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These are the user uploaded subtitles that are being translated: 1 00:00:00,700 --> 00:00:02,968 "BRAXTON FAMILY VALUES"... 2 00:00:02,969 --> 00:00:04,503 I AM SO EXCITED. 3 00:00:04,504 --> 00:00:06,238 I'M LAYING DOWN MY VOCALS TODAY 4 00:00:06,239 --> 00:00:08,440 FOR THE FIRST TRACK ON MY ALBUM. 5 00:00:08,441 --> 00:00:10,410 ♪ THIS IS MY LAST CALL ♪ 6 00:00:12,245 --> 00:00:13,645 HELLO-HELLO-HELLO, EVERYBODY. 7 00:00:13,646 --> 00:00:14,713 all: HI. 8 00:00:14,714 --> 00:00:16,348 I ONLY HAVE A FEW WEEKS BEFORE MY TOUR STARTS, 9 00:00:16,349 --> 00:00:18,517 SO NOW IT'S TIME TO GET TO WORK, ASAP. 10 00:00:20,820 --> 00:00:21,820 YEAH! 11 00:00:21,821 --> 00:00:23,355 I'M DEFINITELY FINDING THE LITTLE HEIFERS 12 00:00:23,356 --> 00:00:24,790 I'M LOOKING FOR, OKAY? 13 00:00:24,791 --> 00:00:26,258 WHOO! 14 00:00:26,259 --> 00:00:27,226 WE'RE GETTING READY TO COME OUT HERE 15 00:00:27,227 --> 00:00:29,061 AND KILL THIS THING. 16 00:00:29,062 --> 00:00:31,163 I THINK DOING A SINGLE IS BEST. 17 00:00:31,164 --> 00:00:32,898 I THINK THE IDEA OF DOING A SINGLE 18 00:00:32,899 --> 00:00:35,167 INSTEAD OF AN ENTIRE FAMILY ALBUM 19 00:00:35,168 --> 00:00:37,302 IS COMPLETELY GENIUS. 20 00:00:37,303 --> 00:00:40,205 YEAH, SO WE'RE JUST GOING TO DO A SINGLE. 21 00:00:40,206 --> 00:00:41,140 WHAT ARE YOU THINKING? 22 00:00:41,141 --> 00:00:42,207 YOU'RE NOT SAYING MUCH. 23 00:00:42,208 --> 00:00:43,909 I'M VERY DISAPPOINTED. 24 00:00:43,910 --> 00:00:45,477 WHAT, YOU'RE TOO BUSY? 25 00:00:45,478 --> 00:00:47,112 I DON'T THINK THEY WANTED TO DO IT, 26 00:00:47,113 --> 00:00:48,680 TO BE HONEST WITH YOU. 27 00:00:48,681 --> 00:00:50,916 I'M OUT-- I'M OUT-- I'M OUT. 28 00:00:50,917 --> 00:00:53,919 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 29 00:00:53,920 --> 00:00:57,856 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 30 00:00:57,857 --> 00:01:01,460 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 31 00:01:01,461 --> 00:01:04,396 ♪ WILL TEACH YOU A THING OR TWO ♪ 32 00:01:04,397 --> 00:01:08,601 ♪ ON BRAXTON FAMILY VALUES ♪ 33 00:01:21,314 --> 00:01:22,648 - HI. - HOW YOU DOING, LADIES. 34 00:01:22,649 --> 00:01:27,686 GOOD-- I WANT A MELON MARGARITA WITH SALT, 35 00:01:27,687 --> 00:01:30,122 NO LIME IN IT, NO GARNISH. 36 00:01:30,123 --> 00:01:31,790 - I'M GONNA HAVE A SWIRL. - ME, TOO. 37 00:01:31,791 --> 00:01:34,927 I WANT A MELON MARGARITA FOLLOWED BEHIND THE SWIRL. 38 00:01:34,928 --> 00:01:36,428 - OH! - OH. 39 00:01:36,429 --> 00:01:38,430 TOWANDA, TAMAR, AND I ARE HAVING DINNER WITH MOMMY 40 00:01:38,431 --> 00:01:40,799 BEFORE TAMAR HAS TO LEAVE TO PREP FOR HER TOUR, 41 00:01:40,800 --> 00:01:42,701 AND THE LAST TIME WE SAW MOMMY, 42 00:01:42,702 --> 00:01:45,337 SHE LEFT UPSET BECAUSE WE'RE ONLY JUST DOING A SINGLE. 43 00:01:45,338 --> 00:01:48,107 I HOPE SHE UNDERSTANDS THAT WE'RE ALL REALLY BUSY, 44 00:01:48,108 --> 00:01:50,309 BUT WE SISTERS JUST CAN'T SEEM TO GET ALONG 45 00:01:50,310 --> 00:01:52,845 AND GET ON THE SAME PAGE, AND UNLESS WE CAN, 46 00:01:52,846 --> 00:01:54,981 IT'S REALLY GONNA BREAK MOMMY'S HEART. 47 00:01:59,085 --> 00:02:00,486 SO NOW I CAN'T STOP TWERKING. 48 00:02:00,487 --> 00:02:01,520 I'M TWERKING WITH JESUS. 49 00:02:01,521 --> 00:02:02,722 I'VE BEEN TWERKING FOR THE LORD. 50 00:02:04,023 --> 00:02:05,224 IT'S FUN. 51 00:02:05,225 --> 00:02:06,725 OKAY, LET ME GO WASH MY HANDS. 52 00:02:06,726 --> 00:02:08,228 I'LL BE RIGHT BACK. 53 00:02:11,865 --> 00:02:13,165 SHE'S JUST BEEN SLEEPING A WHOLE LOT. 54 00:02:13,166 --> 00:02:14,533 I JUST WANNA HURRY UP, BEFORE SHE GETS BACK. 55 00:02:14,534 --> 00:02:15,367 I'M TELLING YOU-- SHE'S BEEN SLEEPING A WHOLE LOT AND-- 56 00:02:15,368 --> 00:02:16,502 WELL, I KNOW THE DOCTOR GAVE HER 57 00:02:16,503 --> 00:02:19,138 SOME SLEEPING PILLS, SO SHE CAN REST, 58 00:02:19,139 --> 00:02:21,573 'CAUSE SHE WAS, UH, CHRONIC FATIGUED. 59 00:02:21,574 --> 00:02:23,041 OVER WHAT-- DIABETIC? 60 00:02:23,042 --> 00:02:24,510 I DON'T KNOW. 61 00:02:24,511 --> 00:02:27,980 SO, HE SAID SHE-- HE NEEDS FOR HER TO REST. 62 00:02:27,981 --> 00:02:29,615 - AND I THINK-- - YOU KNOW, SO, UM-- 63 00:02:29,616 --> 00:02:30,849 OH, Y'ALL DON'T HAVE TO STOP TALKING 64 00:02:30,850 --> 00:02:34,887 BECAUSE I'M COMING TO THE TABLE. 65 00:02:34,888 --> 00:02:37,689 NOW, WHAT WERE YOU SAYING? 66 00:02:37,690 --> 00:02:39,591 MA, I CAN'T LIE AND SAY WE'RE NOT CONCERNED ABOUT YOU. 67 00:02:39,592 --> 00:02:40,826 YES, VERY MUCH. 68 00:02:40,827 --> 00:02:45,330 YEAH, I'M CONCERNED ABOUT ME, ALSO. 69 00:02:45,331 --> 00:02:48,634 I'M SUFFERING FROM FATIGUE, CHRONIC FATIGUE. 70 00:02:48,635 --> 00:02:51,570 - FROM WHAT-- STRESS? - JUST LIFE, THE ALBUM, 71 00:02:51,571 --> 00:02:54,173 JUST EVERYTHING THAT'S GOING ON. 72 00:02:54,174 --> 00:02:55,674 WELL, WHEN THE GIRLS WAS TALKING ABOUT 73 00:02:55,675 --> 00:02:58,544 DOING THIS INSPIRATIONAL ALBUM, 74 00:02:58,545 --> 00:03:00,379 I WAS SO, SO HAPPY. 75 00:03:00,380 --> 00:03:04,650 HOWEVER, NOW EVERYBODY'S-- DON'T HAVE TIME, 76 00:03:04,651 --> 00:03:05,918 DOING THIS, DOING THAT. 77 00:03:05,919 --> 00:03:07,219 I'M SO FRUSTRATED. 78 00:03:07,220 --> 00:03:08,654 I'M SO DISAPPOINTED. 79 00:03:08,655 --> 00:03:09,888 THEY'RE WEARING ME OUT. 80 00:03:09,889 --> 00:03:12,457 I AM JUST EXHAUSTED. 81 00:03:12,458 --> 00:03:14,526 WHAT ABOUT IT IS WORKING ON YOUR NERVES? 82 00:03:14,527 --> 00:03:16,328 EVERYTHING-- YOU'RE GONNA DO THIS. 83 00:03:16,329 --> 00:03:17,529 YOU'RE NOT GONNA DO IT. 84 00:03:17,530 --> 00:03:19,998 YOU CAN'T GET TOGETHER. 85 00:03:19,999 --> 00:03:21,333 ONE TIME, WHEN YOU GOT TOGETHER, 86 00:03:21,334 --> 00:03:23,036 YOU ACT LIKE FOOLS. 87 00:03:24,437 --> 00:03:26,673 THAT'S WHAT PISSES ME OFF. 88 00:03:29,642 --> 00:03:32,911 YOU WORK ON MY NERVES. 89 00:03:32,912 --> 00:03:34,179 TRACI WORKS ON NERVES. 90 00:03:34,180 --> 00:03:35,347 TONI WORKS ON MY NERVES. 91 00:03:35,348 --> 00:03:39,151 I'M FINISHED WITH IT. 92 00:03:39,152 --> 00:03:40,552 I'M SURE IT'S TOUGH FOR ANY PARENT 93 00:03:40,553 --> 00:03:42,087 TO SEE THEIR CHILDREN ARGUING 94 00:03:42,088 --> 00:03:44,122 AND CAN'T EVER WORK TOGETHER. 95 00:03:44,123 --> 00:03:45,724 THAT HAS TO BE VERY FRUSTRATING. 96 00:03:45,725 --> 00:03:47,726 BUT, YOU KNOW, I'M NOT GONNA SAY THAT, YOU KNOW, 97 00:03:47,727 --> 00:03:50,729 I'M 100%, LIKE, IT AIN'T ME-- IT AIN'T ME. 98 00:03:50,730 --> 00:03:52,064 EVERYBODY PLAYS A PART. 99 00:03:52,065 --> 00:03:53,565 BUT, AT THE END OF THE DAY, 100 00:03:53,566 --> 00:03:54,833 I REALLY WANT THIS RECORD TO HAPPEN 101 00:03:54,834 --> 00:03:57,736 JUST LIKE MY MAMA DO. 102 00:03:57,737 --> 00:03:58,971 SO, YOU THINK IT'LL MAKE YOU FEEL BETTER 103 00:03:58,972 --> 00:04:01,506 IF WE MOVE FORWARD. 104 00:04:01,507 --> 00:04:04,276 WELL, THAT'LL BE OFF OF MY MIND, LIKE, YOU KNOW. 105 00:04:04,277 --> 00:04:06,478 NOW, THERE'S ADDED PRESSURE AROUND THE SINGLE 106 00:04:06,479 --> 00:04:08,714 BECAUSE IT'S AFFECTING MOMMY'S HEALTH. 107 00:04:08,715 --> 00:04:10,816 THE PLAN IS, WE'RE GOING TO WAIT TO DO THE SINGLE 108 00:04:10,817 --> 00:04:12,551 WHEN TAMAR GETS BACK FROM THE TOUR. 109 00:04:12,552 --> 00:04:14,586 AND SINCE IT'LL ONLY TAKE US A FEW DAYS 110 00:04:14,587 --> 00:04:16,054 TO CRANK OUT A SINGLE, 111 00:04:16,055 --> 00:04:17,889 TOWANDA, AND TRACI, AND I HAVE DECIDED TO MOVE 112 00:04:17,890 --> 00:04:19,858 OUT OF THE RENTAL HOUSE THIS WEEK. 113 00:04:19,859 --> 00:04:21,460 SO, ARE YOU GUYS GONNA COME OUT ON A FEW DATES 114 00:04:21,461 --> 00:04:22,794 WITH ME? 115 00:04:22,795 --> 00:04:25,063 I T-- WE TOLD YOU-- YOU TELL US WHEN. 116 00:04:25,064 --> 00:04:26,265 BRAXTON AND BROOK SAID THEY WANNA SEE YA. 117 00:04:26,266 --> 00:04:27,933 THEY'VE NEVER SEEN AUNT TAMAR PERFORM. 118 00:04:27,934 --> 00:04:30,369 THEY CAN'T COME ONLY BECAUSE YOU GOTTA BE 21. 119 00:04:30,370 --> 00:04:31,703 I JUST REALLY HOPE MY SISTERS MAKE IT OUT 120 00:04:31,704 --> 00:04:33,272 TO SEE ME THIS TIME BECAUSE THIS IS, LIKE, 121 00:04:33,273 --> 00:04:35,240 MY FIRST HEADLINING TOUR, 122 00:04:35,241 --> 00:04:37,042 ESPECIALLY MY SHOW IN ATLANTA. 123 00:04:37,043 --> 00:04:38,577 IT'S, LIKE, KINDA MY HOMETOWN, 124 00:04:38,578 --> 00:04:41,079 SO EVERYBODY WANTS THEIR FAMILY IN THEIR HOMETOWN. 125 00:04:41,080 --> 00:04:42,080 WHEN YOU LEAVE AGAIN? 126 00:04:42,081 --> 00:04:43,282 TOMORROW-- YOU WANNA COME? 127 00:04:43,283 --> 00:04:45,183 I WOULD LOVE TO. 128 00:04:45,184 --> 00:04:48,587 EVEN THOUGH WE WENT TO SOME OF TAMAR'S SHOW DATES 129 00:04:48,588 --> 00:04:50,122 IN HER LAST TOUR, 130 00:04:50,123 --> 00:04:52,624 SHE FELT AS IF WE DID NOT SUPPORT HER ENOUGH 131 00:04:52,625 --> 00:04:54,226 AND, YOU KNOW, SHE GOT INTO HER FEELINGS 132 00:04:54,227 --> 00:04:55,460 A LITTLE BIT. 133 00:04:55,461 --> 00:04:57,362 CAN I GET YOU GUYS TO COME OUT ON THE ROAD 134 00:04:57,363 --> 00:04:58,730 FOR LIKE, A DAY OR TWO? 135 00:04:58,731 --> 00:05:01,366 I'M INTERESTED, BUT I CAN'T, NOT RIGHT NOW. 136 00:05:01,367 --> 00:05:02,401 I MEAN-- - I CAN GO. 137 00:05:02,402 --> 00:05:03,802 WE DON'T EVEN KNOW ANY OF YOUR TOUR DATES. 138 00:05:03,803 --> 00:05:05,704 WE DON'T KNOW ANYTHING. 139 00:05:05,705 --> 00:05:06,972 TRINA-TRINA-TRINA, THESE ARE NOT MY SISTERS 140 00:05:06,973 --> 00:05:10,742 BECAUSE MY SISTERS THAT I KNEW, THAT I GREW UP WITH, 141 00:05:10,743 --> 00:05:13,512 WOULD HAVE BEEN HERE. 142 00:05:13,513 --> 00:05:18,183 THIS TIME, WE DEFINITELY WANNA MAKE SURE 143 00:05:18,184 --> 00:05:20,652 THAT TAMAR SEES THE EFFORT 144 00:05:20,653 --> 00:05:23,021 IN US WANTING TO SUPPORT HER 145 00:05:23,022 --> 00:05:24,289 ON HER SOLO TOUR. 146 00:05:24,290 --> 00:05:26,625 YOU KNOW, I REALLY WANNA PLAN ON SOMETHING SPECIAL 147 00:05:26,626 --> 00:05:29,227 FOR TAMAR'S SHOW IN ATLANTA. 148 00:05:29,228 --> 00:05:30,329 AND, YOU KNOW, IT NEEDS TO BE SOMETHING 149 00:05:30,330 --> 00:05:32,030 THAT'S UNFORGETTABLE. 150 00:05:32,031 --> 00:05:32,798 SALUD. 151 00:05:32,799 --> 00:05:34,133 - CHEERS. - YES. 152 00:05:47,847 --> 00:05:49,114 HELLO-HELLO-HELLO. 153 00:05:49,115 --> 00:05:52,084 - HI! - HELLO. - HEY. 154 00:05:52,085 --> 00:05:54,252 TAMAR, MEET FURNE, DESIGNER. 155 00:05:54,253 --> 00:05:55,420 - HELLO. - HI, HOW ARE YOU? 156 00:05:55,421 --> 00:05:56,855 - FURNE, TAMAR. - HI, I'M GOOD. 157 00:05:56,856 --> 00:05:58,357 - BIG FAN-- TAMAR-- HI. - THANK YOU. 158 00:05:58,358 --> 00:05:59,825 - THIS IS RASHID. - HI, RASHID-- HI. 159 00:05:59,826 --> 00:06:02,060 - AND ELGIN. - HI-- TAMAR-- HI. 160 00:06:02,061 --> 00:06:03,228 - HI, NICE TO MEET YOU. - THIS IS TERRELL. 161 00:06:03,229 --> 00:06:04,696 IT'S A GOOD THING WE DECIDED TO POSTPONE 162 00:06:04,697 --> 00:06:06,098 THE SISTER ALBUM BECAUSE HONESTLY, 163 00:06:06,099 --> 00:06:07,466 I MEAN, I REALLY DON'T HAVE TIME FOR THAT. 164 00:06:07,467 --> 00:06:09,067 LIKE, MY TOUR STARTS IN TWO WEEKS. 165 00:06:09,068 --> 00:06:12,771 TODAY, I'M MEETING WITH ONE OF MY FAVORITE DESIGNERS, 166 00:06:12,772 --> 00:06:16,174 FURNE ONE, TO DESIGN MY OUTFITS 167 00:06:16,175 --> 00:06:18,043 FOR MY UPCOMING TOUR. 168 00:06:18,044 --> 00:06:19,911 AND ALSO, WE'RE GONNA GO OVER THE LOOKS 169 00:06:19,912 --> 00:06:22,013 OF MY CONCERT, AND HE'S GONNA BE 170 00:06:22,014 --> 00:06:26,485 SHOWING ME SOME REAL CUTE RED CARPET DRESSES. 171 00:06:26,486 --> 00:06:28,887 I LOVE THAT, I LOVE THAT, I LOVE THAT. 172 00:06:28,888 --> 00:06:30,989 I LOVE IT ALL. 173 00:06:30,990 --> 00:06:32,257 PICK 'EM ALL. 174 00:06:32,258 --> 00:06:33,291 IT'S AMAZING. 175 00:06:33,292 --> 00:06:34,526 CAN I GET TO TRYING ON SOME STUFF? 176 00:06:34,527 --> 00:06:35,660 YEAH, SURE. 177 00:06:35,661 --> 00:06:37,996 LETS DO IT. 178 00:06:37,997 --> 00:06:39,731 HONEST TO GOD, I CANNOT BELIEVE 179 00:06:39,732 --> 00:06:43,636 HE'S LETTING ME TRY ON THESE FABULOUS CREATIONS. 180 00:06:45,438 --> 00:06:48,340 WOW, BEAUTIFUL. 181 00:06:48,341 --> 00:06:50,041 I GOT TO TRY IT ON. 182 00:06:50,042 --> 00:06:52,878 THE THIRD-- 183 00:06:52,879 --> 00:06:54,713 I LOVE THAT ONE. 184 00:06:54,714 --> 00:06:56,381 THAT'S GORGEOUS. 185 00:06:56,382 --> 00:06:57,649 DID YOU WANNA LOOK AT ANOTHER ONE? 186 00:06:57,650 --> 00:06:59,050 I WANNA LOOK AT ALL OF 'EM, HONEY. 187 00:06:59,051 --> 00:07:00,852 OKAY, I DIDN'T THINK THIS WAS GONNA LOOK 188 00:07:00,853 --> 00:07:02,554 LIKE THIS ON, TO BE HONEST. 189 00:07:02,555 --> 00:07:04,055 - HOP ON ONE LEG. - OOH-OOH-OOH. 190 00:07:04,056 --> 00:07:05,524 - BIG DOG. - WOOF-WOOF-WOOF-WOOF. 191 00:07:06,526 --> 00:07:08,393 OOF-OOF-OOF- OOF-OOF-OOF- 192 00:07:17,870 --> 00:07:20,071 SOMETHING IS WRONG WITH YA'LL. 193 00:07:20,072 --> 00:07:21,907 SO, NOW THAT I'M FINISHED TRYING ON THESE DRESSES, 194 00:07:21,908 --> 00:07:23,341 IT'S TIME TO GET DOWN TO BUSINESS 195 00:07:23,342 --> 00:07:25,877 AND TELL FURNE OUR VISION FOR OUR TOUR, 196 00:07:25,878 --> 00:07:27,979 SO HE CAN HELP DESIGN THE WARDROBE 197 00:07:27,980 --> 00:07:30,982 AND MAKE IT EVEN MORE AMAZING. 198 00:07:30,983 --> 00:07:34,553 WE WANNA KINDA TAKE YOU ON, LIKE, A, UM, 199 00:07:34,554 --> 00:07:37,055 NOT A REAL BEDTIME STORY BUT KINDA DREAMY, 200 00:07:37,056 --> 00:07:38,356 A LITTLE BIT. - MMM-HMM. 201 00:07:38,357 --> 00:07:39,691 SO, THE KEYWORD IS "DREAMY." 202 00:07:39,692 --> 00:07:41,193 - DREAMY, YEAH. - I LOVE THAT. 203 00:07:41,194 --> 00:07:45,263 YEAH, JUST LIKE A SEXY, DREAMY STORY, ACTUALLY. 204 00:07:45,264 --> 00:07:46,932 THE SHOW HAS TO HAVE A DREAMY FEEL TO IT 205 00:07:46,933 --> 00:07:50,001 BECAUSE IT IS THE TAMARTIAN EXPERIENCE, HONEY, 206 00:07:50,002 --> 00:07:52,237 AND, YOU KNOW, WE ARE ALL BEAT TO CAPACITY 207 00:07:52,238 --> 00:07:54,806 AND, YOU KNOW, WHY NOT COME TO A SHOW 208 00:07:54,807 --> 00:07:58,043 WHEREVER EVERYBODY IS FEELING AND LOOKING AS BEAT AS THEY CAN BE, 209 00:07:58,044 --> 00:08:00,178 INCLUDING ME? 210 00:08:00,179 --> 00:08:02,481 SO, THE CUT? 211 00:08:02,482 --> 00:08:04,149 - WHAT'S THE CUT BE? - JESSICA RABBIT-- GOWNS? 212 00:08:04,150 --> 00:08:05,417 - THE CUT OF IT. - SHORT? 213 00:08:05,418 --> 00:08:08,453 OH, WELL, WE WERE ACTUALLY-- NOW, DON'T LAUGH. 214 00:08:08,454 --> 00:08:09,754 WHAT'S THE GIRL NAME, THE HEIFER'S NAME? 215 00:08:09,755 --> 00:08:14,759 BETTY-BETTY RUBLE, THE FLINTSTONES. 216 00:08:14,760 --> 00:08:16,294 - WHAT'S FRED'S WIFE? - FRED'S WIFE. 217 00:08:16,295 --> 00:08:18,697 - WILMA. - WILMA. - WILMA! 218 00:08:18,698 --> 00:08:19,865 - A LITTLE BIT. - A-LINE, 219 00:08:19,866 --> 00:08:22,534 BUT NOT-NOT THE- NOT THE-- - THE LITTLE JAGGED EDGES. 220 00:08:22,535 --> 00:08:24,035 NOT THE JAGGED EDGES-- THAT'S LAME. 221 00:08:24,036 --> 00:08:25,303 OKAY. 222 00:08:25,304 --> 00:08:26,705 WILMA AND BETTY, EVERYBODY KNOW 223 00:08:26,706 --> 00:08:28,507 THAT'S KINDA THROWBACK, YOU KNOW, 224 00:08:28,508 --> 00:08:30,842 BUT IT'S FAMILIAR, AND IT'S SEXY, 225 00:08:30,843 --> 00:08:33,512 AND IT'S STILL CLASSY, AND I CAN WEAR IT 226 00:08:33,513 --> 00:08:34,713 BECAUSE I JUST HAD A BABY, 227 00:08:34,714 --> 00:08:36,248 AND I GOTTA BE VERY, VERY CAREFUL. 228 00:08:36,249 --> 00:08:39,918 I CAN'T LOOK TOO SLUTTY TOO FAST. 229 00:08:39,919 --> 00:08:41,119 I'LL JUST MAKE THE DESIGN. 230 00:08:41,120 --> 00:08:42,220 OKAY. 231 00:08:42,221 --> 00:08:43,388 AND THEN, I'LL SEND IT TO YOU, AND YOU CHECK. 232 00:08:43,389 --> 00:08:46,057 OKAY, GOOD-- I'M EXCITED. 233 00:08:46,058 --> 00:08:47,792 THANK YOU SO MUCH-- MUAH. 234 00:08:47,793 --> 00:08:49,394 OTHER SIDE-- MUAH. 235 00:08:49,395 --> 00:08:50,863 THAT'S RIGHT. 236 00:08:59,672 --> 00:09:01,540 BEAUTIFUL PEOPLE, WELCOME. 237 00:09:01,541 --> 00:09:02,874 YES, I'M GETTIN' SMALLER, 238 00:09:02,875 --> 00:09:04,109 AND YOU'RE GETTIN' BIGGER. 239 00:09:04,110 --> 00:09:05,243 IS THAT RIGHT? 240 00:09:05,244 --> 00:09:07,145 I DRAGGED THE GIRLS AND MOMMY TO WORK OUT 241 00:09:07,146 --> 00:09:09,915 WITH SERGEANT BOOMBASTIC BECAUSE I HAVE A PHOTO SHOOT 242 00:09:09,916 --> 00:09:12,751 FOR MY SOLO ALBUM IN A COUPLE OF DAYS. 243 00:09:12,752 --> 00:09:14,052 YEAH! 244 00:09:14,053 --> 00:09:17,422 AND I NEED TO BE SLENDERIZED, HONEY. 245 00:09:17,423 --> 00:09:19,991 ALL RIGHT, SO WHAT'S THE DEAL TODAY? 246 00:09:19,992 --> 00:09:22,060 TRACI IS GONNA WORK OUT WIT' YOU. 247 00:09:22,061 --> 00:09:23,161 I JUST NEED A CHAIR. 248 00:09:23,162 --> 00:09:24,630 I'M JUST GONNA WATCH. 249 00:09:26,499 --> 00:09:27,732 STEP NUMBER ONE, WE'RE GONNA GO TO, UH, 250 00:09:27,733 --> 00:09:29,801 THE BODY FAT ROOM. 251 00:09:29,802 --> 00:09:30,835 - THE BODY FAT ROOM? - THE BODY FAT ROOM? 252 00:09:30,836 --> 00:09:31,937 - YES. - OH, YEAH. 253 00:09:31,938 --> 00:09:34,372 - WHAT'S IN THERE? - WATER. 254 00:09:34,373 --> 00:09:36,474 - WATER? - WATER? 255 00:09:36,475 --> 00:09:38,643 WE NEED TO TEST YOUR BODY FAT. 256 00:09:38,644 --> 00:09:39,978 TASTE? 257 00:09:39,979 --> 00:09:41,179 TASTE MY BODY FAT OR TEST? 258 00:09:41,180 --> 00:09:43,148 NOT TASTE YOUR BODY FAT-- TEST YOUR BODY FAT. 259 00:09:43,149 --> 00:09:44,716 all: OH! 260 00:09:44,717 --> 00:09:47,085 I CAN'T UNDERSTAND WHAT SERGEANT TCHICAYA 261 00:09:47,086 --> 00:09:48,920 IS SAYING MOST OF THE TIME, 262 00:09:48,921 --> 00:09:50,455 SO HE'S GONNA HAVE TO REPEAT HIMSELF, 263 00:09:50,456 --> 00:09:52,223 OR I NEED TO GET SOME KIND OF HEARING AID 264 00:09:52,224 --> 00:09:53,592 OR SOMETHING TO UNDERSTAND 265 00:09:53,593 --> 00:09:54,893 MOST OF THE STUFF THAT HE SAYS. 266 00:09:54,894 --> 00:09:56,261 IT'S RIDICULOUS. 267 00:09:56,262 --> 00:09:58,229 HOW YOU LIKE THAT? 268 00:09:58,230 --> 00:09:59,197 YOU SEE THIS? 269 00:09:59,198 --> 00:10:00,465 - NO, LORD. - UH-UH. 270 00:10:00,466 --> 00:10:01,633 - I'M NOT GETTING IN THAT. - I AIN'T GETTING IN THAT. 271 00:10:01,634 --> 00:10:02,968 WELL, DON'T YOU NEED A BATHING SUIT, BABY? 272 00:10:02,969 --> 00:10:04,436 YEAH, WHAT'S-- 273 00:10:04,437 --> 00:10:07,238 THIS IS WHERE YOU TEST YOUR BODY FAT. 274 00:10:07,239 --> 00:10:08,807 I ALREADY LET SERGEANT BOOMBASTIC 275 00:10:08,808 --> 00:10:12,044 DUNK MY ASS IN WATER ONCE BEFORE. 276 00:10:13,412 --> 00:10:14,446 WHOO! 277 00:10:14,447 --> 00:10:15,947 OH, SKA-MA-MA-MA-EKA- EKA-LA-EK-A-LA. 278 00:10:15,948 --> 00:10:17,015 YOU GOT THIS-- YEAH, GOT THIS. 279 00:10:17,016 --> 00:10:18,416 COME ON, TRAY-- YOU GOT IT. 280 00:10:18,417 --> 00:10:19,618 THAT'S WHAT I'M TALKING ABOUT, BABY! 281 00:10:19,619 --> 00:10:20,752 YOU GOT IT, BABY. - YOU GOT IT. 282 00:10:20,753 --> 00:10:22,320 YOU GOT FIVE... YOU GOT FOUR... 283 00:10:22,321 --> 00:10:24,556 YOU GOT THREE, TWO. - THREE, TWO, ONE, ! 284 00:10:24,557 --> 00:10:26,858 MY ASS STILL GOT FROSTBITE. 285 00:10:26,859 --> 00:10:29,127 I WILL SHOW IT TO YOU GUYS IN THE WATER, 286 00:10:29,128 --> 00:10:30,829 BUT SOME OF YOU GUYS NEED TO GET IN HERE. 287 00:10:30,830 --> 00:10:32,030 SOME? 288 00:10:32,031 --> 00:10:33,331 BUT, YOU DON'T HAVE A BATHING SUIT. 289 00:10:33,332 --> 00:10:34,366 YEAH, WE HAVE NO BATHING SUIT, 290 00:10:34,367 --> 00:10:36,801 AND YOU'RE NOT GONNA GET ME GOT ANYMORE. 291 00:10:36,802 --> 00:10:38,403 I WILL GET IN THE WATER. 292 00:10:38,404 --> 00:10:39,804 - YOU CAN'T. - GOOD JOB, TRINA. 293 00:10:39,805 --> 00:10:40,805 YES, SHE CAN. 294 00:10:40,806 --> 00:10:42,574 I MEAN, I'M WILLING TO TRY IT. 295 00:10:42,575 --> 00:10:45,143 I MEAN, BECAUSE WE ALL KNOW I'LL TRY NEW THINGS, 296 00:10:45,144 --> 00:10:48,246 AND I'VE NEVER SEEN ANYTHING LIKE THIS BEFORE. 297 00:10:48,247 --> 00:10:50,081 YOU GOTTA MAKE SURE YOU RELAX. 298 00:10:50,082 --> 00:10:51,282 - IT'LL BE ALL RIGHT. - OKAY. 299 00:10:51,283 --> 00:10:53,018 YOU GOTTA BLOW ALL THE AIR OUT. 300 00:10:53,019 --> 00:10:55,286 OH, I HAVE TO PUT MY MOUTH IN IT? 301 00:10:55,287 --> 00:10:58,423 YOU GO UNDER. 302 00:10:58,424 --> 00:10:59,658 WAIT-- HOLD UP. 303 00:10:59,659 --> 00:11:01,126 LET ME TELL YOU SOMETHIN'. 304 00:11:01,127 --> 00:11:02,327 I-I-I HATE TO BE THE BEARER OF BAD NEWS. 305 00:11:02,328 --> 00:11:03,595 - YEAH. - BLACK WOMEN IN AMERICA, 306 00:11:03,596 --> 00:11:04,629 WE DON'T GET OUR HAIR WET 307 00:11:04,630 --> 00:11:05,764 UNLESS WE'RE GOING TO THE SALON. 308 00:11:05,765 --> 00:11:07,265 - WHY NOT? - UH-UH. 309 00:11:07,266 --> 00:11:08,533 I'M JUST TELLING YOU. 310 00:11:10,436 --> 00:11:11,870 YOU'RE TRYING TO BE TOO COMFORTABLE. 311 00:11:11,871 --> 00:11:14,239 THAT IS THE PROBLEM WITH BLACK WOMEN IN AMERICA. 312 00:11:17,943 --> 00:11:20,478 COMING UP, ON "BRAXTON FAMILY VALUES"... 313 00:11:20,479 --> 00:11:22,013 I DON'T WANT LEOTARDS. 314 00:11:22,014 --> 00:11:23,982 THAT JUST HAS BEEN DONE, AND DONE, DONE, DONE, 315 00:11:23,983 --> 00:11:25,617 AND DONE, DONE, DONE. 316 00:11:25,618 --> 00:11:26,885 I'M NOT A KNOCK-OFF QUEEN. 317 00:11:26,886 --> 00:11:30,488 I WANT THEM TO TRY WHAT I SAID-- NO SHADE. 318 00:11:30,489 --> 00:11:32,390 I DON'T KNOW WHERE MY MAKEUP ARTIST IS. 319 00:11:32,391 --> 00:11:34,025 TONI'S ABOUT TO DO "THE QUEEN LATIFAH SHOW," 320 00:11:34,026 --> 00:11:37,395 AND IT WOULD BE A DISASTER IF HER MAKEUP ARTIST 321 00:11:37,396 --> 00:11:39,631 DOESN'T GET HERE BEFORE THE SHOW STARTS. 322 00:11:39,632 --> 00:11:41,266 SHE NEEDS TO CLEAN UP UNDER MY EYES. 323 00:11:41,267 --> 00:11:43,169 MY MAKEUP IS TERRIBLE. 324 00:11:46,472 --> 00:11:49,340 BLACK WOMEN IN AMERICA, WE DON'T GET OUR HAIR WET. 325 00:11:49,341 --> 00:11:50,709 WE DON'T DO THAT, BOO. 326 00:11:50,710 --> 00:11:52,210 YOU'RE TRYING TO BE TOO COMFORTABLE. 327 00:11:52,211 --> 00:11:55,080 THAT IS THE PROBLEM WITH BLACK WOMEN IN AMERICA. 328 00:11:55,081 --> 00:11:56,414 WHAT? 329 00:11:56,415 --> 00:11:57,982 YOU ARE WORRIED ABOUT YOUR HAIR. 330 00:11:57,983 --> 00:12:00,585 HOLD MY PURSE-- HOLD MY PURSE! 331 00:12:00,586 --> 00:12:02,521 - I'LL HOLD YOUR PURSE. - HOLD MY... WHAT?! 332 00:12:03,556 --> 00:12:05,256 I WOULD LOVE TO HAVE ONE OF YOU IN THE WATER. 333 00:12:05,257 --> 00:12:07,058 I WOULD LOVE TO HAVE A VOLUNTEER TO SHOW US. 334 00:12:07,059 --> 00:12:09,060 YOU HAD ME-- YOU HAD ME UNTIL THE SUBMERGING. 335 00:12:09,061 --> 00:12:11,730 I'M NOT MESSING UP MY HAIR FOR ANYBODY. 336 00:12:11,731 --> 00:12:13,632 I JUST GOT MY HAIR DONE. 337 00:12:16,235 --> 00:12:17,202 WHERE WE GOIN'? 338 00:12:17,203 --> 00:12:18,336 I THOUGHT WE WERE GONNA HAVE A VOLUNTEER. 339 00:12:18,337 --> 00:12:19,537 SHE'S COMING. 340 00:12:19,538 --> 00:12:23,742 I THINK BLACK MEN GIVE BLACK WOMEN COMPLEXES 341 00:12:23,743 --> 00:12:25,543 ABOUT THEIR HAIR. 342 00:12:25,544 --> 00:12:27,879 AND LET'S KEEP IT REAL-- OUR BLACK MEN 343 00:12:27,880 --> 00:12:30,548 CAN BE VERY CRITICAL. 344 00:12:30,549 --> 00:12:32,751 I'M JUST SAYIN'. 345 00:12:32,752 --> 00:12:33,852 I AM BRINGING YOU GUYS A WHITE WOMAN. 346 00:12:33,853 --> 00:12:35,720 OH, A WHITE WOMAN. 347 00:12:35,721 --> 00:12:36,821 - YES. - OKAY. - OKAY. 348 00:12:36,822 --> 00:12:38,623 SO, SHE'S NOT GONNA WORRY ABOUT HER HAIR. 349 00:12:38,624 --> 00:12:41,059 SO, IF SHE CANNOT WORRY ABOUT HER HAIR, 350 00:12:41,060 --> 00:12:42,961 BLACK WOMEN SHOULD NOT BE WORRYING ABOUT THEIR HAIR. 351 00:12:42,962 --> 00:12:44,062 HER HAIR'S A LITTLE DIFFERENT. 352 00:12:44,063 --> 00:12:45,296 LET'S GO-- NO, IT'S NOT DIFFERENT. 353 00:12:45,297 --> 00:12:46,598 - SURE, IT IS. - SAYS WHO? 354 00:12:46,599 --> 00:12:47,699 NO, 'CAUSE WHEN HER HAIR GET WET, IT'S STRAIGHT. 355 00:12:47,700 --> 00:12:48,833 SAYS THE WORLD. 356 00:12:48,834 --> 00:12:50,502 HMM... LET'S TAKE A QUIZ. 357 00:12:50,503 --> 00:12:51,936 A BLACK WOMAN'S HAIR IS THE SAME AS 358 00:12:51,937 --> 00:12:54,906 A WHITE WOMAN'S HAIR-- FALSE. 359 00:12:54,907 --> 00:12:56,074 GO. 360 00:12:56,075 --> 00:12:59,778 BLOW-BLOW-BLOW-BLOW-BLOW! 361 00:12:59,779 --> 00:13:01,179 HER HAIR IS WET. 362 00:13:01,180 --> 00:13:03,348 - YES, IT IS. - AND SHE LISTENED. 363 00:13:03,349 --> 00:13:04,682 DID YOU SAY, "AND SHE LISTENS?" 364 00:13:04,683 --> 00:13:05,850 YES, SHE DOES LISTEN. 365 00:13:05,851 --> 00:13:07,352 OOH. 366 00:13:07,353 --> 00:13:09,921 MY WIFE? 367 00:13:09,922 --> 00:13:12,258 - WHAT COLOR IS SHE? - SHE'S WHITE. 368 00:13:15,060 --> 00:13:17,662 NOW, YOU WONDER WHY SOME BLACK PEOPLE 369 00:13:17,663 --> 00:13:19,298 GO TO A WHITE WOMAN. 370 00:13:21,100 --> 00:13:22,200 UH, EXCUSE ME. 371 00:13:22,201 --> 00:13:23,501 AND YOU WONDER WHY SOME WOMEN GO FOR WHITE MEN, 372 00:13:23,502 --> 00:13:24,936 'CAUSE I DON'T-- I'VE NEVER DATED A BLACK MAN. 373 00:13:24,937 --> 00:13:27,238 SO, SIT DOWN. - WHOO! - WHOO! 374 00:13:27,239 --> 00:13:28,439 AH! 375 00:13:28,440 --> 00:13:30,475 - IF YOU CAN JUST LISTEN-- - YOU LIKE BEING IN CONTROL. 376 00:13:30,476 --> 00:13:31,609 - YES. - YES. 377 00:13:31,610 --> 00:13:32,777 - NOT IN CONTROL. - YES. 378 00:13:32,778 --> 00:13:34,345 IT'S A COLLABORATION-- TEAMWORK. 379 00:13:34,346 --> 00:13:35,547 OH, IS THAT WHAT THAT WAS? 380 00:13:35,548 --> 00:13:37,916 YEAH, SHE LISTENS TO YOU, THEN YOU DO WHAT YOU WANT. 381 00:13:37,917 --> 00:13:41,286 THIS IS JUST ANOTHER WASTED AFTERNOON IN L.A., OKAY? 382 00:13:41,287 --> 00:13:44,856 WE COULD'VE BEEN HOME DOING SOME VOCAL EXERCISES, 383 00:13:44,857 --> 00:13:47,091 SOME JUMPING JACKS, INSTEAD OF WATCHING 384 00:13:47,092 --> 00:13:50,929 A SKINNY STRANGER ROLL AROUND IN THE BATHTUB. 385 00:13:50,930 --> 00:13:51,863 - LET'S GO. - LET'S GO. 386 00:13:51,864 --> 00:13:53,164 - OKAY, YOU LEAD THE WAY. - I'LL LEAD. 387 00:13:53,165 --> 00:13:54,232 - SEE? - JUST FOLLOW MY LEAD. 388 00:13:54,233 --> 00:13:55,801 FOLLOW YOUR LEAD. 389 00:13:57,436 --> 00:13:58,970 THANK YOU. 390 00:14:12,952 --> 00:14:14,219 I THINK IT'S A GOOD THING 391 00:14:14,220 --> 00:14:15,920 WE DECIDED NOT TO DO A FULL SISTERS CD 392 00:14:15,921 --> 00:14:17,755 BECAUSE TAMAR'S OUT OF TOWN 393 00:14:17,756 --> 00:14:19,958 AND MY SCHEDULES A LITTLE BOOKED RIGHT NOW. 394 00:14:19,959 --> 00:14:20,959 MY BOOK JUST CAME OUT, 395 00:14:20,960 --> 00:14:21,926 AND I HAVE A LOT OF APPEARANCES 396 00:14:21,927 --> 00:14:22,927 TO PROMOTE THE BOOK, 397 00:14:22,928 --> 00:14:24,128 AND TODAY I'M ON "THE QUEEN LATIFAH SHOW," 398 00:14:24,129 --> 00:14:26,865 WHICH IS SUPER EXCITING 'CAUSE I LOVE HER. 399 00:14:26,866 --> 00:14:28,767 I DON'T KNOW WHERE MY MAKEUP ARTIST IS. 400 00:14:30,469 --> 00:14:32,604 DID YOU CALL HER? 401 00:14:32,605 --> 00:14:34,740 I CAN'T BELIEVE MAKEUP'S NOT HERE. 402 00:14:35,741 --> 00:14:37,475 I DON'T HAVE BLUSH. 403 00:14:37,476 --> 00:14:38,543 TRINA, DO YOU HAVE BLUSH? 404 00:14:38,544 --> 00:14:39,611 NO BLUSH. 405 00:14:39,612 --> 00:14:40,979 TONI'S ABOUT TO DO "THE QUEEN LATIFAH SHOW," 406 00:14:40,980 --> 00:14:44,249 AND IT WOULD BE A DISASTER IF HER MAKEUP ARTIST 407 00:14:44,250 --> 00:14:46,751 DOESN'T GET HERE BEFORE THE SHOW STARTS. 408 00:14:46,752 --> 00:14:48,019 MY MAKEUP IS TERRIBLE. 409 00:14:48,020 --> 00:14:50,488 WE NEED-- SHE NEEDS TO CLEAN UP UNDER MY EYES. 410 00:14:50,489 --> 00:14:52,991 MISS BRAXTON, TIME TO GO TO STAGE. 411 00:14:52,992 --> 00:14:55,293 I CAN'T BELIEVE MY MAKEUP ARTIST ISN'T HERE. 412 00:14:55,294 --> 00:14:56,561 SHE'S STUCK IN TRAFFIC. 413 00:14:56,562 --> 00:14:58,696 SHE'S NEVER LATE. 414 00:14:58,697 --> 00:15:00,465 IT'S JUST STRESSFUL ENOUGH TO GO ON NATIONAL TELEVISION 415 00:15:00,466 --> 00:15:01,966 AND TALK ABOUT THE BOOK, 416 00:15:01,967 --> 00:15:05,003 BUT MY EYES LOOK LIKE I'M 187 YEARS OLD 417 00:15:05,004 --> 00:15:06,771 BECAUSE I TRIED TO PUT MY LASHES ON MYSELF, 418 00:15:06,772 --> 00:15:08,539 AND THEY ALL STUCK TOGETHER LIKE THIS. 419 00:15:08,540 --> 00:15:10,408 IT'S NOT CUTE. 420 00:15:10,409 --> 00:15:13,044 AND WHERE'S MOMMY AND TRACI? 421 00:15:13,045 --> 00:15:14,513 SNAIL'S PACE... 422 00:15:17,182 --> 00:15:18,816 I'M REALLY HOPING THAT MOMMY AND TRACI 423 00:15:18,817 --> 00:15:20,952 CAN MAKE IT HERE ON TIME, 424 00:15:20,953 --> 00:15:22,620 BECAUSE IF TONI LOOKS OUT IN THE AUDIENCE 425 00:15:22,621 --> 00:15:23,788 AND THERE'S ONLY ME AND TRINA, 426 00:15:23,789 --> 00:15:25,556 SHE'S GONNA BE WORRIED. 427 00:15:25,557 --> 00:15:28,626 - HEY! - HI-HI-HI. 428 00:15:28,627 --> 00:15:30,762 VERY LITTLE-- VERY, VERY LITTLE. 429 00:15:30,763 --> 00:15:34,032 YOU GOT IT. 430 00:15:34,033 --> 00:15:35,066 WHAT HAPPENED-- WHAT DID I DO? 431 00:15:35,067 --> 00:15:36,735 DID I DO SOMETHIN'? 432 00:15:39,905 --> 00:15:41,639 YOU'RE LAGGING BACK. 433 00:15:41,640 --> 00:15:42,740 - THIS A LONG WALK. - YEAH. 434 00:15:42,741 --> 00:15:44,809 GETTIN' RIGHT FOR JESUS. 435 00:15:44,810 --> 00:15:47,011 - OH, MY GOD! - IS IT BAD? 436 00:15:47,012 --> 00:15:47,946 COME IN-- COME IN THESE DOORS. 437 00:15:47,947 --> 00:15:48,947 YOU CAN DO IT IN HERE. 438 00:15:48,948 --> 00:15:50,415 COME IN THESE DOORS-- COME IN THESE DOORS. 439 00:15:50,416 --> 00:15:52,517 NO. 440 00:15:52,518 --> 00:15:57,889 - HI. - HEY-- HEY, YOU. 441 00:15:57,890 --> 00:15:59,090 HOW ARE YOU DOING? - HOW YOU DOING-- 442 00:15:59,091 --> 00:16:00,558 I'M GOOD-- HOW YOU DOING? - GOOD-GOOD-GOOD-GOOD. 443 00:16:00,559 --> 00:16:01,592 OKAY. 444 00:16:01,593 --> 00:16:02,627 SO, ARE THE GIRLS COMING IN HERE OR WHAT? 445 00:16:02,628 --> 00:16:03,695 NO, THEY'RE SITTING RIGHT THERE. 446 00:16:03,696 --> 00:16:04,562 THEY'RE ALREADY THERE. 447 00:16:04,563 --> 00:16:05,496 THEY'RE WAITING ON YOU GUYS. 448 00:16:05,497 --> 00:16:06,431 DO YOU HAVE YOUR PURSE WITH YOU? 449 00:16:06,432 --> 00:16:06,998 WE GOT THERE A LITTLE LATE, 450 00:16:06,999 --> 00:16:08,800 BUT TRINA AND TOWANDA 451 00:16:08,801 --> 00:16:10,635 WAS ALREADY SITTING IN THE AUDIENCE. 452 00:16:10,636 --> 00:16:13,338 I'M LIKE, OH, MY GOD. 453 00:16:13,339 --> 00:16:15,206 COME ON, MOMMY. 454 00:16:15,207 --> 00:16:17,308 NOT ONLY IS SHE AN R&B LEGEND, SISTER, 455 00:16:17,309 --> 00:16:19,510 AND MOTHER, YOU CAN READ ALL ABOUT HER 456 00:16:19,511 --> 00:16:22,447 IN HER NEW MEMOIR, "UNBREAK MY HEART." 457 00:16:24,049 --> 00:16:25,283 IT JUST SO HAPPENS, 458 00:16:25,284 --> 00:16:27,819 WE HAVE BRAXTON SISTERS AND MAMA IN THE HOUSE TODAY. 459 00:16:27,820 --> 00:16:30,421 YOU TALK ABOUT DIVORCE. 460 00:16:30,422 --> 00:16:32,457 YOU TALK ABOUT YOUR SON'S AUTISM. 461 00:16:32,458 --> 00:16:34,926 SO, WHAT MADE YOU WANNA KINDA SHARE THAT? 462 00:16:34,927 --> 00:16:36,627 YOU KNOW, WHEN I FOUND OUT MY SON WAS AUTISTIC, 463 00:16:36,628 --> 00:16:37,829 I REMEMBER BLAMING MYSELF. 464 00:16:37,830 --> 00:16:39,130 I THOUGHT IT WAS SOMETHING I'D DONE. 465 00:16:39,131 --> 00:16:40,865 - MMM-HMM. - BECAUSE YEARS AGO, 466 00:16:40,866 --> 00:16:43,935 I HAD AN ABORTION, 467 00:16:43,936 --> 00:16:48,439 AND I THOUGHT IT WAS MY PAYBACK FOR HAVING AN ABORTION. 468 00:16:48,440 --> 00:16:51,609 I WAS VERY, VERY, VERY, VERY, VERY SHOCKED 469 00:16:51,610 --> 00:16:54,579 THAT THIS WAS A PART OF HER BOOK. 470 00:16:54,580 --> 00:16:56,147 THERE ARE SOME THINGS IN THE BOOK 471 00:16:56,148 --> 00:16:57,949 THAT I DID NOT KNOW ABOUT. 472 00:16:57,950 --> 00:16:59,283 I HAVE SIX KIDS. 473 00:16:59,284 --> 00:17:01,686 I DON'T KNOW EVERYTHING ABOUT THEM, 474 00:17:01,687 --> 00:17:04,523 AND I WOULDN'T WANT TO, TO BE HONEST WITH YOU. 475 00:17:06,191 --> 00:17:07,592 SO, WHEN MY SON WAS AUTISTIC, I SAID, "OKAY, 476 00:17:07,593 --> 00:17:08,860 "THAT'S JUST BECAUSE WHAT I DID, 477 00:17:08,861 --> 00:17:10,261 "AND I SHOULDN'T HAVE DONE THAT." 478 00:17:10,262 --> 00:17:12,030 AND THEN, I TALKED TO SOME FRIENDS OF MINE, WHO SAID, 479 00:17:12,031 --> 00:17:13,464 "YOU KNOW, THERE'S NOTHING WRONG WITH YOUR BABY. 480 00:17:13,465 --> 00:17:14,665 "HE JUST LEARNS DIFFERENTLY." 481 00:17:14,666 --> 00:17:16,067 RIGHT, HE LEARNS DIFFERENTLY. 482 00:17:16,068 --> 00:17:17,568 AND THAT'S IT, SO HERE WE ARE. 483 00:17:17,569 --> 00:17:18,703 HE LEARNS DIFFERENTLY. 484 00:17:18,704 --> 00:17:20,338 IT WASN'T AN EASY DECISION FOR ME TO REVEAL 485 00:17:20,339 --> 00:17:21,906 SOME OF THE THINGS THAT I REVEALED IN THE BOOK. 486 00:17:21,907 --> 00:17:23,941 THOUGH THE GUILT THAT I FELT WITH MY KID HAVING AUTISM, 487 00:17:23,942 --> 00:17:26,044 I WAS SEEING A REFLECTION FOR MYSELF, 488 00:17:26,045 --> 00:17:27,245 AT THAT MOMENT. 489 00:17:27,246 --> 00:17:29,280 AND I HOPE MOMMY ISN'T TOO UNCOMFORTABLE 490 00:17:29,281 --> 00:17:30,982 ABOUT SOME OF THE THINGS I SHARED, 491 00:17:30,983 --> 00:17:33,284 BUT IT'S PART OF MY JOURNEY. 492 00:17:33,285 --> 00:17:34,452 THANK YOU SO MUCH, TONI, FOR BEING HERE. 493 00:17:34,453 --> 00:17:35,787 THANK YOU FOR HAVING ME-- THANK YOU. 494 00:17:58,877 --> 00:18:00,111 WHAT HAPPENED? 495 00:18:00,112 --> 00:18:01,679 SO, WE JUST GOT BACK TO ATLANTA, 496 00:18:01,680 --> 00:18:03,748 AND MY WHOLE TEAM IS SHOOTING THE BACKGROUND VIDEO 497 00:18:03,749 --> 00:18:05,416 WITH THE DANCERS. 498 00:18:05,417 --> 00:18:07,819 A LOT OF IMPORTANT DETAILS ARE HAPPENING 499 00:18:07,820 --> 00:18:10,488 AT THE VERY LAST SECOND, BUT EVERYTHING 500 00:18:10,489 --> 00:18:14,059 HAS GOT TO BE PERFECT FOR MY ATLANTA SHOW. 501 00:18:15,894 --> 00:18:17,796 WHERE THE BOOTS FIT IN? 502 00:18:25,838 --> 00:18:28,539 I WALK IN, AND THESE GIRLS ARE DANCING IN THESE 503 00:18:28,540 --> 00:18:30,108 "PIRATES OF THE CARIBBEAN" BOOTS, 504 00:18:30,109 --> 00:18:31,909 AND THAT'S JUST NOT GONNA WORK, HONEY. 505 00:18:31,910 --> 00:18:34,245 YOU CAN'T BE SEXY IN THOSE BOOTS. 506 00:18:34,246 --> 00:18:38,483 SO, FOR ME, LIKE, GIRLS SHOULD ALWAYS 507 00:18:38,484 --> 00:18:41,619 BE PULLED UP, SNATCHED UP, IN A HEEL. 508 00:18:41,620 --> 00:18:42,587 YOU KNOW WHAT I MEAN? 509 00:18:42,588 --> 00:18:43,888 LIKE, IT SHOULD ALWAYS LOOK UNCOMFORTABLE 510 00:18:43,889 --> 00:18:46,691 FOR EVERYBODY ELSE EXCEPT FOR US. 511 00:18:46,692 --> 00:18:48,726 DOES THAT MAKE SENSE? 512 00:18:48,727 --> 00:18:50,094 TAMAR, THEY WERE JUST TRYIN' SOMETHIN'. 513 00:18:50,095 --> 00:18:51,462 I KNOW, I KNOW. 514 00:18:51,463 --> 00:18:52,396 IF YOU DON'T LIKE IT, THAT'S WHY WE'RE HERE TO DO IT AGAIN, 515 00:18:52,397 --> 00:18:56,134 BUT IT'S NOTHIN' THAT SERIOUS. 516 00:18:56,135 --> 00:18:58,436 PLEASE, DON'T EVER TAKE IT AS ME BEING DISRESPECTFUL. 517 00:18:58,437 --> 00:19:00,873 I'M NOT-- I'M JUST BEING AN ARTIST. 518 00:19:04,143 --> 00:19:06,277 I JUST FEEL LIKE WHEN THE BOSS IS NOT THERE 519 00:19:06,278 --> 00:19:08,880 TO OVERSEE THE SITUATION, PEOPLE DO WHAT THEY WANNA DO. 520 00:19:08,881 --> 00:19:10,581 I MEAN, I REALLY DON'T WANT NOBODY TRYING NOTHING NEW. 521 00:19:10,582 --> 00:19:13,784 I WANT THEM TO TRY WHAT I SAID, NO SHADE, 522 00:19:13,785 --> 00:19:15,186 AND THAT DOESN'T MAKE ME A BITCH. 523 00:19:15,187 --> 00:19:17,088 THAT MAKES ME A PERFECTIONIST. 524 00:19:17,089 --> 00:19:19,323 I WOULD THINK, LIKE, I DON'T KNOW. 525 00:19:19,324 --> 00:19:21,692 MAYBE IF SOMEONE ASKED ME, I WOULD HAVE THE GIRLS 526 00:19:21,693 --> 00:19:23,961 TO BE IN LIKE-- 527 00:19:23,962 --> 00:19:25,363 ABSOLUTELY, SO I'M JUST-- 528 00:19:25,364 --> 00:19:26,764 I'M TELLING YOU WHAT I WOULD LIKE. 529 00:19:26,765 --> 00:19:28,332 OKAY. 530 00:19:28,333 --> 00:19:29,934 CAN WE JUST SHOW HER WHAT-WHAT ALL YOU GOT? 531 00:19:29,935 --> 00:19:31,435 IT'S IN HERE? 532 00:19:31,436 --> 00:19:33,238 I'LL FOLLOW YOU. 533 00:19:34,706 --> 00:19:37,041 I DON'T WANT LEOTARDS. 534 00:19:37,042 --> 00:19:39,277 THAT JUST HAS BEEN DONE, AND DONE, DONE, DONE, 535 00:19:39,278 --> 00:19:40,645 AND DONE, DONE, DONE. 536 00:19:40,646 --> 00:19:43,581 I'M NOT A KNOCK-OFF QUEEN. 537 00:19:43,582 --> 00:19:46,184 COMING UP, ON "BRAXTON FAMILY VALUES"... 538 00:19:46,185 --> 00:19:47,218 VINCE? 539 00:19:47,219 --> 00:19:48,386 AT THE 11th HOUR, WE'RE STUCK WITH FIVE 540 00:19:48,387 --> 00:19:50,221 OF THE SAME LEOTARDS. 541 00:19:50,222 --> 00:19:53,191 TAMAR, YOU'RE WALKING OUT, LOOKING LIKE A FOOL 542 00:19:53,192 --> 00:19:54,492 BECAUSE YOU GOT A ATTITUDE ABOUT SOMETHIN' 543 00:19:54,493 --> 00:19:56,427 WITH SOMEBODY. - IT IS MY SHOW. 544 00:19:56,428 --> 00:19:59,063 I SHOULD GET, YOU KNOW, WHAT I WANT. 545 00:19:59,064 --> 00:20:03,067 I HAVE COME UP WITH A BRILLIANT IDEA 546 00:20:03,068 --> 00:20:04,802 TO SURPRISE TAMAR ON STAGE, 547 00:20:04,803 --> 00:20:06,170 DOING ONE OF HER FAVORITE SONGS, 548 00:20:06,171 --> 00:20:07,271 "HOT SUGAR." 549 00:20:07,272 --> 00:20:08,272 I JUST THINK IT'S A LITTLE WEIRD 550 00:20:08,273 --> 00:20:09,240 IF WE CHANGE THE CHOREOGRAPHY, 551 00:20:09,241 --> 00:20:10,441 AND SHE HAS PEOPLE ON THE STAGE. 552 00:20:10,442 --> 00:20:11,776 STOP, Y'ALL-- WE'RE PROFESSIONALS. 553 00:20:11,777 --> 00:20:12,878 WE CAN DO IT. 554 00:20:16,648 --> 00:20:18,316 I DON'T WANT LEOTARDS. 555 00:20:18,317 --> 00:20:20,484 THAT JUST HAS BEEN DONE, AND DONE, DONE, DONE, 556 00:20:20,485 --> 00:20:22,486 AND DONE, DONE, DONE. 557 00:20:22,487 --> 00:20:25,289 I'M NOT A KNOCKOFF QUEEN. 558 00:20:25,290 --> 00:20:29,026 I WOULD HAVE DONE ONE WHOLE PIECE. 559 00:20:29,027 --> 00:20:31,796 NO, UM, "PIRATES OF THE CARIBBEAN" BOOTS. 560 00:20:31,797 --> 00:20:33,497 YOU KNOW, LIKE, I'M NOT SHADING Y'ALL CLOTHES. 561 00:20:33,498 --> 00:20:34,865 I'M JUST SAYING, THAT'S WHAT IT LOOK LIKE. 562 00:20:34,866 --> 00:20:35,766 YOU KNOW WHAT I MEAN? 563 00:20:35,767 --> 00:20:36,767 WE GOT STRINGS HANGING. 564 00:20:36,768 --> 00:20:38,703 IT'S NOT CLEAN-- IT'S NOT SEXY. 565 00:20:38,704 --> 00:20:39,804 YOU KNOW WHAT I MEAN? 566 00:20:39,805 --> 00:20:41,005 AND THAT'S WHAT I WAS TRYING TO EXPLAIN 567 00:20:41,006 --> 00:20:43,341 TO EVERYBODY BEFORE EVERYBODY STARTED MAKING MOVES 568 00:20:43,342 --> 00:20:44,442 WITHOUT ME, 569 00:20:44,443 --> 00:20:46,244 TAMAR ESTINE BRAXTON, THE ARTIST. 570 00:20:46,245 --> 00:20:47,211 NOW, LOOK IT HERE. 571 00:20:47,212 --> 00:20:51,349 I WAS VERY CRYSTAL CLEAR ABOUT MY VISION 572 00:20:51,350 --> 00:20:53,951 ABOUT HER WARDROBE, OKAY? 573 00:20:53,952 --> 00:20:56,420 AND, YOU KNOW, WHEN WE MET A FEW WEEKS AGO, 574 00:20:56,421 --> 00:20:59,724 I SAID I WANT MY DANCERS TO BE IN FULL BODYSUITS, 575 00:20:59,725 --> 00:21:02,593 WITH LITTLE SEXY, YOU KNOW, HEELS AND STUFF. 576 00:21:02,594 --> 00:21:04,395 AND NOW, I COME BACK FROM L.A., 577 00:21:04,396 --> 00:21:06,497 AND THEY'RE WEARING LEOTARDS AND, LIKE, 578 00:21:06,498 --> 00:21:07,832 "PIRATES OF THE CARIBBEAN" BOOTS, 579 00:21:07,833 --> 00:21:09,100 AND I AIN'T GOT TIME FOR THAT. 580 00:21:09,101 --> 00:21:11,535 LIKE, WE AIN'T FITTIN' TO DO THAT. 581 00:21:11,536 --> 00:21:12,770 SEE, MY WHOLE THING IS THIS. 582 00:21:12,771 --> 00:21:14,672 YOU KNOW, ONCE YOU GET TO A SITUATION, 583 00:21:14,673 --> 00:21:16,807 AND THIS IS WHAT WE'RE FORCED TO WORK WITH, 584 00:21:16,808 --> 00:21:18,209 EVERYBODY LOOKING AROUND GOING, 585 00:21:18,210 --> 00:21:19,577 "HE TOLD ME, AND THEY TOLD ME," 586 00:21:19,578 --> 00:21:20,845 AND WHEN-- AND THEN, THAT'S YOU-- 587 00:21:20,846 --> 00:21:22,647 HOLD ON A SECOND. 588 00:21:22,648 --> 00:21:24,715 I DON'T GO BACK AND FORTH WITH ANYBODY. 589 00:21:24,716 --> 00:21:26,285 VINCE-- VINCE? 590 00:21:33,659 --> 00:21:34,725 IT IS MY SHOW. 591 00:21:34,726 --> 00:21:37,361 SO, THEREFORE, I SHOULD GET, YOU KNOW, WHAT I WANT. 592 00:21:37,362 --> 00:21:40,064 THAT'S IT. 593 00:21:40,065 --> 00:21:41,966 AT THE 11th HOUR, WE'RE STUCK WITH FIVE 594 00:21:41,967 --> 00:21:44,068 OF THE SAME LEOTARDS, 595 00:21:44,069 --> 00:21:45,904 AND NOBODY SAID ANYTHING TO ANYBODY. 596 00:21:50,075 --> 00:21:51,442 BABY, I WAS TR-- 597 00:21:51,443 --> 00:21:52,810 WALKING OUT, LOOKING LIKE A FOOL 598 00:21:52,811 --> 00:21:54,513 BECAUSE YOU GOT A ATTITUDE ABOUT SOMETHIN' WITH SOMEBODY. 599 00:21:57,449 --> 00:21:58,783 IF YOU'RE NOT HAPPY WITH SOMETHING, 600 00:21:58,784 --> 00:22:00,319 YOU DON'T HAVE TO GO OFF LIKE THAT. 601 00:22:08,894 --> 00:22:10,461 SO, AFTER TALKING TO VINCE, 602 00:22:10,462 --> 00:22:12,363 YOU KNOW, ABOUT ME FLIPPING OUT ON THE WARDROBE TEAM 603 00:22:12,364 --> 00:22:14,999 BECAUSE NO ONE LISTENED TO ME ABOUT, YOU KNOW, 604 00:22:15,000 --> 00:22:16,701 WHAT LOOK I WANTED, 605 00:22:16,702 --> 00:22:18,636 YOU KNOW, BUT THAT'S OKAY, 606 00:22:18,637 --> 00:22:20,004 HE CALMED ME DOWN. 607 00:22:20,005 --> 00:22:22,139 AND, YOU KNOW, I REALLY DO FEEL BAD 608 00:22:22,140 --> 00:22:23,741 BECAUSE I REALLY WASN'T YELLING AT THE GIRLS, 609 00:22:23,742 --> 00:22:25,310 'CAUSE IT AIN'T THEIR FAULT, YOU KNOW? 610 00:22:27,412 --> 00:22:28,346 HI, LADIES. 611 00:22:28,347 --> 00:22:29,781 - HEY. - HELLO. 612 00:22:32,851 --> 00:22:34,086 YES. 613 00:23:30,475 --> 00:23:32,710 TONI, PLEASE, ON YOUR LEFT SIDE. 614 00:23:32,711 --> 00:23:34,545 HEY, TONI, RIGHT HERE. 615 00:23:34,546 --> 00:23:35,813 GIVE ME THAT SMILE, TONI. 616 00:23:35,814 --> 00:23:37,648 LOOK RIGHT HERE FOR ME, TONI, STRAIGHT AHEAD. 617 00:23:37,649 --> 00:23:39,216 I HAVE A BIG BOOK SIGNING TODAY, 618 00:23:39,217 --> 00:23:40,451 AND THERE ARE A LOT OF FANS THERE, 619 00:23:40,452 --> 00:23:42,186 AND I'M SO EXCITED-- I'M REALLY ANXIOUS 620 00:23:42,187 --> 00:23:45,289 BECAUSE I REVEALED ABOUT MYSELF IN THE BOOK, 621 00:23:45,290 --> 00:23:47,124 AND I DON'T KNOW HOW READERS 622 00:23:47,125 --> 00:23:48,926 ARE GONNA RESPOND TO THAT. 623 00:23:48,927 --> 00:23:51,729 - YOU ARE GORGEOUS. - THANK YOU. 624 00:23:51,730 --> 00:23:53,298 GORGEOUS WOMAN. 625 00:23:56,468 --> 00:23:58,302 - OH-OH, OKAY. - YEAH. 626 00:23:58,303 --> 00:23:59,538 ONE MORE? 627 00:24:02,874 --> 00:24:04,543 OKAY--- OKAY. 628 00:24:06,912 --> 00:24:09,748 ARE YOU-- ARE YOU SERIOUS? 629 00:24:12,884 --> 00:24:14,051 ALWAYS LOOKING-- 630 00:24:14,052 --> 00:24:16,988 OKAY, YOU GOT INFORMATION FOR ME? 631 00:24:19,191 --> 00:24:22,626 AW, THAT'S SO SWEET. 632 00:24:22,627 --> 00:24:23,928 ARE YOU SERIOUS? 633 00:24:23,929 --> 00:24:24,929 SO, IS THAT, LIKE, IN ARABIC? 634 00:24:24,930 --> 00:24:26,397 MMM-HMM. 635 00:24:26,398 --> 00:24:29,867 HEY, BIRTHDAY BOY-- HOW ARE YOU? 636 00:24:29,868 --> 00:24:33,471 GREAT-- SO HAPPY TO SEE YOU. 637 00:24:33,472 --> 00:24:34,738 HEY! 638 00:24:34,739 --> 00:24:35,673 YOUR MOMMY MADE YOU COME HERE? 639 00:24:35,674 --> 00:24:36,640 YOU DIDN'T WANNA COME, DID YOU? 640 00:24:36,641 --> 00:24:38,242 DON'T YOU HATE THAT? 641 00:24:38,243 --> 00:24:40,377 THANK YOU FOR WAITING, AND WHERE ARE YOU FROM? 642 00:24:40,378 --> 00:24:42,213 ARE YOU FROM L.A.? 643 00:24:42,214 --> 00:24:44,648 YOU CAME OUT HERE FOR THIS? 644 00:24:44,649 --> 00:24:47,952 AW... 645 00:24:47,953 --> 00:24:50,821 I MESSED UP MY MAKEUP. 646 00:24:50,822 --> 00:24:52,156 TO ME, YOU LOOK GOOD-- THE MAKEUP IS KILLER. 647 00:24:52,157 --> 00:24:53,224 YOU DO IT-- DO YOU DO MAKEUP? 648 00:24:53,225 --> 00:24:54,725 NO. 649 00:24:54,726 --> 00:24:56,460 SHE GOT HER MAKEUP DID. 650 00:24:56,461 --> 00:24:57,695 I LOVE IT. 651 00:24:57,696 --> 00:25:00,264 I SHOWED 'EM A PICTURE OF YOU, AND I TOLD 'EM FIX IT. 652 00:25:00,265 --> 00:25:02,500 LOOK AT HER HAIR. 653 00:25:02,501 --> 00:25:04,468 I'M JUST MY TONI WIG. 654 00:25:04,469 --> 00:25:06,704 IT'S HER TONI WIG. 655 00:25:06,705 --> 00:25:08,072 I LIKE THAT. 656 00:25:08,073 --> 00:25:10,541 THAT'S SO SWEET. 657 00:25:10,542 --> 00:25:12,843 THANK YOU. 658 00:25:12,844 --> 00:25:14,345 THANK YOU-- THANK YOU-- THANK YOU. 659 00:25:14,346 --> 00:25:15,446 THAT'S SO SWEET. 660 00:25:15,447 --> 00:25:16,514 - THANK YOU-- LOVE YOU. - I LOVE YOU, TOO. 661 00:25:16,515 --> 00:25:17,748 THANK YOU FOR MY FLOWERS. - YOU'RE WELCOME. 662 00:25:17,749 --> 00:25:19,783 THANKS FOR WAITING IN LINE. 663 00:25:19,784 --> 00:25:21,418 WHEN I SAW ALL THE FANS THERE TODAY, 664 00:25:21,419 --> 00:25:23,487 IT WAS AMAZING. 665 00:25:23,488 --> 00:25:24,788 IT MAKES UP FOR ALL THE HARD QUESTIONS 666 00:25:24,789 --> 00:25:26,590 THE PRESS HAS BEEN ASKING ME ABOUT MY BOOK, 667 00:25:26,591 --> 00:25:30,060 AND IT'S JUST GREAT TO SEE SO MUCH LOVE AND SWEETNESS. 668 00:25:30,061 --> 00:25:31,562 BUT, I STILL HAVE TO CHECK ON MY MOM 669 00:25:31,563 --> 00:25:33,063 AND SEE HOW SHE'S FEELING ABOUT IT, 670 00:25:33,064 --> 00:25:37,601 AND I DON'T THINK SHE'S GONNA BE TOO HAPPY ABOUT EVERYTHING. 671 00:25:39,838 --> 00:25:41,305 IS THAT IT? 672 00:25:41,306 --> 00:25:42,373 THAT'S ALL? 673 00:25:42,374 --> 00:25:43,775 THAT WAS FUN. 674 00:26:02,727 --> 00:26:03,928 IT'S A GOOD THING WE'RE NOT DOING 675 00:26:03,929 --> 00:26:07,431 A FULL SISTER ALBUM ANYMORE BECAUSE EVERYONE IS SO BUSY, 676 00:26:07,432 --> 00:26:10,668 RIGHT NOW, INCLUDING ME WITH MY NEW ALBUM. 677 00:26:10,669 --> 00:26:13,671 I'M DOING A PHOTO SHOOT FOR MY SINGLE BEFORE I LEAVE L.A., 678 00:26:13,672 --> 00:26:15,873 AND EVERYTHING NEEDS TO BE PERFECT 679 00:26:15,874 --> 00:26:18,777 SO THAT IT LOOKS AS GREAT AS IT SOUNDS. 680 00:26:20,679 --> 00:26:22,212 THANK YOU. 681 00:26:22,213 --> 00:26:23,380 I GOT MY TEAM. 682 00:26:23,381 --> 00:26:24,782 HA-HA-HA-HA! 683 00:26:24,783 --> 00:26:27,351 SO, MAYBE WE SHOULD DO THE MOTORCYCLE NOW 684 00:26:27,352 --> 00:26:28,719 SINCE THE BIKE IS HERE. 685 00:26:28,720 --> 00:26:30,387 EVERYBODY KNOW I'M THE BIKER GIRL, 686 00:26:30,388 --> 00:26:33,992 SO THE OUTSIDE SHOT IS THE STREET, EDGY SIDE OF ME. 687 00:26:40,365 --> 00:26:42,499 YOU KNOW, I'M EXPECTING A LOT FROM YOU, GIRL. 688 00:26:42,500 --> 00:26:43,634 OH, MY GOD-- I'M SO NERVOUS. 689 00:26:43,635 --> 00:26:44,969 Y'ALL DON'T UNDERSTAND. 690 00:26:44,970 --> 00:26:47,004 MY LEGS ARE SHAKING LIKE CRAZY. 691 00:26:47,005 --> 00:26:48,072 IT'S LIKE, DON'T YOU KNOW, WHEN YOU'RE GETTING READY 692 00:26:48,073 --> 00:26:49,440 TO GO ONSTAGE? - OH, YEAH. - MMM-HMM. 693 00:26:49,441 --> 00:26:52,309 OH, MY GOD-- THIS IS CRAZY. 694 00:26:52,310 --> 00:26:53,577 THIS IS REAL CRAZY. 695 00:26:53,578 --> 00:26:55,279 IT'S JUST HER BODY'S TENSE. 696 00:26:55,280 --> 00:26:56,380 OOH, CRAMP-CRAMP- CRAMP-CRAMP-CRAMP. 697 00:26:56,381 --> 00:26:58,282 GO AHEAD. 698 00:26:58,283 --> 00:26:59,316 HOLD UP-- WAIT A MINUTE. 699 00:26:59,317 --> 00:27:00,919 YOU OKAY? 700 00:27:02,087 --> 00:27:03,721 YOU OKAY? - OH, MY GOD. 701 00:27:03,722 --> 00:27:04,755 HOLD ON. 702 00:27:04,756 --> 00:27:05,956 LET ME-- LET ME TRY TO SAY SOMETHIN' TO HER. 703 00:27:05,957 --> 00:27:07,992 HEY, SO, LOOK, YOU KNOW THIS IS SERIOUS, RIGHT? 704 00:27:07,993 --> 00:27:09,026 YEAH. 705 00:27:09,027 --> 00:27:09,927 YOU KNOW HOW SERIOUS THIS IS. 706 00:27:09,928 --> 00:27:11,095 WE GOTTA REALLY MAKE THIS WORK. 707 00:27:11,096 --> 00:27:12,096 YEAH. 708 00:27:12,097 --> 00:27:13,464 TONI TOOK IT TO ANOTHER LEVEL. 709 00:27:13,465 --> 00:27:15,165 TAMAR TOOK IT TO THE NEXT LEVEL. 710 00:27:15,166 --> 00:27:17,368 NOW, YOU'RE GONNA TAKE IT OVER THE TOP. 711 00:27:17,369 --> 00:27:19,169 - MMM-HMM. - IT'S TIME TO GO. 712 00:27:19,170 --> 00:27:20,838 MY LEGS ARE SHAKING LIKE I'VE BEEN DOIN' 713 00:27:20,839 --> 00:27:22,306 THE WATUSI ALL NIGHT. 714 00:27:22,307 --> 00:27:24,375 - HOW-- - TRACE, GO AHEAD AND HOP OFF. 715 00:27:24,376 --> 00:27:26,844 IT'S 1,000 DEGREES OUT HERE. 716 00:27:26,845 --> 00:27:28,679 WHO CAN FOCUS LIKE THIS? 717 00:27:28,680 --> 00:27:30,848 I MEAN, I'M SWEATIN' AND EVERYTHING. 718 00:27:30,849 --> 00:27:34,051 I'M A SINGER, NOT A DAMN MODEL. 719 00:27:38,023 --> 00:27:39,891 HOLD RIGHT THERE. 720 00:27:41,426 --> 00:27:42,693 WE GOT IT-- WE GOT IT. 721 00:27:42,694 --> 00:27:43,861 WE'RE GONNA GO INSIDE NOW, RIGHT? 722 00:27:43,862 --> 00:27:45,195 YEAH, LET'S GET HER OUT OF THIS HEAT-- 723 00:27:45,196 --> 00:27:46,831 GET HER CHANGED. 724 00:27:50,702 --> 00:27:51,969 WHOA! 725 00:27:51,970 --> 00:27:53,037 WHOA! 726 00:27:53,038 --> 00:27:54,304 I'M READY. 727 00:27:57,909 --> 00:28:00,477 A LITTLE BIT MORE ATTITUDE. 728 00:28:00,478 --> 00:28:02,046 JUST RELAX, OKAY? 729 00:28:02,047 --> 00:28:05,149 GOOD-- ROLL YOUR HEAD, AGAIN, RIGHT THERE. 730 00:28:05,150 --> 00:28:07,084 FOCUS-- RELAX. 731 00:28:07,085 --> 00:28:08,819 JUST HOLD YOUR HANDS JUST LIKE THIS. 732 00:28:08,820 --> 00:28:10,654 FORGET ABOUT ALL THIS, OKAY? 733 00:28:10,655 --> 00:28:13,524 GOOD-- I STILL DON'T THINK YOU'RE BEING ALL OF YOU. 734 00:28:13,525 --> 00:28:14,725 YOU NEED TO BE YOU. 735 00:28:14,726 --> 00:28:15,793 - OKAY-- OKAY. - YOU KNOW WHAT I MEAN? 736 00:28:15,794 --> 00:28:18,562 YOU'RE KEEPING IT VERY TAME. 737 00:28:18,563 --> 00:28:19,797 I COULD TELL ROY IS STARTING 738 00:28:19,798 --> 00:28:21,665 TO FEEL FRUSTRATED WITH ME. 739 00:28:21,666 --> 00:28:26,704 AND HONESTLY, I'M FEELIN' FRUSTRATED WITH MY DAMN SELF. 740 00:28:26,705 --> 00:28:28,338 WE JUST GOTTA KEEP HER CALM. 741 00:28:28,339 --> 00:28:29,540 IT'S WHEN SHE FIRST STARTS. 742 00:28:29,541 --> 00:28:31,742 SHE STARTS TO-- SHE GETS OVERWHELMED, 743 00:28:31,743 --> 00:28:34,278 AND SHE STARTS TO OVER-POSE, YOU KNOW? 744 00:28:34,279 --> 00:28:36,146 AND THE PROBLEM IS, SHE DOES A WHOLE BUNCH 745 00:28:36,147 --> 00:28:38,615 OF POSES BUT LANDS ON NONE. 746 00:28:38,616 --> 00:28:40,784 THESE PHOTOS HAS TO LOOK HOT. 747 00:28:40,785 --> 00:28:42,653 I'VE GOTTA STEP IT UP. 748 00:28:42,654 --> 00:28:45,556 TRACI GOTTA GET IT TOGETHER, HONEY. 749 00:28:45,557 --> 00:28:47,991 - YEP, GO ACROSS. - OKAY, GREAT. 750 00:28:47,992 --> 00:28:49,460 NOW, STAY RIGHT IN THAT MIDDLE YEP, 751 00:28:49,461 --> 00:28:53,197 JUST KEEP MOVING LIKE THAT. 752 00:28:53,198 --> 00:28:55,799 THERE IT IS, RIGHT THERE. 753 00:28:55,800 --> 00:28:57,067 THAT'S IT. 754 00:28:57,068 --> 00:28:58,802 AND NOW, GO BACK AND START OVER. 755 00:28:58,803 --> 00:29:00,237 I'M STARTING TO FEEL MORE COMFORTABLE 756 00:29:00,238 --> 00:29:01,338 WITH THE CAMERA. 757 00:29:01,339 --> 00:29:03,474 I THINK I JUST NEED TO RELAX 758 00:29:03,475 --> 00:29:06,310 AND SHAKE THE NERVES OFF. 759 00:29:06,311 --> 00:29:09,079 MMM-HMM-- YES, MA'AM. 760 00:29:09,080 --> 00:29:11,115 GOOD-- MUCH BETTER. 761 00:29:11,116 --> 00:29:12,716 YES. 762 00:29:12,717 --> 00:29:14,918 CLIFF, YOU GOTTA SEE THIS, MAN. 763 00:29:14,919 --> 00:29:16,353 - I MEAN, SHE IS-- - THAT'S KINDA SEXY, 764 00:29:16,354 --> 00:29:18,822 RIGHT THERE. - NO, THAT WAS HOT. - THAT'S HOT. 765 00:29:18,823 --> 00:29:22,726 SHE IS ONTO SOMETHIN' HERE. 766 00:29:22,727 --> 00:29:24,495 THAT LOOKS LIKE A COVER TO ME. 767 00:29:24,496 --> 00:29:25,763 YEAH, THAT-- CLIFF. 768 00:29:25,764 --> 00:29:27,765 THAT'S WHAT YOU CALL A WRAP. 769 00:29:27,766 --> 00:29:29,300 THANK YOU. 770 00:29:39,844 --> 00:29:40,911 THAT'S CUTE. 771 00:29:40,912 --> 00:29:41,979 I WAS TRYING TO BE TALL TODAY. 772 00:29:43,414 --> 00:29:45,649 THAT'S GONNA TAKE A MIRACLE. 773 00:29:45,650 --> 00:29:47,518 WELL, I'M ABOUT 5'5" WITH THE SHOES ON. 774 00:29:47,519 --> 00:29:49,253 DOIN' PRETTY GOOD. 775 00:29:49,254 --> 00:29:51,088 THE BOOK WAS RELEASED A FEW WEEKS AGO, 776 00:29:51,089 --> 00:29:52,389 AND I THINK MOMMY READ IT, 777 00:29:52,390 --> 00:29:55,726 BUT I'M NOT SURE BECAUSE WE HAVEN'T REALLY DISCUSSED IT. 778 00:29:55,727 --> 00:29:57,161 SO, I ASKED HER OUT TO LUNCH TODAY 779 00:29:57,162 --> 00:30:01,365 BECAUSE I WANNA KNOW WHAT SHE THINKS ABOUT WHAT'S IN THE BOOK. 780 00:30:01,366 --> 00:30:03,367 - I NEVER BEEN HERE. - ME EITHER. 781 00:30:03,368 --> 00:30:05,736 NICE AND QUAINT-- NOT BAD. 782 00:30:05,737 --> 00:30:06,904 YEAH, IT'S KINDA NICE. 783 00:30:06,905 --> 00:30:08,038 WHAT CAN I SAY? 784 00:30:08,039 --> 00:30:09,506 THAT'S A LOT OF CLEAVAGE. 785 00:30:09,507 --> 00:30:10,674 OH, WELL, LET ME PULL IT UP. 786 00:30:10,675 --> 00:30:13,210 - NO, CLEAVAGE IS GOOD. - WHAT CAN I SAY? 787 00:30:13,211 --> 00:30:14,578 I'M A SINGLE WOMAN, TOO. 788 00:30:14,579 --> 00:30:15,879 YEAH, YOU GOTTA SHOW THE COUSINS SOMETIME. 789 00:30:15,880 --> 00:30:17,815 I MAY BE YOUR MOTHER, BUT I'M A SINGLE WOMAN. 790 00:30:17,816 --> 00:30:19,983 - YOU GOTTA SHOW 'EM. - YEAH, A LITTLE BIT. 791 00:30:24,689 --> 00:30:27,858 "QUEEN LATIFAH SHOW" WAS GOOD, HUH? 792 00:30:27,859 --> 00:30:30,928 THERE'S A CERTAIN SOMETHING IN TONI'S BOOK 793 00:30:30,929 --> 00:30:34,998 THAT I WISH WE COULD HAVE REALLY AND TRULY TALKED ABOUT 794 00:30:34,999 --> 00:30:39,269 BEFORE SHE APPEARED ON QUEEN LATIFAH'S SHOW. 795 00:30:39,270 --> 00:30:42,005 I WAS JUST CAUGHT OFF GUARD, AND I REALLY-- 796 00:30:42,006 --> 00:30:44,341 I REALLY HATE THAT FEELING. 797 00:30:44,342 --> 00:30:49,379 UM, ONE THING THAT YOU WERE TALKING ABOUT-- 798 00:30:49,380 --> 00:30:51,115 THE ABORTION. 799 00:30:52,217 --> 00:30:54,585 COMING UP, ON "BRAXTON FAMILY VALUES"... 800 00:30:54,586 --> 00:30:55,652 DO YOU REMEMBER? 801 00:30:55,653 --> 00:30:57,521 TAMAR USED TO ALWAYS SAY, "DON'T NOBODY COME OUT 802 00:30:57,522 --> 00:30:58,622 "AND SUPPORT ME. 803 00:30:58,623 --> 00:30:59,957 "DON'T Y'ALL-- DO-DO YOU NOT? 804 00:30:59,958 --> 00:31:02,159 "YOU SEEN MY SHOW-- YOU SEEN MY SHOW-- YOU SEEN MY SHOW?" 805 00:31:02,160 --> 00:31:03,827 WELL, I THINK TAMAR MIGHT BE UPSET. 806 00:31:03,828 --> 00:31:05,362 AND WHEN SHE SEES US ONSTAGE WITH THIS, 807 00:31:05,363 --> 00:31:06,496 SHE'S GONNA BE HAPPY. 808 00:31:06,497 --> 00:31:07,965 I HOPE TAMAR LOVES OUR SURPRISE, 809 00:31:07,966 --> 00:31:11,669 BUT I'M HAVING A REALLY BAD FEELING ABOUT THIS. 810 00:31:14,572 --> 00:31:16,173 - IT'S YOUR STORY. - RIGHT. 811 00:31:16,174 --> 00:31:18,175 BUT, I THOUGHT ABOUT DIEZEL. 812 00:31:18,176 --> 00:31:19,476 HE DEFINITELY ASKED ME ABOUT IT. 813 00:31:19,477 --> 00:31:20,878 - HE DID? - YEAH, HE DID. 814 00:31:20,879 --> 00:31:22,346 HE SAW IT ON THE INTERNET. 815 00:31:22,347 --> 00:31:23,513 BUT, WHAT HAPPENED WAS, 816 00:31:23,514 --> 00:31:27,517 THEY MADE IT THAT I SAID GOD GAVE IT TO HIM. 817 00:31:27,518 --> 00:31:28,552 AND I SAID, "NO, DIEZEL." 818 00:31:28,553 --> 00:31:29,620 I EXPLAINED IT TO HIM. 819 00:31:29,621 --> 00:31:31,455 I WANTED-- WHAT I WANTED THE V-VIEWERS TO READ 820 00:31:31,456 --> 00:31:33,657 AND UNDERSTAND IS THAT THE RELIGIOUS UPBRINGING 821 00:31:33,658 --> 00:31:35,592 ALWAYS MAKES YOU FEEL GUILTY. 822 00:31:35,593 --> 00:31:37,194 SO, WITH ME, WHEN THAT SITUATION HAPPENED, 823 00:31:37,195 --> 00:31:38,195 I REMEMBER THINKING THAT. 824 00:31:38,196 --> 00:31:39,630 REMEMBER I USED TO SAY, "OH, I FEEL SO GUILTY. 825 00:31:39,631 --> 00:31:40,898 "MAYBE IT'S SOMETHING I'VE DONE." 826 00:31:40,899 --> 00:31:41,999 AND I WOULD CRY PROFUSELY. 827 00:31:42,000 --> 00:31:44,534 I WAS ALWAYS FEELING GUILTY ABOUT THAT SITUATION 828 00:31:44,535 --> 00:31:45,702 AND WONDERING. 829 00:31:45,703 --> 00:31:46,970 THE HARDEST PART IN ALL OF THIS, 830 00:31:46,971 --> 00:31:48,305 I DIDN'T WANT TO CONFUSE 831 00:31:48,306 --> 00:31:49,940 MY CHILD, DIEZEL, AND MAKE HIM THINK 832 00:31:49,941 --> 00:31:52,476 THERE WAS ANYTHING WRONG WITH HIM HAVING AUTISM. 833 00:31:52,477 --> 00:31:54,778 IT WAS JUST, AS A MOM, MY OWN PERSONAL JUDGMENT 834 00:31:54,779 --> 00:31:59,082 AGAINST MYSELF, AND I WANTED TO MAKE SURE 835 00:31:59,083 --> 00:32:03,320 THAT HE'S OKAY WITH MY FEELINGS. 836 00:32:03,321 --> 00:32:04,923 THAT WAS THE TOUGHEST PART. 837 00:32:09,527 --> 00:32:11,895 YOU FELT LIKE GOD WAS PUNISHING YOU AND-- 838 00:32:11,896 --> 00:32:13,397 I WONDERED IF I WAS BEING PUNISHED. 839 00:32:13,398 --> 00:32:14,731 YEP, ABSOLUTELY. 840 00:32:14,732 --> 00:32:15,899 BUT, AND I DIDN'T WANT OTHER PEOPLE 841 00:32:15,900 --> 00:32:19,069 TO MISUNDERSTAND WHAT YOU WERE TRYING-TRYING TO SAY. 842 00:32:19,070 --> 00:32:21,705 RIGHT. 843 00:32:21,706 --> 00:32:26,243 ONLY THING I WAS REALLY CONCERNED WAS DIEZEL. 844 00:32:26,244 --> 00:32:27,577 YEAH, THAT DEFINITELY WAS AN ISSUE, 845 00:32:27,578 --> 00:32:29,379 BUT HE'S OKAY ABOUT IT NOW. 846 00:32:29,380 --> 00:32:30,747 AS LONG AS HE'S OKAY, THAT'S WHAT COUNTS. 847 00:32:30,748 --> 00:32:32,783 YEAH, HE'S DEFINITELY OKAY. 848 00:32:32,784 --> 00:32:34,251 THAT'S WHY IT'S IMPORTANT TO COMMUNICATE 849 00:32:34,252 --> 00:32:35,452 AND TALK TO HIM, SO HE UNDERSTANDS. 850 00:32:35,453 --> 00:32:36,453 ANY QUESTIONS-- I TOLD HIM, 851 00:32:36,454 --> 00:32:37,988 "ANY QUESTIONS YOU HAVE, ASK MOMMY. 852 00:32:37,989 --> 00:32:40,524 "ASK DADDY... WE'LL TALK ABOUT IT." 853 00:32:40,525 --> 00:32:42,960 SO, COMMUNICATION IS REALLY IMPORTANT. 854 00:32:42,961 --> 00:32:45,062 YEAH, I THINK SO, TOO. 855 00:32:45,063 --> 00:32:47,464 I AM REALLY GLAD THAT MOMMY DIDN'T GET TOO UPSET 856 00:32:47,465 --> 00:32:48,665 ABOUT THE BOOK. 857 00:32:48,666 --> 00:32:50,567 I MEAN, SHE WASN'T HAPPY AFTER WE TOLD HER 858 00:32:50,568 --> 00:32:52,169 WE WERE JUST GONNA DO A SINGLE, 859 00:32:52,170 --> 00:32:54,538 SO I'M RELIEVED THAT WE WERE ABLE TO TALK ABOUT 860 00:32:54,539 --> 00:32:56,073 THE CONTENTS OF THE BOOK 861 00:32:56,074 --> 00:32:58,076 WITHOUT HURTING HER FEELINGS MORE. 862 00:33:11,122 --> 00:33:12,222 TRINA, WHY DON'T YOU CONSERVE ENERGY 863 00:33:12,223 --> 00:33:13,724 BY TURNING OFF THE TV? 864 00:33:13,725 --> 00:33:14,891 - TOWANDA. - WHAT? 865 00:33:14,892 --> 00:33:17,160 WHY DON'T YOU BE QUIET 'CAUSE YOU'RE NOT MY MOTHER? 866 00:33:17,161 --> 00:33:19,296 SINCE THE PLAN IS TO WAIT UNTIL TAMAR'S TOUR IS OVER 867 00:33:19,297 --> 00:33:22,199 TO DO THE SINGLE, TODAY, WE SADLY HAVE TO MOVE OUT 868 00:33:22,200 --> 00:33:24,868 OF OUR BEAUTIFUL L.A. HOME. 869 00:33:24,869 --> 00:33:26,269 IT'S NICE FOR ALL OF US TO GO HOME, 870 00:33:26,270 --> 00:33:28,372 BUT, AT THE SAME TIME, WE FEEL FRUSTRATED 871 00:33:28,373 --> 00:33:31,608 BECAUSE WE DIDN'T ACCOMPLISH ANYTHING WHILE WE WERE HERE. 872 00:33:31,609 --> 00:33:32,809 TWORKY, HURRY UP. 873 00:33:32,810 --> 00:33:34,845 OKAY, TRINA. 874 00:33:34,846 --> 00:33:35,879 GO SIT IN THE CAR. 875 00:33:35,880 --> 00:33:36,913 AND DON'T FORGET YOUR PURSE. 876 00:33:36,914 --> 00:33:37,948 I'M NOT-- GO SIT IN THE CAR. 877 00:33:37,949 --> 00:33:39,116 I'M COMING. 878 00:33:39,117 --> 00:33:40,283 YOU GO SIT IN THE CAR. 879 00:33:40,284 --> 00:33:41,551 WHY SHE GOTTA BE SO BOSSY ALL THE TIME? 880 00:33:41,552 --> 00:33:42,753 TRINA, YOU'RE THE ONE THAT WAS RUSHING ME, 881 00:33:42,754 --> 00:33:43,687 AND I'M JUST TELLING YOU. 882 00:33:43,688 --> 00:33:44,688 I KNOW YOU'RE NOT TALKING. 883 00:33:44,689 --> 00:33:45,956 YOU DO THAT TO ME ALL THE TIME. 884 00:33:45,957 --> 00:33:46,757 YOU'VE BEEN DOING THAT TO ME THE WHOLE TIME WE LIVED HERE! 885 00:33:46,758 --> 00:33:48,158 - I DID NOT. - YES, YOU DID. 886 00:33:48,159 --> 00:33:50,027 NO, I DID NOT-- I DIDN'T BOSS YOU. 887 00:33:50,028 --> 00:33:51,695 NO, I DIDN'T. 888 00:33:51,696 --> 00:33:53,296 YOUR HUSBAND BOSSED YOU. 889 00:33:54,599 --> 00:33:56,600 OH, MY-- TRINA, CALM DOWN. 890 00:33:56,601 --> 00:33:58,135 WHY ARE YOU SO OVER THE TOP? 891 00:33:58,136 --> 00:34:00,604 YOU JUST-- YOU'RE IN A RUSH TO GO HOME, 892 00:34:00,605 --> 00:34:01,571 TO GET BACK TO GABE. 893 00:34:01,572 --> 00:34:05,008 HE JUST LEFT FIVE MINUTES AGO, OKAY? 894 00:34:05,009 --> 00:34:06,410 JUST-JUST RELAX. 895 00:34:06,411 --> 00:34:08,345 TRACI, LIFT THIS UP. 896 00:34:08,346 --> 00:34:10,480 IS THAT MORE THAN 70 POUNDS? 897 00:34:10,481 --> 00:34:11,715 NO. 898 00:34:11,716 --> 00:34:12,749 I HAVE ONE THAT'S DEFINITELY MORE THAN 70 POUNDS. 899 00:34:12,750 --> 00:34:14,618 NOW, LIFT THIS ONE. 900 00:34:14,619 --> 00:34:19,256 LIFT THIS ONE, RIGHT HERE. 901 00:34:19,257 --> 00:34:20,857 TRACI, THAT'S 100 POUNDS! 902 00:34:20,858 --> 00:34:24,027 YOU'LL HAVE TO PAY FOR THAT ONE. 903 00:34:24,028 --> 00:34:25,295 WHAT DO YOU HAVE IN HERE? 904 00:34:25,296 --> 00:34:27,764 EVERYTHING BUT THE KITCHEN SINK. 905 00:34:27,765 --> 00:34:30,534 WORK IT OUT-- ONE, TWO. 906 00:34:30,535 --> 00:34:31,802 THAT'S ALL YOU CAN DO. 907 00:34:31,803 --> 00:34:33,270 - OH, MY GOSH. - THAT'S HEAVY. 908 00:34:33,271 --> 00:34:35,572 UH-UH-- I'M NOT TRYING TO GET A HERNIA. 909 00:34:35,573 --> 00:34:37,208 YOU GOT MUSCLES ALREADY. 910 00:34:39,410 --> 00:34:41,278 OKAY, WE HAVE TO SAY GOODBYE TO THE HOUSE. 911 00:34:41,279 --> 00:34:43,013 all: BYE, HOUSE! 912 00:34:43,014 --> 00:34:44,514 AND THE MOUNTAINS. 913 00:34:44,515 --> 00:34:46,149 BYE, COYOTES. 914 00:34:46,150 --> 00:34:48,285 GOODBYE, DUCKS. 915 00:34:48,286 --> 00:34:50,121 AND THE FAMILY OF DEER. 916 00:35:16,781 --> 00:35:18,849 TOWANDA AND I ARE SETTLED BACK IN ATLANTA, 917 00:35:18,850 --> 00:35:21,418 AND TRACI'S HERE BECAUSE TOWANDA HAS AN IDEA 918 00:35:21,419 --> 00:35:23,186 FOR A SURPRISE FOR TAMAR. 919 00:35:23,187 --> 00:35:25,288 HER TOUR WILL BE STOPPING IN ATLANTA NEXT WEEK, 920 00:35:25,289 --> 00:35:28,525 AND WE WANNA DO SOMETHING SPECIAL TO SHOW OUR SUPPORT. 921 00:35:28,526 --> 00:35:32,295 THIS IS GONNA BE AWESOME. 922 00:35:32,296 --> 00:35:34,198 YA'LL KNOW I NEED TO WATCH THIS VIDEO. 923 00:35:35,933 --> 00:35:37,634 - YES, YOU WILL. - YES, YOU WILL. 924 00:35:37,635 --> 00:35:38,635 THAT'S A GOOD THING. 925 00:35:38,636 --> 00:35:39,603 WHERE'S THE REMOTE? 926 00:35:39,604 --> 00:35:43,240 TRACI, CAN YOU TURN IT ON? 927 00:35:43,241 --> 00:35:45,642 - TOWANDA! - EW. 928 00:35:45,643 --> 00:35:47,511 I CAN SEE YOUR WHOLE BUTT. 929 00:35:47,512 --> 00:35:49,279 ISN'T IT GREAT? 930 00:35:49,280 --> 00:35:50,747 WHAT YOU WANNA SEE-- MY HALF BUTT? 931 00:35:50,748 --> 00:35:52,382 OH, SHOOT. 932 00:35:52,383 --> 00:35:53,617 I-I-- TOWANDA, I PROMISE, 933 00:35:53,618 --> 00:35:55,218 IF YOU DIDN'T HAVE A STRING THING ON, 934 00:35:55,219 --> 00:35:57,587 I COULD SEE ALL THE WAY TO CHINA. 935 00:35:57,588 --> 00:35:58,755 I CAN'T. 936 00:35:58,756 --> 00:36:00,590 - BUT, IT'S FIRM. - THANK YOU, TRACI. 937 00:36:00,591 --> 00:36:04,394 I HAVE COME UP WITH THE BRILLIANT IDEA 938 00:36:04,395 --> 00:36:06,163 TO SURPRISE TAMAR ONSTAGE, 939 00:36:06,164 --> 00:36:07,664 DOING ONE OF HER FAVORITE SONGS 940 00:36:07,665 --> 00:36:09,699 AND ONE OF MY FAVORITE SONGS, "HOT SUGAR." 941 00:36:09,700 --> 00:36:11,635 YOU KNOW, I WANT US TO GO ON THE STAGE 942 00:36:11,636 --> 00:36:14,638 DURING HER SONG AND JOIN WITH HER BACKGROUND SINGERS 943 00:36:14,639 --> 00:36:16,673 AND DO THE DO WOP POP-POP-POP-POP-POP 944 00:36:16,674 --> 00:36:18,108 TWERKIN' THING, YOU KNOW? 945 00:36:18,109 --> 00:36:20,710 SO, WE'RE LOOKING AT THE VIDEO OF HER PERFORMANCE 946 00:36:20,711 --> 00:36:22,512 TO FIGURE OUT THE CHOREOGRAPHY. 947 00:36:22,513 --> 00:36:24,814 YOU KNOW HOW THE GUYS ARE OUT FIRST, 948 00:36:24,815 --> 00:36:26,349 DOING THE "HOT SUGAR?" 949 00:36:26,350 --> 00:36:27,551 MMM-HMM. 950 00:36:27,552 --> 00:36:28,685 AS SOON AS SHE TURNS AROUND-- 951 00:36:28,686 --> 00:36:29,819 MMM-HMM. 952 00:36:29,820 --> 00:36:33,256 WE ARE GONNA COME OUT, THE THREE OF US. 953 00:36:33,257 --> 00:36:34,324 BUT, I'M NOT SURE IF WE SHOULD DO IT. 954 00:36:34,325 --> 00:36:35,559 I THINK TAMAR MIGHT BE UPSET. 955 00:36:35,560 --> 00:36:36,960 I DON'T THINK SHE'S GONNA BE UPSET. 956 00:36:36,961 --> 00:36:38,195 - I DON'T THINK SO. - DO YOU REMEMBER? 957 00:36:38,196 --> 00:36:39,496 TAMAR USED TO ALWAYS SAY, 958 00:36:39,497 --> 00:36:41,498 "DON'T NOBODY COME OUT AND SUPPORT ME. 959 00:36:41,499 --> 00:36:42,933 "DON'T Y'ALL-- DO-DO YOU NOT? 960 00:36:42,934 --> 00:36:45,569 "YOU SEEN MY SHOW-- YOU SEEN MY SHOW-- YOU SEEN MY SHOW?" 961 00:36:45,570 --> 00:36:46,703 YOU KNOW WHAT I MEAN? 962 00:36:46,704 --> 00:36:48,004 I THINK THAT NOW SHE'S REALLY, REALLY SENSITIVE, 963 00:36:48,005 --> 00:36:49,773 IN A SENSITIVE SPOT, AND WHEN SHE SEES US 964 00:36:49,774 --> 00:36:51,741 ONSTAGE WITH HER, SHE'S GONNA BE HAPPY. 965 00:36:51,742 --> 00:36:53,877 I THINK SHE'LL BE HAPPY TO SEE US THERE, 966 00:36:53,878 --> 00:36:55,812 BUT I DON'T THINK SHE'S GONNA BE HAPPY TO SEE US THERE. 967 00:36:55,813 --> 00:36:57,314 YES, SHE IS. 968 00:36:57,315 --> 00:36:58,515 I THINK IT'LL MAKE HER CRY. 969 00:36:58,516 --> 00:36:59,951 BECAUSE WHAT IF IT THROWS HER OFF? 970 00:37:02,753 --> 00:37:04,321 WHAT IF SHE'S LIKE, "YA'LL CONFUSED ME?" 971 00:37:04,322 --> 00:37:05,522 - SHE'S-- - "I WAS LOOKIN' AT THE DANCERS. 972 00:37:05,523 --> 00:37:06,756 I DIDN'T EVEN SEE MY DANCERS. 973 00:37:06,757 --> 00:37:09,459 "I HAVE TO LOOK AT SUCH AND SUCH TO GET MY MOVE RIGHT." 974 00:37:09,460 --> 00:37:10,627 SHE AIN'T GONNA SAY THAT. 975 00:37:10,628 --> 00:37:11,861 OKAY. 976 00:37:11,862 --> 00:37:12,996 NO, I DON'T THINK SHE'S GONNA BE MAD. 977 00:37:12,997 --> 00:37:14,331 I THINK WE SHOULD GO IN THERE AND REHEARSE, 978 00:37:14,332 --> 00:37:18,235 RIGHT NOW, WHILE WE'RE HERE, AND GET IT TOGETHER. 979 00:37:18,236 --> 00:37:19,769 I'M GONNA CALL RECO AND MAKE SURE, 980 00:37:19,770 --> 00:37:21,705 UH, RECO GETS THE OUTFITS. 981 00:37:21,706 --> 00:37:23,573 I REALLY WANT THIS TO BE PERFECT, 982 00:37:23,574 --> 00:37:27,811 SO I ASKED RECO CHAPPLE TO PULL US SOME OF OUR OLD COSTUMES, 983 00:37:27,812 --> 00:37:29,179 SO WE CAN COORDINATE, 984 00:37:29,180 --> 00:37:32,115 SO TAMAR CAN SEE EXACTLY HOW MUCH EFFORT 985 00:37:32,116 --> 00:37:33,850 WE ARE PUTTIN' TO THIS. 986 00:37:33,851 --> 00:37:35,785 AND, YOU KNOW, I THINK SHE'S GONNA BE TOUCHED. 987 00:37:35,786 --> 00:37:38,722 IT'S GONNA CONFUSE HER... 988 00:37:38,723 --> 00:37:40,190 BUT I'LL DO IT. 989 00:37:40,191 --> 00:37:41,691 I DO WANNA BE A PART OF THIS 990 00:37:41,692 --> 00:37:44,294 BECAUSE I WANT TAMAR TO KNOW WE SUPPORT HER, 991 00:37:44,295 --> 00:37:47,597 AND TOWANDA SEEMS REALLY CONFIDENT IT'S GONNA WORK. 992 00:37:47,598 --> 00:37:50,600 ALL RIGHT. 993 00:37:50,601 --> 00:37:52,302 HERE WE GO. 994 00:38:02,980 --> 00:38:04,047 BUT, WHEN SHE STARTS THE VERSE, 995 00:38:04,048 --> 00:38:05,415 THAT'S WHAT THEY DO. 996 00:38:05,416 --> 00:38:07,284 WE'RE ALREADY GONNA GET ON HER STAGE, 997 00:38:07,285 --> 00:38:08,885 AND NOW THEY WANNA CHANGE THE DANCE MOVES. 998 00:38:08,886 --> 00:38:11,621 I DON'T THINK MODIFYING THE DANCE MOVES 999 00:38:11,622 --> 00:38:13,256 IS A GOOD IDEA. 1000 00:38:13,257 --> 00:38:14,925 I THINK IT'S GONNA MAKE THE SITUATION WORSE. 1001 00:38:17,695 --> 00:38:20,297 COMING UP, ON "BRAXTON FAMILY VALUES"... 1002 00:38:20,298 --> 00:38:21,298 I AIN'T GONNA SEE Y'ALL. 1003 00:38:21,299 --> 00:38:22,332 - MMM-HMM. - YES, YOU WILL. 1004 00:38:22,333 --> 00:38:23,266 I DON'T WANNA SEE YA. 1005 00:38:23,267 --> 00:38:24,334 WHAT YOU MEAN? 1006 00:38:24,335 --> 00:38:25,902 'CAUSE IF I SEE YA, IT'LL THROW ME OFF. 1007 00:38:25,903 --> 00:38:27,037 CRAP! 1008 00:38:27,038 --> 00:38:29,172 TAMAR'S SAYING THAT IF SHE JUST SEES US 1009 00:38:29,173 --> 00:38:31,441 IN THE AUDIENCE, THAT'S GONNA THROW HER OFF. 1010 00:38:31,442 --> 00:38:34,145 I SAID, FROM THE BEGINNING, THIS IS A BAD IDEA. 1011 00:38:37,148 --> 00:38:39,115 WE JUST NEED TO MAKE UP OUR OWN MOVES. 1012 00:38:39,116 --> 00:38:41,117 BUT, WHEN SHE STARTS THE VERSE, THAT'S WHAT THEY DO. 1013 00:38:41,118 --> 00:38:43,787 WE'RE ALREADY GONNA GET ON TAMAR'S STAGE, 1014 00:38:43,788 --> 00:38:46,089 AND NOW THEY WANNA CHANGE THE DANCE MOVES. 1015 00:38:46,090 --> 00:38:48,224 I DON'T THINK MODIFYING THE DANCE MOVES 1016 00:38:48,225 --> 00:38:49,859 IS A GOOD IDEA. 1017 00:38:49,860 --> 00:38:52,562 I THINK IT'S GONNA MAKE THE SITUATION WORSE. 1018 00:38:52,563 --> 00:38:54,464 COME ON, TRACI-- COME ON. 1019 00:38:57,835 --> 00:38:58,902 YOU LOOK LIKE A STRIPPER. 1020 00:38:58,903 --> 00:39:00,437 GOOD-- THANK YOU-- THAT'S MY GOAL. 1021 00:39:00,438 --> 00:39:01,638 EW! 1022 00:39:01,639 --> 00:39:02,639 SO NASTY, TOWANDA. 1023 00:39:02,640 --> 00:39:04,375 IT WORKS. 1024 00:39:12,950 --> 00:39:13,983 DO THE ONE STEP. 1025 00:39:13,984 --> 00:39:18,355 BAH-BAH-BAH-BAH-BAH-BAH. 1026 00:39:18,356 --> 00:39:20,490 YA'LL KNOW THAT'S CUTE. 1027 00:39:20,491 --> 00:39:21,491 ISN'T THAT CUTE? 1028 00:39:21,492 --> 00:39:23,259 - THAT'S ALL RIGHT. - YOU KNOW IT'S CUTE. 1029 00:39:23,260 --> 00:39:24,427 WE DON'T EVEN HAVE TO-- WE DON'T HAVE TO HOLD OUR HANDS. 1030 00:39:24,428 --> 00:39:25,895 WE CAN JUST, LIKE, YOU KNOW, INDIVIDUALLY JUST-- 1031 00:39:25,896 --> 00:39:27,097 UH-UH-- NO-NO-NO. 1032 00:39:27,098 --> 00:39:28,064 THEY USED TO SAY POLISHED AS POSSIBLE. 1033 00:39:28,065 --> 00:39:29,199 - OKAY. - YEAH, LET'S POLISH. 1034 00:39:29,200 --> 00:39:30,266 TRACI ALWAYS WANNA DO HER OWN THING. 1035 00:39:30,267 --> 00:39:31,401 I DO. 1036 00:39:31,402 --> 00:39:32,302 NO, THAT'S A LITTLE MORE POLISHED, TRACI-- SORRY. 1037 00:39:32,303 --> 00:39:33,536 OKAY. 1038 00:39:33,537 --> 00:39:34,704 WE'RE NOT GOIN'-- DOIN "PARTY OR GO HOME," OKAY? 1039 00:39:34,705 --> 00:39:36,139 - OKAY. - UM, HUH? 1040 00:39:36,140 --> 00:39:37,340 - WE'RE NOT DOING "PARTY--" - WHERE TRACI JUST DOES HER OWN THING? 1041 00:39:37,341 --> 00:39:38,608 THAT'S WHAT I'M SAYING. 1042 00:39:38,609 --> 00:39:40,043 ♪ IF YOU DIDN'T COME TO PARTY ♪ 1043 00:39:40,044 --> 00:39:42,045 ♪ THEN YOU BETTER GO HOME WHOO ♪ 1044 00:39:42,046 --> 00:39:43,847 LET'S DO IT ONE TIME, AND THEN WE'RE DONE-- 1045 00:39:43,848 --> 00:39:45,415 ONE MORE TIME. 1046 00:39:45,416 --> 00:39:46,583 OKAY. 1047 00:39:46,584 --> 00:39:48,318 I HOPE TAMAR LOVES OUR SURPRISE. 1048 00:39:48,319 --> 00:39:49,986 BUT, I HAVE TO BE HONEST. 1049 00:39:49,987 --> 00:39:53,890 I'M HAVING A REALLY BAD FEELING ABOUT THIS. 1050 00:39:53,891 --> 00:39:55,625 I JUST THINK IT'S GONNA LOOK WEIRD IF WE CHANGE THE CHOREOGRAPHY, 1051 00:39:55,626 --> 00:39:57,093 AND SHE HAS PEOPLE ON THE STAGE 1052 00:39:57,094 --> 00:39:58,294 THAT SHE'S DANCING WITH. 1053 00:39:58,295 --> 00:40:00,263 TELL 'EM THAT-- DON'T COME ON THE STAGE. 1054 00:40:00,264 --> 00:40:01,564 YOU'RE GONNA COST PEOPLE THEIR JOBS. 1055 00:40:01,565 --> 00:40:03,600 THAT'S NOT GONNA COST 'EM THEIR JOBS. 1056 00:40:03,601 --> 00:40:05,969 SHE GONNA WANT US TO DO IT WITH HER. 1057 00:40:05,970 --> 00:40:06,936 STOP, Y'ALL. 1058 00:40:06,937 --> 00:40:08,972 WE'RE PROFESSIONALS-- WE CAN DO IT. 1059 00:40:08,973 --> 00:40:10,774 I HOPE TAMAR LOVES OUR SURPRISE, 1060 00:40:10,775 --> 00:40:12,342 BUT I HAVE TO BE HONEST. 1061 00:40:12,343 --> 00:40:16,312 I'M HAVING A REALLY BAD FEELING ABOUT THIS. 1062 00:40:16,313 --> 00:40:21,451 IF THIS BACKFIRES, IT COULD BE A DISASTER 1063 00:40:21,452 --> 00:40:24,422 AND OPEN UP A WHOLE NEW CAN OF DRAMA. 1064 00:40:46,043 --> 00:40:47,844 IT'S FINALLY TIME FOR HER 1065 00:40:47,845 --> 00:40:50,113 TO HAVE HER FIRST HEADLINING TOUR, 1066 00:40:50,114 --> 00:40:52,182 AND TONIGHT IS A BIG NIGHT FOR ME, 1067 00:40:52,183 --> 00:40:54,884 AND EVERY DETAIL NEEDS TO BE PERFECT. 1068 00:40:54,885 --> 00:40:57,320 IT TOOK ME A LONG TIME AND A LOT OF PRACTICE 1069 00:40:57,321 --> 00:40:59,489 TO GET EVERYTHING READY, AND I WANNA MAKE SURE 1070 00:40:59,490 --> 00:41:01,591 MY TAMARTIAN FRIENDS SEE THE SHOW 1071 00:41:01,592 --> 00:41:05,995 THAT THEY DESERVE TO SEE AND NUT-TINK-K LESS, ALL RIGHT? 1072 00:41:09,233 --> 00:41:10,767 - GOOD TO SEE YOU. - GOOD TO SEE YOU. 1073 00:41:10,768 --> 00:41:12,302 - THANKS, VINCE. - WHERE'S TRINA AT? 1074 00:41:15,873 --> 00:41:17,073 - OKAY. - OKAY. 1075 00:41:17,074 --> 00:41:19,175 - WHAT'S GOING WITH YOU? - HEY-- HI, JEROME. 1076 00:41:19,176 --> 00:41:20,477 GABE, YOU CAN'T SPEAK TODAY, MAN? 1077 00:41:20,478 --> 00:41:22,111 YOU JUST WANNA, YOU KNOW, STAY IN THE BACKGROUND? 1078 00:41:22,112 --> 00:41:23,580 YOU CAN'T SAY HI, GABE? 1079 00:41:23,581 --> 00:41:25,949 YOU JUST WANNA BE OVER THERE? 1080 00:41:25,950 --> 00:41:27,250 I'VE BEEN TALKING TO THE FANS. 1081 00:41:31,121 --> 00:41:33,990 THE GIRLS AND I HAVE PLANNED A WONDERFUL SURPRISE 1082 00:41:33,991 --> 00:41:36,192 FOR TAMAR ONSTAGE. 1083 00:41:36,193 --> 00:41:37,527 YEAH! 1084 00:41:37,528 --> 00:41:41,197 IT'S GONNA SO MUCH FUN. 1085 00:41:41,198 --> 00:41:42,800 HEY, MONSTER. 1086 00:41:44,535 --> 00:41:45,969 WE'RE SO PROUD OF YOU, MONSTER. 1087 00:41:45,970 --> 00:41:47,036 WHY? 1088 00:41:47,037 --> 00:41:48,037 BECAUSE YOU'RE HERE, YOU'RE DOING IT, 1089 00:41:48,038 --> 00:41:49,239 AND YOU'RE BY YOURSELF. - BY YOURSELF. 1090 00:41:49,240 --> 00:41:50,406 I KNOW-- I'M ALL BY MYSELF. 1091 00:41:50,407 --> 00:41:51,541 ARE YOU NERVOUS BEING BY YOURSELF? 1092 00:41:51,542 --> 00:41:53,409 - YES, TODAY. - WHY? 1093 00:41:53,410 --> 00:41:55,078 WE'RE HERE-- WE'RE HERE WITH YOU. 1094 00:41:55,079 --> 00:41:56,980 ARE YOU SERIOUS? 1095 00:41:56,981 --> 00:41:57,981 I AIN'T GONNA SEE Y'ALL. 1096 00:41:57,982 --> 00:41:59,749 - MMM-HMM. - YES, YOU WILL. 1097 00:41:59,750 --> 00:42:01,150 WE PROMISE YOU'RE GONNA SEE US. 1098 00:42:01,151 --> 00:42:02,285 - UH-HUH. - I DON'T WANNA SEE YOU. 1099 00:42:02,286 --> 00:42:04,053 - WHY NOT? - WHAT YOU MEAN? 1100 00:42:04,054 --> 00:42:07,857 'CAUSE IF I SEE YOU, YOU'LL THROW ME OFF. 1101 00:42:07,858 --> 00:42:09,092 CRAP! 1102 00:42:09,093 --> 00:42:11,761 TAMAR'S SAYING THAT IF SHE JUST SEES US 1103 00:42:11,762 --> 00:42:14,030 IN THE AUDIENCE, THAT'S GONNA THROW HER OFF. 1104 00:42:14,031 --> 00:42:16,165 AND NOW, WE'RE GONNA JUST BUST OUT 1105 00:42:16,166 --> 00:42:17,967 AND SURPRISE HER ON THE STAGE. 1106 00:42:17,968 --> 00:42:20,970 I SAID, FROM THE BEGINNING, THIS IS A BAD IDEA, 1107 00:42:20,971 --> 00:42:23,940 AND NOW THIS COULD BE AN EPIC DISASTER. 1108 00:42:23,941 --> 00:42:27,577 AND MAYBE, JUST MAYBE, WE SHOULDN'T DO THIS. 79303

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