Original subtitles

DURING "HOT SUGAR," WE ARE GONNA COME OUT.

- I THINK TAMAR MIGHT BE UPSET. - SHE'S GONNA BE HAPPY.

IT'S FINALLY TIME FOR HER TO HAVE

HER FIRST HEADLINING TOUR,

AND EVERY DETAIL NEEDS TO BE PERFECT.

WE PROMISE YOU'RE GONNA SEE US.

- I DON'T WANNA SEE YA. - WHY NOT?

WHAT YOU MEAN?

'CAUSE IF I SEE YA, IT'LL THROW ME OFF.

I HOPE TAMAR LOVES OUR SURPRISE,

BUT IF THIS BACKFIRES, IT COULD BE A DISASTER,

AND OPEN UP A WHOLE NEW CAN OF DRAMA.

♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪

♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪

♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪

♪ WILL TEACH YOU A THING OR TWO ♪

♪ ON BRAXTON FAMILY VALUES ♪

I CANNOT BELIEVE THAT I HAVE MY OWN SOLD OUT TOUR.

YEAH, I'M SO EXCITED TO BE PERFORMING IN ATLANTA

BECAUSE, YOU KNOW, FOR ME, IT'S LIKE MY SECOND HOME.

AND, YOU KNOW, I'M JUST EXCITED, TOO,

BECAUSE, YOU KNOW, MY SISTERS HAVEN'T SEEN MY SHOW YET,

AND MY MOM AND EVERYBODY'S COMING OUT TO SUPPORT ME,

AND IT JUST FEELS AMAZING TONIGHT.

LOGAN'S GONNA OPEN UP TONIGHT.

- YAY! - YAY!

SO, TONI IS REARRANGING HER SHOW

FOR HER NEW UPCOMING TOUR, OKAY?

AND SHE COULD NOT MAKE IT TO TAMAR'S SHOW.

I'M JUST GLAD THAT ME, TRINA, AND TRACI

WERE ABLE TO COME HERE TO SUPPORT TAMAR.

- I'M SO PROUD OF YOU, MONSTER. - WHY?

BECAUSE YOU'RE HERE, YOU'RE DOING IT,

AND YOU'RE BY YOURSELF. - BY YOURSELF.

- WHY-- BECAUSE IT'S ATLANTA? - WHY?

YES.

MY SISTERS AND I HAVE BARELY, LIKE,

SPOKEN OVER THE LAST FEW WEEKS BECAUSE, YOU KNOW,

I'M ON TOP RIGHT NOW.

BUT, THIS SHOW IS VERY IMPORTANT TO ME BECAUSE,

YOU KNOW, THEY'RE HERE, AND I WANT THEM TO BE HERE.

BUT, THEY ALSO MAKE ME A LITTLE NERVOUS

BECAUSE I REALLY WANT THEM TO WALK AWAY FEELING PROUD

AND EXCITED.

- BUT, YOU DID ATLANTA BEFORE. - BUT, I WASN'T TWERKIN',

AND IT'S A DIFFERENT KINDA RESPONSIBILITY.

OH...

- TWERKING'S A RESPONSIBILITY? - THAT'S A RESPONSIBILITY?

IF YOU IN ATLANTA, YOU GOTTA DO YOUR THING, HONEY.

YOU GOTTA DO IT RIGHT-- WAIT A MINUTE.

WHAT SONG YOU TWERK ON, AGAIN, TAMAR?

- ABOUT FIVE. - YOU TWERK ALL NIGHT?

OKAY, NAME TWO OF 'EM.

BUT, TAMAR, WHICH ONE DO YOU REALLY GET DOWN AND DIRTY ON?

- UM, UH-- - WHAT ABOUT "HOT SUGAR?"

"HOT SUGAR" I REALLY TWERK ON.

I TWERK ON EVERY SINGLE SONG THAT I POSSIBLY CAN.

EVERY ONE?

TAMAR HAS NOTHING TO WORRY ABOUT, OKAY?

"HOT SUGAR" IS GOING TO BE ONE HOT

TWERK-A-TWERK-A-TWERK-A-LISTIC PERFORMANCE TONIGHT.

YOU KNOW, ONCE TRINA, TRACI, AND I POP ON STAGE.

IT'S GONNA BE

♪ POPPIN' POPPIN' POPPIN' ♪

WHAT-- YO.

OH, GOOD-- WE CAME IN AT TIME TO PRAY.

HALLE-LOO-- HALLE-LOO.

HI, MAMA'S BOY.

Y'ALL BOTH GOT YOUR TONGUES HANGING OUT YOUR MOUTH RIGHT NOW.

THAT'S 'CAUSE WE'RE BOTH THIRSTY.

HERE WE GO-- HOLD MY HAND.

- OKAY, GET YOUR LIFE. - GO AHEAD, SCOTT.

FATHER GOD, WE THANK YOU FOR THE BLESSING OF TONIGHT, LORD.

WE THANK YOU FOR THIS SOLD OUT CROWD, FATHER,

WHO WE GET THE OPPORTUNITY TO PERFORM FOR, FATHER.

WE THANK YOU FOR TAMAR'S GIFT, FATHER.

LET HER PERFORM ALL HER VOCALS, FATHER, WITH PASSION.

LET THE-LET THE NOTES BE TRUE, FATHER.

WE THANK YOU FOR THE DANCERS, LORD,

THAT THEIR STEPS ARE ORDERED OF YOU, LORD.

WE THANK YOU THAT THEY'RE IN THE RIGHT PLACE

AT THE RIGHT TIME, FATHER.

WE ASK THE SAME FOR THE CREW, LORD.

FATHER, BLESS THE LEAST TO THE GREATEST, FATHER.

BLESS OUR EARS, BLESS OUR HANDS,

AND OUR INTUITION, LORD.

FATHER, LET US BE IN THE RIGHT PLACE AT THE RIGHT TIME.

FATHER, TELL US WHAT'S GONNA HAPPEN BEFORE IT HAPPENS, FATHER,

SO WE CAN RESPOND AT JUST THE RIGHT MOMENT.

HALLE-LOO.

I'M STILL NOT FULLY CONVINCED

THAT SURPRISING TAMAR ONSTAGE IS A GREAT IDEA.

I AM PRAYING TO MYSELF THAT WE DON'T MESS UP.

WE GIVE YOU THE PRAISE, AND WE GIVE YOU THE GLORY,

FOR IT ALL IN THE NAME OF JESUS.

AMEN.

LOVE YOU, BABY.

I KNOW YOU'RE GONNA HAVE A GREAT SHOW.

I'M GONNA BE SINGING ALL THE SONGS.

KNOCK 'EM DEAD, LITTLE GIRL.

BYE, MAN.

COME ON-- COME ON, DARLING.

- ARE YOU GUYS NERVOUS AT ALL? - NO, NO, NO, NO.

I THINK THIS IS GONNA BE A WONDERFUL SURPRISE.

I WANNA MAKE SURE THAT IT'S PERFECT.

I JUST THINK THAT WE SHOULD JUST DO ONE MORE REHEARSAL

BEFORE WE STEP ON THAT STAGE

BECAUSE WE BRAXTON GIRLS ARE PERFECTIONISTS, OKAY?

OKAY, THIS IS THE SET LIST, RIGHT?

- MMM-HMM. - HERS IS HERE.

I'M THINKING WE SHOULD COME OUT RIGHT HERE.

EVEN IF WE HAVE TO GO ON THIS SIDE OF THE STAGE,

THAT MEANS, RIGHT, TRACI'S GONNA HAVE TO

COME OUT FIRST. - MMM-HMM.

IF WE CAN'T GET ON THE OTHER SIDE.

SEE WHAT I'M SAYIN'?

WELL, LET'S SEE WHAT WE REMEMBER FROM THE DANCE STEPS,

'CAUSE Y'ALL KNOW I GET JUST A LITTLE BIT NERVOUS.

- OKAY, LET'S-LET'S GO. - OKAY, 'CAUSE I'M AL--

I'M ALREADY STARTIN' TO SWEAT-- LOOK AT ME.

I'M GONNA GO THROUGH WITH THIS

BECAUSE TOWANDA REALLY WANTS TO SHOW OUR SUPPORT TO TAMAR,

AND IT'S ONLY 30 SECONDS.

THE WHOLE SONG WOULD JUST BE TOO MUCH REHEARSAL

FOR US TO MESS UP.

SO, 30 SECONDS, JUST ENOUGH TIME.

I'M STILL REALLY NERVOUS, BUT I'LL DO IT.

HEY, GUYS, WHAT YA DOIN'?

GOT IT DOWN PAT, WHATEVER YOU'RE DOING.

WE'RE GONNA SURPRISE TAMAR.

OH, THAT'S SO SWEET.

WE'RE GONNA POP ONSTAGE WITH HER.

- SHE WILL LOVE THAT. - SHOULDN'T SHE?

SHE'S GONNA BE NERVOUS, THOUGH,

'CAUSE SHE SAYS SHE DOESN'T WANNA SEE US.

- OH, SHE DON'T WANNA SEE-- - THAT'S WHAT SHE SAID.

BUT, WHEN SHE TURN HER BACK AND SEE YOU GUYS, LIKE, "OH!"

- SHE'S GONNA BE HAPPY. - HEY, WHAT?

YEAH, SHE'LL BE HAPPY.

WE'RE JUST TRYIN' TO SURPRISE HER.

SHE WOULD LOVE THAT-- THAT SOUNDS GOOD.

MOMMY SEEMS TO THINK THE SURPRISE IS A GOOD IDEA.

SO, MAYBE I'VE BEEN WORRYING FOR NOTHIN'.

SHE'LL PROBABLY LAUGH,

'CAUSE I'M ABOUT READY TO LAUGH.

BUT, IT'S CUTE-- IT'S REALLY CUTE.

- THANKS, MOMMY. - YEAH, I LIKE IT.

I LIKE IT.

HI-- HELLO-HELLO.

HI.

NO, SHE DIDN'T.

HI, EVERYBODY.

WELCOME TO THE TAMARTIAN EXPERIENCE.

SO, THE TAMARTIAN EXPERIENCE IS LIKE

AN EXCLUSIVE MEET AND GREET

FOR JUST A FEW OF MY SPECIAL VIP TAMARTIAN FRIENDS,

RIGHT BEFORE THE SHOW,

WHERE THEY GET TO ASK ME QUESTIONS,

HANG OUT WITH ME, TAKE SOME PICTURES AND STUFF.

AND, HONESTLY, CONNECTING WITH MY TAMARTIAN FRIENDS

ALWAYS GETS ME SUPER EXCITED.

ANYBODY HAVE ANY QUESTIONS YOU WANNA ASK ME,

OR ANYTHING YOU'VE BEEN DYING TO KNOW?

I SAID I WAS MOVING BACK TO ATLANTA?

I-- YOU KNOW WHAT?

FIRST OF ALL, ATLANTA WILL ALWAYS BE KINDA, LIKE,

MY REAL HOMETOWN 'CAUSE I FEEL LIKE I GREW UP

AND GOT TO KNOW MYSELF HERE, RIGHT?

I WAS BORN IN MARYLAND, RIGHT?

BUT, HONESTLY, I SPENT EQUAL AMOUNT OF TIME IN MARYLAND

AS I DID IN ATLANTA.

SO, LIKE, THAT'S LIKE MY SECOND HOMETOWN,

AND, YOU KNOW, I WANNA BE, LIKE, THE BOMB FOR MY HOMETOWN.

I MEAN, MY HOME IS L.A.,

BUT I WOULD LOVE TO GET A PLACE HERE.

MATTER OF FACT, I WAS PROMISED ONE,

BUT I'M GONNA LET THAT SLIDE.

OKAY, ANYBODY ELSE?

BIG.

BIG AND GREAT.

YES?

DO I LOOK LIKE THE BABY FACTORY?

NO-NO, FOR REAL.

I LOOK LIKE THAT GIRL?

NOW, I KNOW THAT IT'S PROVEN THAT VINCE AND I MAKE BEAUTIFUL,

I MEAN, JUST DELICIOUS CHIL'REN, OKAY?

HOWEVER, STAY OUT OF MY UTERUS, M'KAY?

ANYBODY ELSE-- NO?

OKAY-- WELL, FINE, LET'S TAKE SOME PICTURES.

MEW-MEW-MEW.

OOH, I LOVE THE SHIRT-- HI.

LET ME TELL YOU SOMETHIN'.

THERE'S NOTHIN' LIKE GOING TO A CONCERT

AND SEEIN' PEOPLE FUNKY FRESH, DRESSED TO IMPRESS,

AND READY TO PARTY, AND THAT IS EXACTLY

HOW MY TAMARTIAN FRIENDS SHOW UP-- I LOVE IT.

YES, BEAT FOR LIFE-- DONE.

YOU'RE JUST SO PRETTY.

- OH, SO ARE YOU. - THANK YOU.

- HAVE A GOOD TIME, OKAY? - YES.

WHAT ABOUT YOUR EYELASHES?

DON'T CRY TOO MUCH, GIRL.

I'M HERE IN ATLANTA, AT A SOLD OUT SHOW.

ALL MY TAMARTIAN FRIENDS ARE HERE.

MY FAMILY'S HERE-- I MEAN, I ALREADY WON.

NOW, I JUST GOT TO GO AHEAD ON AND PERFORM FOR MY LIFE, HONEY.

WHAT'S UP, ATLANTA?

I SAID, WHAT'S UP, ATLANTA?

I'M YOUR GIRL, TAMAR BRAXTON.

♪ DRINK IN MY CUP SO TURNED UP ♪

♪ ON THE HIGH FEEL THE RUSH ♪

♪ AND THE DJ'S PLAYING MY SONG ♪

ALL OF MY SHOWS HAVE BEEN AMAZING

BECAUSE, YOU KNOW, I PUT A LOT OF WORK INTO IT.

IN ATLANTA, IT JUST FEELS EXTRA SPECIAL

BECAUSE MY SISTERS ARE THERE,

AND MY MOM IS IN THE AUDIENCE, TOO.

IT'S EVERYTHING I WANTED IT TO BE.

YOU KNOW, I'M DANCING MY ASS OFF.

I'M SINGING THAT THROAT BACK, M'KAY?

IT'S AMAZING, AND THE CROWD IS AMAZING,

AND WE'RE ALL HAVING A GOOD TAMARTIAN PARTY.

♪ WATCHING ME ♪

♪ YEAH ♪

OH!

AS WE'RE SITTING IN THE AUDIENCE,

WE ARE HAVING THE TIME OF OUR LIVES,

BUT WE HAD TO GET UP TO GO CHANGE

BECAUSE IT'S ALMOST TIME FOR "HOT SUGAR."

HEY, EVERYBODY.

I'M NOT SURE...

IF EVERYBODY IN THIS ROOM IS A TAMARTIAN FRIEND OR NOT.

I DON'T KNOW.

- OKAY. - WANT ME TO GET OUT?

YEAH, WE'RE GONNA GET-- WE'RE GONNA GET CHANGED.

TOWANDA WANTS US TO HAVE MATCHING COSTUMES,

SO WE'RE GONNA USE SOME OF TONI'S SEMI-RETIRED,

BUT SUPER CUTE OUTFITS THAT WE'VE WORN IN THE PAST.

I DON'T KNOW, I COULD BE WRONG.

MIGHT NOT BE A TAMARTIAN FRIEND, YET.

OKAY.

IF I CAN POP IT? - YEAH, LET'S SEE YOU POP IT.

BUT, WE'RE NOT-- IT'S LIKE--

YEAH, YEAH!

TRINA'S OKAY WITH TWERKIN' A LIT-- SORTA.

IF-WHEN SHE'S NOT BEING STIFF, SHE CAN TWERK.

- OKAY? - I KNEW YOU COULD DO IT.

- WHAT? - I KNEW YOU COULD DO IT.

HONEY, I USUALLY DO IT BEHIND CLOSED DOORS.

I DON'T NEED NOBODY TO SEE WHAT I DO.

IT'S COMING UP SOON.

DID SHE CHANGE INTO THE-THE BLUE?

NOW, I SAID...

THAT'S WHAT'S GONNA GET YOUR MAN HOME.

NOT KEEP HIM THERE.

THAT'S A DIFFERENT FORMULA.

THIS IS LIKE THE HIGHLIGHT OF THE SHOW.

EVERYBODY'S WAITIN' ON "HOT SUGAR."

I'M ACTUALLY WAITIN' ON "HOT SUGAR"

'CAUSE I LIKES TO TWERK ON THAT PART.

SO, LET ME TELL YOU WHAT YOU DO.

YOU PUT YOUR BEST WIG ON...

AND THEN YOU GET DOWN ON THEM KNEES.

TAMAR'S INTRODUCING "HOT SUGAR,"

AND IT'S NOW OR NEVER.

I'M STARTING TO WISH WE CHOSE NEVER,

BUT HERE WE GO.

AND THEN, YOU POP BACK JUST LIKE THAT.

YES, GIRL, YOU BETTER GET YOUR LIFE.

COMING UP, ON "BRAXTON FAMILY VALUES"...

IF YOU WOULD'VE DONE IT AND STUCK TO THE DANG CHOREOGRAPHY.

- NO-NO-NO, TRACI. - YES-YES-YES,

'CAUSE IT LOOKED LIKE YOU WAS A MESS.

I KNOW YOU'RE NOT TALKING, 'CAUSE YOU MESS UP EVERYBODY'S STAGE.

I DIDN'T MESS UP THIS TIME, 'CAUSE YOU SURE ENOUGH DID.

- I DIDN'T DO ANYTHING. - IT'S YOUR SHOW.

I FEEL LIKE, IF ANYBODY OWES-OWES ANYBODY SOMETHING,

THE GIRLS SHOULD COME AND HOLLER AT ME.

YOU PUT YOUR BEST WIG ON...

AND THEN YOU GET DOWN ON THEM KNEES.

AND THEN, YOU POP IT BACK JUST LIKE THAT.

YES, GIRL, YOU BETTER GET YOUR LIFE-- HEY!

♪ Tamar Braxton singing "Hot Sugar" ♪

♪ POP IT POP IT POP IT ♪

THAT AIN'T FUNNY.

I CAN IMMEDIATELY TELL THAT TAMAR IS NOT HAPPY RIGHT NOW,

AND IT'S MAKING IT HARD TO CONCENTRATE ON THE DANCE MOVES,

WHICH IS MAKING IT HARD TO STAY IN SYNC,

AND I WANNA RUN OFF THIS STAGE,

BUT I CAN'T LEAVE TOWANDA AND TRACI.

SO, I'M JUST GONNA KEEP SMILIN' UNTIL THIS DANCING IS OVER.

♪ LADIES JUST SO YOU KNOW ♪

♪ DON'T LEAVE THE HOUSE WITH A LITTLE KISS ♪

♪ WHEN YOUR MAN MAN GOT A BIG EGO ♪

♪ FRONTING ON THE CAKE NO PLAY LIKE I-I-I-I GOTS TO GO ♪

♪ CUT IT OUT GIVE YOUR MAN WHAT HE DREAM ABOUT ♪

I'M LIKE, WHAT THE HELL IS THAT?

WHAT ARE WE DOIN' HERE?

THAT AIN'T CUTE.

♪ DROP IT LOW AND BRING IT BACK ♪

♪ OH HE AIN'T GOTTA ASK 'CAUSE I DO IT FOR MY MAN ♪

♪ HEY WIND IT UP SLOW ♪

♪ PUT HIM ON THE FRONT ROW ♪

♪ TELL HIM WELCOME TO THE SHOW ♪

Y'ALL MIGHT AS WELL COME ON UP HERE.

♪ HE WANT THAT HOT SUGAR HEY ♪

♪ HE WANNA PIECE OF SOMETHING SWEET ALL NIGHT ♪

♪ HE WANT THAT GOOD TO THE LAST DROP LIKE MINE ♪

I MEAN, FOR ME,

IT-IT'S NOT FUNNY TO INFILTRATE SOMEBODY'S STAGE

WITHOUT THEM KNOWING ABOUT IT.

I MEAN, THE CLOTHES WAS ABSOLUTELY WRONG.

THEY LOOKED LIKE THREE SPARKLY TELETUBBIES.

I MEAN, IT WAS JUST-- IT WAS WRONG.

IT WAS TOO TIGHT, IT WAS TOO WRONG,

AND IT WAS WRONG, AND WRONG, AND WRONG, AND WRONG.

♪ WE CAN DO IT NOW OR LATER THAT'S FINE ♪

♪ HE WANT THAT SUGAR ♪

I COULD NOT WAIT FOR THESE 30 SECONDS TO BE OVER.

THIS WAS THE LONGEST 30 SECONDS

I'VE EVER ENCOUNTERED IN MY LIFE.

NO, IT WASN'T FUN!

- HUH? - NO, IT WASN'T.

WHY?

NO, YOU AIN'T EVEN TURNED AROUND NEITHER, TRACI!

YES, I DID!

WHEN WE WERE WALKING OFF THE STAGE,

I WAS GLAD JUST TO SEE THE, UM,

THE AUDIENCE REACT THE WAY THAT THEY REACTED

BECAUSE THAT'S WHAT PEOPLE LIKE TO SEE.

THEY LIKE TO SEE US DO THINGS TOGETHER.

I'M JUST SAYIN'... THE CROWD LOVED IT.

TAMAR WAS A LITTLE UPSET.

I THINK THE SURPRISE, PERHAPS, WAS TOO MUCH FOR HER.

IT TURNED OUT EXACTLY THE WAY I SAID IT WAS GONNA TURN OUT,

BUT NOBODY LISTENS TO TRINA.

WELL, TRINA, IF YOU WOULD'VE GONE WITH THE MOVES

INSTEAD OF DOIN' WHATEVER--

IT DOESN'T MATTER IF SOMEBODY ELSE

DOIN' DIFFERENT CHOREOGRAPHY YOU'RE SUPPOSED TO DO,

THE CHOREOGRAPHY THAT YOU LEARNED.

... OF COURSE, WAS TAMAR, AND WHAT DID SHE SAY?

- WHAT? - "THAT'S NOT FUNNY."

SHE WAS MAD, LIKE I SAID.

- SHE WAS SMILING. - NO, SHE WASN'T-- SHE WAS MAD.

- WAS SHE MAD, THOUGH? - YES.

SHE THREW THE-SHE THREW THE, UH, THE WATER BOTTLE.

THE WATER BOTTLE.

TAMAR THROWS A WATER BOTTLE AT ME.

JUST MISSED ME BY INCHES.

IT'S OKAY.

SHE'S GOING TO KEEP IT CUTE.

AFTER I SAW THE WATER BOTTLE,

THAT'S WHEN I REALLY GOT THROWN.

I WAS LIKE, THIS IS BAD-- THIS IS, LIKE A MESS.

SHE-SHE THREW THE WATER BOTTLE AT TRACI.

SO, I WAS LIKE, OKAY, IT'S A WRAP.

I WAS READY TO JUST WALK OFF THE STAGE,

BUT I WASN'T GONNA JUST LEAVE Y'ALL ON THE STAGE LIKE THAT.

THEN, SHE WAS LIKE, "IT'S NOT FUNNY."

SO, I'M BUSY, LIKE, LOOKING AT HER

'CAUSE I KNOW SHE'S MAD, AND I'M TRYING TO DO IT

IN THE SAME DIRECTION AS THE DANCERS,

'CAUSE TOWANDA WASN'T EVEN PAYING ATTENTION TO TAMAR, ACTUALLY.

TOWANDA WASN'T EVEN PAYING ATTENTION TO NONE OF THE DANCE.

UH-HUH-- YES, I WAS.

I MEAN, I'M JUST PRETTY PISSED OFF, AT THIS POINT,

BECAUSE NOW, I AM COMPLETELY UNFOCUSED.

♪ POP IT POP IT WHAT ♪

♪ POP IT POP IT POP IT HERE WE GO ♪

I FEEL LIKE I CAN'T GIVE THE PEOPLE

WHO PAID THEIR MONEY TO COME SEE ME

THE BEST SHOW THAT I COULD POSSIBLY GIVE RIGHT NOW

BECAUSE I'M JUST SO THROWN OFF.

AND, I KNEW SHE WAS GONNA BE MAD.

AND IT'S JUST-- I KNEW IT-- I KNEW IT.

I KNEW IT, AND I WANT MY DINNER AND MY DRINKS BY EACH OF Y'ALL.

WELL, TRINA, IF YOU WOULD'VE DONE IT AND STUCK TO THE DANG CHOREOGRAPHY.

- NO-NO-NO, TRACI. - YES-YES-YES,

'CAUSE IT LOOKED LIKE YOU WAS A MESS.

I KNOW YOU'RE NOT TALKING, 'CAUSE YOU MESS UP EVERYBODY'S STAGE.

I DIDN'T MESS UP THIS TIME, 'CAUSE YOU SURE ENOUGH DID.

THEY THOUGHT IT WAS DOPE.

WE HAD FUN, AND WE LOOKED CUTE-- THAT'S ALL THAT MATTERS.

IT WAS A FUN MESS.

- IT WASN'T A MESS. - IT WAS.

IT WASN'T A MESS.

WE'VE DONE IT BEFORE WITH TONI.

I JUST DIDN'T THINK IT WAS GONNA BE A BIG DEAL WITH TAMAR.

I DIDN'T THINK.

I DIDN'T.

IT SHOULDN'T HAVE BEEN, AT ALL, BUT OKAY.

♪ POP IT POP IT POP IT ♪

IT'S HER SHOW.

THIS WAS SUPPOSED TO SHOW TAMAR THAT WE SUPPORT HER

AND BRING US CLOSER TOGETHER.

NOW, I DON'T KNOW WHAT TAMAR'S GONNA SAY

WHEN SHE GETS BACKSTAGE.

WELL, IT WAS FUN TO ME.

OKAY, SHE'S GONNA HAVE A FIT.

WELL, SHE MIGHT WAIT UNTIL WE'RE NOT IN FRONT OF PEOPLE,

BUT SHE'S GONNA HAVE A FIT.

IT'S JUST UBER FRUSTRATING

BECAUSE I WAITED MY WHOLE LIFE TO GET TO THIS POINT,

AND THIS IS ONE OF THE BIGGEST SHOWS

OF MY ENTIRE CAREER AND TOUR.

AND, YOU KNOW, FOR SOMEONE TO COME OUT

AND RUIN THAT MOMENT FOR YOU, THAT'S NOT REALLY FAIR TO ME.

SO, AT THE END OF THE DAY--

OR FAIR TO THE PEOPLE THAT SPENT THEIR MONEY.

LET'S TALK ABOUT THAT, BECAUSE I'M AT WORK RIGHT NOW, M'KAY?

ALL RIGHT, THIS IS NOT A FREE CONCERT.

PEOPLE SPENT THEIR LAST HARD-EARNED COIN TO COME SEE ME.

WHAT?

AFTER THE CONCERT,

TAMAR COULD BE HEARD YELLING AND SWEARING ABOUT US GIRLS BEING ON THE STAGE.

THEM M-F'ing B's, THESE FAT B's,

WHICH IS NOT NECESSARY.

AND THEN-AND THEN, THE ULTIMATE, LIKE, DISS-ERIZATION

WAS HAVING YOUR TOUR MANAGER ASKING US TO LEAVE.

PLEASE?

SHE WASN'T TALKING ABOUT Y'ALL.

NU-UH, HE TOLD ME, PERSONALLY.

AND THEN, TAMAR'S STYLIST CAME OUT

AND SAID THAT TAMAR DIDN'T MEAN US.

I DEFINITELY DIDN'T BELIEVE ASHLEY

BECAUSE HER TOUR MANAGER LOOKED ME STRAIGHT IN THE FACE

AND SAID, "I'M SORRY, BUT I HAVE TO ASK YOU TO LEAVE."

I SAID, "WHO, ME?"

HE SAID, "YES, YOU."

I'M TELLING YOU. - I'M TELLING YOU.

HE TOLD ME, PERSONALLY.

SO, I JUST HAVE TO CLEAR UP, FOR ALL OF THIS IS HEARSAY,

BECAUSE I AM IN MY DRESSING ROOM, STILL.

BUT, ASHLEY TOLD ME THAT TRINA SAID THAT, YOU KNOW,

"NO, THAT'S ALL RIGHT-- I'M GOOD.

"I'M-- I MEAN, I'M ALREADY OUT AND BYE."

I BOWED OUT GRACEFULLY,

WENT TO THE CAR, WENT HOME,

AND NEVER SAW TAMAR AFTER THE SHOW.

THIS IS LOVELY.

OH, IT'S ROMANTIC, VERY SISTER-ESQUE.

I JUST GOT TO ATLANTA,

AND I COULDN'T MAKE IT TO TAMAR'S SHOW THE OTHER NIGHT.

I FEEL BAD ABOUT IT, BUT I WAS IN REHEARSALS, IN L.A.

NOW, I HEAR SOMETHING BAD HAPPENED AT THE CONCERT,

BUT I-I DON'T HAVE ALL THE DETAILS.

GUYS, YOU SURE YOU DON'T WANT, LIKE, IT--

WELL, IT'S TEA TIME.

WHY CAN'T WE HAVE A TEA AND HAVE--

'CAUSE WE DON'T-- WE'RE NOT IN THE MOOD TO EAT

RIGHT NOW, ARE WE, GIRLS? - NO.

IS IT REAL-- WAS IT REALLY LIKE THAT?

- IT WAS A MESS. - REALLY?

WHAT-- OKAY, TELL ME WHAT HAPPENED.

SOMEBODY TELL ME.

SO, YOU KNOW, WE WAS SURPRISING TAMAR FOR HER SHOW.

WE GOT OUT THERE AND START, YOU KNOW,

DANCING AND EVERYTHING.

WHEN SHE SAW US, SHE THREW A WATER BOTTLE AT ME,

SAYING, "NOT FUNNY."

SHE MISSED ME BY-BY A HAIR.

THAT'S A SAFETY HAZARD, THOUGH,

WATER ONSTAGE, AND TRYING TO-- - BUT, I ALWAYS WANTED TO FIGHT HER ALL HER LIFE.

BUT SHE THREW A WATER BOTTLE AT TRACI.

TAMAR ASSISTANT PUT HIS HANDS ON TRACI.

HE STOPPED TRACI FROM JUMPING ON ME.

I DID NOT JUMP ON HER.

HE STOPPED TRACI FROM TRYING TO BEAT ME UP,

LIKE SHE ALWAYS DO.

THAT'S A LIE-- YOU'RE A LIAR.

PLEASE, CAN YOU PLEASE TELL THE TRUTH, FOR ONCE?

EVERY TIME SHE'S LUNGED AT ME,

SOMEBODY HAS BEEN THERE TO HOLD HER BACK.

TAMAR WAS IN HER ROOM, CUSSING.

SHE CALLED US ALL TYPES OF M-F'in' B's.

I MEAN, IT WAS A WHOLE RANT. - WHAT-- WAIT A MINUTE.

I MISSED SOMETHING.

I'M SORRY, GO BACK-- WHAT-WHAT DO YOU MEAN?

THAT'S WHAT SHE CALLED US.

"THEM B's COMING UP ON MY SHOW AND"--

"THEM M-F'in' B's-- THEM M-F'in B's,

"THEY DISRESPECT ME AS AN M-F'in' ARTIST."

DOES SHE KNOW Y'ALL-Y'ALL HEARD HER?

- SHE DIDN'T CARE. - SHE DIDN'T.

EVERYBODY HEARD IT.

LIKE, PEOPLE THAT WAS IN THE ROOM NEXT DOOR,

PEOPLE IN THE HALLWAYS, FANS IN THE HALLWAYS,

PEOPLE AROUND THE HALLWAY.

IT WAS JUST A MESS-- IT WAS A MESS.

DIDN'T Y'ALL ASK MOMMY?

DIDN'T MOMMY THINK THIS WAS A GREAT IDEA?

YES, WE DID ASK MOMMY.

AND WE ASKED MOMMY-- WE SAID, "MOMMY, WHAT DO YOU THINK?

"HOW DO YOU THINK TAMAR'S REACTION IS GONNA BE?"

MOMMY SAID, "I THINK SHE'S GONNA LIKE IT."

AND WE SHOWED HER THE MOVES.

WE SHOWED IT TO HER. - AND MOMMY WAS EXCITED.

MOM-AND MOMMY WAS LIKE, "NOW, THAT'S NICE."

SO THAT EVEN MADE US FEEL LIKE, OKAY, GOOD.

WE'RE DOING-- OKAY, GOOD. - MAYBE.

I HAVE TO BE HONEST, TONI.

FOR THE LIFE OF ME, I NEVER THOUGHT

THAT TAMAR WOULD BE UPSET ABOUT US SUPPORTING HER.

- IT GETS WORSE. - WHAT?

- IT'S WORSE-- THERE'S MORE. - YEAH.

COMING UP, ON "BRAXTON FAMILY VALUES"...

IT WAS ONE OF THE MOST HURTFUL THINGS

THAT SHE'S EVER DONE IN LIFE.

I'M STILL VERY HURT, VERY DISAPPOINTED, VERY ANGRY.

YOU DON'T THINK IT'S BAD THAT YOUR PEOPLE KICKED YOUR SISTERS OUT,

AND YOU SHOULDN'T HAVE A CONVERSATION?

"GUYS, I HAD NOTHIN' TO DO WITH"--

SO, NOW, IT'S MY RESPONSIBILITY.

OKAY, FINE, I'LL WEAR IT.

"GUYS, I HAD NO CONVERSA-- I HAD"--

TAMAR, YOU REALLY THINK IT'S LIKE THAT? - I'LL WEAR IT.

I HAVE TO BE HONEST, TONI.

FOR THE LIFE OF ME, I NEVER THOUGHT THAT TAMAR

WOULD BE UPSET ABOUT US SUPPORTING HER.

- IT GETS WORSE. - SO, WHAT?

- IT ESCALATED. - SO, IT-- OH, MORE?

HER TOUR MANAGER COME INSIDE THE ROOM AND SAID,

"I'M SORRY, BUT ALL YOU GUYS HAVE TO LEAVE."

EVERYBODY THAT WAS THERE-- EVERYBODY IN THE ROOM.

I SAID, "WH-WHO, ME?"

HE SAID, "YES, YOU HAVE TO LEAVE."

I'M STILL VERY, VERY HURT, VERY DISAPPOINTED, VERY ANGRY,

BECAUSE I THINK AN APOLOGY WAS NECESSARY,

AND IT-IT NEVER HAPPENED.

WHAT DOES MOMMY SAY?

MOMMY WAS VERY UPSET!

MOMMY CALLED THE TOUR MANAGER OVER THERE

AND ASKED HIM HERSELF.

"DID YOU ASK HER SISTER TO LEAVE?"

HE SAID, "YES, I DID."

MY FEELINGS WAS CRUSHED.

IT WASN'T HURT-- IT WAS CRUSHED.

BUT, TAMAR DIDN'T SPEAK TO ME,

AND NEVER ADDRESSED IT AFTERWARDS.

NEVER-- YOU NEVER TALKED ABOUT ANYTHING AFTER?

I-- LET ME TELL YOU WHAT-- LET ME TELL YOU WHAT SHE TRIED TO DO.

SHE-SHE TEXT ME AND SAID,

"HEY, YOU WANNA HANG OUT AND GO TO A CLUB?"

BUT, I JUST-I WASN'T GONNA SWEEP THAT UNDER THE RUG.

I'M NOT EVEN THERE.

I'M STILL AT TAMAR PUTTING HER SISTERS OUT.

I'M NOT SAYING I'M THE KUMBAYA ONE.

BUT, USUALLY WHEN TAMAR DOES STUFF,

I'M USUALLY VERY DISMISSIVE ABOUT IT.

- YOU ARE. - BUT, I-I CAN'T--

I CAN'T BE DISMISSIVE ABOUT THIS.

IT WAS ONE OF THE MOST HURTFUL THINGS

THAT SHE'S EVER DONE IN LIFE.

SHE PUT US OUT LIKE WE WERE STRANGERS.

I DEFINITELY NEED TO TALK TO TAMAR

AND HEAR HER SIDE OF IT.

IT WAS A MIRACLE THAT THINGS SETTLED DOWN

AFTER THE LAST BLOW-UP BETWEEN TAMAR AND THE GIRLS, SO--

- YOU KNOW, THIS IS THE CLIQUE. - DO YOU REMEMBER--

AND THAT SOUNDS SO CRAZY TO SAY, "CLIQUE."

WE'RE SISTERS-- WE'RE NOT OUTSIDERS.

- YOU LIE. - NO, I'M NOT LYING.

YOU MADE YOURSELF THE OUTSIDER BY LEAVING.

YOU SHOULD'VE STAYED. - NO, Y'ALL DECLARED WAR ON ME.

- WHAT? - IT'S ME, AGAIN.

IT'S REALLY HARD TO KNOW WHAT THE TRUTH IS,

ESPECIALLY WHEN EVERYONE'S SO ANGRY,

AND I DON'T KNOW WHAT'S GONNA HAPPEN THIS TIME.

I HAVE TO TALK TO TAMAR-- I HAVE TO TALK TO HER.

- OKAY-OKAY-OKAY. - AND SAY WHAT?

I JUST WANNA HEAR HER SIDE.

I JUST GOTTA HEAR IT, 'CAUSE I'M IN DISBELIEF.

AND MAY-AND MAYBE SHE'LL GIVE YOU AN ANSWER.

MAYBE SHE'LL SAY TO YOU WHAT SHE WON'T SAY TO US.

I'M IN DISBELIEF.

- HI. - HI.

HI, LADIES-- JUST GOING TO BE THE TWO OF YOU?

- JUST THE TWO-- THANKS. - FOLLOW ME THIS WAY.

I'M HAVING COFFEE WITH TAMAR TO GET TO THE BOTTOM OF THE INCIDENT

WITH THE GIRLS AT THE ATLANTA SHOW.

I KNOW THE OTHER GIRLS ARE HURT AND ANGRY,

BUT I HAVE TO HEAR THE OTHER SIDE.

HOW ARE YOUR SHOWS GOING?

OH, THEY'RE GOING GREAT.

YOU KNOW, I'M HAVING A GOOD TIME.

BUT, YOU GET HAMMER TIME FEET BEING A SUPERSTAR.

WHAT HAPPENED TO MY PRETTY FEET, GIRL?

YOU GET FUGLY FEET.

- UH-UH. - YOU DO.

HOW WAS YOUR GEORGIA SHOW?

UH, IT WAS VERY INTERESTING.

WHY?

THE GIRLS WANTED TO SURPRISE ME.

MMM-HMM.

IT WAS A SURPRISE, YOU KNOW.

RIGHT.

I TURNED AROUND-- DA-DA-DA-DA-- OOH!

I SEE, YOU KNOW, THREE GLITTERED TELETUBBIES.

I'M LIKE, "WAIT-- GIRLS, NO!"

YOU CANNOT CALL 'EM TELETUBBIES.

NO, THE OUTFITS LOOKED LIKE.

SO, I WAS LIKE, "OH, ."

THEN, I TURNED AROUND AGAIN TO MAKE SURE THAT'S EXACTLY

WHAT I SAW-- YEAH, THAT'S WHAT I SAW.

THEN, I SAID, "Y'ALL MIGHT AS WELL COME ON UP HERE."

THE NEXT THING I KNOW, THEY LEFT.

I HEARD IT DIFFERENTLY.

I LIVED IT-- WHAT'D YOU HEAR?

I JUST HEARD IT WASN'T GOOD.

NO, IT WASN'T GOOD, 'CAUSE IT WAS WEIRD.

YOU THREW A BOTTLE OF WATER AT TRACI?

I DIDN'T THROW A BOTTLE OF WATER AT TRACI.

WHERE SHE WAS STANDING, IS WHERE I THREW IT.

WHERE SHE STANDS, IS WHERE I THROW IT

EVERY SINGLE NIGHT, RIGHT?

I DRANK THE WATER...

AND THEN I THROW IT ON THE SIDE.

BUT, WHERE TRACI WAS STANDING,

IS WHERE I THROW IT, SO I HAD TO THROW IT OVER HER,

SO SHE WOULDN'T SLIP AND FALL.

SO...

IF TONI HAD ACTUALLY GONE TO ONE OF MY SHOWS,

NO SHADE, SHE WOULD HAVE SEEN THAT I ACTUALLY

THROW A WATER BOTTLE EVERY SINGLE NIGHT.

♪ POP IT POP IT POP IT ♪

NOW, TRACI, SHE'S BEEN TO TWO OF MY SHOWS, YOU KNOW,

SO I DON'T UNDERSTAND HOW SHE DIDN'T SEE THE FACT

THAT I THROW A WATER BOTTLE EVERY SINGLE NIGHT.

I'M THIRSTY AFTER, YOU KNOW,

I'M, YOU KNOW, TWERKIN' AND STUFF.

- THAT'S IT? - THAT'S IT.

FOR ME, YOU SURPRISE THE FAN, NOT THE ARTIST.

Y'ALL SURPRISED ME LOTS OF TIMES ONSTAGE.

- WHEN? - Y'ALL NEVER SURPRISED ME?

- NAME ONE. - WHEN I WAS IN EUROPE.

"UNBREAK MY HEART" TOUR. - I DON'T REMEMBER THAT.

JUST 'CAUSE YOU DON'T REMEMBER DON'T MEAN IT DIDN'T HAPPEN.

IT WOULD'VE BEEN A GREAT MOMENT

IF THE GIRLS WOULD'VE COME OUT, AND IT WAS PLANNED,

AND, YOU KNOW, WE COULD'VE POPPED IT FOR THE AUDIENCE

AT THE END, AND TURNED AROUND AND GAVE YOU A, YOU KNOW,

"WHAT'S HAPPENING, WHAT YOU DOING WIT' YOUR LIFE"

MOMENT-- SNAP, SNAP, TAKE YOU A COUPLE PICTURES,

BUT NOBODY GAVE ME THAT OPPORTUNITY.

THEY THOUGHT THEY WERE DOING A GOOD THING.

- I DON'T-- - 'CAUSE REMEMBER,

YOU SAID YOUR SISTERS NEVER SUPPORT YOU, AND DA-DA-DA.

IT'S LIKE, WE'RE GONNA BE TAMAR'S DO-WOP-POP-POP GIRLS.

NO MALICIOUSNESS, AT ALL.

YOU'RE A VETERAN, YOU KNOW WHAT I MEAN?

THIS IS, LIKE, MY FIRST TIME DOING EVERYTHING,

AND I DON'T-I DON'T KNOW WHAT TO DO.

YOU KNOW, I'M-I'M JUST FIGURING IT OUT,

REALLY, HONESTLY, SHOW BY SHOW, WHAT TO DO.

YOU KNOW, WHERE TO POSITION MYSELF,

WHERE THE DANCERS SHOULD GO.

YOU KNOW, WHAT SONG SHOULD I DO?

WHAT-WHAT SHOULD I SAY AT A-- YOU KNOW, AT A MOMENT?

YOU KNOW WHAT I'M SAYIN'?

SO, I-I DON'T HAVE THAT MUSCLE YET.

YES, TAMAR GOT SURPRISED ONSTAGE,

AND I COULD SEE HOW THAT COULD THROW YOU OFF, AS AN ARTIST.

I GET IT.

HOWEVER, WHAT I'M REALLY CONCERNED ABOUT

IS WHAT HAPPENED AFTER THE CONCERT.

I HEARD, AFTERWARDS, YOU WEREN'T VERY NICE TO THEM.

I DIDN'T SEE THEM.

YOU DIDN'T HAVE PEOPLE COME AND ESCORT PEOPLE OFF?

THAT WAS BAD, TAMAR.

I'M SORRY-- THAT WAS BAD. - YOU WANNA HEAR FROM ME?

I-I'M ASKING YOU-- IS THAT TRUE?

DID THAT HAPPEN? - OKAY, SO, WHAT HAPPENED WAS,

THE TOUR MANAGER KICKED EVERYONE OUT.

HE TOLD TRINA,

"YOU NEED TO LEAVE." - I-I HEARD THAT.

I WASN'T THERE, THOUGH, TO, YOU KNOW--

BUT, IT'S YOUR SHOW.

YEAH, BUT I WASN'T THERE TO RECTIFY WHO HE SAY,

YOU KNOW, TO GET OUT-- YOU KNOW, I WASN'T THERE.

IF VINCE OR I TOLD MY TOUR MANAGER,

"EVERYBODY GOTTA GO," IT WAS A TOTAL MISUNDERSTANDING.

BECAUSE, AT THE END OF THE DAY,

YOU KNOW, WE PROBABLY DID TELL-TELL EVERYBODY TO GO,

BUT, YOU KNOW, NOT MEANING, YOU KNOW,

MY FAMILY SPECIFICALLY.

BUT, I HEARD YOU WERE VERY MEAN.

I HEARD YOU WERE CURSING THEM OUT AND EVERYTHING.

BUT, I DIDN'T SEE THEM.

HOW WAS I CURSING 'EM OUT, AND I DIDN'T SEE THEM?

"BITCHES IN MY SHOW, UP MY STUFF.

"THEY SHOULD'VE ASKED ME-- IF THEY ASKED ME,

"I WOULD'VE TOLD THEM BITCHES, 'NO.'"

WELL, HOW, IF I DIDN'T SEE THEM?

BECAUSE PEOPLE WAS NEXT DOOR AND HEARD YOU,

AND THAT'S HOW THINGS GET OUT.

THAT'S MY FAULT, TOO?

I MEAN, HONEST TO GOD, I CANNOT TELL YOU VERBATIM

WHAT CURSE WORDS THAT I SAID,

BUT I WAS CUSSIN' EVERYBODY OUT.

I WAS CUSSIN' A BOTTLE OF PERRIER OUT.

IT DIDN'T MATTER.

KETTLE ONE-- EVERYBODY GOT CUSSED OUT THAT NIGHT.

AFTER THEY GOT OFF THE STAGE,

I DIDN'T SEE THEM UNTIL-- - WHY DIDN'T YOU SEE THEM?

I DON'T KNOW WHERE THEY WERE.

YOU KNOW, USUALLY, WHEN YOU-- - YOU CAN SAY,

"I WANNA SEE MY SISTERS-- WHERE ARE THEY?

"HAVE 'EM COME IN HERE."

USUALLY, WHEN YOU GET OFF THE STAGE,

WHOSE EVER IN YOUR DRESSING ROOM IS IN YOUR DRESSING ROOM.

BUT, I'D BE LIKE, "GO GET MY SISTERS."

I'VE DONE IT LOTS OF TIMES.

"GO GET MY SISTERS-- HAVE 'EM COME BACK HERE."

WELL, BY THE TIME I GOT IN MY DRESSING ROOM,

YOU KNOW, I GUESS WHO I WANTED TO BE THERE, WAS IN THERE.

SO, YOU KNOW, I DON'T KNOW.

WELL, IF I WOULD'VE SEEN THE GIRLS AFTER THE SHOW...

LIKE, OKAY, LIKE, FOR ME,

IF I WOULD'VE JUMPED ON SOMEBODY'S STAGE,

I WOULD'VE BEEN IN THEIR DRESSING ROOM, BE LIKE, OKAY,

"OH, GIRL, I'M SORRY.

"IT DIDN'T GO, YOU KNOW, AS I PLANNED-- MY BAD."

I WOULD'VE DID THAT, BUT THAT'S JUST ME.

YOU KNOW, BUT THEY WASN'T IN MY ROOM WHEN I GOT,

YOU KNOW, OFF STAGE.

I'M JUST TRYING TO FIGURE OUT WHY EVERYBODY

TRYING TO FIGURE OUT HOW TO MAKE THIS AN ISSUE FOR TAMAR.

LIKE, TAMAR DIDN'T DO ANYTHING. - BECAUSE IT'S YOUR SHOW.

I SHOWED UP TO MY WORK-- I DID MY WORK.

THE GIRLS CAME ONSTAGE.

IT WASN'T THE BEST SITUATION.

AND NOW, IT'S MY FAULT?

I DON'T OWE NOBODY NOTHIN'.

I FEEL LIKE, IF ANYBODY OWES-OWES ANYBODY SOMETHING,

THE GIRLS SHOULD COME AND HOLLER AT ME.

LIKE, "YOU KNOW WHAT, TAMAR,

"THIS IS WHAT WE WAS TRYING TO DO, BLAH-BLAH-BLAH,

"WOO-DEE-WOO, AND THIS IS HOW THIS ENDED UP."

YOU DON'T THINK THAT'S BAD THAT YOUR PEOPLE

KICKED YOUR SISTERS OUT,

AND YOU SHOULDN'T HAVE A CONVERSATION?

SO, NOW, IT'S MY RESPONSIBILITY?

OKAY, FINE, I'LL WEAR IT. - "GUYS, I HAD NO CONVERSA"--

TAMAR, YOU REALLY THINK IT'S LIKE THAT?

I'LL WEAR IT.

COMING UP, ON "BRAXTON FAMILY VALUES"...

BECAUSE WHAT YOU THINK IS A GREAT IDEA

MAY NOT BE A GREAT IDEA TO HER.

I WILL NEVER SAY THAT THIS WAS A BAD IDEA.

NEVER SAY THAT THIS WAS A BAD IDEA.

SHE PAVED THE WAY FOR ALL OF US.

- NOBODY PAVED THE WAY FOR ME. - YES, SHE DID.

- JESUS PAVED THE WAY FOR ME! - TAMAR, YES, SHE DID.

JESUS HAS PAVED THE WAY FOR ME!

YES-- OH, MY GOD-- TONI, YES, YOU DID.

OKAY, GUYS, THAT'S ENOUGH-- THAT'S ENOUGH.

THAT'S IT. - NO, TONI-- NO, TONI-- NO.

HEY, EVERYBODY.

GIRL, YOU BETTER GET YOUR LIFE.

YEAH, BABY, GET YOUR LIFE.

♪ POP IT POP IT POP IT ♪

♪ POP IT POP IT POP IT ♪

THAT AIN'T FUNNY.

♪ LADIES JUST SO YOU KNOW ♪

♪ DON'T LEAVE THE HOUSE WITH A LITTLE KISS ♪

♪ WHEN YOUR MAN MAN GOT A BIG EGO ♪

♪ FRONTING ON THE CAKE NO PLAY LIKE I-I-I-I GOTS TO GO ♪

♪ CUT IT OUT GIVE YOUR MAN WHAT HE DREAM ABOUT ♪

♪ T-SHIRT AND SOME HEELS ON WHILE HE CHASE YOU ALL AROUND THE HOUSE ♪

♪ I GET 'EM REAL BAD DROP IT LOW AND BRING IT BACK ♪

♪ OH HE AIN'T GOTTA ASK 'CAUSE I DO IT FOR MY MAN ♪

♪ HEY WIND IT UP SLOW PUT HIM ON THE FRONT ROW ♪

♪ TELL HIM WELCOME TO THE SHOW SHE DO THAT FOR HER MAN ♪

Y'ALL MIGHT AS WELL COME ON UP HERE-- HEY!

♪ HE WANT A PIECE OF SOMETHING SWEET ALL NIGHT ♪

♪ HE WANT THAT GOOD TO THE LAST DROP LIKE MINE ♪

♪ HE WANT THE SUGAR HE WANT THE SUGAR ♪

♪ HE WANT THE SUGAR SUGAR ♪

♪ HEY I'LL BE HIS SWEET LITTLE MAMA ALL THE TIME ♪

♪ AND WE CAN DO IT NOW OR LATER THAT'S FINE ♪

♪ HE WANT THE SUGAR ♪

♪ HE WANT THE SUGAR SUGAR ♪

YOU DON'T THINK THAT'S BAD THAT YOUR PEOPLE

KICKED YOUR SISTERS OUT,

AND YOU SHOULDN'T HAVE A CONVERSATION?

"GUYS, I HAD NOTHIN' TO DO WITH"--

SO, NOW, IT'S MY RESPONSIBILITY?

OKAY, FINE, I'LL WEAR IT. - "GUYS, I HAD NO CONVERSA"--

TAMAR, YOU REALLY THINK IT'S LIKE THAT?

- I'LL WEAR IT-- IT IS. - THAT'S TERRIBLE, TAMAR--

BECAUSE I DIDN'T HAVE NOTHING TO DO WITH THEM COMING OUT.

"GUYS, I DON'T KNOW WHAT-- I HAD NOTHING TO DO WITH IT, GUYS.

"I WOULD NEVER HAVE YOU GUYS KICKED OUT."

- I TOLD TRINA THAT. - YOU CAN TELL THEM.

I WASN'T GONNA KISS THEIR ASS AND RUN 'EM OVER.

THAT'S NOT CALLED KISSING THEIR--

I TRIED TO MAKE AMENDS AND TALK TO THE GIRLS.

THE NEXT DAY, I HAD AN AFTER PARTY.

- MMM-HMM. - SO, I CALLED THE GIRLS,

EVERYBODY, ONE BY ONE.

I SAID, "I'M GONNA MAKE SOME DINNER.

"WE'RE GONNA GET IN THE CAR, AND WE'RE GONNA GO TO THE CLUB."

COOL, COOL, COOL.

SO, THEY GAVE ME A GUEST LIST AND EVERYTHING.

FINE-- GREAT.

THEY DIDN'T COME.

NO ONE CANCELED.

I FOUND OUT-- YOU WANNA SEE THE TEXT?

LET ME SHOW YOU THE TEXT.

I HAVE TO ADMIT THAT, YOU KNOW, MOST OF THE TIME,

I HAVE NOT BEEN THE BEST SISTER.

I HAVE NOT BEEN THE BEST LISTENER.

BUT, AT THE END OF THE DAY,

I AM NOT TRYING TO MAKE ENEMIES OUT OF MY SISTERS.

LIKE, I AIN'T-I AIN'T GETTIN' NOTHIN' OUT OF THAT.

THAT-- WHERE THAT GONNA LEAVE ME?

SO, "ARE YOU SERIOUSLY CANCELING ON ME?"

NO RESPONSE.

"WOW-- I COOKED, AGAIN.

"WHY YOU AIN'T JUST CALL ME?"

NO RESPONSE-- "HELLO?"

WHAT CAN I DO, IF I WASN'T THERE,

AND I'M TRYING TO MAKE AMENDS?

WHAT CAN I DO ABOUT IT?

I WASN'T THERE. - YOU CALLED THE GIRLS AND SAID,

"COME TO THE PARTY-- I'M HAVING A PARTY.

"WE SHOULD ALL GET TOGETHER AND TALK."

YES, I DID.

NOBODY WANTS TO BELIEVE

THAT TAMAR CAN ACTUALLY DO THE RIGHT THING.

YOU SHOULD PROBABLY JUST TALK TO THEM,

'CAUSE I DON'T KNOW-- I WASN'T THERE.

I'M REALLY NOT INTERESTED IN ANOTHER TAMAR-VENTION,

'CAUSE THAT'S WHAT IT TURNS INTO.

NO, WE WILL NEVER HAVE THAT, AGAIN.

I PROMISE YOU THAT-- THAT WOULD NEVER HAPPEN.

I'M NOT INTERESTED IN FIGHTING.

I DON'T THINK ANYBODY WANTS TO FIGHT ANYMORE.

KINDA PAST THAT.

WELL, YOU KNOW, SHE'S NOT A FIGHTER.

SHE'S A LOVER-- LET'S GO. - I KNOW THAT'S RIGHT.

COME ON IN.

I THINK I'M GONNA SIT ON THE END.

TONI THOUGHT IT WOULD BE A GOOD IDEA FOR US ALL

TO MEET WITH DR. SHERRY,

IN REGARD TO WHAT HAPPENED AFTER THE CONCERT,

AND I WISH WE COULD ALL BE HERE,

BUT IT'S JUST TOWANDA, TRACI, AND I.

I AM REALLY, REALLY GLAD YOU COULD COME TODAY.

I WAS THERE, I CAME TO THE SHOW,

AND I WAS QUITE CONCERNED

BECAUSE I REALLY DIDN'T KNOW WHAT WAS REALLY GOING ON,

AND I JUST KNEW EVERYONE WAS ASKED TO LEAVE,

AND WE ALL LEFT.

AT LEAST, I DID-- WHAT HAPPENED?

THAT 30-SECOND SNIPPET THAT WE HAD IN TAMAR'S SHOW,

IT WAS MY IDEA TO DO THAT,

TO SUPPORT TAMAR. - OKAY.

AND IT TURNED INTO SOMETHING INCREDIBLY HORRIBLE BECAUSE,

AFTER SHE GOT OFF STAGE, SHE CURSED US OUT.

WELL, SHE DIDN'T SAY IT TO US DIRECTLY,

BUT SHE SAID IT LOUD ENOUGH FOR SO MANY PEOPLE TO HEAR.

YOU KNOW, CALLING US M-F'ing B's.

OH, MY GOODNESS.

THEN HAD HER PEOPLE PUT US OUT OF THE BUILDING.

- YEAH. - YEAH.

WHAT DO YOU THINK SHE MUST'VE THOUGHT

WHEN SHE TURNED AROUND AND, GOD, MY SISTERS ONSTAGE,

AT MY SHOW?

WE DON'T KNOW-- IT'S UNPREDICTABLE.

DO YOU THINK-DO YOU THINK SHE WOULD'VE EMBRACED YOU?

I DON'T KNOW.

I DIDN'T KNOW WHAT SHE WAS GONNA FEEL.

TONI HAS ALWAYS SHARED HER STAGE

WITH EVERY ONE OF HER SISTERS.

SO, THEREFORE, KNOWING THE HISTORY OF OUR FAMILY,

YOU WOULD NEVER THINK THAT IT WOULD BE ESCALATED

TO THIS LEVEL OF ANGER. - RIGHT.

JUST BECAUSE WE WANTED TO GET ONSTAGE TO SUPPORT YOU.

HOW YOU'RE DEFINING SUPPORT

IS TO SOUND LIKE A GREAT GESTURE, GREAT IDEA,

'CAUSE YOU PUT A LOT OF WORK INTO IT.

BUT, HOW SHE DEFINED IT AND HOW SHE MAY RECEIVED IT,

OBVIOUSLY, IT WAS TWO DIFFERENT THINGS.

BECAUSE WHAT YOU THINK IS A GREAT IDEA

MAY NOT BE A GREAT IDEA TO HER.

I WILL NEVER SAY THAT THIS WAS A BAD IDEA.

NEVER SAY THAT THIS WAS A BAD IDEA,

BECAUSE OF THE INTENTION.

WHAT MADE YOU THINK THAT SHE'S GONNA SAY,

"I AM SO GLAD YOU'RE HERE?"

WHEN TRINA WENT ON THE ROAD WITH TAMAR, TRINA--

SHE PULLED TRINA ONSTAGE. - OKAY.

WHEN SHE CAME TO MARYLAND AND--

- AND NEW YORK. - AND NEW YORK,

SHE PULLED TRACI ONSTAGE.

AND I SUNG WITH HER ON "LOVE AND WAR."

- YOU UNDERSTAND, SO-- - OKAY.

SO, YOU ALL HAVE BEEN ONSTAGE WITH HER BEFORE?

- OF COURSE-- A LOT. - THAT'S ALL I'M SAYING.

- ALL OUR LIVES. - OKAY.

LOOK AT IT FROM HER PERSPECTIVE FOR A SECOND.

SHE HAS WORKED ALL HER LIFE FOR THIS MOMENT,

THE CENTER STAGE.

SHE'S NOT GONNA WANNA SHARE THAT,

AND I WOULD'VE TOLD YOU, "YOU KNOW WHAT?

"SHE'S NOT READY TO SHARE THAT."

AND IF YOU WANNA SAY, "OH, I WORKED HARD

"TO HAVE A SOLO CAREER," THAT'S FINE, BUT SO DID TONI.

EVEN WITH TONI NOW, SHE'S STILL SHARING.

AND IF YOU DON'T WANT TO BE A SHARER, JUST SAY SO.

THAT WAY, PEOPLE CAN REACT ACCORDINGLY.

EVERYBODY, AT LEAST IN HERE,

LIKE TO SEE THINGS DIFFERENTLY.

AND SO, WE HAVE TO GET EVERYBODY TOGETHER.

WE NEED EVERYONE IN THE ROOM,

SAME PLACE, SAME TIME.

OKAY, LET'S STOP-- THANK YOU.

- YES, THANK YOU. - THANK YOU, DR. SHERRY.

HEY-HEY-HEY.

IT'S THE BIG BOOTY BRAXTON CLUB.

Y'ALL BETTER GO AHEAD.

- THANK YOU. - WHERE ARE WE SITTIN'?

THEY DIDN'T-- WHO'S SITTIN' WHERE?

- SIT WHERE YOU WANNA SIT. - THANK YOU.

ALL RIGHT-- OH, MY LEGS.

WE HAVEN'T SEEN TAMAR, YOU KNOW, SINCE THE CONCERT,

AND IT'S DEFINITELY A ELEPHANT IN THE ROOM, OKAY?

IT'S LIKE POLKA DOT WITH A PURSE, OKAY, AND A TIARA.

TRACI, ARE YOU GOIN' OUT ON YOUR PROMOTIONAL TOUR?

YES, I HAVE A LOT OF RADIO.

YOU EXCITED?

VERY EXCITED-- EXTREMELY NERVOUS.

WHAT ARE YOU NERVOUS ABOUT?

LIKE, I-I JUST GOTTA THROW IT OUT.

I'M EXCITED THAT MY ALBUM IS ABOUT TO COME OUT NEXT WEEK,

AND I CANNOT BELIEVE IT'S ALL DONE.

TRACI, YOU ARE HOARSE A LOT.

HOW ARE YOU GONNA SING, BEING THAT HOARSE ALL THE TIME?

YOU'RE GONNA LOSE YOUR VOICE A LOT ONSTAGE.

YOU GOTTA START PRESERVING IT, NOW.

IF WE DID A SINGLE WITH KENNY, THEN YOU HAVE YOUR SHOW,

YOU HAVE TO REALLY BE DISCIPLINED.

WHAT SINGLE WITH KENNY?

COMING UP, ON "BRAXTON FAMILY VALUES"...

DID YOU-DID YOU JUST CALL ME A BITCH?

WE NEED TO TALK ABOUT WHAT HAPPENED AT TAMAR'S SHOW.

AM I THE SAME BITCH THAT YOU PUT OUT DURING YOUR SHOW?

- WHOO! - IT'S NOT GOING TO BE PRETTY.

HOW ARE YOU GONNA SING, BEING THAT HOARSE ALL THE TIME?

YOU'RE GONNA LOSE YOUR VOICE A LOT ONSTAGE.

YOU GOTTA START PRESERVING IT, NOW.

IF WE DID A SINGLE WITH KENNY, THEN YOU HAVE YOUR SHOW,

YOU HAVE TO REALLY BE DISCIPLINED.

WHAT SINGLE WITH KENNY?

BABYFACE HAS EXPRESSED INTEREST IN HELPING

EXECUTIVE PRODUCE THE SINGLE WITH US.

SO, I'VE ACTUALLY BEEN MEANING TO ASK MY SISTERS

IF THEY WOULD BE INTERESTED.

OH, I WANTED TO TALK TO YOU GUYS ABOUT THAT,

ABOUT KENNY DOING THE SINGLE FOR US.

- THE GOSPEL? - NOT HE-- LIKE,

I WANTED TONY DIXON TO MAYBE SUBMIT SOME SONGS,

AND KENNY BE OVERALL IN CHARGE OF IT.

TONY DIXON IS A WRITER AND PRODUCER WHO'S WORKED ON

ME AND BABYFACE'S ALBUM, "LOVE, MARRIAGE, AND DIVORCE,"

AND HE'S WORKED WITH SO MANY OTHER GREAT ARTISTS.

I MEAN, IT'S ENDLESS, LIKE ALICIA KEYS

AND ARIANA GRANDE, JUST TO NAME A FEW.

AND I'VE GOTTA CONVINCE TAMAR AND THE REST OF THE GIRLS

THAT HE IS THE RIGHT PERSON TO PRODUCE

OR WRITE THE SINGLE.

WHAT'S YOU GUYS' THOUGHTS? - I HAVE A QUESTION ON BABYFACE.

- WE GONNA GET THE FAMILY RATE. - OH, GOOD.

WE'RE GONNA GET THE FAMILY SISTERS RATE.

NO, BUT IT'D BE TONY DIXON,

AND KENNY WOULD JUST BE OVERSEEING IT.

AND, KENNY'S WITH DEF JAM MOTOWN, LIKE I AM.

- OH, OKAY. - ARE WE SIGNING, UH, DEF JAM?

NO, I'M JUST THINKING THAT'S WHERE THE DEAL COULD BE THROUGH.

THEY OFFERED US THE DEAL.

THAT'S THE ONLY PERSON WHO OFFERED US A DECENT DEAL.

- USE YOUR WORDS. - DID YOU SAY,

YOU HAVE A PROBLEM WITH GIVING AWAY YOUR COIN'?

TO WHO?

I MEAN, YOUR RECORD LABEL DIDN'T OFFER US A DEAL.

YOU CAN'T DO IT UNLESS YOU GET A DEAL.

YEAH, WHY YOU CAN'T?

I'M NOT DOING IT INDEPENDENTLY.

I'M NOT SPENDING ANY OF MY MONEY.

ALL I'M SAYING IS,

YOU GOTTA HIRE INDEPENDENT PEOPLE, REGARDLESS.

YEAH, YOU DO, BUT YOU DON'T HAVE TO SPEND THE MONEY

FOR THE PRODUCER... - IT'S THE SAME PEOPLE.

- THE STUDIO, HAIR AND MAKEUP. - WHAT'S THE DIFFERENCE?

YOU'RE PAYING FOR IT, ANYWAY-- YOU DON'T GET IT.

- NO, YOU DON'T-- NO, YOU DON'T. - LIES.

- BUT, YOU DON'T SPEND THE MONEY UP FRONT. - LIES.

NOBODY'S TRYING TO SPEND OUT $200,000.

- THAT'S NOT TRUE, TONI. - THAT'S $200,000 EACH, TAMAR.

TONI, THAT IS NOT TRUE-- NO-NO, IT'S NOT.

I'M TELLING YOU.

IT'S $85,000 FOR US TO MOVE.

TRINA WAS LIKE, "20 YEARS, 20 YEARS."

TONI WASN'T PUTTIN' OUT NO INDEPENDENT RECORD

THOSE 20 YEARS.

SHE HAD A RECORD DEAL DIFFERENT.

THEY PAID FOR EVERYTHING, BACK THEN.

IT AIN'T THAT NOW.

IT DOESN'T MATTER.

I KNOW WHAT THE I PAID, TRINA,

FOR "LOVE AND WAR"-- I KNOW-I KNOW WHAT I SPENT OUT.

NUMBER ONE, NUMBER ONE, NUMBER ONE--

BUT, THAT'S YOU-- IT'S INDIVIDUAL.

TAMAR'S TELLING TONI, "OH, YOU DON'T KNOW.

"YOU DON'T KNOW-- YOU DON'T KNOW."

AND I'M LIKE, HOW DOESN'T SHE KNOW?

SHE'S BEEN IN THE BUSINESS FOR OVER 20 YEARS.

"WHAT DO YOU MEAN?"

WHY ARE YOU TAKING IT PERSONALLY, TAMAR?

NO ONE SAID, "TAMAR, YOU DON'T KNOW."

ALL I WAS SUGGESTING IS THAT TONI DOES KNOW,

AND, ACTUALLY, SHE HELPED TEACH YOU EVERYTHING YOU KNOW.

BUT, DON'T BE SMARTASS.

DON'T BE SMARTASS WHEN YOU AIN'T SPEND NO COIN LIKE THAT.

LET ME TELL YOU SOMETHING, TAMAR.

DON'T DO THAT, TRINA BRAXTON.

I'M GONNA TELL YOU, DON'T DO THAT, TAMAR BRAXTON.

- YOU DON'T KNOW. - YES, I DO KNOW, ACTUALLY.

WHAT I'M TRYING TO TELL YOU IS THAT YOU DON'T KNOW.

YES, I DO KNOW.

BUT, HOW ARE YOU GONNA TELL SOMEBODY, "20 YEARS,"

AND BE A LITTLE SMARTASS?

LIKE, THAT AIN'T GOT NOTHIN' TO DO WITH NOTHING.

NO, I'M NOT BEING A SMARTASS.

THAT'S WHAT YOU'RE-THAT'S WHAT YOU'RE TAKING IT.

OKAY, GUYS-- ENOUGH-ENOUGH-ENOUGH.

- NO, TONI-- NO, STOP. - WHAT YOU MEAN BY, "20 YEARS?"

BECAUSE LET ME TELL YOU SOMETHIN'.

WHAT YOU MEAN BY, "20 YEARS?"

WHAT YOU MEAN BY, "20 YEARS?" - I'M NOT GONNA SIT THERE--

WELL, WHAT DO YOU MEAN, BY TELLING--

THEN WHAT DO YOU MEAN BY TELLING TONI THAT SHE DOESN'T KNOW?

- I CAN HAVE AN OPINION. - YES, SHE DOES KNOW,

'CAUSE SHE PAVED THE WAY FOR ALL OF US.

SO, YES, SHE DOES KNOW.

I'M NOT GONNA GET INVOLVED WITH IT.

I KNOW MY MERIT-- I KNOW MY WORTH.

AND I'M NOT GONNA HAVE AN ARGUMENT WITH MY BABY SISTER

ABOUT MY YEARS IN THE BUSINESS, AND HOW--

MY CONTRIBUTION.

- NOBODY PAVED THE WAY FOR ME. - YES, SHE DID.

- JESUS PAVED THE WAY FOR ME! - TAMAR, YES, SHE DID.

JESUS HAS PAVED THE WAY FOR ME!

YES, SHE-- OH, MY GOD-- TONI, YES, YOU DID.

JESUS HAS PAVED THE WAY FOR ME.

I'M SO SORRY ABOUT THAT. - AND G-G-GUESS WHAT--

JESUS PAVED THE WAY FOR ALL OF US.

DON'T BE SORRY FOR WHAT JESUS GAVE.

- OKAY-- WELL, I'M JUST SAYIN'. - BUT, YES, SHE DID.

HOW DARE YOU SAY THAT TONI DIDN'T PAVE THE WAY?

HOW DARE YOU SAY THAT?

- DON'T DO THAT. - NO, DON'T YOU DO THAT,

'CAUSE I'M NOT-- - OKAY, GUYS.

THAT'S ENOUGH-- THAT'S IT. - NO, TONI.

NO, TONI-- NO. - THAT'S IT.

GO-- GO. - UH, T-TAMAR, GUESS WHAT.

YOU COULDN'T READ IF A BOOK WAS IN FRONT OF YOU.

OH, GIRL, I'VE READ YOU A MILLION TIMES, OKAY?

READ ME NOW-- READ ME NOW.

- I'M LISTENING. - READ ME NOW.

- GO AHEAD-- I'M LISTENING. - APPARENTLY, YOU'RE NOT.

- NO, APPARENTLY, YOU AREN'T. - SWEETHEART, GUESS WHAT.

I DON'T EVEN HAVE THE TIME FOR IT.

- OKAY. - I CAN'T TELL.

- YOU CAN, ACTUALLY. - OH, OKAY.

WELL, "T-E-L-L," BITCH-- HOW ABOUT THAT?

DID YOU JUST-DID YOU JUST CALL ME A BITCH?

AM-AM I THE-- AM I THE SAME BITCH

THAT YOU PUT OUT DURING YOUR SHOW?

WHOO!

FOR THE SAKE OF THE SISTERHOOD,

WE NEED TO KEEP IT REAL, BE HONEST ABOUT IT,

AND TALK ABOUT WHAT HAPPENED AT TAMAR'S SHOW,

EVEN IF IT'S NOT GONNA BE PRETTY.

I CAME TO YOU AND PUT YOU OUT?