All language subtitles for The.Rookies.S01E07.The.Bear.That.Didnt.Get.Up.1080p.WEB-DL.AAC2.0.H.264-BTN_track3_[eng]

[♪♪♪]

[SIRENS WAILING]

[♪♪♪]

WOMAN:
I don't believe it.

After we just finished
paying for it.

I don't believe it.

[WOMAN SIGHS]

Uh, Mrs. Felker, do you feel up
to telling me what happened?

What happened?

You wanna know what happened?

He came in crazy. That's all.

He came in, he started yelling

and then he kicked
the television set in!

He's crazy, that's all.

Um, wh-what was he yelling?

Who knows
what a crazy man yells?

MAN:
I was yelling

that any man
who wears pants that tight

is not fit entertainment
in my living room!

Oh, there's something sick
about a guy's wife sittin'

with the lights out
watchin' that.

Come on, Mr. Felker.
Don't let her get my hat.

You see?
He's crazy. That's all.

Well, I don't know
about that, Mrs. Felker.

He's had a few beers too many,
I'll grant you that, but...

Well, I'm sure
that by tomorrow morning--

Tomorrow morning.

What do you know about anything?

Now look at you.

You're a baby.

A baby telling me
about life.

How could you know anything
about life? How?

[GULPS]

I read a lot.

I still don't see
how that's a crime.

I own that dumb TV set,
don't I?

Your wife owns half of it,
Mr. Felker.

Well, I kicked in my half, okay?

[LAUGHS]
No, not okay.

Look, just one more
down the drain

and then I want your word
that you and your wife

will contact
the family-counseling service

first thing in the morning,
all right?

Yeah, yeah.

Sure don't make cops
like they used to.

Terry,
Mrs. Felker's okay.

She's with the neighbor
across the street.

A-- Hey, w-we gotta roll
right away.

Something come in?

Watchman at the university
called a breaking and entering

You get in touch
with the counseling service

first thing in the morning.

First thing
in the morning.

Mr. Felker, every drop.

Yeah, anything you say.

Talk about invasion of privacy.

[♪♪♪]

[CHATTER ON POLICE RADIO]

Where you been?

I called in 10 minutes ago.

Well, we rolled as soon
as we got the call, sir.

I pay your salary,
you know that?

And I pay
yours too, sir.

Yeah. What?

Well, you work
for a tax-supported institution.

I pay taxes. So part of my money
must go for your salary, right?

[SNIFFS]

You called in
a breaking and entering.

Oh, yeah. Oh, well, you see,
three kids broke in

the main gate down front.
GILLIS: Yeah.

I come right up here
and called you.

Uh, you say "kids."
What do you mean?

Ten? Twelve? Wha--?

No, no.

Nineteen. Twenty, probably.

You know, kids.

Webster, Gillis,
what do you got?

Says three kids broke in
through the main gate.

Oh?

Was there a lock
on the gate?

Well, there was,
but there's not now.

Well, they must be
around here someplace.

Let's see what the darlings
are up to.

Hey, we don't know
what they're doin'.

Could be a prank.
Nothing more than that.

That's right, Danko,
and if it is we'll give 'em

a pat on the behind
and send 'em home.

If it isn't,
we'll be ready for that too.

You two take a look
at that building over there.

We'll check on this side.

WATCHMAN:
You know somethin'?

Kids today.
Not like they were in my day.

Yeah, we, uh--
We know what you mean.

Yeah.

[♪♪♪]

I'll check
down this way.

Okay.

Later.

Yeah.

[♪♪♪]

[CRASHING]

Terry, over here.

Police. Hold it.

[FOOTSTEPS RECEDING]

You okay?

Yeah.

Oh.

Oh.

Oh.

We need an ambulance.

Tell County
we've got a gunshot coming in.

I'll call it in.

[MAN GROANING]

Willie, what happened?

Um,

I-I don't know.

I-- I came up the stairs.

Everything exploded.

Uh, he s-- He started shooting.

I just shot back.

No, no, no, no, no, man.

He wasn't shooting at you,
Willie.

He had a-- A camera
and a bunch of flashbulbs.

Some of them must
have gone off, but...

He didn't have a gun.

[♪♪♪]

I-I wanna go to the hospital
with him, okay?

No way.

But I-I should be with him.

Now, get outta here, Gillis.
Go on home.

That's an order.
Come on now, move it.

No, thanks.

Ryker says we're supposed
to head for the barn.

We is home, James.

Yeah, we is.

We got any beer?

I don't think so.
Do you want me to get some?

No, not really.

What I could use is just
a few minutes alone, you know.

I'll be at Mike and Jill's.
Call me if you need me, hm.

Okay. Thanks.

[♪♪♪]

[LINE RINGING]

Uh, yes, uh,
I-I'd like to inquire

about a patient who was admitted
early this morning for a--

A gunshot wound.

His name? I--

[GULPS]

I don't even know his--
His name.

[LINE HANGS UP, DIAL TONE]

Yeah, I don't know.

There's...not much you can do.

It's just somethin' Willie's
gotta handle for himself.

All the way home I kept trying
to think of something to say.

Anything just to break
the silence.

But everything I thought of
sort of sounded like

a bad version
of the Late Show Sermonette.

Yeah, I know what you mean.

Once in the service

I had to fill in for a guy
who was sick.

[EXHALES]
It was the worst duty

I pulled in 10 years.

Escorting a body back
for burial.

The chaplain said
stay close to the family.

Be there when they
reach out because...

Eventually, he said,
they all do reach out.

Maybe so will Willie.

[RINGING]

Hello.

Willie,
this is Lieutenant Ryker.

I'm sorry to bother you,

but I'm gonna need you
down at the hospital here.

The man you shot looks as if
he's regaining consciousness,

and I'm gonna need you
to make a positive ID

before we start
questioning him.

Okay. I'm on my way.

And, uh, Willie...
use the rear entrance.

Jill is on duty.
She'll meet you downstairs

and bring you up
in the supply elevator.

Wh--? Uh, why the back way,
the elevator and all that?

There are a lot of reporters
down here, Willie.

Uh, lieutenant?

How abou--?
How about the guy I shot?

H-how is he?

They have him listed
as critical.

I'm on my way.

[PA BEEPS]

MAN [OVER PA]:
Dr. Adams, report to Emergency.

His blood pressure's
up a little bit.

Well, that's good,
isn't it?

Yup, it's good.

[POPPING]

[POPPING]

Why don't you wait in there?
I'll go see if he's awake yet.

Okay, thank you.

[WOMAN SOBBING]

[WOMAN SNIFFS]

WOMAN:
I shouldn't be doing this.

It's not helping David,
my crying.

He's a strong boy.
He'll be fine.

But that one doctor
said the bullet was...

MAN:
He also said David

was young and strong.

Now those are facts
on his side.

I'll tell you one thing,
though.

I'm not going
to let them sweep this

under the rug
the way they always do.

They pin a badge
on some psychotic

and hand him a gun.

[WOMAN SNIFFLES]

[DOOR OPENS]

He's awake.
Which room?

Down the hall.
Second door on the right.

Lieutenant Ryker's there.

Oh, nurse,

I'm Mr. Palmer.

Do you know
if my son's awake yet?

Um, yes, he is,
Mr. Palmer.

Dr. Litchfield said the police
can talk to him for a minute.

Well, not without me,
they don't.

Nan, you wait here.

[PA BEEPS]

MAN [OVER PA]:
Dr. Jeffers to Administration,

please.

They're only giving us a minute,
Willie, so all I want you to do

is verify your identification
of this man

as the one you chased
out at the university,

then I want you to step aside,
let the detectives take over.

You understand?

Yeah.

[DOOR CLOSES]

[PUMP WHOOSHING]

MAN [OVER PA]:
Dr. Kornfeld, please report

to X-ray.

I want to see my boy.

Mr. Palmer,
you can't go in there.

There's a lawyer present
to protect your son's--

Look, lieutenant,
I'm going in there with you,

around you, or over you,
but I'm going in.

[DOOR CLOSES]

All right, go ahead.

Testimony taken
from David Palmer.

Andrew Levitt, attorney
for Mr. Palmer is present.

Mr. Palmer's been advised
of his rights under the law.

RYKER:
Officer William A. Gillis

is present?

GILLIS:
Yes, sir.

Officer Gillis, do you affirm
and verify that David Palmer

is the same individual
you apprehended last night

on the grounds
of the university?

Are you the one who shot him?

Easy, Palmer.
Easy now.

Is this the same man,
Officer Gillis?

Uh, y--
Yes, sir.

This is the man.

Boy, you mean.

He's only 19 years old.
Nineteen!

Sir, I-- I'm sorry. I--

Thank you, officer.
Sorry.

[YELLING]
DOCTOR: Out. Everybody out.

Right, out.

MR. PALMER:
Pig.

[SPITS]

Lieutenant,
I want everybody

out of this room
right now.

Hey, Willie.

Jill called us.

How's it going?

He's not in very good shape,
I guess.

Jill said that
his blood pressure's up,

so that's something.

There's a cafeteria
downstairs.

Why don't we get
a cup of coffee.

Okay.

Hi, babe.

Uh, we're going downstairs
to get a cup of coffee.

I'll wait and drive you home.

[EXHALES]
No, you better not.

Dr. Litchfield wants me
to help prep David Palmer.

They're gonna operate?

Sorry.

Uh, look,
I've gotta schedule an OR.

Um, I'll be home
when I'm home.

That's cool.
I'll wait.

[EKG BEEPING]

DOCTOR:
Retract.

A little bit more.
Thank you.

Uh, suction.

[SIGHS]

A light move, please.

Yeah, that's fine.
Good. Good. Okay.

Now I can see it.

[EKG BEEPING]

[EXHALES]

Hope we have enough type A
for this kid.

Oh.

He's really
torn up in here.

[BEEPING RAPIDLY]

Sodium bicard, stat.

Get the paddles over here.

Get some juice up for me.
Set it to three.

All right,
everybody away from the table.

Back.

Go.

[ELECTRIC BUZZING]

[♪♪♪]

I killed a man.

[EXHALES]

[♪♪♪]

[DOORBELL RINGS]

That's wrong.

Scotch or beer,
name it.

Uh, nothing for me,
thank you.

Wrong again.

Um, a Chablis, uh,
on the dry side, please.

You got it.

Willie?

Nothing, really.

Willie,
as bad as this may be,

and I would be the last guy
to tell you that it wasn't,

it's not gonna go on
forever.

Oh, there'll be
a few rough weeks comin' up.

Rough? How?

Well, there's a coroner's
inquest to go through.

That's SOP in any case
like this.

And it figures the press is
gonna lean on this pretty heavy.

Oh, because Palmer's got bread,
right?

Big political contributor.
Money gets page one,

and the poor get buried
real quick.

Partially because of that,
but not a hundred percent.

Ah.

Uh, what's the rest of it?

Willie, the autopsy found
two wounds.

An entrance wound
in the left shoulder

and a second entrance wound
in the back of the neck.

The back of the neck?

Now what could have happened
is your first shot

caught him in the shoulder
and spun him around

so the other shot
got him from behind.

Uh, wait--
Wait a minute.

Question.

Go.

It could have happened
the other way, couldn't it?

The first shot hits him
from behind and spins him around

and the second shot hits him
in the shoulder.

Yes, it could have
and that's why the press

is gonna be
more interested than usual.

Then Willie will need
a good lawyer for the inquest.

The department provides you
with one.

That's also standard
operating procedure.

Well, there are, uh,

a lot of procedures around,
aren't there?

Yes, there are,

including one
I haven't told you about.

You're on leave from duty
until after the inquest.

That's gonna look like
the department thinks

that Willie did something wrong
when all he--

I don't make
the rules.

That is departmental procedure.

It has always been
departmental procedure

for as long as
I've been on the force.

Rookies have
a two-year probation period.

I know that. You know that.

Hey, will you two
just please shut up.

You're all hung up
on defending

ridiculous police
procedure and-- And you...

[EXHALES]
You're afraid it's gonna look

like I did something wrong.

Well, I--
I did do something wrong.

I killed somebody.

Maybe, uh--
Maybe it's understandable and--

And-- And legally defensible,
but I killed a guy

and if there's anything
in this world that's wrong,

it's killing somebody.

His name was David Palmer,

and he'll never grow old,

or have kids or--

Or hear music

or make love.

And that's wrong.

[♪♪♪]

You can finish the beer.

I'm--
I'm going to bed.

MINISTER:
"Thy rod and thy staff

they comfort me.

"Thou preparest a table
before me

"in the presence
of mine enemies.

"Thou anointest my head
with oil.

"My cup runneth over.

"Surely goodness and mercy
shall follow me

"all the days of my life.

And I will dwell in the house
of the Lord forever."

May we pray.

Oh, heavenly Father,
we beseech thy grace

to fall upon thy servant,
David, and upon his family,

thy merciful blessings
and kindness in this,

their time of grief.

Grant, oh Lord,
that we may

rest secure in the knowledge
of the resurrection

and the life everlasting

that we will share
with thee.

This we ask through your Son,
our Lord, Jesus Christ.

In the name of the Father,
and the Son,

and of the Holy Spirit.
Amen.

[WHISTLING]

Hey.
Hey,

how you doin'?

I'm riding
with you today.

Great.

How's Willie doin'?

As well as he can,
I guess.

Mind talking about it?

Guess not.

I don't know, man.

There's somethin'
been bugging me, huh?

I may be way off base.

If I am,
say so and I'll drop it.

Oh, no, no, man. No.

What?

Well, what was
he gonna take pictures of?

What was who--
The kid.

What kid?
What do you mean,

what kid?

The kid Willie shot.

The camera. Flashbulbs.
All that.

What was he sneaking in there
trying to take pictures of?

Everybody's been saying
it's some kind of college prank.

I don't buy that.

This kid had never been involved

in anything like that before.

And-- And that camera
that uses flashbulbs,

man, they stopped making
that camera years ago.

Those two other guys
who were there would know.

Right. May not help Willie
but it sure can't hurt.

Why don't we shoot
by the university first thing.

Take another look.

Beautiful.

WATCHMAN:
Uh, just a minute.

Just a minute.

You got leather soles
on your shoes?

Cause you can't walk
on the stage

if you got leather soles
on your shoes.

No, I ain't got no
leather soles,

though I've known some
in my time.

Huh?

Bad joke.

Well, I don't know what
you're lookin' for in here.

Detectives have been
all over the place.

Took enough pictures
to choke a pig.

Uh, listen, when I said choke
a pig, I didn't mean anything.

Don't worry about it.
We didn't take it that way.

Uh, look, uh, does the school
have any big games coming up?

Any traditional rivalries

where students from one school
play tricks?

Paint a statue?
That kind of thing?

Not that I know of.

Well, is there a statue that
sort of represents the school?

No.

Oh, yeah.

Yeah, old
Sammy Spartan.

[CHUCKLES]

Sammy Spartan.

Yeah, but that's way over
by the football field.

Which way is that
from here?

Uh, over there.

They were headed
for that door.

That could have been
the easiest way to shake Willie.

Maybe.

Um, what's in the wing

on this side
of the auditorium?

Nothing special.
Medical school mostly.

They keep drugs there?

Expect so.

It still doesn't answer
my question, man.

Why the flashbulbs?

Could you get us a floor plan
of this wing?

I'll see what I can do.

[SIGHS]

You worried
about the inquest?

[EXHALES]

Huh?
Yeah, I guess.

But the lawyer
for the department says

there's no way
they can fight the action.

It's justifiable
right down the line.

Okay, then what?

I don't know, Jill.

I've...been sitting here

thinking about bailing
out of the whole thing,

the police force.

Hey, Willie.

Come on, don't.

Jill, you--
You don't understand. I--

I just might get your husband
killed someday.

I might hesitate that split
second you're not supposed to.

Might hang back a step.

Arrive a second later
than I'm supposed to.

That's not gonna foul me up.

It's gonna waste the guys
I partner with.

Terry, maybe,
or Mike.

[SIGHS]

You still so anxious
to have me on the force?

Uh-huh.

[CHUCKLES]:
I still am.

Why?

Well, because I can remember
when Mike first decided to join,

I used to ask him
the same question.

And he talked
about wanting to help

and how all of you felt
that it wasn't enough

just to sit on the sidelines
and complain.

If you quit, Willie,

you'll be right back
on the sidelines.

People will say there's
not really any difference.

I mean, all cops are the same.
Cops are cops.

First time the going gets tough,
they bail out.

I don't think that's true.

Hey.

Is it, Willie?

I don't know.

[PHONE RINGS]

I'll get it.
Let it go.

It's probably just
some more reporters.

They've been very industrious
about getting in touch with me.

Willie.

Okay.

Hello.

WOMAN:
Is this William Gillis?

Yes.

I know you didn't kill
David Palmer

and if you're charged
with anything,

I swear I'll come forward
and clear you.

[DIAL TONE]

[CLICKS CRADLE]

[♪♪♪]

LEVITT:
And approximately

what time were you dispatched

to the university grounds,
Officer Webster?

Three-twenty a.m.

LEVITT:
Three-twenty a.m.

And upon your arrival,
what did you find?

There had been a forced entry
through a gate

in the east end
of the university property

running parallel
to Sardana Drive.

Officers Rankin and Danko
were called as backup,

and with myself
and Officer Gillis

we started a search
of the area.

LEVITT:
Well, go on. Go on.

We found a door ajar in one
of the university buildings.

Officer Gillis and I
went inside, then we split up.

Well, what did you find?

I didn't find anything.

But I heard
Officer Gillis calling

and I went to the area
he was searching.

Then I heard shots.

LEVITT:
Oh, you heard shots.

How many shots?

WEBSTER:
Can't say for sure.

They--
They came pretty fast.

But we know there were actually
only two shots fired, don't we?

The rest were
exploding flashbulbs.

Not in evidence.

We've heard no testimony
to that effect.

Uh, yes, of course.
I'm sorry.

But tell me,
Officer Webster, um,

did all of the sounds
sound precisely alike?

Similar, yes.

LEVITT:
Mm-hm.

All right, after you, uh,
reached the scene,

what did you find then?

[FOOTSTEPS]

WEBSTER:
Officer Gillis had wounded

the fugitive, David Palmer,

and Officer Rankin went
to send for an ambulance.

LEVITT:
Mm. And that's about it, hm?

WEBSTER:
Yes, sir.

I just have a few more
questions, Officer Webster.

I know that you gave
your address

when you were sworn in,

but I forgot
to make a note of it.

So would you mind?
What is it again?

1053 Woodland.

1053.

You live alone, do you?

No, sir.

Oh, you're a married man.

No, sir.

I share an apartment
with Officer Gillis.

Oh, you...

live with Officer Gillis.

No, I room with Officer Gillis.

[SCOFFS]

The same thing,

more or less.

Thank you, Officer Webster.

No more questions.

LEVITT:
How many bullets

were recovered?

Two. Both .38 caliber.

Mm-hm.

Were you able
to identify the gun

that fired those bullets?

Yes, sir.

It's registered
to Officer William A. Gillis.

William A. Gillis.

LEVITT:
And the condition

of the bullets themselves?

One was essentially undamaged,

consistent with soft tissue
of the neck wound

in the deceased.

The other passed through bone,

consistent
with the shoulder wound,

but it was still identifiable.

And both bullets from the gun
issued to, uh, Officer Gillis?

EXPERT:
Yes, sir. No doubt about that.

Well, thank you
very much.

I have no more
questions.

No further questions.

Some sick chick thinks
it's a jolly time to tell a cop

she can get him off the hook,
that's all.

Well, so then why did she get
off the phone so quickly?

I mean, why not hang on and--
And really build a story?

Because then you can
check it out, that's why.

What about the girl
in the back row?

Yeah.
What about her?

Well, she was
at the funeral too.

I know that. You told me.
So what?

So her friend gets killed,
she goes to the funeral,

she goes to the inquest.
That's no big deal.

Why are you shooting down
every legitimate chance I have

to find out who called me?

Because a ding-a-ling
called you,

and I don't wanna see you
get your hopes up

over some ding-a-ling.

Let me check her out,
lieutenant, huh?

You're on duty this afternoon.

Would it totally destroy
police procedure

if Mike Danko and I
made a few phone calls?

No, it would not destroy
police procedure,

but then you would get
your hopes up

that you are gonna
help Willie here

and things don't run that way.
That's all.

Well, how--?
How do they run, lieutenant?

Levitt is gonna get you
on the stand this afternoon

and tie you up
like rubber spaghetti.

That's something for you
to concentrate on.

Just leave the pipe dreams
up to the narco squad.

Gettin' through this testimony
is the one thing

that is gonna keep you
on the force, rookie.

That's where you
can help yourself.

Uh, lieutenant,
may I offer you some help?

What?

Thank you.

LEVITT:
All right, Officer Gillis,

as you were walking down

that dark corridor,
what were you thinking?

Can you remember?

Well, sir,
it's not really thinking

in that kind of a situation--

[LAUGHS]
You mean, you--

You weren't even thinking?

No, no.
Wh-what I mean is,

oh, it's more like reacting
than thinking.

You're--
You're listening.

You're--
You're waiting.

You feel a little scared--

All right,
Officer Gillis.

So with no plan,
admittedly scared,

you went stalking
through that building and--

Tell me,
was your gun drawn?

No, sir. I didn't draw my gun

till after
I went over the lockers

at the top of the stairs.

Well, why then?

Well, there was this...sound.

Like a pop
and a flash of light.

All right, Officer Gillis,

let's see what we have so far,
shall we?

We have a--
A rookie policeman

going down
a dark hallway,

no plan in mind,
listening for any sound,

no matter how slight,
admittedly scared.

He races headlong

after what he supposes
to be footsteps,

he hears a pop,
a light goes on,

he draws his gun
and fires wildly,

not once but twice.

I thought it was a muzzle flash.

But it wasn't, was it,
Officer Gillis?

There was no one firing
in that dark hallway but you,

was there?

No, sir.

And you hit your target.

Oh, yes.

You hit your target, didn't you?

[♪♪♪]

[PHONE RINGS]

[PHONE RINGING FAINTLY]

Come on, lady, don't give up.

Keep waiting. Be there.

Please, be there.

Hello.

I'm just calling to tell you

that I'm not going to come out
in public

because there won't be any
charges brought against you.

And the worst thing
that can happen to you

is that you'll lose your job.

I'm sorry about that,
but I can't help it.

I don't want to hurt you

or any living thing
in this world but--

Look, wh-what could you tell?

I fired at him.
That's what happened.

I know,
but you didn't kill him.

If--
If you know who did,

then you're protecting
a murderer.

Or maybe-- Maybe you did it.

No, I didn't.

And he's not a murderer.

It was just
an awful, awful accident,

and there is nothing
to be gained by going into it.

I'm just sorry that you had
to be hurt even this much.

I liked the red dress

you were wearing
at the inquest today.

[DIAL TONE]

Hey, lieutenant,
we talk to you a minute?

We found some stuff on that girl
Willie saw at the inquest.

Straight?
Yeah, straight.

All right, in here.

What have you got?
Her name's Patty Lewis.

She and the kid
who got shot were friends.

Friends. Friends.
Young people of 19

in this day and age do not have
friends of the opposite sex.

They have lovers,
they have ex-lovers,

they have potential lovers.
They do not have friends.

Oh, you've been reading
the underground press again.

These two were friends.
They belonged to the same clubs,

felt the same way about
a lot of issues on campus.

Into the political thing?

DANKO:
No. It was environmental stuff.

They were involved
in the organized protest

against the housing development
near Vineyard Lake.

Same thing
with the proposed freeway.

I'm glad they won,
but where does that get us?

Patty's brother
is president

of the university
Photography Club.

His special interest
is the old-time press cameras.

Flashbulbs. So?

Now, look, lieutenant,

this is the floor plan
of the auditorium

and the wings off it.

Now, most of this floor
is taken up

by the medical school's
research lab.

Same question. So?

Campus paper quotes Patty
as being an animal lover,

a 100 percent
anti-vivisectionist.

The research lab
works with animals.

Suppose Patty,

her brother,
David Palmer

sneak up there
to get evidence

of cruel treatment
to the animals?

And they get stopped by Willie,

the dropped flashbulbs
from the camera go off,

the shots get fired,
Palmer dies.

That doesn't answer my question.

All right,
answer my question, then.

Who's the girl
who's calling Willie

and telling him
he didn't kill David Palmer?

All right,
call Gillis and tell him

we'll pick him up
in 10 minutes.

Where we going?

Where all rookies belong,

back in school.

[♪♪♪]

Maybe it made you feel good

to nail her
with that red-dress number,

but I do wish
you'd kept your mouth shut.

Why? At least now
we're pretty sure who she is.

Right, and now she's aware
that you know who she is

and that we'll be checking
on her.

That's the way tracks
get covered up, my boy.

You know, if this
is where they were heading,

they really didn't
do anything wrong.

Nobody wants to see
animals get hurt.

I had a kid brother
that died of diphtheria.

I think I'd kill a rabbit
to get him back.

Come on.

Does anyone know
where we're going?

Yeah. Him.

All right, now,
you were chasing three people.

Danko and Webster and me'll
be those three people.

Were they bunched up?
Spread out?

Uh, spread out.

Three or four feet
between them.

All right.
Now the telephone lady says

that you didn't kill
David Palmer.

Let's play her game
and see what happens.

He was killed with a bullet,
that's for sure.

Then there had to be
a third shot.

Gillis,
come on up the stairs.

Just like that night,
but real slow.

GILLIS:
Uh,

I came up the stairs

and then the lockers
went down.

And I--
I got over the lockers.

Then there was
a flash of light and sound.

Flashbulb.

Last man in line
dropped the camera.

Then I-I went down,

and I rolled over to here.

Last man in line tries
to take off, drops flashbulbs.

And then I--

I fired at--

At the sounds
and the light.

The shot catches him
in the shoulder,

spins him around.

No, it was the bullet
from behind that killed him.

Where did that come from?

Well,
it had to come from me.

Which means your second shot
missed Palmer completely,

ended up down there.

Ballistics says
it went through soft tissue.

I think it went through nothing

till it ricocheted
off that wall.

Then what about that?

That's where the third bullet
would have gone.

Why is that window
not broken?

RYKER:
Here's what about that.

Window was open.

Third bullet
is out there somewhere.

Lieutenant.

Lieutenant, come here.

GILLIS:
You were right.

I shouldn't have tipped it.

PATTY:
Carl.

CARL:
Come on!

[♪♪♪]

Carl, maybe we should--

Come on.

RYKER:
What's over there?

Student parking lot.

I'll have a backup
cut off the road.

Give me that.
Gillis, come here.

Take this.

No,
I don't want that.

[♪♪♪]

Police! Halt!

[BULLET RICOCHETS]

[TIRE HISSING]

Okay, that's it, buddy.

DANKO:
Give it up.

Stay down, man.
He's got a gun.

Okay,
what's it gonna be?

DANKO:
It's your move.

Hey, no, you guys.

No more.
WEBSTER: Willie.

No gun. See?

No gun.

I'm not gonna try anything.

But I've been
where you're headed.

I know what it's like.

Isn't that
why you were going to that lab,

to make sure nobody
was gonna hurt those animals?

We were going there to take
pictures of the way things were,

how bad it was.

Why the gun?

We thought we could scare
the watchman.

That's all.

Then you spotted us
and we started running.

And when David started falling,

I reached out
and the gun went off.

Well, then
that's an accident, man.

Dumb accident, maybe.

Stupid.

But you've got that much
going for you.

If you start
firing now...

Well, that--
That's what I did.

I pointed the gun. I fired.

Doesn't make any difference

that it wasn't my bullet
that killed him.

Hey, listen.

Listen, even if--
If you waste all of us,

you're gonna be more dead
inside than we'll be.

'Cause it--
It takes a toll, man.

It t-- takes
a heavy, heavy toll.

At least now you've--
You've got a chance

to keep from paying
that price.

Come on.
Don't blow that chance.

[WHIMPERS]

[♪♪♪]

[♪♪♪]

[GUNSHOTS]

[GUNSHOTS]

Doesn't that hurt
your ears?

I'd think you'd go deaf.

Sorry,
I didn't catch that.

I said, when they--
Doesn't--?

How'd we do?

Qualified, just barely.

Oh, once you integrate
the targets,

I'll bet my scores just multiply
like you've never seen.

That's not funny.

Who said it was a joke,
lieutenant?

Gillis, on the line.

[♪♪♪]

You have a jam, Gillis?

No, sir.

[GUNSHOT]

[CASINGS RATTLE]

When I was a--

A kid there used to be
a penny arcade downtown.

I'd go there a lot.

There was this machine
with a rifle and--

And this bear
that gave out this roar

and turned around
when you hit it just right.

I just figured out what was
wrong with that machine.

When you hit it,
the bears always got up again.

Real bears don't do that
when you shoot them.

They stay shot.

Somebody oughta make a machine
like that some day.

[♪♪♪]

[♪♪♪]