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These are the user uploaded subtitles that are being translated: 1 00:00:03,727 --> 00:00:05,695 - YOU WANT TO TRY IT AGAIN? - I BEG YOUR PUNCH. 2 00:00:05,798 --> 00:00:07,041 - YOU HAVE TO WATCH YOUR LINE. 3 00:00:07,145 --> 00:00:08,456 YOU'RE GONNA MESS UP THE WHOLE THING. 4 00:00:08,560 --> 00:00:11,632 - OKAY, GUYS, I'VE DECIDED TO DO "PLAYBOY." 5 00:00:11,735 --> 00:00:13,944 - MEN BE TRIPPIN' OUT ABOUT STUFF LIKE THAT, TONI. 6 00:00:14,048 --> 00:00:16,706 THAT IS THE TRUTH. - IT'S "PLAYBOY." 7 00:00:16,809 --> 00:00:18,777 - THIS COULD BE MY SISTER. 8 00:00:18,880 --> 00:00:21,780 THIS COULD BE ON THE BATHROOM WALL. 9 00:00:21,883 --> 00:00:24,300 - AND THIS WOMAN'S VAGINA IS ALL THE WAY DOWN TO HER SHINS. 10 00:00:24,403 --> 00:00:25,956 - OOH! 11 00:00:26,060 --> 00:00:28,580 - SHE ROLLIN' HER BELLY WITH A BABY IN IT. 12 00:00:28,683 --> 00:00:29,719 WHO DOES THAT?! 13 00:00:29,822 --> 00:00:31,652 THIS WOULD BE THE AREA, I THINK, THAT WE NEED, 14 00:00:31,755 --> 00:00:35,035 BECAUSE OF RACY PHOTOS THAT SHE NEEDS TO TAKE. 15 00:00:35,138 --> 00:00:37,382 - WHAT THE HELL IS YOU THINKIN'? 16 00:00:37,485 --> 00:00:41,593 ♪ [theme song] ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 17 00:00:41,696 --> 00:00:45,735 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 18 00:00:45,838 --> 00:00:48,945 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 19 00:00:49,049 --> 00:00:56,573 ♪ WILL TEACH YOU A THING OR TWO ON BRAXTON FAMILY VALUES ♪ 20 00:00:56,677 --> 00:00:59,059 ♪♪ 21 00:00:59,162 --> 00:01:00,715 I'M SITTING AROUND WITH MY SISTERS AND WAITING 22 00:01:00,819 --> 00:01:03,166 FOR TAMIE TO COME, TA-MONSTER. 23 00:01:03,270 --> 00:01:05,375 AND SHE COMES AS SHE USUALLY DOES, LATE, 24 00:01:05,479 --> 00:01:07,619 AND STIRS UP TROUBLE. - HEY, TA. 25 00:01:07,722 --> 00:01:08,930 - HI, TA. 26 00:01:09,034 --> 00:01:11,036 - I AM REALLY CONSIDERING DOING "PLAYBOY" AND, OF COURSE, 27 00:01:11,140 --> 00:01:12,762 TAMAR HAS AN OPINION ABOUT IT. 28 00:01:12,865 --> 00:01:14,384 - WHAT'S UP WITH THE WHAT'S UP? 29 00:01:14,488 --> 00:01:17,767 BEFORE I WENT OVER THERE, I DECIDED TO STOP BY THE STORE 30 00:01:17,870 --> 00:01:20,390 AND GET TONI A LITTLE PRESENT. 31 00:01:20,494 --> 00:01:21,805 WELL, I STOPPED BY THE STORE ON MY WAY HERE. 32 00:01:21,909 --> 00:01:23,635 - A BOOKSTORE? 33 00:01:23,738 --> 00:01:25,844 - I READ MAGAZINE. 34 00:01:25,947 --> 00:01:27,673 - "PEOPLE." 35 00:01:27,777 --> 00:01:29,089 - "VOGUE--" "COSMOPOLITAN." 36 00:01:29,192 --> 00:01:30,228 AND I WAS READIN' MAGAZINES AND STUFF, 37 00:01:30,331 --> 00:01:31,884 AND I THOUGHT ABOUT YOU. 38 00:01:31,988 --> 00:01:33,334 - ABOUT ME? - YES. 39 00:01:33,438 --> 00:01:37,959 - WHAT DID YOU THINK? - BECAUSE EVERYBODY IS SO DOWN 40 00:01:38,063 --> 00:01:39,892 AND COOL WITH YOU DOING THIS "PLAYBOY," 41 00:01:39,996 --> 00:01:41,101 AND I SAID, "YOU KNOW WHAT? 42 00:01:41,204 --> 00:01:44,276 "LET ME SHOW TONI WHAT SHE WOULD LOOK LIKE." 43 00:01:44,380 --> 00:01:46,554 - THINK I'D LOOK HOT. 44 00:01:46,658 --> 00:01:48,660 - NO. 45 00:01:48,763 --> 00:01:50,938 - TAMAR WILL NOT LET GO OF THIS "PLAYBOY" THING. 46 00:01:51,041 --> 00:01:52,112 IT'S GETTING' WEIRD. 47 00:01:52,215 --> 00:01:54,114 IT'S NOT HER DECISION TO MAKE. 48 00:01:54,217 --> 00:01:56,081 - DON'T DO IT-- DON'T DO IT. 49 00:01:56,185 --> 00:01:57,841 - DON'T DO WHAT? - THAT'S A CUTE PICTURE. 50 00:01:57,945 --> 00:01:59,671 - [indistinct] 51 00:01:59,774 --> 00:02:02,018 - THAT'S REALLY PRETTY-- BUT YOU KNOW WHAT HAPPENS? 52 00:02:02,122 --> 00:02:03,571 - WHAT? - ONCE YOU DO STUFF LIKE THAT, 53 00:02:03,675 --> 00:02:06,816 THAT BEAUTIFULNESS TURNS INTO THAT! 54 00:02:06,919 --> 00:02:08,887 - THAT'S DIFFERENT FROM THIS. 55 00:02:08,990 --> 00:02:11,165 - YES, IT DOES-- THIS COULD BE YOU. 56 00:02:11,269 --> 00:02:12,373 GIVE THIS TO DENHAM. 57 00:02:12,477 --> 00:02:13,443 - WHAT DO YOU MEAN GIVE IT TO DENHAM? 58 00:02:13,547 --> 00:02:14,410 - LET ME TELL YOU WHAT THEY'RE GONNA DO, 59 00:02:14,513 --> 00:02:17,033 AND WHEN THEY IN SCHOOL. 60 00:02:17,137 --> 00:02:18,345 THIS YOUR MOMMA? 61 00:02:18,448 --> 00:02:19,967 - THEY GO TO PRIVATE SCHOOL-- THEY DON'T PLAY THAT. 62 00:02:20,070 --> 00:02:24,213 - THEY WENT TO PRIVATE SCHOOL-- GIRL, IT DON'T MATTER. 63 00:02:24,316 --> 00:02:25,421 BOYS ARE BOYS. 64 00:02:25,524 --> 00:02:27,250 IT DOES NOT MAKE ANY DIFFERENCE. 65 00:02:27,354 --> 00:02:29,079 THEY'LL TALK ABOUT HER REGARDLESS. 66 00:02:29,183 --> 00:02:30,736 - I THINK IF IT IS TASTEFULLY DONE, 67 00:02:30,840 --> 00:02:32,980 THEN I THINK IT'S GORGEOUS AND BEAUTIFUL. 68 00:02:33,083 --> 00:02:35,085 I WOULD TOTALLY POSE FOR "PLAYBOY." 69 00:02:35,189 --> 00:02:36,432 ARE YOU KIDDING? 70 00:02:36,535 --> 00:02:39,883 IF IT'S TASTEFULLY DONE, I HAVE NO PROBLEM POSIN' 71 00:02:39,987 --> 00:02:41,540 FOR PICTURES IN THE NUDE, HONEY. 72 00:02:41,644 --> 00:02:44,129 BOOM-- THIS IS NOT DISTASTEFUL. 73 00:02:44,233 --> 00:02:45,337 - WHAT'S DISTASTEFUL ABOUT THIS? 74 00:02:45,441 --> 00:02:47,581 - THAT ISN'T THAT. 75 00:02:49,997 --> 00:02:53,103 - FIRST OF ALL, I'M NOT POSING FOR THIS MAGAZINE. 76 00:02:53,207 --> 00:02:55,347 I WOULD NEVER DO A FRONTAL SPREAD. 77 00:02:55,451 --> 00:02:58,143 - NOBODY WANTS TO SEE THEIR MOMMA IN THIS SHOT. 78 00:02:58,247 --> 00:03:01,836 TONI IS NOT LISTENING AS USUAL. 79 00:03:01,940 --> 00:03:04,322 SHE HAS KIDS. 80 00:03:04,425 --> 00:03:07,152 THEY NEED TO CALL SOMEBODY WHO IS NOT SOMEBODY'S MOMMA. 81 00:03:07,256 --> 00:03:10,155 THIS COULD BE ON THE BATHROOM WALL 82 00:03:10,259 --> 00:03:13,952 OF SOME 15-YEAR-OLD BOY'S BEDROOM. 83 00:03:14,055 --> 00:03:16,299 I'M JUST SAYING, YOU-- I DON'T THINK YOU WANT THAT. 84 00:03:16,403 --> 00:03:18,267 - I DON'T HAVE A PROBLEM BEING A MILF. 85 00:03:18,370 --> 00:03:20,061 - I DON'T HAVE A PROBLEM BEING A MILF, EITHER. 86 00:03:20,165 --> 00:03:21,062 - DO YOU HAVE A PROBLEM BEING A MILF? 87 00:03:21,166 --> 00:03:22,202 DO YOU HAVE A PROBLEM BEING A MILF? 88 00:03:22,305 --> 00:03:23,651 TRACI, WOULD YOU HAVE A PROBLEM BEING A MILF? 89 00:03:23,755 --> 00:03:25,895 - I JUST DON'T WANT MY BOOBIES TO SHOW. 90 00:03:25,998 --> 00:03:27,759 TONI THINKS SHE'S ALL THAT, 91 00:03:27,862 --> 00:03:30,348 'CAUSE SHE GETS CALLED FOR "PLAYBOY." 92 00:03:30,451 --> 00:03:32,453 THAT'S ONE MORE THING SHE GETS 93 00:03:32,557 --> 00:03:35,215 BECAUSE SHE'S THE SUPERSTAR. 94 00:03:35,318 --> 00:03:37,147 I LOVE YOU, TONI. 95 00:03:37,251 --> 00:03:38,597 WHATEVER. 96 00:03:38,701 --> 00:03:40,530 I JUST SAW THIS, AND THIS WOMAN'S VAGINA 97 00:03:40,634 --> 00:03:42,049 IS ALL THE WAY DOWN TO HER SHINS. 98 00:03:42,152 --> 00:03:44,224 - LET ME TELL YOU, MY VAGINA IS NOT DOWN TO MY SHINS. 99 00:03:44,327 --> 00:03:46,295 I'M NOT SHOWING MY VAJAY-JAY. 100 00:03:46,398 --> 00:03:48,089 - BUT, T, WHAT I'M SAYING-- - I'M NOT SHOWING IT. 101 00:03:48,193 --> 00:03:50,402 - BUT, T AT THE VERY LEAST, I JUST WANT YOU TO THINK ABOUT IT. 102 00:03:50,506 --> 00:03:52,266 - REGARDLESS OF IF YOU DO IT OR NOT, I SUPPORT YOU 100%. 103 00:03:52,370 --> 00:03:53,819 THAT'S ALL I HAVE TO SAY. 104 00:03:53,923 --> 00:03:54,820 - ME, TOO. 105 00:03:54,924 --> 00:03:56,546 - I THINK THAT TONI SHOULD DO "PLAYBOY." 106 00:03:56,650 --> 00:03:59,239 IT'S NOT LIKE SOMEBODY ASKED HER TO DO "PLAYBOY" EVERY DAY. 107 00:03:59,342 --> 00:04:01,931 HECK, I WISH THEY'D ASK ME TO DO "PLAYBOY." 108 00:04:02,034 --> 00:04:03,588 I'D SHOW A LITTLE T&A. 109 00:04:03,691 --> 00:04:06,418 - I'M JUST SAYING THAT I THINK YOUR ANSWER SHOULD BE "NO." 110 00:04:06,522 --> 00:04:08,972 - IF THEY HAD ASKED YOU, WHAT WOULD YOU DO? 111 00:04:09,076 --> 00:04:11,112 I JUST WANNA KNOW, IF THEY ASKED YOU, WHAT WOULD YOU DO? 112 00:04:11,216 --> 00:04:12,217 - IF THEY ASKED ME, WHAT WOULD I DO? 113 00:04:12,321 --> 00:04:14,909 - MM-HMM. - I WOULDN'T DO IT. 114 00:04:15,013 --> 00:04:15,807 I DO HAVE A HUSBAND. 115 00:04:15,910 --> 00:04:17,533 AND MY HUSBAND'S NOT GOING FOR THAT. 116 00:04:17,636 --> 00:04:20,260 HE'S NOT-- NO, NO, NO, NOT MINE. 117 00:04:20,363 --> 00:04:21,640 - WELL, SOME HUSBANDS GONNA SAY "YES." 118 00:04:21,744 --> 00:04:23,504 - RIGHT-- I KNOW. - AND I'M SEPARATED. 119 00:04:23,608 --> 00:04:27,405 - I DIDN'T GO TO THE BOOKSTORE TO COME HERE AND DEGRADE YOU, 120 00:04:27,508 --> 00:04:30,408 HOWEVER, WHEN I RAN INTO THE MAGAZINE, 121 00:04:30,511 --> 00:04:35,171 AND I SAID, "THIS COULD BE MY SISTER." 122 00:04:35,275 --> 00:04:36,517 - YOU-- YOU'RE TALKING ABOUT IT TOO MUCH. 123 00:04:36,621 --> 00:04:38,864 - I DON'T THINK THAT SHE SHOULD DO IT. 124 00:04:38,968 --> 00:04:41,798 - OKAY, NOW TAMAR IS PROTESTING WAY TOO MUCH. 125 00:04:41,902 --> 00:04:44,387 I DON'T LIKE TO SAY THE WORD "JEALOUS." 126 00:04:44,491 --> 00:04:46,182 I'M GONNA SAY "EAGER." 127 00:04:46,286 --> 00:04:48,149 MAYBE SHE'S A LITTLE EAGAR AND DISAPPOINTED 128 00:04:48,253 --> 00:04:50,600 THAT THEY DIDN'T CALL HER. 129 00:04:50,704 --> 00:04:54,017 THAT'S ALL I HAVE TO SAY. 130 00:04:54,121 --> 00:04:55,191 I'LL-I'LL MAKE THE DECISION. 131 00:04:55,295 --> 00:04:56,917 I'LL CONSIDER ALL THE THINGS, MY KIDS, 132 00:04:57,020 --> 00:04:58,884 AND WHAT I WANNA DO, BUT I'M JUST REALLY FLATTERED 133 00:04:58,988 --> 00:05:00,576 THAT THEY ASKED. 134 00:05:12,381 --> 00:05:14,037 - I'M HAVING BRUNCH WITH MY SISTERS, 135 00:05:14,141 --> 00:05:15,660 AND WE DECIDED TO TAKE MOMMY 136 00:05:15,763 --> 00:05:18,110 BECAUSE SHE'S BEEN FEELING A LITTLE DOWN IN THE DUMPS LATELY. 137 00:05:18,214 --> 00:05:20,389 SO WE DECIDED TO REMEDY THAT. 138 00:05:20,492 --> 00:05:22,149 - SO, YOU SAID YOU'VE BEEN HERE BEFORE ON A DATE? 139 00:05:22,252 --> 00:05:23,909 - YEAH. 140 00:05:24,013 --> 00:05:26,187 I'VE BEEN HERE BEFORE... A FEW YEARS AGO. 141 00:05:26,291 --> 00:05:27,948 - WHAT YOU DOING COMING HERE? 142 00:05:28,051 --> 00:05:31,227 - GIRL, LOOK, JUST BECAUSE I DON'T TELL YOU GUYS 143 00:05:31,331 --> 00:05:33,263 DOESN'T MEAN THAT I DON'T GO OUT. 144 00:05:33,367 --> 00:05:35,611 - WELL, WHEN WAS THE LAST TIME YOU REALLY BEEN OUT ON A DATE? 145 00:05:35,714 --> 00:05:37,854 - MAYBE FIVE, SIX YEARS AGO, MAYBE. 146 00:05:37,958 --> 00:05:39,787 - MOMMY IS IN HER 60s. 147 00:05:39,891 --> 00:05:41,962 SHE'S BEEN DIVORCED FOR OVER TEN YEARS. 148 00:05:42,065 --> 00:05:45,206 NOW IT'S TIME FOR HER TO GET IN THE SWING OF THINGS. 149 00:05:45,310 --> 00:05:47,450 SO, I'M GONNA CALL A MATCHMAKER. 150 00:05:47,554 --> 00:05:50,350 YOU NEED TO START DATIN', THAT'S ALL. 151 00:05:50,453 --> 00:05:52,352 YOU JUST NEED TO START DATIN'. 152 00:05:52,455 --> 00:05:54,526 - TOWANDA, AND THE GIRLS, THEY WANTED TO SET ME UP 153 00:05:54,630 --> 00:05:56,666 WITH A BLIND DATE. 154 00:05:56,770 --> 00:06:00,187 I'VE NEVER BEEN ON A BLIND DATE AT ALL. 155 00:06:00,290 --> 00:06:02,534 BUT IT COULD BE INTERESTING. 156 00:06:02,638 --> 00:06:04,329 - WHAT KIND OF GUYS ARE YOU LOOKIN' FOR NOW? 157 00:06:04,433 --> 00:06:06,469 - THERE'S A LOT OF MEN THAT WALK LIKE DENZEL. 158 00:06:06,573 --> 00:06:08,678 - MOMMY, DO YOU KNOW HOW DIFFICULT THAT IS 159 00:06:08,782 --> 00:06:10,922 GONNA FIND SOMEBODY WHO WALKS LIKE DENZEL? 160 00:06:11,025 --> 00:06:13,752 - THIS SAUVEÉ, THIS SAUVE, A LITTLE SWAG-- 161 00:06:13,856 --> 00:06:15,892 - GIVE MOM A LITTLE SWAGGER. - YEAH. 162 00:06:15,996 --> 00:06:17,791 - NO, SHE'S SAYING SHE WANTS TO BE A COUGAR. 163 00:06:17,894 --> 00:06:20,241 - A COUGAR-- I NEVER SAID THAT. 164 00:06:20,345 --> 00:06:21,311 I DIDN'T SAY I WANTED TO BE A COUGAR. 165 00:06:21,415 --> 00:06:22,243 - AIN'T NOTHING' WRONG WITH IT. 166 00:06:22,347 --> 00:06:23,313 - THERE'S NOTHIN' WRONG WITH THAT. 167 00:06:23,417 --> 00:06:24,867 - I DON'T KNOW ABOUT A COUGAR, 168 00:06:24,970 --> 00:06:28,042 BUT MAYBE A SABER-TOOTHED TIGER. 169 00:06:28,146 --> 00:06:30,044 RRRRRR! 170 00:06:30,148 --> 00:06:32,012 - HOW YOUNG IS TOO YOUNG? 171 00:06:32,115 --> 00:06:34,014 - FIFTY IS TOO YOUNG. 172 00:06:34,117 --> 00:06:35,498 - WHAT? - NO! 173 00:06:35,602 --> 00:06:36,775 MOMMY, 50 MAKE YOUR BACK CRACK. 174 00:06:36,879 --> 00:06:39,053 - I DON'T WANT MY BACK TO CRACK. 175 00:06:39,157 --> 00:06:40,917 I DON'T WANT A 50. 176 00:06:41,021 --> 00:06:42,609 I DON'T WANT A 50. 177 00:06:42,712 --> 00:06:44,369 - NO MAN UNDER 50? 178 00:06:44,473 --> 00:06:46,371 THAT'S NOT FUN, MOMMY. 179 00:06:46,475 --> 00:06:47,924 I JUST THINK MOMMY'S COMIN' UP WITH EXCUSES 180 00:06:48,028 --> 00:06:49,547 BECAUSE SHE DOESN'T WANT TO GO OUT. 181 00:06:49,650 --> 00:06:51,411 - ARE YOU GUYS READY TO ORDER? 182 00:06:51,514 --> 00:06:52,757 - I WANT AN OMELETTE WITH ONION-- 183 00:06:52,860 --> 00:06:54,517 - WE HAVE THIS THING CALLED-- IT'S A MESA OMELET-- 184 00:06:54,621 --> 00:06:56,726 - OH, BUT I'M TELLING YOU WHAT I WANT. 185 00:06:56,830 --> 00:06:59,591 TOMATOES, ONIONS, UM, WHAT ELSE DO I LIKE? 186 00:06:59,695 --> 00:07:01,490 - I DON'T KNOW. 187 00:07:01,593 --> 00:07:03,975 MY MOTHER IS INCREDIBLY RUDE. 188 00:07:04,078 --> 00:07:05,563 "WAIT A MINUTE, I DID NOT ASK YOU THAT. 189 00:07:05,666 --> 00:07:07,461 "I ASKED YOU FOR BEANS." 190 00:07:07,565 --> 00:07:09,808 UM, HOPE SHE DON'T ACT THAT WAY ON A DATE. 191 00:07:09,912 --> 00:07:13,329 MOM, THIS IS COMING FROM LOVE. 192 00:07:13,433 --> 00:07:16,021 YOU MIGHT TRY TO BE A LITTLE BIT NICER. 193 00:07:16,125 --> 00:07:17,402 - TO WHOM? 194 00:07:17,506 --> 00:07:19,646 - "I DON'T WANT THAT. 195 00:07:19,749 --> 00:07:21,544 "I WANT-- I KNOW WHAT I WANT." 196 00:07:21,648 --> 00:07:23,719 - I DON'T CARE WHAT MY GIRLS SAYS. 197 00:07:23,822 --> 00:07:26,549 I DON'T LET ANY MAN INTERRUPT ME. 198 00:07:26,653 --> 00:07:30,242 AND IF THIS BLIND DATE HAVE PROBLEMS WITH THAT, 199 00:07:30,346 --> 00:07:32,659 THEN HE CAN JUST LEAVE. 200 00:07:32,762 --> 00:07:34,384 I JUST DON'T WANT NO BULL. 201 00:07:34,488 --> 00:07:37,595 BY THE TIME YOU GET MY AGE, YOU DON'T FEEL LIKE THE DRAMA. 202 00:07:37,698 --> 00:07:40,977 YOU DON'T FEEL LIKE IT-- NOT MANY GENTLEMEN OUT HERE. 203 00:07:41,081 --> 00:07:43,877 - MY MOTHER'S DEFINITELY JUST ANGRY WITH MEN, 204 00:07:43,980 --> 00:07:46,431 THE WHOLE SPECIES, 205 00:07:46,535 --> 00:07:49,399 AND UNTIL SHE REALIZES THAT THAT'S THE FACT, 206 00:07:49,503 --> 00:07:52,333 SHE WON'T HAVE A GOOD DATE. 207 00:07:52,437 --> 00:07:55,405 YOU CAN'T TELL NOBODY NOTHING WHEN THEY KNOW EVERYTHING. 208 00:07:55,509 --> 00:07:57,131 - EXACTLY. 209 00:07:57,235 --> 00:08:00,065 - AND THAT'S WHY SHE'S IN THE PREDICAMENT THAT SHE'S IN. 210 00:08:00,169 --> 00:08:03,241 - I AM WILLING TO GO OUT ON A BLIND DATE. 211 00:08:03,344 --> 00:08:04,276 I'M GAME. 212 00:08:04,380 --> 00:08:05,519 I'LL TRY IT. 213 00:08:05,623 --> 00:08:06,624 WHO KNOWS. 214 00:08:06,727 --> 00:08:08,522 I JUST MAY HAVE A LOT OF FUN. 215 00:08:17,186 --> 00:08:18,463 - I GOT TO REALLY MAKE A DECISION ON WHETHER 216 00:08:18,567 --> 00:08:19,913 I'M GONNA DO "PLAYBOY" OR NOT, 217 00:08:20,016 --> 00:08:21,708 AND I NEED TO TALK WITH SOMEONE. 218 00:08:21,811 --> 00:08:23,123 SO, I'M THINKIN' I'M GONNA TALK TO MAY MANAGER. 219 00:08:23,226 --> 00:08:24,918 I'M GONNA TALK TO VINCE, AND HE'S GONNA GIVE ME SOME KIND 220 00:08:25,021 --> 00:08:26,506 OF GUIDANCE ON WHAT I SHOULD DO. 221 00:08:26,609 --> 00:08:27,921 GOSH, I HAVEN'T BEEN ON THE COUCH. 222 00:08:28,024 --> 00:08:30,337 - ON THE COUCH. - IN AWHILE. 223 00:08:30,440 --> 00:08:31,821 - I KNOW. - LET ME SIT HERE. 224 00:08:31,925 --> 00:08:33,823 - OKAY-- WHAT I REALLY WANT TO TALK TO ABOUT THAT 225 00:08:33,927 --> 00:08:34,962 IS THE "PLAYBOY" THING. 226 00:08:35,066 --> 00:08:36,239 HAVE YOU BEEN THINKIN' ABOUT THAT? 227 00:08:36,343 --> 00:08:38,207 - I DON'T KNOW-- THEY MENTIONED THAT WE COULD USE-- 228 00:08:38,310 --> 00:08:39,484 THAT I COULD PICK THE PICTURES, ANY PICTURES I WANT, 229 00:08:39,588 --> 00:08:41,555 AND THE PHOTOGRAPHER. 230 00:08:41,659 --> 00:08:43,177 - THEY'VE BEEN CHASING YOU FOR AWHILE. 231 00:08:43,281 --> 00:08:44,489 - THIS IS LIKE THE FOURTH TIME THEY'VE ASKED. 232 00:08:44,593 --> 00:08:45,766 - YEAH. 233 00:08:45,870 --> 00:08:47,354 - BUT I'M THINKIN', SUPPOSE I'M TOO SICK 234 00:08:47,457 --> 00:08:48,838 TO BE CUTE AND SEXY. 235 00:08:48,942 --> 00:08:50,530 SO, I DO FEEL LIKE WHILE I'VE OVERCOME, 236 00:08:50,633 --> 00:08:53,463 'CAUSE REMEMBER WHEN THEY TOLD ME I'D NEVER BE ABLE TO WORK, 237 00:08:53,567 --> 00:08:55,051 NEVER BE ABLE TO DO ANYTHING ELSE. 238 00:08:55,155 --> 00:08:57,675 AND, LIKE, SO SOMEONE STILL THINKS I'M VALUABLE AND SEXY. 239 00:08:57,778 --> 00:08:59,435 BECAUSE THEY ONLY PICK BEAUTIFUL WOMEN 240 00:08:59,539 --> 00:09:01,989 AND WOMEN THEY FIND BEAUTIFUL AND SEXY. 241 00:09:02,093 --> 00:09:02,956 - AND YOU ARE-- 242 00:09:03,059 --> 00:09:04,544 - SO, THAT MAKES ME FEEL FINALLY LIKE, 243 00:09:04,647 --> 00:09:06,166 "THEY THINK I'M THAT?" - YES, YOU ARE THAT. 244 00:09:06,269 --> 00:09:07,512 - SO, I'M EXCITED ABOUT THAT BUT I'M A LITTLE CAUTIOUS 245 00:09:07,616 --> 00:09:09,410 'CAUSE I HAVE KIDS. 246 00:09:09,514 --> 00:09:11,343 - YEAH, BUT YOU KNOW WHAT? - IT MAKES ME UNCOMFORTABLE. 247 00:09:11,447 --> 00:09:12,482 - WE LIVE IN A DIFFERENT TIME. 248 00:09:12,586 --> 00:09:14,312 WE LIVE IN A DIFFERENT CULTURE. 249 00:09:14,415 --> 00:09:16,003 YOU KNOW, LOOK AT VANESSA WILLIAMS. 250 00:09:16,107 --> 00:09:18,316 I MEAN, YOU KNOW, SHE DID IT AND WENT ON TO HAVE A GREAT LIFE 251 00:09:18,419 --> 00:09:20,525 AND SHE'S STILL ACTIVE WITH HER KIDS AND EVERYTHING, 252 00:09:20,629 --> 00:09:22,389 AND IT'S LIKE, IF IT'S DONE TASTEFUL-- 253 00:09:22,492 --> 00:09:24,080 WHAT YOU ARE, YOU ARE A TASTEFUL WOMAN. 254 00:09:24,184 --> 00:09:25,806 I THINK THAT'S INCREDIBLE THAT THEY CALLED YOU 255 00:09:25,910 --> 00:09:27,359 AND THINK YOU'RE BEAUTIFUL AND SEXY. 256 00:09:27,463 --> 00:09:28,533 - I WAS FLATTERED. 257 00:09:28,637 --> 00:09:29,845 - AND-AND, YOU KNOW, IT CAN BE SOMETHIN'-- 258 00:09:29,948 --> 00:09:31,432 THEY ONLY WANT THAT TO SELL MAGAZINES. 259 00:09:31,536 --> 00:09:33,331 THEY'RE IN THE BUSINESS. 260 00:09:33,434 --> 00:09:35,644 SO THAT MEANS THEY BELIEVE YOU CAN SELL MAGAZINES. 261 00:09:35,747 --> 00:09:37,680 YOU JUST GOT TO STOP BEING SCARED. 262 00:09:37,784 --> 00:09:39,717 IT'S ALL UP TO YOU. 263 00:09:39,820 --> 00:09:41,650 SO, YOU SHOULD THINK ABOUT IT. 264 00:09:41,753 --> 00:09:43,030 - OKAY, VINCE HAS SOME GOOD POINTS. 265 00:09:43,134 --> 00:09:45,412 I NEED TO MAKE A DECISION VERY SOON. 266 00:09:45,515 --> 00:09:47,966 I'M GONNA SLEEP ON IT TONIGHT AND DECIDE TOMORROW. 267 00:09:48,070 --> 00:09:50,072 BUT I KNOW I NEED TO COME UP WITH SOMETHING VERY SOON. 268 00:09:50,175 --> 00:09:51,556 OKAY-- OKAY. 269 00:09:51,660 --> 00:09:52,488 - ALL RIGHT? - THAT'S WORKS. 270 00:09:52,592 --> 00:09:54,214 - COOL. 271 00:09:54,317 --> 00:09:55,595 - ALL RIGHT. 272 00:09:55,698 --> 00:09:58,149 LOOK HOW CHUNKY I AM? - YOU LOOK GREAT. 273 00:09:58,252 --> 00:09:59,909 THAT'S WHY THEY'RE CALLING YOU TO DO "PLAYBOY." 274 00:10:00,013 --> 00:10:02,671 - THEY'RE LOOKIN' AT OLDER PICTURES WHEN I WAS SKINNY. 275 00:10:02,774 --> 00:10:04,673 - NO, THEY'RE NOT-- THEY'RE LOOKIN' AT EVERYTHING. 276 00:10:04,776 --> 00:10:06,640 THE POWER IN THERE DON'T LIE. 277 00:10:15,891 --> 00:10:16,857 - I'VE BEEN TRYING TO GET MY HUSBAND, VINCE, 278 00:10:16,961 --> 00:10:18,756 TO RECORD AN ALBUM FOR ME. 279 00:10:18,859 --> 00:10:20,896 BUT IT HASN'T BEEN GOING WELL. 280 00:10:20,999 --> 00:10:22,967 MY HUSBAND HAS THE NUMBER ONE SELLING FEMALE ARTIST 281 00:10:23,070 --> 00:10:25,072 IN THE WORLD AND IT AIN'T ME. 282 00:10:25,176 --> 00:10:27,281 - WHEN IT COMES TO YOUR MUSIC CAREER, IT'S ALREADY BAD, 283 00:10:27,385 --> 00:10:28,800 BECAUSE YOU DON'T LISTEN. 284 00:10:28,904 --> 00:10:30,284 - YOU ARE REALLY BEING OVER THE TOP.COM, FOR REAL. 285 00:10:30,388 --> 00:10:31,700 - IT'S NOT OVER THE TOP.COM, IT'S CALLED-- 286 00:10:31,803 --> 00:10:33,046 YOU-YOU KNOW WHAT IT IS? 287 00:10:33,149 --> 00:10:35,186 IT'S THE TRUTH.COM, AND YOU DON'T WANT TO ACCEPT THAT. 288 00:10:35,289 --> 00:10:37,706 IT JUST DOESN'T HAPPEN THE WAY YOU WANT IT TO HAPPEN 289 00:10:37,809 --> 00:10:39,121 BECAUSE YOU'RE MY WIFE. 290 00:10:39,224 --> 00:10:41,537 - SO, I DECIDED TO THROW AN APPRECIATION PARTY 291 00:10:41,641 --> 00:10:43,297 FOR MY HUSBAND, VINCE. 292 00:10:43,401 --> 00:10:45,299 SO, HE CAN SEE HOW MUCH I APPRECIATE HIM, 293 00:10:45,403 --> 00:10:48,544 AND THEN HE CAN SHOW HOW MUCH HE APPRECIATES ME 294 00:10:48,648 --> 00:10:50,063 BY DOING AN ALBUM FOR ME. 295 00:10:50,166 --> 00:10:51,927 - HI, LADIES. - HI, THERE. 296 00:10:52,030 --> 00:10:54,619 - MY NAME IS SCHADIA AND THIS IS SHENEZ. 297 00:10:54,723 --> 00:10:56,345 AND WE'RE GONNA BE YOUR TEACHERS TONIGHT. 298 00:10:56,448 --> 00:10:57,657 - OKAY. 299 00:10:57,760 --> 00:11:00,176 - AND TO REMIND HIM WHY I DESERVE TO BE A STAR. 300 00:11:00,280 --> 00:11:02,523 I HAVE A SPECIAL PERFORMANCE I WANT TO DO. 301 00:11:02,627 --> 00:11:04,215 SO TRINA AND TOWANDA ARE GOING WITH ME 302 00:11:04,318 --> 00:11:05,941 TO BELLY DANCING LESSONS. 303 00:11:06,044 --> 00:11:08,357 OKAY, I JUST WANT TO HAVE A LITTLE CHOREOGRAPHY 304 00:11:08,460 --> 00:11:11,912 FOR THIS PARTY WE'RE HAVING FOR VINCE, MY HUSBAND. 305 00:11:12,016 --> 00:11:15,295 AND I NEED IT TO BE REALLY TIGHT AND RIGHT. 306 00:11:15,398 --> 00:11:17,400 - SOUNDS GOOD-- WE'RE GONNA LEARN SOME MOVES, 307 00:11:17,504 --> 00:11:20,576 AND THEN WE'RE PUT IT ALL TOGETHER IN A FAB COREOGRAPHY. 308 00:11:20,680 --> 00:11:22,923 - OKAY. - ALL RIGHT! 309 00:11:25,650 --> 00:11:27,134 - ARE YOU GIRLS READY? - WE'RE READY. 310 00:11:30,241 --> 00:11:32,657 - DO A LITTLE BIT STRETCHING OF THE UPPER BODY, 311 00:11:32,761 --> 00:11:35,522 AND THEN WE'LL LEARN A COUPLE MOVES. 312 00:11:35,625 --> 00:11:36,868 NOW, STRAIGHT UP AND DOWN. 313 00:11:36,972 --> 00:11:40,320 - SO THE FIRST PART OF THE CLASS WAS HOMEGIRL DOING 314 00:11:40,423 --> 00:11:44,427 SOME EXERCISE AND STOMACH STUFF, LIKE THIS IS NOT DANCING. 315 00:11:44,531 --> 00:11:46,498 - IT'S A FULL-BODY WORKOUT. 316 00:11:46,602 --> 00:11:47,741 THIS FROM HEAD TO TOE. 317 00:11:47,845 --> 00:11:49,432 - I DON'T NEED-- I DIDN'T GO THERE TO EXERCISE, 318 00:11:49,536 --> 00:11:51,572 I WENT THERE, YOU KNOW, TO KNOW HOW TO MOVE MY BELLY 319 00:11:51,676 --> 00:11:53,367 A LITTLE BIT MORE. 320 00:11:53,471 --> 00:11:54,955 I JUST WANT THE ROUTINE. 321 00:11:55,059 --> 00:11:56,060 I CAN FIGURE THE REST OUT. 322 00:11:56,163 --> 00:11:58,718 I CAN FIGURE THE-- THAT STUFF OUT. 323 00:11:58,821 --> 00:12:00,547 I WANNA COME IN REAL SNAKE-LIKE, 324 00:12:00,650 --> 00:12:02,307 LIKE SNAKES A LITTLE BIT. 325 00:12:02,411 --> 00:12:05,690 AND THEN WE, LIKE, POW, POW, POW HIM IN THE HEAD, 326 00:12:05,794 --> 00:12:07,830 AND BAM, BAM, BAM-- THAT'S-- 327 00:12:07,934 --> 00:12:09,452 - BUT THAT'S NOT BELLY DANCE. 328 00:12:09,556 --> 00:12:12,214 - WHAT IS IT? - I DON'T KNOW. 329 00:12:12,317 --> 00:12:15,217 - I AM NOT DOWN WITH WHAT THIS TEACHER IS DOING, FOR REAL. 330 00:12:19,324 --> 00:12:21,844 - MEN HAVE PROBLEMS WITH THAT. 331 00:12:21,948 --> 00:12:23,950 IT'S AS SIMPLE AS THAT. - WHO TOLD YOU THAT? 332 00:12:24,053 --> 00:12:25,158 IT'S, UH, IT'S "PLAYBOY." 333 00:12:25,261 --> 00:12:26,849 - ANY REAL MAN IS GONNA HAVE ISSUE WITH THAT. 334 00:12:26,953 --> 00:12:28,402 I'M TELLING YOU. - A REAL MAN? 335 00:12:28,506 --> 00:12:30,542 - ANY-- I'M TELLING YOU, THEY'RE GONNA HAVE A PROBLEM WITH IT. 336 00:12:36,756 --> 00:12:37,998 - SO I DECIDE TO THROW MY HUSBAND, VINCE, 337 00:12:38,102 --> 00:12:39,655 AN APPRECIATION PARTY. 338 00:12:39,759 --> 00:12:43,245 SO, TRINA AND TOWANDA WENT WITH ME TO BELLY DANCIN' CLASS. 339 00:12:43,348 --> 00:12:46,524 WE DECIDED WE WERE GONNA PUT ON THIS HOT PERFORMANCE. 340 00:12:46,627 --> 00:12:47,801 BUT THIS TEACHER? 341 00:12:47,905 --> 00:12:49,423 NO, MA'AM, SHE IS NOT IN THE BUSINESS. 342 00:12:49,527 --> 00:12:51,184 SHE IS A WAZACK. 343 00:12:51,287 --> 00:12:54,187 SO, YOU KNOW, I GOT TO TAKE MATTERS INTO MY OWN HANDS. 344 00:12:54,290 --> 00:12:56,396 OKAY, NOW ENOUGH OF THEM-- THEN, I GO. 345 00:12:56,499 --> 00:12:58,570 AND ME, ME, ME. 346 00:12:58,674 --> 00:13:01,504 AND ME, ME, ME. 347 00:13:01,608 --> 00:13:02,471 - YOU KNOW WHAT, THOUGH? 348 00:13:02,574 --> 00:13:03,886 IF YOU DO THE HANDS, PEOPLE'LL WATCH YOUR HANDS 349 00:13:03,990 --> 00:13:05,301 INSTEAD OF YOUR HIPS IF YOU KEEP-- 350 00:13:05,405 --> 00:13:07,303 - THEY'RE GONNA WATCH THE PICTURE. 351 00:13:07,407 --> 00:13:08,339 THAT'S WHAT I NEED. 352 00:13:08,442 --> 00:13:10,134 LIKE, SOMEBODY GONNA TAKE A PICTURE, SNAP, SNAP. 353 00:13:10,237 --> 00:13:13,240 I NEED TO BE LIKE THIS-- NOT LIKE-- 354 00:13:13,344 --> 00:13:15,208 THAT'S NOT CUTE. 355 00:13:15,311 --> 00:13:18,073 - TAMAR BECAME THE INSTRUCTOR. 356 00:13:18,176 --> 00:13:21,317 YOU CAN'T INSTRUCT THE INSTRUCTOR ON HOW TO INSTRUCT. 357 00:13:21,421 --> 00:13:24,458 - I'M GONNA NEED A ONE, TWO, THREE, 358 00:13:24,562 --> 00:13:28,014 FOUR, FIVE, SIX, SEVEN, EIGHT. 359 00:13:28,117 --> 00:13:30,050 YOU SEE WHAT I'M SAYING? - THAT'S WHAT WE JUST SAID. 360 00:13:30,154 --> 00:13:31,534 - BUT YOU ALL GOT TO MAKE SURE YOU ALL SLIDE RIGHT ON OUT 361 00:13:31,638 --> 00:13:32,604 OF MY WAY. 362 00:13:32,708 --> 00:13:34,779 NOW PUSH, GET MY MOMENT IN. 363 00:13:34,883 --> 00:13:37,782 PUSH-- GET MY MOMENT IN. 364 00:13:37,886 --> 00:13:39,301 I NEED YOU TO CONCENTRATE, TOWANDA. 365 00:13:39,404 --> 00:13:40,509 MAKE IT COUNT. 366 00:13:40,612 --> 00:13:42,131 - AND WE HAD TO LEARN REALLY, REALLY FAST 367 00:13:42,235 --> 00:13:44,858 BECAUSE TAMAR WAS TRYING TO BE THE BOSS OF EVERYBODY AGAIN. 368 00:13:44,962 --> 00:13:46,895 - WHERE'S YOUR STEP? 369 00:13:46,998 --> 00:13:48,793 I NEED YOU TO GET IN CHARACTER. 370 00:13:48,897 --> 00:13:50,001 DON'T MESS UP MY MOMENT. 371 00:13:50,105 --> 00:13:51,382 WHY SHE GOT IT AND YOU AIN'T GOT IT? 372 00:13:51,485 --> 00:13:53,418 WING IT. 373 00:13:53,522 --> 00:13:55,144 COME ON. 374 00:13:55,248 --> 00:13:57,940 NOBODY REALLY KNOWS THAT TRINA DOES NOT KNOW HOW TO DANCE. 375 00:13:58,044 --> 00:14:01,495 TRINA, DON'T MESS IT UP. 376 00:14:01,599 --> 00:14:03,463 STICK THAT FOOT OUT. 377 00:14:03,566 --> 00:14:04,602 - I DID. 378 00:14:04,705 --> 00:14:05,706 - THE OTHER FOOT-- YOUR OTHER FOOT. 379 00:14:05,810 --> 00:14:06,915 - OH, THIS ONE? 380 00:14:07,018 --> 00:14:08,606 - SOMETIMES SHE LEAVES HER RIGHT FOOT AT HOME, 381 00:14:08,709 --> 00:14:10,953 AND SHE WALKS OUT THE DOOR WITH BOTH LEFT FEET. 382 00:14:11,057 --> 00:14:13,266 I THINK THIS PARTICULAR DAY SHE DID THAT. 383 00:14:13,369 --> 00:14:15,199 OKAY, NOW, TRINA, LET'S SEE IF YOU GOT IT. 384 00:14:15,302 --> 00:14:16,994 - I BEG YOUR PARDON, YOU'RE NOT GONNA TREAT ME-- 385 00:14:17,097 --> 00:14:18,581 - TRINA, YOU GOT TO WATCH YOUR LINES. 386 00:14:18,685 --> 00:14:20,929 - 'CAUSE I'M NOT TRYING TO BE SEDUCTIVE BELLY DANCING 387 00:14:21,032 --> 00:14:22,585 IN FRONT OF MY BROTHER-IN-LAW. 388 00:14:22,689 --> 00:14:23,897 - CONCENTRATE. 389 00:14:24,001 --> 00:14:25,450 GET IN YOUR BUBBLE. 390 00:14:25,554 --> 00:14:27,073 - TAMAR IS ALWAYS LIKE, "TRINA, YOU'RE NOT DOING THIS RIGHT. 391 00:14:27,176 --> 00:14:28,868 "OH, TRINA, YOU'RE DOING-- TRINA, YOU HAVE TO FOCUS. 392 00:14:28,971 --> 00:14:30,214 "TRINA, YOU HAVE TO STAY IN YOUR BUBBLE." 393 00:14:30,317 --> 00:14:32,906 I'M IN MY BUBBLE. - NO, YOU NEED TO CONCENTRATE. 394 00:14:33,010 --> 00:14:34,943 - I NEED TO FOLLOW HER. 395 00:14:35,046 --> 00:14:36,737 - STAY ON THE BUBBLE TRAIN, AND DON'T GET SCARED. 396 00:14:36,841 --> 00:14:38,981 DON'T GET SCARED-- SHE LOST IT. 397 00:14:39,085 --> 00:14:40,258 SHE DROPPED IT. - I DIDN'T DROP IT. 398 00:14:40,362 --> 00:14:41,673 - YOU MESSED UP THE WHOLE THING. 399 00:14:41,777 --> 00:14:43,330 YOU'RE GONNA MESS IT UP. 400 00:14:47,093 --> 00:14:48,646 - OKAY, I HAVE TO BE HONEST, 401 00:14:48,749 --> 00:14:51,062 IT IS NOT AS EASY FOR ME TO PICK UP THE STEPS 402 00:14:51,166 --> 00:14:52,926 AS IT FOR THE REST OF MY SISTERS, 403 00:14:53,030 --> 00:14:55,170 BUT I THINK ONCE I GET IT DOWN, I GOT IT. 404 00:14:55,273 --> 00:14:57,724 YOU DON'T HAVE TO TELL ME TWICE AFTER I REALLY, REALLY GET IT, 405 00:14:57,827 --> 00:14:59,381 BUT IT KIND OF TAKES ME A SECOND. 406 00:14:59,484 --> 00:15:00,969 - AND TURN. 407 00:15:01,072 --> 00:15:02,591 TWO, YES-- YES. 408 00:15:02,694 --> 00:15:05,594 YES, YES, YES, YES. 409 00:15:05,697 --> 00:15:07,458 WHY CAN'T YOU DO THAT? 410 00:15:07,561 --> 00:15:10,047 WE'VE GOT A LOT OF WORK TO DO FOR THIS PARTY, 411 00:15:10,150 --> 00:15:12,601 AND IF VINCE DOES NOT APPRECIATE ME 412 00:15:12,704 --> 00:15:14,154 DOING HIS APPRECIATION PARTY, 413 00:15:14,258 --> 00:15:16,536 THEN I WON'T GET MY ALBUM DONE. 414 00:15:16,639 --> 00:15:19,021 AND WE NEED TO LOOK LIKE THREE HOT BRAXTONS', 415 00:15:19,125 --> 00:15:21,058 NOT THREE STOOGES. 416 00:15:21,161 --> 00:15:22,852 AND TAKE IT TO THE FLOOR. 417 00:15:22,956 --> 00:15:23,992 TAKE IT TO THE FLOOR. 418 00:15:24,095 --> 00:15:25,579 TAKE IT TO THE FLOOR. 419 00:15:25,683 --> 00:15:26,891 AND BOW. 420 00:15:26,995 --> 00:15:28,134 ENOUGH. 421 00:15:28,237 --> 00:15:30,377 - AND TURN AND WALK. 422 00:15:39,559 --> 00:15:40,940 - WELL, MY SISTERS WENT TO A MATCHMAKER 423 00:15:41,043 --> 00:15:43,080 AND FOUND A DATE FOR MY MOM. 424 00:15:43,183 --> 00:15:45,220 I'M REALLY EXCITED ABOUT MY MOM DATING AGAIN, 425 00:15:45,323 --> 00:15:46,876 AND IT'S BEEN ALMOST TEN YEARS. 426 00:15:46,980 --> 00:15:49,051 I MEAN, SHE'S ONLY DATED ONE PERSON, MY DAD PRETTY MUCH. 427 00:15:49,155 --> 00:15:51,433 SO, I THINK THIS IS A GOOD THING. 428 00:15:51,536 --> 00:15:52,952 THIS COULD BE GREAT. 429 00:15:53,055 --> 00:15:54,332 I WANTED THE INSIDE SCOOP, SO I TOLD MOMMY, 430 00:15:54,436 --> 00:15:55,540 "I'LL TAKE YOU TO YOUR DATE." 431 00:15:55,644 --> 00:15:57,439 CAN WE BE GIRLS? 432 00:15:57,542 --> 00:15:59,234 CAN WE PRETEND TO BE GIRLFRIENDS A LITTLE BIT? 433 00:15:59,337 --> 00:16:00,890 - OKAY, LET'S BE GIRLFRIENDS. 434 00:16:00,994 --> 00:16:03,652 - SO, IF A PERFECT GUY CALLED RIGHT NOW, WHAT WOULD YOU WANT-- 435 00:16:03,755 --> 00:16:05,102 - DID YOU SAY "A PERFECT GUY?" 436 00:16:05,205 --> 00:16:06,551 - YEAH, A PERFECT, WELL NOT PERFECT LIKE GOD. 437 00:16:06,655 --> 00:16:07,794 CAN WE FOCUS? 438 00:16:07,897 --> 00:16:09,244 - I-I LIKE TALL GUYS. 439 00:16:09,347 --> 00:16:10,935 SO, HE WON'T BE SHORT, HE'D BE TALL. 440 00:16:11,039 --> 00:16:12,799 - I DON'T LIKE ROUGHNECKS. 441 00:16:12,902 --> 00:16:15,836 - OH, I WOULDN'T THINK YOU WOULD LIKE A ROUGHNECK, MA. 442 00:16:15,940 --> 00:16:17,252 - BUT THEY-- THEY'RE OUT THERE. 443 00:16:17,355 --> 00:16:19,530 YOU GET TO A CERTAIN AGE, LET'S FACE IT, 444 00:16:19,633 --> 00:16:22,705 UM, YOUR OPTIONS, THEY'RE NOT THAT GREAT. 445 00:16:22,809 --> 00:16:26,778 BUT AT THE SAME TOKEN, YOU HAVE TO BE SELECTIVE. 446 00:16:26,882 --> 00:16:28,884 - YOU WANT A GUY THAT'S FUN. 447 00:16:28,988 --> 00:16:30,196 I MEAN, MAYBE YOU CAN MAKE HIM FUN. 448 00:16:30,299 --> 00:16:32,232 MAYBE HE'S NOT FUN AT FIRST, BUT YOU CAN MAKE HIM FUN. 449 00:16:32,336 --> 00:16:34,441 - GUYS MY AGE, IF THEY'RE NOT SUPER FUN, 450 00:16:34,545 --> 00:16:37,099 WHEN YOU COME INTO IT, THEY'RE NOT GOING TO CHANGE. 451 00:16:37,203 --> 00:16:38,652 - OKAY-- OKAY-- I HEAR YOU. 452 00:16:38,756 --> 00:16:39,619 - TRUST ME. - ALL RIGHT. 453 00:16:39,722 --> 00:16:41,414 AND FINANCIALLY? 454 00:16:41,517 --> 00:16:42,553 - STABLE. 455 00:16:42,656 --> 00:16:44,003 - FINANCIALLY STA-STABLE COULD BE A PERSON WHO WORKS 456 00:16:44,106 --> 00:16:47,178 AS A CAR WASH. 457 00:16:47,282 --> 00:16:50,250 - YOU WASHING CARS, YOU'RE NOT FINANCIALLY STABLE. 458 00:16:50,354 --> 00:16:51,941 YOU'RE NOT MAKIN' MONEY. 459 00:16:52,045 --> 00:16:53,495 SOMEBODY THAT'S SUCCESSFUL. 460 00:16:53,598 --> 00:16:55,290 - OKAY, FINANCIALLY SUCCESSFUL. 461 00:16:55,393 --> 00:16:58,017 OKAY, MY MOM'S TASTE IN MEN, I'M DISCOVERING, 462 00:16:58,120 --> 00:16:59,432 IS VERY ECLECTIC. 463 00:16:59,535 --> 00:17:01,123 OH, I'M SORRY, AND SHE WANTS HIM TO WALK 464 00:17:01,227 --> 00:17:03,608 LIKE DENZEL WASHINGTON. 465 00:17:03,712 --> 00:17:06,508 I DON'T KNOW WHERE WE'RE GONNA FIND THIS GUY. 466 00:17:06,611 --> 00:17:09,718 SUPPOSE HE'S ALL THOSE THINGS AND HE'S NOT CUTE. 467 00:17:09,821 --> 00:17:11,133 HE'S CHALLENGED IN THAT. 468 00:17:11,237 --> 00:17:13,135 WELL, THEN, WHAT DO YOU SAY? 469 00:17:13,239 --> 00:17:15,344 - I'LL GET TO KNOW HIM, 470 00:17:15,448 --> 00:17:17,312 BECAUSE I'M NOT HAVIN' ANY KIDS FROM HIM. 471 00:17:17,415 --> 00:17:19,728 - THERE YOU GO-- SEE WHAT I MEAN? 472 00:17:19,831 --> 00:17:22,041 SO THAT'S ONE THAT YOU WERE WILLING TO GIVE ON. 473 00:17:22,144 --> 00:17:24,457 - YEAH, I'LL GIVE ON THAT ONE. - OKAY. 474 00:17:24,560 --> 00:17:25,975 NO-NO GIVING ON THE FINANCIAL STABILITY. 475 00:17:26,079 --> 00:17:27,632 - OH, GOD, NO. 476 00:17:31,050 --> 00:17:32,396 - SO, I DROPPED OFF MY MOM AT HER DATE, 477 00:17:32,499 --> 00:17:34,260 AND I HOPE IT GOES WELL. 478 00:17:34,363 --> 00:17:36,469 I HAVE MY FINGERS CROSSED. 479 00:17:40,956 --> 00:17:42,716 - HE WAS LATE. 480 00:17:42,820 --> 00:17:44,994 I DON'T LIKE LATE MEN EITHER. 481 00:17:45,098 --> 00:17:47,445 YOU HAVE TO BE ON TIME. 482 00:17:47,549 --> 00:17:50,379 SO, I WAS GETTING A LITTLE RESTLESS, 483 00:17:50,483 --> 00:17:53,900 AND I WAS SITTING THERE AND I'M WAITING AND I'M WAITING, 484 00:17:54,003 --> 00:17:56,109 AND I'M LOOKING AT MY WATCH, 485 00:17:56,213 --> 00:17:58,215 AND I'M LOOKING OUT OF THE WINDOW. 486 00:17:58,318 --> 00:18:00,596 I DON'T KNOW WHO I'M LOOKING FOR, 487 00:18:00,700 --> 00:18:02,495 BUT I HOPE THIS MAN HAVE ON A SUIT 488 00:18:02,598 --> 00:18:05,153 BECAUSE I DON'T LIKE ROUGHNECKS. 489 00:18:15,163 --> 00:18:18,614 THERE WAS A GUY THAT WALKED IN, HIP-HOP GUY. 490 00:18:18,718 --> 00:18:21,790 HE WAS NOT DRESSED APPROPRIATELY, 491 00:18:21,893 --> 00:18:24,413 SO I'M THINKING, "OH, MY GOD, 492 00:18:24,517 --> 00:18:26,967 "PLEASE DON'T LET THAT BE THIS MAN." 493 00:18:27,071 --> 00:18:28,486 - ARE YOU MRS. JONES-- MRS. JONES? 494 00:18:28,590 --> 00:18:29,729 I'M LOOKIN' FOR MRS. JONES. - JONES? 495 00:18:29,832 --> 00:18:31,800 - MRS. JONES, YES. - NO, I'M NOT MRS. JONES. 496 00:18:31,903 --> 00:18:34,872 - NOT MRS. JONES. - THANK GOD I'M NOT JONES. 497 00:18:34,975 --> 00:18:37,219 OH, WOW. 498 00:18:37,323 --> 00:18:38,703 I'LL GIVE HIM TEN MINUTES. 499 00:18:41,810 --> 00:18:43,018 - ARE YOU EVELYN? 500 00:18:43,122 --> 00:18:44,295 - YES. 501 00:18:44,399 --> 00:18:46,470 - HI, BY GOLLY. - HI. 502 00:18:46,573 --> 00:18:48,920 - OH, AREN'T YOU LOOKIN' SHARP THIS EVENING. 503 00:18:49,024 --> 00:18:50,577 - OH, THANK YOU-- THANK YOU. 504 00:18:50,681 --> 00:18:52,855 - I'M JAY. - HI, HOW ARE YOU, JAY? 505 00:18:52,959 --> 00:18:54,202 NICE TO MEET YOU. 506 00:18:54,305 --> 00:18:56,273 HE WAS A SNOWFLAKE. 507 00:18:56,376 --> 00:18:59,034 I'VE ALWAYS DEALT IN CHOCOLATE. 508 00:18:59,138 --> 00:19:00,725 - DO YOU HAVE A FAMILY? - I DO. 509 00:19:00,829 --> 00:19:02,520 FIVE GIRLS AND ONE SON. 510 00:19:02,624 --> 00:19:04,315 MY GIRLS ARE ENTERTAINERS. 511 00:19:04,419 --> 00:19:05,558 - REALLY? - YEAH. 512 00:19:05,661 --> 00:19:07,974 - WHAT'S YOUR LAST NAME? - BRAXTON. 513 00:19:08,077 --> 00:19:10,045 - NOT BRAXTON, TONI BRAXTON? 514 00:19:10,149 --> 00:19:11,771 NO? 515 00:19:11,874 --> 00:19:13,359 ARE YOU KIDDING ME? 516 00:19:13,462 --> 00:19:14,567 YOU GOT ALL OF THESE GIRLS. 517 00:19:14,670 --> 00:19:16,500 THIS IS LIKE THE KARDASHIANS. 518 00:19:16,603 --> 00:19:19,744 - NO, WE'RE THE BRAXTONS'. 519 00:19:19,848 --> 00:19:21,090 - THE BRAXTONS'. 520 00:19:21,194 --> 00:19:23,886 BRAXTONS'? - KARDASHIANS? 521 00:19:23,990 --> 00:19:27,027 WE'RE NOT GETTIN' OFF TO A GOOD START HERE. 522 00:19:27,131 --> 00:19:29,961 UM, I'LL HAVE WATER AND A DIET COKE. 523 00:19:30,065 --> 00:19:32,861 - I WANT, UH, SCOTCH ON THE ROCKS. 524 00:19:32,964 --> 00:19:36,727 - IT'S 1 P.M., HMM, A LITTLE TOO EARLY FOR SCOTCH. 525 00:19:36,830 --> 00:19:38,901 - NO WINE, OR CHAMPAGNE, OR ANYTHING LIKE THAT? 526 00:19:39,005 --> 00:19:41,490 - NO. 527 00:19:41,594 --> 00:19:44,044 - YOU KNOW, AT OUR AGE IN LIFE, UH, WE NEED NEW EXPERIENCES. 528 00:19:44,148 --> 00:19:45,977 RIGHT? - WE DO. 529 00:19:46,081 --> 00:19:47,013 - ARE YOU GAME FOR NEW EXPERIENCES? 530 00:19:47,116 --> 00:19:49,118 - I'M GAME. - GOOD-- GOOD. 531 00:19:49,222 --> 00:19:50,706 YOU SOUND LIKE A LADY WHO HAS FUN. 532 00:19:50,810 --> 00:19:52,052 - YEAH. 533 00:19:52,156 --> 00:19:54,710 HUH, LET'S SEE HOW MUCH FUN THIS SNOWFLAKE HAVE TO OFFER. 534 00:19:59,681 --> 00:20:01,441 - MM-HMM. 535 00:20:03,167 --> 00:20:04,479 I'M NOT DRINKIN' TOO MUCH, AM I? 536 00:20:04,582 --> 00:20:06,998 - NO, KEEP DOING WHAT YOU DO. 537 00:20:07,102 --> 00:20:08,241 - WHOO. 538 00:20:08,345 --> 00:20:09,829 - NOTHING WRONG WITH A LITTLE BOOBIES. 539 00:20:09,932 --> 00:20:13,867 I HAVE VERY CUTE BOOBIES-- THEY ONLY COST ME $8,900. 540 00:20:19,459 --> 00:20:23,291 - SO, I'M OUT ON A BLIND DATE, THAT MY DAUGHTERS SET UP, 541 00:20:23,394 --> 00:20:26,190 AND HE'S A SNOWFLAKE. 542 00:20:26,294 --> 00:20:27,640 AND HE LOVES SCOTCH. 543 00:20:27,743 --> 00:20:30,850 - SO, ARE-ARE WE GONNA HAVE SOME FUN OR WHAT? 544 00:20:32,886 --> 00:20:35,475 - HE SEEMS TO HAVE A VERY SPECIFIC IDEA 545 00:20:35,579 --> 00:20:38,064 OF HOW TO HAVE FUN. 546 00:20:38,167 --> 00:20:40,480 - I NEED THAT TO SETTLE ME DOWN. 547 00:20:40,584 --> 00:20:41,481 - REALLY? 548 00:20:41,585 --> 00:20:43,725 HE KEPT DRINKING AND DRINKING AND DRINKING, 549 00:20:43,828 --> 00:20:47,004 AND HE WAS SAYING, "MM, MM, THAT'S SMOOTH." 550 00:20:47,107 --> 00:20:50,249 - WHOO! 551 00:20:50,352 --> 00:20:53,493 - SO, I GOT A LITTLE BOTHERED ABOUT THAT. 552 00:20:53,597 --> 00:20:55,081 - I'M NOT DRINKIN' TOO MUCH, AM I? 553 00:20:55,184 --> 00:20:56,565 - NO. 554 00:20:56,669 --> 00:20:58,257 DO WHAT YOU NEED TO-- DO WHAT YOU DO. 555 00:20:58,360 --> 00:21:01,501 HE SAID, "DO YOU MIND IF I HAVE ANOTHER DRINK?" 556 00:21:01,605 --> 00:21:03,952 I SAID, "OH, NO, GO AHEAD, DO WHAT YOU DO." 557 00:21:04,055 --> 00:21:06,575 YOU KNOW, BUT ACTUALLY, I MIND. 558 00:21:09,406 --> 00:21:11,235 HOLD IT, UH, THE FINGER SNAP, HUH? 559 00:21:11,339 --> 00:21:12,857 OKAY. 560 00:21:12,961 --> 00:21:15,343 I DON'T KNOW IF THIS DATE CAN GET MUCH WORSE. 561 00:21:15,446 --> 00:21:17,310 - I REALLY LOVE THAT HAIR. 562 00:21:17,414 --> 00:21:21,521 I, UH, I MISS BEING, YOU KNOW, WITH A LADY, 563 00:21:21,625 --> 00:21:24,248 AND YOU ARE JUST TOO MUCH. 564 00:21:24,352 --> 00:21:26,699 - I JUST MET HIM FOR GOD SAKES. 565 00:21:26,802 --> 00:21:28,356 - TELL YOU WHAT WE SHOULD DO. 566 00:21:28,459 --> 00:21:29,633 - WHAT SHOULD BE DO? 567 00:21:29,736 --> 00:21:32,912 - LET'S RUN DOWN OVER THERE TO THE, UH, BILTMORE. 568 00:21:33,015 --> 00:21:37,330 - HE WANTED TO GO TO SEE SOME SIGHTS IN NORTH CAROLINA, 569 00:21:37,434 --> 00:21:40,920 AND I'M THINKING, "OKAY" FOR A DAY. 570 00:21:41,023 --> 00:21:42,715 THAT'S A DAY TRIP, RIGHT? 571 00:21:42,818 --> 00:21:43,716 - IT GETS DARK, 572 00:21:43,819 --> 00:21:46,166 SO I CAN'T PROMISE THAT IT'LL BE A DAY TRIP. 573 00:21:46,270 --> 00:21:50,378 SOMETIMES YOU JUST YOU CAN'T, UH... YOU HAVE TO STAY. 574 00:21:50,481 --> 00:21:52,172 YOU KNOW WHAT I'M TALKIN' ABOUT? 575 00:21:52,276 --> 00:21:53,553 - UM-MM. 576 00:21:53,657 --> 00:21:55,314 AND THE GIRLS SAY UH-UH. 577 00:21:55,417 --> 00:21:57,074 WRONG GIRL. 578 00:21:57,177 --> 00:21:58,869 ABSOLUTELY NOT-- UH-UH. 579 00:21:58,972 --> 00:22:01,561 NO, I KNOW WE'RE OLDER, AND I KNOW LIFE IS SHORT 580 00:22:01,665 --> 00:22:03,908 BUT LIFE IS NOT THAT SHORT. 581 00:22:04,012 --> 00:22:06,532 - BLIND DATE, I WAS-I WAS UP FOR IT, RIGHT? 582 00:22:06,635 --> 00:22:08,672 BUT IT ALWAYS MAKES YOU A LITTLE ANXIOUS, DON'T YOU THINK? 583 00:22:08,775 --> 00:22:11,468 - YES, ESPECIALLY WHEN YOU'RE LATE. 584 00:22:11,571 --> 00:22:14,402 WELL, I THINK THIS DATE IS WINDING DOWN, 585 00:22:14,505 --> 00:22:16,852 BUT HOW IS HE GONNA GET HOME? 586 00:22:16,956 --> 00:22:18,923 DO YOU DRIVE? 587 00:22:19,027 --> 00:22:20,200 - ONLY WHEN I HAVE TO. 588 00:22:20,304 --> 00:22:22,202 I'M GONNA HAVE SOMEBODY PICK ME UP. 589 00:22:22,306 --> 00:22:23,376 - OH! 590 00:22:23,480 --> 00:22:24,412 - UH-HUH. 591 00:22:24,515 --> 00:22:25,551 - HE HAS A DRIVER. 592 00:22:25,654 --> 00:22:28,070 OKAY, SO THAT MEANS HE'S FINANCIALLY STABLE. 593 00:22:28,174 --> 00:22:31,488 THAT KIND OF CHANGES THE FLAVOR OF THE DATE. 594 00:22:31,591 --> 00:22:33,144 YOU KNOW WHAT I MEAN? 595 00:22:33,248 --> 00:22:35,146 - WE'RE HAVING FUN, RIGHT? 596 00:22:35,250 --> 00:22:36,907 I HOPE-I HOPE YOU'RE HAVING FUN. 597 00:22:37,010 --> 00:22:40,773 - YEAH, ME-- I HOPE, I HOPE YOU'RE HAVING FUN ALSO. 598 00:22:40,876 --> 00:22:43,500 AND WHEN IT WAS OVER, WE EXCHANGED NUMBERS. 599 00:22:43,603 --> 00:22:46,675 WELL, I GAVE HIM MY NUMBER, SO HE COULD CALL ME. 600 00:22:46,779 --> 00:22:49,298 I THINK HE WILL PROBABLY GIVE ME A CALL. 601 00:22:49,402 --> 00:22:51,404 UH, I THINK HE WAS IMPRESSED. 602 00:22:51,508 --> 00:22:54,234 - YEAH, YOU'RE OKAY. 603 00:22:54,338 --> 00:22:56,202 - THAT'S RIGHT. 604 00:22:56,305 --> 00:22:57,306 - OOH. 605 00:22:57,410 --> 00:22:59,170 - AND SO ARE YOU, KIDDO. 606 00:23:00,931 --> 00:23:04,590 I'M FINDING OUT THAT PLAYING IN THE SNOW IS NOT SO BAD. 607 00:23:04,693 --> 00:23:07,109 WHO KNOWS, I MAY CATCH A SNOWMAN. 608 00:23:14,807 --> 00:23:17,499 - I DECIDED TO INVITE ALL THE GIRLS OVER FOR BRUNCH. 609 00:23:17,603 --> 00:23:19,605 AND I WANTED MOMMY TO COME OVER, TOO, 610 00:23:19,708 --> 00:23:21,123 SO SHE COULD TELL ME ABOUT HER DATE. 611 00:23:21,227 --> 00:23:24,403 AND I ALSO HAVE A VERY SPECIAL ANNOUNCEMENT TO MAKE. 612 00:23:24,920 --> 00:23:27,751 OKAY, GUYS, I HAVE DECIDED TO DO "PLAYBOY." 613 00:23:27,854 --> 00:23:29,753 - YAY! 614 00:23:29,856 --> 00:23:31,755 - I THINK SHE SHOULD DO IT. 615 00:23:31,858 --> 00:23:33,342 SHE HAS A GREAT BODY. 616 00:23:33,446 --> 00:23:34,792 I DON'T THINK IT'S ANY DIFFERENT 617 00:23:34,896 --> 00:23:36,518 FROM THE OTHER STUFF SHE'S EVER DONE. 618 00:23:36,622 --> 00:23:39,314 AT LEAST SHE'LL BE IN A TASTEFUL MAGAZINE, 619 00:23:39,418 --> 00:23:41,040 AND IT'S "PLAYBOY." 620 00:23:41,143 --> 00:23:43,214 - REALLY? - [indistinct] 621 00:23:43,318 --> 00:23:45,216 - WHAT-- I CAN'T UNDERSTAND. 622 00:23:46,977 --> 00:23:48,979 - I DON'T KNOW WHAT THAT MEANS. - ME, EITHER. 623 00:23:49,082 --> 00:23:50,601 - WHAT DID SHE SAY? - READ THE CAPTION. 624 00:23:53,224 --> 00:23:55,295 - TOWANDA AND TRINA THINKS IT'S A GOOD IDEA 625 00:23:55,399 --> 00:23:57,574 FOR TONI TO DO "PLAYBOY," AND I DON'T. 626 00:23:57,677 --> 00:24:00,473 AND I'M RIGHT, AS USUAL. 627 00:24:00,577 --> 00:24:01,716 - NOTHING WRONG WITH A LITTLE BOOBIES. 628 00:24:01,819 --> 00:24:03,200 I HAVE VERY CUTE BOOBIES. 629 00:24:03,303 --> 00:24:05,513 THEY ONLY COST ME $8,900. 630 00:24:05,616 --> 00:24:08,205 - I THINK A LOT OF MEN WILL HAVE PROBLEMS WITH THAT. 631 00:24:08,308 --> 00:24:10,587 - I DON'T HAVE ONE SO GUESS WHAT? 632 00:24:10,690 --> 00:24:12,002 - BUT THAT-THAT'S NOT THE POINT. 633 00:24:12,105 --> 00:24:15,454 - WHAT'S THE POINT? - MEN HAVE PROBLEMS WITH THAT. 634 00:24:15,557 --> 00:24:17,870 AS SIMPLE AS THAT-- LET'S JUST KEEP IT REAL. 635 00:24:17,973 --> 00:24:22,012 NO MAN WANTS HIS WIFE, HIS GIRLFRIEND, 636 00:24:22,115 --> 00:24:25,256 OR HIS POTENTIAL WIFE OR GIRLFRIEND 637 00:24:25,360 --> 00:24:27,845 TO BE NAKED IN FRONT OF OTHER MEN. 638 00:24:27,949 --> 00:24:30,089 - MEN BE TRIPPIN' OUT ABOUT STUFF LIKE THAT. 639 00:24:30,192 --> 00:24:31,504 TONI, THAT IS THE TRUTH. 640 00:24:31,608 --> 00:24:33,575 - WHO TOLD YOU THAT-- IT, UH, IT'S "PLAYBOY." 641 00:24:33,679 --> 00:24:35,543 - ANY REAL MAN GONNA HAVE ISSUE WITH THAT. 642 00:24:35,646 --> 00:24:37,372 I'M TELLING YOU. - A REAL MAN? 643 00:24:37,476 --> 00:24:39,443 - ANY-- I'M TELLING YOU, YOU GONNA HAVE A PROBLEM WITH IT-- 644 00:24:39,547 --> 00:24:41,618 GABE WILL LET YOU DO "PLAYBOY?" 645 00:24:41,721 --> 00:24:43,240 - ALL DAY LONG. - NO, HE WON'T. 646 00:24:43,343 --> 00:24:44,483 THAT'S A LIE. 647 00:24:44,586 --> 00:24:46,001 - TAMAR DOES NOT KNOW WHAT SHE'S TALKING ABOUT. 648 00:24:46,105 --> 00:24:48,590 GABE WOULD LOVE IT IF I POSED FOR "PLAYBOY." 649 00:24:48,694 --> 00:24:51,179 TAMAR JUST NEEDS TO CHILL OUT. 650 00:24:51,282 --> 00:24:52,249 I DON'T THINK IT'S A PROBLEM. 651 00:24:52,352 --> 00:24:53,561 - THANK YOU, TRINA. 652 00:24:53,664 --> 00:24:55,390 SMOOCHES... SMOOCHES. 653 00:24:55,494 --> 00:24:57,426 OTHER WAY, SMOOCHES. 654 00:24:57,530 --> 00:25:00,326 - I HAVE TO SAY SOMETHING. 655 00:25:00,429 --> 00:25:02,604 - I'M TONI BRAXTON, [deleted]. 656 00:25:02,708 --> 00:25:04,882 I DON'T CARE WHAT OTHER PEOPLE THINK. 657 00:25:04,986 --> 00:25:06,539 IT IS ABOUT WHAT I THINK ABOUT MYSELF. 658 00:25:06,643 --> 00:25:08,196 - WHOO-- BABY! 659 00:25:08,299 --> 00:25:09,818 - I AM VERY PROUD OF MY BODY. 660 00:25:09,922 --> 00:25:10,888 IT'S GOOD ENOUGH FOR HEF. 661 00:25:10,992 --> 00:25:13,270 HE KNOWS GOOD, FABULOUS, SEXY BODIES, 662 00:25:13,373 --> 00:25:14,720 AND HE PICKED ME. 663 00:25:14,823 --> 00:25:16,756 I THINK I'M IN GREAT HANDS. 664 00:25:16,860 --> 00:25:18,586 MM, DIDN'T SOMEBODY JUST HAVE A DATE? 665 00:25:18,689 --> 00:25:20,449 - MOMMY HAD A BLIND DATE. 666 00:25:20,553 --> 00:25:22,244 - HOW DID IT GO? 667 00:25:22,348 --> 00:25:23,970 - LET ME TELL YOU WHAT HAPPENED. 668 00:25:24,074 --> 00:25:26,559 HERE COME A MAN, HE CAME IN, HIP-HOP, 669 00:25:26,663 --> 00:25:29,804 WITH A BIG EARRING IN HIS-IN HIS EAR. 670 00:25:29,907 --> 00:25:32,116 AND I'M SITTIN' THERE LIKE, "LORD, PLEASE TELL ME, 671 00:25:32,220 --> 00:25:34,602 "PLEASE TELL ME THAT'S NOT THE MAN. 672 00:25:34,705 --> 00:25:36,535 "PLEASE, LORD." 673 00:25:36,638 --> 00:25:38,433 THEN THIS LITTLE MAN CAME IN AFTER HIM 674 00:25:38,537 --> 00:25:40,055 WITH THREE FLOWERS. 675 00:25:40,159 --> 00:25:41,850 HE WAS SHORT. 676 00:25:41,954 --> 00:25:43,680 I WAS SO HAPPY, I DIDN'T KNOW WHAT TO DO WITH MYSELF. 677 00:25:43,783 --> 00:25:45,509 - HE BROUGHT YOU FLOWERS? 678 00:25:45,613 --> 00:25:47,235 - NOT BECAUSE OF THE FLOWERS, 679 00:25:47,338 --> 00:25:49,548 BUT I WAS JUST SO EXCITED 680 00:25:49,651 --> 00:25:52,585 THAT IT WASN'T THE HIP-HOP MAN. 681 00:25:52,689 --> 00:25:53,655 - HOW'S HE LOOK? 682 00:25:53,759 --> 00:25:54,967 HE'S SHORT AND WHAT ELSE? 683 00:25:55,070 --> 00:25:56,658 LIGHT SKIN, BROWN SKIN, DARK SKIN? 684 00:25:56,762 --> 00:25:58,453 - HE WAS A SNOWMAN. 685 00:25:58,557 --> 00:26:00,075 - WHAT? - HE WAS WHITE. 686 00:26:00,179 --> 00:26:01,732 - HE WAS A SNOWFLAKE? - HE WAS A SNOWFLAKE. 687 00:26:01,836 --> 00:26:02,871 HE WAS A SNOWMAN. 688 00:26:02,975 --> 00:26:04,286 - YOU MEAN YOU WENT ACROSS THE HIGHWAY? 689 00:26:04,390 --> 00:26:05,425 - YEAH! 690 00:26:05,529 --> 00:26:07,048 - WENT ACROSS THE STREET, BABY. 691 00:26:07,151 --> 00:26:10,603 - WAS THAT YOUR FIRST DATE OF NON-BLACK, AFRICAN-AMERICAN? 692 00:26:10,707 --> 00:26:13,088 - YOU MEAN, NON-LIGHT SKIN, TALL WITH A MOUSTACHE. 693 00:26:13,192 --> 00:26:16,298 - EVERY SINGLE MAN MY MOMMA GOES OUT WITH, 694 00:26:16,402 --> 00:26:19,992 HE'S LIKE SIX FEET, LIGHT SKIN AND WITH A MOUSTACHE. 695 00:26:20,095 --> 00:26:23,167 MY DADDY. 696 00:26:23,271 --> 00:26:24,686 - 'CAUSE THEY ALL LIGHT SKIN, TALL, WITH A MOUSTACHE. 697 00:26:24,790 --> 00:26:26,067 - I HATE HER SO MUCH RIGHT NOW. 698 00:26:26,170 --> 00:26:27,965 - IT'S TRUE. - TELLING THE TRUTH, MA. 699 00:26:28,069 --> 00:26:30,209 - ONLY ONE THING THAT BOTHERED ME-- HE KEPT DRINKIN'. 700 00:26:30,312 --> 00:26:32,245 HE KEPT DRINKING. 701 00:26:32,349 --> 00:26:34,178 - MEN IN THEIR 60s LIKE TO HAVE A COCKTAIL-- 702 00:26:34,282 --> 00:26:35,939 - WAIT A MINUTE NOW-- THIS WAS TOO MANY. 703 00:26:36,042 --> 00:26:38,666 IT WAS FIVE OR SIX OF 'EM. 704 00:26:38,769 --> 00:26:41,082 - I PERSONALLY DIDN'T HAVE A PROBLEM WITH BOB 705 00:26:41,185 --> 00:26:44,154 OR WHATEVER HIS NAME IS DRINKIN' HARD LIQUOR. 706 00:26:44,257 --> 00:26:46,915 EVERYBODY HAS A LITTLE HARD LIQUOR SOMETIMES. 707 00:26:47,019 --> 00:26:49,884 - THAT'S A RED FLAG, THOUGH. - HE WAS A NICE MAN. 708 00:26:49,987 --> 00:26:52,058 - SO YOU GUYS HIT IT OFF? - YES, WE DID. 709 00:26:52,162 --> 00:26:54,578 TIME WENT REALLY BY. - HOW WAS HIS TEETH? 710 00:26:54,682 --> 00:26:55,786 - I DIDN'T LOOK AT HIS TEETH. 711 00:26:55,890 --> 00:26:56,925 - YOU HAD TO SEE THEM WHEN YOU ALL WERE LAUGHING. 712 00:26:57,029 --> 00:26:58,340 - I WASN'T PAYING ATTENTION TO HIS TEETH. 713 00:26:58,444 --> 00:26:59,203 - YOU DIDN'T LOOK AT HIS TEETH? 714 00:26:59,307 --> 00:27:01,792 - I DIDN'T PAY ANY ATTENTION TO HIS LIPS. 715 00:27:01,896 --> 00:27:03,863 - MOMMY WENT OUT ON A DATE WITH A DRUNK, 716 00:27:03,967 --> 00:27:06,176 AND SHE DOESN'T EVEN DRINK. 717 00:27:06,279 --> 00:27:08,350 I DON'T THINK I LIKE THE SOUND OF THIS. 718 00:27:08,454 --> 00:27:09,869 - I WAS SO HAPPY-- 719 00:27:09,973 --> 00:27:12,941 - DADDY WASN'T A HIP-HOP MAN. 720 00:27:13,045 --> 00:27:15,461 - OTHER THINGS I DIDN'T PAY ATTENTION TO. 721 00:27:15,564 --> 00:27:17,049 - DID YOU TALK TO HIM AFTER THE DATE? 722 00:27:17,152 --> 00:27:18,567 - WELL, I HAVEN'T SPOKEN TO HIM. 723 00:27:18,671 --> 00:27:19,879 - YOU HAVEN'T TALK TO HIM? 724 00:27:19,983 --> 00:27:21,329 - I GAVE HIM MY NUMBER. 725 00:27:21,432 --> 00:27:22,606 HE HASN'T CALLED YET. 726 00:27:22,710 --> 00:27:24,504 - FIRST, THE MAN GETS DRUNK. 727 00:27:24,608 --> 00:27:26,748 SECOND, HE DOESN'T CALL HER THE NEXT DAY. 728 00:27:26,852 --> 00:27:28,716 UH-UH, NOT THE RIGHT GUY FOR HER. 729 00:27:28,819 --> 00:27:29,855 SHE NEEDS TO MOVE ON. 730 00:27:29,958 --> 00:27:31,511 THERE IS OTHER FISH IN THE SEA. 731 00:27:31,615 --> 00:27:33,928 - HE HAS A DRIVER SO, YOU KNOW, DOESN'T NEED TO DRIVE. 732 00:27:34,031 --> 00:27:35,654 - OH-- HE HAD A DRIVER! 733 00:27:35,757 --> 00:27:38,035 - SOMEBODY PICKED HIM UP. 734 00:27:38,139 --> 00:27:39,692 - THAT'S WHAT I'M TALKIN' ABOUT. 735 00:27:39,796 --> 00:27:42,315 MOMMA NEEDS A RICH MAN TO TAKE CARE OF HER. 736 00:27:42,419 --> 00:27:43,903 SHE AIN'T GETTIN' NO YOUNGER. 737 00:27:44,007 --> 00:27:45,767 HERE-- HERE. - CHEERS. 738 00:27:45,871 --> 00:27:47,873 - WELL, GUESS WHO'S COMING TO DINNER? 739 00:27:47,976 --> 00:27:49,840 - YES! 740 00:27:52,153 --> 00:27:54,189 - I'M JUST SO STRESSED OUT LATELY. 741 00:27:54,293 --> 00:27:56,640 I MEAN, I'M TRYING TO PUT TOGETHER THIS APPRECIATION PARTY 742 00:27:56,744 --> 00:27:58,849 FOR VINCE SO HE CAN DO MY ALBUM, 743 00:27:58,953 --> 00:28:01,783 AND HERE'S TONI POPPIN' OUT WITH THIS "PLAYBOY" BUSINESS 744 00:28:01,887 --> 00:28:04,027 THAT I KNOW IS NOT A GOOD IDEA. 745 00:28:04,130 --> 00:28:06,063 I JUST HAVE A LITTLE SURPRISE FOR HER 746 00:28:06,167 --> 00:28:09,342 SO SHE CAN MAKE THE RIGHT DECISION. 747 00:28:09,446 --> 00:28:12,345 SO IS IT TRUE YOU'RE REALLY THINKIN' ABOUT DOING "PLAYBOY?" 748 00:28:12,449 --> 00:28:13,864 - I'M REALLY THINKING ABOUT. 749 00:28:13,968 --> 00:28:15,555 - AND YOU THINK "PLAYBOY" IS THE PICK-ME-UP ON THE-- 750 00:28:15,659 --> 00:28:17,212 - I THINK IT'S NOT A PICK-ME-DOWN. 751 00:28:17,316 --> 00:28:19,145 - AND YOU THINK ABOUT THAT "PLAYBOY" QUESTION, 752 00:28:19,249 --> 00:28:21,044 BECAUSE I'M GONNA ASK YOU AGAIN LATER ON TODAY. 753 00:28:21,147 --> 00:28:23,805 I WANT YOU TO HAVE A REAL EDUCATED ANSWER ON WHAT, 754 00:28:23,909 --> 00:28:25,531 WHY YOU SHOULD DO IT OR WHY NOT? 755 00:28:25,634 --> 00:28:26,912 - YOU ARE NOT MY MOMMA! 756 00:28:27,015 --> 00:28:28,120 - NO, BECAUSE I REALLY WANT YOU TO--FOR REAL-- 757 00:28:28,223 --> 00:28:29,500 TO SIT DOWN AND THINK ABOUT IT. 758 00:28:29,604 --> 00:28:31,571 AFTER THE LITTLE EXPERIMENT THAT I HAVE PLANNED FOR TONI, 759 00:28:31,675 --> 00:28:34,954 I THINK SHE SHOULD SEE THINGS A LITTLE MORE CLEARLY. 760 00:28:40,063 --> 00:28:41,685 - GOOD TO MEET YOU. - HI, MARK. 761 00:28:41,789 --> 00:28:43,342 I'M TAMAR. - TAMAR, HOW ARE YOU? 762 00:28:43,445 --> 00:28:45,068 GOOD TO MEET YOU. - I'M THE ONE WHO SPOKE TO YOU. 763 00:28:45,171 --> 00:28:46,759 - COOL-- WELL, COME ON BACK. 764 00:28:46,863 --> 00:28:48,588 - SO IF TONI DECIDED TO DO "PLAYBOY," 765 00:28:48,692 --> 00:28:51,730 I THINK SHE NEEDS TO PRACTICE TO SEE WHAT IT'S LIKE. 766 00:28:51,833 --> 00:28:54,905 SO, I SET UP A PHOTO SHOOT AS A SURPRISE. 767 00:28:55,009 --> 00:28:57,494 - THIS IS THE BOUDOIR AREA. 768 00:28:57,597 --> 00:28:58,702 - OKAY. 769 00:28:58,806 --> 00:29:01,429 - WHICH IS MORE ALONG THE MEN'S MAGAZINE TYPE, 770 00:29:01,532 --> 00:29:03,293 UH, TYPE SHOTS. 771 00:29:03,396 --> 00:29:04,950 - GREAT-- OKAY-- GOT IT. 772 00:29:05,053 --> 00:29:06,434 - WHAT DID YOU HAVE IN MIND? 773 00:29:08,401 --> 00:29:09,644 - YEAH, SO THIS WOULD BE THE AREA, I THINK, 774 00:29:09,748 --> 00:29:12,026 THAT WE WOULD NEED, THE BOUDOIR AREA, 775 00:29:12,129 --> 00:29:16,099 BECAUSE OF THE RACY PHOTOS THAT I THINK SHE NEEDS 776 00:29:16,202 --> 00:29:17,894 TO TAKE FOR TEST SHOOT. 777 00:29:17,997 --> 00:29:19,481 - OKAY-- AND ARE YOU NERVOUS? 778 00:29:19,585 --> 00:29:20,931 - NOT AT ALL. - GOOD. 779 00:29:21,035 --> 00:29:22,553 EXCELLENT-- MOST PEOPLE COME IN HERE AND THEY'RE LIKE, 780 00:29:22,657 --> 00:29:24,832 "OH, OKAY, I'M-I'M READY." 781 00:29:24,935 --> 00:29:26,178 - WHAT'S HE TALKIN' ABOUT? 782 00:29:26,281 --> 00:29:28,214 HE'S NOT TAKIN' MY PICTURE. 783 00:29:28,318 --> 00:29:29,940 I'M SORRY. 784 00:29:30,044 --> 00:29:32,425 MY SISTER TOLD YOU I WAS GONNA DO A TEST SHOOT? 785 00:29:32,529 --> 00:29:34,255 - UH, WELL, UH, YEAH. 786 00:29:34,358 --> 00:29:36,844 - I'M SORRY, SIR, IT HAS NOTHING TO DO WITH YOU. 787 00:29:36,947 --> 00:29:38,328 WOULD YOU GIVE US FIVE MINUTES? 788 00:29:38,431 --> 00:29:41,124 THANK YOU-- THANK YOU-- THANK YOU. 789 00:29:41,227 --> 00:29:43,471 WHAT THE HELL IS YOU THINKING? 790 00:29:43,574 --> 00:29:45,162 THAT'S NOT PROFESSIONAL-- 791 00:29:47,958 --> 00:29:49,615 OTHER VAGINAS HAVE BEEN ON THAT BED. 792 00:29:49,718 --> 00:29:51,375 THAT'S NOT COOL. - LET'S GO DOWN TO TWO-- 793 00:29:51,479 --> 00:29:53,964 - I WOULD NEVER DO A SHOOT IN A PLACE LIKE THIS. 794 00:29:54,068 --> 00:29:56,277 - SHOOT AND SHOOT, 795 00:29:56,380 --> 00:29:58,210 AND, OH... AND YES! 796 00:30:10,256 --> 00:30:12,189 - THE ARTISTIC NUDES ARE ABOUT FORM AND FIGURE. 797 00:30:12,293 --> 00:30:14,709 THEY'RE ABOUT-THEY'RE ABOUT CELEBRATION OF THE HUMAN BODY. 798 00:30:14,813 --> 00:30:17,367 - I'M SORRY, MY SISTER TOLD YOU I WAS GONNA DO A TEST SHOOT? 799 00:30:17,470 --> 00:30:19,438 - UH, WELL, UH, YEAH. 800 00:30:19,541 --> 00:30:22,061 - I'M SORRY, SIR, IT HAS NOTHING TO DO WITH YOU. 801 00:30:22,165 --> 00:30:23,718 WOULD YOU GIVE US FIVE MINUTES? 802 00:30:23,822 --> 00:30:26,203 THANK YOU-- THANK YOU-- THANK YOU. 803 00:30:26,307 --> 00:30:27,411 WHAT THE HELL IS YOU THINKIN'? 804 00:30:27,515 --> 00:30:29,586 - DON'T READ ME. - YES, I'LL READ YOU. 805 00:30:29,689 --> 00:30:30,932 WHAT THE HELL YOU THINKIN' I'M DOING A TEST SHOT 806 00:30:31,036 --> 00:30:32,037 FOR SOME STRANGER'S EARS. 807 00:30:32,140 --> 00:30:33,107 "HERE'S MY ASS AND MY BREASTS, LOOK AT 'EM." 808 00:30:33,210 --> 00:30:34,902 I SAID I WOULD CONSIDER GETTING NAKED 809 00:30:35,005 --> 00:30:37,249 FOR HUGH HEFNER/"PLAYBOY," 810 00:30:37,352 --> 00:30:39,941 NOT FOR JUST ANY PERSON WHO HAS A CAMERA. 811 00:30:40,045 --> 00:30:41,701 WHO DOES THAT-- VERY UNPROFESSIONAL. 812 00:30:41,805 --> 00:30:42,944 DON'T LET THE SISTERHOOD FOOL YOU. 813 00:30:43,048 --> 00:30:44,497 - HOLD ON-- THAT'S JUST-- HOLD ON. 814 00:30:44,601 --> 00:30:45,844 - UNPROFESSIONAL, MY BUSINESS-- NOT COOL. 815 00:30:45,947 --> 00:30:47,224 - LET'S GO DOWN TO TWO. - NOT COOL. 816 00:30:47,328 --> 00:30:49,399 - LET'S GO DOWN TO TWO BECAUSE-- - NO, I WILL NOT GO DOWN TO TWO. 817 00:30:49,502 --> 00:30:51,297 - ALL I'M SAYING IS YOU ARE TAKING IT COMPLETELY 818 00:30:51,401 --> 00:30:52,160 OUT OF CONTEXT. 819 00:30:52,264 --> 00:30:53,644 - I AM NOT TAKING IT OUT OF CONTEXT. 820 00:30:53,748 --> 00:30:55,129 I WOULD NOT EVER-- 821 00:30:55,232 --> 00:30:56,337 - HOW CAN YOU HEAR IF YOU'RE TALKING? 822 00:30:56,440 --> 00:30:57,717 - BECAUSE I WANT YOU TO HEAR ME. 823 00:30:57,821 --> 00:30:59,029 - HOW CAN YOU HEAR IF YOU'RE TALKING-- 824 00:30:59,133 --> 00:31:00,237 - I WOULD NEVER DO A SHOOT IN A PLACE LIKE THIS. 825 00:31:00,341 --> 00:31:01,549 - YOU'RE OVERREACTING. - NO, I'M NOT. 826 00:31:01,652 --> 00:31:03,344 OTHER VAGINAS HAVE BEEN ON THAT BED, I'LL BET YOU. 827 00:31:03,447 --> 00:31:04,759 - I DIDN'T SAY, "ON THE BED." 828 00:31:04,863 --> 00:31:07,382 LET ME SHOW YOU A FEW STEPS-- ALL YOU GOT TO DO IS TO ASK ME. 829 00:31:07,486 --> 00:31:10,040 NO, MA'AM-- I WOULD NEVER DO "PLAYBOY." 830 00:31:10,144 --> 00:31:12,525 BUT I DO KNOW WHAT MY MAN LIKES. 831 00:31:12,629 --> 00:31:14,286 OKAY, I'M JUST SHOWING YOU. 832 00:31:14,389 --> 00:31:16,391 I COULD GIVE YOU A FEW POINTERS ON SOME SHOTS. 833 00:31:16,495 --> 00:31:17,668 YOU'D BE DOING THAT. 834 00:31:17,772 --> 00:31:19,739 - I'M NOT DOING-- WHY YOU-- WHY ARE YOU DOING FRONTAL? 835 00:31:19,843 --> 00:31:21,120 I WOULD NEVER DO FRONTAL. 836 00:31:21,224 --> 00:31:22,432 WHAT ARE YOU DOING-- IT'S NOT THAT. 837 00:31:22,535 --> 00:31:23,951 - LOOK BACK. - IT WOULD NEVER BE FRONTAL. 838 00:31:24,054 --> 00:31:25,504 WHY ARE YOU DOING A SPLIT V? 839 00:31:25,607 --> 00:31:28,403 YOU WOULD NEVER SHOW SUZY. - NO, I GOT THIS COVERED. 840 00:31:28,507 --> 00:31:30,164 SEE THIS? 841 00:31:30,267 --> 00:31:31,959 - NO-- THAT'S NOT WHAT THEY DO. 842 00:31:32,062 --> 00:31:33,167 THAT'S NOT HOW "PLAYBOY" DOES IT. 843 00:31:33,270 --> 00:31:35,548 YOU SHOULD SUBSCRIBE TO "PLAYBOY." 844 00:31:35,652 --> 00:31:37,136 IT'S BEAUTIFUL PHOTOGRAPHY. 845 00:31:37,240 --> 00:31:38,827 - I DON'T NEED TO SUB-SUBSCRIBE TO "PLAYBOY." 846 00:31:38,931 --> 00:31:39,898 - BEAUTIFUL PHOTOGRAPHY. 847 00:31:40,001 --> 00:31:41,416 - MY HUSBAND ENJOYS LOOKIN' AT ME. 848 00:31:41,520 --> 00:31:45,800 DO YOU SEE-- HAVE YOU SEEN ALL OF THIS? 849 00:31:45,904 --> 00:31:47,491 - OKAY, I'M DONE. 850 00:31:47,595 --> 00:31:48,907 - GIRL-- THEY CAN TAKE A PICTURE LIKE THIS. 851 00:31:49,010 --> 00:31:51,047 YOU CAN GO-- 852 00:31:51,150 --> 00:31:52,082 - I'M LEAVIN'-- I'M OUT. 853 00:31:52,186 --> 00:31:53,325 - OR YOU CAN GO-- 854 00:31:53,428 --> 00:31:55,085 - "PLAYBOY" DON'T DO PICTURES LIKE THAT, TAMAR. 855 00:31:55,189 --> 00:31:56,776 - THIS IS "PLAYBOY." - THAT IS NOT "PLAYBOY." 856 00:31:56,880 --> 00:31:58,157 OKAY, I'LL SEE YOU LATER. 857 00:31:58,261 --> 00:32:00,090 I APPRECIATE-- - IT'S JUST FOR PRACTICE. 858 00:32:00,194 --> 00:32:01,781 - I'M NOT GONNA DO NO PRACTICE SHOWING MY BREASTS 859 00:32:01,885 --> 00:32:03,507 AND MY BOOBIES TO SOME STRANGER. 860 00:32:03,611 --> 00:32:04,715 SORRY, SIR, NO OFFENSE. 861 00:32:04,819 --> 00:32:07,028 - I'LL DO IT. 862 00:32:07,132 --> 00:32:09,582 I-I-I AIN'T WASTIN' MY DEPOSIT. 863 00:32:09,686 --> 00:32:11,791 I'M JUST GONNA STAY HERE AND GIVE VINCE SOMETHING SPECIAL 864 00:32:11,895 --> 00:32:15,071 FOR HIS APPRECIATION PARTY, SO HE CAN APPRECIATE ME 865 00:32:15,174 --> 00:32:16,796 A LITTLE BIT MORE. 866 00:32:16,900 --> 00:32:17,832 - YOU'RE GONNA DO A NUDE SHOT FOR REAL? 867 00:32:17,936 --> 00:32:19,454 - I'M GONNA DO ME A SHOT FOR MY MAN. 868 00:32:19,558 --> 00:32:22,595 NOTHIN' ELSE BUT TO GIVE HIM AS FABULOUS AS ME. 869 00:32:22,699 --> 00:32:25,012 - AND YOU SEE NO CONTRADICTORY IN THIS CONVERSATION AT ALL? 870 00:32:25,115 --> 00:32:26,461 - IT AIN'T ON A MAGAZINE COVER. 871 00:32:26,565 --> 00:32:28,774 IT'S JUST GONNA BE IN HIS BOUDOIR. 872 00:32:28,877 --> 00:32:31,052 - I KNEW IT-- I KNEW IT. 873 00:32:31,156 --> 00:32:33,227 TAMAR WAS ALL UP ON ME, "TONI, DON'T DO 'PLAYBOY,'" 874 00:32:33,330 --> 00:32:37,024 BUT WHAT SHE REALLY WANTED WAS TO DO HER OWN SHOOT. 875 00:32:37,127 --> 00:32:39,543 T-O-N-I IS LEAVING. 876 00:32:39,647 --> 00:32:41,062 - NO, LET'S GET NAKED. 877 00:32:41,166 --> 00:32:43,547 SHOOT... AND SHOOT... 878 00:32:43,651 --> 00:32:45,687 AND OH... AND YES. 879 00:32:45,791 --> 00:32:47,379 AND THAT'S IT. 880 00:32:47,482 --> 00:32:50,278 YES, I'M ALL SEXY AND READY TO ROCK. 881 00:32:50,382 --> 00:32:52,453 LET'S TAKE SOME PICTURES. 882 00:32:52,556 --> 00:32:53,419 - THAT'S A GOOD ONE. 883 00:32:53,523 --> 00:32:55,042 WE'LL DO ABOUT FIVE DIFFERENT POSES HERE. 884 00:32:55,145 --> 00:32:56,664 - ALL RIGHT. 885 00:32:56,767 --> 00:32:58,597 - YEAH, ALL RIGHT. 886 00:32:58,700 --> 00:32:59,736 ALL RIGHT. 887 00:32:59,839 --> 00:33:01,462 RIGHT IN THERE-- BEAUTIFUL. 888 00:33:01,565 --> 00:33:02,877 AWESOME. 889 00:33:02,981 --> 00:33:05,431 EXCELLENT. 890 00:33:05,535 --> 00:33:07,744 RIGHT IN THERE. 891 00:33:07,847 --> 00:33:09,401 FOUR, FIVE. 892 00:33:09,504 --> 00:33:11,644 JUST LIKE THAT-- RIGHT IN THERE. 893 00:33:11,748 --> 00:33:12,956 GOOD-- COME IN TIGHT. 894 00:33:13,060 --> 00:33:14,751 JUST LIKE THAT-- PERFECT. 895 00:33:14,854 --> 00:33:15,786 GOOD-- OKAY. 896 00:33:15,890 --> 00:33:17,029 - IT'S A NEW EXPERIENCE. 897 00:33:17,133 --> 00:33:19,618 I'M FEELIN' A LITTLE STRANGE, BUT YOU KNOW WHAT? 898 00:33:19,721 --> 00:33:21,689 I LOOK HOT. 899 00:33:21,792 --> 00:33:22,724 LET'S TAKE SOME PICTURES. 900 00:33:22,828 --> 00:33:24,312 BOOM! 901 00:33:24,416 --> 00:33:27,557 LET ME GET DRESSED BEFORE MY HUSBAND FIND ME. 902 00:33:37,843 --> 00:33:39,845 - HEY, MOMMY. - HEY, YOU. 903 00:33:39,948 --> 00:33:41,398 - DO YOU WANT SOMETHING TO DRINK? 904 00:33:41,502 --> 00:33:43,883 - JUST WATER FOR ME, LITTLE GIRL. 905 00:33:43,987 --> 00:33:45,023 - I KNEW MY MOMMA WASN'T TOO HAPPY 906 00:33:45,126 --> 00:33:46,576 ABOUT THE "PLAYBOY" SHOOT IDEA, 907 00:33:46,679 --> 00:33:48,543 AND NOW I HAVE SOMETHING ELSE I HAVE TO TELL HER 908 00:33:48,647 --> 00:33:50,235 THAT I DON'T THINK SHE'S GONNA BE TOO HAPPY 909 00:33:50,338 --> 00:33:51,788 ABOUT THAT EITHER. 910 00:33:51,891 --> 00:33:53,617 UH, MA, UM-- 911 00:33:53,721 --> 00:33:55,447 - YEAH. 912 00:33:55,550 --> 00:33:57,656 - I AM THINKING ABOUT MOVING TO L.A. 913 00:33:57,759 --> 00:33:59,485 - WHAT? 914 00:33:59,589 --> 00:34:01,832 - I LOVE ATLANTA, BUT I'M NOT WORKING IN ATLANTA. 915 00:34:01,936 --> 00:34:04,111 - YEAH? 916 00:34:04,214 --> 00:34:05,836 - SO, I NEED TO GIVE [indistinct]. 917 00:34:05,940 --> 00:34:06,906 SO, I WAS THINKIN' ABOUT IT. 918 00:34:07,010 --> 00:34:07,907 - WHEN DO YOU WANT TO DO THAT? 919 00:34:08,011 --> 00:34:10,186 - SOON AS THE KIDS GET OUT OF SCHOOL. 920 00:34:10,289 --> 00:34:13,223 - TONI TELLS ME THAT SHE'S MOVING TO LOS ANGELES. 921 00:34:13,327 --> 00:34:15,191 IT BREAKS MY HEART. 922 00:34:15,294 --> 00:34:18,159 YOU KNOW, I'M NOT SUPPOSED TO TAKE CARE OF MY BABY 923 00:34:18,263 --> 00:34:20,541 ALL THE WAY ACROSS COUNTRY. 924 00:34:20,644 --> 00:34:22,543 FOR YOUR JOB? 925 00:34:22,646 --> 00:34:24,062 - IT'S JUST, YOU KNOW, L.A. IS THE PLACE YOU GO 926 00:34:24,165 --> 00:34:26,271 TO MAKE IT HAPPEN, AND THEN YOU CAN GO OUT 927 00:34:26,374 --> 00:34:27,996 AND MOVE OTHER PLACES. 928 00:34:28,100 --> 00:34:32,380 - L.A.'S NOT THAT FAR, FOUR AND HALF HOUR RIDE ON THE PLANE. 929 00:34:32,484 --> 00:34:34,658 - WELL, NOW THREE AND FORTY-FIVE. 930 00:34:34,762 --> 00:34:37,661 - UM, SOMETIMES IT'S FOUR, BUT ANYWAY I CAN'T WATCH YOU 931 00:34:37,765 --> 00:34:41,044 WHEN YOU'RE IN L.A. - WHAT DO YOU MEAN? 932 00:34:41,148 --> 00:34:42,735 - NOW, I MAY SAY, "HOW ARE YOU TODAY, SWEETIE?" 933 00:34:42,839 --> 00:34:44,012 YOU SAY, "OH, I'M FINE." 934 00:34:44,116 --> 00:34:45,635 BUT WHEN I COME OVER HERE, 935 00:34:45,738 --> 00:34:48,258 I LOOK AT YOU AND I KNOW YOU'RE NOT FINE. 936 00:34:48,362 --> 00:34:51,019 - I KNOW MY MOM WANTS TO BE THERE FOR ME AND ALL, 937 00:34:51,123 --> 00:34:52,538 BUT I HAVE TO BE HONEST. 938 00:34:52,642 --> 00:34:54,506 I FEEL A LITTLE MORE COMFORTABLE BEING IN LOS ANGELES 939 00:34:54,609 --> 00:34:56,818 BECAUSE ALL MY DOCTORS ARE THERE. 940 00:34:56,922 --> 00:34:58,579 I HOPE MY MOM UNDERSTANDS THAT. 941 00:34:58,682 --> 00:35:00,028 WELL, THE GOOD THING IS THAT IF I MOVE THERE, 942 00:35:00,132 --> 00:35:01,340 THAT THE DOCTORS WILL BE THERE. 943 00:35:01,444 --> 00:35:02,962 IF I'M NOT FEELING GOOD, AND I GO, I GO GET CHECKED OUT. 944 00:35:03,066 --> 00:35:04,378 - THAT'S TRUE, BUT I NEED TO SEE 945 00:35:04,481 --> 00:35:06,276 TO MAKE SURE THAT YOU ARE OKAY. 946 00:35:06,380 --> 00:35:07,519 I CAN'T EXPLAIN IT. 947 00:35:07,622 --> 00:35:10,280 I KNOW SHE'LL HAVE HER DOCTORS, BUT I WILL WORRY, 948 00:35:10,384 --> 00:35:13,663 BECAUSE I HAVE TO SEE HER FOR MYSELF. 949 00:35:13,766 --> 00:35:14,871 I'M GONNA MISS YOU, 950 00:35:14,974 --> 00:35:16,044 BUT I UNDERSTAND. 951 00:35:16,148 --> 00:35:17,356 BUT, MOMMY, YOU'LL COME VISIT ALL THE TIME. 952 00:35:17,460 --> 00:35:19,117 - I KNOW I HAVE IN THE PAST. 953 00:35:19,220 --> 00:35:21,049 - YES, AND I'VE LIVED IN L.A. BEFORE. 954 00:35:21,153 --> 00:35:22,396 - THAT'S RIGHT-- YEAH. 955 00:35:22,499 --> 00:35:23,914 - WHEN I GET OUT THERE, I'M GONNA NEED YOU TO COME OUT 956 00:35:24,018 --> 00:35:25,330 TO HELP ME GET SETTLED. - OKAY. 957 00:35:25,433 --> 00:35:26,814 OKAY, I'LL DO THAT. 958 00:35:26,917 --> 00:35:28,816 L.A. IS TOO FAR AWAY. 959 00:35:28,919 --> 00:35:30,990 I CAN'T STOP HER FROM GOING, 960 00:35:31,094 --> 00:35:33,234 BUT I DON'T THINK IT'S A GOOD IDEA 961 00:35:33,338 --> 00:35:34,960 FOR HER TO MOVE SO FAR AWAY. 962 00:35:35,063 --> 00:35:36,824 - MM. 963 00:35:49,077 --> 00:35:51,528 - TONIGHT IS THE BIG NIGHT. 964 00:35:51,632 --> 00:35:53,254 IT'S VINCE'S APPRECIATION PARTY, 965 00:35:53,358 --> 00:35:55,843 AND HE HAS NO IDEA WHAT'S IN STORE FOR HIM. 966 00:35:55,946 --> 00:35:56,878 HI. 967 00:35:56,982 --> 00:35:58,915 AND THIS IS "BECAUSE YOU'RE SO GREAT" PARTY. 968 00:35:59,018 --> 00:36:02,574 YOU KNOW, I REALLY APPRECIATE VINCE A WHOLE LOT, 969 00:36:02,677 --> 00:36:05,853 SO I SAID TO MYSELF, "SELF, THROW VINCE 970 00:36:05,956 --> 00:36:07,786 "AN APPRECIATION PARTY." 971 00:36:07,889 --> 00:36:09,270 HI, EVERYBODY. 972 00:36:09,374 --> 00:36:11,997 AND THEN HE CAN SHOW HOW MUCH HE APPRECIATES ME 973 00:36:12,100 --> 00:36:13,757 BY DOING AN ALBUM FOR ME. 974 00:36:13,861 --> 00:36:15,207 - ALL THE STUFF YOU'VE BEEN DOING IN YOUR CAREER, 975 00:36:15,311 --> 00:36:16,381 YOU'RE TRYING TO SAY WHAT TAKES SO LONG? 976 00:36:16,484 --> 00:36:17,451 YOU KNOW IT TAKES LONG. 977 00:36:17,554 --> 00:36:18,590 YOU HAVE TO SET THINGS UP THE RIGHT WAY. 978 00:36:18,693 --> 00:36:20,557 DON'T DO THAT. - VINCE, A RECORD IS A RECORD. 979 00:36:20,661 --> 00:36:23,353 - OKAY-- AND THAT'S THE END OF THE CONVERSATION BECAUSE YOU-- 980 00:36:23,457 --> 00:36:25,942 - NOT, IT'S NOT. - YES, IT IS-- YES, IT IS. 981 00:36:26,045 --> 00:36:28,807 - AND I HAVE A SURPRISE BELLY DANCING PERFORMANCE FOR VINCE. 982 00:36:28,910 --> 00:36:31,948 MY HOPE IS WHEN HE SEES ME UP THERE, HE CAN BE LIKE, 983 00:36:32,051 --> 00:36:34,053 "YES, SHE NEEDS TO BE ON STAGE. 984 00:36:34,157 --> 00:36:35,572 "DO IT." 985 00:36:35,676 --> 00:36:37,609 HELLO. 986 00:36:37,712 --> 00:36:40,922 I INVITED ALL OF MY FAMILY AND ALL OF VINCE'S FRIENDS, 987 00:36:41,026 --> 00:36:43,511 AND EVERYBODY'S HERE EXCEPT TONI. 988 00:36:43,615 --> 00:36:46,652 SHE'S LATE, OF COURSE. 989 00:36:46,756 --> 00:36:47,929 - YOU LOOK CUTE, THOUGH, SUPER CUTE. 990 00:36:48,033 --> 00:36:50,173 - JUST A LITTLE TIGHT WITH TON-- WITH TONI. 991 00:36:50,277 --> 00:36:52,382 ANYTHING THAT I HAVE, THEY'RE LATE. 992 00:36:52,486 --> 00:36:54,246 TRINA. - I'M TRINA. 993 00:36:54,350 --> 00:36:57,180 - TRINA, TOWANDA, TRACI AND TONI ARE ALWAYS LATE. 994 00:36:57,284 --> 00:36:58,492 - YOU CAN'T TALK ABOUT ME IN THIRD PERSON. 995 00:36:58,595 --> 00:36:59,872 I'M STANDIN' IN FRONT OF YOU. 996 00:36:59,976 --> 00:37:02,081 - I'M JUST SO UPSET I CAN POP AND SCREAM RIGHT NOW, I GUESS. 997 00:37:02,185 --> 00:37:03,773 - DON'T SCREAM. 998 00:37:03,876 --> 00:37:06,327 - TAMAR IS TOTALLY FREAKING OUT ABOUT TONI BEING LATE. 999 00:37:06,431 --> 00:37:08,364 SHE'S KIND OF LOST HER MIND. 1000 00:37:08,467 --> 00:37:10,952 - I MEAN, BUT THEY KNEW WHAT TIME TO BE HERE. 1001 00:37:11,056 --> 00:37:13,196 ALL RIGHT, WE'VE BEEN TALKIN' ABOUT THIS FOR THREE DAYS. 1002 00:37:13,300 --> 00:37:15,233 - CAN YOU MOVE YOUR HAIR? - I'M JUST SO MAD. 1003 00:37:15,336 --> 00:37:17,235 - COME ON, LET'S GO SIT DOWN-- COME ON. 1004 00:37:17,338 --> 00:37:19,098 LET'S GO HAVE SOME MOROCCAN WINE. 1005 00:37:19,202 --> 00:37:21,618 - THEY AIN'T GOT NONE-- WHERE'S TONI? 1006 00:37:21,722 --> 00:37:23,965 THIS PARTY IS REALLY IMPORTANT TO ME, 1007 00:37:24,069 --> 00:37:25,760 AND I JUST CAN'T LET TONI RUIN IT. 1008 00:37:25,864 --> 00:37:28,832 I JUST HOPE NOTHING ELSE GOES WRONG. 1009 00:37:28,936 --> 00:37:30,213 - NO, I'VE NEVER BEEN HERE BEFORE IN MY LIFE. 1010 00:37:30,317 --> 00:37:32,180 - WELL, YOU KNOW WHAT? 1011 00:37:32,284 --> 00:37:33,975 I FIGURED NEW EXPERIENCES. 1012 00:37:34,079 --> 00:37:36,323 - OKAY. - NEW THINGS. 1013 00:37:36,426 --> 00:37:37,669 - I'M GONNA TELL YOU I DON'T DO EXPERIENCE. 1014 00:37:37,772 --> 00:37:39,498 GONNA BE ALONG WITH SOME DOMINOES. 1015 00:37:39,602 --> 00:37:41,189 WHAT KING OF FOOD THEY GOT HERE? 1016 00:37:41,293 --> 00:37:42,915 - THEY GOT THE GOOD, GOOD-- - NO, THEY DON'T. 1017 00:37:43,019 --> 00:37:44,123 - UH-HUH. 1018 00:37:44,227 --> 00:37:45,608 - YOU HAVE FRIED CHICKEN AND MASHED POTATOES ON THE MENU? 1019 00:37:45,711 --> 00:37:48,818 - VINCENT, IS A MEAT AND POTATOES TYPE OF GUY. 1020 00:37:48,921 --> 00:37:52,200 HE WANTED SOME PORK CHOPS, SOME FRIED CHICKEN, 1021 00:37:52,304 --> 00:37:54,272 SOME MASHED POTATOES, MACARONI AND CHEESE, 1022 00:37:54,375 --> 00:37:57,930 COLLARD GREENS, CANDY YAMS AND A BAKED PIE. 1023 00:37:58,034 --> 00:37:59,311 - HEY, Y'ALL. 1024 00:37:59,415 --> 00:38:00,347 - CHILL OUT-- I'M TALKIN' TO SOME PEOPLE. 1025 00:38:00,450 --> 00:38:01,555 WHY YOU ALL IN THIS CONVERSATION? 1026 00:38:01,658 --> 00:38:02,556 - WELL, YOU SHOULD BE MORE NICE. 1027 00:38:02,659 --> 00:38:03,626 - I'M NOT BOTHERIN' NOBODY. 1028 00:38:03,729 --> 00:38:04,627 - YOU SHOULD BE MORE APPRECIATIVE 1029 00:38:04,730 --> 00:38:06,076 AT YOUR APPRECIATION DINNER. 1030 00:38:06,180 --> 00:38:09,356 - TAMAR, YOU SHOULD APPRECIATE THAT I DON'T GET OUT OF THE CAR 1031 00:38:09,459 --> 00:38:11,737 AND GET BACK IN THE CAR AND SAY I'M GOING DOWNTOWN. 1032 00:38:11,841 --> 00:38:13,636 WHAT'S THE HOTDOG PLACE OVER THERE? 1033 00:38:13,739 --> 00:38:16,880 - THIS HERE IS NOT COOL.ORG. 1034 00:38:16,984 --> 00:38:19,849 I'M TRYING TO GET VINCE IN A GOOD MOOD SO HE CAN GO 1035 00:38:19,952 --> 00:38:22,300 AND DO MY ALBUM, AND WE ALL AROUND HERE SITTIN' 1036 00:38:22,403 --> 00:38:25,751 LIKE SOME CRAZY PEOPLE, WAITIN' ON TONI BRAXTON. 1037 00:38:25,855 --> 00:38:27,857 YOU'RE NOT ALLOWED TO BE ON YOUR PHONE. 1038 00:38:27,960 --> 00:38:30,480 IT'S 8 O'CLOCK-- BUSINESS HOURS IS OVER. 1039 00:38:30,584 --> 00:38:31,688 - RIGHT NOW. - STOP. 1040 00:38:31,792 --> 00:38:33,311 - NO, SERIOUSLY. 1041 00:38:35,347 --> 00:38:36,417 - FOR REAL? 1042 00:38:36,521 --> 00:38:37,901 I'M, LIKE, STRESSIN' OUT BECAUSE, YOU KNOW, 1043 00:38:38,005 --> 00:38:41,560 TONI'S NOT HERE AND VINCE IS COMPLAININ' ABOUT THE FOOD, 1044 00:38:41,664 --> 00:38:44,080 AND NOW HE'S TEXTING. 1045 00:38:44,183 --> 00:38:46,531 AND I'M JUST THINKIN' LIKE THIS APPRECIATION PARTY 1046 00:38:46,634 --> 00:38:49,672 IS TURNING INTO "MY CAREER IS IN JEOPARDY" PARTY. 1047 00:39:03,755 --> 00:39:05,377 - I'M GOING TO BE THROWING VINCE AN APPRECIATION PARTY, 1048 00:39:05,481 --> 00:39:07,793 AND I'M GOING TO BE DOING A BELLY DANCE PERFORMANCE 1049 00:39:07,897 --> 00:39:11,728 JUST TO REMIND HIM OF WHY I NEED TO BE ON STAGE. 1050 00:39:11,832 --> 00:39:14,075 BUT TONI'S LATE, AND I AM NERVOUS, 1051 00:39:14,179 --> 00:39:16,595 AND I JUST FEEL LIKE ALL OF MY CHANCES OF DOING MY ALBUM 1052 00:39:16,699 --> 00:39:18,079 IS OUT OF THE WINDOW. 1053 00:39:18,183 --> 00:39:21,048 IT-IT DIDN'T TURN OUT RIGHT 'CAUSE TONI'S LATE. 1054 00:39:21,151 --> 00:39:23,257 OKAY-- AND WE'RE SITTIN' HERE FOR AN EXTRA 45 MINUTES. 1055 00:39:23,361 --> 00:39:24,948 - TAMAR-- - AN HOUR. 1056 00:39:25,052 --> 00:39:26,640 - HI. 1057 00:39:26,743 --> 00:39:28,745 - NICE OF YOU TO JOIN US-- HI. 1058 00:39:28,849 --> 00:39:29,953 - I GOT LOST. 1059 00:39:30,057 --> 00:39:31,403 - AN HOUR AGO. 1060 00:39:31,507 --> 00:39:33,094 - BECAUSE YOU GUYS SAID IT WAS OVER THERE. 1061 00:39:33,198 --> 00:39:35,131 I DIDN'T KNOW THIS LITTLE MINI-SHOPPING CENTER. 1062 00:39:35,234 --> 00:39:36,477 I GOT LOST. 1063 00:39:36,581 --> 00:39:38,686 - TONI ALWAYS HAS SOME KIND OF EXCUSE. 1064 00:39:38,790 --> 00:39:41,620 BUT I'M NOT GONNA LET HER RUIN MY PARTY. 1065 00:39:41,724 --> 00:39:44,727 I HAVE SOME SURPRISES UP MY SLEEVE. 1066 00:39:51,596 --> 00:39:53,218 WE'RE AT THE MOROCCAN RESTAURANT, 1067 00:39:53,321 --> 00:39:55,841 AND TWO BELLY DANCERS COME OUT, 1068 00:39:55,945 --> 00:39:57,981 AND I'M USED TO SOME BELLY DANCERS 1069 00:39:58,085 --> 00:40:01,606 HAVIN' A LITTLE BIT OF ROLLS ON THE SIDE OR IN THE FRONT. 1070 00:40:01,709 --> 00:40:04,505 BUT THIS ONE GIRL-- HER BELLY WAS JUST REALLY LARGE. 1071 00:40:04,609 --> 00:40:07,025 SHE'S PREGNANT. 1072 00:40:10,649 --> 00:40:12,375 - I DON'T KNOW IF VINCENT LOVED THE BELLY DANCING. 1073 00:40:12,479 --> 00:40:14,550 ONCE HE SAW THE PREGNANT DANCING GIRL, 1074 00:40:14,653 --> 00:40:16,586 HE SAID TO TAMAR, "WHY IS THE PREGNANT GIRL HERE? 1075 00:40:16,690 --> 00:40:17,932 "WHAT'S GOING ON?" 1076 00:40:18,036 --> 00:40:21,211 - SHE ROLLIN' HER BELLY WITH A BABY IN IT. 1077 00:40:21,315 --> 00:40:22,627 WHO DOES THAT? 1078 00:40:22,730 --> 00:40:24,939 WHERE THEY FIND HER AT? 1079 00:40:25,043 --> 00:40:27,079 I WAS SO EMBARRASSED. 1080 00:40:36,537 --> 00:40:37,573 OKAY, WE READY. 1081 00:40:37,676 --> 00:40:39,609 AFTER THAT PREGNANT BELLY DANCIN', 1082 00:40:39,713 --> 00:40:42,612 I NEED TO GIVE VINCE SOMETHING HE'S GONNA ACTUALLY LOOK AT. 1083 00:41:30,971 --> 00:41:31,972 WE SET IT OFF. 1084 00:41:32,075 --> 00:41:34,043 YOU KNOW, WE WAS DOING A LITTLE DANCIN' MOVE, 1085 00:41:34,146 --> 00:41:36,528 WAS SNAKIN' ON HIM, WAS DRIVIN' IT TO THE FLOOR, 1086 00:41:36,632 --> 00:41:37,598 WE PICKED IT BACK UP. 1087 00:41:37,702 --> 00:41:39,669 WE WAS DOING THE DAMN THING. 1088 00:41:44,812 --> 00:41:48,506 WE JUST WANT TO SAY THAT WE APPRECIATE... 1089 00:41:50,646 --> 00:41:52,026 - THE WALK. 1090 00:41:52,130 --> 00:41:54,408 - MY APPRECIATION GIFT TO VINCENT WAS, 1091 00:41:54,512 --> 00:41:57,653 DING-DING-DING, MYSELF-- HELLO. 1092 00:41:57,756 --> 00:41:59,171 WHO DOESN'T APPRECIATE THAT? 1093 00:41:59,275 --> 00:42:00,552 - TEAR IT OFF. 1094 00:42:00,656 --> 00:42:01,449 TEAR IT OFF. 1095 00:42:01,553 --> 00:42:02,589 TEAR IT OFF. 1096 00:42:02,692 --> 00:42:03,590 TEAR IT OFF. 1097 00:42:03,693 --> 00:42:04,556 TEAR IT OFF. 1098 00:42:04,660 --> 00:42:05,799 TEAR IT OFF. 1099 00:42:11,425 --> 00:42:13,082 - READY-- READY? 1100 00:42:19,951 --> 00:42:24,162 - SERIOUSLY, TAMAR DIDN'T WANT ME TO DO "PLAYBOY" 1101 00:42:24,265 --> 00:42:25,784 'CAUSE YOU HAVE KIDS. 1102 00:42:25,888 --> 00:42:28,373 BUT SHE'S GIVIN' VINCE A NUDE PICTURE OF HER 1103 00:42:28,476 --> 00:42:30,271 IN FRONT OF MY KIDS, TRINA'S KIDS, 1104 00:42:30,375 --> 00:42:33,861 TOWANDA'S KIDS, AND THE PEOPLE AT THE RESTAURANT KIDS. 1105 00:42:38,003 --> 00:42:39,557 I THINK MY BROTHER-IN-LAW, VINCENT, 1106 00:42:39,660 --> 00:42:42,076 WAS A LITTLE BIT EMBARRASSED BY THE PICTURE. 1107 00:42:42,180 --> 00:42:43,837 - GO BACK OVER THERE. 1108 00:42:43,940 --> 00:42:48,186 - VINCENT WAS A LITTLE SHOCKED THAT HIS WIFE 1109 00:42:48,289 --> 00:42:52,190 DID A PHOTO LIKE THIS-- A HALF-NAKED PHOTO. 1110 00:42:52,293 --> 00:42:54,744 - I TOLD TAMAR SHE SHOULD GIVE HIM THE PICTURE IN PRIVATE, 1111 00:42:54,848 --> 00:42:56,953 BUT YOU KNOW TAMAR. 1112 00:42:58,334 --> 00:43:01,509 - TAMAR'S GIFT TO VINCENT COULD NOT HAVE BEEN ANY MORE VAIN. 1113 00:43:01,613 --> 00:43:03,581 VINCENT DIDN'T LIKE IT AT ALL. 1114 00:43:03,684 --> 00:43:05,652 - I THINK IT MADE HIM JUST A LITTLE EMBARRASSED. 1115 00:43:05,755 --> 00:43:07,826 YOU KNOW, I'M NOT REALLY SURE IF HE LIKED IT OR NOT. 1116 00:43:07,930 --> 00:43:10,242 HE ONLY SAID, "OH, THAT'S GREAT." 1117 00:43:10,346 --> 00:43:11,554 AND HE NEVER TALKED ABOUT IT. 1118 00:43:11,658 --> 00:43:13,418 HE STILL HASN'T SAID ANYTHING ELSE. 1119 00:43:13,521 --> 00:43:16,628 I JUST THINK MY APPRECIATION PARTY WAS NOT APPRECIATED. 1120 00:43:21,771 --> 00:43:23,842 - I WANT TO CHALLENGE YOU TO PUT THE ALCOHOL DOWN. 1121 00:43:23,946 --> 00:43:26,500 - WHAT-- LIKE RIGHT THIS SECOND? 1122 00:43:26,604 --> 00:43:30,055 - TAMAR INVITES US TO COME TO MARYLAND 1123 00:43:30,159 --> 00:43:33,058 TO KIND OF FACE OUR DEMONS WITH OUR DAD. 1124 00:43:33,162 --> 00:43:34,991 - TONI, YOU HAVE TO GO-- WE HAVE TO GO. 1125 00:43:35,095 --> 00:43:37,235 - TOWANDA. 1126 00:43:37,338 --> 00:43:39,099 - HUH? 1127 00:43:39,202 --> 00:43:40,963 - GET THE [deleted] OFF MY PROPERTY. 1128 00:43:41,066 --> 00:43:43,344 - PLEASE, SEND A SQUAD CAR TO PICK TONI BRAXTON UP. 1129 00:43:43,448 --> 00:43:44,932 SHE'S TRESPASSIN'. 1130 00:43:45,036 --> 00:43:46,589 - THEY DON'T HAVE A BIG DOG, DO THEY? 1131 00:43:46,693 --> 00:43:49,212 - WHERE ARE YOU, DADDY? 1132 00:43:52,975 --> 00:43:54,217 - YOU WENT TO JAIL. 1133 00:43:54,321 --> 00:43:56,323 - THANK YOU-- THANK YOU FOR REHASHING THAT. 1134 00:43:56,426 --> 00:43:58,256 - ARE YOU KIDDING ME? 1135 00:43:58,359 --> 00:44:00,120 I DON'T BELONG HERE. 84613

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