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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,380 --> 00:00:08,302 YOU NEED, I GOT. TWO FOR $1. 2 00:00:10,098 --> 00:00:12,352 SUNGLASSES, TWO PAIR FOR $10. 3 00:00:33,352 --> 00:00:36,317 HEY. WHAT'S UP, BRO? 4 00:00:36,359 --> 00:00:37,946 YOU READY FOR TONIGHT? 5 00:00:37,987 --> 00:00:40,033 SON, I WAS BORN READY. 6 00:00:40,074 --> 00:00:43,248 YOU HAVE THE WALKIES? YEAH, I GOT THEM. 7 00:00:43,290 --> 00:00:46,295 AH. WHAT'S UP? 8 00:00:46,338 --> 00:00:48,466 YOU 100% SURE ON THIS HOUSE? 9 00:00:48,508 --> 00:00:50,179 YES. 10 00:01:00,992 --> 00:01:04,040 DIM THE LIGHTS. 11 00:01:04,081 --> 00:01:06,461 IF THAT ALARM GOES OFF, YOU'D BETTER BE READY TO FLY. 12 00:01:06,503 --> 00:01:08,590 FLY LIKE SUPERMAN. SERIOUSLY, DUDE, 13 00:01:08,632 --> 00:01:10,594 IF YOU SEE ANYBODY, YOU LET ME KNOW. YOU GOT THAT? 14 00:01:10,636 --> 00:01:13,141 YEAH, COLE, I GOT IT. ALL RIGHT? 15 00:01:13,183 --> 00:01:15,521 YOU STONED, T.J.? 16 00:01:15,563 --> 00:01:17,524 NO, MAN. I'M GOOD. 17 00:02:11,425 --> 00:02:13,846 I'M IN. COPY THAT. 18 00:02:41,234 --> 00:02:42,780 MM! 19 00:03:14,009 --> 00:03:15,637 SHIT! 20 00:03:15,679 --> 00:03:17,224 COLE, COLE, WE GOT COMPANY. 21 00:03:19,103 --> 00:03:21,608 DUDE, THEY'RE PULLING IN THE DRIVEWAY. 22 00:03:21,649 --> 00:03:23,945 YEAH, GOOD EYES, ASSHOLE. 23 00:03:26,409 --> 00:03:30,667 YEAH? OKAY, DESSERT WAS FANTASTIC. 24 00:03:30,710 --> 00:03:33,256 THE WINE WAS FANTASTIC. THE WINE WAS AMAZING. 25 00:03:33,298 --> 00:03:35,678 THANK YOU. THE SINGING WAITERS... 26 00:03:35,719 --> 00:03:38,516 YOU DIDN'T LIKE THEM? 27 00:03:39,894 --> 00:03:41,397 I'M SORRY. 28 00:03:43,527 --> 00:03:45,531 I'M THINKING MARGARITAS IN THE HOT TUB. 29 00:03:45,572 --> 00:03:48,912 MM, SOUNDS GOOD TO ME. OKAY. 30 00:03:56,135 --> 00:03:58,307 HONEY, LOOK. 31 00:04:05,529 --> 00:04:07,283 OKAY. 32 00:04:28,743 --> 00:04:30,704 AHH! 33 00:04:33,585 --> 00:04:35,715 AHH! 34 00:04:53,626 --> 00:04:56,173 HOLD IT RIGHT THERE, SIR! 35 00:04:56,214 --> 00:04:59,137 YOU KEEP YOUR HANDS IN THE AIR! 36 00:04:59,179 --> 00:05:01,058 GET ON THE GROUND! 37 00:05:01,099 --> 00:05:03,186 YOU HAVE ANY WEAPONS 38 00:05:03,229 --> 00:05:04,750 YOU HAVE THE RIGHT TO REMAIN SILENT. 39 00:05:04,773 --> 00:05:06,086 ANYTHING YOU SAY CAN AND WILL BE USED 40 00:05:06,109 --> 00:05:07,529 AGAINST YOU IN A COURT OF LAW. 41 00:05:13,625 --> 00:05:16,589 DEIRDRE, HE'S IN THE CONFERENCE ROOM, NO CUFFS. 42 00:05:19,804 --> 00:05:22,893 IT'S BEEN A WHILE, COLE. 43 00:05:24,479 --> 00:05:27,235 I COULD ONLY IMAGINE WHAT YOUR GRANDMOTHER WOULD THINK, 44 00:05:27,277 --> 00:05:29,364 SEEING YOU SITTING HERE IN MY STATION AGAIN. 45 00:05:29,406 --> 00:05:32,454 YEAH, WELL, SHE DIED LAST YEAR. BURGLARY AND INTENT? 46 00:05:32,496 --> 00:05:34,291 SHE WOULD HAVE BEEN VERY PROUD. 47 00:05:34,333 --> 00:05:36,921 THIS IS NOT YOUR LIFE, MAN. YOU THINK I WANT THIS? 48 00:05:36,963 --> 00:05:38,341 WITH A COUNT OF THREE AND TWO, 49 00:05:38,382 --> 00:05:39,969 YOU HAVEN'T DONE MUCH TO PROVE OTHERWISE. 50 00:05:40,011 --> 00:05:41,389 WHO'S GONNA GIVE ME A SECOND CHANCE? 51 00:05:41,430 --> 00:05:42,850 ALL RIGHT, YOU NEED TO LISTEN UP, 52 00:05:42,892 --> 00:05:44,687 'CAUSE I'M ONLY GONNA SAY THIS ONCE. 53 00:05:44,728 --> 00:05:46,107 THERE'S A PROGRAM. 54 00:05:46,148 --> 00:05:48,737 VALLEY SPIRE COLLEGE SOMETIMES WORKS 55 00:05:48,778 --> 00:05:50,449 WITH THE POLICE TO GIVE JUVIES ON THE MEND 56 00:05:50,490 --> 00:05:53,079 AN OPPORTUNITY THEY NORMALLY WOULD NEVER GET. 57 00:05:53,120 --> 00:05:54,707 I'M TALKING PARTIAL SCHOLARSHIP 58 00:05:54,749 --> 00:05:57,838 IN RETURN FOR THE PROMISE OF COMMUNITY SERVICE. 59 00:05:57,880 --> 00:06:01,011 NOW IF YOU TURN A PAGE ON THIS, 60 00:06:01,053 --> 00:06:02,556 MAYBE I'LL SPONSOR YOU. 61 00:06:02,598 --> 00:06:05,562 COLLEGE? I DIDN'T EVEN FINISH HIGH SCHOOL. 62 00:06:05,604 --> 00:06:07,274 YOU COULD GET YOUR G.E.D., 63 00:06:07,316 --> 00:06:09,194 TAKE THE S.A.T.s IN THE SPRING. 64 00:06:09,237 --> 00:06:11,825 IT'S NOT A LOT OF TIME, BUT I COULD COACH YOU. 65 00:06:11,867 --> 00:06:13,621 YOU COULD BE ON CAMPUS IN NO TIME. 66 00:06:13,662 --> 00:06:15,916 LAST TIME I WAS HERE, YOU SAID GUYS LIKE ME DON'T CHANGE. 67 00:06:15,958 --> 00:06:19,214 MAYBE I DON'T WANT TO SEE A KID LIKE YOU GO TO WASTE. 68 00:06:19,256 --> 00:06:21,303 NEED SOME TIME TO THINK IT OVER? 69 00:06:22,764 --> 00:06:24,601 WHERE DO WE START? 70 00:06:27,439 --> 00:06:29,777 WHOO! SHOULDN'T HAVE WENT OUT LAST NIGHT. 71 00:06:29,819 --> 00:06:32,032 ♪ WELCOME TO COLLEGE LIFE, WELCOME TO COLLEGE LIFE ♪ 72 00:06:32,074 --> 00:06:34,788 ♪ AND EVERYONE TELLIN' ME WELCOME TO COLLEGE LIFE ♪ 73 00:06:34,830 --> 00:06:37,168 ♪ ROLLIN' OUTTA BED, GOT CLASS AT 9:00 ♪ 74 00:06:37,209 --> 00:06:39,839 ♪ BUT YET IT'S ALL GOOD, 'CAUSE HEY, IT'S COLLEGE LIFE ♪ 75 00:06:39,881 --> 00:06:42,470 ♪ NOW I DIDN'T THINK IT WAS GONNA BE LIKE THIS ♪ 76 00:06:42,512 --> 00:06:45,309 ♪ AND I'M PRETTY SURE I AIN'T MAKIN' NO DEAN'S LIST ♪ 77 00:06:45,350 --> 00:06:47,772 ♪ BUT ON MY TOP THREE LIST IT'S KINDA OUT OF SEQUENCE ♪ 78 00:06:47,814 --> 00:06:50,235 ♪ SO LET ME BREAK IT DOWN JUST HOW I SEE THIS ♪ 79 00:06:50,277 --> 00:06:53,033 ♪ FIRST I'MA PARTY HARD, SECOND FIND A GIRL... ♪ 80 00:06:53,075 --> 00:06:56,874 WHAT I REALLY TOOK FROM KLIMT WAS THE POWER OF COLOR AND PATTERNS. 81 00:06:56,916 --> 00:06:59,128 ONCE I DISCOVERED IT, I COULDN'T LET IT GO. 82 00:06:59,170 --> 00:07:02,176 A LITTLE OBSESSIVE-COMPULSIVE, BUT HOPEFULLY IN A GOOD WAY. 83 00:07:02,218 --> 00:07:04,180 LADIES, COME ON NOW. 84 00:07:04,222 --> 00:07:05,892 BIG SMILE FOR THE VIDEO YEARBOOK. 85 00:07:05,933 --> 00:07:07,395 YEAH, RIGHT. HEY HEY. 86 00:07:07,437 --> 00:07:09,148 A LITTLE NIP SLIP'S APPRECIATED. 87 00:07:09,190 --> 00:07:10,610 GROSS! NO, THANK YOU. 88 00:07:10,651 --> 00:07:12,321 LADIES. LADIES, COME ON. 89 00:07:12,364 --> 00:07:13,866 ALL RIGHT, WELL, THE NAME IS SHAWN, 90 00:07:13,908 --> 00:07:15,495 AND I'M GONNA BE HERE ALL NIGHT, LADIES. 91 00:07:15,536 --> 00:07:16,998 ALL NIGHT. 92 00:07:22,634 --> 00:07:24,638 THEY GOT SOME BANGIN' HONEYS IN HERE. 93 00:07:24,680 --> 00:07:26,475 COLE, MAN. YO, WHERE YOU BEEN? 94 00:07:26,516 --> 00:07:29,313 DUDE, WORKING A DOUBLE AT THE ZOO. DAMN. 95 00:07:29,356 --> 00:07:30,900 I GUESS IN THE END I WAS JUST GOING FOR 96 00:07:30,942 --> 00:07:32,570 THE BEAUTY OF THE AFTERMATH. 97 00:07:32,613 --> 00:07:34,324 TO ME, THERE'S SOMETHING FAR MORE INTERESTING 98 00:07:34,366 --> 00:07:36,287 ABOUT AN OCEAN RECEDING AFTER THE WAVE BREAKS. 99 00:07:36,328 --> 00:07:38,248 YEAH, I LIKE IT. THANK YOU SO MUCH FOR COMING. 100 00:07:38,291 --> 00:07:40,002 THERE'S REFRESHMENTS AND FOOD IN THE BACK. 101 00:07:40,044 --> 00:07:41,296 LINDSEY! 102 00:07:41,338 --> 00:07:44,010 HI. 103 00:07:44,052 --> 00:07:46,140 YOU LOOK BEAUTIFUL. THANK YOU. 104 00:07:46,181 --> 00:07:47,726 YEAH, OKAY. I'M LIKING THAT. 105 00:07:47,768 --> 00:07:49,354 KEEP IT GOING, Y'ALL. KEEP KISSING. 106 00:07:49,396 --> 00:07:50,982 DON'T BE A BONEHEAD. 107 00:07:51,024 --> 00:07:53,195 IS THAT ANY WAY TO TREAT YOUR VIDEO TECHNICAL DIRECTOR? 108 00:07:53,237 --> 00:07:55,594 WELL, YOU'RE ANNOYING MY FRIENDS WITH YOUR QUESTIONABLE CLOSE-UPS. 109 00:07:55,617 --> 00:07:58,497 LINDSEY, I DON'T TELL YOU HOW TO PAINT, 110 00:07:58,540 --> 00:08:00,460 SO PLEASE DON'T TELL ME HOW TO DIRECT. 111 00:08:00,501 --> 00:08:03,716 OH, I AM SO SORRY TO HURT YOUR ARTISTIC SENSIBILITIES. 112 00:08:03,758 --> 00:08:05,553 I HAVE TO GO MINGLE WITH THE PEOPLE. OKAY. 113 00:08:05,595 --> 00:08:08,393 ALL RIGHT. I'LL BE HERE. 114 00:08:10,814 --> 00:08:12,734 YO, MAN. 115 00:08:12,777 --> 00:08:15,782 SHE IS BANGIN', MY FRIEND. SIMPLY BANGIN'. 116 00:08:15,824 --> 00:08:18,956 DUDE, IF ANY OF THAT ENDS UP ON "GIRLS GONE WHATEVER," 117 00:08:18,997 --> 00:08:21,503 I KNOW WHERE YOU LIVE. I KNOW WHERE YOU LIVE. 118 00:08:21,544 --> 00:08:23,817 CHILL, ALL RIGHT? I GOT THE ANGLES COVERED. THAT'S WHAT I'M AFRAID OF. 119 00:08:23,840 --> 00:08:26,304 WE'LL TALK ABOUT IT LATER. YOU GOT HALF AN HOUR, 120 00:08:26,345 --> 00:08:28,892 THEN WE'RE OUT OF HERE. PLEASE, NOT NOW. 121 00:08:30,270 --> 00:08:33,443 OH, YES. YO, LOOK WHO JUST TOOK CENTER STAGE. 122 00:08:33,484 --> 00:08:36,741 WHO'S THAT? THAT'S DR. WELLER, MAN, CHAIR OF SOCIOLOGY. 123 00:08:36,783 --> 00:08:39,246 SHE'S BEAUTIFUL. Shawn: YEAH. 124 00:08:39,288 --> 00:08:41,626 JOHN WELLER THOUGHT SO, TOO. HE MARRIED HER. DEAN WELLER? 125 00:08:41,668 --> 00:08:43,713 THE ONE AND ONLY. 126 00:08:43,756 --> 00:08:45,717 THAT GUY'S A SQUARE. HE LANDED HER. 127 00:08:45,760 --> 00:08:47,721 WHOA, UH, PREPARE TO ENGAGE. 128 00:08:51,187 --> 00:08:52,815 ARE YOU GETTING SOME NICE SHOTS IN? 129 00:08:52,856 --> 00:08:54,068 I'M EXPLORING NEW VISIONS. 130 00:08:55,696 --> 00:08:57,574 DR. KAY WELLER. COLE HURLEY. 131 00:08:57,617 --> 00:08:59,203 NICE TO MEET YOU. 132 00:08:59,244 --> 00:09:02,125 UM, WHEN ARE YOU DUE BACK? 133 00:09:02,167 --> 00:09:04,589 "WHEN ARE YOU..." 134 00:09:04,631 --> 00:09:06,593 I TOLD YOU NOT TO WEAR THAT SUIT. 135 00:09:06,635 --> 00:09:09,390 YEAH. I'M DOING AN INTERNSHIP AT THE ZOO. 136 00:09:09,432 --> 00:09:10,935 OH. 137 00:09:10,977 --> 00:09:12,271 ARE YOU MAJORING IN ZOOLOGY? 138 00:09:12,313 --> 00:09:14,066 I HAVEN'T PICKED A MAJOR YET. 139 00:09:14,108 --> 00:09:15,862 JUST A FRESHMAN PLAYING THE FIELD. 140 00:09:15,903 --> 00:09:18,408 YOUR FRIEND LINDSEY IS VERY TALENTED. 141 00:09:18,450 --> 00:09:20,913 VERY TALENTED. 142 00:09:20,955 --> 00:09:26,048 THE STAR OF THE SHOW, THE WIND UNDER HIS WINGS. 143 00:09:26,091 --> 00:09:27,472 YOU'RE HER REPRESENTATIVE, I TAKE IT. 144 00:09:27,509 --> 00:09:31,059 SHAWN HADLEY, FILM AND VIDEO. 145 00:09:32,812 --> 00:09:35,484 DR. WELLER, I AM DELIGHTED TO SAY 146 00:09:35,526 --> 00:09:37,488 THAT I'LL BE TAKING YOUR COURSE NEXT SEMESTER. 147 00:09:37,530 --> 00:09:39,785 OH, ARE YOU INTERESTED IN THE METHODS AND PRACTICES 148 00:09:39,826 --> 00:09:42,081 OF HUMAN BEHAVIOR, MR. HADLEY? 149 00:09:42,122 --> 00:09:45,504 SURE. I MEAN THAT AND THE ART OF FEMALE FORM 150 00:09:45,546 --> 00:09:47,926 WAS ALREADY BOOKED UP, SO... 151 00:09:47,968 --> 00:09:50,932 WELL, I'M SURE THAT YOU WILL LEARN SOMETHING 152 00:09:50,974 --> 00:09:54,606 THAT WILL BE HELPFUL TO YOUR CREATIVE ENDEAVORS. 153 00:09:54,648 --> 00:09:56,652 I'M SURE I WILL. 154 00:09:56,693 --> 00:09:59,533 WELL, GENTLEMEN, I'LL LET YOU GET BACK TO YOUR EVENING. 155 00:09:59,574 --> 00:10:01,829 IT WAS NICE TO MEET YOU. YOU TOO. 156 00:10:03,624 --> 00:10:05,336 SHE BEELINED RIGHT UP TO ME, DAWG. 157 00:10:05,378 --> 00:10:06,797 SHE SO WANTS ME. 158 00:10:06,839 --> 00:10:09,511 YO, I'M DEFINITELY TAKING THAT CLASS. 159 00:10:13,728 --> 00:10:15,439 MY ROOMMATE'S GONE FOR THE WEEKEND. 160 00:10:15,481 --> 00:10:17,128 ARE YOU SURE YOU DON'T WANT TO SPEND THE NIGHT? 161 00:10:17,151 --> 00:10:19,656 OH, I HAVE TO BE UP AT 6:00. 162 00:10:19,698 --> 00:10:22,620 I ALREADY TOLD SHAWN I'D HELP HIM WITH THAT VIDEO YEARBOOK THING. 163 00:10:22,663 --> 00:10:24,667 I DON'T KNOW WHY I VOLUNTEERED FOR THAT. 164 00:10:24,708 --> 00:10:28,006 I DO-SO YOU CAN LOOK AT TITS AND ASS ALL DAY. 165 00:10:28,048 --> 00:10:31,305 I WISH. OH, REALLY? 166 00:10:34,520 --> 00:10:36,398 I SAW YOU TALKING TO PROFESSOR WELLER TONIGHT. 167 00:10:36,440 --> 00:10:37,693 OH, YEAH? YOU KNOW HER? 168 00:10:37,734 --> 00:10:39,321 I DO. I TOOK HER CLASS LAST YEAR. 169 00:10:39,362 --> 00:10:41,242 SHE'S REALLY BRILLIANT. YEAH. 170 00:10:41,283 --> 00:10:43,872 THE WHOLE SOCIOLOGY THING'S PRETTY INTERESTING. 171 00:10:43,913 --> 00:10:45,375 MIGHT BE WORTH AN ELECTIVE. 172 00:10:45,416 --> 00:10:46,961 BUT I THOUGHT WE WERE GONNA TRY 173 00:10:47,003 --> 00:10:48,214 AND TAKE SOMETHING TOGETHER. 174 00:10:48,256 --> 00:10:50,134 IT'S JUST AN ELECTIVE. 175 00:10:50,176 --> 00:10:53,850 BESIDES, I'M REALLY NOT INTO THE WHOLE ART THING ANYWAY. 176 00:10:57,232 --> 00:11:00,530 HEY, LOOK AT ME. 177 00:11:05,749 --> 00:11:08,422 IT'S JUST A CLASS. 178 00:11:08,463 --> 00:11:10,717 IT'S NOT LIKE I'M SHIPPING MYSELF OFF TO NOME. 179 00:11:12,638 --> 00:11:15,728 WELL, DO YOU PROMISE TO LET ME PAINT YOU FOR MY NEXT SHOW? 180 00:11:15,769 --> 00:11:18,566 WE'LL SEE. 181 00:11:38,524 --> 00:11:41,571 COLE, COLE, WHOA! OVER HERE, MAN. 182 00:11:41,612 --> 00:11:43,993 WHAT'S UP, DUDE? YO, I GOT A QUESTION FOR YOU, MAN. 183 00:11:44,035 --> 00:11:48,043 WHERE IS ALL THE TALENT AT? IT'S ALL RIGHT THERE. 184 00:11:48,084 --> 00:11:50,631 THIS IS INTRO TO SOCIOLOGY. ARE WE ALL IN THE RIGHT CLASS? 185 00:11:50,673 --> 00:11:52,218 WAIT A MINUTE. 186 00:11:52,259 --> 00:11:54,055 YOU MEAN THIS ISN'T INTRO TO BASKET WEAVING? 187 00:11:54,096 --> 00:11:56,476 AW, DAMN. I GOT SCREWED AGAIN! 188 00:11:58,606 --> 00:12:00,150 MISTER...? HADLEY. 189 00:12:00,191 --> 00:12:03,031 MR. HADLEY, WELL, I DOUBT YOU WERE SCREWED AGAIN. 190 00:12:03,072 --> 00:12:05,452 IN FACT, WITH YOUR DESPERATE ATTEMPTS FOR ATTENTION, 191 00:12:05,494 --> 00:12:07,248 I DOUBT YOU WERE EVER SCREWED AT ALL. 192 00:12:09,962 --> 00:12:12,800 I'D REALLY APPRECIATE IT IF YOU'D COME HERE TO LEARN, 193 00:12:12,843 --> 00:12:14,304 NOT TO MAKE A FOOL OUT OF YOURSELF. 194 00:12:14,345 --> 00:12:15,742 DR. WELLER, I WAS JUST KIDDING AROUND. 195 00:12:15,765 --> 00:12:17,393 WELL, LOOK HOW FAR IT GOT YOU. 196 00:12:17,435 --> 00:12:20,065 ANY MORE JOKES, PLEASE LEAVE THEM AT THE DOOR. 197 00:12:20,106 --> 00:12:21,902 GOD, WHAT A BITCH! I DIDN'T CATCH THAT. 198 00:12:21,944 --> 00:12:25,827 I SAID "SWITCH," AS IN I'M SWITCHING TO ANOTHER CLASS. 199 00:12:25,868 --> 00:12:27,288 YO, YOU KNOW WHAT? I'M OUT. 200 00:12:27,330 --> 00:12:28,665 COME ON, MAN. 201 00:12:37,517 --> 00:12:41,149 OKAY, SOCIOLOGY: THEORIES AND PRACTICES. 202 00:12:41,191 --> 00:12:43,905 PLEASE OPEN YOUR TEXTBOOKS TO PAGE 127. 203 00:12:57,098 --> 00:12:58,559 HERE YOU GO. OH, THANKS. 204 00:12:58,601 --> 00:13:00,187 YOU'RE WELCOME. 205 00:13:00,229 --> 00:13:02,108 DR. WELLER. 206 00:13:02,150 --> 00:13:03,694 COLE HURLEY. 207 00:13:03,737 --> 00:13:05,448 I JUST WANTED TO REINTRODUCE MYSELF. 208 00:13:05,489 --> 00:13:07,494 WE MET A FEW WEEKS AGO. 209 00:13:07,535 --> 00:13:10,416 THE ART SHOW. OH. SO WE DID. 210 00:13:11,794 --> 00:13:14,132 WELL, HAVE A GOOD DAY. 211 00:13:17,431 --> 00:13:19,142 YOU TOO. 212 00:13:28,035 --> 00:13:29,914 WHAT'S UP, MAN? 213 00:13:29,955 --> 00:13:32,586 LOOK WHO'S BACK. 214 00:13:32,628 --> 00:13:34,673 SO HOW'S THE DRAGON LADY? 215 00:13:34,715 --> 00:13:37,011 DUDE, SHE ALREADY ASSIGNED A SIX-PAGE ESSAY 216 00:13:37,053 --> 00:13:39,391 ON HUMAN BEHAVIOR IN PROGRESSIVE SOCIETY. 217 00:13:39,433 --> 00:13:41,521 THIS STUFF'S INTENSE. 218 00:13:41,562 --> 00:13:43,376 MAYBE I SHOULD HAVE BAILED WITH YOU. YEAH, BUT YOU DIDN'T. 219 00:13:43,399 --> 00:13:44,879 OH, BY THE WAY, THANKS FOR HAVING MY BACK. 220 00:13:44,902 --> 00:13:46,948 I APPRECIATE IT. WHAT'S THAT SUPPOSED TO MEAN? 221 00:13:46,990 --> 00:13:49,286 IT MEANS, COLE, THAT THAT CLASS 222 00:13:49,328 --> 00:13:51,207 IS JUST A STUPID TWO-POINT ELECTIVE. 223 00:13:51,248 --> 00:13:53,628 ANY ONE OF MY BOYS BACK HOME GET EMBARRASSED LIKE THAT, 224 00:13:53,670 --> 00:13:55,973 I WOULD'VE HAD HIS BACK. WHAT ABOUT THAT CONVERSATION WE HAD? 225 00:13:56,008 --> 00:13:58,220 "SHE'S A SMOKIN' BETTY, MAN. WE SHOULD TAKE HER CLASS." 226 00:13:58,263 --> 00:14:00,726 PLEASE, THAT WASN'T NO CLASS. MORE LIKE AN AMBUSH. 227 00:14:00,767 --> 00:14:02,521 I DON'T TAKE KINDLY TO GETTING MY ASS GRILLED 228 00:14:02,563 --> 00:14:04,525 BY NO UPTIGHT SKIRT WITH NO SENSE OF HUMOR. 229 00:14:04,567 --> 00:14:06,089 YEAH, MAYBE SHE DOESN'T TAKE KINDLY TO SOME 230 00:14:06,112 --> 00:14:08,116 PUNK-ASS FILM GEEK DISRUPTING HER CLASS. 231 00:14:08,158 --> 00:14:10,203 OKAY, FIRST OF ALL, I AIN'T NO PUNK-ASS FILM GEEK. 232 00:14:10,245 --> 00:14:11,706 WHATEVER, MAN. 233 00:14:11,747 --> 00:14:15,047 I'M GONNA GET SOME AIR. YEAH, DO THAT. 234 00:14:55,878 --> 00:14:57,840 I'M AFRAID MOST OF YOU COULDN'T TELL ME 235 00:14:57,882 --> 00:14:59,803 WHAT RAND WAS THINKING. 236 00:14:59,845 --> 00:15:01,723 PERHAPS YOU DIDN'T RELATE TO HER DEFINITION 237 00:15:01,766 --> 00:15:03,351 OF THE HIGHER DRIVEN STATE... 238 00:15:03,394 --> 00:15:05,982 HER THEORY THAT THE CITIZEN WITH THE SUPERIOR PLAN 239 00:15:06,024 --> 00:15:07,861 WILL RISE ABOVE THE GRADE. 240 00:15:07,902 --> 00:15:10,282 MOST OF YOU DON'T SEEM TO GRASP THE IDEA 241 00:15:10,324 --> 00:15:12,412 OF SOCIOLOGICAL STRUCTURE IN GENERAL. 242 00:15:12,453 --> 00:15:15,251 ARE YOU AWARE THAT WE'RE ALL CURRENTLY EXISTING IN ONE? 243 00:15:15,293 --> 00:15:17,755 MR. HURLEY, PERHAPS YOU'D LIKE TO ENLIGHTEN US 244 00:15:17,797 --> 00:15:19,592 ON WHY WE FUNCTION IN THIS ORDER. 245 00:15:19,635 --> 00:15:22,432 WELL, IN ORDER TO PLAY BY THE RULES, YOU HAVE TO BREAK THEM. 246 00:15:22,473 --> 00:15:25,354 RAND WAS A RUSSIAN EXILE. SHE UNDERSTOOD THAT. 247 00:15:25,396 --> 00:15:28,945 SO YOU THINK THAT A NOBEL PRIZE-WINNING OBJECTIVIST 248 00:15:28,987 --> 00:15:31,492 CHEATED HER WAY THROUGH THE IDEOLOGICAL PARAMETERS? 249 00:15:31,534 --> 00:15:34,057 NO, WHAT I'M SAYING IS THAT EVEN THOUGH YOU'RE RIGHT ABOUT SOCIETY'S RULES, 250 00:15:34,080 --> 00:15:35,936 IT DOESN'T MEAN YOU NECESSARILY HAVE TO ABIDE BY THEM. 251 00:15:35,959 --> 00:15:37,921 I MEAN, TRY FUNCTIONING IN A SOCIETY 252 00:15:37,963 --> 00:15:41,595 THAT'S KILLING YOUR H.M.O. OR SHIPPING JOBS OVERSEAS... 253 00:15:41,637 --> 00:15:43,641 REAL LIFE AS OPPOSED TO THEORY. 254 00:15:43,682 --> 00:15:45,144 MAYBE THEN YOU CAN SEE THE DIFFERENCE 255 00:15:45,186 --> 00:15:47,816 BETWEEN THE VIEWS OF ITS "IDEOLOGICAL PARAMETERS." 256 00:15:47,858 --> 00:15:51,950 NO OFFENSE TO YOU OR RAND. NONE TAKEN. 257 00:15:51,991 --> 00:15:55,372 MY OFFICE, 5:00. 258 00:15:55,415 --> 00:15:58,129 WOULD ANYONE ELSE LIKE TO ELABORATE 259 00:15:58,170 --> 00:16:00,383 ON MR. HURLEY'S THEORY? 260 00:16:14,787 --> 00:16:18,461 MR. HURLEY, COME IN. HAVE A SEAT. 261 00:16:29,525 --> 00:16:31,131 DO YOU HAVE SOMETHING YOU'D LIKE TO CONFESS? 262 00:16:31,154 --> 00:16:34,535 WELL, MY PAPER WASN'T EXACTLY PERFECT, 263 00:16:34,576 --> 00:16:37,583 BUT I CERTAINLY DIDN'T DESERVE AN F. 264 00:16:37,624 --> 00:16:40,088 I ANSWERED EVERY QUESTION YOU... ANSWERED THEM ALL TOO WELL. 265 00:16:40,130 --> 00:16:42,384 I'M SORRY? YOU SHOULD BE. 266 00:16:42,425 --> 00:16:44,138 IS THERE SOMETHING YOU'D LIKE TO SAY TO ME? 267 00:16:44,179 --> 00:16:45,891 YOUR PAPER'S ALREADY SAID IT ALL. 268 00:16:45,933 --> 00:16:49,607 I'M NOT UNDERSTANDING. YOU PLAGIARIZED, MR. HURLEY. 269 00:16:49,649 --> 00:16:53,197 YOU CHEATED. YOU STOLE. 270 00:16:53,240 --> 00:16:55,786 I MEAN, IT'S ONE THING TO BE CHALLENGED IN MY OWN CLASSROOM, 271 00:16:55,828 --> 00:16:57,558 BUT TO BE TAKEN ADVANTAGE OF IS SOMETHING COMPLETELY DIFFERENT. 272 00:16:57,581 --> 00:16:59,752 I DIDN'T MEAN TO TAKE ADVANTAGE OF YOU. 273 00:16:59,794 --> 00:17:02,318 DO YOU REALLY THINK THAT I DON'T KNOW EVERY WEBSITE ON SOCIAL BEHAVIOR? 274 00:17:02,341 --> 00:17:06,015 I MADE A MISTAKE, OKAY? I DIDN'T UNDERSTAND... 275 00:17:06,057 --> 00:17:07,768 YOU DON'T SEEM TO UNDERSTAND MUCH AT ALL. 276 00:17:07,811 --> 00:17:10,148 AND AS FAR AS YOUR COLLEGIATE CAREER IS CONCERNED, 277 00:17:10,190 --> 00:17:12,486 YOU JUST MADE A HUGE DENT IN IT. 278 00:17:14,365 --> 00:17:17,121 I'M SUBMITTING TO THE DEAN'S BOARD TOMORROW. 279 00:17:17,163 --> 00:17:19,751 THE CHARGE IS PLAGIARISM, AND YOU'VE GIVEN ME NO CHOICE 280 00:17:19,792 --> 00:17:21,880 BUT TO RECOMMEND YOUR EXPULSION FROM THIS INSTITUTION. 281 00:17:21,922 --> 00:17:23,717 NO NO NO. YOU CAN'T DO THIS! 282 00:17:23,759 --> 00:17:26,180 I'M ON A PARTIAL SCHOLARSHIP. NOT ANYMORE. 283 00:17:30,064 --> 00:17:33,278 PLEASE, DR. WELLER. DR. WELLER, PLEASE. 284 00:17:33,319 --> 00:17:36,075 WHAT'S DONE IS DONE. PLEASE! 285 00:17:36,117 --> 00:17:38,413 YOU'LL WANT TO REMOVE THAT NOW. 286 00:17:38,456 --> 00:17:40,250 GOOD LUCK WITH WHATEVER YOU SEE FIT 287 00:17:40,293 --> 00:17:42,588 TO DO WITH YOUR LIFE, MR. HURLEY. 288 00:18:07,597 --> 00:18:09,017 DR. WELLER? 289 00:18:09,058 --> 00:18:10,686 NO! 290 00:18:24,213 --> 00:18:26,176 DR. WELLER. 291 00:18:26,217 --> 00:18:27,637 ARE YOU OKAY? 292 00:18:27,679 --> 00:18:29,391 I'M GONNA GET YOU UP. 293 00:18:29,433 --> 00:18:30,852 OKAY. 294 00:18:30,894 --> 00:18:33,107 ARE YOU OKAY? 295 00:18:33,148 --> 00:18:36,280 ALL RIGHT, HE'S GONE. DID YOU GET A LOOK AT HIS FACE? 296 00:18:36,322 --> 00:18:37,699 ALL RIGHT, I'LL TAKE YOU HOME, OKAY? 297 00:18:37,741 --> 00:18:40,121 NO NO, TAKE ME TO MY OFFICE. 298 00:18:40,163 --> 00:18:42,710 ALL RIGHT. OKAY. 299 00:18:42,751 --> 00:18:44,212 ALL RIGHT. 300 00:18:45,591 --> 00:18:46,968 I TEND TO WORK LATE, 301 00:18:47,009 --> 00:18:49,932 SO I ALWAYS KEEP AN EXTRA SET OF CLOTHES. 302 00:18:53,063 --> 00:18:55,652 I'M JUST SO SCARED. 303 00:18:55,694 --> 00:18:57,572 WELL, YOU'RE ALL RIGHT. 304 00:18:57,614 --> 00:19:01,664 I MEAN, I'M HERE AND YOU'RE SAFE. 305 00:19:01,706 --> 00:19:03,126 YOU'RE BLEEDING. 306 00:19:05,004 --> 00:19:07,134 OH YEAH YEAH. 307 00:19:07,175 --> 00:19:08,845 IT COULD HAVE BEEN A LOT WORSE, RIGHT? 308 00:19:08,887 --> 00:19:10,932 SHOULD HAVE SEEN THE OTHER GUY. 309 00:19:13,563 --> 00:19:15,650 THANK YOU. 310 00:19:17,446 --> 00:19:19,784 I'M GLAD I WAS THERE. 311 00:20:06,420 --> 00:20:07,505 SHH! 312 00:20:07,547 --> 00:20:08,799 HELLO? 313 00:20:08,841 --> 00:20:10,302 CHRIST, YOU STILL AT THE OFFICE? 314 00:20:11,972 --> 00:20:14,727 Kay YES, I'M STILL HERE. 315 00:20:14,769 --> 00:20:16,189 I'm just crossing campus. 316 00:20:16,230 --> 00:20:18,110 DO YOU HAVE THE DAMN SYMPHONY TICKETS OR DO I? 317 00:20:18,151 --> 00:20:20,657 UH, I DO. 318 00:20:20,698 --> 00:20:21,867 THAT'S WHAT I THOUGHT. 319 00:20:21,909 --> 00:20:23,370 ALL RIGHT. SEE YOU IN A MINUTE. 320 00:20:23,412 --> 00:20:25,374 AN HOUR TILL CURTAIN. BE READY. OKAY. 321 00:20:28,673 --> 00:20:30,927 THAT WAS MY HUSBAND. 322 00:20:30,968 --> 00:20:33,849 I NEED YOU TO GO. 323 00:20:35,686 --> 00:20:38,859 PLEASE? OKAY. 324 00:20:48,253 --> 00:20:50,257 PARDON ME. 325 00:21:25,787 --> 00:21:26,789 HEY. 326 00:21:30,756 --> 00:21:33,261 HEY. WHAT ARE YOU DOING HERE? 327 00:21:33,302 --> 00:21:35,765 I WANTED TO SEE YOU. 328 00:21:38,187 --> 00:21:40,692 WHAT HAPPENED TO YOUR FACE? 329 00:21:40,734 --> 00:21:43,156 I JUST FELL OFF MY BOARD. 330 00:22:37,014 --> 00:22:41,397 WHAT WAS THAT? I DON'T KNOW. 331 00:22:44,654 --> 00:22:47,368 IT'S LIKE YOU WERE SOMEONE ELSE. 332 00:22:54,757 --> 00:22:58,849 MY DORM'S HAVING A COSTUME PARTY THIS SATURDAY. 333 00:22:58,891 --> 00:23:01,188 YEAH, SHAWN WAS ASKING ABOUT THAT. 334 00:23:02,858 --> 00:23:05,070 WELL, HE'D BETTER LEAVE HIS CAMERA AT HOME. 335 00:23:05,112 --> 00:23:06,323 I DON'T WANT ANY OF MY FRIENDS 336 00:23:06,364 --> 00:23:09,078 ON ONE OF THOSE XXX PORN SITES. 337 00:23:10,623 --> 00:23:12,145 WELL, ISN'T THAT WHAT COLLEGE IS ALL ABOUT? 338 00:23:12,168 --> 00:23:13,629 OH REALLY? 339 00:23:15,549 --> 00:23:18,054 WELL, NEXT TIME, DON'T RIDE SO HARD... 340 00:23:19,850 --> 00:23:22,104 ON THE SKATEBOARD. 341 00:23:22,146 --> 00:23:24,609 ON THE SKATEBOARD? MM-HMM. 342 00:23:31,164 --> 00:23:33,210 IN CONCLUSION, THE REVOLT EXEMPLIFIED 343 00:23:33,251 --> 00:23:35,381 A NEW TYPE OF BEHAVIOR WE HADN'T SEEN BEFORE. 344 00:23:35,422 --> 00:23:37,259 NEXT CLASS, WE'LL DISCUSS 345 00:23:37,302 --> 00:23:40,433 THE SOUTH SIDE OF CHICAGO RIOTS OF 1967. 346 00:23:40,475 --> 00:23:42,980 PLEASE READ CHAPTERS 4 AND 5 TO PREPARE. 347 00:23:43,021 --> 00:23:45,568 THANK YOU. 348 00:23:47,488 --> 00:23:49,702 MR. HURLEY, 349 00:23:49,743 --> 00:23:51,205 MAY I SPEAK WITH YOU FOR A MOMENT? 350 00:23:58,803 --> 00:24:01,058 I'M NOT REALLY SURE WHERE TO BEGIN. 351 00:24:01,099 --> 00:24:02,519 WELL, YOU DON'T HAVE TO. 352 00:24:02,561 --> 00:24:04,899 I WANT YOU TO KNOW I REPORTED THE INCIDENT. 353 00:24:04,940 --> 00:24:07,362 I GAVE THE POLICE THE REQUIRED INFORMATION. 354 00:24:07,404 --> 00:24:09,908 UNFORTUNATELY, I HAVE BEEN ON COLLEGE CAMPUSES 355 00:24:09,951 --> 00:24:12,957 LONG ENOUGH TO KNOW THAT THESE PEOPLE ARE SELDOM CAUGHT. 356 00:24:12,998 --> 00:24:15,420 WELL, DID YOU TELL YOUR HUSBAND? NO. 357 00:24:15,462 --> 00:24:17,590 I DON'T PLAN ON IT. 358 00:24:19,136 --> 00:24:23,520 AND WHAT HAPPENED BETWEEN US WAS WRONG. 359 00:24:23,561 --> 00:24:24,939 IF IT'S ALL THE SAME TO YOU, 360 00:24:24,981 --> 00:24:26,651 I'D LIKE TO PRETEND IT NEVER OCCURRED. 361 00:24:26,692 --> 00:24:30,242 IS THAT WHAT YOU REALLY WANT? YES. 362 00:24:30,283 --> 00:24:32,162 AND SO DO YOU. 363 00:24:32,204 --> 00:24:34,333 THEN I'LL PACK UP MY STUFF. 364 00:24:34,374 --> 00:24:36,378 I DIDN'T TELL THE BOARD. 365 00:24:36,421 --> 00:24:38,425 AND I DON'T HAVE TO, 366 00:24:38,466 --> 00:24:41,305 NOT IF YOU PROMISE NEVER TO CHEAT ME AGAIN. 367 00:24:41,347 --> 00:24:43,894 I DON'T LIKE BEING PLAYED. NOR DO I. 368 00:24:43,936 --> 00:24:46,900 WHAT YOU DID FOR ME... I'LL ALWAYS REMEMBER. 369 00:24:46,941 --> 00:24:49,196 BUT THIS HAS TO END HERE. 370 00:24:49,238 --> 00:24:51,534 THEN I WANT ANOTHER SHOT AT THE HUMAN BEHAVIOR ESSAY. 371 00:24:51,576 --> 00:24:53,724 I WANT TO PROVE TO YOU THAT I CAN DO IT WITHOUT CHEATING. 372 00:24:53,747 --> 00:24:55,895 THE ASSIGNMENT'S FINISHED. I'VE ALREADY TURNED IN THE GRADES. 373 00:24:55,918 --> 00:24:57,504 I DON'T CARE. 374 00:24:57,546 --> 00:25:00,385 LET IT BE EXTRA CREDIT. WHAT WOULD THAT PROVE? 375 00:25:00,427 --> 00:25:03,433 IT'LL PROVE THAT I'M NOT HERE TO PLAY YOU OR ANYONE ELSE, 376 00:25:03,475 --> 00:25:07,441 THAT I-I WANT TO BETTER UNDERSTAND 377 00:25:07,483 --> 00:25:10,698 HUMAN NATURE WITH YOUR HELP. 378 00:25:10,740 --> 00:25:12,827 OKAY. 379 00:25:12,868 --> 00:25:15,332 20 PAGES BY THE END OF THE SEMESTER. 380 00:25:15,374 --> 00:25:19,090 BUT WHAT YOU START YOU HAVE TO FINISH, WHEREVER IT TAKES YOU. 381 00:25:19,131 --> 00:25:20,426 I PROMISE. 382 00:25:20,467 --> 00:25:24,475 AND, COLE, WE HAVE TO BE DISCREET. 383 00:25:24,517 --> 00:25:26,438 WE BOTH HAVE A LOT TO LOSE. 384 00:25:40,883 --> 00:25:45,560 HA HA HA. NOW THE PARTY CAN BEGIN! 385 00:25:45,601 --> 00:25:47,647 Shawn: OH, NICE. Cole: DO VAMPIRES DRINK PUNCH? 386 00:25:47,688 --> 00:25:49,735 ONLY IF IT'S RED, COLE. 387 00:25:49,776 --> 00:25:52,908 HELLO THERE. 388 00:25:52,949 --> 00:25:55,872 I'M GONNA GET SOMETHING TO DRINK. YOU DO THAT. 389 00:25:55,913 --> 00:25:59,421 HEY THERE, PRETTY LADY. 390 00:25:59,462 --> 00:26:01,174 BABY, YOU WISH YOU COULD HANDLE ME. 391 00:26:01,215 --> 00:26:04,639 OH YEAH. WHAT YOU SAID. 392 00:26:04,681 --> 00:26:07,186 OH HELLO, LEGS. 393 00:26:09,232 --> 00:26:10,610 DON'T EVEN THINK ABOUT IT. 394 00:26:10,651 --> 00:26:13,115 LINDSEY? HAND IT OVER. 395 00:26:13,157 --> 00:26:15,578 OH! COME ON, KITTY CAT. 396 00:26:15,619 --> 00:26:17,749 YO, 10 JPEGS-WE'LL GET TO SPLIT THE PROFIT. 397 00:26:17,791 --> 00:26:20,087 THIS KITTY CAT HAS CLAWS. 398 00:26:20,129 --> 00:26:22,151 IF YOU'RE GOOD, I'LL GIVE IT BACK TO YOU AT THE END OF THE NIGHT. 399 00:26:22,174 --> 00:26:25,181 NO NO, LINDSEY. THE NIGHT DOES NOT END. 400 00:26:25,222 --> 00:26:27,602 CHECK IT OUT... 401 00:26:27,644 --> 00:26:30,609 HILLBILLY VAMPIRE DOING DAMAGE. 402 00:26:33,280 --> 00:26:35,243 CLEVER. WHERE'S COLE? 403 00:26:35,284 --> 00:26:37,038 HE'S OVER THERE, GETTING SOMETHING TO DRINK. 404 00:26:37,080 --> 00:26:38,708 ALL RIGHT, I'LL SEE YOU LATER. LATER. 405 00:26:43,133 --> 00:26:44,679 HEY. 406 00:26:46,097 --> 00:26:48,101 I THOUGHT YOU WERE GONNA DRESS UP. 407 00:26:48,144 --> 00:26:50,189 LINDSEY, I'VE BEEN WORKING ON A PAPER ALL NIGHT. 408 00:26:50,231 --> 00:26:52,026 I DIDN'T HAVE TIME TO GO GET A COSTUME. 409 00:26:52,068 --> 00:26:54,156 WHAT'S GOING ON WITH YOU, COLE? NOTHING. 410 00:26:54,197 --> 00:26:57,329 YOU LOOK CUTE. THANKS. 411 00:26:57,370 --> 00:27:00,126 THANKS A LOT. 412 00:27:04,552 --> 00:27:06,556 HEY MAN, IS EVERYTHING COOL AND THE GANG? 413 00:27:06,597 --> 00:27:08,560 SHE'S ALL PISSY 'CAUSE I DIDN'T PLAY DRESS-UP. 414 00:27:08,601 --> 00:27:10,897 I MEAN, COLE, IT IS A COSTUME PARTY, BRO, 415 00:27:10,940 --> 00:27:12,526 AND YOU SHOW UP IN STREET CLOTHES. 416 00:27:12,568 --> 00:27:13,630 YOU HERE TO BUST MY BALLS, TOO? 417 00:27:13,654 --> 00:27:15,239 YO, WHAT IS YOUR PROBLEM? 418 00:27:15,281 --> 00:27:17,953 I'M SICK OF THIS B.S. 419 00:27:17,995 --> 00:27:20,041 HEY, WATCH IT. UP YOURS, DUDE. 420 00:27:20,083 --> 00:27:21,336 OH YEAH? 421 00:27:24,968 --> 00:27:28,099 HEY, YOU ALL RIGHT, MAN? NO, I THINK HE BROKE MY NOSE, DUDE! 422 00:27:29,059 --> 00:27:31,022 COLE. 423 00:27:31,063 --> 00:27:33,067 COLE, WAIT! 424 00:27:33,109 --> 00:27:34,821 COLE! 425 00:28:08,305 --> 00:28:09,766 YOU GOT MY MESSAGE. 426 00:28:09,807 --> 00:28:11,895 I NEVER GAVE YOU MY NUMBER. 427 00:28:11,937 --> 00:28:14,108 I PULLED IT FROM ADMINISTRATION FILES. 428 00:28:18,993 --> 00:28:22,083 THAT'S ILLEGAL. 429 00:28:29,765 --> 00:28:31,309 THIS IS WRONG. 430 00:28:31,351 --> 00:28:32,979 I'M MARRIED. 431 00:28:33,021 --> 00:28:35,192 YOU'RE MY STUDENT. 432 00:28:36,778 --> 00:28:39,325 THEN TELL ME TO STOP. 433 00:28:41,162 --> 00:28:43,375 STOP. 434 00:28:50,514 --> 00:28:52,352 OH, SOMEONE'S COMING. 435 00:28:52,394 --> 00:28:54,398 SOMEONE'S COMING. 436 00:28:57,279 --> 00:28:59,867 DR. WELLER? CHARLIE. 437 00:28:59,908 --> 00:29:01,495 I WAS JUST FINISHING UP. 438 00:29:01,537 --> 00:29:04,752 OH. THOUGHT I HEARD SOMETHING IN HERE. 439 00:29:04,793 --> 00:29:06,046 LATE NIGHT AT THE OFFICE, HUH? 440 00:29:06,088 --> 00:29:08,676 RIGHT THERE. 441 00:29:08,718 --> 00:29:10,096 SORRY? 442 00:29:10,137 --> 00:29:12,267 I SAID, YOU'RE RIGHT THERE. 443 00:29:12,308 --> 00:29:13,435 OH. 444 00:29:14,730 --> 00:29:16,400 ARE YOU OKAY? 445 00:29:16,442 --> 00:29:19,448 UH, STOMACH CRAMPS. I KNOW THAT FEELING. 446 00:29:20,659 --> 00:29:22,663 HEY, CHIEF UDELL WANTS ME 447 00:29:22,704 --> 00:29:25,543 TO CLOSE DOWN THIS FLOOR, SO, UH... 448 00:29:25,585 --> 00:29:27,965 CHARLIE, CAN YOU JUST GIVE ME A FEW MORE MINUTES? 449 00:29:28,007 --> 00:29:30,303 YEAH, SURE. SURE THING. TAKE YOUR TIME. 450 00:29:30,345 --> 00:29:32,015 YOU'RE THE BEST. 451 00:29:51,220 --> 00:29:54,059 COLE, ARE YOU STILL ASLEEP? MM. 452 00:29:54,101 --> 00:29:55,520 MAN, GET YOUR ASS UP! 453 00:29:55,562 --> 00:29:58,109 COLE! 454 00:29:58,150 --> 00:30:00,739 YO, MAN. 455 00:30:00,781 --> 00:30:02,868 GET UP. 456 00:30:02,910 --> 00:30:04,872 SO, WHERE'D YOU X-FILE TO AFTER YOU LEFT THE PARTY? 457 00:30:04,914 --> 00:30:08,713 I WALKED AROUND. DAMN, MUST HAVE BEEN SOME STROLL. 458 00:30:08,755 --> 00:30:11,970 MAN, I SURE HOPE YOU DIDN'T CRUISE ANY TURNPIKE REST AREAS. 459 00:30:13,807 --> 00:30:15,185 COME ON, MAN, LET'S GO TO IHOP. 460 00:30:15,227 --> 00:30:16,748 I WANT TO GIVE YOU ALL THE PERVERTED DETAILS 461 00:30:16,771 --> 00:30:18,692 OF THIS PREMED STUDENT THAT I MET AFTER YOU LEFT. 462 00:30:18,733 --> 00:30:20,612 BOY, WAS SHE FINE. 463 00:30:20,654 --> 00:30:23,451 WHAT IS YOUR PROBLEM? I AM SLEEPING! 464 00:30:23,493 --> 00:30:25,038 YOU KNOW WHAT, COLE? 465 00:30:25,080 --> 00:30:26,685 I DON'T CARE THAT YOU'RE BEING A DICK TO ME. 466 00:30:26,708 --> 00:30:27,835 I REALLY DON'T. 467 00:30:27,877 --> 00:30:29,171 BUT THAT STUFF THAT YOU PULLED 468 00:30:29,213 --> 00:30:30,716 WITH LINDSEY LAST NIGHT WAS NOT COOL. 469 00:30:30,758 --> 00:30:33,096 YOU NEED YOUR HEAD EXAMINED. 470 00:30:56,559 --> 00:30:58,939 THANKS FOR COMING IN, KID. 471 00:30:58,981 --> 00:31:02,029 LIKE I HAD A CHOICE. 472 00:31:02,071 --> 00:31:04,784 SO... 473 00:31:04,826 --> 00:31:05,870 DO YOU MIND? 474 00:31:07,623 --> 00:31:09,085 THANK YOU. 475 00:31:09,126 --> 00:31:11,172 SO I SPOKE TO LAVERNE TILL AT THE ZOO. 476 00:31:11,214 --> 00:31:12,967 SHE SAID YOU'RE ONE OF HER HARDEST WORKERS. 477 00:31:13,010 --> 00:31:14,971 OH, I PAID HER 10 BUCKS TO SAY THAT. 478 00:31:15,014 --> 00:31:17,309 I BET YOU DID. 479 00:31:17,351 --> 00:31:19,522 I'M JUST GLAD YOU'RE FULFILLING YOUR PROMISES... 480 00:31:19,564 --> 00:31:22,570 SOMETHING YOUR GRANDMOTHER WOULD HAVE BEEN VERY PROUD OF. 481 00:31:22,612 --> 00:31:25,367 SO HOW ARE YOUR CLASSES LOOKING THIS SEMESTER? 482 00:31:25,410 --> 00:31:26,828 THEY'RE ALL GOOD. 483 00:31:26,871 --> 00:31:28,875 I'M DECIDING TO DO SOMETHING A LITTLE DIFFERENT. 484 00:31:28,917 --> 00:31:31,713 I'M TAKING A SOCIOLOGY CLASS. SOCIOLOGY? WOW. 485 00:31:31,755 --> 00:31:33,592 THAT'S SOMETHING MY PERPS NEVER LEARNED ABOUT. 486 00:31:36,431 --> 00:31:38,060 ALL RIGHT, WHAT'S GOING ON, COLE? 487 00:31:38,101 --> 00:31:41,065 I DON'T KNOW. I... 488 00:31:41,108 --> 00:31:43,153 I FEEL LIKE I'M ALWAYS PLAYING CATCH-UP. 489 00:31:43,195 --> 00:31:44,573 YEAH, YOU ARE. 490 00:31:44,615 --> 00:31:46,535 THAT'S WHAT HAPPENS WHEN YOU LOSE YEARS. 491 00:31:46,577 --> 00:31:49,416 LOOK, THIS PROGRAM WAS DESIGNED TO GIVE KIDS LIKE YOU A LEG UP, 492 00:31:49,457 --> 00:31:52,213 GET YOU OFF THE STREETS AND INTO A FUTURE. 493 00:31:52,255 --> 00:31:53,884 ARE YOU TELLING ME YOU'D PREFER TO GO BACK? 494 00:31:53,925 --> 00:31:57,808 NO. I'M NOT GOING BACK. GOOD. 495 00:31:57,849 --> 00:32:00,480 THEN YOU'LL DO WHATEVER IT TAKES TO STAY, RIGHT? 496 00:32:00,521 --> 00:32:03,486 YEAH, RIGHT. GOOD. 497 00:32:03,527 --> 00:32:05,949 EVERYTHING RIGHTS ITSELF IN THE END. 498 00:32:05,991 --> 00:32:08,621 OKAY. 499 00:32:17,598 --> 00:32:20,186 Hey, it's Lindsey. 500 00:32:20,228 --> 00:32:21,792 Leave me a message and I'll call you back. 501 00:32:21,815 --> 00:32:22,983 Bye. 502 00:32:23,025 --> 00:32:24,696 HEY, LINDS, IT'S ME. 503 00:32:24,737 --> 00:32:28,453 UM, I-I JUST WANT TO SAY I'M SORRY ABOUT LAST NIGHT. 504 00:32:28,494 --> 00:32:30,832 I-I DON'T KNOW. 505 00:32:30,874 --> 00:32:33,296 I HAVE A LOT GOING ON. 506 00:32:33,338 --> 00:32:36,302 I THINK WE SHOULD TALK. 507 00:32:36,343 --> 00:32:38,557 UH, GIVE ME A CALL BACK WHEN YOU CAN, OKAY? 508 00:32:38,598 --> 00:32:41,270 LOOKING FORWARD TO YOUR ART SHOW THIS WEEKEND. 509 00:32:41,312 --> 00:32:43,274 BYE. 510 00:32:51,374 --> 00:32:54,380 LINDSEY? NOT LINDSEY, MM-MM. 511 00:32:56,551 --> 00:32:58,722 WHO'S THIS? IT'S A FRIEND OF A FRIEND. 512 00:32:58,763 --> 00:33:00,559 I WAS TOLD TO GIVE YOU SOME DIRECTIONS. 513 00:33:00,600 --> 00:33:01,937 DIRECTIONS FOR WHAT? 514 00:33:01,978 --> 00:33:03,314 YOUR FIELD TRIP. 515 00:33:03,356 --> 00:33:05,235 OKAY. 516 00:33:05,277 --> 00:33:08,074 WHERE ARE WE GOING? GET A PEN. 517 00:33:29,117 --> 00:33:32,206 YEAH, HONEY! HEY, BABY! 518 00:33:32,248 --> 00:33:36,214 COME AND LOOK AT ME! HEY, MOMMY! LOOK AT YOU, GIRL! 519 00:33:40,347 --> 00:33:42,560 KEEP YOUR HANDS TO YOURSELF. 520 00:33:49,115 --> 00:33:51,453 SWEETHEART, WHERE HAVE YOU BEEN ALL MY LIFE? 521 00:34:02,266 --> 00:34:05,147 YOU LOOK LOST. 522 00:34:07,778 --> 00:34:09,196 WHAT ARE WE DOING HERE? 523 00:34:09,239 --> 00:34:12,036 YOU WANTED MY GUIDANCE WRITING YOUR PAPER. 524 00:34:12,077 --> 00:34:14,249 THERE'S ONLY SO MUCH YOU CAN LEARN INSIDE A CLASSROOM. 525 00:34:14,290 --> 00:34:16,336 IT'S TIME FOR YOUR REAL EDUCATION... 526 00:34:16,378 --> 00:34:20,469 PERCEPTIONS OF HUMAN BEHAVIOR IN THE FLESH. 527 00:34:22,473 --> 00:34:24,519 WHAT'S YOUR NAME? 528 00:34:27,943 --> 00:34:30,072 YOU KNOW HER? 529 00:34:30,114 --> 00:34:31,575 SHE'S MY TEACHING ASSISTANT... 530 00:34:31,617 --> 00:34:33,872 FOR TONIGHT AT LEAST. 531 00:34:33,913 --> 00:34:36,126 WE'VE MADE A LITTLE ARRANGEMENT. 532 00:34:36,168 --> 00:34:39,466 I WANT YOU TO TAKE A REALLY GOOD LOOK AT THE MEN IN HERE. 533 00:34:39,508 --> 00:34:42,054 THEY ALL HAVE ONE THING IN COMMON. 534 00:34:46,939 --> 00:34:48,276 WHAT, A RAGING HARD 535 00:34:48,317 --> 00:34:51,824 THEY'RE ALL BEING CONTROLLED BY WOMEN. 536 00:34:51,866 --> 00:34:54,621 IT'S A STRIP CLUB. IT'S MORE THAN THAT. 537 00:34:54,664 --> 00:34:58,086 IT'S WHAT THE ENTIRE SCALE OF HUMAN BEHAVIOR IS BASED UPON. 538 00:34:58,129 --> 00:35:01,176 CONTROL IS THE FOUNDATION FOR EVERYTHING ELSE, 539 00:35:01,219 --> 00:35:05,101 AND MOST PEOPLE WILL NEVER UNDERSTAND IT, 540 00:35:05,143 --> 00:35:08,274 WHICH LEADS US TO OUR LITTLE EXERCISE. 541 00:35:17,918 --> 00:35:20,131 Kay: SAY HI TO LEXI. 542 00:35:20,172 --> 00:35:22,176 SHE'S HERE TO TEACH YOU WHAT MOST MEN 543 00:35:22,219 --> 00:35:24,515 WILL NEVER LEARN... 544 00:35:24,556 --> 00:35:26,227 CONTROL. 545 00:35:36,539 --> 00:35:41,800 ♪ HERE YOU'LL FIT IN 546 00:35:42,801 --> 00:35:48,730 ♪ HERE WE ALL WIN 547 00:35:48,772 --> 00:35:55,327 ♪ HERE THERE'S NO SIN 548 00:35:55,368 --> 00:36:00,504 ♪ SO COME INSIDE 549 00:36:04,930 --> 00:36:07,309 ♪ PLEASURE 550 00:36:11,066 --> 00:36:13,322 ♪ PLEASURE 551 00:36:17,330 --> 00:36:19,709 ♪ PLEASURE 552 00:36:23,801 --> 00:36:25,638 ♪ PLEASURE 553 00:36:25,680 --> 00:36:30,230 ♪ HERE THERE'S NO TIME 554 00:36:30,272 --> 00:36:32,401 ♪ YOU'RE EITHER THEIRS 555 00:36:32,444 --> 00:36:36,493 ♪ OR YOU'RE MINE 556 00:36:36,535 --> 00:36:38,497 ♪ A MILLION DOLLARS... 557 00:36:38,539 --> 00:36:41,169 ♪ OR A DIME... 558 00:36:44,217 --> 00:36:47,432 ♪ WHAT'S YOUR PRICE? 559 00:36:47,473 --> 00:36:49,436 NO NO NO NO. 560 00:36:49,477 --> 00:36:52,526 NO NO NO. OOH, MAYBE LINDSEY WANTS A LESSON TOO. 561 00:36:53,778 --> 00:36:56,241 WAIT WAIT WAIT. 562 00:36:56,282 --> 00:36:58,036 This is Cole. Leave a message. NO NO NO. 563 00:36:58,078 --> 00:36:59,832 NO NO, SHE DOESN'T WANT... 564 00:37:06,094 --> 00:37:08,850 OOPS. STOP. 565 00:37:12,315 --> 00:37:14,946 I GUESS CLASS IS DISMISSED. 566 00:37:37,282 --> 00:37:39,703 YO, YOU KEEP THIS UP, 567 00:37:39,745 --> 00:37:41,666 I'M GONNA MAKE A DOCUMENTARY 568 00:37:41,707 --> 00:37:44,547 OF ALL-NIGHT PARTYING STARRING COLE HURLEY. 569 00:37:44,588 --> 00:37:47,135 IT'S NOT EXACTLY WHAT YOU THINK. 570 00:37:47,176 --> 00:37:49,556 OH MAN. YO, TAKE A SHOWER TOO! 571 00:37:49,599 --> 00:37:51,393 YOU SMELL LIKE DAY-OLD SEX. 572 00:37:51,436 --> 00:37:54,024 NO, I DON'T. 573 00:37:54,066 --> 00:37:56,905 DO I? YO, MAN, TRUST ME. 574 00:37:56,947 --> 00:37:59,159 THE NOSE NEVER LIES. 575 00:38:08,094 --> 00:38:09,805 GOOD JOB FROM JUST ABOUT EVERYONE 576 00:38:09,847 --> 00:38:11,559 ON THE LEVITTOWN ESSAY LAST WEEK. 577 00:38:11,601 --> 00:38:13,313 I'M GLAD TO SEE WE'RE ALL BEGINNING 578 00:38:13,355 --> 00:38:17,613 TO UNDERSTAND THE NEGATIVE INFLUENCES OF URBAN SPRAWL... 579 00:38:17,654 --> 00:38:20,077 HOW IT EBBS AND FLOWS, 580 00:38:20,118 --> 00:38:22,164 SPREADING ALONG ITS CHOSEN HOST, 581 00:38:22,205 --> 00:38:26,422 ERECTING MASSIVE STRUCTURES IF NOT PROPERLY TAMED. 582 00:38:27,507 --> 00:38:29,220 ANY QUESTIONS? 583 00:38:39,824 --> 00:38:41,787 MR. HURLEY, COME IN. 584 00:38:45,043 --> 00:38:46,922 SLEEP WELL? 585 00:38:46,964 --> 00:38:49,678 YEAH, I DID. 586 00:38:49,719 --> 00:38:51,222 WHAT WAS THAT LAST NIGHT? 587 00:38:51,264 --> 00:38:54,311 YOUR MIDTERM EXAM. CONGRATULATIONS ON PASSING. 588 00:38:54,353 --> 00:38:57,318 I'M PLEASED TO SEE YOU'RE UNDERSTANDING THE BASIC PRINCIPLES. 589 00:38:57,360 --> 00:38:59,906 YOU LEARN CONTROL, YOU CAN SUCCEED AT ANYTHING. 590 00:38:59,948 --> 00:39:01,826 YOU'LL HAVE TO EXCUSE ME. 591 00:39:01,869 --> 00:39:04,457 I'M LATE FOR LUNCH WITH MY HUSBAND. 592 00:39:08,006 --> 00:39:10,094 KEEP UP THE GOOD WORK. 593 00:39:14,602 --> 00:39:16,523 YEAH, YOU TOO. 594 00:39:24,581 --> 00:39:26,000 OH SHIT! 595 00:39:26,042 --> 00:39:27,587 OH! 596 00:39:31,762 --> 00:39:34,601 IT'S A LITTLE BIT DIFFERENT THAN NORMAL. 597 00:39:34,642 --> 00:39:37,440 CAN YOU EXCUSE ME FOR A SECOND? SURE, NO PROBLEM. 598 00:39:37,482 --> 00:39:39,903 LINDS, HEY, COME... OH. 599 00:39:39,945 --> 00:39:41,383 I'LL BE RIGHT BACK. COME SHOW ME THIS ONE. 600 00:39:41,406 --> 00:39:43,118 I REALLY LOVE IT. OH, THANK YOU SO MUCH. 601 00:39:43,160 --> 00:39:45,748 I'M GLAD YOU LIKE IT. 602 00:39:50,132 --> 00:39:52,387 IT'S SO GOOD. I THINK IT'S ONE OF YOUR BEST, REALLY. 603 00:39:52,429 --> 00:39:54,808 YEAH, THAT'S WHAT I WAS JUST TELLING HER. IT-IT JUST... 604 00:39:54,850 --> 00:39:57,772 WELL, OF COURSE, YOU KNOW, THE COLORS... 605 00:39:57,814 --> 00:40:01,781 IT JUST, LIKE, ALL BLENDS TOGETHER AND IT'S VERY VIBRANT. 606 00:40:01,822 --> 00:40:04,119 ANYWAY, YEAH, SO... 607 00:40:22,907 --> 00:40:24,284 WHAT ARE YOU DOING HERE? 608 00:40:24,326 --> 00:40:27,290 I APPRECIATE THE ARTS. WHAT CAN I SAY? 609 00:40:27,332 --> 00:40:31,674 AND I WAS THINKING 610 00:40:31,716 --> 00:40:35,222 MAYBE WE COULD MAKE SOME ART OF OUR OWN. 611 00:40:46,579 --> 00:40:50,378 ♪ C-C-C-C-C-C-COME COME 612 00:40:50,420 --> 00:40:54,261 ♪ C-C-C-C-C-C-COME COME 613 00:40:54,303 --> 00:40:57,393 ♪ C-C-C-C-C-C-COME COME 614 00:40:57,434 --> 00:41:01,401 ♪ C-C-C-C-C-C-COME COME 615 00:41:01,442 --> 00:41:05,200 ♪ C-C-C-C-C-C-COME COME 616 00:41:05,242 --> 00:41:08,874 ♪ C-C-C-C-C-C-COME COME 617 00:41:08,916 --> 00:41:12,339 ♪ C-C-C-C-C-C-COME COME 618 00:41:12,381 --> 00:41:14,802 ♪ C-C-C-C-C-C-COME 619 00:41:14,845 --> 00:41:18,434 ♪ COME ALIVE 620 00:41:18,476 --> 00:41:22,151 ♪ COME ALIVE 621 00:41:22,192 --> 00:41:25,825 ♪ COME ALIVE 622 00:41:25,866 --> 00:41:29,415 ♪ COME ALIVE 623 00:41:29,457 --> 00:41:31,878 ♪ COME ALIVE... 624 00:41:31,920 --> 00:41:34,341 CAN YOU EXCUSE ME FOR A SECOND? OKAY. 625 00:41:37,181 --> 00:41:38,684 LOOKS LIKE YOU HAD A GREAT TURNOUT. 626 00:41:38,725 --> 00:41:40,437 HOW WOULD YOU KNOW? YOU WEREN'T EVEN HERE. 627 00:41:40,479 --> 00:41:42,024 YEAH, I WAS. 628 00:41:42,066 --> 00:41:44,320 NO, YOU WEREN'T. 629 00:41:44,361 --> 00:41:48,078 I SEE YOU FOR A SECOND AND THEN YOU JUST DISAPPEAR? 630 00:41:48,119 --> 00:41:50,666 WHAT HAPPENED TO YOUR FACE? NOTHING NOTHING. 631 00:41:53,923 --> 00:41:56,303 YOU'RE LYING TO ME. 632 00:41:56,344 --> 00:41:58,432 YOU'VE NEVER LIED TO ME BEFORE. 633 00:41:58,474 --> 00:42:01,688 LOOK, I THOUGHT WE HAD SOMETHING... SOMETHING REAL. 634 00:42:01,731 --> 00:42:04,193 LINDSEY, WE HAVE SOMETHING REAL. 635 00:42:04,235 --> 00:42:06,447 WE'RE IN COLLEGE, FOR CHRIST'S SAKE! ALL RIGHT? 636 00:42:06,490 --> 00:42:08,828 WE SHOULDN'T BE SO TIED DOWN. SO WHAT? 637 00:42:08,870 --> 00:42:11,625 SO AM I JUST ANOTHER LAY? 638 00:42:16,677 --> 00:42:19,390 I AM SO GLAD I NEVER PAINTED YOU 639 00:42:19,433 --> 00:42:22,230 BECAUSE THERE IS NOTHING LEFT TO SEE. 640 00:42:31,414 --> 00:42:33,961 COLE, IS THAT YOU OR ARE WE GETTING ROBBED? 641 00:42:34,003 --> 00:42:36,007 NO, MAN, IT'S ME. 642 00:42:37,928 --> 00:42:40,642 WHAT'S GOING ON? NOT MUCH. 643 00:42:50,536 --> 00:42:53,668 ARE YOU GOOD? NOT REALLY. 644 00:42:53,710 --> 00:42:56,256 OHH. IT'S LINDSEY, HUH? 645 00:42:56,298 --> 00:42:58,218 ACTUALLY, IT'S SOMEONE ELSE. 646 00:42:58,260 --> 00:43:00,390 WAIT A MINUTE. SOMEONE ELSE? 647 00:43:00,431 --> 00:43:02,435 WHO? 648 00:43:02,478 --> 00:43:06,360 WELL, SHE'S, UH... 649 00:43:06,402 --> 00:43:08,447 OLDER. 650 00:43:08,490 --> 00:43:11,036 OLDER? YEAH. 651 00:43:11,078 --> 00:43:14,418 WELL, IS THIS COUGAR BANGIN'? 652 00:43:14,459 --> 00:43:17,299 'CAUSE LISTEN, COLE, I SEE THE WAY YOU LOOK AT LINDSEY, MAN, 653 00:43:17,340 --> 00:43:19,136 AND YOU LOVE THAT GIRL. 654 00:43:19,177 --> 00:43:21,033 LOOK, I'VE BEEN IN A POSITION LIKE THAT BEFORE, MAN. 655 00:43:21,056 --> 00:43:23,645 IT CAN GO REALLY REALLY BAD. 656 00:43:23,687 --> 00:43:25,315 I'M NOT TRYING TO BE YOUR DAD OR ANYTHING, 657 00:43:25,357 --> 00:43:27,778 BUT YOU KIND OF GOT TO MAKE A CHOICE. 658 00:43:27,820 --> 00:43:31,285 YEAH. 659 00:43:31,327 --> 00:43:32,956 I KNOW. 660 00:44:10,030 --> 00:44:11,950 DR. WELLER? 661 00:44:21,010 --> 00:44:22,889 KAY? 662 00:44:24,684 --> 00:44:26,229 IS EVERYTHING OKAY? 663 00:44:30,237 --> 00:44:33,327 WERE YOU ATTACKED AGAIN? 664 00:44:33,368 --> 00:44:36,165 WHO DID THIS? I GOT HOME LATE. HE WAS DRUNK. 665 00:44:36,207 --> 00:44:38,086 I'LL KILL HIM. I'LL KILL HIM! 666 00:44:38,128 --> 00:44:39,381 COLE, N... 667 00:44:39,422 --> 00:44:41,050 NO. 668 00:44:44,641 --> 00:44:46,144 LISTEN TO ME. 669 00:44:46,186 --> 00:44:48,649 IT'S GETTING TOO DANGEROUS. 670 00:44:48,691 --> 00:44:50,695 HE SUSPECTS SOMETHING. WE HAVE TO END IT. 671 00:44:50,737 --> 00:44:52,699 WE CAN'T JUST END THIS. 672 00:44:52,741 --> 00:44:54,202 AFTER EVERYTHING THAT'S HAPPENED? 673 00:44:54,243 --> 00:44:57,291 THE WAY I FEEL FOR YOU... IT'S DRIVING ME CRAZY. 674 00:44:57,333 --> 00:45:00,631 I JUST CAN'T JUST SHUT IT OFF AND NEITHER CAN YOU. 675 00:45:02,719 --> 00:45:05,433 THIS ISN'T THE FIRST TIME IT'S HAPPENED, IS IT? 676 00:45:05,475 --> 00:45:07,520 HAS HE ALREADY CONNED YOU INTO SOME KIND OF AN EXCUSE? 677 00:45:07,562 --> 00:45:09,524 TENNIS LESSON. 678 00:45:13,031 --> 00:45:15,912 HOW MANY TIMES ARE YOU GONNA LET THIS HAPPEN? 679 00:45:15,954 --> 00:45:17,791 HMM? 680 00:45:19,962 --> 00:45:22,091 YOU DON'T THINK I'VE THOUGHT ABOUT LEAVING HIM? 681 00:45:22,133 --> 00:45:25,055 HE'S THE DEAN OF THE SCHOOL. 682 00:45:25,097 --> 00:45:27,644 WE'RE ESTABLISHED HERE. 683 00:45:27,686 --> 00:45:30,817 I CAN'T JUST LEAVE. YES, YOU CAN. 684 00:45:30,859 --> 00:45:32,654 PEOPLE DO IT EVERY DAY. 685 00:45:32,696 --> 00:45:34,825 YOU JUST PACK A BAG AND YOU WALK OUT THE FRONT DOOR. 686 00:45:34,867 --> 00:45:37,247 I HAVE A LIFE HERE. FOR HOW LONG? 687 00:45:39,209 --> 00:45:43,217 CONTROL... WHAT DID YOU TELL ME ABOUT CONTROL, HMM? 688 00:45:43,259 --> 00:45:45,472 WHAT'D YOU TELL ME ABOUT CONTROL, KAY? 689 00:45:45,513 --> 00:45:48,561 THAT MOST PEOPLE WON'T HAVE IT. 690 00:45:48,603 --> 00:45:51,401 AM I IN THAT CATEGORY? NO. 691 00:45:51,442 --> 00:45:54,615 BUT IT'S... IT'S COMPLICATED. AH! I HATE THAT WORD. 692 00:45:54,656 --> 00:45:56,619 I DO TOO, BUT IT'S THE TRUTH. 693 00:45:56,660 --> 00:45:58,581 IT'S JUST YOU AND ME, KAY. 694 00:45:58,623 --> 00:46:00,836 YOU TELL ME WHAT I HAVE TO DO, AND I'LL DO IT. 695 00:46:03,633 --> 00:46:05,345 THERE MAY BE A WAY. 696 00:46:05,386 --> 00:46:07,599 OH, GOD, I CAN'T BELIEVE I'M EVEN SAYING THIS. 697 00:46:07,642 --> 00:46:12,317 SAYING WHAT? THERE'S A PLACE MY HUSBAND KEEPS MONEY, 698 00:46:12,359 --> 00:46:15,949 READY MONEY, IN CASE SOMETHING WERE TO FOLD. 699 00:46:15,991 --> 00:46:17,536 WHY WOULD THAT HAPPEN? 700 00:46:17,578 --> 00:46:19,623 HE MIGHT BE THE DEAN OF A RESPECTED COLLEGE, 701 00:46:19,665 --> 00:46:21,043 BUT IT DOESN'T MEAN HE DOESN'T HAVE 702 00:46:21,085 --> 00:46:23,297 SOME VERY QUESTIONABLE FINANCIAL VENTURES. 703 00:46:23,340 --> 00:46:25,844 NOT EVERY MILLIONAIRE'S KID CAN GET IN HERE. 704 00:46:25,887 --> 00:46:27,348 HE FINDS A WAY TO MAKE IT WORK. 705 00:46:27,389 --> 00:46:29,059 CORRUPT SON OF A BITCH. 706 00:46:29,101 --> 00:46:30,520 HOW MUCH? 707 00:46:30,562 --> 00:46:31,940 I DON'T KNOW. 708 00:46:31,982 --> 00:46:34,403 LIKE I SAID, HE CONTROLS EVERYTHING. 709 00:46:34,445 --> 00:46:38,202 SPECULATE. $500,000, $600,000, A MILLION IN BONDS. 710 00:46:38,244 --> 00:46:41,292 UNTRACEABLE? HOW ELSE DO YOU THINK HE COLLECTS FROM ABROAD? 711 00:46:41,334 --> 00:46:42,962 WHERE DOES HE KEEP HIS STASH? 712 00:46:43,003 --> 00:46:45,593 IN A SAFE BEHIND THE WALL IN HIS STUDY. 713 00:46:45,634 --> 00:46:49,851 UPSTAIRS OR DOWN? COLE, I DON'T EVEN KNOW WHAT I'M SAYING. 714 00:46:49,893 --> 00:46:51,897 MY-MY HEAD IS SPINNING. 715 00:46:51,938 --> 00:46:53,818 I KNOW IT'S SPINNING. 716 00:46:53,859 --> 00:46:56,156 FIRST THE RAPIST, NOW YOUR HUSBAND. 717 00:46:56,197 --> 00:46:57,909 I-I GET IT. 718 00:46:57,950 --> 00:47:00,373 I'VE GOT TO SEE THE SAFE. 719 00:47:19,118 --> 00:47:22,291 COLE. KAY! 720 00:47:22,333 --> 00:47:25,005 OH, LOOK AT YOUR EYE. 721 00:47:25,047 --> 00:47:28,721 JOHN TOLD YOU? OH, YOU NEED MY TENNIS PRO, LOVE. 722 00:47:28,762 --> 00:47:31,101 THOSE ACES NEVER HAPPEN ON HIS COURT. 723 00:47:31,142 --> 00:47:34,190 I'LL THINK ABOUT IT. THANK YOU, FLORENCE. 724 00:47:34,232 --> 00:47:35,693 THE COURT'S NOT THE PROBLEM. 725 00:47:35,734 --> 00:47:37,823 JUST THE PLAYER. 726 00:47:37,864 --> 00:47:39,576 JOHN WELLER. COLE HURLEY. 727 00:47:39,618 --> 00:47:42,999 COLE IS ONE OF MY BEST AND BRIGHTEST. REALLY? 728 00:47:43,042 --> 00:47:45,630 ONLY TWO WEEKS INTO THE SECOND SEMESTER... THAT'S QUITE A CHARGE. 729 00:47:45,672 --> 00:47:48,301 WELL, IT'S THE TRUTH. WHAT'S YOUR MAJOR? 730 00:47:48,344 --> 00:47:50,390 I HAVEN'T DECIDED YET. WELL, DON'T WAIT TOO LONG. 731 00:47:50,431 --> 00:47:52,518 YOU'RE YOUNG, BUT TIME SNEAKS UP ON YOU. 732 00:47:52,561 --> 00:47:56,151 WE ALL KNOW THAT TOO WELL, DON'T WE, DARLING? 733 00:47:56,193 --> 00:47:58,155 HELP YOURSELF TO A DRINK, HORS D'OEUVRES 734 00:47:58,197 --> 00:48:00,326 WHEREVER YOU CAN SNATCH THEM UP. ENJOY. 735 00:48:00,368 --> 00:48:02,455 KAY. 736 00:48:03,875 --> 00:48:05,837 MALBEC, HOW NICE. 737 00:48:05,879 --> 00:48:08,426 MAKE YOURSELF AT HOME. I WILL. 738 00:49:01,741 --> 00:49:02,910 MAY I HELP YOU? 739 00:49:02,952 --> 00:49:05,791 JUST LOOKING FOR THE BATHROOM. 740 00:49:05,832 --> 00:49:08,922 YOU LOOK FAMILIAR. HAVE WE MET? 741 00:49:08,964 --> 00:49:10,968 I GO TO VALLEY SPIRE. 742 00:49:11,010 --> 00:49:13,139 THAT'S NOT IT. 743 00:49:13,181 --> 00:49:14,976 I THOUGHT I HEARD VOICES. 744 00:49:15,018 --> 00:49:17,022 COLE, THIS IS WES UDELL, 745 00:49:17,064 --> 00:49:18,734 HEAD OF CAMPUS SECURITY FOR VALLEY SPIRE. 746 00:49:18,775 --> 00:49:21,447 I USED TO BE A COP. HMM. 747 00:49:21,489 --> 00:49:24,453 IS EVERYTHING OKAY? YEAH. 748 00:49:24,496 --> 00:49:27,042 THE YOUNG MAN WAS LOST. 749 00:49:27,084 --> 00:49:29,589 LOOKING FOR THE, UH, POTTY? 750 00:49:29,631 --> 00:49:32,512 YEAH. IT'S JUST DOWN THE HALL. I CAN SHOW YOU. 751 00:49:33,763 --> 00:49:35,267 YEAH, THANKS, MAN. 752 00:49:35,309 --> 00:49:37,647 DON'T MENTION IT. 753 00:49:46,873 --> 00:49:48,710 WELL, WHAT DID YOU THINK ABOUT IT? 754 00:49:48,753 --> 00:49:51,717 YOU KNOW, I THINK WE SHOULD INVESTIGATE MORE. 755 00:49:51,758 --> 00:49:54,555 LEAVING SO SOON? 756 00:49:54,598 --> 00:49:57,436 I WAS JUST GONNA GO HOME AND STUDY, 757 00:49:57,478 --> 00:49:59,357 FINISH THE PROJECT. 758 00:49:59,399 --> 00:50:01,528 RIGHT. HOW'S IT COMING? 759 00:50:01,570 --> 00:50:03,615 GOOD. IT'S ALL COMING TOGETHER. 760 00:50:04,994 --> 00:50:07,165 WELL, LET ME KNOW IF YOU NEED ANY HELP. 761 00:50:07,206 --> 00:50:10,170 KAY, COME SHOW AMY HOW YOU CAN'T RETURN THAT BACKHAND. 762 00:50:12,592 --> 00:50:15,723 THANKS FOR THE WINE. GOOD NIGHT. 763 00:50:15,765 --> 00:50:19,231 SO I'M TRYING TO TELL HER THAT WHEN YOU USE A FOREHAND, 764 00:50:19,272 --> 00:50:22,904 YOU'VE GOT TO... YOU'VE GOT TO GO FOLLOW THROUGH. 765 00:50:31,129 --> 00:50:33,008 WHAT KIND OF PLANE DOES YOUR HUSBAND HAVE? 766 00:50:33,049 --> 00:50:36,348 A BEECHCRAFT DEBONAIR. 767 00:50:36,390 --> 00:50:38,728 THERE'S MORE PICTURES OF THAT PLANE THAN THERE ARE OF YOU. 768 00:50:38,770 --> 00:50:40,774 WE'RE BOTH TROPHIES. 769 00:50:40,815 --> 00:50:43,571 THE SAFE'S BEHIND THE BIG PAINTING 770 00:50:43,612 --> 00:50:45,449 IN THE STUDY, ISN'T IT? 771 00:50:45,492 --> 00:50:47,412 YEAH. 772 00:50:47,453 --> 00:50:49,333 I NEED TO TELL YOU SOMETHING. 773 00:50:49,374 --> 00:50:51,628 I'M NOT THE PERFECT COLLEGE STUDENT YOU THINK I AM. 774 00:50:51,671 --> 00:50:55,469 I KNOW A THING OR TWO ABOUT BREAKING AND ENTERING. 775 00:50:55,512 --> 00:50:57,139 I, UH... 776 00:50:57,182 --> 00:50:59,102 I'M A LITTLE ASHAMED TO ADMIT THAT. 777 00:50:59,143 --> 00:51:01,857 LOOK, YOU-YOU DON'T HAVE TO TELL ME THIS. 778 00:51:01,900 --> 00:51:04,447 NO NO NO, I DO NEED TO TELL YOU THIS. 779 00:51:06,116 --> 00:51:08,454 I WANT TO BE STRAIGHT WITH YOU. 780 00:51:08,496 --> 00:51:11,252 'CAUSE IF I'M GONNA DO THIS, 781 00:51:11,293 --> 00:51:14,300 I WANT YOU TO KNOW IT'S NOT FOR THE MONEY; IT'S FOR YOU. 782 00:51:14,341 --> 00:51:15,970 I DON'T WANT YOU TO DO ANYTHING. 783 00:51:16,011 --> 00:51:19,101 I'M ALREADY HALFWAY THERE. 784 00:51:19,142 --> 00:51:21,522 ALL I NEED TO KNOW IS ABOUT THE SECURITY. 785 00:51:21,564 --> 00:51:24,529 JUST TELL ME. 786 00:51:24,570 --> 00:51:27,409 THE HOME HAS AN ALARM SYSTEM. 787 00:51:27,451 --> 00:51:29,622 I HAVE THE CODE. 788 00:51:29,664 --> 00:51:32,169 THE SAFE IN THE STUDY IS FIVE DIGITS. 789 00:51:33,505 --> 00:51:34,924 DO YOU KNOW THE NUMBERS? 790 00:51:34,966 --> 00:51:38,264 WHAT ELSE? THE DECAL OF HIS PLANE. 791 00:51:38,306 --> 00:51:41,813 SECURITY CAMERAS? NONE. 792 00:51:41,855 --> 00:51:44,694 BUT THE ALARM HAS TO BE DISENGAGED WITHIN 30 SECONDS 793 00:51:44,735 --> 00:51:47,032 OR IT ALERTS CAMPUS SECURITY. 794 00:51:47,073 --> 00:51:49,453 CHIEF UDELL. 795 00:51:49,495 --> 00:51:52,460 NOT THE FRIENDLIEST HOMBRE. YEAH, HE SCARES ME. 796 00:51:52,501 --> 00:51:54,588 HE LOOKS OUT FOR MY HUSBAND 797 00:51:54,631 --> 00:51:57,094 LIKE A BODYGUARD WITH A LICENSE TO KILL. 798 00:51:57,135 --> 00:52:00,016 HE'S AN EX-COP. I KNOW THE TYPE. 799 00:52:00,058 --> 00:52:03,398 BABY, YOU DON'T HAVE TO DO THIS. 800 00:52:03,440 --> 00:52:05,694 WE CAN DO THIS. 801 00:52:17,384 --> 00:52:19,931 WE CAN DO IT ON SATURDAY NIGHT. 802 00:52:21,351 --> 00:52:24,399 OH, I CAN'T, I CAN'T, I CAN'T. 803 00:52:25,985 --> 00:52:28,615 I HAVE A LECTURE IN SANTA ROSA. 804 00:52:28,657 --> 00:52:30,912 BUT THAT... THAT'S PERFECT. THAT'S A GREAT ALIBI. 805 00:52:30,954 --> 00:52:33,625 MY HUSBAND WILL BE HOME ALL WEEKEND. 806 00:52:33,668 --> 00:52:35,045 IT DOESN'T MATTER. 807 00:52:35,086 --> 00:52:37,090 I'LL BE IN AND OUT IN FIVE MINUTES. 808 00:52:37,133 --> 00:52:39,071 HE WON'T EVEN KNOW THE MONEY'S GONE TILL THE MORNING. 809 00:52:39,094 --> 00:52:42,685 AND THEN WE'LL MEET HERE ON SUNDAY. 810 00:52:42,727 --> 00:52:44,898 HAVE YOUR BAGS PACKED. 811 00:52:44,939 --> 00:52:46,359 OKAY? 812 00:52:51,620 --> 00:52:55,335 OKAY. OKAY. 813 00:52:55,378 --> 00:52:57,632 I LOVE YOU, KAY. 814 00:55:16,745 --> 00:55:19,417 TONY, COME WITH ME! YOU, COME WITH ME. YOU TWO, AROUND BACK. 815 00:55:19,458 --> 00:55:21,045 RIGHT. LET'S GO. 816 00:55:21,087 --> 00:55:22,737 TAKE IT AROUND THE OTHER SIDE OF THE GARAGE. 817 00:55:28,560 --> 00:55:29,604 RIGHT. 10-4. 818 00:55:29,646 --> 00:55:31,191 RIGHT. 819 00:55:31,233 --> 00:55:33,529 THE FIRST SOUND WAS ABOUT 20... 20 MINUTES. 820 00:55:33,571 --> 00:55:35,575 HE CAME IN. 821 00:55:35,616 --> 00:55:37,036 HANG ON. 822 00:55:37,078 --> 00:55:38,580 THEY WANT US TO MOVE CHECKPOINTS. 823 00:55:38,622 --> 00:55:41,837 Boy: SHE IS SMOKIN'. Boy 824 00:55:41,879 --> 00:55:43,048 THAT GIRL IS SO OFF THE HOOK. 825 00:55:43,090 --> 00:55:44,342 WHAT ARE YOU GONNA DO ABOUT THAT? 826 00:55:44,384 --> 00:55:45,971 I'M GONNA GET SOME OF THAT. 827 00:55:46,012 --> 00:55:48,518 HEY, CHECK IT OUT. HEY. WELL, LOOKEE WHO IT IS. 828 00:55:48,559 --> 00:55:50,689 REMEMBER ME FROM THE PARTY, HUH? 829 00:55:53,736 --> 00:55:55,698 PAYBACK'S A BITCH, ISN'T IT? 830 00:56:00,542 --> 00:56:03,380 THERE HE GOES! 831 00:56:03,422 --> 00:56:05,217 HEY, COME BACK HERE! 832 00:56:14,736 --> 00:56:16,407 Hi, this is Kay Weller. 833 00:56:16,449 --> 00:56:18,327 Please leave a message and I'll get back to you. 834 00:56:18,369 --> 00:56:21,250 KAY, IT'S ME. 835 00:56:21,291 --> 00:56:24,089 THERE WAS NO SAFE. 836 00:56:24,131 --> 00:56:26,176 I'M AT THE MEETING PLACE. 837 00:56:26,218 --> 00:56:28,807 GIVE ME A CALL BACK. 838 00:56:48,137 --> 00:56:50,809 THE SAFE'S BEHIND THAT BIG PICTURE IN THE WALL, ISN'T IT? 839 00:56:50,850 --> 00:56:53,022 YEAH. 840 00:57:05,923 --> 00:57:08,135 David, it's now confirmed that the body found 841 00:57:08,177 --> 00:57:10,390 at 14 Adamson is indeed that 842 00:57:10,432 --> 00:57:13,104 of Valley Spire College Dean Dr. John Weller. 843 00:57:13,146 --> 00:57:14,649 The revered physics laureate 844 00:57:14,690 --> 00:57:16,820 was apparently smothered in his bed. 845 00:57:16,862 --> 00:57:19,534 Sources close to campus security haven't ruled out murder. 846 00:57:19,575 --> 00:57:22,122 Now as we told you earlier in the newscast, 847 00:57:22,164 --> 00:57:24,460 Valley Spire College freshman Cole Hurley 848 00:57:24,502 --> 00:57:26,339 is now wanted for questioning 849 00:57:26,380 --> 00:57:28,593 after authorities released these images 850 00:57:28,635 --> 00:57:30,890 captured on home security. 851 00:57:40,409 --> 00:57:42,997 Anyone with information on Hurley's whereabouts 852 00:57:43,039 --> 00:57:45,252 is urged to contact the police. 853 00:57:45,294 --> 00:57:47,423 Back to you. Marty? 854 00:57:52,600 --> 00:57:54,563 POLICE! OPEN UP! 855 00:57:54,604 --> 00:57:57,109 OPEN IT. 856 00:58:02,328 --> 00:58:04,290 OH. THE WINDOW, COME ON. 857 00:58:28,756 --> 00:58:30,677 I LOVE YOU, KAY. 858 00:58:39,987 --> 00:58:41,532 Cole: SECURITY CAMERAS? 859 00:58:41,573 --> 00:58:43,953 NONE. 860 00:58:43,995 --> 00:58:47,878 BUT THE ALARM HAS TO BE DEACTIVATED WITHIN 30 SECONDS 861 00:58:47,919 --> 00:58:50,299 OR IT ALERTS CAMPUS SECURITY. 862 00:58:53,389 --> 00:58:55,226 NO SECURITY CAMERAS. 863 00:59:00,486 --> 00:59:02,491 SHE SAID NO SECURITY CAMERAS. 864 00:59:16,519 --> 00:59:18,815 Robbery/homicide. Detective Weiss. 865 00:59:18,857 --> 00:59:21,988 I NEED TO SPEAK TO DETECTIVE DEIRDRE CLEMONS, SEVENTH PRECINCT. 866 00:59:22,030 --> 00:59:24,075 IT'S COLE HURLEY. 867 00:59:24,118 --> 00:59:26,539 IF I DON'T TALK TO HER IN 10 SECONDS, I'M HANGING UP THE PHONE. 868 00:59:26,581 --> 00:59:29,253 COLE HURLEY ON 3! YEAH, I GOT IT. 869 00:59:31,214 --> 00:59:33,470 COLE? YEAH, IT'S ME. 870 00:59:33,511 --> 00:59:36,141 WHERE ARE YOU? I DIDN'T KILL HIM, I SWEAR. 871 00:59:36,184 --> 00:59:37,519 All I did was break in. 872 00:59:37,561 --> 00:59:39,440 YOU SHOULD GET AHOLD OF KAY WELLER, HIS WIFE. 873 00:59:39,482 --> 00:59:41,527 SHE'LL EXPLAIN EVERYTHING. 874 00:59:41,569 --> 00:59:42,947 HELLO? 875 00:59:42,989 --> 00:59:44,575 KAY WELLER CONTACTED US 876 00:59:44,617 --> 00:59:46,955 AFTER SEEING YOUR FACE ON TV. 877 00:59:46,997 --> 00:59:49,293 SHE CLAIMS YOU'VE BEEN FOLLOWING HER. WHAT? 878 00:59:49,335 --> 00:59:52,716 YEAH, SHE SAYS YOU SHOWED UP AT A STUDENT/FACULTY PARTY UNINVITED, 879 00:59:52,759 --> 00:59:54,679 THAT YOU'VE BEEN HARASSING HER OUTSIDE OF CLASS. 880 00:59:54,720 --> 00:59:55,723 No no no. 881 00:59:55,764 --> 00:59:58,061 THE BURGLARY... IT WAS OUR IDEA. 882 00:59:58,102 --> 00:59:59,499 SHE SAID THERE WAS A SAFE IN THE STUDY. 883 00:59:59,522 --> 01:00:00,774 THAT'S WHY I WAS AT THE HOUSE. 884 01:00:00,816 --> 01:00:02,988 I'VE BEEN TO THE HOUSE, COLE. 885 01:00:03,029 --> 01:00:05,868 THERE IS NO SAFE, JUST ONE DEAD BODY. 886 01:00:05,910 --> 01:00:07,454 LISTEN TO ME, COLE. 887 01:00:07,496 --> 01:00:11,379 KAY WELLER GAVE US A BLOUSE THAT HAD BLOOD ON IT. 888 01:00:11,421 --> 01:00:13,926 THE D.N.A. TEST CAME BACK POSITIVE FOR YOU. 889 01:00:13,968 --> 01:00:15,512 She said that you attacked her, 890 01:00:15,554 --> 01:00:17,558 THAT YOU THREATENED TO KILL HER IF SHE TOLD. 891 01:00:17,600 --> 01:00:19,228 NO NO, I SAVED HER FROM AN ATTACKER. 892 01:00:19,270 --> 01:00:21,148 DO YOU DENY THAT IT'S YOUR BLOOD? 893 01:00:21,190 --> 01:00:23,988 NO, BUT IT'S NOT WHAT YOU THINK, 894 01:00:24,029 --> 01:00:26,284 OFFICER CLEMONS. 895 01:00:26,326 --> 01:00:28,121 DEIRDRE, YOU HAVE TO BELIEVE ME. 896 01:00:28,163 --> 01:00:29,582 COLE, ALL I KNOW RIGHT NOW 897 01:00:29,624 --> 01:00:33,047 IS THAT KAY WELLER IS SCARED FOR HER LIFE 898 01:00:33,090 --> 01:00:35,051 AND THERE'S NOWHERE LEFT FOR YOU TO RUN. 899 01:00:35,094 --> 01:00:36,888 You know I want to help you. 900 01:00:36,931 --> 01:00:38,809 TELL ME WHERE YOU ARE. 901 01:00:40,772 --> 01:00:42,233 COLE? 902 01:00:43,276 --> 01:00:45,071 COLE? 903 01:01:14,131 --> 01:01:16,259 AHH! 904 01:01:16,301 --> 01:01:18,597 WHAT UP, BITCH, HUH? 905 01:01:18,639 --> 01:01:20,434 AHH! YOU KNOW, I THOUGHT I WAS SEEING THINGS 906 01:01:20,476 --> 01:01:23,065 WHEN I SAW YOUR SORRY ASS WALKING BACK UP IN HERE. 907 01:01:23,107 --> 01:01:24,693 IT'S NICE TO KNOW YOU HAVEN'T FORGOTTEN 908 01:01:24,735 --> 01:01:26,488 ABOUT THE OLD RAT CRIB, HUH, COLE? 909 01:01:26,531 --> 01:01:28,659 'CAUSE IT SURE AS HELL HASN'T FORGOTTEN ABOUT YOU. 910 01:01:28,701 --> 01:01:30,037 AW, COME ON, COLE. 911 01:01:30,079 --> 01:01:31,957 IT DON'T HURT THAT MUCH... 912 01:01:32,000 --> 01:01:34,087 NOT AS MUCH AS THIS ONE'S GONNA. 913 01:01:36,007 --> 01:01:38,054 YOU KNOW, IT'S A BAD SHAME LEAVING YOUR ASS 914 01:01:38,095 --> 01:01:41,352 IN THE DUST LAST TIME, BUT I GOT TO MAKE MY MOVE, SON. 915 01:01:41,393 --> 01:01:43,647 5-0'S GONNA BE HERE SOON ENOUGH. 916 01:01:43,690 --> 01:01:45,651 I'M GONNA CASH IN ON YOUR REWARD. 917 01:01:45,694 --> 01:01:47,071 YEAH! 918 01:01:47,113 --> 01:01:49,911 10 GRAND GETS YOU A WHOLE LOT OF SPEEDBALL. 919 01:01:49,952 --> 01:01:54,503 YOU JUNKIE ASSHOLE. WE ALL GOT ISSUES, ALL RIGHT? 920 01:01:54,545 --> 01:01:56,841 CONTROLLED-SUBSTANCE ABUSE IS A FAR-ASS CRY 921 01:01:56,883 --> 01:01:58,594 THAN SNUFFING SOME WHITE BREAD. 922 01:01:58,637 --> 01:02:01,684 NAH, I'M AFRAID I JUST CAN'T DO THAT TO YOU, COLE. 923 01:02:01,725 --> 01:02:05,108 YOU'RE TOO DANGEROUS. 924 01:02:05,149 --> 01:02:06,652 YOU'D BETTER SHUT THEM EYES 925 01:02:06,694 --> 01:02:08,782 'CAUSE IT'S BEDDY-BYE TIME. 926 01:02:16,296 --> 01:02:19,136 OH SHIT, COLE! COLE! 927 01:02:34,584 --> 01:02:37,674 GOOD EYES, ASSHOLE. 928 01:03:38,044 --> 01:03:40,048 HEY. 929 01:03:40,091 --> 01:03:42,846 HEY. HI. 930 01:03:42,888 --> 01:03:45,017 DO YOU RECOGNIZE ME? YEAH. 931 01:03:45,059 --> 01:03:47,940 YOU'RE THE GUY THAT THE COPS ARE LOOKING FOR, RIGHT? 932 01:03:47,981 --> 01:03:51,362 LISTEN, IF YOU WANT ANYTHING... YOU'VE SEEN ME BEFORE. 933 01:03:51,405 --> 01:03:53,492 YEAH, ON, UH... ON THE TV. 934 01:03:53,534 --> 01:03:55,872 NOT ON TV. HERE, ABOUT A WEEK AGO. 935 01:03:55,913 --> 01:03:57,459 I CAME IN WITH A WOMAN. 936 01:03:57,500 --> 01:03:59,504 YOU DID THE WHOLE HOT-FOR-TEACHER ROUTINE. 937 01:03:59,546 --> 01:04:01,611 NO, I DON'T THINK SO. MAYBE YOU HAVE ME CONFUSED WITH... 938 01:04:01,634 --> 01:04:03,095 WAIT WAIT. LISTEN TO ME. LISTEN TO ME. 939 01:04:03,137 --> 01:04:05,224 I AM BEING FRAMED FOR MURDER, OKAY? 940 01:04:05,266 --> 01:04:07,061 AND THE WOMAN DENIES SHE EVEN KNOWS WHO I AM! 941 01:04:07,103 --> 01:04:09,607 SHE'S THE ONE WHO PAID YOU TO DO THE WHOLE TEACHER ROUTINE! 942 01:04:09,650 --> 01:04:11,445 NO. NO, WAIT WAIT WAIT. 943 01:04:11,487 --> 01:04:14,075 NOW YOU'RE THE ONLY PERSON THAT CAN TESTIFY TO THIS, OKAY? 944 01:04:14,117 --> 01:04:16,079 I DON'T KNOW. WAIT WAIT WAIT, NO! 945 01:04:16,121 --> 01:04:17,499 NO NO, WAIT! LET ME GO! 946 01:04:17,541 --> 01:04:20,338 EDDIE, OPEN THE DOOR! OPEN IT! 947 01:04:23,344 --> 01:04:24,597 Eddie: HEY! 948 01:04:26,684 --> 01:04:27,936 COME ON, COME ON. 949 01:04:27,978 --> 01:04:29,732 HEY! 950 01:04:29,773 --> 01:04:33,072 COME BACK! COME BACK! 951 01:04:54,406 --> 01:04:57,203 TONY, COME WITH ME! YOU, COME WITH ME. YOU TWO, AROUND BACK. 952 01:04:57,246 --> 01:04:58,664 RIGHT. LET'S GO. 953 01:04:58,707 --> 01:05:01,295 HOW COULD THEIR RESPONSE HAVE BEEN SO FAST? 954 01:05:22,713 --> 01:05:24,634 WHERE YOU AT? WHERE YOU AT? 955 01:05:24,676 --> 01:05:26,220 WHERE YOU AT? WHERE YOU... 956 01:05:26,262 --> 01:05:27,891 AHH! SHH! 957 01:05:27,932 --> 01:05:31,230 I DIDN'T KILL HIM, I SWEAR. I BELIEVE YOU, MAN. 958 01:05:31,272 --> 01:05:33,276 I MEAN, YO, YOU MAY BE A DICK SOMETIMES, 959 01:05:33,318 --> 01:05:35,489 BUT YOU SURE AS HELL AIN'T A KILLER. 960 01:05:35,530 --> 01:05:37,410 YOU ALL RIGHT? YEAH. 961 01:05:37,451 --> 01:05:39,163 LOOK, THIS WHOLE CAMPUS IS ON RED ALERT. 962 01:05:39,205 --> 01:05:41,144 AND THEY'RE TURNING THIS PLACE UPSIDE DOWN LOOKING FOR YOU. 963 01:05:41,167 --> 01:05:43,463 TELL ME ABOUT IT. WHAT'S UP WITH DR. WELLER? 964 01:05:43,505 --> 01:05:46,636 SHE'S GONE. SHE TOOK A SABBATICAL WHEN HER OLD MAN TURNED UP DEAD. 965 01:05:46,678 --> 01:05:48,348 NOBODY KNOWS WHERE SHE'S HOLING UP. 966 01:05:48,390 --> 01:05:50,162 AND POLICE AREN'T EXACTLY GIVING OUT DETAILS EITHER. 967 01:05:50,185 --> 01:05:51,521 WELL, WHAT DID YOU TELL THEM? 968 01:05:51,563 --> 01:05:53,149 MAN, I TOLD THEM JENO'S PIZZA ROLLS 969 01:05:53,191 --> 01:05:55,070 GIVES YOU GAS AND YOU OWE ME $5. 970 01:05:55,112 --> 01:05:56,907 OTHER THAN THAT, I'M AT A LOSS. 971 01:05:56,949 --> 01:05:59,306 LISTEN, DAWG, WHATEVER YOU GOT COOKING UP IN THAT BRAIN OF YOURS, 972 01:05:59,329 --> 01:06:00,600 YOU'D BETTER PUT IT ON THE GRILL FAST 973 01:06:00,623 --> 01:06:02,061 BECAUSE THERE IS A LOT OF PEOPLE AROUND HERE 974 01:06:02,084 --> 01:06:03,337 CONVINCED THAT YOU KILLED A MAN. 975 01:06:03,378 --> 01:06:05,549 DO ME A FAVOR? YOU NEED SOME MONEY? 976 01:06:05,591 --> 01:06:07,386 FOR STARTERS. 977 01:06:07,428 --> 01:06:09,390 HERE, TAKE IT ALL. 978 01:06:09,432 --> 01:06:11,770 THANKS, MAN. 979 01:06:11,812 --> 01:06:13,733 WHAT ELSE YOU NEED? YOU HAVE THAT VIDEOPHONE? 980 01:06:13,774 --> 01:06:15,820 THIS ONE? YEAH, THAT'S IT. 981 01:06:15,862 --> 01:06:17,782 PERFECT. 982 01:06:20,079 --> 01:06:22,959 THESE ARE CUTE. HEY, I WANT THOSE BACK. 983 01:06:23,001 --> 01:06:25,047 THAT'S GREAT. NOW YOU LOOK LIKE THE UNABOMBER. 984 01:06:25,088 --> 01:06:26,967 GIVE ME YOUR WATCH. ARE YOU SERIOUS? 985 01:06:27,009 --> 01:06:28,804 NO. OH, YOU IDIOT. 986 01:06:28,846 --> 01:06:30,892 WISH ME LUCK. ALL RIGHT, BRO. 987 01:06:30,934 --> 01:06:33,313 YOU WATCH YOUR ASS. I WILL. 988 01:07:08,342 --> 01:07:09,845 THAT'S KAY'S CAR. 989 01:09:12,342 --> 01:09:14,179 MY GOD, YOU SCARED ME! 990 01:09:25,326 --> 01:09:27,873 IDIOT! 991 01:09:27,914 --> 01:09:29,459 THIS BIKINI COST ME $600. 992 01:09:29,501 --> 01:09:31,228 WELL, NOW YOU CAN AFFORD A NEW ONE, CAN'T YOU? 993 01:09:31,255 --> 01:09:32,925 THAT'S NOT THE POINT! 994 01:09:32,966 --> 01:09:35,179 I DON'T LIKE BEING SURPRISED. 995 01:09:35,220 --> 01:09:37,600 BESIDES, YOU WEREN'T SUPPOSED TO BE HERE FOR ANOTHER HOUR. 996 01:09:37,643 --> 01:09:40,147 I GOT DONE EARLY. 997 01:09:40,190 --> 01:09:41,984 WRAPPED UP THE STATEMENT, TRAFFIC WAS GOOD. 998 01:09:42,027 --> 01:09:43,632 WHAT THE HELL DIFFERENCE DOES IT MAKE, ANYWAY? 999 01:09:43,655 --> 01:09:45,700 THE DIFFERENCE IS THAT WE'RE ON A SCHEDULE. 1000 01:09:45,742 --> 01:09:47,286 ANY DEVIATION PUTS US AT RISK. 1001 01:09:47,329 --> 01:09:49,667 SORRY. 1002 01:09:49,709 --> 01:09:53,298 ARE YOU JUST GONNA STAND THERE OR ARE YOU GONNA HELP ME? 1003 01:09:57,558 --> 01:10:01,190 I WAS JUST HOPING 1004 01:10:01,232 --> 01:10:04,613 THAT YOU'D BE HAPPIER TO SEE ME, THAT'S ALL. 1005 01:10:04,655 --> 01:10:06,826 I AM. 1006 01:10:06,868 --> 01:10:09,958 I JUST DON'T WANT ANY MORE VARIABLES IN THE MIX. 1007 01:10:09,999 --> 01:10:11,878 I'M SORRY FOR BUSTING YOUR BALLS, WES. 1008 01:10:11,920 --> 01:10:13,757 YOU BUSTED MY FACE. MY BALLS ARE FINE. 1009 01:10:13,799 --> 01:10:16,596 I'LL BE THE JUDGE OF THAT. 1010 01:10:23,401 --> 01:10:24,987 ENOUGH ENOUGH. 1011 01:10:25,029 --> 01:10:26,991 THE DOG WILL GET HIS BONE ONCE WE'RE AIRBORNE. 1012 01:10:27,033 --> 01:10:28,327 SO THE BEECHCRAFT'S READY, THEN? 1013 01:10:28,370 --> 01:10:29,872 THE FLIGHT INFO WAS FILED THIS MORNING. 1014 01:10:29,914 --> 01:10:31,626 I TOLD YOU, EVERYTHING IS BY THE BOOK. 1015 01:10:31,668 --> 01:10:33,964 WE'LL BE IN MEXICO IN A FEW HOURS. 1016 01:10:34,006 --> 01:10:35,425 AND THE OFFSHORE ACCOUNTS? 1017 01:10:35,467 --> 01:10:37,053 THE TRANSFER OF THE TRUST IS IMMEDIATE. 1018 01:10:37,095 --> 01:10:38,640 EVERYTHING ELSE HAS BEEN WIRED ALREADY. 1019 01:10:38,682 --> 01:10:40,351 THE ONLY THING MISSING FROM OUR PLAN 1020 01:10:40,394 --> 01:10:43,149 IS THAT MY FAVORITE STUDENT IS STILL ABSENT. 1021 01:10:43,191 --> 01:10:45,404 YOU KNOW, THAT LITTLE PUNK WAS QUICKER THAN I EXPECTED. 1022 01:10:45,445 --> 01:10:47,408 I TOLD YOU COLE KNEW HIS WAY AROUND A BREAK-IN. 1023 01:10:47,449 --> 01:10:49,370 YOU CAN SMOTHER MY STUPID HUSBAND, 1024 01:10:49,412 --> 01:10:51,560 BUT YOU CAN'T WAIT AROUND A STREET CORNER AND BAG THE PATSY? 1025 01:10:51,583 --> 01:10:54,380 I SHOULD TEACH A CLASS ON HUMAN INEPTNESS, CITING YOU. 1026 01:10:54,421 --> 01:10:56,319 NO, LISTEN TO ME FOR A SECOND. NO, YOU LISTEN TO ME! 1027 01:10:56,342 --> 01:10:59,432 THE ONLY MISSTEP IN OUR PERFECT PLAN WAS YOURS. 1028 01:10:59,473 --> 01:11:01,729 YOU'RE LUCKY THAT THE COPS HAVE HIM ON THE RUN. 1029 01:11:01,770 --> 01:11:03,607 WHAT IF SOMEONE SAW ME? 1030 01:11:03,649 --> 01:11:06,988 I DID YOUR POOR HUSBAND IN 20 MINUTES BEFORE HURLEY EVEN BROKE IN. 1031 01:11:07,031 --> 01:11:09,535 MAYBE HE HAS EXTRA CAMERAS WE DON'T KNOW ABOUT. 1032 01:11:09,578 --> 01:11:13,627 NO, MAYBE, MAYBE... MAYBE YOU'RE THINKING TOO MUCH. 1033 01:11:13,669 --> 01:11:16,884 LOOK, JUST DO EVERYTHING I SAY 1034 01:11:16,925 --> 01:11:19,681 AND ALL OF OUR DREAMS WILL COME TRUE. 1035 01:11:19,722 --> 01:11:22,019 OKAY? 1036 01:11:33,835 --> 01:11:35,963 SORRY ABOUT THAT EYE. 1037 01:11:36,005 --> 01:11:37,884 I HATED HAVING TO DO THAT. 1038 01:11:37,926 --> 01:11:40,931 WELL, YOU WERE UNDER ORDERS BY ME, 1039 01:11:40,974 --> 01:11:42,852 AND IT WORKED OUT BEAUTIFULLY. 1040 01:12:03,185 --> 01:12:04,730 GIVE ME THE KEYS. I'M DRIVING. 1041 01:12:18,550 --> 01:12:20,052 LET'S GO ALREADY. 1042 01:12:42,556 --> 01:12:44,518 SURE THERE'S NO ONE IN THE TOWER? 1043 01:12:44,560 --> 01:12:46,062 AIRPORT RULES ON THE WEEKENDS: 1044 01:12:46,105 --> 01:12:47,148 WE FLY OURSELVES OUT. 1045 01:12:47,190 --> 01:12:50,154 THAT'S A BEAUTIFUL THING. 1046 01:12:50,196 --> 01:12:53,536 IS THAT YOUR PLANE? THIS IS IT. 1047 01:13:34,368 --> 01:13:36,372 UM, WES, YOU MIGHT WANT TO TURN AROUND. 1048 01:13:36,414 --> 01:13:39,587 SON OF A... 1049 01:13:41,257 --> 01:13:44,764 S.U.V.s, AUTOMATIC CAR LOCKS... 1050 01:13:44,805 --> 01:13:46,768 IS THERE ANYTHING YOU CAN'T BREAK INTO, COLE? 1051 01:13:46,809 --> 01:13:49,399 YOU KNOW, I KNEW THE KID WAS STUPID, BUT DAMN! 1052 01:13:49,440 --> 01:13:52,279 TO ACTUALLY SERVE HIMSELF UP ON A SILVER PLATTER... 1053 01:13:52,321 --> 01:13:54,951 BOY, YOU JUST MADE MY JOB A WHOLE LOT EASIER. 1054 01:13:57,289 --> 01:13:59,131 THERE WAS NEVER ANY GETAWAY CASH, WAS THERE, KAY? 1055 01:13:59,168 --> 01:14:00,315 THE PLAN WAS TO KILL YOUR HUSBAND, 1056 01:14:00,338 --> 01:14:01,756 TAKE HIS INSURANCE AND TRUST. 1057 01:14:01,799 --> 01:14:03,427 YOU JUST NEEDED SOMEONE TO SET IT UP. 1058 01:14:03,469 --> 01:14:05,597 AND, MAN, DID I FIND THE RIGHT GUY. 1059 01:14:05,640 --> 01:14:08,520 OH, COME ON, COLE. DON'T ACT SO INNOCENT. 1060 01:14:08,562 --> 01:14:10,358 YOU KNOW YOU ENJOYED THE EDUCATION. 1061 01:14:10,399 --> 01:14:12,111 THIS ISN'T A CLASSROOM. 1062 01:14:12,152 --> 01:14:13,823 A MAN'S DEAD AND I'M LOOKING AT HIS KILLERS. 1063 01:14:13,865 --> 01:14:15,409 MAKE THAT ONE KILLER. 1064 01:14:15,450 --> 01:14:18,123 I DIDN'T TOUCH ONE HAIR ON HIS BRAINY LITTLE HEAD. 1065 01:14:18,164 --> 01:14:20,878 BUT WES HERE SEEMS TO BE AN EXPERT IN THE PROFESSION. 1066 01:14:20,920 --> 01:14:22,715 WHY THE CHRIST ARE WE TALKING ABOUT THIS? 1067 01:14:22,757 --> 01:14:24,780 JUST FINISH THE BASTARD AND LET'S GET THE HELL OUT OF HERE! 1068 01:14:24,803 --> 01:14:26,473 COME ON, MAN, SHE'S USING US... 1069 01:14:26,515 --> 01:14:28,769 YOU FOR THE DEED, ME TO BLAME! 1070 01:14:28,811 --> 01:14:30,397 WE CAN BOTH COME CLEAN! 1071 01:14:30,440 --> 01:14:33,153 SON, I AM A LONG WAY FROM CLEAN. 1072 01:14:33,195 --> 01:14:34,865 BUT $4 MILLION... 1073 01:14:34,907 --> 01:14:36,345 THAT BUYS ME A RIGHT WASH, NOW, DOESN'T IT? 1074 01:14:36,368 --> 01:14:39,040 CLOSE YOUR EYES AND I'LL MAKE THIS QUICK. 1075 01:14:39,082 --> 01:14:42,923 ISN'T THAT RIGHT, KAY? HE'LL NEVER SEE IT COMING. 1076 01:14:42,964 --> 01:14:44,634 AHH! 1077 01:14:49,686 --> 01:14:51,857 YOU WANTED... 1078 01:14:51,899 --> 01:14:53,736 YOU WANTED TO LEARN ABOUT HUMAN NATURE, COLE. 1079 01:14:53,778 --> 01:14:55,240 I WANTED TO KNOW THE TRUTH. 1080 01:14:55,281 --> 01:14:57,744 OKAY, COLE... STOP! GET ON THE GROUND. 1081 01:14:57,786 --> 01:14:59,790 THERE'S SO MUCH THAT I CAN TEACH YOU. 1082 01:14:59,832 --> 01:15:01,376 THIS ISN'T SOME GODDAMN FORUM. 1083 01:15:01,418 --> 01:15:05,677 PASS OR FAIL, I QUIT. IT'S TOO LATE. 1084 01:15:05,719 --> 01:15:07,681 "7-ELEVEN SHOPLIFTER 1085 01:15:07,723 --> 01:15:09,935 GRADUATES TO FULL-FLEDGED MURDERER." 1086 01:15:09,977 --> 01:15:12,399 YOU JUST MADE HEAD OF THE CLASS. 1087 01:15:12,441 --> 01:15:14,528 THAT'S FUNNY... I NEVER TOLD YOU I CLIPPED A 7-ELEVEN. 1088 01:15:14,570 --> 01:15:16,156 HOW MUCH DO YOU KNOW ABOUT ME? 1089 01:15:16,198 --> 01:15:18,577 MORE THAN SHE'D CARE TO. 1090 01:15:18,620 --> 01:15:21,291 I DO THINK YOU SHOULD DROP THAT GUN NOW, COLE. 1091 01:15:26,469 --> 01:15:27,889 COLE AND I WERE JUST HAVING 1092 01:15:27,930 --> 01:15:30,853 A LITTLE STUDENT/TEACHER CONFERENCE. 1093 01:15:30,894 --> 01:15:33,524 I WAS AROUND THE CORNER LISTENING. 1094 01:15:33,567 --> 01:15:36,531 ON MY JOB THEY CALL IT "SURVEILLANCE." 1095 01:15:36,572 --> 01:15:38,242 COLE, COLE, COLE... 1096 01:15:38,284 --> 01:15:40,246 NO MATTER HOW MUCH I TRY TO HELP YOU, 1097 01:15:40,288 --> 01:15:41,916 YOU CAN'T KEEP YOUR HEAD ABOVE THE GARBAGE. 1098 01:15:41,958 --> 01:15:43,461 YOU WERE IN ON THIS SINCE THE BEGINNING. 1099 01:15:43,503 --> 01:15:46,175 VALLEY SPIRE, THE WHOLE SPONSOR MENTORSHIP... 1100 01:15:46,217 --> 01:15:48,972 I JUST HAPPENED TO BE AT THE OFFICE AT THE RIGHT TIME. 1101 01:15:49,014 --> 01:15:51,018 WOW. I'M IMPRESSED. 1102 01:15:51,060 --> 01:15:53,606 I MEAN, HE'S LEARNING SOMETHING HERE. 1103 01:15:53,649 --> 01:15:55,318 SEE, I TOLD YOU, COLE... 1104 01:15:55,360 --> 01:15:58,074 EVERYTHING RIGHTS ITSELF IN THE END. 1105 01:15:58,115 --> 01:16:01,789 BUT I CAN'T TAKE FULL CREDIT FOR THIS. 1106 01:16:01,832 --> 01:16:05,589 I HAVE TO GIVE EXTRA CREDIT TO DR. WELLER. 1107 01:16:05,630 --> 01:16:07,968 OFFICER, YOU KNOW I HATE IT 1108 01:16:08,010 --> 01:16:09,388 WHEN YOU ADDRESS ME SO FORMALLY. 1109 01:16:09,430 --> 01:16:11,351 I'M SO SORRY, BABY. 1110 01:16:14,440 --> 01:16:17,780 A GUN AND A BADGE. 1111 01:16:17,822 --> 01:16:19,617 YOU PUT THE MUZZLE ON THE STRIPPER. 1112 01:16:19,659 --> 01:16:21,747 EX-JUNKIES DON'T WANT TO GO BACK TO JAIL. 1113 01:16:21,788 --> 01:16:23,918 AND THE BOUNCER? OH, WELL... 1114 01:16:23,959 --> 01:16:26,715 THAT'S JUST OUR FRIENDLY CAMPUS RAPIST. 1115 01:16:30,430 --> 01:16:31,558 COME ON. HEY! 1116 01:16:36,651 --> 01:16:39,156 I KNEW I COULD TEACH YOU CONTROL, COLE. 1117 01:16:39,198 --> 01:16:41,662 BUT I NEEDED TO KNOW YOU COULD HANDLE EVERYTHING ELSE. 1118 01:16:41,703 --> 01:16:42,997 RIGHT, AND THE BLOOD SAMPLE, 1119 01:16:43,039 --> 01:16:45,461 YOUR BLOOD SAMPLE, WAS OUR INSURANCE POLICY. 1120 01:16:45,503 --> 01:16:46,755 SEE, KAY WAS RIGHT. 1121 01:16:46,797 --> 01:16:48,801 WE DIDN'T WANT ANYTHING TO HAPPEN TO YOU. 1122 01:16:48,842 --> 01:16:51,366 THIS GUY, THIS BASTARD, WE WERE GONNA KILL HIM AND THROW HIM IN THE STICKS. 1123 01:16:51,389 --> 01:16:54,187 BUT YOU... NO, WE WANTED TO SPARE YOU. 1124 01:16:54,229 --> 01:16:57,777 I MEAN, YOU WERE GONNA END UP IN JAIL BUT... 1125 01:16:57,818 --> 01:16:59,364 AT LEAST YOU WOULD BE ALIVE. 1126 01:16:59,405 --> 01:17:02,203 AND I'M SURE YOUR GRANDMOTHER WOULD BE PLEASED. 1127 01:17:02,245 --> 01:17:04,249 DON'T YOU EVER TALK ABOUT MY FAMILY! 1128 01:17:06,127 --> 01:17:09,885 DON'T YOU EVER RAISE YOUR VOICE TO A POLICE OFFICER. 1129 01:17:09,927 --> 01:17:11,722 FOR WHAT IT'S WORTH, COLE, 1130 01:17:11,764 --> 01:17:14,352 THE EXTRACURRICULAR WAS WELL ABOVE AVERAGE. 1131 01:17:14,394 --> 01:17:16,649 MUCH APPRECIATED. 1132 01:17:16,690 --> 01:17:19,529 WELL THEN, YOU'LL APPRECIATE THAT WE HAVE TO GO. 1133 01:17:19,571 --> 01:17:23,412 COLE, TRULY YOU WERE AN AMAZING STUDENT. 1134 01:17:23,454 --> 01:17:26,251 YOU DID EVERYTHING I NEEDED YOU TO DO. 1135 01:17:26,293 --> 01:17:27,879 SO WHICH ONE GETS THE GRADE FIRST? 1136 01:17:27,921 --> 01:17:29,633 DOESN'T MATTER TO ME. 1137 01:17:32,556 --> 01:17:34,727 YOU SHOULD LOOK AWAY FOR THIS. 1138 01:17:34,768 --> 01:17:37,524 EXECUTIONS ARE REALLY HARD TO WATCH. 1139 01:17:37,565 --> 01:17:40,070 BITCHES! 1140 01:17:40,112 --> 01:17:42,116 DEIRDRE! 1141 01:17:43,911 --> 01:17:45,790 HANDS UP. PUT IT DOWN, KAY. IT'S OVER. 1142 01:17:45,832 --> 01:17:47,878 PERHAPS YOU DON'T SEE THE GUN THAT I'M HOLDING. 1143 01:17:47,920 --> 01:17:49,316 I GUESS YOU DIDN'T SEE THE FACT THAT I PUT 1144 01:17:49,339 --> 01:17:50,884 THE SAFETY SWITCH ON WHEN I GAVE IT BACK. 1145 01:17:50,926 --> 01:17:53,263 WHAT? 1146 01:17:53,306 --> 01:17:55,643 TURN AROUND. TURN AROUND! 1147 01:17:55,686 --> 01:17:58,107 OKAY. START WALKING. 1148 01:17:58,148 --> 01:17:59,485 ALL THIS FOR A BRICK OF CASH? 1149 01:17:59,527 --> 01:18:02,282 A FEW BRICKS, ACTUALLY. 1150 01:18:02,324 --> 01:18:04,512 MORE THAN THAT HUSBAND OF MINE WAS EVER GONNA LET ME HAVE. 1151 01:18:04,536 --> 01:18:08,001 A BIG HOUSE, A PRIVATE PLANE, THREE MONTHS OFF. 1152 01:18:08,043 --> 01:18:10,006 YOU DIDN'T EXACTLY SCREAM "FOOD STAMPS." 1153 01:18:10,047 --> 01:18:11,592 THE MONEY WAS QUITE IMMATERIAL. 1154 01:18:11,634 --> 01:18:14,723 THEN WHY'D YOU DO IT? BECAUSE I CAN. 1155 01:18:14,765 --> 01:18:16,769 AND SO CAN YOU. 1156 01:18:16,811 --> 01:18:18,272 IT'S NOT TOO LATE. 1157 01:18:18,314 --> 01:18:21,320 YOU, ME... RICH AND TOGETHER. 1158 01:18:21,361 --> 01:18:24,785 $4 MILLION CASH, 1159 01:18:24,827 --> 01:18:27,206 JUST LIKE WE ORIGINALLY PLANNED. 1160 01:18:27,249 --> 01:18:29,336 ALL OF THIS CAN BE YOURS. 1161 01:18:50,253 --> 01:18:53,259 STILL A CHEATER, COLE? BUT I'M NO MURDERER. 1162 01:18:53,301 --> 01:18:55,222 NO, YOU'RE NEITHER. 1163 01:18:55,263 --> 01:18:58,353 YOU'RE JUST STREET TRASH TOO STUPID TO SEE WHEN YOU HAVE A PERFECT OUT. 1164 01:18:58,394 --> 01:18:59,855 OH, YEAH? 1165 01:18:59,898 --> 01:19:02,235 I HAVE AN OUT, AND IT'S CALLED THE TRUTH. 1166 01:19:02,278 --> 01:19:03,822 OH, GOD, YOU'RE SO DENSE! 1167 01:19:03,864 --> 01:19:05,409 TAKE A LOOK AROUND YOU, COLE. 1168 01:19:05,450 --> 01:19:07,037 TWO BODIES, ONE IN THE MORGUE. 1169 01:19:07,079 --> 01:19:09,113 YOU REALLY THINK YOU'RE GETTING OUT OF THIS UNSCATHED? 1170 01:19:15,888 --> 01:19:18,059 SMILE FOR THE CAMERA, PROFESSOR. 1171 01:19:21,733 --> 01:19:27,035 Don't you ever raise your voice at a police officer again. 1172 01:19:27,078 --> 01:19:28,872 The difference is there's a schedule. 1173 01:19:28,915 --> 01:19:31,670 Anything that deviates from the schedule puts us at risk. 1174 01:19:49,998 --> 01:19:53,129 ♪ DON'T THROW IN THE TOWEL ♪ 1175 01:19:53,172 --> 01:19:55,886 ♪ LET ME DRY YOU OFF, I'LL SHOWER ♪ 1176 01:19:55,927 --> 01:19:58,891 ♪ YOU WITH LOVE AND THEN YOU'LL COWER ♪ 1177 01:19:58,933 --> 01:20:02,565 ♪ 'CAUSE I'M NOT HARD-HEARTED LIKE JACK BAUER ♪ 1178 01:20:13,504 --> 01:20:16,552 ♪ AND WHAT IS IT ABOUT THE TIME? ♪ 1179 01:20:16,593 --> 01:20:19,557 ♪ AND WHAT IS IT ABOUT THE PLACE? ♪ 1180 01:20:19,600 --> 01:20:23,858 ♪ AND WHAT IS IT ABOUT YOUR FACE ♪ 1181 01:20:23,900 --> 01:20:26,279 ♪ THAT KEEPS ME ON THE LINE? ♪ 1182 01:20:26,321 --> 01:20:28,158 ♪ AND WHAT IS IT ABOUT THE TIME? ♪ 1183 01:20:28,200 --> 01:20:31,123 ♪ AND WHAT IS IT ABOUT THE PLACE? ♪ 1184 01:20:31,165 --> 01:20:34,421 ♪ AND WHAT IS IT ABOUT YOUR FACE... ♪ 1185 01:20:34,463 --> 01:20:36,884 OH MY GOD. 1186 01:20:36,927 --> 01:20:39,389 COLE, WILL YOU LOOK AT THIS CHICK? 1187 01:20:39,431 --> 01:20:42,562 MAN, YOUR DEDICATION DISGUSTS THE HELL OUT OF ME. 1188 01:20:42,604 --> 01:20:48,074 WELL, ACTUALLY, I JUST FINISHED. 1189 01:20:48,115 --> 01:20:49,512 I DON'T EVEN KNOW WHY YOU'RE BOTHERING, MAN. 1190 01:20:49,535 --> 01:20:51,664 THAT CLASS IS LOCKED UP PERMANENTLY. 1191 01:20:51,706 --> 01:20:54,127 I MADE A PROMISE TO FINISH THIS NO MATTER WHERE IT TOOK ME. 1192 01:20:54,169 --> 01:20:57,718 YOU KNOW, THE THING IS... 1193 01:20:57,760 --> 01:20:59,741 I'VE NEVER HAD ANYBODY CHALLENGE ME AS MUCH AS SHE DID. 1194 01:20:59,764 --> 01:21:02,895 YEAH SURE. YOU KNOW, IF SHE WASN'T A COLD-BLOODED KILLER, 1195 01:21:02,937 --> 01:21:05,525 YOU PROBABLY COULD HAVE NOMINATED HER FOR MENTOR OF THE YEAR. 1196 01:21:05,567 --> 01:21:07,738 SHE HAD HER JOB AND I HAD MINE. 1197 01:21:07,780 --> 01:21:09,617 YOU KNOW, SPEAKING OF JOBS, 1198 01:21:09,659 --> 01:21:11,287 WE'VE GOT SOME MAJOR DECISIONS TO MAKE. 1199 01:21:11,328 --> 01:21:12,874 OH, WE DO? OH YEAH. 1200 01:21:12,915 --> 01:21:14,585 THIS RIGHT HERE IS SOME GOOD STUFF. 1201 01:21:14,627 --> 01:21:16,046 YOU KNOW HOW MUCH MONEY WE CAN MAKE? 1202 01:21:16,088 --> 01:21:18,593 COLE, I CAN SEE THE BOOK, THE MOVIE. 1203 01:21:18,635 --> 01:21:21,557 I CAN SEE THE POSTER. I DON'T KNOW ABOUT THAT. 1204 01:21:21,599 --> 01:21:23,353 WHAT YOU MEAN, YOU DON'T KNOW ABOUT IT? 1205 01:21:23,394 --> 01:21:25,417 COLE, DO YOU KNOW HOW MUCH MONEY WE ARE TALKING ABOUT? 1206 01:21:25,440 --> 01:21:27,653 BRO, WE COULD BE RICH AND FAMOUS! 1207 01:21:27,695 --> 01:21:29,072 OH YES, I'M LOVING THIS. 1208 01:21:29,115 --> 01:21:31,202 "WE"? OH, YEAH. COME ON. 1209 01:21:31,243 --> 01:21:33,206 WE'RE IN THIS TOGETHER, MAN, ALL RIGHT? 1210 01:21:33,247 --> 01:21:36,378 "FREAKY TEACHER INSTRUCTS STUDENTS 1211 01:21:36,421 --> 01:21:37,840 ON THE ART OF SEDUCTION." 1212 01:21:40,304 --> 01:21:41,681 WAIT A MINUTE. WHERE ARE YOU GOING? 1213 01:21:41,723 --> 01:21:43,226 WELL, FIRST THINGS FIRST. 1214 01:21:43,268 --> 01:21:46,566 I GOT TO HANDLE SOME UNFINISHED BUSINESS. 1215 01:21:46,608 --> 01:21:48,487 RICH AND FAMOUS, COLE! 1216 01:21:48,528 --> 01:21:50,073 RICH AND FAMOUS. 1217 01:21:51,868 --> 01:21:53,956 ♪ I DON'T KNOW 1218 01:21:53,998 --> 01:21:57,546 ♪ THE ONLY WORDS YOU'LL SAY ♪ 1219 01:21:57,589 --> 01:22:00,093 ♪ YOU KNOW I TOLD YOU 1220 01:22:00,135 --> 01:22:03,182 ♪ THAT I'M HERE TO STAY 1221 01:22:03,225 --> 01:22:05,729 ♪ AND I MEANT IT 1222 01:22:05,772 --> 01:22:09,112 ♪ I'M HERE TO STAY... 1223 01:22:12,034 --> 01:22:14,748 COLE. 1224 01:22:14,789 --> 01:22:17,545 LINDSEY. HEY. SORRY I'M LATE. 1225 01:22:17,586 --> 01:22:19,716 IT'S OKAY. I JUST GOT HERE. 1226 01:22:19,758 --> 01:22:21,344 READY FOR CLASS? 1227 01:22:21,386 --> 01:22:23,557 ABSOLUTELY. 1228 01:22:23,599 --> 01:22:26,187 ♪ AND WHAT IS IT ABOUT THE PLACE? ♪ 1229 01:22:26,229 --> 01:22:30,571 ♪ AND WHAT IS IT ABOUT YOUR FACE ♪ 1230 01:22:30,613 --> 01:22:32,617 ♪ THAT KEEPS ME ON THE LINE? ♪ 1231 01:22:32,659 --> 01:22:34,788 ♪ WHAT IS IT ABOUT THE TIME? ♪ 1232 01:22:34,830 --> 01:22:37,752 ♪ AND WHAT IS IT ABOUT THE PLACE? ♪ 1233 01:22:37,794 --> 01:22:42,136 ♪ AND WHAT IS IT ABOUT YOUR FACE ♪ 1234 01:22:42,178 --> 01:22:44,432 ♪ THAT KEEPS ME ON THE LINE? ♪ 90021