All language subtitles for Braxton.Family.Values.S04E09.Surprise.Me.Not.1080p.ROKU.WEB-DL.AAC2.0.H.264-FFG_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,336 --> 00:00:05,704 DURING "HOT SUGAR," WE ARE GONNA COME OUT. 2 00:00:05,705 --> 00:00:09,074 - I THINK TAMAR MIGHT BE UPSET. - SHE'S GONNA BE HAPPY. 3 00:00:09,075 --> 00:00:11,110 IT'S FINALLY TIME FOR HER TO HAVE 4 00:00:11,111 --> 00:00:12,978 HER FIRST HEADLINING TOUR, 5 00:00:12,979 --> 00:00:15,481 AND EVERY DETAIL NEEDS TO BE PERFECT. 6 00:00:15,482 --> 00:00:16,782 WE PROMISE YOU'RE GONNA SEE US. 7 00:00:16,783 --> 00:00:18,617 - I DON'T WANNA SEE YA. - WHY NOT? 8 00:00:18,618 --> 00:00:20,185 WHAT YOU MEAN? 9 00:00:20,186 --> 00:00:21,420 'CAUSE IF I SEE YA, IT'LL THROW ME OFF. 10 00:00:21,421 --> 00:00:22,821 I HOPE TAMAR LOVES OUR SURPRISE, 11 00:00:22,822 --> 00:00:25,958 BUT IF THIS BACKFIRES, IT COULD BE A DISASTER, 12 00:00:25,959 --> 00:00:29,661 AND OPEN UP A WHOLE NEW CAN OF DRAMA. 13 00:00:29,662 --> 00:00:32,831 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 14 00:00:32,832 --> 00:00:36,902 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 15 00:00:36,903 --> 00:00:40,039 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 16 00:00:40,040 --> 00:00:43,142 ♪ WILL TEACH YOU A THING OR TWO ♪ 17 00:00:43,143 --> 00:00:47,313 ♪ ON BRAXTON FAMILY VALUES ♪ 18 00:00:55,221 --> 00:00:58,290 I CANNOT BELIEVE THAT I HAVE MY OWN SOLD OUT TOUR. 19 00:00:58,291 --> 00:01:00,259 YEAH, I'M SO EXCITED TO BE PERFORMING IN ATLANTA 20 00:01:00,260 --> 00:01:02,661 BECAUSE, YOU KNOW, FOR ME, IT'S LIKE MY SECOND HOME. 21 00:01:02,662 --> 00:01:04,830 AND, YOU KNOW, I'M JUST EXCITED, TOO, 22 00:01:04,831 --> 00:01:07,466 BECAUSE, YOU KNOW, MY SISTERS HAVEN'T SEEN MY SHOW YET, 23 00:01:07,467 --> 00:01:11,236 AND MY MOM AND EVERYBODY'S COMING OUT TO SUPPORT ME, 24 00:01:11,237 --> 00:01:14,506 AND IT JUST FEELS AMAZING TONIGHT. 25 00:01:14,507 --> 00:01:16,041 LOGAN'S GONNA OPEN UP TONIGHT. 26 00:01:16,042 --> 00:01:18,343 - YAY! - YAY! 27 00:01:18,344 --> 00:01:20,746 SO, TONI IS REARRANGING HER SHOW 28 00:01:20,747 --> 00:01:23,449 FOR HER NEW UPCOMING TOUR, OKAY? 29 00:01:23,450 --> 00:01:26,285 AND SHE COULD NOT MAKE IT TO TAMAR'S SHOW. 30 00:01:26,286 --> 00:01:28,821 I'M JUST GLAD THAT ME, TRINA, AND TRACI 31 00:01:28,822 --> 00:01:30,923 WERE ABLE TO COME HERE TO SUPPORT TAMAR. 32 00:01:30,924 --> 00:01:33,058 - I'M SO PROUD OF YOU, MONSTER. - WHY? 33 00:01:33,059 --> 00:01:34,726 BECAUSE YOU'RE HERE, YOU'RE DOING IT, 34 00:01:34,727 --> 00:01:36,663 AND YOU'RE BY YOURSELF. - BY YOURSELF. 35 00:01:39,399 --> 00:01:40,566 - WHY-- BECAUSE IT'S ATLANTA? - WHY? 36 00:01:40,567 --> 00:01:42,034 YES. 37 00:01:42,035 --> 00:01:43,836 MY SISTERS AND I HAVE BARELY, LIKE, 38 00:01:43,837 --> 00:01:46,538 SPOKEN OVER THE LAST FEW WEEKS BECAUSE, YOU KNOW, 39 00:01:46,539 --> 00:01:48,707 I'M ON TOP RIGHT NOW. 40 00:01:48,708 --> 00:01:51,443 BUT, THIS SHOW IS VERY IMPORTANT TO ME BECAUSE, 41 00:01:51,444 --> 00:01:53,846 YOU KNOW, THEY'RE HERE, AND I WANT THEM TO BE HERE. 42 00:01:53,847 --> 00:01:56,882 BUT, THEY ALSO MAKE ME A LITTLE NERVOUS 43 00:01:56,883 --> 00:01:59,485 BECAUSE I REALLY WANT THEM TO WALK AWAY FEELING PROUD 44 00:01:59,486 --> 00:02:01,286 AND EXCITED. 45 00:02:01,287 --> 00:02:03,589 - BUT, YOU DID ATLANTA BEFORE. - BUT, I WASN'T TWERKIN', 46 00:02:03,590 --> 00:02:05,390 AND IT'S A DIFFERENT KINDA RESPONSIBILITY. 47 00:02:05,391 --> 00:02:06,625 OH... 48 00:02:06,626 --> 00:02:07,893 - TWERKING'S A RESPONSIBILITY? - THAT'S A RESPONSIBILITY? 49 00:02:07,894 --> 00:02:09,661 IF YOU IN ATLANTA, YOU GOTTA DO YOUR THING, HONEY. 50 00:02:09,662 --> 00:02:10,796 YOU GOTTA DO IT RIGHT-- WAIT A MINUTE. 51 00:02:10,797 --> 00:02:12,531 WHAT SONG YOU TWERK ON, AGAIN, TAMAR? 52 00:02:12,532 --> 00:02:14,299 - ABOUT FIVE. - YOU TWERK ALL NIGHT? 53 00:02:14,300 --> 00:02:15,567 OKAY, NAME TWO OF 'EM. 54 00:02:15,568 --> 00:02:17,636 BUT, TAMAR, WHICH ONE DO YOU REALLY GET DOWN AND DIRTY ON? 55 00:02:17,637 --> 00:02:20,873 - UM, UH-- - WHAT ABOUT "HOT SUGAR?" 56 00:02:20,874 --> 00:02:23,609 "HOT SUGAR" I REALLY TWERK ON. 57 00:02:23,610 --> 00:02:25,611 I TWERK ON EVERY SINGLE SONG THAT I POSSIBLY CAN. 58 00:02:25,612 --> 00:02:27,079 EVERY ONE? 59 00:02:27,080 --> 00:02:31,450 TAMAR HAS NOTHING TO WORRY ABOUT, OKAY? 60 00:02:31,451 --> 00:02:35,888 "HOT SUGAR" IS GOING TO BE ONE HOT 61 00:02:35,889 --> 00:02:39,057 TWERK-A-TWERK-A-TWERK-A-LISTIC PERFORMANCE TONIGHT. 62 00:02:39,058 --> 00:02:42,027 YOU KNOW, ONCE TRINA, TRACI, AND I POP ON STAGE. 63 00:02:42,028 --> 00:02:43,529 IT'S GONNA BE 64 00:02:43,530 --> 00:02:45,697 ♪ POPPIN' POPPIN' POPPIN' ♪ 65 00:02:45,698 --> 00:02:47,166 WHAT-- YO. 66 00:02:47,167 --> 00:02:48,867 OH, GOOD-- WE CAME IN AT TIME TO PRAY. 67 00:02:48,868 --> 00:02:51,003 HALLE-LOO-- HALLE-LOO. 68 00:02:51,004 --> 00:02:52,638 HI, MAMA'S BOY. 69 00:02:52,639 --> 00:02:54,873 Y'ALL BOTH GOT YOUR TONGUES HANGING OUT YOUR MOUTH RIGHT NOW. 70 00:02:54,874 --> 00:02:56,542 THAT'S 'CAUSE WE'RE BOTH THIRSTY. 71 00:02:56,543 --> 00:02:59,077 HERE WE GO-- HOLD MY HAND. 72 00:02:59,078 --> 00:03:01,280 - OKAY, GET YOUR LIFE. - GO AHEAD, SCOTT. 73 00:03:01,281 --> 00:03:03,315 FATHER GOD, WE THANK YOU FOR THE BLESSING OF TONIGHT, LORD. 74 00:03:03,316 --> 00:03:05,050 WE THANK YOU FOR THIS SOLD OUT CROWD, FATHER, 75 00:03:05,051 --> 00:03:07,619 WHO WE GET THE OPPORTUNITY TO PERFORM FOR, FATHER. 76 00:03:07,620 --> 00:03:09,655 WE THANK YOU FOR TAMAR'S GIFT, FATHER. 77 00:03:09,656 --> 00:03:12,925 LET HER PERFORM ALL HER VOCALS, FATHER, WITH PASSION. 78 00:03:12,926 --> 00:03:15,827 LET THE-LET THE NOTES BE TRUE, FATHER. 79 00:03:15,828 --> 00:03:17,362 WE THANK YOU FOR THE DANCERS, LORD, 80 00:03:17,363 --> 00:03:18,931 THAT THEIR STEPS ARE ORDERED OF YOU, LORD. 81 00:03:18,932 --> 00:03:20,299 WE THANK YOU THAT THEY'RE IN THE RIGHT PLACE 82 00:03:20,300 --> 00:03:22,100 AT THE RIGHT TIME, FATHER. 83 00:03:22,101 --> 00:03:24,203 WE ASK THE SAME FOR THE CREW, LORD. 84 00:03:24,204 --> 00:03:26,004 FATHER, BLESS THE LEAST TO THE GREATEST, FATHER. 85 00:03:26,005 --> 00:03:28,106 BLESS OUR EARS, BLESS OUR HANDS, 86 00:03:28,107 --> 00:03:29,675 AND OUR INTUITION, LORD. 87 00:03:29,676 --> 00:03:31,743 FATHER, LET US BE IN THE RIGHT PLACE AT THE RIGHT TIME. 88 00:03:31,744 --> 00:03:34,479 FATHER, TELL US WHAT'S GONNA HAPPEN BEFORE IT HAPPENS, FATHER, 89 00:03:34,480 --> 00:03:36,315 SO WE CAN RESPOND AT JUST THE RIGHT MOMENT. 90 00:03:36,316 --> 00:03:37,516 HALLE-LOO. 91 00:03:37,517 --> 00:03:39,351 I'M STILL NOT FULLY CONVINCED 92 00:03:39,352 --> 00:03:42,354 THAT SURPRISING TAMAR ONSTAGE IS A GREAT IDEA. 93 00:03:42,355 --> 00:03:46,692 I AM PRAYING TO MYSELF THAT WE DON'T MESS UP. 94 00:03:46,693 --> 00:03:48,393 WE GIVE YOU THE PRAISE, AND WE GIVE YOU THE GLORY, 95 00:03:48,394 --> 00:03:50,128 FOR IT ALL IN THE NAME OF JESUS. 96 00:03:50,129 --> 00:03:52,131 AMEN. 97 00:03:55,602 --> 00:03:57,836 LOVE YOU, BABY. 98 00:03:57,837 --> 00:03:59,037 I KNOW YOU'RE GONNA HAVE A GREAT SHOW. 99 00:03:59,038 --> 00:04:00,138 I'M GONNA BE SINGING ALL THE SONGS. 100 00:04:00,139 --> 00:04:02,474 KNOCK 'EM DEAD, LITTLE GIRL. 101 00:04:02,475 --> 00:04:04,443 BYE, MAN. 102 00:04:04,444 --> 00:04:06,479 COME ON-- COME ON, DARLING. 103 00:04:08,548 --> 00:04:11,383 - ARE YOU GUYS NERVOUS AT ALL? - NO, NO, NO, NO. 104 00:04:11,384 --> 00:04:13,719 I THINK THIS IS GONNA BE A WONDERFUL SURPRISE. 105 00:04:13,720 --> 00:04:16,255 I WANNA MAKE SURE THAT IT'S PERFECT. 106 00:04:16,256 --> 00:04:18,523 I JUST THINK THAT WE SHOULD JUST DO ONE MORE REHEARSAL 107 00:04:18,524 --> 00:04:20,525 BEFORE WE STEP ON THAT STAGE 108 00:04:20,526 --> 00:04:23,128 BECAUSE WE BRAXTON GIRLS ARE PERFECTIONISTS, OKAY? 109 00:04:23,129 --> 00:04:24,663 OKAY, THIS IS THE SET LIST, RIGHT? 110 00:04:24,664 --> 00:04:26,965 - MMM-HMM. - HERS IS HERE. 111 00:04:26,966 --> 00:04:28,934 I'M THINKING WE SHOULD COME OUT RIGHT HERE. 112 00:04:28,935 --> 00:04:30,869 EVEN IF WE HAVE TO GO ON THIS SIDE OF THE STAGE, 113 00:04:30,870 --> 00:04:32,104 THAT MEANS, RIGHT, TRACI'S GONNA HAVE TO 114 00:04:32,105 --> 00:04:33,405 COME OUT FIRST. - MMM-HMM. 115 00:04:33,406 --> 00:04:34,673 IF WE CAN'T GET ON THE OTHER SIDE. 116 00:04:34,674 --> 00:04:35,941 SEE WHAT I'M SAYIN'? 117 00:04:35,942 --> 00:04:37,409 WELL, LET'S SEE WHAT WE REMEMBER FROM THE DANCE STEPS, 118 00:04:37,410 --> 00:04:38,710 'CAUSE Y'ALL KNOW I GET JUST A LITTLE BIT NERVOUS. 119 00:04:38,711 --> 00:04:40,312 - OKAY, LET'S-LET'S GO. - OKAY, 'CAUSE I'M AL-- 120 00:04:40,313 --> 00:04:41,713 I'M ALREADY STARTIN' TO SWEAT-- LOOK AT ME. 121 00:04:41,714 --> 00:04:43,382 I'M GONNA GO THROUGH WITH THIS 122 00:04:43,383 --> 00:04:46,151 BECAUSE TOWANDA REALLY WANTS TO SHOW OUR SUPPORT TO TAMAR, 123 00:04:46,152 --> 00:04:47,786 AND IT'S ONLY 30 SECONDS. 124 00:04:47,787 --> 00:04:49,288 THE WHOLE SONG WOULD JUST BE TOO MUCH REHEARSAL 125 00:04:49,289 --> 00:04:50,856 FOR US TO MESS UP. 126 00:04:50,857 --> 00:04:53,892 SO, 30 SECONDS, JUST ENOUGH TIME. 127 00:04:53,893 --> 00:04:57,796 I'M STILL REALLY NERVOUS, BUT I'LL DO IT. 128 00:04:57,797 --> 00:05:00,932 HEY, GUYS, WHAT YA DOIN'? 129 00:05:00,933 --> 00:05:03,035 GOT IT DOWN PAT, WHATEVER YOU'RE DOING. 130 00:05:03,036 --> 00:05:04,703 WE'RE GONNA SURPRISE TAMAR. 131 00:05:04,704 --> 00:05:06,438 OH, THAT'S SO SWEET. 132 00:05:06,439 --> 00:05:07,839 WE'RE GONNA POP ONSTAGE WITH HER. 133 00:05:07,840 --> 00:05:09,241 - SHE WILL LOVE THAT. - SHOULDN'T SHE? 134 00:05:09,242 --> 00:05:10,342 SHE'S GONNA BE NERVOUS, THOUGH, 135 00:05:10,343 --> 00:05:11,777 'CAUSE SHE SAYS SHE DOESN'T WANNA SEE US. 136 00:05:11,778 --> 00:05:14,446 - OH, SHE DON'T WANNA SEE-- - THAT'S WHAT SHE SAID. 137 00:05:14,447 --> 00:05:17,282 BUT, WHEN SHE TURN HER BACK AND SEE YOU GUYS, LIKE, "OH!" 138 00:05:17,283 --> 00:05:18,984 - SHE'S GONNA BE HAPPY. - HEY, WHAT? 139 00:05:18,985 --> 00:05:20,018 YEAH, SHE'LL BE HAPPY. 140 00:05:20,019 --> 00:05:21,353 WE'RE JUST TRYIN' TO SURPRISE HER. 141 00:05:21,354 --> 00:05:23,622 SHE WOULD LOVE THAT-- THAT SOUNDS GOOD. 142 00:05:23,623 --> 00:05:25,924 MOMMY SEEMS TO THINK THE SURPRISE IS A GOOD IDEA. 143 00:05:25,925 --> 00:05:28,927 SO, MAYBE I'VE BEEN WORRYING FOR NOTHIN'. 144 00:05:28,928 --> 00:05:31,229 SHE'LL PROBABLY LAUGH, 145 00:05:31,230 --> 00:05:33,832 'CAUSE I'M ABOUT READY TO LAUGH. 146 00:05:33,833 --> 00:05:35,400 BUT, IT'S CUTE-- IT'S REALLY CUTE. 147 00:05:35,401 --> 00:05:36,835 - THANKS, MOMMY. - YEAH, I LIKE IT. 148 00:05:36,836 --> 00:05:38,671 I LIKE IT. 149 00:05:44,143 --> 00:05:46,411 HI-- HELLO-HELLO. 150 00:05:46,412 --> 00:05:48,914 HI. 151 00:05:48,915 --> 00:05:50,949 NO, SHE DIDN'T. 152 00:05:53,052 --> 00:05:54,519 HI, EVERYBODY. 153 00:05:54,520 --> 00:05:58,091 WELCOME TO THE TAMARTIAN EXPERIENCE. 154 00:05:59,792 --> 00:06:01,526 SO, THE TAMARTIAN EXPERIENCE IS LIKE 155 00:06:01,527 --> 00:06:03,161 AN EXCLUSIVE MEET AND GREET 156 00:06:03,162 --> 00:06:05,797 FOR JUST A FEW OF MY SPECIAL VIP TAMARTIAN FRIENDS, 157 00:06:05,798 --> 00:06:07,165 RIGHT BEFORE THE SHOW, 158 00:06:07,166 --> 00:06:08,967 WHERE THEY GET TO ASK ME QUESTIONS, 159 00:06:08,968 --> 00:06:11,470 HANG OUT WITH ME, TAKE SOME PICTURES AND STUFF. 160 00:06:11,471 --> 00:06:15,006 AND, HONESTLY, CONNECTING WITH MY TAMARTIAN FRIENDS 161 00:06:15,007 --> 00:06:17,275 ALWAYS GETS ME SUPER EXCITED. 162 00:06:17,276 --> 00:06:19,811 ANYBODY HAVE ANY QUESTIONS YOU WANNA ASK ME, 163 00:06:19,812 --> 00:06:22,348 OR ANYTHING YOU'VE BEEN DYING TO KNOW? 164 00:06:24,617 --> 00:06:27,018 I SAID I WAS MOVING BACK TO ATLANTA? 165 00:06:27,019 --> 00:06:29,221 I-- YOU KNOW WHAT? 166 00:06:29,222 --> 00:06:31,256 FIRST OF ALL, ATLANTA WILL ALWAYS BE KINDA, LIKE, 167 00:06:31,257 --> 00:06:33,759 MY REAL HOMETOWN 'CAUSE I FEEL LIKE I GREW UP 168 00:06:33,760 --> 00:06:35,761 AND GOT TO KNOW MYSELF HERE, RIGHT? 169 00:06:35,762 --> 00:06:38,363 I WAS BORN IN MARYLAND, RIGHT? 170 00:06:38,364 --> 00:06:42,367 BUT, HONESTLY, I SPENT EQUAL AMOUNT OF TIME IN MARYLAND 171 00:06:42,368 --> 00:06:44,035 AS I DID IN ATLANTA. 172 00:06:44,036 --> 00:06:46,037 SO, LIKE, THAT'S LIKE MY SECOND HOMETOWN, 173 00:06:46,038 --> 00:06:49,941 AND, YOU KNOW, I WANNA BE, LIKE, THE BOMB FOR MY HOMETOWN. 174 00:06:49,942 --> 00:06:51,676 I MEAN, MY HOME IS L.A., 175 00:06:51,677 --> 00:06:53,412 BUT I WOULD LOVE TO GET A PLACE HERE. 176 00:06:53,413 --> 00:06:54,679 MATTER OF FACT, I WAS PROMISED ONE, 177 00:06:54,680 --> 00:06:56,081 BUT I'M GONNA LET THAT SLIDE. 178 00:06:56,082 --> 00:06:58,284 OKAY, ANYBODY ELSE? 179 00:06:59,385 --> 00:07:01,153 BIG. 180 00:07:01,154 --> 00:07:03,054 BIG AND GREAT. 181 00:07:03,055 --> 00:07:05,257 YES? 182 00:07:08,528 --> 00:07:10,362 DO I LOOK LIKE THE BABY FACTORY? 183 00:07:10,363 --> 00:07:11,596 NO-NO, FOR REAL. 184 00:07:11,597 --> 00:07:13,365 I LOOK LIKE THAT GIRL? 185 00:07:13,366 --> 00:07:15,700 NOW, I KNOW THAT IT'S PROVEN THAT VINCE AND I MAKE BEAUTIFUL, 186 00:07:15,701 --> 00:07:18,637 I MEAN, JUST DELICIOUS CHIL'REN, OKAY? 187 00:07:18,638 --> 00:07:22,174 HOWEVER, STAY OUT OF MY UTERUS, M'KAY? 188 00:07:22,175 --> 00:07:24,576 ANYBODY ELSE-- NO? 189 00:07:24,577 --> 00:07:26,278 OKAY-- WELL, FINE, LET'S TAKE SOME PICTURES. 190 00:07:26,279 --> 00:07:28,013 MEW-MEW-MEW. 191 00:07:28,014 --> 00:07:30,382 OOH, I LOVE THE SHIRT-- HI. 192 00:07:30,383 --> 00:07:31,450 LET ME TELL YOU SOMETHIN'. 193 00:07:31,451 --> 00:07:32,617 THERE'S NOTHIN' LIKE GOING TO A CONCERT 194 00:07:32,618 --> 00:07:34,920 AND SEEIN' PEOPLE FUNKY FRESH, DRESSED TO IMPRESS, 195 00:07:34,921 --> 00:07:37,722 AND READY TO PARTY, AND THAT IS EXACTLY 196 00:07:37,723 --> 00:07:40,792 HOW MY TAMARTIAN FRIENDS SHOW UP-- I LOVE IT. 197 00:07:40,793 --> 00:07:43,662 YES, BEAT FOR LIFE-- DONE. 198 00:07:43,663 --> 00:07:45,430 YOU'RE JUST SO PRETTY. 199 00:07:45,431 --> 00:07:47,432 - OH, SO ARE YOU. - THANK YOU. 200 00:07:47,433 --> 00:07:48,934 - HAVE A GOOD TIME, OKAY? - YES. 201 00:07:48,935 --> 00:07:50,202 WHAT ABOUT YOUR EYELASHES? 202 00:07:50,203 --> 00:07:52,070 DON'T CRY TOO MUCH, GIRL. 203 00:08:12,258 --> 00:08:14,426 I'M HERE IN ATLANTA, AT A SOLD OUT SHOW. 204 00:08:14,427 --> 00:08:16,027 ALL MY TAMARTIAN FRIENDS ARE HERE. 205 00:08:16,028 --> 00:08:18,396 MY FAMILY'S HERE-- I MEAN, I ALREADY WON. 206 00:08:18,397 --> 00:08:22,434 NOW, I JUST GOT TO GO AHEAD ON AND PERFORM FOR MY LIFE, HONEY. 207 00:08:27,573 --> 00:08:29,808 WHAT'S UP, ATLANTA? 208 00:08:33,479 --> 00:08:37,682 I SAID, WHAT'S UP, ATLANTA? 209 00:08:37,683 --> 00:08:42,254 I'M YOUR GIRL, TAMAR BRAXTON. 210 00:08:42,255 --> 00:08:44,356 ♪ DRINK IN MY CUP SO TURNED UP ♪ 211 00:08:44,357 --> 00:08:46,458 ♪ ON THE HIGH FEEL THE RUSH ♪ 212 00:08:46,459 --> 00:08:49,094 ♪ AND THE DJ'S PLAYING MY SONG ♪ 213 00:08:49,095 --> 00:08:50,996 ALL OF MY SHOWS HAVE BEEN AMAZING 214 00:08:50,997 --> 00:08:53,565 BECAUSE, YOU KNOW, I PUT A LOT OF WORK INTO IT. 215 00:08:53,566 --> 00:08:57,836 IN ATLANTA, IT JUST FEELS EXTRA SPECIAL 216 00:08:57,837 --> 00:08:59,304 BECAUSE MY SISTERS ARE THERE, 217 00:08:59,305 --> 00:09:01,540 AND MY MOM IS IN THE AUDIENCE, TOO. 218 00:09:01,541 --> 00:09:03,375 IT'S EVERYTHING I WANTED IT TO BE. 219 00:09:03,376 --> 00:09:04,743 YOU KNOW, I'M DANCING MY ASS OFF. 220 00:09:04,744 --> 00:09:08,246 I'M SINGING THAT THROAT BACK, M'KAY? 221 00:09:08,247 --> 00:09:10,549 IT'S AMAZING, AND THE CROWD IS AMAZING, 222 00:09:10,550 --> 00:09:12,617 AND WE'RE ALL HAVING A GOOD TAMARTIAN PARTY. 223 00:09:12,618 --> 00:09:16,755 ♪ WATCHING ME ♪ 224 00:09:16,756 --> 00:09:20,358 ♪ YEAH ♪ 225 00:09:20,359 --> 00:09:23,729 OH! 226 00:09:25,531 --> 00:09:27,299 AS WE'RE SITTING IN THE AUDIENCE, 227 00:09:27,300 --> 00:09:29,501 WE ARE HAVING THE TIME OF OUR LIVES, 228 00:09:29,502 --> 00:09:32,537 BUT WE HAD TO GET UP TO GO CHANGE 229 00:09:32,538 --> 00:09:36,641 BECAUSE IT'S ALMOST TIME FOR "HOT SUGAR." 230 00:09:42,915 --> 00:09:44,416 HEY, EVERYBODY. 231 00:09:44,417 --> 00:09:48,320 I'M NOT SURE... 232 00:09:48,321 --> 00:09:51,890 IF EVERYBODY IN THIS ROOM IS A TAMARTIAN FRIEND OR NOT. 233 00:09:54,226 --> 00:09:56,628 I DON'T KNOW. 234 00:09:56,629 --> 00:09:57,762 - OKAY. - WANT ME TO GET OUT? 235 00:09:57,763 --> 00:09:59,564 YEAH, WE'RE GONNA GET-- WE'RE GONNA GET CHANGED. 236 00:09:59,565 --> 00:10:01,800 TOWANDA WANTS US TO HAVE MATCHING COSTUMES, 237 00:10:01,801 --> 00:10:04,703 SO WE'RE GONNA USE SOME OF TONI'S SEMI-RETIRED, 238 00:10:04,704 --> 00:10:06,738 BUT SUPER CUTE OUTFITS THAT WE'VE WORN IN THE PAST. 239 00:10:06,739 --> 00:10:08,506 I DON'T KNOW, I COULD BE WRONG. 240 00:10:08,507 --> 00:10:10,710 MIGHT NOT BE A TAMARTIAN FRIEND, YET. 241 00:10:13,179 --> 00:10:14,679 OKAY. 242 00:10:14,680 --> 00:10:17,248 IF I CAN POP IT? - YEAH, LET'S SEE YOU POP IT. 243 00:10:17,249 --> 00:10:19,618 BUT, WE'RE NOT-- IT'S LIKE-- 244 00:10:19,619 --> 00:10:21,286 YEAH, YEAH! 245 00:10:21,287 --> 00:10:25,857 TRINA'S OKAY WITH TWERKIN' A LIT-- SORTA. 246 00:10:25,858 --> 00:10:28,827 IF-WHEN SHE'S NOT BEING STIFF, SHE CAN TWERK. 247 00:10:28,828 --> 00:10:30,161 - OKAY? - I KNEW YOU COULD DO IT. 248 00:10:30,162 --> 00:10:31,529 - WHAT? - I KNEW YOU COULD DO IT. 249 00:10:31,530 --> 00:10:32,697 HONEY, I USUALLY DO IT BEHIND CLOSED DOORS. 250 00:10:32,698 --> 00:10:34,366 I DON'T NEED NOBODY TO SEE WHAT I DO. 251 00:10:34,367 --> 00:10:35,800 IT'S COMING UP SOON. 252 00:10:35,801 --> 00:10:37,769 DID SHE CHANGE INTO THE-THE BLUE? 253 00:10:49,515 --> 00:10:52,517 NOW, I SAID... 254 00:10:52,518 --> 00:10:56,554 THAT'S WHAT'S GONNA GET YOUR MAN HOME. 255 00:10:56,555 --> 00:11:00,291 NOT KEEP HIM THERE. 256 00:11:00,292 --> 00:11:02,427 THAT'S A DIFFERENT FORMULA. 257 00:11:02,428 --> 00:11:04,429 THIS IS LIKE THE HIGHLIGHT OF THE SHOW. 258 00:11:04,430 --> 00:11:06,798 EVERYBODY'S WAITIN' ON "HOT SUGAR." 259 00:11:06,799 --> 00:11:08,767 I'M ACTUALLY WAITIN' ON "HOT SUGAR" 260 00:11:08,768 --> 00:11:10,535 'CAUSE I LIKES TO TWERK ON THAT PART. 261 00:11:10,536 --> 00:11:12,637 SO, LET ME TELL YOU WHAT YOU DO. 262 00:11:12,638 --> 00:11:17,342 YOU PUT YOUR BEST WIG ON... 263 00:11:17,343 --> 00:11:20,812 AND THEN YOU GET DOWN ON THEM KNEES. 264 00:11:20,813 --> 00:11:23,381 TAMAR'S INTRODUCING "HOT SUGAR," 265 00:11:23,382 --> 00:11:25,316 AND IT'S NOW OR NEVER. 266 00:11:25,317 --> 00:11:27,485 I'M STARTING TO WISH WE CHOSE NEVER, 267 00:11:27,486 --> 00:11:29,654 BUT HERE WE GO. 268 00:11:29,655 --> 00:11:32,390 AND THEN, YOU POP BACK JUST LIKE THAT. 269 00:11:32,391 --> 00:11:35,294 YES, GIRL, YOU BETTER GET YOUR LIFE. 270 00:11:36,696 --> 00:11:38,830 COMING UP, ON "BRAXTON FAMILY VALUES"... 271 00:11:38,831 --> 00:11:41,132 IF YOU WOULD'VE DONE IT AND STUCK TO THE DANG CHOREOGRAPHY. 272 00:11:41,133 --> 00:11:43,168 - NO-NO-NO, TRACI. - YES-YES-YES, 273 00:11:43,169 --> 00:11:44,636 'CAUSE IT LOOKED LIKE YOU WAS A MESS. 274 00:11:44,637 --> 00:11:45,904 I KNOW YOU'RE NOT TALKING, 'CAUSE YOU MESS UP EVERYBODY'S STAGE. 275 00:11:45,905 --> 00:11:47,939 I DIDN'T MESS UP THIS TIME, 'CAUSE YOU SURE ENOUGH DID. 276 00:11:47,940 --> 00:11:49,474 - I DIDN'T DO ANYTHING. - IT'S YOUR SHOW. 277 00:11:49,475 --> 00:11:51,810 I FEEL LIKE, IF ANYBODY OWES-OWES ANYBODY SOMETHING, 278 00:11:51,811 --> 00:11:54,080 THE GIRLS SHOULD COME AND HOLLER AT ME. 279 00:11:56,048 --> 00:11:59,551 YOU PUT YOUR BEST WIG ON... 280 00:11:59,552 --> 00:12:02,988 AND THEN YOU GET DOWN ON THEM KNEES. 281 00:12:07,093 --> 00:12:09,594 AND THEN, YOU POP IT BACK JUST LIKE THAT. 282 00:12:09,595 --> 00:12:11,930 YES, GIRL, YOU BETTER GET YOUR LIFE-- HEY! 283 00:12:11,931 --> 00:12:13,465 ♪ Tamar Braxton singing "Hot Sugar" ♪ 284 00:12:13,466 --> 00:12:24,242 ♪ POP IT POP IT POP IT ♪ 285 00:12:24,243 --> 00:12:25,844 THAT AIN'T FUNNY. 286 00:12:25,845 --> 00:12:29,614 I CAN IMMEDIATELY TELL THAT TAMAR IS NOT HAPPY RIGHT NOW, 287 00:12:29,615 --> 00:12:32,117 AND IT'S MAKING IT HARD TO CONCENTRATE ON THE DANCE MOVES, 288 00:12:32,118 --> 00:12:34,319 WHICH IS MAKING IT HARD TO STAY IN SYNC, 289 00:12:34,320 --> 00:12:36,454 AND I WANNA RUN OFF THIS STAGE, 290 00:12:36,455 --> 00:12:38,523 BUT I CAN'T LEAVE TOWANDA AND TRACI. 291 00:12:38,524 --> 00:12:41,993 SO, I'M JUST GONNA KEEP SMILIN' UNTIL THIS DANCING IS OVER. 292 00:12:41,994 --> 00:12:44,462 ♪ LADIES JUST SO YOU KNOW ♪ 293 00:12:44,463 --> 00:12:45,897 ♪ DON'T LEAVE THE HOUSE WITH A LITTLE KISS ♪ 294 00:12:45,898 --> 00:12:47,932 ♪ WHEN YOUR MAN MAN GOT A BIG EGO ♪ 295 00:12:47,933 --> 00:12:51,569 ♪ FRONTING ON THE CAKE NO PLAY LIKE I-I-I-I GOTS TO GO ♪ 296 00:12:51,570 --> 00:12:54,105 ♪ CUT IT OUT GIVE YOUR MAN WHAT HE DREAM ABOUT ♪ 297 00:12:54,106 --> 00:12:56,908 I'M LIKE, WHAT THE HELL IS THAT? 298 00:12:56,909 --> 00:12:58,343 WHAT ARE WE DOIN' HERE? 299 00:12:58,344 --> 00:12:59,878 THAT AIN'T CUTE. 300 00:12:59,879 --> 00:13:01,780 ♪ DROP IT LOW AND BRING IT BACK ♪ 301 00:13:01,781 --> 00:13:05,083 ♪ OH HE AIN'T GOTTA ASK 'CAUSE I DO IT FOR MY MAN ♪ 302 00:13:05,084 --> 00:13:07,085 ♪ HEY WIND IT UP SLOW ♪ 303 00:13:07,086 --> 00:13:08,887 ♪ PUT HIM ON THE FRONT ROW ♪ 304 00:13:08,888 --> 00:13:10,889 ♪ TELL HIM WELCOME TO THE SHOW ♪ 305 00:13:10,890 --> 00:13:13,124 Y'ALL MIGHT AS WELL COME ON UP HERE. 306 00:13:13,125 --> 00:13:14,592 ♪ HE WANT THAT HOT SUGAR HEY ♪ 307 00:13:14,593 --> 00:13:17,662 ♪ HE WANNA PIECE OF SOMETHING SWEET ALL NIGHT ♪ 308 00:13:17,663 --> 00:13:21,199 ♪ HE WANT THAT GOOD TO THE LAST DROP LIKE MINE ♪ 309 00:13:21,200 --> 00:13:22,600 I MEAN, FOR ME, 310 00:13:22,601 --> 00:13:24,335 IT-IT'S NOT FUNNY TO INFILTRATE SOMEBODY'S STAGE 311 00:13:24,336 --> 00:13:26,271 WITHOUT THEM KNOWING ABOUT IT. 312 00:13:26,272 --> 00:13:27,806 I MEAN, THE CLOTHES WAS ABSOLUTELY WRONG. 313 00:13:27,807 --> 00:13:29,440 THEY LOOKED LIKE THREE SPARKLY TELETUBBIES. 314 00:13:29,441 --> 00:13:30,742 I MEAN, IT WAS JUST-- IT WAS WRONG. 315 00:13:30,743 --> 00:13:32,310 IT WAS TOO TIGHT, IT WAS TOO WRONG, 316 00:13:32,311 --> 00:13:34,579 AND IT WAS WRONG, AND WRONG, AND WRONG, AND WRONG. 317 00:13:34,580 --> 00:13:36,247 ♪ WE CAN DO IT NOW OR LATER THAT'S FINE ♪ 318 00:13:36,248 --> 00:13:40,286 ♪ HE WANT THAT SUGAR ♪ 319 00:13:45,057 --> 00:13:47,492 I COULD NOT WAIT FOR THESE 30 SECONDS TO BE OVER. 320 00:13:47,493 --> 00:13:49,460 THIS WAS THE LONGEST 30 SECONDS 321 00:13:49,461 --> 00:13:52,832 I'VE EVER ENCOUNTERED IN MY LIFE. 322 00:13:55,835 --> 00:13:57,669 NO, IT WASN'T FUN! 323 00:13:57,670 --> 00:13:59,070 - HUH? - NO, IT WASN'T. 324 00:13:59,071 --> 00:14:00,773 WHY? 325 00:14:04,577 --> 00:14:06,411 NO, YOU AIN'T EVEN TURNED AROUND NEITHER, TRACI! 326 00:14:06,412 --> 00:14:07,612 YES, I DID! 327 00:14:07,613 --> 00:14:09,314 WHEN WE WERE WALKING OFF THE STAGE, 328 00:14:09,315 --> 00:14:11,182 I WAS GLAD JUST TO SEE THE, UM, 329 00:14:11,183 --> 00:14:13,017 THE AUDIENCE REACT THE WAY THAT THEY REACTED 330 00:14:13,018 --> 00:14:14,619 BECAUSE THAT'S WHAT PEOPLE LIKE TO SEE. 331 00:14:14,620 --> 00:14:17,422 THEY LIKE TO SEE US DO THINGS TOGETHER. 332 00:14:17,423 --> 00:14:20,626 I'M JUST SAYIN'... THE CROWD LOVED IT. 333 00:14:22,795 --> 00:14:24,629 TAMAR WAS A LITTLE UPSET. 334 00:14:24,630 --> 00:14:28,233 I THINK THE SURPRISE, PERHAPS, WAS TOO MUCH FOR HER. 335 00:14:28,234 --> 00:14:30,168 IT TURNED OUT EXACTLY THE WAY I SAID IT WAS GONNA TURN OUT, 336 00:14:30,169 --> 00:14:32,403 BUT NOBODY LISTENS TO TRINA. 337 00:14:32,404 --> 00:14:34,973 WELL, TRINA, IF YOU WOULD'VE GONE WITH THE MOVES 338 00:14:34,974 --> 00:14:37,342 INSTEAD OF DOIN' WHATEVER-- 339 00:14:37,343 --> 00:14:38,877 IT DOESN'T MATTER IF SOMEBODY ELSE 340 00:14:38,878 --> 00:14:40,812 DOIN' DIFFERENT CHOREOGRAPHY YOU'RE SUPPOSED TO DO, 341 00:14:40,813 --> 00:14:43,014 THE CHOREOGRAPHY THAT YOU LEARNED. 342 00:14:43,015 --> 00:14:45,083 ... OF COURSE, WAS TAMAR, AND WHAT DID SHE SAY? 343 00:14:45,084 --> 00:14:46,885 - WHAT? - "THAT'S NOT FUNNY." 344 00:14:46,886 --> 00:14:48,219 SHE WAS MAD, LIKE I SAID. 345 00:14:48,220 --> 00:14:50,121 - SHE WAS SMILING. - NO, SHE WASN'T-- SHE WAS MAD. 346 00:14:50,122 --> 00:14:51,556 - WAS SHE MAD, THOUGH? - YES. 347 00:14:51,557 --> 00:14:53,157 SHE THREW THE-SHE THREW THE, UH, THE WATER BOTTLE. 348 00:14:53,158 --> 00:14:54,359 THE WATER BOTTLE. 349 00:14:54,360 --> 00:14:57,362 TAMAR THROWS A WATER BOTTLE AT ME. 350 00:14:57,363 --> 00:15:00,098 JUST MISSED ME BY INCHES. 351 00:15:00,099 --> 00:15:01,766 IT'S OKAY. 352 00:15:01,767 --> 00:15:04,235 SHE'S GOING TO KEEP IT CUTE. 353 00:15:04,236 --> 00:15:06,037 AFTER I SAW THE WATER BOTTLE, 354 00:15:06,038 --> 00:15:07,338 THAT'S WHEN I REALLY GOT THROWN. 355 00:15:07,339 --> 00:15:08,406 I WAS LIKE, THIS IS BAD-- THIS IS, LIKE A MESS. 356 00:15:08,407 --> 00:15:09,774 SHE-SHE THREW THE WATER BOTTLE AT TRACI. 357 00:15:09,775 --> 00:15:11,809 SO, I WAS LIKE, OKAY, IT'S A WRAP. 358 00:15:11,810 --> 00:15:13,111 I WAS READY TO JUST WALK OFF THE STAGE, 359 00:15:13,112 --> 00:15:14,679 BUT I WASN'T GONNA JUST LEAVE Y'ALL ON THE STAGE LIKE THAT. 360 00:15:14,680 --> 00:15:15,980 THEN, SHE WAS LIKE, "IT'S NOT FUNNY." 361 00:15:15,981 --> 00:15:17,148 SO, I'M BUSY, LIKE, LOOKING AT HER 362 00:15:17,149 --> 00:15:19,117 'CAUSE I KNOW SHE'S MAD, AND I'M TRYING TO DO IT 363 00:15:19,118 --> 00:15:20,785 IN THE SAME DIRECTION AS THE DANCERS, 364 00:15:20,786 --> 00:15:22,654 'CAUSE TOWANDA WASN'T EVEN PAYING ATTENTION TO TAMAR, ACTUALLY. 365 00:15:22,655 --> 00:15:24,956 TOWANDA WASN'T EVEN PAYING ATTENTION TO NONE OF THE DANCE. 366 00:15:24,957 --> 00:15:26,858 UH-HUH-- YES, I WAS. 367 00:15:26,859 --> 00:15:28,526 I MEAN, I'M JUST PRETTY PISSED OFF, AT THIS POINT, 368 00:15:28,527 --> 00:15:31,996 BECAUSE NOW, I AM COMPLETELY UNFOCUSED. 369 00:15:31,997 --> 00:15:34,599 ♪ POP IT POP IT WHAT ♪ 370 00:15:34,600 --> 00:15:38,236 ♪ POP IT POP IT POP IT HERE WE GO ♪ 371 00:15:38,237 --> 00:15:40,038 I FEEL LIKE I CAN'T GIVE THE PEOPLE 372 00:15:40,039 --> 00:15:42,874 WHO PAID THEIR MONEY TO COME SEE ME 373 00:15:42,875 --> 00:15:44,976 THE BEST SHOW THAT I COULD POSSIBLY GIVE RIGHT NOW 374 00:15:44,977 --> 00:15:46,377 BECAUSE I'M JUST SO THROWN OFF. 375 00:15:46,378 --> 00:15:48,212 AND, I KNEW SHE WAS GONNA BE MAD. 376 00:15:48,213 --> 00:15:51,015 AND IT'S JUST-- I KNEW IT-- I KNEW IT. 377 00:15:51,016 --> 00:15:53,117 I KNEW IT, AND I WANT MY DINNER AND MY DRINKS BY EACH OF Y'ALL. 378 00:15:53,118 --> 00:15:55,353 WELL, TRINA, IF YOU WOULD'VE DONE IT AND STUCK TO THE DANG CHOREOGRAPHY. 379 00:15:55,354 --> 00:15:57,422 - NO-NO-NO, TRACI. - YES-YES-YES, 380 00:15:57,423 --> 00:15:58,890 'CAUSE IT LOOKED LIKE YOU WAS A MESS. 381 00:15:58,891 --> 00:16:00,158 I KNOW YOU'RE NOT TALKING, 'CAUSE YOU MESS UP EVERYBODY'S STAGE. 382 00:16:00,159 --> 00:16:01,859 I DIDN'T MESS UP THIS TIME, 'CAUSE YOU SURE ENOUGH DID. 383 00:16:01,860 --> 00:16:03,127 THEY THOUGHT IT WAS DOPE. 384 00:16:03,128 --> 00:16:04,996 WE HAD FUN, AND WE LOOKED CUTE-- THAT'S ALL THAT MATTERS. 385 00:16:04,997 --> 00:16:06,631 IT WAS A FUN MESS. 386 00:16:06,632 --> 00:16:08,166 - IT WASN'T A MESS. - IT WAS. 387 00:16:08,167 --> 00:16:09,600 IT WASN'T A MESS. 388 00:16:09,601 --> 00:16:10,835 WE'VE DONE IT BEFORE WITH TONI. 389 00:16:10,836 --> 00:16:12,337 I JUST DIDN'T THINK IT WAS GONNA BE A BIG DEAL WITH TAMAR. 390 00:16:12,338 --> 00:16:13,838 I DIDN'T THINK. 391 00:16:13,839 --> 00:16:16,341 I DIDN'T. 392 00:16:16,342 --> 00:16:20,244 IT SHOULDN'T HAVE BEEN, AT ALL, BUT OKAY. 393 00:16:20,245 --> 00:16:24,015 ♪ POP IT POP IT POP IT ♪ 394 00:16:31,757 --> 00:16:33,324 IT'S HER SHOW. 395 00:16:47,773 --> 00:16:50,608 THIS WAS SUPPOSED TO SHOW TAMAR THAT WE SUPPORT HER 396 00:16:50,609 --> 00:16:52,410 AND BRING US CLOSER TOGETHER. 397 00:16:52,411 --> 00:16:54,512 NOW, I DON'T KNOW WHAT TAMAR'S GONNA SAY 398 00:16:54,513 --> 00:16:56,180 WHEN SHE GETS BACKSTAGE. 399 00:16:56,181 --> 00:16:58,316 WELL, IT WAS FUN TO ME. 400 00:16:58,317 --> 00:17:00,151 OKAY, SHE'S GONNA HAVE A FIT. 401 00:17:00,152 --> 00:17:01,519 WELL, SHE MIGHT WAIT UNTIL WE'RE NOT IN FRONT OF PEOPLE, 402 00:17:01,520 --> 00:17:04,122 BUT SHE'S GONNA HAVE A FIT. 403 00:17:04,123 --> 00:17:06,357 IT'S JUST UBER FRUSTRATING 404 00:17:06,358 --> 00:17:10,094 BECAUSE I WAITED MY WHOLE LIFE TO GET TO THIS POINT, 405 00:17:10,095 --> 00:17:11,763 AND THIS IS ONE OF THE BIGGEST SHOWS 406 00:17:11,764 --> 00:17:14,999 OF MY ENTIRE CAREER AND TOUR. 407 00:17:15,000 --> 00:17:18,736 AND, YOU KNOW, FOR SOMEONE TO COME OUT 408 00:17:18,737 --> 00:17:22,573 AND RUIN THAT MOMENT FOR YOU, THAT'S NOT REALLY FAIR TO ME. 409 00:17:22,574 --> 00:17:24,075 SO, AT THE END OF THE DAY-- 410 00:17:24,076 --> 00:17:25,643 OR FAIR TO THE PEOPLE THAT SPENT THEIR MONEY. 411 00:17:25,644 --> 00:17:29,213 LET'S TALK ABOUT THAT, BECAUSE I'M AT WORK RIGHT NOW, M'KAY? 412 00:17:29,214 --> 00:17:31,049 ALL RIGHT, THIS IS NOT A FREE CONCERT. 413 00:17:31,050 --> 00:17:36,320 PEOPLE SPENT THEIR LAST HARD-EARNED COIN TO COME SEE ME. 414 00:17:48,100 --> 00:17:50,035 WHAT? 415 00:17:52,905 --> 00:17:54,672 AFTER THE CONCERT, 416 00:17:54,673 --> 00:17:59,377 TAMAR COULD BE HEARD YELLING AND SWEARING ABOUT US GIRLS BEING ON THE STAGE. 417 00:17:59,378 --> 00:18:01,879 THEM M-F'ing B's, THESE FAT B's, 418 00:18:01,880 --> 00:18:03,948 WHICH IS NOT NECESSARY. 419 00:18:03,949 --> 00:18:09,554 AND THEN-AND THEN, THE ULTIMATE, LIKE, DISS-ERIZATION 420 00:18:09,555 --> 00:18:12,257 WAS HAVING YOUR TOUR MANAGER ASKING US TO LEAVE. 421 00:18:14,126 --> 00:18:15,927 PLEASE? 422 00:18:22,267 --> 00:18:23,935 SHE WASN'T TALKING ABOUT Y'ALL. 423 00:18:23,936 --> 00:18:24,936 NU-UH, HE TOLD ME, PERSONALLY. 424 00:18:24,937 --> 00:18:27,071 AND THEN, TAMAR'S STYLIST CAME OUT 425 00:18:27,072 --> 00:18:29,640 AND SAID THAT TAMAR DIDN'T MEAN US. 426 00:18:29,641 --> 00:18:31,609 I DEFINITELY DIDN'T BELIEVE ASHLEY 427 00:18:31,610 --> 00:18:33,478 BECAUSE HER TOUR MANAGER LOOKED ME STRAIGHT IN THE FACE 428 00:18:33,479 --> 00:18:34,912 AND SAID, "I'M SORRY, BUT I HAVE TO ASK YOU TO LEAVE." 429 00:18:34,913 --> 00:18:36,314 I SAID, "WHO, ME?" 430 00:18:36,315 --> 00:18:37,582 HE SAID, "YES, YOU." 431 00:18:37,583 --> 00:18:38,816 I'M TELLING YOU. - I'M TELLING YOU. 432 00:18:38,817 --> 00:18:40,251 HE TOLD ME, PERSONALLY. 433 00:18:40,252 --> 00:18:42,653 SO, I JUST HAVE TO CLEAR UP, FOR ALL OF THIS IS HEARSAY, 434 00:18:42,654 --> 00:18:44,856 BECAUSE I AM IN MY DRESSING ROOM, STILL. 435 00:18:44,857 --> 00:18:48,326 BUT, ASHLEY TOLD ME THAT TRINA SAID THAT, YOU KNOW, 436 00:18:48,327 --> 00:18:50,161 "NO, THAT'S ALL RIGHT-- I'M GOOD. 437 00:18:50,162 --> 00:18:52,664 "I'M-- I MEAN, I'M ALREADY OUT AND BYE." 438 00:18:56,101 --> 00:18:57,768 I BOWED OUT GRACEFULLY, 439 00:18:57,769 --> 00:19:00,371 WENT TO THE CAR, WENT HOME, 440 00:19:00,372 --> 00:19:03,407 AND NEVER SAW TAMAR AFTER THE SHOW. 441 00:19:25,898 --> 00:19:27,431 THIS IS LOVELY. 442 00:19:27,432 --> 00:19:29,968 OH, IT'S ROMANTIC, VERY SISTER-ESQUE. 443 00:19:31,503 --> 00:19:32,837 I JUST GOT TO ATLANTA, 444 00:19:32,838 --> 00:19:34,238 AND I COULDN'T MAKE IT TO TAMAR'S SHOW THE OTHER NIGHT. 445 00:19:34,239 --> 00:19:36,874 I FEEL BAD ABOUT IT, BUT I WAS IN REHEARSALS, IN L.A. 446 00:19:36,875 --> 00:19:39,944 NOW, I HEAR SOMETHING BAD HAPPENED AT THE CONCERT, 447 00:19:39,945 --> 00:19:42,380 BUT I-I DON'T HAVE ALL THE DETAILS. 448 00:19:42,381 --> 00:19:43,781 GUYS, YOU SURE YOU DON'T WANT, LIKE, IT-- 449 00:19:43,782 --> 00:19:44,949 WELL, IT'S TEA TIME. 450 00:19:44,950 --> 00:19:46,617 WHY CAN'T WE HAVE A TEA AND HAVE-- 451 00:19:46,618 --> 00:19:48,419 'CAUSE WE DON'T-- WE'RE NOT IN THE MOOD TO EAT 452 00:19:48,420 --> 00:19:50,488 RIGHT NOW, ARE WE, GIRLS? - NO. 453 00:19:50,489 --> 00:19:52,623 IS IT REAL-- WAS IT REALLY LIKE THAT? 454 00:19:52,624 --> 00:19:54,892 - IT WAS A MESS. - REALLY? 455 00:19:54,893 --> 00:19:57,295 WHAT-- OKAY, TELL ME WHAT HAPPENED. 456 00:19:57,296 --> 00:19:59,497 SOMEBODY TELL ME. 457 00:19:59,498 --> 00:20:03,067 SO, YOU KNOW, WE WAS SURPRISING TAMAR FOR HER SHOW. 458 00:20:03,068 --> 00:20:04,569 WE GOT OUT THERE AND START, YOU KNOW, 459 00:20:04,570 --> 00:20:05,836 DANCING AND EVERYTHING. 460 00:20:05,837 --> 00:20:07,939 WHEN SHE SAW US, SHE THREW A WATER BOTTLE AT ME, 461 00:20:07,940 --> 00:20:09,942 SAYING, "NOT FUNNY." 462 00:20:12,144 --> 00:20:15,947 SHE MISSED ME BY-BY A HAIR. 463 00:20:15,948 --> 00:20:17,582 THAT'S A SAFETY HAZARD, THOUGH, 464 00:20:17,583 --> 00:20:21,352 WATER ONSTAGE, AND TRYING TO-- - BUT, I ALWAYS WANTED TO FIGHT HER ALL HER LIFE. 465 00:20:21,353 --> 00:20:24,121 BUT SHE THREW A WATER BOTTLE AT TRACI. 466 00:20:24,122 --> 00:20:26,757 TAMAR ASSISTANT PUT HIS HANDS ON TRACI. 467 00:20:26,758 --> 00:20:29,393 HE STOPPED TRACI FROM JUMPING ON ME. 468 00:20:29,394 --> 00:20:30,628 I DID NOT JUMP ON HER. 469 00:20:30,629 --> 00:20:32,196 HE STOPPED TRACI FROM TRYING TO BEAT ME UP, 470 00:20:32,197 --> 00:20:33,464 LIKE SHE ALWAYS DO. 471 00:20:33,465 --> 00:20:34,565 THAT'S A LIE-- YOU'RE A LIAR. 472 00:20:34,566 --> 00:20:36,234 PLEASE, CAN YOU PLEASE TELL THE TRUTH, FOR ONCE? 473 00:20:36,235 --> 00:20:38,002 EVERY TIME SHE'S LUNGED AT ME, 474 00:20:38,003 --> 00:20:40,037 SOMEBODY HAS BEEN THERE TO HOLD HER BACK. 475 00:20:42,741 --> 00:20:44,909 TAMAR WAS IN HER ROOM, CUSSING. 476 00:20:44,910 --> 00:20:48,981 SHE CALLED US ALL TYPES OF M-F'in' B's. 477 00:20:50,582 --> 00:20:51,916 I MEAN, IT WAS A WHOLE RANT. - WHAT-- WAIT A MINUTE. 478 00:20:51,917 --> 00:20:53,284 I MISSED SOMETHING. 479 00:20:53,285 --> 00:20:54,552 I'M SORRY, GO BACK-- WHAT-WHAT DO YOU MEAN? 480 00:20:54,553 --> 00:20:55,987 THAT'S WHAT SHE CALLED US. 481 00:20:55,988 --> 00:20:57,321 "THEM B's COMING UP ON MY SHOW AND"-- 482 00:20:57,322 --> 00:20:59,523 "THEM M-F'in' B's-- THEM M-F'in B's, 483 00:20:59,524 --> 00:21:02,026 "THEY DISRESPECT ME AS AN M-F'in' ARTIST." 484 00:21:02,027 --> 00:21:03,227 DOES SHE KNOW Y'ALL-Y'ALL HEARD HER? 485 00:21:03,228 --> 00:21:04,595 - SHE DIDN'T CARE. - SHE DIDN'T. 486 00:21:04,596 --> 00:21:05,730 EVERYBODY HEARD IT. 487 00:21:05,731 --> 00:21:07,498 LIKE, PEOPLE THAT WAS IN THE ROOM NEXT DOOR, 488 00:21:07,499 --> 00:21:09,200 PEOPLE IN THE HALLWAYS, FANS IN THE HALLWAYS, 489 00:21:09,201 --> 00:21:10,668 PEOPLE AROUND THE HALLWAY. 490 00:21:10,669 --> 00:21:14,338 IT WAS JUST A MESS-- IT WAS A MESS. 491 00:21:14,339 --> 00:21:15,873 DIDN'T Y'ALL ASK MOMMY? 492 00:21:15,874 --> 00:21:17,108 DIDN'T MOMMY THINK THIS WAS A GREAT IDEA? 493 00:21:17,109 --> 00:21:18,409 YES, WE DID ASK MOMMY. 494 00:21:18,410 --> 00:21:19,744 AND WE ASKED MOMMY-- WE SAID, "MOMMY, WHAT DO YOU THINK? 495 00:21:19,745 --> 00:21:21,479 "HOW DO YOU THINK TAMAR'S REACTION IS GONNA BE?" 496 00:21:21,480 --> 00:21:23,314 MOMMY SAID, "I THINK SHE'S GONNA LIKE IT." 497 00:21:23,315 --> 00:21:24,582 AND WE SHOWED HER THE MOVES. 498 00:21:24,583 --> 00:21:25,883 WE SHOWED IT TO HER. - AND MOMMY WAS EXCITED. 499 00:21:25,884 --> 00:21:27,551 MOM-AND MOMMY WAS LIKE, "NOW, THAT'S NICE." 500 00:21:27,552 --> 00:21:29,720 SO THAT EVEN MADE US FEEL LIKE, OKAY, GOOD. 501 00:21:29,721 --> 00:21:31,289 WE'RE DOING-- OKAY, GOOD. - MAYBE. 502 00:21:31,290 --> 00:21:32,523 I HAVE TO BE HONEST, TONI. 503 00:21:32,524 --> 00:21:33,958 FOR THE LIFE OF ME, I NEVER THOUGHT 504 00:21:33,959 --> 00:21:38,362 THAT TAMAR WOULD BE UPSET ABOUT US SUPPORTING HER. 505 00:21:38,363 --> 00:21:40,765 - IT GETS WORSE. - WHAT? 506 00:21:40,766 --> 00:21:43,168 - IT'S WORSE-- THERE'S MORE. - YEAH. 507 00:21:44,503 --> 00:21:46,904 COMING UP, ON "BRAXTON FAMILY VALUES"... 508 00:21:46,905 --> 00:21:48,773 IT WAS ONE OF THE MOST HURTFUL THINGS 509 00:21:48,774 --> 00:21:50,608 THAT SHE'S EVER DONE IN LIFE. 510 00:21:50,609 --> 00:21:53,611 I'M STILL VERY HURT, VERY DISAPPOINTED, VERY ANGRY. 511 00:21:53,612 --> 00:21:56,213 YOU DON'T THINK IT'S BAD THAT YOUR PEOPLE KICKED YOUR SISTERS OUT, 512 00:21:56,214 --> 00:21:57,515 AND YOU SHOULDN'T HAVE A CONVERSATION? 513 00:21:57,516 --> 00:21:58,616 "GUYS, I HAD NOTHIN' TO DO WITH"-- 514 00:21:58,617 --> 00:21:59,583 SO, NOW, IT'S MY RESPONSIBILITY. 515 00:21:59,584 --> 00:22:00,751 OKAY, FINE, I'LL WEAR IT. 516 00:22:00,752 --> 00:22:01,986 "GUYS, I HAD NO CONVERSA-- I HAD"-- 517 00:22:01,987 --> 00:22:03,889 TAMAR, YOU REALLY THINK IT'S LIKE THAT? - I'LL WEAR IT. 518 00:22:05,957 --> 00:22:07,291 I HAVE TO BE HONEST, TONI. 519 00:22:07,292 --> 00:22:09,126 FOR THE LIFE OF ME, I NEVER THOUGHT THAT TAMAR 520 00:22:09,127 --> 00:22:13,064 WOULD BE UPSET ABOUT US SUPPORTING HER. 521 00:22:13,065 --> 00:22:15,032 - IT GETS WORSE. - SO, WHAT? 522 00:22:15,033 --> 00:22:17,268 - IT ESCALATED. - SO, IT-- OH, MORE? 523 00:22:17,269 --> 00:22:19,570 HER TOUR MANAGER COME INSIDE THE ROOM AND SAID, 524 00:22:19,571 --> 00:22:24,175 "I'M SORRY, BUT ALL YOU GUYS HAVE TO LEAVE." 525 00:22:24,176 --> 00:22:26,077 EVERYBODY THAT WAS THERE-- EVERYBODY IN THE ROOM. 526 00:22:26,078 --> 00:22:27,945 I SAID, "WH-WHO, ME?" 527 00:22:27,946 --> 00:22:29,914 HE SAID, "YES, YOU HAVE TO LEAVE." 528 00:22:29,915 --> 00:22:33,317 I'M STILL VERY, VERY HURT, VERY DISAPPOINTED, VERY ANGRY, 529 00:22:33,318 --> 00:22:36,721 BECAUSE I THINK AN APOLOGY WAS NECESSARY, 530 00:22:36,722 --> 00:22:39,123 AND IT-IT NEVER HAPPENED. 531 00:22:39,124 --> 00:22:40,691 WHAT DOES MOMMY SAY? 532 00:22:40,692 --> 00:22:42,159 MOMMY WAS VERY UPSET! 533 00:22:42,160 --> 00:22:43,627 MOMMY CALLED THE TOUR MANAGER OVER THERE 534 00:22:43,628 --> 00:22:46,063 AND ASKED HIM HERSELF. 535 00:22:46,064 --> 00:22:47,598 "DID YOU ASK HER SISTER TO LEAVE?" 536 00:22:47,599 --> 00:22:49,033 HE SAID, "YES, I DID." 537 00:22:49,034 --> 00:22:50,768 MY FEELINGS WAS CRUSHED. 538 00:22:50,769 --> 00:22:53,371 IT WASN'T HURT-- IT WAS CRUSHED. 539 00:22:53,372 --> 00:22:55,206 BUT, TAMAR DIDN'T SPEAK TO ME, 540 00:22:55,207 --> 00:22:56,774 AND NEVER ADDRESSED IT AFTERWARDS. 541 00:22:56,775 --> 00:22:58,843 NEVER-- YOU NEVER TALKED ABOUT ANYTHING AFTER? 542 00:22:58,844 --> 00:23:00,945 I-- LET ME TELL YOU WHAT-- LET ME TELL YOU WHAT SHE TRIED TO DO. 543 00:23:00,946 --> 00:23:04,382 SHE-SHE TEXT ME AND SAID, 544 00:23:04,383 --> 00:23:06,617 "HEY, YOU WANNA HANG OUT AND GO TO A CLUB?" 545 00:23:06,618 --> 00:23:08,519 BUT, I JUST-I WASN'T GONNA SWEEP THAT UNDER THE RUG. 546 00:23:08,520 --> 00:23:10,121 I'M NOT EVEN THERE. 547 00:23:10,122 --> 00:23:12,423 I'M STILL AT TAMAR PUTTING HER SISTERS OUT. 548 00:23:12,424 --> 00:23:14,058 I'M NOT SAYING I'M THE KUMBAYA ONE. 549 00:23:14,059 --> 00:23:15,426 BUT, USUALLY WHEN TAMAR DOES STUFF, 550 00:23:15,427 --> 00:23:16,827 I'M USUALLY VERY DISMISSIVE ABOUT IT. 551 00:23:16,828 --> 00:23:18,496 - YOU ARE. - BUT, I-I CAN'T-- 552 00:23:18,497 --> 00:23:21,499 I CAN'T BE DISMISSIVE ABOUT THIS. 553 00:23:21,500 --> 00:23:24,802 IT WAS ONE OF THE MOST HURTFUL THINGS 554 00:23:24,803 --> 00:23:26,404 THAT SHE'S EVER DONE IN LIFE. 555 00:23:26,405 --> 00:23:29,039 SHE PUT US OUT LIKE WE WERE STRANGERS. 556 00:23:29,040 --> 00:23:30,674 I DEFINITELY NEED TO TALK TO TAMAR 557 00:23:30,675 --> 00:23:32,042 AND HEAR HER SIDE OF IT. 558 00:23:32,043 --> 00:23:33,778 IT WAS A MIRACLE THAT THINGS SETTLED DOWN 559 00:23:33,779 --> 00:23:36,313 AFTER THE LAST BLOW-UP BETWEEN TAMAR AND THE GIRLS, SO-- 560 00:23:36,314 --> 00:23:37,715 - YOU KNOW, THIS IS THE CLIQUE. - DO YOU REMEMBER-- 561 00:23:37,716 --> 00:23:38,849 AND THAT SOUNDS SO CRAZY TO SAY, "CLIQUE." 562 00:23:38,850 --> 00:23:40,384 WE'RE SISTERS-- WE'RE NOT OUTSIDERS. 563 00:23:40,385 --> 00:23:42,386 - YOU LIE. - NO, I'M NOT LYING. 564 00:23:42,387 --> 00:23:44,188 YOU MADE YOURSELF THE OUTSIDER BY LEAVING. 565 00:23:44,189 --> 00:23:46,357 YOU SHOULD'VE STAYED. - NO, Y'ALL DECLARED WAR ON ME. 566 00:23:46,358 --> 00:23:49,527 - WHAT? - IT'S ME, AGAIN. 567 00:23:49,528 --> 00:23:51,796 IT'S REALLY HARD TO KNOW WHAT THE TRUTH IS, 568 00:23:51,797 --> 00:23:54,498 ESPECIALLY WHEN EVERYONE'S SO ANGRY, 569 00:23:54,499 --> 00:23:57,568 AND I DON'T KNOW WHAT'S GONNA HAPPEN THIS TIME. 570 00:23:57,569 --> 00:23:59,470 I HAVE TO TALK TO TAMAR-- I HAVE TO TALK TO HER. 571 00:23:59,471 --> 00:24:01,071 - OKAY-OKAY-OKAY. - AND SAY WHAT? 572 00:24:01,072 --> 00:24:02,873 I JUST WANNA HEAR HER SIDE. 573 00:24:02,874 --> 00:24:04,675 I JUST GOTTA HEAR IT, 'CAUSE I'M IN DISBELIEF. 574 00:24:04,676 --> 00:24:06,210 AND MAY-AND MAYBE SHE'LL GIVE YOU AN ANSWER. 575 00:24:06,211 --> 00:24:09,146 MAYBE SHE'LL SAY TO YOU WHAT SHE WON'T SAY TO US. 576 00:24:09,147 --> 00:24:11,450 I'M IN DISBELIEF. 577 00:24:23,361 --> 00:24:25,329 - HI. - HI. 578 00:24:25,330 --> 00:24:26,730 HI, LADIES-- JUST GOING TO BE THE TWO OF YOU? 579 00:24:26,731 --> 00:24:28,933 - JUST THE TWO-- THANKS. - FOLLOW ME THIS WAY. 580 00:24:28,934 --> 00:24:31,168 I'M HAVING COFFEE WITH TAMAR TO GET TO THE BOTTOM OF THE INCIDENT 581 00:24:31,169 --> 00:24:33,437 WITH THE GIRLS AT THE ATLANTA SHOW. 582 00:24:33,438 --> 00:24:36,173 I KNOW THE OTHER GIRLS ARE HURT AND ANGRY, 583 00:24:36,174 --> 00:24:38,476 BUT I HAVE TO HEAR THE OTHER SIDE. 584 00:24:38,477 --> 00:24:40,311 HOW ARE YOUR SHOWS GOING? 585 00:24:40,312 --> 00:24:41,946 OH, THEY'RE GOING GREAT. 586 00:24:41,947 --> 00:24:44,148 YOU KNOW, I'M HAVING A GOOD TIME. 587 00:24:44,149 --> 00:24:45,983 BUT, YOU GET HAMMER TIME FEET BEING A SUPERSTAR. 588 00:24:45,984 --> 00:24:48,152 WHAT HAPPENED TO MY PRETTY FEET, GIRL? 589 00:24:48,153 --> 00:24:49,620 YOU GET FUGLY FEET. 590 00:24:49,621 --> 00:24:52,156 - UH-UH. - YOU DO. 591 00:24:52,157 --> 00:24:55,159 HOW WAS YOUR GEORGIA SHOW? 592 00:24:55,160 --> 00:24:56,794 UH, IT WAS VERY INTERESTING. 593 00:24:56,795 --> 00:24:57,761 WHY? 594 00:24:57,762 --> 00:24:59,096 THE GIRLS WANTED TO SURPRISE ME. 595 00:24:59,097 --> 00:25:00,464 MMM-HMM. 596 00:25:00,465 --> 00:25:02,867 IT WAS A SURPRISE, YOU KNOW. 597 00:25:02,868 --> 00:25:04,001 RIGHT. 598 00:25:04,002 --> 00:25:06,303 I TURNED AROUND-- DA-DA-DA-DA-- OOH! 599 00:25:06,304 --> 00:25:08,539 I SEE, YOU KNOW, THREE GLITTERED TELETUBBIES. 600 00:25:08,540 --> 00:25:10,474 I'M LIKE, "WAIT-- GIRLS, NO!" 601 00:25:10,475 --> 00:25:11,809 YOU CANNOT CALL 'EM TELETUBBIES. 602 00:25:11,810 --> 00:25:13,944 NO, THE OUTFITS LOOKED LIKE. 603 00:25:13,945 --> 00:25:15,179 SO, I WAS LIKE, "OH, ." 604 00:25:15,180 --> 00:25:17,281 THEN, I TURNED AROUND AGAIN TO MAKE SURE THAT'S EXACTLY 605 00:25:17,282 --> 00:25:19,850 WHAT I SAW-- YEAH, THAT'S WHAT I SAW. 606 00:25:19,851 --> 00:25:22,052 THEN, I SAID, "Y'ALL MIGHT AS WELL COME ON UP HERE." 607 00:25:22,053 --> 00:25:26,423 THE NEXT THING I KNOW, THEY LEFT. 608 00:25:26,424 --> 00:25:28,492 I HEARD IT DIFFERENTLY. 609 00:25:28,493 --> 00:25:29,693 I LIVED IT-- WHAT'D YOU HEAR? 610 00:25:29,694 --> 00:25:31,061 I JUST HEARD IT WASN'T GOOD. 611 00:25:31,062 --> 00:25:33,030 NO, IT WASN'T GOOD, 'CAUSE IT WAS WEIRD. 612 00:25:33,031 --> 00:25:34,465 YOU THREW A BOTTLE OF WATER AT TRACI? 613 00:25:34,466 --> 00:25:35,699 I DIDN'T THROW A BOTTLE OF WATER AT TRACI. 614 00:25:35,700 --> 00:25:37,434 WHERE SHE WAS STANDING, IS WHERE I THREW IT. 615 00:25:37,435 --> 00:25:39,103 WHERE SHE STANDS, IS WHERE I THROW IT 616 00:25:39,104 --> 00:25:40,838 EVERY SINGLE NIGHT, RIGHT? 617 00:25:40,839 --> 00:25:43,307 I DRANK THE WATER... 618 00:25:43,308 --> 00:25:44,909 AND THEN I THROW IT ON THE SIDE. 619 00:25:44,910 --> 00:25:46,777 BUT, WHERE TRACI WAS STANDING, 620 00:25:46,778 --> 00:25:48,178 IS WHERE I THROW IT, SO I HAD TO THROW IT OVER HER, 621 00:25:48,179 --> 00:25:51,282 SO SHE WOULDN'T SLIP AND FALL. 622 00:25:51,283 --> 00:25:54,084 SO... 623 00:25:54,085 --> 00:25:56,554 IF TONI HAD ACTUALLY GONE TO ONE OF MY SHOWS, 624 00:25:56,555 --> 00:25:58,923 NO SHADE, SHE WOULD HAVE SEEN THAT I ACTUALLY 625 00:25:58,924 --> 00:26:02,459 THROW A WATER BOTTLE EVERY SINGLE NIGHT. 626 00:26:02,460 --> 00:26:10,134 ♪ POP IT POP IT POP IT ♪ 627 00:26:10,135 --> 00:26:14,305 NOW, TRACI, SHE'S BEEN TO TWO OF MY SHOWS, YOU KNOW, 628 00:26:14,306 --> 00:26:16,574 SO I DON'T UNDERSTAND HOW SHE DIDN'T SEE THE FACT 629 00:26:16,575 --> 00:26:18,509 THAT I THROW A WATER BOTTLE EVERY SINGLE NIGHT. 630 00:26:18,510 --> 00:26:21,979 I'M THIRSTY AFTER, YOU KNOW, 631 00:26:21,980 --> 00:26:24,048 I'M, YOU KNOW, TWERKIN' AND STUFF. 632 00:26:24,049 --> 00:26:26,584 - THAT'S IT? - THAT'S IT. 633 00:26:26,585 --> 00:26:30,588 FOR ME, YOU SURPRISE THE FAN, NOT THE ARTIST. 634 00:26:30,589 --> 00:26:32,289 Y'ALL SURPRISED ME LOTS OF TIMES ONSTAGE. 635 00:26:32,290 --> 00:26:34,058 - WHEN? - Y'ALL NEVER SURPRISED ME? 636 00:26:34,059 --> 00:26:35,659 - NAME ONE. - WHEN I WAS IN EUROPE. 637 00:26:35,660 --> 00:26:37,661 "UNBREAK MY HEART" TOUR. - I DON'T REMEMBER THAT. 638 00:26:37,662 --> 00:26:39,830 JUST 'CAUSE YOU DON'T REMEMBER DON'T MEAN IT DIDN'T HAPPEN. 639 00:26:39,831 --> 00:26:41,398 IT WOULD'VE BEEN A GREAT MOMENT 640 00:26:41,399 --> 00:26:43,267 IF THE GIRLS WOULD'VE COME OUT, AND IT WAS PLANNED, 641 00:26:43,268 --> 00:26:45,336 AND, YOU KNOW, WE COULD'VE POPPED IT FOR THE AUDIENCE 642 00:26:45,337 --> 00:26:47,571 AT THE END, AND TURNED AROUND AND GAVE YOU A, YOU KNOW, 643 00:26:47,572 --> 00:26:49,506 "WHAT'S HAPPENING, WHAT YOU DOING WIT' YOUR LIFE" 644 00:26:49,507 --> 00:26:51,408 MOMENT-- SNAP, SNAP, TAKE YOU A COUPLE PICTURES, 645 00:26:51,409 --> 00:26:53,877 BUT NOBODY GAVE ME THAT OPPORTUNITY. 646 00:26:53,878 --> 00:26:55,546 THEY THOUGHT THEY WERE DOING A GOOD THING. 647 00:26:55,547 --> 00:26:56,780 - I DON'T-- - 'CAUSE REMEMBER, 648 00:26:56,781 --> 00:26:58,749 YOU SAID YOUR SISTERS NEVER SUPPORT YOU, AND DA-DA-DA. 649 00:26:58,750 --> 00:27:00,651 IT'S LIKE, WE'RE GONNA BE TAMAR'S DO-WOP-POP-POP GIRLS. 650 00:27:00,652 --> 00:27:02,519 NO MALICIOUSNESS, AT ALL. 651 00:27:02,520 --> 00:27:03,921 YOU'RE A VETERAN, YOU KNOW WHAT I MEAN? 652 00:27:03,922 --> 00:27:06,924 THIS IS, LIKE, MY FIRST TIME DOING EVERYTHING, 653 00:27:06,925 --> 00:27:09,026 AND I DON'T-I DON'T KNOW WHAT TO DO. 654 00:27:09,027 --> 00:27:10,594 YOU KNOW, I'M-I'M JUST FIGURING IT OUT, 655 00:27:10,595 --> 00:27:12,529 REALLY, HONESTLY, SHOW BY SHOW, WHAT TO DO. 656 00:27:12,530 --> 00:27:14,632 YOU KNOW, WHERE TO POSITION MYSELF, 657 00:27:14,633 --> 00:27:16,233 WHERE THE DANCERS SHOULD GO. 658 00:27:16,234 --> 00:27:17,401 YOU KNOW, WHAT SONG SHOULD I DO? 659 00:27:17,402 --> 00:27:19,436 WHAT-WHAT SHOULD I SAY AT A-- YOU KNOW, AT A MOMENT? 660 00:27:19,437 --> 00:27:20,971 YOU KNOW WHAT I'M SAYIN'? 661 00:27:20,972 --> 00:27:24,775 SO, I-I DON'T HAVE THAT MUSCLE YET. 662 00:27:24,776 --> 00:27:26,877 YES, TAMAR GOT SURPRISED ONSTAGE, 663 00:27:26,878 --> 00:27:28,879 AND I COULD SEE HOW THAT COULD THROW YOU OFF, AS AN ARTIST. 664 00:27:28,880 --> 00:27:30,447 I GET IT. 665 00:27:30,448 --> 00:27:33,250 HOWEVER, WHAT I'M REALLY CONCERNED ABOUT 666 00:27:33,251 --> 00:27:35,619 IS WHAT HAPPENED AFTER THE CONCERT. 667 00:27:35,620 --> 00:27:37,855 I HEARD, AFTERWARDS, YOU WEREN'T VERY NICE TO THEM. 668 00:27:37,856 --> 00:27:39,490 I DIDN'T SEE THEM. 669 00:27:39,491 --> 00:27:41,759 YOU DIDN'T HAVE PEOPLE COME AND ESCORT PEOPLE OFF? 670 00:27:41,760 --> 00:27:43,394 THAT WAS BAD, TAMAR. 671 00:27:43,395 --> 00:27:44,962 I'M SORRY-- THAT WAS BAD. - YOU WANNA HEAR FROM ME? 672 00:27:44,963 --> 00:27:46,163 I-I'M ASKING YOU-- IS THAT TRUE? 673 00:27:46,164 --> 00:27:47,965 DID THAT HAPPEN? - OKAY, SO, WHAT HAPPENED WAS, 674 00:27:47,966 --> 00:27:50,734 THE TOUR MANAGER KICKED EVERYONE OUT. 675 00:27:50,735 --> 00:27:52,036 HE TOLD TRINA, 676 00:27:52,037 --> 00:27:53,303 "YOU NEED TO LEAVE." - I-I HEARD THAT. 677 00:27:53,304 --> 00:27:54,571 I WASN'T THERE, THOUGH, TO, YOU KNOW-- 678 00:27:54,572 --> 00:27:55,706 BUT, IT'S YOUR SHOW. 679 00:27:55,707 --> 00:27:58,008 YEAH, BUT I WASN'T THERE TO RECTIFY WHO HE SAY, 680 00:27:58,009 --> 00:28:00,444 YOU KNOW, TO GET OUT-- YOU KNOW, I WASN'T THERE. 681 00:28:00,445 --> 00:28:03,247 IF VINCE OR I TOLD MY TOUR MANAGER, 682 00:28:03,248 --> 00:28:06,350 "EVERYBODY GOTTA GO," IT WAS A TOTAL MISUNDERSTANDING. 683 00:28:06,351 --> 00:28:08,185 BECAUSE, AT THE END OF THE DAY, 684 00:28:08,186 --> 00:28:10,954 YOU KNOW, WE PROBABLY DID TELL-TELL EVERYBODY TO GO, 685 00:28:10,955 --> 00:28:13,123 BUT, YOU KNOW, NOT MEANING, YOU KNOW, 686 00:28:13,124 --> 00:28:15,292 MY FAMILY SPECIFICALLY. 687 00:28:15,293 --> 00:28:16,760 BUT, I HEARD YOU WERE VERY MEAN. 688 00:28:16,761 --> 00:28:17,928 I HEARD YOU WERE CURSING THEM OUT AND EVERYTHING. 689 00:28:17,929 --> 00:28:18,996 BUT, I DIDN'T SEE THEM. 690 00:28:18,997 --> 00:28:20,364 HOW WAS I CURSING 'EM OUT, AND I DIDN'T SEE THEM? 691 00:28:20,365 --> 00:28:22,132 "BITCHES IN MY SHOW, UP MY STUFF. 692 00:28:22,133 --> 00:28:23,400 "THEY SHOULD'VE ASKED ME-- IF THEY ASKED ME, 693 00:28:23,401 --> 00:28:24,735 "I WOULD'VE TOLD THEM BITCHES, 'NO.'" 694 00:28:24,736 --> 00:28:25,836 WELL, HOW, IF I DIDN'T SEE THEM? 695 00:28:25,837 --> 00:28:28,339 BECAUSE PEOPLE WAS NEXT DOOR AND HEARD YOU, 696 00:28:29,908 --> 00:28:31,341 AND THAT'S HOW THINGS GET OUT. 697 00:28:31,342 --> 00:28:34,244 THAT'S MY FAULT, TOO? 698 00:28:34,245 --> 00:28:36,747 I MEAN, HONEST TO GOD, I CANNOT TELL YOU VERBATIM 699 00:28:36,748 --> 00:28:39,883 WHAT CURSE WORDS THAT I SAID, 700 00:28:39,884 --> 00:28:41,852 BUT I WAS CUSSIN' EVERYBODY OUT. 701 00:28:41,853 --> 00:28:44,021 I WAS CUSSIN' A BOTTLE OF PERRIER OUT. 702 00:28:44,022 --> 00:28:45,222 IT DIDN'T MATTER. 703 00:28:45,223 --> 00:28:47,091 KETTLE ONE-- EVERYBODY GOT CUSSED OUT THAT NIGHT. 704 00:28:47,092 --> 00:28:48,358 AFTER THEY GOT OFF THE STAGE, 705 00:28:48,359 --> 00:28:51,161 I DIDN'T SEE THEM UNTIL-- - WHY DIDN'T YOU SEE THEM? 706 00:28:51,162 --> 00:28:52,563 I DON'T KNOW WHERE THEY WERE. 707 00:28:52,564 --> 00:28:53,931 YOU KNOW, USUALLY, WHEN YOU-- - YOU CAN SAY, 708 00:28:53,932 --> 00:28:54,998 "I WANNA SEE MY SISTERS-- WHERE ARE THEY? 709 00:28:54,999 --> 00:28:55,999 "HAVE 'EM COME IN HERE." 710 00:28:56,000 --> 00:28:57,367 USUALLY, WHEN YOU GET OFF THE STAGE, 711 00:28:57,368 --> 00:28:58,368 WHOSE EVER IN YOUR DRESSING ROOM IS IN YOUR DRESSING ROOM. 712 00:28:58,369 --> 00:28:59,336 BUT, I'D BE LIKE, "GO GET MY SISTERS." 713 00:28:59,337 --> 00:29:00,404 I'VE DONE IT LOTS OF TIMES. 714 00:29:00,405 --> 00:29:01,472 "GO GET MY SISTERS-- HAVE 'EM COME BACK HERE." 715 00:29:01,473 --> 00:29:03,240 WELL, BY THE TIME I GOT IN MY DRESSING ROOM, 716 00:29:03,241 --> 00:29:06,110 YOU KNOW, I GUESS WHO I WANTED TO BE THERE, WAS IN THERE. 717 00:29:06,111 --> 00:29:08,779 SO, YOU KNOW, I DON'T KNOW. 718 00:29:08,780 --> 00:29:11,048 WELL, IF I WOULD'VE SEEN THE GIRLS AFTER THE SHOW... 719 00:29:11,049 --> 00:29:12,082 LIKE, OKAY, LIKE, FOR ME, 720 00:29:12,083 --> 00:29:13,383 IF I WOULD'VE JUMPED ON SOMEBODY'S STAGE, 721 00:29:13,384 --> 00:29:14,852 I WOULD'VE BEEN IN THEIR DRESSING ROOM, BE LIKE, OKAY, 722 00:29:14,853 --> 00:29:16,653 "OH, GIRL, I'M SORRY. 723 00:29:16,654 --> 00:29:20,057 "IT DIDN'T GO, YOU KNOW, AS I PLANNED-- MY BAD." 724 00:29:20,058 --> 00:29:21,959 I WOULD'VE DID THAT, BUT THAT'S JUST ME. 725 00:29:21,960 --> 00:29:24,528 YOU KNOW, BUT THEY WASN'T IN MY ROOM WHEN I GOT, 726 00:29:24,529 --> 00:29:25,963 YOU KNOW, OFF STAGE. 727 00:29:25,964 --> 00:29:27,464 I'M JUST TRYING TO FIGURE OUT WHY EVERYBODY 728 00:29:27,465 --> 00:29:29,833 TRYING TO FIGURE OUT HOW TO MAKE THIS AN ISSUE FOR TAMAR. 729 00:29:29,834 --> 00:29:31,535 LIKE, TAMAR DIDN'T DO ANYTHING. - BECAUSE IT'S YOUR SHOW. 730 00:29:31,536 --> 00:29:33,637 I SHOWED UP TO MY WORK-- I DID MY WORK. 731 00:29:33,638 --> 00:29:35,606 THE GIRLS CAME ONSTAGE. 732 00:29:35,607 --> 00:29:37,407 IT WASN'T THE BEST SITUATION. 733 00:29:37,408 --> 00:29:38,776 AND NOW, IT'S MY FAULT? 734 00:29:38,777 --> 00:29:40,611 I DON'T OWE NOBODY NOTHIN'. 735 00:29:40,612 --> 00:29:43,113 I FEEL LIKE, IF ANYBODY OWES-OWES ANYBODY SOMETHING, 736 00:29:43,114 --> 00:29:44,615 THE GIRLS SHOULD COME AND HOLLER AT ME. 737 00:29:44,616 --> 00:29:45,783 LIKE, "YOU KNOW WHAT, TAMAR, 738 00:29:45,784 --> 00:29:47,351 "THIS IS WHAT WE WAS TRYING TO DO, BLAH-BLAH-BLAH, 739 00:29:47,352 --> 00:29:48,952 "WOO-DEE-WOO, AND THIS IS HOW THIS ENDED UP." 740 00:29:48,953 --> 00:29:49,920 YOU DON'T THINK THAT'S BAD THAT YOUR PEOPLE 741 00:29:49,921 --> 00:29:50,888 KICKED YOUR SISTERS OUT, 742 00:29:50,889 --> 00:29:51,755 AND YOU SHOULDN'T HAVE A CONVERSATION? 743 00:29:51,756 --> 00:29:53,190 SO, NOW, IT'S MY RESPONSIBILITY? 744 00:29:53,191 --> 00:29:55,259 OKAY, FINE, I'LL WEAR IT. - "GUYS, I HAD NO CONVERSA"-- 745 00:29:55,260 --> 00:29:56,960 TAMAR, YOU REALLY THINK IT'S LIKE THAT? 746 00:29:56,961 --> 00:29:59,097 I'LL WEAR IT. 747 00:30:00,598 --> 00:30:02,900 COMING UP, ON "BRAXTON FAMILY VALUES"... 748 00:30:02,901 --> 00:30:05,169 BECAUSE WHAT YOU THINK IS A GREAT IDEA 749 00:30:05,170 --> 00:30:07,171 MAY NOT BE A GREAT IDEA TO HER. 750 00:30:07,172 --> 00:30:09,973 I WILL NEVER SAY THAT THIS WAS A BAD IDEA. 751 00:30:09,974 --> 00:30:12,075 NEVER SAY THAT THIS WAS A BAD IDEA. 752 00:30:12,076 --> 00:30:13,544 SHE PAVED THE WAY FOR ALL OF US. 753 00:30:13,545 --> 00:30:15,145 - NOBODY PAVED THE WAY FOR ME. - YES, SHE DID. 754 00:30:15,146 --> 00:30:16,980 - JESUS PAVED THE WAY FOR ME! - TAMAR, YES, SHE DID. 755 00:30:16,981 --> 00:30:18,315 JESUS HAS PAVED THE WAY FOR ME! 756 00:30:18,316 --> 00:30:19,750 YES-- OH, MY GOD-- TONI, YES, YOU DID. 757 00:30:19,751 --> 00:30:21,952 OKAY, GUYS, THAT'S ENOUGH-- THAT'S ENOUGH. 758 00:30:21,953 --> 00:30:23,221 THAT'S IT. - NO, TONI-- NO, TONI-- NO. 759 00:30:30,094 --> 00:30:32,229 HEY, EVERYBODY. 760 00:30:34,699 --> 00:30:36,266 GIRL, YOU BETTER GET YOUR LIFE. 761 00:30:36,267 --> 00:30:37,534 YEAH, BABY, GET YOUR LIFE. 762 00:30:37,535 --> 00:30:44,474 ♪ POP IT POP IT POP IT ♪ 763 00:30:44,475 --> 00:30:48,445 ♪ POP IT POP IT POP IT ♪ 764 00:30:48,446 --> 00:30:50,714 THAT AIN'T FUNNY. 765 00:30:50,715 --> 00:30:52,549 ♪ LADIES JUST SO YOU KNOW ♪ 766 00:30:52,550 --> 00:30:54,384 ♪ DON'T LEAVE THE HOUSE WITH A LITTLE KISS ♪ 767 00:30:54,385 --> 00:30:56,420 ♪ WHEN YOUR MAN MAN GOT A BIG EGO ♪ 768 00:30:56,421 --> 00:30:59,990 ♪ FRONTING ON THE CAKE NO PLAY LIKE I-I-I-I GOTS TO GO ♪ 769 00:30:59,991 --> 00:31:02,860 ♪ CUT IT OUT GIVE YOUR MAN WHAT HE DREAM ABOUT ♪ 770 00:31:02,861 --> 00:31:06,663 ♪ T-SHIRT AND SOME HEELS ON WHILE HE CHASE YOU ALL AROUND THE HOUSE ♪ 771 00:31:06,664 --> 00:31:10,033 ♪ I GET 'EM REAL BAD DROP IT LOW AND BRING IT BACK ♪ 772 00:31:10,034 --> 00:31:13,637 ♪ OH HE AIN'T GOTTA ASK 'CAUSE I DO IT FOR MY MAN ♪ 773 00:31:13,638 --> 00:31:17,007 ♪ HEY WIND IT UP SLOW PUT HIM ON THE FRONT ROW ♪ 774 00:31:17,008 --> 00:31:19,877 ♪ TELL HIM WELCOME TO THE SHOW SHE DO THAT FOR HER MAN ♪ 775 00:31:19,878 --> 00:31:22,546 Y'ALL MIGHT AS WELL COME ON UP HERE-- HEY! 776 00:31:22,547 --> 00:31:26,016 ♪ HE WANT A PIECE OF SOMETHING SWEET ALL NIGHT ♪ 777 00:31:26,017 --> 00:31:29,753 ♪ HE WANT THAT GOOD TO THE LAST DROP LIKE MINE ♪ 778 00:31:29,754 --> 00:31:33,357 ♪ HE WANT THE SUGAR HE WANT THE SUGAR ♪ 779 00:31:33,358 --> 00:31:36,693 ♪ HE WANT THE SUGAR SUGAR ♪ 780 00:31:36,694 --> 00:31:40,898 ♪ HEY I'LL BE HIS SWEET LITTLE MAMA ALL THE TIME ♪ 781 00:31:40,899 --> 00:31:44,401 ♪ AND WE CAN DO IT NOW OR LATER THAT'S FINE ♪ 782 00:31:44,402 --> 00:31:48,338 ♪ HE WANT THE SUGAR ♪ 783 00:31:48,339 --> 00:31:50,842 ♪ HE WANT THE SUGAR SUGAR ♪ 784 00:31:52,610 --> 00:31:53,977 YOU DON'T THINK THAT'S BAD THAT YOUR PEOPLE 785 00:31:53,978 --> 00:31:55,245 KICKED YOUR SISTERS OUT, 786 00:31:55,246 --> 00:31:56,346 AND YOU SHOULDN'T HAVE A CONVERSATION? 787 00:31:56,347 --> 00:31:57,347 "GUYS, I HAD NOTHIN' TO DO WITH"-- 788 00:31:57,348 --> 00:31:58,582 SO, NOW, IT'S MY RESPONSIBILITY? 789 00:31:58,583 --> 00:32:00,083 OKAY, FINE, I'LL WEAR IT. - "GUYS, I HAD NO CONVERSA"-- 790 00:32:00,084 --> 00:32:01,785 TAMAR, YOU REALLY THINK IT'S LIKE THAT? 791 00:32:01,786 --> 00:32:03,253 - I'LL WEAR IT-- IT IS. - THAT'S TERRIBLE, TAMAR-- 792 00:32:03,254 --> 00:32:04,922 BECAUSE I DIDN'T HAVE NOTHING TO DO WITH THEM COMING OUT. 793 00:32:04,923 --> 00:32:06,690 "GUYS, I DON'T KNOW WHAT-- I HAD NOTHING TO DO WITH IT, GUYS. 794 00:32:06,691 --> 00:32:07,925 "I WOULD NEVER HAVE YOU GUYS KICKED OUT." 795 00:32:07,926 --> 00:32:09,092 - I TOLD TRINA THAT. - YOU CAN TELL THEM. 796 00:32:09,093 --> 00:32:10,227 I WASN'T GONNA KISS THEIR ASS AND RUN 'EM OVER. 797 00:32:10,228 --> 00:32:12,497 THAT'S NOT CALLED KISSING THEIR-- 798 00:32:13,398 --> 00:32:15,465 I TRIED TO MAKE AMENDS AND TALK TO THE GIRLS. 799 00:32:15,466 --> 00:32:17,534 THE NEXT DAY, I HAD AN AFTER PARTY. 800 00:32:17,535 --> 00:32:19,469 - MMM-HMM. - SO, I CALLED THE GIRLS, 801 00:32:19,470 --> 00:32:21,204 EVERYBODY, ONE BY ONE. 802 00:32:21,205 --> 00:32:22,606 I SAID, "I'M GONNA MAKE SOME DINNER. 803 00:32:22,607 --> 00:32:24,274 "WE'RE GONNA GET IN THE CAR, AND WE'RE GONNA GO TO THE CLUB." 804 00:32:24,275 --> 00:32:25,842 COOL, COOL, COOL. 805 00:32:25,843 --> 00:32:27,644 SO, THEY GAVE ME A GUEST LIST AND EVERYTHING. 806 00:32:27,645 --> 00:32:29,446 FINE-- GREAT. 807 00:32:29,447 --> 00:32:31,315 THEY DIDN'T COME. 808 00:32:31,316 --> 00:32:32,616 NO ONE CANCELED. 809 00:32:32,617 --> 00:32:33,617 I FOUND OUT-- YOU WANNA SEE THE TEXT? 810 00:32:33,618 --> 00:32:34,952 LET ME SHOW YOU THE TEXT. 811 00:32:34,953 --> 00:32:36,320 I HAVE TO ADMIT THAT, YOU KNOW, MOST OF THE TIME, 812 00:32:36,321 --> 00:32:37,821 I HAVE NOT BEEN THE BEST SISTER. 813 00:32:37,822 --> 00:32:39,323 I HAVE NOT BEEN THE BEST LISTENER. 814 00:32:39,324 --> 00:32:41,425 BUT, AT THE END OF THE DAY, 815 00:32:41,426 --> 00:32:45,529 I AM NOT TRYING TO MAKE ENEMIES OUT OF MY SISTERS. 816 00:32:45,530 --> 00:32:47,397 LIKE, I AIN'T-I AIN'T GETTIN' NOTHIN' OUT OF THAT. 817 00:32:47,398 --> 00:32:49,834 THAT-- WHERE THAT GONNA LEAVE ME? 818 00:32:52,036 --> 00:32:55,172 SO, "ARE YOU SERIOUSLY CANCELING ON ME?" 819 00:32:55,173 --> 00:32:56,340 NO RESPONSE. 820 00:32:56,341 --> 00:32:58,241 "WOW-- I COOKED, AGAIN. 821 00:32:58,242 --> 00:32:59,876 "WHY YOU AIN'T JUST CALL ME?" 822 00:32:59,877 --> 00:33:02,312 NO RESPONSE-- "HELLO?" 823 00:33:02,313 --> 00:33:04,247 WHAT CAN I DO, IF I WASN'T THERE, 824 00:33:04,248 --> 00:33:05,849 AND I'M TRYING TO MAKE AMENDS? 825 00:33:05,850 --> 00:33:07,150 WHAT CAN I DO ABOUT IT? 826 00:33:07,151 --> 00:33:08,852 I WASN'T THERE. - YOU CALLED THE GIRLS AND SAID, 827 00:33:08,853 --> 00:33:10,153 "COME TO THE PARTY-- I'M HAVING A PARTY. 828 00:33:10,154 --> 00:33:11,388 "WE SHOULD ALL GET TOGETHER AND TALK." 829 00:33:11,389 --> 00:33:12,556 YES, I DID. 830 00:33:12,557 --> 00:33:13,957 NOBODY WANTS TO BELIEVE 831 00:33:13,958 --> 00:33:16,360 THAT TAMAR CAN ACTUALLY DO THE RIGHT THING. 832 00:33:16,361 --> 00:33:17,761 YOU SHOULD PROBABLY JUST TALK TO THEM, 833 00:33:17,762 --> 00:33:19,496 'CAUSE I DON'T KNOW-- I WASN'T THERE. 834 00:33:19,497 --> 00:33:21,498 I'M REALLY NOT INTERESTED IN ANOTHER TAMAR-VENTION, 835 00:33:21,499 --> 00:33:23,066 'CAUSE THAT'S WHAT IT TURNS INTO. 836 00:33:23,067 --> 00:33:24,501 NO, WE WILL NEVER HAVE THAT, AGAIN. 837 00:33:24,502 --> 00:33:25,936 I PROMISE YOU THAT-- THAT WOULD NEVER HAPPEN. 838 00:33:25,937 --> 00:33:28,005 I'M NOT INTERESTED IN FIGHTING. 839 00:33:28,006 --> 00:33:30,874 I DON'T THINK ANYBODY WANTS TO FIGHT ANYMORE. 840 00:33:30,875 --> 00:33:33,076 KINDA PAST THAT. 841 00:33:33,077 --> 00:33:34,378 WELL, YOU KNOW, SHE'S NOT A FIGHTER. 842 00:33:34,379 --> 00:33:37,382 SHE'S A LOVER-- LET'S GO. - I KNOW THAT'S RIGHT. 843 00:33:48,726 --> 00:33:50,360 COME ON IN. 844 00:33:50,361 --> 00:33:52,629 I THINK I'M GONNA SIT ON THE END. 845 00:33:52,630 --> 00:33:55,432 TONI THOUGHT IT WOULD BE A GOOD IDEA FOR US ALL 846 00:33:55,433 --> 00:33:56,967 TO MEET WITH DR. SHERRY, 847 00:33:56,968 --> 00:33:59,069 IN REGARD TO WHAT HAPPENED AFTER THE CONCERT, 848 00:33:59,070 --> 00:34:01,004 AND I WISH WE COULD ALL BE HERE, 849 00:34:01,005 --> 00:34:03,440 BUT IT'S JUST TOWANDA, TRACI, AND I. 850 00:34:03,441 --> 00:34:07,144 I AM REALLY, REALLY GLAD YOU COULD COME TODAY. 851 00:34:07,145 --> 00:34:09,179 I WAS THERE, I CAME TO THE SHOW, 852 00:34:09,180 --> 00:34:10,614 AND I WAS QUITE CONCERNED 853 00:34:10,615 --> 00:34:14,484 BECAUSE I REALLY DIDN'T KNOW WHAT WAS REALLY GOING ON, 854 00:34:14,485 --> 00:34:16,620 AND I JUST KNEW EVERYONE WAS ASKED TO LEAVE, 855 00:34:16,621 --> 00:34:18,388 AND WE ALL LEFT. 856 00:34:18,389 --> 00:34:21,892 AT LEAST, I DID-- WHAT HAPPENED? 857 00:34:21,893 --> 00:34:25,228 THAT 30-SECOND SNIPPET THAT WE HAD IN TAMAR'S SHOW, 858 00:34:25,229 --> 00:34:27,164 IT WAS MY IDEA TO DO THAT, 859 00:34:27,165 --> 00:34:29,533 TO SUPPORT TAMAR. - OKAY. 860 00:34:29,534 --> 00:34:31,768 AND IT TURNED INTO SOMETHING INCREDIBLY HORRIBLE BECAUSE, 861 00:34:31,769 --> 00:34:34,204 AFTER SHE GOT OFF STAGE, SHE CURSED US OUT. 862 00:34:34,205 --> 00:34:35,772 WELL, SHE DIDN'T SAY IT TO US DIRECTLY, 863 00:34:35,773 --> 00:34:39,076 BUT SHE SAID IT LOUD ENOUGH FOR SO MANY PEOPLE TO HEAR. 864 00:34:39,077 --> 00:34:41,878 YOU KNOW, CALLING US M-F'ing B's. 865 00:34:41,879 --> 00:34:43,447 OH, MY GOODNESS. 866 00:34:43,448 --> 00:34:45,982 THEN HAD HER PEOPLE PUT US OUT OF THE BUILDING. 867 00:34:45,983 --> 00:34:47,250 - YEAH. - YEAH. 868 00:34:47,251 --> 00:34:49,553 WHAT DO YOU THINK SHE MUST'VE THOUGHT 869 00:34:49,554 --> 00:34:52,622 WHEN SHE TURNED AROUND AND, GOD, MY SISTERS ONSTAGE, 870 00:34:52,623 --> 00:34:54,891 AT MY SHOW? 871 00:34:54,892 --> 00:34:56,927 WE DON'T KNOW-- IT'S UNPREDICTABLE. 872 00:34:56,928 --> 00:34:58,929 DO YOU THINK-DO YOU THINK SHE WOULD'VE EMBRACED YOU? 873 00:34:58,930 --> 00:34:59,963 I DON'T KNOW. 874 00:34:59,964 --> 00:35:02,599 I DIDN'T KNOW WHAT SHE WAS GONNA FEEL. 875 00:35:02,600 --> 00:35:04,501 TONI HAS ALWAYS SHARED HER STAGE 876 00:35:04,502 --> 00:35:06,403 WITH EVERY ONE OF HER SISTERS. 877 00:35:06,404 --> 00:35:10,073 SO, THEREFORE, KNOWING THE HISTORY OF OUR FAMILY, 878 00:35:10,074 --> 00:35:12,776 YOU WOULD NEVER THINK THAT IT WOULD BE ESCALATED 879 00:35:12,777 --> 00:35:15,045 TO THIS LEVEL OF ANGER. - RIGHT. 880 00:35:15,046 --> 00:35:17,747 JUST BECAUSE WE WANTED TO GET ONSTAGE TO SUPPORT YOU. 881 00:35:17,748 --> 00:35:20,050 HOW YOU'RE DEFINING SUPPORT 882 00:35:20,051 --> 00:35:22,953 IS TO SOUND LIKE A GREAT GESTURE, GREAT IDEA, 883 00:35:22,954 --> 00:35:24,788 'CAUSE YOU PUT A LOT OF WORK INTO IT. 884 00:35:24,789 --> 00:35:27,924 BUT, HOW SHE DEFINED IT AND HOW SHE MAY RECEIVED IT, 885 00:35:27,925 --> 00:35:30,393 OBVIOUSLY, IT WAS TWO DIFFERENT THINGS. 886 00:35:30,394 --> 00:35:32,596 BECAUSE WHAT YOU THINK IS A GREAT IDEA 887 00:35:32,597 --> 00:35:35,432 MAY NOT BE A GREAT IDEA TO HER. 888 00:35:35,433 --> 00:35:38,635 I WILL NEVER SAY THAT THIS WAS A BAD IDEA. 889 00:35:38,636 --> 00:35:41,138 NEVER SAY THAT THIS WAS A BAD IDEA, 890 00:35:41,139 --> 00:35:42,639 BECAUSE OF THE INTENTION. 891 00:35:42,640 --> 00:35:45,809 WHAT MADE YOU THINK THAT SHE'S GONNA SAY, 892 00:35:45,810 --> 00:35:48,078 "I AM SO GLAD YOU'RE HERE?" 893 00:35:48,079 --> 00:35:50,280 WHEN TRINA WENT ON THE ROAD WITH TAMAR, TRINA-- 894 00:35:50,281 --> 00:35:51,948 SHE PULLED TRINA ONSTAGE. - OKAY. 895 00:35:51,949 --> 00:35:54,184 WHEN SHE CAME TO MARYLAND AND-- 896 00:35:54,185 --> 00:35:55,552 - AND NEW YORK. - AND NEW YORK, 897 00:35:55,553 --> 00:35:56,953 SHE PULLED TRACI ONSTAGE. 898 00:35:56,954 --> 00:35:58,421 AND I SUNG WITH HER ON "LOVE AND WAR." 899 00:35:58,422 --> 00:35:59,756 - YOU UNDERSTAND, SO-- - OKAY. 900 00:35:59,757 --> 00:36:01,525 SO, YOU ALL HAVE BEEN ONSTAGE WITH HER BEFORE? 901 00:36:01,526 --> 00:36:02,726 - OF COURSE-- A LOT. - THAT'S ALL I'M SAYING. 902 00:36:02,727 --> 00:36:03,927 - ALL OUR LIVES. - OKAY. 903 00:36:03,928 --> 00:36:05,462 LOOK AT IT FROM HER PERSPECTIVE FOR A SECOND. 904 00:36:05,463 --> 00:36:08,331 SHE HAS WORKED ALL HER LIFE FOR THIS MOMENT, 905 00:36:08,332 --> 00:36:10,901 THE CENTER STAGE. 906 00:36:10,902 --> 00:36:12,769 SHE'S NOT GONNA WANNA SHARE THAT, 907 00:36:12,770 --> 00:36:14,804 AND I WOULD'VE TOLD YOU, "YOU KNOW WHAT? 908 00:36:14,805 --> 00:36:17,507 "SHE'S NOT READY TO SHARE THAT." 909 00:36:17,508 --> 00:36:19,142 AND IF YOU WANNA SAY, "OH, I WORKED HARD 910 00:36:19,143 --> 00:36:21,745 "TO HAVE A SOLO CAREER," THAT'S FINE, BUT SO DID TONI. 911 00:36:21,746 --> 00:36:25,649 EVEN WITH TONI NOW, SHE'S STILL SHARING. 912 00:36:25,650 --> 00:36:28,518 AND IF YOU DON'T WANT TO BE A SHARER, JUST SAY SO. 913 00:36:28,519 --> 00:36:31,154 THAT WAY, PEOPLE CAN REACT ACCORDINGLY. 914 00:36:31,155 --> 00:36:33,557 EVERYBODY, AT LEAST IN HERE, 915 00:36:33,558 --> 00:36:36,126 LIKE TO SEE THINGS DIFFERENTLY. 916 00:36:36,127 --> 00:36:38,528 AND SO, WE HAVE TO GET EVERYBODY TOGETHER. 917 00:36:38,529 --> 00:36:40,664 WE NEED EVERYONE IN THE ROOM, 918 00:36:40,665 --> 00:36:44,834 SAME PLACE, SAME TIME. 919 00:36:44,835 --> 00:36:47,470 OKAY, LET'S STOP-- THANK YOU. 920 00:36:47,471 --> 00:36:49,707 - YES, THANK YOU. - THANK YOU, DR. SHERRY. 921 00:37:02,887 --> 00:37:04,955 HEY-HEY-HEY. 922 00:37:04,956 --> 00:37:06,890 IT'S THE BIG BOOTY BRAXTON CLUB. 923 00:37:06,891 --> 00:37:08,491 Y'ALL BETTER GO AHEAD. 924 00:37:08,492 --> 00:37:10,093 - THANK YOU. - WHERE ARE WE SITTIN'? 925 00:37:10,094 --> 00:37:11,261 THEY DIDN'T-- WHO'S SITTIN' WHERE? 926 00:37:11,262 --> 00:37:13,330 - SIT WHERE YOU WANNA SIT. - THANK YOU. 927 00:37:13,331 --> 00:37:15,665 ALL RIGHT-- OH, MY LEGS. 928 00:37:15,666 --> 00:37:19,269 WE HAVEN'T SEEN TAMAR, YOU KNOW, SINCE THE CONCERT, 929 00:37:19,270 --> 00:37:23,106 AND IT'S DEFINITELY A ELEPHANT IN THE ROOM, OKAY? 930 00:37:23,107 --> 00:37:27,911 IT'S LIKE POLKA DOT WITH A PURSE, OKAY, AND A TIARA. 931 00:37:27,912 --> 00:37:31,047 TRACI, ARE YOU GOIN' OUT ON YOUR PROMOTIONAL TOUR? 932 00:37:31,048 --> 00:37:34,217 YES, I HAVE A LOT OF RADIO. 933 00:37:34,218 --> 00:37:35,685 YOU EXCITED? 934 00:37:35,686 --> 00:37:37,754 VERY EXCITED-- EXTREMELY NERVOUS. 935 00:37:37,755 --> 00:37:39,189 WHAT ARE YOU NERVOUS ABOUT? 936 00:37:39,190 --> 00:37:40,824 LIKE, I-I JUST GOTTA THROW IT OUT. 937 00:37:40,825 --> 00:37:43,994 I'M EXCITED THAT MY ALBUM IS ABOUT TO COME OUT NEXT WEEK, 938 00:37:43,995 --> 00:37:46,997 AND I CANNOT BELIEVE IT'S ALL DONE. 939 00:37:46,998 --> 00:37:49,299 TRACI, YOU ARE HOARSE A LOT. 940 00:37:49,300 --> 00:37:51,768 HOW ARE YOU GONNA SING, BEING THAT HOARSE ALL THE TIME? 941 00:37:51,769 --> 00:37:53,570 YOU'RE GONNA LOSE YOUR VOICE A LOT ONSTAGE. 942 00:37:53,571 --> 00:37:55,305 YOU GOTTA START PRESERVING IT, NOW. 943 00:37:55,306 --> 00:37:57,540 IF WE DID A SINGLE WITH KENNY, THEN YOU HAVE YOUR SHOW, 944 00:37:57,541 --> 00:37:59,909 YOU HAVE TO REALLY BE DISCIPLINED. 945 00:37:59,910 --> 00:38:02,179 WHAT SINGLE WITH KENNY? 946 00:38:04,749 --> 00:38:07,083 COMING UP, ON "BRAXTON FAMILY VALUES"... 947 00:38:07,084 --> 00:38:09,052 DID YOU-DID YOU JUST CALL ME A BITCH? 948 00:38:09,053 --> 00:38:12,555 WE NEED TO TALK ABOUT WHAT HAPPENED AT TAMAR'S SHOW. 949 00:38:12,556 --> 00:38:14,724 AM I THE SAME BITCH THAT YOU PUT OUT DURING YOUR SHOW? 950 00:38:14,725 --> 00:38:16,827 - WHOO! - IT'S NOT GOING TO BE PRETTY. 951 00:38:18,896 --> 00:38:20,864 HOW ARE YOU GONNA SING, BEING THAT HOARSE ALL THE TIME? 952 00:38:20,865 --> 00:38:22,732 YOU'RE GONNA LOSE YOUR VOICE A LOT ONSTAGE. 953 00:38:22,733 --> 00:38:24,334 YOU GOTTA START PRESERVING IT, NOW. 954 00:38:24,335 --> 00:38:26,736 IF WE DID A SINGLE WITH KENNY, THEN YOU HAVE YOUR SHOW, 955 00:38:26,737 --> 00:38:28,405 YOU HAVE TO REALLY BE DISCIPLINED. 956 00:38:28,406 --> 00:38:29,974 WHAT SINGLE WITH KENNY? 957 00:38:31,175 --> 00:38:33,043 BABYFACE HAS EXPRESSED INTEREST IN HELPING 958 00:38:33,044 --> 00:38:35,078 EXECUTIVE PRODUCE THE SINGLE WITH US. 959 00:38:35,079 --> 00:38:37,947 SO, I'VE ACTUALLY BEEN MEANING TO ASK MY SISTERS 960 00:38:37,948 --> 00:38:39,449 IF THEY WOULD BE INTERESTED. 961 00:38:39,450 --> 00:38:40,784 OH, I WANTED TO TALK TO YOU GUYS ABOUT THAT, 962 00:38:40,785 --> 00:38:43,453 ABOUT KENNY DOING THE SINGLE FOR US. 963 00:38:43,454 --> 00:38:44,721 - THE GOSPEL? - NOT HE-- LIKE, 964 00:38:44,722 --> 00:38:46,990 I WANTED TONY DIXON TO MAYBE SUBMIT SOME SONGS, 965 00:38:46,991 --> 00:38:49,025 AND KENNY BE OVERALL IN CHARGE OF IT. 966 00:38:49,026 --> 00:38:51,294 TONY DIXON IS A WRITER AND PRODUCER WHO'S WORKED ON 967 00:38:51,295 --> 00:38:53,263 ME AND BABYFACE'S ALBUM, "LOVE, MARRIAGE, AND DIVORCE," 968 00:38:53,264 --> 00:38:54,798 AND HE'S WORKED WITH SO MANY OTHER GREAT ARTISTS. 969 00:38:54,799 --> 00:38:56,199 I MEAN, IT'S ENDLESS, LIKE ALICIA KEYS 970 00:38:56,200 --> 00:38:58,001 AND ARIANA GRANDE, JUST TO NAME A FEW. 971 00:38:58,002 --> 00:39:00,437 AND I'VE GOTTA CONVINCE TAMAR AND THE REST OF THE GIRLS 972 00:39:00,438 --> 00:39:03,073 THAT HE IS THE RIGHT PERSON TO PRODUCE 973 00:39:03,074 --> 00:39:04,841 OR WRITE THE SINGLE. 974 00:39:04,842 --> 00:39:07,745 WHAT'S YOU GUYS' THOUGHTS? - I HAVE A QUESTION ON BABYFACE. 975 00:39:10,481 --> 00:39:11,781 - WE GONNA GET THE FAMILY RATE. - OH, GOOD. 976 00:39:11,782 --> 00:39:13,651 WE'RE GONNA GET THE FAMILY SISTERS RATE. 977 00:39:15,720 --> 00:39:17,020 NO, BUT IT'D BE TONY DIXON, 978 00:39:17,021 --> 00:39:19,923 AND KENNY WOULD JUST BE OVERSEEING IT. 979 00:39:19,924 --> 00:39:22,792 AND, KENNY'S WITH DEF JAM MOTOWN, LIKE I AM. 980 00:39:22,793 --> 00:39:26,229 - OH, OKAY. - ARE WE SIGNING, UH, DEF JAM? 981 00:39:26,230 --> 00:39:29,733 NO, I'M JUST THINKING THAT'S WHERE THE DEAL COULD BE THROUGH. 982 00:39:29,734 --> 00:39:31,534 THEY OFFERED US THE DEAL. 983 00:39:31,535 --> 00:39:34,271 THAT'S THE ONLY PERSON WHO OFFERED US A DECENT DEAL. 984 00:39:36,741 --> 00:39:38,041 - USE YOUR WORDS. - DID YOU SAY, 985 00:39:38,042 --> 00:39:39,142 YOU HAVE A PROBLEM WITH GIVING AWAY YOUR COIN'? 986 00:39:39,143 --> 00:39:41,811 TO WHO? 987 00:39:41,812 --> 00:39:43,913 I MEAN, YOUR RECORD LABEL DIDN'T OFFER US A DEAL. 988 00:39:43,914 --> 00:39:45,648 YOU CAN'T DO IT UNLESS YOU GET A DEAL. 989 00:39:45,649 --> 00:39:46,583 YEAH, WHY YOU CAN'T? 990 00:39:46,584 --> 00:39:47,851 I'M NOT DOING IT INDEPENDENTLY. 991 00:39:47,852 --> 00:39:49,018 I'M NOT SPENDING ANY OF MY MONEY. 992 00:39:49,019 --> 00:39:50,153 ALL I'M SAYING IS, 993 00:39:50,154 --> 00:39:51,321 YOU GOTTA HIRE INDEPENDENT PEOPLE, REGARDLESS. 994 00:39:51,322 --> 00:39:52,322 YEAH, YOU DO, BUT YOU DON'T HAVE TO SPEND THE MONEY 995 00:39:52,323 --> 00:39:54,090 FOR THE PRODUCER... - IT'S THE SAME PEOPLE. 996 00:39:54,091 --> 00:39:56,226 - THE STUDIO, HAIR AND MAKEUP. - WHAT'S THE DIFFERENCE? 997 00:39:56,227 --> 00:39:57,260 YOU'RE PAYING FOR IT, ANYWAY-- YOU DON'T GET IT. 998 00:39:57,261 --> 00:39:58,495 - NO, YOU DON'T-- NO, YOU DON'T. - LIES. 999 00:39:58,496 --> 00:40:00,130 - BUT, YOU DON'T SPEND THE MONEY UP FRONT. - LIES. 1000 00:40:00,131 --> 00:40:01,498 NOBODY'S TRYING TO SPEND OUT $200,000. 1001 00:40:01,499 --> 00:40:03,066 - THAT'S NOT TRUE, TONI. - THAT'S $200,000 EACH, TAMAR. 1002 00:40:03,067 --> 00:40:04,634 TONI, THAT IS NOT TRUE-- NO-NO, IT'S NOT. 1003 00:40:04,635 --> 00:40:05,969 I'M TELLING YOU. 1004 00:40:05,970 --> 00:40:07,604 IT'S $85,000 FOR US TO MOVE. 1005 00:40:07,605 --> 00:40:10,607 TRINA WAS LIKE, "20 YEARS, 20 YEARS." 1006 00:40:10,608 --> 00:40:12,442 TONI WASN'T PUTTIN' OUT NO INDEPENDENT RECORD 1007 00:40:12,443 --> 00:40:14,544 THOSE 20 YEARS. 1008 00:40:14,545 --> 00:40:15,845 SHE HAD A RECORD DEAL DIFFERENT. 1009 00:40:15,846 --> 00:40:17,247 THEY PAID FOR EVERYTHING, BACK THEN. 1010 00:40:17,248 --> 00:40:18,648 IT AIN'T THAT NOW. 1011 00:40:18,649 --> 00:40:19,849 IT DOESN'T MATTER. 1012 00:40:19,850 --> 00:40:21,117 I KNOW WHAT THE I PAID, TRINA, 1013 00:40:21,118 --> 00:40:23,052 FOR "LOVE AND WAR"-- I KNOW-I KNOW WHAT I SPENT OUT. 1014 00:40:23,053 --> 00:40:24,220 NUMBER ONE, NUMBER ONE, NUMBER ONE-- 1015 00:40:24,221 --> 00:40:25,688 BUT, THAT'S YOU-- IT'S INDIVIDUAL. 1016 00:40:25,689 --> 00:40:27,657 TAMAR'S TELLING TONI, "OH, YOU DON'T KNOW. 1017 00:40:27,658 --> 00:40:29,092 "YOU DON'T KNOW-- YOU DON'T KNOW." 1018 00:40:29,093 --> 00:40:30,326 AND I'M LIKE, HOW DOESN'T SHE KNOW? 1019 00:40:30,327 --> 00:40:32,362 SHE'S BEEN IN THE BUSINESS FOR OVER 20 YEARS. 1020 00:40:32,363 --> 00:40:33,863 "WHAT DO YOU MEAN?" 1021 00:40:33,864 --> 00:40:35,765 WHY ARE YOU TAKING IT PERSONALLY, TAMAR? 1022 00:40:35,766 --> 00:40:37,801 NO ONE SAID, "TAMAR, YOU DON'T KNOW." 1023 00:40:37,802 --> 00:40:40,804 ALL I WAS SUGGESTING IS THAT TONI DOES KNOW, 1024 00:40:40,805 --> 00:40:43,339 AND, ACTUALLY, SHE HELPED TEACH YOU EVERYTHING YOU KNOW. 1025 00:40:43,340 --> 00:40:44,641 BUT, DON'T BE SMARTASS. 1026 00:40:44,642 --> 00:40:46,843 DON'T BE SMARTASS WHEN YOU AIN'T SPEND NO COIN LIKE THAT. 1027 00:40:46,844 --> 00:40:48,044 LET ME TELL YOU SOMETHING, TAMAR. 1028 00:40:48,045 --> 00:40:49,212 DON'T DO THAT, TRINA BRAXTON. 1029 00:40:49,213 --> 00:40:50,280 I'M GONNA TELL YOU, DON'T DO THAT, TAMAR BRAXTON. 1030 00:40:50,281 --> 00:40:51,448 - YOU DON'T KNOW. - YES, I DO KNOW, ACTUALLY. 1031 00:40:51,449 --> 00:40:51,948 WHAT I'M TRYING TO TELL YOU IS THAT YOU DON'T KNOW. 1032 00:40:51,949 --> 00:40:53,082 YES, I DO KNOW. 1033 00:40:53,083 --> 00:40:53,783 BUT, HOW ARE YOU GONNA TELL SOMEBODY, "20 YEARS," 1034 00:40:53,784 --> 00:40:54,884 AND BE A LITTLE SMARTASS? 1035 00:40:54,885 --> 00:40:55,718 LIKE, THAT AIN'T GOT NOTHIN' TO DO WITH NOTHING. 1036 00:40:55,719 --> 00:40:56,786 NO, I'M NOT BEING A SMARTASS. 1037 00:40:56,787 --> 00:40:57,654 THAT'S WHAT YOU'RE-THAT'S WHAT YOU'RE TAKING IT. 1038 00:40:57,655 --> 00:40:58,788 OKAY, GUYS-- ENOUGH-ENOUGH-ENOUGH. 1039 00:40:58,789 --> 00:41:00,323 - NO, TONI-- NO, STOP. - WHAT YOU MEAN BY, "20 YEARS?" 1040 00:41:00,324 --> 00:41:01,357 BECAUSE LET ME TELL YOU SOMETHIN'. 1041 00:41:01,358 --> 00:41:02,625 WHAT YOU MEAN BY, "20 YEARS?" 1042 00:41:02,626 --> 00:41:03,493 WHAT YOU MEAN BY, "20 YEARS?" - I'M NOT GONNA SIT THERE-- 1043 00:41:03,494 --> 00:41:04,894 WELL, WHAT DO YOU MEAN, BY TELLING-- 1044 00:41:04,895 --> 00:41:06,362 THEN WHAT DO YOU MEAN BY TELLING TONI THAT SHE DOESN'T KNOW? 1045 00:41:06,363 --> 00:41:08,064 - I CAN HAVE AN OPINION. - YES, SHE DOES KNOW, 1046 00:41:08,065 --> 00:41:09,466 'CAUSE SHE PAVED THE WAY FOR ALL OF US. 1047 00:41:09,467 --> 00:41:10,500 SO, YES, SHE DOES KNOW. 1048 00:41:10,501 --> 00:41:11,734 I'M NOT GONNA GET INVOLVED WITH IT. 1049 00:41:11,735 --> 00:41:13,336 I KNOW MY MERIT-- I KNOW MY WORTH. 1050 00:41:13,337 --> 00:41:15,672 AND I'M NOT GONNA HAVE AN ARGUMENT WITH MY BABY SISTER 1051 00:41:15,673 --> 00:41:17,540 ABOUT MY YEARS IN THE BUSINESS, AND HOW-- 1052 00:41:17,541 --> 00:41:19,042 MY CONTRIBUTION. 1053 00:41:19,043 --> 00:41:20,677 - NOBODY PAVED THE WAY FOR ME. - YES, SHE DID. 1054 00:41:20,678 --> 00:41:22,278 - JESUS PAVED THE WAY FOR ME! - TAMAR, YES, SHE DID. 1055 00:41:22,279 --> 00:41:23,646 JESUS HAS PAVED THE WAY FOR ME! 1056 00:41:23,647 --> 00:41:24,814 YES, SHE-- OH, MY GOD-- TONI, YES, YOU DID. 1057 00:41:24,815 --> 00:41:26,249 JESUS HAS PAVED THE WAY FOR ME. 1058 00:41:26,250 --> 00:41:27,817 I'M SO SORRY ABOUT THAT. - AND G-G-GUESS WHAT-- 1059 00:41:27,818 --> 00:41:28,918 JESUS PAVED THE WAY FOR ALL OF US. 1060 00:41:28,919 --> 00:41:30,153 DON'T BE SORRY FOR WHAT JESUS GAVE. 1061 00:41:30,154 --> 00:41:31,988 - OKAY-- WELL, I'M JUST SAYIN'. - BUT, YES, SHE DID. 1062 00:41:31,989 --> 00:41:33,923 HOW DARE YOU SAY THAT TONI DIDN'T PAVE THE WAY? 1063 00:41:33,924 --> 00:41:35,625 HOW DARE YOU SAY THAT? 1064 00:41:35,626 --> 00:41:37,260 - DON'T DO THAT. - NO, DON'T YOU DO THAT, 1065 00:41:37,261 --> 00:41:38,728 'CAUSE I'M NOT-- - OKAY, GUYS. 1066 00:41:38,729 --> 00:41:40,396 THAT'S ENOUGH-- THAT'S IT. - NO, TONI. 1067 00:41:40,397 --> 00:41:41,999 NO, TONI-- NO. - THAT'S IT. 1068 00:41:43,534 --> 00:41:44,868 GO-- GO. - UH, T-TAMAR, GUESS WHAT. 1069 00:41:44,869 --> 00:41:46,169 YOU COULDN'T READ IF A BOOK WAS IN FRONT OF YOU. 1070 00:41:46,170 --> 00:41:47,770 OH, GIRL, I'VE READ YOU A MILLION TIMES, OKAY? 1071 00:41:47,771 --> 00:41:49,439 READ ME NOW-- READ ME NOW. 1072 00:41:54,845 --> 00:41:56,379 - I'M LISTENING. - READ ME NOW. 1073 00:41:56,380 --> 00:41:58,615 - GO AHEAD-- I'M LISTENING. - APPARENTLY, YOU'RE NOT. 1074 00:41:58,616 --> 00:42:01,317 - NO, APPARENTLY, YOU AREN'T. - SWEETHEART, GUESS WHAT. 1075 00:42:01,318 --> 00:42:02,952 I DON'T EVEN HAVE THE TIME FOR IT. 1076 00:42:02,953 --> 00:42:04,254 - OKAY. - I CAN'T TELL. 1077 00:42:04,255 --> 00:42:06,122 - YOU CAN, ACTUALLY. - OH, OKAY. 1078 00:42:06,123 --> 00:42:08,191 WELL, "T-E-L-L," BITCH-- HOW ABOUT THAT? 1079 00:42:08,192 --> 00:42:10,293 DID YOU JUST-DID YOU JUST CALL ME A BITCH? 1080 00:42:10,294 --> 00:42:11,761 AM-AM I THE-- AM I THE SAME BITCH 1081 00:42:11,762 --> 00:42:13,296 THAT YOU PUT OUT DURING YOUR SHOW? 1082 00:42:13,297 --> 00:42:15,365 WHOO! 1083 00:42:15,366 --> 00:42:17,667 FOR THE SAKE OF THE SISTERHOOD, 1084 00:42:17,668 --> 00:42:21,504 WE NEED TO KEEP IT REAL, BE HONEST ABOUT IT, 1085 00:42:21,505 --> 00:42:24,807 AND TALK ABOUT WHAT HAPPENED AT TAMAR'S SHOW, 1086 00:42:24,808 --> 00:42:26,976 EVEN IF IT'S NOT GONNA BE PRETTY. 1087 00:42:26,977 --> 00:42:29,446 I CAME TO YOU AND PUT YOU OUT? 84116

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.