
that secret is safe with me.

[JILL LAUGHS]

You two are chipper
this morning.

Well, you spend eight hours
in that jail,

you'll be amazed
at how good it feels to be out.

Hmm.
Yeah. It's pretty bad, huh?

I forget who it was who said:

"Stone walls
do not a prison make."

Well, I guarantee that it'll do
till something else comes along.

Richard Lovelace.
Lovelace? Oh.

[PHONE RINGING]
Oh, I'll get that.

Why don't you
get the phone?

Okay.

Hello?

Gillis, this is Ryker.
Get in here. We got troubles.

Well, what is it, lieutenant?

Somebody's taken Danko hostage.

They're holding him
until we turn over Saul.

The rest is complicated.
You get it when you get here.

So move it, will ya?

Lieutenant?
What?

Um...

Jill is here with us right now.

What do we tell her?

Tell her what I just told you.

And bring her in here with you.

Yes, sir.

WEBSTER:
So here we are,

it's on the last part

of this obstacle course,

and Ryker's up in this tower

where he can look out
over everyone, right?

Now, my shoe decides
it's falling off,

and I don't know what to do.
He spots me.

He starts yelling at me,

"Webster,
What's the matter?

"why you slowing up?
Move it. Move it." So--

Jill, that was Lieutenant Ryker
on the phone,

and he wants you to come with us

down to the precinct right away.

What for?

Somebody's taken Mike hostage.

They're holding him
in exchange for Saul.

I'm still waiting, boys.
What do you got in mind?

RYKER:
Put Officer Danko on.

Oh, no.

No, you guys know all those
10-10 things.

You know, I mean,
you might even

start talking a deal
while I'm listening.

And that wouldn't be polite.

Or wise.

How do we know
he's still alive?

Well, why don't you
come out here and see?

He's standing right here.

Oh, and when you come, uh,

bring a pilot who's checked out
on twin-engine jets.

And four parachutes.

Uh, got it?

I hear you.

Good.

Now, this is going to be
my last transmission,

because there's no good
talking anymore

until you're here
with what I want.

So, um, hasta la vista.

Fenner, listen to me. Fenner?

[INDISTINCT CHATTER]

Well, here we are.

You're wasting your time.
They won't bargain with you.

No, it's you

they're bargaining with.

Your life.

Even if they do bring
Saul out here,

they'll track that airplane,
follow those chutes down.

Well, let me put it this way.

Right now, I like my chances
a great deal better

than I like yours.

Yes. Everything he says
is theoretically possible.

No question of that.

So no sharpshooters,
nothing like that. That's out?

I'd say so.

By reversing the action
of the switch,

he's definitely
protected himself

against any physical assault.

If the transmitter is real,
I mean.

Is there any way we can tell
if it is real?

If I could see
what it looks like.

We get a chopper up
with a photographer.

If they get a good close shot
of that transmitter,

can you tell if it's real?
Possibly.

I could probably tell you
if it was a bad imitation.

But about all the picture
would tell me

is the frequency
of the transmitter

from the length of the antenna.

Is that any use to us?

I don't see how.

Now, look, Parks,
you're the expert.

You're supposed to know
all about this.

Now, help us, will ya?

What would you do
if you were in charge?

I'd turn over Mr. Saul,
lieutenant.

Lieutenant?

[PHONE RINGING]

Mrs. Danko,
why don't you wait in my office.

We're still trying to get
all the facts on this.

As soon as I know
the exact situation,

I'll be in
and I'll let you know.

Oh, lieutenant, is there any way
that I could talk to Mike?

RYKER:
I'm afraid not.

Jill, uh,
let's go get some coffee, okay?

See you
in a few minutes.

[♪♪♪]

[HELICOPTER BLADES WHIRRING]

Move.

[♪♪♪]

You're putting everybody
in jeopardy.

[SPEAKING INDISTINCTLY]

RYKER: Oh, no.
Sir--

[PHONE RINGING]

Fenner's intelligent.
He's trapped out there

long as we don't give him
a means of escape.

We can assume that--
We can't assume anything.

Fenner's in too deep
to back out.

Webster, when you took the oath
to become a policeman,

you made certain commitments.

And one of them
wasn't assuming things

when someone else's life
was on the line.

GILLIS:
Lieutenant,

we want to go out there.

Gillis, there's nothing that can
be accomplished out there.

We've already
sealed off the airport.

And I can assure you, we're not
gonna do anything out there

we haven't already decided
here first.

Sir, we are not gonna let Mike
get killed for no reason.

But there is a reason.
Saul.

He may be scum,
but that doesn't matter.

We are sworn to protect
everyone, including Saul.

Well, that's great
for textbooks.

But the day I have to stand by
and see Mike die

for some syndicate bookkeeper,
that's when I stop playing cop.

No, sir.
You don't stop playing cop.

You stop playing God.

Nobody gets condemned
around here without a trial.

You mean like the trial
Mike had, lieutenant?

Is that the way it is?

Gentlemen,
this is Officer Danko's wife.

Who still doesn't have an answer
to her question.

Well,
if I may rephrase the question.

Does a police officer
always get a fair shake?

Well, the answer is no,
Mrs. Danko. It always has been.

[INTERCOM BUZZES]

RYKER:
Yeah?

OFFICER:
Commissioner Reilly for you,

lieutenant, on Line 3.

Yes, sir.

Yes, sir.
I thought so too.

Yes, sir. Thank you.

The commissioner has just left
the mayor's office.

He is sorry, but there will be
no negotiating.

No pilot, no parachutes,
no nothing.

We'll do everything we can
to free Officer Danko.

But we will not negotiate
on Fenner's terms.

[♪♪♪]

May I ask a favor then,
lieutenant?

Of course.

Would it be possible
for you to arrange

for me to talk to Mr. Saul?

Mrs. Danko?
Uh-huh.

Uh, afraid you're gonna have
to leave your purse here, ma'am.

If you'll, uh,
follow me, please.

[MAN SOBBING]

Hi, baby.
Hey, fellows, look.

Where you going, baby?

Hey, what you in for?

This is Mrs. Danko.

The matron
searched her downstairs.

Thanks.
Good luck.

Right this way.
Sorry about Mike, Mrs. Danko.

Lieutenant Ryker'll
get him out.

Yeah. I'm sure he will.

Mrs. Danko.

Who are you?
What do you want?

I'm Jill Danko, Mr. Saul.

I got nothin' to say to you.

Leave me alone.

Mr. Saul, my husband--

Lady,

they told me
about your husband.

And I'm sorry
about your husband.

But I'm sorry for myself.

So leave me alone.

Look,
he's a nice-looking man.

A nice guy and all that.

But don't you see?

If I go down to that airport
they're gonna kill me.

I know too much.

Don't you
understand that?

Mr. Saul,
I came here to tell you

that I love my husband
very much.

And to ask you
to help me keep him alive.

And get killed myself?

No.
Look, I'm sure the police

can work out
some sort of a plan.

Look,
you're not sure of anything.

You're asking me to trade
my life to save your husband's.

Isn't that the truth?

Yes, it's true.

I'd trade your life for his,

because I'd trade my life
for his.

Because I love him that much.

And you probably don't know
what it means

to love anybody that much.

Or to be loved
that much.

What the hell kind of thing
is that to say?

Of course I loved.

And there are plenty of people
that loved me.

That's past tense.

Look,
I spent 15 years in prison.

Fifteen!

My son got killed in the Army.
My wife died.

You know what
that does to you?

No.

But I'll know by tomorrow
unless you help me help him.

Look, I got three,
four months to live.

That's it. Period.

You're asking me to trade
that for three or four hours?

Well, that's crazy.
And I'm not crazy.

Now get outta here.

Get out of here, I said!

Get out!

Guard.

Get her out of here.

Get out.

Hold it.

Here's your picture.

Yeah, well,
you keep it.

[♪♪♪]

MAN:
You all come back

and see us, now, you hear?

[INDISTINCT CHATTER]

MAN 1:
He's gonna die.

I'll be seein' ya.

MAN 2:
Hey, you brightened up my day

to beat the band.

Your husband's gonna die.

[MEN LAUGHING]

[WHISTLING, YELLING]

Guard.

Open this, please. Open it.

[WHIRRING]

Well,
the transmitter looks real.

The film doesn't show
very much detail, of course.

But I'd hazard to say
it's not a dummy.

Antenna tell you anything?

From its length,

I'd say it's operating
in the area of 1700.

The standard kind of range.

Is there, uh, any way of putting
it out of commission?

None that I've ever heard of.

[INTERCOM BUZZES]

Yeah?

MAN:
Lieutenant,

we've got Fenner on Line 2.

Put it through.

Hello?

I haven't heard from you,
lieutenant.

And I'm getting lonely
out here.

FENNER:
I don't like that.

Now, I want to see a pilot.

A pilot and Saul, remember?

We don't know if Danko is still
alive, since you moved inside.

Let me talk to him.

The guy at the precinct
wants to talk to you.

And you've got five seconds.
Five.

No 10-10s,
no code numbers.

Nothing.
Okay, you follow?

Yeah.

Okay, I'm putting him on.

Now, you've got five seconds.

Mike, how's he treating you?

Is this transmitter
and bomb thing for real?

Yeah, it's real, all right.

He's making this a home
away from home, lieutenant.

Just a home away from home.

FENNER:
All right.

Now,
here's how I'm treating you.

Unless all my demands
are met within one hour,

he is going to be a statistic.

I told you
they wouldn't make a deal.

Oh, they're bluffing.

They can't let it get down
to the wire.

They can't.

All right,
all of you draw riot gear.

We've got one hour to deploy
around that hangar.

Uh, listen.

Yes, sir. What is it?

Um, I was wondering,
does anyone know

if Officer Danko
has had any experience

with electronic procedures
or devices?

Well, he had a long hitch
in the Air Force.

Missile-silo technician.

RYKER:
What is it, Parks?

We don't have time to waste.

PARKS:
You know, there's a chance

that it just might work.

I don't know what you're talking
about. What might work?

Home away from home.

[♪♪♪]

Don't you say a word.

Officer Danko, hmm.

You must not be
a very good cop.

How do you figure?

Well, you're 31, 32 years old.

You're still a patrolman.

Why would any guy
ever want to be a cop?

Why would anyone want to be
what you were?

Oh.

Well,
I happen to be one of the best

in the world at what I do.

A paid killer?

Well, I prefer to think
of myself as a--

Well, a kind of surgeon.

Removing troublesome growths

before they become
too troublesome

for the people
who employ me.

Still a paid killer.

So, what are you?

I mean, if you shoot some
pathetic little creature

for stealing a loaf of bread,
they still send you your check

at the end of the month,
don't they?

Yeah.

You would kill,
if the conditions were right.

I would.

And as far as you're concerned,

the conditions could get right
pretty quick.

[♪♪♪]

All right, let's show him
what we're talking about.

I know what
you're talking about.

You're talking about turning
me over to save that cop.

RYKER:
No. I'm talking about

saving both of you.

And we only have
about 30 minutes to do it.

So you just shut up and listen.
Go ahead.

PARKS:
Mr. Saul, you and I will arrive

at the hangar by helicopter.

Now, where I'm pointing

indicates where we'll be
when the chopper lands.

We walk from here
to this twin jet.

And you wait at the bottom
of those steps.

I'll be dressed
to look like the pilot,

and I'll go
into the plane.

Look, no ambush is gonna work.

GILLIS:
Mr. Saul, it's not

gonna be an ambush.

Mr. Parks here will have
this instrument with him.

Which is a panoramic
indicator.

Now, it is designed to tell us
exactly what frequency

the microwave transmitter
is broadcasting on.

What does that accomplish?

Once we have the frequency,
the exact frequency,

we can use a more powerful unit
on the same frequency.

You mean, like, jamming it?
PARKS: No.

You see, the strongest signal
will capture the receiver.

Now, hopefully,
that means that it won't respond

to Fenner's transmitter.
Only to ours.

Hopefully? But you're not sure.

PARKS:
We can't be sure.

But it's theoretically sound.

Whose idea was this,
anyway, huh?

Officer Danko's.

Home away from home.

Take the signal away
from Fenner,

and replace it
with a more powerful one.

If-- If I go along with this,

and it didn't work,

how far away would I be
when the bomb goes off?

GILLIS:
Well, sir...

the closer that Officer Danko
can get to that plane,

the better chance
we'll have of getting

a precise reading
on the frequency.

[♪♪♪]

What's your first name?

Jill.

You a good cook, Jill?

Oh, well,
I'm pretty good, I guess.

What's your best dish?

Uh, well, I--
I make a kind of a...

chicken-and-rice dish
Mike likes.

Sounds good.

How would you like to make it
for me and your husband tonight?

Okay?

Let's put this show on the road.

[♪♪♪]

[HELICOPTER BLADES WHIRRING]

[♪♪♪]

Wouldn't make a deal, eh?
Is that what you said?

Well, take a look, friend.

They're dealing.

Okay, we're in position.

Good.

[♪♪♪]

Here they come.

I'm getting a reading.

Seventeen.

Seventeen.

No, it's more than that.
Seventeen...

Hold it.

Seventeen-one-three.

PARKS:
No.

Move.

Saul's in the way.

[WHISPERING]:
Saul, move.

Saul, move.

No.
Drop it.

Any more of those guys
around here?

If you're trying
to set me up,

you are going to be a dead man,
right here and now.

The sniper's not for you,
Fenner.

They're for me,
to see that I don't get away.

Move.

Seventeen-one-five.

Seventeen-one-five.

One-seven, one-five.

Are you locked in?

Locked in.

Mike.

We've captured the frequency.

Don't think the receiver
will work.

[♪♪♪]

RYKER:
Okay, boys.

Well, I still think
it would have been nicer

at our apartment.

Nicer, yes.
Legal, no.

Mr. Saul is still in custody
until he testifies.

Had enough trouble
getting him into the precinct

for three hours,
let alone to your place.

Well, your efforts are very much
appreciated, lieutenant.

SAUL:
All right.

All right, huh?
Let's eat, huh?

You can't taste food right
unless you concentrate on it.

You wanna know the truth?

Hmm.

This is not so hot.

It's not?
You're kidding.

We eat this stuff all the time.
I think it's terrific.

Well, it's terrific for you,
but for me it stinks.

At least
I'm honest about it.

You're not kidding, are you?
You really don't like it.

Listen, fella,
when you get to be my age,

you can say what you think.
And that's just what I did.

And I'm gonna do
the same thing.

Mr. Saul,
do you remember when we talked?

And you talked about people
who had loved you?

Yeah.

You don't have to use
past tense anymore.

[♪♪♪]

You know something?

This stuff
kind of grows on you.

[SAUL CHUCKLES]

It's not so good.

But it ain't bad either, huh?

[♪♪♪]