All language subtitles for The.Arrangement.2017.S02E07.On.Location.1080p.AMZN.WEB-DL.DDP5.1.H.264-KiNGS_track3_[eng]

- Previously on
"The Arrangement..."

- Yeah.

- Do me a favor,
leave him alone.

- What exactly
are you trying to tell me?

- I had feelings
for his mother.

- Sorry, this is my agent,
Leslie Bellcamp.

- I think we'd all
just be happy

if we never had
to see her again.

- There's a fan poll,

and it's about who should be
the next Agent Jane.

How do they know
I'm even up for the part?

- Ten years ago,
a girl named Julie Woolth

joined IHM
and then she just vanished.

- There is no record
of Julie Woolth anywhere.

- People remember her.

- Maybe these people
are lying to you.

I saw how you help people.

And now with First Life,
I know I believe in this.

I'm not giving up.

- My lab has isolated a hormone

that prevents cell death.

- You're talking
about immortality?

- Great, I'm out.
- I fired him.

I'm an actor,
I need to stop hiding from it.

But I'd like to see if we could
set myself up with a franchise.

- The climate's changed,
you know that.

And your face
comes with some noise,

Not the kind of noise
that everyone wants to hear.

- Yeah, I'm not interested.

- Go ahead and tell the truth.

It always makes
the truth feel better.

- Are you a therapist
or an armed robber?

- Hey, I'm complicated.
- That's impressive.

I'm still not going to sit here
and talk to you about my shit.

- Well, we
might be here for a bit.

No need to be strangers.

- No, I'm okay
with being strangers.

I'm okay with being strangers.

- That's a cut!

Great, can we get playback
on that, please?

- All right,
come watch it back with me.

- I have to jet
to my audition, remember?

- Oh, that's right.
Well, break legs, sweetie.

- I will try.

- Hey.

That was fun, right?
- Yeah.

♪

- Hello, Megan.

- Leslie, hi.

You have a client up for this?
- Martina Flores.

This is her second time
meeting the director.

- Oh.

She's great.
- Yeah, yep, she's amazing.

Is Karen stuck
in traffic, or...

- She's at the office
with the rest of the team.

- Always so busy
at Creative Partners.

- And less helicopter-y,
which works for me.

- Kyle's great.

- Come on.

Even "Deadline" is saying

he freaked out
about you and Xavier.

What happened?
- Nothing.

We're getting married
in four weeks.

Kyle's happy,
your ten percent is safe.

Stop, I don't give a shit

about my ten percent.
I care about you.

- Yes, but that's
not my first concern.

Hey, how'd it go?

- It went.

- Uh...

Nice to see you.

- I may not remember who I am,

but I damn sure
know who I'm not.

Now who sent you?

- Great, that's great.
Give us a minute

You've nailed everything
we've thrown at you.

Let's talk.
- Sure.

- Tell me what you
think of the script.

- Well, it's a great read.

Jane is a badass.

And she's funny, which I love.

I just...

I think there might be
some moments missing.

- Well, I think that she could
wrestle with the idea

to leave Steven a bit more.

You know, in real life,

love makes everything
so much more complicated.

- Yeah, well, maybe the five
guys that wrote this script

have never been in love.

Maybe.

- You're the first actress
who's had the nerve

to be honest with me, so I'm
going to be honest with you.

I would love to get my hands
on your instrument.

But what I wouldn't love,
what I'd hate, to be honest,

Is a bunch of the
Institute of the Higher Mind

bullshit on my set.

The stuff I'm reading about
Xavier Hughes being recruited

makes me queasy.
- Me too.

Because it's not true.

I know there are
a lot of rumors out there.

But I keep my business with IHM

completely separate
from my work.

Completely.

- Another good answer.

- Thank you.

- Your name is Oliver Kent,
a mid-level spy.

Son of a disgraced
government actuary.

146 IQ, photographic memory.

Self-deprecating humor,
you're funny.

Weaknesses:
Broken women, Vermouth,

Jack-In-The-Box.
You're driven by fear.

And a need to prove
you're not your father.

- I see this guy.
- Good.

Sergeant Stone is America,
but you've done that movie.

Oliver Kent is the guy watching
America burn on TV.

- Right now, it's the thing.

We're not perfect,
answers aren't simple.

- But we're doing our best
to find them.

- Sounds like we just found
IHM's new slogan.

- We found our next movie.

It's going to be huge.

All right, I'll contact
Ellen at the studio,

let her know I'm grateful
she stuck her neck out for me.

- He's back on track.
- It's great.

Am I the only one who's worried

about the huge mess we're
about to have on our hands?

♪

- Congratulations,
I'm so happy for you.

- Thank you.

- Well, hopefully we'll both
have something to celebrate.

- I hope so.

- Uh, flight's set
for 4:00 tomorrow.

Car will be here at 2:30.
- Thank you.

Hey, you're going to love
this location, by the way.

Night.

- Make sure you
pack the burner phone.

What, so I feel like
we're making progress?

You're about to go shoot

the most important scene
of the movie.

Work matters.

- I'm getting married
in a month.

I wanted Terence and IHM
out of the picture completely.

- That can still be the goal.

- Hey, how fast
can you pack a bag?

- Depends why I need
to get out of town.

It could be real fast.

- Well, our production
designer's assistant

broke his ankle, so it turns
out that there is a job for you

in Washington after all.

I guess Terence
didn't tell you.

- I'm starting
the intro workshop tomorrow.

He said that he
would cover the fees, so.

- Oh, wow.

- Are you going to be able
to find somebody else?

- Uh, sure, yeah, don't worry.
We'll be okay.

Listen,
have a great time, okay?

I will call you
when I get back.

- Sure.
- Bye.

- I just got off with Karen.

"The Identifier"
deal is going through.

- Great, I will
brace for the storm.

- She's handling
the other issues.

No one will know.

- Well, I certainly hope she's
more discrete than you were

when you were recruiting Wes.

Is this your attempt
at punishing me?

- I kept my distance,
like you asked.

He came to me.

Said he wanted
something more out of life.

He made his own choice.

Just like you did.

- Okay, well, I had hoped that
we could have this conversation

when we were in a better place.

But seeing as I
have to go out of town--

- Well, I'm sure it can wait.

- Well, that's the thing.
It actually can't.

If you still want
to get pregnant,

that window of opportunity
is closing rapidly.

But it happens
to be open at the moment.

As in I'm ovulating, like, now.

Great.

♪

- Oh, hold on.

Hi, Karen.

Okay.

Okay, okay, yeah, no, I--

No, I'm fine.

No, thank you for calling.

Yeah.

I didn't get the part.

- I'm sorry.

- Never count
on anything, right?

Never think you know.

I can't believe
I let myself go there.

♪

- Hey.

I'm sorry you didn't
get the part.

- I know why.

The director loved me.

She said she was worried
about having IHM on set.

- And maybe she was.

Or maybe she's
just full of shit.

Megan.

You're a great actress.

Soon the whole world
is going to know,

and then everything
is going to change.

♪

- "Tannerville, the Cabo
of the Pacific Northwest."

- Mmm.
- Oh.

We can stay in the
private home if you'd like.

If you don't mind the drive,
I think it's like 25 miles.

- That'll mean 25 minutes
less sleep in the morning.

- Oh, my gosh.
It's you!

Megan Morrison,
you were on Lima!

- Yeah, I was!
Well, just for a few episodes.

- You were so great.

I binged the whole show,
you were the real star.

- Thank you so much!

I love this place.

- Okay kids, got you
the presidential suite.

Come on.

- Bye!

- Did you know
that chair over there

is made of real naugahyde?
- Mmm.

- And I'm pretty sure
the bed vibrates.

- Oh my, I love
when you talk amenities

Mr. President.

And I love you.
- Mmm.

- Yeah, I can't wait.

- I thought it was supposed
to be clear for two more days.

- Yeah, thing's
changed overnight.

- Unbelievable.

- It's the weather, Kyle, it
doesn't come with guarantees.

- Yeah, well, it should.

- It's going to clear up.
We'll be fine.

- Definitely going to clear up.

- Oh, my God.

Jesus Christ,
this is why I live in LA.

Megan.

- When I call you,
you need to call me back.

I can't believe you haven't
figured that out by now.

- Leslie, we're a thousand
miles from Los Angeles.

Should I just leave?

Or would you like to know

the real reason
you didn't get the part?

- Delia Clark wanted you.
You were her first choice.

Creative Partners
pulled you out.

- That's ridiculous.
- That's the truth.

You got screwed, Megan.

By your own people.

- I'm sorry, I--

You don't understand.
I want to.

I wanted to
get it out, you know?

Like...

My mom died.

Shit has to be in there.

But anytime somebody
asks me to share, it's like...

I don't have any words,
I just...

Don't feel anything,
I don't know.

- That's okay.

We're going
to give it some time.

- It's called
a non-compete clause.

The moment
Kyle attached himself

to a spy franchise
at a rival studio,

as per the terms
of your contract,

you were done with Agent Jane.

- So I'm not allowed
to compete with him?

- I flagged it for you
in the contract.

- Just, my head
was spinning then.

- Look, obviously
Terence and the dream team

don't want you to outshine
Kyle at the box office.

Which you would,
because you're you.

- Thank you, but what exactly
are you trying to do here?

- Well, that's a
cynical question, Megan.

I still care about you, deeply.

And moreover,
I care about feminism.

- Okay--
- And this is--

- Take it down a notch or two.

I don't even know if you're
telling me the truth.

- Okay, you ruminate
on whether or not to trust

the one person who believed
in your greatness

before anyone else did--
- Leslie--

- And meanwhile,
the studio is moving on

to their inferior
second choice as we speak.

So do you want
to fix this or not?

- Just so you know,
I can't resign with you.

- Why don't we
just deal with that

after you've had
time to process?

- Weather, power's out.

This is what
we have insurance for.

Should we just pack
everybody up and fly them home?

Wait, what are you doing here?

- Just helping out a friend.

- Did you know about
the non

- The non-compete...

In the--

Yeah, that we can't star
in rival franchises?

- Which you're not, because you
didn't get the part.

- Uh, wrong.
The director wanted her,

Karen Wells pulled her to
avoid the conflict of interest.

- Look, now that
you mention it,

I remember that clause
being in the contract.

But I had no idea you got the
offer on Agent Jane, I swear.

- Yeah, and for the record,
neither did I.

Where are you getting your
information from, anyway?

- Uh, don't do that.
I'm good at my job,

that's where.
I'm just asking...

- Leslie.
- You a question.

- I believe you,
now let's just fix this.

- This is a solvable problem.
Call your lawyer.

Amend the contract,
remove the non-compete.

Everyone's happy.

♪

- I'm sorry, I can't do that.
We can't change the contract.

- That clause is in there
for a reason.

Okay, it's not that simple.

- Well, I need booze.

- Megan, wait, wait.
This is what we signed up for.

The contract is there to help
us when we have to compromise.

Compromise is
when both people get something.

- I got that part, Kyle.

I earned it, and now
you're taking it away from me.

Not Terence, Not Karen, you.

- Maybe you didn't
get that part.

- You're going off of

Leslie's word here, but she
obviously has her own agenda.

- You know what, I trust her
more than you right now.

- Megan, wait!

You don't mean that.
- Yeah, I do.

- Come on, Megan, a lot
goes on behind the scenes

when casting a movie,
you know this.

We don't know why
you didn't get that part.

- Stop bullshitting me!
This is about you,

protecting your business
interests and your brand.

- Fine, I'm protecting
my business interests.

We signed a contract.
- Yeah.

So you could have
a robot on your arm

with no ambition of her own.

You knew exactly
what was in that thing

before you signed it,
all right?

You can't suddenly
play the victim now.

This is "The Kill Plan"
all over again.

Except this time, it's worse,

and you won't even own
the real reason why.

- Yeah, you're terrified.

You think your career
is so fragile,

that it's worth taking
an opportunity away from me.

You're starring
in a movie right now,

and we both know
that wouldn't have happened

if it wasn't for me.

- Wow.
Wow.

- Megan, you know
what I mean, okay?

This role is
a big leap for you.

- Oh, I know,
I was just a TV guest star.

A nobody, but I'm also the
person that fell in love

with "Technicolor Highway."
You wouldn't even read it.

- Megan--
- Don't.

- Thanks.

- So your Cinderella/
Prince Charming story

is getting messy.

How did you
not see this coming?

Now, suddenly you care?

Desperation is not
a good look on you, Leslie.

- Okay, well that
would be a misread.

Yes, maybe I panicked
a little bit

when you guys were
convincing Megan to drop me,

But you know what, the sun
still rose the next day, so...

Look.

I feel responsible.

- Oh, there it is.

Because you didn't tell Megan
that her audition

for "The Kill Plan" was more
than just an audition, did you?

- No, just like
you didn't tell Kyle

you were casting
his next relationship.

It wouldn't have helped.

To help?
- Okay, Christ, yes.

I am making my move,

and that's because Megan
is going to be a superstar

if you and this clown posse
don't screw it up for her.

- Or, if the bomb
that you just dropped

doesn't blow up
their whole relationship.

Then what happens to her?
Did you think about that?

DeAnn.

Don't you believe
in the power of true love?

- Oh, God, spare me.

- Look, we both know
she deserves that role.

And more.

But this is up to them.

There's nothing that
I can do to fix this.

- Great, so, doesn't
matter what you want.

You've got no control here.

- We have no control, Leslie.

♪

- Shakespeare.

- Oh, just a
little light reading.

What's up?
- So...

This mysterious meeting
that showed up

on my calendar for tomorrow.

The Original Five?
- Right.

I want to re-appropriate
some of our funds.

So the Original Five
have to sign off.

Board approval, essentially.

- Yeah, I remember seeing that
in the bylaws.

Can't have you running around
with unchecked power.

- Well, it wasn't my idea.

- So what's the
re

- Something new.

You'll find out tomorrow
at the meeting.

- Well, as long as we're not
taking money away

from the First Life initiative,
I'm excited.

Wait, what?

- What I'm working on will
pave the way for First Life.

And so much more.

- Terence, I have a list
of families and children

who need this.
They need us.

We can't just
turn our backs on them.

- We aren't.

- Tomorrow.

Do you trust me?

Yes.
- Good.

So honor that,
because I trust you, too.

And I want you to be
a part of this process.

♪

Hi.

Can I help you with something?

- You can help me
find Julie Woolth.

I don't know who that is.

- The truth is
you never looked, did you?

You lied to Megan.

- I have work to do, and you
need to get out of my office.

- I know where you are
right now.

You had to make
a choice between them

and someone close to you,
and you chose them.

So he rewarded you.
He made you an insider.

He made you feel special.
- Zach--

- Only now, deep down,

you can feel that
something's not right.

I felt it too.

I ignored it.

And he tore my family apart.

You were right.
I am scared.

There's a whole lot
of people relying on me,

and suddenly my career
isn't bulletproof.

- You just signed on
to a huge franchise.

Seems pretty bulletproof to me.
- Yeah, well, it isn't.

The studio's nervous.
Everything has to go right.

Tell me the truth.
- I told you the truth.

- The night after we met,
you stood under the stars

and you basically told me you
were falling in love with me.

- That was the truth.
- That was a show, Kyle.

- Look, I get that
you're angry.

But don't make it into
"this whole thing is fake."

- I didn't say it was fake.

But you're not being honest.

When you have to treat
the person that you love

and that loves you as a threat.

That's not
protecting your brand.

That's, I don't know, that's
fear on a whole other level.

- Come on, you are
totally spinning this.

Something that went down
with Lisbeth?

- It has to be something.

Otherwise, this contract
is just some sort of

paranoid overcompensation,

because some woman
broke your heart.

- All right, look.
You are barking up

the wrong tree,
Megan, all right?

Now please, just let it go.

- Bullshit!

I am supposed
to marry you in a month.

And if you want to
bump me off of this movie,

and fall back on
the contract as an excuse,

then I damn well deserve
to know the truth about it.

♪

- It's you.

The reason for
the contract is you.

- There's a risk metric.

A tool Terence created

to assess people
for the Institute.

The three imperatives,
personal interaction.

Past history.
With you, there are...

There are a number
of identifiers.

Dropping out of school,
for example.

Disappearing.
There were others.

Things to suggest that you
aren't 100% straightforward.

- Assholes.

- Megan, it turned
out to be right, didn't it?

Terence was right.

He knew that you were
going to be problematic,

and I knew that you were
going to be worth it.

That's why there's a contract.

There, now you know the truth.

- Thanks.

- Since we're both
being honest,

there's something
that I would like to know.

Why did you sign the contract?

Did you think it would
be good for your career?

- Yeah.

My boyfriend
just cheated on me.

You took me to Mexico,
invited me to Italy,

and I had a day.
A day.

To decide whether
I could fall in love with you.

And I decided I could.

And that's it.

That's the reason I signed.

- So, if we could go back,

would you sign it again?

- I don't know.

♪

- Hey.

Really?
How long's it been clear?

Yeah, yeah, no, no, no,
let's go for it.

All right.

There's a break in the weather.

- So this is the money shot.

Sky over the lake,
and we're going to superimpose

the VFX of the
Northern Lights over this.

- Beautiful, yeah.
We should get this shot first

with Megan
walking into the water,

and then all
the other wide shots,

just in case the weather turns.
- Yeah, agreed.

I'm going to grab seconds.
- All right.

- Hey.

So you and Kyle
kiss and make up last night?

- No, we decided to question
the overall viability

of our relationship, instead.
- Oh, sorry.

- You think there
are other actresses

out there going
through this?

- Stuck in an inherently
batshit situation

they think they can
eventually change?

That's every woman
in Hollywood, sweetie.

- Oh, we must all be crazy.

Like foxes.

I'm not giving up.
You shouldn't, either.

I'm coming to set.

- Well, the biggest problem is
is I just flat out lied

to the person that I love.
And it was easy.

- Well, you did what you had to
under the circumstances.

Don't waste time
questioning your instincts.

- Yeah, well, I am.

I'm about to go direct the most
important scene in the movie.

And I don't want this
hanging over my head.

- Then don't let it, Kyle.

- Why do you think
I'm talking to you?

- Look, don't fix this now.
Put it on the shelf,

and commit
to revisiting it later.

You need to stay focused
on what's in front of you.

I've got a presentation.
I'll check in with you later.

- Good morning.

- Mind if I
catch a ride with you?

Look, Megan--
- Let's not.

- I just want to make sure

you're in the right
head space for today, okay?

This scene--
- Is everything, I know.

I'm ready.

- And that's what's
so exciting here.

Mitochondrial enhancement
like we've seen in the trials

is extremely significant.
And with all of your support,

I'm confident
a major breakthrough

is at our fingertips.

- Thank you, Isaac.
- Okay.

- Extending the life
of lab rats, Terence.

I'm sorry, but I don't even
know where to begin here.

- Well, you can start
with an open mind.

That's all
I'm asking for today.

Roger, where are you at?

- Processing.
It's a big shift in resources.

- Hmm.

I want you all to think
about what it would be like

to change the way
we perceive time and mortality.

- You want to use
the promise of a magic potion

to lure people here?

That's what
you're talking about?

What happened to the work?

The work just got better.

Remember 25 years ago?
We used to hang out at Norm's

for hours, talking about
what the world could be like.

And all we had to do
was take the risk

of trying to change it.

Well, here we are.
This is our moment.

So who are we,
if we don't take that chance?

Dreamers.

Dreamers and nothing else.

Bye.

- Dominique
seems like the problem.

- No, Dominique
will vote to approve.

She just likes
to hear herself talk.

I'm concerned about Roger.

He seemed responsive.
- He wasn't.

He's usually more engaged,
full of questions.

- Should I sit down with him,
go deeper into the science?

- No, I don't think we can
convince him on the merits.

- I can dig into his history,

see if there's anything
that might motivate him.

I would just need access
to the personnel archives.

- Maybe I should press pause
while you figure this out.

- No, no, we are
not pausing for anything.

We're going to get those votes.

And I'll get you
whatever you need.

- That's good,
now let's push in.

Yeah, start right there.

Yeah, that's perfect, good.

Shoot this in five?
- You got it.

- Three minutes, five tops.

- Look, every second
we're not shooting--

- Hey, we're making art here,
you can't, um...

Excuse me.

- That's unfortunate.
- Great, just great.

- Okay, Kyle,
I think we might need to--

- Seems to be spreading.

- Oh, shit.

- Uh, I feel like I'm dying.

- There's definitely
something in the food.

Half the crew is vomiting.

- Please don't say "vomit."

- Kyle, I really think
that we should

pack it up
and push this thing.

We'll find a way to make it
work with your schedule.

I think our insurance
covers food poisoning.

- No, no, look, we're going
to make it work today.

- You're in no shape to work.

- You guys are going to have
to do this without me.

You both know
what it's supposed to be.

- So what,
you want me to direct?

The DGA's going to throw a fit.

Kyle, this is
supposed to be your vision.

- Hey.

It's our vision.
It always has been.

Today's the day.
Make it work.

♪

- Great.

What do you want to do?

- We'll take 30 seconds
to freak out.

And then we've got to do this.

We're losing light.

- Jill!

- Okay, we won't have time
to break it up,

so we're going to have
to shoot in real time.

That means A-camera
tight from the barge,

B-camera stealing wides
from the shore.

- Copy that.
- And if we have that

third Alexa,
we should just go handheld,

and get Clyde
coming out of the tent, yeah?

- We have a camera.

I'm not sure we have
anyone to operate it.

- Are you telling me we've lost
all of the camera assistants?

- Well, Ricardo and Paul
both ate the bad eggs.

I mean, she's a vegan, but
she's co-opted by electrics.

We're short everywhere.

- Well, we need to find
somebody for electrical then.

Leslie.

Leslie, can you
get off the phone?

- Yeah, hold on one second.

Yeah?

I want you to go over there,

and ask her where she wants
you to lug those cables,

and tell her
to come talk to me after.

- I'm not lugging cables.

- Okay, did you
come here to help Megan,

or get your ass
hucked in a lake?

- I'd like to see you try that.

I will krav maga you
into next week.

I'll call you back.

- Picture's up.
We have got to go.

- Thanks.

- Last scene.

We did it together.

This is why it's worth it.

- Roll camera.

- Rolling.

Sound speed.

- Action!

♪

- This isn't right.
We need to cut.

- We don't have time to--
- Just cut.

- Cut!

What's the problem?

- Okay, standby, get her out,

and get her
a new pair of pants.

- Oh, my God.

- Okay, Jill,
you're in the director's guild.

You're going to have
to give this note.

- Okay, um...

She finally knows
what she needs to do.

She's terrified, but she's
ready to take control.

- Okay.

You finally know
what you need to do,

You're terrified,

but you're ready
to take control.

What are you doing?
You're freaking her out.

- DeAnn.
- Okay.

Okay, I'm thinking.

- Look, just tell her
not to give up.

- It's a suicide scene, Leslie.
- Okay, fine.

No, you got this, you got this.
Just flail away on your own.

♪

- Be brave, don't give up.

- Be brave.

Totally.

- Jill.
- Great, uh, pictures up!

Roll sound.

- And you were going
to put me in electrics.

- And...

And action!

♪

- Okay, you
went to film school?

- Mm-hmm.
- I'm sorry, I don't buy it.

- Okay, then you obviously did
not see me

masterfully wrangle
those cables.

- Okay, wait,
so you made a film?

- Yeah, it was a documentary

about the homeless man
who slept outside our dorm.

- And then you slept with him.

- Only once.

- How come I
didn't know about this?

- I was literally
just about to tell you,

but uh, then you fired me.

- That's awkward.

You know, today could have
been a disaster.

- It could have.
But it wasn't.

We got the scene exactly
the way it was supposed to be.

- Yes, we did.

- To us.
- Yes.

- Wes, come into my office
for a second.

- Have a seat.

Read this.

- "For Sorrow's eye,

"glazed with blinding tears

"divides one thing
entire to many objects,

"like perspectives,
which rightly gazed upon,

"show nothing but confusion,

"eyed awry, distinguished form.

"So your sweet majesty.

"Looking awry upon
your lord's departure,

"find shapes of grief,
more than himself, to wail,

"which, looked on as it is,

is naught but shadows..."

"Of what is not."

- There.

- Now you've got the words.

- Shakespeare.

- An actor should start
with the best.

- Do you do this
with everybody?

- Only one other person.

♪

- You look better.

- I had Jell-o.

- Hmm.

- I have an answer
to your question.

It's no.

- I wouldn't sign the contract.

If we could do it
all over again.

But it doesn't matter.

- It doesn't.

Because we can't go back.

Look.

There are things in our life

that I want to change.

Things I believe I can change.

But that will only happen
by moving forward.

♪

And I don't want
to do that without you.

- Look, I want
things to change, too.

I want to change.

You should do your movie.

You earned that part.

You're not still delusional?
- I'm pretty sure.

- Ah, I'm not worried about it.

- Well, you should
be worried about it.

- Yeah, your movie's
going to crush mine.

You know why?

- Because there
ain't no I in Kygen.

- Oh, my God,
the wedding is so off, man.

- No, no, no,
you signed a contract.

- Hey.
- Hmm.

Hi.

- So Roger came around.
- Good to hear.

- That was some
solid research on your part.

He was very, very motivated.

- I thought he might be.

- And I'm glad you came around.

It feels better
when you're on board.

- I wouldn't say I'm on board.
Not completely.

- I'll wait to see

how things go with Isaac.

Whether it's worth putting
First Life on the shelf.

- You know what
I admire about you?

Most people try and be
who I want them to be.

You're just yourself.

Your best self.

I love you for that.

♪

♪

♪