Original subtitles

- I CAN'T BELIEVE WE'RE IN RUSSIA.

THIS IS SO EXCITING!

- WE DON'T HAVE OUR BAGS YET--

- I KNOW THE CLOTHES AREN'T HERE.

DON'T COVER BY LYING.

- THE SHERIFF CAME BY

AND SAID YOU HAVE TO BE OUT OF HERE BY TOMORROW.

- TOMOR-- ARE YOU SERIOUS? - THAT'S RIGHT.

- I JUST DECIDED TO CALL MY STYLIST

BECAUSE I FELT LIKE SHE'S THE ONLY PERSON WHO I CAN TRUST

THAT WILL GO ALONG WITH MY IMAGE.

- SHE WANTED TASSELS ON HER NIPPLES.

- YOU KNOW BETTER THAN THIS.

THAT'S NOT COOL, BABE.

SING SOMETHING RIGHT NOW.

- DOO, DOO, DOO, DOO, DOO. - NO, SERIOUSLY, SING SOMETHING.

- WHAT DO YOU WANT ME TO SING?

- TONI INVITES THIS REALLY SUPER, DUPER WEIRD GUY

ON THE STAGE.

SECURITY!

- I HAVE THIS AMAZING OPPORTUNITY TO GO TO RUSSIA

AND PERFORM AT THE KREMLIN.

AND I'M REALLY EXCITED.

AND ALL OF MY SISTERS ARE GONNA COME AND JOIN ME

AND TAMAR IS GONNA MEET US IN ATLANTA FOR REHEARSAL.

- HEY. - HEY.

- HEY.

- READY FOR REHEARSAL? - YEAH.

- DID TAMAR CALL YOU? - NO, SHE CALL YOU?

- TAMAR, WHO IS SUPPOSED TO BE IN ATLANTA THIS MORNING,

CALLED ME FROM LOS ANGELES

AND SAID SHE WASN'T COMING TO RUSSIA

TO BE TONI'S BACKGROUND SINGER.

SO, NOW WHAT?

- YOU DON'T THINK SHE'S GOIN'

OR YOU KNOW FOR A FACT SHE'S NOT GOIN'.

- I'M ONE HUNDRED PERCENT SURE SHE'S NOT GOING TO RUSSIA.

AND THEN, TRACI'S VISA DIDN'T COME IN IN TIME FOR FRIDAY.

- FINDING OUT I WAS NOT GOING TO RUSSIA,

I THOUGHT IT WAS A JOKE, AT FIRST.

I'M REALLY NOT GOING?

NO, YOU'RE NOT GOIN' BECAUSE OF THE VISA.

ARE YOU SURE?

- TRACI, I'M JUST GONNA--

WE'RE JUST GONNA HAVE TO BRING YOU BACK SOME VODKA.

- I WANTED TO GO TO RUSSIA.

- WE WANTED YOU TO GO, TOO.

- I WAS-- I WAS HURT.

Y'ALL READY? - WELL, I'M KINDA READY.

I NEED SOME HELP.

- SO, YOU WANNA TAKE OUT YOUR RIGHT ARM.

- YOUR OTHER RIGHT.

- STRAIGHT.

- OH, THIS ARM.

- TRINA, I THOUGHT YOU KNEW THE CHOREOGRAPHY.

- I DO.

- THEN TO THE RIGHT.

- WOW.

SHE HAS BEEN DOIN' IT FOR A WHILE

AND SHE STILL DON'T KNOW THE CHOREOGRAPHY.

- DAMN IT.

I DON'T-- IT FEELS NATURAL TO GO HERE FIRST.

THIS RUSSIA CONCERT IS SO IMPORTANT TO TONI.

AND WITH TAMAR NOT COMING, I HAVE TO BE LIKE SPOT ON.

- WERE YOU GUYS WORKIN' ON STUFF?

- WELL...

YEAH, SORT OF.

- WHAT'S WRONG?

- YOU TALK TO TAMAR?

- NO-- WHERE IS SHE?

- I DON'T KNOW-- I WAS JUST ASKIN'.

- I THINK SHE'S SUPPOSED TO BE COMING.

- I TOLD TONI TO CALL TAMAR BECAUSE, YOU KNOW WHAT,

TAMAR IS THE ONE WHO FLAKED, SO TAMAR NEEDS TO BE THE ONE

TO BREAK THE NEWS TO TONI NOT ME.

- GUYS, GIVE ME A SECOND.

I'M GONNA TRY TO CALL TAMAR-- ONE SECOND.

- HELLO?

- HEY, TAY, WHERE ARE YOU?

OKAY, HERE I AM-- WHERE ARE YOU?

IS EVERYTHING OKAY?

WHERE AT?

DO WHAT YOU GOTTA DO-- CALL ME LATER.

I'M IN THE MIDDLE OF REHEARSALS NOW

AND I ONLY HAVE LIKE ANOTHER HOUR AND A HALF TO GO.

SO, I WILL CALL YA BACK.

WHAT THE HELL?

DAMN.

SHE BAILED ON ME AND THAT'S SO NOT LIKE HER.

SO, I AM TRYING TO BE OPTIMISTIC AT THE SAME TIME

AND GO, "PERHAPS SOMETHING HAPPENED."

BUT I DON'T WANNA BE OPTIMISTIC RIGHT NOW.

I'M MAD, RIGHT NOW.

- I WISH TRACI COULD BE THERE.

TRACI COULDA HELPED ME. - SORRY, TRE.

- I FELT AS THOUGH,

HERE I GO AGAIN BEING LEFT BEHIND AGAIN.

LIKE A PIECE OF LUGGAGE THAT COULDN'T GO INTO THE PLANE

BECAUSE THEY ALREADY HAVE SIXTEEN LUGGAGES.

IF I HAD MY VISA, I WOULD BE THE ONE SINGIN' BACKUP.

- I HAVE TO FIGURE OUT WHO WE GONNA CALL TO STEP IN

FOR TAMAR'S PLACE.

WHY DON'T YOU DO IT?

IF YOU DON'T MIND.

- NO, I DON'T MIND. - OKAY.

- IT'S GONNA BE A LITTLE CHALLENGING

BEING TONI'S PERSONAL ASSISTANT,

HER SEAMSTRESS, HER STYLIST,

HER MAKEUP ARTIST, HER HAIR STYLIST

AND ALL THAT GOOD STUFF.

AND BEING HER BACKGROUND SINGER.

I HAVE TO MAKE SOME RUNS REAL FAST.

I HAVE TO MAKE SURE EVERYTHING IS DONE.

- I CAN'T STAY THAT LONG.

- WHAT TIME YOU GOTTA LEAVE?

- I'VE GOT MARRIAGE COUNSELIN'.

- WHAT THE HELL?

FIRST, TAMAR CANCELS AND NOW TRINA SKIPS OUT ON REHEARSAL.

I SWEAR IF THEY WEREN'T MY SISTERS,

THEY WOULD BE SO FIRED.

I WOULD FIRE THEM-- I WOULD.

- LOVE YOU.

- GO WORK ON YOUR MARRIAGE.

- RIGHT-- WE'LL SEE HOW THAT WORKS OUT.

- I CAN DO IT ALL.

I'LL DO THE BACKGROUND VOCALS.

I'LL DO THE LEAD.

I'LL DO THE BACKHOUSE SOUND.

I'LL DO IT ALL.

I'LL JUST DO IT ALL.

- I LIED TO TONI.

I NEVER EVER LIE TO TONI.

BUT I FELT LIKE I HAD TO BECAUSE I DIDN'T WANNA GO

TO RUSSIA AND SING DOO-WOP-BOP-BOP.

AND PLUS, I THOUGHT IT WOULD BE A BETTER IDEA

IF I STAYED HERE IN L.A.

AND WORKED ON MY SOLO CAREER WITH VINCE.

SO, WHAT'S THE ORDER OF BUSINESS?

WHAT EXACTLY ARE WE DOING HERE?

- TRY TO FIGURE OUT

HOW WE CAN GET YOUR PROJECT STARTED.

- I AIN'T GON' SAY I HEARD, THAT I HEARD,

THAT I HEARD, BUT I DID...

THAT YOU SAID IT'S ONLY GONNA TAKE LIKE THREE MONTHS.

AND IF THAT IS THE CASE, HOW COME WE WAITED THIS LONG

TO DO MINE?

- IT JUST DOESN'T HAPPEN THE WAY YOU WANT IT TO HAPPEN

BECAUSE YOU'RE MY WIFE.

- THINGS ARE BAD BETWEEN TO US.

- WHEN IT COMES TO YOUR MUSIC CAREER IT'S ALREADY BAD

BECAUSE YOU DON'T LISTEN.

- YOU ARE REALLY BEIN' OVER THE TOP DOT COM.

- IT'S NOT BEING OVER THE TOP DOT COM.

YOU KNOW WHAT IT IS?

IT'S THE TRUTH DOT COM

AND YOU DON'T WANNA ACCEPT THAT.

IF YOU DON'T LISTEN, YOU CAN'T WIN.

ALL THE STUFF YOU'VE BEEN THROUGH IN YOUR CAREER

AND YOU TRYIN' TO SAY WHAT TAKES SO LONG--

YOU KNOW IT TAKES LONG.

YOU HAVE TO SET THINGS UP THE RIGHT WAY-- DON'T DO THAT.

- BUT THESE RECORDS ARE RECORDS.

- OKAY.

- I DON'T... I DON'T GET THE TENSION ALL OF THE SUDDEN.

ALL I AM DOIN' IS ASKIN' QUESTIONS.

I DON'T KNOW WHY HE'S GETTING SO DEFENSIVE.

I MEAN, HE'S JUST ACTIN' LIKE I DON'T HAVE NO RIGHT

TO ASK HIM ANYTHING.

LIKE, ISN'T THIS MY BUSINESS.

- AND THAT'S THE END OF THE CONVERSATION.

- NO, IT'S NOT. - YES, IT IS.

TO ME IT IS.

- BUT WHY IS IT THE END OF THE CONVERSATION

WHEN I REALLY DO HAVE SERIOUS CONCERNS?

I MEAN, TO ME THIS IS JUST SO RUDE.

HE SAYS HE'S GONNA PRODUCE MY RECORD

AND THEN WHEN I ASK HIM ABOUT THE DETAILS

HE'S GONNA GET UP AND LIKE, WALK AWAY.

LIKE...

I JUST REALLY HONESTLY WANNA KNOW

IS IT GONNA TAKE THREE MONTHS, SIX MONTHS?

I MEAN, IT'S JUST NOT RIGHT.

IT'S WRONG.

NO, FOR REAL.

NO, FOR REAL... SERIOUSLY.

- CL-CLOSE THE DOOR.

- WHEN MY HUSBAND GABE AND I TRY TO HAVE A CONVERSATION

ABOUT OUR RELATIONSHIP, IT NEVER GOES WELL.

SO, WE DECIDED WE'RE GONNA GO AND TALK TO DR. SHERRY

BECAUSE IF COUNSELIN' DOESN'T HELP,

I'M-I'M NOT SURE IF ANYTHING WILL.

- WHERE DO YOU SEE THE MARRIAGE?

- I WANT THINGS TO WORK OUT.

- SO, YOU WANT THE MARRIAGE?

- YEAH, I STILL WANT MY MARRIAGE TO WORK OUT.

- I DON'T KNOW HOW HE CAN MAKE THAT STATEMENT.

FOR US TO BE MARRIED FOR SEVEN YEARS,

YOU CHEAT ON ME FOR FIVE OF THEM.

THAT MAKES HIM A WHORE.

- WELL... - 'CAUSE IF IT WERE ME,

I'D BE A WHORE 'CAUSE I AM A WOMAN.

- SO, WHAT DOES THAT SAY ABOUT YOU?

- DIRTY, MESSY...

- GRIMY, NASTY, COMMON, DIRTY, LOW DOWN, HORRIBLE...

- I WAS AT ONE TIME IN MY LIFE A SEX ADDICT.

BUT I NEVER HAD SEX WITH ANOTHER WOMAN.

- SO YOU'RE SAYIN' THAT--

- THERE WERE THINGS I WOULD DO ALL THE WAY UP

UNTIL THE TIP...

- I KNOW THE THINGS THAT HAPPEN BETWEEN A MAN AND A WOMAN

WHEN THEY GET INTO THEIR MOMENTS.

AND FOR A MAN TO JUST BE LIKE, "OH, HOLD UP, STOP.

"I'M NOT GONNA DO THIS 'CAUSE IT'S WRONG.

"OUR CLOTHES ARE COMPLETELY OFF

"AND THE HEAD OF THE PENAL SECTION

"IS ALREADY THERE-- BUT, HEY, I'M GONNA STOP."

SERIOUSLY?

- WHAT ARE YOU SAYIN'?

- I DIDN'T HAVE SEXUAL INTERCOURSE.

- OKAY.

- THAT'S THE LINE.

- OKAY.

SO, SHOULD SHE FEEL BETTER ABOUT THAT?

- NO.

- OKAY.

BECAUSE THE ISSUE BECOMES ONCE YOU GO OUTSIDE

OF THE RELATIONSHIP.

- EXCUSE ME.

- WHAT DO YOU SAY TO THAT?

HOW DO YOU RESPOND?

- I'M SORRY.

BUT I FEEL LIKE THAT WON'T TAKE ANY OF IT BACK.

ANY OF THAT STUFF THAT I'VE DONE.

- MARRIAGE IS LIKE TWO PEOPLE AGAINST THE WORLD.

YOU HAVE TO DECIDE IF YOU'RE GONNA BIND TOGETHER

AND BECOME THOSE TWO PEOPLE.

OTHERWISE, YOU KNOW WHAT, YOU'RE PLAYING HOUSE

AND YOU'RE GOING THROUGH THE MOTIONS.

- I'M NOT SURE IF I CAN EVER FORGIVE GABE.

I'M WORKING ON FORGIVENESS, BUT I THINK I NEED TIME

TO LET IT ALL SETTLE SO I CAN GIVE MYSELF TIME

TO REALLY KNOW WHAT I WANT.

- COMING UP ON "BRAXTON FAMILY VALUES."

- SHE'S NOT GONNA WANNA WEAR THAT.

SHE'S GONNA SAY SHE LOOKS FRUMPY.

- I KNOW THE CLOTHES AREN'T HERE.

DON'T COVER BY LYING.

- I HAVE ON FISHNETS AND SOME SPIKY HEELS

LIKE I AM ABOUT TO DO SOME S & M TYPE SITUATION.

- YOU KNOW BETTER THAN THAT-- YOU'RE NOT STUPID.

- IT'S BEEN DONE.

- HEY.

I BROUGHT YOU SOME FLOWERS.

- VINCE SLAMMED THE DOOR IN MY FACE

AND ALL I GOT WAS A BOUQUET OF FLOWERS.

OH, NO... HE'S GONNA HAVE TO DO

A WHOLE LOT BETTER THAN THAT.

- I JUST WANTED TO BRING YOU THE FLOWERS TO LET YOU KNOW

THAT I REALLY WANT TO GET THIS HAPPENING WITH YOUR CAREER.

I'M ONLY HARD ON YOU BECAUSE I KNOW HOW GOOD YOU ARE.

BUT I AM ALSO HARD ON YOU BECAUSE, YOU KNOW,

SOMETIMES YOU TAKE YOUR TIME

ON WHAT YOU WANNA DO WITH THIS LIKE,

YOU KNOW YOU CAN DO IT,

BUT I WANT IT TO BE GREAT FOR YOU.

YOU DESERVE A SHOT.

I THINK YOU CAN BE SUCCESSFUL AND BE REALLY, REALLY GREAT.

- YEAH, BABY-- NOW WE TALKIN'.

SO, WHAT KINDA MUSIC YOU THINK YOU I SHOULD BE DOING?

- WHATEVER KINDA MUSIC YOU WANNA DO.

- NO, LIKE, AS AN EXECUTIVE.

LIKE, YOU'RE SITTING HERE TELLING ME--

- YOU HAVE TO EXPERIENCE THAT.

YOU DON'T-- YOU CAN'T JUST SAY--

YOU DIDN'T COME TO ME WITH A DEMO.

- I CAME AT YOU WITH MORE THAN A DEMO.

- NO, YOU DIDN'T.

SING SOMETHING RIGHT NOW.

- DOO-DOO-DOO.

- NO, SERIOUSLY, SING SOMETHING.

- WHAT YOU WANT ME TO SING?

- SING SOMETHING YOU WROTE.

- I HAVEN'T WRITTEN A SONG IN FOREVER.

- THERE YOU GO-- EXACTLY.

- BUT, WHY HAVE I NOT WRITTEN A SONG IN FOREVER?

- BECAUSE THAT'S YOUR CHOICE.

WE HAVE CHOICES IN LIFE.

- IT'S... OKAY.

- YEAH.

- ALL RIGHT, NOW I AM TOTALLY CONFUSED.

AT FIRST, HERE HE IS COMPLIMENTING ME

ON HOW I'M SINGIN' AND EVERYTHING

AND NOW IT FEELS, LIKE,

YOU KNOW, HE'S LIKE, DISSIN' THE WHOLE SITUATION.

LIKE, I AM NOT COOL WITH THAT.

- YOU CAN WRITE SOMETHIN' RIGHT NOW.

- I JUST DON'T WANNA MAKE-- VINCE, I AM SCARED.

HONESTLY.

I'M AFRAID OF MAKING A TERRIBLE MISTAKE.

- WELL, YOU HAVE TO LISTEN.

I DON'T KNOW WHAT KIND OF RECORD YOU HAVE TO MAKE.

RIGHT NOW WE HAVE TO GET INTO THE STUDIO

AND START WORKING ON STUFF AND SEE WHAT FEELS GOOD.

I KNOW YOU LOOK GOOD, YOU SOUND GOOD, YOU CAN DANCE.

I KNOW ALL THOSE THINGS.

SO, NOW WE HAVE TO PUT THE SEASONING IN AND SEE WHAT--

- I CAN DROP IT-- I CAN POP IT.

- I DON'T KNOW WHAT ALL OF THAT MEANS, BUT...

I KNOW YOU CAN BE A GREAT ARTIST.

WE'RE GONNA GO HAVE A MEETING WITH RODNEY,

SO YOU CAN GET ROLLIN' ON THAT.

- RODNEY JERKINS IS A GRAMMY AWARD WINNING,

MULTI-PLATINUM PRODUCER.

AND HE'S INCREDIBLE.

- SO, THAT'S WHAT WE'RE GONNA DO.

ALL RIGHT?

- PINKY SWEAR.

- I'M EXCITED.

I'M GONNA GET OUT OF THIS JACKET.

THANKS.

- GET OUTTA ALL OF THAT.

AND I MEET YOU UPSTAIRS.

- THERE YOU GO WITH YOUR MOUTH AGAIN.

- THE RUSSIA TRIP IS IN TWO DAYS.

I STILL HAVE A TON OF STUFF TO DO, INCLUDING GET WARDROBE

AND MAKEUP FOR TONI AND THE BACKUP SINGERS

AND THE DANCERS.

AND TO MAKE THINGS MORE DIFFICULT

I HAVE TO LEARN THE CHOREOGRAPHY

FOR THE ENTIRE SHOW.

- I WANNA GIVE YOU A MINUTE FIRST.

I DON'T WANNA BE ON YOUR BACK.

- OTHER THAN A BIRTHDAY PRESENT OR A CHRISTMAS GIFT,

I USUALLY DON'T GO SHOPPIN' FOR TONI.

OF COURSE, I GO SHOPPING WITH HER FOR FUN,

BUT I DON'T GO SHOPPING FOR TONI FOR WARDROBE.

SHE IS PICKY AS HELL.

I WANNA GIVE HER OPTIONS, OPTIONS, OPTIONS, YOU KNOW?

SHE'S NOT GONNA WANNA WEAR OF THAT.

SHE'S GONNA SAY SHE LOOKS FRUMPY.

SHE'S NOT GOING TO LIKE THIS EVEN THOUGH IT'S CUTE

BECAUSE SHE'S GONNA TALK ABOUT HER THIGHS.

AND I CAN'T LISTEN TO HER TALK ABOUT HER THIGHS

FOR MORE THAN TEN MINUTES.

I'M JUST GONNA GET IT-- IF SHE DON'T LIKE IT,

SHE IS JUST GONNA HAVE TO TRY TO WEAR IT.

OH, MY GOSH!

I THINK I HAVE, LIKE, FOUR MORE STORES TO GO TO.

- GOOD LUCK. - OH, MY GOD!

ALSO, ON THE LIST OF THINGS TO GET ARE FAKE EYELASHES--

A STAPLE FOR THE BRAXTON GIRLS.

THANK YOU FOR STILL BEIN' OPEN!

I WAS GOIN' CRAZY.

SHE LIKES THESE, SHE LIKES THESE.

I NEED THOSE, I NEED THOSE.

HEY, WHERE ARE THE KIDS?

- RIGHT HERE-- HOLD ON ONE SECOND.

- ANDRE AND I HAVE BEEN MARRIED FOR SEVEN YEARS.

WE HAVE TWO KIDS.

BRAXTON WHO IS FIVE AND BROOKE WHO IS FOUR.

- HEY, MOM. - HI.

MOMMY WILL BE HOME SOON-- OKAY?

I NEVER, EVER FEEL THAT I HAVE ENOUGH TIME

FOR MY CHILDREN...

AND EMOTIONALLY, THAT'S STARTIN' TO GET TO ME.

- I'M NOT AT TONI'S.

MOMMY'S WORKING.

I LOVE YOU.

- I LOVE YOU-- BYE - OKAY, BYE.

I AM GOING TO BE PISSED OFF IF I DO ALL OF THE SHOPPING

AND SHE DOESN'T LIKE THIS STUFF.

I COULD REALLY BE SPENDING TIME WITH MY CHILDREN.

THAT JUST HURTS MY HEART SO MUCH.

THAT ALMOST MADE ME CRY.

THIS SWEAT SUIT, I'M WEARIN' ON THE PLANE.

SWEATERS, TURTLENECKS.

BY THE TIME I GOT HOME FROM SHOPPING, MY KIDS ARE ASLEEP

AND I AM LEAVIN' FOR RUSSIA IN THE MORNING.

SO, I ONLY HAVE A FEW MINUTES LEFT WITH MY KIDS.

REMEMBER SHE GIVES CUPCAKES FOR HER SCHOOL TOMORROW.

- ALL RIGHT.

- ANDRE AND I HAVE A ROOMMATE SITUATION.

OUR RELATIONSHIP IS A BIT ROCKY, TO SAY THE LEAST.

BUT WE TRY TO GET ALONG FOR THE SAKE OF THE CHILDREN.

WHO DO YOU LOOK LIKE?

MOMMY OR DADDY?

- MOMMY.

- YAY.

- MOMMY AND DADDY.

- YOU ARE SO SMART.

ANDRE HATES MY JOB BECAUSE IT TAKES ME AWAY

FROM THE CHILDREN.

HOWEVER, IF ANDRE HAD A J-O-B AND BRINGING HOME THE BACON,

I WOULDN'T HAVE TO BE TONI'S PERSONAL ASSISTANT.

I WOULD BE HOME WITH MY WONDERFUL CHILDREN

WHERE I WANT TO BE.

WHAT KIND OF HOMEWORK DO YOU HAVE?

DO YOU HAVE HOMEWORK?

- BRAXTON, DO YOU KNOW WHERE RUSSIA IS?

- YEAH.

- WHERE'S RUSSIA?

- UM, I DON'T KNOW.

- I'M STARTING TO GET REALLY SAD

WHENEVER I LEAVE MY CHILDREN

BECAUSE I REALLY FEEL THAT I'M MISSING OUT

ON A LOT OF STUFF.

IT IS REALLY AFFECTING ME EMOTIONALLY NOW.

YOU WANNA DO YOU WHAT, BROOKIE?

GO WITH ME.

- GO WITH MOMMY-- YOU GO WITH MOMMY NEXT TIME, OKAY?

- IT'S NOT HARD FOR ME TO SAY GOODBYE TO ANDRE,

BUT IT IS ABSOLUTELY DIFFICULT FOR ME

TO SAY GOODBYE TO MY KIDS.

JUST LOOKING AT THE FACES THAT THEY'RE MAKING

MAKES ME LIKE-- ESPECIALLY MY SON.

HE IS LIKE, "OH, MOMMY...

"LIKE, AGAIN?"

GUESS WHAT-- MOMMY'LL BE BACK.

STAND UP-- LET ME TELL YA SOMETHING.

MOMMY NEEDS YOU TO TAKE CARE OF YOUR SISTER

WHILE I AM GONE, OKAY.

'KAY-- TAKE CARE OF YOUR SISTER.

JUST SEEIN' THEIR FACES I'M JUST MISSIN' SO MUCH.

I CAN'T SHOW THEM THAT I'M UPSET, BUT I AM.

BYE, BRAXTON. - SAY, BYE.

- CALL ME ON THE COMPUTER-- OKAY?

I HATE SEEING HIM CRY.

- DO I GET A KISS? - NO.

- WHAT I GOTTA DO-- DO I GOTTA CRY?

- I'M NOT KISSING ANDRE GOODBYE-- NO.

WE DON'T DO THAT SMOOCH AND STUFF.

I DON'T KNOW WHY HE'S ACTIN' BRAND NEW.

I LOVE YOU.

- COME ON, MAN-- STOP CRYING.

HE'S ALL RIGHT.

- BYE. - BYE.

- IT'S OKAY, MAN.

- I CAN'T BELIEVE WE'RE IN RUSSIA.

THIS IS SO EXCITING.

BUT THE SUITCASES ARE MISSING.

THERE'S NO MAKEUP.

THERE'S NO CURLING IRONS.

THERE IS NOTHING BECAUSE EVERYTHING'S LOST.

EVERY TIME WE GO OVERSEAS, OUR BAGS GET LOST.

SO, WE ARE MISSING THE MAKEUP, ALL OF THE WARDROBE,

THE HAIR PRODUCT, SHOES.

YOU CAN FAKE IT SOMETIMES

IF YOU HAVE A CUTE PAIR OF SHOES ON

WITH A CUTE BAG-- WE CAN'T EVEN DO THAT.

THE ONLY CLOTHES THAT WE HAVE IS IN THE CARRY ON BAGS.

AND IT'S NOT ENOUGH.

YOU DON'T HAVE ANYTHING IN YOUR BAGS?

NO DRESS-- NO NOTHING?

- I PUT EVERYTHING IN THE OTHER LUGGAGE.

- AS TONI'S ASSISTANT

THAT'S LIKE MY VERY WORST NIGHTMARE.

- THIS IS ME. - BYE, TRINA.

- ALL RIGHT, I'LL SEE YOU IN JUST A COUPLE OF MIN--

WELL, WE DON'T HAVE OUR BAGS YET, SO...

- ALL RIGHT, I JUST GOTTA FIGURE IT OUT.

- OKAY.

COMING UP ON "BRAXTON FAMILY VALUES."

- THE SHERIFF CAME BY AND SAID YOU HAVE TO BE OUT HERE

BY TOMORROW.

- TOMOR-- ARE YOU SERIOUS?

- WOULD YOU LIKE SOME RUSSIAN VODKA?

- YES!

I KNOW I AM NOT SUPPOSED TO BE DRINKING

BUT I CAN'T BE RUDE TO THE LOCAL HOSPITALITY.

- COME ON IN. - GOOD MORNING.

- [INDISTINCT] - WHAT'S GOING ON?

- VINCE TAKES ME TO THE STUDIO TO MEET WITH

HIS REALLY GOOD FRIENDS RODNEY JERKINS

AND LASHAWN DANIELS

AND, I'M SO EXCITED BECAUSE RODNEY JERKINS--

HE DID "TELEPHONE" WITH BEYONCE AND "SAY MY NAME."

HE'S DONE A LOT OF HIT RECORDS FOR TONI.

LASHAWN DANIELS IS ALSO A GRAMMY AWARD WINNER WRITER.

HE'S LIKE REALLY ONE OF THE BEST.

IF WE COULD GET THESE GUYS BEHIND MY ALBUM

IT'S GONNA BE A HUGE, HUGE DEAL.

IT'S LIKE MY DREAM.

THIS IS SOMETHING THAT IS HERE IN ME.

I CAN'T CONTROL IT.

I HAVE TO DO THIS OR I AM GOING TO POP.

- SO, TELL ME.

TALK TO ME.

WHAT'S THE DIRECTION?

- I THINK VINCE AND I HAVE TWO TOTALLY DIFFERENT--

- VIEWS. - VIEWS.

THE ISSUE IS I THINK VINCENT WANTS TO BE LIKE YOU KNOW,

STANDING BEHIND A MICROPHONE

SINGING THE WHITNEY HOUSTON BIG BALLADS SONGS OR WHATEVER.

- REALLY? - AND THAT'S NOT ME.

TAMAR HAS TO BE HER FOR ONCE IN HER LIFE.

THAT'S IMPORTANT TO ME TO ABLE TO DO THE MUSIC

AND LOOK HOW I WANT AND DRESS HOW I WANT.

ONE NIGHT VINCE AND I WERE HAVING A CONVERSATION

AND WE WERE WATCHING THE "SINGLE LADIES" VIDEO-- RIGHT?

AND I SAID "WOULD YOU BE UPSET IF I WORE SOMETHING LIKE THAT?"

HE WAS LIKE, "YOU'RE NOT WEARING NOTHIN' LIKE THAT."

BUT I WOULD GENERALLY WEAR SOMETHIN' LIKE THAT

IN A VIDEO.

I MEAN, I'M JUST SAYING-- LIKE, I WOULD COME UP

WITH SOMETHING LIKE THAT AND HE'S LIKE "IT'S NOT HAPPENING."

YOU KNOW, IN THE "SINGLE LADIES" VIDEO,

BEYONCE'S WEARIN' THIS FRENCH-CUT, TIGHT, BLACK LEOTARD

WITH SOME FISHNETS.

I MEAN, I DID THAT FIRST, BUT I'M JUST SAYIN'--

THAT'S SEXY AS HELL!

YOU KNOW WHAT I'M SAYIN'-- I JUST WANNA BE

A SEXY SUPERSTAR

AND DROP IT LIKE IT'S HOT.

AND VINCE WANTS ME TO BE LIKE BARBRA STREISAND.

- YOU CAN BE WHO YOU ARE BUT YOU ALSO HAVE TO HAVE

A MARKETING STANDPOINT FROM IT, AS WELL.

- BUT WHAT I AM SAYING IS IT'S VERY IMPORTANT FOR ME

TO BE MYSELF WITHOUT FEELING LIKE I HAVE TO HOLD BACK,

BECAUSE NOW THAT I MARRIED CERTAIN THINGS ARE OFF LIMITS,

BUT I DO WANNA BE MYSELF.

- WELL, BE YOURSELF.

BUT FIRST, YOU GOTTA MAKE A HIT RECORD.

- I JUST WANTED TO MAKE SURE EVERYBODY'S ON THE SAME PAGE

THAT I AM ON.

AND I WANNA MAKE SURE THAT THEY'RE GONNA DO

THE ALBUM THAT I WANT TO DO AND NOT THE ALBUM

THAT VINCENT WANTS ME TO DO.

- I WOULD GO WITH VINCENT'S VIEW RIGHT NOW.

- OF COURSE, YOU WOULD.

I'M GONNA GO WITH HIM.

- LISTEN, THERE'S THE HUSBAND SIDE, OKAY?

AND THEN THERE'S THE BUSINESS PARTNER SIDE.

IT IS HARD TO BALANCE THE TWO.

- I CONCUR.

- I DON'T-- I DON'T WANT TO FEEL LIKE...

- JUST SAY IT.

- HE'S THE MAN OF THE HOUSE.

YOU GOTTA LISTEN TO THE MAN OF THE HOUSE.

- EXCUSE ME... MAN OF THE HOUSE?

WAIT A MINUTE... LET ME GET THIS STRAIGHT.

I TOTALLY ADMIRE WHAT VINCE AND RODNEY AND WHAT THEY DO

AND EVERYTHING, BUT IF THEY WAS TO LISTEN TO ME MY RECORD

WOULD BE OFF THE CHAIN.

FOR REAL.

- AT THE END OF THE DAY, HE'S GONNA KNOW

WHAT'S BEST FOR YOU.

THAT'S THE BOTTOM LINE.

- I AM TRUSTING THESE GUYS THAT THEY'RE GONNA COME UP

WITH THE RIGHT THING... AND THEY'RE TRUSTIN' ME

THAT I'M GONNA DO MY PART.

AND WE GOTTA TRUST YOU-- IT ALL TAKES TEAMWORK.

THAT'S THE ONLY WAY IT HAPPENS.

- TEAMWORK-- THIS SOUNDS MORE LIKE THE BOY'S CLUB

AND I AM NOT INVITED.

WHY YA LOOKIN' AT ME LIKE THAT?

- I FEEL LIKE THERE MIGHT BE SOME REBELLION.

THAT'S WHAT I FEEL LIKE.

I'M TELLIN' YOU.

I FEEL LIKE THERE MIGHT BE SOME REBELLION

THAT'S GONNA TAKE PLACE, VINCENT.

I SENSE THAT TAMAR HAS THINGS THAT SHE WANTS TO DO THAT,

OF COURSE, VINCE DOESN'T WANT HER TO DO

AND IT IS GONNA BE A REAL BATTLE UPHILL.

SHE'S GOING TO BE...

UH, IT'S GONNA BE TOUGH.

- YOU ARE HERE. - I CAN'T READ MAPS.

- ARE YOU SERIOUS? - I PROMISE.

- IT'S THE DAY BEFORE THE SHOW

AND WE DECIDED TO GO SIGHTSEEING.

TONI'S NAPPING.

SO, WE ARE GOING TO VENTURE OUT ON OUR OWN.

WE'VE GOT OUR MAP IN HAND, WE'RE READY TO GO.

- OH, WOW-- LOOK HOW PRETTY THAT BUILDING IS.

- THAT'S BEAUTIFUL.

- I HAVE TO TAKE A PICTURE.

- DO I?

- YEAH.

- GORGEOUS.

I'M ABOUT TO GET A PICTURE OF HER.

WE'RE WALKING.

WE'RE TALKING.

GUESS WHAT WE SEE?

A BLACK PERSON.

- TRINA, THERE'S ONE BLACK PERSON.

- HI.

- I WANNA TAKE A PICTURE OF YOU BECAUSE I HAVEN'T SEEN

A BLACK RUSSIAN. - WOW!

- YEAH, TAKE A PICTURE OF ME AND THE BLACK RUSSIAN.

ONCE WE SAW THE ONE AND ONLY BLACK PERSON IN RUSSIA

THERE WASN'T MUCH MORE SIGHTSEEING TO DO.

SO, WE DECIDED TO DO A LITTLE GIFT SHOPPING.

- HI.

- WOULD YOU LIKE SOME RUSSIAN VODKA?

- YES.

- I KNEW YOU WOULD BE HAPPY, TRINA.

- I KNOW I'M NOT SUPPOSED TO BE DRINKING

BUT I CAN'T BE RUDE TO THE LOCAL HOSPITALITY.

HEY...

WHEN IN ROME.

WELL, ACTUALLY, WHEN IN MOSCOW.

- OKAY-- YOU SHOULD SAY IN RUSSIAN SOMETHING LIKE TOAST.

NA ZDROWIE-- GREAT-- YES.

OH, GREAT!

AFTER VODKA YOU SHOULD ALWAYS...

- EAT A PICKLE. - YES.

THIS IS RUSSIAN TRADITION.

SEE-- IT'S TASTY.

- IT IS!

WHO WOULD EVER THINK TO PUT VODKA WITH PICKLES?

NA ZDROWIE!

- SOME THINGS LOOK BETTER ON THE RACK.

YOU LOOK LIKE A PUPPY DOG.

- THIS IS CUTE. - YES.

- I FEEL LIKE I LOOK LIKE A MARSHMALLOW.

- THIS IS NOT THE FRONT SIDE.

THIS IS THE FRONT SIDE.

- NOW, SEE, THAT LOOKS ADORABLE ON YOU.

- IT LOOKS CUTE ON ME-- DOESN'T IT?

THAT VODKA AND PICKLE SHOT WAS SO DAMN GOOD

I HAVE TO GET ONE FOR THE ROAD.

- NA ZDROWIE.

- YES.

- AND THE PICKLE.

- I'M GONNA BE BUZZED.

- TOWANDA, YOU ONLY HAD LITTLE BABY SHOTS.

- I DON'T DO SHOTS.

TRINA, YOU'RE THE FISH.

- I BEG YOU PARDON.

I FIGURE IF YOU GONNA DO SOMETHING,

YOU MIGHT AS WELL DO IT ALL THE WAY.

- OKAY, SO WE ARE BACKSTAGE AT THE CONCERT HALL

WITH ONLY THREE HOURS BEFORE PERFORMANCE

AND THERE ARE NO BAGS.

TOWANDA SAID SOME GUY IS ON HIS WAY

BUT SHE DOESN'T KNOW WHERE HE IS.

I'M STARTIN' TO FREAK OUT A BIT.

I'M... I'M GONNA LET IT GO, BUT...

NO, I CAN'T LET IT GO-- I'M FREAKING OUT.

ALL OF MY CLOTHES ARE IN THE CAR,

SO IT SHOULD TAKE THEM WHAT FIVE MINUTES TO GET IT?

- MAYBE-- THAT'S WHAT HE SAID.

I CAN ONLY TELL YOU WHAT HE SAID.

- CAN WE GET THE STUFF OUTTA THE CAR?

- YES-- WE GOT PEOPLE TO GO GET 'EM NOW.

TONI IS REALLY STARTING TO GET IMPATIENT

ABOUT THE MISSING LUGGAGE AS IF IT IS MY FAULT.

IT IS SO NOT MY FAULT, TONI.

IT IS NOT MY FAULT THAT THE BAGS ARE MISSIN'.

I'LL FIGURE IT OUT.

YEAH, I'LL FIGURE IT OUT-- I ALWAYS DO.

- I KNOW THE CLOTHES AREN'T HERE.

DON'T COVER BY LYING.

DON'T SAY THEY IN THE CAR

BECAUSE I WAS JUST IN MY CAR.

I'M A WRECK.

THE SUITCASES HAVE NOT ARRIVED YET.

TOWANDA'S TRYING TO SUGARCOAT EVERYTHING

AND KEEP ME CALM, BUT I KNOW SHE'S FREAKING OUT, TOO.

THE SHOW IS JUST GONNA COMPLETELY CHANGE

AND IT WON'T BE AN EVENING WITH TONI BRAXTON.

IT WILL BE A BURLESQUE SHOW WITH TONI BRAXTON

AND I'LL BE IN MY BRA AND PANTY.

OKAY, I'M GONNA CALM DOWN.

I HAVE TO CALM DOWN.

I HAVE TO CALM DOWN.

COMING UP ON "BRAXTON FAMILY VALUES."

- THAT'S NOT COOL, BABY.

YOU CAN'T BE ON "GOOD MORNING AMERICA"

WITH TASSELS ON YOUR BOOBS.

YOU KNOW BETTER THAN THAT-- YOU'RE NOT STUPID.

- TONI INVITES THIS REALLY SUPER-DUPER, WEIRD GUY

ON THE STAGE.

SECURITY!

- I KNOW THE CLOTHES AREN'T HERE.

DON'T COVER BY LYING.

OKAY-- I'M GONNA CALM DOWN.

I HAVE TO CALM DOWN.

I HAVE TO CALM DOWN.

I DON'T LIKE RUSSIA.

IT IS SO DARN COLD HERE AND I CAN'T BELIEVE

WE'VE LOST OUR LUGGAGE.

- ACTUALLY, CEE CEE AND THEM THEY HAVE THEIR OUTFITS.

THE DANCERS.

- I'M SORRY-- TONI BRAXTON SHOW.

- NO, BUT I'M JUST LETTING YOU KNOW... THAT'S ONE LESS THING.

- OKAY-- I AM GONNA HAVE TO WEAR THE DANCER'S CLOTHES?

- IF WORSE COME TO WORSE.

LET'S GET YOU INTO HAIR AND MAKE-UP.

AND THAT'S ONE LESS THING TO WORRY ABOUT

AND WE'LL MAKE SURE WE GET THE OUTFITS.

- I'M GOING THROUGH HELL!

SO, WE FINALLY GET SOME GREAT NEWS.

OUR BAGS ARRIVED!

- EVENTUALLY, TOWANDA CALLS AT THE LAST MINUTE

AND SAYS WE FOUND YOUR LUGGAGE!

- EVERYTHING'S WORKIN' OUT.

- WE'VE GOT THE LUGGAGE JUST IN TIME.

WE HAVE AN HOUR BEFORE THE SHOW.

SO, IT LOOKS LIKE WE'RE JUST GONNA MAKE IT.

- WOO-SAW.

- THE MEETING WITH RODNEY, IT WAS COOL AND EVERYTHING,

BUT IT DIDN'T GO AS WELL AS I WANTED IT TO GO,

BECAUSE EVERYBODY IN THE ROOM STARTING AGREEING

WITH EVERYTHING VINCE SAID.

SO, I DECIDED TO CALL MY STYLIST BECAUSE I FELT LIKE

SHE'S THE ONLY PERSON WHO I CAN TRUST

THAT WILL GO ALONG WITH MY IMAGE.

I HAVE, LIKE, A COUPLE STIPULATIONS.

- GO AHEAD.

- THE SONGS HAVE TO REFLECT WHO I AM, MY CLOTHES...

BUT IF I DON'T KNOW IF EVERYBODY'S ON THE SAME PAGE

AS I AM.

- WHO'S EVERYBODY? - WELL, MY HUSBAND.

RIGHT.

VINCE AND I ARE NOT ON THE SAME PAGE.

I WANT TO LOOK LIKE I'M POPPIN'.

HE WANTS TO MAKE ME LOOK LIKE I'M MARY POPPINS.

I MEAN, ALL OF HIS OTHER ARTISTS GET TO LOOK

THE WAY THEY WANNA LOOK.

I MEAN, LOOK AT GAGA.

SHE IS ALL OUT THE BOX.

BUT ALONG THE LINES OF THAT, LIKE THAT'S TONI

AND THAT'S TOTALLY TONI!

TONI... NO, TONI.

NO-- I DON'T EVEN KNOW WHY YOU BROUGHT THAT PICTURE.

WHAT I'M GON' DO WITH THAT?

NO.

- I DIDN'T KNOW YOU WANTED TO GO THAT SEXY.

- THAT. - THIS IS IT.

- THAT IS WHAT I'M TAL-- BOOM!

AT LEAST WE KNOW WHAT DIRECTION WE'RE GOING IN

WITH THIS.

I'M TRYIN' TO DO SOMETHIN' LIKE THIS.

I'M TRYIN' LIKE, GET IN THE GYM WHERE I CAN GO, BOOM-POW!

BOOM-POW-- WOW AND WOW.

AND HE-- HE AIN'T TRYIN' TO SEE THAT.

I CAN'T DO THAT IN NO DRESS DOWN TO HERE

WITH A SPLIT-- THAT'S T.B.

- OKAY.

- I REALLY WANNA GO OVERBOARD

BECAUSE I DON'T WANNA BE THE FLYING NUN.

I'M NOT TRYING TO SOUND LIKE I THINK I'M THE JAM

OR ANYTHING LIKE THAT, BUT I AM--

- YOU CAN SAY YOU ARE THE JAM.

- BUT I'M JUST VERY SEXUAL NATURED.

I HAVE A SEXY BODY-- YOU KNOW WHAT I MEAN?

- EXACTLY.

- I WANNA BE ABLE TO GET ON STAGE

AND DROP IT LIKE IT'S HOT

AND PICK IT BACK UP LIKE I DO IT.

WITH HIM, I KINDA HAVE TO GO OVERBOARD,

SO HE'LL FEEL LIKE HE'S TONING ME DOWN A LITTLE BIT.

SO, YOU KNOW MY PLAN IS TO ACTUALLY CREATE

A WHACK ASS UGLY OUTFIT

THAT I WOULD NEVER EVER BE CAUGHT DEAD IN!

SO WHEN I MAKE MY REAL OUTFIT

HE GON' BE LIKE, "OH, YEAH, BABY.

"THAT'S WHAT I'M TALKIN' ABOUT.

"THAT'S THE ONE RIGHT THERE."

THE "COME DO ME, BABY" BOOTY BOOTS.

I THINK WE NEED TO SAY THAT.

AND LET'S SAY WE'RE GONNA DO CUP THINGS

WITH TASSELS.

- OH, HELL NO!

- HE IS NEVER GOIN' FOR THAT.

- I WAS ABOUT TO SAY, SHOULD WE DO THE BRA

WITH THE NIPPLES?

- ABSOLUTELY.

I WOULD NEVER WEAR THAT.

THAT WAY HE CAN TAKE IT DOWN... WE TAKIN' IT ALL THE WAY.

- HE'S GONNA LOVE IT.

LET ME TELL YOU SOMETHIN'.

I KNOW MY HUSBAND.

THIS RIGHT HERE IS GON' WORK.

VINCE?

DARLING?

DAVINA AND I WAS HAVING A CONVERSATION

ABOUT WHAT I WANTED MY IMAGE AND STUFF TO LOOK LIKE

AND SHE CAME UP WITH LIKE,

THIS FANTASTIC, LIKE, EPIC LOOK.

DO YOU WANNA SEE IT?

- SURE. - IT'S BASICALLY

A ONE PIECE AND WE'LL HAVE FISHNETS UNDERNEATH OF IT

OR THIGH HIGH BOOTS.

SHE WANTED TASSELS ON HER NIPPLES.

- YOU KNOW BETTER THAN THIS.

YOU KNOW THAT IS A BIG-- THAT IS WRONG.

THAT'S NOT COOL.

YOU CAN'T BE ON "GOOD MORNING AMERICA"

WITH TASSELS ON YOUR BOOBS.

YOU KNOW BETTER THAN THAT-- YOU'RE NOT STUPID.

- YOU WANNA TAKE A LOOK AT SOME OTHER THINGS WE HAVE.

- SURE.

- SHE REALLY LIKES THESE.

- LOVE IT. - REALLY?

- REALLY. - YEAH, THOSE ARE HOT.

I'M NOT GONNA ARGUE WITH YA OR FIGHT WITH YA

ABOUT SOMETHIN' THAT MAKES SENSE.

THAT'S DUMB.

THAT'S DIFFERENT FROM THIS.

YOU AIN'T GOT TASSELS ON YOU-- THAT'S JUST DUMB.

- I THINK YOU HAVE A POINT.

OKAY-- GIVE ME A KISS.

YOU ARE ABSOLUTELY RIGHT.

- BUT WHY DO YOU DUMB STUFF TO MAKE ME...

- WHAT DUMB STUFF-- I DIDN'T DO DUMB STUFF.

- THAT'S WRONG.

YOU GO DOWN A STREET-- THAT'S A DEAD END.

- NO, I DIDN'T KNOW THAT.

- THAT LOOKS GREAT.

- BECAUSE YOU HAVE SUCH A GREAT IMAGINATION.

- Y'ALL HAVE A GREAT DAY-- THAT LOOKS MUCH BETTER.

- OKAY-- BYE, LOVE.

I KNEW IT.

- HERE WE GO... RUNNING LATE.

TAKING THE STAGE, I'M READY TO START

AND JUST BEFORE I GO ON STAGE...

ALL THE TIME I HAVE TO GO TO BATHROOM.

IT IS RITUAL EVERY SINGLE TIME.

AND LET ME TELL YOU IT IS NOT NUMBER ONE,

WHICH IS, ONCE AGAIN, TOO MUCH INFORMATION.

MAYBE I'M BEING TOO CANDID HERE.

I CAN'T BELIEVE I'M ABOUT TO PERFORM AT THE KREMLIN.

I HAVE ONLY FIVE MINUTES BEFORE I TAKE THE STAGE

AND IT'S MY FIRST TIME PERFORMING FOR THIS AUDIENCE.

BUT BECAUSE OF THE LANGUAGE BARRIER

THEY'RE A LITTLE QUIET.

THEY ARE NOT REALLY SAYING ANYTHING.

I'M NOT USED TO THIS.

[applause and cheering]

HI, GUYS.

THESE ARE MY SISTERS.

TRINA BRAXTON.

TOWANDA BRAXTON.

I LOVE WHEN THE CROWD GETS INTO IT.

AND RUSSIAN AUDIENCES ARE VERY POLITE

DURING THE PERFORMANCES.

AND THEY ONLY APPLAUD AFTER EACH SONG YOU SING.

- WHEW!

- I'M NOT USED TO THAT.

ALL RIGHT, GUYS.

YOU'RE A LITTLE QUIET.

GIVE ME SOME LOVE FOR ME.

ARE YOU READY TO HAVE A GOOD TIME?

YOU READY TO SING AND DANCE?

FOR ME AS A PERFORMER AUDIENCE PARTICIPATION

IS VERY IMPORTANT.

I DON'T LIKE TO SIT THERE AND FEEL LIKE

THERE'S A GLASS BETWEEN ME AND MY AUDIENCE.

I LIKE TO BREAK THROUGH THE SHIELD

AND GET TO KNOW THEM AND THEY GET TO KNOW ME.

AND ONE OF THE WAYS TO DO THAT

IS TO INVITE THEM ON STAGE.

ANYONE WANNA COME UP HERE AND HELP ME SING?

- TONI, INVITES THIS REALLY SUPER DUPER WEIRD GUY

ON THE STAGE.

HE STARTS KISSING ON HER AND TOUCHING ON HER.

SECURITY.

- HE LIFTS ME UP AND SPINS ME AROUND

AND I FEEL LIKE THE BLACK SWAN.

THAT WAS DEFINITELY ONE OF MY MOST MEMORABLE,

MEMORABLE AUDIENCE PARTICIPATION MOMENTS.

- AFTER ALL OF THE DRAMA, AFTER ALL OF THE TANTRUMS,

TONI BRAXTON, AND AFTER ALL OF THE CRAZY RIPPED UP MESS,

WE PULL IT ALL TOGETHER AND WE HAVE A BALL.

IT'S THE DAY AFTER THE CONCERT

AND WE ARE HEADED BACK HOME

AND TRINA IS NOWHERE TO BE FOUND.

SO, I AM HEADED UP TO HER ROOM TO SEE WHAT IS GOING ON.

ARE YOU JUST GETTING UP?

- ARE YOU JUST COMING TO MY DOOR?

- TRINA ARE YOU TIRED?

WHAT'S WRONG?

YOU HAD WINE LAST NIGHT.

- I DID HAVE WINE LAST NIGHT.

- THAT'S WHY.

AND CHAMPAGNE?

- WELL, I FINISHED IT OFF.

- THIS IS CRAZY.

SHE HAD SHOTS YESTERDAY-- LOTS OF THEM.

A BOTTLE OF CHAMPAGNE AND A BOTTLE OF WINE BY HERSELF?

NO, TRINA.

IS THAT A HICCUP?

- IT IS.

- YOU JUST ROLLED OUT OF BED, TRINA?

DO YOU HAVE A HANGOVER OR SOMETHING?

- NO.

- IT LOOKS LIKE TRINA'S FIRST INTERVENTION

DIDN'T STICK.

TRINA, WE'RE NOT GOING TO BE DRINKIN' FOR ANOTHER WEEK.

- HEY, TAWANDA, WE NOT GONNA SIT HERE

AND ACT LIKE I'M SOME ALCOHOLIC.

- I DIDN'T SAY YOU WERE AN ALCOHOLIC.

- I'M JUST LETTIN' YOU KNOW.

- IT MAY BE TIME FOR A TUNE-UP.

- HI.

- I WANT SOME BAGS.

- ALL RIGHT.

YOU CAN HAVE SOME BAGS IF THAT'S WHAT YOU WANT.

- I'M JUST SO EXCITED.

MY STYLIST HAS GONE SHOPPING AND I CANNOT WAIT

TO SEE WHAT SHE FOUND.

IF YOU WENT SHOPPING WITH THE MINDSET OF VINCE DISCRETION,

IT'S NOT GONNA BE WHAT I WANT.

- BUT TAMAR, DO I EVER DO YOU WRONG?

- YOU DON'T EVER DO ME WRONG.

I KNOW YOU KNOW WHAT YOU'RE DOIN' BUT THIS IS MY CAREER

AND THIS IS MY VISION AND MY LOOK AND MY SONGS

AND I HAVE TO REPRESENT MYSELF

OR IT'S NOT GONNA WORK AGAIN.

- ALL RIGHT, SO YOU WANNA START

WITH THE MORE CONSERVATIVE THINGS.

- I DON'T WANNA WEAR ANYTHING CONSERVATIVE.

- JUST LOOK.

- NO, NO.

- WHAT ABOUT THIS? - NO.

OKAY, WHAT'D YOU PICK FOR ME BECAUSE ALL OF THIS STUFF

IS FOR VINCENT.

- WE'RE GETTIN' THERE-- WE'RE GETTIN' THERE.

- YOU KNOW, SO FAR, I'M BEGINNING TO THINK

VINCENT HAS PAID OFF MY STYLIST.

YOU KNOW, SHE GOT ME IN HERE LOOKING LIKE SOME TYPE

OF SECRETARY.

I AM TRYING TO LOOK LIKE SOME BOOTY SHAKIN' SUPERSTAR.

I ONLY HAVE THIS MUCH.

I CAN SEE THE REST OF THAT STUFF IS FABRIC CITY.

I LOVE THAT.

- THIS IS A CAT SUIT-- WE HAVE LITTLE PASTIES

THAT CAN GO ON TOP OF IT WITH TASSELS.

- KEEP GOIN'-- LET'S SEE-- LOVE.

OH, MY GOD, I GOTTA HAVE THAT.

OH!

I JUST WANNA GIVE BIRTH TO IT!

LOOK AT MY NEW BABY.

SEE THAT IS WHAT I'M TALKIN' ABOUT.

NOW I'M GETTING EXCITED.

OKAY-- LET ME TAKE THIS.

YES-- GREAT.

FINALLY, I FIND SOMETHIN' I AM READY TO TRY ON.

NOW DAVIDA, THIS IS AN OUTFIT.

- IT'S CUTE.

- SEE WHAT I AM SAYING?

- THAT'S CUTE.

- THE FIRST OUTFIT THAT I TRIED ON WAS HOT.

OFF THE CHAIN.

LIKE, IF I WAS LOOKIN' AT ME,

I WOULD WANNA SIGN ME.

I'M STILL COUTURE... THEN, I'M A DIVA AT THE SAME TIME.

YOU KNOW WHAT I MEAN?

- THE OUTFIT IS SO--

- HEY. - HEY, VINCE.

- I LOVE THIS OUTFIT AND IF VINCE HAS A PROBLEM WITH IT...

IT'S GONNA GET UGLY REAL FAST.

- COMING UP ON "BRAXTON FAMILY VALUES."

- ALL YOU GOTTA DO IS LISTEN.

YOU NEVER WANNA LISTEN.

- WE HAVE TO BE OUTTA HERE BY TOMORROW.

- TOMOR-- ARE YOU SERIOUS?

- THAT'S RIGHT.

- I'M STILL COUTURE... THEN, I'M A DIVA AT THE SAME TIME.

YOU KNOW WHAT I MEAN?

- THE OUTFIT IS SO...

- HEY. - HEY, VINCE.

- HOW YOU DOIN'? - GOOD.

- HI. - HEY-- NICE OUTFIT.

- YOU LOOK LIKE IT? - REALLY?

- YEAH-- IT LOOKS NICE.

- TO BE HONEST, I AM TOTALLY STUNNED.

VINCE LIKES THIS OUTFIT.

I THOUGHT HE WAS GONNA HATE IT.

- WAIT-- WHAT?

VINCE LIKE THIS OUTFIT BUT NOT ON STAGE.

I MEAN, WHERE THE HELL AM I SUPPOSED TO WEAR THIS?

AROUND THE HOUSE?

WELL, WHAT OTHER OUTFIT CAN I JUST BEND IT AND PICK IT UP,

BEND IT AND PICK IT UP AND ROLL IT?

AND ROLL, ROLL.

- SEE-- YOU BE DOIN' TOO MUCH.

- WHAT YOU MEAN?

- THAT AIN'T NECESSARY.

- I LOVE THIS OUTFIT.

AND I THOUGHT VINCE DID TOO AND NOW HE DOESN'T WANT ME

TO LEAVE THE HOUSE WITH IT ON.

- LET'S GO GIVE HIM ANOTHER OPTION.

- THERE IS NOTHIN' WRONG WITH THIS.

I THOUGHT I WOULD TAKE IT OVER THE TOP DOT ORG

AND BRING HIM A FIRST LADY

FROM THE PENTECOSTAL CHURCH OUTFIT.

IS THIS BETTER FOR YOU?

- THAT'S MORE LIKE IT.

- THIS LITTLE LIGHT OF MINE I'M GONNA LET IT SHINE.

- NO SERIOUSLY, TAMAR CAN YOU STOP PLAYIN' FOR A MINUTE.

- I'M NOT PLAYIN'.

I FEEL LIKE THIS IS WHAT YOU WANT ME TO BE.

- THAT LOOKS GREAT.

- YOU NEED THE WORD OF GOD BECAUSE YOU KNOW

YOU ARE WRONG FOR THIS OUTFIT.

- NO, YOU'RE WRONG FOR THAT OUTFIT AND YOU'RE WRONG

FOR THE FIRST ONE, TOO.

YOU CAN'T PUT THAT KIND OF STUFF ON.

YOU CAN'T DO THAT.

AND SEE, YOU BEIN' CRAZY RIGHT NOW

'CAUSE THAT'S NOT RIGHT FOR YOU.

YOU'VE GONE TOO FAR.

- I DON'T KNOW WHAT THE MIDDLE IS.

- YOU DON'T NEVER HAVE A BALANCE.

YOU JUST WANNA ALWAYS GO TOO FAR.

- VINCE, I THOUGHT WHAT I HAD ON WAS A BALANCE,

TO BE HONEST-- LIKE, THIS IS...

- NOBODY TOLD YOU TO PUT THAT ON.

WE GOTTA GET THERE AND FIGURE IT OUT.

BUT RIGHT NOW, YOU'RE WRONG

AND YOU GOT AN ATTITUDE PROBLEM

AND IT'S NOT NECESSARY.

ALL YOU GOTTA DO IS LISTEN.

YOU NEVER WANNA LISTEN.

THAT'S JUST BEIN' FUNNY AND BEIN' SPITEFUL.

YOU KNOW YOU CAN'T BE AN ARTIST AND WEAR THAT.

AND YOU KNOW WHAT YOU HAD ON BEFORE WAS TOO FAR.

- REALLY? - YES.

- WHAT WAS WRONG WITH IT? - IT WAS JUST TOO FAR.

- I WAS COMPLETELY COVERED UP.

IT WAS CUTE-- IT WAS COUTURE.

I COULD DANCE-- I COULD SING.

I CAN'T DANCE IN THIS.

I CAN'T DANCE IN A DRESS THAT COMES DOWN TO MY KNEES.

- I DIDN'T ASK YOU TO PUT A DRESS ON

THAT COME DOWN TO YOUR KNEES.

YOU DID THAT.

- THAT'S BECAUSE I DON'T KNOW, HONESTLY--

- WELL, LET ME FIGURE IT OUT.

DAVIDA WE'LL GET TOGETHER NEXT WEEK AND FIGURE IT OUT.

- YOU GUYS BOTH HAVE TO COME TO A MIDDLE GROUND.

YOU HAVE TO BE COMFORTABLE.

AND YOU HAVE TO LOOK AT HER AS NOT YOUR WIFE

BUT AN ARTIST. - EXACTLY.

AND I AM WILLING TO DO THAT.

- I CAN TELL YOU RIGHT NOW VINCE IS NOT WILING TO SEE ME

AS AN ARTIST.

I MEAN, HE ONLY SEES ME AS HIS WIFE.

EVERY TIME I DRESS SEXY HE GETS MAD.

IF YOU SAW AN ARTIST COME INTO YOUR OFFICE

WITH THE SAME OUTFIT I HAVE CAME ON WITH,

YOU'D BE LIKE THAT IS A SUPERSTAR.

POINT BLANK PERIOD.

- I DON'T USE THAT WORD.

- YES, YOU DO.

- TAMAR, WE HAVE TO MEET IN THE MIDDLE.

- AND WHAT WOULD THAT BE VINCE?

I'M NOT WEARIN' NO PANTSUIT.

- I DIDN'T ASK YOU TO.

- I'M BACK AT SQUARE ONE.

IT'S LIKE, WHY AM I EVEN TRYIN' TO DO THIS?

AN ARTIST MEANS

YOU ARE SUPPOSED TO BE EXPRESSING YOURSELF.

THAT'S WHAT AN ARTIST IS.

NOT EXPRESSING WHAT SOMEBODY WANTS YOU TO BE

OR WANT YOU TO LOOK LIKE OR WANT YOU TO SING.

VINCE AND I DO NOT SEE EYE TO EYE

AND IT'S REALLY STARTING TO PISS ME OFF.

I MEAN, DOING THIS SOLO RECORD IS GONNA BE

A NIGHTMARE IF HE KEEPS THIS UP.

- HI, MOMMY. - HI, BABIES-- HI!

- I AM SO GLAD TO BE BACK FROM RUSSIA

AFTER DEALING WITH ALL OF THAT DRAMA.

IT'S JUST GONNA BE SO GOOD TO KISS ON MY KIDS.

CAN I HAVE A BIG HUG?

PLEASE?

OH, MY PRINCESS!

BUT I CAN ONLY DO THAT FOR A SECOND

BECAUSE I CAN SEE THAT ANDRE HAS SOMETHING ON HIS MIND.

IT'S ALWAYS SOMETHING.

- GO UPSTAIRS FOR A LITTLE WHILE.

JUST FOR A LITTLE WHILE.

I GOTTA TALK TO MOMMY-- OKAY.

- WHAT'S WRONG?

- I GOTTA TALK TO YA FOR A SECOND.

- JUST GO UPSTAIRS FOR A SECOND, ALL RIGHT.

- GO UPSTAIRS FOR ONE SECOND.

- GIVE US ONE SECOND, OKAY-- ONE SECOND.

UM, YOU KNOW WHAT THE SITUATION WAS WHEN WE MOVED IN

AND ALL THAT STUFF THAT WE FOUND OUT

ABOUT WHAT'S GOING ON WITH THE PROPERTY?

- THAT IT'S IN RECEIVERSHIP? - RIGHT.

- AFTER MOVING INTO THE RENTAL, I HAVE LEARNED

THAT THE PROPERTY IS UNDER RECEIVERSHIP.

IT'S A FORM OF FORECLOSURE.

- THE SHERIFF CAME BY THE OTHER DAY

AND SAID THAT WE HAD TO GET OUT.

HE GAVE US KIND OF, LIKE, A WARNING,

SO TO SPEAK, TO GET OUT.

- HOW LONG DID THEY SAY?

- THEY SAID THAT YOU HAVE TO BE OUTTA HERE BY TOMORROW.

- TOMOR-- ARE YOU SERIOUS?

- THAT'S RIGHT.

- SO, NOW I HAVE TO MOVE OUT IN ONE DAY.

WHO DOES THAT?

- HE SAID THAT THEY WILL BE BACK TO MAKE SURE

THAT WE'RE OUT OF HERE.

- AND IT'S PADLOCKED AND IT'S UNDER FORECLOSURE?

- THAT'S RIGHT.

BECAUSE, UH-- I DON'T KNOW WHERE WE GONNA GO AFTER THIS.

THERE YA GO.

- I DON'T EVEN WANNA LOOK AT IT.

- MOMMY, I LOVE YOU.

- I LOVE YOU MORE.

- WHAT'S THE NEXT MOVE?

- IT'S ALL RIGHT.

- YOU'RE SAYING EVERYTHING'S GOOD.

- I'M JUST GONNA FIGURE IT OUT.

IT'S NOT GOOD-- OF COURSE BUT OF COURSE I'M JUST

GONNA HAVE TO GO AHEAD AND FIGURE EVERYTHING OUT.

I'LL JUST FIGURE IT OUT.

MOVE TOMORROW?

I AM IN SHOCK!

I DON'T KNOW WHAT WE'RE GONNA DO.

IT'S ALWAYS SOMETHING.

I'LL FIGURE SOMETHIN' OUT-- IMMEDIATELY.

- ON THE NEXT EPISODE OF "BRAXTON FAMILY VALUES."

- I WAS THINKIN' ABOUT WE SHOULD DO A BRAXTON ALBUM.

- UM, IS TONI INVOLVED IN THIS?

NO, I AM NOT DOING THE RECORD IF TONI IS NOT DOIN' IT.

NO, I AM NOT.

IF SHE DON'T SING ON AT LEAST ALL THE SONGS...

I'M NOT DOIN' IT.

- I WANTED TO TALK TO YOU ABOUT INTERVIEWING

SOME PEOPLE FOR A PERSONAL ASSISTANT

AND EXECUTIVE ASSISTANT.

- SO, YOU WANNA BUY A NEW HOUSE?

YOU'VE ALREADY FOUND ONE?

- YEAH-- I ALREADY FOUND ONE-- IT'S BEAUTIFUL.

- BECAUSE YOU KEEP MAKING COMMENTS ABOUT HOW SMALL IT IS.

- I AM NOT!

- WHY-- BECAUSE IT DOESN'T SPRAWL OVER

TWO BLOCKS OF LAND.

TAMAR'S NOT COMPLETELY HAPPY WITH THE HOUSE.

SHE WOULDN'T BE HAPPY IF I CHOSE THE TAJ MAHAL.