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These are the user uploaded subtitles that are being translated: 1 00:00:03,203 --> 00:00:04,503 I WANNA HAVE LIKE A BAR-CHIX PARTY. 2 00:00:04,504 --> 00:00:05,571 - WE CAN'T. - NO, TRINA. 3 00:00:05,572 --> 00:00:06,605 WE'RE NOT HAVING NO PARTY. 4 00:00:06,606 --> 00:00:08,574 AND INVITE, LIKE, A COUPLE HUNDRED PEOPLE. 5 00:00:08,575 --> 00:00:09,742 - HUNDRED? - HUNDRED? 6 00:00:09,743 --> 00:00:12,378 Y'ALL MAKE ME FEEL BAD WHEN NOBODY WANNA 7 00:00:12,379 --> 00:00:13,846 AT LEAST TRY MY STUFF. - I'M NOT OKAY WITH THIS. 8 00:00:13,847 --> 00:00:16,448 I'M NOT GONNA SAY "YES" TO IT, SO WHEN IT COME BACK, 9 00:00:16,449 --> 00:00:17,649 AND IT'S SOMETHIN' THAT DON'T WORK. 10 00:00:17,650 --> 00:00:21,086 WE ARE GOING TO ATLANTA TO FIND SOME BIG BOOTY GIRLS, 11 00:00:21,087 --> 00:00:23,255 SO THEY CAN BE MY DANCERS ON MY NEW TOUR, 12 00:00:23,256 --> 00:00:24,323 AND THAT'S JUST THAT. 13 00:00:24,324 --> 00:00:25,924 - MMM-MMM-MMM-- REALLY? - WHAT? 14 00:00:25,925 --> 00:00:28,060 WERE YOU JUST ABOUT TO PUT THAT ORANGE JUICE 15 00:00:28,061 --> 00:00:29,428 TO YOUR LIPS? - ON YOUR-ON YOUR MOUTH? 16 00:00:29,429 --> 00:00:32,598 I'M EXTREMELY ANNOYED THAT GABE IS HERE. 17 00:00:32,599 --> 00:00:34,500 DON'T WAVE AT ME. - BYE. 18 00:00:34,501 --> 00:00:36,001 HELLO! 19 00:00:36,002 --> 00:00:38,037 THE GIRLS DECIDED THAT WE NEED TO HAVE 20 00:00:38,038 --> 00:00:40,005 ONE OF THEIR LITTLE FUN SLUMBER PARTIES, 21 00:00:40,006 --> 00:00:41,407 LIKE WE USED TO HAVE. 22 00:00:41,408 --> 00:00:43,142 THE MAYONNAISE OR THE SHOT? 23 00:00:43,143 --> 00:00:45,477 THE MAYONNAISE OR THE SHOT? 24 00:00:47,147 --> 00:00:49,081 YOUR STOMACH LOOK LIKE A LOAF OF BREAD. 25 00:00:49,082 --> 00:00:51,750 MY STOMACH DOES NOT LOOK LIKE A LOAF OF BREAD. 26 00:00:51,751 --> 00:00:53,552 BYE. 27 00:00:53,553 --> 00:00:56,288 THANK YOU. 28 00:00:56,289 --> 00:00:59,058 WHY ARE YOU WALKIN' AROUND THE HOUSE NAKED? 29 00:00:59,059 --> 00:01:02,194 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 30 00:01:02,195 --> 00:01:06,198 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 31 00:01:06,199 --> 00:01:09,802 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 32 00:01:09,803 --> 00:01:12,738 ♪ WILL TEACH YOU A THING OR TWO ♪ 33 00:01:12,739 --> 00:01:16,242 ♪ ON BRAXTON FAMILY VALUES ♪ 34 00:01:28,688 --> 00:01:30,756 - GIRLS! - MA'AM. 35 00:01:30,757 --> 00:01:33,959 YOUR BREAKFAST IS READY. 36 00:01:33,960 --> 00:01:35,794 OKAY. 37 00:01:35,795 --> 00:01:38,564 LAST NIGHT WAS A LITTLE CRAZY, 38 00:01:38,565 --> 00:01:41,066 AND IT GOT A LITTLE OUT OF HAND. 39 00:01:41,067 --> 00:01:42,734 AND NOW WE'RE A LITTLE HUNG OVER, 40 00:01:42,735 --> 00:01:46,705 SO MOMMY LET HERSELF IN AND STARTED COOKING, 41 00:01:46,706 --> 00:01:49,508 WHICH IS GOOD BECAUSE WE NEED SOME OF THESE CARBS 42 00:01:49,509 --> 00:01:53,879 TO SOAK UP SOME OF THE ALCOHOL THAT WE'VE BEEN DRINKIN'. 43 00:01:53,880 --> 00:01:56,348 OKAY, TRY THE OMELET. 44 00:01:56,349 --> 00:01:58,150 I FIXED IT THE WAY I USED TO FIX IT 45 00:01:58,151 --> 00:01:59,485 WHEN YOU GUYS WAS SMALL. 46 00:01:59,486 --> 00:02:02,054 THAT MEANS YOU PUT A LITTLE DOLLOP OF CHEESE ON IT. 47 00:02:02,055 --> 00:02:03,188 JUST A LITTLE BABY SPRINKLE. 48 00:02:03,189 --> 00:02:04,890 YEAH, YEAH. 49 00:02:04,891 --> 00:02:06,825 - AND PROBABLY WITH NO SALT. - YEAH, PROBABLY. 50 00:02:06,826 --> 00:02:08,594 - IT'S GOT SALT. - UH-UH. 51 00:02:08,595 --> 00:02:10,162 YOUR VERSION OF SALT. - IT'S GOT PEPPER ON IT. 52 00:02:10,163 --> 00:02:11,296 WE EAT WITH LITTLE OR NO SALT. 53 00:02:11,297 --> 00:02:16,735 THAT'S A HEALTHY MEAL, LIKE I USED TO MAKE. 54 00:02:16,736 --> 00:02:19,404 THAT FOOD GOOD-- YOU KNOW THAT FOOD GOOD. 55 00:02:19,405 --> 00:02:22,541 MOMMY, WHY YOU COOKIN' LIKE CAUCASIAN PEOPLE? 56 00:02:22,542 --> 00:02:25,844 THERE'S NO SALT, THERE'S NO PEPPER. 57 00:02:25,845 --> 00:02:27,379 THERE'S NO HOT SAUCE. 58 00:02:27,380 --> 00:02:29,348 NO NOTHIN' AT ALL! 59 00:02:29,349 --> 00:02:31,650 UH, TRINA, THAT'S TURKEY BACON. 60 00:02:31,651 --> 00:02:33,719 IT'S SUPPOSED TO FLAP. 61 00:02:33,720 --> 00:02:35,854 ANYONE WHO'S HAD A COUPLE TOO MANY 62 00:02:35,855 --> 00:02:38,524 KNOWS THAT THE BEST CURE FOR A HANGOVER IS CARBS, 63 00:02:38,525 --> 00:02:40,826 MEAT, AND FRIED FOOD. 64 00:02:40,827 --> 00:02:44,863 THIS NASTY HEALTH FOOD IS NOT CUTTING IT RIGHT NOW. 65 00:02:44,864 --> 00:02:47,199 WE HAVE TO EAT HEALTHY 'CAUSE WE-- 66 00:02:47,200 --> 00:02:49,868 YOU'RE GETTIN' READY TO SING AND DO THE ALBUM, 67 00:02:49,869 --> 00:02:51,471 AND ALL THAT GOOD STUFF. 68 00:02:53,740 --> 00:02:55,607 DO Y'ALL WANNA GO OVER A SONG-- WANT ME TO HELP YOU? 69 00:02:55,608 --> 00:02:56,708 - NO, MA'AM. - NO. 70 00:02:56,709 --> 00:02:59,611 WE CAN'T EAT AND SING. - WELL, MAYBE AFTERWARDS. 71 00:02:59,612 --> 00:03:02,214 I DON'T THINK THE GIRLS ARE MOVING FAST ENOUGH 72 00:03:02,215 --> 00:03:04,449 FOR THIS ALBUM. 73 00:03:04,450 --> 00:03:06,351 I MEAN, IT'S STRESSING ME OUT. 74 00:03:06,352 --> 00:03:09,288 YOU EITHER DO IT OR YOU DON'T. 75 00:03:09,289 --> 00:03:10,789 BECAUSE THE WAY THEY ACT, 76 00:03:10,790 --> 00:03:11,723 THEY ACT LIKE THEY DON'T WANNA BE BOTHERED, 77 00:03:11,724 --> 00:03:13,892 FOR GOD SAKES. 78 00:03:13,893 --> 00:03:16,728 THE ONLY WAY I WON'T PUSH YOU GUYS 79 00:03:16,729 --> 00:03:19,131 IS YOU GONNA HAVE TO SING FOR YOUR BREAKFAST. 80 00:03:19,132 --> 00:03:21,300 MOM, YOU'RE A STAGE MOM, AGAIN. 81 00:03:21,301 --> 00:03:23,735 WANDA, THAT'S WHERE YOU GOT IT FROM. 82 00:03:24,938 --> 00:03:26,405 WELL, I LEARNED FROM THE BEST. 83 00:03:26,406 --> 00:03:28,140 THAT'S WHAT I'M TRYING TO TELL YA, 84 00:03:28,141 --> 00:03:31,310 'CAUSE SHE WANNA MAKE SURE HER CHILD IS DOING IT RIGHT. 85 00:03:31,311 --> 00:03:32,578 SHE SHOULD BE. - SHE'S SEVEN. 86 00:03:32,579 --> 00:03:33,645 SHE SHOULD BE. 87 00:03:33,646 --> 00:03:36,515 I'M NOT TRYING TO CONTROL ANYBODY, 88 00:03:36,516 --> 00:03:39,151 BUT IT WOULD MEAN SO MUCH TO ME 89 00:03:39,152 --> 00:03:42,521 IF THE GIRLS WOULD COME TOGETHER AND MAKE THIS ALBUM 90 00:03:42,522 --> 00:03:46,525 BECAUSE THEY'VE BEEN WAITING TO DO IT FOR SUCH A LONG TIME. 91 00:03:46,526 --> 00:03:51,330 AND BESIDES, IT WOULD MAKE ME SO HAPPY. 92 00:03:51,331 --> 00:03:52,531 SING FOR YOUR FOOD. 93 00:03:52,532 --> 00:03:54,166 LET'S JUST DO "'TIS SO SWEET." 94 00:03:54,167 --> 00:03:56,068 OKAY. 95 00:03:56,069 --> 00:03:57,202 ♪ 'TIS ♪ 96 00:03:57,203 --> 00:03:58,237 TRACI, YOU WANNA START THE NOTE? 97 00:03:58,238 --> 00:03:59,438 - MM-MMM. - TRINA, YOU WANNA START? 98 00:03:59,439 --> 00:04:01,473 YES, I'LL TAKE THE MIDDLE. 99 00:04:01,474 --> 00:04:07,379 ♪ 'TIS SO SWEET TO TRUST IN JESUS ♪ 100 00:04:07,380 --> 00:04:14,019 ♪ AND TO TAKE HIM AT HIS WORDS ♪ 101 00:04:14,020 --> 00:04:20,826 ♪ JUST TO REST UPON HIS PROMISE ♪ 102 00:04:20,827 --> 00:04:27,866 ♪ AND TO KNOW THUS SAITH THE LORD ♪ 103 00:04:27,867 --> 00:04:29,268 ♪ BUT JESUS ♪ 104 00:04:30,870 --> 00:04:33,005 ♪ JE-JESUS ♪ 105 00:04:33,006 --> 00:04:35,574 OKAY, MOMMY, WE SANG YOU A SONG. 106 00:04:35,575 --> 00:04:37,276 WE PAID YOUR RANSOM. 107 00:04:37,277 --> 00:04:41,780 LET THESE HOSTAGES GO AND TAKE THAT LIMP BACON WITH YOU. 108 00:04:41,781 --> 00:04:43,548 TRINA, COME ON, SO WE CAN GET OUR NAILS DONE! 109 00:04:43,549 --> 00:04:44,583 YES, I'M GETTING MY NAILS DONE. 110 00:04:44,584 --> 00:04:46,051 YOU GOING OUT TO GET THEM DONE? 111 00:04:46,052 --> 00:04:47,019 YES, MA'AM. 112 00:04:47,020 --> 00:04:48,287 YOU'RE TRYING TO GET RID OF ME. 113 00:04:48,288 --> 00:04:51,056 NOBODY SAID, "MOMMY, YOU WANNA GO?" 114 00:04:51,057 --> 00:04:52,424 NO, YOU SAID YOU WERE STAYING HERE FOR A WHILE. 115 00:04:52,425 --> 00:04:53,959 - YOU SURE DID. - I WAS STAYING WITH YOU GUYS. 116 00:04:53,960 --> 00:04:57,095 STAY-- ENJOY YOURSELF. 117 00:04:57,096 --> 00:04:58,864 MI CASA SU CASA. 118 00:05:12,512 --> 00:05:13,945 YOU GOT GELS NOW ON, TOWANDA? 119 00:05:13,946 --> 00:05:15,681 - POLISH, MM-HMM. - YOU HAVE GEL POLISH ON THEM? 120 00:05:15,682 --> 00:05:17,349 - MM-HMM. - LET HER BE TAKING IT OFF. 121 00:05:17,350 --> 00:05:18,818 THAT'S WHY I'M SITTIN' DOWN. 122 00:05:20,853 --> 00:05:22,621 THIS IS A GOOD TREAT. 123 00:05:22,622 --> 00:05:24,089 SO, YESTERDAY, WE ALL DECIDED THAT, 124 00:05:24,090 --> 00:05:27,292 TODAY, WE WOULD GET OUR NAILS DONE. 125 00:05:27,293 --> 00:05:31,263 I MEAN, I AIN'T... IN THE MOOD TO HANG OUT WITH MY SISTERS 126 00:05:31,264 --> 00:05:33,332 RIGHT NOW, ESPECIALLY AFTER ALL THAT RATCHET 127 00:05:33,333 --> 00:05:36,101 AND RIDICULOUSNESS AT THAT SLUMBER PARTY LAST NIGHT. 128 00:05:36,102 --> 00:05:38,637 BUT, I'M GON' GO GET MY NAILS DONE. 129 00:05:38,638 --> 00:05:39,871 AND GET MY LIFE. 130 00:05:39,872 --> 00:05:41,373 I THINK I'M STILL A LITTLE HUNG OVER. 131 00:05:41,374 --> 00:05:43,842 I NEED SOME WATER. - I KNOW I AM. 132 00:05:43,843 --> 00:05:48,613 BUT TRINA HAD A LOT TO DRINK, THOUGH, LAST NIGHT. 133 00:05:48,614 --> 00:05:53,051 TRINA, YOU SHOWED EVERYBODY YOUR BOOBS. 134 00:05:53,052 --> 00:05:54,720 I THINK I HAVE NICE BOOBS, THOUGH. 135 00:05:54,721 --> 00:05:56,054 TRINA, YOU WERE TORE UP LAST NIGHT. 136 00:05:56,055 --> 00:05:57,956 - YES, YOU WERE. - FROM THE FLOOR UP. 137 00:05:57,957 --> 00:06:01,294 I'M STILL ACTUALLY A LITTLE, UM, FUZZY-HEADED. 138 00:06:06,466 --> 00:06:09,235 THINGS BETWEEN TAMAR AND I GOT A LITTLE HURTFUL LAST NIGHT. 139 00:06:10,636 --> 00:06:12,871 HOW'D IT FEEL FOR YOU WHEN YOU GOT IT DONE? 140 00:06:12,872 --> 00:06:14,573 YOU JUST TRIED IT. 141 00:06:14,574 --> 00:06:16,842 - WAS I TRYING IT, JUST NOW? - ALL THE WAY! 142 00:06:16,843 --> 00:06:18,377 YOU TRIED IT TO CAPACITY. 143 00:06:18,378 --> 00:06:20,078 TRINA-- TRINA, LISTEN. - IT WAS NOT TRYERIZATION. 144 00:06:20,079 --> 00:06:21,481 'CAUSE Y'ALL ARE DRINK AND GOOD NIGHT. 145 00:06:24,250 --> 00:06:27,319 MY SCARS ARE NOT FROM LIPOSUCTION, HEIFER. 146 00:06:27,320 --> 00:06:31,390 MY SCARS ARE FROM MY GALLBLADDER BEING REMOVED, 147 00:06:31,391 --> 00:06:32,657 LAPAROSCOPIC SURGERY. 148 00:06:32,658 --> 00:06:34,793 NOW, IF I HAD LIPOSUCTION DONE ON MY STOMACH, 149 00:06:34,794 --> 00:06:39,765 WHY WOULD I HAVE ONE, TWO, THREE, FOUR... 150 00:06:39,766 --> 00:06:45,103 FIVE LITTLE SLITS IN MY STOMACH? 151 00:06:45,104 --> 00:06:46,304 MAD. 152 00:06:46,305 --> 00:06:48,340 LAST NIGHT, IT WAS SUPPOSED TO BE FUN 153 00:06:48,341 --> 00:06:51,009 AND GET US ALL BACK ON TRACK TO MAKE THIS ALBUM. 154 00:06:51,010 --> 00:06:56,882 SO, I'M JUST GOING TO KEEP MY MOUTH SHUT. 155 00:06:56,883 --> 00:06:58,517 I THINK THE-THE SLUMBER PARTY WAS A LOT OF FUN. 156 00:06:58,518 --> 00:06:59,785 WE SHOULD DO THAT MORE OFTEN. 157 00:06:59,786 --> 00:07:01,420 WE DEFINITELY SHOULD. 158 00:07:01,421 --> 00:07:04,423 THAT MEANS WE GOTTA SPEND TIME TOGETHER-- ENH. 159 00:07:05,792 --> 00:07:08,494 WHEN ARE WE GONNA GET BACK TO WRITING SONGS FOR THE ALBUM? 160 00:07:14,233 --> 00:07:16,469 - AGREED. - OKAY, Y'ALL, SO... 161 00:07:27,613 --> 00:07:29,514 THE PROS OF DOING JUST ONE SINGLE 162 00:07:29,515 --> 00:07:31,883 IS THAT WE CAN FEEL OUT THE FANS 163 00:07:31,884 --> 00:07:33,819 AND SEE IF THEY LIKE WHAT WE'RE DOING. 164 00:07:33,820 --> 00:07:35,854 THE CONS OF JUST DOING A SINGLE IS, 165 00:07:35,855 --> 00:07:37,522 IF WE GET A POSITIVE RESPONSE, 166 00:07:37,523 --> 00:07:39,758 WE'RE GONNA HAVE TO HURRY UP AND GET INTO THE STUDIO 167 00:07:39,759 --> 00:07:41,493 TO DO MORE. 168 00:07:41,494 --> 00:07:42,928 JUST DOING A SINGLE, 169 00:07:42,929 --> 00:07:45,831 WE GET GREAT PRODUCT OUT THERE. 170 00:07:45,832 --> 00:07:50,402 AND, HOPEFULLY, WHEN WE HAVE MORE TIME TO GET TOGETHER 171 00:07:50,403 --> 00:07:51,870 AND ARGUE SOME MORE... 172 00:07:53,773 --> 00:07:57,075 WE CAN GET A WHOLE ALBUM DONE. 173 00:07:57,076 --> 00:07:58,643 TONI, WHAT YOU THINK? 174 00:07:58,644 --> 00:08:00,212 I THINK DOIN' A SINGLE IS BEST. 175 00:08:00,213 --> 00:08:02,881 I DO, TOO. 176 00:08:02,882 --> 00:08:05,050 IT IS-- LESS PRESSURE. 177 00:08:05,051 --> 00:08:07,118 YEP. 178 00:08:07,119 --> 00:08:08,053 OKAY, AS MUCH AS I REALLY WANNA 179 00:08:08,054 --> 00:08:11,122 DO THIS BRAXTON ALBUM WITH MY SISTERS, 180 00:08:11,123 --> 00:08:14,526 A PART OF ME IS JUST RELIEVED THAT WE DECIDED 181 00:08:14,527 --> 00:08:16,461 THAT WE'RE JUST GONNA DO A SINGLE. 182 00:08:16,462 --> 00:08:18,363 YOU KNOW, I GOTTA GO TO ATLANTA ANYWAY 183 00:08:18,364 --> 00:08:20,432 AND FINISH PREPARING FOR MY SOLO TOUR. 184 00:08:20,433 --> 00:08:24,035 AND, REALLY, I COULD USE ANY EXTRA TIME I CAN GET RIGHT NOW, 185 00:08:24,036 --> 00:08:26,004 'CAUSE I'M BOOKED TO CAPACITY. 186 00:08:26,005 --> 00:08:28,440 DOING ONE SONG, YES, I AGREE IT'S ON THE RIGHT TRACK. 187 00:08:28,441 --> 00:08:29,708 - YES. - LET'S SEE WHAT HAPPENS. 188 00:08:29,709 --> 00:08:31,743 WE MIGHT HAVE AN OVERWHELMING RESPONSE AND BE LIKE, 189 00:08:31,744 --> 00:08:33,278 "OH, GOD, WE GOTTA HURRY UP AND DO THIS ALBUM. 190 00:08:33,279 --> 00:08:34,546 "WE GOTTA DO AN ALBUM, NOW." 191 00:08:34,547 --> 00:08:35,680 YOU NEVER KNOW. 192 00:08:35,681 --> 00:08:38,550 JUST DOING A SINGLE IS NOT, YOU KNOW, 193 00:08:38,551 --> 00:08:40,285 AS EXPENSIVE AS DOING AN ALBUM, 194 00:08:40,286 --> 00:08:41,820 AND IT DOESN'T TAKE AS MUCH TIME. 195 00:08:41,821 --> 00:08:43,922 IT'S, LIKE, FOUR DAYS TO DO A SONG. 196 00:08:43,923 --> 00:08:45,624 I THINK THE IDEA OF DOING A SINGLE, 197 00:08:45,625 --> 00:08:49,628 INSTEAD OF AN ENTIRE ALBUM, IS COMPLETELY GENIUS. 198 00:08:49,629 --> 00:08:51,029 TAKES THE PRESSURE OFF. 199 00:08:51,030 --> 00:08:52,964 BUT, I'M GETTING NERVOUS ABOUT TELLING MOMMY 200 00:08:52,965 --> 00:08:54,866 ABOUT THE FATE OF THE BRAXTON ALBUM. 201 00:08:54,867 --> 00:08:58,303 SHE'S CLEARLY EXCITED, AND I DON'T WANNA HURT HER. 202 00:08:58,304 --> 00:08:59,771 WELL, WHO'S GONNA TELL MOMMY? 203 00:08:59,772 --> 00:09:01,473 WE ALL GONNA TELL HER. 204 00:09:01,474 --> 00:09:04,209 WELL, WE SHOULD ALL BE THERE TOGETHER TO TELL HER. 205 00:09:04,210 --> 00:09:05,610 AND THEN WHO'S GONNA TELL HER? 206 00:09:05,611 --> 00:09:06,845 TAMAR. 207 00:09:06,846 --> 00:09:07,913 YEAH, TAMAR, YOU SHOULD TELL HER. 208 00:09:07,914 --> 00:09:10,115 - YOU SHOULD TELL HER. - WHY-WHY? 209 00:09:10,116 --> 00:09:11,850 - 'CAUSE YOU'RE THE BABY. - 'CAUSE YOU'RE THE YOUNGEST. 210 00:09:11,851 --> 00:09:14,185 WE ALL NEED TO BE THERE TO TELL MOMMY 211 00:09:14,186 --> 00:09:16,121 THAT WE'RE NOT GONNA DO THIS ALBUM, 212 00:09:16,122 --> 00:09:17,789 AND WE'RE ONLY GOING TO DO THE SINGLE. 213 00:09:17,790 --> 00:09:20,325 IT'S BEEN HER DREAM FOR SUCH A LONG TIME 214 00:09:20,326 --> 00:09:22,294 FOR HER GIRLS TO GET BACK TOGETHER. 215 00:09:22,295 --> 00:09:24,296 SHE'S GONNA BE HEARTBROKEN. 216 00:09:24,297 --> 00:09:27,532 WE KNOW OUR MOTHER LIKE A OPEN BOOK. 217 00:09:27,533 --> 00:09:29,234 SO, TONI BRAXTON, WHAT GOT INTO YOU LAST NIGHT 218 00:09:29,235 --> 00:09:30,702 TO EAT A WHOLE SPOON FULL OF MAYONNAISE? 219 00:09:30,703 --> 00:09:32,070 I WOULD'VE TOOK THE DARE. 220 00:09:32,071 --> 00:09:33,338 I THINK THE MAYONNAISE WAS BETTER 221 00:09:33,339 --> 00:09:35,373 THAN EATIN' THE STUFF BETWEEN YOUR TOES. 222 00:09:35,374 --> 00:09:37,475 - TAMAR MADE-- SHE RIGGED IT. - NO, I DIDN'T. 223 00:09:39,679 --> 00:09:41,280 SEE, IT'S ALWAYS MY FAULT. 224 00:10:01,367 --> 00:10:03,101 HELLO-HELLO-HELLO, EVERYBODY. 225 00:10:03,102 --> 00:10:04,269 HI. 226 00:10:04,270 --> 00:10:07,639 WE COULD NOT FIND ANY, YOU KNOW, TWERKIN' GIRLS, 227 00:10:07,640 --> 00:10:09,274 IN L.A., 228 00:10:09,275 --> 00:10:11,610 SO, TODAY, WE'RE IN THE CAPITAL OF TWERKING, HONEY, 229 00:10:11,611 --> 00:10:16,047 TO FIND TWO TWERKING FAIRIES TO DANCE BEHIND ME 230 00:10:16,048 --> 00:10:18,984 FOR MY TOUR THAT STARTS IN JUST TWO WEEKS. 231 00:10:18,985 --> 00:10:22,287 I LIKE TO SEE EVERYBODY, UH, DRESSED FOR THE OCCASION. 232 00:10:22,288 --> 00:10:24,857 IT'S NOT EASY BEIN' BEADY. 233 00:10:26,759 --> 00:10:28,994 I MEAN, THESE GIRLS LOOK UBER GREAT, 234 00:10:28,995 --> 00:10:31,763 AND I AM SUPER EXCITED BECAUSE THEY'VE BEEN HERE 235 00:10:31,764 --> 00:10:34,165 SINCE THIS MORNIN', LEARNIN' THIS CHOREOGRAPHY, 236 00:10:34,166 --> 00:10:37,535 AND IF THEY DANCE AS GOOD AS THEY LOOK, 237 00:10:37,536 --> 00:10:39,971 PSSH, I'M IN THE DOUGH, BABY. 238 00:10:39,972 --> 00:10:41,806 SO, LET ME HAVE ONE, TWO, AND THREE. 239 00:10:41,807 --> 00:10:43,441 AND THEN, EVERYBODY ELSE, YOU GUYS CAN, UH, LINE OUT 240 00:10:43,442 --> 00:10:44,843 IN THE, UM, HALLWAY. 241 00:10:46,946 --> 00:10:48,748 THIS-THIS'LL TAKE ALL OF 30-40 MINUTES. 242 00:10:50,316 --> 00:10:51,850 THANK YOU, GUYS, FOR COMING OUT. 243 00:10:51,851 --> 00:10:53,618 OKAY, GET YOUR LIFE. 244 00:10:53,619 --> 00:10:55,253 AND HERE WE GO, LADIES. 245 00:11:00,126 --> 00:11:01,994 YEAH! 246 00:11:03,696 --> 00:11:05,464 GET YOUR LIFE! 247 00:11:07,099 --> 00:11:09,068 WHOO! 248 00:11:10,336 --> 00:11:12,337 HEY! 249 00:11:12,338 --> 00:11:14,205 GOOD JOB, LADIES. 250 00:11:14,206 --> 00:11:16,241 OPEN THE DOOR FOR THE NEXT THREE GIRLS. 251 00:11:16,242 --> 00:11:18,243 HI, LADIES. - HI. 252 00:11:18,244 --> 00:11:19,744 ALL RIGHT. 253 00:11:19,745 --> 00:11:21,146 HERE WE GO. 254 00:11:32,925 --> 00:11:34,794 Y'ALL A MESS. 255 00:11:35,895 --> 00:11:38,630 COMING UP, ON "BRAXTON FAMILY VALUES"... 256 00:11:38,631 --> 00:11:40,799 I BROUGHT FOR YOU TODAY SOME STUFF FROM THE COLLECTION. 257 00:11:40,800 --> 00:11:43,168 I WANTED YOU TO HAVE THIS WHOLE BRITISH MOMENT, 258 00:11:43,169 --> 00:11:44,836 THIS HIGH FASHION BRITISH MOMENT. 259 00:11:44,837 --> 00:11:48,007 I'M-I'M ON A FENCE IF IT'LL ACTUALLY FIT WITH THE SHOW. 260 00:11:49,408 --> 00:11:50,608 - TRINA! - WHAT? 261 00:11:50,609 --> 00:11:51,643 WHO'S THESE PEOPLE? 262 00:11:51,644 --> 00:11:53,344 REMEMBER, WE SAID WE WERE GONNA HAVE A PARTY? 263 00:11:53,345 --> 00:11:55,080 THIS IS OUR HOUSE. 264 00:11:55,081 --> 00:11:56,615 Y'ALL WEREN'T HOME. 265 00:12:00,419 --> 00:12:02,487 Y'ALL A MESS. 266 00:12:02,488 --> 00:12:05,023 'CAUSE Y'ALL IN Y'ALL HEAD. 267 00:12:05,024 --> 00:12:07,992 NOW, THAT FIRST GROUP, THEY WERE GREAT. 268 00:12:07,993 --> 00:12:10,628 THEY WERE GETTIN' THEIR ENTIRE LIFE, AND SO WAS I. 269 00:12:10,629 --> 00:12:12,464 BUT, THIS SECOND ONE, RIGHT HERE, HONEY, 270 00:12:12,465 --> 00:12:13,665 I'M SEEIN' THE MOVES, 271 00:12:13,666 --> 00:12:16,434 BUT I AIN'T FEELIN' IT LIKE THAT. 272 00:12:16,435 --> 00:12:19,537 LIKE, DON'T WASTE MY OPPORTUNITY AND YOURS. 273 00:12:19,538 --> 00:12:21,372 DO YOU FEEL LIKE YOURSELF RIGHT NOW? 274 00:12:21,373 --> 00:12:22,941 NO-- YOU ALL OUTSIDE. 275 00:12:22,942 --> 00:12:23,875 Y'ALL ARE LIKE, "OH, . 276 00:12:23,876 --> 00:12:25,176 "AM I FITTIN' TO GET THIS?" 277 00:12:25,177 --> 00:12:28,446 IF Y'ALL WANNA DANCE, NOW IS THE TA-ZIME. 278 00:12:28,447 --> 00:12:29,514 YOU UNDERSTAND WHAT I'M SAYIN'? 279 00:12:29,515 --> 00:12:30,615 I DON'T WANT NOBODY GET IN THEIR CAR, CRYIN'. 280 00:12:30,616 --> 00:12:32,083 "OH, I DID-- I MESSED IT UP." 281 00:12:32,084 --> 00:12:33,585 I DON'T WANT THAT. 282 00:12:33,586 --> 00:12:37,155 SO, I WANT EVERYBODY TO GET OUT HERE AND GET YOUR LIFE. 283 00:12:37,156 --> 00:12:38,490 OKAY, ONE MORE TIME. 284 00:12:44,730 --> 00:12:46,532 HEY! 285 00:12:47,867 --> 00:12:49,635 GET YOUR LIFE! 286 00:12:50,703 --> 00:12:52,470 YES! 287 00:12:52,471 --> 00:12:53,905 DON'T YOU FEEL BETTER ABOUT YOURSELF? 288 00:12:53,906 --> 00:12:55,373 HEE-HEE-HEE. 289 00:12:55,374 --> 00:12:57,042 - GOOD JOB, LADIES. - THANK YOU, GUYS. 290 00:12:59,845 --> 00:13:02,580 HI, COME ON IN, Y'ALL. 291 00:13:02,581 --> 00:13:03,915 HERE WE GO. 292 00:13:07,620 --> 00:13:08,486 GO OFF! 293 00:13:08,487 --> 00:13:10,455 GO OFF! 294 00:13:10,456 --> 00:13:12,190 HEY, HEY! 295 00:13:17,329 --> 00:13:19,798 THANK YOU. 296 00:13:19,799 --> 00:13:21,099 UH, WHO'S NEXT? 297 00:13:30,409 --> 00:13:32,111 WHOO! 298 00:13:33,679 --> 00:13:35,414 YES, GOD. 299 00:13:37,983 --> 00:13:39,184 CAN Y'ALL GIVE US A COUPLE SECONDS? 300 00:13:39,185 --> 00:13:40,553 TWO MINUTES. - SURE. 301 00:13:44,990 --> 00:13:47,859 OKAY, CAN-- I WANNA SEE ALL OF THESE GIRLS AGAIN, 302 00:13:47,860 --> 00:13:52,063 AND THAT AGAIN, AND-AND HER AGAIN. 303 00:13:52,064 --> 00:13:53,731 I WANT ALL THE GIRLS IN HERE, 304 00:13:53,732 --> 00:13:55,233 BUT I WANT EVERYBODY TO SEE EACH OTHER DANCE 305 00:13:55,234 --> 00:13:56,701 BECAUSE, AT THE END OF THE DAY, 306 00:13:56,702 --> 00:13:58,403 YOU HAVE TO STILL BE IN YOUR BUBBLE. 307 00:13:58,404 --> 00:13:59,537 MM-HMM. 308 00:13:59,538 --> 00:14:01,172 I WANT EVERYBODY TO BE INTIMIDATED BY EACH OTHER. 309 00:14:01,173 --> 00:14:02,607 THAT'S NOT A BAD THING. 310 00:14:02,608 --> 00:14:04,209 Y'ALL-- DO Y'ALL UNDERSTAND WHAT I'M SAYIN'? 311 00:14:04,210 --> 00:14:05,577 Y'ALL DANCERS-- Y'ALL GET IT. 312 00:14:05,578 --> 00:14:06,611 UH-HUH. 313 00:14:06,612 --> 00:14:07,846 SO, I DONE GOT IT DOWN TO SIX. 314 00:14:07,847 --> 00:14:09,514 BUT, REALLY, WE ONLY NEED TWO. 315 00:14:09,515 --> 00:14:13,117 SO I'M GONNA HAVE TO HAVE THEM DANCE FOR THEIR LIVES, HONEY. 316 00:14:13,118 --> 00:14:15,520 THEY GOTTA HAVE THEIR LITTLE SOLO ROUND. 317 00:14:15,521 --> 00:14:16,788 - SO, YOU READY? - ALL RIGHT. 318 00:14:22,595 --> 00:14:24,196 YEAH! 319 00:14:31,170 --> 00:14:32,203 YES! 320 00:14:32,204 --> 00:14:33,504 I'M DEFINITELY FINDING THE LITTLE HEIFERS 321 00:14:33,505 --> 00:14:35,006 I'M LOOKING FOR, OKAY? 322 00:14:35,007 --> 00:14:38,543 THEY GOT LIL' WAIST, BIG BOOTIES, BIG THIGHS. 323 00:14:38,544 --> 00:14:41,179 THEY LIKE FRIED CHICKEN LIKE ME, OKAY? 324 00:14:41,180 --> 00:14:43,648 WHOO! 325 00:14:43,649 --> 00:14:44,782 WE'RE GETTING READY TO COME OUT HERE 326 00:14:44,783 --> 00:14:46,452 AND KILL THIS THING. 327 00:14:51,390 --> 00:14:52,590 THANK YOU, LADIES. 328 00:14:52,591 --> 00:14:54,126 WE'LL CALL YOU. 329 00:14:56,362 --> 00:14:58,596 I THINK THESE ARE TWO-- THE TWO STRONGEST DANCERS. 330 00:14:58,597 --> 00:15:01,799 I THINK IT'S BETWEEN THESE THREE. 331 00:15:01,800 --> 00:15:03,668 THIS ONE BECAUSE SHE HAS TECHNIQUE. 332 00:15:03,669 --> 00:15:06,170 THIS THREE BECAUSE SHE HAS SEX APPEAL. 333 00:15:06,171 --> 00:15:08,907 I THINK THE GIRLS THAT-THAT WORK BETTER WITH HEIGHT-WISE 334 00:15:08,908 --> 00:15:12,677 ARE THE GIRL RIGHT THERE WITH THE CURLY HAIR... 335 00:15:12,678 --> 00:15:15,814 AND THAT GIRL RIGHT THERE-- YEP. 336 00:15:17,549 --> 00:15:19,851 I THINK I HAVE TO AGREE. 337 00:15:19,852 --> 00:15:21,119 IT'S OFFICIAL, OKAY? 338 00:15:21,120 --> 00:15:23,154 THE SEARCH IS OVER. 339 00:15:23,155 --> 00:15:25,256 I ONLY HAVE A FEW WEEKS BEFORE MY TOUR STARTS, 340 00:15:25,257 --> 00:15:28,026 SO NOW IT'S TIME TO GET TO WORK, ASAP. 341 00:15:28,027 --> 00:15:30,295 HALLELUJAH! 342 00:15:51,850 --> 00:15:52,817 HI. 343 00:15:52,818 --> 00:15:53,685 HI. 344 00:15:53,686 --> 00:15:54,786 HEY. 345 00:15:54,787 --> 00:15:55,586 WHO ARE YOU GUYS? 346 00:15:55,587 --> 00:15:56,854 I'M SORRY-- WE LIVE HERE. 347 00:15:56,855 --> 00:15:58,090 - OH. - WHO ARE YOU? 348 00:15:59,258 --> 00:16:00,659 - WHAT JOB? - WHAT JOB? 349 00:16:02,828 --> 00:16:05,763 TRACI AND I PULL UP TO OUR HOUSE, 350 00:16:05,764 --> 00:16:08,833 AND IT LOOKS LIKE THERE'S A PARTY OUTSIDE. 351 00:16:08,834 --> 00:16:12,337 AND NOW, SOME OF 'EM HAVE THEIR NASTY-ASS FEET IN THE POOL, 352 00:16:12,338 --> 00:16:13,972 BUT I KNOW A CERTAIN PARTY GIRL 353 00:16:13,973 --> 00:16:16,307 THAT MIGHT BE RESPONSIBLE FOR THIS. 354 00:16:16,308 --> 00:16:18,242 TRINA! - WHAT? 355 00:16:18,243 --> 00:16:19,911 WHO ARE ALL THESE PEOPLE OUTSIDE? 356 00:16:19,912 --> 00:16:21,212 WHY YOU CALLING MY NAME LIKE THAT, 357 00:16:21,213 --> 00:16:22,747 LIKE YOU JUST TOLD SOMETHING? 358 00:16:22,748 --> 00:16:24,048 UH, BUT WHO'S THESE PEOPLE? 359 00:16:24,049 --> 00:16:25,750 REMEMBER, WE'RE HAVING THE PARTY. 360 00:16:25,751 --> 00:16:28,186 NO REMEMBER-- AIN'T NOBODY TELL ME AND TRACI NOTHIN'. 361 00:16:28,187 --> 00:16:29,387 WAIT-- CAN YOU LET ME GET IT OUT? 362 00:16:29,388 --> 00:16:30,822 OKAY, YOU CAN'T SAY, "REMEMBER." 363 00:16:30,823 --> 00:16:33,358 REMEMBER HOW WE SAID WE WERE GONNA HAVE A PARTY? 364 00:16:33,359 --> 00:16:36,294 DIDN'T WE SAY WE WERE GONNA HAVE THE CHIX COME? 365 00:16:36,295 --> 00:16:38,429 SO, I HAD TO HAVE A FEW INTERVIEWS. 366 00:16:38,430 --> 00:16:41,766 WELL, TRINA, HELLO-- THIS IS OUR HOUSE. 367 00:16:41,767 --> 00:16:42,800 Y'ALL WEREN'T HOME. 368 00:16:42,801 --> 00:16:44,569 - RIGHT, EXACTLY. - YOU COULD'VE CALLED US. 369 00:16:44,570 --> 00:16:47,572 I BROUGHT IN MY TOP TWO BARTENDERS, AJA AND SANDRA, 370 00:16:47,573 --> 00:16:49,507 FROM ATLANTA, FOR THE PARTY, 371 00:16:49,508 --> 00:16:53,378 BUT I NEED TO FIND ONE MORE BAR CHICK AND TWO BAR BOYS, 372 00:16:53,379 --> 00:16:56,681 AND I NEED TO DO IT FAST BECAUSE THE PARTY IS TOMORROW. 373 00:16:56,682 --> 00:16:57,648 YOU COULD'VE MADE A PHONE CALL. 374 00:16:57,649 --> 00:16:58,916 YOU COULD'VE TEXT, YOU COULD'VE EMAIL. 375 00:16:58,917 --> 00:17:01,419 MY WHOLE POINT IS, THIS IS OUR HOUSE. 376 00:17:01,420 --> 00:17:05,423 WE'RE SUPPOSED TO BE FOCUSING ON A SINGLE RIGHT NOW. 377 00:17:05,424 --> 00:17:08,359 IT SHOULDN'T BE TOO HARD-- YOU KNOW, IT'S JUST ONE SONG. 378 00:17:08,360 --> 00:17:12,797 BUT TRINA IS CONCENTRATING ON THROWING THE PARTY OF THE CENTURY, 379 00:17:12,798 --> 00:17:16,634 AND TAMAR'S IN ATLANTA, LOOKIN' FOR DANCERS. 380 00:17:16,635 --> 00:17:18,169 I'M-I'M FRUSTRATED. 381 00:17:18,170 --> 00:17:19,570 YOU HAVE TO LET US KNOW WHEN WE'RE GONNA HAVE 382 00:17:19,571 --> 00:17:21,139 SOME SPACE INVADERS. 383 00:17:21,140 --> 00:17:23,474 AND YOU NEED TO LET ME KNOW HOW MUCH ALCOHOL WE HAVE, 384 00:17:23,475 --> 00:17:24,842 SO I CAN PARTAKETH IN IT. 385 00:17:26,812 --> 00:17:28,012 HOWEVER, COMMA, 386 00:17:28,013 --> 00:17:29,914 IF IT MEANS THAT WE CAN HAVE A FREE COCKTAIL, 387 00:17:29,915 --> 00:17:31,182 I WILL TAKE IT. 388 00:17:31,183 --> 00:17:32,418 THANK YOU. 389 00:17:34,186 --> 00:17:36,054 HOW ABOUT WE TRY THE DRINKS? 390 00:17:36,055 --> 00:17:37,522 IF YOU GUYS WANNA TRY THE DRINKS, 391 00:17:37,523 --> 00:17:38,723 YOU CAN TRY THE DRINKS. - WE'LL BE GOOD. 392 00:17:38,724 --> 00:17:39,824 WE WILL BEHAVE OURSELVES. - NO, YOU WON'T. 393 00:17:39,825 --> 00:17:41,492 - YES, WE WILL-- YES, WE WILL. - MM-HMM. 394 00:17:41,493 --> 00:17:43,828 WE FEEL LIKE WE ARE PART OF IT. 395 00:17:43,829 --> 00:17:45,863 - HOW? - 'CAUSE WE CAME UP IN HERE, 396 00:17:45,864 --> 00:17:47,131 AND WE GOT STRANGE PEOPLE UP IN THIS . 397 00:17:47,132 --> 00:17:48,699 YEP, THIS IS OUR HOUSE. 398 00:17:48,700 --> 00:17:49,834 OKAY, Y'ALL SIT ON THE COUCH, 399 00:17:49,835 --> 00:17:51,035 AND I'LL HAVE SOMEONE BRING THE DRINKS OVER TO YOU. 400 00:17:51,036 --> 00:17:52,070 OH, THAT'S EVEN BETTER. 401 00:17:52,071 --> 00:17:53,571 LET'S BRING IT-- LET'S BE SERVED. 402 00:17:53,572 --> 00:17:54,840 OKAY, OKAY. 403 00:17:57,342 --> 00:17:59,710 ONE MORE FROM OUR LADY ON THE END HERE. 404 00:17:59,711 --> 00:18:01,112 WE ACTUALLY DO MORE FOR THE GIRLS 405 00:18:01,113 --> 00:18:03,214 WHO ARE SILENTLY ON THE COUCH. 406 00:18:03,215 --> 00:18:04,182 I AIN'T SILENT. 407 00:18:04,183 --> 00:18:07,018 EVERYBODY KNOW MY BIG-ASS MOUTH. 408 00:18:07,019 --> 00:18:08,753 BEING A BAR-CHIX REQUIRES YOU TO WEAR 409 00:18:08,754 --> 00:18:11,856 A CERTAIN TYPE OF ATTIRE. - IS IT NAUGHTY? 410 00:18:11,857 --> 00:18:15,059 - YEAH, A LITTLE NAUGHTY. - YOU SEE A LOT OF SKIN. 411 00:18:15,060 --> 00:18:16,761 - YEAH. - TOPLESS? 412 00:18:16,762 --> 00:18:20,832 THAT SOUNDS FUN. - OOH. 413 00:18:20,833 --> 00:18:23,067 WELL, YOU KNOW WHAT? 414 00:18:23,068 --> 00:18:24,902 HERE YOU GO. - HERE, GIVE ONE TO TOWANDA TOO. 415 00:18:24,903 --> 00:18:28,506 - LET ME KNOW WHAT YOU THINK. - TOWANDA, I'M COMING. 416 00:18:28,507 --> 00:18:30,341 THOSE ARE INTERESTING LITTLE... 417 00:18:30,342 --> 00:18:31,609 - RINGS. - DILDOS YOU HAVE THERE. 418 00:18:31,610 --> 00:18:32,677 WHAT YOU CALL THEM-- DILDOS? 419 00:18:32,678 --> 00:18:35,447 - GABE! - WHAT? 420 00:18:36,448 --> 00:18:38,649 - NO, THEY'RE JUST RINGS. - YOU KNOW WHAT I MEANT. 421 00:18:38,650 --> 00:18:40,151 - DOOHICKEYS, MAYBE. - DOOHICKEY. 422 00:18:40,152 --> 00:18:43,054 THAT'S WHAT I MEANT. - BUT, "INTERESTING DILDOS?" 423 00:18:43,055 --> 00:18:44,555 I DO PRIVATE PARTIES, THOUGH, MOSTLY. 424 00:18:44,556 --> 00:18:46,691 - OH, OKAY-- ALL RIGHT. - SO, GOTTA BE SOCIAL. 425 00:18:46,692 --> 00:18:49,061 ABSOLUTELY-- ABSOLUTELY. 426 00:18:51,830 --> 00:18:53,097 ANY OF YOU GUYS WANT A SHOT? 427 00:18:53,098 --> 00:18:55,100 - I WANT A CAUCASIAN. - MMM. 428 00:19:03,275 --> 00:19:05,476 - OKAY, THE NEXT PERSON. - GABE, YOU CAN LEAVE. 429 00:19:05,477 --> 00:19:07,078 I THINK EVERYBODY ELSE IS ENJOYING IT. 430 00:19:07,079 --> 00:19:08,713 YOU CAN LEAVE-- WHAT YOU TALKIN' ABOUT, I CAN LEAVE? 431 00:19:08,714 --> 00:19:10,348 OKAY, THE NEXT PERSON. 432 00:19:10,349 --> 00:19:12,416 - TAMARA, ARE YOU CHEWING GUM? - I AM. 433 00:19:12,417 --> 00:19:13,584 YOU WANT IT OUT? - YES. 434 00:19:13,585 --> 00:19:15,053 I GOT YOU. 435 00:19:17,422 --> 00:19:18,757 YOU ARE, BUT SHE IS, TOO. 436 00:19:25,297 --> 00:19:26,898 - YOU NEED TEQUILA? - YES. 437 00:19:26,899 --> 00:19:27,932 IT'S UNDER HERE. 438 00:19:27,933 --> 00:19:29,301 I'D LIKE REPOSADO, PLEASE. 439 00:19:32,171 --> 00:19:34,438 SHE PASSED. 440 00:19:34,439 --> 00:19:37,208 CAN'T TAKE NO MORE OF THESE BITCHES IN MY HOUSE. 441 00:19:37,209 --> 00:19:38,843 ME EITHER, TRACI. 442 00:19:38,844 --> 00:19:40,611 I AM READY FOR EVERYBODY TO LEAVE, 443 00:19:40,612 --> 00:19:43,214 INCLUDING AJA, SANDRA, AND GABE. 444 00:19:43,215 --> 00:19:45,449 BOX 'EM UP AND SEND 'EM ON THEIR WAY. 445 00:19:45,450 --> 00:19:46,517 - THANK YOU. - WALK MYSELF? 446 00:19:46,518 --> 00:19:47,986 CAN YOU WALK OUTSIDE? 447 00:19:49,688 --> 00:19:52,523 I HAVE SOME GREAT CANDIDATES FOR THE BAR BOYS, 448 00:19:52,524 --> 00:19:55,660 BUT I'M NOT SURE IF WE FOUND ANOTHER BAR CHICK TODAY, 449 00:19:55,661 --> 00:19:57,329 AND I DON'T KNOW WHAT I'M GONNA DO. 450 00:20:00,532 --> 00:20:01,800 SHE BACK IN THE POOL? 451 00:20:14,046 --> 00:20:15,613 - WELL, HELLO. - HEY, WHAT'S GOING ON? 452 00:20:15,614 --> 00:20:17,515 HEY, EVERYBODY. 453 00:20:17,516 --> 00:20:18,683 SO, I'M BACK FROM ATLANTA, 454 00:20:18,684 --> 00:20:20,918 SO I CAN GO TO MY SISTER AND THEM HOUSEWARMING PARTY. 455 00:20:20,919 --> 00:20:22,253 HI. - HEY, TAMAR, HOW ARE YOU? 456 00:20:22,254 --> 00:20:23,521 HI, DOLL FACE. 457 00:20:23,522 --> 00:20:25,890 BUT, FIRST, WE'RE GONNA HAVE A MEETING WITH THIS DESIGNER, 458 00:20:25,891 --> 00:20:30,194 WHO IS GONNA HELP US CREATE THE LOOK FOR THE MALE DANCERS IN MY SHOW. 459 00:20:30,195 --> 00:20:32,597 AND NO SHADE, BUT HE GOTTA BE ON POINT, 460 00:20:32,598 --> 00:20:37,335 BECAUSE I DON'T HAVE THE TIME FOR NO RIDICULOUSNESS. 461 00:20:37,336 --> 00:20:39,870 I SAW YOUR FASHION SHOW. 462 00:20:39,871 --> 00:20:41,339 I WAS COMPLETELY BLOWN AWAY. - THANK YOU. 463 00:20:41,340 --> 00:20:42,607 I THOUGHT IT WAS AMAZING. 464 00:20:42,608 --> 00:20:44,208 IT WAS INNOVATIVE, IT WAS DIFFERENT. 465 00:20:44,209 --> 00:20:46,911 IT WAS-- IT WAS FEARLESS-- I THOUGHT IT WAS AMAZING. 466 00:20:46,912 --> 00:20:48,045 THANK YOU SO MUCH. 467 00:20:48,046 --> 00:20:49,413 SO, WHAT I-I BROUGHT FOR YOU TODAY, 468 00:20:49,414 --> 00:20:50,748 SOME STUFF FROM THE COLLECTION, 469 00:20:50,749 --> 00:20:51,882 AND THEN I WAS TALKING TO ASHLEY EARLIER 470 00:20:51,883 --> 00:20:53,684 'CAUSE I WANTED YOU TO HAVE, LIKE, 471 00:20:53,685 --> 00:20:55,119 THIS WHOLE BRITISH MOMENT, 472 00:20:55,120 --> 00:20:56,954 THIS HIGH FASHION BRITISH MOMENT. 473 00:20:56,955 --> 00:20:59,023 SO, I SAW OCTAVIUS' COLLECTION ONLINE, 474 00:20:59,024 --> 00:21:02,593 AND HIS SEASON IS, LIKE, THIS BRITISH THEME. 475 00:21:02,594 --> 00:21:05,796 AMAZING MILITARY FABULOUSNESS, RIGHT? 476 00:21:05,797 --> 00:21:08,299 SO, I TOLD ASHLEY I WANTED TO SEE 477 00:21:08,300 --> 00:21:11,502 A VERSION OF THAT COLLECTION WITH SOME, YOU KNOW, 478 00:21:11,503 --> 00:21:14,672 TWEAK AND A LITTLE BIT MORE SEXY TO IT. 479 00:21:14,673 --> 00:21:18,643 YOU KNOW, I LOVE THE LOOK, BUT I'M-I'M ON THE FENCE 480 00:21:18,644 --> 00:21:21,579 IF IT'LL ACTUALLY FIT WITH THE SHOW. 481 00:21:21,580 --> 00:21:23,281 SO, WHAT I HAVE IS, 482 00:21:23,282 --> 00:21:24,715 THIS IS WHAT WE'RE GONNA BE LOOKING AT TODAY. 483 00:21:30,422 --> 00:21:33,157 COMING UP, ON "BRAXTON FAMILY VALUES"... 484 00:21:33,158 --> 00:21:34,425 THIS IS NOT JUST A BAR PARTY. 485 00:21:34,426 --> 00:21:35,459 WHERE IS EVERYBODY? 486 00:21:35,460 --> 00:21:37,595 THE PARTY IS IN THREE HOURS, 487 00:21:37,596 --> 00:21:40,765 AND EVERYONE IS SETTING UP EXCEPT FOR TRACI AND TOWANDA. 488 00:21:40,766 --> 00:21:42,933 IN FACT, THEY'RE NOWHERE TO BE FOUND. 489 00:21:42,934 --> 00:21:44,402 EVERYBODY'S COMING TO ME, ASKING, "WHERE'S TRINA? 490 00:21:44,403 --> 00:21:45,636 "WHERE'S TRINA-- WHERE'S TRINA?" 491 00:21:45,637 --> 00:21:47,438 LIKE IT A TRINA PARTY. 492 00:21:47,439 --> 00:21:49,473 I'M GETTING READY TO GO, I'M GETTING TO READY TO GO, 493 00:21:49,474 --> 00:21:51,575 'CAUSE THAT'S NOT FUNNY, AND THAT'S NOT-THAT'S NOT CUTE. 494 00:21:51,576 --> 00:21:54,679 OF COURSE, TAMAR IS HAVING A FIT 495 00:21:54,680 --> 00:21:57,082 IN THE MIDDLE OF MY PARTY. - I'M NOT DOING THAT. 496 00:22:01,920 --> 00:22:03,521 SO, WHAT I HAVE IS, 497 00:22:03,522 --> 00:22:05,356 THIS IS WHAT WE'RE GONNA BE LOOKING AT TODAY. 498 00:22:10,562 --> 00:22:11,729 YOU LIKE THAT? 499 00:22:11,730 --> 00:22:12,997 SEE, WHAT I LIKE ABOUT OUR DANCERS IS, THEY DON'T-- 500 00:22:12,998 --> 00:22:15,633 THE WAY YOU'VE BEEN PUTTING 'EM TOGETHER, 501 00:22:15,634 --> 00:22:17,068 THEY DON'T LOOK LIKE-- - LOOK LIKE HIP HOP DANCERS. 502 00:22:17,069 --> 00:22:18,502 - YOU KNOW, HIP HOP. - RIGHT, RIGHT. 503 00:22:18,503 --> 00:22:19,704 THEY'RE-THEY'RE, LIKE, IN SUITS. 504 00:22:19,705 --> 00:22:20,838 - RIGHT-RIGHT. - AND, YOU KNOW, 505 00:22:20,839 --> 00:22:22,206 THEY KINDA STEP UP, YOU KNOW, THE SHOW A LITTLE BIT. 506 00:22:22,207 --> 00:22:23,908 AND I THINK THAT STILL GIVES IT THAT ESSENCE, THOUGH. 507 00:22:23,909 --> 00:22:25,910 YOU KNOW WHAT I'M SAYING? - EXACTLY, YEAH. 508 00:22:25,911 --> 00:22:27,144 I LOVE THAT. 509 00:22:27,145 --> 00:22:28,546 WANNA LOOK AT THE ACTUAL PANTS? 510 00:22:28,547 --> 00:22:29,680 YEAH, YOU WANNA SEE THE ACTUAL LOOKS? 511 00:22:29,681 --> 00:22:31,349 YEAH, PLEASE. 512 00:22:31,350 --> 00:22:33,417 I MEAN, I REALLY KNOW I LIKE OCTAVIUS' COLLECTION, 513 00:22:33,418 --> 00:22:37,254 BUT IT'S IMPORTANT FOR ME TO SEE THESE PIECES UP CLOSE. 514 00:22:37,255 --> 00:22:39,090 YOU KNOW HOW, SOMETIMES, YOU SEE SOMETHIN' ONLINE, 515 00:22:39,091 --> 00:22:41,659 OR YOU SEE IT IN PICTURES, BUT WHEN IT GET TO YOU, 516 00:22:41,660 --> 00:22:44,995 IT'S A HOT-ASS MESS, AND I DON'T HAVE TIME FOR THAT. 517 00:22:44,996 --> 00:22:46,630 SO-SO, THIS IS THE-THIS IS THE MEN'S PANT. 518 00:22:46,631 --> 00:22:48,432 - OH, WOW! - YEAH. 519 00:22:48,433 --> 00:22:49,567 SO, THIS IS THE LEATHER. 520 00:22:49,568 --> 00:22:51,268 THIS IS, UH, THIS IS, UH, RIBBING, 521 00:22:51,269 --> 00:22:52,503 SO IT JUST SITS UP ON THERE. 522 00:22:52,504 --> 00:22:53,604 CAN'T WE JUST DO THAT IN REGULAR FABRIC, THOUGH, 523 00:22:53,605 --> 00:22:54,739 INSTEAD OF WOOL? - YEAH-YEAH-YEAH. 524 00:22:54,740 --> 00:22:56,807 SO WE CAN DO, LIKE, A BLACK DENIM. 525 00:22:56,808 --> 00:22:58,209 AND IT'S CHEAPER, TOO, AIN'T IT, IF IT AIN'T WOOL? 526 00:22:58,210 --> 00:22:59,744 YEAH-YEAH-YEAH. 527 00:22:59,745 --> 00:23:01,178 AND THEN, SEE, THESE ARE LEATHER. 528 00:23:01,179 --> 00:23:03,381 I LOVE THESE SUSPENDERS-- I THINK THEY'RE SO SMART. 529 00:23:03,382 --> 00:23:06,083 - AND THESE ARE THROUGH THE-- - IT'S SO SMART! 530 00:23:06,084 --> 00:23:07,985 SO, IT GOES THROUGH THE VEST, AND IT CONNECTS UNDER THERE. 531 00:23:07,986 --> 00:23:09,687 THEY EVEN CAN DO SHIRTLESS, TOO, AND JUST THIS, 532 00:23:09,688 --> 00:23:11,455 IF THEY WANT TO SHOW ARMS. - YES, THEY CAN. 533 00:23:11,456 --> 00:23:16,594 LIKE, FOR REAL, OCTAVIUS' COLLECTION IS SICKENING, M'KAY? 534 00:23:16,595 --> 00:23:20,297 HE'S ALREADY IN TUNE WITH OUR CLEAN, UPSCALE, 535 00:23:20,298 --> 00:23:22,566 SOPHISTICATED VISION FOR MY TOUR, 536 00:23:22,567 --> 00:23:24,902 AND, YOU KNOW, I'M REALLY IN LOVE WITH IT. 537 00:23:24,903 --> 00:23:26,604 ALL I HAVE TO DO, IS, LIKE, ADJUST, YOU KNOW, 538 00:23:26,605 --> 00:23:29,440 SOME OF THE COLORS FOR MY RED THEME. 539 00:23:29,441 --> 00:23:30,207 WHAT ABOUT ALL BLACK? 540 00:23:30,208 --> 00:23:31,509 DIDN'T WE TALK ABOUT ALL BLACK? 541 00:23:31,510 --> 00:23:33,244 IS IT TOO DIFFICULT TO MAKE TWO OPTIONS? 542 00:23:33,245 --> 00:23:35,413 NO, NO, WE CAN DO THE FITTING WITH TWO OPTIONS, 543 00:23:35,414 --> 00:23:37,081 AND THEN JUST SEE-SEE-- - WAIT, WAIT, WAIT. 544 00:23:37,082 --> 00:23:38,716 WE AIN'T TALKED ABOUT THE COIN YET-- WAIT, WAIT. 545 00:23:38,717 --> 00:23:40,551 NOT TOO MANY YARDS OF FABRIC. 546 00:23:40,552 --> 00:23:42,486 THINK OPTIONS. 547 00:23:42,487 --> 00:23:44,688 I WANT TEN OPTIONS. - WAIT. 548 00:23:44,689 --> 00:23:46,257 WAIT, AND WAIT, AND WAIT. 549 00:23:46,258 --> 00:23:48,225 - THIS IS BLACK ON BLACK. - BLACK ON BLACK. 550 00:23:48,226 --> 00:23:51,328 - YEAH, TWO LOOKS, THEN. - TWO LOOKS. 551 00:23:51,329 --> 00:23:53,931 I'M-I'M COMPLETELY SATISFIED AND EXCITED ABOUT IT. 552 00:23:53,932 --> 00:23:55,032 YOU LIKE THAT? 553 00:23:55,033 --> 00:23:56,700 SHE GONNA CHANGE EVERYTHING IN THREE DAYS. 554 00:23:56,701 --> 00:23:59,670 "I WAS THINKIN'... 555 00:23:59,671 --> 00:24:02,740 "CAT SUITS FOR EVERYBODY, IN HOT PINK." 556 00:24:02,741 --> 00:24:04,575 - ALL SPANDEX. - NOT HOT PINK! - ALL SPANDEX. 557 00:24:04,576 --> 00:24:06,478 YOU THINK HE'S FUNNY-- YOU THINK HE'S FUNNY? 558 00:24:07,779 --> 00:24:08,979 THANK YOU SO MUCH, OCTAVIUS. 559 00:24:08,980 --> 00:24:10,214 EVERYTHING LOOKS SO GOOD. - THANKS FOR THE OPPORTUNITY. 560 00:24:10,215 --> 00:24:12,149 SAY, "THANK YOU"-- SAY, "THANK YOU." 561 00:24:12,150 --> 00:24:13,184 FOR WHAT? 562 00:24:13,185 --> 00:24:14,452 I KNOW WHO HE IS. 563 00:24:14,453 --> 00:24:15,686 BYE. 564 00:24:15,687 --> 00:24:17,021 - THANK YOU SO MUCH, OCTAVIUS. - OH, THANK YOU. 565 00:24:17,022 --> 00:24:18,355 I-I CANNOT WAIT. 566 00:24:18,356 --> 00:24:19,391 OH, STAY WITH IT. 567 00:24:35,674 --> 00:24:37,741 I THINK IT'S GONNA GO TERRIFIC. 568 00:24:37,742 --> 00:24:43,013 AFTER THREE LONG HOURS OF TRINA'S BAR-CHIX 569 00:24:43,014 --> 00:24:46,851 PARADING THROUGH OUR HOUSE, EVERYONE IS FINALLY GONE, 570 00:24:46,852 --> 00:24:50,788 AND TRACI AND I ARE ABLE TO RELAX IN PEACE. 571 00:24:50,789 --> 00:24:53,291 WELL, WE GOT RID OF EVERYBODY, EXCEPT FOR GABE, YOU KNOW. 572 00:24:59,531 --> 00:25:01,432 - I CAN'T TAKE THIS. - EW. 573 00:25:01,433 --> 00:25:03,869 I REALLY NEED TRINA HUSBAND TO GO. 574 00:25:06,438 --> 00:25:09,473 HE OVERSTAYED HIS WELCOME. 575 00:25:09,474 --> 00:25:11,775 GABE CAME TO VISIT TWO WEEKS AGO, 576 00:25:11,776 --> 00:25:13,911 AND HE'S NEVER LEFT. 577 00:25:13,912 --> 00:25:15,880 LIKE COCKROACHES. 578 00:25:15,881 --> 00:25:17,915 I CAME HERE TO WORK ON THE ALBUM. 579 00:25:17,916 --> 00:25:21,952 NOT TO LISTEN TO GABE HAVIN' SEX WITH TRINA. 580 00:25:23,822 --> 00:25:24,889 TRACI, GO GET 'EM. 581 00:25:24,890 --> 00:25:26,824 TELL 'EM WE HAVE TO TALK TO THEM. 582 00:25:26,825 --> 00:25:28,425 - TOWANDA, GO AHEAD-- - TRACI, YOU'RE THE OLDEST. 583 00:25:28,426 --> 00:25:30,027 I'M SO SICK ON THE STOMACH. 584 00:25:30,028 --> 00:25:32,630 I CAN'T SEE OR SMELL WHATEVER COMES OUT IN THAT DAMN ROOM. 585 00:25:32,631 --> 00:25:36,300 BUT YOU WANT ME TO SMELL IT AND SEE WHAT'S GOING-- 586 00:25:36,301 --> 00:25:38,303 MY STOMACH CAN'T TAKE IT TODAY. 587 00:25:43,108 --> 00:25:44,174 WHAT? 588 00:25:44,175 --> 00:25:45,509 CAN Y'ALL COME OUT HERE FOR A MINUTE, PLEASE? 589 00:25:45,510 --> 00:25:46,644 - OKAY-- ALL RIGHT. - OKAY. 590 00:25:46,645 --> 00:25:49,179 THANKS. 591 00:25:49,180 --> 00:25:51,849 I FEEL LIKE I ALWAYS HAVE TO DO THE DIRTY WORK. 592 00:25:51,850 --> 00:25:53,150 WHAT? 593 00:25:53,151 --> 00:25:55,719 NO "WHAT?" 594 00:25:55,720 --> 00:25:57,722 SIT DOWN. 595 00:26:00,592 --> 00:26:02,826 OKAY. 596 00:26:02,827 --> 00:26:06,230 GABE, YOU OVERSTAYED YOUR WELCOME, DANG IT. 597 00:26:06,231 --> 00:26:07,631 - YOU GOTTA GO. - THAT'S WHY I JUST SAID IT. 598 00:26:07,632 --> 00:26:09,767 YOU GOTS TO GO. - NO, I DIDN'T. 599 00:26:09,768 --> 00:26:11,435 I AIN'T EVEN BEEN IN THE SWIMMING POOL YET. 600 00:26:11,436 --> 00:26:12,736 - YOU GOTS TO GO. - OKAY, WAIT. 601 00:26:12,737 --> 00:26:16,740 LET'S START FROM THE BEGINNING. 602 00:26:16,741 --> 00:26:17,875 WHAT'S THE ISSUE? 603 00:26:17,876 --> 00:26:19,443 THAT HE'S OVERSTAYED HIS WELCOME. 604 00:26:19,444 --> 00:26:23,280 HE'S BEEN HERE FOR A VERY LONG TIME. 605 00:26:23,281 --> 00:26:25,983 WHEN WE DECIDED TO HAVE A BAR-CHIX, SLASH, 606 00:26:25,984 --> 00:26:27,851 HOUSEWARMING PARTY, 607 00:26:27,852 --> 00:26:31,855 IT WAS ONLY BEFITTING THAT GABE WAS THERE. 608 00:26:31,856 --> 00:26:35,025 HE IS A PART OF BAR-CHIX, AS A BUSINESS PARTNER. 609 00:26:35,026 --> 00:26:37,528 TRINA, I UNDERSTAND THAT YOU WANNA SEE YOUR HUSBAND, 610 00:26:37,529 --> 00:26:39,630 BUT THAT'S NOT WHAT WE'RE HERE FOR. 611 00:26:39,631 --> 00:26:41,398 NO ONE ELSE IS SACRIFICING THEIR FAMILY. 612 00:26:41,399 --> 00:26:42,866 MY HUSBAND IS COMING. 613 00:26:42,867 --> 00:26:45,202 HE'S COMING ONE DAY, AND HE'S GOING HOME. 614 00:26:45,203 --> 00:26:47,037 SO, WE-WE HAVE A CONJUGAL VISIT, 615 00:26:47,038 --> 00:26:49,306 AND HE HAS TO GO? 616 00:26:49,307 --> 00:26:51,141 I'M NOT THINKING ABOUT TRINA'S FEELINGS RIGHT NOW. 617 00:26:51,142 --> 00:26:53,143 I'M THINKING ABOUT MY PRIVACY. 618 00:26:53,144 --> 00:26:54,845 IT'S TIME TO GO-- GET OUTTA HERE. 619 00:26:54,846 --> 00:26:56,781 GET OUT. 620 00:26:59,751 --> 00:27:01,385 THEY'RE NOT COMING HERE, NOT NEVER. 621 00:27:01,386 --> 00:27:03,454 - BUT THAT-BUT THAT-- - I MAY GO HOME TO SEE THEM, 622 00:27:03,455 --> 00:27:04,588 BUT I'M OUT HERE FOR ONE REASON. 623 00:27:04,589 --> 00:27:05,656 BUT THAT'S A CHOICE THAT YOU GUYS MADE. 624 00:27:05,657 --> 00:27:06,824 THAT'S NOT FAIR. - BUT THAT'S WHAT I'M SAYING. 625 00:27:06,825 --> 00:27:07,958 IT'S ABOUT SACRIFICE. 626 00:27:07,959 --> 00:27:09,026 I'M OUT HERE FOR ONE REASON AND ONE REASON ONLY, 627 00:27:09,027 --> 00:27:11,328 AND THAT'S TO GET A JOB DONE. 628 00:27:11,329 --> 00:27:13,430 I'M NOT GONNA SACRIFICE MY FAMILY. 629 00:27:13,431 --> 00:27:15,733 THAT'S ABSOLUTELY NOT WHAT I SAID. 630 00:27:15,734 --> 00:27:17,668 WE CAME HERE TO WORK, 631 00:27:17,669 --> 00:27:20,537 AND IT'S KINDA UNCOMFORTABLE ALL THE TIME 632 00:27:20,538 --> 00:27:22,706 TO HAVE ANOTHER MAN IN THIS HOUSE ALL THE TIME, 633 00:27:22,707 --> 00:27:23,707 AND WE CAN'T EVEN BE COMFORTABLE 634 00:27:23,708 --> 00:27:25,142 DOING WHATEVER WE WANNA DO. 635 00:27:25,143 --> 00:27:26,844 YOU KNOW, EVEN THOUGH YOU DIDN'T TELL US HE WAS COMIN', 636 00:27:26,845 --> 00:27:28,345 WE STILL WELCOMED HIM WITH OPEN ARMS, 637 00:27:28,346 --> 00:27:29,580 AND WE WAS LIKE, "OKAY, GABE'S HERE. 638 00:27:29,581 --> 00:27:31,582 "HE'S HERE TO SEE HIS WIFE-- OKAY, WE GET IT." 639 00:27:31,583 --> 00:27:34,385 DAY ONE, DAY TWO, DAY THREE, DAY FOUR, 640 00:27:34,386 --> 00:27:37,054 DAY FIVE, DAY SIX, DAY SEVEN, DAY EIGHT. 641 00:27:37,055 --> 00:27:38,489 THEN, WE'RE LIKE, "OKAY, YOU KNOW WHAT? 642 00:27:38,490 --> 00:27:41,258 "OKAY, IT'S TIME TO GO, NOW." 643 00:27:41,259 --> 00:27:43,661 I AM TRYING TO KEEP THE PEACE, RIGHT NOW, 644 00:27:43,662 --> 00:27:45,162 BUT I DON'T THINK MY SISTERS REALIZE 645 00:27:45,163 --> 00:27:47,464 THAT THEY ARE HURTING MY FEELINGS. 646 00:27:47,465 --> 00:27:49,433 GABE AND I ARE STILL REPAIRING OUR MARRIAGE, 647 00:27:49,434 --> 00:27:52,404 AND TOWANDA AND TRACI ARE BEING COMPLETELY INSENSITIVE TO THAT. 648 00:27:54,305 --> 00:27:56,141 FOR REAL, TRACI, YOU FEEL THE SAME WAY? 649 00:27:59,310 --> 00:28:01,345 WELL, FINE, AF-AFTER THE PARTY-- 650 00:28:01,346 --> 00:28:03,048 - I'LL GO HOME. - GABE-GABE'LL GO BACK HOME. 651 00:28:04,949 --> 00:28:06,484 WELL, I THINK THIS MEETING IS OVER. 652 00:28:23,101 --> 00:28:24,268 SO, I'MA NEED YOU TO RINSE THE APPLES, 653 00:28:24,269 --> 00:28:26,970 RINSE THE STRAWBERRIES, RINSE THE BLACKBERRIES. 654 00:28:26,971 --> 00:28:28,238 HMM. 655 00:28:28,239 --> 00:28:30,074 I HAVE A-A SMALL AMOUNT OF TIME 656 00:28:30,075 --> 00:28:32,042 TO GET EVERYTHING TOGETHER. 657 00:28:32,043 --> 00:28:34,044 IT MEANS A LOT TO ME THAT GABE IS HERE, 658 00:28:34,045 --> 00:28:35,813 HELPING ME SET UP FOR THE PARTY. 659 00:28:35,814 --> 00:28:38,282 EVEN THOUGH TRACI AND TOWANDA ARE TRYING TO KICK HIM OUT, 660 00:28:38,283 --> 00:28:41,118 HE EVEN HIRED THE ENTERTAINMENT ALL BY HIMSELF. 661 00:28:41,119 --> 00:28:44,455 GABE, HAVE YOU SEEN THE GIRLS, TRACI AND TOWANDA? 662 00:28:44,456 --> 00:28:46,156 UH, I SAW 'EM GO TO THE BACK. 663 00:28:46,157 --> 00:28:47,391 THIS IS NOT JUST A BAR PARTY. 664 00:28:47,392 --> 00:28:48,726 I MEAN, THIS IS SUPPOSED TO BE A HOUSEWARMING-- 665 00:28:48,727 --> 00:28:50,227 WHERE IS EVERYBODY? - YOU MEAN, 666 00:28:50,228 --> 00:28:51,228 WHERE'S TOWANDA AND TRACI? 667 00:28:51,229 --> 00:28:52,764 'CAUSE THEY'RE THE ONLY ONES THAT'S MISSIN'. 668 00:28:55,767 --> 00:28:58,135 THE PARTY IS IN THREE HOURS. 669 00:28:58,136 --> 00:29:00,370 GABE, THE BAR-CHIX, 670 00:29:00,371 --> 00:29:03,173 THE STAFF, CATERERS, AND THE ENTERTAINMENT, 671 00:29:03,174 --> 00:29:05,976 THEY'RE HERE, AND EVERYONE IS SETTING UP, 672 00:29:05,977 --> 00:29:07,978 EXCEPT FOR TRACI AND TOWANDA. 673 00:29:07,979 --> 00:29:10,081 IN FACT, THEY'RE NOWHERE TO BE FOUND. 674 00:29:13,251 --> 00:29:14,418 YEAH, ARE YOU GUYS GONNA HELP WITH THE-- 675 00:29:14,419 --> 00:29:16,720 GETTIN' EVERYTHING TOGETHER? 676 00:29:16,721 --> 00:29:17,955 IT'S SUPPOSED- IT'S SUPPOSED TO BE 677 00:29:17,956 --> 00:29:20,991 A JOINT HOUSEWARMING PARTY. - IT'S A HOUSEWARMING PARTY. 678 00:29:20,992 --> 00:29:23,260 NO, IT'S NOT, NO, IT'S NOT, NO, IT'S NOT. 679 00:29:23,261 --> 00:29:24,461 WHAT DO YOU THINK OF THE SIGN? 680 00:29:24,462 --> 00:29:26,163 - AWE, THAT IS CUTE. - AWE, AND CAN Y'ALL 681 00:29:26,164 --> 00:29:28,098 CUTE YOURSELVES INTO THE KITCHEN AND HELP? 682 00:29:28,099 --> 00:29:29,266 THAT'S NOT FAIR. 683 00:29:29,267 --> 00:29:30,567 EVERYBODY'S COMING TO ME, ASKING, "WHERE'S TRINA? 684 00:29:30,568 --> 00:29:31,869 "WHERE'S TRINA-- WHERE'S TRINA?" 685 00:29:31,870 --> 00:29:33,704 LIKE IT A TRINA PARTY. 686 00:29:33,705 --> 00:29:35,672 - GOTTA PARTY OR GO HOME. - NO, BABY GIRL. 687 00:29:35,673 --> 00:29:37,407 WELL, WE'RE GOING HOME THEN, BECAUSE IT'S NOT-- NO. 688 00:29:37,408 --> 00:29:39,243 'CAUSE WE'RE NOT DOING THAT. 689 00:29:39,244 --> 00:29:42,279 I'M GETTING WALKED ALL OVER LIKE A CHEAP RUG, 690 00:29:42,280 --> 00:29:45,449 AND THIS PARTY IS FALLING APART BEFORE IT EVEN STARTS. 691 00:29:45,450 --> 00:29:46,950 TOWANDA, YOU'RE-YOU'RE NOT GONNA HELP? 692 00:29:46,951 --> 00:29:48,385 - WITH WHAT? - WITH THE PARTY. 693 00:29:48,386 --> 00:29:49,453 IT'S YOUR PARTY! - EVERYTHING. 694 00:29:49,454 --> 00:29:51,221 OKAY, FIRST OF ALL, 695 00:29:51,222 --> 00:29:52,422 HOW CAN WE HAVE THIS TABLE MOVED? 696 00:29:52,423 --> 00:29:54,526 UM, THE KARAOKE DJ IS HERE. 697 00:29:56,961 --> 00:29:59,830 SO, ALL Y'ALL SUPPOSED TO DO IS JUST SHOW UP? 698 00:29:59,831 --> 00:30:01,666 BUT, IT'S NOT JUST MY PARTY. 699 00:30:06,704 --> 00:30:08,405 TRINA IS REALLY STRESSED. 700 00:30:08,406 --> 00:30:09,506 I DON'T KNOW WHAT TO DO. 701 00:30:09,507 --> 00:30:11,575 SHE HAS ALL THESE NEW BAR-CHIX PEOPLE, 702 00:30:11,576 --> 00:30:14,478 AND BAR BOYS, AND GABE. 703 00:30:14,479 --> 00:30:16,580 LET THEM HELP HER. 704 00:30:16,581 --> 00:30:18,249 I'M JUST GONNA GET DRESSED. 705 00:30:22,854 --> 00:30:25,622 COMING UP, ON "BRAXTON FAMILY VALUES"... 706 00:30:25,623 --> 00:30:27,724 STOP PLAYING LIKE THAT, FOR REAL! 707 00:30:27,725 --> 00:30:29,893 I DON'T DO THEM KINDA GAMES--THAT'S STUPID. 708 00:30:29,894 --> 00:30:32,763 THIS PARTY IS WHACK. 709 00:30:32,764 --> 00:30:34,364 LIKE, GET OUTTA HERE! 710 00:30:34,365 --> 00:30:36,000 THAT'S NOT EVEN FUN! 711 00:30:37,068 --> 00:30:40,170 WE GOT SOMETHIN' WE WANNA TELL YA. 712 00:30:40,171 --> 00:30:41,338 WHAT ARE YOU THINKING? 713 00:30:41,339 --> 00:30:42,706 YOU'RE NOT SAYING MUCH. - WAIT A MINUTE. 714 00:30:42,707 --> 00:30:44,741 HOLD UP, HOLD UP, HOLD UP, GIRLFRIEND-- WHAT'S TEA? 715 00:30:44,742 --> 00:30:46,443 DON'T GET MAD. - TOO MUCH FOR ME. 716 00:30:46,444 --> 00:30:47,612 SEE YA LATER. 717 00:30:49,514 --> 00:30:50,914 WHEN WE HAVE A PARTY, WHEN WE HAVE AN EVENT, 718 00:30:50,915 --> 00:30:52,449 I'M THE ONE THAT'S ALWAYS DOING THE STUFF. 719 00:30:52,450 --> 00:30:53,550 I AGREE. 720 00:30:53,551 --> 00:30:54,585 BUT, I PROMISE I-- 721 00:30:54,586 --> 00:30:55,352 IT'S-IT'S-IT'S DRIVING ME BATTY. 722 00:30:55,353 --> 00:30:57,688 I AM COMPLETELY STRESSED OUT. 723 00:30:57,689 --> 00:31:00,958 I JUST DON'T FEEL CONFIDENT WITH SO MUCH GOING ON. 724 00:31:00,959 --> 00:31:02,226 TOWANDA AND TRACI! 725 00:31:02,227 --> 00:31:04,494 I'M STILL WEARING FUZZY PINK SLIPPERS. 726 00:31:04,495 --> 00:31:06,063 IT'S SO UNFAIR! 727 00:31:06,064 --> 00:31:07,931 WHAT ARE THOSE-- MY GLASSES? 728 00:31:07,932 --> 00:31:10,067 HAVE THEY ALREADY BEEN CLEANED AND STERILIZED? 729 00:31:10,068 --> 00:31:11,101 Y'ALL HADN'T SEEN THE MENU? 730 00:31:11,102 --> 00:31:12,836 WE'RE NOT CUTTING UP APPLES FOR NO REASON. 731 00:31:12,837 --> 00:31:14,037 OH, OKAY. 732 00:31:14,038 --> 00:31:15,105 NEED SOME PAPER TOWELS, SOMETHING TO LAY THIS UP ON, 733 00:31:15,106 --> 00:31:16,106 OR... 734 00:31:16,107 --> 00:31:17,174 I CAN IF YOU WANT ME TO. 735 00:31:17,175 --> 00:31:18,175 - YEAH, I WOULD MUCH RATHER. - OKAY. 736 00:31:18,176 --> 00:31:19,910 RELAX, RELATE, RELEASE. 737 00:31:19,911 --> 00:31:21,778 THIS PARTY HAS TO BE PERFECT. 738 00:31:21,779 --> 00:31:23,514 I'M NOT USUALLY THIS HIGH STRUNG, BY THE WAY. 739 00:31:27,986 --> 00:31:29,854 I'M JUST GONNA GET DRESSED. 740 00:31:33,925 --> 00:31:36,326 THERE ARE PEOPLE FROM EVERY WALK OF LIFE 741 00:31:36,327 --> 00:31:37,828 COMING TO THIS PARTY, 742 00:31:37,829 --> 00:31:41,231 AND ANYONE THERE CAN BE A POTENTIAL CLIENT FOR BAR-CHIX. 743 00:31:41,232 --> 00:31:43,300 I'M ALMOST STARTING TO REGRET PUTTING BAR-CHIX NAME 744 00:31:43,301 --> 00:31:45,035 ON THIS PARTY. 745 00:31:45,036 --> 00:31:46,637 HEY, WHAT CAN I HELP YOU WITH? 746 00:31:46,638 --> 00:31:47,905 OH, NOW YOU WANNA HELP. 747 00:31:47,906 --> 00:31:49,273 WHAT ARE YOU TALKING, "NOW I WANNA HELP?" 748 00:31:49,274 --> 00:31:50,774 OKAY, I NEED THESE THREE PUT-- 749 00:31:50,775 --> 00:31:52,042 IT'S SO FUN HELPING SOMEBODY THAT'S GONNA BITE-- 750 00:31:52,043 --> 00:31:53,243 - NO-NO, LISTEN, GABE, PLEASE? - WHAT-WHAT-WHAT-WHAT? 751 00:31:53,244 --> 00:31:54,778 I JUST NEED THESE THREE PUT ON THE OTHER BAR. 752 00:31:54,779 --> 00:31:56,613 OKAY, THEY ALREADY HAVE A BOX OUT THERE. 753 00:31:56,614 --> 00:31:58,815 - WELL, THEN, NO. - LET ME GO CHECK, THEN. 754 00:31:58,816 --> 00:32:01,752 I BARELY HAVE TIME TO GET DRESSED AND READY, 755 00:32:01,753 --> 00:32:03,887 AT THIS POINT, BUT GUESS WHAT? 756 00:32:03,888 --> 00:32:07,357 I AM GREAT UNDER PRESSURE-- THAT'S WHY I'M THE CEO. 757 00:32:07,358 --> 00:32:08,826 GOTTA CHANGE MY CLOTHES. 758 00:32:18,036 --> 00:32:19,202 - HI. - HEY, HOW ARE YOU? 759 00:32:19,203 --> 00:32:21,072 GOOD TO SEE YOU. 760 00:32:22,573 --> 00:32:24,141 - HI. - HEY. 761 00:32:24,142 --> 00:32:25,542 OH-OH, BE CAREFUL-- DON'T SPILL IT. 762 00:32:25,543 --> 00:32:26,743 I'M NOT GONNA SPILL IT-- BELIEVE ME. 763 00:32:26,744 --> 00:32:28,011 COME ON IN. 764 00:32:28,012 --> 00:32:29,514 MEET PEOPLE I DON'T KNOW. - THANK YOU. 765 00:32:31,516 --> 00:32:34,618 HEY, TONE-- HEY. 766 00:32:34,619 --> 00:32:37,220 HEY-HEY-HEY, PAPA BEAR IN THE HOUSE! 767 00:32:37,221 --> 00:32:38,522 HI! 768 00:32:38,523 --> 00:32:40,657 EVERYBODY HAVE A STARE. 769 00:32:40,658 --> 00:32:42,993 - HEY, DAD. - HEY, CHICKO. 770 00:32:42,994 --> 00:32:45,562 TOOK A LOT OF WORK, BUT I GOT IT DONE. 771 00:32:45,563 --> 00:32:48,131 WITH NO HELP FROM MY SISTERS-- THANK YOU VERY MUCH. 772 00:32:48,132 --> 00:32:50,468 BUT PEOPLE ARE HERE-- THEY'RE HAVING FUN. 773 00:32:52,270 --> 00:32:56,506 - HI, NIECEY. - T-T-T. 774 00:32:56,507 --> 00:32:58,542 MY NIECE, ASHLEE, HAS BEEN IN L.A., 775 00:32:58,543 --> 00:33:00,711 WORKING FOR TONI AS HER ASSISTANT FOR A WHILE, 776 00:33:00,712 --> 00:33:03,780 BUT I REALLY NEEDED JUST ONE MORE BAR CHICK TONIGHT. 777 00:33:03,781 --> 00:33:05,515 SO I CALLED UP ASHLEE TO HELP OUT. 778 00:33:05,516 --> 00:33:07,818 THANKS-- OH, THANK YOU, ASHLEE. 779 00:33:07,819 --> 00:33:10,754 I DON'T MIND SHARING ASHLEE WITH TRINA TONIGHT, 780 00:33:10,755 --> 00:33:12,489 BUT DON'T GET USED TO IT, TRINA. 781 00:33:12,490 --> 00:33:14,858 ONE TIME-- THAT'S IT. 782 00:33:14,859 --> 00:33:16,426 WHEW! 783 00:33:22,166 --> 00:33:24,234 - OH, THANK YOU. - HOLD ON, LET ME-- 784 00:33:24,235 --> 00:33:25,502 HOLD ON-- LET ME SEE SOMETHIN'. 785 00:33:25,503 --> 00:33:27,871 I'M NOT SURE WHO HIRED THESE PEOPLE. 786 00:33:27,872 --> 00:33:30,273 I THINK GABE HIRED THESE PEOPLE. 787 00:33:30,274 --> 00:33:31,608 - I DON'T KNOW. - IT'S A PETAL. 788 00:33:31,609 --> 00:33:35,479 OH! 789 00:33:35,480 --> 00:33:36,780 WOW! 790 00:33:36,781 --> 00:33:40,050 I JUST THINK IT'S STUPID TO HAVE A MAGICIAN IN THE HOUSE, 791 00:33:40,051 --> 00:33:41,852 WHEN A HOUSE IS ALREADY HAUNTED. 792 00:33:41,853 --> 00:33:44,087 LIKE, ANYTHING CAN HAPPEN IN THIS HOUSE. 793 00:33:44,088 --> 00:33:45,989 - DRINK WAS DELICIOUS, SANDRA. - IT WAS GOOD? 794 00:33:45,990 --> 00:33:48,392 - DELICIOUS-- DELICIOUS. - THANK YOU. 795 00:33:48,393 --> 00:33:49,459 I TRY. 796 00:33:49,460 --> 00:33:51,428 AS A BAR CHICK, I TRY. - YOU DON'T HAVE TO TRY. 797 00:33:51,429 --> 00:33:53,997 THAT'S WHY YOU'RE A BAR CHICK. 798 00:33:53,998 --> 00:33:57,768 THE BAR-CHIX ARE DOING AN AMAZING JOB, AGAIN, 799 00:33:57,769 --> 00:34:00,771 AND EVERYONE IS GETTING PRETTY DAMN TIPSY. 800 00:34:00,772 --> 00:34:02,439 I GOTTA HAVE A TYPE OF COCKTAIL OR SOMETHIN', THEN. 801 00:34:02,440 --> 00:34:04,741 MY NERVES ARE ON 37. 802 00:34:04,742 --> 00:34:07,144 I DON'T KNOW WHAT I WALKED INTO. 803 00:34:07,145 --> 00:34:08,378 ALL RIGHT, LOOK. 804 00:34:08,379 --> 00:34:10,847 - YOU! - HEY, MAMA. 805 00:34:10,848 --> 00:34:13,483 - YOU DID THIS. - ARE YOU CRAZY? 806 00:34:13,484 --> 00:34:14,918 - LET ME PRAY OVER IT. - AIN'T ENOUGH LIQUOR-- 807 00:34:14,919 --> 00:34:16,386 AIN'T ENOUGH LIQUOR HERE FOR ME, FOR THAT. - BLESS IT, HOLY LORD. 808 00:34:16,387 --> 00:34:18,321 IT'S ALL RIGHT NOW. - LIKE, I AIN'T GOT TIME FOR THAT RIGHT NOW. 809 00:34:18,322 --> 00:34:22,292 - WHAT-- OH, HELL NO! - IT'S OKAY-- IT'S OKAY. 810 00:34:22,293 --> 00:34:23,794 NO, FOR REAL, YOU GOT CHILDREN. 811 00:34:23,795 --> 00:34:25,362 YOU MUST BE CRAZY! 812 00:34:25,363 --> 00:34:27,564 STOP PLAYIN' LIKE THAT, FOR REAL! 813 00:34:27,565 --> 00:34:29,132 LIKE, WE AIN'T AT DISNEYLAND. 814 00:34:29,133 --> 00:34:30,734 THAT'S, LIKE, A FOR REAL PERSON. 815 00:34:30,735 --> 00:34:32,836 - HELL NO! - DON'T-DON'T MOVE. 816 00:34:32,837 --> 00:34:35,539 LETTIN' SOME MAGICIAN THAT YOU DON'T KNOW 817 00:34:35,540 --> 00:34:37,541 STICK A SWORD THROUGH YOUR NECK, 818 00:34:37,542 --> 00:34:38,608 IT'S RIDICULOUS. 819 00:34:38,609 --> 00:34:40,110 BREATHE-BREATHE DEEPLY, DEEPLY. 820 00:34:40,111 --> 00:34:42,279 BREATHE, BREATHE, BREATHE. 821 00:34:42,280 --> 00:34:45,115 IT'S STUCK ON A BONE, I THINK. 822 00:34:45,116 --> 00:34:46,983 BREATHE, BREATHE, BREATHE. 823 00:34:46,984 --> 00:34:49,152 I THINK HE SUCKED. 824 00:34:49,153 --> 00:34:50,954 I DON'T KNOW WHY HE WASN'T GOOD. 825 00:34:50,955 --> 00:34:53,390 MAYBE HE NEEDED TO PRACTICE A LITTLE BIT MORE. 826 00:34:53,391 --> 00:34:55,158 WHO WAS HE? 827 00:34:55,159 --> 00:34:57,861 I MEAN, WAS HE RELATED TO SOMEBODY? 828 00:34:57,862 --> 00:34:59,296 HE WASN'T GOOD. 829 00:34:59,297 --> 00:35:01,398 TOWANDA, FOR REAL, STOP PLAYIN'! 830 00:35:01,399 --> 00:35:03,500 - I THINK... - TOWANDA! 831 00:35:03,501 --> 00:35:06,369 OH! 832 00:35:06,370 --> 00:35:08,438 I'M GETTIN' READY TO GO-- I'M GETTIN' READY TO GO. 833 00:35:08,439 --> 00:35:09,806 HERE WE GO-- HERE WE GO. 834 00:35:12,143 --> 00:35:14,010 'CAUSE THAT'S NOT FUNNY, AND THAT'S NOT-THAT'S NOT CUTE. 835 00:35:14,011 --> 00:35:15,745 THAT'S NOT FUN. - BUT, I'M DONE. 836 00:35:15,746 --> 00:35:17,547 SHE'S ABOUT TO PUT A BLADE THROUGH HER NECK. 837 00:35:17,548 --> 00:35:19,349 SHE'S OUT OF HER DAMN MIND! 838 00:35:19,350 --> 00:35:20,884 SHE'S OUT OF HER DAMN MIND! - SHE'S NOT DEAD, TAMAR. 839 00:35:20,885 --> 00:35:23,787 SHE'S STILL ALIVE. - LIKE-LIKE, GET OUTTA HERE! 840 00:35:23,788 --> 00:35:26,189 THAT'S NOT EVEN FUN! 841 00:35:26,190 --> 00:35:28,992 OF COURSE, TAMAR IS HAVING A FIT 842 00:35:28,993 --> 00:35:30,560 IN THE MIDDLE OF MY PARTY 843 00:35:30,561 --> 00:35:32,429 THAT WE'VE BEEN PLANNING FOR TWO WEEKS. 844 00:35:32,430 --> 00:35:33,797 CALM DOWN! 845 00:35:33,798 --> 00:35:36,399 IT'S JUST A MAGICIAN, AND HE'S NOT EVEN THAT GOOD. 846 00:35:36,400 --> 00:35:37,701 SORRY. 847 00:35:37,702 --> 00:35:40,103 I AM SAVED, SANCTIFIED, AND FILLED WITH THE HOLY SPIRIT, 848 00:35:40,104 --> 00:35:42,472 AND PLAN TO STAY THAT WAY, OKAY? 849 00:35:42,473 --> 00:35:44,574 - SHE'S OKAY. - I'M READY. 850 00:35:44,575 --> 00:35:48,311 I MEAN, THIS PARTY IS WHACK, 851 00:35:48,312 --> 00:35:49,479 AND I REALLY, HONEST TO GOD, 852 00:35:49,480 --> 00:35:52,216 DON'T NEED TO BE IN THIS HOUSE ANOTHER SECOND, DARLING. 853 00:35:57,989 --> 00:35:59,389 TAMAR DOESN'T EVEN CARE 854 00:35:59,390 --> 00:36:01,324 HOW MUCH WORK I PUT INTO THIS DAMN PARTY, 855 00:36:01,325 --> 00:36:05,362 AND DRUNK GABE IS THE ONLY ONE WHO SEEMS TO APPRECIATE ME. 856 00:36:05,363 --> 00:36:07,497 UGH, THAT'S NASTY. 857 00:36:07,498 --> 00:36:10,834 - SHE ATE THE FIRE. - THAT IS SO NASTY-- EW! 858 00:36:10,835 --> 00:36:12,836 I MEAN, THAT SMIRK ON GABE'S FACE 859 00:36:12,837 --> 00:36:16,273 IS STARTIN' TO GIVE ME THE-THE HEEBIE-JEEBIES. 860 00:36:16,274 --> 00:36:20,677 I'M SO HAPPY HE'S NOT GONNA BE HERE AFTER TONIGHT. 861 00:36:20,678 --> 00:36:22,345 OKAY, I'M GONNA SIT BACK DOWN. 862 00:36:22,346 --> 00:36:24,514 - WELL, GO AHEAD. - BUT YOU'RE IN THE WAY. 863 00:36:24,515 --> 00:36:25,549 GO AROUND. 864 00:36:25,550 --> 00:36:27,318 WANNA SIT RIGHT HERE? 865 00:36:30,254 --> 00:36:35,525 I AM SO HAPPY THAT GABE IS LEAVING TOMORROW! 866 00:36:35,526 --> 00:36:37,827 - COME ON, SCOOT CLOSE. - OKAY. 867 00:36:37,828 --> 00:36:41,064 NEVER MIND-- I'M GOIN' TO BED. 868 00:36:41,065 --> 00:36:42,666 HOWEVER, COMMA, TOMORROW, 869 00:36:42,667 --> 00:36:45,535 WE HAVE TO TELL MOMMY THAT THE BRAXTON ALBUM 870 00:36:45,536 --> 00:36:47,971 IS TURNED INTO THE BRAXTON SINGLE, 871 00:36:47,972 --> 00:36:50,307 AND I'M-I'M A LITTLE NERVOUS. 872 00:36:50,308 --> 00:36:52,309 I DON'T THINK SHE'S GONNA BE HAPPY. 873 00:36:52,310 --> 00:36:54,578 I'M ABOUT TO, UM, WRAP THIS EVENING UP, THOUGH. 874 00:36:54,579 --> 00:36:56,146 I DON'T KNOW. 875 00:36:56,147 --> 00:36:58,748 OVERALL, I THINK THE PARTY WAS A SUCCESS. 876 00:36:58,749 --> 00:37:01,318 HOWEVER, TRACI AND TOWANDA DID NOT HELP. 877 00:37:01,319 --> 00:37:03,220 NOBODY WANTS TO COME TOGETHER 878 00:37:03,221 --> 00:37:05,388 AND GET SOMETHING DONE AS A GROUP. 879 00:37:05,389 --> 00:37:07,591 SO, HOW ON EARTH ARE WE GONNA FINISH A SINGLE TOGETHER, 880 00:37:07,592 --> 00:37:11,861 IF WE CAN'T EVEN GET ON THE SAME PAGE ABOUT A SIMPLE PARTY? 881 00:37:11,862 --> 00:37:12,963 I THINK I'M ABOUT TO CALL IT A NIGHT, 882 00:37:12,964 --> 00:37:15,098 'CAUSE I HAD TO WORK WHEN Y'ALL WEREN'T WORKING. 883 00:37:15,099 --> 00:37:16,333 TRINA GOIN' TO SLEEP AT 7:30. 884 00:37:16,334 --> 00:37:17,367 Y'ALL HERE ENJOYING THE EVENING, 885 00:37:17,368 --> 00:37:18,803 AND I WAS WORKING. 886 00:37:27,044 --> 00:37:28,545 HEY, GUYS. 887 00:37:34,151 --> 00:37:35,852 I FEEL LIKE WE IN A CONFERENCE OR SOMETHING. 888 00:37:35,853 --> 00:37:37,120 THIS IS THE LIBRARY OF THE HOUSE, THOUGH. 889 00:37:37,121 --> 00:37:38,622 IT'S KINDA NICE. 890 00:37:38,623 --> 00:37:40,890 - WHO PLAYS GOLF? - I DON'T KNOW. 891 00:37:40,891 --> 00:37:44,094 WE RENTED THIS HOUSE. - FROM WHO? 892 00:37:44,095 --> 00:37:45,962 SOMEBODY WHO PLAYS GOLF. 893 00:37:47,898 --> 00:37:49,366 WE'RE ABOUT TO TELL MOMMY THE NEWS 894 00:37:49,367 --> 00:37:51,067 ABOUT NOT DOING A COMPLETE ALBUM, 895 00:37:51,068 --> 00:37:53,003 AND I'M GETTING REALLY ANGSTY. 896 00:37:53,004 --> 00:37:55,105 I KNOW SHE'S REALLY EXCITED, 897 00:37:55,106 --> 00:37:57,807 AND I DON'T KNOW HOW SHE'LL REACT WHEN IT'S NOT HAPPENING 898 00:37:57,808 --> 00:38:00,477 THE WAY SHE ENVISIONED IT TO BE ANYMORE. 899 00:38:00,478 --> 00:38:02,979 I'M JUST GLAD TAMAR'S THE ONE WHO'S GONNA TELL HER. 900 00:38:02,980 --> 00:38:04,281 SO, WHAT ARE YOU GUYS UP TO? 901 00:38:04,282 --> 00:38:05,615 WHAT YOU GIRLS UP TO? 902 00:38:05,616 --> 00:38:07,150 YOU LOOK BEAUTIFUL. 903 00:38:10,921 --> 00:38:14,024 WE GOT SOMETHING WE WANNA TELL YOU. 904 00:38:14,025 --> 00:38:16,559 COMING UP, ON "BRAXTON FAMILY VALUES"... 905 00:38:16,560 --> 00:38:18,161 TRACI, I WOULD SAY SOMETHIN' SMART BACK TO TONI, 906 00:38:18,162 --> 00:38:20,096 'CAUSE YOU HAVE NO IDEA WHAT SHE SAID TO YOU. 907 00:38:20,097 --> 00:38:21,264 I DON'T. 908 00:38:21,265 --> 00:38:22,265 YOU WON'T LET ME TALK TO YOU LIKE THAT. 909 00:38:22,266 --> 00:38:24,301 READ HER BACK-- SNAP YOUR FINGERS! 910 00:38:24,302 --> 00:38:26,636 BACK TO ME, BACK TO ME. 911 00:38:26,637 --> 00:38:28,272 IT'S ABOUT ME. 912 00:38:31,909 --> 00:38:34,010 WE GOT SOMETHING WE WANNA TELL YOU. 913 00:38:38,716 --> 00:38:40,584 OKAY. 914 00:38:42,853 --> 00:38:44,354 OKAY, SO, WE JUST SAID WE'RE JUST GONNA DO A SINGLE, 915 00:38:44,355 --> 00:38:46,122 INSTEAD OF AN ALBUM. 916 00:38:53,364 --> 00:38:56,733 YEAH, SO WE'RE JUST GONNA DO A SINGLE. 917 00:38:56,734 --> 00:38:58,535 - OKAY. - SO... 918 00:38:58,536 --> 00:39:00,103 NOT THAT WE CAN'T DO AN ALBUM LATER, 919 00:39:00,104 --> 00:39:02,405 BUT THEY'RE ONLY GONNA RELEASE A SINGLE TO BEGIN WITH, ANYWAY. 920 00:39:02,406 --> 00:39:06,843 AND THEN, FROM THE SINGLE, GROW. 921 00:39:06,844 --> 00:39:09,913 I'M VERY DISAPPOINTED THAT THEY'RE JUST DOIN' A SINGLE. 922 00:39:09,914 --> 00:39:12,082 BECAUSE, WHAT-- YOU'RE TOO BUSY? 923 00:39:12,083 --> 00:39:13,917 FOR GOD SAKES. 924 00:39:13,918 --> 00:39:16,753 PEOPLE DO WHAT THEY WANT TO DO, 925 00:39:16,754 --> 00:39:18,455 AND I DON'T THINK THEY WANNA DO IT, 926 00:39:18,456 --> 00:39:20,724 TO BE HONEST WITH YOU. 927 00:39:20,725 --> 00:39:21,991 THINK UP-- THINK UP. 928 00:39:21,992 --> 00:39:23,927 DON'T GO DOWN-- DON'T GO DOWN. - TURN YOUR FROWN UPSIDE DOWN. 929 00:39:23,928 --> 00:39:26,196 TAMAR, IF YOU PUT YOUR HAND ON MY LIP-- 930 00:39:26,197 --> 00:39:27,630 I'M TRYING TO HELP. 931 00:39:27,631 --> 00:39:31,000 WE ARE BEING REALISTIC ABOUT OUR TIME CONSTRAINTS. 932 00:39:31,001 --> 00:39:32,202 YEAH, 'CAUSE WHAT WE DON'T WANNA DO 933 00:39:32,203 --> 00:39:33,970 IS START HALF A ALBUM AND NOT FINISH THE OTHER HALF. 934 00:39:33,971 --> 00:39:35,438 RIGHT, THAT'D BE TACKY. 935 00:39:35,439 --> 00:39:37,207 AND THEN, NOTHIN' EVER COMES OUT. 936 00:39:37,208 --> 00:39:38,808 SO, THAT'S WHAT WE HAVE DECIDED. 937 00:39:38,809 --> 00:39:39,943 SO, YOU SHOULD CELEBRATE. 938 00:39:39,944 --> 00:39:41,077 DON'T MAKE THAT FACE, THOUGH. 939 00:39:41,078 --> 00:39:44,080 EH, UP, ALWAYS UP, ALWAYS UP, ALWAYS UP. 940 00:39:44,081 --> 00:39:45,382 SO, I'M GETTING A LITTLE NERVOUS 'CAUSE, YOU KNOW, 941 00:39:45,383 --> 00:39:47,016 MY MAMA'S NOT SAYIN' THAT MUCH. 942 00:39:47,017 --> 00:39:49,586 AND, YOU KNOW, WHEN SHE GET ALONE IN HER FEELINGS, 943 00:39:49,587 --> 00:39:50,520 THAT'S WHAT SHE DO. 944 00:39:50,521 --> 00:39:51,821 SHE GOT THAT LITTLE SHUT DOWN SPIRIT. 945 00:39:51,822 --> 00:39:52,922 SO, I'M JUST LIKE, WAIT A MINUTE. 946 00:39:52,923 --> 00:39:54,691 HOLD UP, HOLD UP, HOLD UP, GIRLFRIEND, WHAT'S TEA? 947 00:39:54,692 --> 00:39:57,127 DON'T GET MAD. 948 00:39:57,128 --> 00:39:58,261 WHAT ARE YOU THINKING? 949 00:39:58,262 --> 00:40:00,230 YOU'RE NOT SAYING MUCH-- SO, WHAT ARE YOU THINKIN'? 950 00:40:00,231 --> 00:40:01,831 I'M JUST-I-I-- 951 00:40:01,832 --> 00:40:04,634 WELL-- - IT AIN'T BAD NEWS, HUH? 952 00:40:04,635 --> 00:40:07,237 WELL... 953 00:40:07,238 --> 00:40:09,205 I-I DIDN'T KNOW WHAT TO SAY. 954 00:40:09,206 --> 00:40:12,075 I HAD TO BE QUIET A BIT BECAUSE I WOULD'VE CRIED. 955 00:40:12,076 --> 00:40:14,310 I KNOW. 956 00:40:14,311 --> 00:40:15,712 THAT'S GOOD NEWS 'CAUSE WE COULD'VE SAID, 957 00:40:15,713 --> 00:40:18,482 WE AIN'T DOING NO SINGLE OR ALBUM. 958 00:40:21,218 --> 00:40:24,988 SO, ALL OF YOU GUYS ARE GONNA WRITE IT COLLECTIVELY? 959 00:40:24,989 --> 00:40:26,990 WELL, YOU KNOW, THAT PART DOESN'T REALLY MATTER, 960 00:40:26,991 --> 00:40:28,858 AS LONG AS IT'S A GOOD SONG. - WELL, I-I WANNA KNOW. 961 00:40:28,859 --> 00:40:30,593 IT MATTER TO ME-- I WANNA KNOW. 962 00:40:30,594 --> 00:40:32,128 IT'S ABOUT FINDING THE RIGHT SONG. 963 00:40:32,129 --> 00:40:33,463 WHETHER IT COMES FROM US OR SOMEONE ELSE, 964 00:40:33,464 --> 00:40:34,697 IT DOESN'T MATTER. 965 00:40:34,698 --> 00:40:37,634 I THINK IT'S IMPORTANT THAT WE HEAR IT AND WE ALL LOVE IT. 966 00:40:37,635 --> 00:40:38,701 YOU DIDN'T HEAR WHAT SHE SAID. 967 00:40:38,702 --> 00:40:40,203 IT'S IMPORTANT THAT WE ALL "HUR" IT. 968 00:40:40,204 --> 00:40:41,671 GIRL, YOU GOT THAT "D" ? 969 00:40:41,672 --> 00:40:42,839 WHAT YOU HAVE-- WHAT YOU HAVE? 970 00:40:42,840 --> 00:40:45,508 - I'VE BEEN TALKING TO TRACI. - SHE'S BEEN AROUND ME. 971 00:40:45,509 --> 00:40:46,676 DID I SAY, "HUR IT?" 972 00:40:46,677 --> 00:40:47,644 YES. 973 00:40:47,645 --> 00:40:49,012 I'VE BEEN HANGING AROUND-- OH, MY GOD! 974 00:40:49,013 --> 00:40:50,548 TRACI IS ELIZA DOOLITTLE. 975 00:40:53,884 --> 00:40:55,685 YOU HAVE NO IDEA WHAT SHE SAID TO YOU. 976 00:40:55,686 --> 00:40:56,753 I DON'T. 977 00:40:56,754 --> 00:40:59,589 UH, TONI, WHO IN THE HELL IS ELIZA DOOLITTLE? 978 00:40:59,590 --> 00:41:03,493 'CAUSE I DON'T KNOW WHY YOU EXPLAINING AND COMPARING 979 00:41:03,494 --> 00:41:05,662 YOU AND ME AS ELIZA DOOLITTLE, 980 00:41:05,663 --> 00:41:08,631 AND I DON'T KNOW WHO THE HELL THE WOMAN IS. 981 00:41:08,632 --> 00:41:09,799 YOU WON'T LET ME TALK TO YOU LIKE THAT. 982 00:41:09,800 --> 00:41:12,202 GIRL, READ HER BACK-- SNAP YOUR FINGERS! 983 00:41:12,203 --> 00:41:15,205 YOU WOULD NEVER LET ME TALK TO YOU LIKE THAT. 984 00:41:15,206 --> 00:41:16,473 I DON'T KNOW IF EVERYBODY, YOU KNOW, 985 00:41:16,474 --> 00:41:19,742 HAVE SEEN "MY FAIR LADY," BUT ELIZA DOOLITTLE IS A GIRL 986 00:41:19,743 --> 00:41:21,344 WHO SHE CAN'T REALLY SPEAK ENGLISH THAT GOOD. 987 00:41:21,345 --> 00:41:23,279 SHE SPEAK, LIKE, BROKEN ENGLISH. 988 00:41:23,280 --> 00:41:24,681 YEAH, YOU WOULD NEVER LET ME TALK TO YOU. 989 00:41:24,682 --> 00:41:26,349 - BECAUSE YOUR DELIVERY. - IT'S THE DELIVERY. 990 00:41:26,350 --> 00:41:29,519 IT'S THE DELIVERY. - THE DELIVERY ISN'T POLITE. 991 00:41:29,520 --> 00:41:30,587 ANYWAY... 992 00:41:30,588 --> 00:41:33,256 THE GIRLS, THEY GET TOGETHER, THEY ARGUE, 993 00:41:33,257 --> 00:41:34,824 THEY DON'T WANNA DO THIS AND THAT. 994 00:41:34,825 --> 00:41:38,561 JUST ACTING LIKE PLUM FOOLS. 995 00:41:38,562 --> 00:41:41,164 BACK TO ME, BACK TO ME. 996 00:41:41,165 --> 00:41:44,467 IT'S ABOUT ME. 997 00:41:44,468 --> 00:41:47,470 THANK GOD FOR THE ONE-- THAT'S WHAT I SAY. 998 00:41:47,471 --> 00:41:49,239 THAT'S A BLESSING. - BABY STEPS. 999 00:41:49,240 --> 00:41:51,875 SO, I KNOW IT'S GONNA BE A SUCCESS. 1000 00:41:51,876 --> 00:41:57,213 JUST GET THAT OUT THERE, SO I CAN HEAR IT AND... 1001 00:41:57,214 --> 00:41:58,414 HOW ABOUT THAT? 1002 00:41:58,415 --> 00:41:59,949 - I DON'T KNOW THAT WORD. - DON'T WORRY ABOUT IT. 1003 00:41:59,950 --> 00:42:01,551 - BRAGGACIOUS-- BRAG. - BRAGGING, YEAH. 1004 00:42:01,552 --> 00:42:03,353 YOU WANNA TALK ABOUT ME SAYING WHAT I SAID TO TRACI. 1005 00:42:03,354 --> 00:42:05,788 MAYBE I COULD'VE SAID IT TO YOU, ELIZA. 1006 00:42:05,789 --> 00:42:07,357 FORGET IT-- THANK YOU, GIRLS. 1007 00:42:07,358 --> 00:42:09,093 I'M OUT, I'M OUT, I'M OUT, I'M OUT. 1008 00:42:13,764 --> 00:42:16,699 TOO MUCH FOR ME-- SEE YA LATER. 1009 00:42:16,700 --> 00:42:19,602 MOMMY ACTUALLY TOOK IT BETTER THAN I IMAGINED. 1010 00:42:19,603 --> 00:42:22,805 I THINK SHE'S FEELING SIMILAR TO US WITH HER FRUSTRATION, 1011 00:42:22,806 --> 00:42:24,641 AND SHE SEES THAT IT MAKES MORE SENSE 1012 00:42:24,642 --> 00:42:27,644 TO FOCUS ON ONE SONG VERSUS A WHOLE ALBUM. 74969

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