Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:07,500 --> 00:00:10,800
This is the main studio of Desilu
Productions.
2
00:00:12,200 --> 00:00:17,060
Just behind this door is the office of
the president of Desilu Productions.
3
00:00:17,660 --> 00:00:22,320
And here, seated at his desk, we find
the boss. Uh, correction.
4
00:00:23,020 --> 00:00:27,640
This is the boss's boss, the vice
president of Desilu Productions.
5
00:00:30,640 --> 00:00:31,690
Oh, hi, dear.
6
00:00:32,100 --> 00:00:33,150
Hi, honey.
7
00:00:45,320 --> 00:00:47,550
Oh, would you sit over there, dear? I'm
busy.
8
00:00:53,200 --> 00:00:54,250
Just a minute.
9
00:00:55,340 --> 00:00:57,520
This is my desk. It says here,
President.
10
00:01:00,920 --> 00:01:02,600
Well, if you want to get technical.
11
00:01:08,940 --> 00:01:10,380
Now, will you sit over there?
12
00:01:12,240 --> 00:01:14,220
What are you doing that is so important?
13
00:01:15,070 --> 00:01:18,620
Well, I'm making a list of the
appliances I'll need for my new dressing
14
00:01:19,890 --> 00:01:20,940
Now, look, Lucy.
15
00:01:21,250 --> 00:01:24,809
I thought we discussed this at
breakfast, and we decided to let those
16
00:01:24,810 --> 00:01:25,569
till later.
17
00:01:25,570 --> 00:01:26,650
Oh, I know we did, dear.
18
00:01:27,270 --> 00:01:28,320
Well?
19
00:01:28,590 --> 00:01:31,360
Well, that was at breakfast. It's now
three hours later.
20
00:01:31,361 --> 00:01:36,449
You know, at the rate you're going, it's
going to cost more to fix your dressing
21
00:01:36,450 --> 00:01:38,440
room than it did to buy the whole
studio.
22
00:01:38,670 --> 00:01:42,289
Oh, come now. All I need is a few
gadgets for the kitchen, a couple of
23
00:01:42,290 --> 00:01:45,989
for the sitting room. And our sponsor
seems to have the best line at the
24
00:01:45,990 --> 00:01:47,040
prices.
25
00:01:51,310 --> 00:01:53,690
Where did you get this Westinghouse
catalog?
26
00:01:54,670 --> 00:01:55,720
Westinghouse?
27
00:01:56,290 --> 00:01:58,570
It's not Westinghouse. It's
Westinghouse.
28
00:01:58,830 --> 00:01:59,880
House.
29
00:01:59,881 --> 00:02:01,229
No, dear.
30
00:02:01,230 --> 00:02:02,370
Westinghouse. Gauss.
31
00:02:03,470 --> 00:02:06,830
How do you pronounce W -E -S -T -I -N
-G?
32
00:02:07,730 --> 00:02:08,970
Westing? Right.
33
00:02:09,250 --> 00:02:10,970
H -O -U -S -E.
34
00:02:11,410 --> 00:02:13,350
House? Fine, I'll put them together.
35
00:02:13,950 --> 00:02:15,000
Westinghouse?
36
00:02:16,330 --> 00:02:19,050
This is the first time two rights made a
wrong.
37
00:02:19,870 --> 00:02:24,990
Now, look, Lucy, it just so happens that
I studied English grammar in Cuba.
38
00:02:25,470 --> 00:02:29,790
No. Let me explain something to you.
Explain, explain, please explain.
39
00:02:30,010 --> 00:02:36,769
Look, when the G is followed by an H -O,
like in G -H -O
40
00:02:36,770 --> 00:02:37,820
-S -T...
41
00:02:39,980 --> 00:02:42,720
G -H -O, you say, go.
42
00:02:43,040 --> 00:02:44,240
There is no H.
43
00:02:51,440 --> 00:02:54,960
Well, if you keep calling it
Westinghouse, there'll be plenty of H.
44
00:02:56,260 --> 00:02:59,820
I am telling you, it is pronounced
Westinghouse.
45
00:03:00,720 --> 00:03:04,779
I suppose the people who've been doing
their TV commercials all these years
46
00:03:04,780 --> 00:03:05,830
been wrong, huh?
47
00:03:06,360 --> 00:03:11,039
Well, in this particular case, I'm
speaking better English than Betty
48
00:03:11,040 --> 00:03:12,240
and John Cameron Sweezy.
49
00:03:16,040 --> 00:03:19,120
How you ever got to be president, I will
never know.
50
00:03:19,420 --> 00:03:20,470
Never mind that.
51
00:03:21,100 --> 00:03:22,240
Where did you get this?
52
00:03:22,241 --> 00:03:23,959
From Mr.
53
00:03:23,960 --> 00:03:27,240
Hayden, our Westing... Our dealer in
Beverly Hills.
54
00:03:27,920 --> 00:03:29,480
You can just give it back to him.
55
00:03:29,481 --> 00:03:32,359
Or better yet, I'll give it back to him
when he comes in.
56
00:03:32,360 --> 00:03:34,120
Oh, is Mr. Hayden coming here?
57
00:03:34,400 --> 00:03:35,450
Yeah.
58
00:03:38,901 --> 00:03:40,889
What's that for?
59
00:03:40,890 --> 00:03:44,430
You were going to order all those new
appliances and surprise me.
60
00:03:45,510 --> 00:03:49,929
Look, honey, I am taking Mr. Hayden on a
tour of all the studios. And I'm going
61
00:03:49,930 --> 00:03:52,640
to tell him all about Westinghouse
Desilu Playhouse.
62
00:03:53,010 --> 00:03:56,969
So that he and all the fellows at
Westinghouse will know what we're going
63
00:03:56,970 --> 00:03:58,530
to help them sell their product.
64
00:03:59,090 --> 00:04:00,970
What kind of a surprise is that?
65
00:04:01,310 --> 00:04:03,300
I didn't say I was going to surprise
you.
66
00:04:04,790 --> 00:04:09,759
Well... All right. When you and I take
Mr. Hayden on a tour of our studios,
67
00:04:09,760 --> 00:04:10,810
give my order then.
68
00:04:12,480 --> 00:04:14,640
You know, I do have a surprise for you.
69
00:04:14,920 --> 00:04:15,970
Really? What?
70
00:04:16,240 --> 00:04:18,410
You're not going on the tour of the
studios.
71
00:04:19,000 --> 00:04:20,050
Why not?
72
00:04:20,700 --> 00:04:24,599
Because I told you that you will have to
wait till later to get your
73
00:04:24,600 --> 00:04:26,640
Westinghouse appliances. That's why not.
74
00:04:28,380 --> 00:04:31,750
Well, couldn't I just tell him which
ones I want and buy them later?
75
00:04:31,980 --> 00:04:34,140
Nothing doing. I do not trust you.
76
00:04:34,620 --> 00:04:38,110
Some organization, the president doesn't
trust the vice president.
77
00:04:38,600 --> 00:04:40,540
How'd you get to be president anyway?
78
00:04:43,160 --> 00:04:44,210
I was elected.
79
00:04:45,480 --> 00:04:46,530
By whom?
80
00:04:47,000 --> 00:04:48,050
By me.
81
00:04:50,620 --> 00:04:55,119
Now, look, honey, if you'll just be
patient, you'll get all the Western
82
00:04:55,120 --> 00:04:57,159
appliances that you need for your
dressing room.
83
00:04:57,160 --> 00:05:02,099
But right now, why don't you go to lunch
and take the afternoon off like a nice
84
00:05:02,100 --> 00:05:03,280
little girl, huh? No.
85
00:05:08,760 --> 00:05:09,810
Mr. Hayden?
86
00:05:09,820 --> 00:05:11,440
Oh, yes. Send him right in, please.
87
00:05:12,040 --> 00:05:15,180
Mr. Hayden. Well, at least I'll get a
chance to say hello to him.
88
00:05:16,080 --> 00:05:17,130
Hello.
89
00:05:17,540 --> 00:05:18,590
Goodbye.
90
00:05:19,060 --> 00:05:20,180
And that is all.
91
00:05:24,000 --> 00:05:25,050
Oh, hi.
92
00:05:25,140 --> 00:05:26,300
Hello, Mr. Hayden.
93
00:05:27,020 --> 00:05:30,819
You know my wife? Yes, we had quite a
chat about some appliances for her
94
00:05:30,820 --> 00:05:31,870
dressing room.
95
00:05:33,120 --> 00:05:34,200
Hello and goodbye.
96
00:05:34,520 --> 00:05:39,079
Mr. Hayden, Lucy won't be able to go
with us in the studio tour. She has a
97
00:05:39,080 --> 00:05:39,919
and appointment.
98
00:05:39,920 --> 00:05:40,759
Oh, I'm sorry.
99
00:05:40,760 --> 00:05:43,979
I could break it. Goodbye, dear. Why
don't you come down to my store tomorrow
100
00:05:43,980 --> 00:05:46,210
and place your order there? Goodbye,
honey.
101
00:05:49,820 --> 00:05:51,920
I just hate goodbyes, don't you?
102
00:05:52,200 --> 00:05:56,379
Unless, of course, the goodbyes are the
kind that you have on those wonderful
103
00:05:56,380 --> 00:05:58,860
Westinghouse appliances. What do you
mean?
104
00:06:00,599 --> 00:06:01,649
Adios. Adios.
105
00:06:02,140 --> 00:06:04,730
We decided to wait a little while on the
appliances.
106
00:06:05,100 --> 00:06:08,140
He decided, I didn't. You see, he's the
president.
107
00:06:08,500 --> 00:06:12,379
I understand. Well, whenever you're
ready, Mrs. Arnaz, we have some
108
00:06:12,380 --> 00:06:16,139
things for you. And we have some
wonderful things for you and all your
109
00:06:16,140 --> 00:06:20,359
Westinghouse dealers, too, in our new
Westinghouse Desilu Playhouse for the
110
00:06:20,360 --> 00:06:22,700
fall. He means Westinghouse.
111
00:06:23,060 --> 00:06:24,580
Adios. Adios.
112
00:06:24,581 --> 00:06:28,859
I just want to stay a few more minutes.
I just want to take another look at the
113
00:06:28,860 --> 00:06:32,530
catalog book before you have to give it
back to Mr. Hayden. I won't say a word.
114
00:06:35,080 --> 00:06:37,080
Why don't you sit down? Yes, thank you.
115
00:06:37,081 --> 00:06:40,219
You know, I'm really anxious to hear
about the Playhouse.
116
00:06:40,220 --> 00:06:43,619
Those Westinghouse television shows in
the past have been a great thing for our
117
00:06:43,620 --> 00:06:47,900
business. Oh, you mean shows like Studio
One and the political conventions,
118
00:06:47,901 --> 00:06:51,099
election returns, stuff like that? Yeah,
and the college and pro football
119
00:06:51,100 --> 00:06:52,150
telecasts. Oh.
120
00:06:52,440 --> 00:06:53,490
Best of Broadway.
121
00:06:53,520 --> 00:06:55,900
That was one of the first color TV
series.
122
00:06:56,380 --> 00:06:59,680
Oh, yeah, well, you know, those shows
have been great, all right.
123
00:07:00,380 --> 00:07:03,390
Well, we're just hoping that our series
will be the best yet.
124
00:07:04,300 --> 00:07:09,419
You know, we like to do the kind of
shows for you fellows that we have found
125
00:07:09,420 --> 00:07:14,419
be the most successful in the past. You
know, shows that, well, that deal with
126
00:07:14,420 --> 00:07:17,220
real people and real stories.
127
00:07:17,560 --> 00:07:21,220
People that you like to identify
yourself with.
128
00:07:21,221 --> 00:07:25,199
We like to mix them up a little bit. You
know, a good melodrama, a good suspense
129
00:07:25,200 --> 00:07:32,159
show, a real good western with a good
basic dramatic story in it, a
130
00:07:32,160 --> 00:07:34,000
comedy, a musical comedy, you know.
131
00:07:34,520 --> 00:07:39,560
Shows that you can watch with your whole
family and watch them week after week.
132
00:07:40,340 --> 00:07:44,960
Shows that will... Pick up more dirt
faster than anything else.
133
00:07:48,010 --> 00:07:52,569
Sorry, I was just reading about the all
-new Westinghouse Mobile Speed Vacuum
134
00:07:52,570 --> 00:07:53,620
Cleaner.
135
00:07:53,830 --> 00:07:54,880
It's a dilly.
136
00:07:55,030 --> 00:07:56,080
Is that right?
137
00:07:56,270 --> 00:08:00,769
And you know, something wonderful has
happened since we announced this
138
00:08:00,770 --> 00:08:03,310
Westinghouse Desilu Playhouse for next
fall.
139
00:08:03,770 --> 00:08:10,209
We have a great amount of creative
talent here at Desilu, but since we made
140
00:08:10,210 --> 00:08:14,269
announcement, all the other wonderful
people around town have been calling us,
141
00:08:14,270 --> 00:08:17,130
wanting to join the team, you know,
people like...
142
00:08:17,610 --> 00:08:23,750
Well, writers like Aaron Spelling and
Rod Serling, Adrian Spees, Garson
143
00:08:23,790 --> 00:08:27,850
so that we're lining up quite a team for
you.
144
00:08:27,851 --> 00:08:31,349
Our first story, like I told you, is
going to be Bernadette, and that was
145
00:08:31,350 --> 00:08:34,949
to be written by a girl by the name of
Ludie Clare, who did a wonderful job on
146
00:08:34,950 --> 00:08:36,090
Bridges of St. Louis Ray.
147
00:08:37,169 --> 00:08:40,809
So that with this kind of creative
talent and with the...
148
00:08:41,309 --> 00:08:46,550
Biggest stars in show business to, uh...
Wash, rinse, and dry your dishes.
149
00:08:47,510 --> 00:08:48,560
Lucy.
150
00:08:50,650 --> 00:08:53,480
Say, this Westinghouse dishwasher is
pretty exciting.
151
00:08:54,030 --> 00:08:56,550
Yeah. What about the Lucy Desi Hour
shows?
152
00:08:56,551 --> 00:08:58,129
Will that be part of the playhouse?
153
00:08:58,130 --> 00:08:59,690
Oh, you bet. Sure.
154
00:08:59,691 --> 00:09:03,849
You know, during the year, Lucy and I
will do about seven big special shows.
155
00:09:03,850 --> 00:09:06,750
As a matter of fact, we open this season
in October.
156
00:09:06,751 --> 00:09:09,189
That's the one that Maurice Chevalier is
in.
157
00:09:09,190 --> 00:09:10,779
Hey, will the merchants be in it?
158
00:09:10,780 --> 00:09:15,220
Oh, we wouldn't do a show without the
mercies. Or little Ricky.
159
00:09:16,320 --> 00:09:20,339
And, of course, I'll be on hand every
week to produce the show and also to be
160
00:09:20,340 --> 00:09:20,959
your host.
161
00:09:20,960 --> 00:09:22,919
Sounds like you're going to be pretty
busy.
162
00:09:22,920 --> 00:09:26,140
Well, no busier than you Westinghouse
dealers, we hope.
163
00:09:26,360 --> 00:09:27,410
How can we miss?
164
00:09:27,620 --> 00:09:31,979
I happen to know that your five Lucy
Desi shows last season got the five
165
00:09:31,980 --> 00:09:36,359
ratings of the year, averaging over 50
million viewers a show. That's money in
166
00:09:36,360 --> 00:09:37,410
the bank for us.
167
00:09:37,880 --> 00:09:39,860
Well, and I think that the...
168
00:09:40,709 --> 00:09:45,229
The playhouses will attract a big
audience every week, too, because like
169
00:09:45,230 --> 00:09:49,130
gals, we know that we got a good product
that the people would like to buy.
170
00:09:49,131 --> 00:09:52,449
Say, I hope you don't mind my asking
about the commercials, but you know,
171
00:09:52,450 --> 00:09:53,749
they're pretty important to us fellas.
172
00:09:53,750 --> 00:09:58,790
Oh, I know, I know. And we thought about
them a lot, too. You see, in our shows,
173
00:09:59,050 --> 00:10:04,470
it won't only be Betty Furness doing the
commercials, you know.
174
00:10:04,990 --> 00:10:06,250
Lucy and I will be selling.
175
00:10:06,780 --> 00:10:10,139
All the different things that
Westinghouse makes. Yes, we want
176
00:10:10,140 --> 00:10:13,090
country to know what a wonderful company
Westinghouse is.
177
00:10:13,140 --> 00:10:14,190
That's right.
178
00:10:14,191 --> 00:10:18,239
You know, I don't know if you know this
or not, Mr. Hayden, but a few months ago
179
00:10:18,240 --> 00:10:23,460
I took a tour of all the Westinghouse
plants throughout the country.
180
00:10:24,260 --> 00:10:31,239
And I never realized what a really
tremendous offer this is. You know, how
181
00:10:31,240 --> 00:10:33,460
great things they do.
182
00:10:34,250 --> 00:10:38,849
for America business, you know, to help
make America the great country that
183
00:10:38,850 --> 00:10:43,690
America is. I mean, things that the
industry of America needs and uses.
184
00:10:44,370 --> 00:10:48,769
And in our show, we know that we're
going to be talking to, well, to all
185
00:10:48,770 --> 00:10:54,789
of people, to company presidents, to
purchasing agencies, to people in
186
00:10:54,790 --> 00:10:58,289
government, and we're going to be
talking to them right in their homes.
187
00:10:58,290 --> 00:11:00,590
where John Cameron Suisse comes in.
188
00:11:01,080 --> 00:11:05,219
Oh, by the way, three out of four
commercials will feature the electrical
189
00:11:05,220 --> 00:11:06,960
appliances that you sell, Mr. Haley.
190
00:11:07,200 --> 00:11:12,159
I'll bet John Cameron Sweezy and Betty
Furness have Westinghouse appliances in
191
00:11:12,160 --> 00:11:13,240
their dressing rooms.
192
00:11:14,260 --> 00:11:16,000
Isn't it time for you to go to lunch?
193
00:11:16,001 --> 00:11:20,319
If I had a Westinghouse electric range
in my dressing room, I wouldn't have to
194
00:11:20,320 --> 00:11:21,370
go to lunch.
195
00:11:23,780 --> 00:11:27,060
And you won't be needing that there.
196
00:11:27,061 --> 00:11:31,379
Oh, she can keep that if she likes.
Thanks, but by the time he lets me buy
197
00:11:31,380 --> 00:11:34,180
anything, the 1961 catalog will be out.
198
00:11:37,640 --> 00:11:38,690
Hi. Oh, hi.
199
00:11:38,980 --> 00:11:40,760
Hi. Oh, how are you?
200
00:11:41,300 --> 00:11:44,200
Vivian Vance and Bill Frawley. I would
like you to meet Mr.
201
00:11:44,840 --> 00:11:47,670
Hayden. He's a Westinghouse dealer, one
of our sponsors.
202
00:11:47,671 --> 00:11:48,559
Hi, boss.
203
00:11:48,560 --> 00:11:49,610
How do you do? Hi.
204
00:11:49,960 --> 00:11:53,150
I'm out in Beverly Hills. Oh, that's
nice. I'll drop by and see you.
205
00:11:53,151 --> 00:11:56,099
Dusty, we just stopped by to see if you
and Lucy would like to join us for
206
00:11:56,100 --> 00:12:00,100
lunch. We're going over to the
commissary. Well, I can't go. I have to
207
00:12:00,200 --> 00:12:02,480
Hayden to one of the studios, but Lucy
can.
208
00:12:02,820 --> 00:12:06,500
And here, Bill, it's on me. Oh, no, no,
no, you don't. This is my treat.
209
00:12:07,020 --> 00:12:09,800
Fred Mertz might be a tightwad, but not
Bill Frawley.
210
00:12:10,240 --> 00:12:12,890
Oh, well, in that case, Bill, we'll go
to Romanoff's.
211
00:12:14,040 --> 00:12:15,090
Romanoff's.
212
00:12:16,040 --> 00:12:18,380
Okay, Fred Mertz, we'll go to the
commissary.
213
00:12:20,160 --> 00:12:23,650
Well, we'd better get going. The
helicopter is waiting in the parking
214
00:12:23,780 --> 00:12:27,759
Helicopter? Oh, yeah. I want you to get
a very side view of all the Desilu
215
00:12:27,760 --> 00:12:29,560
Studios. All right. See you later.
216
00:12:29,820 --> 00:12:30,870
All right.
217
00:12:31,720 --> 00:12:32,770
Adios.
218
00:12:34,940 --> 00:12:36,120
Let's eat. I'm starved.
219
00:12:36,400 --> 00:12:37,450
Okay, Ethel.
220
00:12:37,600 --> 00:12:38,980
The name is Vivian.
221
00:12:39,240 --> 00:12:42,020
The name may be Vivian, but the appetite
is Ethel.
222
00:12:42,980 --> 00:12:47,100
Yeah, but let's eat in a hurry. I have a
lot of business to transact with Mr.
223
00:12:47,200 --> 00:12:48,940
Hayden, and I need you two to help me.
224
00:12:49,080 --> 00:12:50,130
What business?
225
00:12:50,540 --> 00:12:53,010
Westinghouse business for my new
dressing room.
226
00:12:53,320 --> 00:12:55,670
Is this a plot to put something over on
Bessie?
227
00:12:56,520 --> 00:13:00,820
Well... As Betty Furness would say, you
can be sure if it's Lucy.
228
00:13:57,380 --> 00:13:58,430
That's right,
229
00:14:00,280 --> 00:14:01,330
Mr. Hayden.
230
00:14:01,331 --> 00:14:03,919
There are a lot of great pictures on
there.
231
00:14:03,920 --> 00:14:07,919
And you know, when we bought it, we not
only got the buildings and the sound
232
00:14:07,920 --> 00:14:13,259
stages, but we acquired millions of feet
of stock film suitable for backgrounds
233
00:14:13,260 --> 00:14:14,540
in our television shows.
234
00:14:14,880 --> 00:14:20,440
There was a huge property department on
sets, costumes, well...
235
00:14:20,760 --> 00:14:24,679
All kind of assets that'll give our
Western Gals Let's Do Playhouse great
236
00:14:24,680 --> 00:14:25,730
production values.
237
00:14:25,731 --> 00:14:30,299
Why don't we go over and take a look at
motion picture center? It's just a few
238
00:14:30,300 --> 00:14:31,350
blocks away.
239
00:14:35,020 --> 00:14:36,070
There it is.
240
00:14:36,071 --> 00:14:39,419
That's where we made the I Love Lucy
shows, which were filmed in front of
241
00:14:39,420 --> 00:14:43,519
audiences. You see, most of those sound
stages are equipped with seats for just
242
00:14:43,520 --> 00:14:44,570
that purpose.
243
00:14:45,140 --> 00:14:47,920
And we plan to do our Lucy spaces over
there, see?
244
00:14:47,921 --> 00:14:52,169
And if you or any of the other dealers
want to see our show being filmed, we'll
245
00:14:52,170 --> 00:14:53,220
have to have you.
246
00:14:53,230 --> 00:14:54,790
Thanks, I'll take you up on that.
247
00:14:54,910 --> 00:14:57,710
Now, what do you say we swing over to
Desi Luke Calder?
248
00:15:30,350 --> 00:15:34,809
See, that's a little culvert, which
includes our huge back lot, known as 40
249
00:15:34,810 --> 00:15:36,830
Acres, for obvious reasons.
250
00:15:38,050 --> 00:15:40,570
You call it 40 Acres because it is 40
Acres.
251
00:15:41,390 --> 00:15:46,370
All that stuff is for exteriors, you
know, outdoor action stuff.
252
00:15:47,650 --> 00:15:51,380
Right now we're building a whole village
down there, a whole western town.
253
00:15:51,390 --> 00:15:52,440
That looks enormous.
254
00:15:52,441 --> 00:15:56,049
Well, to give you an idea how big it is,
that's where they make gun with the
255
00:15:56,050 --> 00:15:59,480
wind. You know, one thing is sure,
you're not going to be cramped with
256
00:15:59,800 --> 00:16:03,340
No, sir, not with 35 soundstages and
three studios.
257
00:16:04,500 --> 00:16:07,810
You know, we're really going to try to
do a good job for you fellows.
258
00:16:08,920 --> 00:16:12,110
What do you say we go back to Desilu
Gower and continue the tour?
259
00:17:10,461 --> 00:17:16,709
We didn't have anything to do after
lunch, so we thought we'd go on the rest
260
00:17:16,710 --> 00:17:19,420
the tour with you and Mr. Hayden. Oh,
good. Where's Lucy?
261
00:17:19,470 --> 00:17:21,270
Oh, she had things to do.
262
00:17:21,770 --> 00:17:22,820
Good.
263
00:17:22,821 --> 00:17:26,049
Desi, could we talk to you privately for
a second, please?
264
00:17:26,050 --> 00:17:27,430
Sure. Excuse me? Sure.
265
00:17:39,441 --> 00:17:46,389
I want one of these. Uh -huh. And one of
these in lemon yellow. Yeah. And both
266
00:17:46,390 --> 00:17:47,369
of these.
267
00:17:47,370 --> 00:17:48,420
Later.
268
00:17:52,690 --> 00:17:53,830
Oh, you know him?
269
00:17:54,250 --> 00:17:57,070
Him? Oh, uh, yeah, he's one of my old
customers.
270
00:17:57,630 --> 00:17:58,680
Oh, I see.
271
00:17:58,890 --> 00:18:03,050
Oh, come on, I'll show you the inside of
the studio. Oh, good.
272
00:18:08,530 --> 00:18:09,580
See,
273
00:18:10,490 --> 00:18:11,540
here's the, uh...
274
00:18:11,541 --> 00:18:15,389
Sad that we're just getting ready for
Bernadette. The Miracle of Bernadette.
275
00:18:15,390 --> 00:18:17,130
That's going to be one of your shows.
276
00:18:17,390 --> 00:18:19,550
It's got a wonderful cast.
277
00:18:19,910 --> 00:18:22,270
Headed by Pierre Angeli. Oh, she's
wonderful.
278
00:18:22,690 --> 00:18:24,630
Desi, could I see you for a minute?
279
00:18:24,870 --> 00:18:28,710
What for? I have an interesting idea.
I'd like to talk over with you.
280
00:18:30,050 --> 00:18:31,590
The painter on the ladder.
281
00:18:36,990 --> 00:18:40,170
It's all right. It's me, Mrs. Arnaz.
282
00:18:40,580 --> 00:18:41,630
Oh.
283
00:18:41,740 --> 00:18:44,360
Here, we left off on page 11, I think.
Yes.
284
00:18:44,361 --> 00:18:46,999
Now, I want one of those with all the
attachments.
285
00:18:47,000 --> 00:18:50,340
And one of these. Oh, but the portable
one. Oh. Yes, please.
286
00:18:50,700 --> 00:18:53,230
And I want one. No, I want three.
They're coming back.
287
00:18:54,180 --> 00:18:58,620
Oh, for goodness sake. What's the
matter?
288
00:19:00,180 --> 00:19:01,940
Vivian wants to play Bernadette.
289
00:19:02,580 --> 00:19:03,720
That would be a miracle.
290
00:19:04,460 --> 00:19:07,880
Come on. I want to show you the Mexican
set. Okay. See you later.
291
00:19:11,139 --> 00:19:12,189
You know him, too?
292
00:19:12,380 --> 00:19:13,430
Oh, sure.
293
00:19:13,860 --> 00:19:15,420
Another one of my old customers.
294
00:19:15,700 --> 00:19:16,750
Oh.
295
00:19:17,800 --> 00:19:21,599
Isn't that nice? I'm glad to see that
our employees are partial to
296
00:19:21,600 --> 00:19:22,650
products.
297
00:19:26,140 --> 00:19:33,019
You know, if I didn't know I was in
Hollywood, I'd swear I
298
00:19:33,020 --> 00:19:34,029
was in Mexico.
299
00:19:34,030 --> 00:19:37,389
Well, you know, in a way you are. This
is a reproduction of a Tijuana street
300
00:19:37,390 --> 00:19:41,250
we're using in our first lucid essay
hour. The one that Maurice Chevalier is
301
00:19:41,251 --> 00:19:44,369
Oh. Oh, don't let me forget. I want to
show you a film clip of one of
302
00:19:44,370 --> 00:19:45,450
Chevalier's numbers.
303
00:19:46,381 --> 00:19:48,289
All right.
304
00:19:48,290 --> 00:19:49,910
Quiet, please. Quiet, everybody.
305
00:19:50,170 --> 00:19:53,660
Well, they're going to shoot a scene
right now. We're going to watch it.
306
00:20:34,671 --> 00:20:36,419
I hope so.
307
00:20:36,420 --> 00:20:40,280
And you know, Mr. Hayden, there's
another special feature for you fellows.
308
00:20:40,880 --> 00:20:46,360
Every one of the Lucy Desi shows is
going to have a dealer promotion theme.
309
00:20:46,920 --> 00:20:49,390
Like, for example, this one, the theme
is fiesta.
310
00:20:49,620 --> 00:20:53,599
To tie in with the commercials, you
know. And all the dealers will be
311
00:20:53,600 --> 00:21:00,580
fiesta merchandise stuff and local ads
and point of sale merchandise. You know,
312
00:21:00,640 --> 00:21:02,120
stuff like this. Oh.
313
00:21:03,110 --> 00:21:06,660
And many of our other shows will also
have a special product promotion.
314
00:21:07,010 --> 00:21:11,009
Well, it sounds like Westinghouse is
going all out. Well, this is a
315
00:21:11,010 --> 00:21:13,000
deal. You know, we're both going all
out.
316
00:21:13,090 --> 00:21:15,620
Oh, Dennis, could I see you over here
for a minute?
317
00:21:15,670 --> 00:21:16,720
Excuse me. Yes?
318
00:21:18,050 --> 00:21:19,670
I want to ask you about something.
319
00:21:43,820 --> 00:21:44,870
This one?
320
00:21:46,500 --> 00:21:47,940
Oh, you don't want a small one.
321
00:21:49,020 --> 00:21:50,100
A big one.
322
00:21:51,680 --> 00:21:52,920
What size screen?
323
00:21:54,380 --> 00:21:55,800
What size screen?
324
00:21:59,940 --> 00:22:00,990
21 inch.
325
00:22:04,600 --> 00:22:08,640
I don't know what's gotten into you two.
326
00:22:09,580 --> 00:22:13,140
Now he wants to take the part of Betty
Furness in the first show.
327
00:22:30,420 --> 00:22:31,470
Boy,
328
00:22:35,540 --> 00:22:36,800
this is really something.
329
00:22:40,040 --> 00:22:42,270
You got enough stuff in here to fill a
museum.
330
00:22:42,271 --> 00:22:45,919
Well, this is a prop building I was
telling you about, and you know we got
331
00:22:45,920 --> 00:22:51,019
floors just like this, and they're full
of every conceivable kind of prop you
332
00:22:51,020 --> 00:22:54,150
can think of. Of course, what we don't
have, our crews can build.
333
00:22:54,151 --> 00:22:57,439
Do you recognize this little fella?
334
00:22:57,440 --> 00:22:59,240
No, who is it? One of your relatives?
335
00:23:03,520 --> 00:23:07,070
This happens to be the star of one of
the most famous pictures ever made.
336
00:23:07,220 --> 00:23:08,270
King Kong.
337
00:23:08,440 --> 00:23:10,180
That little thing? You're kidding.
338
00:23:10,480 --> 00:23:11,530
No, that's right.
339
00:23:11,740 --> 00:23:13,840
This is the original King Kong.
340
00:23:13,841 --> 00:23:17,199
Looks different than when he was
standing on top of the Empire State
341
00:23:17,200 --> 00:23:20,580
huh? Well, you see, that's what they do
with special effects.
342
00:23:21,390 --> 00:23:25,629
And we intend to use a lot of special
effects to heighten the dramatic values
343
00:23:25,630 --> 00:23:26,680
our productions.
344
00:23:26,850 --> 00:23:33,070
Now, over here, Mr. Haley. Could Bill
and I see you about something?
345
00:23:33,350 --> 00:23:34,400
Now what?
346
00:23:35,250 --> 00:23:36,300
Confidential.
347
00:24:01,320 --> 00:24:02,370
I should have known.
348
00:24:02,560 --> 00:24:04,440
Uh, is there something else you need?
349
00:24:04,640 --> 00:24:07,040
No, I just want to find out about
delivery.
350
00:24:07,680 --> 00:24:09,000
Well, how about Thursday?
351
00:24:09,020 --> 00:24:10,720
Thursday? I need them today.
352
00:24:10,721 --> 00:24:15,099
Well, if I could get away long enough to
place a rush order, I guess we could...
353
00:24:15,100 --> 00:24:16,150
Shh, cheese it.
354
00:24:16,740 --> 00:24:20,639
That's the silliest thing I ever heard
of, making a lamp out of King Kong.
355
00:24:20,640 --> 00:24:21,940
we've been... Never mind.
356
00:24:23,900 --> 00:24:25,950
Don't tell me he's one of your
customers.
357
00:24:26,300 --> 00:24:27,350
Well,
358
00:24:28,540 --> 00:24:32,729
I was just thinking that if... We can
sell to gorillas. Why, we can expand the
359
00:24:32,730 --> 00:24:37,570
market. Oh, expand the market. That's
very funny.
360
00:24:39,650 --> 00:24:43,609
Look, I wanted to show you a preview of
our first show, but the film won't be
361
00:24:43,610 --> 00:24:44,690
ready until 5 o 'clock.
362
00:24:44,691 --> 00:24:48,089
Well, that'll work out just fine. You
see, I have a special rush order to take
363
00:24:48,090 --> 00:24:50,049
care of, and, well, I'll meet you back
here.
364
00:24:50,050 --> 00:24:52,940
Good. My office is 5 o 'clock, right?
All right. See you then.
365
00:25:01,271 --> 00:25:07,319
This is the scene I was talking to you
about. You know, the one that Maurice
366
00:25:07,320 --> 00:25:09,550
Chevalier and Little Rick and I do
together.
367
00:25:09,700 --> 00:25:10,900
It's from our first show.
368
00:25:33,860 --> 00:25:36,660
Valentin, Valentin.
369
00:26:25,310 --> 00:26:31,130
You and I, and only you and I,
Valentina,
370
00:26:31,330 --> 00:26:33,090
Valentina.
371
00:26:34,120 --> 00:26:39,940
Quiereme y nunca miraré a otra niña
nunca más.
372
00:26:40,140 --> 00:26:44,940
Tra -la -la -la -la, eres tú mi única
ilusión.
373
00:26:45,620 --> 00:26:52,280
Valentina, Valentina, si me dejas de
quererme partirás el corazón.
374
00:26:52,760 --> 00:26:56,300
Oh, oh, oh, que rico el batidón.
375
00:27:00,360 --> 00:27:02,140
Oh, oh, oh.
376
00:27:02,600 --> 00:27:03,700
Good week, everybody.
377
00:28:16,641 --> 00:28:23,789
I must say, you're doing everything
possible to help us get customers into
378
00:28:23,790 --> 00:28:27,049
stores. Well, we're going to do even
more than that. You remember George
379
00:28:27,050 --> 00:28:29,170
The actor? Sure. He's one of my
customers.
380
00:28:29,171 --> 00:28:30,149
Is that right?
381
00:28:30,150 --> 00:28:33,489
Well, George is one of our vice
presidents here at Desilu. He's vice
382
00:28:33,490 --> 00:28:34,870
in charge of public affairs.
383
00:28:34,871 --> 00:28:38,789
And he's going to be kind of a goodwill
ambassador for you fellows.
384
00:28:38,790 --> 00:28:43,269
He's going to go to all the Western
Gauss gatherings all over the country to
385
00:28:43,270 --> 00:28:45,980
help push your products whenever and
whenever he can.
386
00:28:46,890 --> 00:28:48,270
Can't ask for more than that.
387
00:28:48,271 --> 00:28:51,719
Desi, it's been wonderful. I want to
thank you for showing me around.
388
00:28:51,720 --> 00:28:54,299
Oh, it's been a pleasure. I'm glad you
could come over. Good.
389
00:28:54,300 --> 00:28:55,350
Oh, listen.
390
00:28:56,100 --> 00:29:01,080
I'd like you to stop by Lucy's dressing
room before you... Her dressing room?
391
00:29:01,420 --> 00:29:05,519
Yes. Well, look, it's a little bit late.
I think I'd better get back to the
392
00:29:05,520 --> 00:29:09,799
store. Well, you know, I want you to see
it so you know what it needs when we're
393
00:29:09,800 --> 00:29:10,939
ready to place the order.
394
00:29:10,940 --> 00:29:12,620
Really, Desi, I won't have time.
395
00:29:13,100 --> 00:29:16,770
It'll only take a minute. It's right
around the corner from my office. Come
396
00:29:24,371 --> 00:29:26,239
Is Lucy here?
397
00:29:26,240 --> 00:29:27,290
Uh, Lucy?
398
00:29:27,420 --> 00:29:28,900
Uh, no, she's not in there.
399
00:29:29,120 --> 00:29:33,440
Oh, good. Then she won't buy the Mr.
Hayden while I... Oh, uh, Lucy.
400
00:29:34,120 --> 00:29:36,020
Oh, yes, she's in there.
401
00:29:36,580 --> 00:29:37,630
Better not go in.
402
00:29:37,880 --> 00:29:38,960
Uh, some other time.
403
00:29:39,400 --> 00:29:43,620
Oh, as long as you're here, we're going
now. Uh, Dessie, um, she's dressing.
404
00:29:44,020 --> 00:29:46,000
Oh. Oh, well, excuse me a minute.
405
00:31:31,470 --> 00:31:36,349
We've been trying to give you a general
idea of what we are going to do for you
406
00:31:36,350 --> 00:31:39,850
next fall, an idea of what our
objectives are.
407
00:31:40,570 --> 00:31:44,389
And I just thought that you might like
to get here with me behind the scenes
408
00:31:44,390 --> 00:31:51,030
listen to what we call our Westinghouse
Desilu Playhouse story policy.
409
00:31:51,890 --> 00:31:56,230
This is the kind of paper that we send
around to all of our writers, directors,
410
00:31:56,630 --> 00:31:59,950
producers, story editors, so that we
all...
411
00:32:00,380 --> 00:32:03,960
stay within what we want to do and what
we think is good for both of us.
412
00:32:04,540 --> 00:32:09,499
And we think that our mutual story
policy should be compounded of equal
413
00:32:09,500 --> 00:32:11,580
quantities of do's and don'ts.
414
00:32:12,080 --> 00:32:17,160
Now, on the do front, we say that we
give enthusiastic approval to stories
415
00:32:17,320 --> 00:32:20,820
A, have a quality of excitement and
liveliness.
416
00:32:21,160 --> 00:32:22,820
We want our stories to move.
417
00:32:23,120 --> 00:32:26,580
It is essential that we clutch the
viewer's interest quickly.
418
00:32:27,320 --> 00:32:30,940
That we give them no opportunity to
relinquish that interest.
419
00:32:32,580 --> 00:32:36,959
In other words, we don't want the fellow
to go clunk and we're off the air, you
420
00:32:36,960 --> 00:32:38,010
know.
421
00:32:38,011 --> 00:32:41,559
Today, they don't even have to get up to
go clunk. They got that remote control
422
00:32:41,560 --> 00:32:43,679
business. They push the button and off
you go.
423
00:32:43,680 --> 00:32:45,060
So we want to keep them there.
424
00:32:45,800 --> 00:32:50,999
Let's see now. B, we say we want stories
that have a currency and modernity in
425
00:32:51,000 --> 00:32:52,050
theme and approach.
426
00:32:52,051 --> 00:32:56,589
Our objectives should always be to have
stories and characters with which the
427
00:32:56,590 --> 00:33:00,530
viewer can identify himself or would
like to identify himself.
428
00:33:01,750 --> 00:33:02,800
C.
429
00:33:03,370 --> 00:33:08,290
Stories that illuminate and enlarge the
concept that modern man, the individual,
430
00:33:08,650 --> 00:33:10,770
is still captain of his destiny.
431
00:33:11,150 --> 00:33:15,069
That through courage, determination, and
decency he can triumph over the
432
00:33:15,070 --> 00:33:18,869
scientific, material, and psychological
strain and stresses which the speed and
433
00:33:18,870 --> 00:33:21,160
pressures of the 20th century has
developed.
434
00:33:21,890 --> 00:33:28,809
Fundamentally, this philosophy says that
all the age -old rules of decent human
435
00:33:28,810 --> 00:33:33,249
behavior still holds good, and that
those who practice them honestly and
436
00:33:33,250 --> 00:33:35,410
steadfastly will find happiness.
437
00:33:36,190 --> 00:33:43,109
Now, in the dunce category, we say, A,
we do not want stories
438
00:33:43,110 --> 00:33:48,049
which lack a clear, understandable
finish with a complete and satisfactory
439
00:33:48,050 --> 00:33:50,170
resolution to the plot.
440
00:33:50,760 --> 00:33:52,380
and the character relationship.
441
00:33:53,180 --> 00:33:54,300
In other words,
442
00:33:55,620 --> 00:33:59,779
we want to know what the final score
was. We don't want to be left hanging in
443
00:33:59,780 --> 00:34:00,830
the air.
444
00:34:00,960 --> 00:34:06,579
B, we do not want stories which rely for
the principal dramatic effort on the
445
00:34:06,580 --> 00:34:09,040
aberration of neurotics or psychotics.
446
00:34:10,280 --> 00:34:17,198
Now, this does not mean that if we find
a good
447
00:34:17,199 --> 00:34:19,020
story about a physiochirist or...
448
00:34:19,021 --> 00:34:21,549
What do you call those characters?
449
00:34:21,550 --> 00:34:22,830
The head doctor, I guess.
450
00:34:23,730 --> 00:34:28,149
If we find a good story about that,
we'll do it. But there's too many of
451
00:34:28,150 --> 00:34:31,388
going around, and I just don't think
that the whole country's going nuts all
452
00:34:31,389 --> 00:34:32,439
a sudden, you know.
453
00:34:32,710 --> 00:34:37,830
Now, another thing we say here is we
don't want unhappy endings.
454
00:34:38,650 --> 00:34:43,189
And I am sure that the American public
does not want unhappy endings. They've
455
00:34:43,190 --> 00:34:44,750
never gone for unhappy endings.
456
00:34:45,230 --> 00:34:47,760
Tragedies have always been a flop in
this country.
457
00:34:49,430 --> 00:34:54,809
E, we do not want storage which are not
in the best business interest of
458
00:34:54,810 --> 00:34:58,070
Westinghouse. Well, to death, you know.
459
00:34:59,190 --> 00:35:05,189
And we should all avoid storage that
reflect unfavorably on any section of
460
00:35:05,190 --> 00:35:06,240
country.
461
00:35:06,410 --> 00:35:11,229
In other words, what we are seeking is
material that represents the largest
462
00:35:11,230 --> 00:35:17,709
possible box office and which will not
categorically eliminate the
463
00:35:17,710 --> 00:35:19,340
interest... of any viewer.
464
00:35:20,400 --> 00:35:25,139
So if material containing these basic
ingredients is sat with sufficient
465
00:35:25,140 --> 00:35:31,219
diligence and screened with extreme
care, there is no reason that it cannot
466
00:35:31,220 --> 00:35:36,540
result in distinguished entertainment as
well as mass entertainment.
467
00:35:36,960 --> 00:35:39,360
And this is very important.
468
00:35:40,960 --> 00:35:43,940
Distinguished entertainment and mass
entertainment.
469
00:35:45,120 --> 00:35:48,010
Otherwise, when you say distinguished
entertainment,
470
00:35:48,330 --> 00:35:55,009
Perhaps you do shows that the people in
21 in New York like, the people in
471
00:35:55,010 --> 00:35:56,690
Romanoff in Hollywood like.
472
00:35:56,691 --> 00:36:01,169
We want to do a combination. We want to
please everybody. We want to please the
473
00:36:01,170 --> 00:36:05,929
people in 21 in New York, the people in
Romanoff in Hollywood, and the people in
474
00:36:05,930 --> 00:36:06,689
the middle.
475
00:36:06,690 --> 00:36:09,130
There's about 160 million of them.
476
00:36:10,110 --> 00:36:16,270
So, if somebody would ask me the
definition of our...
477
00:36:16,590 --> 00:36:22,750
Total story policy, you might say, is a
class show with mass appeal.
478
00:36:23,490 --> 00:36:30,469
And our last paragraph here says that
with this conception of story material
479
00:36:30,470 --> 00:36:37,129
geared to a mass audience plus people
skilled and equipped to
480
00:36:37,130 --> 00:36:43,169
present it most effectively, we can look
forward to a bright and productive
481
00:36:43,170 --> 00:36:45,190
future for Westinghouse.
482
00:36:46,000 --> 00:36:47,050
Desilu Playhouse.
483
00:36:49,120 --> 00:36:55,260
Well, now, that's fine as far as the
show is concerned.
484
00:36:55,860 --> 00:37:01,820
And we are very sure here that we can
deliver you this kind of a show.
485
00:37:03,000 --> 00:37:04,280
But that's not enough.
486
00:37:05,980 --> 00:37:09,420
We have to do something about our sales.
487
00:37:10,360 --> 00:37:14,539
And that is the one thing that we cannot
do alone. You see, we need all of you
488
00:37:14,540 --> 00:37:15,590
to help.
489
00:37:16,110 --> 00:37:22,189
And we must think about this campaign
for next year as the biggest
490
00:37:22,190 --> 00:37:24,690
teamwork operation ever put together.
491
00:37:25,370 --> 00:37:31,009
In this team, we have the corporate
setup of Western House, the different
492
00:37:31,010 --> 00:37:37,569
divisions of Western House, all the
thousands of Western House dealers, and
493
00:37:37,570 --> 00:37:38,620
Desilu setup.
494
00:37:39,670 --> 00:37:44,330
Now, we here at Desilu are aiming high.
495
00:37:45,230 --> 00:37:46,670
We're aiming very high.
496
00:37:47,530 --> 00:37:51,550
We are aiming to double your last year's
audience.
497
00:37:53,430 --> 00:37:55,370
And I want you to aim high, too.
498
00:37:56,190 --> 00:37:58,630
I want you to aim to double your sales.
499
00:38:00,410 --> 00:38:06,550
And if we start out with this kind of
thinking and with this kind of teamwork,
500
00:38:06,770 --> 00:38:11,670
I guarantee you that starting in
October,
501
00:38:13,100 --> 00:38:16,080
we're going to be scoring touchdown
after touchdown.
502
00:38:17,320 --> 00:38:19,920
So good luck, and let's go to work, huh?
503
00:38:19,970 --> 00:38:24,520
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
43088
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.