All language subtitles for The.Rookies.S01E06.Time.Is.The.Fire.1080p.WEB-DL.AAC2.0.H.264-BTN_track3_[eng]

[♪♪♪]

[SIRENS WAILING]

[SOUL MUSIC PLAYING
OVER SPEAKERS]

Oh, Miss Sloan?

SLOAN:
Yes?

I wonder if you'd be kind enough

to come down
to the station house

with me for a few moments.

Who are--?
We have reason to believe

that you are involved
in the marijuana traffic

at your school.

You're putting me on.
No. I'm afraid not.

The detectives
of our Narcotics unit

were very definite
in their instructions to me.

Am I under arrest?

No. Of course not.

We just want to talk to you.

You don't have to come at all
if you don't want to.

I want to call my father.

That's very simple.

The station house
is moments from here.

You can call him from there.

I don't know
what this is all about,

But somebody's gonna get
in a lot of trouble

when my father hears
about this.

Hop in.

Don't you have
a black-and-white car?

Just get in, miss.

Don't argue. Don't yell either,
or I'll kill you.

I mean it.

[♪♪♪]

Get back here
and sit down.

[ENGINE STARTS]

[TIRES SCREECHING]

[HORN HONKS]

[TIRES SCREECH]

Oh, thank you.

Uh, would you two
like something?

No, thanks, Mr. Sloan.

We'd like to get on
with questions though,

if we may.

Please, go on.

Uh, when did the call
come through?

He called me at the bank,
this morning.

Did you ask to speak
to your daughter?

Yes, uh, but he wouldn't
put her on the phone.

He said that if I followed
all of his instructions,

Andrea would be returned.

But that if I called
the police--

Well, if it hadn't been
for Edith, I--

I would have handled it myself.

Then you would have been doing
as he wanted.

Let's not talk about
what I've been doing.

Let's talk about
what you're doing.

We have every available man
on the street,

asking questions
of people who might

have witnessed the kidnapping.

Level with me, lieutenant.

The fact that he wouldn't
let me speak to Andrea...

Is there a chance
that she's still alive.

Yes.

Is that true?

Or is that just
an emotional pacifier?

Mrs. Sloan, I have no way
of knowing precisely what

is on the kidnapper's mind.

I can be sure of one thing.

His main aim is
to get the ransom.

What happens to Andrea
is almost an afterthought.

Always?

No. Not always.

Mr. Sloan,
can you think of anyone

who might have
a grudge against you?

Yes, but no one sick enough

to do a thing like this.

Well, would you mind
making a list.

Uh, there may be someone who
feels he has a score to settle.

Someone out of your past.

Well, anyone in banking
has enemies, lieutenant.

Naturally,
I'll do everything I can.

Danko.

Get the girl's description,

what she was wearing,
her picture.

I'll call the precinct,

have them pull in
all the off duties.

How old is your daughter,
Mr. Sloan?

Eighteen.

No, 19.

The adoption papers said
she was born March 20th, 1953.

Lieutenant, you okay?

Yes, I'm fine.

Uh, Mr. Sloan, I'm sorry.

I think I'll take you up
on that drink of yours.

Uh, water. Make it water.

Of course.

Uh, Tina?

Yes, Mr. Sloan?

Would you get the lieutenant
a glass of water, please?

Oh, right away, Mr. Sloan.

Danko, get the rest
of that description.

You sure you're all right?
I'm fine.

WEBSTER:
Hey. Hey, what's happening?

DANKO:
You guys are pretty casual

about it, aren't you?

Casual about what?

Didn't you get the call
canceling off-duty time?

No. What call?
No.

He's really fouled up.
Who's fouled up?

Ryker. I don't know whether
he's sick or-- Or what.

But it's not Ryker.

Well, maybe the call
just got lost

in the shuffle
at the precinct.

Happened before.
Happened before.

No, not on this.
It's a--

It's a kidnapping.
We working with the feds?

Not yet. They can't
be called in for 24 hours.

[AIRPLANE ROARING OVERHEAD]

I'd feed you, you know.

But I'm afraid that--

If I took that gag off,
you'd just scream.

Then I'd have to hit you.

And I don't think a man ought
to hit women.

At least, not a gentleman.

[LAUGHS]

You promise not to scream?

Wouldn't do you
much good anyway.

[LAUGHS]

We're right under
the flight path to the airport.

That's why everybody
moved out of here.

As soon as they started
bringing in those big jobs.

[SIGHS]

All right.

Okay.

I think I can give you a chance
to get something to eat.

Here you go.

Are you gonna kill me?

Well, that depends
on your old man,

now doesn't it?

If I have to kill you,
I'll make it quick and easy.

You won't have any pain
or suffering

or anything like that.

Unless you dig
that sort of thing.

All I want is for you
to let me go.

Then we're on the same team,
sweetheart.

Because that's all I want,
just to let you go.

As soon as your old man
ponies up some money.

Last one.
You sure you don't want it?

No.

Oh, well.

Okay.

But you know what that means.

It means we have
to put this on again.

You know why? Yes.

Because chicks...

should be seen...

and not heard.

[LAUGHS]

All right. There you are.

Just relax.
Nobody's gonna hurt ya.

Be right back. Don't go away.

[SIGHS]

[RINGS]

Hello?

MAN [OVER PHONE]:
Mr. Sloan?

I want you
to pay careful attention

to what I'm going
to say to you.

I want $200,000.

I want to talk
to Andrea.

Is she all right?

Oh, she's just fine.

But she won't be unless you do
exactly what I tell you,

when I tell you.

Two hundred thousand dollars
in small denominations.

Keep that in mind.

I'll be in touch,
Mr. Sloan.

[♪♪♪]

Not enough time for a trace.
I'm sorry.

[LAUGHS]

Danko!

Danko, are you in here?

He went back
to the apartment for lunch.

Where have you two been?!

Reidenbaugh said that your call
got jammed up in Operations.

Said that he tried
to call us--

He just bought himself
a suspension.

You see Danko,
get him to me.

Lieutenant?
What?!

The person
who was kidnapped, uh,

someone you know?

Someone special?

No. Why?

You seemed a bit wound up.

I am wound up.

A girl has just been kidnapped.

Isn't that sufficient reason
to be wound up?

Yes, sir.
Beg your pardon.

All right, Gillis,
what about you?

What do you want me
to apologize for, lieutenant?

I didn't say anything to you.

Oh.

Whew.

[LAUGHS]

Danko, in my office, now!

Anything new
on the Sloan girl?

Close the door. Don't sit down.

You're not gonna be here
that long.

All this information
about the Sloan girl,

you get it out to the boys
on the street?

Yes, sir.

It doesn't say anything here
about where she was born.

Don't know what that's got
to do with anything.

Find out where she was born.

Do you mind if I ask why?

Danko, when I give you an order,
I want it done.

Not challenged.
You understand?

Yeah, I understand.

I was just asking
in case the parents want--

[♪♪♪]

Here, let me help you.

You okay?

Stay here.
I'll get the doctor.

You'll do nothing.
That's an order.

Lieutenant,
something's wrong with you.

I happen to be getting
over a slight case of the flu.

Now, that's all.

Yes, sir.

[♪♪♪]

SLOAN: Eighteen.
EDITH: No, 19.

The adoption papers said
she was born March 20th, 1953.

[THUNDER CRASHES]

MAN:
I told 'em not

to let it get in the papers.

And they didn't.

That's good.

That means they're doing
like I say.

Did you ever wonder
how come I, uh--

I decided
to put the grab on you?

I mean, you know, instead
of on someone else.

Your picture.

Right here in this.
About a month ago.

[LAUGHS]

Oh, yeah.

You were all dressed up.

Pretty white dress.

Your old man
was wearing a tuxedo.

[LAUGHS]

Remember it now?

Yeah, it was a debutante ball.

[BREATHING HEAVILY]

And I got to thinking
about that.

And it just didn't
seem right to me.

Here I was broke, hungry.

I couldn't give you change
for a penny.

And yet there they go,

right on having
a debutante ball...

for rich girls...

and their daddies in tuxedos.

Somehow, that just--
That didn't seem right.

[LAUGHS]

But it's gonna be right now.

You just wait.

Everything's gonna be just fine.

[LAUGHS]
[DOOR RATTLING]

[♪♪♪]

Not one sound.

Congratulations, Harvey.

You just found yourself
a new nighty-hole.

[MUMBLING]

Hey, lady.

And what happened to you?

Oh, let me help you here.

Bad move, old-timer.

Oh, now-- Now, look, Mack.

I don't see anything.

Nothing. Do you hear?

I just came in here
to get a good night's sleep.

That's all.

You wanna go to sleep?

Okay.

Night-night.

[♪♪♪]

[MUFFLED CRYING]

[♪♪♪]

That's not gonna do
any good, Mike.

It could be any one
of a hundred things.

Such as?

All right. Such as,
it could be just what he said.

He could be just getting
over the flu.

Or it could be an infection
in his middle ear.

I mean, it could even be
a tumor.

But I tell you one thing,
if he checked into a hospital,

they'd run
a whole battery of tests

before they'd attempt
a diagnosis.

You-- You can't expect me
to sit down

and just do it in 10 minutes.

Yeah, I guess.

Neither one of you guys
noticed anything?

Yeah. He's wired up tighter
than I've ever seen him before.

GILLIS:
Yeah, well, that's

understandable, isn't it?

Chances are, this is
the first time Ryker's ever had

to be in charge
of this kind of investigation.

That's all
the more reason.

All the more reason what?

Well, look, suppose Ryker came
into the locker room

and saw me keel over
like I saw him.

What do you think
he'd do?

Probably send you
to the hospital.

And if I refused?

You would be on report
and on suspension.

Yeah.
Right. That's right.

That's the thing
that ought to be done.

And if that's true,
what do we have here?

Two sets of rules now?

One for rookies
and one for Ryker?

JILL:
Hey, listen, I--

He's been on the force so long.

I'm sure
he knows what he's doing.

[PHONE RINGING]

I'll get it.

[SIGHS]

Hey, Mike, uh,
were you ever able

to find out
where Sloan's daughter was born?

Yeah. Here in town.

But I still don't see why
that matters.

See you later.

All available officers...
Right.

Did they say why?

Yeah.

They got a ransom note.

"Two hundred thousand dollars
in old bills.

"Nothing larger
than 20.

"Leave at 3 a.m. in alley
behind Jensen Foundry.

Trick me and she dies."

M-my wife
and I have talked, and--

we'll do whatever
you think is best.

Can you lay your hands
on that kind of money?

Yes. I think so.

Is that what you want?

For us to pay the ransom?

Well, that's one
of the things you can do.

Just wanted to see if
that was an option available.

The other options?

You deliver the money,

we stake out the location

and pick up
whoever comes to get it.

But suppose there's some sort
of a fight?

Suppose-- Suppose he sees you

and doesn't come to get
the money?

Mr. Sloan, we can suppose
any number of things.

All we really know
is the man is desperate.

And a desperate man
is a dangerous man,

regardless of what course
of action you use.

[THUNDER RUMBLES]

This is a choice
you have to make.

Supposition again.

Suppose...

Suppose we were talking
about your child.

NEILSON:
I'm a bachelor.

Lieutenant?

I'd stake it out and I would
nail that slimy creep.

[THUNDER CRACKS]

[♪♪♪]

[THUNDER CRASHES]

That's all we need,
more rain.

Here's some more coffee
if you want.

It keeps me awake.

What time have you got?

Five of.

He's due any time.

[SIGHS]

RYKER [OVER RADIO]:
All units. All units.

Respond by pressing
your transmit button

when I call your name.

No voice communication
is necessary.

Danko and Neilson.

[RADIO CLICKS]

Palmer and Washington.

[RADIO CLICKS]

Webster, Gillis.

[RADIO CLICKS]

Carter, tell Sloan
to come ahead.

Here we go.

[♪♪♪]

All right.
No move until I say so.

Absolutely none.

Well, I'll be here
till morning.

I'll bet
he never even shows.

Why do you say that?

Hunch. Instinct.

Though, I was wrong
about Ryker earlier.

So maybe I'm wrong
about this too.

How were you wrong?

He told Sloan what to do.

Figured he'd let
the father decide.

But old Eddie went charging
in there full steam.

That's not like him.

You've known him
a long time, huh?

Yeah.

Knew him and Mary, both.

Mary? Who's she?

His wife.

That's far out.
I never knew he had a wife.

[DOOR OPENS]

Look, up there.

[♪♪♪]

Come on.

Come on.

His radio's out.
I'm going.

Police! Halt!

[GUNSHOTS]

Hands behind your head!
Lock your fingers.

Spread 'em.

Radio went out, huh?

Huh? Yeah. Right.

Well, no sweat.

We got him,
looks like.

[♪♪♪]

TINA:
Oh, right away, Mr. Sloan.

It's true. I swear it.

I only wanted the money.

Miss Andrews is trying
to cooperate.

She doesn't have to be subjected
to this kind of treatment.

What treatment? A girl may
be dead because of you.

Doesn't that matter
to you?

You don't have
to answer that, Tina.

Could we go
through it slowly, Miss Andrews?

Could I have a cigarette?

NEILSON:
Sure.

[SIGHS]

I went to get the mail.

It never entered my mind
until then.

Then I thought, why not?

With that money,
I could live like somebody.

Never have to be a maid anymore.

Never have to serve and wait
on those people anymore.

Besides, I think
she probably just ran off

with one
of those boyfriends of hers.

It never occurred to you
that you were placing

Andrea's life in jeopardy?
That's enough.

What'd you do
with the real ransom note?

Come on. Come on.

"Three a.m. Drop the money
in the letter basket

in front of Max's Liquor Store.
No cops."

This drop was to have
taken place six hours ago.

Six hours ago!

Now, what is this?!
Out, Eddie!

Take a walk.

Get some fresh air. Come on.

That kind of verbal harassment
is simply inexcusable.

I wish your mother
had been an alligator.

Really? Why?

They eat their young.

WEBSTER:
Lieutenant?

What?

What'd the girl say?

She in on it
or is she a phony?

Hey, lieutenant,
are you all right?

No, Gillis. I'm not.

[♪♪♪]

[PHONE RINGING]

Sloan residence.

MAN [OVER PHONE]:
I killed her,

you gutless double-crosser.

Oh, no.

Please-- Oh, please, no.

That's right.

I choked her to death
with a barbed-wire necklace.

No, no.

[LAUGHS]

All right. Hey, hey, hey, pop,
come on, don't pass out on me.

She's all right.

Don't worry about it.

I just thought I'd put you
through the wringer

a little bit,
the way you did me

by not showing up
at that liquor store.

How-- How do I know
that you're telling the truth?

Oh, you don't.

And you won't
until I get that money.

Now, listen,

very carefully.

Because you're going to have
to get this the first time.

I'm only going to say it once.

Do you have the money?

Yes. Yes, we do.

All right.

Now, what I want you to do
is bring it--

OPERATOR:
Three minutes are up.

Please signal when through.

[♪♪♪]

A jet flying
over a pay telephone,

11:53

[SIGHS]

All right, sweetheart.

Come on.

You and I are going for a trip.

[♪♪♪]

What time is it?

RYKER:
It's Dr. Levin.

Give me an outside line,
will you, please?

Two in the morning.

Thank you.

This is Memorial Hospital,
right?

Yeah.

Operator, I keep dialing
Memorial Hospital

and I'm getting a busy signal.

Will you try it for me, please?

Thank you.

This is Police
Commissioner Reilly.

You admitted one of my men,
a Lieutenant Ryker.

Can you tell me
how he's listed, please?

Satisfactory condition.

Thank you very much.
That's a pleasure to hear.

Hey,

would you call
and see how I'm doing?

What for? You're not
going anywhere, I am.

[INDISTINCT CHATTER]

All right, let's get at it.

Hold it down and we can hit
the street that much quicker.

Here's what the phone company
gave us in regard

to pay phones
under the flight pattern.

The east runway
was shut down all morning.

So that only leaves us
this quadrant

and the airport proper.

That's not across state lines,

so we may still be
on our own on this.

GILLIS:
Sir?

I don't see the point
of going over the airport.

He may have called from there,

but he's certainly not
holding her there.

Good point.

We'll concentrate on the hotels
and motels along the boulevard.

And some of the rooming houses
down by Grove and Patterson.

Everybody's got
their section. Move out.

[MAN WHISTLING]

[LAUGHS]

[BIRRS]

Whoa, boy.

Ladies and gentlemen,

I just got back
from Lost Wages, Nevada.

Didn't do too bad, though.

Went out there
in a $3000 car,

and I want you to know,

I came back
in a $30,000 limousine.

That's right.

A Greyhound Bus.

[LAUGHS]

No, seriously, folks.

I just wanted to tell you--

What's the matter, lady?
Why aren't you laughing?

[MAN BIRRS]

Hey, you want to say a few words

to folks back home?

Go right ahead.

You know, little angel,

I would have made
a great comic, huh?

Wouldn't it have
been just great?

All those people
out there looking--

Looking at me up on the stage.

Me, making them laugh and--

And be happy.

You do want to make me happy,

don't you, little angel? Huh?

Well, let me hear you laugh,
then, for heaven's sake.

Here-- Here you can laugh
all you want to. Here.

These walls are thick,
thick, thick.

You just go right ahead
and laugh.

That's it. That's it
[CRYING]

Go ahead, laugh,
little angel.

[LAUGHS]

That's a girl.

Now, wait. Hold--
Hold it a minute.

Uh, ladies and germs,

the neighborhood
I was brought up in

was so tough that
if you still had ears

by the time you were 2,

they thought you were a spaniel.

[LAUGHS]

[CRIES]

Aw, you can do better than that.

I say, if they had ears,

by the time you
were 2 years old,

they thought you were a spaniel.

[LAUGHING]
That's it. Now you got it.

Come on, honey. Come on.

There you go.

How 'bout that, folks? Right?

We finally got the little lady
to enjoy herself.

[SCREAMS]

JILL:
Now, look, I said no

and I mean no.

I don't want to be hard...
Would you lower...

to get along with.
your voice?

Would you listen to me?
No.

It's past 3:00 in the morning.

I'll call orderlies
if I have to.

I'm serious about that.

Please, listen to me

for two minutes
and make up your mind.

Look, it's not up to me.
Please, two minutes.

Please!

Okay.

Now, this thing you say
I've got. What is it?

Labyrinthitis.

It's an infection
of the middle ear.

And you've got to slow down.

Only one who's got to do
anything is you, just listen.

All right, now...

[♪♪♪]

about 22 years ago,

a cop named Eddie Ryker

married a girl
named Mary Kate Donahue.

And they did real well
by each other.

Mary Kate used to teach first
and second grade,

and Eddie didn't mind
walking the beat.

And then she was expecting and--

What was pretty good got
to be a lot better.

Now, Eddie was a city boy,

and he loved the country.

And I guess that's why
they always went

on picnics as much
as they could on Sundays.

And this-- This one Sunday,
they were in the country

and Mary Kate's pain started.

And the baby was born,
because cops are taught how

to handle that, you know?

He-- He wrapped the baby
in the picnic blanket,

and he took it
to the nearest farmhouse.

And when he got back,

Mary Kate had bled to death
on the grass.

[SIGHS]

And he, uh...

put the baby up for adoption
because he was all alone.

And just because.

The baby was a girl, Mrs. Danko.

And it was born the same day

as the girl
who's been kidnapped.

Now, I made a lot of mistakes
on this case.

It's the kind of thing
you'd expect from a rookie.

I got a lot to make up for.

I let her go once.
I don't want to do it again.

Okay, lieutenant, I'll talk
to Dr. Litchfield.

And I'll see what I can do.

[♪♪♪]

Hey.

We're getting closer.

Yeah, well, take a look.

Fellow over here got
a little too close, huh?

Good morning, lieutenant.
Uh, how are you feeling?

Mean. Where's Neilson?

He's in the roll-call room.

We'll start our sweep
along Commonwealth.

And we'll work
our way up this way.

Good morning.
What have you got?

Eddie, how are you?

I'm feeling fine,
thank you very much.

What have you got?

Well, we found
where he was keeping her.

And we got some prints
off a beer bottle.

The guy's name
is Queenlin and--

And now we're going
to run a sweep

through this area
where the bar is.

Going on the idea that a lot
of these buildings are empty--

Waste of time.

Hm?

It says here Queenlin worked

for a janitorial service.

Have you called them?
What for?

Find out if he took the keys
with him when he quit.

NEILSON:
They'd change the locks.

RYKER:
Not on empty buildings.

This bar was
in an empty building.

Bill, 24 hours are past.

The federal people are
in with us now.

Call them, give them
what we have.

I'll be in my office.

[PHONE RINGS]

Hello?

I've got to figure
that you're taping this, Sloan.

So I won't worry
about talking too slow.

Here we go.

If you want to see
your little angel again--

Intersection of Corey Road
and Babcock, there's a mailbox.

Put the money in there at 3:00
this afternoon, exactly.

You won't see me,
but I'll see you.

So don't bring the fuzz.

Otherwise you're little angel

will become the property
of the coroner's office.

[♪♪♪]

QUEENLIN:
Put the money in there at

3:00 this afternoon, exactly.

You won't see me,
but I'll see you.

So don't bring the fuzz.

Otherwise you're little angel

will become the property
of the coroner's office.

Now, as far as I'm concerned,
that's it.

This time I'm going alone.
And no tricks.

Mr. Sloan, he's just saying
he can see you.

There's no way he can.

Sure there is.

The power plant.

Empty, automated, easy
to get in to if you have a key.

He probably does.

That settles it.
I'm going to play it straight.

Mr. Sloan,
it's now almost 12:00.

That gives us three hours.

Three hours when he's not
looking for us, not on guard.

Let us help you get
your daughter back.

Believe me, we value her life
as much as you do.

[♪♪♪]

I hope you know
what you're doing.

[♪♪♪]

[INDISTINCT CHATTER]

All right, I got
five minutes to 1 now.

Does that check?

Yeah, same here.

Let's go.

[♪♪♪]

[MUFFLED SCREAMS]

Come on. Damn it.
Come on, come on.

[MUFFLED SCREAMS]

Get up. Come on.

[GUNSHOT]

[GUNSHOT]

WEBSTER:
Don't shoot.

You could hit the girl.

[GUNSHOT]

Move out!

[GUNSHOTS]

[♪♪♪]

[GUNSHOT]

[GUNSHOT]

[MUFFLED GRUNT]

[GRUNTS]

[SCREAMS]

[GUNSHOT]

You stay here and don't move.

[GUNSHOT]

[QUEENLIN MOANS]

[♪♪♪]

You want us to take her down?

No, no. Not yet.
Not just yet.

I'll take care of her myself.

[♪♪♪]

I still don't see why I--

Hey, listen, um, you're
in here for observation, right?

Now, the longer
it takes me

to get your temperature,
the longer you'll be here.

I, uh, think that means
keep your mouth shut.

JILL:
Oh, that's exactly

what that means.

[DOOR OPENS, CLOSES]

Well, I'm gonna take off now,

and I just wanted
to say goodbye.

Lieutenant, we can't
possibly thank you enough

for everything
that you've done.

[MOANS]

EDITH:
Darling, the nurse told you

to keep that in your mouth.

Mother, I haven't even had a
chance to thank the lieutenant.

Thank you.

Just part of the job,
young lady.

It's just part of the job.

Take care of yourself now.

Yeah.

[DOOR OPENS, CLOSES]

Um, excuse me.
I'll be right back.

Lieutenant?

Yeah?

Uh, were you ever able
to find out who Andrea is?

No, the court closes
all adoption records.

You can't find anything out
after it's final.

So it should be.

Couldn't you ask
the mother and the father?

I mean, there must be
some way you could find out.

I suppose there is, but I'm not
really sure I'd like to know.

[SIGHS]

They're good people.
She's happy.

That's good enough
for me.

[♪♪♪]

Tell you one thing, though.
She looks like Mary Kate.

She looks a lot like Mary Kate.

[♪♪♪]