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(guitar music)
(feet clomping)
4
00:00:14,760 --> 00:00:16,360
- [Announcer] Sound speed.
5
00:00:16,360 --> 00:00:17,760
A mark.
(group laughing)
6
00:00:17,760 --> 00:00:19,280
And board on scene.
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00:00:19,280 --> 00:00:20,800
(announcer speaks faintly)
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00:00:20,800 --> 00:00:21,720
B mark.
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00:00:23,280 --> 00:00:26,280
- Camera's set
- Band's set.
10
00:00:26,280 --> 00:00:27,720
- [Announcer] We're recording.
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00:00:27,720 --> 00:00:31,640
- [Crew Person] Do we
have all full stage, Hans?
12
00:00:31,640 --> 00:00:32,720
- [Announcer] Okay, cut.
13
00:00:32,720 --> 00:00:33,800
Standby and,
14
00:00:35,200 --> 00:00:37,840
(clock ticking)
15
00:00:45,480 --> 00:00:46,520
- It is time.
16
00:00:46,520 --> 00:00:47,760
(groovy music)
(latch clicking)
17
00:00:47,760 --> 00:00:50,160
(bell ringing)
(door creaking)
18
00:00:50,160 --> 00:00:52,560
And I'd like you to meet her.
19
00:00:53,840 --> 00:00:56,640
- In Ankara, I
once met a magician
20
00:00:57,880 --> 00:01:00,840
and his show was unlike
anything I'd ever seen.
21
00:01:00,840 --> 00:01:04,280
Such tricks, such
incredible imagination.
22
00:01:05,480 --> 00:01:06,760
And the audience clapped like
23
00:01:06,760 --> 00:01:09,840
we had seen the
resurrection itself.
24
00:01:11,440 --> 00:01:12,880
And the next night,
25
00:01:12,880 --> 00:01:15,920
he was at the bar at my hotel.
26
00:01:15,920 --> 00:01:19,600
And he sat with his
cards and his drink,
27
00:01:19,600 --> 00:01:22,360
and I should have
left him alone,
28
00:01:22,360 --> 00:01:23,520
but I couldn't.
29
00:01:23,520 --> 00:01:25,160
(cards shuffling)
30
00:01:25,160 --> 00:01:26,400
- Normal deck?
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00:01:28,200 --> 00:01:29,080
Please.
32
00:01:31,640 --> 00:01:34,200
- [Miss Flower] How do you
come up with such tricks?
33
00:01:34,200 --> 00:01:37,080
- A magician never
reveals his secrets.
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00:01:37,080 --> 00:01:38,440
But lemme tell you this,
35
00:01:38,440 --> 00:01:41,560
I spent my life around
extraordinary things,
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00:01:41,560 --> 00:01:44,480
extraordinary places,
extraordinary people.
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00:01:44,480 --> 00:01:47,920
(groovy music continues)
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00:01:50,520 --> 00:01:53,400
Are you extraordinary,
Miss Flower?
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00:01:56,000 --> 00:01:59,600
- Are we extraordinary,
Miss Flower?
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00:01:59,600 --> 00:02:02,360
(dramatic music)
41
00:02:06,520 --> 00:02:09,880
- [Narrator] When was the last
time you received a letter?
42
00:02:09,880 --> 00:02:13,040
An actual handwritten letter,
43
00:02:13,040 --> 00:02:16,040
maybe from a friend,
maybe from a lover
44
00:02:16,040 --> 00:02:20,120
where there's their sent and
the ink bleeding onto the page?
45
00:02:20,120 --> 00:02:23,920
A personal, private,
permanent connection
46
00:02:23,920 --> 00:02:26,040
with another human being.
47
00:02:27,240 --> 00:02:29,800
Letters are more than
just words on a page.
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00:02:29,800 --> 00:02:33,400
They're time capsules
filled with fears, dreams,
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00:02:33,400 --> 00:02:35,240
laughter and tears.
50
00:02:35,240 --> 00:02:39,320
They're souvenirs of who we
were and who we hoped we'd be.
51
00:02:39,320 --> 00:02:41,920
After Miss Geraldine
Flower passed away,
52
00:02:41,920 --> 00:02:45,520
her daughter found a box filled
with hundreds of letters.
53
00:02:45,520 --> 00:02:47,920
It is a real treasure trove.
54
00:02:47,920 --> 00:02:49,960
These letters then made
their way into the hands
55
00:02:49,960 --> 00:02:51,840
of Miss Emiliana Tarini
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00:02:51,840 --> 00:02:54,440
and more importantly,
into her imagination.
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00:02:54,440 --> 00:02:57,920
(groovy music continues)
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00:03:14,040 --> 00:03:17,160
- To be honest, I always know
when a song is waiting for me.
59
00:03:17,160 --> 00:03:18,720
It hangs over me,
60
00:03:18,720 --> 00:03:22,640
right here just out of
reach like a spectre.
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00:03:22,640 --> 00:03:24,440
But sometimes you're
scrambling around
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00:03:24,440 --> 00:03:28,360
trying to feel something and
you get kind of desperate.
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00:03:28,360 --> 00:03:30,000
You are waiting for
something to ignite
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00:03:30,000 --> 00:03:31,320
and burn a hole through
65
00:03:31,320 --> 00:03:33,800
and lead you right to the end
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00:03:33,800 --> 00:03:35,600
to commit, to obsess.
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00:03:37,800 --> 00:03:40,440
This box of letters
did that to me.
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00:03:40,440 --> 00:03:42,720
- [Miss Flower] I can see you
think you know me better now.
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00:03:42,720 --> 00:03:43,840
- We all know you now.
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00:03:43,840 --> 00:03:45,920
I mean, you were
here for all to see.
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00:03:45,920 --> 00:03:47,120
- What did you find?
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00:03:47,120 --> 00:03:48,800
- "And so we shall
meet in December,
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00:03:48,800 --> 00:03:50,360
where the pines rise
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00:03:50,360 --> 00:03:52,120
and there, we shall marry."
- Which we didn't.
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00:03:52,120 --> 00:03:53,640
- Well, poor boy.
76
00:03:55,440 --> 00:03:57,440
"I am in withdrawal from you.
77
00:03:57,440 --> 00:04:00,240
I shake like a Prague junkie."
(Miss Flower laughs)
78
00:04:00,240 --> 00:04:01,320
- "Like a Prague
junkie," really?
79
00:04:01,320 --> 00:04:02,160
- Ah.
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00:04:02,160 --> 00:04:03,480
This the,
81
00:04:03,480 --> 00:04:06,240
"The light here is
dim and low gold."
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00:04:06,240 --> 00:04:07,560
- Was he,
- "The only illumination
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00:04:07,560 --> 00:04:10,440
is the memory of
your hands on my-"
84
00:04:10,440 --> 00:04:11,360
- Enough?
85
00:04:12,160 --> 00:04:13,280
I was hooked.
86
00:04:14,480 --> 00:04:16,200
I mean, there's enough
love in these letters
87
00:04:16,200 --> 00:04:19,280
to fulfil a person
for 100 years.
88
00:04:19,280 --> 00:04:21,160
- Come on. They're just letters.
89
00:04:21,160 --> 00:04:23,160
- Letters open people
up in ways that
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00:04:23,160 --> 00:04:25,280
nothing else really does.
91
00:04:25,280 --> 00:04:26,880
- Well, when I read them,
92
00:04:26,880 --> 00:04:29,280
I feel like I'm
living your life.
93
00:04:29,280 --> 00:04:32,280
There's mystery, excitement,
94
00:04:32,280 --> 00:04:34,320
the men, the obsessions.
95
00:04:35,640 --> 00:04:40,360
And the first letter I
picked up was "Miss Flower,"
96
00:04:40,360 --> 00:04:42,760
what we call "Miss Flower" now.
97
00:04:42,760 --> 00:04:45,640
And reading that
letter was exhilarating
98
00:04:45,640 --> 00:04:49,880
'cause it was kind of
this 60, sexy, funny,
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00:04:49,880 --> 00:04:53,440
witty, passionate and
that was the letter,
100
00:04:54,840 --> 00:04:57,960
before I read any others,
that ignited this idea that
101
00:04:57,960 --> 00:05:02,680
I wanted to go to the studio
and write a song from it.
102
00:05:02,680 --> 00:05:05,360
- "As the day dawns
dark and windy,
103
00:05:05,360 --> 00:05:08,600
with a hint of a
splash or a shower,
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00:05:08,600 --> 00:05:10,720
there is only one
thing on my mind,
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00:05:10,720 --> 00:05:13,640
a warm kiss with
Geraldine Flower.
106
00:05:14,520 --> 00:05:15,720
Edgy.
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00:05:15,720 --> 00:05:17,480
It may not be Shelly,
Keat or Byron,
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00:05:17,480 --> 00:05:20,680
but it's not bad for so
early in the morning.
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00:05:20,680 --> 00:05:23,400
You are, I imagine,
still in bed.
110
00:05:23,400 --> 00:05:24,680
So I sit here and contemplate
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00:05:24,680 --> 00:05:28,160
how our last night,
a night to remember.
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00:05:28,160 --> 00:05:29,480
The chemistry was wonderful.
113
00:05:29,480 --> 00:05:31,840
Even Cockcroft and
Walton splitting the atom
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00:05:31,840 --> 00:05:33,680
does not compare.
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00:05:33,680 --> 00:05:35,000
There are so many images
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00:05:35,000 --> 00:05:37,680
I can't decide which one
I will enjoy the most.
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00:05:37,680 --> 00:05:40,920
Will it be the gaze of
your eyes across the table
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00:05:40,920 --> 00:05:44,720
or your unique way of
polishing Joni Mitchell
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00:05:44,720 --> 00:05:46,560
before playing her?
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00:05:46,560 --> 00:05:48,400
I've just finished
mowing the lawn.
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00:05:48,400 --> 00:05:51,160
It remained a labour less
of love than necessity.
122
00:05:51,160 --> 00:05:52,680
As I swept backwards
and forwards
123
00:05:52,680 --> 00:05:55,560
striping my way from
one border to the next,
124
00:05:55,560 --> 00:05:58,880
I needed a little
stimulation to keep me going.
125
00:05:58,880 --> 00:06:00,640
And so I thought of you.
126
00:06:00,640 --> 00:06:02,760
I imagined you as so many things
127
00:06:02,760 --> 00:06:05,000
and then as a wine.
128
00:06:05,000 --> 00:06:06,640
How would such a wine taste?
129
00:06:06,640 --> 00:06:08,640
From where would it come?
130
00:06:08,640 --> 00:06:10,800
I consulted the
world Atlas of wine
131
00:06:10,800 --> 00:06:13,920
and it told me Australian
wine is hot right now.
132
00:06:13,920 --> 00:06:15,680
That sounded
promising as there's
133
00:06:15,680 --> 00:06:18,800
certainly a warmth running
through your veins.
134
00:06:18,800 --> 00:06:21,960
So please Miss Flower,
be gentle with me.
135
00:06:21,960 --> 00:06:24,440
Let me take a few delicate
sips to start with
136
00:06:24,440 --> 00:06:27,240
before I drain my glass dry.
137
00:06:27,240 --> 00:06:29,640
I look forward to our tasting.
138
00:06:29,640 --> 00:06:33,200
♪ I have just completed
mowing your lawn ♪
139
00:06:33,200 --> 00:06:35,360
♪ It remains a
labour less of love ♪
140
00:06:35,360 --> 00:06:37,640
♪ But the need to
be around you ♪
141
00:06:37,640 --> 00:06:41,680
♪ And the grass keeps growing
and so needs cutting ♪
142
00:06:41,680 --> 00:06:45,080
♪ So I'm there for the doing
143
00:06:45,080 --> 00:06:46,840
♪ And I go backwards
144
00:06:46,840 --> 00:06:48,520
♪ And I go forwards
145
00:06:48,520 --> 00:06:50,720
♪ Striping my way
to the borders ♪
146
00:06:50,720 --> 00:06:52,880
♪ Looking at you
through the windows ♪
147
00:06:52,880 --> 00:06:55,000
♪ I want to taste you
148
00:06:55,000 --> 00:06:57,080
♪ Taste your lips,
feel your hair ♪
149
00:06:57,080 --> 00:06:59,000
♪ I wanna breathe you
150
00:06:59,000 --> 00:07:00,760
♪ Taste your hip, your skin
151
00:07:00,760 --> 00:07:02,880
♪ I wanna own you
152
00:07:02,880 --> 00:07:04,960
♪ Taste your mouth,
taste your fingers ♪
153
00:07:04,960 --> 00:07:06,880
♪ I wanna love you
154
00:07:06,880 --> 00:07:08,760
♪ Taste your
breath, your sweat ♪
155
00:07:08,760 --> 00:07:13,840
♪ Let me adore you
156
00:07:17,040 --> 00:07:21,320
♪ Now I try to
imagine you a wine ♪
157
00:07:21,320 --> 00:07:25,400
♪ What sort you'd be and
how I would describe you ♪
158
00:07:25,400 --> 00:07:29,160
♪ I read the vine, you come
from grows on hot land ♪
159
00:07:29,160 --> 00:07:31,160
♪ There's a heat running
through your veins ♪
160
00:07:31,160 --> 00:07:33,520
♪ I feel it now in mine
161
00:07:33,520 --> 00:07:35,120
♪ These wine's a sensation
162
00:07:35,120 --> 00:07:37,480
♪ Now wouldn't you agree
163
00:07:37,480 --> 00:07:41,000
♪ Miss Flower
164
00:07:41,000 --> 00:07:43,000
♪ I want to taste you
165
00:07:43,000 --> 00:07:44,720
♪ Taste your lips,
feel your hair ♪
166
00:07:44,720 --> 00:07:46,960
♪ I wanna breathe you
167
00:07:46,960 --> 00:07:48,840
♪ Taste your hips,
taste your skin ♪
168
00:07:48,840 --> 00:07:51,000
♪ I wanna own you
169
00:07:51,000 --> 00:07:52,880
♪ Taste your mouth,
taste your fingers ♪
170
00:07:52,880 --> 00:07:55,040
♪ I wanna love you
171
00:07:55,040 --> 00:07:56,600
♪ Taste your breath,
taste your sweat ♪
172
00:07:56,600 --> 00:08:01,600
♪ Let me adore you
173
00:08:05,080 --> 00:08:08,200
♪ Could I have put
it any better ♪
174
00:08:08,200 --> 00:08:09,680
♪ No
175
00:08:09,680 --> 00:08:13,560
♪ What more can I learn
but from the master ♪
176
00:08:13,560 --> 00:08:17,040
♪ Labels can be extremely
helpful to the initiated ♪
177
00:08:17,040 --> 00:08:19,120
♪ And bewildering
to the newcomer ♪
178
00:08:19,120 --> 00:08:21,640
♪ So remember Miss Flower
179
00:08:21,640 --> 00:08:23,720
♪ Be gentle with me
180
00:08:23,720 --> 00:08:26,440
♪ A few delicate
sips to start with ♪
181
00:08:26,440 --> 00:08:29,320
♪ Before I drink my glass dry
182
00:08:29,320 --> 00:08:31,360
♪ To appreciate the vintage
183
00:08:31,360 --> 00:08:32,680
♪ To enjoy the richness
184
00:08:32,680 --> 00:08:34,640
♪ And fruit to the full
185
00:08:34,640 --> 00:08:37,360
♪ Could well take
several hours ♪
186
00:08:37,360 --> 00:08:39,640
♪ If not days
187
00:08:39,640 --> 00:08:41,520
♪ Or much longer
188
00:08:41,520 --> 00:08:44,800
♪ Your answers
whispered in my ear ♪
189
00:08:44,800 --> 00:08:45,800
♪ Welcome
190
00:08:45,800 --> 00:08:47,240
♪ I want to taste you
191
00:08:47,240 --> 00:08:48,960
♪ Taste your lips,
feel your hair ♪
192
00:08:48,960 --> 00:08:51,120
♪ I wanna breathe you
193
00:08:51,120 --> 00:08:52,840
♪ Taste your hips,
taste your skin ♪
194
00:08:52,840 --> 00:08:54,880
♪ I wanna own you
195
00:08:54,880 --> 00:08:56,880
♪ Taste your mouth,
taste your fingers ♪
196
00:08:56,880 --> 00:08:59,040
♪ I wanna love you
197
00:08:59,040 --> 00:09:00,920
♪ Taste your breath,
taste your sweat ♪
198
00:09:00,920 --> 00:09:02,840
♪ Let me adore you
199
00:09:02,840 --> 00:09:04,920
♪ Taste your lips,
feel your hair ♪
200
00:09:04,920 --> 00:09:07,160
♪ I wanna breathe you
201
00:09:07,160 --> 00:09:08,880
♪ Taste your hips,
taste your skin ♪
202
00:09:08,880 --> 00:09:10,880
♪ I wanna own you
203
00:09:10,880 --> 00:09:12,960
♪ Taste your mouth,
taste your fingers ♪
204
00:09:12,960 --> 00:09:14,800
♪ I wanna love you
205
00:09:14,800 --> 00:09:16,720
♪ Taste your breath,
taste your sweat ♪
206
00:09:16,720 --> 00:09:19,760
♪ Let me adore you
207
00:09:19,760 --> 00:09:24,840
♪ Taste you
208
00:09:25,520 --> 00:09:29,640
♪ I want to taste you
209
00:09:29,640 --> 00:09:32,920
♪ Love you
210
00:09:32,920 --> 00:09:35,640
♪ I wanna taste you
211
00:09:35,640 --> 00:09:40,720
♪ Taste you
212
00:09:41,400 --> 00:09:45,600
♪ I want to taste you
213
00:09:45,600 --> 00:09:48,960
♪ Love you
214
00:09:48,960 --> 00:09:51,600
♪ I wanna taste you
215
00:09:51,600 --> 00:09:54,040
♪ Taste you
216
00:10:09,240 --> 00:10:11,720
- To the extraordinary
Miss Flower.
217
00:10:11,720 --> 00:10:14,360
- [All] To the
extraordinary Miss Flower.
218
00:10:14,360 --> 00:10:16,440
- [Miss Flower]
How sweet you are.
219
00:10:16,440 --> 00:10:18,560
Now tell me what more
did you discover?
220
00:10:18,560 --> 00:10:21,160
- [Emiliana] Men
proposing marriage,
221
00:10:21,160 --> 00:10:23,600
men in financial distress,
222
00:10:23,600 --> 00:10:25,440
men declaring their secrets,
- Men declaring their secrets,
223
00:10:25,440 --> 00:10:27,240
their inner most desires,
224
00:10:27,240 --> 00:10:29,600
men begging for forgiveness,
225
00:10:29,600 --> 00:10:31,640
men telling me to
believe in myself,
226
00:10:31,640 --> 00:10:36,040
men locked in loveless marriages
searching for a way out,
227
00:10:36,040 --> 00:10:38,680
men writing from the
corners of the globe,
228
00:10:38,680 --> 00:10:40,720
men becoming
different on the page,
229
00:10:40,720 --> 00:10:42,680
men enthral of memory,
230
00:10:42,680 --> 00:10:45,080
men enthral to
memories yet to come,
231
00:10:45,080 --> 00:10:47,800
men telling me of love as
though I have not lived it,
232
00:10:47,800 --> 00:10:50,320
men saying more than
their words can carry,
233
00:10:50,320 --> 00:10:52,680
men talking in code.
234
00:10:52,680 --> 00:10:54,360
- She said code.
- That's what she said,
235
00:10:54,360 --> 00:10:55,800
"Code."
- I know we were supposed
236
00:10:55,800 --> 00:10:57,080
to think these are love letters
237
00:10:57,080 --> 00:11:00,160
but Miss Flower, they're
are codes, are they not?
238
00:11:00,160 --> 00:11:00,920
This here.
239
00:11:01,880 --> 00:11:03,480
- [Agent] Clear
as day, spy craft.
240
00:11:03,480 --> 00:11:05,080
(tape reeling)
241
00:11:05,080 --> 00:11:06,640
- [Agent] Tell me
about this man.
242
00:11:06,640 --> 00:11:08,320
Tell me about his codes.
243
00:11:08,320 --> 00:11:10,040
- No comment.
- Right.
244
00:11:10,040 --> 00:11:12,280
Well, then listen to this,
245
00:11:12,280 --> 00:11:13,600
- "Dear Geraldine,
246
00:11:13,600 --> 00:11:17,440
our first encounter is
still vivid in my mind.
247
00:11:17,440 --> 00:11:20,560
I hope you're still in
London because I arrive soon
248
00:11:20,560 --> 00:11:24,760
and long to enjoy some
more summer walks with you.
249
00:11:25,760 --> 00:11:29,000
I expect to land
on August 10 or 11.
250
00:11:29,000 --> 00:11:31,040
In order that we can meet,
251
00:11:31,040 --> 00:11:34,840
leave your current
phone number at one or,
252
00:11:34,840 --> 00:11:37,400
of the following places.
253
00:11:37,400 --> 00:11:38,640
One, Gulf Air.
254
00:11:39,800 --> 00:11:41,880
I will arrive on this
flight unless it is,
255
00:11:41,880 --> 00:11:44,520
two, Egypt Air, Tuesday morning,
256
00:11:45,560 --> 00:11:47,880
three, American Express,
257
00:11:47,880 --> 00:11:50,000
and four, Park Lane Hotel.
258
00:11:52,160 --> 00:11:53,560
When I leave,
259
00:11:53,560 --> 00:11:58,160
I will meet with my father
who's visiting Istanbul.
260
00:11:58,160 --> 00:12:00,320
He was telling me how
to find the caves.
261
00:12:00,320 --> 00:12:02,280
We'll explore it there.
262
00:12:03,400 --> 00:12:06,040
If you don't receive
this letter in time,
263
00:12:06,040 --> 00:12:08,280
let us meet at noon Sunday
264
00:12:09,120 --> 00:12:11,640
in front of Westminster Abby."
265
00:12:14,360 --> 00:12:17,080
(upbeat music)
266
00:12:25,320 --> 00:12:28,120
♪ I hope you're
still in London. ♪
267
00:12:28,120 --> 00:12:29,640
♪ I soon will be
268
00:12:29,640 --> 00:12:33,800
♪ And want to take some more
pleasant walks with you ♪
269
00:12:33,800 --> 00:12:36,760
♪ Right after, I must
head to Istanbul ♪
270
00:12:36,760 --> 00:12:38,000
♪ You must tell
me how to reach ♪
271
00:12:38,000 --> 00:12:42,240
♪ That fascinating cave
city you explored ♪
272
00:12:42,240 --> 00:12:44,480
♪ Now leave your address
and phone number ♪
273
00:12:44,480 --> 00:12:48,200
♪ At all the places
I wrote you ♪
274
00:12:48,200 --> 00:12:51,400
♪ In case you don't receive
this letter by Friday ♪
275
00:12:51,400 --> 00:12:54,080
♪ Let us plan to
meet at noon Sunday ♪
276
00:12:54,080 --> 00:12:57,920
♪ In front of Westminster Abby
277
00:12:57,920 --> 00:13:01,080
♪ You live by a mantra
that describes you well ♪
278
00:13:01,080 --> 00:13:04,040
♪ Be curious, not judgmental
279
00:13:04,040 --> 00:13:07,600
♪ I don't know why I
suddenly remember that ♪
280
00:13:07,600 --> 00:13:10,520
♪ Our encounter such
a pleasant memory ♪
281
00:13:10,520 --> 00:13:14,040
♪ You are easy to talk
to and hard to forget ♪
282
00:13:14,040 --> 00:13:19,080
♪ And no, I still haven't
been to the Scottish meadows ♪
283
00:13:20,240 --> 00:13:22,680
♪ You know that dream
284
00:13:22,680 --> 00:13:25,360
♪ It still keeps
coming back to me ♪
285
00:13:25,360 --> 00:13:29,960
♪ I stand by lake pitch
black in the full moon ♪
286
00:13:29,960 --> 00:13:34,240
♪ This mirrors perfectly
on the still surface ♪
287
00:13:34,240 --> 00:13:36,560
♪ So still is the water
288
00:13:36,560 --> 00:13:41,080
♪ You see every detail
and every texture ♪
289
00:13:41,080 --> 00:13:45,200
♪ So undisturbed
that when I enter ♪
290
00:13:45,200 --> 00:13:48,080
♪ It's as if entering into
291
00:13:48,080 --> 00:13:53,080
♪ Pitch black oil
292
00:13:53,080 --> 00:13:55,680
♪ Moonbeams strike the waves
293
00:13:55,680 --> 00:13:58,600
♪ Making white lights
flow and dance ♪
294
00:13:58,600 --> 00:14:03,520
♪ On the branches of a
tree that bows above me ♪
295
00:14:04,720 --> 00:14:09,280
♪ The quality of that
moment passed me by ♪
296
00:14:10,520 --> 00:14:14,640
♪ The perfection of it
somehow uneventful ♪
297
00:14:15,840 --> 00:14:18,320
♪ Adrenaline filled
my veins, the terror ♪
298
00:14:18,320 --> 00:14:20,840
♪ Of nowhere to hide
299
00:14:20,840 --> 00:14:25,920
♪ A blow back, I left traces
300
00:14:27,240 --> 00:14:31,680
♪ And it hurts the regret,
stabbing at my chest ♪
301
00:14:32,960 --> 00:14:37,480
♪ I lived most of my
life behind the curtain ♪
302
00:14:38,680 --> 00:14:42,760
♪ We are only as sick
as our darkest secrets ♪
303
00:14:43,960 --> 00:14:48,720
♪ We are only as sick
as our darkest secrets ♪
304
00:14:52,920 --> 00:14:58,000
♪ I look down not expecting to
see my hand in the dark water ♪
305
00:14:58,680 --> 00:15:00,240
♪ But there it is
306
00:15:00,240 --> 00:15:04,600
♪ Under a perfectly clear
almost hyaline surface ♪
307
00:15:04,600 --> 00:15:08,600
♪ It seems paler
then it really is ♪
308
00:15:08,600 --> 00:15:11,280
♪ Ripples circle my
body, gliding forward ♪
309
00:15:11,280 --> 00:15:14,920
♪ Over the perfect
mirror-image of the night ♪
310
00:15:14,920 --> 00:15:18,040
♪ Obscuring the detailed
textures of the forest ♪
311
00:15:18,040 --> 00:15:21,040
♪ And disturbing the
twinkling light of the stars ♪
312
00:15:21,040 --> 00:15:23,400
♪ That cover a pretend sky
313
00:15:23,400 --> 00:15:26,000
♪ Moonbeams strike the waves
314
00:15:26,000 --> 00:15:28,760
♪ Making white lights
flow and dance ♪
315
00:15:28,760 --> 00:15:33,840
♪ On the branches of a
tree that bows above me ♪
316
00:15:35,040 --> 00:15:39,520
♪ The quality of that
moment passed me by ♪
317
00:15:40,760 --> 00:15:45,120
♪ The perfection of it
somehow uneventful ♪
318
00:15:46,320 --> 00:15:48,720
♪ Adrenaline filled
my veins, the terror ♪
319
00:15:48,720 --> 00:15:51,280
♪ Of nowhere to hide
320
00:15:51,280 --> 00:15:56,360
♪ A blow back, I left traces
321
00:15:57,680 --> 00:16:01,920
♪ And it hurts the regret,
stabbing at my chest ♪
322
00:16:03,200 --> 00:16:07,720
♪ I lived most of my
life behind the curtain ♪
323
00:16:08,920 --> 00:16:13,280
♪ We are only as sick
as our darkest secrets ♪
324
00:16:14,480 --> 00:16:19,120
♪ We are only as sick
as our darkest secrets ♪
325
00:16:20,360 --> 00:16:23,120
♪ In case you don't receive
this letter by Friday ♪
326
00:16:23,120 --> 00:16:25,760
♪ Let us plan to
meet at noon Sunday ♪
327
00:16:25,760 --> 00:16:28,360
♪ In front of Westminster Abby
328
00:16:28,360 --> 00:16:30,960
♪ Moonbeams strike the waves
329
00:16:30,960 --> 00:16:33,760
♪ Moonbeams strike the waves
330
00:16:33,760 --> 00:16:37,000
♪ We are only as sick
as our darkest secrets ♪
331
00:16:37,000 --> 00:16:39,480
♪ Moonbeams strike the waves
332
00:16:39,480 --> 00:16:42,600
♪ Moonbeams strike the waves
333
00:16:42,600 --> 00:16:45,000
♪ Moonbeams strike the waves
334
00:16:45,000 --> 00:16:50,080
♪ We are only as sick
as our darkest secrets ♪
335
00:16:51,280 --> 00:16:55,560
♪ We are only as sick
as our darkest secrets ♪
336
00:16:56,760 --> 00:17:00,160
♪ We are only as sick
as our darkest secrets ♪
337
00:17:00,160 --> 00:17:03,120
(radio chattering)
338
00:17:27,320 --> 00:17:32,400
♪ Oh, take every
breath from me ♪
339
00:17:33,960 --> 00:17:39,000
♪ Act without questioning
340
00:17:40,400 --> 00:17:44,480
♪ Do what you came here to do
341
00:17:44,480 --> 00:17:47,000
♪ And in the end
342
00:17:47,000 --> 00:17:52,080
♪ It won't mean
much to you, mm ♪
343
00:17:53,280 --> 00:17:55,440
♪ Meet me at the waterhole
344
00:17:55,440 --> 00:17:59,240
♪ There's a shadow
in the water ♪
345
00:17:59,240 --> 00:18:01,880
♪ And if you flinch
it will get you ♪
346
00:18:01,880 --> 00:18:05,960
♪ You got my back, I got yours
347
00:18:05,960 --> 00:18:08,280
♪ Yeah, meet me
at the waterhole ♪
348
00:18:08,280 --> 00:18:12,000
♪ There are ripples
on the surface, mm ♪
349
00:18:12,000 --> 00:18:14,840
♪ We got to run, run, run
350
00:18:14,840 --> 00:18:19,280
♪ You got me, I got you
351
00:18:19,280 --> 00:18:21,080
♪ But you messed up
352
00:18:21,080 --> 00:18:23,320
♪ Oh, really, really messed up
353
00:18:23,320 --> 00:18:26,280
♪ No, you messed up, oh
354
00:18:26,280 --> 00:18:27,800
♪ You messed up
355
00:18:27,800 --> 00:18:30,160
♪ Now you really messed up
356
00:18:30,160 --> 00:18:32,240
♪ No, you really,
really messed up ♪
357
00:18:32,240 --> 00:18:33,480
♪ Messed up
358
00:18:33,480 --> 00:18:34,960
♪ You messed up
359
00:18:34,960 --> 00:18:36,840
♪ You really messed up
360
00:18:36,840 --> 00:18:38,680
♪ You really, really messed up
361
00:18:38,680 --> 00:18:40,040
♪ Messed up
362
00:18:40,040 --> 00:18:41,400
♪ You messed up
363
00:18:41,400 --> 00:18:44,720
♪ You really messed up
364
00:19:11,080 --> 00:19:13,160
♪ Meet me at the waterhole
365
00:19:13,160 --> 00:19:17,040
♪ There's a shadow
in the water ♪
366
00:19:17,040 --> 00:19:19,480
♪ And if you flinch
it will get you ♪
367
00:19:19,480 --> 00:19:23,640
♪ You got my back, I got yours
368
00:19:23,640 --> 00:19:26,040
♪ Yeah, meet me
at the waterhole ♪
369
00:19:26,040 --> 00:19:29,880
♪ There are ripples
on the surface, mm ♪
370
00:19:29,880 --> 00:19:32,480
♪ We got to run, run, run
371
00:19:32,480 --> 00:19:37,040
♪ You got me, I got you
372
00:19:37,040 --> 00:19:39,160
♪ But you messed up
373
00:19:39,160 --> 00:19:41,640
♪ Oh, really, really messed up
374
00:19:41,640 --> 00:19:43,560
♪ You really, really messed up
375
00:19:43,560 --> 00:19:44,960
♪ Messed up
376
00:19:44,960 --> 00:19:46,080
♪ You messed up
377
00:19:46,080 --> 00:19:50,200
♪ You really messed up
378
00:19:50,200 --> 00:19:52,000
♪ But you messed up
379
00:19:52,000 --> 00:19:54,480
♪ Oh, really, really messed up
380
00:19:54,480 --> 00:19:56,840
♪ Really messed up, oh
381
00:19:56,840 --> 00:19:58,640
♪ You messed up
382
00:19:58,640 --> 00:20:00,880
♪ Now you really messed up
383
00:20:00,880 --> 00:20:02,880
♪ No, you really,
really messed up ♪
384
00:20:02,880 --> 00:20:04,320
♪ Messed up
385
00:20:04,320 --> 00:20:05,720
♪ You messed up
386
00:20:05,720 --> 00:20:07,720
♪ You really messed up
387
00:20:07,720 --> 00:20:09,360
♪ You really, really messed up
388
00:20:09,360 --> 00:20:10,800
♪ Messed up
389
00:20:10,800 --> 00:20:12,080
♪ You messed up
390
00:20:12,080 --> 00:20:15,400
♪ You really messed up
391
00:20:30,360 --> 00:20:33,200
- [Miss Flower] "As usual,
your letter writing is gripping
392
00:20:33,200 --> 00:20:35,360
and a masterpiece
of counterpoint.
393
00:20:35,360 --> 00:20:37,720
Reading between the
lines, rightly or wrongly,
394
00:20:37,720 --> 00:20:40,800
I feel that you are posing
the following question.
395
00:20:40,800 --> 00:20:42,880
Do I love and want you or not?"
396
00:20:42,880 --> 00:20:44,280
- [Love Interest]
"It is so difficult
397
00:20:44,280 --> 00:20:45,760
to write in the structure
of feelings between us.
398
00:20:45,760 --> 00:20:48,480
The valuable intangibles
is somewhat shaken,
399
00:20:48,480 --> 00:20:51,280
like urgently trying to get
a message across phone line
400
00:20:51,280 --> 00:20:53,080
and not knowing whether
the other person
401
00:20:53,080 --> 00:20:56,360
is really receiving or
even willingly receptive."
402
00:20:56,360 --> 00:20:57,800
- [Miss Flower] "Your
last letter seemed to me
403
00:20:57,800 --> 00:20:59,400
to be riddled with
hidden meanings."
404
00:20:59,400 --> 00:21:01,000
- [Love Interest] "Do you
realise you have written me
405
00:21:01,000 --> 00:21:03,680
37,271 words in your letters."
406
00:21:03,680 --> 00:21:04,840
- [Both] "Meanings."
407
00:21:04,840 --> 00:21:06,240
- "Do I love,"
- "I was intrigued
408
00:21:06,240 --> 00:21:07,640
by your letter mentioning
409
00:21:07,640 --> 00:21:09,920
the unhappy November
deportation date.
410
00:21:09,920 --> 00:21:12,360
You would need serious
countermeasure plans
411
00:21:12,360 --> 00:21:14,720
to return to Britain.
412
00:21:14,720 --> 00:21:17,240
One sure way of ensuring your
return would be of course,
413
00:21:17,240 --> 00:21:19,800
to get married to a Britisher.
414
00:21:21,240 --> 00:21:23,960
I don't know if this is in the
back of your fertile mind."
415
00:21:23,960 --> 00:21:25,200
- So was he spy?
416
00:21:25,200 --> 00:21:27,680
- Those letters were
from two different men.
417
00:21:27,680 --> 00:21:29,400
- That were both spies?
418
00:21:29,400 --> 00:21:32,600
- One, I thought so the other,
419
00:21:32,600 --> 00:21:34,400
- Well, tell me
about the other then.
420
00:21:34,400 --> 00:21:38,000
- Oh Reggie, he wrote the
most beautiful letters,
421
00:21:38,000 --> 00:21:40,240
pages and pages long.
422
00:21:40,240 --> 00:21:43,120
I collected them from post
boxes all over London.
423
00:21:43,120 --> 00:21:45,680
Post boxes all over London.
424
00:21:45,680 --> 00:21:47,760
And then you left him.
425
00:21:47,760 --> 00:21:48,640
- No.
426
00:21:48,640 --> 00:21:49,640
I left for Australia.
427
00:21:49,640 --> 00:21:51,360
My visa was coming to an end.
428
00:21:51,360 --> 00:21:52,680
Look, what can I say?
429
00:21:52,680 --> 00:21:53,840
There's no proposal.
430
00:21:53,840 --> 00:21:55,360
What could I have done?
431
00:21:55,360 --> 00:21:57,520
- "Darling, Flower child,
432
00:21:57,520 --> 00:21:59,560
you must quite rightly
wanna know why on earth
433
00:21:59,560 --> 00:22:01,680
I let you return to Australia.
434
00:22:01,680 --> 00:22:05,960
This abrupt break off must
seem nonsensical and pointless.
435
00:22:05,960 --> 00:22:07,320
We had walked along
the way together
436
00:22:07,320 --> 00:22:09,080
to the point where the
only sensible thing
437
00:22:09,080 --> 00:22:11,920
left open to me
was to marry you.
438
00:22:13,960 --> 00:22:16,880
I can't stop thinking
about our goodbye,
439
00:22:16,880 --> 00:22:19,520
at least my part in it.
440
00:22:19,520 --> 00:22:22,080
You were so very brave.
441
00:22:22,080 --> 00:22:23,800
I think I kept my
defences up to the end
442
00:22:23,800 --> 00:22:27,120
so it wouldn't be
difficult for us.
443
00:22:27,120 --> 00:22:29,760
But I hope you know how I felt.
444
00:22:29,760 --> 00:22:31,640
Your plane was late taking off.
445
00:22:31,640 --> 00:22:33,520
They closed a viewing area.
446
00:22:33,520 --> 00:22:36,600
So I scuttled to the top
of the highest building.
447
00:22:36,600 --> 00:22:37,880
From my distance,
448
00:22:37,880 --> 00:22:40,920
the aircraft appeared to
hover over the runway.
449
00:22:40,920 --> 00:22:43,080
Didn't shoot straight up,
450
00:22:43,080 --> 00:22:46,160
but it was a perfect takeoff.
451
00:22:46,160 --> 00:22:48,400
I got back around 1:00.
452
00:22:48,400 --> 00:22:50,320
I had the rest of
the Frankfurters
453
00:22:50,320 --> 00:22:52,960
and then did the washing up.
454
00:22:52,960 --> 00:22:55,360
I put the tranny on for company.
455
00:22:55,360 --> 00:22:59,520
They say the shock of
emptiness is often delayed.
456
00:22:59,520 --> 00:23:03,040
The flat is so
wretchedly silent now.
457
00:23:03,040 --> 00:23:06,120
It will take me
some time to adjust.
458
00:23:09,320 --> 00:23:12,160
- [Crew Person]
Okay. Ready Phil?
459
00:23:14,160 --> 00:23:15,280
- [Announcer] So straight away.
460
00:23:15,280 --> 00:23:17,520
You cut to three.
461
00:23:17,520 --> 00:23:20,480
(crew chattering)
462
00:23:53,720 --> 00:23:58,800
♪ You know where
I'm coming from ♪
463
00:23:59,640 --> 00:24:04,000
♪ Oh, say something
464
00:24:07,800 --> 00:24:12,880
♪ You had no right to
weave your heart to mine ♪
465
00:24:13,560 --> 00:24:18,400
♪ Mm, undress yourself
466
00:24:22,440 --> 00:24:27,520
♪ Old man, laugh all you want
467
00:24:28,280 --> 00:24:33,080
♪ Oh, mind yourself
468
00:24:36,880 --> 00:24:41,960
♪ Dreamer, what
you hope to find ♪
469
00:24:42,680 --> 00:24:47,360
♪ Oh, it's my secret
470
00:24:50,480 --> 00:24:55,560
♪ Long days,
everything changes ♪
471
00:24:57,480 --> 00:25:01,000
♪ You never asked to stay
472
00:25:03,680 --> 00:25:04,800
- Wait, wait.
473
00:25:05,960 --> 00:25:06,880
Stop.
474
00:25:07,760 --> 00:25:11,240
(feet clomping)
475
00:25:11,240 --> 00:25:12,560
- [Crew Person] Okay, cut.
476
00:25:12,560 --> 00:25:14,240
We're going on VAC.
477
00:25:15,560 --> 00:25:16,760
(feet clomping)
478
00:25:16,760 --> 00:25:17,960
- [Emiliana] But it
didn't end there.
479
00:25:17,960 --> 00:25:20,160
There were years
and years of letters
480
00:25:20,160 --> 00:25:21,280
- [Miss Flower] That
you know there were.
481
00:25:21,280 --> 00:25:22,760
You've read everything.
482
00:25:22,760 --> 00:25:24,560
- [Emiliana] Did you love him?
483
00:25:24,560 --> 00:25:26,800
- [Miss Flower] Yes, I loved
him but it was always ending
484
00:25:26,800 --> 00:25:28,520
and always beginning and,
485
00:25:28,520 --> 00:25:30,360
- But not like,
- No, not exclusively.
486
00:25:30,360 --> 00:25:31,680
No.
487
00:25:31,680 --> 00:25:33,880
For love to endure it
has to be precarious.
488
00:25:33,880 --> 00:25:36,160
- [Emiliana] Maybe you
didn't wanna hurt him.
489
00:25:36,160 --> 00:25:37,440
- [Miss Flower] I don't know.
490
00:25:37,440 --> 00:25:38,840
I was always open
about my other lovers.
491
00:25:38,840 --> 00:25:40,880
He knew all about that.
492
00:25:40,880 --> 00:25:42,760
- [Emiliana] And he
was never jealous?
493
00:25:42,760 --> 00:25:44,120
- Maybe.
- You're still recording.
494
00:25:44,120 --> 00:25:45,080
- [Miss Flower] He wasn't above,
495
00:25:45,080 --> 00:25:46,440
playing tricks on me there.
496
00:25:46,440 --> 00:25:48,360
- [Emiliana] What do you mean?
497
00:25:48,360 --> 00:25:50,960
- Alas, my lover affair broke.
498
00:25:52,760 --> 00:25:56,320
I lost again and
I am left scarred
499
00:25:56,320 --> 00:25:59,320
Lady K wormed her way into me,
500
00:25:59,320 --> 00:26:02,520
captivated me with my
desire to possess her
501
00:26:02,520 --> 00:26:04,520
and her effusive charm.
502
00:26:05,720 --> 00:26:07,280
I am inconsolable.
503
00:26:08,640 --> 00:26:12,560
My heart lies broken like
shards of ancient pottery,
504
00:26:12,560 --> 00:26:15,360
broken because it has
known of this beauty
505
00:26:15,360 --> 00:26:18,520
and lightly tasted her promise.
506
00:26:18,520 --> 00:26:22,480
Lady K has beguiled me
with her siren call.
507
00:26:22,480 --> 00:26:24,760
It is a delectable madness.
508
00:26:24,760 --> 00:26:28,680
You said the death barrier
had no custom duties.
509
00:26:28,680 --> 00:26:31,000
Lady K is 70 years old.
510
00:26:31,000 --> 00:26:33,880
She's 28 feet long
and delightful.
511
00:26:34,920 --> 00:26:38,240
(seagulls squawking)
512
00:26:38,240 --> 00:26:40,440
♪ I have been
waiting to tell you ♪
513
00:26:40,440 --> 00:26:41,960
♪ It's hard to find the words
514
00:26:41,960 --> 00:26:45,480
♪ But my secret's out and
running rife through London ♪
515
00:26:45,480 --> 00:26:50,560
♪ And I can not bear you
hearing it from someone else ♪
516
00:26:52,360 --> 00:26:55,760
♪ Today my love affair broke
she left me inconsolable ♪
517
00:26:55,760 --> 00:26:59,200
♪ She captivated me,
beguiled me like a siren ♪
518
00:26:59,200 --> 00:27:03,280
♪ Want to possess her to
own her lovely lines ♪
519
00:27:03,280 --> 00:27:07,200
♪ My heart is slow to want
and slow to act but when ♪
520
00:27:07,200 --> 00:27:10,160
♪ It catches fire it's
almost spiritual ♪
521
00:27:10,160 --> 00:27:13,360
♪ My obsession with the
lightness of her promise ♪
522
00:27:13,360 --> 00:27:18,440
♪ Thought I was put here on
this earth to serve my goddess ♪
523
00:27:20,480 --> 00:27:23,680
♪ My Lady Kerylos is
28 feet long and ♪
524
00:27:23,680 --> 00:27:27,200
♪ You wouldn't know it
she is 70 years old ♪
525
00:27:27,200 --> 00:27:30,640
♪ We spent one summer on
her at the Isle of Wight ♪
526
00:27:30,640 --> 00:27:34,200
♪ We had no money to take
her out the boat yard ♪
527
00:27:34,200 --> 00:27:37,200
♪ So we just pretended
we were far at sea ♪
528
00:27:37,200 --> 00:27:40,880
♪ And little Zoe captained
our wildest dreams ♪
529
00:27:40,880 --> 00:27:44,560
♪ We fought monstrous seabirds
for precious chips and ♪
530
00:27:44,560 --> 00:27:47,880
♪ Sailed along colossal
creatures into giant waves ♪
531
00:27:47,880 --> 00:27:51,400
♪ It was to be a surprise
532
00:27:51,400 --> 00:27:55,120
♪ But like Americans,
money speaks loud ♪
533
00:27:55,120 --> 00:27:59,280
♪ A wealthy one came
along and paid ♪
534
00:27:59,280 --> 00:28:01,960
♪ Double in a suitcase
full of cash ♪
535
00:28:01,960 --> 00:28:05,360
♪ I had booked the first
passage through France ♪
536
00:28:05,360 --> 00:28:09,000
♪ That is how I took
Lady K for granted ♪
537
00:28:09,000 --> 00:28:12,480
♪ But Lady Kerylos and
I were not to be so ♪
538
00:28:12,480 --> 00:28:14,320
♪ Another dream
explodes and joins ♪
539
00:28:14,320 --> 00:28:16,200
♪ My heart like faded confetti
540
00:28:16,200 --> 00:28:19,280
♪ On the bottom of
the seven seas ♪
541
00:28:19,280 --> 00:28:22,880
♪ I so wished to sail
my special Lady K ♪
542
00:28:22,880 --> 00:28:26,360
♪ My Lady Kerylos and
I were not to be so ♪
543
00:28:26,360 --> 00:28:28,080
♪ Another dream
explodes and joins ♪
544
00:28:28,080 --> 00:28:30,280
♪ My heart like faded confetti
545
00:28:30,280 --> 00:28:33,200
♪ On the bottom of
the seven seas ♪
546
00:28:33,200 --> 00:28:38,200
♪ I so wished to sail
in my special Lady K ♪
547
00:28:50,800 --> 00:28:52,640
♪ Mm, jealous yet
548
00:28:52,640 --> 00:28:54,960
♪ I can sense it
through your letter ♪
549
00:28:54,960 --> 00:28:57,920
♪ Deep grooves almost
tearing through the paper ♪
550
00:28:57,920 --> 00:29:01,720
♪ Though this fills me with
a wicked sense of pleasure ♪
551
00:29:01,720 --> 00:29:04,520
♪ Now you know the
truth about my ♪
552
00:29:04,520 --> 00:29:08,040
♪ My Lady Kerylos and
I were not to be so ♪
553
00:29:08,040 --> 00:29:09,680
♪ Another dream
explodes and joins ♪
554
00:29:09,680 --> 00:29:11,920
♪ My heart like faded confetti
555
00:29:11,920 --> 00:29:15,040
♪ On the bottom of
the seven seas ♪
556
00:29:15,040 --> 00:29:18,480
♪ I so wished to sail
in my special Lady K ♪
557
00:29:18,480 --> 00:29:22,040
♪ But Lady Kerylos and
I were not to be so ♪
558
00:29:22,040 --> 00:29:23,760
♪ Another dream
explodes and joins ♪
559
00:29:23,760 --> 00:29:25,520
♪ My heart like faded confetti
560
00:29:25,520 --> 00:29:28,920
♪ On the bottom of
the seven seas ♪
561
00:29:28,920 --> 00:29:33,920
♪ I so wished to sail
in my special Lady K ♪
562
00:29:41,000 --> 00:29:44,520
(waves crashing)
(seagulls squawking)
563
00:29:44,520 --> 00:29:45,520
- [Announcer] Okay, everyone.
564
00:29:45,520 --> 00:29:47,320
Let's take a break.
565
00:29:47,320 --> 00:29:52,160
(feet shuffling)
(waves crashing)
566
00:29:52,160 --> 00:29:54,640
- [Crew Person] I heard she
had nine marriage proposals.
567
00:29:54,640 --> 00:29:56,680
- [Crew] Apparently, this
is an infraction crisis.
568
00:29:56,680 --> 00:29:58,440
- [Crew Person] She was
friends with these two guys
569
00:29:58,440 --> 00:30:00,080
who got drunk and
bought a lime company.
570
00:30:00,080 --> 00:30:01,720
Geraldine would sometimes
coax him for it.
571
00:30:01,720 --> 00:30:04,640
(items rattling)
572
00:30:10,520 --> 00:30:13,720
(items clicking)
573
00:30:13,720 --> 00:30:16,520
(feet shuffling)
574
00:30:23,440 --> 00:30:26,600
(gentle piano music)
575
00:30:39,320 --> 00:30:43,200
(gentle piano music continues)
576
00:30:59,440 --> 00:31:03,280
(gentle piano music continues)
577
00:31:18,720 --> 00:31:22,720
(gentle piano music continues)
578
00:31:38,280 --> 00:31:42,280
(gentle piano music continues)
579
00:31:58,160 --> 00:32:02,000
(gentle piano music continues)
580
00:32:19,320 --> 00:32:23,320
(gentle piano music continues)
581
00:32:38,200 --> 00:32:42,240
(gentle piano music continues)
582
00:32:57,280 --> 00:33:01,120
(gentle piano music continues)
583
00:33:15,520 --> 00:33:18,880
(feet shuffling)
584
00:33:18,880 --> 00:33:23,840
- [Announcer] Okay, we're
back on. Positions, everyone,
585
00:33:23,840 --> 00:33:28,080
- [Emiliana] Are you
sitting comfortably?
586
00:33:28,080 --> 00:33:31,520
- Let us begin
with the question,
587
00:33:31,520 --> 00:33:34,560
who is Miss Geraldine Flower?
588
00:33:34,560 --> 00:33:38,560
Born in 1947 to parents who
met in Britain during the war
589
00:33:38,560 --> 00:33:41,120
but came from opposite
sides of the world.
590
00:33:41,120 --> 00:33:43,360
Her father, Jack,
was in the Air Force
591
00:33:43,360 --> 00:33:45,200
and came from Australia.
592
00:33:45,200 --> 00:33:47,760
Her mother Audrey
was in the Wharf,
593
00:33:47,760 --> 00:33:50,200
and came from Dublin, Ireland.
594
00:33:50,200 --> 00:33:54,240
Their three children,
Paddy, Geraldine and Mona
595
00:33:54,240 --> 00:33:57,880
grew up in Newcastle
and Sydney, Australia.
596
00:34:01,040 --> 00:34:04,160
Geraldine attended Abbotsleigh,
a progressive girls school.
597
00:34:04,160 --> 00:34:05,960
The Headmistress,
Betty Archdale,
598
00:34:05,960 --> 00:34:08,520
was an extraordinary woman.
599
00:34:08,520 --> 00:34:11,280
During the war,
Archie headed a team
600
00:34:11,280 --> 00:34:13,320
of female code breakers.
601
00:34:13,320 --> 00:34:16,160
She captained an all
women's cricket team.
602
00:34:16,160 --> 00:34:18,400
And at Abbotsleigh,
she reformed discipline
603
00:34:18,400 --> 00:34:20,160
and introduced sex education.
604
00:34:20,160 --> 00:34:24,960
Miss Archdale provided a
written reference for Geraldine.
605
00:34:24,960 --> 00:34:27,120
(dramatic music)
606
00:34:27,120 --> 00:34:29,280
"To whom it may concern.
607
00:34:29,280 --> 00:34:33,280
Geraldine Flower has been
at Abbotsleigh since 1960.
608
00:34:33,280 --> 00:34:35,640
Geraldine is an
intelligent girl.
609
00:34:35,640 --> 00:34:37,520
She passed the
intermediate in 1962
610
00:34:37,520 --> 00:34:40,280
and is sitting for
the leaving this year.
611
00:34:40,280 --> 00:34:43,320
Geraldine has great
vivacity in boys.
612
00:34:43,320 --> 00:34:45,720
She's still lacking
in self-control,
613
00:34:45,720 --> 00:34:48,200
but when she learns
to concentrate,
614
00:34:48,200 --> 00:34:51,000
she'd do very well indeed.
615
00:34:51,000 --> 00:34:53,560
Geraldine is
charming and friendly
616
00:34:53,560 --> 00:34:56,840
and gets on well with everyone.
617
00:34:56,840 --> 00:34:59,280
Your sincerely, Ms.
Archdale, Headmistress."
618
00:34:59,280 --> 00:35:00,880
Geraldine started off as a cadet
619
00:35:00,880 --> 00:35:03,520
at the Australian
Broadcasting Commission,
620
00:35:03,520 --> 00:35:05,680
then at the Macquarie
Broadcasting Service
621
00:35:05,680 --> 00:35:07,440
where she earned a
glowing reference.
622
00:35:07,440 --> 00:35:08,600
- [Crew Person] Standing by.
623
00:35:08,600 --> 00:35:09,920
(feet shuffling)
624
00:35:09,920 --> 00:35:11,160
- [Announcer] In her
capacity as secretary,
625
00:35:11,160 --> 00:35:14,520
Miss Flower's speed,
accuracy and reliability
626
00:35:14,520 --> 00:35:17,480
more than matched the high
demands of this position.
627
00:35:17,480 --> 00:35:18,840
A great deal of this work
628
00:35:18,840 --> 00:35:21,440
was of a highly
confidential nature.
629
00:35:21,440 --> 00:35:23,040
Miss Flower's intelligent
630
00:35:23,040 --> 00:35:25,320
and mature application
in her duties,
631
00:35:25,320 --> 00:35:28,000
her initiative and
alertness of mind,
632
00:35:28,000 --> 00:35:30,040
consideration and sincerity
633
00:35:30,040 --> 00:35:33,120
and her willingness to
cooperate at all times
634
00:35:33,120 --> 00:35:37,520
has established most favourable
impressions in the mind
635
00:35:37,520 --> 00:35:40,480
of the chairman
and his directors.
636
00:35:40,480 --> 00:35:42,640
- In 1968, age 21,
637
00:35:42,640 --> 00:35:43,720
she relocated to London,
638
00:35:43,720 --> 00:35:45,760
relocated to London.
639
00:35:45,760 --> 00:35:50,160
The colour pallette changes
from sepia to Kodachrome.
640
00:35:51,160 --> 00:35:52,560
(feet shuffling)
641
00:35:52,560 --> 00:35:54,000
- [Crew Person] Cameras
rolling. Action.
642
00:35:54,000 --> 00:35:56,080
(birds chirping)
643
00:35:56,080 --> 00:35:58,720
(upbeat music)
644
00:36:19,520 --> 00:36:22,680
♪ Its a beautiful day
645
00:36:22,680 --> 00:36:26,720
♪ Strolling down
Black Lion Lane ♪
646
00:36:26,720 --> 00:36:29,840
♪ There is music playing
647
00:36:29,840 --> 00:36:31,600
♪ There is a party in my head
648
00:36:31,600 --> 00:36:33,920
♪ That feeds my steps
649
00:36:33,920 --> 00:36:39,000
♪ Geraldine you spend
like there's no tomorrow ♪
650
00:36:39,800 --> 00:36:41,800
♪ It don't exist yet
651
00:36:41,800 --> 00:36:46,880
♪ You're always late still
you keep us waiting round ♪
652
00:36:47,920 --> 00:36:49,360
♪ Without you we're
a mess, yeah ♪
653
00:36:49,360 --> 00:36:53,600
♪ Put your shades
on as I am aglow ♪
654
00:36:53,600 --> 00:36:57,400
♪ Feel like dancing,
dancing down the road ♪
655
00:36:57,400 --> 00:37:01,080
♪ Put your shades
on as I am aglow ♪
656
00:37:01,080 --> 00:37:04,480
♪ Feel like dancing,
dancing down the road ♪
657
00:37:04,480 --> 00:37:05,880
♪ Clouds are in the way
658
00:37:05,880 --> 00:37:07,840
♪ Yeah, I don't mind
659
00:37:07,840 --> 00:37:10,680
♪ Daydreaming away
in a slice of sun ♪
660
00:37:10,680 --> 00:37:14,360
♪ I wanna be like this forever
661
00:37:14,360 --> 00:37:19,440
♪ Be like this forever
662
00:37:20,240 --> 00:37:21,080
♪ Clouds are in the way
663
00:37:21,080 --> 00:37:23,400
♪ Yeah, I don't mind
664
00:37:23,400 --> 00:37:25,880
♪ Daydreaming away
in a slice of sun ♪
665
00:37:25,880 --> 00:37:29,360
♪ I wanna be like this forever
666
00:37:29,360 --> 00:37:32,640
♪ Be like this forever
667
00:37:35,720 --> 00:37:40,440
(Emiliana singing
in foreign language)
668
00:37:50,760 --> 00:37:54,480
♪ Put your shades
on as I am aglow ♪
669
00:37:54,480 --> 00:37:58,400
♪ Feel like dancing,
dancing down the road ♪
670
00:37:58,400 --> 00:38:01,920
♪ Put your shades
on as I am aglow ♪
671
00:38:01,920 --> 00:38:05,360
♪ Feel like dancing,
dancing down the road ♪
672
00:38:05,360 --> 00:38:06,640
♪ Clouds are in the way
673
00:38:06,640 --> 00:38:09,120
♪ Yeah, I don't mind
674
00:38:09,120 --> 00:38:11,680
♪ Daydreaming away
in a slice of sun ♪
675
00:38:11,680 --> 00:38:15,080
♪ I wanna be like this forever
676
00:38:15,080 --> 00:38:20,160
♪ Be like this forever
677
00:38:20,960 --> 00:38:22,000
♪ Clouds are in the way
678
00:38:22,000 --> 00:38:24,280
♪ Yeah, I don't mind
679
00:38:24,280 --> 00:38:26,760
♪ Daydreaming away
in a slice of sun ♪
680
00:38:26,760 --> 00:38:30,320
♪ I wanna be like this forever
681
00:38:30,320 --> 00:38:35,360
♪ Be like this forever
682
00:38:36,160 --> 00:38:37,120
♪ Clouds are in the way
683
00:38:37,120 --> 00:38:39,840
♪ Yeah, I don't mind
684
00:38:39,840 --> 00:38:42,000
♪ Daydreaming away
in a slice of sun ♪
685
00:38:42,000 --> 00:38:45,560
♪ I wanna be like this forever
686
00:38:45,560 --> 00:38:50,640
♪ Be like this forever
687
00:38:51,440 --> 00:38:52,440
♪ Clouds are in the way
688
00:38:52,440 --> 00:38:54,960
♪ Yeah, I don't mind
689
00:38:54,960 --> 00:38:57,320
♪ Daydreaming away
in a slice of sun ♪
690
00:38:57,320 --> 00:39:00,800
♪ I wanna be like this forever
691
00:39:00,800 --> 00:39:05,880
♪ Be like this forever
692
00:39:06,680 --> 00:39:07,520
♪ Clouds are in the way
693
00:39:07,520 --> 00:39:10,240
♪ Yeah, I don't mind
694
00:39:10,240 --> 00:39:12,400
♪ Daydreaming away
in a slice of sun ♪
695
00:39:12,400 --> 00:39:16,000
♪ I wanna be like this forever
696
00:39:16,000 --> 00:39:21,080
♪ Be like this forever
697
00:39:21,880 --> 00:39:22,760
♪ Clouds are in the way
698
00:39:22,760 --> 00:39:25,480
♪ Yeah, I don't mind
699
00:39:25,480 --> 00:39:27,600
♪ Daydreaming away
in a slice of sun ♪
700
00:39:27,600 --> 00:39:31,200
♪ I wanna be like this forever
701
00:39:31,200 --> 00:39:34,520
♪ Be like this forever
702
00:39:34,520 --> 00:39:37,280
(crew laughing)
703
00:39:45,920 --> 00:39:48,800
(crew applauding)
704
00:39:58,040 --> 00:39:59,320
- [Crew Person] Come on.
705
00:39:59,320 --> 00:40:00,640
You know you don't wanna
do the, (indistinct)
706
00:40:00,640 --> 00:40:04,680
(birds chirping)
(cars swooshing)
707
00:40:04,680 --> 00:40:06,000
- She relocated to London,
708
00:40:06,000 --> 00:40:07,960
relocated to London,
709
00:40:07,960 --> 00:40:10,320
taking a secretarial job
at The Daily Telegraph.
710
00:40:10,320 --> 00:40:12,680
With journalistic
experience behind her,
711
00:40:12,680 --> 00:40:16,560
Geraldine was offered an
assignment by The Daily Express.
712
00:40:16,560 --> 00:40:18,480
"Dear Miss Flower,
this letter confirms
713
00:40:18,480 --> 00:40:20,680
the following
arrangements between us,
714
00:40:20,680 --> 00:40:22,360
that you will send
to The Daily Express
715
00:40:22,360 --> 00:40:24,520
occasional reels of films
716
00:40:24,520 --> 00:40:26,000
together with
descriptive stories
717
00:40:26,000 --> 00:40:29,920
taken during your three month
tour of the Middle East.
718
00:40:29,920 --> 00:40:31,600
I have advanced you 50 pounds
719
00:40:31,600 --> 00:40:33,480
towards the expenses
of your trip.
720
00:40:33,480 --> 00:40:36,840
Should you fail to
gain publication in
The Daily Express,
721
00:40:36,840 --> 00:40:38,520
you undertake to
repay to the company
722
00:40:38,520 --> 00:40:40,720
25 pounds of the advance.
723
00:40:40,720 --> 00:40:43,720
She stayed in close
contact with her family.
724
00:40:43,720 --> 00:40:45,280
(button clicks)
725
00:40:45,280 --> 00:40:47,120
- [Miss Flower]
"Hi, there brother."
726
00:40:47,120 --> 00:40:50,160
- "And many, many thanks for
saving me with the money.
727
00:40:50,160 --> 00:40:53,960
You cannot imagine how
panic stricken I was
728
00:40:53,960 --> 00:40:55,440
and how desperate.
729
00:40:56,960 --> 00:40:59,400
I should tell you the story if,
730
00:40:59,400 --> 00:41:04,200
promise not to breathe a word
or even a hint of the oldies.
731
00:41:05,920 --> 00:41:09,080
So crazy because everyone's
entitled to a solicitor
732
00:41:09,080 --> 00:41:10,960
and I certainly
couldn't afford one.
733
00:41:10,960 --> 00:41:13,080
And it seemed as if
I was going to have
734
00:41:13,080 --> 00:41:14,600
to do the whole bit on my own.
735
00:41:14,600 --> 00:41:17,280
And at first, I refused
to think about it.
736
00:41:17,280 --> 00:41:18,920
And then as it got
closer and closer
737
00:41:18,920 --> 00:41:23,040
to my court appearance, I was
gonna go right out of my mind.
738
00:41:23,040 --> 00:41:25,760
All I wanted to do was hit
my head against the wall
739
00:41:25,760 --> 00:41:27,960
just because I was so boggled
740
00:41:27,960 --> 00:41:29,760
every time I thought about
what I was gonna say,
741
00:41:29,760 --> 00:41:32,480
and even if I was able to speak.
742
00:41:33,600 --> 00:41:34,840
Because on the night
that I was arrested
743
00:41:34,840 --> 00:41:37,400
and taken down to
Chelsea Police Station,
744
00:41:37,400 --> 00:41:39,120
I was so frightened.
745
00:41:42,120 --> 00:41:44,880
I couldn't even get my name out.
746
00:41:45,880 --> 00:41:47,840
So on Sunday night I sat down
747
00:41:47,840 --> 00:41:50,920
and I tried to think rationally
748
00:41:50,920 --> 00:41:53,560
and decided that no matter what,
749
00:41:54,800 --> 00:41:57,520
regardless of the cost,
750
00:41:57,520 --> 00:42:00,400
I must get myself a solicitor.
751
00:42:00,400 --> 00:42:03,600
And I would phone you
to see whether or not
752
00:42:03,600 --> 00:42:07,680
you could lend me something
to ease the problem.
753
00:42:11,440 --> 00:42:15,360
The money you've lend
me is such a good help.
754
00:42:15,360 --> 00:42:17,960
I have 30 days to pay the fine,
755
00:42:17,960 --> 00:42:21,360
but I also owe the
flat agency 20 pounds
756
00:42:22,640 --> 00:42:25,600
and 20 pounds for the
month's rent due tomorrow,
757
00:42:25,600 --> 00:42:26,920
and an overdraft,
758
00:42:26,920 --> 00:42:29,200
as well as various
clothes of mine,
759
00:42:29,200 --> 00:42:31,760
and various dry
cleaners all over London
760
00:42:31,760 --> 00:42:35,320
that I can't afford
to get out. (chuckles)
761
00:42:35,320 --> 00:42:37,880
Oh, plus 10 pounds
on the telephone
762
00:42:37,880 --> 00:42:41,200
and 15 pounds to the solicitor.
763
00:42:41,200 --> 00:42:43,240
It's all been so costly.
764
00:42:45,240 --> 00:42:48,520
I've been in a complete
state, I can't tell you.
765
00:42:48,520 --> 00:42:50,040
Plus I'm still owning
up about Reggie.
766
00:42:50,040 --> 00:42:54,080
And John, Reggie's best friend,
is all hung up about me.
767
00:42:54,080 --> 00:42:57,720
And back in the flat, Ruby is
close to a nervous breakdown,
768
00:42:57,720 --> 00:43:01,920
crying, moaning, tearing
at her hair all the time
769
00:43:01,920 --> 00:43:06,520
'cause she's hung up about
this friend of mine, Danny.
770
00:43:07,520 --> 00:43:10,400
Life is just so
bloody complicated.
771
00:43:12,400 --> 00:43:14,320
Jesus, it's all too much.
772
00:43:14,320 --> 00:43:15,960
London is too much,
773
00:43:17,920 --> 00:43:20,760
and I would love
to wander a bit.
774
00:43:22,680 --> 00:43:24,600
My feet are so itchy."
775
00:43:25,680 --> 00:43:28,080
- I feel I should
clarify a few things
776
00:43:28,080 --> 00:43:30,840
about that letter to my brother.
777
00:43:31,760 --> 00:43:34,000
It's a crazy stupid story.
778
00:43:37,600 --> 00:43:42,200
I was sharing a house with my
girlfriend and these two guys.
779
00:43:42,200 --> 00:43:44,400
And one of them was pushing hash
780
00:43:44,400 --> 00:43:45,640
and he gave me some Turkish,
781
00:43:45,640 --> 00:43:47,960
which he said was
too nice to sell.
782
00:43:47,960 --> 00:43:49,840
I've never been that into it.
783
00:43:49,840 --> 00:43:53,600
So I've put it in my
handbag, forgot about it.
784
00:43:53,600 --> 00:43:57,280
Oh God, they thought we were
the straightest birds ever.
785
00:43:57,280 --> 00:44:00,040
We moved out soon afterwards.
786
00:44:00,040 --> 00:44:01,640
And moonlight lit.
787
00:44:01,640 --> 00:44:06,720
(lighter flicking)
(gentle music)
788
00:44:08,440 --> 00:44:11,000
And one night, I
was working late
789
00:44:11,000 --> 00:44:13,960
and I had to trek down to
the 24 hour post office
790
00:44:13,960 --> 00:44:15,760
in Trafalgar Square.
791
00:44:15,760 --> 00:44:18,240
I was completely plasmarized.
792
00:44:19,400 --> 00:44:22,920
So this guy helped me
stick all the stamps on.
793
00:44:22,920 --> 00:44:24,200
He asked me to have
a drink with him
794
00:44:24,200 --> 00:44:25,640
and I thought, "Well,
795
00:44:25,640 --> 00:44:26,920
yeah, he's quite nice looking,
796
00:44:26,920 --> 00:44:28,840
very well mannered."
797
00:44:28,840 --> 00:44:30,400
And afterwards he said,
798
00:44:30,400 --> 00:44:34,640
would I mind if he saw me
home as he had nothing to do.
799
00:44:34,640 --> 00:44:38,480
So we go back flat and
I gave him some coffee
800
00:44:39,800 --> 00:44:41,760
and he starts telling
me all about hash
801
00:44:41,760 --> 00:44:45,960
as though he is the
biggest head in the scene.
802
00:44:45,960 --> 00:44:48,160
And I tell him about the
stuff that I've been given
803
00:44:48,160 --> 00:44:50,240
just by way of conversation.
804
00:44:50,240 --> 00:44:54,200
And he reckons that we ought
to roll a joint then and there.
805
00:44:54,200 --> 00:44:55,440
But I refused.
806
00:44:57,640 --> 00:45:01,000
There was something that
made me wary of him.
807
00:45:01,000 --> 00:45:05,280
So I told him straight
that he must be gone.
808
00:45:05,280 --> 00:45:08,440
The next day he rings up and
he invites me out to lunch
809
00:45:08,440 --> 00:45:11,280
and I say, "No,
I can't make it."
810
00:45:13,080 --> 00:45:15,640
Come Sunday, the doorbell goes
811
00:45:16,600 --> 00:45:18,960
and it's this bloody bloke.
812
00:45:20,080 --> 00:45:23,200
So we have some coffee
and talk and then,
813
00:45:24,600 --> 00:45:27,520
then things get kind of paranoid
814
00:45:27,520 --> 00:45:29,440
and he tries to race me off.
815
00:45:29,440 --> 00:45:30,840
And I tell him, "No,
it's just not on."
816
00:45:30,840 --> 00:45:34,360
And he gets quite
vicious and sarcastic.
817
00:45:34,360 --> 00:45:38,920
Come Monday, he rings me
and says, I've gone off him.
818
00:45:38,920 --> 00:45:41,040
And I said, "Look,
I was never on you."
819
00:45:41,040 --> 00:45:42,920
He calls me a bloody
provincial bitch
820
00:45:42,920 --> 00:45:45,560
and slams the receiver down.
821
00:45:45,560 --> 00:45:48,720
That night, when I
got home from work,
822
00:45:48,720 --> 00:45:52,120
there were these three
CID detectives waiting.
823
00:45:52,120 --> 00:45:55,560
They take my handbag, find
the hash and arrest me.
824
00:45:55,560 --> 00:45:59,720
I'm taken off to Chelsea Police
Station shaking all over.
825
00:45:59,720 --> 00:46:01,200
I needed to borrow money
826
00:46:01,200 --> 00:46:05,040
because the bloody magistrate
refused me legal aid.
827
00:46:06,240 --> 00:46:09,480
My solicitor was great
and told my boss,
828
00:46:09,480 --> 00:46:11,640
who's quite an impressive guy,
829
00:46:11,640 --> 00:46:13,320
and said he would testify for me
830
00:46:13,320 --> 00:46:15,960
and wouldn't hear of
me being deported,
831
00:46:15,960 --> 00:46:17,880
which was my big fear.
832
00:46:19,880 --> 00:46:23,480
- Letters weren't the only
thing that we found in that box.
833
00:46:23,480 --> 00:46:25,120
Exhibit A.
834
00:46:25,120 --> 00:46:26,960
- [Miss Flower] That's
my song from Harold.
835
00:46:26,960 --> 00:46:28,320
We met when I was working
836
00:46:28,320 --> 00:46:31,240
for an in-flight magazine
in the Caribbean.
837
00:46:31,240 --> 00:46:34,000
♪ I don't know if it's love
838
00:46:34,000 --> 00:46:36,840
♪ I don't know what it is
839
00:46:36,840 --> 00:46:39,000
♪ I must
840
00:46:39,000 --> 00:46:41,000
♪ Be a fool
841
00:46:41,000 --> 00:46:43,720
♪ Forgive what you did
842
00:46:43,720 --> 00:46:46,560
♪ Long time ago
843
00:46:46,560 --> 00:46:48,920
♪ Put that aside
844
00:46:48,920 --> 00:46:52,160
♪ I still love you so
845
00:47:10,440 --> 00:47:15,480
♪ Beautiful flower sky
defined the lines ♪
846
00:47:16,200 --> 00:47:18,320
♪ And disassembled
847
00:47:18,320 --> 00:47:20,240
♪ Your skin on mine
848
00:47:20,240 --> 00:47:22,760
♪ Everything changes
849
00:47:22,760 --> 00:47:25,720
♪ Lost in sequence of our fate
850
00:47:25,720 --> 00:47:29,760
♪ Another reason you won't
851
00:47:29,760 --> 00:47:32,120
♪ Hmm
852
00:47:32,120 --> 00:47:34,360
♪ You won't forget about me
853
00:47:34,360 --> 00:47:36,920
♪ Tonight I will make you see
854
00:47:36,920 --> 00:47:39,400
♪ You won't forget about me
855
00:47:39,400 --> 00:47:41,840
♪ Hmm
856
00:47:41,840 --> 00:47:44,280
♪ You won't forget about me
857
00:47:44,280 --> 00:47:46,840
♪ Though I know I
must set you free ♪
858
00:47:46,840 --> 00:47:48,360
♪ You won't forget about me
859
00:47:48,360 --> 00:47:51,720
♪ So let's keep dancing
860
00:47:51,720 --> 00:47:54,120
♪ Dancing
861
00:47:54,120 --> 00:47:56,640
♪ Dancing
862
00:47:56,640 --> 00:47:58,120
♪ Dancing
863
00:47:58,120 --> 00:48:01,480
♪ Let's keep dancing
864
00:48:01,480 --> 00:48:03,760
♪ Dancing
865
00:48:03,760 --> 00:48:06,360
♪ Dancing
866
00:48:06,360 --> 00:48:07,880
♪ Dancing
867
00:48:07,880 --> 00:48:09,160
♪ Ooh
868
00:48:09,160 --> 00:48:11,920
♪ Don't know if it's love
869
00:48:11,920 --> 00:48:14,360
♪ Don't know what it is
870
00:48:14,360 --> 00:48:18,880
♪ I must be a fool
871
00:48:18,880 --> 00:48:21,480
♪ Forgive what you did
872
00:48:21,480 --> 00:48:24,480
♪ Long time ago
873
00:48:24,480 --> 00:48:26,560
♪ Put that aside
874
00:48:26,560 --> 00:48:29,360
♪ Still love you so
875
00:48:29,360 --> 00:48:31,720
♪ Hmm
876
00:48:31,720 --> 00:48:34,280
♪ Hmm
877
00:48:34,280 --> 00:48:36,720
♪ Hmm
878
00:48:36,720 --> 00:48:39,200
♪ Hmm
879
00:48:39,200 --> 00:48:41,640
♪ Hmm
880
00:48:41,640 --> 00:48:44,040
♪ Hmm
881
00:48:44,040 --> 00:48:46,480
♪ Hmm
882
00:48:46,480 --> 00:48:48,560
♪ Hmm
883
00:48:48,560 --> 00:48:51,720
♪ My lady blossom
884
00:48:51,720 --> 00:48:53,440
♪ I won't ask you stay
885
00:48:53,440 --> 00:48:56,000
♪ Just for tonight
886
00:48:56,000 --> 00:48:58,280
♪ Let's fly away
887
00:48:58,280 --> 00:49:01,080
♪ No right, no wrong
888
00:49:01,080 --> 00:49:03,560
♪ Lose yourself in me
889
00:49:03,560 --> 00:49:07,520
♪ Here's another
reason you won't ♪
890
00:49:07,520 --> 00:49:09,760
♪ Hmm
891
00:49:09,760 --> 00:49:12,360
♪ You won't forget about me
892
00:49:12,360 --> 00:49:14,600
♪ Tonight I will make you see
893
00:49:14,600 --> 00:49:17,440
♪ You won't forget about me
894
00:49:17,440 --> 00:49:19,800
♪ Hmm
895
00:49:19,800 --> 00:49:22,040
♪ You won't forget about me
896
00:49:22,040 --> 00:49:24,680
♪ Though I know I
must set you free ♪
897
00:49:24,680 --> 00:49:26,320
♪ You won't forget about me
898
00:49:26,320 --> 00:49:29,640
♪ So let's keep dancing
899
00:49:29,640 --> 00:49:32,120
♪ Dancing
900
00:49:32,120 --> 00:49:34,480
♪ Dancing
901
00:49:34,480 --> 00:49:36,080
♪ Dancing
902
00:49:36,080 --> 00:49:39,400
♪ Let's keep dancing
903
00:49:39,400 --> 00:49:41,840
♪ Dancing
904
00:49:41,840 --> 00:49:44,360
♪ Dancing
905
00:49:44,360 --> 00:49:46,080
♪ Dancing
906
00:49:46,080 --> 00:49:49,160
♪ So let's keep dancing
907
00:49:49,160 --> 00:49:51,720
♪ Dancing
908
00:49:51,720 --> 00:49:54,080
♪ Dancing
909
00:49:54,080 --> 00:49:55,640
♪ Dancing
910
00:49:55,640 --> 00:49:59,160
♪ Let's keep dancing
911
00:49:59,160 --> 00:50:01,440
♪ Dancing
912
00:50:01,440 --> 00:50:03,880
♪ Dancing
913
00:50:03,880 --> 00:50:05,640
♪ Dancing
914
00:50:05,640 --> 00:50:06,920
♪ Ooh
915
00:50:06,920 --> 00:50:09,480
♪ Don't know if it's love
916
00:50:09,480 --> 00:50:12,280
♪ Don't know what it is
917
00:50:12,280 --> 00:50:14,360
♪ I must
918
00:50:14,360 --> 00:50:16,160
♪ Be a fool
919
00:50:16,160 --> 00:50:19,200
♪ Forgive what you did
920
00:50:19,200 --> 00:50:21,880
♪ Long time ago
921
00:50:21,880 --> 00:50:24,400
♪ Put that aside
922
00:50:24,400 --> 00:50:27,480
♪ Still love you so
923
00:50:46,320 --> 00:50:49,520
(crew chattering)
924
00:50:49,520 --> 00:50:50,960
- [Announcer] Go ahead and cut.
925
00:50:50,960 --> 00:50:52,760
(crew cheering and applauding)
926
00:50:52,760 --> 00:50:54,320
(button clicks)
927
00:50:54,320 --> 00:50:56,480
(tape jamming)
928
00:50:56,480 --> 00:50:57,640
(button clicks)
929
00:50:57,640 --> 00:51:00,400
(tape rewinding)
930
00:51:02,200 --> 00:51:04,240
- However, after a few years,
931
00:51:04,240 --> 00:51:06,760
Geraldine moved
back to Australia.
932
00:51:06,760 --> 00:51:09,600
(dramatic music)
933
00:51:15,240 --> 00:51:17,800
- [Emiliana] Did you love him?
934
00:51:20,200 --> 00:51:23,160
(plane whining)
935
00:51:23,160 --> 00:51:24,080
- Tweets.
936
00:51:24,080 --> 00:51:25,160
- [Miss Flower] Seemed to me
937
00:51:25,160 --> 00:51:26,200
to be riddled with
hidden meanings.
938
00:51:26,200 --> 00:51:27,600
- [Reggie] If you sincerely
939
00:51:27,600 --> 00:51:28,960
feel blocked in Australia,
940
00:51:28,960 --> 00:51:31,200
then it's easy to arrange
a rescue operation.
941
00:51:31,200 --> 00:51:32,080
- [Miss Flower] Do I love?
942
00:51:32,080 --> 00:51:33,000
- [Reggie] I do see
943
00:51:33,000 --> 00:51:34,880
there is a non IATA airline
944
00:51:34,880 --> 00:51:38,160
that flies out of Australia
right down to south end on sea,
945
00:51:38,160 --> 00:51:40,240
where I could be waiting
with the getaway car.
946
00:51:40,240 --> 00:51:42,040
I could certainly
find a ferry for you.
947
00:51:42,040 --> 00:51:45,280
So the escape hatch be open
to you reasonably quickly.
948
00:51:45,280 --> 00:51:46,080
- Spy.
949
00:51:48,480 --> 00:51:49,520
- I left for Australia.
950
00:51:49,520 --> 00:51:51,000
My visa was coming to an end.
951
00:51:51,000 --> 00:51:53,400
- And Scott was in Australia.
952
00:51:54,920 --> 00:51:57,680
We found so many
letters from Scott,
953
00:51:57,680 --> 00:52:00,160
pages and pages at the time.
954
00:52:00,160 --> 00:52:02,040
- Yes, he was more
articulate on the page
955
00:52:02,040 --> 00:52:04,400
than real life, I think.
956
00:52:04,400 --> 00:52:07,520
- "I have typed this
letter three times.
957
00:52:07,520 --> 00:52:09,720
The first was too emotional
958
00:52:09,720 --> 00:52:13,120
and that seemed to me
to be a lack of faith.
959
00:52:13,120 --> 00:52:15,640
The second was almost perfect,
960
00:52:15,640 --> 00:52:20,080
but it came out stilted
and sounded like a machine.
961
00:52:20,080 --> 00:52:23,480
Tonight I hope to
capture how I feel
962
00:52:23,480 --> 00:52:25,880
without it sounding like words."
963
00:52:25,880 --> 00:52:28,120
- But it wasn't
just the letters,
964
00:52:28,120 --> 00:52:30,240
between them there were telexes,
965
00:52:30,240 --> 00:52:31,560
so many telexes.
966
00:52:31,560 --> 00:52:34,440
(dramatic music)
967
00:52:39,800 --> 00:52:41,600
- "It's,"
- "A long,"
968
00:52:41,600 --> 00:52:43,240
- "Lonely,"
- "Land,"
969
00:52:43,240 --> 00:52:45,240
- "Without,"
- "Your hand,"
970
00:52:45,240 --> 00:52:47,360
- "Or,"
- "Your hair."
971
00:52:47,360 --> 00:52:49,080
- "And,"
- "The silence,"
972
00:52:49,080 --> 00:52:51,920
- "Over there."
- "Stop."
973
00:52:51,920 --> 00:52:54,400
- "Phone call,"
- "Was beautiful."
974
00:52:54,400 --> 00:52:56,000
- "Stop."
- "End of,"
975
00:52:56,000 --> 00:52:57,800
- "Second,"
- "Month,"
976
00:52:57,800 --> 00:52:59,760
- "When you,"
- "Receive this"
977
00:52:59,760 --> 00:53:00,680
- [Miss Flower] "Stop."
978
00:53:00,680 --> 00:53:02,440
- "A three,"
- "Word,"
979
00:53:02,440 --> 00:53:04,360
- "Letter,"
- "Would be"
980
00:53:04,360 --> 00:53:06,440
- "A poem."
- "Stop."
981
00:53:06,440 --> 00:53:07,760
- [Emiliana] "Flower,"
982
00:53:07,760 --> 00:53:10,000
- "Am sure of,"
- "Your,"
983
00:53:10,000 --> 00:53:12,400
- "Love"
- "And absolutely,"
984
00:53:12,400 --> 00:53:14,400
- "Faithful,"
- "Stop."
985
00:53:15,960 --> 00:53:19,680
(dramatic music continues)
986
00:53:20,960 --> 00:53:22,840
- "This,"
- "Is not,"
987
00:53:22,840 --> 00:53:25,000
- [Miss Flower]
"Propaganda stop."
988
00:53:25,000 --> 00:53:27,240
- "I am not,"
- "Drinking you,"
989
00:53:27,240 --> 00:53:29,360
- "Out of,"
- "My mind."
990
00:53:29,360 --> 00:53:31,200
- [Emiliana] "Stop."
991
00:53:31,200 --> 00:53:32,640
- "Have,"
- "Come,"
992
00:53:32,640 --> 00:53:34,280
- "To terms,"
- "With,"
993
00:53:34,280 --> 00:53:36,240
- "My real,"
- "Self,"
994
00:53:36,240 --> 00:53:37,280
- [Miss Flower] "Stop."
995
00:53:37,280 --> 00:53:38,760
- "Don't,"
- "Bite,"
996
00:53:38,760 --> 00:53:41,040
- "Your,"
- "Nails,"
997
00:53:41,040 --> 00:53:42,880
- [Emiliana] "Stop."
998
00:53:42,880 --> 00:53:45,280
- "I have been,"
- "In a fight,"
999
00:53:45,280 --> 00:53:47,160
- [Both] "Stop."
1000
00:53:47,160 --> 00:53:49,000
- "It knocked,"
- "Out,"
1001
00:53:49,000 --> 00:53:51,880
- "The sadness,"
- "Stop."
1002
00:53:51,880 --> 00:53:53,960
- "No obligation,"
- "Stop."
1003
00:53:53,960 --> 00:53:55,960
- "No duty,"
- "To respond,"
1004
00:53:55,960 --> 00:53:57,120
- [Miss Flower] "Stop."
1005
00:53:57,120 --> 00:53:59,680
- "But a,"
- "Three word,"
1006
00:53:59,680 --> 00:54:01,120
- "Letter,"
- "Would be,"
1007
00:54:01,120 --> 00:54:02,920
- "A poem."
- "Stop."
1008
00:54:04,480 --> 00:54:06,000
- "It's a,"
- "Long,"
1009
00:54:06,000 --> 00:54:07,240
- "Lonely,"
- "Land,"
1010
00:54:07,240 --> 00:54:09,120
- "Without,"
- "Your hand,"
1011
00:54:09,120 --> 00:54:10,760
- "Or"
- "Your hair,"
1012
00:54:10,760 --> 00:54:12,800
- "And,"
- "The silence,"
1013
00:54:12,800 --> 00:54:15,120
- "Over there,"
- "Stop."
1014
00:54:15,120 --> 00:54:18,840
(dramatic music continues)
1015
00:54:20,560 --> 00:54:22,200
- It couldn't last.
1016
00:54:22,200 --> 00:54:23,920
I needed to return to,
- Reggie.
1017
00:54:23,920 --> 00:54:24,800
- [Miss Flower] England.
1018
00:54:24,800 --> 00:54:26,120
- [Emiliana] Oh.
1019
00:54:26,120 --> 00:54:28,280
And Scott kept writing
and writing, you know.
1020
00:54:28,280 --> 00:54:31,360
- [Miss Flower]
Writing and writing.
1021
00:54:36,400 --> 00:54:39,240
- "Flower, after you left,
1022
00:54:39,240 --> 00:54:41,720
I would go out and get drunk
1023
00:54:41,720 --> 00:54:44,760
and play our songs
on the jukebox.
1024
00:54:44,760 --> 00:54:47,120
Sometimes some bastard
would come over and say,
1025
00:54:47,120 --> 00:54:50,440
'Ah shit, it's only a
fucking Sheila, mate.'
1026
00:54:50,440 --> 00:54:52,360
And I would think, 'Christ,
1027
00:54:52,360 --> 00:54:56,480
it's not only a fucking
Sheila, it's my Flower.'
1028
00:54:56,480 --> 00:54:57,680
When 'Leaving on a jet plane'
1029
00:54:57,680 --> 00:54:59,640
by Peter Paul and Mary came on,
1030
00:54:59,640 --> 00:55:02,600
a guy said, 'Listen
sport, I'm tired of that.
1031
00:55:02,600 --> 00:55:04,880
You've played it six times.'
1032
00:55:04,880 --> 00:55:09,080
My childish ego forced me
to my feet like karate kid.
1033
00:55:09,080 --> 00:55:12,240
I got one blow in but
he was a real pro.
1034
00:55:12,240 --> 00:55:14,600
My left eye swelled
up till it closed
1035
00:55:14,600 --> 00:55:17,960
and my right cheek swelled
up till I couldn't talk.
1036
00:55:17,960 --> 00:55:20,520
That knocked some of
the melancholy outta me,
1037
00:55:20,520 --> 00:55:21,800
I can tell you.
1038
00:55:23,600 --> 00:55:26,320
The second time I
slept with Marilyn,
1039
00:55:26,320 --> 00:55:28,920
I was so gut
shatteringly desperate
1040
00:55:28,920 --> 00:55:31,720
for the lost love of you.
1041
00:55:31,720 --> 00:55:36,240
I had so much stored up emotion
for you in me, not sexual.
1042
00:55:36,240 --> 00:55:38,320
It was pure bloody love.
1043
00:55:39,680 --> 00:55:41,760
I was inside her and
just laying there
1044
00:55:41,760 --> 00:55:44,400
and my huge loneliness
must have mentally
1045
00:55:44,400 --> 00:55:48,720
welled into her mind and
she said, 'I love you,'
1046
00:55:48,720 --> 00:55:51,960
but she didn't and
I did not love her.
1047
00:55:53,280 --> 00:55:56,000
I just held onto her and I came.
1048
00:55:57,000 --> 00:55:58,200
It was yours."
1049
00:56:05,840 --> 00:56:08,560
(sombre music)
1050
00:56:22,520 --> 00:56:25,600
"Dear Flower, the
chain is now perfect.
1051
00:56:25,600 --> 00:56:29,320
I have removed a knot,
which seemed as old as hell.
1052
00:56:29,320 --> 00:56:30,600
I took over an hour
1053
00:56:30,600 --> 00:56:33,440
and it was an incredible
challenge of ingenuity
1054
00:56:33,440 --> 00:56:37,040
and gentle loosening
of the link structure.
1055
00:56:37,040 --> 00:56:39,080
Did you know of the knot.
1056
00:56:39,080 --> 00:56:43,440
It seemed extremely
symbolic, even supernatural
1057
00:56:43,440 --> 00:56:47,320
as I unmeshed those tiny
fine threads of gold.
1058
00:56:56,240 --> 00:56:59,920
♪ There, the chain
is now perfect ♪
1059
00:56:59,920 --> 00:57:04,000
♪ I removed a knot
as old as hell ♪
1060
00:57:04,000 --> 00:57:07,680
♪ It took me over and hour
1061
00:57:07,680 --> 00:57:10,920
♪ Then an hour
over that as well ♪
1062
00:57:10,920 --> 00:57:15,800
♪ Did you know of the knot
1063
00:57:15,800 --> 00:57:20,120
♪ It seemed symbolic,
even supernatural ♪
1064
00:57:20,120 --> 00:57:25,200
♪ That I unmeshed the
tiny thread of gold ♪
1065
00:57:26,080 --> 00:57:28,320
♪ Now nothing stills my hope
1066
00:57:28,320 --> 00:57:32,600
♪ The sun and certainty
1067
00:57:32,600 --> 00:57:34,320
♪ Will bring again
1068
00:57:34,320 --> 00:57:36,960
♪ You private sound to my ear
1069
00:57:36,960 --> 00:57:40,760
♪ Then Marilyn laid
down on my bed ♪
1070
00:57:40,760 --> 00:57:44,840
♪ Marilyn and her
big soft breasts ♪
1071
00:57:44,840 --> 00:57:48,520
♪ Marilyn put her lips to mine
1072
00:57:48,520 --> 00:57:52,680
♪ Inside, Marilyn,
you are mine ♪
1073
00:57:52,680 --> 00:57:56,720
♪ Out loud, I said I love you
1074
00:57:56,720 --> 00:58:00,840
♪ Then Marilyn said it too
1075
00:58:00,840 --> 00:58:05,920
♪ And Marilyn stayed
1076
00:58:08,160 --> 00:58:13,200
♪ Then so did you
1077
00:58:16,200 --> 00:58:21,280
♪ Then so did you
1078
00:58:25,560 --> 00:58:29,680
♪ I apologised to your mother
1079
00:58:29,680 --> 00:58:33,440
♪ Your face, I didn't mean to
1080
00:58:33,440 --> 00:58:37,720
♪ I want to destroy you
1081
00:58:37,720 --> 00:58:41,520
♪ To then heal you,
kiss you, comfort you ♪
1082
00:58:41,520 --> 00:58:45,800
♪ Make love to you
1083
00:58:45,800 --> 00:58:49,600
♪ The villain and
the hero all in one ♪
1084
00:58:49,600 --> 00:58:53,840
♪ I don't know where
it comes from ♪
1085
00:58:53,840 --> 00:58:57,680
♪ This thing inside,
I can't control ♪
1086
00:58:57,680 --> 00:59:01,880
♪ Does he love you like me
1087
00:59:01,880 --> 00:59:05,840
♪ Sometimes even dangerously
1088
00:59:05,840 --> 00:59:09,680
♪ Does he make you feel safe
1089
00:59:09,680 --> 00:59:12,440
♪ Is your love exhausted
1090
00:59:12,440 --> 00:59:17,520
♪ He just there to
still the current ♪
1091
00:59:18,720 --> 00:59:22,920
♪ It's a long lonely
land without your hand ♪
1092
00:59:24,160 --> 00:59:28,880
♪ Or your hair and the
silence over there ♪
1093
00:59:29,600 --> 00:59:31,640
♪ Don't marry him
1094
00:59:31,640 --> 00:59:36,680
♪ Don't marry him
1095
00:59:37,640 --> 00:59:39,080
♪ Don't marry him
1096
00:59:39,080 --> 00:59:42,840
♪ Then Marilyn laid
down on my bed ♪
1097
00:59:42,840 --> 00:59:47,000
♪ Marilyn and her
big soft breasts ♪
1098
00:59:47,000 --> 00:59:50,600
♪ Marilyn put her lips to mine
1099
00:59:50,600 --> 00:59:54,800
♪ Inside, Marilyn,
you are mine ♪
1100
00:59:54,800 --> 00:59:58,680
♪ Out loud, I said I love you
1101
00:59:58,680 --> 01:00:03,040
♪ Then Marilyn said it too
1102
01:00:03,040 --> 01:00:08,120
♪ And Marilyn stayed
1103
01:00:09,960 --> 01:00:15,040
♪ Then so did you
1104
01:00:18,280 --> 01:00:23,360
♪ Then so did you
1105
01:00:26,320 --> 01:00:31,400
♪ Then so did you
1106
01:00:34,560 --> 01:00:37,480
♪ Then so did you
1107
01:00:49,320 --> 01:00:51,480
- There's so much
power in these letters.
1108
01:00:51,480 --> 01:00:55,720
The snapshots and fragments
of the men that wrote them.
1109
01:00:55,720 --> 01:01:00,600
You always get to bear witness
to their life and love.
1110
01:01:01,800 --> 01:01:04,560
But it became apparent
that it was not enough.
1111
01:01:06,760 --> 01:01:08,680
There was a voice missing.
1112
01:01:08,680 --> 01:01:11,440
(gentle music)
1113
01:01:13,480 --> 01:01:16,720
I was under a lot of
pressure to finish the record
1114
01:01:16,720 --> 01:01:18,040
and I couldn't.
1115
01:01:19,320 --> 01:01:22,920
I was in your upstairs
apartment with a high fever,
1116
01:01:22,920 --> 01:01:25,280
and as my fever rose,
1117
01:01:25,280 --> 01:01:26,880
I kind of saw you there
1118
01:01:26,880 --> 01:01:30,160
sitting at a table
with Janice Joplin
1119
01:01:30,160 --> 01:01:34,080
and Learner Cohen smoking
cigarettes and playing cards.
1120
01:01:34,080 --> 01:01:36,280
And I was begging you,
"Please, we need your voice.
1121
01:01:36,280 --> 01:01:39,360
We need to have you
in this record."
1122
01:01:41,120 --> 01:01:44,520
And you kind of just
laughed at me like.
1123
01:01:46,880 --> 01:01:48,720
I begged for your help.
1124
01:01:49,640 --> 01:01:52,160
And the next day we found this,
1125
01:01:53,480 --> 01:01:54,760
a poem to Reggie
1126
01:01:56,840 --> 01:01:57,960
written by you
1127
01:01:59,320 --> 01:02:02,760
in a place that we'd
looked many times before.
1128
01:02:04,120 --> 01:02:05,600
Will you read it?
1129
01:02:06,680 --> 01:02:08,560
- "When we are making love,
1130
01:02:08,560 --> 01:02:12,360
I feel I'm up on the
highest Himalayan mountain
1131
01:02:12,360 --> 01:02:14,640
and the hundreds of gods
in the Golden Valley
1132
01:02:14,640 --> 01:02:17,200
below us striving to reach us.
1133
01:02:18,880 --> 01:02:23,400
When we are making love, there
is no bed, no floorboards,
1134
01:02:23,400 --> 01:02:26,320
no peeling walls or ceiling.
1135
01:02:26,320 --> 01:02:28,600
We are floating over the shrines
1136
01:02:28,600 --> 01:02:31,560
of the fallacies
among the flowers.
1137
01:02:32,760 --> 01:02:35,400
The only walls are your
legs and arms entwined
1138
01:02:35,400 --> 01:02:37,040
so warm and strong.
1139
01:02:38,960 --> 01:02:41,000
And the ceiling explodes
1140
01:02:42,360 --> 01:02:44,440
when we are making love.
1141
01:02:45,840 --> 01:02:50,880
♪ When we make love
1142
01:02:52,560 --> 01:02:57,520
♪ I feel I'm on the
highest mountain ♪
1143
01:02:59,560 --> 01:03:04,480
♪ And the hundreds of gods
in the golden valley below ♪
1144
01:03:07,280 --> 01:03:12,360
♪ Reach up to us
1145
01:03:14,400 --> 01:03:19,440
♪ We are the sun
1146
01:03:21,600 --> 01:03:26,680
♪ When we make love
1147
01:03:27,880 --> 01:03:32,920
♪ There is no bed,
no floorboards ♪
1148
01:03:33,840 --> 01:03:38,920
♪ No peeling walls, no ceiling
1149
01:03:39,720 --> 01:03:44,400
♪ Floating over shrines
1150
01:03:47,480 --> 01:03:52,560
♪ That rise among the flowers
1151
01:03:54,240 --> 01:03:59,280
♪ The only walls your
legs and arms entwined ♪
1152
01:04:01,120 --> 01:04:06,200
♪ So warm and
strong, with mine ♪
1153
01:04:08,280 --> 01:04:11,360
♪ When we make love
1154
01:04:20,880 --> 01:04:23,960
♪ When we make love
1155
01:04:35,560 --> 01:04:40,640
♪ When we make love
1156
01:04:41,960 --> 01:04:47,040
♪ Misplaced words align
and turn into a poem ♪
1157
01:04:54,960 --> 01:05:00,000
♪ Sorrows turn to blossoms
1158
01:05:01,520 --> 01:05:06,600
♪ We are ancient and just born
1159
01:05:07,720 --> 01:05:12,800
♪ Time happens all at once
1160
01:05:15,160 --> 01:05:20,240
♪ When we make love
1161
01:05:22,520 --> 01:05:27,600
♪ When we make love
1162
01:05:29,320 --> 01:05:33,000
♪ I remember summers
smoking cigarettes ♪
1163
01:05:33,000 --> 01:05:36,720
♪ Blowing smoke bubbles
in a swimming pool ♪
1164
01:05:36,720 --> 01:05:41,800
♪ Bikinis and rainbows
under sprinklers ♪
1165
01:05:42,720 --> 01:05:47,800
♪ When we make love
1166
01:05:49,640 --> 01:05:54,720
♪ When we make love
1167
01:05:57,800 --> 01:06:00,800
♪ Summer rains on hot streets
1168
01:06:00,800 --> 01:06:04,440
♪ Suncream on warm skin
1169
01:06:04,440 --> 01:06:09,520
♪ Lemonade and night
swims, wearing nothing ♪
1170
01:06:10,320 --> 01:06:15,400
♪ When we make love
1171
01:06:17,440 --> 01:06:20,520
♪ When we make love
1172
01:06:51,640 --> 01:06:55,400
♪ I remember summers
smoking cigarettes ♪
1173
01:06:55,400 --> 01:06:59,360
♪ Blowing smoke bubbles
in a swimming pool ♪
1174
01:06:59,360 --> 01:07:02,360
♪ Bikinis and rainbows
under sprinklers ♪
1175
01:07:02,360 --> 01:07:05,360
♪ When we make love
1176
01:07:05,360 --> 01:07:10,400
♪ When we make love
1177
01:07:12,240 --> 01:07:17,320
♪ Summer rains on hot streets
1178
01:07:19,920 --> 01:07:25,000
♪ Suncream on warm skin
1179
01:07:26,840 --> 01:07:31,920
♪ Lemonade and night
swims, wearing nothing ♪
1180
01:07:32,640 --> 01:07:37,600
♪ When we make love
1181
01:07:39,720 --> 01:07:42,800
♪ When we make love
1182
01:08:02,080 --> 01:08:04,760
(gentle music)
1183
01:08:20,040 --> 01:08:23,480
(gentle music continues)
1184
01:08:39,760 --> 01:08:43,240
(gentle music continues)
1185
01:08:59,960 --> 01:09:03,400
(gentle music continues)
1186
01:09:13,120 --> 01:09:15,840
(sombre music)
1187
01:09:21,640 --> 01:09:23,840
- "In Ankara, I met the magician
1188
01:09:23,840 --> 01:09:25,560
who told me to always
surround myself
1189
01:09:25,560 --> 01:09:27,800
with extraordinary people.
1190
01:09:36,080 --> 01:09:41,120
♪ Ooh
1191
01:09:41,680 --> 01:09:46,480
♪ Oh-ooh
1192
01:09:49,600 --> 01:09:54,680
♪ Something I am torn
with maybe saying ♪
1193
01:09:55,440 --> 01:09:59,040
♪ Ooh
1194
01:09:59,040 --> 01:10:04,080
♪ Time fades
1195
01:10:07,640 --> 01:10:12,720
♪ All the same
1196
01:10:14,520 --> 01:10:18,160
♪ I touch your skin
1197
01:10:18,160 --> 01:10:20,960
♪ I know it well
1198
01:10:28,840 --> 01:10:32,560
♪ I touch your skin
1199
01:10:32,560 --> 01:10:36,200
♪ I know it well
1200
01:10:36,200 --> 01:10:41,280
♪ You gave me your
soul, your soul ♪
1201
01:10:43,760 --> 01:10:47,960
♪ And a sky of
worlds to lie under ♪
1202
01:10:57,720 --> 01:11:01,560
♪ A sky of worlds to lie under
1203
01:11:39,720 --> 01:11:42,280
(piano music)
1204
01:11:59,960 --> 01:12:03,200
(piano music continues)
1205
01:12:19,400 --> 01:12:22,760
(piano music continues)
1206
01:12:39,600 --> 01:12:43,000
(piano music continues)
1207
01:13:05,760 --> 01:13:08,320
(dog panting)
82527
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