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1
00:00:03,727 --> 00:00:05,695
- YOU WANT TO TRY IT AGAIN?
- I BEG YOUR PUNCH.
2
00:00:05,798 --> 00:00:07,041
- YOU HAVE TO
WATCH YOUR LINE.
3
00:00:07,145 --> 00:00:08,456
YOU'RE GONNA MESS UP
THE WHOLE THING.
4
00:00:08,560 --> 00:00:11,632
- OKAY, GUYS, I'VE
DECIDED TO DO "PLAYBOY."
5
00:00:11,735 --> 00:00:13,944
- MEN BE TRIPPIN' OUT ABOUT
STUFF LIKE THAT, TONI.
6
00:00:14,048 --> 00:00:16,706
THAT IS THE TRUTH.
- IT'S "PLAYBOY."
7
00:00:16,809 --> 00:00:18,777
- THIS COULD
BE MY SISTER.
8
00:00:18,880 --> 00:00:21,780
THIS COULD BE ON
THE BATHROOM WALL.
9
00:00:21,883 --> 00:00:24,300
- AND THIS WOMAN'S VAGINA IS
ALL THE WAY DOWN TO HER SHINS.
10
00:00:24,403 --> 00:00:25,956
- OOH!
11
00:00:26,060 --> 00:00:28,580
- SHE ROLLIN' HER BELLY
WITH A BABY IN IT.
12
00:00:28,683 --> 00:00:29,719
WHO DOES THAT?!
13
00:00:29,822 --> 00:00:31,652
THIS WOULD BE THE AREA,
I THINK, THAT WE NEED,
14
00:00:31,755 --> 00:00:35,035
BECAUSE OF RACY PHOTOS
THAT SHE NEEDS TO TAKE.
15
00:00:35,138 --> 00:00:37,382
- WHAT THE HELL
IS YOU THINKIN'?
16
00:00:37,485 --> 00:00:41,593
♪ [theme song]
♪ WE ARE THE BRAXTONS
AND YOU'LL SEE ♪
17
00:00:41,696 --> 00:00:45,735
♪ THAT WE ARE NOT LIKE
AN ORDINARY FAMILY ♪
18
00:00:45,838 --> 00:00:48,945
♪ TONI TRACI TOWANDA
TRINA TAMAR AND MISS E ♪
19
00:00:49,049 --> 00:00:56,573
♪ WILL TEACH YOU A THING OR TWO
ON BRAXTON FAMILY VALUES ♪
20
00:00:56,677 --> 00:00:59,059
♪♪
21
00:00:59,162 --> 00:01:00,715
I'M SITTING AROUND WITH
MY SISTERS AND WAITING
22
00:01:00,819 --> 00:01:03,166
FOR TAMIE TO
COME, TA-MONSTER.
23
00:01:03,270 --> 00:01:05,375
AND SHE COMES AS SHE
USUALLY DOES, LATE,
24
00:01:05,479 --> 00:01:07,619
AND STIRS UP TROUBLE.
- HEY, TA.
25
00:01:07,722 --> 00:01:08,930
- HI, TA.
26
00:01:09,034 --> 00:01:11,036
- I AM REALLY CONSIDERING DOING
"PLAYBOY" AND, OF COURSE,
27
00:01:11,140 --> 00:01:12,762
TAMAR HAS
AN OPINION ABOUT IT.
28
00:01:12,865 --> 00:01:14,384
- WHAT'S UP WITH
THE WHAT'S UP?
29
00:01:14,488 --> 00:01:17,767
BEFORE I WENT OVER THERE, I
DECIDED TO STOP BY THE STORE
30
00:01:17,870 --> 00:01:20,390
AND GET TONI
A LITTLE PRESENT.
31
00:01:20,494 --> 00:01:21,805
WELL, I STOPPED BY
THE STORE ON MY WAY HERE.
32
00:01:21,909 --> 00:01:23,635
- A BOOKSTORE?
33
00:01:23,738 --> 00:01:25,844
- I READ MAGAZINE.
34
00:01:25,947 --> 00:01:27,673
- "PEOPLE."
35
00:01:27,777 --> 00:01:29,089
- "VOGUE--" "COSMOPOLITAN."
36
00:01:29,192 --> 00:01:30,228
AND I WAS READIN'
MAGAZINES AND STUFF,
37
00:01:30,331 --> 00:01:31,884
AND I THOUGHT
ABOUT YOU.
38
00:01:31,988 --> 00:01:33,334
- ABOUT ME?
- YES.
39
00:01:33,438 --> 00:01:37,959
- WHAT DID YOU THINK?
- BECAUSE EVERYBODY IS SO DOWN
40
00:01:38,063 --> 00:01:39,892
AND COOL WITH YOU
DOING THIS "PLAYBOY,"
41
00:01:39,996 --> 00:01:41,101
AND I SAID,
"YOU KNOW WHAT?
42
00:01:41,204 --> 00:01:44,276
"LET ME SHOW TONI WHAT
SHE WOULD LOOK LIKE."
43
00:01:44,380 --> 00:01:46,554
- THINK I'D
LOOK HOT.
44
00:01:46,658 --> 00:01:48,660
- NO.
45
00:01:48,763 --> 00:01:50,938
- TAMAR WILL NOT LET GO
OF THIS "PLAYBOY" THING.
46
00:01:51,041 --> 00:01:52,112
IT'S GETTING' WEIRD.
47
00:01:52,215 --> 00:01:54,114
IT'S NOT HER
DECISION TO MAKE.
48
00:01:54,217 --> 00:01:56,081
- DON'T DO IT--
DON'T DO IT.
49
00:01:56,185 --> 00:01:57,841
- DON'T DO WHAT?
- THAT'S A CUTE PICTURE.
50
00:01:57,945 --> 00:01:59,671
- [indistinct]
51
00:01:59,774 --> 00:02:02,018
- THAT'S REALLY PRETTY--
BUT YOU KNOW WHAT HAPPENS?
52
00:02:02,122 --> 00:02:03,571
- WHAT?
- ONCE YOU DO STUFF LIKE THAT,
53
00:02:03,675 --> 00:02:06,816
THAT BEAUTIFULNESS
TURNS INTO THAT!
54
00:02:06,919 --> 00:02:08,887
- THAT'S DIFFERENT
FROM THIS.
55
00:02:08,990 --> 00:02:11,165
- YES, IT DOES--
THIS COULD BE YOU.
56
00:02:11,269 --> 00:02:12,373
GIVE THIS TO DENHAM.
57
00:02:12,477 --> 00:02:13,443
- WHAT DO YOU MEAN
GIVE IT TO DENHAM?
58
00:02:13,547 --> 00:02:14,410
- LET ME TELL YOU WHAT
THEY'RE GONNA DO,
59
00:02:14,513 --> 00:02:17,033
AND WHEN THEY
IN SCHOOL.
60
00:02:17,137 --> 00:02:18,345
THIS YOUR MOMMA?
61
00:02:18,448 --> 00:02:19,967
- THEY GO TO PRIVATE SCHOOL--
THEY DON'T PLAY THAT.
62
00:02:20,070 --> 00:02:24,213
- THEY WENT TO PRIVATE SCHOOL--
GIRL, IT DON'T MATTER.
63
00:02:24,316 --> 00:02:25,421
BOYS ARE BOYS.
64
00:02:25,524 --> 00:02:27,250
IT DOES NOT MAKE
ANY DIFFERENCE.
65
00:02:27,354 --> 00:02:29,079
THEY'LL TALK ABOUT
HER REGARDLESS.
66
00:02:29,183 --> 00:02:30,736
- I THINK IF IT IS
TASTEFULLY DONE,
67
00:02:30,840 --> 00:02:32,980
THEN I THINK IT'S
GORGEOUS AND BEAUTIFUL.
68
00:02:33,083 --> 00:02:35,085
I WOULD TOTALLY
POSE FOR "PLAYBOY."
69
00:02:35,189 --> 00:02:36,432
ARE YOU KIDDING?
70
00:02:36,535 --> 00:02:39,883
IF IT'S TASTEFULLY DONE,
I HAVE NO PROBLEM POSIN'
71
00:02:39,987 --> 00:02:41,540
FOR PICTURES IN
THE NUDE, HONEY.
72
00:02:41,644 --> 00:02:44,129
BOOM--
THIS IS NOT DISTASTEFUL.
73
00:02:44,233 --> 00:02:45,337
- WHAT'S DISTASTEFUL
ABOUT THIS?
74
00:02:45,441 --> 00:02:47,581
- THAT ISN'T THAT.
75
00:02:49,997 --> 00:02:53,103
- FIRST OF ALL, I'M NOT
POSING FOR THIS MAGAZINE.
76
00:02:53,207 --> 00:02:55,347
I WOULD NEVER DO
A FRONTAL SPREAD.
77
00:02:55,451 --> 00:02:58,143
- NOBODY WANTS TO SEE
THEIR MOMMA IN THIS SHOT.
78
00:02:58,247 --> 00:03:01,836
TONI IS NOT
LISTENING AS USUAL.
79
00:03:01,940 --> 00:03:04,322
SHE HAS KIDS.
80
00:03:04,425 --> 00:03:07,152
THEY NEED TO CALL SOMEBODY
WHO IS NOT SOMEBODY'S MOMMA.
81
00:03:07,256 --> 00:03:10,155
THIS COULD BE ON
THE BATHROOM WALL
82
00:03:10,259 --> 00:03:13,952
OF SOME 15-YEAR-OLD
BOY'S BEDROOM.
83
00:03:14,055 --> 00:03:16,299
I'M JUST SAYING, YOU--
I DON'T THINK YOU WANT THAT.
84
00:03:16,403 --> 00:03:18,267
- I DON'T HAVE A PROBLEM
BEING A MILF.
85
00:03:18,370 --> 00:03:20,061
- I DON'T HAVE A PROBLEM
BEING A MILF, EITHER.
86
00:03:20,165 --> 00:03:21,062
- DO YOU HAVE A PROBLEM
BEING A MILF?
87
00:03:21,166 --> 00:03:22,202
DO YOU HAVE A PROBLEM
BEING A MILF?
88
00:03:22,305 --> 00:03:23,651
TRACI, WOULD YOU HAVE
A PROBLEM BEING A MILF?
89
00:03:23,755 --> 00:03:25,895
- I JUST DON'T WANT
MY BOOBIES TO SHOW.
90
00:03:25,998 --> 00:03:27,759
TONI THINKS
SHE'S ALL THAT,
91
00:03:27,862 --> 00:03:30,348
'CAUSE SHE GETS
CALLED FOR "PLAYBOY."
92
00:03:30,451 --> 00:03:32,453
THAT'S ONE MORE
THING SHE GETS
93
00:03:32,557 --> 00:03:35,215
BECAUSE SHE'S
THE SUPERSTAR.
94
00:03:35,318 --> 00:03:37,147
I LOVE YOU, TONI.
95
00:03:37,251 --> 00:03:38,597
WHATEVER.
96
00:03:38,701 --> 00:03:40,530
I JUST SAW THIS,
AND THIS WOMAN'S VAGINA
97
00:03:40,634 --> 00:03:42,049
IS ALL THE WAY
DOWN TO HER SHINS.
98
00:03:42,152 --> 00:03:44,224
- LET ME TELL YOU, MY VAGINA
IS NOT DOWN TO MY SHINS.
99
00:03:44,327 --> 00:03:46,295
I'M NOT SHOWING
MY VAJAY-JAY.
100
00:03:46,398 --> 00:03:48,089
- BUT, T, WHAT I'M SAYING--
- I'M NOT SHOWING IT.
101
00:03:48,193 --> 00:03:50,402
- BUT, T AT THE VERY LEAST, I
JUST WANT YOU TO THINK ABOUT IT.
102
00:03:50,506 --> 00:03:52,266
- REGARDLESS OF IF YOU DO IT
OR NOT, I SUPPORT YOU 100%.
103
00:03:52,370 --> 00:03:53,819
THAT'S ALL
I HAVE TO SAY.
104
00:03:53,923 --> 00:03:54,820
- ME, TOO.
105
00:03:54,924 --> 00:03:56,546
- I THINK THAT TONI
SHOULD DO "PLAYBOY."
106
00:03:56,650 --> 00:03:59,239
IT'S NOT LIKE SOMEBODY ASKED
HER TO DO "PLAYBOY" EVERY DAY.
107
00:03:59,342 --> 00:04:01,931
HECK, I WISH THEY'D
ASK ME TO DO "PLAYBOY."
108
00:04:02,034 --> 00:04:03,588
I'D SHOW
A LITTLE T&A.
109
00:04:03,691 --> 00:04:06,418
- I'M JUST SAYING THAT I THINK
YOUR ANSWER SHOULD BE "NO."
110
00:04:06,522 --> 00:04:08,972
- IF THEY HAD ASKED
YOU, WHAT WOULD YOU DO?
111
00:04:09,076 --> 00:04:11,112
I JUST WANNA KNOW, IF THEY
ASKED YOU, WHAT WOULD YOU DO?
112
00:04:11,216 --> 00:04:12,217
- IF THEY ASKED ME,
WHAT WOULD I DO?
113
00:04:12,321 --> 00:04:14,909
- MM-HMM.
- I WOULDN'T DO IT.
114
00:04:15,013 --> 00:04:15,807
I DO HAVE
A HUSBAND.
115
00:04:15,910 --> 00:04:17,533
AND MY HUSBAND'S
NOT GOING FOR THAT.
116
00:04:17,636 --> 00:04:20,260
HE'S NOT-- NO, NO, NO,
NOT MINE.
117
00:04:20,363 --> 00:04:21,640
- WELL, SOME HUSBANDS
GONNA SAY "YES."
118
00:04:21,744 --> 00:04:23,504
- RIGHT-- I KNOW.
- AND I'M SEPARATED.
119
00:04:23,608 --> 00:04:27,405
- I DIDN'T GO TO THE BOOKSTORE
TO COME HERE AND DEGRADE YOU,
120
00:04:27,508 --> 00:04:30,408
HOWEVER, WHEN I RAN
INTO THE MAGAZINE,
121
00:04:30,511 --> 00:04:35,171
AND I SAID, "THIS
COULD BE MY SISTER."
122
00:04:35,275 --> 00:04:36,517
- YOU-- YOU'RE TALKING
ABOUT IT TOO MUCH.
123
00:04:36,621 --> 00:04:38,864
- I DON'T THINK THAT
SHE SHOULD DO IT.
124
00:04:38,968 --> 00:04:41,798
- OKAY, NOW TAMAR IS
PROTESTING WAY TOO MUCH.
125
00:04:41,902 --> 00:04:44,387
I DON'T LIKE TO SAY
THE WORD "JEALOUS."
126
00:04:44,491 --> 00:04:46,182
I'M GONNA
SAY "EAGER."
127
00:04:46,286 --> 00:04:48,149
MAYBE SHE'S A LITTLE
EAGAR AND DISAPPOINTED
128
00:04:48,253 --> 00:04:50,600
THAT THEY DIDN'T
CALL HER.
129
00:04:50,704 --> 00:04:54,017
THAT'S ALL I
HAVE TO SAY.
130
00:04:54,121 --> 00:04:55,191
I'LL-I'LL MAKE
THE DECISION.
131
00:04:55,295 --> 00:04:56,917
I'LL CONSIDER ALL
THE THINGS, MY KIDS,
132
00:04:57,020 --> 00:04:58,884
AND WHAT I WANNA DO, BUT
I'M JUST REALLY FLATTERED
133
00:04:58,988 --> 00:05:00,576
THAT THEY ASKED.
134
00:05:12,381 --> 00:05:14,037
- I'M HAVING BRUNCH
WITH MY SISTERS,
135
00:05:14,141 --> 00:05:15,660
AND WE DECIDED
TO TAKE MOMMY
136
00:05:15,763 --> 00:05:18,110
BECAUSE SHE'S BEEN FEELING A
LITTLE DOWN IN THE DUMPS LATELY.
137
00:05:18,214 --> 00:05:20,389
SO WE DECIDED
TO REMEDY THAT.
138
00:05:20,492 --> 00:05:22,149
- SO, YOU SAID YOU'VE BEEN
HERE BEFORE ON A DATE?
139
00:05:22,252 --> 00:05:23,909
- YEAH.
140
00:05:24,013 --> 00:05:26,187
I'VE BEEN HERE BEFORE...
A FEW YEARS AGO.
141
00:05:26,291 --> 00:05:27,948
- WHAT YOU DOING
COMING HERE?
142
00:05:28,051 --> 00:05:31,227
- GIRL, LOOK, JUST BECAUSE
I DON'T TELL YOU GUYS
143
00:05:31,331 --> 00:05:33,263
DOESN'T MEAN THAT
I DON'T GO OUT.
144
00:05:33,367 --> 00:05:35,611
- WELL, WHEN WAS THE LAST TIME
YOU REALLY BEEN OUT ON A DATE?
145
00:05:35,714 --> 00:05:37,854
- MAYBE FIVE,
SIX YEARS AGO, MAYBE.
146
00:05:37,958 --> 00:05:39,787
- MOMMY IS IN HER 60s.
147
00:05:39,891 --> 00:05:41,962
SHE'S BEEN DIVORCED
FOR OVER TEN YEARS.
148
00:05:42,065 --> 00:05:45,206
NOW IT'S TIME FOR HER TO
GET IN THE SWING OF THINGS.
149
00:05:45,310 --> 00:05:47,450
SO, I'M GONNA CALL
A MATCHMAKER.
150
00:05:47,554 --> 00:05:50,350
YOU NEED TO START
DATIN', THAT'S ALL.
151
00:05:50,453 --> 00:05:52,352
YOU JUST NEED
TO START DATIN'.
152
00:05:52,455 --> 00:05:54,526
- TOWANDA, AND THE GIRLS,
THEY WANTED TO SET ME UP
153
00:05:54,630 --> 00:05:56,666
WITH A BLIND DATE.
154
00:05:56,770 --> 00:06:00,187
I'VE NEVER BEEN ON
A BLIND DATE AT ALL.
155
00:06:00,290 --> 00:06:02,534
BUT IT COULD BE
INTERESTING.
156
00:06:02,638 --> 00:06:04,329
- WHAT KIND OF GUYS ARE
YOU LOOKIN' FOR NOW?
157
00:06:04,433 --> 00:06:06,469
- THERE'S A LOT OF MEN
THAT WALK LIKE DENZEL.
158
00:06:06,573 --> 00:06:08,678
- MOMMY, DO YOU KNOW
HOW DIFFICULT THAT IS
159
00:06:08,782 --> 00:06:10,922
GONNA FIND SOMEBODY WHO
WALKS LIKE DENZEL?
160
00:06:11,025 --> 00:06:13,752
- THIS SAUVEÉ, THIS SAUVE,
A LITTLE SWAG--
161
00:06:13,856 --> 00:06:15,892
- GIVE MOM A LITTLE SWAGGER.
- YEAH.
162
00:06:15,996 --> 00:06:17,791
- NO, SHE'S SAYING SHE
WANTS TO BE A COUGAR.
163
00:06:17,894 --> 00:06:20,241
- A COUGAR--
I NEVER SAID THAT.
164
00:06:20,345 --> 00:06:21,311
I DIDN'T SAY I WANTED
TO BE A COUGAR.
165
00:06:21,415 --> 00:06:22,243
- AIN'T NOTHING'
WRONG WITH IT.
166
00:06:22,347 --> 00:06:23,313
- THERE'S NOTHIN'
WRONG WITH THAT.
167
00:06:23,417 --> 00:06:24,867
- I DON'T KNOW
ABOUT A COUGAR,
168
00:06:24,970 --> 00:06:28,042
BUT MAYBE
A SABER-TOOTHED TIGER.
169
00:06:28,146 --> 00:06:30,044
RRRRRR!
170
00:06:30,148 --> 00:06:32,012
- HOW YOUNG
IS TOO YOUNG?
171
00:06:32,115 --> 00:06:34,014
- FIFTY IS
TOO YOUNG.
172
00:06:34,117 --> 00:06:35,498
- WHAT?
- NO!
173
00:06:35,602 --> 00:06:36,775
MOMMY, 50 MAKE
YOUR BACK CRACK.
174
00:06:36,879 --> 00:06:39,053
- I DON'T WANT
MY BACK TO CRACK.
175
00:06:39,157 --> 00:06:40,917
I DON'T
WANT A 50.
176
00:06:41,021 --> 00:06:42,609
I DON'T
WANT A 50.
177
00:06:42,712 --> 00:06:44,369
- NO MAN
UNDER 50?
178
00:06:44,473 --> 00:06:46,371
THAT'S NOT
FUN, MOMMY.
179
00:06:46,475 --> 00:06:47,924
I JUST THINK MOMMY'S
COMIN' UP WITH EXCUSES
180
00:06:48,028 --> 00:06:49,547
BECAUSE SHE DOESN'T
WANT TO GO OUT.
181
00:06:49,650 --> 00:06:51,411
- ARE YOU GUYS
READY TO ORDER?
182
00:06:51,514 --> 00:06:52,757
- I WANT AN OMELETTE
WITH ONION--
183
00:06:52,860 --> 00:06:54,517
- WE HAVE THIS THING CALLED--
IT'S A MESA OMELET--
184
00:06:54,621 --> 00:06:56,726
- OH, BUT I'M
TELLING YOU WHAT I WANT.
185
00:06:56,830 --> 00:06:59,591
TOMATOES, ONIONS, UM,
WHAT ELSE DO I LIKE?
186
00:06:59,695 --> 00:07:01,490
- I DON'T KNOW.
187
00:07:01,593 --> 00:07:03,975
MY MOTHER IS
INCREDIBLY RUDE.
188
00:07:04,078 --> 00:07:05,563
"WAIT A MINUTE, I
DID NOT ASK YOU THAT.
189
00:07:05,666 --> 00:07:07,461
"I ASKED YOU
FOR BEANS."
190
00:07:07,565 --> 00:07:09,808
UM, HOPE SHE DON'T ACT
THAT WAY ON A DATE.
191
00:07:09,912 --> 00:07:13,329
MOM, THIS IS
COMING FROM LOVE.
192
00:07:13,433 --> 00:07:16,021
YOU MIGHT TRY TO BE
A LITTLE BIT NICER.
193
00:07:16,125 --> 00:07:17,402
- TO WHOM?
194
00:07:17,506 --> 00:07:19,646
- "I DON'T
WANT THAT.
195
00:07:19,749 --> 00:07:21,544
"I WANT-- I KNOW
WHAT I WANT."
196
00:07:21,648 --> 00:07:23,719
- I DON'T CARE WHAT
MY GIRLS SAYS.
197
00:07:23,822 --> 00:07:26,549
I DON'T LET ANY
MAN INTERRUPT ME.
198
00:07:26,653 --> 00:07:30,242
AND IF THIS BLIND DATE
HAVE PROBLEMS WITH THAT,
199
00:07:30,346 --> 00:07:32,659
THEN HE CAN
JUST LEAVE.
200
00:07:32,762 --> 00:07:34,384
I JUST DON'T
WANT NO BULL.
201
00:07:34,488 --> 00:07:37,595
BY THE TIME YOU GET MY AGE,
YOU DON'T FEEL LIKE THE DRAMA.
202
00:07:37,698 --> 00:07:40,977
YOU DON'T FEEL LIKE IT-- NOT
MANY GENTLEMEN OUT HERE.
203
00:07:41,081 --> 00:07:43,877
- MY MOTHER'S DEFINITELY
JUST ANGRY WITH MEN,
204
00:07:43,980 --> 00:07:46,431
THE WHOLE SPECIES,
205
00:07:46,535 --> 00:07:49,399
AND UNTIL SHE REALIZES
THAT THAT'S THE FACT,
206
00:07:49,503 --> 00:07:52,333
SHE WON'T HAVE
A GOOD DATE.
207
00:07:52,437 --> 00:07:55,405
YOU CAN'T TELL NOBODY NOTHING
WHEN THEY KNOW EVERYTHING.
208
00:07:55,509 --> 00:07:57,131
- EXACTLY.
209
00:07:57,235 --> 00:08:00,065
- AND THAT'S WHY SHE'S IN
THE PREDICAMENT THAT SHE'S IN.
210
00:08:00,169 --> 00:08:03,241
- I AM WILLING TO GO
OUT ON A BLIND DATE.
211
00:08:03,344 --> 00:08:04,276
I'M GAME.
212
00:08:04,380 --> 00:08:05,519
I'LL TRY IT.
213
00:08:05,623 --> 00:08:06,624
WHO KNOWS.
214
00:08:06,727 --> 00:08:08,522
I JUST MAY HAVE
A LOT OF FUN.
215
00:08:17,186 --> 00:08:18,463
- I GOT TO REALLY MAKE
A DECISION ON WHETHER
216
00:08:18,567 --> 00:08:19,913
I'M GONNA DO
"PLAYBOY" OR NOT,
217
00:08:20,016 --> 00:08:21,708
AND I NEED TO TALK
WITH SOMEONE.
218
00:08:21,811 --> 00:08:23,123
SO, I'M THINKIN' I'M GONNA
TALK TO MAY MANAGER.
219
00:08:23,226 --> 00:08:24,918
I'M GONNA TALK TO VINCE, AND
HE'S GONNA GIVE ME SOME KIND
220
00:08:25,021 --> 00:08:26,506
OF GUIDANCE ON
WHAT I SHOULD DO.
221
00:08:26,609 --> 00:08:27,921
GOSH, I HAVEN'T
BEEN ON THE COUCH.
222
00:08:28,024 --> 00:08:30,337
- ON THE COUCH.
- IN AWHILE.
223
00:08:30,440 --> 00:08:31,821
- I KNOW.
- LET ME SIT HERE.
224
00:08:31,925 --> 00:08:33,823
- OKAY-- WHAT I REALLY
WANT TO TALK TO ABOUT THAT
225
00:08:33,927 --> 00:08:34,962
IS THE "PLAYBOY" THING.
226
00:08:35,066 --> 00:08:36,239
HAVE YOU BEEN
THINKIN' ABOUT THAT?
227
00:08:36,343 --> 00:08:38,207
- I DON'T KNOW-- THEY
MENTIONED THAT WE COULD USE--
228
00:08:38,310 --> 00:08:39,484
THAT I COULD PICK THE PICTURES,
ANY PICTURES I WANT,
229
00:08:39,588 --> 00:08:41,555
AND THE PHOTOGRAPHER.
230
00:08:41,659 --> 00:08:43,177
- THEY'VE BEEN CHASING
YOU FOR AWHILE.
231
00:08:43,281 --> 00:08:44,489
- THIS IS LIKE THE FOURTH
TIME THEY'VE ASKED.
232
00:08:44,593 --> 00:08:45,766
- YEAH.
233
00:08:45,870 --> 00:08:47,354
- BUT I'M THINKIN',
SUPPOSE I'M TOO SICK
234
00:08:47,457 --> 00:08:48,838
TO BE CUTE
AND SEXY.
235
00:08:48,942 --> 00:08:50,530
SO, I DO FEEL LIKE
WHILE I'VE OVERCOME,
236
00:08:50,633 --> 00:08:53,463
'CAUSE REMEMBER WHEN THEY TOLD
ME I'D NEVER BE ABLE TO WORK,
237
00:08:53,567 --> 00:08:55,051
NEVER BE ABLE TO
DO ANYTHING ELSE.
238
00:08:55,155 --> 00:08:57,675
AND, LIKE, SO SOMEONE STILL
THINKS I'M VALUABLE AND SEXY.
239
00:08:57,778 --> 00:08:59,435
BECAUSE THEY ONLY PICK
BEAUTIFUL WOMEN
240
00:08:59,539 --> 00:09:01,989
AND WOMEN THEY FIND
BEAUTIFUL AND SEXY.
241
00:09:02,093 --> 00:09:02,956
- AND YOU ARE--
242
00:09:03,059 --> 00:09:04,544
- SO, THAT MAKES ME
FEEL FINALLY LIKE,
243
00:09:04,647 --> 00:09:06,166
"THEY THINK I'M THAT?"
- YES, YOU ARE THAT.
244
00:09:06,269 --> 00:09:07,512
- SO, I'M EXCITED ABOUT THAT
BUT I'M A LITTLE CAUTIOUS
245
00:09:07,616 --> 00:09:09,410
'CAUSE I HAVE KIDS.
246
00:09:09,514 --> 00:09:11,343
- YEAH, BUT YOU KNOW WHAT?
- IT MAKES ME UNCOMFORTABLE.
247
00:09:11,447 --> 00:09:12,482
- WE LIVE IN
A DIFFERENT TIME.
248
00:09:12,586 --> 00:09:14,312
WE LIVE IN
A DIFFERENT CULTURE.
249
00:09:14,415 --> 00:09:16,003
YOU KNOW, LOOK AT
VANESSA WILLIAMS.
250
00:09:16,107 --> 00:09:18,316
I MEAN, YOU KNOW, SHE DID IT
AND WENT ON TO HAVE A GREAT LIFE
251
00:09:18,419 --> 00:09:20,525
AND SHE'S STILL ACTIVE WITH
HER KIDS AND EVERYTHING,
252
00:09:20,629 --> 00:09:22,389
AND IT'S LIKE, IF
IT'S DONE TASTEFUL--
253
00:09:22,492 --> 00:09:24,080
WHAT YOU ARE, YOU ARE
A TASTEFUL WOMAN.
254
00:09:24,184 --> 00:09:25,806
I THINK THAT'S INCREDIBLE
THAT THEY CALLED YOU
255
00:09:25,910 --> 00:09:27,359
AND THINK YOU'RE
BEAUTIFUL AND SEXY.
256
00:09:27,463 --> 00:09:28,533
- I WAS FLATTERED.
257
00:09:28,637 --> 00:09:29,845
- AND-AND, YOU KNOW,
IT CAN BE SOMETHIN'--
258
00:09:29,948 --> 00:09:31,432
THEY ONLY WANT THAT
TO SELL MAGAZINES.
259
00:09:31,536 --> 00:09:33,331
THEY'RE IN
THE BUSINESS.
260
00:09:33,434 --> 00:09:35,644
SO THAT MEANS THEY BELIEVE
YOU CAN SELL MAGAZINES.
261
00:09:35,747 --> 00:09:37,680
YOU JUST GOT TO
STOP BEING SCARED.
262
00:09:37,784 --> 00:09:39,717
IT'S ALL
UP TO YOU.
263
00:09:39,820 --> 00:09:41,650
SO, YOU SHOULD
THINK ABOUT IT.
264
00:09:41,753 --> 00:09:43,030
- OKAY, VINCE HAS
SOME GOOD POINTS.
265
00:09:43,134 --> 00:09:45,412
I NEED TO MAKE
A DECISION VERY SOON.
266
00:09:45,515 --> 00:09:47,966
I'M GONNA SLEEP ON IT
TONIGHT AND DECIDE TOMORROW.
267
00:09:48,070 --> 00:09:50,072
BUT I KNOW I NEED TO COME UP
WITH SOMETHING VERY SOON.
268
00:09:50,175 --> 00:09:51,556
OKAY-- OKAY.
269
00:09:51,660 --> 00:09:52,488
- ALL RIGHT?
- THAT'S WORKS.
270
00:09:52,592 --> 00:09:54,214
- COOL.
271
00:09:54,317 --> 00:09:55,595
- ALL RIGHT.
272
00:09:55,698 --> 00:09:58,149
LOOK HOW CHUNKY I AM?
- YOU LOOK GREAT.
273
00:09:58,252 --> 00:09:59,909
THAT'S WHY THEY'RE CALLING
YOU TO DO "PLAYBOY."
274
00:10:00,013 --> 00:10:02,671
- THEY'RE LOOKIN' AT OLDER
PICTURES WHEN I WAS SKINNY.
275
00:10:02,774 --> 00:10:04,673
- NO, THEY'RE NOT-- THEY'RE
LOOKIN' AT EVERYTHING.
276
00:10:04,776 --> 00:10:06,640
THE POWER IN
THERE DON'T LIE.
277
00:10:15,891 --> 00:10:16,857
- I'VE BEEN TRYING TO
GET MY HUSBAND, VINCE,
278
00:10:16,961 --> 00:10:18,756
TO RECORD AN ALBUM
FOR ME.
279
00:10:18,859 --> 00:10:20,896
BUT IT HASN'T
BEEN GOING WELL.
280
00:10:20,999 --> 00:10:22,967
MY HUSBAND HAS THE NUMBER ONE
SELLING FEMALE ARTIST
281
00:10:23,070 --> 00:10:25,072
IN THE WORLD AND
IT AIN'T ME.
282
00:10:25,176 --> 00:10:27,281
- WHEN IT COMES TO YOUR MUSIC
CAREER, IT'S ALREADY BAD,
283
00:10:27,385 --> 00:10:28,800
BECAUSE YOU
DON'T LISTEN.
284
00:10:28,904 --> 00:10:30,284
- YOU ARE REALLY BEING
OVER THE TOP.COM, FOR REAL.
285
00:10:30,388 --> 00:10:31,700
- IT'S NOT OVER THE TOP.COM,
IT'S CALLED--
286
00:10:31,803 --> 00:10:33,046
YOU-YOU KNOW
WHAT IT IS?
287
00:10:33,149 --> 00:10:35,186
IT'S THE TRUTH.COM, AND YOU
DON'T WANT TO ACCEPT THAT.
288
00:10:35,289 --> 00:10:37,706
IT JUST DOESN'T HAPPEN THE
WAY YOU WANT IT TO HAPPEN
289
00:10:37,809 --> 00:10:39,121
BECAUSE YOU'RE
MY WIFE.
290
00:10:39,224 --> 00:10:41,537
- SO, I DECIDED TO THROW
AN APPRECIATION PARTY
291
00:10:41,641 --> 00:10:43,297
FOR MY HUSBAND, VINCE.
292
00:10:43,401 --> 00:10:45,299
SO, HE CAN SEE HOW
MUCH I APPRECIATE HIM,
293
00:10:45,403 --> 00:10:48,544
AND THEN HE CAN SHOW HOW
MUCH HE APPRECIATES ME
294
00:10:48,648 --> 00:10:50,063
BY DOING
AN ALBUM FOR ME.
295
00:10:50,166 --> 00:10:51,927
- HI, LADIES.
- HI, THERE.
296
00:10:52,030 --> 00:10:54,619
- MY NAME IS SCHADIA
AND THIS IS SHENEZ.
297
00:10:54,723 --> 00:10:56,345
AND WE'RE GONNA BE
YOUR TEACHERS TONIGHT.
298
00:10:56,448 --> 00:10:57,657
- OKAY.
299
00:10:57,760 --> 00:11:00,176
- AND TO REMIND HIM WHY
I DESERVE TO BE A STAR.
300
00:11:00,280 --> 00:11:02,523
I HAVE A SPECIAL
PERFORMANCE I WANT TO DO.
301
00:11:02,627 --> 00:11:04,215
SO TRINA AND TOWANDA
ARE GOING WITH ME
302
00:11:04,318 --> 00:11:05,941
TO BELLY DANCING LESSONS.
303
00:11:06,044 --> 00:11:08,357
OKAY, I JUST WANT TO HAVE
A LITTLE CHOREOGRAPHY
304
00:11:08,460 --> 00:11:11,912
FOR THIS PARTY WE'RE HAVING
FOR VINCE, MY HUSBAND.
305
00:11:12,016 --> 00:11:15,295
AND I NEED IT TO BE
REALLY TIGHT AND RIGHT.
306
00:11:15,398 --> 00:11:17,400
- SOUNDS GOOD-- WE'RE
GONNA LEARN SOME MOVES,
307
00:11:17,504 --> 00:11:20,576
AND THEN WE'RE PUT IT ALL
TOGETHER IN A FAB COREOGRAPHY.
308
00:11:20,680 --> 00:11:22,923
- OKAY.
- ALL RIGHT!
309
00:11:25,650 --> 00:11:27,134
- ARE YOU GIRLS READY?
- WE'RE READY.
310
00:11:30,241 --> 00:11:32,657
- DO A LITTLE BIT STRETCHING
OF THE UPPER BODY,
311
00:11:32,761 --> 00:11:35,522
AND THEN WE'LL LEARN
A COUPLE MOVES.
312
00:11:35,625 --> 00:11:36,868
NOW, STRAIGHT
UP AND DOWN.
313
00:11:36,972 --> 00:11:40,320
- SO THE FIRST PART OF
THE CLASS WAS HOMEGIRL DOING
314
00:11:40,423 --> 00:11:44,427
SOME EXERCISE AND STOMACH STUFF,
LIKE THIS IS NOT DANCING.
315
00:11:44,531 --> 00:11:46,498
- IT'S A FULL-BODY WORKOUT.
316
00:11:46,602 --> 00:11:47,741
THIS FROM
HEAD TO TOE.
317
00:11:47,845 --> 00:11:49,432
- I DON'T NEED-- I DIDN'T
GO THERE TO EXERCISE,
318
00:11:49,536 --> 00:11:51,572
I WENT THERE, YOU KNOW, TO
KNOW HOW TO MOVE MY BELLY
319
00:11:51,676 --> 00:11:53,367
A LITTLE BIT MORE.
320
00:11:53,471 --> 00:11:54,955
I JUST WANT
THE ROUTINE.
321
00:11:55,059 --> 00:11:56,060
I CAN FIGURE
THE REST OUT.
322
00:11:56,163 --> 00:11:58,718
I CAN FIGURE THE--
THAT STUFF OUT.
323
00:11:58,821 --> 00:12:00,547
I WANNA COME IN
REAL SNAKE-LIKE,
324
00:12:00,650 --> 00:12:02,307
LIKE SNAKES
A LITTLE BIT.
325
00:12:02,411 --> 00:12:05,690
AND THEN WE, LIKE, POW,
POW, POW HIM IN THE HEAD,
326
00:12:05,794 --> 00:12:07,830
AND BAM, BAM,
BAM-- THAT'S--
327
00:12:07,934 --> 00:12:09,452
- BUT THAT'S NOT
BELLY DANCE.
328
00:12:09,556 --> 00:12:12,214
- WHAT IS IT?
- I DON'T KNOW.
329
00:12:12,317 --> 00:12:15,217
- I AM NOT DOWN WITH WHAT THIS
TEACHER IS DOING, FOR REAL.
330
00:12:19,324 --> 00:12:21,844
- MEN HAVE PROBLEMS
WITH THAT.
331
00:12:21,948 --> 00:12:23,950
IT'S AS SIMPLE AS THAT.
- WHO TOLD YOU THAT?
332
00:12:24,053 --> 00:12:25,158
IT'S, UH, IT'S
"PLAYBOY."
333
00:12:25,261 --> 00:12:26,849
- ANY REAL MAN IS GONNA
HAVE ISSUE WITH THAT.
334
00:12:26,953 --> 00:12:28,402
I'M TELLING YOU.
- A REAL MAN?
335
00:12:28,506 --> 00:12:30,542
- ANY-- I'M TELLING YOU, THEY'RE
GONNA HAVE A PROBLEM WITH IT.
336
00:12:36,756 --> 00:12:37,998
- SO I DECIDE TO THROW
MY HUSBAND, VINCE,
337
00:12:38,102 --> 00:12:39,655
AN APPRECIATION PARTY.
338
00:12:39,759 --> 00:12:43,245
SO, TRINA AND TOWANDA WENT WITH
ME TO BELLY DANCIN' CLASS.
339
00:12:43,348 --> 00:12:46,524
WE DECIDED WE WERE GONNA PUT
ON THIS HOT PERFORMANCE.
340
00:12:46,627 --> 00:12:47,801
BUT THIS TEACHER?
341
00:12:47,905 --> 00:12:49,423
NO, MA'AM, SHE IS
NOT IN THE BUSINESS.
342
00:12:49,527 --> 00:12:51,184
SHE IS A WAZACK.
343
00:12:51,287 --> 00:12:54,187
SO, YOU KNOW, I GOT TO TAKE
MATTERS INTO MY OWN HANDS.
344
00:12:54,290 --> 00:12:56,396
OKAY, NOW ENOUGH OF THEM--
THEN, I GO.
345
00:12:56,499 --> 00:12:58,570
AND ME, ME, ME.
346
00:12:58,674 --> 00:13:01,504
AND ME, ME, ME.
347
00:13:01,608 --> 00:13:02,471
- YOU KNOW
WHAT, THOUGH?
348
00:13:02,574 --> 00:13:03,886
IF YOU DO THE HANDS,
PEOPLE'LL WATCH YOUR HANDS
349
00:13:03,990 --> 00:13:05,301
INSTEAD OF YOUR HIPS
IF YOU KEEP--
350
00:13:05,405 --> 00:13:07,303
- THEY'RE GONNA
WATCH THE PICTURE.
351
00:13:07,407 --> 00:13:08,339
THAT'S WHAT
I NEED.
352
00:13:08,442 --> 00:13:10,134
LIKE, SOMEBODY GONNA TAKE
A PICTURE, SNAP, SNAP.
353
00:13:10,237 --> 00:13:13,240
I NEED TO BE LIKE THIS--
NOT LIKE--
354
00:13:13,344 --> 00:13:15,208
THAT'S NOT CUTE.
355
00:13:15,311 --> 00:13:18,073
- TAMAR BECAME
THE INSTRUCTOR.
356
00:13:18,176 --> 00:13:21,317
YOU CAN'T INSTRUCT THE
INSTRUCTOR ON HOW TO INSTRUCT.
357
00:13:21,421 --> 00:13:24,458
- I'M GONNA NEED
A ONE, TWO, THREE,
358
00:13:24,562 --> 00:13:28,014
FOUR, FIVE, SIX,
SEVEN, EIGHT.
359
00:13:28,117 --> 00:13:30,050
YOU SEE WHAT I'M SAYING?
- THAT'S WHAT WE JUST SAID.
360
00:13:30,154 --> 00:13:31,534
- BUT YOU ALL GOT TO MAKE SURE
YOU ALL SLIDE RIGHT ON OUT
361
00:13:31,638 --> 00:13:32,604
OF MY WAY.
362
00:13:32,708 --> 00:13:34,779
NOW PUSH, GET
MY MOMENT IN.
363
00:13:34,883 --> 00:13:37,782
PUSH--
GET MY MOMENT IN.
364
00:13:37,886 --> 00:13:39,301
I NEED YOU TO
CONCENTRATE, TOWANDA.
365
00:13:39,404 --> 00:13:40,509
MAKE IT COUNT.
366
00:13:40,612 --> 00:13:42,131
- AND WE HAD TO LEARN
REALLY, REALLY FAST
367
00:13:42,235 --> 00:13:44,858
BECAUSE TAMAR WAS TRYING TO BE
THE BOSS OF EVERYBODY AGAIN.
368
00:13:44,962 --> 00:13:46,895
- WHERE'S YOUR STEP?
369
00:13:46,998 --> 00:13:48,793
I NEED YOU TO GET
IN CHARACTER.
370
00:13:48,897 --> 00:13:50,001
DON'T MESS UP
MY MOMENT.
371
00:13:50,105 --> 00:13:51,382
WHY SHE GOT IT AND
YOU AIN'T GOT IT?
372
00:13:51,485 --> 00:13:53,418
WING IT.
373
00:13:53,522 --> 00:13:55,144
COME ON.
374
00:13:55,248 --> 00:13:57,940
NOBODY REALLY KNOWS THAT TRINA
DOES NOT KNOW HOW TO DANCE.
375
00:13:58,044 --> 00:14:01,495
TRINA, DON'T
MESS IT UP.
376
00:14:01,599 --> 00:14:03,463
STICK THAT
FOOT OUT.
377
00:14:03,566 --> 00:14:04,602
- I DID.
378
00:14:04,705 --> 00:14:05,706
- THE OTHER FOOT--
YOUR OTHER FOOT.
379
00:14:05,810 --> 00:14:06,915
- OH, THIS ONE?
380
00:14:07,018 --> 00:14:08,606
- SOMETIMES SHE LEAVES
HER RIGHT FOOT AT HOME,
381
00:14:08,709 --> 00:14:10,953
AND SHE WALKS OUT THE DOOR
WITH BOTH LEFT FEET.
382
00:14:11,057 --> 00:14:13,266
I THINK THIS PARTICULAR
DAY SHE DID THAT.
383
00:14:13,369 --> 00:14:15,199
OKAY, NOW, TRINA, LET'S
SEE IF YOU GOT IT.
384
00:14:15,302 --> 00:14:16,994
- I BEG YOUR PARDON, YOU'RE
NOT GONNA TREAT ME--
385
00:14:17,097 --> 00:14:18,581
- TRINA, YOU GOT TO
WATCH YOUR LINES.
386
00:14:18,685 --> 00:14:20,929
- 'CAUSE I'M NOT TRYING TO
BE SEDUCTIVE BELLY DANCING
387
00:14:21,032 --> 00:14:22,585
IN FRONT OF
MY BROTHER-IN-LAW.
388
00:14:22,689 --> 00:14:23,897
- CONCENTRATE.
389
00:14:24,001 --> 00:14:25,450
GET IN YOUR BUBBLE.
390
00:14:25,554 --> 00:14:27,073
- TAMAR IS ALWAYS LIKE, "TRINA,
YOU'RE NOT DOING THIS RIGHT.
391
00:14:27,176 --> 00:14:28,868
"OH, TRINA, YOU'RE DOING--
TRINA, YOU HAVE TO FOCUS.
392
00:14:28,971 --> 00:14:30,214
"TRINA, YOU HAVE TO
STAY IN YOUR BUBBLE."
393
00:14:30,317 --> 00:14:32,906
I'M IN MY BUBBLE.
- NO, YOU NEED TO CONCENTRATE.
394
00:14:33,010 --> 00:14:34,943
- I NEED TO
FOLLOW HER.
395
00:14:35,046 --> 00:14:36,737
- STAY ON THE BUBBLE TRAIN,
AND DON'T GET SCARED.
396
00:14:36,841 --> 00:14:38,981
DON'T GET SCARED--
SHE LOST IT.
397
00:14:39,085 --> 00:14:40,258
SHE DROPPED IT.
- I DIDN'T DROP IT.
398
00:14:40,362 --> 00:14:41,673
- YOU MESSED UP
THE WHOLE THING.
399
00:14:41,777 --> 00:14:43,330
YOU'RE GONNA
MESS IT UP.
400
00:14:47,093 --> 00:14:48,646
- OKAY, I HAVE
TO BE HONEST,
401
00:14:48,749 --> 00:14:51,062
IT IS NOT AS EASY FOR
ME TO PICK UP THE STEPS
402
00:14:51,166 --> 00:14:52,926
AS IT FOR THE REST
OF MY SISTERS,
403
00:14:53,030 --> 00:14:55,170
BUT I THINK ONCE I
GET IT DOWN, I GOT IT.
404
00:14:55,273 --> 00:14:57,724
YOU DON'T HAVE TO TELL ME TWICE
AFTER I REALLY, REALLY GET IT,
405
00:14:57,827 --> 00:14:59,381
BUT IT KIND OF TAKES
ME A SECOND.
406
00:14:59,484 --> 00:15:00,969
- AND TURN.
407
00:15:01,072 --> 00:15:02,591
TWO, YES-- YES.
408
00:15:02,694 --> 00:15:05,594
YES, YES,
YES, YES.
409
00:15:05,697 --> 00:15:07,458
WHY CAN'T
YOU DO THAT?
410
00:15:07,561 --> 00:15:10,047
WE'VE GOT A LOT OF WORK
TO DO FOR THIS PARTY,
411
00:15:10,150 --> 00:15:12,601
AND IF VINCE DOES
NOT APPRECIATE ME
412
00:15:12,704 --> 00:15:14,154
DOING HIS APPRECIATION PARTY,
413
00:15:14,258 --> 00:15:16,536
THEN I WON'T GET
MY ALBUM DONE.
414
00:15:16,639 --> 00:15:19,021
AND WE NEED TO LOOK LIKE
THREE HOT BRAXTONS',
415
00:15:19,125 --> 00:15:21,058
NOT THREE STOOGES.
416
00:15:21,161 --> 00:15:22,852
AND TAKE IT
TO THE FLOOR.
417
00:15:22,956 --> 00:15:23,992
TAKE IT TO
THE FLOOR.
418
00:15:24,095 --> 00:15:25,579
TAKE IT TO
THE FLOOR.
419
00:15:25,683 --> 00:15:26,891
AND BOW.
420
00:15:26,995 --> 00:15:28,134
ENOUGH.
421
00:15:28,237 --> 00:15:30,377
- AND TURN
AND WALK.
422
00:15:39,559 --> 00:15:40,940
- WELL, MY SISTERS
WENT TO A MATCHMAKER
423
00:15:41,043 --> 00:15:43,080
AND FOUND A DATE
FOR MY MOM.
424
00:15:43,183 --> 00:15:45,220
I'M REALLY EXCITED ABOUT
MY MOM DATING AGAIN,
425
00:15:45,323 --> 00:15:46,876
AND IT'S BEEN
ALMOST TEN YEARS.
426
00:15:46,980 --> 00:15:49,051
I MEAN, SHE'S ONLY DATED ONE
PERSON, MY DAD PRETTY MUCH.
427
00:15:49,155 --> 00:15:51,433
SO, I THINK THIS
IS A GOOD THING.
428
00:15:51,536 --> 00:15:52,952
THIS COULD
BE GREAT.
429
00:15:53,055 --> 00:15:54,332
I WANTED THE INSIDE SCOOP,
SO I TOLD MOMMY,
430
00:15:54,436 --> 00:15:55,540
"I'LL TAKE YOU
TO YOUR DATE."
431
00:15:55,644 --> 00:15:57,439
CAN WE BE GIRLS?
432
00:15:57,542 --> 00:15:59,234
CAN WE PRETEND TO BE
GIRLFRIENDS A LITTLE BIT?
433
00:15:59,337 --> 00:16:00,890
- OKAY, LET'S
BE GIRLFRIENDS.
434
00:16:00,994 --> 00:16:03,652
- SO, IF A PERFECT GUY CALLED
RIGHT NOW, WHAT WOULD YOU WANT--
435
00:16:03,755 --> 00:16:05,102
- DID YOU SAY
"A PERFECT GUY?"
436
00:16:05,205 --> 00:16:06,551
- YEAH, A PERFECT, WELL
NOT PERFECT LIKE GOD.
437
00:16:06,655 --> 00:16:07,794
CAN WE FOCUS?
438
00:16:07,897 --> 00:16:09,244
- I-I LIKE
TALL GUYS.
439
00:16:09,347 --> 00:16:10,935
SO, HE WON'T BE
SHORT, HE'D BE TALL.
440
00:16:11,039 --> 00:16:12,799
- I DON'T LIKE
ROUGHNECKS.
441
00:16:12,902 --> 00:16:15,836
- OH, I WOULDN'T THINK YOU
WOULD LIKE A ROUGHNECK, MA.
442
00:16:15,940 --> 00:16:17,252
- BUT THEY--
THEY'RE OUT THERE.
443
00:16:17,355 --> 00:16:19,530
YOU GET TO A CERTAIN
AGE, LET'S FACE IT,
444
00:16:19,633 --> 00:16:22,705
UM, YOUR OPTIONS,
THEY'RE NOT THAT GREAT.
445
00:16:22,809 --> 00:16:26,778
BUT AT THE SAME TOKEN,
YOU HAVE TO BE SELECTIVE.
446
00:16:26,882 --> 00:16:28,884
- YOU WANT A GUY
THAT'S FUN.
447
00:16:28,988 --> 00:16:30,196
I MEAN, MAYBE YOU
CAN MAKE HIM FUN.
448
00:16:30,299 --> 00:16:32,232
MAYBE HE'S NOT FUN AT FIRST,
BUT YOU CAN MAKE HIM FUN.
449
00:16:32,336 --> 00:16:34,441
- GUYS MY AGE, IF
THEY'RE NOT SUPER FUN,
450
00:16:34,545 --> 00:16:37,099
WHEN YOU COME INTO IT,
THEY'RE NOT GOING TO CHANGE.
451
00:16:37,203 --> 00:16:38,652
- OKAY-- OKAY--
I HEAR YOU.
452
00:16:38,756 --> 00:16:39,619
- TRUST ME.
- ALL RIGHT.
453
00:16:39,722 --> 00:16:41,414
AND FINANCIALLY?
454
00:16:41,517 --> 00:16:42,553
- STABLE.
455
00:16:42,656 --> 00:16:44,003
- FINANCIALLY STA-STABLE
COULD BE A PERSON WHO WORKS
456
00:16:44,106 --> 00:16:47,178
AS A CAR WASH.
457
00:16:47,282 --> 00:16:50,250
- YOU WASHING CARS, YOU'RE
NOT FINANCIALLY STABLE.
458
00:16:50,354 --> 00:16:51,941
YOU'RE NOT
MAKIN' MONEY.
459
00:16:52,045 --> 00:16:53,495
SOMEBODY THAT'S SUCCESSFUL.
460
00:16:53,598 --> 00:16:55,290
- OKAY, FINANCIALLY
SUCCESSFUL.
461
00:16:55,393 --> 00:16:58,017
OKAY, MY MOM'S TASTE IN
MEN, I'M DISCOVERING,
462
00:16:58,120 --> 00:16:59,432
IS VERY ECLECTIC.
463
00:16:59,535 --> 00:17:01,123
OH, I'M SORRY, AND
SHE WANTS HIM TO WALK
464
00:17:01,227 --> 00:17:03,608
LIKE DENZEL WASHINGTON.
465
00:17:03,712 --> 00:17:06,508
I DON'T KNOW WHERE WE'RE
GONNA FIND THIS GUY.
466
00:17:06,611 --> 00:17:09,718
SUPPOSE HE'S ALL THOSE
THINGS AND HE'S NOT CUTE.
467
00:17:09,821 --> 00:17:11,133
HE'S CHALLENGED
IN THAT.
468
00:17:11,237 --> 00:17:13,135
WELL, THEN, WHAT
DO YOU SAY?
469
00:17:13,239 --> 00:17:15,344
- I'LL GET
TO KNOW HIM,
470
00:17:15,448 --> 00:17:17,312
BECAUSE I'M NOT HAVIN'
ANY KIDS FROM HIM.
471
00:17:17,415 --> 00:17:19,728
- THERE YOU GO--
SEE WHAT I MEAN?
472
00:17:19,831 --> 00:17:22,041
SO THAT'S ONE THAT YOU
WERE WILLING TO GIVE ON.
473
00:17:22,144 --> 00:17:24,457
- YEAH, I'LL GIVE ON THAT ONE.
- OKAY.
474
00:17:24,560 --> 00:17:25,975
NO-NO GIVING ON
THE FINANCIAL STABILITY.
475
00:17:26,079 --> 00:17:27,632
- OH, GOD, NO.
476
00:17:31,050 --> 00:17:32,396
- SO, I DROPPED OFF
MY MOM AT HER DATE,
477
00:17:32,499 --> 00:17:34,260
AND I HOPE IT
GOES WELL.
478
00:17:34,363 --> 00:17:36,469
I HAVE
MY FINGERS CROSSED.
479
00:17:40,956 --> 00:17:42,716
- HE WAS LATE.
480
00:17:42,820 --> 00:17:44,994
I DON'T LIKE
LATE MEN EITHER.
481
00:17:45,098 --> 00:17:47,445
YOU HAVE TO
BE ON TIME.
482
00:17:47,549 --> 00:17:50,379
SO, I WAS GETTING
A LITTLE RESTLESS,
483
00:17:50,483 --> 00:17:53,900
AND I WAS SITTING THERE AND
I'M WAITING AND I'M WAITING,
484
00:17:54,003 --> 00:17:56,109
AND I'M LOOKING
AT MY WATCH,
485
00:17:56,213 --> 00:17:58,215
AND I'M LOOKING
OUT OF THE WINDOW.
486
00:17:58,318 --> 00:18:00,596
I DON'T KNOW WHO
I'M LOOKING FOR,
487
00:18:00,700 --> 00:18:02,495
BUT I HOPE THIS MAN
HAVE ON A SUIT
488
00:18:02,598 --> 00:18:05,153
BECAUSE I DON'T
LIKE ROUGHNECKS.
489
00:18:15,163 --> 00:18:18,614
THERE WAS A GUY THAT
WALKED IN, HIP-HOP GUY.
490
00:18:18,718 --> 00:18:21,790
HE WAS NOT DRESSED
APPROPRIATELY,
491
00:18:21,893 --> 00:18:24,413
SO I'M THINKING,
"OH, MY GOD,
492
00:18:24,517 --> 00:18:26,967
"PLEASE DON'T LET
THAT BE THIS MAN."
493
00:18:27,071 --> 00:18:28,486
- ARE YOU MRS. JONES--
MRS. JONES?
494
00:18:28,590 --> 00:18:29,729
I'M LOOKIN' FOR MRS. JONES.
- JONES?
495
00:18:29,832 --> 00:18:31,800
- MRS. JONES, YES.
- NO, I'M NOT MRS. JONES.
496
00:18:31,903 --> 00:18:34,872
- NOT MRS. JONES.
- THANK GOD I'M NOT JONES.
497
00:18:34,975 --> 00:18:37,219
OH, WOW.
498
00:18:37,323 --> 00:18:38,703
I'LL GIVE HIM
TEN MINUTES.
499
00:18:41,810 --> 00:18:43,018
- ARE YOU EVELYN?
500
00:18:43,122 --> 00:18:44,295
- YES.
501
00:18:44,399 --> 00:18:46,470
- HI, BY GOLLY.
- HI.
502
00:18:46,573 --> 00:18:48,920
- OH, AREN'T YOU LOOKIN'
SHARP THIS EVENING.
503
00:18:49,024 --> 00:18:50,577
- OH, THANK YOU--
THANK YOU.
504
00:18:50,681 --> 00:18:52,855
- I'M JAY.
- HI, HOW ARE YOU, JAY?
505
00:18:52,959 --> 00:18:54,202
NICE TO MEET YOU.
506
00:18:54,305 --> 00:18:56,273
HE WAS A SNOWFLAKE.
507
00:18:56,376 --> 00:18:59,034
I'VE ALWAYS DEALT
IN CHOCOLATE.
508
00:18:59,138 --> 00:19:00,725
- DO YOU HAVE A FAMILY?
- I DO.
509
00:19:00,829 --> 00:19:02,520
FIVE GIRLS
AND ONE SON.
510
00:19:02,624 --> 00:19:04,315
MY GIRLS ARE
ENTERTAINERS.
511
00:19:04,419 --> 00:19:05,558
- REALLY?
- YEAH.
512
00:19:05,661 --> 00:19:07,974
- WHAT'S YOUR LAST NAME?
- BRAXTON.
513
00:19:08,077 --> 00:19:10,045
- NOT BRAXTON,
TONI BRAXTON?
514
00:19:10,149 --> 00:19:11,771
NO?
515
00:19:11,874 --> 00:19:13,359
ARE YOU
KIDDING ME?
516
00:19:13,462 --> 00:19:14,567
YOU GOT ALL OF
THESE GIRLS.
517
00:19:14,670 --> 00:19:16,500
THIS IS LIKE
THE KARDASHIANS.
518
00:19:16,603 --> 00:19:19,744
- NO, WE'RE
THE BRAXTONS'.
519
00:19:19,848 --> 00:19:21,090
- THE BRAXTONS'.
520
00:19:21,194 --> 00:19:23,886
BRAXTONS'?
- KARDASHIANS?
521
00:19:23,990 --> 00:19:27,027
WE'RE NOT GETTIN' OFF
TO A GOOD START HERE.
522
00:19:27,131 --> 00:19:29,961
UM, I'LL HAVE WATER
AND A DIET COKE.
523
00:19:30,065 --> 00:19:32,861
- I WANT, UH,
SCOTCH ON THE ROCKS.
524
00:19:32,964 --> 00:19:36,727
- IT'S 1 P.M., HMM, A LITTLE
TOO EARLY FOR SCOTCH.
525
00:19:36,830 --> 00:19:38,901
- NO WINE, OR CHAMPAGNE,
OR ANYTHING LIKE THAT?
526
00:19:39,005 --> 00:19:41,490
- NO.
527
00:19:41,594 --> 00:19:44,044
- YOU KNOW, AT OUR AGE IN LIFE,
UH, WE NEED NEW EXPERIENCES.
528
00:19:44,148 --> 00:19:45,977
RIGHT?
- WE DO.
529
00:19:46,081 --> 00:19:47,013
- ARE YOU GAME FOR
NEW EXPERIENCES?
530
00:19:47,116 --> 00:19:49,118
- I'M GAME.
- GOOD-- GOOD.
531
00:19:49,222 --> 00:19:50,706
YOU SOUND LIKE
A LADY WHO HAS FUN.
532
00:19:50,810 --> 00:19:52,052
- YEAH.
533
00:19:52,156 --> 00:19:54,710
HUH, LET'S SEE HOW MUCH FUN
THIS SNOWFLAKE HAVE TO OFFER.
534
00:19:59,681 --> 00:20:01,441
- MM-HMM.
535
00:20:03,167 --> 00:20:04,479
I'M NOT DRINKIN'
TOO MUCH, AM I?
536
00:20:04,582 --> 00:20:06,998
- NO, KEEP DOING
WHAT YOU DO.
537
00:20:07,102 --> 00:20:08,241
- WHOO.
538
00:20:08,345 --> 00:20:09,829
- NOTHING WRONG WITH
A LITTLE BOOBIES.
539
00:20:09,932 --> 00:20:13,867
I HAVE VERY CUTE BOOBIES--
THEY ONLY COST ME $8,900.
540
00:20:19,459 --> 00:20:23,291
- SO, I'M OUT ON A BLIND DATE,
THAT MY DAUGHTERS SET UP,
541
00:20:23,394 --> 00:20:26,190
AND HE'S
A SNOWFLAKE.
542
00:20:26,294 --> 00:20:27,640
AND HE LOVES SCOTCH.
543
00:20:27,743 --> 00:20:30,850
- SO, ARE-ARE WE GONNA
HAVE SOME FUN OR WHAT?
544
00:20:32,886 --> 00:20:35,475
- HE SEEMS TO HAVE
A VERY SPECIFIC IDEA
545
00:20:35,579 --> 00:20:38,064
OF HOW TO
HAVE FUN.
546
00:20:38,167 --> 00:20:40,480
- I NEED THAT TO
SETTLE ME DOWN.
547
00:20:40,584 --> 00:20:41,481
- REALLY?
548
00:20:41,585 --> 00:20:43,725
HE KEPT DRINKING AND
DRINKING AND DRINKING,
549
00:20:43,828 --> 00:20:47,004
AND HE WAS SAYING, "MM,
MM, THAT'S SMOOTH."
550
00:20:47,107 --> 00:20:50,249
- WHOO!
551
00:20:50,352 --> 00:20:53,493
- SO, I GOT A LITTLE
BOTHERED ABOUT THAT.
552
00:20:53,597 --> 00:20:55,081
- I'M NOT DRINKIN'
TOO MUCH, AM I?
553
00:20:55,184 --> 00:20:56,565
- NO.
554
00:20:56,669 --> 00:20:58,257
DO WHAT YOU NEED TO--
DO WHAT YOU DO.
555
00:20:58,360 --> 00:21:01,501
HE SAID, "DO YOU MIND IF
I HAVE ANOTHER DRINK?"
556
00:21:01,605 --> 00:21:03,952
I SAID, "OH, NO, GO
AHEAD, DO WHAT YOU DO."
557
00:21:04,055 --> 00:21:06,575
YOU KNOW, BUT
ACTUALLY, I MIND.
558
00:21:09,406 --> 00:21:11,235
HOLD IT, UH,
THE FINGER SNAP, HUH?
559
00:21:11,339 --> 00:21:12,857
OKAY.
560
00:21:12,961 --> 00:21:15,343
I DON'T KNOW IF THIS
DATE CAN GET MUCH WORSE.
561
00:21:15,446 --> 00:21:17,310
- I REALLY LOVE
THAT HAIR.
562
00:21:17,414 --> 00:21:21,521
I, UH, I MISS BEING,
YOU KNOW, WITH A LADY,
563
00:21:21,625 --> 00:21:24,248
AND YOU ARE
JUST TOO MUCH.
564
00:21:24,352 --> 00:21:26,699
- I JUST MET HIM
FOR GOD SAKES.
565
00:21:26,802 --> 00:21:28,356
- TELL YOU WHAT
WE SHOULD DO.
566
00:21:28,459 --> 00:21:29,633
- WHAT SHOULD
BE DO?
567
00:21:29,736 --> 00:21:32,912
- LET'S RUN DOWN OVER THERE
TO THE, UH, BILTMORE.
568
00:21:33,015 --> 00:21:37,330
- HE WANTED TO GO TO SEE SOME
SIGHTS IN NORTH CAROLINA,
569
00:21:37,434 --> 00:21:40,920
AND I'M THINKING,
"OKAY" FOR A DAY.
570
00:21:41,023 --> 00:21:42,715
THAT'S A DAY
TRIP, RIGHT?
571
00:21:42,818 --> 00:21:43,716
- IT GETS DARK,
572
00:21:43,819 --> 00:21:46,166
SO I CAN'T PROMISE THAT
IT'LL BE A DAY TRIP.
573
00:21:46,270 --> 00:21:50,378
SOMETIMES YOU JUST YOU CAN'T,
UH... YOU HAVE TO STAY.
574
00:21:50,481 --> 00:21:52,172
YOU KNOW WHAT I'M
TALKIN' ABOUT?
575
00:21:52,276 --> 00:21:53,553
- UM-MM.
576
00:21:53,657 --> 00:21:55,314
AND THE GIRLS
SAY UH-UH.
577
00:21:55,417 --> 00:21:57,074
WRONG GIRL.
578
00:21:57,177 --> 00:21:58,869
ABSOLUTELY NOT--
UH-UH.
579
00:21:58,972 --> 00:22:01,561
NO, I KNOW WE'RE OLDER,
AND I KNOW LIFE IS SHORT
580
00:22:01,665 --> 00:22:03,908
BUT LIFE IS NOT
THAT SHORT.
581
00:22:04,012 --> 00:22:06,532
- BLIND DATE, I WAS-I
WAS UP FOR IT, RIGHT?
582
00:22:06,635 --> 00:22:08,672
BUT IT ALWAYS MAKES YOU A
LITTLE ANXIOUS, DON'T YOU THINK?
583
00:22:08,775 --> 00:22:11,468
- YES, ESPECIALLY
WHEN YOU'RE LATE.
584
00:22:11,571 --> 00:22:14,402
WELL, I THINK THIS DATE
IS WINDING DOWN,
585
00:22:14,505 --> 00:22:16,852
BUT HOW IS HE
GONNA GET HOME?
586
00:22:16,956 --> 00:22:18,923
DO YOU DRIVE?
587
00:22:19,027 --> 00:22:20,200
- ONLY WHEN
I HAVE TO.
588
00:22:20,304 --> 00:22:22,202
I'M GONNA HAVE
SOMEBODY PICK ME UP.
589
00:22:22,306 --> 00:22:23,376
- OH!
590
00:22:23,480 --> 00:22:24,412
- UH-HUH.
591
00:22:24,515 --> 00:22:25,551
- HE HAS A DRIVER.
592
00:22:25,654 --> 00:22:28,070
OKAY, SO THAT MEANS HE'S
FINANCIALLY STABLE.
593
00:22:28,174 --> 00:22:31,488
THAT KIND OF CHANGES
THE FLAVOR OF THE DATE.
594
00:22:31,591 --> 00:22:33,144
YOU KNOW WHAT
I MEAN?
595
00:22:33,248 --> 00:22:35,146
- WE'RE HAVING
FUN, RIGHT?
596
00:22:35,250 --> 00:22:36,907
I HOPE-I HOPE
YOU'RE HAVING FUN.
597
00:22:37,010 --> 00:22:40,773
- YEAH, ME-- I HOPE, I HOPE
YOU'RE HAVING FUN ALSO.
598
00:22:40,876 --> 00:22:43,500
AND WHEN IT WAS OVER,
WE EXCHANGED NUMBERS.
599
00:22:43,603 --> 00:22:46,675
WELL, I GAVE HIM MY NUMBER,
SO HE COULD CALL ME.
600
00:22:46,779 --> 00:22:49,298
I THINK HE WILL PROBABLY
GIVE ME A CALL.
601
00:22:49,402 --> 00:22:51,404
UH, I THINK HE
WAS IMPRESSED.
602
00:22:51,508 --> 00:22:54,234
- YEAH, YOU'RE OKAY.
603
00:22:54,338 --> 00:22:56,202
- THAT'S RIGHT.
604
00:22:56,305 --> 00:22:57,306
- OOH.
605
00:22:57,410 --> 00:22:59,170
- AND SO ARE YOU, KIDDO.
606
00:23:00,931 --> 00:23:04,590
I'M FINDING OUT THAT PLAYING
IN THE SNOW IS NOT SO BAD.
607
00:23:04,693 --> 00:23:07,109
WHO KNOWS, I MAY
CATCH A SNOWMAN.
608
00:23:14,807 --> 00:23:17,499
- I DECIDED TO INVITE ALL
THE GIRLS OVER FOR BRUNCH.
609
00:23:17,603 --> 00:23:19,605
AND I WANTED MOMMY
TO COME OVER, TOO,
610
00:23:19,708 --> 00:23:21,123
SO SHE COULD TELL
ME ABOUT HER DATE.
611
00:23:21,227 --> 00:23:24,403
AND I ALSO HAVE A VERY
SPECIAL ANNOUNCEMENT TO MAKE.
612
00:23:24,920 --> 00:23:27,751
OKAY, GUYS, I HAVE
DECIDED TO DO "PLAYBOY."
613
00:23:27,854 --> 00:23:29,753
- YAY!
614
00:23:29,856 --> 00:23:31,755
- I THINK SHE
SHOULD DO IT.
615
00:23:31,858 --> 00:23:33,342
SHE HAS
A GREAT BODY.
616
00:23:33,446 --> 00:23:34,792
I DON'T THINK IT'S
ANY DIFFERENT
617
00:23:34,896 --> 00:23:36,518
FROM THE OTHER STUFF
SHE'S EVER DONE.
618
00:23:36,622 --> 00:23:39,314
AT LEAST SHE'LL BE IN
A TASTEFUL MAGAZINE,
619
00:23:39,418 --> 00:23:41,040
AND IT'S "PLAYBOY."
620
00:23:41,143 --> 00:23:43,214
- REALLY?
- [indistinct]
621
00:23:43,318 --> 00:23:45,216
- WHAT--
I CAN'T UNDERSTAND.
622
00:23:46,977 --> 00:23:48,979
- I DON'T KNOW WHAT THAT MEANS.
- ME, EITHER.
623
00:23:49,082 --> 00:23:50,601
- WHAT DID SHE SAY?
- READ THE CAPTION.
624
00:23:53,224 --> 00:23:55,295
- TOWANDA AND TRINA
THINKS IT'S A GOOD IDEA
625
00:23:55,399 --> 00:23:57,574
FOR TONI TO DO
"PLAYBOY," AND I DON'T.
626
00:23:57,677 --> 00:24:00,473
AND I'M RIGHT,
AS USUAL.
627
00:24:00,577 --> 00:24:01,716
- NOTHING WRONG WITH
A LITTLE BOOBIES.
628
00:24:01,819 --> 00:24:03,200
I HAVE VERY
CUTE BOOBIES.
629
00:24:03,303 --> 00:24:05,513
THEY ONLY COST
ME $8,900.
630
00:24:05,616 --> 00:24:08,205
- I THINK A LOT OF MEN WILL
HAVE PROBLEMS WITH THAT.
631
00:24:08,308 --> 00:24:10,587
- I DON'T HAVE ONE
SO GUESS WHAT?
632
00:24:10,690 --> 00:24:12,002
- BUT THAT-THAT'S
NOT THE POINT.
633
00:24:12,105 --> 00:24:15,454
- WHAT'S THE POINT?
- MEN HAVE PROBLEMS WITH THAT.
634
00:24:15,557 --> 00:24:17,870
AS SIMPLE AS THAT--
LET'S JUST KEEP IT REAL.
635
00:24:17,973 --> 00:24:22,012
NO MAN WANTS HIS WIFE,
HIS GIRLFRIEND,
636
00:24:22,115 --> 00:24:25,256
OR HIS POTENTIAL WIFE
OR GIRLFRIEND
637
00:24:25,360 --> 00:24:27,845
TO BE NAKED IN
FRONT OF OTHER MEN.
638
00:24:27,949 --> 00:24:30,089
- MEN BE TRIPPIN' OUT
ABOUT STUFF LIKE THAT.
639
00:24:30,192 --> 00:24:31,504
TONI, THAT IS
THE TRUTH.
640
00:24:31,608 --> 00:24:33,575
- WHO TOLD YOU THAT--
IT, UH, IT'S "PLAYBOY."
641
00:24:33,679 --> 00:24:35,543
- ANY REAL MAN GONNA
HAVE ISSUE WITH THAT.
642
00:24:35,646 --> 00:24:37,372
I'M TELLING YOU.
- A REAL MAN?
643
00:24:37,476 --> 00:24:39,443
- ANY-- I'M TELLING YOU, YOU
GONNA HAVE A PROBLEM WITH IT--
644
00:24:39,547 --> 00:24:41,618
GABE WILL LET YOU
DO "PLAYBOY?"
645
00:24:41,721 --> 00:24:43,240
- ALL DAY LONG.
- NO, HE WON'T.
646
00:24:43,343 --> 00:24:44,483
THAT'S A LIE.
647
00:24:44,586 --> 00:24:46,001
- TAMAR DOES NOT KNOW
WHAT SHE'S TALKING ABOUT.
648
00:24:46,105 --> 00:24:48,590
GABE WOULD LOVE IT IF
I POSED FOR "PLAYBOY."
649
00:24:48,694 --> 00:24:51,179
TAMAR JUST NEEDS
TO CHILL OUT.
650
00:24:51,282 --> 00:24:52,249
I DON'T THINK
IT'S A PROBLEM.
651
00:24:52,352 --> 00:24:53,561
- THANK YOU, TRINA.
652
00:24:53,664 --> 00:24:55,390
SMOOCHES... SMOOCHES.
653
00:24:55,494 --> 00:24:57,426
OTHER WAY, SMOOCHES.
654
00:24:57,530 --> 00:25:00,326
- I HAVE TO
SAY SOMETHING.
655
00:25:00,429 --> 00:25:02,604
- I'M TONI BRAXTON,
[deleted].
656
00:25:02,708 --> 00:25:04,882
I DON'T CARE WHAT
OTHER PEOPLE THINK.
657
00:25:04,986 --> 00:25:06,539
IT IS ABOUT WHAT I
THINK ABOUT MYSELF.
658
00:25:06,643 --> 00:25:08,196
- WHOO-- BABY!
659
00:25:08,299 --> 00:25:09,818
- I AM VERY PROUD
OF MY BODY.
660
00:25:09,922 --> 00:25:10,888
IT'S GOOD
ENOUGH FOR HEF.
661
00:25:10,992 --> 00:25:13,270
HE KNOWS GOOD,
FABULOUS, SEXY BODIES,
662
00:25:13,373 --> 00:25:14,720
AND HE
PICKED ME.
663
00:25:14,823 --> 00:25:16,756
I THINK I'M IN
GREAT HANDS.
664
00:25:16,860 --> 00:25:18,586
MM, DIDN'T SOMEBODY
JUST HAVE A DATE?
665
00:25:18,689 --> 00:25:20,449
- MOMMY HAD
A BLIND DATE.
666
00:25:20,553 --> 00:25:22,244
- HOW DID IT GO?
667
00:25:22,348 --> 00:25:23,970
- LET ME TELL YOU
WHAT HAPPENED.
668
00:25:24,074 --> 00:25:26,559
HERE COME A MAN, HE
CAME IN, HIP-HOP,
669
00:25:26,663 --> 00:25:29,804
WITH A BIG EARRING
IN HIS-IN HIS EAR.
670
00:25:29,907 --> 00:25:32,116
AND I'M SITTIN' THERE LIKE,
"LORD, PLEASE TELL ME,
671
00:25:32,220 --> 00:25:34,602
"PLEASE TELL ME
THAT'S NOT THE MAN.
672
00:25:34,705 --> 00:25:36,535
"PLEASE, LORD."
673
00:25:36,638 --> 00:25:38,433
THEN THIS LITTLE MAN
CAME IN AFTER HIM
674
00:25:38,537 --> 00:25:40,055
WITH THREE FLOWERS.
675
00:25:40,159 --> 00:25:41,850
HE WAS SHORT.
676
00:25:41,954 --> 00:25:43,680
I WAS SO HAPPY, I DIDN'T
KNOW WHAT TO DO WITH MYSELF.
677
00:25:43,783 --> 00:25:45,509
- HE BROUGHT
YOU FLOWERS?
678
00:25:45,613 --> 00:25:47,235
- NOT BECAUSE
OF THE FLOWERS,
679
00:25:47,338 --> 00:25:49,548
BUT I WAS JUST
SO EXCITED
680
00:25:49,651 --> 00:25:52,585
THAT IT WASN'T
THE HIP-HOP MAN.
681
00:25:52,689 --> 00:25:53,655
- HOW'S HE LOOK?
682
00:25:53,759 --> 00:25:54,967
HE'S SHORT AND
WHAT ELSE?
683
00:25:55,070 --> 00:25:56,658
LIGHT SKIN, BROWN
SKIN, DARK SKIN?
684
00:25:56,762 --> 00:25:58,453
- HE WAS A SNOWMAN.
685
00:25:58,557 --> 00:26:00,075
- WHAT?
- HE WAS WHITE.
686
00:26:00,179 --> 00:26:01,732
- HE WAS A SNOWFLAKE?
- HE WAS A SNOWFLAKE.
687
00:26:01,836 --> 00:26:02,871
HE WAS A SNOWMAN.
688
00:26:02,975 --> 00:26:04,286
- YOU MEAN YOU WENT
ACROSS THE HIGHWAY?
689
00:26:04,390 --> 00:26:05,425
- YEAH!
690
00:26:05,529 --> 00:26:07,048
- WENT ACROSS
THE STREET, BABY.
691
00:26:07,151 --> 00:26:10,603
- WAS THAT YOUR FIRST DATE OF
NON-BLACK, AFRICAN-AMERICAN?
692
00:26:10,707 --> 00:26:13,088
- YOU MEAN, NON-LIGHT SKIN,
TALL WITH A MOUSTACHE.
693
00:26:13,192 --> 00:26:16,298
- EVERY SINGLE MAN MY MOMMA
GOES OUT WITH,
694
00:26:16,402 --> 00:26:19,992
HE'S LIKE SIX FEET, LIGHT
SKIN AND WITH A MOUSTACHE.
695
00:26:20,095 --> 00:26:23,167
MY DADDY.
696
00:26:23,271 --> 00:26:24,686
- 'CAUSE THEY ALL LIGHT SKIN,
TALL, WITH A MOUSTACHE.
697
00:26:24,790 --> 00:26:26,067
- I HATE HER SO
MUCH RIGHT NOW.
698
00:26:26,170 --> 00:26:27,965
- IT'S TRUE.
- TELLING THE TRUTH, MA.
699
00:26:28,069 --> 00:26:30,209
- ONLY ONE THING THAT BOTHERED
ME-- HE KEPT DRINKIN'.
700
00:26:30,312 --> 00:26:32,245
HE KEPT DRINKING.
701
00:26:32,349 --> 00:26:34,178
- MEN IN THEIR 60s LIKE
TO HAVE A COCKTAIL--
702
00:26:34,282 --> 00:26:35,939
- WAIT A MINUTE NOW--
THIS WAS TOO MANY.
703
00:26:36,042 --> 00:26:38,666
IT WAS FIVE OR
SIX OF 'EM.
704
00:26:38,769 --> 00:26:41,082
- I PERSONALLY DIDN'T
HAVE A PROBLEM WITH BOB
705
00:26:41,185 --> 00:26:44,154
OR WHATEVER HIS NAME IS
DRINKIN' HARD LIQUOR.
706
00:26:44,257 --> 00:26:46,915
EVERYBODY HAS A LITTLE
HARD LIQUOR SOMETIMES.
707
00:26:47,019 --> 00:26:49,884
- THAT'S A RED FLAG, THOUGH.
- HE WAS A NICE MAN.
708
00:26:49,987 --> 00:26:52,058
- SO YOU GUYS HIT IT OFF?
- YES, WE DID.
709
00:26:52,162 --> 00:26:54,578
TIME WENT REALLY BY.
- HOW WAS HIS TEETH?
710
00:26:54,682 --> 00:26:55,786
- I DIDN'T LOOK
AT HIS TEETH.
711
00:26:55,890 --> 00:26:56,925
- YOU HAD TO SEE THEM WHEN
YOU ALL WERE LAUGHING.
712
00:26:57,029 --> 00:26:58,340
- I WASN'T PAYING
ATTENTION TO HIS TEETH.
713
00:26:58,444 --> 00:26:59,203
- YOU DIDN'T LOOK
AT HIS TEETH?
714
00:26:59,307 --> 00:27:01,792
- I DIDN'T PAY ANY
ATTENTION TO HIS LIPS.
715
00:27:01,896 --> 00:27:03,863
- MOMMY WENT OUT ON
A DATE WITH A DRUNK,
716
00:27:03,967 --> 00:27:06,176
AND SHE DOESN'T
EVEN DRINK.
717
00:27:06,279 --> 00:27:08,350
I DON'T THINK I LIKE
THE SOUND OF THIS.
718
00:27:08,454 --> 00:27:09,869
- I WAS SO HAPPY--
719
00:27:09,973 --> 00:27:12,941
- DADDY WASN'T
A HIP-HOP MAN.
720
00:27:13,045 --> 00:27:15,461
- OTHER THINGS I DIDN'T
PAY ATTENTION TO.
721
00:27:15,564 --> 00:27:17,049
- DID YOU TALK TO
HIM AFTER THE DATE?
722
00:27:17,152 --> 00:27:18,567
- WELL, I HAVEN'T
SPOKEN TO HIM.
723
00:27:18,671 --> 00:27:19,879
- YOU HAVEN'T
TALK TO HIM?
724
00:27:19,983 --> 00:27:21,329
- I GAVE HIM
MY NUMBER.
725
00:27:21,432 --> 00:27:22,606
HE HASN'T
CALLED YET.
726
00:27:22,710 --> 00:27:24,504
- FIRST, THE MAN
GETS DRUNK.
727
00:27:24,608 --> 00:27:26,748
SECOND, HE DOESN'T
CALL HER THE NEXT DAY.
728
00:27:26,852 --> 00:27:28,716
UH-UH, NOT THE RIGHT
GUY FOR HER.
729
00:27:28,819 --> 00:27:29,855
SHE NEEDS
TO MOVE ON.
730
00:27:29,958 --> 00:27:31,511
THERE IS OTHER
FISH IN THE SEA.
731
00:27:31,615 --> 00:27:33,928
- HE HAS A DRIVER SO, YOU KNOW,
DOESN'T NEED TO DRIVE.
732
00:27:34,031 --> 00:27:35,654
- OH-- HE HAD
A DRIVER!
733
00:27:35,757 --> 00:27:38,035
- SOMEBODY
PICKED HIM UP.
734
00:27:38,139 --> 00:27:39,692
- THAT'S WHAT
I'M TALKIN' ABOUT.
735
00:27:39,796 --> 00:27:42,315
MOMMA NEEDS A RICH MAN
TO TAKE CARE OF HER.
736
00:27:42,419 --> 00:27:43,903
SHE AIN'T GETTIN'
NO YOUNGER.
737
00:27:44,007 --> 00:27:45,767
HERE-- HERE.
- CHEERS.
738
00:27:45,871 --> 00:27:47,873
- WELL, GUESS WHO'S
COMING TO DINNER?
739
00:27:47,976 --> 00:27:49,840
- YES!
740
00:27:52,153 --> 00:27:54,189
- I'M JUST SO
STRESSED OUT LATELY.
741
00:27:54,293 --> 00:27:56,640
I MEAN, I'M TRYING TO PUT
TOGETHER THIS APPRECIATION PARTY
742
00:27:56,744 --> 00:27:58,849
FOR VINCE SO HE
CAN DO MY ALBUM,
743
00:27:58,953 --> 00:28:01,783
AND HERE'S TONI POPPIN' OUT
WITH THIS "PLAYBOY" BUSINESS
744
00:28:01,887 --> 00:28:04,027
THAT I KNOW IS
NOT A GOOD IDEA.
745
00:28:04,130 --> 00:28:06,063
I JUST HAVE A LITTLE
SURPRISE FOR HER
746
00:28:06,167 --> 00:28:09,342
SO SHE CAN MAKE
THE RIGHT DECISION.
747
00:28:09,446 --> 00:28:12,345
SO IS IT TRUE YOU'RE REALLY
THINKIN' ABOUT DOING "PLAYBOY?"
748
00:28:12,449 --> 00:28:13,864
- I'M REALLY
THINKING ABOUT.
749
00:28:13,968 --> 00:28:15,555
- AND YOU THINK "PLAYBOY"
IS THE PICK-ME-UP ON THE--
750
00:28:15,659 --> 00:28:17,212
- I THINK IT'S NOT
A PICK-ME-DOWN.
751
00:28:17,316 --> 00:28:19,145
- AND YOU THINK ABOUT
THAT "PLAYBOY" QUESTION,
752
00:28:19,249 --> 00:28:21,044
BECAUSE I'M GONNA ASK YOU
AGAIN LATER ON TODAY.
753
00:28:21,147 --> 00:28:23,805
I WANT YOU TO HAVE A REAL
EDUCATED ANSWER ON WHAT,
754
00:28:23,909 --> 00:28:25,531
WHY YOU SHOULD DO
IT OR WHY NOT?
755
00:28:25,634 --> 00:28:26,912
- YOU ARE NOT
MY MOMMA!
756
00:28:27,015 --> 00:28:28,120
- NO, BECAUSE I REALLY
WANT YOU TO--FOR REAL--
757
00:28:28,223 --> 00:28:29,500
TO SIT DOWN AND
THINK ABOUT IT.
758
00:28:29,604 --> 00:28:31,571
AFTER THE LITTLE EXPERIMENT
THAT I HAVE PLANNED FOR TONI,
759
00:28:31,675 --> 00:28:34,954
I THINK SHE SHOULD SEE THINGS
A LITTLE MORE CLEARLY.
760
00:28:40,063 --> 00:28:41,685
- GOOD TO MEET YOU.
- HI, MARK.
761
00:28:41,789 --> 00:28:43,342
I'M TAMAR.
- TAMAR, HOW ARE YOU?
762
00:28:43,445 --> 00:28:45,068
GOOD TO MEET YOU.
- I'M THE ONE WHO SPOKE TO YOU.
763
00:28:45,171 --> 00:28:46,759
- COOL--
WELL, COME ON BACK.
764
00:28:46,863 --> 00:28:48,588
- SO IF TONI DECIDED
TO DO "PLAYBOY,"
765
00:28:48,692 --> 00:28:51,730
I THINK SHE NEEDS TO PRACTICE
TO SEE WHAT IT'S LIKE.
766
00:28:51,833 --> 00:28:54,905
SO, I SET UP A PHOTO SHOOT
AS A SURPRISE.
767
00:28:55,009 --> 00:28:57,494
- THIS IS
THE BOUDOIR AREA.
768
00:28:57,597 --> 00:28:58,702
- OKAY.
769
00:28:58,806 --> 00:29:01,429
- WHICH IS MORE ALONG
THE MEN'S MAGAZINE TYPE,
770
00:29:01,532 --> 00:29:03,293
UH, TYPE SHOTS.
771
00:29:03,396 --> 00:29:04,950
- GREAT-- OKAY-- GOT IT.
772
00:29:05,053 --> 00:29:06,434
- WHAT DID YOU
HAVE IN MIND?
773
00:29:08,401 --> 00:29:09,644
- YEAH, SO THIS WOULD
BE THE AREA, I THINK,
774
00:29:09,748 --> 00:29:12,026
THAT WE WOULD NEED,
THE BOUDOIR AREA,
775
00:29:12,129 --> 00:29:16,099
BECAUSE OF THE RACY PHOTOS
THAT I THINK SHE NEEDS
776
00:29:16,202 --> 00:29:17,894
TO TAKE FOR
TEST SHOOT.
777
00:29:17,997 --> 00:29:19,481
- OKAY--
AND ARE YOU NERVOUS?
778
00:29:19,585 --> 00:29:20,931
- NOT AT ALL.
- GOOD.
779
00:29:21,035 --> 00:29:22,553
EXCELLENT-- MOST PEOPLE COME
IN HERE AND THEY'RE LIKE,
780
00:29:22,657 --> 00:29:24,832
"OH, OKAY,
I'M-I'M READY."
781
00:29:24,935 --> 00:29:26,178
- WHAT'S HE
TALKIN' ABOUT?
782
00:29:26,281 --> 00:29:28,214
HE'S NOT TAKIN'
MY PICTURE.
783
00:29:28,318 --> 00:29:29,940
I'M SORRY.
784
00:29:30,044 --> 00:29:32,425
MY SISTER TOLD YOU I WAS
GONNA DO A TEST SHOOT?
785
00:29:32,529 --> 00:29:34,255
- UH, WELL,
UH, YEAH.
786
00:29:34,358 --> 00:29:36,844
- I'M SORRY, SIR, IT HAS
NOTHING TO DO WITH YOU.
787
00:29:36,947 --> 00:29:38,328
WOULD YOU GIVE
US FIVE MINUTES?
788
00:29:38,431 --> 00:29:41,124
THANK YOU-- THANK YOU--
THANK YOU.
789
00:29:41,227 --> 00:29:43,471
WHAT THE HELL IS
YOU THINKING?
790
00:29:43,574 --> 00:29:45,162
THAT'S NOT PROFESSIONAL--
791
00:29:47,958 --> 00:29:49,615
OTHER VAGINAS HAVE
BEEN ON THAT BED.
792
00:29:49,718 --> 00:29:51,375
THAT'S NOT COOL.
- LET'S GO DOWN TO TWO--
793
00:29:51,479 --> 00:29:53,964
- I WOULD NEVER DO A SHOOT
IN A PLACE LIKE THIS.
794
00:29:54,068 --> 00:29:56,277
- SHOOT AND SHOOT,
795
00:29:56,380 --> 00:29:58,210
AND, OH...
AND YES!
796
00:30:10,256 --> 00:30:12,189
- THE ARTISTIC NUDES ARE
ABOUT FORM AND FIGURE.
797
00:30:12,293 --> 00:30:14,709
THEY'RE ABOUT-THEY'RE ABOUT
CELEBRATION OF THE HUMAN BODY.
798
00:30:14,813 --> 00:30:17,367
- I'M SORRY, MY SISTER TOLD
YOU I WAS GONNA DO A TEST SHOOT?
799
00:30:17,470 --> 00:30:19,438
- UH, WELL,
UH, YEAH.
800
00:30:19,541 --> 00:30:22,061
- I'M SORRY, SIR, IT HAS
NOTHING TO DO WITH YOU.
801
00:30:22,165 --> 00:30:23,718
WOULD YOU GIVE
US FIVE MINUTES?
802
00:30:23,822 --> 00:30:26,203
THANK YOU-- THANK YOU--
THANK YOU.
803
00:30:26,307 --> 00:30:27,411
WHAT THE HELL
IS YOU THINKIN'?
804
00:30:27,515 --> 00:30:29,586
- DON'T READ ME.
- YES, I'LL READ YOU.
805
00:30:29,689 --> 00:30:30,932
WHAT THE HELL YOU THINKIN'
I'M DOING A TEST SHOT
806
00:30:31,036 --> 00:30:32,037
FOR SOME
STRANGER'S EARS.
807
00:30:32,140 --> 00:30:33,107
"HERE'S MY ASS AND
MY BREASTS, LOOK AT 'EM."
808
00:30:33,210 --> 00:30:34,902
I SAID I WOULD
CONSIDER GETTING NAKED
809
00:30:35,005 --> 00:30:37,249
FOR HUGH HEFNER/"PLAYBOY,"
810
00:30:37,352 --> 00:30:39,941
NOT FOR JUST ANY PERSON
WHO HAS A CAMERA.
811
00:30:40,045 --> 00:30:41,701
WHO DOES THAT--
VERY UNPROFESSIONAL.
812
00:30:41,805 --> 00:30:42,944
DON'T LET THE SISTERHOOD
FOOL YOU.
813
00:30:43,048 --> 00:30:44,497
- HOLD ON-- THAT'S JUST--
HOLD ON.
814
00:30:44,601 --> 00:30:45,844
- UNPROFESSIONAL, MY BUSINESS--
NOT COOL.
815
00:30:45,947 --> 00:30:47,224
- LET'S GO DOWN TO TWO.
- NOT COOL.
816
00:30:47,328 --> 00:30:49,399
- LET'S GO DOWN TO TWO BECAUSE--
- NO, I WILL NOT GO DOWN TO TWO.
817
00:30:49,502 --> 00:30:51,297
- ALL I'M SAYING IS YOU
ARE TAKING IT COMPLETELY
818
00:30:51,401 --> 00:30:52,160
OUT OF CONTEXT.
819
00:30:52,264 --> 00:30:53,644
- I AM NOT TAKING
IT OUT OF CONTEXT.
820
00:30:53,748 --> 00:30:55,129
I WOULD
NOT EVER--
821
00:30:55,232 --> 00:30:56,337
- HOW CAN YOU HEAR
IF YOU'RE TALKING?
822
00:30:56,440 --> 00:30:57,717
- BECAUSE I WANT
YOU TO HEAR ME.
823
00:30:57,821 --> 00:30:59,029
- HOW CAN YOU HEAR
IF YOU'RE TALKING--
824
00:30:59,133 --> 00:31:00,237
- I WOULD NEVER DO A SHOOT
IN A PLACE LIKE THIS.
825
00:31:00,341 --> 00:31:01,549
- YOU'RE OVERREACTING.
- NO, I'M NOT.
826
00:31:01,652 --> 00:31:03,344
OTHER VAGINAS HAVE BEEN
ON THAT BED, I'LL BET YOU.
827
00:31:03,447 --> 00:31:04,759
- I DIDN'T SAY,
"ON THE BED."
828
00:31:04,863 --> 00:31:07,382
LET ME SHOW YOU A FEW STEPS--
ALL YOU GOT TO DO IS TO ASK ME.
829
00:31:07,486 --> 00:31:10,040
NO, MA'AM--
I WOULD NEVER DO "PLAYBOY."
830
00:31:10,144 --> 00:31:12,525
BUT I DO KNOW
WHAT MY MAN LIKES.
831
00:31:12,629 --> 00:31:14,286
OKAY, I'M JUST
SHOWING YOU.
832
00:31:14,389 --> 00:31:16,391
I COULD GIVE YOU A FEW
POINTERS ON SOME SHOTS.
833
00:31:16,495 --> 00:31:17,668
YOU'D BE
DOING THAT.
834
00:31:17,772 --> 00:31:19,739
- I'M NOT DOING-- WHY YOU--
WHY ARE YOU DOING FRONTAL?
835
00:31:19,843 --> 00:31:21,120
I WOULD NEVER
DO FRONTAL.
836
00:31:21,224 --> 00:31:22,432
WHAT ARE YOU DOING--
IT'S NOT THAT.
837
00:31:22,535 --> 00:31:23,951
- LOOK BACK.
- IT WOULD NEVER BE FRONTAL.
838
00:31:24,054 --> 00:31:25,504
WHY ARE YOU DOING
A SPLIT V?
839
00:31:25,607 --> 00:31:28,403
YOU WOULD NEVER SHOW SUZY.
- NO, I GOT THIS COVERED.
840
00:31:28,507 --> 00:31:30,164
SEE THIS?
841
00:31:30,267 --> 00:31:31,959
- NO--
THAT'S NOT WHAT THEY DO.
842
00:31:32,062 --> 00:31:33,167
THAT'S NOT HOW
"PLAYBOY" DOES IT.
843
00:31:33,270 --> 00:31:35,548
YOU SHOULD SUBSCRIBE
TO "PLAYBOY."
844
00:31:35,652 --> 00:31:37,136
IT'S BEAUTIFUL PHOTOGRAPHY.
845
00:31:37,240 --> 00:31:38,827
- I DON'T NEED TO
SUB-SUBSCRIBE TO "PLAYBOY."
846
00:31:38,931 --> 00:31:39,898
- BEAUTIFUL PHOTOGRAPHY.
847
00:31:40,001 --> 00:31:41,416
- MY HUSBAND ENJOYS
LOOKIN' AT ME.
848
00:31:41,520 --> 00:31:45,800
DO YOU SEE-- HAVE
YOU SEEN ALL OF THIS?
849
00:31:45,904 --> 00:31:47,491
- OKAY, I'M DONE.
850
00:31:47,595 --> 00:31:48,907
- GIRL-- THEY CAN TAKE
A PICTURE LIKE THIS.
851
00:31:49,010 --> 00:31:51,047
YOU CAN GO--
852
00:31:51,150 --> 00:31:52,082
- I'M LEAVIN'--
I'M OUT.
853
00:31:52,186 --> 00:31:53,325
- OR YOU CAN GO--
854
00:31:53,428 --> 00:31:55,085
- "PLAYBOY" DON'T DO
PICTURES LIKE THAT, TAMAR.
855
00:31:55,189 --> 00:31:56,776
- THIS IS "PLAYBOY."
- THAT IS NOT "PLAYBOY."
856
00:31:56,880 --> 00:31:58,157
OKAY, I'LL SEE
YOU LATER.
857
00:31:58,261 --> 00:32:00,090
I APPRECIATE--
- IT'S JUST FOR PRACTICE.
858
00:32:00,194 --> 00:32:01,781
- I'M NOT GONNA DO NO
PRACTICE SHOWING MY BREASTS
859
00:32:01,885 --> 00:32:03,507
AND MY BOOBIES TO
SOME STRANGER.
860
00:32:03,611 --> 00:32:04,715
SORRY, SIR,
NO OFFENSE.
861
00:32:04,819 --> 00:32:07,028
- I'LL DO IT.
862
00:32:07,132 --> 00:32:09,582
I-I-I AIN'T
WASTIN' MY DEPOSIT.
863
00:32:09,686 --> 00:32:11,791
I'M JUST GONNA STAY HERE AND
GIVE VINCE SOMETHING SPECIAL
864
00:32:11,895 --> 00:32:15,071
FOR HIS APPRECIATION PARTY,
SO HE CAN APPRECIATE ME
865
00:32:15,174 --> 00:32:16,796
A LITTLE
BIT MORE.
866
00:32:16,900 --> 00:32:17,832
- YOU'RE GONNA DO
A NUDE SHOT FOR REAL?
867
00:32:17,936 --> 00:32:19,454
- I'M GONNA DO ME
A SHOT FOR MY MAN.
868
00:32:19,558 --> 00:32:22,595
NOTHIN' ELSE BUT TO GIVE
HIM AS FABULOUS AS ME.
869
00:32:22,699 --> 00:32:25,012
- AND YOU SEE NO CONTRADICTORY
IN THIS CONVERSATION AT ALL?
870
00:32:25,115 --> 00:32:26,461
- IT AIN'T ON
A MAGAZINE COVER.
871
00:32:26,565 --> 00:32:28,774
IT'S JUST GONNA
BE IN HIS BOUDOIR.
872
00:32:28,877 --> 00:32:31,052
- I KNEW IT--
I KNEW IT.
873
00:32:31,156 --> 00:32:33,227
TAMAR WAS ALL UP ON ME,
"TONI, DON'T DO 'PLAYBOY,'"
874
00:32:33,330 --> 00:32:37,024
BUT WHAT SHE REALLY WANTED
WAS TO DO HER OWN SHOOT.
875
00:32:37,127 --> 00:32:39,543
T-O-N-I IS LEAVING.
876
00:32:39,647 --> 00:32:41,062
- NO, LET'S
GET NAKED.
877
00:32:41,166 --> 00:32:43,547
SHOOT... AND SHOOT...
878
00:32:43,651 --> 00:32:45,687
AND OH...
AND YES.
879
00:32:45,791 --> 00:32:47,379
AND THAT'S IT.
880
00:32:47,482 --> 00:32:50,278
YES, I'M ALL SEXY
AND READY TO ROCK.
881
00:32:50,382 --> 00:32:52,453
LET'S TAKE
SOME PICTURES.
882
00:32:52,556 --> 00:32:53,419
- THAT'S A GOOD ONE.
883
00:32:53,523 --> 00:32:55,042
WE'LL DO ABOUT FIVE
DIFFERENT POSES HERE.
884
00:32:55,145 --> 00:32:56,664
- ALL RIGHT.
885
00:32:56,767 --> 00:32:58,597
- YEAH, ALL RIGHT.
886
00:32:58,700 --> 00:32:59,736
ALL RIGHT.
887
00:32:59,839 --> 00:33:01,462
RIGHT IN THERE--
BEAUTIFUL.
888
00:33:01,565 --> 00:33:02,877
AWESOME.
889
00:33:02,981 --> 00:33:05,431
EXCELLENT.
890
00:33:05,535 --> 00:33:07,744
RIGHT IN THERE.
891
00:33:07,847 --> 00:33:09,401
FOUR, FIVE.
892
00:33:09,504 --> 00:33:11,644
JUST LIKE THAT--
RIGHT IN THERE.
893
00:33:11,748 --> 00:33:12,956
GOOD--
COME IN TIGHT.
894
00:33:13,060 --> 00:33:14,751
JUST LIKE THAT--
PERFECT.
895
00:33:14,854 --> 00:33:15,786
GOOD-- OKAY.
896
00:33:15,890 --> 00:33:17,029
- IT'S A NEW EXPERIENCE.
897
00:33:17,133 --> 00:33:19,618
I'M FEELIN' A LITTLE
STRANGE, BUT YOU KNOW WHAT?
898
00:33:19,721 --> 00:33:21,689
I LOOK HOT.
899
00:33:21,792 --> 00:33:22,724
LET'S TAKE
SOME PICTURES.
900
00:33:22,828 --> 00:33:24,312
BOOM!
901
00:33:24,416 --> 00:33:27,557
LET ME GET DRESSED BEFORE
MY HUSBAND FIND ME.
902
00:33:37,843 --> 00:33:39,845
- HEY, MOMMY.
- HEY, YOU.
903
00:33:39,948 --> 00:33:41,398
- DO YOU WANT
SOMETHING TO DRINK?
904
00:33:41,502 --> 00:33:43,883
- JUST WATER FOR
ME, LITTLE GIRL.
905
00:33:43,987 --> 00:33:45,023
- I KNEW MY MOMMA
WASN'T TOO HAPPY
906
00:33:45,126 --> 00:33:46,576
ABOUT THE "PLAYBOY"
SHOOT IDEA,
907
00:33:46,679 --> 00:33:48,543
AND NOW I HAVE SOMETHING
ELSE I HAVE TO TELL HER
908
00:33:48,647 --> 00:33:50,235
THAT I DON'T THINK
SHE'S GONNA BE TOO HAPPY
909
00:33:50,338 --> 00:33:51,788
ABOUT THAT EITHER.
910
00:33:51,891 --> 00:33:53,617
UH, MA, UM--
911
00:33:53,721 --> 00:33:55,447
- YEAH.
912
00:33:55,550 --> 00:33:57,656
- I AM THINKING ABOUT
MOVING TO L.A.
913
00:33:57,759 --> 00:33:59,485
- WHAT?
914
00:33:59,589 --> 00:34:01,832
- I LOVE ATLANTA, BUT I'M
NOT WORKING IN ATLANTA.
915
00:34:01,936 --> 00:34:04,111
- YEAH?
916
00:34:04,214 --> 00:34:05,836
- SO, I NEED TO
GIVE [indistinct].
917
00:34:05,940 --> 00:34:06,906
SO, I WAS THINKIN'
ABOUT IT.
918
00:34:07,010 --> 00:34:07,907
- WHEN DO YOU WANT
TO DO THAT?
919
00:34:08,011 --> 00:34:10,186
- SOON AS THE KIDS
GET OUT OF SCHOOL.
920
00:34:10,289 --> 00:34:13,223
- TONI TELLS ME THAT SHE'S
MOVING TO LOS ANGELES.
921
00:34:13,327 --> 00:34:15,191
IT BREAKS MY HEART.
922
00:34:15,294 --> 00:34:18,159
YOU KNOW, I'M NOT SUPPOSED
TO TAKE CARE OF MY BABY
923
00:34:18,263 --> 00:34:20,541
ALL THE WAY
ACROSS COUNTRY.
924
00:34:20,644 --> 00:34:22,543
FOR YOUR JOB?
925
00:34:22,646 --> 00:34:24,062
- IT'S JUST, YOU KNOW,
L.A. IS THE PLACE YOU GO
926
00:34:24,165 --> 00:34:26,271
TO MAKE IT HAPPEN, AND
THEN YOU CAN GO OUT
927
00:34:26,374 --> 00:34:27,996
AND MOVE
OTHER PLACES.
928
00:34:28,100 --> 00:34:32,380
- L.A.'S NOT THAT FAR, FOUR AND
HALF HOUR RIDE ON THE PLANE.
929
00:34:32,484 --> 00:34:34,658
- WELL, NOW THREE
AND FORTY-FIVE.
930
00:34:34,762 --> 00:34:37,661
- UM, SOMETIMES IT'S FOUR,
BUT ANYWAY I CAN'T WATCH YOU
931
00:34:37,765 --> 00:34:41,044
WHEN YOU'RE IN L.A.
- WHAT DO YOU MEAN?
932
00:34:41,148 --> 00:34:42,735
- NOW, I MAY SAY, "HOW
ARE YOU TODAY, SWEETIE?"
933
00:34:42,839 --> 00:34:44,012
YOU SAY, "OH,
I'M FINE."
934
00:34:44,116 --> 00:34:45,635
BUT WHEN I COME
OVER HERE,
935
00:34:45,738 --> 00:34:48,258
I LOOK AT YOU AND I
KNOW YOU'RE NOT FINE.
936
00:34:48,362 --> 00:34:51,019
- I KNOW MY MOM WANTS TO
BE THERE FOR ME AND ALL,
937
00:34:51,123 --> 00:34:52,538
BUT I HAVE TO
BE HONEST.
938
00:34:52,642 --> 00:34:54,506
I FEEL A LITTLE MORE
COMFORTABLE BEING IN LOS ANGELES
939
00:34:54,609 --> 00:34:56,818
BECAUSE ALL
MY DOCTORS ARE THERE.
940
00:34:56,922 --> 00:34:58,579
I HOPE MY MOM
UNDERSTANDS THAT.
941
00:34:58,682 --> 00:35:00,028
WELL, THE GOOD THING IS
THAT IF I MOVE THERE,
942
00:35:00,132 --> 00:35:01,340
THAT THE DOCTORS
WILL BE THERE.
943
00:35:01,444 --> 00:35:02,962
IF I'M NOT FEELING GOOD, AND
I GO, I GO GET CHECKED OUT.
944
00:35:03,066 --> 00:35:04,378
- THAT'S TRUE, BUT
I NEED TO SEE
945
00:35:04,481 --> 00:35:06,276
TO MAKE SURE THAT
YOU ARE OKAY.
946
00:35:06,380 --> 00:35:07,519
I CAN'T
EXPLAIN IT.
947
00:35:07,622 --> 00:35:10,280
I KNOW SHE'LL HAVE HER
DOCTORS, BUT I WILL WORRY,
948
00:35:10,384 --> 00:35:13,663
BECAUSE I HAVE TO
SEE HER FOR MYSELF.
949
00:35:13,766 --> 00:35:14,871
I'M GONNA
MISS YOU,
950
00:35:14,974 --> 00:35:16,044
BUT I UNDERSTAND.
951
00:35:16,148 --> 00:35:17,356
BUT, MOMMY, YOU'LL COME
VISIT ALL THE TIME.
952
00:35:17,460 --> 00:35:19,117
- I KNOW I HAVE
IN THE PAST.
953
00:35:19,220 --> 00:35:21,049
- YES, AND I'VE LIVED
IN L.A. BEFORE.
954
00:35:21,153 --> 00:35:22,396
- THAT'S RIGHT-- YEAH.
955
00:35:22,499 --> 00:35:23,914
- WHEN I GET OUT THERE, I'M
GONNA NEED YOU TO COME OUT
956
00:35:24,018 --> 00:35:25,330
TO HELP ME GET SETTLED.
- OKAY.
957
00:35:25,433 --> 00:35:26,814
OKAY, I'LL
DO THAT.
958
00:35:26,917 --> 00:35:28,816
L.A. IS TOO
FAR AWAY.
959
00:35:28,919 --> 00:35:30,990
I CAN'T STOP
HER FROM GOING,
960
00:35:31,094 --> 00:35:33,234
BUT I DON'T THINK
IT'S A GOOD IDEA
961
00:35:33,338 --> 00:35:34,960
FOR HER TO MOVE
SO FAR AWAY.
962
00:35:35,063 --> 00:35:36,824
- MM.
963
00:35:49,077 --> 00:35:51,528
- TONIGHT IS
THE BIG NIGHT.
964
00:35:51,632 --> 00:35:53,254
IT'S VINCE'S
APPRECIATION PARTY,
965
00:35:53,358 --> 00:35:55,843
AND HE HAS NO IDEA
WHAT'S IN STORE FOR HIM.
966
00:35:55,946 --> 00:35:56,878
HI.
967
00:35:56,982 --> 00:35:58,915
AND THIS IS "BECAUSE
YOU'RE SO GREAT" PARTY.
968
00:35:59,018 --> 00:36:02,574
YOU KNOW, I REALLY
APPRECIATE VINCE A WHOLE LOT,
969
00:36:02,677 --> 00:36:05,853
SO I SAID TO MYSELF,
"SELF, THROW VINCE
970
00:36:05,956 --> 00:36:07,786
"AN APPRECIATION PARTY."
971
00:36:07,889 --> 00:36:09,270
HI, EVERYBODY.
972
00:36:09,374 --> 00:36:11,997
AND THEN HE CAN SHOW HOW
MUCH HE APPRECIATES ME
973
00:36:12,100 --> 00:36:13,757
BY DOING AN ALBUM FOR ME.
974
00:36:13,861 --> 00:36:15,207
- ALL THE STUFF YOU'VE
BEEN DOING IN YOUR CAREER,
975
00:36:15,311 --> 00:36:16,381
YOU'RE TRYING TO SAY
WHAT TAKES SO LONG?
976
00:36:16,484 --> 00:36:17,451
YOU KNOW IT
TAKES LONG.
977
00:36:17,554 --> 00:36:18,590
YOU HAVE TO SET THINGS
UP THE RIGHT WAY.
978
00:36:18,693 --> 00:36:20,557
DON'T DO THAT.
- VINCE, A RECORD IS A RECORD.
979
00:36:20,661 --> 00:36:23,353
- OKAY-- AND THAT'S THE END OF
THE CONVERSATION BECAUSE YOU--
980
00:36:23,457 --> 00:36:25,942
- NOT, IT'S NOT.
- YES, IT IS-- YES, IT IS.
981
00:36:26,045 --> 00:36:28,807
- AND I HAVE A SURPRISE BELLY
DANCING PERFORMANCE FOR VINCE.
982
00:36:28,910 --> 00:36:31,948
MY HOPE IS WHEN HE SEES ME
UP THERE, HE CAN BE LIKE,
983
00:36:32,051 --> 00:36:34,053
"YES, SHE NEEDS
TO BE ON STAGE.
984
00:36:34,157 --> 00:36:35,572
"DO IT."
985
00:36:35,676 --> 00:36:37,609
HELLO.
986
00:36:37,712 --> 00:36:40,922
I INVITED ALL OF MY FAMILY
AND ALL OF VINCE'S FRIENDS,
987
00:36:41,026 --> 00:36:43,511
AND EVERYBODY'S
HERE EXCEPT TONI.
988
00:36:43,615 --> 00:36:46,652
SHE'S LATE,
OF COURSE.
989
00:36:46,756 --> 00:36:47,929
- YOU LOOK CUTE, THOUGH,
SUPER CUTE.
990
00:36:48,033 --> 00:36:50,173
- JUST A LITTLE TIGHT
WITH TON-- WITH TONI.
991
00:36:50,277 --> 00:36:52,382
ANYTHING THAT I
HAVE, THEY'RE LATE.
992
00:36:52,486 --> 00:36:54,246
TRINA.
- I'M TRINA.
993
00:36:54,350 --> 00:36:57,180
- TRINA, TOWANDA, TRACI
AND TONI ARE ALWAYS LATE.
994
00:36:57,284 --> 00:36:58,492
- YOU CAN'T TALK ABOUT
ME IN THIRD PERSON.
995
00:36:58,595 --> 00:36:59,872
I'M STANDIN' IN
FRONT OF YOU.
996
00:36:59,976 --> 00:37:02,081
- I'M JUST SO UPSET I CAN POP
AND SCREAM RIGHT NOW, I GUESS.
997
00:37:02,185 --> 00:37:03,773
- DON'T SCREAM.
998
00:37:03,876 --> 00:37:06,327
- TAMAR IS TOTALLY FREAKING
OUT ABOUT TONI BEING LATE.
999
00:37:06,431 --> 00:37:08,364
SHE'S KIND OF
LOST HER MIND.
1000
00:37:08,467 --> 00:37:10,952
- I MEAN, BUT THEY KNEW
WHAT TIME TO BE HERE.
1001
00:37:11,056 --> 00:37:13,196
ALL RIGHT, WE'VE BEEN TALKIN'
ABOUT THIS FOR THREE DAYS.
1002
00:37:13,300 --> 00:37:15,233
- CAN YOU MOVE YOUR HAIR?
- I'M JUST SO MAD.
1003
00:37:15,336 --> 00:37:17,235
- COME ON, LET'S GO SIT DOWN--
COME ON.
1004
00:37:17,338 --> 00:37:19,098
LET'S GO HAVE SOME
MOROCCAN WINE.
1005
00:37:19,202 --> 00:37:21,618
- THEY AIN'T GOT NONE--
WHERE'S TONI?
1006
00:37:21,722 --> 00:37:23,965
THIS PARTY IS REALLY
IMPORTANT TO ME,
1007
00:37:24,069 --> 00:37:25,760
AND I JUST CAN'T
LET TONI RUIN IT.
1008
00:37:25,864 --> 00:37:28,832
I JUST HOPE NOTHING
ELSE GOES WRONG.
1009
00:37:28,936 --> 00:37:30,213
- NO, I'VE NEVER BEEN
HERE BEFORE IN MY LIFE.
1010
00:37:30,317 --> 00:37:32,180
- WELL, YOU
KNOW WHAT?
1011
00:37:32,284 --> 00:37:33,975
I FIGURED NEW
EXPERIENCES.
1012
00:37:34,079 --> 00:37:36,323
- OKAY.
- NEW THINGS.
1013
00:37:36,426 --> 00:37:37,669
- I'M GONNA TELL YOU I
DON'T DO EXPERIENCE.
1014
00:37:37,772 --> 00:37:39,498
GONNA BE ALONG WITH
SOME DOMINOES.
1015
00:37:39,602 --> 00:37:41,189
WHAT KING OF FOOD
THEY GOT HERE?
1016
00:37:41,293 --> 00:37:42,915
- THEY GOT THE GOOD, GOOD--
- NO, THEY DON'T.
1017
00:37:43,019 --> 00:37:44,123
- UH-HUH.
1018
00:37:44,227 --> 00:37:45,608
- YOU HAVE FRIED CHICKEN AND
MASHED POTATOES ON THE MENU?
1019
00:37:45,711 --> 00:37:48,818
- VINCENT, IS A MEAT AND
POTATOES TYPE OF GUY.
1020
00:37:48,921 --> 00:37:52,200
HE WANTED SOME PORK CHOPS,
SOME FRIED CHICKEN,
1021
00:37:52,304 --> 00:37:54,272
SOME MASHED POTATOES,
MACARONI AND CHEESE,
1022
00:37:54,375 --> 00:37:57,930
COLLARD GREENS, CANDY YAMS
AND A BAKED PIE.
1023
00:37:58,034 --> 00:37:59,311
- HEY, Y'ALL.
1024
00:37:59,415 --> 00:38:00,347
- CHILL OUT-- I'M TALKIN'
TO SOME PEOPLE.
1025
00:38:00,450 --> 00:38:01,555
WHY YOU ALL IN
THIS CONVERSATION?
1026
00:38:01,658 --> 00:38:02,556
- WELL, YOU SHOULD
BE MORE NICE.
1027
00:38:02,659 --> 00:38:03,626
- I'M NOT
BOTHERIN' NOBODY.
1028
00:38:03,729 --> 00:38:04,627
- YOU SHOULD BE
MORE APPRECIATIVE
1029
00:38:04,730 --> 00:38:06,076
AT YOUR APPRECIATION DINNER.
1030
00:38:06,180 --> 00:38:09,356
- TAMAR, YOU SHOULD APPRECIATE
THAT I DON'T GET OUT OF THE CAR
1031
00:38:09,459 --> 00:38:11,737
AND GET BACK IN THE CAR
AND SAY I'M GOING DOWNTOWN.
1032
00:38:11,841 --> 00:38:13,636
WHAT'S THE HOTDOG
PLACE OVER THERE?
1033
00:38:13,739 --> 00:38:16,880
- THIS HERE IS
NOT COOL.ORG.
1034
00:38:16,984 --> 00:38:19,849
I'M TRYING TO GET VINCE IN
A GOOD MOOD SO HE CAN GO
1035
00:38:19,952 --> 00:38:22,300
AND DO MY ALBUM, AND WE
ALL AROUND HERE SITTIN'
1036
00:38:22,403 --> 00:38:25,751
LIKE SOME CRAZY PEOPLE,
WAITIN' ON TONI BRAXTON.
1037
00:38:25,855 --> 00:38:27,857
YOU'RE NOT ALLOWED
TO BE ON YOUR PHONE.
1038
00:38:27,960 --> 00:38:30,480
IT'S 8 O'CLOCK--
BUSINESS HOURS IS OVER.
1039
00:38:30,584 --> 00:38:31,688
- RIGHT NOW.
- STOP.
1040
00:38:31,792 --> 00:38:33,311
- NO, SERIOUSLY.
1041
00:38:35,347 --> 00:38:36,417
- FOR REAL?
1042
00:38:36,521 --> 00:38:37,901
I'M, LIKE, STRESSIN'
OUT BECAUSE, YOU KNOW,
1043
00:38:38,005 --> 00:38:41,560
TONI'S NOT HERE AND VINCE IS
COMPLAININ' ABOUT THE FOOD,
1044
00:38:41,664 --> 00:38:44,080
AND NOW HE'S
TEXTING.
1045
00:38:44,183 --> 00:38:46,531
AND I'M JUST THINKIN' LIKE
THIS APPRECIATION PARTY
1046
00:38:46,634 --> 00:38:49,672
IS TURNING INTO "MY CAREER
IS IN JEOPARDY" PARTY.
1047
00:39:03,755 --> 00:39:05,377
- I'M GOING TO BE THROWING
VINCE AN APPRECIATION PARTY,
1048
00:39:05,481 --> 00:39:07,793
AND I'M GOING TO BE DOING
A BELLY DANCE PERFORMANCE
1049
00:39:07,897 --> 00:39:11,728
JUST TO REMIND HIM OF WHY
I NEED TO BE ON STAGE.
1050
00:39:11,832 --> 00:39:14,075
BUT TONI'S LATE,
AND I AM NERVOUS,
1051
00:39:14,179 --> 00:39:16,595
AND I JUST FEEL LIKE ALL OF
MY CHANCES OF DOING MY ALBUM
1052
00:39:16,699 --> 00:39:18,079
IS OUT OF
THE WINDOW.
1053
00:39:18,183 --> 00:39:21,048
IT-IT DIDN'T TURN OUT
RIGHT 'CAUSE TONI'S LATE.
1054
00:39:21,151 --> 00:39:23,257
OKAY-- AND WE'RE SITTIN' HERE
FOR AN EXTRA 45 MINUTES.
1055
00:39:23,361 --> 00:39:24,948
- TAMAR--
- AN HOUR.
1056
00:39:25,052 --> 00:39:26,640
- HI.
1057
00:39:26,743 --> 00:39:28,745
- NICE OF YOU TO JOIN US--
HI.
1058
00:39:28,849 --> 00:39:29,953
- I GOT LOST.
1059
00:39:30,057 --> 00:39:31,403
- AN HOUR AGO.
1060
00:39:31,507 --> 00:39:33,094
- BECAUSE YOU GUYS SAID
IT WAS OVER THERE.
1061
00:39:33,198 --> 00:39:35,131
I DIDN'T KNOW THIS LITTLE
MINI-SHOPPING CENTER.
1062
00:39:35,234 --> 00:39:36,477
I GOT LOST.
1063
00:39:36,581 --> 00:39:38,686
- TONI ALWAYS HAS
SOME KIND OF EXCUSE.
1064
00:39:38,790 --> 00:39:41,620
BUT I'M NOT GONNA LET
HER RUIN MY PARTY.
1065
00:39:41,724 --> 00:39:44,727
I HAVE SOME SURPRISES
UP MY SLEEVE.
1066
00:39:51,596 --> 00:39:53,218
WE'RE AT THE MOROCCAN
RESTAURANT,
1067
00:39:53,321 --> 00:39:55,841
AND TWO BELLY DANCERS
COME OUT,
1068
00:39:55,945 --> 00:39:57,981
AND I'M USED TO
SOME BELLY DANCERS
1069
00:39:58,085 --> 00:40:01,606
HAVIN' A LITTLE BIT OF ROLLS
ON THE SIDE OR IN THE FRONT.
1070
00:40:01,709 --> 00:40:04,505
BUT THIS ONE GIRL-- HER BELLY
WAS JUST REALLY LARGE.
1071
00:40:04,609 --> 00:40:07,025
SHE'S PREGNANT.
1072
00:40:10,649 --> 00:40:12,375
- I DON'T KNOW IF VINCENT
LOVED THE BELLY DANCING.
1073
00:40:12,479 --> 00:40:14,550
ONCE HE SAW THE PREGNANT
DANCING GIRL,
1074
00:40:14,653 --> 00:40:16,586
HE SAID TO TAMAR, "WHY IS
THE PREGNANT GIRL HERE?
1075
00:40:16,690 --> 00:40:17,932
"WHAT'S GOING ON?"
1076
00:40:18,036 --> 00:40:21,211
- SHE ROLLIN' HER BELLY
WITH A BABY IN IT.
1077
00:40:21,315 --> 00:40:22,627
WHO DOES THAT?
1078
00:40:22,730 --> 00:40:24,939
WHERE THEY
FIND HER AT?
1079
00:40:25,043 --> 00:40:27,079
I WAS SO
EMBARRASSED.
1080
00:40:36,537 --> 00:40:37,573
OKAY, WE READY.
1081
00:40:37,676 --> 00:40:39,609
AFTER THAT
PREGNANT BELLY DANCIN',
1082
00:40:39,713 --> 00:40:42,612
I NEED TO GIVE VINCE SOMETHING
HE'S GONNA ACTUALLY LOOK AT.
1083
00:41:30,971 --> 00:41:31,972
WE SET IT OFF.
1084
00:41:32,075 --> 00:41:34,043
YOU KNOW, WE WAS DOING
A LITTLE DANCIN' MOVE,
1085
00:41:34,146 --> 00:41:36,528
WAS SNAKIN' ON HIM, WAS
DRIVIN' IT TO THE FLOOR,
1086
00:41:36,632 --> 00:41:37,598
WE PICKED
IT BACK UP.
1087
00:41:37,702 --> 00:41:39,669
WE WAS DOING
THE DAMN THING.
1088
00:41:44,812 --> 00:41:48,506
WE JUST WANT TO SAY
THAT WE APPRECIATE...
1089
00:41:50,646 --> 00:41:52,026
- THE WALK.
1090
00:41:52,130 --> 00:41:54,408
- MY APPRECIATION
GIFT TO VINCENT WAS,
1091
00:41:54,512 --> 00:41:57,653
DING-DING-DING,
MYSELF-- HELLO.
1092
00:41:57,756 --> 00:41:59,171
WHO DOESN'T
APPRECIATE THAT?
1093
00:41:59,275 --> 00:42:00,552
- TEAR IT OFF.
1094
00:42:00,656 --> 00:42:01,449
TEAR IT OFF.
1095
00:42:01,553 --> 00:42:02,589
TEAR IT OFF.
1096
00:42:02,692 --> 00:42:03,590
TEAR IT OFF.
1097
00:42:03,693 --> 00:42:04,556
TEAR IT OFF.
1098
00:42:04,660 --> 00:42:05,799
TEAR IT OFF.
1099
00:42:11,425 --> 00:42:13,082
- READY-- READY?
1100
00:42:19,951 --> 00:42:24,162
- SERIOUSLY, TAMAR DIDN'T
WANT ME TO DO "PLAYBOY"
1101
00:42:24,265 --> 00:42:25,784
'CAUSE YOU
HAVE KIDS.
1102
00:42:25,888 --> 00:42:28,373
BUT SHE'S GIVIN' VINCE
A NUDE PICTURE OF HER
1103
00:42:28,476 --> 00:42:30,271
IN FRONT OF MY KIDS,
TRINA'S KIDS,
1104
00:42:30,375 --> 00:42:33,861
TOWANDA'S KIDS, AND THE PEOPLE
AT THE RESTAURANT KIDS.
1105
00:42:38,003 --> 00:42:39,557
I THINK MY BROTHER-IN-LAW,
VINCENT,
1106
00:42:39,660 --> 00:42:42,076
WAS A LITTLE BIT
EMBARRASSED BY THE PICTURE.
1107
00:42:42,180 --> 00:42:43,837
- GO BACK OVER THERE.
1108
00:42:43,940 --> 00:42:48,186
- VINCENT WAS A LITTLE
SHOCKED THAT HIS WIFE
1109
00:42:48,289 --> 00:42:52,190
DID A PHOTO LIKE THIS--
A HALF-NAKED PHOTO.
1110
00:42:52,293 --> 00:42:54,744
- I TOLD TAMAR SHE SHOULD GIVE
HIM THE PICTURE IN PRIVATE,
1111
00:42:54,848 --> 00:42:56,953
BUT YOU KNOW TAMAR.
1112
00:42:58,334 --> 00:43:01,509
- TAMAR'S GIFT TO VINCENT COULD
NOT HAVE BEEN ANY MORE VAIN.
1113
00:43:01,613 --> 00:43:03,581
VINCENT DIDN'T
LIKE IT AT ALL.
1114
00:43:03,684 --> 00:43:05,652
- I THINK IT MADE HIM JUST
A LITTLE EMBARRASSED.
1115
00:43:05,755 --> 00:43:07,826
YOU KNOW, I'M NOT REALLY
SURE IF HE LIKED IT OR NOT.
1116
00:43:07,930 --> 00:43:10,242
HE ONLY SAID,
"OH, THAT'S GREAT."
1117
00:43:10,346 --> 00:43:11,554
AND HE NEVER
TALKED ABOUT IT.
1118
00:43:11,658 --> 00:43:13,418
HE STILL HASN'T
SAID ANYTHING ELSE.
1119
00:43:13,521 --> 00:43:16,628
I JUST THINK MY APPRECIATION
PARTY WAS NOT APPRECIATED.
1120
00:43:21,771 --> 00:43:23,842
- I WANT TO CHALLENGE YOU
TO PUT THE ALCOHOL DOWN.
1121
00:43:23,946 --> 00:43:26,500
- WHAT-- LIKE RIGHT
THIS SECOND?
1122
00:43:26,604 --> 00:43:30,055
- TAMAR INVITES US
TO COME TO MARYLAND
1123
00:43:30,159 --> 00:43:33,058
TO KIND OF FACE OUR
DEMONS WITH OUR DAD.
1124
00:43:33,162 --> 00:43:34,991
- TONI, YOU HAVE TO GO--
WE HAVE TO GO.
1125
00:43:35,095 --> 00:43:37,235
- TOWANDA.
1126
00:43:37,338 --> 00:43:39,099
- HUH?
1127
00:43:39,202 --> 00:43:40,963
- GET THE [deleted]
OFF MY PROPERTY.
1128
00:43:41,066 --> 00:43:43,344
- PLEASE, SEND A SQUAD CAR
TO PICK TONI BRAXTON UP.
1129
00:43:43,448 --> 00:43:44,932
SHE'S TRESPASSIN'.
1130
00:43:45,036 --> 00:43:46,589
- THEY DON'T HAVE
A BIG DOG, DO THEY?
1131
00:43:46,693 --> 00:43:49,212
- WHERE ARE YOU, DADDY?
1132
00:43:52,975 --> 00:43:54,217
- YOU WENT TO JAIL.
1133
00:43:54,321 --> 00:43:56,323
- THANK YOU-- THANK YOU
FOR REHASHING THAT.
1134
00:43:56,426 --> 00:43:58,256
- ARE YOU KIDDING ME?
1135
00:43:58,359 --> 00:44:00,120
I DON'T BELONG HERE.
84613
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