All language subtitles for Braxton.Family.Values.S01E05.From.Russia.With.Love.1080p.AMZN.WEB-DL.DDP2.0.H.264-SLAG_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:09,975 --> 00:00:11,218 - I CAN'T BELIEVE WE'RE IN RUSSIA. 2 00:00:11,321 --> 00:00:12,426 THIS IS SO EXCITING! 3 00:00:12,529 --> 00:00:13,358 - WE DON'T HAVE OUR BAGS YET-- 4 00:00:13,461 --> 00:00:14,255 - I KNOW THE CLOTHES AREN'T HERE. 5 00:00:14,359 --> 00:00:15,705 DON'T COVER BY LYING. 6 00:00:15,808 --> 00:00:16,775 - THE SHERIFF CAME BY 7 00:00:16,878 --> 00:00:18,915 AND SAID YOU HAVE TO BE OUT OF HERE BY TOMORROW. 8 00:00:19,019 --> 00:00:21,159 - TOMOR-- ARE YOU SERIOUS? - THAT'S RIGHT. 9 00:00:21,262 --> 00:00:23,195 - I JUST DECIDED TO CALL MY STYLIST 10 00:00:23,299 --> 00:00:27,303 BECAUSE I FELT LIKE SHE'S THE ONLY PERSON WHO I CAN TRUST 11 00:00:27,406 --> 00:00:29,995 THAT WILL GO ALONG WITH MY IMAGE. 12 00:00:30,099 --> 00:00:32,377 - SHE WANTED TASSELS ON HER NIPPLES. 13 00:00:32,480 --> 00:00:35,518 - YOU KNOW BETTER THAN THIS. 14 00:00:35,621 --> 00:00:36,691 THAT'S NOT COOL, BABE. 15 00:00:36,795 --> 00:00:37,899 SING SOMETHING RIGHT NOW. 16 00:00:38,003 --> 00:00:39,280 - DOO, DOO, DOO, DOO, DOO. - NO, SERIOUSLY, SING SOMETHING. 17 00:00:39,384 --> 00:00:40,488 - WHAT DO YOU WANT ME TO SING? 18 00:00:40,592 --> 00:00:43,077 - TONI INVITES THIS REALLY SUPER, DUPER WEIRD GUY 19 00:00:43,181 --> 00:00:44,768 ON THE STAGE. 20 00:00:44,872 --> 00:00:46,218 SECURITY! 21 00:01:11,623 --> 00:01:13,176 - I HAVE THIS AMAZING OPPORTUNITY TO GO TO RUSSIA 22 00:01:13,280 --> 00:01:14,281 AND PERFORM AT THE KREMLIN. 23 00:01:14,384 --> 00:01:15,489 AND I'M REALLY EXCITED. 24 00:01:15,592 --> 00:01:16,800 AND ALL OF MY SISTERS ARE GONNA COME AND JOIN ME 25 00:01:16,904 --> 00:01:20,804 AND TAMAR IS GONNA MEET US IN ATLANTA FOR REHEARSAL. 26 00:01:26,051 --> 00:01:27,087 - HEY. - HEY. 27 00:01:27,190 --> 00:01:28,502 - HEY. 28 00:01:28,605 --> 00:01:32,230 - READY FOR REHEARSAL? - YEAH. 29 00:01:32,333 --> 00:01:34,887 - DID TAMAR CALL YOU? - NO, SHE CALL YOU? 30 00:01:34,991 --> 00:01:38,822 - TAMAR, WHO IS SUPPOSED TO BE IN ATLANTA THIS MORNING, 31 00:01:38,926 --> 00:01:40,272 CALLED ME FROM LOS ANGELES 32 00:01:40,376 --> 00:01:41,825 AND SAID SHE WASN'T COMING TO RUSSIA 33 00:01:41,929 --> 00:01:43,586 TO BE TONI'S BACKGROUND SINGER. 34 00:01:43,689 --> 00:01:44,966 SO, NOW WHAT? 35 00:01:45,070 --> 00:01:46,002 - YOU DON'T THINK SHE'S GOIN' 36 00:01:46,106 --> 00:01:47,900 OR YOU KNOW FOR A FACT SHE'S NOT GOIN'. 37 00:01:48,004 --> 00:01:50,869 - I'M ONE HUNDRED PERCENT SURE SHE'S NOT GOING TO RUSSIA. 38 00:01:50,972 --> 00:01:55,287 AND THEN, TRACI'S VISA DIDN'T COME IN IN TIME FOR FRIDAY. 39 00:01:55,391 --> 00:01:57,531 - FINDING OUT I WAS NOT GOING TO RUSSIA, 40 00:01:57,634 --> 00:01:59,153 I THOUGHT IT WAS A JOKE, AT FIRST. 41 00:01:59,257 --> 00:02:01,086 I'M REALLY NOT GOING? 42 00:02:01,190 --> 00:02:02,708 NO, YOU'RE NOT GOIN' BECAUSE OF THE VISA. 43 00:02:02,812 --> 00:02:03,951 ARE YOU SURE? 44 00:02:04,054 --> 00:02:05,332 - TRACI, I'M JUST GONNA-- 45 00:02:05,435 --> 00:02:07,196 WE'RE JUST GONNA HAVE TO BRING YOU BACK SOME VODKA. 46 00:02:07,299 --> 00:02:08,542 - I WANTED TO GO TO RUSSIA. 47 00:02:08,645 --> 00:02:09,957 - WE WANTED YOU TO GO, TOO. 48 00:02:10,060 --> 00:02:11,372 - I WAS-- I WAS HURT. 49 00:02:11,476 --> 00:02:13,581 Y'ALL READY? - WELL, I'M KINDA READY. 50 00:02:13,685 --> 00:02:14,686 I NEED SOME HELP. 51 00:02:14,789 --> 00:02:17,620 - SO, YOU WANNA TAKE OUT YOUR RIGHT ARM. 52 00:02:17,723 --> 00:02:19,622 - YOUR OTHER RIGHT. 53 00:02:19,725 --> 00:02:20,623 - STRAIGHT. 54 00:02:20,726 --> 00:02:21,624 - OH, THIS ARM. 55 00:02:21,727 --> 00:02:23,108 - TRINA, I THOUGHT YOU KNEW THE CHOREOGRAPHY. 56 00:02:23,212 --> 00:02:24,178 - I DO. 57 00:02:24,282 --> 00:02:26,353 - THEN TO THE RIGHT. 58 00:02:26,456 --> 00:02:27,561 - WOW. 59 00:02:27,664 --> 00:02:28,700 SHE HAS BEEN DOIN' IT FOR A WHILE 60 00:02:28,803 --> 00:02:31,461 AND SHE STILL DON'T KNOW THE CHOREOGRAPHY. 61 00:02:31,565 --> 00:02:32,738 - DAMN IT. 62 00:02:32,842 --> 00:02:35,500 I DON'T-- IT FEELS NATURAL TO GO HERE FIRST. 63 00:02:35,603 --> 00:02:38,951 THIS RUSSIA CONCERT IS SO IMPORTANT TO TONI. 64 00:02:39,055 --> 00:02:43,093 AND WITH TAMAR NOT COMING, I HAVE TO BE LIKE SPOT ON. 65 00:02:43,197 --> 00:02:44,647 - WERE YOU GUYS WORKIN' ON STUFF? 66 00:02:44,750 --> 00:02:46,511 - WELL... 67 00:02:46,614 --> 00:02:47,719 YEAH, SORT OF. 68 00:02:47,822 --> 00:02:48,789 - WHAT'S WRONG? 69 00:02:48,892 --> 00:02:49,686 - YOU TALK TO TAMAR? 70 00:02:49,790 --> 00:02:52,206 - NO-- WHERE IS SHE? 71 00:02:52,310 --> 00:02:54,553 - I DON'T KNOW-- I WAS JUST ASKIN'. 72 00:02:54,657 --> 00:02:55,796 - I THINK SHE'S SUPPOSED TO BE COMING. 73 00:02:55,899 --> 00:02:58,626 - I TOLD TONI TO CALL TAMAR BECAUSE, YOU KNOW WHAT, 74 00:02:58,730 --> 00:03:02,078 TAMAR IS THE ONE WHO FLAKED, SO TAMAR NEEDS TO BE THE ONE 75 00:03:02,182 --> 00:03:04,287 TO BREAK THE NEWS TO TONI NOT ME. 76 00:03:04,391 --> 00:03:05,426 - GUYS, GIVE ME A SECOND. 77 00:03:05,530 --> 00:03:06,979 I'M GONNA TRY TO CALL TAMAR-- ONE SECOND. 78 00:03:07,773 --> 00:03:08,533 - HELLO? 79 00:03:08,636 --> 00:03:13,193 - HEY, TAY, WHERE ARE YOU? 80 00:03:13,296 --> 00:03:15,574 OKAY, HERE I AM-- WHERE ARE YOU? 81 00:03:23,410 --> 00:03:27,276 IS EVERYTHING OKAY? 82 00:03:28,311 --> 00:03:29,761 WHERE AT? 83 00:03:32,488 --> 00:03:33,420 DO WHAT YOU GOTTA DO-- CALL ME LATER. 84 00:03:33,523 --> 00:03:35,387 I'M IN THE MIDDLE OF REHEARSALS NOW 85 00:03:35,491 --> 00:03:36,837 AND I ONLY HAVE LIKE ANOTHER HOUR AND A HALF TO GO. 86 00:03:36,940 --> 00:03:39,909 SO, I WILL CALL YA BACK. 87 00:03:43,844 --> 00:03:45,121 WHAT THE HELL? 88 00:03:45,225 --> 00:03:46,398 DAMN. 89 00:03:46,502 --> 00:03:48,435 SHE BAILED ON ME AND THAT'S SO NOT LIKE HER. 90 00:03:48,538 --> 00:03:50,402 SO, I AM TRYING TO BE OPTIMISTIC AT THE SAME TIME 91 00:03:50,506 --> 00:03:51,748 AND GO, "PERHAPS SOMETHING HAPPENED." 92 00:03:51,852 --> 00:03:53,267 BUT I DON'T WANNA BE OPTIMISTIC RIGHT NOW. 93 00:03:53,371 --> 00:03:54,579 I'M MAD, RIGHT NOW. 94 00:03:54,682 --> 00:03:56,201 - I WISH TRACI COULD BE THERE. 95 00:03:56,305 --> 00:03:58,410 TRACI COULDA HELPED ME. - SORRY, TRE. 96 00:03:58,514 --> 00:03:59,618 - I FELT AS THOUGH, 97 00:03:59,722 --> 00:04:02,380 HERE I GO AGAIN BEING LEFT BEHIND AGAIN. 98 00:04:02,483 --> 00:04:05,314 LIKE A PIECE OF LUGGAGE THAT COULDN'T GO INTO THE PLANE 99 00:04:05,417 --> 00:04:08,075 BECAUSE THEY ALREADY HAVE SIXTEEN LUGGAGES. 100 00:04:08,178 --> 00:04:13,529 IF I HAD MY VISA, I WOULD BE THE ONE SINGIN' BACKUP. 101 00:04:13,632 --> 00:04:15,220 - I HAVE TO FIGURE OUT WHO WE GONNA CALL TO STEP IN 102 00:04:15,324 --> 00:04:17,740 FOR TAMAR'S PLACE. 103 00:04:17,843 --> 00:04:19,086 WHY DON'T YOU DO IT? 104 00:04:19,189 --> 00:04:20,121 IF YOU DON'T MIND. 105 00:04:20,225 --> 00:04:21,502 - NO, I DON'T MIND. - OKAY. 106 00:04:21,606 --> 00:04:23,297 - IT'S GONNA BE A LITTLE CHALLENGING 107 00:04:23,401 --> 00:04:25,679 BEING TONI'S PERSONAL ASSISTANT, 108 00:04:25,782 --> 00:04:27,577 HER SEAMSTRESS, HER STYLIST, 109 00:04:27,681 --> 00:04:29,130 HER MAKEUP ARTIST, HER HAIR STYLIST 110 00:04:29,234 --> 00:04:30,062 AND ALL THAT GOOD STUFF. 111 00:04:30,166 --> 00:04:32,272 AND BEING HER BACKGROUND SINGER. 112 00:04:32,375 --> 00:04:33,790 I HAVE TO MAKE SOME RUNS REAL FAST. 113 00:04:33,894 --> 00:04:36,379 I HAVE TO MAKE SURE EVERYTHING IS DONE. 114 00:04:36,483 --> 00:04:38,001 - I CAN'T STAY THAT LONG. 115 00:04:38,105 --> 00:04:39,417 - WHAT TIME YOU GOTTA LEAVE? 116 00:04:39,520 --> 00:04:40,797 - I'VE GOT MARRIAGE COUNSELIN'. 117 00:04:40,901 --> 00:04:42,040 - WHAT THE HELL? 118 00:04:42,143 --> 00:04:44,732 FIRST, TAMAR CANCELS AND NOW TRINA SKIPS OUT ON REHEARSAL. 119 00:04:44,836 --> 00:04:46,976 I SWEAR IF THEY WEREN'T MY SISTERS, 120 00:04:47,079 --> 00:04:47,977 THEY WOULD BE SO FIRED. 121 00:04:48,080 --> 00:04:49,910 I WOULD FIRE THEM-- I WOULD. 122 00:04:50,013 --> 00:04:50,669 - LOVE YOU. 123 00:04:50,773 --> 00:04:51,739 - GO WORK ON YOUR MARRIAGE. 124 00:04:51,843 --> 00:04:54,432 - RIGHT-- WE'LL SEE HOW THAT WORKS OUT. 125 00:04:54,535 --> 00:04:55,364 - I CAN DO IT ALL. 126 00:04:55,467 --> 00:04:55,985 I'LL DO THE BACKGROUND VOCALS. 127 00:04:56,088 --> 00:04:57,227 I'LL DO THE LEAD. 128 00:04:57,331 --> 00:04:59,229 I'LL DO THE BACKHOUSE SOUND. 129 00:04:59,333 --> 00:05:00,507 I'LL DO IT ALL. 130 00:05:00,610 --> 00:05:02,405 I'LL JUST DO IT ALL. 131 00:05:07,445 --> 00:05:08,411 - I LIED TO TONI. 132 00:05:08,515 --> 00:05:11,311 I NEVER EVER LIE TO TONI. 133 00:05:11,414 --> 00:05:14,555 BUT I FELT LIKE I HAD TO BECAUSE I DIDN'T WANNA GO 134 00:05:14,659 --> 00:05:17,938 TO RUSSIA AND SING DOO-WOP-BOP-BOP. 135 00:05:18,041 --> 00:05:20,285 AND PLUS, I THOUGHT IT WOULD BE A BETTER IDEA 136 00:05:20,389 --> 00:05:21,838 IF I STAYED HERE IN L.A. 137 00:05:21,942 --> 00:05:24,738 AND WORKED ON MY SOLO CAREER WITH VINCE. 138 00:05:24,841 --> 00:05:26,153 SO, WHAT'S THE ORDER OF BUSINESS? 139 00:05:26,256 --> 00:05:28,431 WHAT EXACTLY ARE WE DOING HERE? 140 00:05:28,535 --> 00:05:30,157 - TRY TO FIGURE OUT 141 00:05:30,260 --> 00:05:31,192 HOW WE CAN GET YOUR PROJECT STARTED. 142 00:05:31,296 --> 00:05:33,712 - I AIN'T GON' SAY I HEARD, THAT I HEARD, 143 00:05:33,816 --> 00:05:35,680 THAT I HEARD, BUT I DID... 144 00:05:35,783 --> 00:05:39,615 THAT YOU SAID IT'S ONLY GONNA TAKE LIKE THREE MONTHS. 145 00:05:39,718 --> 00:05:42,825 AND IF THAT IS THE CASE, HOW COME WE WAITED THIS LONG 146 00:05:42,928 --> 00:05:44,102 TO DO MINE? 147 00:05:44,205 --> 00:05:46,553 - IT JUST DOESN'T HAPPEN THE WAY YOU WANT IT TO HAPPEN 148 00:05:46,656 --> 00:05:48,002 BECAUSE YOU'RE MY WIFE. 149 00:05:48,106 --> 00:05:49,452 - THINGS ARE BAD BETWEEN TO US. 150 00:05:49,556 --> 00:05:51,627 - WHEN IT COMES TO YOUR MUSIC CAREER IT'S ALREADY BAD 151 00:05:51,730 --> 00:05:53,076 BECAUSE YOU DON'T LISTEN. 152 00:05:53,180 --> 00:05:54,664 - YOU ARE REALLY BEIN' OVER THE TOP DOT COM. 153 00:05:54,768 --> 00:05:56,045 - IT'S NOT BEING OVER THE TOP DOT COM. 154 00:05:56,148 --> 00:05:57,218 YOU KNOW WHAT IT IS? 155 00:05:57,322 --> 00:05:58,599 IT'S THE TRUTH DOT COM 156 00:05:58,703 --> 00:05:59,842 AND YOU DON'T WANNA ACCEPT THAT. 157 00:05:59,945 --> 00:06:02,776 IF YOU DON'T LISTEN, YOU CAN'T WIN. 158 00:06:02,879 --> 00:06:04,398 ALL THE STUFF YOU'VE BEEN THROUGH IN YOUR CAREER 159 00:06:04,502 --> 00:06:05,675 AND YOU TRYIN' TO SAY WHAT TAKES SO LONG-- 160 00:06:05,779 --> 00:06:07,056 YOU KNOW IT TAKES LONG. 161 00:06:07,159 --> 00:06:08,540 YOU HAVE TO SET THINGS UP THE RIGHT WAY-- DON'T DO THAT. 162 00:06:08,644 --> 00:06:09,714 - BUT THESE RECORDS ARE RECORDS. 163 00:06:09,817 --> 00:06:11,163 - OKAY. 164 00:06:14,960 --> 00:06:19,620 - I DON'T... I DON'T GET THE TENSION ALL OF THE SUDDEN. 165 00:06:19,724 --> 00:06:21,553 ALL I AM DOIN' IS ASKIN' QUESTIONS. 166 00:06:21,657 --> 00:06:24,142 I DON'T KNOW WHY HE'S GETTING SO DEFENSIVE. 167 00:06:24,245 --> 00:06:26,144 I MEAN, HE'S JUST ACTIN' LIKE I DON'T HAVE NO RIGHT 168 00:06:26,247 --> 00:06:27,628 TO ASK HIM ANYTHING. 169 00:06:27,732 --> 00:06:30,286 LIKE, ISN'T THIS MY BUSINESS. 170 00:06:30,390 --> 00:06:31,667 - AND THAT'S THE END OF THE CONVERSATION. 171 00:06:31,770 --> 00:06:34,773 - NO, IT'S NOT. - YES, IT IS. 172 00:06:34,877 --> 00:06:36,361 TO ME IT IS. 173 00:06:36,465 --> 00:06:37,638 - BUT WHY IS IT THE END OF THE CONVERSATION 174 00:06:37,742 --> 00:06:42,436 WHEN I REALLY DO HAVE SERIOUS CONCERNS? 175 00:06:42,540 --> 00:06:44,542 I MEAN, TO ME THIS IS JUST SO RUDE. 176 00:06:44,645 --> 00:06:46,544 HE SAYS HE'S GONNA PRODUCE MY RECORD 177 00:06:46,647 --> 00:06:48,684 AND THEN WHEN I ASK HIM ABOUT THE DETAILS 178 00:06:48,787 --> 00:06:51,100 HE'S GONNA GET UP AND LIKE, WALK AWAY. 179 00:06:51,203 --> 00:06:52,204 LIKE... 180 00:06:52,308 --> 00:06:53,861 I JUST REALLY HONESTLY WANNA KNOW 181 00:06:53,965 --> 00:06:56,139 IS IT GONNA TAKE THREE MONTHS, SIX MONTHS? 182 00:06:56,243 --> 00:06:58,935 I MEAN, IT'S JUST NOT RIGHT. 183 00:06:59,039 --> 00:07:00,212 IT'S WRONG. 184 00:07:00,316 --> 00:07:04,285 NO, FOR REAL. 185 00:07:04,389 --> 00:07:05,183 NO, FOR REAL... SERIOUSLY. 186 00:07:05,286 --> 00:07:08,462 - CL-CLOSE THE DOOR. 187 00:07:14,054 --> 00:07:16,505 - WHEN MY HUSBAND GABE AND I TRY TO HAVE A CONVERSATION 188 00:07:16,608 --> 00:07:19,991 ABOUT OUR RELATIONSHIP, IT NEVER GOES WELL. 189 00:07:20,094 --> 00:07:22,614 SO, WE DECIDED WE'RE GONNA GO AND TALK TO DR. SHERRY 190 00:07:22,718 --> 00:07:24,582 BECAUSE IF COUNSELIN' DOESN'T HELP, 191 00:07:24,685 --> 00:07:26,446 I'M-I'M NOT SURE IF ANYTHING WILL. 192 00:07:26,549 --> 00:07:28,413 - WHERE DO YOU SEE THE MARRIAGE? 193 00:07:28,517 --> 00:07:29,828 - I WANT THINGS TO WORK OUT. 194 00:07:29,932 --> 00:07:31,036 - SO, YOU WANT THE MARRIAGE? 195 00:07:31,140 --> 00:07:32,486 - YEAH, I STILL WANT MY MARRIAGE TO WORK OUT. 196 00:07:32,590 --> 00:07:33,660 - I DON'T KNOW HOW HE CAN MAKE THAT STATEMENT. 197 00:07:33,763 --> 00:07:35,800 FOR US TO BE MARRIED FOR SEVEN YEARS, 198 00:07:35,903 --> 00:07:38,009 YOU CHEAT ON ME FOR FIVE OF THEM. 199 00:07:38,112 --> 00:07:39,459 THAT MAKES HIM A WHORE. 200 00:07:39,562 --> 00:07:40,977 - WELL... - 'CAUSE IF IT WERE ME, 201 00:07:41,081 --> 00:07:42,841 I'D BE A WHORE 'CAUSE I AM A WOMAN. 202 00:07:42,945 --> 00:07:44,256 - SO, WHAT DOES THAT SAY ABOUT YOU? 203 00:07:44,360 --> 00:07:46,017 - DIRTY, MESSY... 204 00:07:46,120 --> 00:07:50,780 - GRIMY, NASTY, COMMON, DIRTY, LOW DOWN, HORRIBLE... 205 00:07:50,884 --> 00:07:54,646 - I WAS AT ONE TIME IN MY LIFE A SEX ADDICT. 206 00:07:54,750 --> 00:07:56,717 BUT I NEVER HAD SEX WITH ANOTHER WOMAN. 207 00:07:56,821 --> 00:07:57,856 - SO YOU'RE SAYIN' THAT-- 208 00:07:57,960 --> 00:08:00,410 - THERE WERE THINGS I WOULD DO ALL THE WAY UP 209 00:08:00,514 --> 00:08:03,793 UNTIL THE TIP... 210 00:08:03,897 --> 00:08:05,795 - I KNOW THE THINGS THAT HAPPEN BETWEEN A MAN AND A WOMAN 211 00:08:05,899 --> 00:08:07,935 WHEN THEY GET INTO THEIR MOMENTS. 212 00:08:08,039 --> 00:08:11,042 AND FOR A MAN TO JUST BE LIKE, "OH, HOLD UP, STOP. 213 00:08:11,145 --> 00:08:12,595 "I'M NOT GONNA DO THIS 'CAUSE IT'S WRONG. 214 00:08:12,699 --> 00:08:13,769 "OUR CLOTHES ARE COMPLETELY OFF 215 00:08:13,872 --> 00:08:15,011 "AND THE HEAD OF THE PENAL SECTION 216 00:08:15,115 --> 00:08:18,428 "IS ALREADY THERE-- BUT, HEY, I'M GONNA STOP." 217 00:08:18,532 --> 00:08:19,568 SERIOUSLY? 218 00:08:19,671 --> 00:08:20,603 - WHAT ARE YOU SAYIN'? 219 00:08:20,707 --> 00:08:21,949 - I DIDN'T HAVE SEXUAL INTERCOURSE. 220 00:08:22,053 --> 00:08:22,640 - OKAY. 221 00:08:22,743 --> 00:08:23,433 - THAT'S THE LINE. 222 00:08:23,537 --> 00:08:24,676 - OKAY. 223 00:08:24,780 --> 00:08:28,887 SO, SHOULD SHE FEEL BETTER ABOUT THAT? 224 00:08:28,991 --> 00:08:29,474 - NO. 225 00:08:29,578 --> 00:08:31,718 - OKAY. 226 00:08:31,821 --> 00:08:33,996 BECAUSE THE ISSUE BECOMES ONCE YOU GO OUTSIDE 227 00:08:34,099 --> 00:08:35,515 OF THE RELATIONSHIP. 228 00:08:35,618 --> 00:08:38,656 - EXCUSE ME. 229 00:08:38,759 --> 00:08:41,417 - WHAT DO YOU SAY TO THAT? 230 00:08:41,521 --> 00:08:42,970 HOW DO YOU RESPOND? 231 00:08:43,074 --> 00:08:46,077 - I'M SORRY. 232 00:08:46,180 --> 00:08:50,391 BUT I FEEL LIKE THAT WON'T TAKE ANY OF IT BACK. 233 00:08:50,495 --> 00:08:51,600 ANY OF THAT STUFF THAT I'VE DONE. 234 00:08:51,703 --> 00:08:54,016 - MARRIAGE IS LIKE TWO PEOPLE AGAINST THE WORLD. 235 00:08:54,119 --> 00:08:55,880 YOU HAVE TO DECIDE IF YOU'RE GONNA BIND TOGETHER 236 00:08:55,983 --> 00:08:58,158 AND BECOME THOSE TWO PEOPLE. 237 00:08:58,261 --> 00:09:00,850 OTHERWISE, YOU KNOW WHAT, YOU'RE PLAYING HOUSE 238 00:09:00,954 --> 00:09:03,128 AND YOU'RE GOING THROUGH THE MOTIONS. 239 00:09:03,232 --> 00:09:05,130 - I'M NOT SURE IF I CAN EVER FORGIVE GABE. 240 00:09:05,234 --> 00:09:07,961 I'M WORKING ON FORGIVENESS, BUT I THINK I NEED TIME 241 00:09:08,064 --> 00:09:10,895 TO LET IT ALL SETTLE SO I CAN GIVE MYSELF TIME 242 00:09:10,998 --> 00:09:14,554 TO REALLY KNOW WHAT I WANT. 243 00:09:14,830 --> 00:09:16,832 - COMING UP ON "BRAXTON FAMILY VALUES." 244 00:09:16,935 --> 00:09:18,040 - SHE'S NOT GONNA WANNA WEAR THAT. 245 00:09:18,143 --> 00:09:19,662 SHE'S GONNA SAY SHE LOOKS FRUMPY. 246 00:09:19,766 --> 00:09:20,594 - I KNOW THE CLOTHES AREN'T HERE. 247 00:09:20,698 --> 00:09:22,009 DON'T COVER BY LYING. 248 00:09:22,113 --> 00:09:23,908 - I HAVE ON FISHNETS AND SOME SPIKY HEELS 249 00:09:24,011 --> 00:09:26,186 LIKE I AM ABOUT TO DO SOME S & M TYPE SITUATION. 250 00:09:26,289 --> 00:09:27,946 - YOU KNOW BETTER THAN THAT-- YOU'RE NOT STUPID. 251 00:09:28,050 --> 00:09:29,603 - IT'S BEEN DONE. 252 00:09:38,647 --> 00:09:40,269 - HEY. 253 00:09:40,372 --> 00:09:41,546 I BROUGHT YOU SOME FLOWERS. 254 00:09:41,650 --> 00:09:43,859 - VINCE SLAMMED THE DOOR IN MY FACE 255 00:09:43,962 --> 00:09:46,862 AND ALL I GOT WAS A BOUQUET OF FLOWERS. 256 00:09:46,965 --> 00:09:48,553 OH, NO... HE'S GONNA HAVE TO DO 257 00:09:48,657 --> 00:09:50,935 A WHOLE LOT BETTER THAN THAT. 258 00:09:51,038 --> 00:09:52,350 - I JUST WANTED TO BRING YOU THE FLOWERS TO LET YOU KNOW 259 00:09:52,453 --> 00:09:57,217 THAT I REALLY WANT TO GET THIS HAPPENING WITH YOUR CAREER. 260 00:09:57,320 --> 00:10:01,048 I'M ONLY HARD ON YOU BECAUSE I KNOW HOW GOOD YOU ARE. 261 00:10:01,152 --> 00:10:02,843 BUT I AM ALSO HARD ON YOU BECAUSE, YOU KNOW, 262 00:10:02,947 --> 00:10:04,638 SOMETIMES YOU TAKE YOUR TIME 263 00:10:04,742 --> 00:10:05,812 ON WHAT YOU WANNA DO WITH THIS LIKE, 264 00:10:05,915 --> 00:10:07,572 YOU KNOW YOU CAN DO IT, 265 00:10:07,676 --> 00:10:09,643 BUT I WANT IT TO BE GREAT FOR YOU. 266 00:10:09,747 --> 00:10:11,058 YOU DESERVE A SHOT. 267 00:10:11,162 --> 00:10:13,336 I THINK YOU CAN BE SUCCESSFUL AND BE REALLY, REALLY GREAT. 268 00:10:13,440 --> 00:10:15,822 - YEAH, BABY-- NOW WE TALKIN'. 269 00:10:15,925 --> 00:10:18,618 SO, WHAT KINDA MUSIC YOU THINK YOU I SHOULD BE DOING? 270 00:10:18,721 --> 00:10:20,965 - WHATEVER KINDA MUSIC YOU WANNA DO. 271 00:10:21,068 --> 00:10:22,069 - NO, LIKE, AS AN EXECUTIVE. 272 00:10:22,173 --> 00:10:23,450 LIKE, YOU'RE SITTING HERE TELLING ME-- 273 00:10:23,553 --> 00:10:24,416 - YOU HAVE TO EXPERIENCE THAT. 274 00:10:24,520 --> 00:10:25,521 YOU DON'T-- YOU CAN'T JUST SAY-- 275 00:10:25,625 --> 00:10:28,041 YOU DIDN'T COME TO ME WITH A DEMO. 276 00:10:28,144 --> 00:10:29,525 - I CAME AT YOU WITH MORE THAN A DEMO. 277 00:10:29,629 --> 00:10:30,871 - NO, YOU DIDN'T. 278 00:10:30,975 --> 00:10:32,390 SING SOMETHING RIGHT NOW. 279 00:10:32,493 --> 00:10:33,563 - DOO-DOO-DOO. 280 00:10:33,667 --> 00:10:34,461 - NO, SERIOUSLY, SING SOMETHING. 281 00:10:34,564 --> 00:10:35,255 - WHAT YOU WANT ME TO SING? 282 00:10:35,358 --> 00:10:36,912 - SING SOMETHING YOU WROTE. 283 00:10:37,015 --> 00:10:38,465 - I HAVEN'T WRITTEN A SONG IN FOREVER. 284 00:10:38,568 --> 00:10:39,673 - THERE YOU GO-- EXACTLY. 285 00:10:39,777 --> 00:10:40,743 - BUT, WHY HAVE I NOT WRITTEN A SONG IN FOREVER? 286 00:10:40,847 --> 00:10:43,366 - BECAUSE THAT'S YOUR CHOICE. 287 00:10:43,470 --> 00:10:46,162 WE HAVE CHOICES IN LIFE. 288 00:10:46,266 --> 00:10:48,095 - IT'S... OKAY. 289 00:10:48,199 --> 00:10:49,476 - YEAH. 290 00:10:49,579 --> 00:10:51,478 - ALL RIGHT, NOW I AM TOTALLY CONFUSED. 291 00:10:51,581 --> 00:10:54,170 AT FIRST, HERE HE IS COMPLIMENTING ME 292 00:10:54,274 --> 00:10:56,207 ON HOW I'M SINGIN' AND EVERYTHING 293 00:10:56,310 --> 00:10:58,347 AND NOW IT FEELS, LIKE, 294 00:10:58,450 --> 00:11:00,660 YOU KNOW, HE'S LIKE, DISSIN' THE WHOLE SITUATION. 295 00:11:00,763 --> 00:11:03,179 LIKE, I AM NOT COOL WITH THAT. 296 00:11:03,283 --> 00:11:07,356 - YOU CAN WRITE SOMETHIN' RIGHT NOW. 297 00:11:07,459 --> 00:11:10,221 - I JUST DON'T WANNA MAKE-- VINCE, I AM SCARED. 298 00:11:10,324 --> 00:11:11,222 HONESTLY. 299 00:11:11,325 --> 00:11:13,880 I'M AFRAID OF MAKING A TERRIBLE MISTAKE. 300 00:11:13,983 --> 00:11:16,848 - WELL, YOU HAVE TO LISTEN. 301 00:11:16,952 --> 00:11:18,056 I DON'T KNOW WHAT KIND OF RECORD YOU HAVE TO MAKE. 302 00:11:18,160 --> 00:11:19,402 RIGHT NOW WE HAVE TO GET INTO THE STUDIO 303 00:11:19,506 --> 00:11:22,164 AND START WORKING ON STUFF AND SEE WHAT FEELS GOOD. 304 00:11:22,267 --> 00:11:25,512 I KNOW YOU LOOK GOOD, YOU SOUND GOOD, YOU CAN DANCE. 305 00:11:25,615 --> 00:11:26,858 I KNOW ALL THOSE THINGS. 306 00:11:26,962 --> 00:11:29,102 SO, NOW WE HAVE TO PUT THE SEASONING IN AND SEE WHAT-- 307 00:11:29,205 --> 00:11:31,207 - I CAN DROP IT-- I CAN POP IT. 308 00:11:31,311 --> 00:11:33,451 - I DON'T KNOW WHAT ALL OF THAT MEANS, BUT... 309 00:11:33,554 --> 00:11:34,832 I KNOW YOU CAN BE A GREAT ARTIST. 310 00:11:34,935 --> 00:11:35,833 WE'RE GONNA GO HAVE A MEETING WITH RODNEY, 311 00:11:35,936 --> 00:11:37,627 SO YOU CAN GET ROLLIN' ON THAT. 312 00:11:37,731 --> 00:11:41,528 - RODNEY JERKINS IS A GRAMMY AWARD WINNING, 313 00:11:41,631 --> 00:11:44,358 MULTI-PLATINUM PRODUCER. 314 00:11:44,462 --> 00:11:45,670 AND HE'S INCREDIBLE. 315 00:11:45,774 --> 00:11:47,085 - SO, THAT'S WHAT WE'RE GONNA DO. 316 00:11:47,189 --> 00:11:48,362 ALL RIGHT? 317 00:11:48,466 --> 00:11:49,847 - PINKY SWEAR. 318 00:11:49,950 --> 00:11:50,848 - I'M EXCITED. 319 00:11:50,951 --> 00:11:51,987 I'M GONNA GET OUT OF THIS JACKET. 320 00:11:52,090 --> 00:11:53,609 THANKS. 321 00:11:53,713 --> 00:11:55,749 - GET OUTTA ALL OF THAT. 322 00:11:55,853 --> 00:11:57,233 AND I MEET YOU UPSTAIRS. 323 00:11:57,337 --> 00:12:00,961 - THERE YOU GO WITH YOUR MOUTH AGAIN. 324 00:12:06,242 --> 00:12:07,623 - THE RUSSIA TRIP IS IN TWO DAYS. 325 00:12:07,727 --> 00:12:11,903 I STILL HAVE A TON OF STUFF TO DO, INCLUDING GET WARDROBE 326 00:12:12,007 --> 00:12:14,388 AND MAKEUP FOR TONI AND THE BACKUP SINGERS 327 00:12:14,492 --> 00:12:16,045 AND THE DANCERS. 328 00:12:16,149 --> 00:12:17,875 AND TO MAKE THINGS MORE DIFFICULT 329 00:12:17,978 --> 00:12:19,669 I HAVE TO LEARN THE CHOREOGRAPHY 330 00:12:19,773 --> 00:12:22,120 FOR THE ENTIRE SHOW. 331 00:12:22,224 --> 00:12:23,156 - I WANNA GIVE YOU A MINUTE FIRST. 332 00:12:23,259 --> 00:12:24,951 I DON'T WANNA BE ON YOUR BACK. 333 00:12:25,054 --> 00:12:28,057 - OTHER THAN A BIRTHDAY PRESENT OR A CHRISTMAS GIFT, 334 00:12:28,161 --> 00:12:30,059 I USUALLY DON'T GO SHOPPIN' FOR TONI. 335 00:12:30,163 --> 00:12:32,924 OF COURSE, I GO SHOPPING WITH HER FOR FUN, 336 00:12:33,028 --> 00:12:35,409 BUT I DON'T GO SHOPPING FOR TONI FOR WARDROBE. 337 00:12:35,513 --> 00:12:37,239 SHE IS PICKY AS HELL. 338 00:12:37,342 --> 00:12:39,862 I WANNA GIVE HER OPTIONS, OPTIONS, OPTIONS, YOU KNOW? 339 00:12:39,966 --> 00:12:41,174 SHE'S NOT GONNA WANNA WEAR OF THAT. 340 00:12:41,277 --> 00:12:42,831 SHE'S GONNA SAY SHE LOOKS FRUMPY. 341 00:12:42,934 --> 00:12:44,660 SHE'S NOT GOING TO LIKE THIS EVEN THOUGH IT'S CUTE 342 00:12:44,764 --> 00:12:46,904 BECAUSE SHE'S GONNA TALK ABOUT HER THIGHS. 343 00:12:47,007 --> 00:12:49,561 AND I CAN'T LISTEN TO HER TALK ABOUT HER THIGHS 344 00:12:49,665 --> 00:12:51,460 FOR MORE THAN TEN MINUTES. 345 00:12:51,563 --> 00:12:52,944 I'M JUST GONNA GET IT-- IF SHE DON'T LIKE IT, 346 00:12:53,048 --> 00:12:55,119 SHE IS JUST GONNA HAVE TO TRY TO WEAR IT. 347 00:12:55,222 --> 00:12:56,223 OH, MY GOSH! 348 00:12:56,327 --> 00:12:59,157 I THINK I HAVE, LIKE, FOUR MORE STORES TO GO TO. 349 00:12:59,261 --> 00:13:00,503 - GOOD LUCK. - OH, MY GOD! 350 00:13:00,607 --> 00:13:05,267 ALSO, ON THE LIST OF THINGS TO GET ARE FAKE EYELASHES-- 351 00:13:05,370 --> 00:13:07,200 A STAPLE FOR THE BRAXTON GIRLS. 352 00:13:07,303 --> 00:13:09,202 THANK YOU FOR STILL BEIN' OPEN! 353 00:13:09,305 --> 00:13:10,582 I WAS GOIN' CRAZY. 354 00:13:10,686 --> 00:13:13,171 SHE LIKES THESE, SHE LIKES THESE. 355 00:13:13,275 --> 00:13:16,174 I NEED THOSE, I NEED THOSE. 356 00:13:16,278 --> 00:13:18,798 HEY, WHERE ARE THE KIDS? 357 00:13:18,901 --> 00:13:19,937 - RIGHT HERE-- HOLD ON ONE SECOND. 358 00:13:20,040 --> 00:13:21,593 - ANDRE AND I HAVE BEEN MARRIED FOR SEVEN YEARS. 359 00:13:21,697 --> 00:13:22,940 WE HAVE TWO KIDS. 360 00:13:23,043 --> 00:13:25,701 BRAXTON WHO IS FIVE AND BROOKE WHO IS FOUR. 361 00:13:25,805 --> 00:13:28,048 - HEY, MOM. - HI. 362 00:13:31,327 --> 00:13:32,984 MOMMY WILL BE HOME SOON-- OKAY? 363 00:13:33,088 --> 00:13:36,367 I NEVER, EVER FEEL THAT I HAVE ENOUGH TIME 364 00:13:36,470 --> 00:13:38,300 FOR MY CHILDREN... 365 00:13:38,403 --> 00:13:42,166 AND EMOTIONALLY, THAT'S STARTIN' TO GET TO ME. 366 00:13:44,754 --> 00:13:45,479 - I'M NOT AT TONI'S. 367 00:13:45,583 --> 00:13:46,584 MOMMY'S WORKING. 368 00:13:46,687 --> 00:13:47,550 I LOVE YOU. 369 00:13:47,654 --> 00:13:50,553 - I LOVE YOU-- BYE - OKAY, BYE. 370 00:13:50,657 --> 00:13:54,764 I AM GOING TO BE PISSED OFF IF I DO ALL OF THE SHOPPING 371 00:13:54,868 --> 00:13:56,145 AND SHE DOESN'T LIKE THIS STUFF. 372 00:13:56,249 --> 00:13:58,216 I COULD REALLY BE SPENDING TIME WITH MY CHILDREN. 373 00:13:58,320 --> 00:14:01,944 THAT JUST HURTS MY HEART SO MUCH. 374 00:14:02,048 --> 00:14:04,982 THAT ALMOST MADE ME CRY. 375 00:14:09,124 --> 00:14:12,644 THIS SWEAT SUIT, I'M WEARIN' ON THE PLANE. 376 00:14:12,748 --> 00:14:16,165 SWEATERS, TURTLENECKS. 377 00:14:24,415 --> 00:14:27,280 BY THE TIME I GOT HOME FROM SHOPPING, MY KIDS ARE ASLEEP 378 00:14:27,383 --> 00:14:29,454 AND I AM LEAVIN' FOR RUSSIA IN THE MORNING. 379 00:14:29,558 --> 00:14:32,354 SO, I ONLY HAVE A FEW MINUTES LEFT WITH MY KIDS. 380 00:14:32,457 --> 00:14:34,804 REMEMBER SHE GIVES CUPCAKES FOR HER SCHOOL TOMORROW. 381 00:14:34,908 --> 00:14:36,185 - ALL RIGHT. 382 00:14:36,289 --> 00:14:39,326 - ANDRE AND I HAVE A ROOMMATE SITUATION. 383 00:14:39,430 --> 00:14:42,260 OUR RELATIONSHIP IS A BIT ROCKY, TO SAY THE LEAST. 384 00:14:42,364 --> 00:14:45,091 BUT WE TRY TO GET ALONG FOR THE SAKE OF THE CHILDREN. 385 00:14:45,194 --> 00:14:46,057 WHO DO YOU LOOK LIKE? 386 00:14:46,161 --> 00:14:47,645 MOMMY OR DADDY? 387 00:14:47,748 --> 00:14:49,509 - MOMMY. 388 00:14:49,612 --> 00:14:51,580 - YAY. 389 00:14:51,683 --> 00:14:52,822 - MOMMY AND DADDY. 390 00:14:52,926 --> 00:14:54,755 - YOU ARE SO SMART. 391 00:14:54,859 --> 00:14:59,036 ANDRE HATES MY JOB BECAUSE IT TAKES ME AWAY 392 00:14:59,139 --> 00:15:01,107 FROM THE CHILDREN. 393 00:15:01,210 --> 00:15:06,215 HOWEVER, IF ANDRE HAD A J-O-B AND BRINGING HOME THE BACON, 394 00:15:06,319 --> 00:15:08,114 I WOULDN'T HAVE TO BE TONI'S PERSONAL ASSISTANT. 395 00:15:08,217 --> 00:15:09,943 I WOULD BE HOME WITH MY WONDERFUL CHILDREN 396 00:15:10,047 --> 00:15:11,738 WHERE I WANT TO BE. 397 00:15:11,841 --> 00:15:12,877 WHAT KIND OF HOMEWORK DO YOU HAVE? 398 00:15:12,981 --> 00:15:13,878 DO YOU HAVE HOMEWORK? 399 00:15:13,982 --> 00:15:14,844 - BRAXTON, DO YOU KNOW WHERE RUSSIA IS? 400 00:15:14,948 --> 00:15:15,707 - YEAH. 401 00:15:15,811 --> 00:15:16,570 - WHERE'S RUSSIA? 402 00:15:16,674 --> 00:15:17,917 - UM, I DON'T KNOW. 403 00:15:18,020 --> 00:15:19,573 - I'M STARTING TO GET REALLY SAD 404 00:15:19,677 --> 00:15:21,196 WHENEVER I LEAVE MY CHILDREN 405 00:15:21,299 --> 00:15:22,783 BECAUSE I REALLY FEEL THAT I'M MISSING OUT 406 00:15:22,887 --> 00:15:24,164 ON A LOT OF STUFF. 407 00:15:24,268 --> 00:15:26,339 IT IS REALLY AFFECTING ME EMOTIONALLY NOW. 408 00:15:26,442 --> 00:15:27,927 YOU WANNA DO YOU WHAT, BROOKIE? 409 00:15:28,030 --> 00:15:31,137 GO WITH ME. 410 00:15:31,240 --> 00:15:32,448 - GO WITH MOMMY-- YOU GO WITH MOMMY NEXT TIME, OKAY? 411 00:15:32,552 --> 00:15:34,692 - IT'S NOT HARD FOR ME TO SAY GOODBYE TO ANDRE, 412 00:15:34,795 --> 00:15:36,211 BUT IT IS ABSOLUTELY DIFFICULT FOR ME 413 00:15:36,314 --> 00:15:37,591 TO SAY GOODBYE TO MY KIDS. 414 00:15:37,695 --> 00:15:40,042 JUST LOOKING AT THE FACES THAT THEY'RE MAKING 415 00:15:40,146 --> 00:15:42,286 MAKES ME LIKE-- ESPECIALLY MY SON. 416 00:15:42,389 --> 00:15:44,840 HE IS LIKE, "OH, MOMMY... 417 00:15:44,944 --> 00:15:46,152 "LIKE, AGAIN?" 418 00:15:46,255 --> 00:15:49,051 GUESS WHAT-- MOMMY'LL BE BACK. 419 00:15:49,155 --> 00:15:50,397 STAND UP-- LET ME TELL YA SOMETHING. 420 00:15:50,501 --> 00:15:52,123 MOMMY NEEDS YOU TO TAKE CARE OF YOUR SISTER 421 00:15:52,227 --> 00:15:53,469 WHILE I AM GONE, OKAY. 422 00:15:53,573 --> 00:15:55,402 'KAY-- TAKE CARE OF YOUR SISTER. 423 00:15:55,506 --> 00:15:57,991 JUST SEEIN' THEIR FACES I'M JUST MISSIN' SO MUCH. 424 00:15:58,095 --> 00:16:01,961 I CAN'T SHOW THEM THAT I'M UPSET, BUT I AM. 425 00:16:02,064 --> 00:16:03,790 BYE, BRAXTON. - SAY, BYE. 426 00:16:03,893 --> 00:16:04,860 - CALL ME ON THE COMPUTER-- OKAY? 427 00:16:04,964 --> 00:16:06,724 I HATE SEEING HIM CRY. 428 00:16:06,827 --> 00:16:08,208 - DO I GET A KISS? - NO. 429 00:16:08,312 --> 00:16:11,384 - WHAT I GOTTA DO-- DO I GOTTA CRY? 430 00:16:12,350 --> 00:16:13,248 - I'M NOT KISSING ANDRE GOODBYE-- NO. 431 00:16:13,351 --> 00:16:15,250 WE DON'T DO THAT SMOOCH AND STUFF. 432 00:16:15,353 --> 00:16:17,045 I DON'T KNOW WHY HE'S ACTIN' BRAND NEW. 433 00:16:17,148 --> 00:16:18,046 I LOVE YOU. 434 00:16:18,149 --> 00:16:18,943 - COME ON, MAN-- STOP CRYING. 435 00:16:19,047 --> 00:16:21,566 HE'S ALL RIGHT. 436 00:16:21,670 --> 00:16:22,429 - BYE. - BYE. 437 00:16:22,533 --> 00:16:25,294 - IT'S OKAY, MAN. 438 00:16:41,586 --> 00:16:43,036 - I CAN'T BELIEVE WE'RE IN RUSSIA. 439 00:16:43,140 --> 00:16:44,382 THIS IS SO EXCITING. 440 00:16:44,486 --> 00:16:46,591 BUT THE SUITCASES ARE MISSING. 441 00:16:46,695 --> 00:16:47,627 THERE'S NO MAKEUP. 442 00:16:47,730 --> 00:16:49,318 THERE'S NO CURLING IRONS. 443 00:16:49,422 --> 00:16:52,701 THERE IS NOTHING BECAUSE EVERYTHING'S LOST. 444 00:16:57,637 --> 00:17:01,468 EVERY TIME WE GO OVERSEAS, OUR BAGS GET LOST. 445 00:17:01,572 --> 00:17:04,954 SO, WE ARE MISSING THE MAKEUP, ALL OF THE WARDROBE, 446 00:17:05,058 --> 00:17:07,578 THE HAIR PRODUCT, SHOES. 447 00:17:07,681 --> 00:17:08,889 YOU CAN FAKE IT SOMETIMES 448 00:17:08,993 --> 00:17:10,201 IF YOU HAVE A CUTE PAIR OF SHOES ON 449 00:17:10,305 --> 00:17:12,272 WITH A CUTE BAG-- WE CAN'T EVEN DO THAT. 450 00:17:12,376 --> 00:17:15,551 THE ONLY CLOTHES THAT WE HAVE IS IN THE CARRY ON BAGS. 451 00:17:15,655 --> 00:17:17,036 AND IT'S NOT ENOUGH. 452 00:17:17,139 --> 00:17:17,967 YOU DON'T HAVE ANYTHING IN YOUR BAGS? 453 00:17:18,071 --> 00:17:20,349 NO DRESS-- NO NOTHING? 454 00:17:20,453 --> 00:17:21,695 - I PUT EVERYTHING IN THE OTHER LUGGAGE. 455 00:17:21,799 --> 00:17:22,869 - AS TONI'S ASSISTANT 456 00:17:22,972 --> 00:17:25,975 THAT'S LIKE MY VERY WORST NIGHTMARE. 457 00:17:26,079 --> 00:17:28,047 - THIS IS ME. - BYE, TRINA. 458 00:17:28,150 --> 00:17:29,324 - ALL RIGHT, I'LL SEE YOU IN JUST A COUPLE OF MIN-- 459 00:17:29,427 --> 00:17:30,946 WELL, WE DON'T HAVE OUR BAGS YET, SO... 460 00:17:31,050 --> 00:17:32,327 - ALL RIGHT, I JUST GOTTA FIGURE IT OUT. 461 00:17:32,430 --> 00:17:33,190 - OKAY. 462 00:17:33,293 --> 00:17:35,537 COMING UP ON "BRAXTON FAMILY VALUES." 463 00:17:35,640 --> 00:17:38,402 - THE SHERIFF CAME BY AND SAID YOU HAVE TO BE OUT HERE 464 00:17:38,505 --> 00:17:39,299 BY TOMORROW. 465 00:17:39,403 --> 00:17:41,198 - TOMOR-- ARE YOU SERIOUS? 466 00:17:41,301 --> 00:17:42,785 - WOULD YOU LIKE SOME RUSSIAN VODKA? 467 00:17:42,889 --> 00:17:43,924 - YES! 468 00:17:44,028 --> 00:17:45,616 I KNOW I AM NOT SUPPOSED TO BE DRINKING 469 00:17:45,719 --> 00:17:47,859 BUT I CAN'T BE RUDE TO THE LOCAL HOSPITALITY. 470 00:17:56,144 --> 00:17:58,318 - COME ON IN. - GOOD MORNING. 471 00:17:58,422 --> 00:18:00,044 - [INDISTINCT] - WHAT'S GOING ON? 472 00:18:00,148 --> 00:18:01,356 - VINCE TAKES ME TO THE STUDIO TO MEET WITH 473 00:18:01,459 --> 00:18:03,979 HIS REALLY GOOD FRIENDS RODNEY JERKINS 474 00:18:04,083 --> 00:18:06,015 AND LASHAWN DANIELS 475 00:18:06,119 --> 00:18:10,261 AND, I'M SO EXCITED BECAUSE RODNEY JERKINS-- 476 00:18:10,365 --> 00:18:13,540 HE DID "TELEPHONE" WITH BEYONCE AND "SAY MY NAME." 477 00:18:13,644 --> 00:18:16,509 HE'S DONE A LOT OF HIT RECORDS FOR TONI. 478 00:18:16,612 --> 00:18:21,514 LASHAWN DANIELS IS ALSO A GRAMMY AWARD WINNER WRITER. 479 00:18:21,617 --> 00:18:23,309 HE'S LIKE REALLY ONE OF THE BEST. 480 00:18:23,412 --> 00:18:25,897 IF WE COULD GET THESE GUYS BEHIND MY ALBUM 481 00:18:26,001 --> 00:18:29,004 IT'S GONNA BE A HUGE, HUGE DEAL. 482 00:18:29,108 --> 00:18:30,488 IT'S LIKE MY DREAM. 483 00:18:30,592 --> 00:18:32,870 THIS IS SOMETHING THAT IS HERE IN ME. 484 00:18:32,973 --> 00:18:34,492 I CAN'T CONTROL IT. 485 00:18:34,596 --> 00:18:38,255 I HAVE TO DO THIS OR I AM GOING TO POP. 486 00:18:38,358 --> 00:18:39,048 - SO, TELL ME. 487 00:18:39,152 --> 00:18:40,015 TALK TO ME. 488 00:18:40,119 --> 00:18:42,673 WHAT'S THE DIRECTION? 489 00:18:42,776 --> 00:18:45,883 - I THINK VINCE AND I HAVE TWO TOTALLY DIFFERENT-- 490 00:18:45,986 --> 00:18:47,816 - VIEWS. - VIEWS. 491 00:18:47,919 --> 00:18:51,992 THE ISSUE IS I THINK VINCENT WANTS TO BE LIKE YOU KNOW, 492 00:18:52,096 --> 00:18:53,339 STANDING BEHIND A MICROPHONE 493 00:18:53,442 --> 00:18:57,481 SINGING THE WHITNEY HOUSTON BIG BALLADS SONGS OR WHATEVER. 494 00:18:57,584 --> 00:19:00,208 - REALLY? - AND THAT'S NOT ME. 495 00:19:00,311 --> 00:19:03,728 TAMAR HAS TO BE HER FOR ONCE IN HER LIFE. 496 00:19:03,832 --> 00:19:07,318 THAT'S IMPORTANT TO ME TO ABLE TO DO THE MUSIC 497 00:19:07,422 --> 00:19:09,769 AND LOOK HOW I WANT AND DRESS HOW I WANT. 498 00:19:09,872 --> 00:19:12,737 ONE NIGHT VINCE AND I WERE HAVING A CONVERSATION 499 00:19:12,841 --> 00:19:15,568 AND WE WERE WATCHING THE "SINGLE LADIES" VIDEO-- RIGHT? 500 00:19:15,671 --> 00:19:20,228 AND I SAID "WOULD YOU BE UPSET IF I WORE SOMETHING LIKE THAT?" 501 00:19:20,331 --> 00:19:22,437 HE WAS LIKE, "YOU'RE NOT WEARING NOTHIN' LIKE THAT." 502 00:19:22,540 --> 00:19:26,199 BUT I WOULD GENERALLY WEAR SOMETHIN' LIKE THAT 503 00:19:26,303 --> 00:19:27,442 IN A VIDEO. 504 00:19:27,545 --> 00:19:29,547 I MEAN, I'M JUST SAYING-- LIKE, I WOULD COME UP 505 00:19:29,651 --> 00:19:32,171 WITH SOMETHING LIKE THAT AND HE'S LIKE "IT'S NOT HAPPENING." 506 00:19:32,274 --> 00:19:34,034 YOU KNOW, IN THE "SINGLE LADIES" VIDEO, 507 00:19:34,138 --> 00:19:38,384 BEYONCE'S WEARIN' THIS FRENCH-CUT, TIGHT, BLACK LEOTARD 508 00:19:38,487 --> 00:19:39,868 WITH SOME FISHNETS. 509 00:19:39,971 --> 00:19:41,939 I MEAN, I DID THAT FIRST, BUT I'M JUST SAYIN'-- 510 00:19:42,042 --> 00:19:43,492 THAT'S SEXY AS HELL! 511 00:19:43,596 --> 00:19:44,700 YOU KNOW WHAT I'M SAYIN'-- I JUST WANNA BE 512 00:19:44,804 --> 00:19:45,839 A SEXY SUPERSTAR 513 00:19:45,943 --> 00:19:47,324 AND DROP IT LIKE IT'S HOT. 514 00:19:47,427 --> 00:19:49,774 AND VINCE WANTS ME TO BE LIKE BARBRA STREISAND. 515 00:19:49,878 --> 00:19:52,018 - YOU CAN BE WHO YOU ARE BUT YOU ALSO HAVE TO HAVE 516 00:19:52,121 --> 00:19:55,470 A MARKETING STANDPOINT FROM IT, AS WELL. 517 00:19:55,573 --> 00:20:00,026 - BUT WHAT I AM SAYING IS IT'S VERY IMPORTANT FOR ME 518 00:20:00,129 --> 00:20:07,930 TO BE MYSELF WITHOUT FEELING LIKE I HAVE TO HOLD BACK, 519 00:20:08,034 --> 00:20:11,589 BECAUSE NOW THAT I MARRIED CERTAIN THINGS ARE OFF LIMITS, 520 00:20:11,693 --> 00:20:14,005 BUT I DO WANNA BE MYSELF. 521 00:20:14,109 --> 00:20:15,075 - WELL, BE YOURSELF. 522 00:20:15,179 --> 00:20:18,665 BUT FIRST, YOU GOTTA MAKE A HIT RECORD. 523 00:20:18,769 --> 00:20:21,081 - I JUST WANTED TO MAKE SURE EVERYBODY'S ON THE SAME PAGE 524 00:20:21,185 --> 00:20:22,462 THAT I AM ON. 525 00:20:22,566 --> 00:20:26,432 AND I WANNA MAKE SURE THAT THEY'RE GONNA DO 526 00:20:26,535 --> 00:20:28,503 THE ALBUM THAT I WANT TO DO AND NOT THE ALBUM 527 00:20:28,606 --> 00:20:30,884 THAT VINCENT WANTS ME TO DO. 528 00:20:30,988 --> 00:20:32,886 - I WOULD GO WITH VINCENT'S VIEW RIGHT NOW. 529 00:20:32,990 --> 00:20:35,337 - OF COURSE, YOU WOULD. 530 00:20:35,441 --> 00:20:37,374 I'M GONNA GO WITH HIM. 531 00:20:37,477 --> 00:20:41,895 - LISTEN, THERE'S THE HUSBAND SIDE, OKAY? 532 00:20:41,999 --> 00:20:45,347 AND THEN THERE'S THE BUSINESS PARTNER SIDE. 533 00:20:45,451 --> 00:20:46,693 IT IS HARD TO BALANCE THE TWO. 534 00:20:46,797 --> 00:20:47,832 - I CONCUR. 535 00:20:47,936 --> 00:20:49,972 - I DON'T-- I DON'T WANT TO FEEL LIKE... 536 00:20:50,076 --> 00:20:53,666 - JUST SAY IT. 537 00:20:53,769 --> 00:20:56,255 - HE'S THE MAN OF THE HOUSE. 538 00:20:56,358 --> 00:20:58,257 YOU GOTTA LISTEN TO THE MAN OF THE HOUSE. 539 00:20:58,360 --> 00:21:01,225 - EXCUSE ME... MAN OF THE HOUSE? 540 00:21:01,329 --> 00:21:02,985 WAIT A MINUTE... LET ME GET THIS STRAIGHT. 541 00:21:03,089 --> 00:21:06,782 I TOTALLY ADMIRE WHAT VINCE AND RODNEY AND WHAT THEY DO 542 00:21:06,886 --> 00:21:09,440 AND EVERYTHING, BUT IF THEY WAS TO LISTEN TO ME MY RECORD 543 00:21:09,544 --> 00:21:11,580 WOULD BE OFF THE CHAIN. 544 00:21:11,684 --> 00:21:12,650 FOR REAL. 545 00:21:12,754 --> 00:21:14,514 - AT THE END OF THE DAY, HE'S GONNA KNOW 546 00:21:14,618 --> 00:21:17,241 WHAT'S BEST FOR YOU. 547 00:21:17,345 --> 00:21:19,726 THAT'S THE BOTTOM LINE. 548 00:21:19,830 --> 00:21:21,556 - I AM TRUSTING THESE GUYS THAT THEY'RE GONNA COME UP 549 00:21:21,659 --> 00:21:22,488 WITH THE RIGHT THING... AND THEY'RE TRUSTIN' ME 550 00:21:22,591 --> 00:21:24,869 THAT I'M GONNA DO MY PART. 551 00:21:24,973 --> 00:21:27,734 AND WE GOTTA TRUST YOU-- IT ALL TAKES TEAMWORK. 552 00:21:27,838 --> 00:21:29,909 THAT'S THE ONLY WAY IT HAPPENS. 553 00:21:30,012 --> 00:21:33,119 - TEAMWORK-- THIS SOUNDS MORE LIKE THE BOY'S CLUB 554 00:21:33,222 --> 00:21:36,709 AND I AM NOT INVITED. 555 00:21:36,812 --> 00:21:37,986 WHY YA LOOKIN' AT ME LIKE THAT? 556 00:21:38,089 --> 00:21:40,989 - I FEEL LIKE THERE MIGHT BE SOME REBELLION. 557 00:21:41,092 --> 00:21:41,921 THAT'S WHAT I FEEL LIKE. 558 00:21:42,024 --> 00:21:43,336 I'M TELLIN' YOU. 559 00:21:43,440 --> 00:21:45,200 I FEEL LIKE THERE MIGHT BE SOME REBELLION 560 00:21:45,304 --> 00:21:46,960 THAT'S GONNA TAKE PLACE, VINCENT. 561 00:21:47,064 --> 00:21:52,552 I SENSE THAT TAMAR HAS THINGS THAT SHE WANTS TO DO THAT, 562 00:21:52,656 --> 00:21:54,623 OF COURSE, VINCE DOESN'T WANT HER TO DO 563 00:21:54,727 --> 00:21:56,798 AND IT IS GONNA BE A REAL BATTLE UPHILL. 564 00:21:56,901 --> 00:21:58,938 SHE'S GOING TO BE... 565 00:21:59,041 --> 00:22:01,458 UH, IT'S GONNA BE TOUGH. 566 00:22:08,292 --> 00:22:10,708 - YOU ARE HERE. - I CAN'T READ MAPS. 567 00:22:10,812 --> 00:22:13,055 - ARE YOU SERIOUS? - I PROMISE. 568 00:22:13,159 --> 00:22:14,402 - IT'S THE DAY BEFORE THE SHOW 569 00:22:14,505 --> 00:22:16,749 AND WE DECIDED TO GO SIGHTSEEING. 570 00:22:16,852 --> 00:22:17,957 TONI'S NAPPING. 571 00:22:18,060 --> 00:22:20,546 SO, WE ARE GOING TO VENTURE OUT ON OUR OWN. 572 00:22:20,649 --> 00:22:23,514 WE'VE GOT OUR MAP IN HAND, WE'RE READY TO GO. 573 00:22:23,618 --> 00:22:26,241 - OH, WOW-- LOOK HOW PRETTY THAT BUILDING IS. 574 00:22:26,345 --> 00:22:27,449 - THAT'S BEAUTIFUL. 575 00:22:27,553 --> 00:22:29,037 - I HAVE TO TAKE A PICTURE. 576 00:22:31,280 --> 00:22:32,005 - DO I? 577 00:22:32,109 --> 00:22:33,110 - YEAH. 578 00:22:33,213 --> 00:22:34,180 - GORGEOUS. 579 00:22:34,283 --> 00:22:36,009 I'M ABOUT TO GET A PICTURE OF HER. 580 00:22:36,113 --> 00:22:37,010 WE'RE WALKING. 581 00:22:37,114 --> 00:22:38,011 WE'RE TALKING. 582 00:22:38,115 --> 00:22:40,151 GUESS WHAT WE SEE? 583 00:22:40,255 --> 00:22:42,775 A BLACK PERSON. 584 00:22:42,878 --> 00:22:45,743 - TRINA, THERE'S ONE BLACK PERSON. 585 00:22:45,847 --> 00:22:47,538 - HI. 586 00:22:47,642 --> 00:22:49,195 - I WANNA TAKE A PICTURE OF YOU BECAUSE I HAVEN'T SEEN 587 00:22:49,298 --> 00:22:52,957 A BLACK RUSSIAN. - WOW! 588 00:22:53,061 --> 00:22:54,442 - YEAH, TAKE A PICTURE OF ME AND THE BLACK RUSSIAN. 589 00:22:54,545 --> 00:22:59,516 ONCE WE SAW THE ONE AND ONLY BLACK PERSON IN RUSSIA 590 00:22:59,619 --> 00:23:02,346 THERE WASN'T MUCH MORE SIGHTSEEING TO DO. 591 00:23:02,450 --> 00:23:04,935 SO, WE DECIDED TO DO A LITTLE GIFT SHOPPING. 592 00:23:10,250 --> 00:23:11,217 - HI. 593 00:23:11,320 --> 00:23:12,632 - WOULD YOU LIKE SOME RUSSIAN VODKA? 594 00:23:12,736 --> 00:23:13,495 - YES. 595 00:23:13,599 --> 00:23:15,255 - I KNEW YOU WOULD BE HAPPY, TRINA. 596 00:23:15,359 --> 00:23:17,326 - I KNOW I'M NOT SUPPOSED TO BE DRINKING 597 00:23:17,430 --> 00:23:19,984 BUT I CAN'T BE RUDE TO THE LOCAL HOSPITALITY. 598 00:23:20,088 --> 00:23:21,054 HEY... 599 00:23:21,158 --> 00:23:22,297 WHEN IN ROME. 600 00:23:22,401 --> 00:23:25,265 WELL, ACTUALLY, WHEN IN MOSCOW. 601 00:23:25,369 --> 00:23:28,337 - OKAY-- YOU SHOULD SAY IN RUSSIAN SOMETHING LIKE TOAST. 602 00:23:28,441 --> 00:23:33,929 NA ZDROWIE-- GREAT-- YES. 603 00:23:34,033 --> 00:23:35,759 OH, GREAT! 604 00:23:35,862 --> 00:23:37,968 AFTER VODKA YOU SHOULD ALWAYS... 605 00:23:38,071 --> 00:23:41,178 - EAT A PICKLE. - YES. 606 00:23:41,281 --> 00:23:43,352 THIS IS RUSSIAN TRADITION. 607 00:23:43,456 --> 00:23:45,907 SEE-- IT'S TASTY. 608 00:23:46,010 --> 00:23:47,633 - IT IS! 609 00:23:47,736 --> 00:23:52,085 WHO WOULD EVER THINK TO PUT VODKA WITH PICKLES? 610 00:23:52,189 --> 00:23:53,742 NA ZDROWIE! 611 00:23:53,846 --> 00:23:57,125 - SOME THINGS LOOK BETTER ON THE RACK. 612 00:23:57,228 --> 00:23:58,471 YOU LOOK LIKE A PUPPY DOG. 613 00:23:58,575 --> 00:24:01,405 - THIS IS CUTE. - YES. 614 00:24:01,509 --> 00:24:03,442 - I FEEL LIKE I LOOK LIKE A MARSHMALLOW. 615 00:24:03,545 --> 00:24:05,478 - THIS IS NOT THE FRONT SIDE. 616 00:24:05,582 --> 00:24:08,688 THIS IS THE FRONT SIDE. 617 00:24:08,792 --> 00:24:10,897 - NOW, SEE, THAT LOOKS ADORABLE ON YOU. 618 00:24:11,001 --> 00:24:12,796 - IT LOOKS CUTE ON ME-- DOESN'T IT? 619 00:24:12,899 --> 00:24:15,868 THAT VODKA AND PICKLE SHOT WAS SO DAMN GOOD 620 00:24:15,971 --> 00:24:18,387 I HAVE TO GET ONE FOR THE ROAD. 621 00:24:18,491 --> 00:24:19,354 - NA ZDROWIE. 622 00:24:19,458 --> 00:24:23,013 - YES. 623 00:24:27,500 --> 00:24:28,294 - AND THE PICKLE. 624 00:24:28,397 --> 00:24:30,020 - I'M GONNA BE BUZZED. 625 00:24:30,123 --> 00:24:31,435 - TOWANDA, YOU ONLY HAD LITTLE BABY SHOTS. 626 00:24:31,539 --> 00:24:33,161 - I DON'T DO SHOTS. 627 00:24:33,264 --> 00:24:34,403 TRINA, YOU'RE THE FISH. 628 00:24:34,507 --> 00:24:35,577 - I BEG YOU PARDON. 629 00:24:35,681 --> 00:24:36,509 I FIGURE IF YOU GONNA DO SOMETHING, 630 00:24:36,613 --> 00:24:39,581 YOU MIGHT AS WELL DO IT ALL THE WAY. 631 00:24:50,178 --> 00:24:53,388 - OKAY, SO WE ARE BACKSTAGE AT THE CONCERT HALL 632 00:24:53,492 --> 00:24:56,667 WITH ONLY THREE HOURS BEFORE PERFORMANCE 633 00:24:56,771 --> 00:24:59,359 AND THERE ARE NO BAGS. 634 00:24:59,463 --> 00:25:02,501 TOWANDA SAID SOME GUY IS ON HIS WAY 635 00:25:02,604 --> 00:25:04,606 BUT SHE DOESN'T KNOW WHERE HE IS. 636 00:25:04,710 --> 00:25:05,918 I'M STARTIN' TO FREAK OUT A BIT. 637 00:25:06,021 --> 00:25:08,955 I'M... I'M GONNA LET IT GO, BUT... 638 00:25:09,059 --> 00:25:11,268 NO, I CAN'T LET IT GO-- I'M FREAKING OUT. 639 00:25:11,371 --> 00:25:12,649 ALL OF MY CLOTHES ARE IN THE CAR, 640 00:25:12,752 --> 00:25:14,478 SO IT SHOULD TAKE THEM WHAT FIVE MINUTES TO GET IT? 641 00:25:14,582 --> 00:25:15,686 - MAYBE-- THAT'S WHAT HE SAID. 642 00:25:15,790 --> 00:25:16,618 I CAN ONLY TELL YOU WHAT HE SAID. 643 00:25:16,722 --> 00:25:17,826 - CAN WE GET THE STUFF OUTTA THE CAR? 644 00:25:17,930 --> 00:25:19,794 - YES-- WE GOT PEOPLE TO GO GET 'EM NOW. 645 00:25:19,897 --> 00:25:23,142 TONI IS REALLY STARTING TO GET IMPATIENT 646 00:25:23,245 --> 00:25:25,731 ABOUT THE MISSING LUGGAGE AS IF IT IS MY FAULT. 647 00:25:25,834 --> 00:25:27,526 IT IS SO NOT MY FAULT, TONI. 648 00:25:27,629 --> 00:25:29,562 IT IS NOT MY FAULT THAT THE BAGS ARE MISSIN'. 649 00:25:29,666 --> 00:25:30,770 I'LL FIGURE IT OUT. 650 00:25:30,874 --> 00:25:32,323 YEAH, I'LL FIGURE IT OUT-- I ALWAYS DO. 651 00:25:32,427 --> 00:25:33,428 - I KNOW THE CLOTHES AREN'T HERE. 652 00:25:33,532 --> 00:25:34,878 DON'T COVER BY LYING. 653 00:25:34,981 --> 00:25:35,741 DON'T SAY THEY IN THE CAR 654 00:25:35,844 --> 00:25:37,259 BECAUSE I WAS JUST IN MY CAR. 655 00:25:37,363 --> 00:25:38,329 I'M A WRECK. 656 00:25:38,433 --> 00:25:40,642 THE SUITCASES HAVE NOT ARRIVED YET. 657 00:25:40,746 --> 00:25:42,748 TOWANDA'S TRYING TO SUGARCOAT EVERYTHING 658 00:25:42,851 --> 00:25:45,647 AND KEEP ME CALM, BUT I KNOW SHE'S FREAKING OUT, TOO. 659 00:25:45,751 --> 00:25:46,959 THE SHOW IS JUST GONNA COMPLETELY CHANGE 660 00:25:47,062 --> 00:25:48,547 AND IT WON'T BE AN EVENING WITH TONI BRAXTON. 661 00:25:48,650 --> 00:25:51,342 IT WILL BE A BURLESQUE SHOW WITH TONI BRAXTON 662 00:25:51,446 --> 00:25:52,896 AND I'LL BE IN MY BRA AND PANTY. 663 00:25:52,999 --> 00:25:54,725 OKAY, I'M GONNA CALM DOWN. 664 00:25:54,829 --> 00:25:57,038 I HAVE TO CALM DOWN. 665 00:25:57,141 --> 00:25:58,004 I HAVE TO CALM DOWN. 666 00:25:58,108 --> 00:26:00,593 COMING UP ON "BRAXTON FAMILY VALUES." 667 00:26:00,697 --> 00:26:02,146 - THAT'S NOT COOL, BABY. 668 00:26:02,250 --> 00:26:04,528 YOU CAN'T BE ON "GOOD MORNING AMERICA" 669 00:26:04,632 --> 00:26:07,635 WITH TASSELS ON YOUR BOOBS. 670 00:26:07,738 --> 00:26:09,188 YOU KNOW BETTER THAN THAT-- YOU'RE NOT STUPID. 671 00:26:09,291 --> 00:26:12,432 - TONI INVITES THIS REALLY SUPER-DUPER, WEIRD GUY 672 00:26:12,536 --> 00:26:13,848 ON THE STAGE. 673 00:26:13,951 --> 00:26:14,745 SECURITY! 674 00:26:18,542 --> 00:26:19,474 - I KNOW THE CLOTHES AREN'T HERE. 675 00:26:19,578 --> 00:26:21,303 DON'T COVER BY LYING. 676 00:26:21,407 --> 00:26:22,822 OKAY-- I'M GONNA CALM DOWN. 677 00:26:22,926 --> 00:26:24,065 I HAVE TO CALM DOWN. 678 00:26:24,168 --> 00:26:26,377 I HAVE TO CALM DOWN. 679 00:26:26,481 --> 00:26:27,655 I DON'T LIKE RUSSIA. 680 00:26:27,758 --> 00:26:29,726 IT IS SO DARN COLD HERE AND I CAN'T BELIEVE 681 00:26:29,829 --> 00:26:31,417 WE'VE LOST OUR LUGGAGE. 682 00:26:31,520 --> 00:26:33,661 - ACTUALLY, CEE CEE AND THEM THEY HAVE THEIR OUTFITS. 683 00:26:33,764 --> 00:26:34,662 THE DANCERS. 684 00:26:34,765 --> 00:26:36,042 - I'M SORRY-- TONI BRAXTON SHOW. 685 00:26:36,146 --> 00:26:38,493 - NO, BUT I'M JUST LETTING YOU KNOW... THAT'S ONE LESS THING. 686 00:26:38,597 --> 00:26:41,289 - OKAY-- I AM GONNA HAVE TO WEAR THE DANCER'S CLOTHES? 687 00:26:41,392 --> 00:26:42,842 - IF WORSE COME TO WORSE. 688 00:26:42,946 --> 00:26:44,879 LET'S GET YOU INTO HAIR AND MAKE-UP. 689 00:26:44,982 --> 00:26:47,502 AND THAT'S ONE LESS THING TO WORRY ABOUT 690 00:26:47,606 --> 00:26:49,573 AND WE'LL MAKE SURE WE GET THE OUTFITS. 691 00:26:49,677 --> 00:26:51,782 - I'M GOING THROUGH HELL! 692 00:26:51,886 --> 00:26:55,199 SO, WE FINALLY GET SOME GREAT NEWS. 693 00:26:55,303 --> 00:26:57,132 OUR BAGS ARRIVED! 694 00:26:59,031 --> 00:27:01,481 - EVENTUALLY, TOWANDA CALLS AT THE LAST MINUTE 695 00:27:01,585 --> 00:27:03,449 AND SAYS WE FOUND YOUR LUGGAGE! 696 00:27:03,552 --> 00:27:07,039 - EVERYTHING'S WORKIN' OUT. 697 00:27:07,142 --> 00:27:09,351 - WE'VE GOT THE LUGGAGE JUST IN TIME. 698 00:27:09,455 --> 00:27:11,043 WE HAVE AN HOUR BEFORE THE SHOW. 699 00:27:11,146 --> 00:27:13,666 SO, IT LOOKS LIKE WE'RE JUST GONNA MAKE IT. 700 00:27:13,770 --> 00:27:15,841 - WOO-SAW. 701 00:27:23,607 --> 00:27:26,748 - THE MEETING WITH RODNEY, IT WAS COOL AND EVERYTHING, 702 00:27:26,852 --> 00:27:30,062 BUT IT DIDN'T GO AS WELL AS I WANTED IT TO GO, 703 00:27:30,165 --> 00:27:32,340 BECAUSE EVERYBODY IN THE ROOM STARTING AGREEING 704 00:27:32,443 --> 00:27:34,860 WITH EVERYTHING VINCE SAID. 705 00:27:34,963 --> 00:27:37,932 SO, I DECIDED TO CALL MY STYLIST BECAUSE I FELT LIKE 706 00:27:38,035 --> 00:27:41,383 SHE'S THE ONLY PERSON WHO I CAN TRUST 707 00:27:41,487 --> 00:27:43,800 THAT WILL GO ALONG WITH MY IMAGE. 708 00:27:43,903 --> 00:27:46,423 I HAVE, LIKE, A COUPLE STIPULATIONS. 709 00:27:46,526 --> 00:27:47,769 - GO AHEAD. 710 00:27:47,873 --> 00:27:50,841 - THE SONGS HAVE TO REFLECT WHO I AM, MY CLOTHES... 711 00:27:50,945 --> 00:27:53,602 BUT IF I DON'T KNOW IF EVERYBODY'S ON THE SAME PAGE 712 00:27:53,706 --> 00:27:54,707 AS I AM. 713 00:27:54,811 --> 00:27:56,916 - WHO'S EVERYBODY? - WELL, MY HUSBAND. 714 00:27:57,020 --> 00:27:58,262 RIGHT. 715 00:27:58,366 --> 00:28:01,610 VINCE AND I ARE NOT ON THE SAME PAGE. 716 00:28:01,714 --> 00:28:04,027 I WANT TO LOOK LIKE I'M POPPIN'. 717 00:28:04,130 --> 00:28:06,995 HE WANTS TO MAKE ME LOOK LIKE I'M MARY POPPINS. 718 00:28:07,099 --> 00:28:09,377 I MEAN, ALL OF HIS OTHER ARTISTS GET TO LOOK 719 00:28:09,480 --> 00:28:10,378 THE WAY THEY WANNA LOOK. 720 00:28:10,481 --> 00:28:11,448 I MEAN, LOOK AT GAGA. 721 00:28:11,551 --> 00:28:13,346 SHE IS ALL OUT THE BOX. 722 00:28:13,450 --> 00:28:15,072 BUT ALONG THE LINES OF THAT, LIKE THAT'S TONI 723 00:28:15,176 --> 00:28:17,523 AND THAT'S TOTALLY TONI! 724 00:28:17,626 --> 00:28:20,388 TONI... NO, TONI. 725 00:28:20,491 --> 00:28:22,562 NO-- I DON'T EVEN KNOW WHY YOU BROUGHT THAT PICTURE. 726 00:28:22,666 --> 00:28:23,874 WHAT I'M GON' DO WITH THAT? 727 00:28:23,978 --> 00:28:24,910 NO. 728 00:28:25,013 --> 00:28:25,911 - I DIDN'T KNOW YOU WANTED TO GO THAT SEXY. 729 00:28:26,014 --> 00:28:27,429 - THAT. - THIS IS IT. 730 00:28:27,533 --> 00:28:29,328 - THAT IS WHAT I'M TAL-- BOOM! 731 00:28:29,431 --> 00:28:30,329 AT LEAST WE KNOW WHAT DIRECTION WE'RE GOING IN 732 00:28:30,432 --> 00:28:31,606 WITH THIS. 733 00:28:31,710 --> 00:28:32,918 I'M TRYIN' TO DO SOMETHIN' LIKE THIS. 734 00:28:33,021 --> 00:28:35,437 I'M TRYIN' LIKE, GET IN THE GYM WHERE I CAN GO, BOOM-POW! 735 00:28:35,541 --> 00:28:39,234 BOOM-POW-- WOW AND WOW. 736 00:28:39,338 --> 00:28:41,616 AND HE-- HE AIN'T TRYIN' TO SEE THAT. 737 00:28:41,720 --> 00:28:44,136 I CAN'T DO THAT IN NO DRESS DOWN TO HERE 738 00:28:44,239 --> 00:28:46,276 WITH A SPLIT-- THAT'S T.B. 739 00:28:46,379 --> 00:28:47,415 - OKAY. 740 00:28:47,518 --> 00:28:49,279 - I REALLY WANNA GO OVERBOARD 741 00:28:49,382 --> 00:28:50,867 BECAUSE I DON'T WANNA BE THE FLYING NUN. 742 00:28:50,970 --> 00:28:53,524 I'M NOT TRYING TO SOUND LIKE I THINK I'M THE JAM 743 00:28:53,628 --> 00:28:55,595 OR ANYTHING LIKE THAT, BUT I AM-- 744 00:28:55,699 --> 00:28:56,838 - YOU CAN SAY YOU ARE THE JAM. 745 00:28:56,942 --> 00:28:58,978 - BUT I'M JUST VERY SEXUAL NATURED. 746 00:28:59,082 --> 00:29:00,808 I HAVE A SEXY BODY-- YOU KNOW WHAT I MEAN? 747 00:29:00,911 --> 00:29:01,947 - EXACTLY. 748 00:29:02,050 --> 00:29:04,018 - I WANNA BE ABLE TO GET ON STAGE 749 00:29:04,121 --> 00:29:05,019 AND DROP IT LIKE IT'S HOT 750 00:29:05,122 --> 00:29:06,917 AND PICK IT BACK UP LIKE I DO IT. 751 00:29:07,021 --> 00:29:09,989 WITH HIM, I KINDA HAVE TO GO OVERBOARD, 752 00:29:10,093 --> 00:29:12,785 SO HE'LL FEEL LIKE HE'S TONING ME DOWN A LITTLE BIT. 753 00:29:12,889 --> 00:29:16,616 SO, YOU KNOW MY PLAN IS TO ACTUALLY CREATE 754 00:29:16,720 --> 00:29:19,723 A WHACK ASS UGLY OUTFIT 755 00:29:19,827 --> 00:29:23,589 THAT I WOULD NEVER EVER BE CAUGHT DEAD IN! 756 00:29:23,692 --> 00:29:26,040 SO WHEN I MAKE MY REAL OUTFIT 757 00:29:26,143 --> 00:29:28,145 HE GON' BE LIKE, "OH, YEAH, BABY. 758 00:29:28,249 --> 00:29:29,906 "THAT'S WHAT I'M TALKIN' ABOUT. 759 00:29:30,009 --> 00:29:31,770 "THAT'S THE ONE RIGHT THERE." 760 00:29:31,873 --> 00:29:34,151 THE "COME DO ME, BABY" BOOTY BOOTS. 761 00:29:34,255 --> 00:29:36,360 I THINK WE NEED TO SAY THAT. 762 00:29:36,464 --> 00:29:42,125 AND LET'S SAY WE'RE GONNA DO CUP THINGS 763 00:29:42,228 --> 00:29:43,574 WITH TASSELS. 764 00:29:43,678 --> 00:29:45,059 - OH, HELL NO! 765 00:29:45,162 --> 00:29:46,715 - HE IS NEVER GOIN' FOR THAT. 766 00:29:46,819 --> 00:29:47,751 - I WAS ABOUT TO SAY, SHOULD WE DO THE BRA 767 00:29:47,855 --> 00:29:49,270 WITH THE NIPPLES? 768 00:29:49,373 --> 00:29:50,927 - ABSOLUTELY. 769 00:29:51,030 --> 00:29:53,515 I WOULD NEVER WEAR THAT. 770 00:29:53,619 --> 00:29:57,002 THAT WAY HE CAN TAKE IT DOWN... WE TAKIN' IT ALL THE WAY. 771 00:29:57,105 --> 00:29:59,452 - HE'S GONNA LOVE IT. 772 00:29:59,556 --> 00:30:00,764 LET ME TELL YOU SOMETHIN'. 773 00:30:00,868 --> 00:30:02,628 I KNOW MY HUSBAND. 774 00:30:02,731 --> 00:30:05,596 THIS RIGHT HERE IS GON' WORK. 775 00:30:05,700 --> 00:30:07,288 VINCE? 776 00:30:07,391 --> 00:30:08,634 DARLING? 777 00:30:08,737 --> 00:30:11,016 DAVINA AND I WAS HAVING A CONVERSATION 778 00:30:11,119 --> 00:30:14,226 ABOUT WHAT I WANTED MY IMAGE AND STUFF TO LOOK LIKE 779 00:30:14,329 --> 00:30:15,537 AND SHE CAME UP WITH LIKE, 780 00:30:15,641 --> 00:30:19,714 THIS FANTASTIC, LIKE, EPIC LOOK. 781 00:30:19,818 --> 00:30:20,784 DO YOU WANNA SEE IT? 782 00:30:20,888 --> 00:30:22,027 - SURE. - IT'S BASICALLY 783 00:30:22,130 --> 00:30:24,063 A ONE PIECE AND WE'LL HAVE FISHNETS UNDERNEATH OF IT 784 00:30:24,167 --> 00:30:25,962 OR THIGH HIGH BOOTS. 785 00:30:26,065 --> 00:30:30,173 SHE WANTED TASSELS ON HER NIPPLES. 786 00:30:30,276 --> 00:30:31,795 - YOU KNOW BETTER THAN THIS. 787 00:30:31,899 --> 00:30:35,419 YOU KNOW THAT IS A BIG-- THAT IS WRONG. 788 00:30:35,523 --> 00:30:36,731 THAT'S NOT COOL. 789 00:30:36,835 --> 00:30:39,182 YOU CAN'T BE ON "GOOD MORNING AMERICA" 790 00:30:39,285 --> 00:30:41,460 WITH TASSELS ON YOUR BOOBS. 791 00:30:41,563 --> 00:30:43,980 YOU KNOW BETTER THAN THAT-- YOU'RE NOT STUPID. 792 00:30:44,083 --> 00:30:45,429 - YOU WANNA TAKE A LOOK AT SOME OTHER THINGS WE HAVE. 793 00:30:45,533 --> 00:30:46,465 - SURE. 794 00:30:46,568 --> 00:30:47,397 - SHE REALLY LIKES THESE. 795 00:30:47,500 --> 00:30:49,192 - LOVE IT. - REALLY? 796 00:30:49,295 --> 00:30:50,952 - REALLY. - YEAH, THOSE ARE HOT. 797 00:30:51,056 --> 00:30:52,091 I'M NOT GONNA ARGUE WITH YA OR FIGHT WITH YA 798 00:30:52,195 --> 00:30:53,713 ABOUT SOMETHIN' THAT MAKES SENSE. 799 00:30:53,817 --> 00:30:55,060 THAT'S DUMB. 800 00:30:55,163 --> 00:30:56,302 THAT'S DIFFERENT FROM THIS. 801 00:30:56,406 --> 00:30:58,857 YOU AIN'T GOT TASSELS ON YOU-- THAT'S JUST DUMB. 802 00:30:58,960 --> 00:30:59,823 - I THINK YOU HAVE A POINT. 803 00:30:59,927 --> 00:31:00,893 OKAY-- GIVE ME A KISS. 804 00:31:00,997 --> 00:31:01,998 YOU ARE ABSOLUTELY RIGHT. 805 00:31:02,101 --> 00:31:03,931 - BUT WHY DO YOU DUMB STUFF TO MAKE ME... 806 00:31:04,034 --> 00:31:05,415 - WHAT DUMB STUFF-- I DIDN'T DO DUMB STUFF. 807 00:31:05,518 --> 00:31:06,381 - THAT'S WRONG. 808 00:31:06,485 --> 00:31:07,900 YOU GO DOWN A STREET-- THAT'S A DEAD END. 809 00:31:08,004 --> 00:31:09,660 - NO, I DIDN'T KNOW THAT. 810 00:31:09,764 --> 00:31:10,972 - THAT LOOKS GREAT. 811 00:31:11,076 --> 00:31:13,147 - BECAUSE YOU HAVE SUCH A GREAT IMAGINATION. 812 00:31:13,250 --> 00:31:15,666 - Y'ALL HAVE A GREAT DAY-- THAT LOOKS MUCH BETTER. 813 00:31:15,770 --> 00:31:19,084 - OKAY-- BYE, LOVE. 814 00:31:20,740 --> 00:31:23,605 I KNEW IT. 815 00:31:32,269 --> 00:31:34,168 - HERE WE GO... RUNNING LATE. 816 00:31:34,271 --> 00:31:35,307 TAKING THE STAGE, I'M READY TO START 817 00:31:35,410 --> 00:31:36,791 AND JUST BEFORE I GO ON STAGE... 818 00:31:36,895 --> 00:31:38,172 ALL THE TIME I HAVE TO GO TO BATHROOM. 819 00:31:38,275 --> 00:31:40,070 IT IS RITUAL EVERY SINGLE TIME. 820 00:31:40,174 --> 00:31:42,348 AND LET ME TELL YOU IT IS NOT NUMBER ONE, 821 00:31:42,452 --> 00:31:44,626 WHICH IS, ONCE AGAIN, TOO MUCH INFORMATION. 822 00:31:44,730 --> 00:31:48,285 MAYBE I'M BEING TOO CANDID HERE. 823 00:31:50,632 --> 00:31:52,496 I CAN'T BELIEVE I'M ABOUT TO PERFORM AT THE KREMLIN. 824 00:31:52,600 --> 00:31:55,292 I HAVE ONLY FIVE MINUTES BEFORE I TAKE THE STAGE 825 00:31:55,396 --> 00:31:57,846 AND IT'S MY FIRST TIME PERFORMING FOR THIS AUDIENCE. 826 00:31:57,950 --> 00:31:59,538 BUT BECAUSE OF THE LANGUAGE BARRIER 827 00:31:59,641 --> 00:32:00,780 THEY'RE A LITTLE QUIET. 828 00:32:00,884 --> 00:32:01,747 THEY ARE NOT REALLY SAYING ANYTHING. 829 00:32:01,850 --> 00:32:04,370 I'M NOT USED TO THIS. 830 00:32:07,822 --> 00:32:11,308 [applause and cheering] 831 00:32:13,310 --> 00:32:17,245 HI, GUYS. 832 00:32:22,975 --> 00:32:25,012 THESE ARE MY SISTERS. 833 00:32:25,115 --> 00:32:26,945 TRINA BRAXTON. 834 00:32:27,048 --> 00:32:29,326 TOWANDA BRAXTON. 835 00:32:29,430 --> 00:32:30,810 I LOVE WHEN THE CROWD GETS INTO IT. 836 00:32:30,914 --> 00:32:32,743 AND RUSSIAN AUDIENCES ARE VERY POLITE 837 00:32:32,847 --> 00:32:33,952 DURING THE PERFORMANCES. 838 00:32:34,055 --> 00:32:38,197 AND THEY ONLY APPLAUD AFTER EACH SONG YOU SING. 839 00:32:38,301 --> 00:32:43,858 - WHEW! 840 00:32:43,962 --> 00:32:44,859 - I'M NOT USED TO THAT. 841 00:32:44,963 --> 00:32:46,205 ALL RIGHT, GUYS. 842 00:32:46,309 --> 00:32:46,999 YOU'RE A LITTLE QUIET. 843 00:32:47,103 --> 00:32:51,348 GIVE ME SOME LOVE FOR ME. 844 00:32:54,282 --> 00:32:57,630 ARE YOU READY TO HAVE A GOOD TIME? 845 00:32:57,734 --> 00:32:59,391 YOU READY TO SING AND DANCE? 846 00:32:59,494 --> 00:33:01,496 FOR ME AS A PERFORMER AUDIENCE PARTICIPATION 847 00:33:01,600 --> 00:33:02,428 IS VERY IMPORTANT. 848 00:33:02,532 --> 00:33:04,189 I DON'T LIKE TO SIT THERE AND FEEL LIKE 849 00:33:04,292 --> 00:33:06,087 THERE'S A GLASS BETWEEN ME AND MY AUDIENCE. 850 00:33:06,191 --> 00:33:07,502 I LIKE TO BREAK THROUGH THE SHIELD 851 00:33:07,606 --> 00:33:09,677 AND GET TO KNOW THEM AND THEY GET TO KNOW ME. 852 00:33:09,780 --> 00:33:10,954 AND ONE OF THE WAYS TO DO THAT 853 00:33:11,058 --> 00:33:12,991 IS TO INVITE THEM ON STAGE. 854 00:33:13,094 --> 00:33:16,132 ANYONE WANNA COME UP HERE AND HELP ME SING? 855 00:33:16,235 --> 00:33:19,514 - TONI, INVITES THIS REALLY SUPER DUPER WEIRD GUY 856 00:33:19,618 --> 00:33:21,240 ON THE STAGE. 857 00:33:21,344 --> 00:33:24,519 HE STARTS KISSING ON HER AND TOUCHING ON HER. 858 00:33:24,623 --> 00:33:26,280 SECURITY. 859 00:33:26,383 --> 00:33:28,178 - HE LIFTS ME UP AND SPINS ME AROUND 860 00:33:28,282 --> 00:33:31,319 AND I FEEL LIKE THE BLACK SWAN. 861 00:33:31,423 --> 00:33:33,873 THAT WAS DEFINITELY ONE OF MY MOST MEMORABLE, 862 00:33:33,977 --> 00:33:37,498 MEMORABLE AUDIENCE PARTICIPATION MOMENTS. 863 00:33:39,189 --> 00:33:43,366 - AFTER ALL OF THE DRAMA, AFTER ALL OF THE TANTRUMS, 864 00:33:43,469 --> 00:33:49,096 TONI BRAXTON, AND AFTER ALL OF THE CRAZY RIPPED UP MESS, 865 00:33:49,199 --> 00:33:52,651 WE PULL IT ALL TOGETHER AND WE HAVE A BALL. 866 00:34:04,387 --> 00:34:05,905 IT'S THE DAY AFTER THE CONCERT 867 00:34:06,009 --> 00:34:07,493 AND WE ARE HEADED BACK HOME 868 00:34:07,597 --> 00:34:09,737 AND TRINA IS NOWHERE TO BE FOUND. 869 00:34:09,840 --> 00:34:13,879 SO, I AM HEADED UP TO HER ROOM TO SEE WHAT IS GOING ON. 870 00:34:13,982 --> 00:34:14,949 ARE YOU JUST GETTING UP? 871 00:34:15,053 --> 00:34:17,158 - ARE YOU JUST COMING TO MY DOOR? 872 00:34:17,262 --> 00:34:18,711 - TRINA ARE YOU TIRED? 873 00:34:18,815 --> 00:34:19,919 WHAT'S WRONG? 874 00:34:20,023 --> 00:34:21,887 YOU HAD WINE LAST NIGHT. 875 00:34:21,990 --> 00:34:22,991 - I DID HAVE WINE LAST NIGHT. 876 00:34:23,095 --> 00:34:23,992 - THAT'S WHY. 877 00:34:24,096 --> 00:34:25,201 AND CHAMPAGNE? 878 00:34:25,304 --> 00:34:25,994 - WELL, I FINISHED IT OFF. 879 00:34:26,098 --> 00:34:28,618 - THIS IS CRAZY. 880 00:34:28,721 --> 00:34:32,829 SHE HAD SHOTS YESTERDAY-- LOTS OF THEM. 881 00:34:32,932 --> 00:34:39,387 A BOTTLE OF CHAMPAGNE AND A BOTTLE OF WINE BY HERSELF? 882 00:34:39,491 --> 00:34:42,183 NO, TRINA. 883 00:34:43,564 --> 00:34:44,841 IS THAT A HICCUP? 884 00:34:44,944 --> 00:34:47,844 - IT IS. 885 00:34:47,947 --> 00:34:50,260 - YOU JUST ROLLED OUT OF BED, TRINA? 886 00:34:50,364 --> 00:34:52,297 DO YOU HAVE A HANGOVER OR SOMETHING? 887 00:34:52,400 --> 00:34:54,402 - NO. 888 00:34:54,506 --> 00:34:56,094 - IT LOOKS LIKE TRINA'S FIRST INTERVENTION 889 00:34:56,197 --> 00:34:57,474 DIDN'T STICK. 890 00:34:57,578 --> 00:35:01,513 TRINA, WE'RE NOT GOING TO BE DRINKIN' FOR ANOTHER WEEK. 891 00:35:01,616 --> 00:35:03,066 - HEY, TAWANDA, WE NOT GONNA SIT HERE 892 00:35:03,170 --> 00:35:04,205 AND ACT LIKE I'M SOME ALCOHOLIC. 893 00:35:04,309 --> 00:35:05,758 - I DIDN'T SAY YOU WERE AN ALCOHOLIC. 894 00:35:05,862 --> 00:35:07,760 - I'M JUST LETTIN' YOU KNOW. 895 00:35:07,864 --> 00:35:09,486 - IT MAY BE TIME FOR A TUNE-UP. 896 00:35:09,590 --> 00:35:10,936 - HI. 897 00:35:11,039 --> 00:35:13,456 - I WANT SOME BAGS. 898 00:35:13,559 --> 00:35:14,457 - ALL RIGHT. 899 00:35:14,560 --> 00:35:17,356 YOU CAN HAVE SOME BAGS IF THAT'S WHAT YOU WANT. 900 00:35:22,396 --> 00:35:23,880 - I'M JUST SO EXCITED. 901 00:35:23,983 --> 00:35:26,469 MY STYLIST HAS GONE SHOPPING AND I CANNOT WAIT 902 00:35:26,572 --> 00:35:28,298 TO SEE WHAT SHE FOUND. 903 00:35:28,402 --> 00:35:33,338 IF YOU WENT SHOPPING WITH THE MINDSET OF VINCE DISCRETION, 904 00:35:33,441 --> 00:35:35,167 IT'S NOT GONNA BE WHAT I WANT. 905 00:35:35,271 --> 00:35:36,548 - BUT TAMAR, DO I EVER DO YOU WRONG? 906 00:35:36,651 --> 00:35:37,859 - YOU DON'T EVER DO ME WRONG. 907 00:35:37,963 --> 00:35:40,793 I KNOW YOU KNOW WHAT YOU'RE DOIN' BUT THIS IS MY CAREER 908 00:35:40,897 --> 00:35:44,280 AND THIS IS MY VISION AND MY LOOK AND MY SONGS 909 00:35:44,383 --> 00:35:47,145 AND I HAVE TO REPRESENT MYSELF 910 00:35:47,248 --> 00:35:51,977 OR IT'S NOT GONNA WORK AGAIN. 911 00:35:52,080 --> 00:35:52,909 - ALL RIGHT, SO YOU WANNA START 912 00:35:53,012 --> 00:35:54,393 WITH THE MORE CONSERVATIVE THINGS. 913 00:35:54,497 --> 00:35:55,912 - I DON'T WANNA WEAR ANYTHING CONSERVATIVE. 914 00:35:56,015 --> 00:35:57,396 - JUST LOOK. 915 00:35:57,500 --> 00:35:59,985 - NO, NO. 916 00:36:00,088 --> 00:36:01,297 - WHAT ABOUT THIS? - NO. 917 00:36:01,400 --> 00:36:03,885 OKAY, WHAT'D YOU PICK FOR ME BECAUSE ALL OF THIS STUFF 918 00:36:03,989 --> 00:36:05,093 IS FOR VINCENT. 919 00:36:05,197 --> 00:36:06,819 - WE'RE GETTIN' THERE-- WE'RE GETTIN' THERE. 920 00:36:06,923 --> 00:36:08,683 - YOU KNOW, SO FAR, I'M BEGINNING TO THINK 921 00:36:08,787 --> 00:36:10,720 VINCENT HAS PAID OFF MY STYLIST. 922 00:36:10,823 --> 00:36:12,170 YOU KNOW, SHE GOT ME IN HERE LOOKING LIKE SOME TYPE 923 00:36:12,273 --> 00:36:13,481 OF SECRETARY. 924 00:36:13,585 --> 00:36:16,691 I AM TRYING TO LOOK LIKE SOME BOOTY SHAKIN' SUPERSTAR. 925 00:36:16,795 --> 00:36:18,245 I ONLY HAVE THIS MUCH. 926 00:36:18,348 --> 00:36:21,524 I CAN SEE THE REST OF THAT STUFF IS FABRIC CITY. 927 00:36:21,627 --> 00:36:22,628 I LOVE THAT. 928 00:36:22,732 --> 00:36:24,492 - THIS IS A CAT SUIT-- WE HAVE LITTLE PASTIES 929 00:36:24,596 --> 00:36:26,598 THAT CAN GO ON TOP OF IT WITH TASSELS. 930 00:36:26,701 --> 00:36:28,600 - KEEP GOIN'-- LET'S SEE-- LOVE. 931 00:36:28,703 --> 00:36:29,808 OH, MY GOD, I GOTTA HAVE THAT. 932 00:36:29,911 --> 00:36:31,430 OH! 933 00:36:31,534 --> 00:36:34,261 I JUST WANNA GIVE BIRTH TO IT! 934 00:36:34,364 --> 00:36:37,160 LOOK AT MY NEW BABY. 935 00:36:37,264 --> 00:36:38,023 SEE THAT IS WHAT I'M TALKIN' ABOUT. 936 00:36:38,126 --> 00:36:39,197 NOW I'M GETTING EXCITED. 937 00:36:39,300 --> 00:36:41,129 OKAY-- LET ME TAKE THIS. 938 00:36:41,233 --> 00:36:42,786 YES-- GREAT. 939 00:36:42,890 --> 00:36:46,618 FINALLY, I FIND SOMETHIN' I AM READY TO TRY ON. 940 00:36:46,721 --> 00:36:51,726 NOW DAVIDA, THIS IS AN OUTFIT. 941 00:36:51,830 --> 00:36:52,451 - IT'S CUTE. 942 00:36:52,555 --> 00:36:53,694 - SEE WHAT I AM SAYING? 943 00:36:53,797 --> 00:36:54,626 - THAT'S CUTE. 944 00:36:54,729 --> 00:36:58,699 - THE FIRST OUTFIT THAT I TRIED ON WAS HOT. 945 00:36:58,802 --> 00:37:00,321 OFF THE CHAIN. 946 00:37:00,425 --> 00:37:02,427 LIKE, IF I WAS LOOKIN' AT ME, 947 00:37:02,530 --> 00:37:03,738 I WOULD WANNA SIGN ME. 948 00:37:03,842 --> 00:37:08,122 I'M STILL COUTURE... THEN, I'M A DIVA AT THE SAME TIME. 949 00:37:08,226 --> 00:37:10,124 YOU KNOW WHAT I MEAN? 950 00:37:10,228 --> 00:37:11,298 - THE OUTFIT IS SO-- 951 00:37:11,401 --> 00:37:13,403 - HEY. - HEY, VINCE. 952 00:37:13,507 --> 00:37:17,062 - I LOVE THIS OUTFIT AND IF VINCE HAS A PROBLEM WITH IT... 953 00:37:17,165 --> 00:37:19,754 IT'S GONNA GET UGLY REAL FAST. 954 00:37:22,723 --> 00:37:24,932 - COMING UP ON "BRAXTON FAMILY VALUES." 955 00:37:25,035 --> 00:37:26,830 - ALL YOU GOTTA DO IS LISTEN. 956 00:37:26,934 --> 00:37:29,419 YOU NEVER WANNA LISTEN. 957 00:37:29,523 --> 00:37:31,318 - WE HAVE TO BE OUTTA HERE BY TOMORROW. 958 00:37:31,421 --> 00:37:32,905 - TOMOR-- ARE YOU SERIOUS? 959 00:37:33,009 --> 00:37:33,630 - THAT'S RIGHT. 960 00:37:38,014 --> 00:37:42,225 - I'M STILL COUTURE... THEN, I'M A DIVA AT THE SAME TIME. 961 00:37:42,329 --> 00:37:44,296 YOU KNOW WHAT I MEAN? 962 00:37:44,400 --> 00:37:45,435 - THE OUTFIT IS SO... 963 00:37:45,539 --> 00:37:47,334 - HEY. - HEY, VINCE. 964 00:37:47,437 --> 00:37:49,059 - HOW YOU DOIN'? - GOOD. 965 00:37:49,163 --> 00:37:52,546 - HI. - HEY-- NICE OUTFIT. 966 00:37:52,649 --> 00:37:54,064 - YOU LOOK LIKE IT? - REALLY? 967 00:37:54,168 --> 00:37:55,238 - YEAH-- IT LOOKS NICE. 968 00:37:55,342 --> 00:37:58,897 - TO BE HONEST, I AM TOTALLY STUNNED. 969 00:37:59,000 --> 00:38:01,417 VINCE LIKES THIS OUTFIT. 970 00:38:01,520 --> 00:38:04,385 I THOUGHT HE WAS GONNA HATE IT. 971 00:38:08,976 --> 00:38:10,529 - WAIT-- WHAT? 972 00:38:10,633 --> 00:38:12,773 VINCE LIKE THIS OUTFIT BUT NOT ON STAGE. 973 00:38:12,876 --> 00:38:14,395 I MEAN, WHERE THE HELL AM I SUPPOSED TO WEAR THIS? 974 00:38:14,499 --> 00:38:16,811 AROUND THE HOUSE? 975 00:38:16,915 --> 00:38:20,228 WELL, WHAT OTHER OUTFIT CAN I JUST BEND IT AND PICK IT UP, 976 00:38:20,332 --> 00:38:23,128 BEND IT AND PICK IT UP AND ROLL IT? 977 00:38:23,231 --> 00:38:24,302 AND ROLL, ROLL. 978 00:38:24,405 --> 00:38:25,682 - SEE-- YOU BE DOIN' TOO MUCH. 979 00:38:25,786 --> 00:38:26,614 - WHAT YOU MEAN? 980 00:38:26,718 --> 00:38:28,271 - THAT AIN'T NECESSARY. 981 00:38:28,375 --> 00:38:29,928 - I LOVE THIS OUTFIT. 982 00:38:30,031 --> 00:38:33,103 AND I THOUGHT VINCE DID TOO AND NOW HE DOESN'T WANT ME 983 00:38:33,207 --> 00:38:35,140 TO LEAVE THE HOUSE WITH IT ON. 984 00:38:35,243 --> 00:38:37,522 - LET'S GO GIVE HIM ANOTHER OPTION. 985 00:38:37,625 --> 00:38:39,489 - THERE IS NOTHIN' WRONG WITH THIS. 986 00:38:39,593 --> 00:38:43,424 I THOUGHT I WOULD TAKE IT OVER THE TOP DOT ORG 987 00:38:43,528 --> 00:38:45,426 AND BRING HIM A FIRST LADY 988 00:38:45,530 --> 00:38:46,841 FROM THE PENTECOSTAL CHURCH OUTFIT. 989 00:38:46,945 --> 00:38:49,396 IS THIS BETTER FOR YOU? 990 00:38:49,499 --> 00:38:50,776 - THAT'S MORE LIKE IT. 991 00:38:50,880 --> 00:38:57,542 - THIS LITTLE LIGHT OF MINE I'M GONNA LET IT SHINE. 992 00:38:57,645 --> 00:38:59,820 - NO SERIOUSLY, TAMAR CAN YOU STOP PLAYIN' FOR A MINUTE. 993 00:38:59,923 --> 00:39:00,821 - I'M NOT PLAYIN'. 994 00:39:00,924 --> 00:39:03,237 I FEEL LIKE THIS IS WHAT YOU WANT ME TO BE. 995 00:39:03,341 --> 00:39:06,896 - THAT LOOKS GREAT. 996 00:39:06,999 --> 00:39:08,449 - YOU NEED THE WORD OF GOD BECAUSE YOU KNOW 997 00:39:08,553 --> 00:39:10,140 YOU ARE WRONG FOR THIS OUTFIT. 998 00:39:10,244 --> 00:39:11,901 - NO, YOU'RE WRONG FOR THAT OUTFIT AND YOU'RE WRONG 999 00:39:12,004 --> 00:39:12,729 FOR THE FIRST ONE, TOO. 1000 00:39:12,833 --> 00:39:14,041 YOU CAN'T PUT THAT KIND OF STUFF ON. 1001 00:39:14,144 --> 00:39:15,318 YOU CAN'T DO THAT. 1002 00:39:15,422 --> 00:39:16,492 AND SEE, YOU BEIN' CRAZY RIGHT NOW 1003 00:39:16,595 --> 00:39:17,424 'CAUSE THAT'S NOT RIGHT FOR YOU. 1004 00:39:17,527 --> 00:39:18,908 YOU'VE GONE TOO FAR. 1005 00:39:19,011 --> 00:39:20,496 - I DON'T KNOW WHAT THE MIDDLE IS. 1006 00:39:20,599 --> 00:39:21,669 - YOU DON'T NEVER HAVE A BALANCE. 1007 00:39:21,773 --> 00:39:23,119 YOU JUST WANNA ALWAYS GO TOO FAR. 1008 00:39:23,222 --> 00:39:25,604 - VINCE, I THOUGHT WHAT I HAD ON WAS A BALANCE, 1009 00:39:25,708 --> 00:39:28,124 TO BE HONEST-- LIKE, THIS IS... 1010 00:39:28,227 --> 00:39:29,228 - NOBODY TOLD YOU TO PUT THAT ON. 1011 00:39:29,332 --> 00:39:31,161 WE GOTTA GET THERE AND FIGURE IT OUT. 1012 00:39:31,265 --> 00:39:32,300 BUT RIGHT NOW, YOU'RE WRONG 1013 00:39:32,404 --> 00:39:33,371 AND YOU GOT AN ATTITUDE PROBLEM 1014 00:39:33,474 --> 00:39:34,372 AND IT'S NOT NECESSARY. 1015 00:39:34,475 --> 00:39:35,338 ALL YOU GOTTA DO IS LISTEN. 1016 00:39:35,442 --> 00:39:38,617 YOU NEVER WANNA LISTEN. 1017 00:39:38,721 --> 00:39:40,654 THAT'S JUST BEIN' FUNNY AND BEIN' SPITEFUL. 1018 00:39:40,757 --> 00:39:43,553 YOU KNOW YOU CAN'T BE AN ARTIST AND WEAR THAT. 1019 00:39:43,657 --> 00:39:46,107 AND YOU KNOW WHAT YOU HAD ON BEFORE WAS TOO FAR. 1020 00:39:46,211 --> 00:39:47,799 - REALLY? - YES. 1021 00:39:47,902 --> 00:39:49,490 - WHAT WAS WRONG WITH IT? - IT WAS JUST TOO FAR. 1022 00:39:49,594 --> 00:39:51,112 - I WAS COMPLETELY COVERED UP. 1023 00:39:51,216 --> 00:39:53,460 IT WAS CUTE-- IT WAS COUTURE. 1024 00:39:53,563 --> 00:39:55,358 I COULD DANCE-- I COULD SING. 1025 00:39:55,462 --> 00:39:56,601 I CAN'T DANCE IN THIS. 1026 00:39:56,704 --> 00:39:59,776 I CAN'T DANCE IN A DRESS THAT COMES DOWN TO MY KNEES. 1027 00:39:59,880 --> 00:40:01,191 - I DIDN'T ASK YOU TO PUT A DRESS ON 1028 00:40:01,295 --> 00:40:03,539 THAT COME DOWN TO YOUR KNEES. 1029 00:40:03,642 --> 00:40:04,643 YOU DID THAT. 1030 00:40:04,747 --> 00:40:06,507 - THAT'S BECAUSE I DON'T KNOW, HONESTLY-- 1031 00:40:06,611 --> 00:40:07,784 - WELL, LET ME FIGURE IT OUT. 1032 00:40:07,888 --> 00:40:10,097 DAVIDA WE'LL GET TOGETHER NEXT WEEK AND FIGURE IT OUT. 1033 00:40:10,200 --> 00:40:11,685 - YOU GUYS BOTH HAVE TO COME TO A MIDDLE GROUND. 1034 00:40:11,788 --> 00:40:12,858 YOU HAVE TO BE COMFORTABLE. 1035 00:40:12,962 --> 00:40:14,722 AND YOU HAVE TO LOOK AT HER AS NOT YOUR WIFE 1036 00:40:14,826 --> 00:40:16,483 BUT AN ARTIST. - EXACTLY. 1037 00:40:16,586 --> 00:40:17,863 AND I AM WILLING TO DO THAT. 1038 00:40:17,967 --> 00:40:20,072 - I CAN TELL YOU RIGHT NOW VINCE IS NOT WILING TO SEE ME 1039 00:40:20,176 --> 00:40:21,315 AS AN ARTIST. 1040 00:40:21,419 --> 00:40:23,559 I MEAN, HE ONLY SEES ME AS HIS WIFE. 1041 00:40:23,662 --> 00:40:26,872 EVERY TIME I DRESS SEXY HE GETS MAD. 1042 00:40:26,976 --> 00:40:29,461 IF YOU SAW AN ARTIST COME INTO YOUR OFFICE 1043 00:40:29,565 --> 00:40:31,843 WITH THE SAME OUTFIT I HAVE CAME ON WITH, 1044 00:40:31,946 --> 00:40:34,328 YOU'D BE LIKE THAT IS A SUPERSTAR. 1045 00:40:34,432 --> 00:40:35,467 POINT BLANK PERIOD. 1046 00:40:35,571 --> 00:40:37,020 - I DON'T USE THAT WORD. 1047 00:40:37,124 --> 00:40:39,402 - YES, YOU DO. 1048 00:40:39,506 --> 00:40:41,646 - TAMAR, WE HAVE TO MEET IN THE MIDDLE. 1049 00:40:41,749 --> 00:40:43,130 - AND WHAT WOULD THAT BE VINCE? 1050 00:40:43,233 --> 00:40:44,545 I'M NOT WEARIN' NO PANTSUIT. 1051 00:40:44,649 --> 00:40:45,615 - I DIDN'T ASK YOU TO. 1052 00:40:45,719 --> 00:40:47,065 - I'M BACK AT SQUARE ONE. 1053 00:40:47,168 --> 00:40:52,311 IT'S LIKE, WHY AM I EVEN TRYIN' TO DO THIS? 1054 00:40:52,415 --> 00:40:53,451 AN ARTIST MEANS 1055 00:40:53,554 --> 00:40:56,177 YOU ARE SUPPOSED TO BE EXPRESSING YOURSELF. 1056 00:40:56,281 --> 00:40:57,696 THAT'S WHAT AN ARTIST IS. 1057 00:40:57,800 --> 00:41:00,665 NOT EXPRESSING WHAT SOMEBODY WANTS YOU TO BE 1058 00:41:00,768 --> 00:41:03,184 OR WANT YOU TO LOOK LIKE OR WANT YOU TO SING. 1059 00:41:03,288 --> 00:41:04,738 VINCE AND I DO NOT SEE EYE TO EYE 1060 00:41:04,841 --> 00:41:06,878 AND IT'S REALLY STARTING TO PISS ME OFF. 1061 00:41:06,981 --> 00:41:08,880 I MEAN, DOING THIS SOLO RECORD IS GONNA BE 1062 00:41:08,983 --> 00:41:11,883 A NIGHTMARE IF HE KEEPS THIS UP. 1063 00:41:21,444 --> 00:41:24,930 - HI, MOMMY. - HI, BABIES-- HI! 1064 00:41:25,034 --> 00:41:28,624 - I AM SO GLAD TO BE BACK FROM RUSSIA 1065 00:41:28,727 --> 00:41:30,798 AFTER DEALING WITH ALL OF THAT DRAMA. 1066 00:41:30,902 --> 00:41:34,146 IT'S JUST GONNA BE SO GOOD TO KISS ON MY KIDS. 1067 00:41:34,250 --> 00:41:35,423 CAN I HAVE A BIG HUG? 1068 00:41:35,527 --> 00:41:37,149 PLEASE? 1069 00:41:37,253 --> 00:41:39,462 OH, MY PRINCESS! 1070 00:41:39,566 --> 00:41:40,774 BUT I CAN ONLY DO THAT FOR A SECOND 1071 00:41:40,877 --> 00:41:44,053 BECAUSE I CAN SEE THAT ANDRE HAS SOMETHING ON HIS MIND. 1072 00:41:44,156 --> 00:41:45,986 IT'S ALWAYS SOMETHING. 1073 00:41:46,089 --> 00:41:47,159 - GO UPSTAIRS FOR A LITTLE WHILE. 1074 00:41:47,263 --> 00:41:49,437 JUST FOR A LITTLE WHILE. 1075 00:41:49,541 --> 00:41:51,025 I GOTTA TALK TO MOMMY-- OKAY. 1076 00:41:51,129 --> 00:41:53,511 - WHAT'S WRONG? 1077 00:41:53,614 --> 00:41:55,547 - I GOTTA TALK TO YA FOR A SECOND. 1078 00:41:55,651 --> 00:41:56,893 - JUST GO UPSTAIRS FOR A SECOND, ALL RIGHT. 1079 00:41:56,997 --> 00:41:58,101 - GO UPSTAIRS FOR ONE SECOND. 1080 00:41:58,205 --> 00:42:01,001 - GIVE US ONE SECOND, OKAY-- ONE SECOND. 1081 00:42:01,104 --> 00:42:05,315 UM, YOU KNOW WHAT THE SITUATION WAS WHEN WE MOVED IN 1082 00:42:05,419 --> 00:42:07,421 AND ALL THAT STUFF THAT WE FOUND OUT 1083 00:42:07,525 --> 00:42:08,387 ABOUT WHAT'S GOING ON WITH THE PROPERTY? 1084 00:42:08,491 --> 00:42:09,837 - THAT IT'S IN RECEIVERSHIP? - RIGHT. 1085 00:42:09,941 --> 00:42:13,392 - AFTER MOVING INTO THE RENTAL, I HAVE LEARNED 1086 00:42:13,496 --> 00:42:16,603 THAT THE PROPERTY IS UNDER RECEIVERSHIP. 1087 00:42:16,706 --> 00:42:18,363 IT'S A FORM OF FORECLOSURE. 1088 00:42:18,466 --> 00:42:19,398 - THE SHERIFF CAME BY THE OTHER DAY 1089 00:42:19,502 --> 00:42:23,299 AND SAID THAT WE HAD TO GET OUT. 1090 00:42:23,402 --> 00:42:25,370 HE GAVE US KIND OF, LIKE, A WARNING, 1091 00:42:25,473 --> 00:42:26,336 SO TO SPEAK, TO GET OUT. 1092 00:42:26,440 --> 00:42:27,683 - HOW LONG DID THEY SAY? 1093 00:42:27,786 --> 00:42:30,789 - THEY SAID THAT YOU HAVE TO BE OUTTA HERE BY TOMORROW. 1094 00:42:30,893 --> 00:42:32,515 - TOMOR-- ARE YOU SERIOUS? 1095 00:42:32,619 --> 00:42:33,620 - THAT'S RIGHT. 1096 00:42:33,723 --> 00:42:36,450 - SO, NOW I HAVE TO MOVE OUT IN ONE DAY. 1097 00:42:36,554 --> 00:42:38,003 WHO DOES THAT? 1098 00:42:38,107 --> 00:42:40,109 - HE SAID THAT THEY WILL BE BACK TO MAKE SURE 1099 00:42:40,212 --> 00:42:41,559 THAT WE'RE OUT OF HERE. 1100 00:42:41,662 --> 00:42:43,043 - AND IT'S PADLOCKED AND IT'S UNDER FORECLOSURE? 1101 00:42:43,146 --> 00:42:44,423 - THAT'S RIGHT. 1102 00:42:44,527 --> 00:42:50,188 BECAUSE, UH-- I DON'T KNOW WHERE WE GONNA GO AFTER THIS. 1103 00:42:50,291 --> 00:42:51,569 THERE YA GO. 1104 00:42:51,672 --> 00:42:53,329 - I DON'T EVEN WANNA LOOK AT IT. 1105 00:42:53,432 --> 00:42:54,641 - MOMMY, I LOVE YOU. 1106 00:42:54,744 --> 00:42:56,643 - I LOVE YOU MORE. 1107 00:42:56,746 --> 00:42:58,576 - WHAT'S THE NEXT MOVE? 1108 00:42:58,679 --> 00:42:59,922 - IT'S ALL RIGHT. 1109 00:43:00,025 --> 00:43:01,440 - YOU'RE SAYING EVERYTHING'S GOOD. 1110 00:43:01,544 --> 00:43:02,580 - I'M JUST GONNA FIGURE IT OUT. 1111 00:43:02,683 --> 00:43:04,651 IT'S NOT GOOD-- OF COURSE BUT OF COURSE I'M JUST 1112 00:43:04,754 --> 00:43:06,135 GONNA HAVE TO GO AHEAD AND FIGURE EVERYTHING OUT. 1113 00:43:06,238 --> 00:43:07,585 I'LL JUST FIGURE IT OUT. 1114 00:43:07,688 --> 00:43:09,656 MOVE TOMORROW? 1115 00:43:09,759 --> 00:43:13,038 I AM IN SHOCK! 1116 00:43:15,144 --> 00:43:17,146 I DON'T KNOW WHAT WE'RE GONNA DO. 1117 00:43:17,249 --> 00:43:18,630 IT'S ALWAYS SOMETHING. 1118 00:43:18,734 --> 00:43:22,738 I'LL FIGURE SOMETHIN' OUT-- IMMEDIATELY. 1119 00:43:22,841 --> 00:43:25,257 - ON THE NEXT EPISODE OF "BRAXTON FAMILY VALUES." 1120 00:43:25,361 --> 00:43:27,605 - I WAS THINKIN' ABOUT WE SHOULD DO A BRAXTON ALBUM. 1121 00:43:27,708 --> 00:43:30,297 - UM, IS TONI INVOLVED IN THIS? 1122 00:43:30,400 --> 00:43:33,541 NO, I AM NOT DOING THE RECORD IF TONI IS NOT DOIN' IT. 1123 00:43:33,645 --> 00:43:34,922 NO, I AM NOT. 1124 00:43:35,026 --> 00:43:36,683 IF SHE DON'T SING ON AT LEAST ALL THE SONGS... 1125 00:43:36,786 --> 00:43:38,512 I'M NOT DOIN' IT. 1126 00:43:38,616 --> 00:43:40,583 - I WANTED TO TALK TO YOU ABOUT INTERVIEWING 1127 00:43:40,687 --> 00:43:42,861 SOME PEOPLE FOR A PERSONAL ASSISTANT 1128 00:43:42,965 --> 00:43:45,346 AND EXECUTIVE ASSISTANT. 1129 00:43:45,450 --> 00:43:47,417 - SO, YOU WANNA BUY A NEW HOUSE? 1130 00:43:47,521 --> 00:43:48,660 YOU'VE ALREADY FOUND ONE? 1131 00:43:48,764 --> 00:43:50,489 - YEAH-- I ALREADY FOUND ONE-- IT'S BEAUTIFUL. 1132 00:43:50,593 --> 00:43:52,526 - BECAUSE YOU KEEP MAKING COMMENTS ABOUT HOW SMALL IT IS. 1133 00:43:52,630 --> 00:43:53,769 - I AM NOT! 1134 00:43:53,872 --> 00:43:55,460 - WHY-- BECAUSE IT DOESN'T SPRAWL OVER 1135 00:43:55,563 --> 00:43:56,737 TWO BLOCKS OF LAND. 1136 00:43:56,841 --> 00:43:59,257 TAMAR'S NOT COMPLETELY HAPPY WITH THE HOUSE. 1137 00:43:59,360 --> 00:44:01,777 SHE WOULDN'T BE HAPPY IF I CHOSE THE TAJ MAHAL. 82744

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